Search Catalogue

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: PATERSON, DAVID

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: O'GRADY,OLIVER

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: OEMCKE,STEVE

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: OLIVER, PAUL

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: OTTO, GRACIE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NOVYI VAVILON (UR, Grigorij Kozincev & Leonid Trauberg, 1929)

Author: Kelly, D. V.
PhysDes: Article
Subject: CABLE TV. AUSTRALIA; PAY TV. AUSTRALIA; JOEL, DAVID; INDUSTRY, FILM. AUSTRALIA
Summary: Letter from D. V. Kelly ( Assistant to Chief Executive Officer, Cinematograph Exhibitors' Association) to David Joel (Cinema Exhibitors' Association) on why Cable Television is not needed in Australia.

Call No: TITLE CLIPPINGS FILE; PAN (US, Joe Wright, 2015)
Author: Dent, Nick
PhysDes: Clippings
Subject: PAN (US, Joe Wright, 2015)
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE; PAN (US, Joe Wright, 2015)
Author: Dent, Nick
PhysDes: Clippings
Subject: PAN (US, Joe Wright, 2015)
Rating: 3 out of 5 stars

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: PARKER, NATE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [ONE ONE] 1:1 (DK/UK, Annette Olesen, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [ONE] 1 DAY 2 TRACKS (AT, Shalom Almond & Tasmin Sharp, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [ONE] 1 VS 100 [TV] (AT, 2007 -08)

Subject: PASSAGE TO INDIA, A (US/UK, David Lean, 1984); BUDGETING; ADVERTISING FOR FILMS
Summary: Report on the advertisment budget for 'A Passage To India'

Call No: 19TWE EYM
Author: Eyman, Scott
Edition: 2021
Place: New York
Publisher: Running Press
PhysDes: 296 pages : illustrated ; 24 cm
Subject: TWENTIETH CENTURY-FOX; ZANUCK, DARRYL F.; BORZAGE, FRANK; CHAPLIN, CHARLES; DUNNE, PHILIP; FORD, JOHN; HOW GREEN WAS MY VALLEY (US, John Ford, 1941); LONGEST DAY, THE (US, Ken Annakin & Andrew Marton & Bernhard Wicki, 1962); PARAMOUNT STUDIOS; POWER, TYRONE; SCHENCK, JOSEPH M.; SOUND OF MUSIC, THE (US, Robert Wise, 1965); TEMPLE, SHIRLEY; WAYNE, JOHN; TAYLOR, ELIZABETH
Summary: From New York Times bestselling author Scott Eyman, this is the story of one of the most legendary and influential studios in film history, from its inception up to its demise in 2019. March 20, 2019 marked the end of an era -- Disney took ownership of the movie empire that was Fox. For almost a century before that historic date, Twentieth Century-Fox was one of the preeminent producers of films, stars, and filmmakers. Its unique identity in the industry and place in movie history is unparalleled -- and one of the greatest stories to come out of Hollywood. One man, a legendary producer named Darryl F. Zanuck, is the heart of the story. This narrative tells the complete tale of Zanuck and the films, stars, intrigue, and innovations of the iconic studio that was. -- publisher's web site
ISBN: 9780762470938

Call No: TITLE CLIPPINGS FILE; PAWNO (AT, Paul Ireland, 2015)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: PAWNO (AT, Paul Ireland, 2015)
Summary: Film review
Rating: 4 out of 5 stars

Call No: 802.25 FIF
Author: Cowie, Peter
Place: South Brunswick, N.J.
Publisher: A. S. Barnes
PubDate: c1975
PhysDes: 287 p. : ill. ; 29 cm
Subject: ANDERSON, LINDSAY; ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BERTOLUCCI, BERNARDO; BONDARCUK, SERGEJ; BRESSON, ROBERT; BROOKS, RICHARD; BUNUEL, LUIS; CHABROL, CLAUDE; DEMY, JACQUES; DONNER, JORN; DONSKOJ, MARK; FELLINI, FEDERICO; FORMAN, MILOS; FRANJU, GEORGES; FRANKENHEIMER, JOHN; HAANSTRA, BERT; HITCHCOCK, ALFRED; ICHIKAWA, JUN; IVENS, JORIS; JANCSO, MIKLOS; KAZAN, ELIA; KOZINCEV, GRIGORIJ; KUBRICK, STANLEY; KUROSAWA AKIRA; LOSEY, JOSEPH; LUMET, SIDNEY; MAKAVEJEV, DUSAN; MALLE, LOUIS; MELVILLE, JEAN-PIERRE; NEMEC, JAN; OSHIMA NAGISA; PASOLINI, PIER PAOLO; PENN, ARTHUR; POLANSKI, ROMAN; RAY, SATYAJIT; RESNAIS, ALAIN; ROHMER, ERIC; ROSI, FRANCESCO; SCHLESINGER, JOHN; SCHORM, EVALD; SKOLIMOWSKI, JERZY; TATI, JACQUES; TORRE NILSSON, LEOPOLDO; TROELL, JAN; TRUFFAUT, FRANCOIS; VISCONTI, LUCHINO; WAJDA, ANDRZEJ; WELLES, ORSON; WIDERBERG, BO
Notes: Includes filmographies and index
ISBN: 0498012557 : $20.00
LON: 723676
ID2: 291

Call No: 915(94) TV
Source: AT
Place: Sydney, NSW
Publisher: ACP Magazines
PubDate: 2007
PhysDes: 94 pages : colour illustrations ; 28 cm
Series: TV Week
Subject: TELEVISION JOURNALISM. AUSTRALIA; McCune, Lisa; MCLACHLAN, CRAIG; NEWTON, BERT; PARKER, GEORGIE
Notes: "Souvenir 50th birthday issue"
ISSN: 9313006007005
Contents: 50th birthday -- Top 25 cover stars -- Star invterview: Georgie Parker -- Weddings -- The 1950s -- The 1960s -- TV Week memories: Bert and Patti Newton -- The 1970s -- The 1980s -- TV Week memories: Carig McLachlan -- The 1990s -- TV Week memories: Lisa McCune -- The 2000s -- '80s and '90s fashion -- Talkback and TV Week -- 50 years of goss -- Regulars -- Movies on TV -- Your TV listings -- Hot plots: overseas dramas and soaps -- Puzzles -- Overseas goss -- Aussie goss -- Birthday countdown: Amy Mizzi -- Features -- Neighbours: lessons in love -- Dancing with the stars: the final cha cha

PhysDes: Article
Subject: ACADEMY AWARDS; CHARIOTS OF FIRE (UK, Hugh Hudson, 1981); HEPBURN, KATHARINE; FONDA, HENRY; BEATTY, WARREN; STAPLETON, MAUREEN; ON GOLDEN POND (US, Mark Rydell, 1981); REDS (US, Warren Beatty, 1981); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); MEPHISTO (HU/GW, Istvan Szabo, 1981); AMERICAN WEREWOLF IN LONDON, AN (UK, John Landis, 1981)
Summary: List of Academy Award winners for 1982.

Call No: S ONE
Author: Cairnes, Colin; Cairnes, Cameron
PubDate: 2012
PhysDes: 98 leaves ; 30 cm
Subject: [ONE HUNDRED] 100 BLOODY ACRES (AT, Cameron Cairnes/Colin Cairnes, 2012)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [ONE HUNDRED] 100 CENTRE STREET [TV] (US, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [ONE HUNDRED] 100 GIRLS (US, Michael Davis, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills; Publicity
Subject: [ONE HUNDRED] 100 YEARS: THE AUSTRALIAN STORY (AT, Sue Spencer & Deborah Masters, 2001)

Call No: 736.1 BUS
Author: Buscombe, Edward
CorpAuthor: BFI
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2006
PhysDes: 248 p. : 17 cm
Series: BFI Screen Guides
Subject: WESTERNS; NATIVE AMERICANS IN FILMS; GENRES; BUSCOMBE, EDWARD; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969); BEGUILED, THE (US, Don Siegel, 1971); BIG SKY, THE (US, Howard Hawkes, 1952); BROKEN ARROW (US, Delmer Daves, 1950); BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CALAMITY JANE (US, David Butler, 1953); COWBOY (US, Delmer Davies, 1958); DANCES WITH WOLVES (US, Kevin Costner, 1990); DEAD MAN (US, Jim Jarmusch, 1995); DESTRY RIDES AGAIN (US, George Marshall, 1939); DODGE CITY (US, Michael Curtiz, 1939); DUEL IN THE SUN (US, King Vidor, 1946); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); FORT APACHE (US, John Ford, 1948); BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966); GO WEST (US, Buster Keaton, 1925); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); GREY FOX, THE (CN, Philip Borsos, 1982); HANGING TREE, THE (US, Delmer Daves, 1958); HEAVEN'S GATE (US, Michael Cimino, 1980); HIGH NOON (US, Fred Zinnemann, 1952); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); IRON HORSE, THE (UK, John Ford, 1924); JOHNNY GUITAR (US, Nicholas Ray, 1954); LAST OF THE MOHICANS, THE (US, Michael Mann, 1992); LAST WAGON, THE (US, Delmer Daves, 1956); LITTLE BIG MAN (US, Arthur Penn, 1970); LONG RIDERS, THE (US, Walter Hill, 1980); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MAN FROM LARAMIE, THE (US, Anthony Mann, 1955); MAN OF THE WEST (US, Anthony Mann, 1958); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); MCCABE AND MRS MILLER (US, Robert Altman, 1971); MISSOURI BREAKS, THE (US, Arthur Penn, 1976); MONTE WALSH (US, William A. Fraker, 1970); MY DARLING CLEMENTINE (US, John Ford, 1946); C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968); ONE-EYED JACKS (US, Marlon Brando, 1961); OPEN RANGE (US, Kevin Costner, 2003); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); PURSUED (US, Raoul Walsh, 1947); RAMROD (US, Andre de Toth, 1947); RANCHO NOTORIOUS (US, Fritz Lang, 1952); RED RIVER (US, Howard Hawks, 1948); RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962); RIO BRAVO (US, Howard Hawks, 1959); SEARCHERS, THE (US, John Ford, 1956); SHANE (US, George Stevens, 1953); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); SHOOTING, THE (US, Monte Hellman, 1966); SHOOTIST, THE (US, Donald Siegel, 1976); STAGECOACH (US, John Ford, 1939); SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969); FA TALAI JONE (TH, Wisit Sasanatieng, 2000); TWO RODE TOGETHER (US, John Ford, 1961); ULZANA'S RAID (US, Robert Aldrich, 1972); UNFORGIVEN (US, Clint Eastwood, 1992); VIVA MARIA (US, Louis Malle, 1965); WILD BUNCH, THE (US, Sam Peckinpah, 1969); DAVES, DELMER; WAYNE, JOHN; Stewart, James; EASTWOOD, CLINT; FORD, JOHN
Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.]
ISBN: 1844571122

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [ONE OH ONE] 101 REYKJAVIK (IC/DK/FR/NO, Baltasar Kormakur, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [ONE HUNDRED AND TWENTY-SEVEN] 127 HOURS (UK/US, Danny Boyle, 2010)

PhysDes: Article
Subject: ROADGAMES (AT, Richard Franklin, 1981); PATRICK (AT, Richard Franklin, 1978); ALEXANDRA'S PROJECT (AT, Rolf De Heer, 2003); QUIET AMERICAN, THE (US, Joseph L. Mankiewicz, 1957); PROPOSITION, THE (AT/UK, John Hillcoat, 2005)
Summary: List of little-known Australian and New Zealand films, ranging from 1978-2005

PhysDes: Article
Subject: BREATHLESS (US, Jim McBride, 1983); GERE, RICHARD; ORION PICTURES; ADVERTISING FOR FILMS
Summary: Article on the success of 'Breathless' in France, largely acredited to the promotion and marketing of the film

Subject: PASSAGE TO INDIA, A (US/UK, David Lean, 1984)
Summary: Article on the critical and commericla success of 'A Passage to India' in the U.S.

Subject: PASSAGE TO INDIA, A (US/UK, David Lean, 1984)
Summary: Article on the making of 'A Passage to India'

Subject: PASSAGE TO INDIA, A (US/UK, David Lean, 1984)
Summary: Article on the success of 'A Passage to India' with awards won and positive comments from critics

Subject: PASSAGE TO INDIA, A (US/UK, David Lean, 1984)
Summary: Atricle on 'A Passage to India' being chosen to screen at the Royal Film Performance

Call No: SUBJECT CLIPPINGS FILE; MEDIA. AUSTRALIA
Author: [editorial]
PhysDes: Clippings File Article
Subject: MEDIA AUSTRALIA; OWNERSHIP TV. AUSTRALIA; STATE AND TV. AUSTRALIA
Summary: Supporting Communications Minister Malcolm Turnbull's push to 'liberate' Australia's media ownership laws, but worries that some established media companies are against the laws as they won't favour them.
Notes: in the Media Australia. 2015 clippings file

Call No: TITLE CLIPPINGS FILE; PAUL BLART: MALL COP (US, Andy Fickman , 2015)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: PAUL BLART: MALL COP (US, Andy Fickman , 2015)
Summary: Review
Rating: 2 out of 5 stars

Subject: DAVIS, JUDY; PASSAGE TO INDIA, A (US/UK, David Lean, 1984)
Summary: Announcement of Judy Davis' Academy Award nomination for 'A Passage to India'

Call No: held v.4, no.1-v.6, no.3 Dec. 1977-June/July 1980 lacks v.5, no.1
CorpAuthor: Open Channel Co-operative (Melbourne, Vic.); Paddington Video Resource Centre
Source: AT
Place: Carlton, Vic.
Publisher: Paddington Town Hall Trust for the Paddington Video Resource Centre and the Melbourne Access Video and Media Co-operative
PubDate: 1977
PhysDes: v. : ill. ; 29 cm
Subject: OPEN CHANNEL; TELEVISION. AUSTRALIA; INDUSTRY, TV. AUSTRALIA
Notes: Cover title; Continues Access video news
ISSN: 0158-989X
LON: abn83046910; 2611345

Call No: held under ACCESS VIDEO; held vol.1 no 2 Sep 1975 - vol.6 no.3 Winter 1980 (incomplete)
CorpAuthor: National Access Media Association; Video Resource Centre (Melbourne, Vic.)
Source: AT
Place: Melbourne
Publisher: Video Resource Centre
PubDate: 1975-1977
PhysDes: 3 v. : ill. ; 29 cm
Subject: OPEN CHANNEL; INDUSTRY, TV. AUSTRALIA
Notes: Caption title; Continued by Access news
ISSN: 0313-726
LON: abn84223888; 3419071

PhysDes: Article
Subject: ACH DU LIEBER HARRY (GW, Jean Girault 1980); OH MY DEAR HARRY (GW, Jean Girault 1980)
Notes: "Ach Du Lieber Harry" is also known as "Oh My Dear Harry" (English title)

Call No: TITLE CLIPPINGS FILE; O.J.: MADE IN AMERICA (US, Ezra Edelman, 2016)
Author: Maddox, Garry
PhysDes: Clippings
Subject: O.J.: MADE IN AMERICA (US, Ezra Edelman, 2016); CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987)
Summary: Report on ACMI's screening of 7.5 hour O.J. Simpson documentary.

Call No: PERSONALITY CLIPPINGS FILE; OFNER, JOHAN
Author: McDonald, Shae -- Motherwell, Sarah
PhysDes: Clippings
Subject: STUNTS. AUSTRALIA; SAFETY. AUSTRALIA; OFNER, JOHAN
Summary: Death of actor Johan Ofner in accident that occured during a music video shoot for the band Bliss n Eso

Call No: PERSONALITY CLIPPINGS FILE; PEACOCKE, STEVE
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: ACTORS. AUSTRALIA; PEACOCKE, STEVE
Summary: Snippet on Australian actor Stephen Peacocke on his attempts to gain citizenship to the USA to allow him to work there

Call No: 753 ADA
Author: Cartmell, Deborah; Whelehan, Imelda
Source: US/UK
Place: London New York
Publisher: Routledge
PubDate: 1999
PhysDes: xvii, 247 p. : ill. ; 24 cm
Subject: ADAPTATIONS; ADAPTATIONS. AUSTEN, JANE; ADAPTATIONS. SHAKESPEARE, WILLIAM; ANIMATION; BATMAN IN FILMS; TELEVISION AND THE CINEMA; TELEVISION IN FILMS; CAMPION, JANE; BATMAN [TV] (US, 1965-67); SCARLET LETTER, THE (US, Roland Joffe, 1995); SENSE AND SENSIBILITY (US, Ang Lee, 1995); EMMA (UK, Douglas McGrath, 1996); CLUELESS (US, Amy Heckerling, 1995); LITTLE WOMEN (US, George Cukor, 1933); LITTLE WOMEN (US, Gillian Armstrong, 1994); LITTLE WOMEN (US, Mervyn LeRoy, 1948); NAKED LUNCH (CN/UK, David Cronenberg, 1991); SCHINDLER'S LIST (US, Steven Spielberg, 1993); TRAINSPOTTING (UK, Danny Boyle, 1996); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); BATMAN (US, Tim Burton, 1989); [ONE HUNDRED AND ONE] 101 DALMATIANS (US, Stephen Herek, 1996)
Summary: "Adaptations surveys the key approaches and debates surrounding adaptation, and explores why adaptations of both 'high' and 'low' cultural texts have become increasingly popular. Beginning with the history of Shakespeare on film, from Olivier's and Branagh's Hamlet, contributors examine screen versions of literary classics, from Nathaniel Hawthorne's The Scarlet Letter and Louisa May Alcott's Little Women to Thomas Keneally's Schindler's Ark and Irvine Welsh's Trainspotting. Adaptations goes on to consider adaptation in reverse: How writers like Virginia Woolf incorporated cinematic elements into their work, and explains why there had to be a novel of Jane Campion's The Piano. Contributors examine adaptations from comics to film, such as the Batman movies, Star Trek's incarnations as a long-running tv series, and then as a sequence of movies, and 101 Dalmations' [sic] move from children's novel to cartoon to live-action film." - BOOK BLURB
Notes: Includes bibliographical references (p. 226-238) and index
ISBN: 041516737X (hbk); 0415167388 (pbk); 041516737X (hardcover : alk. paper); 0415167388 (pbk : alk. paper)
LON: 14255526
Contents: Part 1: an overview -- Adaptations: the contemporary dilemmas / Imelda Whelehan; Part 2: from text to screen -- Introduction / Deborah Cartmell -- The Shakespeare on screen industry / Deborah Cartmell -- Conservative Austen, radical Austen: Sense and Sensibility from text to screen / Julian North -- From Emma to Clueless: taste, pleasure and the scene of history / Esther Sonnet -- Imagining the puritan body: the 1995 cinematic version of Nathaniel Hawthorne's The Scarlet Letter / Roger Bromley -- Four Little Women: three films and a novel / Pat Kirkham and Sarah Warren -- Will Hollywood never learn? David Cronenberg's Naked Lunch / Nicholas Zurbrugg -- Adapting the Holocaust: Schindler's List, intellectuals and public knowledge / Mark Rawlinson -- Speaking out: the transformations of trainspotting / Derek Paget; Part 3: from screen to text and multiple adaptations -- Introduction / Deborah Cartmell -- Orlando: coming across the divide / Sharon Ouditt -- Jane Campion and the limits of literary cinema / Ken Gelder -- The wrath of the original cast: translating embodied television character to other media / Ina Rae Hark -- Batman: one life, many faces / Will Brooker -- 'Thou art translated': analysing animated adaptation / Paul Wells -- 'A doggy fairy tale': the film metamorphoses of The Hundred and One Dalmatians / Imelda Whelehan

Call No: 753(510) DEP
Author: Deppman, Hsiu-Chuang
Source: US
Place: Honolulu
Publisher: University of Hawai'i Press
PubDate: c2010
PhysDes: viii, 243 p. : ill. ; 23 cm
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; LITERATURE AND THE CINEMA. CHINA; CITY OF SADNESS, A [; CHINA IN FILMS; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000); WO HU ZANG LONG (HK, Ang Lee, 2000); RAISE THE RED LANTERN (CC/HK/TZ, Zhang Yimou, 1991); RAISE THE RED LANTERN (CC/HK/TZ, Zhang Yimou, 1991) SEE DAHONG DENGLONG GAOGAO GUA; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991); RED ROSE WHITE ROSE (HK/TZ, Stanley Kwan, 1994) SEE HONG MEI GUI BAI MEI GUI; HONG MEI GUI BAI MEI GUI (HK/TZ, Stanley Kwan, 1994); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); IN THE MOOD FOR LOVE (HK, Wong Kar-Wai, 2000) SEE FA YEUNG NIN WA; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); LITTLE CHINESE SEAMSTRESS (FR, Dai Sijie, 2002) SEE BALZAC ET LA PETITE TAILLEUSE CHINOISE; BALZAC ET LA PETITE TAILLEUSE CHINOISE (FR, Dai Sijie, 2002); TIME TO LIVE, THE TIME TO DIE, THE (TZ, Hou Hsiao-Hsien, 1986); TIME TO LIVE, THE TIME TO DIE, THE (TZ, Hou Hsiao-Hsien, 1986) SEE TONG NIEN WANG SHI; TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986); PERSONALS, THE (TW, Kuo-fu Chen, 1998) SEE ZHENG HUN QI SHI; ZHENG HUN QI SHI (TW, Kuo-fu Chen, 1998)
Summary: "This book is the first to put these landmark films in the context of their literary origins and explore how the best Chinese directors adapt fictional narratives and styles for film. Delving equally into the individual approaches of directors and writers, Hsiu-Chuang Deppman initiates readers into the exciting possibilities emanating from the world of Chinese cinema. The seven in-depth studies include a diverse array of forms (cinematic adaptation of literature, literary adaptation of film, auto-adaptation, and non-narrative adaptation) and a variety of genres (martial arts, melodrama, romance, autobiography, documentary drama). Complementing this formal diversity is a geographical range that far exceeds the cultural, linguistic, and physical boundaries of China. The directors represented here also work in the U.S. and Europe and reflect the growing international resources of Chinese-language cinema." -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references (p. 215-233) and index
ISBN: 9780824834548
Donation: donated by Senses of Cinema 2013
Contents: -- acknowledgments -- introduction -- 1. Wang Dulu and Ang Lee: Artistic Creativity and Sexual Freedom in Crouching Tiger, Hidden Dragon -- 2. Su Tong and Zhang Yimou: Women's Places in Raise the Red Lantern -- 3. Eileen Chang and Stanley Kwan: Politics and Love in Red Rose (and) White Rose -- 4. Liu Yichang and Wong Kar-wai: The Class Trap in In the Mood for Love -- 5. Dai Sijie: Locating the Third Culture in Balzac and the Little Chinese Seamstress -- 6. Hou Xiaoxian and Zhu Tianwen: Politics and Poetics in A Time to Live, A Time to Die -- 7. Chen Yuhui and Chen Guofu: Envisioning Democracy in The Personals -- conclusion -- notes -- bibliography -- selected filmography -- index --

Call No: 626:165.62 SOB
Author: Sobchack, Vivian Carol
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 1992
PhysDes: xxi, 330 p. : ill. ; 25 cm
Subject: MERLEAU-PONTY, MAURICE; PHILOSOPHY AND THE CINEMA; SPECTATORSHIP; SEMIOLOGY; PERCEPTION; EXISTENTIALISM AND THE CINEMA
Notes: Includes bibliographical references (p. 311-321) and index
ISBN: 0691031959 (alk. paper)
LON: 8114969

Author: Prisk, Tracey
PhysDes: Article
Subject: DISTRIBUTION. AUSTRALIA; TOTAL FILM AND TELEVISION PTY LTD; NOTHING PERSONAL (UK/IE, Thaddeus O'Sullivan, 1995)
Summary: Distributor Total Films has gone into voluntary administration.

Call No: 81 TRE TRE
Author: Trenchard-Smith, Brian
Edition: 2020
Place: [USA]
PhysDes: 580 pages : illustrated ; 26 cm
Subject: TRENCHARD-SMITH, BRIAN; PAGE, GRANT; LEE, BRUCE; MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975); DEATHCHEATERS (AT, Brian Trenchard-Smith, 1976); STUNT ROCK (NE, Brian Trenchard-Smith, 1978); BMX BANDITS (AT, Brian Trenchard-Smith, 1983); FROG DREAMING (AT, Brian Trenchard-Smith, 1985); DEAD END DRIVE-IN (AT, Brian Trenchard-Smith, 1986); TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981)
Summary: Follow the daredevil adventures of Anglo Australian film maker - and Ozploitation pioneer - Brian Trenchard-Smith through a 50 year career dedicated to giving his audience thrills, spills, laughs and gasps. "The Man From Hong Kong", "Turkey Shoot," "Dead End Drive In", "Siege Of Firebase Gloria", "Stunt Rock", "Leprechaun 3 & 4," and Nicole Kidman's first film "BMX Bandits" have earned his work a cult following. His TV output includes "Silk Stalkings", "Five Mile Creek", "Tarzan", "Flipper", "Chemistry". The Fantaspoa Fantastic Film Festival in Brazil honored him with a Lifetime Achievement Award. Quentin Tarantino dubbed him his "favorite obscure director....great energy, great sense of humor." Brian Trenchard-Smith's wry, insightful tales of the creative challenges of low budget movie making all over the world is both a personal journey and a portrait of his era. -- book blurb
ISBN: 9798985674705

Author: Simon Jones
PhysDes: Article
Subject: PEARCE, GUY; WEAVING, HUGO; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994)
Summary: D.V.D. review of The Adventures of Priscilla, Queen of the Desert

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Roadshow Film Distributors
PhysDes: 1 photograph : b&w ; 20 x 26 cm : 15 photographs : 13 x 18 cm
Subject: WEAVING, HUGO; STAMP, TERENCE; HUNTER, BILL; PEARCE, GUY; CLARK, AL; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994)
Summary: Labelled photographs of the main actors and the Director and the Producer.

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: AFFAIRE MAURIZIUS, L' (FR, Julien Duvivier, 1954); ON TRIAL (FR, Julien Duvivier, 1954)
Notes: Review from "Twelve Thousand Motion Pictures (Part Three)" article. - Barrie Pattison (assistant reviewer). - "On Trial" (US title)

Call No: 71 (6) AFR
Author: Australian Film Institute
Place: Sydney
Publisher: Australian Film Institute
PhysDes: 32 unnumbered pages : illustrations ; 21 cm
Subject: VISAGES DE FEMMES (IV, Desire Ecare, 1985); FINYE (ML, Souleymane Cisse, 1982); NYMANTON (ML, Cheik Omar Sissoko, 1986); HARVEST: 3000 YEARS (ET, Haile Gerima, 1976); AFRICAN CAMERA (TI, Ferid Boughedir, 1983); WEST INDIES STORY (MU, Med Hondo, 1979); VIE EST BELLE, LA (CG/BE/FR, Benoit Lamy & Ngangura Mweze, 1987); TOUKI BOUKI (SG, Djibril Diop Mambety, 1973); KADDU BEYKAT (SG, Safi Faye, 1975); BOPHA (US/SA, Daniel Riesenfeld, 1986); SONG OF THE SPEAR (UK, 1985); ANVIL AND THE HAMMER, THE (UK, Barry Feinberg, 1985); MANDELA (US, Peter Davis, 1986); CONSUMING HUNGER (US, Ilan Ziv & Freke Vuijst, 1987); SAMBIZANGA (AL, Sarah Maldoror, 1972); MANDABI [MONEY ORDER, THE] (SG, Ousmane Sembene, 1968); AFRICA; AFRICA IN FILMS; SOUTH AFRICA; SOUTH AFRICA IN FILMS
Notes: Title from cover. "This monograph was produced to accompany African camera, a festival of recent African cinema imported by the Australian Film Institute in September/ October 1987--Page 2. Includes bibliographical references (page 31)

Call No: 81VAR DER
Author: DeRoo, Rebecca J.
Source: US
Place: Oakland, California
Publisher: University of California Press
PubDate: c2018
PhysDes: x, 238 pages : illustrations ; 23 cm
Subject: FILM; CRITICISM; FEMININITY IN FILMS; FEMINISM AND THE CINEMA; NOUVELLE VAGUE; MOVEMENTS AND STYLES IN FILM HISTORY; FRANCE; VARDA, AGNES; POINTE COURTE, LA (FR, Agnes Varda, 1954); BONHEUR, LE (FR, Agnes Varda, 1965); ONE SINGS, THE OTHER DOESN’T (FR/BE, Agnes Varda, 1977); DAGUERREOTYPES (FR/G, Agnes Varda, 1978)
Summary: "Agnes Varda is a prolific film director, photographer, and artist whose cinematic career spans more than six decades. Today she is best known as the innovative “mother” of the French New Wave film movement of the 1950s and '60s and for her multimedia art exhibitions. Varying her use of different media, she is a figure who defies easy categorization. In this extensively researched book, Rebecca J. DeRoo demonstrates how Varda draws upon the histories of art, photography, and film to complicate the overt narratives in her works and to advance contemporary cultural politics. Based on interviews with Varda and unparalleled access to Varda's archives, this interdisciplinary study constructs new frameworks for understanding one of the most versatile talents in twentieth and twenty-first century culture. " -- BOOK BACK COVER
Notes: Includes bibliographical references and index; Also issued online
ISBN: 9780520279414
Contents: -- Acknowledgments -- Reinterpreting Varda: the mother of the new wave reframes its histories -- Complicating neorealism and the new wave: La Pointe Courte -- Filmic and feminist strategies: questioning ideals of happiness in Le Bonheur -- Reconsidering contradictions: feminist politics and the musical genre in L'une Chante, L'autre Pas -- The limits of documentary: identity and urban transformation in daguerreotypes -- Melancholy and merchandise: documenting and displaying widowhood in L'iIe Et Elle -- Varda now: autobiography, memory, and retrospective -- notes -- bibliography -- index --

Call No: 81EAS HUG
Author: Hughes, Howard
Source: US/UK
Place: London ; New York
Publisher: I.B. Tauris
PubDate: 2009
PhysDes: xxxi, 252 p. : ill. ; 25 cm.
Subject: EASTWOOD, CLINT; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); TWO MULES FOR SISTER SARA (US, Don Siegel, 1969); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PALE RIDER (US, Clint Eastwood, 1985); UNFORGIVEN (US, Clint Eastwood, 1992); COOGAN'S BLUFF (US, Don Siegel, 1968); DIRTY HARRY (US, Don Siegel, 1971); MAGNUM FORCE (US, Ted Post, 1973); ENFORCER, THE (US, James Fargo, 1976); SUDDEN IMPACT (US, Clint Eastwood, 1983); TIGHTROPE (US, Richard Tuggle, 1984); CITY HEAT (US, Richard Benjamin, 1984); DEAD POOL, THE (US, Buddy Van Horn, 1988); ROOKIE, THE (US, Clint Eastwood, 1990); IN THE LINE OF FIRE (US, Wolfgang Peterson, 1993); PERFECT WORLD, A (US, Clint Eastwood, 1993); PAINT YOUR WAGON (US, Joshua Logan, 1969); BEGUILED, THE (US, Don Siegel, 1971); PLAY MISTY FOR ME (US, Clint Eastwood, 1971); BREEZY (US, Clint Eastwood, 1973); BRIDGES OF MADISON COUNTY, THE (US, Clint Eastwood, 1995); EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978); BRONCO BILLY (US, Clint Eastwood, 1980); ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980); PINK CADILLAC (US Buddy van Horn, 1989); HONKYTONK MAN (US, Clint Eastwood, 1982); BIRD (US, Clint Eastwood, 1988); WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990); SPACE COWBOYS (US, Clint Eastwood, 2000); MYSTIC RIVER (US, Clint Eastwood, 2003); MILLION DOLLAR BABY (US, Clint Eastwood, 2004); THUNDERBOLT AND LIGHTFOOT (US, Michael Cimino, 1974); EIGER SANCTION, THE (US, Clint Eastwood, 1975); ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979); ABSOLUTE POWER (US, Clint Eastwood, 1997); TRUE CRIME (US, Clint Eastwood, 1999); BLOOD WORK (US, Clint Eastwood, 2002); WHERE EAGLES DARE (US, Brian G. Hutton, 1969); KELLY'S HEROES (US, Brian G. Hutton, 1970); FIREFOX (US, Clint Eastwood, 1982); HEARTBREAK RIDGE (US, Clint Eastwood, 1986); FLAGS OF OUR FATHERS (US, Clint Eastwood, 2006); LETTERS FROM IWO JIMA (US, Clint Eastwood, 2006)
Summary: "Clint Eastwood is one of the world’s most popular action stars, who has matured into one of America’s finest producer-directors. Entertaining, illuminating and packed with information, Aim for the Heart is the first book to cover his full life in the movies, showing how as both actor and filmmaker Eastwood aims for the heart of the drama, whatever the story. Alongside details of all his movies, Eastwood’s story is illustrated with film stills, glimpses behind the scenes, and rare poster advertising material. Also featuring the most comprehensive credits filmography ever compiled on Eastwood’s work, as star and director."-- BOOK BLURB
Notes: "Eastwood filmography": p. [215]-235 -- Includes bibliographical references and index
ISBN: 9781845119027
Contents: Preface: Aim for the art -- Acknowledgements -- Universal casting: the early films -- Ridin' easy: Rawhide -- pt. 1. The westerns: A fistful of dollars (1964) -- For a few dollars more (1965) -- The good, the bad and the ugly (1966) -- Hang 'em high (1968) -- Two mules for Sister Sara (1970) -- Joe Kidd (1972) -- High plains drifter (1973) -- The outlaw Josey Wales (1976) -- Pale Rider (1985) -- Unforgiven (1992) -- pt. 2. The cops: Coogan's bluff (1968) -- Dirty Harry (1971) -- Magnum force (1973) -- The enforcer (1976) -- The gauntlet (1977) -- Sudden impact (1983) -- Tightrope (1984) -- City heat (1984) -- The dead pool (1988) -- The rookie (1990) -- In the line of fire (1993) -- A perfect world (1993) -- The lovers: The witches (1967) -- Paint your wagon (1968) -- The beguiled (1971) -- Play Misty for me (1971) -- Breezy (1973) -- The bridges of Madison County (1995) -- pt. 4. The comedies: Every which way but loose (1978) -- Bronco Billy (1980) -- Any which way you can (1980) -- Pink Cadillac (1989) -- pt. 5. The dramas: Honkytonk man (1982) -- Bird (1988) -- White hunter black heart (1990) -- Midnight in the garden of good and evil (1997) -- Space cowboys (2000) -- Mystic river (2003) -- Million dollar baby (2004) -- pt. 6. The thrillers: Thunderbolt and Lightfoot (1974) -- The Eiger sanction (1975) -- Escape from Alcatraz (1979) -- Absolute power (1996) -- True crime (1999) -- Blood work (2002) -- pt. 7. The war movies: Where eagles dare (1968) -- Kelly's heroes (1970) -- Firefox (1982) -- Heartbreak ridge (1986) -- Flags of our fathers (2006)/Letters from Iwo Jima (2006) -- Epilogue -- Eastwood filmography.

Author: Webb, Dan
PhysDes: Article
Subject: BROADCASTING RIGHTS. AUSTRALIA; LEGISLATION. AUSTRALIA; OWNERSHIP. AUSTRALIA; OWNERSHIP TV. AUSTRALIA; PUBLIC BROADCASTING. AUSTRALIA
Summary: An address given to the Television Society in Melbourne by Dan Web on the increasingly restricted ownership of the mass media in Australia and how it compares to the US.

Call No: DONATION - ALAN HOPGOOD
Source: AT
PhysDes: 1 box
Subject: HOPGOOD, ALAN; ALVIN PURPLE (AT, Tim Burstall, 1973); ALVIN RIDES AGAIN (AT, David Bilcock & Robin Copping, 1974); BELLBIRD [TV] (AT, 1967-1977); PACIFIC BANANA (AT, John Lamond, 1981)
Summary: A donated collection of items from Alan Hopgood to the AFI Research Collection. Alan Hopgood has been a long-time writer and actor within the Australian film, tv, and theatre scene. His work includes screenplays for films such as Alvin Purple, Alvin Rides Again, Pacific Banana, as well as television shows such as Bellbird, Alvin Purple, And the Big Men Fly, Neighbours, Pugwall, and The Flying Doctors. Alan was involved with Bellbird when the Australian Broadcasting Commission (ABC) had made a decision to change the screening time of its show Bellbird. This did not sit well with a large selection of the viewing public who protested this move and wrote to the ABC to complain. Alan kept those letters in a view to get them published in a book, which didn’t eventuate. These letters were kept and are part of Alan’s donation to the AFI Research Collection
Donation: donated by Alan Hopgood, 2010
ID2: 56

Call No: 81PAYN ALE
Source: US
Place: Jackson
Publisher: University Press of Mississippi
PubDate: 2014
PhysDes: xxvii, 231 pages ; 24 cm
Series: Conversations with filmmakers series
Subject: PAYNE, ALEXANDER
Summary: "In this first compilation of his interviews, Payne reveals himself as a captivating conversationalist as well. The discussions collected here range from 1996, shortly after the release of his first film, Citizen Ruth, to the debut of his film Nebraska. Over his career, he muses on many subjects including his own creative processes, his commitment to telling character-centered stories, and his abiding admiration for movies and directors from across decades of film history." -- BOOK BLURB
Notes: Includes index
ISBN: 9781628461091
Donation: donated by Senses of Cinema, 2014
Contents: Machine generated contents note: Writing and Directing Citizen Ruth: A Talk with Alexander Payne and Jim Taylor / Tod Lippy -- An Interview with Citizen Ruth Director Alexander Payne / Angie Drobnic -- Adapting and Directing Election: A Talk with Alexander Payne and Jim Taylor / Annie Nocenti -- Bringing on the Payne / Rob Blackwelder -- Fresh Air Interview with Alexander Payne / Terry Gross -- About Schmidt Director Alexander Payne Does Have Something Interesting to Say / Walter Chaw -- Interview: Alexander Payne / Jeff Otto -- Interview: Alexander Payne / Scott Tobias -- Alexander Payne: Sideways / Adrian Hennigan -- Alexander Payne / Kate Donnelly -- Alexander Payne: Staying Straight While Making Sideways / Brad Balfour -- Alexander Payne: Sideways Glance at America / Kenneth Turan -- Alexander Payne Talks The Descendants, Clooney, Next Black and White Film, New Trailer / Anne Thompson -- Alexander Payne on The Descendants and Why It's a Minor Work / Eric Kohn -- Contents note continued: Director's Chair: Alexander Payne's The Descendants / Iain Blair -- Filmmaker Alexander Payne on The Descendants / Edward Douglas -- Interview: Alexander Payne / Scott Tobias -- Payne Find His Way to The Descendants / Marshall Fine -- An Interview with Alexander Payne / Glenn Kenny -- Interview: Alexander Payne / Dave Davies -- Alexander Payne Talks The Descendants and His Next Two Projects, Nebraska and Wilson / Christina Radish -- Interview with Alexander Payne / Charlie Rose -- Alexander Payne Prefers Actors Who Can Communicate / Jennelle Riley -- The Lei of the Land: A Few Moments with Alexander Payne / Christy Grosz -- Director of The Descendants, Alexander Payne, Talks Bristling Egos and Putting Life on Film / J. Alanna Lawson -- Omaha and the Perfect Ending: The Alexander Payne Interview / Erich van Dussen -- Film Director Alexander Payne: Greece "Energizes My DNA!" / Demetrios Rhompotis -- Contents note continued: Whittling Birch Bark: A Conversation with Alexander Payne / Julie Levinson -- Director Alexander Payne on Nebraska / Damian Houx.

Call No: 81HIT SHA
Author: Sharff, Stefan
Place: New York
Publisher: Columbia University Press
PubDate: 1991
PhysDes: vii, 258 p. : ill. ; 24 cm
Subject: HITCHCOCK, ALFRED; NOTORIOUS (US, Alfred Hitchcock, 1946); FRENZY (US, Alfred Hitchcock, 1972); FAMILY PLOT (US, Alfred Hitchcock, 1976); LANGUAGE AND THE CINEMA
Notes: Includes bibliographical references and index
ISBN: 0231069146 (acid-free paper)
LON: 7477298
Contents: Notorious, p11-86 -- Frenzy, p165-233 -- Family plot, p87-164 --

Call No: 81HIT SHA
Author: Shaff, Stefan
Source: US
Place: New York
Publisher: Columbia University Press
PubDate: 1991
PhysDes: vii, 258 p. : ill. ; 24 cm.
Subject: PERCEPTION; AESTHETICS; SEMIOLOGY; HITCHCOCK, ALFRED; NOTORIOUS (US, Alfred Hitchcock, 1946); FRENZY (US, Alfred Hitchcock, 1972); FAMILY PLOT (US, Alfred Hitchcock, 1976)
Notes: Includes bibliographical references and index.
ISBN: 0231069146
Language: English

Author: Sevastakis, Michael
PhysDes: Serial
Subject: HITCHCOCK, ALFRED; NUMBER SEVENTEEN (UK, Alfred Hitchcock, 1932)
Summary: Provides a shot-by-shot description of Hitchcock's "Number Seventeen."

Call No: 46(794) WIL
Author: Williamson, Alice M.
Source: US
Place: New York
Publisher: D. Appleton Company
PubDate: 1928
PhysDes: 265p. : illus. :20cm.
Subject: INDUSTRY, FILM. USA; HISTORY OF CINEMA; DEMILLE, CECIL B.; GOLDWYN, SAMUEL; DAVIES, MARION; PARAMOUNT STUDIOS; NEGRI, POLA; UNITED ARTISTS; SWANSON, GLORIA; STAR SYSTEM

Call No: TITLE CLIPPINGS FILE; OFFICE CHRISTMAS PARTY (US, Josh Gordon and Will Speck, 2016)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: OFFICE CHRISTMAS PARTY (US, Josh Gordon and Will Speck, 2016)
Summary: Review of the film OFFICE CHRISTMAS PARTY
Notes: similar article in The Age, same date, p 26
Rating: 2 out of 5 stars

Call No: TITLE CLIPPINGS FILE; CHIPS (US, Dax Shepard, 2017)
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: PENA, MICHAEL; CHIPS (US, Dax Shepard, 2017)
Summary: Interview with actor Michael Pena about his role in the film CHIPS and his career

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Syvret, Paul
Subject: PORNOGRAPHIC FILMS. AUSTRALIA; RATING FOR FILMS. AUSTRALIA; CENSORSHIP. AUSTRALIA; OFFICE OF FILM AND LITERATURE CLASSIFICATION; PORNOGRAPHIC DVD. AUSTRALIA; PORNOGRAPHIC FILMS AND THE INTERNET; DISTRIBUTION. DVD. AUSTRALIA; AXIS; CALVISTA AUSTRALIA; GALLERY GLOBAL NETWORKS; TRANSACT BROADBAND; NEWNHAM, HUI
Summary: An overview of the sex industry in Australia. It has a large focus on the DVD (adult video industry) and looks at government restrictions on X rated material.
Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
Quotations: -- Calvista general manager Hui Newnham says it produces 10,000 DVDs a week for distribution in Australia. That's sine half a million X-rated movies a year, from just one company.; -- Groups such as Calvista estimate the bulk of the adult retail market in Australia (books, toys and films) to be worth $1.6 billion to $1.7 billion a year. But Newnham says legally compliant operators such as Calvista and Gallery make up only about 40 per cent of the wholesale market. The rest at best operate in a grey zone, or at worst, just flog pirated material that would be unlikely to pass muster with the Office of FIlm and Literature Classification.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; NIGHT SHIFT (US, Ron Howard, 1982); CONAN THE BARBARIAN (US, John Milius, 1982); DRIVE-IN CINEMAS; PALIN, MICHAEL
Summary: Film news from across Australia

Call No: 81ALT THO
Author: Altman, Robert and Thompson, David
Source: UK
Place: London
Publisher: Faber and Faber
PubDate: 2005
PhysDes: xxii, 306p. ; b+w ill. : 22cm.
Subject: ALTMAN, ROBERT; M*A*S*H (US, Robert Altman, 1969); LONG GOODBYE, THE (US, Robert Altman, 1973); THIEVES LIKE US (US, Robert Altman, 1974); CALIFORNIA SPLIT (US, Robert Altman, 1974); NASHVILLE (US, Robert Altman, 1975); BUFFALO BILL AND THE INDIANS (US, Robert Altman, 1976); QUINTET (US, Robert Altman, 1979); PERFECT COUPLE, A (US, Robert Altman, 1979); HEALTH (US, Robert Altman, 1980); POPEYE (US, Robert Altman, 1980); COME BACK TO THE FIVE AND DIME JIMMY DEAN, JIMMY DEAN (US, Robert Altman, 1982); STREAMERS (US, Robert Altman, 1983); SECRET HONOR (US, Robert Altman, 1984); FOOL FOR LOVE (US, Robert Altman, 1985)
Summary: In these conversations with David Thompson, Altman reflects on his start in industrial filmmaking, as well as his tenure in television directing Alfred Hitchcock Presents and Bonanza, and his big break in feature films as the director of the enormously popular M*A*S*H, a project for which he was the last possible resort behind fourteen other directors. The resulting portrait reveals a quixotic man whose films continue to delight and challenge audiences, both in the United States and beyond.
Notes: Includes index and bibliography
ISBN: 0571220894

Call No: 408.3 (73/94) AME
Author: Danks, Adrian (ed.); Gaunson, Stephen (ed.); Kunze, Peter C. (ed.)
Source: SZ/AT
Place: Cham, Switzerland
Publisher: Palgrave Macmillan
PubDate: c2018
PhysDes: xvii, 333 pages : illustrations ; 22 cm
Subject: TRANSNATIONAL CINEMA; TRANSNATIONALISM AND THE CINEMA; NATIONAL IDENTITY AND THE CINEMA; NATIONAL CULTURE IN FILMS; AUSTRALIA; USA; GLOBALISATION; HISTORY OF CINEMA; HISTORY OF CINEMA. AUSTRALIA; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); MAD MAX (AT, George Miller, 1979); NOT QUITE HOLLYWOOD (AT, Mark Hartley, 2008); BABADOOK , THE (AT, Jennifer Kent, 2014); PETER PAN (US, P.J. Hogan, 2003); GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013)
Summary: "This edited collection assesses the complex historical and contemporary relationships between US and Australian cinema by tapping directly into discussions of national cinema, transnationalism and global Hollywood. While most equivalent studies aim to define national cinema as independent from or in competition with Hollywood, this collection explores a more porous set of relationships through the varied production, distribution and exhibition associations between Australia and the US. To explore this idea, the book investigates the influence that Australia has had on US cinema through the exportation of its stars, directors and other production personnel to Hollywood, while also charting the sustained influence of US cinema on Australia over the last hundred years. It takes two key points in time—the 1920s and 1930s and the last twenty years—to explore how particular patterns of localism, nationalism, colonialism, transnationalism and globalisation have shaped its course over the last century. The contributors re-examine the concept and definition of Australian cinema in regard to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although this concentration on US production, or influence, is particularly acute in relation to developments such as the opening of international film studios in Melbourne, Sydney, Adelaide and the Gold Coast over the last thirty years, the book also examines a range of Hollywood financed and/or conceived films shot in Australia since the 1920s." -- BOOK BACK COVER
Notes: Includes bibliographical references and index
ISBN: 9783319666754
Donation: Stephen Gaunson
Contents: -- 1 Where I'm Calling From: An American-Australian Cinema? / Peter C Kunze -- pt I Across the Pacific: Looking to America -- 2 Rudimentary Modernism: Ken G Hall, Rear-Projection and 1930s Hollywood / Adrian Danks -- 3 Simulated Scenery: Travel Cinema, Special Effects and For the Term of His Natural Life / Leslie DeLassus -- 4 Representations and Hybridizations in First Nation Cinema: Change and Newness by Fusion / Jane Mills -- 5 Of Mothers and Madwomen: Mining the Emotional Terrain of Toni Collette's Anti-Star Persona / Fincina Hopgood -- pt II The View From There: Australian Films in the US -- 6 Accented Relations: Mad Max on US Screens / Tessa Dwyer -- 7 Talking Trash with Tarantino: Auteurism, Aesthetics and Authority in Not Quite Hollywood / Peter C Kunze -- 8 Australian Horror Movies and the American Market / Mark David Ryan -- 9 The Terrible Terrace: Australian Gothic Reimagined and the (Inner) Suburban Horror of The Babadook / Amanda Howell -- pt III Here and There: Crossing Between Australian, US and International Cinemas -- 10 American Cartel: Block Bookings and the Paramount Plan / Stephen Gaunson -- 11 The Multiplex Era / Jock Given -- 12 "Zest to the jaded movie palate": Wallace Worsley, Scott R Dunlap and The Romance of Runnibede / Jeannette Delamoir -- 13 Defining Neverland: P J Hogan, J M Barrie and Peter Pan in Post-Mabo Australia / Jerod Ra'Del Hollyfield -- 14 Baz Luhrmann's The Great Gatsby Telling a National Iconic Story Through a Transnational Lens / Lesley Hawkes -- index --

Call No: 802.25(73) SAR
Author: Sarris, Andrew
Edition: [1st ed.]
Place: New York
Publisher: Dutton
PubDate: 1968
PhysDes: 383 p. 22 cm
Subject: DIRECTORS. USA; LUBITSCH, ERNST; LOSEY, JOSEPH; FORD, JOHN; GRIFFITH, DAVID WARK; HAWKS, HOWARD; HITCHCOCK, ALFRED; OPHULS, MAX; VON STERNBERG, JOSEF; PREMINGER, OTTO; STURGES, PRESTON; WALSH, RAOUL; LEWIS, JERRY; WELLES, ORSON
LON: 31835

Call No: 802.25(73) COU vol.2
Author: Coursodon, Jean-Pierre; Sauvage, Pierre
Place: New York
Publisher: McGraw-Hill
PubDate: c1983
PhysDes: 2 v. ; 24 cm
Subject: DIRECTORS. USA; ALDRICH, ROBERT; ALLEN, WOODY; ALTMAN, ROBERT; BOETTICHER, BUDD; BOGDANOVICH, PETER; BROOKS, RICHARD; CASSAVETES, JOHN; CASTLE, WILLIAM; COPPOLA, FRANCIS FORD; CORMAN, ROGER; DASSIN, JULES; DE PALMA, BRIAN; DMYTRYK, EDWARD; DONEN, STANLEY; EASTWOOD, CLINT; EDWARDS, BLAKE; FLEISCHER, RICHARD; FRANKENHEIMER, JOHN; FULLER, SAMUEL; HARRINGTON, CURTIS; KAZAN, ELIA; KELLY, GENE; KERSHNER, IRVIN; KUBRICK, STANLEY; LEWIS, JERRY; LOGAN, JOSHUA; LOSEY, JOSEPH; LUMET, SIDNEY; Lupino, Ida; MANKIEWICZ, JOSEPH L.; MINNELLI, VINCENTE; PARRISH, ROBERT; Peckinpah, Sam; PENN, ARTHUR; POLLACK, SYDNEY; POLONSKY, ABRAHAM; RAFELSON, BOB; RAFELSON, BOB; RAY, NICHOLAS; RITCHIE, MICHAEL; ROSSEN, ROBERT; SCORSESE, MARTIN; SIDNEY, GEORGE; SIEGEL, DON; SPIELBERG, STEVEN; STURGES, JOHN; TASHLIN, FRANK; WELLES, ORSON; WISE, ROBERT; ZINNEMANN, FRED
Notes: Includes filmographies and indexes
ISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95
LON: 2198273

Call No: 769(73) MAC
Author: MacDonald, Scott
Source: US
Place: Berkeley
Publisher: University of California Press
PubDate: 2013
PhysDes: viii, 415 pages : ill. ; 24 cm
Subject: ETHNOGRAPHIC FILMS; DOCUMENTARIES. USA; MARSHALL, JOHN; GARDNER, ROBERT; ASCH, TIMOTHY; PINCUS, ED; WEINSTEIN, MIRIAM; GUZZETTI, ALFRED; MCELWEE, ROSS; MOSS, ROBB; DAVENPORT, NINA; ASCHER, STEVEN; JORDAN, JEANNE; NEGROPONTE, MICHEL; GIANVITO, JOHN; OLCH, ALEXANDER; SIEGEL, AMIE; BARBASH, ILISA; CASTAING-TAYLOR, LUCIEN
Summary: "American Ethnographic Film and Personal Documentary is a critical history of American filmmakers crucial to the development of ethnographic film and personal documentary. The Boston and Cambridge area is notable for nurturing these approaches to documentary film via institutions such as the MIT Film Section and the Film Study Center, the Carpenter Center and the Visual and Environmental Studies Department at Harvard. Scott MacDonald uses pragmatism's focus on empirical experience as a basis for measuring the groundbreaking achievements of such influential filmmakers as John Marshall, Robert Gardner, Timothy Asch, Ed Pincus, Miriam Weinstein, Alfred Guzzetti, Ross McElwee, Robb Moss, Nina Davenport, Steve Ascher and Jeanne Jordan, Michel Negroponte, John Gianvito, Alexander Olch, Amie Siegel, Ilisa Barbash, and Lucien Castaing-Taylor. By exploring the cinematic, personal, and professional relationships between these accomplished filmmakers, MacDonald shows how a pioneering, engaged, and uniquely cosmopolitan approach to documentary developed over the past half century. "--
ISBN: 9780520275621
Contents: Machine generated contents note: A Tentative Overview of Boston-Area Documentary Filmmaking -- Ethnographic Film and Personal Documentary -- Pragmatism: Learning from Experience -- The Mission of American Ethnographic Film and Personal Documentary: The Cambridge Turn -- Subjects for Further Research -- Acknowledgments -- 1.Lorna and John Marshall -- Beginnings: Lorna Marshall and First Film -- John Marshall: The Hunters -- Idylls of the !Kung -- Pedagogy -- Expulsion from Eden: Bitter Melons and Nlai, the Story of a !Kung Woman -- The Pittsburgh Police Films and Brakhage's Eyes -- Putting Down the Camera and Picking Up the Shovel -- The Road Taken: A Kalahari Family -- A Process in Time -- 2.Robert Gardner -- East Coast/West Coast: Early Experiments -- Gardner and the Marshalls -- Dead Birds -- The Experience of Filmmaking as Thought Process -- Robert Fulton: Reality's Invisible---"Serious Playing Around" -- Screening Room: Midnight Movies -- City Symphony: Forest of Bliss -- Contents note continued: The Return of the Repressed: Ika Hands -- Still Journeying On: Unfinished Examinations of a Life -- Studio7Arts: Sharon Lockhart's Double Tide and Robert Fenz's Correspondence -- 3.Timothy Asch -- Dodoth Morning and the Ethnographic Deadpan -- Asch and the Yanomamo -- The Ax Fight -- 4.Ed Pincus and the Emergence of Personal Documentary -- The Miriam Weinstein Quartet and Richard P. Rogers's Elephants: Fragments of an Argument -- Ed Pincus's Diaries (1971--1976) -- Alfred Guzzetti: Family Portrait Sittings -- Guzzetti: It's a Small World -- Guzzetti: Time Exposure -- 5.Alfred Guzzetti and Personal Cinema -- Air -- Experimental Video: "Language Lessons" -- Scylla and Charybdis -- Still Point -- 6.Ross McElwee -- Finding a Muse: Charleen -- Finding a Voice: Ann Schaetzel's Breaking and Entering and McElwee's Backyard -- Doppleganger: Sherman's March -- Nesting Dolls: Time Indefinite -- On the Road Again: Six O'Clock News -- Contents note continued: Occupational Hazards: Bright Leaves -- Orpheus: In Paraguay and Photographic Memory -- 7.Robb Moss -- Riverdogs: A Possible Eden -- The Tourist: "Freelance Editing" -- Voyage of Life: The Same River Twice -- 8.Panorama: Other Approaches to Personal Documentary -- Steven Ascher and Jeanne Jordan: Families in Transition -- Michel Negroponte: Getting Involved -- Leacock and Lalonde -- The Subject Rebels: Nina Davenport's Films and Ed Pincus and Lucia Small's The Axe in the Attic -- The Political Is the Personal: John Gianvito's Profit Motive and the Whispering Wind and Jeff Daniel Silva's Balkan Rhapsodies -- Alexander Olch's The Windmill Movie: "This Little Seance of Flickering Light" -- Amie Siegel's DDR/DDR -- 9.Lucien Castaing-Taylor and Sensory Ethnography -- Ilisa Barbash, Lucien Castaing-Taylor, and Sweetgrass -- "Sheeple": Castaing-Taylor's Audio-Video Installations -- Contents note continued: The Sensory Ethnography Lab: J. P. Sniadecki, Stephanie Spray, Verena Paravel, and Leviathan

Call No: 751 ALT
Author: Altman, Rick
Place: London
Publisher: British Film Institute
PubDate: 1989
PhysDes: [386] p. : ill. ; 26cm
Subject: MUSICALS. USA; ASTAIRE, FRED; BERKELEY, BUSBY; EDDY, NELSON; GARLAND, JUDY; MACDONALD, JEANETTE; MAMOULIAN, ROUBEN; ROGERS, GINGER; VIDOR, KING; AMERICAN IN PARIS, AN (US, Vincente Minnelli, 1951); APPLAUSE (US, Rouben Mamoulian, 1929); OKLAHOMA! (US, Fred Zinneman, 1955)
Notes: American cinema films: Musicals. - Critical studies (BNB/PRECIS); Originally published: Bloomington : Indiana University Press, 1987; Includes index
ISBN: 0851702279 (pbk) : ª12.95 : CIP confirmed
LON: 6008672 6008672

Call No: 71(73) AME
Author: Hillier, Jim
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: xvii, 283 p. : ill., ports. ; 24 cm
Subject: USA; INDEPENDENT FILMS. USA; CASSAVETES, JOHN; BRAKHAGE, STAN; WARHOL, ANDY; ETHNIC GROUPS IN FILMS. USA; BLACK FILMMAKERS. US; DASH, JULIE; DAUGHTERS OF THE DUST (US, Julie Dash, 1991); RIGGS, MARLON; TONGUES UNTIED (US, Marlon Riggs, 1989); CROOKLYN (US, Spike Lee, 1994); FRIDAY (US, F. Gary Gray, 1995); CLOCKERS (US, Spike Lee, 1995); LEE, SPIKE; GIRL SIX (US, Spike Lee, 1996); GET ON THE BUS (US, Spike Lee, 1996); SLAM (US, Marc Levin, 1998); HOMOSEXUALITY AND THE CINEMA; POISON (US, Todd Haynes, 1991); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); VAN SANT, GUS; SWOON (US, Tom Kalin, 1992); GO FISH (US, Rose Troche, 1994); TOTALLY F***ED UP (US, Gregg Araki, 1993); HAYNES, TODD; SAFE (US, Todd Haynes, 1995); DOOM GENERATION, THE (US, Gregg Araki, 1995); PEIRCE, KIMBERLY; BOYS DON'T CRY (US, Kimberly Peirce, 1999); JARMUSCH, JIM; NIGHT ON EARTH (US, Jim Jarmusch, 1991); SLACKER (US, Richard Linklater, 1990); SURE FIRE (US, Jon Jost, 1990); LINKLATER, RICHARD; BEFORE SUNRISE (US, Richard Linklater, 1995); LIVING IN OBLIVION (US, Tom DiCillo, 1995); WALKING AND TALKING (US, Nicole Holofcener, 1996); HARTLEY, HAL; HENRY FOOL (US, Hal Hartley, 1997); HAPPINESS (US, Todd Solondz, 1998); GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999); TIMECODE (US, Mike Figgis, 2000); ALTMAN, ROBERT; SHORT CUTS (US, Robert Altman, 1993); ANDERSON, PAUL THOMAS; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997); MAGNOLIA (US, Paul Thomas Anderson, 1999); FERRARA, ABEL; BAD LIEUTENANT (US, Abel Ferrara, 1992); BLACKOUT, THE (US, Abel Ferrara, 1997); ADDICTION, THE (US, Abel Ferrara, 1995); FUNERAL, THE (US, Abel Ferrara, 1996); JONZE, SPIKE; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); KORINE, HARMONY; GUMMO (US, Harmony Korine, 1997); JULIEN DONKEY-BOY (US, Harmony Korine, 1999); LYNCH, DAVID; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); LOST HIGHWAY (US, David Lynch, 1996); SAYLES, JOHN; CITY OF HOPE (US, John Sayles, 1991); LONE STAR (US, John Sayles, 1996); LIMBO (US, John Sayles, 1999); HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986); ONE FALSE MOVE (US, Carl Franklin, 1991); BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993); EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993); PULP FICTION (US, Quentin Tarantino, 1994); Tarantino, Quentin; USUAL SUSPECTS, THE (US, Bryan Singer, 1995); BOUND (US, Larry Wachowski & Andy Wachowski, 1996); NORMAL LIFE (US, John McNaughton, 1996); THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997); JACKIE BROWN (US, Quentin Tarantino, 1997); BIG LEBOWSKI, THE (US, Joel Coen, 1998); OUT OF SIGHT (US, Steven Soderbergh, 1998); LIMEY, THE (US, Steven Soderbergh, 1999); SODERBERGH, STEVEN; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991); JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992)
ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99
LON: 20980358

Call No: 735.2 WOO
Author: Wood, Robin; Lippe, Richard
Edition: 1979
Place: Toronto
Publisher: Festival of Festivals
PubDate: 1979
PhysDes: 21 cm ; 100 pages
Subject: NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); NOSFERATU: PHANTOM DER NACHT (GW/FR, Werner Herzog, 1979); ASSAULT ON PRECINCT 13 (US, John Carpenter, 1976); SISTERS (US, Brian De Palma, 1972); JAWS (US, Steven Spielberg, 1975); COHEN, LARRY; ROMERO, GEORGE; EXORCIST, THE (US, William Friedkin, 1973)

Call No: 802.25(73) WIC
Author: Wicking, Christopher; Vahimagi, Tise, joint author
Place: London
Publisher: Talisman Books
PubDate: 1979
PhysDes: xxii, 262 p. ; 22 cm
Subject: DIRECTORS. USA; Peckinpah, Sam; BOETTICHER, BUDD; BARE, RICHARD L.
Notes: Includes index
ISBN: 0905983092 : ª7.50
LON: 1588061

Call No: 736 TUS
Author: Tuska, Jon
Place: Lincoln
Publisher: University of Nebraska Press
PubDate: 1988
PhysDes: p. cm
Subject: WESTERNS; NATIVE AMERICANS IN FILMS; WOMEN IN FILMS; HERO IN FILMS; FORD, JOHN; HAWKS, HOWARD; HATHAWAY, HENRY; MANN, ANTHONY; BOETTICHER, BUDD; Peckinpah, Sam
Notes: "Bison."; Reprint. Originally published: Westport, Conn. : Greenwood Press, 1985. Originally published in series: Contributions to the study of popular culture; Includes index; Bibliography: p
ISBN: 0803294115 (pbk.)
LON: 5572169

Call No: P ORD
PhysDes: 1 poster : col. ; 60 X 41 cm.
Subject: ORDINARY WOMAN, AN (AT, Sue Brooks, 1989)
Summary: Image: Photo of a infant holding/hugging a doll surrounded by duplicates of the same photo in varying colours.
Notes: Tack marks in corners.

Call No: 81 KOK MCW
Author: McWilliam, Kelly
Source: UK
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: 2020
PhysDes: 130 pages : illustrations ; 22 cm
Series: Visionaries: thinking through female filmmakers
Subject: KOKKINOS, ANA; ONLY THE BRAVE (AT, Ana Kokkinos, 1994); HEAD ON (AT, Ana Kokkinos, 1998); BOOK OF REVELATION (AT, Ana Kokkinos, 2005); BLESSED (AT, Ana Kokkinos, 2009); WOMEN FILMMAKERS; WOMEN FILMMAKERS. AUSTRALIA
Summary: "Ana Kokkinos is an Australian screenwriter, producer and director who has worked in film and television for almost thirty years. Best known for her fictional films - Antamosi, Only the Brave, Head On, The Book of Revelation and Blessed - her work is often bold and confrontational in its exploration of the alienation, estrangement and visceral distresses of those outside the mainstream. In the first major study of the director, Ana Kokkinos: An Oeuvre of Outsiders offers new readings of and across her fictional oeuvre by broadly tracing the deployment of the outsider as an organising motif." - taken from back cover.
Notes: Includes bibliographical references and index. Bibliography: (pages 112-125) Filmography: (pages 126-127)
ISBN: 9781474431071
Contents: Introduction: Ana Kokkinos -- 1. Antamosi and Only the Brave: the early films -- 2. Head On: centring the other -- 3. The Book of Revelation: othering the centre With Sharon Bickle -- 4. Blessed: an ensemble of outsiders -- Conclusion: an oeuvre of outsiders - an Australian auteur? -- Bibliography -- Filmography -- Index.

Call No: 81WAJ FAL
Author: Falkowska, Janina
Source: US
Place: New York
Publisher: Berghahn Books
PubDate: 2007
PhysDes: viii, 340, [8] p. of plates : ill., plates ; 24 cm
Subject: HISTORY AND THE CINEMA. POLAND; POLITICS AND THE CINEMA. POLAND; NOSTALGIA IN FILMS; POLAND; WAJDA, ANDRZEJ
Summary: "The work of Andrzej Wajda, one of the world's most important filmmakers, shows remarkable cohesion in spite of the wide ranging scope of his films, as this study of his complete output of feature films shows. Not only do his films address crucial historical, social and political issues; the complexity of his work is reinforced by the incorporation of the elements of major film and art movements such as Socialist Realism, Italian Neorealism, the documentary tradition, French New Wave, Surrealism, the grotesque, the theatre of the absurd, propaganda film, Polish Romantic tradition and many other artistic phenomena (jazz, Polish student subculture). It is the reworking of all these different elements by Wajda, as the author shows, which give his films their unique visual and aural qualities."--BOOK JACKET.
Notes: Formerly CIP; Includes bibliographical references (p. [294]-304) and index; Filmography: p. [305]-331
ISBN: 1845452259
Contents: -- acknowledgments -- Introduction : Andrzej Wajda : his words and his archives -- 1. The life and times of Andrzej Wajda -- 2. The birth of a master : films of the fifties -- 3. Fight for perfection : films of the sixties -- 4. Between politics and the themes of life and death : films of the seventies -- 5. Nostalgia and remorse : films of the eighties -- 6. Grande finale : films of the nineties -- conclusion -- illustrations -- endontes bibliography -- filmography -- prizes --

PhysDes: Article
Subject: STARSTRUCK (AT, Gillian Armstrong, 1982); ARMSTRONG, GILLIAN; KENNEDY, JO; O'DONOVAN, ROSS; INDUSTRY, FILM. AUSTRALIA; DISTRIBUTION
Summary: Article on the success of 'Starstruck' in America.

Call No: 81MIY CAV
Author: Cavallaro, Dani
Source: US
Place: Jefferson, N. C.
Publisher: McFarland & Company Inc.
PubDate: 2006
PhysDes: viii, 204p. ; 26cm.
Subject: MANGA; MIYAZAKI, HAYAO; KAZE NO TANI NO NAUSHIKA (JA, Hayao Miyazaki, 1984); TENKU NO SHIRO RAPYUTA (JA, Hayao Miyazaki, 1986); TONARI NO TOTORO (JA, Hayao Miyazaki, 1988); HOTARV NO HAKA (JA, Isao Takahata, 1988); GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989); MAJO NO TAKKYUBIN (JA, Hayao Miyazaki, 1989); KURENAI NO BUTA (JA, Hayao Miyazaki, 1993); ON YOUR MARK (JA, Hayao Miyaki, 1995); MIMI WO SUMASEBA (JA, Yoshifumi Kondo, 1995); MONONOKE HIME (JA, Hayao Miyazaki, 1997); SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001)
Summary: This critical study of Miyazaki’s work begins with an analysis of the visual conventions of manga, Japanese comic books, and animé; an overview of Japanese animated films; and a consideration of the techniques deployed by both traditional cel and computer animation. This section also details Miyazaki’s early forays into comic books and animation, and his output prior to his founding of Studio Ghibli. Part Two concentrates on the Studio Ghibli era, outlining the company’s development and analyzing the director’s productions between 1984 and 2004, including Castle in the Sky, My Neighbor Totoro and his newest film, Howl’s Moving Castle. The second section also discusses other productions involving Studio Ghibli, including Grave of the Fireflies and The Cat Returns. Appendices supply additional information about Studio Ghibli’s merchandise production, Miyazaki’s global fan base, and the output of other Ghibli directors.
Notes: Includes bibliography and index. Filmography: p. 181-186.
ISBN: 0786423692

Author: Maddox, Garry
PhysDes: Article
Subject: SOCIAL ISSUES IN FILMS; PEOPLE WITH DISABILITIES IN FILMS; BORTHWICK, CHRIS; AWARDS. AUSTRALIAN FILM INSTITUTE; ANNIE'S COMING OUT (AT, Gil Brealey, 1984)
Summary: Garry Maddox focuses on slef-characterised perpetually bleak Chris Borthwick, co-writer of "Annie's Coming Out". Borthwick reveals his dissatisfaction with the film's script, despite it's picking up an award from the AFI, as it did not eventuate in the social change which he had aimed for in regards to the rights and life of the physically handicapped. Maddox relates how Borthwick's disallusionment has led to the scriptwriter's decision to enrol in a law degree at the University of Melbourne
Notes: "Annie's Coming Out" is also known by its US title "A Test of Love"

Call No: 81PER BER
Author: Bergan, Ronald
Place: London
Publisher: Little, Brown and Company
PubDate: 1995
PhysDes: xi, 404 p. : ill., ports. ; 23 cm
Subject: Perkins, Anthony
ISBN: 0316906972; 0316906972
LON: 11420097

PhysDes: Article
Subject: PSYCHO II (US, Richard Franklin, 1983); Perkins, Anthony; ADVERTISING FOR FILMS

Call No: 81ANT CHA
Author: Chatman, Seymour, 1928
Source: US
Place: Berkeley
Publisher: University of California Press
PubDate: 1985
PhysDes: 290 p. : ill. ; 24 cm
Subject: ANTONIONI, MICHELANGELO; CRY, THE [GRIDO, IL] (US/IT, Michelangelo Antonioni, 1957); AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962); NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); CHUNG KUO-CINA (IT, Michelangelo Antonioni, 1973); PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975); MISTERO DI OBERWALD, IL (IT, Michelangelo Antonioni, 1980); IDENTIFICAZIONE DI UNA DONNA (IT, Michelangelo Antonioni, 1982)
Notes: Includes index; Filmography: p. 265-270; Bibliography: p. 271-281
ISBN: 0520052056; 0520053419 (pbk.)
LON: 85001025; 3748072

Call No: 81ANT CAM
Author: Cameron, Ian, 1937; Wood, Robin, 1931- joint author
Place: London
Publisher: Studio Vista
PubDate: 1968
PhysDes: [144] p. : illus. ; 17 x 18 cm
Subject: ANTONIONI, MICHELANGELO; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); CRONACA DI UN AMORE (IT, Michelangelo Antonioni, 1950); SIGNORA SENZA CAMELIE, LA (IT, Michelangelo Antonioni, 1953); VINTI, I (IT/FR/UK, Michelangelo Antonioni, 1951); CRY, THE [GRIDO, IL] (US/IT, Michelangelo Antonioni, 1957); NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961); ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); BLOWUP (UK/IT, Michelangelo Antonioni, 1966)
Notes: Bibliography: p. 144; "Filmography": p. 141- [144]
ISBN: 0289795982
LON: 70397126; 63651

Call No: 81ANT ROH
Author: Rohdie, Sam, 1939
Place: London
Publisher: BFI Pub.
PubDate: 1990
PhysDes: 213 p. : ill., ports. ; 24 cm
Subject: ANTONIONI, MICHELANGELO; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); CHUNG KUO-CINA (IT, Michelangelo Antonioni, 1973); CRONACA DI UN AMORE (IT, Michelangelo Antonioni, 1950); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962); CRY, THE [GRIDO, IL] (US/IT, Michelangelo Antonioni, 1957); IDENTIFICAZIONE DI UNA DONNA (IT, Michelangelo Antonioni, 1982); MISTERO DI OBERWALD, IL (IT, Michelangelo Antonioni, 1980); PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975); SIGNORA SENZA CAMELIE, LA (IT, Michelangelo Antonioni, 1953); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970)
Summary: A study of Antonioni's career and the development of his unique style. Antonioni's films overthrow conventional narrative, place characters at cross purposes with themselves and with others, dissolve figure into ground. This study aims to interpret the films of Antonioni without reducing them to fixed meanings that they so carefully refuse.
Notes: Includes index; Bibliography: p. [191]- 207; Filmography: p. [208]- 210
ISBN: 0851702740 (pbk.); 0851702732
LON: bnb85170273; 7278793

Call No: 740.1 APO
Source: UK
Place: London
Publisher: Lanham Rowman & Littlefield
PubDate: c2016
PhysDes: xxii, 231 pages : illustrations ; 24 cm.
Subject: APOCALYPSE IN FILMS; DISASTER FILMS; CIVILISATION (US, Raymond B. West, 1916); [FOUR] 4 HORSEMEN OF THE APOCALYPSE, THE (US, Rex Ingram, 1921); BED SITTING ROOM, THE (UK, Richard Lester, 1969); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); MELANCHOLIA (DK/SW/FR/G, Lars von Trier, 2011); OFFRET [SACRIFICE, THE] (SW/FR, Andrei Tarkovsky, 1986)
Summary: We live in a world at risk. Dire predictions about our future or the demise of planet earth persist. Even fictional representations depict narratives of decay and the end of a commonly shared social reality. Along with recurring Hollywood blockbusters that imagine the end of the world, there has been a new wave of zombie features as well as independent films that offer various visions of the future. The Apocalypse in Film: Dystopias, Disasters, and Other Visions about the End of the World offers an overview of Armageddon in film from the silent era to the present. This collection of essays discusses how such films reflect social anxieties—ones that are linked to economic, ecological, and cultural factors. Featuring a broad spectrum of international scholars specializing in different historical genres and methodologies, these essays look at a number of films, including the silent classic The Four Horsemen of the Apocalypse, the black comedy Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, the Mayan calendar disaster epic, 2012, and in particular, Lars Von Trier’s Melancholia, the focus of several essays. As some filmmakers translate the anxiety about a changing global climate and geo-political relations into visions of the apocalypse, others articulate worries about the planet’s future by depicting chemical warfare, environmental disasters, or human made destruction. This book analyzes the emergence of apocalyptic and dystopic narratives and explores the political and social situations on which these films are based. Contributing to the dialogue on dystopic culture in war and peace, The Apocalypse in Film will be of interest to scholars in film and media studies, border studies, gender studies, sociology, and political science. -- taken from publisher's site
Notes: Includes bibliographical references and index
ISBN: 9781442260276
Donation: donated by Senses of Cinema, 2016
Contents: Introduction / Karen A. Ritzenhoff and Angela Krewani -- THE EARLY DEPICTIONS OF DISASTER. World War One and Hollywood's First Modern Armageddon: Understanding Wartime and Post-Conflict Representations of a Global Cataclysm in Civilization (1916) and The Four Horsemen of the Apocalypse (1921) / Cle´mentine Tholas-Disset -- The end of the world: loss and redemption in Four horsemen of the apocalypse / Karen Randell -- GLOBAL DEMISE AND COLD WAR. "Radiation's rising, but one mustn't grumble too much": nuclear apocalypse played as farce in Richard Lester's The bed-sitting room / Thomas Prasch -- The legacy of Dr. Strangelove: Stanley Kubrick, science fiction blockbusters and the future of humanity / Peter Kra¨mer -- "Gentleman, you can't fight in here": gender symbolism and the end of the world in Dr. Strangelove and Melancholia / Catriona Mcavoy -- MELANCHOLIA AND OTHER REPRESENTATIONS OF THE APOCALYSPE. Is there an end to it? fictional shelters and shelter-fiction / Solvejg Nitzke -- Melancholia and the apocalypse within / Pierre Floquet -- Eco apocalypse: environmentalism, political alienation and therapeutic agency / Philip Hammond and Hugh Ortega Breton --POLOITICS OF SHOWING THE UNTHINKABLE. Disaster films: the end of the world and the risk society hero / Frederick Wasser -- The (gender) politics of disaster in 2012 / Charles Antoine Courcoux -- Tarkovsky's The sacrifice: a religious humanist apocalypse / Tatjana Ljuji -- Dead narratives: defining humanity through stories / A. Fiona Pearson and Scott Ellis -- MOVING BEYOND THE END OF THE WORLD. Opposing Thatcherism: filmic apocalypse as a political strategy in 1980s Britain / Angela Krewani -- Painting in time: on the use of digital visual effects in Melancholia / Andreas Kirchner -- The corporate and corporeal: min(d)ing the body conscience and consumption in early 21st century Hollywood dystopia / Wendy Sterba.

Call No: 79APU WOO
Author: Wood, Robin, 1931
Place: [New York]
Publisher: Praeger
PubDate: 1971]
PhysDes: 96 p. illus. 18 cm
Subject: PATHER PANCHALI (II, Satyajit Ray, 1955); APARAJITO (II, Satyajit Ray, 1957); APU SANSAR (II, Satyajit Ray, 1958)
Notes: Bibliography: p. 94-95
LON: 70129351; 51695

Call No: 792(089) RAY
Author: Ray, Satyajit
Source: II
Place: Calcutta
Publisher: Seagull Books
PubDate: 1985
PhysDes: xv, 142 p., ill. ; 23 cm
Subject: Ray, Satyajit; PATHER PANCHALI (II, Satyajit Ray, 1955); APARAJITO (II, Satyajit Ray, 1957); APUR SANSAR (II, Satyajit Ray, 1958)
Summary: Indian screenplays translated into English
ISBN: 0856471003
Donation: donated by the family of Wayne Levy, 2006

Call No: 749.4 HUM
Author: Humprey, Daniel
Edition: 2020
Place: Detroit, Michigan
Publisher: Wayne State University Press
PubDate: Nov. 2020
PhysDes: 172 pages : illustrated ; 24 cm
Subject: PASOLINI, PIER PAOLO; EDIPO RE (IT, Pier Paolo Pasolini, 1967); MEDEA (IT/FR/GW, Pier Paolo Pasolini, 1969)
Summary: In Archaic Modernism, Daniel Humphrey offers the first book-length, English-language examination of three adaptations of Greek tragedy produced by the gay and Marxist Italian filmmaker Pier Paolo Pasolini: Oedipus Rex (1967), Medea (1969), and Notes Towards an African Orestes (1970/1973). Considering Pasolini’s own theories of a "Cinema of Poetry" alongside Jacques Derrida’s concept of écriture, as well as more recent scholarship by queer theory scholars advocating for an antirelational and antisocial subjectivity, Humphrey maintains that Pasolini’s Greek tragedy films exemplify a paradoxical sense of "archaic modernism" that is at the very heart of the filmmaker’s project. More daringly, he contends that they ultimately reveal the queer roots of Western civilization’s formative texts. Archaic Modernism is comprised of three chapters. Chapter 1 focuses on Oedipus Rex, assessing both the filmic language employed and the deeply queer mythological source material that haunts the tragedy even as it remains largely at a subtextual yet palpable level. Chapter 2 extends and deepens the concept of queer fate and queer negativity in a scene-by-scene analysis of Medea. Chapter 3 looks at the most obscure of Pasolini’s feature length films, Notes Towards an African Orestes, a film long misunderstood as an unwitting failure, but which could perhaps best be understood as a deliberate, sacrificial act on the filmmaker’s part. Considering the film as the third in an informal, maybe unconscious, trilogy, Humphrey concludes his monograph by arguing that this "trilogy of myth" can best be understood as a deconstruction, gradually more and more severe, of three of the most important origin tales of Western civilization. Archaic Modernism makes the case that these three films are as essential as those Pasolini films more often studied in the Anglophone world: Mamma Roma, The Gospel According to Matthew, Teorema, The Trilogy of Life, and Salò, and that they are of continuing, perhaps even increasing, value today. This book is of specific interest to scholars, students, and researchers of film and queer studies. -- publisher's web site
ISBN: 9780814343104

Author: Harty, Jason
PhysDes: Article; Illustration(s)
Subject: POST-PRODUCTION. AUSTRALIA; OUR CENTURY [TV] (AT, 1999)
Summary: Archival film footage enhanced in post-production has been used in the Look Films/Film Australia television series "Our Century".

PhysDes: Article
Subject: ORION PICTURES
Summary: Announcement of Arnold Adirim to Vice President of International Administration at Orion Pictures.

Call No: 771 ART
Author: Leighton, Tanya
Source: UK
Place: London
Publisher: Tate Publishing in association with Afterall
PubDate: 2008
PhysDes: 496 p. Ilustrations (some color) ; 25cm
Subject: ACCONCI, VITO; BARTHES, ROLAND; BELLOUR, RAYMOND; BENJAMIN, WALTER; BRAKHAGE, STAN; CONRAD, TONY; DANEY, SERGE; DEBORD, GUY; DELEUZE, GILLES; DUCHAMP, MARCEL; EXPANDED CINEMA; EXPERIMENTAL FILMS; EXPORT, VALIE; FAROCKI, HARUN; GODARD, JEAN-LUC; HUYGHE, PIERRE; KUBELKA, PETER; MCLUHAN, MARSHALL; MEKAS, JONAS; ONO, YOKO; PAIK, NAM JUNE; RESNAIS, ALAIN; SCHNEEMANN, CAROLEE; SNOW, MICHAEL; STRUCTURAL FILMS; STRUCTURALISM; VIDEO ART; VIOLA, BILL; WARHOL, ANDY; WOLLEN, PETER
Summary: "The mutual fascination between art and cinema has had a great influence on contemporary culture. For the past fifty years, the love/hate affair between the two has triggered vital aesthetic, social and political responses that constantly renew the way we understand our age. This book traces the story from early spatial experiments with film and video technologies to the current widespread use of projected images in museums and galleries. Why has there been a turn to the cinematic in contemporary art? What happens to the moving image when it shifts from the black box to the white cube, when cinema is exhibited? How does this challenge the traditional mediums of film, painting and sculpture? 'Art and the Moving Image' gathers together key texts including new, translated and previously unavailable essays by eminent writers and theorists including Giorgio Agamben, Beatriz Colomina, Serge Daney, Rosalind Krauss, Maurizio Lazzaratto and Peter Wollen. It offers an essential introduction to the complex field of art and the projected image for both students and general readers." -- Publisher's website.
Notes: Includes bibliographical references and index.
ISBN: 9781854376251
Donation: Adrian Miles
Contents: Preface / Charles Esche -- Introduction / Tanya Leighton -- Colour plates -- Part I. Histories and revisions -- Fluxfilms in three false starts / Bruce Jenkins -- 'Culture: Intercom' and expanded cinema: a proposal and manifesto / Stan VanDerBeek -- Enclosed by images: the Eameses' multimedia architecture / Beatriz Colomina -- 'My mind split open': Andy Warhol's exploding plastic inevitable / Branden W. Joseph -- The Museum of attractions: marcel Broodthaers and the 'Section Cine´ma' / Eric de Bruyn -- Paul Sharits and the active spectator / Federico Windhausen -- Bare lives / Pamela M. Lee -- Leisure 73 / Sabeth Buchmann -- The two avant-gardes / Peter Wollen -- Modes of film practice in the avant-garde / Jonathan Walley -- Part II. The agonistic relationship between video and television -- Hardware: the videosphere / Gene Youngblood -- Video: the aesthetics of narcissism / Rosalind Krauss -- Tale of the tape: 'Radical Software' / David Joselit -- Dependent participation: Bruce Nauman's environments / Janet Kraynak -- After the cull / Elizabeth Bennett Hupp -- Live on tape: video, liveness and the immediate / William Kaizen -- The art of the possible: notes about some installations by Harun Farocki / Christa Blu¨mlinger -- Video, flows and real time / Maurizo Lazzarato -- Five years later / Bill Horrigan -- Part III. From cinema to post-cinema -- Deleuze's time, or how the cinematic changes our idea of art / John Rajchman -- Difference and repetition: on Guy Debord's films / Giorgio Agamben -- From movies to moving / Serge Daney -- The time of re-departure: after cinema, the cinema of the subject / Jean-Chrisotphe Royoux -- Dissolution of the frame: immersion and participation in video installations / Ursula Frohne -- Video projection: the space between screens / Liz Kotz -- Siting cinema / Andrew V. Uroskie -- Moving images moving images / John Kelsey -- Of an other cinema / Raymond Bellour -- The gap between film and installation art / Alexander Alberro -- White cube, black box and grey areas: venues and values / Gregor Stemmrich -- Art and cinema: some critical reflections / Mark Nash -- 'You Never Know the Whole Story': Ute Friederike Ju¨rss and the aesthetics of the heterochronic image / Thomas Y. Levin.

Author: Finney, Alan
PhysDes: Article
Subject: LEWIS, JERRY; COMEDIANS; COMEDIES; NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963); WHO'S MINDING THE STORE? (US, Frank Tashlin, 1963); Keaton, Buster
Summary: Essay discusses the work of Jerry Lewis with particular reference to three films in which the characters are defined by their job and obligations: "The Bellboy", "The Errand Boy" and "The Ladies Man".

Author: Kouvaros, George
PhysDes: Book review; Bibliography
Subject: MASCULINITY IN FILMS; ONCE UPON A TIME IN AMERICA (US, Sergio Leone, 1984)
Summary: A book review of 'Once upon a time in America', by Adrian Martin.

Call No: 81PEN WOO
Author: Wood, Robin, 1931
Place: London
Publisher: Studio Vista
PubDate: 1967 [i.e. 1968]
PhysDes: 96 p. illus., ports. 17 cm
Subject: PENN, ARTHUR
Notes: "Filmography": p. 92-95
ISBN: 0289796024
LON: 71369662; 561052

Call No: TITLE CLIPPINGS FILE; FALLOUT (AT, Lawrence Johnston, 2013)
Author: Williams, Evan
PhysDes: Clippings File Article
Subject: FALLOUT (AT, Lawrence Johnston, 2013); ON THE BEACH (US, Stanley Kramer, 1959)
Summary: Capsule review of the documentary.
Rating: 3.5 out of 5 stars

Call No: 71(5) LEN
Author: Lent, John A., 1936-
Place: Bromley
Publisher: Christopher Helm
PubDate: 1990
PhysDes: x, 309 p., [8] p. of plates : ill. ; 23 cm
Subject: INDUSTRY, FILM. ASIAN COUNTRIES; CITY OF SADNESS, A [; JAPAN; TAIWAN; KOREA; PHILIPPINES; MALAYSIA; SINGAPORE; INDONESIA; THAILAND; BURMA; INDIA; PAKISTAN; BANGALADESH; SRI LANKA
Notes: Asia. Film industries (BNB/PRECIS); Includes index; Bibliography: p. 279-292
ISBN: 0747020000
LON: 6874060

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: PAY ROLE (AT, Brendon Stretch, 1978)

Call No: SUBJECT CLIPPINGS FILE; OWNERSHIP. USA
Author: Ramachandran, Shalini -- Knutson, Ryan
PhysDes: Clippings File Article
Subject: OWNERSHIP. USA; TIME WARNER
Summary: Report on the bid of telecommunications company AT&T looking to acquire the Time Warner media company and the implications this has for other broadcasters and media streaming companies

Call No: 737.34 EDW
Author: Edwards, Matthew
Source: US
Place: Jefferson, N. C.
Publisher: McFarland & Company Inc
PubDate: 2015
PhysDes: viii, 288 pages : illustrations ; 26 cm
Subject: NUCLEAR WARFARE IN FILMS; MONSTERS IN FILMS; GODZILLA [GOJIRA] (JA/US, Inoshiro Honda & Terry Morse, 1955); HIROSHIMA (JA, Hideo Sekigawa, 1953)
Summary: "This collection of new essays explores the cultural aftermath of the bombings and its expression in Japanese cinema. The contributors take on a number of complex issues, including the suffering of the survivors (hibakusha), the fear of future holocausts and the danger of nuclear warfare. Exclusive interviews with Go Shibata and critically acclaimed directors Roger Spottiswoode (Hiroshima) and Steven Okazaki (White Light/Black Rain) are included." -- BOOK BLURB
ISBN: 9780786479122
Contents: Prologue: Hiroshima Nagasaki / Matthew Edwards -- Gojira and the bomb. The rhetorical significance of Gojira: equipment for living through trauma / Shannon Stevens -- Japan removed: Godzilla adaptations and erasure of the politics of nuclear experience / Jason C. Jones -- Atomic reaction: Godzilla as metaphor for generational attitudes toward the United States and the bomb / John Vohlidka -- Japanese atomic cinema, 1945-2014. Suppression and censorship: Japanese cinema during the occupation / Matthew Edwards -- Pica-don: Japanese and American reception and promotion of Hideo Sekigawa's Hiroshima / Mick Broderick and Junko Hatori -- The shadow of the bomb in Hiroshi Teshigahara's The face of another / Tony Pritchard -- Nuclear skin: Hiroshima and the critique of embodiment in Affairs within walls / Julia Alekseyeva -- The atomic bomb experience and the Japanese family in Keiji Nakazawa's anime Hadashi no gen (barefoot gen) / Kenji Kaneko -- Yuichi and Jizo in Black rain: Imamura's phenomenological attempt to render a Hiroshima wormhole experience among his audience / Keiko Takioto Miller -- Trauma and witness in Hideo Nakata's Ring- Tienfong ho: the fragile roots of memory / Robert McParland -- Inconceivable anxiety: representation, disease and discrimination in atomic-bomb films / Yuki Miyamoto -- Kazuo Kuroki and Hisashi Inoue's Chichi to Kuraseba: remember, protest and return to ordinary life / Yoshiko Fukushima -- Breaking the silence of the atomic bomb survivors in Japanese graphic novel Town of evening calm, country of cherry blossoms and the film adaptation / Senjo Nakai -- The sound of the bomb: Go Shibata's nn891102 / Johannes Schonherr -- Western perspectives. Hiroshima films: cultural contexts before, during and after the Cold War / Greg Nielsen and Margaret M. Ferrara -- Hiroshima: an interview with director Roger Spottiswoode / Matthew Edwards -- White light/Black rain: the "atomic films" of Steven Okazaki / Matthew Edwards -- A[nime] bomb: an interview with Hibakusha director Steve Nguyen / Matthew Edwards -- Hibakusha: our life to live: an interview with director David Rothauser / Matthew Edwards -- All that remains: an interview with Ian and Dominic Higgins / Matthew Edwards

Call No: 410(73) GOE
Author: Goetz, Kevin
Edition: 2022
Place: New York
Publisher: Simon Element
PubDate: 2021
PhysDes: 225 pages
Subject: AUDIENCE RESEARCH. USA; AUDIENCES. USA; COCKTAIL (US, Roger Donaldson, 1988); FORREST GUMP (US, Robert Zemeckis, 1994); PARANORMAL ACTIVITY (US, Oren Peli, 2007); TITANIC (US, James Cameron, 1997); WAR OF THE ROSES, THE (US, Danny DeVito, 1989)
Summary: Discover the fascinating and secretive process of audience testing of Hollywood movies through these firsthand stories from famous filmmakers, studio heads, and stars. Audience-ology takes you to one of the most unknown places in Hollywood—a place where famous directors are reduced to tears and multi-millionaire actors to fits of rage. A place where dreams are made and fortunes are lost. From “the best in the business” (Sacha Baron Cohen), this book is the chronicle of how real people have written and rewritten America’s cinematic masterpieces by showing up, watching a rough cut of a new film, and giving their unfettered opinions so that directors and studios can salvage their blunders, or better yet, turn their movies into all-time classics. Each chapter informs an aspect or two of the test-screening process and then, through behind-the-scenes stories, illustrates how that particular aspect was carried out. Nicknamed “the doctor of audience-ology,” Kevin Goetz shares how he helped filmmakers and movie execs confront the misses and how he recommended ways to fix the blockbusters, as well as first-hand accounts from Ron Howard, Cameron Crowe, Ed Zwick, Renny Harlin, Jason Blum, and other Hollywood luminaries who brought you such films as La La Land, Chicago, Titanic, Wedding Crashers, Jaws, and Forrest Gump. Audience-ology explores one of the most important (and most underrated) steps in the filmmaking process with enough humor, drama, and surprise to entertain those with only a spectator’s interest in film, offering us a new look at movie history. -- publisher's web site
ISBN: 9781982186678

Call No: 634 CHI
Author: Chion, Michel
Edition: 2019
Place: New York
Publisher: Columbia University Press
PubDate: 2019
PhysDes: xxiii, 270 pages : illustrated ; 23cm
Subject: SOUND; GODARD, JEAN-LUC; HITCHCOCK, ALFRED; MUSIC AND THE CINEMA; MUSIC IN FILMS; RESNAIS, ALAIN; ROBBE-GRILLET, ALAIN; WELLES, ORSON; Wenders, Wim; DOLCE VITA, LA (FR/IT, Federico Fellini, 1960); PERSONA (SW, Ingmar Bergman, 1966); PSYCHO (US, Alfred Hitchcock, 1960); TYSTNADEN (SW, Ingmar Bergman, 1963)
Summary: Michel Chion’s landmark Audio-Vision has exerted significant influence on our understanding of sound-image relations since its original publication in 1994. Chion argues that sound film qualitatively produces a new form of perception. Sound in audiovisual media does not merely complement images. Instead, the two channels together engage audio-vision, a special mode of perception that transforms both seeing and hearing. We don’t see images and hear sounds separately—we audio-view a trans-sensory whole. In this updated and expanded edition, Chion considers many additional examples from recent world cinema and formulates new questions for the contemporary media environment. He takes into account the evolving role of audio-vision in different theatrical environments, considering its significance for music videos, video art, commercial television, and the internet, as well as conventional cinema. Chion explores how multitrack digital sound enables astonishing detail, extending the space of the action and changing practices of scene construction. He demonstrates that speech is central to film and television and shows why “audio-logo-visual” is a more accurate term than “audiovisual.” Audio-Vision shows us that sound is driving the creation of a sensory cinema. This edition includes a glossary of terms, a chronology of several hundred significant films, and the original foreword by sound designer, editor, and Oscar honoree Walter Murch. -- publisher's web site
ISBN: 9780231185899
Contents: Foreword (1994), by Walter Murch -- Preface -- Part I. The Audiovisual Contract -- 1. Projections of Sound on Image -- 2. The Three Listening Modes -- 3. Lines and Points: Horizontal and Vertical Perspectives on Audiovisual Relations -- 4. The Audiovisual Scene -- 5. The Real and the Rendered -- 6. Phantom Audio-Vision; or, The Audio-Divisual -- Part II. Beyond Sounds and Images -- 7. Sound Film Worthy of the Name -- 8. Toward an Audio-Logo-Visual Poetics -- 9. An Introduction to Audiovisual Analysis -- Glossary -- Chronology: Landmarks of the Sound Film -- Notes -- Bibliography -- Index

Call No: 81HEP MAY
Author: Maychick, Diana
Source: UK
Place: London
Publisher: Pan Books
PubDate: 1994
PhysDes: xii, 238p, [16]p of plates : ill., ports ; 18cm
Subject: HEPBURN, AUDREY; ROMAN HOLIDAY (US, William Wyler, 1953); SABRINA (US, Billy Wilder, 1954); BREAKFAST AT TIFFANY'S (US, Blake Edwards, 1961); CHILDREN'S HOUR, THE (US, William Wyler, 1961); MY FAIR LADY (US, George Cukor, 1964); TWO FOR THE ROAD (UK, Stanley Donen, 1966); BLOODLINE (US, Terence Young, 1979); THEY ALL LAUGHED (US, Peter Bogdanovich, 1981); NUN'S STORY, THE (US, Fred Zinneman, 1958)
Summary: The book deals with the films of Audrey Hepburn, and her leading men; it talks about her work with the Dutch Resistance, during the Second World War, and her two marriages, and five miscarriages. The book looks at her work with UNICEF, helping needy children. She is presented as a person of grace and elegance, but also, as a very determined, and courageous woman. [taken from back cover]
Notes: First published ; London; Sidgwick & Jackson, 1993
ISBN: 0330333976

Call No: 81:634DEH STA
Author: Starrs, David Bruno
Source: AT
Place: Brisbane, Queensland
PubDate: 2009
PhysDes: 263 p. : ill. ; 30 cm
Subject: AUTEUR THEORY; DIRECTORS. AUSTRALIA; SOUND; THEORY; DE HEER, ROLF; DANCE ME TO MY SONG (AT, Rolf de Heer, 1998); [DOCTOR] DR PLONK (AT, Rolf de Heer, 2007); EPSILON (AT/IT, Rolf de Heer, 1995); OLD MAN WHO READ LOVE STORIES (AT/SP/FR/NL, Rolf de Heer, 2000); PROPOSITION, THE (AT/UK, John Hillcoat, 2005); TRACKER, THE (AT, Rolf de Heer, 2002)
Summary: "An interpretative methodology for understanding meaning in cinema since the 1950s, auteur analysis is an approach to film studies in which an individual, usually the director, is studied as the author of his or her films. The principal argument of this thesis is that proponents of auteurism have privileged examination of the visual components in a film-makers' body of work, neglecting the potentially significant role played by sound. The thesis seeks to address this problematic imbalance by interrogating the creative use of sound in the films written and directed Rolf de Heer, asking the question, "Does his use of sound make Rolf de Heer and aural auteur?" In so far as the term 'aural' encompasses everything in the film that is heard by the audience, the analysis seeks to discover if de Heer has, as Peter Wollen suggests of the auteur and her or his directing of the visual components (1968, 1972 and 1998), unconsciously left a detectable aural signature on his films. The thesis delivers an innovative outcome by demonstrating that auteur analysis that goes beyond the mise-en-scene (i.e. visuals) is productive and worthwhile as an interpretative response to film. De Heer's use of the aural point of view and binaural sound recording, his interest in providing a 'voice' for marginalised people, his self-penned song lyrics, his close and early collaboration with composer Graham Tardif and sound desinger Jim Currie, his 'hands-on' approach to sound recording and sound editing and his predilection for making films about sound are all shown to be examples of de Heer's aural auteurism. As well as the three published (or accepted for publication) interviews with de Heer, Tardif and Currie, the dissertation consists of seven papers refereed and published (or accepted for publication) in journals and internatiional conference proceedings, a literature review and a unifying essay. The papers presented are close textual analyses of de Heer's films which, when considered as a whole, support the thesis' overall argument and serve as comprehensive auteur analysis, the first such sustained study of his work, and the first with an emphasis on the aural. " -- ABSTRACT
Notes: Presented to the Creative Industries Faculty, Queensland University of Technology. Thesis (Ph.D.)--Queensland University of Technology, Brisbane, 2009; Includes bibliographical references (p. 213-231)
Contents: -- part one: introduction -- chapter 1: the research problem, objective/aims, subject and methodologies -- chapter 2: the literature and contextual review -- part two: the seven refereed and published papers of the thesis -- chapter 3: a paper utilising genre analysis and signalling an interest in the auteurism of Rolf de Heer -- chapter 4: the first of two papers utilising standard auteur analysis -- chapter 5: the second of two papers utilising standard auteur analysis -- chapter 6: a paper arguing for the methodological innovation of the thesis: aural auteur analysis -- chapter 7: the first of three papers utilising aural auteur analysis -- chapter 8: the second of three papers utilising aural auteur analysis -- chapter 9: the third of three papers utilising aural auteur analysis -- part three: conclusion -- chapter 10: the unifying essay -- 11: references/bibliography and filmography -- 12: appendicies -- list of figures --

Call No: TITLE CLIPPINGS FILE; PAPER PLANES
Author: Roach, Vicky
PhysDes: Clippings File Article
Subject: BOX OFFICE. AUSTRALIA; PAPER PLANES (AT, Robert Connolly, 2014)
Summary: Paper Planes is doing excellent business at the Australian box office suprassing the $8m mark. Mentions of Village Roadshow, and film Water Diviner.

Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. PARK CITY. SUNDANCE. 2017
Author: Westwood, Christine
PhysDes: Clippings File Article
Subject: FESTIVALS. PARK CITY. SUNDANCE; BERLIN SYNDROME (AT, Cate Shortland, 2017); KILLING GROUND (AT, Damien Power, 2016); RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016); ORBITAL VANITAS (AT, Shaun Gladwell, 2017)
Summary: Report on a number of Australian films showing at the 2017 Sundance Film Festival, including; BERLIN SYNDROME, KILLING GROUND, RED DOG: TRUE BLUE, CASTING JONBENET, short film SLAPPER, and virtual reality film ORBITAL VANITAS

PhysDes: Article
Subject: COPRODUCTION. CHINA; BARNARD, ANTONIA; PAINTED VEIL, THE (C/US, John Curran, 2006)
Summary: A series of short articles that refer to the Australian co-production treaty. Tracey Prisk reports on co-productions with China and Singapore with comments from AFC's Catherine Waters. Producer Antonia Barnard, THE PAINTED VEIL and Flying Bark Productions also comment on their experience of being involved in co-productions in Asia.

Call No: June 2008 - Aug 2008 ; Oct 2008 - Dec 2009
Source: AT
Place: Ultimo, N.S.W.
Publisher: George K Special Projects
Subject: AUSTAR; PAY TV. AUSTRALIA
Donation: donated by Maggie Walsh

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OYSTER PRINCESS, THE [AUSTERNPRINZESSIN, DIE] (G, Ernst Lubitsch, 1919)

PhysDes: Article
Subject: VIDEO CLASSICS; 3-D FILMS; NUDITY IN FILMS
Summary: Article on 'Electric Blue 008', a 3-D video being released through Video Classics.

Author: McQueen, Humphrey
Place: Camberwell VIC
Publisher: Widescope
PubDate: 1977
PhysDes: 218p ; bibl
Subject: OWNERSHIP, TV. AUSTRALIA
Donation: Henry Mayer Collection

PhysDes: Article; Illustration(s)
Subject: PRODUCERS. AUSTRALIA; BECKER, RICHARD; BORGLUND, MIKAEL; HAMILTON, GARY; BURKE, GRAHAM; CHETTY, DEVESH; HANNAY, DAVID; KNIGHT, ANDREW; BEILBY, PETER; VIZARD, STEVE; Penfold-Russell, Rebel; SHTEINMAN, JONATHAN; WHITE, TIMOTHY
Summary: Contacts and brief biogs for Encore list of top Australian executive producers.

Call No: 79 PEA PEA
Author: Peach, Bill, 1935-
Source: AT
Place: Sydney
Publisher: Australian Broadcasting Commission in association with Dept. of Environment, Housing and Community Development and Hodder and Stoughton
PubDate: 1977
PhysDes: 160 p. : chiefly col. ill., map ; 29 cm.
Subject: PEACH'S AUSTRALIA [TV] (AT, 1975-1976)
Notes: Bibliography: p. 159-160
ISBN: 0642972117
Donation: donated by the family of Wayne Levy, 2006

Call No: 246(94) TOR
Author: Torre, Dan; Torre, Lienors
Edition: 2018
Place: Cham, Switzerland
Publisher: Palgrave Macmillan
PhysDes: xii, 260 pages : illustrated ; 22 cm
Subject: ANIMATED FILMS. AUSTRALIA; ANIMATION. AUSTRALIA; FELIX THE CAT; PORTER, ERIC; HANNA-BARBERA; MCLAREN ANGUS; PETTY, BRUCE; STITT, ALEX; TUPICOFF, DENNIS; MARCO POLO JUNIOR VERSUS THE RED DRAGON (AT, Eric Porter, 1972); DOT AND THE KANGAROO (AT, Yoram Goss, 1977); GRENDEL, GRENDEL, GRENDEL (AT, Alexander Stitt, 1981); LOST THING, THE (AT/UK, Andrew Ruhemann/Shaun Tan, 2010)
Summary: This book provides the most comprehensive history and analysis of Australian animation published to date. Spanning from the 1910s to the present day, it explores a wide-range both of independent animation, and of large-scale commercial productions. Presented within a uniquely international context, it details the frequent links between Australian animation and overseas productions. New perspectives and original information are offered on a variety of international subjects such as: Felix the Cat, the Australian Hanna-Barbera studios, and the Australian Walt Disney studios. Drawing on both extensive archival research and original interviews this book illuminates, for the first time, the breadth and richness of Australia’s animation history. -- publisher's web site
ISBN: 9783319954912

Call No: 732(94) SPE
Author: Speed, Lesley
Source: AT
Place: St. Kilda, Vic.
Publisher: Australian Teachers of Media (ATOM)
PubDate: c2015
PhysDes: 128 pages : illustrations ; 24 cm.
Subject: COMEDIES. AUSTRALIA; HISTORY AND THE CINEMA. AUSTRALIA; EFFTEE STUDIO; CINESOUND STUDIOS; HANNA, PAT; WALLACE, GEORGE; CO-RESPONDENT'S COURSE (AT, E.A. Dietrich-Derrick, 1931); DIGGERS (AT, F.W. Thring, 1931); HAUNTED BARN, THE (AT, E.A. Dietrich-Derrick, 1931); SHOWGIRL'S LUCK (AT, Norman Dawn, 1931); SENTIMENTAL BLOKE, THE (AT, F.W. Thring, 1932); ON OUR SELECTION (AT, Ken G. Hall, 1932); HIS ROYAL HIGHNESS (AT, F.W. Thring, 1932); DIGGERS IN BLIGHTY (AT, Pat Hanna, 1933); HARMONY ROW (AT, F.W. Thring, 1933); HAYSEEDS, THE (AT, Beaumont Smith, 1933); TICKET IN TATTS, A (AT, F.W. Thring, 1934); CLARA GIBBINGS (AT, F.W. Thring, 1934); STRIKE ME LUCKY (AT, Ken G. Hall, 1935); SPLENDID FELLOWS (AT, Beaumont Smith, 1934); GRANDAD RUDD (AT, Ken G. Hall, 1935); WHITE DEATH (AT, Edwin G. Bowen, 1936); RANGLE RIVER (AT, Clarence G. Badger, 1936); IT ISN'T DONE (AT, Ken G. Hall, 1937); TALL TIMBERS (AT, Ken G. Hall, 1937); LET GEORGE DO IT (AT, Ken G. Hall, 1938); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); GONE TO THE GOGS (AT, Ken G. Hall, 1939); ANTS IN HIS PANTS (AT, William Freshman, 1939)
Summary: Comedy has been a perpetual part of Australian film, in which humour reflects Australia's adaptation in times of crisis, social change and technological advances. This was never more so than in the 1930s, when Australia produced more comedy feature films than in any other decade before 1970. These films of the 1930s embraced the new technology of sound, made local vaudeville performers into movie stars, offered escape from the Depression and revealed a diverse and international Australia. In these films, Australia moved further from Empire and the bush, forged the Digger legend, responded to cultural diversity and viewed itself as a modern, urban nation. Influenced by Hollywood, Australian comedies of the 1930s adapted international styles to local points of view. Based on research at the National Film and Sound Archive, Lesley Speed's book provides new insight into Australian comedy films of the 1930s and the extraordinary period of social change in which they were produced. [taken from the back cober]
ISBN: 9781876467258
Contents: Contents: Introduction -- Comedy films and 1930s Australia -- Comedian comedies, Pat Hanna and George Wallace -- 'The best men in the metropolis' : Speech and language in films of Pat Hanna and George Wallace -- Strike me lucky, silly ass: Ethnicity and class difference -- From bush to the city: The Dad and Dave films -- Looking at home for 'something really ultra': Modernity, gender and the international -- Select filmography -- Select bibliography -- Notes

Call No: 201.3(94) AUS
Source: AT
Place: Canberra
Publisher: Australian Government Publishing Service
PubDate: 1996
PhysDes: xxi, 206 pages ; 25 cm
Series: Bureau of Transport and Communications Economics; report 93
Subject: INDUSTRY, TV. AUSTRALIA; OWNERSHIP TV. AUSTRALIA; ADVERTISING. TV. AUSTRALIA; COMMERCIAL TV. AUSTRALIA
Summary: This report addressses the structure and financial performance of the commerical television industry over the past decade. It complements BTCE's 1993 Report 83 Elements of Broadcasting Economics which dealt with general economic aspects of broadcasting and the performance of commercial radio. It is hoped that the information in this report will provide useful background to the contemporary reviews of television policies under section 215 of the Broadcasting Services Act 1992 -- taken from Foreward
ISBN: 0644362979
ISSN: 10344152
Contents: Foreword -- Abstract -- Executive summary -- Overview of commercial television -- Ownership and control of Australian commercial television -- A financial analysis of commercial television -- Determinants of television advertising revenue -- Television programming -- Appendix: Data underlying the financial analysis in chapter 2, An econometric model of television advertising demand -- References -- Abbreviations

Call No: 210.41(94) AUS
CorpAuthor: Bureau of Transport and Communications Economics
Source: AT
Place: Canberra
Publisher: Australian Govt. Pub. Service
PubDate: 1997
PhysDes: xxi, 97 p. ; 30 cm
Series: Working paper 31
Subject: PAY TV. AUSTRALIA; STATE AND TV. AUSTRALIA; PROGRAMMING. AUSTRALIA
Summary: This "study analyses the economic effects on the production industry and the Pay TV Industry of those options for Australian content which were considered viable by the ABA. -- During the course of the study, BTCE and ABA officers met with representatives from the Pay TV industry, the film and television program production industry and its employer and union groups, free-to-air television, and various government organisations." - TAKEN FROM FOREWORD
ISBN: 0642271232
Contents: Foreword -- Acknowledgments -- Abbreviations -- Executive summary -- 1. Introduction -- 2. Required level of expenditure on Australian programming IF section 102 had operated as intended -- 3. Capacity of the Australian film and television program production industry to supply additional Australian programming -- 4. Expansion required by other options -- 5. Capacity of the Pay TV industry to buy new Australian programs and the implications for government film and television assistance programs of increased output for Pay TV -- Conclusion -- Appendix I. Effect of Section 102 expenditure on industry output -- Appendix II. Estimated effects of increases in film channel costs on channel providers -- Appendix III. Pay TV channels -- Appendix IV. Broadcasting Services Act 1992 Section 215(2) review terms of reference -- References

Call No: 771(94) HOO
Author: Hooton, Fiona
Place: Saarbru¨cken, Germany
Publisher: VDM
PubDate: 2009
PhysDes: 174 p. : ill. ; 22 cm.
Subject: EXPERIMENTAL FILMS. AUSTRALIA; THOMS, ALBIE; BERESFORD, BRUCE; UBU FILM GROUP; NEWSFRONT (AT, Phillip Noyce, 1978); AWARDS. AUSTRALIAN FILM INSTITUTE; GOD KNOWS WHY, BUT IT WORKS (AT, Phil Noyce, 1976); CRYSTAL VOYAGER (AT, David Elfick & Albert Falzon, 1973); MORA, PHILIPPE; NOYCE, PHIL
Summary: In Australia art cinema no decade can rival the importace of the 1960s, yet little is still known of it's significance. This book attempempts to fill a current void of research about early Australian Experimental film. This is a significant gap given it was a national movemenent with many international connections. - BLURB
Notes: Includes bibliographical references.
ISBN: 9783639115932
Contents: Introductoin -- 1. Undergound histories -- 2. It droppeth as the gentle rain -- 3. U bu and the counterculture -- 4. The impact of experimental film on mainstream Australian cinema -- Conclusion -- Timeline - Viewing menu -- List of illistrations -- Bibliography
ID2: 343

Call No: 151(73) AUSTRALIAN "1978"
CorpAuthor: New South Wales Film Corporation Australian Films Office Inc.
Source: AT
Publisher: New South Wales Film Corporation Australian Films Office Inc.
PubDate: [1978]
PhysDes: 32 leaves : illustrations ; 30 cm
Subject: FESTIVALS. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; NEW SOUTH WALES FILM CORPORATION; NOYCE, PHILLIP; SHARMAN, JIM; THOMPSON, JACK; CADDIE (AT, Donald Crombie, 1976); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); NEWSFRONT (AT, Phillip Noyce, 1978); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978); STORM BOY (AT, Henri Safran, 1976); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975)
Summary: A collection of clippings from US print media relating to the Australian Film Festival in 1978.

Call No: 915(94) ADA; FOLIO
Author: Adamson, Judith, 1930
CorpAuthor: Australian Film Institute
Place: Sydney
Publisher: Currency Press with Australian Film Institute
PubDate: 1978
PhysDes: 56p. : chiefly col.ill. ; 37cm
Subject: POSTERS; AUSTRALIA; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906); ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933); [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940); JEDDA (AT, Charles Chauvel, 1955); OVERLANDERS, THE (UK, Harry Watt, 1946); RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944); SONS OF MATTHEW (AT, Charles Chauvel, 1949)
Notes: Advertising posters. Special subjects: Australian cinema films, 1906-1960. Illustrations (ANB/PRECIS SIN 0249955)
ISBN: 090802388X : $7.50 Aust
LON: anb90802388; 1473255
Donation: Simon Wincer
ID2: 229

Call No: SUBJECT CLIPPINGS FILE; BOX OFFICE. AUSTRALIA
Author: Maddox, Garry
PhysDes: Clippings
Subject: BOX OFFICE. AUSTRALIA; ODDBALL (AT, Stuart McDonald, 2015); THAT SUGAR FILM (AT, Damon Gameau, 2014); MAD MAX: FURY ROAD (AT/US, George Miller, 2015); CUT SNAKE (AT, Tony Ayres, 2014); WATER DIVINER, THE (AT/TU, Russell Crowe, 2014)

Call No: 735.2 (94) SHE
Author: Shelley, Peter
Source: US/UK
Place: Jefferson, North Carolina, and London
Publisher: McFarland & Company Inc
PubDate: c2012
PhysDes: vi, 320 p. : ill. ; 26 cm
Subject: HORROR FILMS; HORROR FILMS. AUSTRALIA; FILMOGRAPHIES. AUSTRALIA; NIGHT OF FEAR (AT, Terry Bourke, 1973); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); INN OF THE DAMNED (AT, Terry Bourke, 1974); END PLAY (AT, Tim Burstall, 1975); LAST WAVE, THE (AT, Peter Weir, 1977); LONG WEEKEND, THE (AT, Colin Eggleston, 1979); PATRICK (AT, Richard Franklin, 1978); SNAPSHOT (AT, Simon Wincer, 1978); THIRST (AT, Rod Hardy, 1979); NIGHTMARES (AT, John Lamond, 1980); ALISON'S BIRTHDAY (AT, Ian Coughlin, 1979); LADY STAY DEAD (AT, Terry Bourke, 1981); ROADGAMES (AT, Richard Franklin, 1981); SURVIVOR, THE (AT, David Hemmings, 1981); NEXT OF KIN (AT, Tony Williams, 1982); TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981); INNOCENT PREY (AT, Colin Eggleston, 1984); RAZORBACK (AT, Russell Mulcahy, 1984); CASSANDRA (AT, Colin Eggleston, 1987); DARK AGE (AT/US, Arch Nicholson, 1988); FAIR GAME (AT, Mario Andreacchio, 1986); CONTAGION (AT, Karl Zwicky, 1988); CONTAGION (AT, Karl Zwicky, 1988); OUTBACK VAMPIRES (AT, Colin Eggleston, 1987); ZOMBIE BRIGADE (AT, Carmelo Musca, 1988); CELIA (AT, Ann Turner, 1988); CELIA (AT, Ann Turner, 1988); DREAMING, THE (AT, Mario Andreacchio, 1988); HOUSEBOAT HORROR (AT, Kendal Flanagan & Ollie Martin, 1989); KADAICHA (AT, James Bogle, 1988); OUT OF THE BODY (AT, Brian Trenchard-Smith, 1988); [THIRTEENTH] 13TH FLOOR, THE (AT, Chris Roache, 1989); BLOODMOON (AT, Alec Mills, 1990); BODY MELT (AT, Philip Brophy, 1993); BODY MELT (AT, Philip Brophy, 1993); ENCOUNTERS (AT, Murray Fahey, 1994); KOMODO (US/AT, Michael Lantieri, 1999); CUT (AT, Kimble Rendall, 2000); CTHULHU (AT, Damian Heffernan, 2000); GHOST SHIP, THE (US, Steve Beck, 2002); CUBBYHOUSE (AT, Murray Fahey, 2001); QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002); DARKNESS FALLS (US, Jonathon Liebesman, 2003); LOST THINGS (AT/CN, Martin Murphy, 2003); RAZOR EATERS (AT, Shannon Young, 2003); SUBTERANO (AT/GG, Esben Storm, 2002); UNDEAD (AT, Michael Spierig & Peter Spierig, 2002); MAN-THING (US/AT, Brett Leonard, 2005); SAFETY IN NUMBERS (AT, David Douglas, 2005); WOLF CREEK (AT, Greg McLean, 2005); LIKE MINDS (AT UK, Gregory J Read, 2006); SEE NO EVIL (AT, Gregory Dark, 2006); VOODOO LAGOON (AT/UK, Nicholas Cohen, 2006); WATCH ME (AT, Melanie Ansley, 2006); BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007); ROGUE (AT, Greg Mclean, 2007); STORM WARNING (AT, Jamie Blanks, 2007); ACOLYTES (AT, Jon Hewitt, 2007); DYING BREED (AT, Jody Dwyer, 2008); GATES OF HELL, THE (AT, Kelly Dolen, 2008); I KNOW HOW MANY RUNS YOU SCORED LAST SUMMER (AT, Stacy Edmonds & Doug Turner, 2008); LONG WEEKEND (AT, Jamie Blanks, 2009); RUINS, THE (AT/US, Carter Smith, 2008); COFFIN ROCK (UK/AT, Rupert Glasson, 2009); CRUSH (AT, John V. Soto & Jeff Gerritsen, 2009); DAMNED BY DAWN (AT, Brett Anstey, 2009); DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008); DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008); FAMILY DEMONS (AT, Ursula Dabrowsky, 2009); HORSEMAN, THE (AT, Steven Kastrissios, 2008); LOVED ONES, THE (AT, Sean Byrne, 2009); PREY (AT, Oscar D'Rocceter, 2007); [SEVENTH] 7TH HUNT, THE (AT, J.D. Cohen, 2009); STORAGE (AT, Michael Craft, 2009); TRIANGLE (AT/UK Christpher Smith, 2009); CLINIC, THE (AT, James Rabbitts, 2010); NEEDLE (AT, John V Soto, 2010); REEF, THE (AT, Andrew Traucki, 2010); ROAD TRAIN (AT, Dean Francis, 2010); SLAUGHTERED (AT, Kate Glover, 2010)
Summary: "This pioneering work provides in-depth coverage of 76 horror films produced in Australia, where serial killers, carnivorous animals, mutants, zombies, vampires and evil spirits all receive the "antipodean" cinematic treatment unique to the Land Down Under. Titles covered were released between 1973 and 2010, a period coinciding with the revival of the long-dormant Australian film industry in the early 1970s, and continuing into the second wave of genre production spurred by the international success of the 2005 chiller Wolf Creek, The Cars That Ate Paris, The Last Wave, Roadgames, Razorback, Outback Vampires, Queen of the Damned, Black Water, and The Reef are among the titles represented. Each film is covered in a chapter that includes a cast and credits list, release information, contemporary reviews and DVD availability, as well as a synopsis and in-depth notes about the story, filmmaking techniques, acting performances, recurring themes and motifs, and overall effectiveness of the film as a work of horror. ' -- BOOK BLURB
Notes: 'VOYAGE INTO FEAR (AT, Murray Fahey, 1993) listed here as (aka) ENCOUNTERS (AT, Murray Fahey, 1994); HELLION: THE DEVIL'S PLAYGROUND listed here as (aka) CUBBYHOUSE (AT, Murray Fahey, 2001); NATURE'S GRAVE listed here as (aka) LONG WEEKEND (AT, Jamie Blanks, 2009); Includes bibliographical references and index
ISBN: 9780786461677
Contents: -- acknowledgments -- preface -- introduction -- the films -- bibliography -- index --

Call No: 71(94) DAN
Author: Danks, Adrian; Verevis, Constantine
Edition: 2023
Place: Edinburgh
Publisher: Edinburgh University Press
PhysDes: 224 pages ; 24 cm
Series: Traditions in World Cinema
Subject: AUSTRALIA; EALING STUDIOS; OVERLANDERS, THE (UK, Harry Watt, 1946); KANGAROO (AT, Lewis Milestone, 1952); ON THE BEACH (US, Stanley Kramer, 1959); SUNDOWNERS, THE (US, Fred Zinnemann, 1960); KOYA NO TOSEININ (JA, Junya Sato, 1968); AGE OF CONSENT (AT, Michael Powell, 1969); COLOR ME DEAD (US/AT, Eddie Davis, 1968); NED KELLY (UK, Tony Richardson, 1970); WALKABOUT (UK, Nicolas Roeg, 1971); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975)
Summary: Offers an important insight into the formative moments of transnational film culture in Australia - Provides vibrant textual studies of under-evaluated Australian international pictures - Develops an understanding of international film production in the years following WWII and before the Australian film revival of the 1970s - Corrects the perception that there was no significant feature film production in Australia after the 1930s and before the revival - Offers background and important precedents for the more recent practices of global co-productions and ‘Hollywood Down-under’ Australian International Pictures examines the concept and definition of Australian film in relation to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although international co-production is particularly acute in the present day, this book examines the porous nature of Australian International filmmaking, and the intriguing transnational and cross-cultural formations created by globally targeted but locally focussed films made in Australia in the period 1946–75. -- publisher's web site
ISBN: 9780748693061
Contents: Acknowledgements -- 1. Australian International Pictures (1946–75) -- 2. The Overlanders (1946) and Ealing Down Under -- 3. Kangaroo (1952) -- 4. On the Beach (1959) -- 5. The Sundowners (1960) -- 6. The Drifting Avenger (1968) -- 7. Age of Consent (1969) -- 8. Color Me Dead (1970) -- 9. Ned Kelly (1970) -- 10. Walkabout (1971) -- 11. Wake in Fright (1971) -- 12. The Man from Hong Kong (1975) -- References.

Call No: 20(058)(94) BEI
Author: Beilby, Peter
Source: AU
Place: North Melbourne, Victoria
Publisher: Cinema Papers Pty Ltd
PubDate: 1980
PhysDes: 319 pages : black and white illustrations ; 25 cm
Series: Australian motion picture yearbook
Subject: AWARDS; DIRECTORS; DISTRIBUTION; EXHIBITION; FESTIVALS; FILM WORKERS; INDUSTRY, FILM. AUSTRALIA; LEGISLATION. AUSTRALIA; PERIODICALS, FILM. AUSTRALIA; PRODUCTION CENTRES. AUSTRALIA
Summary: Overview of activities and output of the Australian film industry in 1980
Notes: published by Cinema Papers Pty Ltd in association with the New South Wales Film Corporation
ISBN: 0158698X
Donation: Simon Wincer

Call No: 761 WIL
Author: Williams, Deane
Source: UK
Place: Bristol, U.K. ; Chicago, USA
Publisher: Intellect
PubDate: 2008
PhysDes: 165 p., [8] p. of plates : ill. ; 24 cm
Subject: DOCUMENTARIES. AUSTRALIA; DOCUMENTARY FILMS. AUSTRALIA; THREE IN ONE (AT, Cecil Holmes, 1956); BACK OF BEYOND, THE (AT, John Heyer, 1953); MIKE AND STEPHANI (AT, Maslyn Williams, 1948-49); OVERLANDERS, THE (UK, Harry Watt, 1946); VALLEY IS OURS, THE (AT, John Heyer, 1948)
Summary: "This book is, at one level, a selective history of Australian documentary film in the immediate post-war years. At another level it is a sketch of an internationalist progressive film culture in the same place and period. It examines some landmark films in Australian Film History and places these important works in an international context. In this work of film history Deane Williams proposes that, while these films have been understood as inferior remakes of "overseas" written, theatrical and filmic texts, these films are evidence of an Australian film culture that was a key participant in an international network of documentary practice and criticism."--BOOK JACKET.
Notes: Includes bibliographical references (p. [157]-165); Includes filmography: p. [153]-156.
ISBN: 9781841502106
Contents: A realist film unit and association in Australia -- Cecil Holmes's folk politics : the intertextuality of Thee in one -- John Heyer's international perspective : The overlanders, The valley is ours, The back of beyond -- The neo-realism of Mike and Stefani -- Settler journeys

PhysDes: Article
Subject: MONKEY GRIP (AT, Ken Cameron, 1982); NOYCE, PHILLIP; CANNES FILM FESTIVAL; INDUSTRY, FILM. AUSTRALIA
Summary: Brief look at various Australian actors, directors, distributors, agents, and buyers at the Cannes film festival.
ID2: 92

Call No: 71(94) REA
Copy Management: Copy 1; Copy 2
Author: Reade, Eric, 1912-1978
Place: Melbourne
Publisher: Lansdowne
PubDate: 1975
PhysDes: 308 p. : ill. ; 27 x 34 cm
Subject: AUSTRALIA; AUSTRALIA. 1895-1930; HISTORY OF TV. AUSTRALIA; HALL, KEN G.; CHAUVEL, CHARLES; LONGFORD, RAYMOND; SMITH, BEAUMONT; THRING, F.W.; THOMPSON, JACK; HIGGINS, ARTHUR; HURLEY, FRANK; RAFFERTY, CHIPS; SPENCER, CHARLES COZENS; EFFTEE STUDIO; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); DIGGERS (AT, F.W. Thring, 1931); ON OUR SELECTION (AT, Raymond Longford, 1920); SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919)
Notes: Australian cinema films, 1896-1974 (ANB/PRECIS SIN 0101729); Index; Parts of the text and some of the photographs in this volume were first published in "Australian silent films: a pictorial history, 1896-1929' and "The talkies era: a pictorial history of Australian sound film making, 1930-1960' by the same author
ISBN: 0701803193 : $15.00 Aust
LON: anb70180319; 791305

Call No: 71(94) REA
Author: Reade, Eric, 1912-1978
Place: [Melbourne]
Publisher: Lansdowne
PubDate: 1970]
PhysDes: 192 p. : ill. ; 29 cm
Subject: AUSTRALIA. 1895-1930; CINEMAS. AUSTRALIA; SMITH'S WEEKLY; SPENCER, CHARLES COZENS; PERRY, JOSEPH; HURLEY, FRANK; LONGFORD, RAYMOND; SMITH, BEAUMONT; CARBASSE, LOUISE; RICKARDS, HARRY; WEST, T.J.; WILLIAMSON, J.C.; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927)
ISBN: 0701803207
LON: 74876255; 376334

Call No: 408.1(94) AUS
Author: Tulloch, John, 1942; Turner, Graeme
Place: Sydney
Publisher: Allen & Unwin
PubDate: 1989
PhysDes: xv, 204 p. ; 22 cm
Series: Australian cultural studies
Subject: TELEVISION. AUSTRALIA; NATIONAL CULTURE AND TV. AUSTRALIA; TELEVISION AND THE CINEMA. AUSTRALIA; GAMES SHOWS. AUSTRALIA; SOAP OPERAS. AUSTRALIA; DOCUMENTARIES. AUSTRALIA; CHILDREN AND TV. AUSTRALIA; HISTORY OF TV. AUSTRALIA; PERFECT MATCH [TV] (AT, 1984-89?); PRISONER [TV] (AT, 1979-86); COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994); LAST PLACE ON EARTH, THE [TV] (AT, 1987); VIETNAM [TV] (AT, John Duigan & Chris Noonan, 1987)
Notes: Includes bibliographies and index
ISBN: 0043800300 (pbk.) : price unknown
LON: 6398616

Call No: 203(94) CUN
Author: Cunningham, Stuart; Jacka, Elizabeth
Place: Cambridge Melbourne
Publisher: Cambridge University Press
PubDate: 1996
PhysDes: xix, 284 p. : ill. ; 23 cm
Subject: INDUSTRY, TV. AUSTRALIA; AUSTRALIAN BROADCASTING CORPORATION; EXPORT AND IMPORT OF TV. AUSTRALIA; TELEVISION. AUSTRALIA; PRODUCTION. AUSTRALIA; VILLAGE ROADSHOW; NATIONAL CULTURE AND TV. AUSTRALIA; NEIGHBOURS [TV] (AT, 1985-); FLYING DOCTORS, THE [TV] (AT, 1986-91); PARADISE BEACH [TV] (AT, 1993-94); BEYOND 2000 [TV] (AT, 1985-); BRIDES OF CHRIST [TV] (AT, Ken Cameron, 1991)
Summary: "Describes the origins and operation of the Australian industry and the increasing globalisation of the television marketplace. Their book examines the television cultures of the countries importing Australian programs, and assesses the reasons for the success of failure of various programs" - taken from back cover
Notes: Includes index; CIP confirmed; Bibliography: p. 254-270
ISBN: 052147003X; 0521469740 (pbk.)
LON: 11853714

Call No: 203(94) CUN
Author: Cunningham, Stuart; Jacka, Elizabeth
Place: Cambridge Melbourne
Publisher: Cambridge University Press
PubDate: 1996
PhysDes: xix, 284 p. : ill. ; 23 cm
Subject: INDUSTRY, TV. AUSTRALIA; AUSTRALIAN BROADCASTING CORPORATION; EXPORT AND IMPORT OF TV. AUSTRALIA; TELEVISION. AUSTRALIA; PRODUCTION. AUSTRALIA; VILLAGE ROADSHOW; NATIONAL CULTURE AND TV. AUSTRALIA; NEIGHBOURS [TV] (AT, 1985-); FLYING DOCTORS, THE [TV] (AT, 1986-91); PARADISE BEACH [TV] (AT, 1993-94); BEYOND 2000 [TV] (AT, 1985-); BRIDES OF CHRIST [TV] (AT, Ken Cameron, 1991)
Summary: "Describes the origins and operation of the Australian industry and the increasing globalisation of the television marketplace. Their book examines the television cultures of the countries importing Australian programs, and assesses the reasons for the success of failure of various programs" - taken from back cover
Notes: Includes index; CIP confirmed; Bibliography: p. 254-270
ISBN: 052147003X; 0521469740 (pbk.)
LON: 11853714
Donation: Counihan donation

Call No: TITLE CLIPPINGS FILE; OBSERVANCE (AT, Joseph Sims-Dennett, 2015)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: OBSERVANCE (AT, Joseph Sims-Dennett, 2015)
Summary: Film review
Rating: 3 out of 5 stars

Call No: 71(94) AUS
Author: Shirley, Graham, 1949
CorpAuthor: Museum of Contemporary Art (Sydney, N.S.W.)
Place: [Sydney]
Publisher: Museum of Contemporary Art
PubDate: 1992
PhysDes: 44 p. : ill. ; 30 cm
Subject: HISTORY OF TV. AUSTRALIA; AUSTRALIAN BROADCASTING CORPORATION; DRAMAS. AUSTRALIA; COMEDY PROGRAMMES. AUSTRALIA; DOCUMENTARIES. AUSTRALIA; CURRENT AFFAIRS PROGRAMMES. AUSTRALIA; GAMES SHOWS. AUSTRALIA; MY BROTHER JACK [TV] (AT, Gil Brealey, 1965); PRESSURE PAK SHOW, THE [TV] (AT, 1957-1959?); COUNTRY STYLE [TV] (AT, 1962-?); IT COULD BE YOU [TV] (AT, 1969-?); JONAH [TV] (AT, David Cahill & Ken Hannam, 1962-63); MATLOCK POLICE [TV] (AT, 1971-1976); ADVENTURE ISLAND [TV] (AT, 1967-1973); MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968); MY NAME'S MCGOOLEY, WHAT'S YOURS? [TV] (AT, 1966-1968); SEVEN DAYS [TV] (AT, 1964-1968); [FOUR] 4 CORNERS [TV] (AT, 1961-); SAY BOW WOW [TV] (AT, Gil Brealey, 1964); CHEQUER-BOARD [TV] (AT, 1969-1975); PENTHOUSE [TV] (AT, 1961-?)
Notes: "... accompanies the exhibition TV Times : 35 years of watching television in Australia' - Pref; At head of title: TV Times; Available from Museum of Contemporary Art, 132 George St, Sydney NSW 2000; Includes bibliographies
ISBN: 1875632077 : price unknown
LON: abn92040814; 8713155

Call No: 71(94) TUR
Author: Cunningham, Stuart; Turner, Graeme
Source: AT
Place: St. Leonards, N.S.W.
Publisher: Allen & Unwin
PubDate: 2000
PhysDes: x, 243 p. ; 23 cm
Subject: TELEVISION. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; PUBLIC BROADCASTING. AUSTRALIA; COMMERCIAL TV. AUSTRALIA; AUSTRALIAN BROADCASTING CORPORATION; SPECIAL BROADCASTING SERVICE; ADVERTISING. AUSTRALIA; AUDIENCE RESEARCH. AUSTRALIA; CURRENT AFFAIRS PROGRAMMES. AUSTRALIA; NEWS PROGRAMMES. AUSTRALIA; NINE NETWORK; PAY TV. AUSTRALIA; SPORT ON TV. AUSTRALIA; NETWORK TEN; FRONTLINE [TV] (AT, 1994- ); SEACHANGE [TV] (AT, 1998-)
Notes: Includes index; Bibliography: p. 213-227
ISBN: 1865080144 : $35.00
LON: 21494182

PhysDes: Article
Subject: UNITED INTERNATIONAL PICTURES; ADVERTISING FOR FILMS; OCTOPUSSY (US, John Glen, 1983); FLASHDANCE (US, Adrian Lyne, 1983); PSYCHO II (US, Richard Franklin, 1983)
Summary: Article on the United International Pictures film marketing conference which discusses many of UIP's upcoming films.

Call No: TITLE CLIPPINGS FILE; PAWNO (AT, Paul Ireland, 2015)
Author: Wilson, Ashleigh
PhysDes: Clippings File Article
Subject: IRELAND, PAUL; PAWNO (AT, Paul Ireland, 2015)
Summary: Interview with Paul Ireland, the director of the film PAWNO. He discusses his career and the process of getting PAWNO made

Call No: 747.77(73) AUT
Author: Pomerance, Murray; Palmer, R. Barton
Edition: 2022
Place: Austin
Publisher: University of Texas Press
PubDate: April 2022
PhysDes: 324 pages ; 23.5 cm
Subject: PEOPLE WITH DISABILITIES IN FILMS; STAR TREK - THE NEXT GENERATION [TV] (US, 1987-1994); LIFE, ANIMATED (FR/US, Roger Ross Williams, 2016); RAIN MAN (US, Barry Levinson, 1988); GOOD DOCTOR, THE [TV] ( US, 2017 - ); BIG SHORT, THE (US, Adam McKay, 2015); STRANGER THINGS [TV] (US, 2016); SOCIAL NETWORK, THE (US, David Fincher, 2010); NIGHTCRAWLER (US, Dan Gilroy, 2014); ACCOUNTANT, THE (US, Gavin O'Connor, 2016); BEING THERE (US, Hal Ashby, 1979); PHANTOM THREAD (US, Paul Thomas Anderson, 2017); DAVID AND LISA (US, Frank Perry, 1962); MARY POPPINS (US, Robert Stevenson, 1964)
Summary: Global awareness of autism has skyrocketed since the 1980s, and popular culture has caught on, with film and television producers developing ever more material featuring autistic characters. Autism in Film and Television brings together more than a dozen essays on depictions of autism, exploring how autistic characters are signified in media and how the reception of these characters informs societal understandings of autism. Editors Murray Pomerance and R. Barton Palmer have assembled a pioneering examination of autism’s portrayal in film and television. Contributors consider the various means by which autism has been expressed in films such as Phantom Thread, Mercury Rising, and Life Animated and in television and streaming programs including Atypical, Stranger Things, Star Trek: The Next Generation, and Community. Across media, the figure of the brilliant, accomplished, and “quirky” autist has proven especially appealing. Film and television have thus staked out a progressive position on neurodiversity by insisting on screen time for autism but have done so while frequently ignoring the true diversity of autistic experience. As a result, this volume is a welcome celebration of nonjudgmental approaches to disability, albeit one that is still freighted with stereotypes and elisions. -- publisher's web site
ISBN: 9781477324912
Contents: -- -- Preface: Two Meditations: Who Am I? (Murray Pomerance) Before Neurodiversity (R. Barton Palmer) -- 1. Autistic Android? The Curious Instance of Star Trek’s Data (Ina Rae Hark) -- 2. Life, Animated: Adapting a Book about a Hero with Autism (Rebecca Bell-Metereau) -- 3. Where Is the Autism in Rain Man? (Daniel Sacco ) -- 4. The Good Doctor: Images of Autism and Augmented Intelligence (Burke Hilsabeck) -- 5. Oddity and Catastrophe in The Big Short (Jason Jacobs) -- 6. Diagnosing the Detective: Sherlock Holmes and Autism in Contemporary Television (Christina Wilkins) -- 7. She’s So Unusual: The Autist in Stranger Things (Brenda Austin-Smith) -- 8. Autism, Performance, and Sociality: Isolated Attention in The Social Network (Elliott Logan) -- 9. Hidden Worlds of Female Autism (Daniel Varndell) -- 10. Eye Contact in Juárez: Borderline Empathy and the Autistic Detective (Douglas McFarland) -- 11. The Creative Evolution and Reception of Netflix’s Atypical (Christine Becker) -- 12. Community’s Human Laugh Track: Neurodiversity in a Metamodern Sitcom (Joshua Schulze) -- 13. Portrait of the Autist as a Young Man (Fincina Hopgood) -- 14. Due Diligence: Exploring ASD in Nightcrawler and The Accountant (Dominic Lennard) -- 15. Mind the Gap: Autistic Viewpoint in Film (Alex Clayton) -- 16. Performative Restraint and the Challenges of Empathy in Being There and Phantom Thread (Matthew Cipa) -- 17. “A Spoonful of Sugar”: Watching Movies Autistically (Mark Osteen) -- 18. David and Lisa: The Healing Power of the Group (R. Barton Palmer) -- 19. Jesse: Torture That Autist (Murray Pomerance) -- Works Cited and Consulted -- Photo Captions and Credits -- Contributors -- Index.

Call No: 64NOU(437) OWE
Author: Owen, Jonathan L.
Place: New York
Publisher: Berghahn Books
PubDate: 2011
PhysDes: viii, 245 p. : ill. ; 24 cm
Series: Berghahn on film
Subject: CZECHOSLOVAKIA; NOUVELLE VAGUE; SURREALISM AND THE CINEMA; CLOSELY WACTHED TRAINS [; SEDMIKRASKY (CS, Vera Chytilova, 1966)
Summary: The cultural liberalization of communist Czechoslovakia in the 1960s produced many artistic accomplishments, not least the celebrated films of the Czech New Wave. This movement saw filmmakers use their new freedom to engage with traditions of the avant-garde, especially Surrealism. This book explores the avant-garde's influence over the New Wave and considers the political implications of that influence. The close analysis of selected films, ranging from the Oscar-winning Closely Observed Trains to the aesthetically challenging Daisies, is contextualized by an account of the Czech avant-garde and a discussion of the films' immediate cultural and political background
Notes: Includes bibliographical references and index
ISBN: 9780857451262
Contents: Introduction: Surrealism in and out of the Czechoslovak New Wave -- Chapter one: Inspirations, Opportunities: Cultural and Historical Contexts -- Chapter two: Pavel Juraceks Josef Kilian (1963) and A Case for the Young Hangman (1969): From the Surreal Object to the Absurd Signifier -- Chapter three: Jiri Menzels Closely Observed Trains (1966): Hrabal and the Heterogeneous -- Chapter four: Spoiled Aesthetics: Realism and Anti-Humanism in Vera Chytilova's Daisies (1966) -- Chapter five: Flights From History: Otherness, Politics and Folk Avant-Gardism in Juraj Jakubiskos The Deserter and the Nomads (1968) and Birds, Orphans and Fools (1969) -- Chapter six: Back to Utopia: Returns of the Repressed in Jaromil Jires's Valerie and Her Week of Wonders (1970) -- Chapter seven: Jan Svankmajer: Contemporary Czech Surrealism and the Renewal of Language -- Conclusion

Call No: 71(94) STR
Author: Stratton, David
Place: Chippendale, N.S.W.
Publisher: Pan Macmillan
PubDate: 1990
PhysDes: xiii, 465 p. : ill. ; 25 cm
Subject: FILMOGRAPHIES. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; AUSTRALIA; TAXES. AUSTRALIA; MILLER, GEORGE; LAWRENCE, RAY; COX, PAUL; BENNETT, BILL; DOBROWOLSKA, GOSIA; PARKER, DAVID; SALVAT, KEITH; SCHEPISI, FRED; SCHULTZ, CARL; SULLIVAN, ERROL; TASS, NADIA; TURKIEWICZ, SOPHIA; WEIR, PETER; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); TIME GUARDIAN, THE (AT, Brian Hannant, 1987); SILVER CITY (AT, Sophia Turkiewicz, 1984); MALCOLM (AT, Nadia Tass, 1986); BURKE AND WILLS (AT, Graeme Clifford, 1985); BLISS (AT, Ray Lawrence, 1985)
Summary: "Film? Or avocados? During the heady years of tax incentives and 10BA it didn't much matter to Australian investors where they put their surplus funds. For the Australian film industry, booming after the creative revival of the 1970s, the next decade became one of confusion and controversy. In THE AVOCADO PLANTATION, David Stratton gives us a comprehensive look at the making of 270 film features between 1980 and 1990. He discusses the big name attractions - GALLIPOLI, THE MAN FROM SNOWY RIVER, MAD MAX 2, CROCODILE DUNDEE, MAN OF FLOWERS, SWEETIE - and a host of lesser known films. Adventure films, horror films, love stories, comedies, they're all here: the smash hits, the turkets and the quality movies appreciated by discerning audiences. Stratton tells the behind-the-scenes stories of how the films were made - or in some casxes, un-made. He talks with directors such as Peter Weir, George Miller and Paul Cox, as well as producers, writers, actors, and crew members. Their reflections and revelations form a major part of THE AVOCADO PLANTATION." [Taken from book jacket]
Notes: Includes index
ISBN: 0732902509
LON: 7520974
Donation: Simon Wincer
ID2: 255

PhysDes: Article
Subject: SCHIFRIN LALO; HUTTON, LAUREN; ORION PICTURES; SOUNDTRACKS
Summary: Article on Lalo Schifrin creating the score for 'Starflight One' (later to be renamed 'Starflight: The plane that couldn't land').

PhysDes: Article
Subject: NOYCE, PHILLIP; CROWE, RUSSELL; COLOSIMO, VINCE; WATTS, NAOMI; BROWN, BRYAN; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001)
Summary: Audience voting on best films, direcors and actors of 2002

Call No: TITLE CLIPPINGS FILE; BERLIN SYNDROME (AT, Cate Shortland, 2017)
Author: Quinn, Karl
PhysDes: Clippings File Article
Subject: PALMER, TERESA; BERLIN SYNDROME (AT, Cate Shortland, 2017)
Summary: Interview with Teresa Palmer about her role in the film BERLIN SYNDROME, as well as her career and life
Notes: A

Author: Edwin Peters
PhysDes: Article
Subject: NOYCE, PHILLIP; BACKROADS (AT, Philip Noyce, 1977)
Summary: D.V.D. review of Backroads and interview with director Phillip Noyce

Call No: 79 BAD MUR
Author: Murray, Gabriel
Source: UK
Place: Houndmills, Basingstoke, Hampshire
Publisher: Palgrave Macmillan
PubDate: 2013
PhysDes: 152 pages : illustrations ; 19 cm.
Series: controversies
Subject: BAD BOY BUBBY (AT, Rolf de Heer, 1993); CENSORSHIP. AUSTRALIA; CENSORSHIP. UK; ANIMALS IN FILMS; PEOPLE WITH DISABILITIES IN FILMS
Summary: Bad Boy Bubby focuses on a 35 year-old man-child whose 'mother/keeper' keeps him imprisoned in a windowless hovel. From the moment it entered the festival cycle in 1993, the film has polarized audiences. This volume examines how and why the film produced such conflicting responses, as well as reviewing its current relevance. -- PUBLISHERS WEB SITE
ISBN: 9780230296769
Contents: Introduction -- synopsis -- 1 Somewhere between exploitation and art cinema -- 2 Censorship, film festival classifications and pressure groups -- 3 Animal cruelty and the cinema -- 4 Key scene analysis -- 5 Key themes -- 6 Legacy -- Appendix A Key Details -- Appendix B Notes -- Appendix C References.-- Index

PhysDes: Article
Subject: BAD BOYS (US, Richard Rosenthal, 1983); PENN, SEAN
Summary: Review of 'Bad Boys'

Call No: TITLE CLIPPINGS FILE; NURSE JACKIE [TV] (US, 2009-)
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: FALCO, EDIE; NURSE JACKIE [TV] (US, 2009-)
Summary: Review of the replay of the US drama series NURSE JACKIE. The reviewer is very positive regarding Edie Falco's gritty portrayal of the show's heroine

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PEPPERMINT CANDY [BAKHA SATANG] (KO/JA, Lee Chang-dong, 1999)

PhysDes: Article
Subject: BANA, ERIC; NUGGET, THE (AT, Bill Bennett, 2002)
Summary: Small artice on Eric Bana's involvement on The Nugget

Call No: PERSONALITY CLIPPINGS FILE; OFNER, JOHAN
Author: Branco, Jorge
PhysDes: Clippings File Article
Subject: SAFETY. AUSTRALIA; STUNTS. AUSTRALIA; OFNER, JOHAN
Summary: Report on the death of a stuntman and actor Johan Ofner at a music video shoot for the band Bliss n Eso

Author: Lord, John
PhysDes: Review
Subject: BANDE A PART (FR, Jean-Luc Godard, 1964); GODARD, JEAN-LUC; NOUVELLE VAGUE; GANGSTER FILMS
Summary: Review of Jean-Luc Godard's "Bande A Parte", highlighting the film's self-consciousness and foregrounding of the fact that the audience is watching a film.

PhysDes: Article
Subject: YENTL (US, Barbara Streisand, 1983); STREISAND, BARBRA; IRVING, AMY; PATINKIN, MANDY
Summary: Synopsis and crew list of 'Yentl' which has begun filming.

Call No: 81STR CON
Author: Considine, Shaun
Source: UK
Place: London
Publisher: Century Hutchinson
PubDate: 1986
PhysDes: viii, 394 p. : ill. ; 23 cm
Subject: STREISAND, BARBRA; BEATTY, WARREN; GOULD, ELLIOTT; KRISTOFFERSON, KRIS; O'NEAL, RYAN; PETERS, JON; FUNNY GIRL (US, William Wyler, 1968); HELLO, DOLLY! (US, Gene Kelly, 1969); YENTL (US, Barbara Streisand, 1983)
ISBN: 0712610820

Author: Harrison, John
PhysDes: Review
Subject: ORRORI DEL CASTELLO DI NORIMBERGA, GLI (IT, Mario Bava, 1972)

PhysDes: Article
Subject: ORRORI DEL CASTELLO DI NORIMBERGA, GLI (IT, Mario Bava, 1972)

PhysDes: Article
Subject: ORRORI DEL CASTELLO DI NORIMBERGA, GLI (IT, Mario Bava, 1972)

Subject: OUTRAGEOUS BARON MUNCHAUSEN, THE [BARON PRASIL] (CS, Karel Zeman, 1962)
ID2: 318

Call No: 792 EIS
Author: Eisenstein, Sergei, 1898-1948; Leyda, Jay, 1910
Place: London
Publisher: Lorrimer Pub.
PubDate: 1974
PhysDes: 189 p. : ill. ; 20 cm
Subject: BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938)
Notes: Director's shooting scripts
ISBN: 0856470384; 0856470406(pbk.)
LON: 263889

Call No: 67(04) BAZ
Author: Bazin, Andre, 1918-1958; Cardullo, Bert
Place: New York
Publisher: Routledge
PubDate: 1996
PhysDes: xvi, 252 p. : ill. ; 24 cm
Subject: STALIN [J.] IN FILMS; RELIGIOUS FILMS; SPECIAL EFFECTS; SUPERNATURAL IN FILMS; CINEMASCOPE; MARXISM AND THE CINEMA; USSR; ADAPTATIONS; WYLER, WILLIAM; PAGNOL, MARCEL; CAYATTE, ANDRE; FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946); SCARFACE (US, Howard Hawks, 1932); STRADA, LA (IT, Federico Fellini, 1954); DERNIERES VACANCES, LES (FR, Roger Leenhardt, 1948); M. RIPOIS (FR, Rene Clemont, 1954); DUE SOLDI DI SPERANZA (IT, Renato Castellani, 1951); TWO CENTS WORTH OF HOPE (IT, Renato Castellani, 1951); WHY WE FIGHT SERIES (US, 1942-44); BATTLE OF THE RAILS [; MYSTERE PICASSO, LE (FR, Henri-Georges Clouzot, 1956); BIDONE, IL (IT, Federico Fellini, 1955); BRIDGE ON THE RIVER KWAI, THE (UK/US, David Lean, 1957); CITIZEN KANE (US, Orson Welles, 1941); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); IVAN GROZNY KINO BALET (UR, Vadim Derbenev & Yuri Grigorovich, 1977)
Notes: Includes bibliographical references and index
ISBN: 0415900174 (hb); 0415900182 (pb)
LON: 12242179
Contents: La Strada, p113-120 -- Jeux Interdits, p129-135 -- Les Dernieres Vacances, p141-149 -- M. Ripois, p167-177 -- Ivan Groznyj, p197-203 -- Le Mystere Picasso, p211-219 -- Citizen Kane, p231-239

Author: Marks, Dick
PhysDes: Article
Subject: MINING FILMS; TELEVISION, FILMS MADE FOR; OLIVER, TOBY; BEACONSFIELD [TV](AT, Glendyn Ivin, 2012)
Summary: Director of Photography, Toby Oliver discusses technical details of lighting while filming inside a mine, for TV movie, 'Beaconsfield' about the Beaconsfield Mine Disaster, 2006

Call No: 408.1(94) MOL
Author: Molloy, Bruce
Place: St. Lucia, Qld.
Publisher: University of Queensland Press
PubDate: 1990
PhysDes: xviii, 244 p., [32] p. of plates : ill., ports. ; 22 cm
Subject: AUSTRALIA; NATIONAL IDENTITY IN FILMS. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; FAMILY IN FILMS. AUSTRALIA; MYTH AND THE CINEMA; CINESOUND STUDIOS; CHAUVEL, CHARLES; BITTER SPRINGS (AT, Ralph Smart, 1950); HERITAGE (AT, Charles Chauvel, 1935); ON OUR SELECTION (AT, Ken G. Hall, 1932); SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933); DAD RUDD M.P. (AT, Ken G. Hall, 1940); [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940); IT ISN'T DONE (AT, Ken G. Hall, 1937); JEDDA (AT, Charles Chauvel, 1955); OVERLANDERS, THE (UK, Harry Watt, 1946); RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944); SHIRALEE, THE (AT, Leslie Norman, 1957); SONS OF MATTHEW (AT, Charles Chauvel, 1949)
Notes: Includes index; Bibliography: p. [219]-229
ISBN: 0702222690 (pbk.)
LON: 6791823
Contents: Charles Chauvel, p101-164 -- Bitter Springs, p189-194 -- Dad Rudd, p60-65 -- Forty Thousand Horsemen, p144-152 -- Heritage, p107-114 -- It isn't done, p87-92 -- Jedda, p203-208 -- On Our Selection, p48-53 -- The Overlanders, p165-171 -- The Rats of Tobruk, p152-161 -- The Shiralee, p178-181 -- Sons of Matthew, p114-124 -- The Squatter's Daughter, p65-69

Call No: 44(410) BEH
Source: UK
Place: London
Publisher: BFI book published by Palgrave Macmillan
PubDate: 2012
PhysDes: xii, 228 pages : illustrations (some colour) ; 25 cm
Subject: CENSORSHIP. UK; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932); SNAKE PIT (US, Anatole Litvak, 1948); CAPE FEAR (US, J. Lee Thompson, 1961); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); PANIC IN NEEDLE PARK (US, Jerry Schatzberg, 1971); WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); PARASITE MURDERS, THE (CN, David Cronenberg, 1975); BLECHTROMMEL, DIE (GW/FR/YU/PL, Volker Schlondorff, 1979); CHRISTIANE F [CHRISTIANE F: WIR KINDER VOM BAHNHOF ZOO] (GW, Ulrich Edel, 1981); INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984); LICENCE TO KILL (UK/US, John Glen, 1989); LILO & STITCH (US, Dean DeBlois & Chris Sanders, 2002); [NINE] 9 SONGS (UK, Michael Winterbottom, 2004); HARRY POTTER AND THE GOBLET OF FIRE (UK/US, Mike Newell, 2005)
Summary: "Established by the film industry in 1912 as the nation's only official and independent classifier of the moving image, the British Board of Film Classification (originally the British Board of Film Censors) has long been a source of fascination - and sometimes a bone of contention - for filmgoers, film-makers and industry figures. This new book, published in the BBFC's centenary year, traces the fascinating history of film classification, censorship and controversy in Britain, and marks an unparalleled collaboration between the BBFC and leading film critics, historians and cultural commentators. The book also features unique case studies, written by BBFC staff, focusing on significant films that have provoked debate and controversy both within the BBFC and more widely - Battleship Potemkin, The Snake Pit, A Clockwork Orange, Indiana Jones and the Temple of Doom, and many more." - taken from back cover.
Notes: Includes bibliographical references and index.
ISBN: 9781844574766
Contents: Introduction: A Centennary Book -- 1.Censorship Under Siege: The BBFC in the Silent Era / Simon Brown -- Case Study: Battleship Potemkin (1925) / Aidan McDowell -- 2.`The People's Amusement': Cinemagoing and the BBFC, 1928-48 / Robert James -- Case Study: Island of Lost Souls (1932) / Karen Myers -- 3.From the Snake Pit to the Garden of Eden: A Time of Temptation for the Board / Steve Chibnall -- Case Study: The Snake Pit (1948) / David Hyman -- Case Study: Caged (1950) / Jason Green -- 4.The Trevelyan Years: British Censorship and 1960s Cinema / Tracy Hargreaves -- Case Study: Cape Fear (1962) / David Hyman -- Case Study: Blowup (1966) / Edward Lamberti -- 5.Wake of the Flood: Key Issues in UK Censorship, 1970-5 / Stevie Simkin -- Case Study: The Panic In Needle Park (1971) / Murray Perkins -- Case Study: WR - Misterije Organizma (WR - Mysteries of the Organism, 1971) / Craig Lapper -- Case Study: A Clockwork Orange (1971) / Karen Myers -- 6.The `Poacher Turned Gamekeeper': James Ferman and the Increasing Intervention of the Law / Alex Sinclair -- Case Study: Shivers (1975) / David Hyman -- Case Study: Die Blechtrommel (The Tin Drum, 1979) / Craig Lapper -- Case Study: Christiane F. - Wir Kinder Vom Bahnhof Zoo (Christiane F.-We Children From Zoo Station, 1981) / Craig Lapper -- 7.More Than Just a `Nasty' Decade: Classifying the Popular in the 1980s / Sian Barber -- Case Study: Indiana Jones and the Temple of Doom (1984) / Edward Lamberti -- Case Study: Licence to Kill (1989) / Edward Lamberti -- 8.Head-On Collisions: The BBFC in the 1990s / Julian Petley -- Case Study: International Guerillas (1990) / Jason Green -- Case Study: Mikey (1992) / Jason Green -- 9.`The Last Days of the Board' / Robin Duval -- Case Study: Ichi the Killer (2001) / Murray Perkins -- Case Study: Lilo & Stitch (2002) / Jason Green -- 10.The Director's Commentary / David Cooke -- Case Study: 9 Songs (2004) / Caitlin O'Brien -- Case Study: Harry Potter and the Goblet of Fire (2005) / Karen Myers -- 11.On the BBFC in the Digital Age -- Censorship and Classification in the Free Society / Gerard Lemos -- Reflections on the 1979 Williams Report / Geoffrey Hawthorn -- Future Technologies and How They Might Impact on Film Classification and Censorship / John Carr -- A Margin of Appreciation / Stephen Sedley -- How the World Has Changed for Children and Parents, 1912-2012 / Ann Phoenix.

Call No: 71(46) BES
Author: Besas, Peter
Place: Denver, Colo.
Publisher: Arden Press
PubDate: 1985
PhysDes: xix, 291 p. : ill. ; 24 cm
Subject: SPAIN; FASCISM AND THE CINEMA. SPAIN; ARMINAN, JAIME DE; ALMODOVAR, PEDRO; PATINO, BASILIO MARTIN
Notes: Includes indexes; Bibliography: p. 267-270; "Filmographies of directors interviewed": p. 263-265
ISBN: 0912869062 : $26.00
LON: 4214610

Call No: TITLE CLIPPING FILE; PETER RABBIT (UK/AT, Will Gluck, 2018)
Author: Romei, Stephen
PhysDes: Clippings File_Article
Subject: PETER RABBIT (UK/AT, Will Gluck, 2018); PAUL, APOSTLE OF CHRIST (USA, Andrew Hyatt, 2018)
Summary: Generic medium-length reviews of two new films
Rating: 3 out of 5 stars; 2.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE; PADDINGTON (UK/FR, Paul King, 2014)
Author: Wilson, Jake
PhysDes: Clippings
Subject: PADDINGTON (UK/FR, Paul King, 2014)
Rating: 3 out of 5 stars

Call No: 408.1 (430) WAG
Author: Wagner, Brigitta B.
Source: US
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 2015
PhysDes: x, 299 pages : illustrations, maps ; 26 cm
Subject: NOSTALGIA IN FILMS; URBAN LIFE IN FILMS; GERMANY; NATIONAL IDENTITY IN FILMS. GERMANY; POLITICS IN THE CINEMA; RUN LOLA RUN (G, Tom Tykwer, 1998)
Summary: "In Berlin Replayed, Brigitta B. Wagner traces how old and new films set in Berlin created a collective urban nostalgia for the city's best and most conciliatory pasts in the face of its renewed prupose as the all-German capital. Exploring films such as Walter Ruttmann's Berlin: Symphony of a Great City, Wim Wenders's wings of Desire, Tom Tykwer's Run Lola Run, and Wolfgang Becker's Good Bye, Lenin!, the book illustrates how film has repeatedly remade the image of the city. Wagner focuses on four key periods: the golden 1920s, when the city was a major filmmaking center; the prewall 1950s, when Berlin had two idealogically opposed film industries; the politically transformative late 1980s and early 1990s; and the hyped start of the twenty-first century." -- BOOK BLURB
Notes: Includes bibliographical references and index
ISBN: 9780816691746
Donation: donated by Senses of Cinema
Contents: Introduction: Auf wiedersehen, Berlin! -- Remake: Berlin symphonies and the myth of the weltstadt -- Generation: a 1950s place for us -- Virtuality: cinema, archive, and the interactive map of Potsdamer Platz -- Orientation: geographical didacticism and the X-films of new Berlin -- Epilogue: Berlin returns, again

Call No: 71(430) BER
Author: Abel, Marco; Fisher, Jaimey
Edition: 2018
Place: Detroit
Publisher: Wayne State University Press
PubDate: 2018
PhysDes: viii, 356 pages : illustrated ; 23 cm
Series: Contemporary Approaches to Film and Media Series
Subject: BERLIN SCHOOL; ABEL, MARCO; ADE, MAREN; WEERASETHAKUL, APICHATPONG; ARSLAN, THOMAS; GRISEBACH, VALESKA; HAUSNER, JESSICA; HOCHHAUSLER, CHRISTOPH; KIAROSTAMI, ABBAS; KOHLER, ULRICH; PETZOLD, CHRISTIAN; TARR, BELA
Summary: The Berlin School and Its Global Contexts: A Transnational Art-Cinema came about in light of the Museum of Modern Art (MOMA)’s 2013 major exhibition of works by contemporary German directors associated with the so-called Berlin School, perhaps Germany’s most important contemporary filmmaking movement. Christoph Hochhäusler, the movement’s keenest spokesperson, stated that "the Berlin School, despite what the label suggests, is not a specifically German phenomenon. All over the world there are filmmakers exploring related terrain." In response to this "transnational turn," editors Marco Abel and Jaimey Fisher have assembled a group of scholars who examine global trends and works associated with the Berlin School. The goal of the collection is to understand the Berlin School as a fundamental part of the series of new wave films around the globe, especially those from the traditional margins of world cinema. For example, Michael Sicinski and Lutz Koepnick explore the relation of the Berlin School to cinema of Southeast Asia, including Apichatpong Weerasethakul and Tsai Ming-liang; Ira Jaffe and Roger Cook take a look at Middle Eastern film, with Nuri Bilge Ceylan and Abbas Kiarostami, respectively. The volume, however, also includes essays engaging with North American filmmakers like Kelly Reichardt and Derek Cianfrance as well as European auteurs like Antonioni, Tarr, Porumboiu, McQueen, and the Dardennes. Bringing German cinema into dialogue with this series of global cinemas emphasizes how the Berlin School manifests—whether aesthetically or thematically, politically or historically—a balancing of national particularity with global flows of various sorts. Abel and Fisher posit that since the vast majority of the films are available with English subtitles (and at times also in other languages) and recent publications on the subject have established critical momentum, this exciting filmmaking movement will continue to branch out into new directions and include new voices. The Berlin School and Its Global Contexts folds German-language cinema back into conversations with international as well as transnational cinema. This volume will be of great interest to scholars of German and global cinema. -- publisher's web site
ISBN: 9780814342008

Call No: 67(04) BES
Place: New York
Publisher: St. Martin's
PubDate: 1999
PhysDes: 280 p.
Subject: WOMEN IN FILMS; RELIGION AND THE CINEMA; ADAPTATIONS; HISTORY OF CINEMA. SOUND PERIOD; ETHNIC GROUPS IN FILMS; GAZE IN FILMS; FAMILY IN FILMS; WAR FILMS; BOORMAN, JOHN; FRANKENHEIMER, JOHN; SINATRA, FRANK; FORD, JOHN; THOMPSON, KAY; YASUJIRO OZU; MANGOLD, JAMES; RISKIN, ROBERT; SPIELBERG, STEVEN; SCORSESE, MARTIN; SARRIS, ANDREW; MCCAREY, LEO; BOGDANOVICH, PETER; CAPRA, FRANK; VIDAL, GORE; DOVE, BILLIE; GRANT, CARY; BURNETT, CHARLES; HAPPINESS (US, Todd Solondz, 1998); SEARCHERS, THE (US, John Ford, 1956); EVE'S BAYOU (US, Kasi Lemons, 1997); TOUCH OF EVIL (US, Orson Welles, 1958); L.A. CONFIDENTIAL (US, Curtis Hanson, 1997); SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957); GENERAL, THE (UK, John Boorman, 1998); RONIN (US, John Frankenheimer, 1998); STARDUST MEMORIES (US, Woody Allen, 1980); TROUBLE IN PARADISE (US, Ernst Lubitsch, 1932); RED RIVER (US, Howard Hawks, 1948); DETOUR (US, Edgar G. Ulmer, ,1946); WRITTEN ON THE WIND (US, Douglas Sirk, 1956); NOTORIOUS (US, Alfred Hitchcock, 1946); BIG SLEEP, THE (US, Howard Hawkes, 1946); LADY EVE, THE (US, Preston Sturges, 1941); M (G, Fritz Lang, 1931); WOMAN UNDER THE INFLUENCE, A (US, John Cassavetes, 1974)
ISBN: 0312244832
ID2: 291

Call No: N79NUM
Source: AT
Place: Sydney
Publisher: Angus & Roberstson
PubDate: 1973
PhysDes: 114p.
Series: Arkon paperbacks
Subject: NUMBER 96 [TV] (AT, 1972-1978)
ISBN: 0207126771
Donation: donated by Senses of Cinema, 2010
ID2: 27

Call No: 761(04) BEY
Author: Warren, Charles, 1948
Place: Hanover, NH
Publisher: University Press of New England
PubDate: 1996
PhysDes: xxviii, 366 p. : ports. ; 24 cm
Subject: DOCUMENTARY FILMS; CINEMA VERITE; DIRECTORS; DOCUMENTARY DRAMAS; NEWSREELS; MEMORY IN FILMS; ETHNOGRAPHIC FILMS; BIOGRAPHICAL FILMS; GENOCIDE IN FILMS; WORLD WAR II FILMS; NUIT ET BROUILLARD (FR, Alain Resnais, 1955); OPHULS, MARCEL; RESNAIS, ALAIN; SANS SOLEIL (FR, Chris Marker, 1983); SHOAH (FR/SZ, Claude Lanzmann, 1985); TRI PESNI O LENINE (UR, Dziga Vertov, 1934); WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971); BOOMERANG (US, Elia Kazan, 1947); VERTOV, DZIGA; MARKER, CHRIS; FILM PORTAIT (US, Jerome Hill, 1972); GARDNER, ROBERT; MCELWEE, ROSS; ZERKALO (UR, Andrei Tarkovsky, 1975)
Summary: "In essays by eleven of America's foremost writers, critics and filmmakers, Beyond Document explores the full spectrum on nonfiction film and its creative possibilities. In addition to Charles Warren's broad introductory history of the genre, the book takes a close look at ethnographic films, cinema verite, memoir and autobiography, docudramas, essay films, and newsreels, from classics like Night and Fog and Nanook of the North to more recent important work like Film about a Woman Who..., Harlan County, U.S.A., Sans Soleil, and Forest of Bliss. Representations of reality are increasingly contested, in courtrooms and Congress, as well as in art. Asking what the art of film can achieve, Helene Keyssar considers the history of nonfiction films by women; Jay Cantor discusses film investigations of the Holocaust; Patricia Hampl looks at how autobiographical films render experience into narrative; Robert Gardner questions the filmmaker's "impulse to preserve"; and poet Susan Howe explores structures of mourning in several filmmakers. All of the books essays provide deeply felt understandings of documentary film, and of how we live with, and within, images." -- BOOK BLURB
Notes: Includes bibliographical references (p. 345-350) and index
ISBN: 0819552879 (cl : alk. paper); 0819562904 (pbk. : alk. paper)
LON: 11642141
Contents: Words of welcome / Stanley Cavell -- Introduction, with a brief history of nonfiction film / Charles Warren -- Death and the image / Jay Cantor -- Memory's movies / Patricia Hampl -- Eternal Verites / William Rothman -- The toil of thought: on several nonfiction films by women / Helene Keyssar -- The camera people / Eliot Weinberger -- The impulse to preserve / Robert Gardner -- You are there / Maureen Howard -- Earth and beyond: Dusan Makaveyev's WR: Mysteries of the Organism / Charles Warren -- In search of the centaur: the essay film / Phillip Lopate -- Vertov's cinematic transposition of reality / Vlada Petric -- Sorting facts; or, nineteen ways of looking at marker / Susan Howe

Call No: TITLE CLIPPINGS FILE; PAWN STARS AUSTRALIA [TV] (AT, 2015)
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: PAWN STARS AUSTRALIA [TV] (AT, 2015)
Summary: Review

Call No: TITLE CLIPPINGS FILE; WOMEN HE'S UNDRESSED (AT, Gillian Armstrong, 2015)
Author: Byrnes, Paul
PhysDes: Clippings File Article
Subject: ORRY-KELLY; WOMEN HE'S UNDRESSED (AT, Gillian Armstrong, 2015)
Summary: Discussion of Orry-Kelly's life and its portrayal in the documentary WOMEN HE'S UNDRESSED

Author: Oscar Hillerstrom
PhysDes: Article
Subject: BENNETT, BILL; NUGGET, THE (AT, Bill Bennett, 2002); TEMPTED (AT/US/FR, Bill Bennett, 2001)
Summary: Interview with Bill Bennett, director of The Nugget and Tempted

Call No: 79PEA PEA
Author: Peach, Bill
Source: AT
Place: Sydney; Melbourne
Publisher: Australian Broadcasting Commission; Macmillan
PubDate: 1983
PhysDes: 192 p. : ill. (some col.), facsims., ports. ; 25 cm
Subject: PEACH'S GOLD [TV] (AT, 1983)
Notes: includes index
ISBN: 0333339215 (Macmillan); 0642973997 (Australian Broadcasting Commission)
Donation: donated by the family of Wayne Levy, 2006

Call No: 802.22 BAZ
Author: Bazalgette, Peter
Source: UK
Place: London
Publisher: Time Warner
PubDate: 2005
PhysDes: viii, 306 p. ; b&w ill. : 24cm.
Subject: REALITY TV; SMITH, PAUL; DE MOL, JOHN; PARSONS, CHARLIE; BIG BROTHER [TV] (AT, 2001-); WHO WANTS TO BE A MILLIONAIRE? [TV]; SURVIVOR [TV]
Summary: Story of how Paul Smith, Charlie Parsons and John de Mol brought 'Who wants to be a millionaire?', 'Survivor' and 'Big brother' to popular television.
Notes: Includes bibliographic references and index
ISBN: 0316729159
Language: English

Call No: 81WIL DIC
Author: Dick, Bernard F.
Source: US
Place: Boston
Publisher: Twayne Publishers
PubDate: 1980
PhysDes: 188 p. : ill. ; 21 cm
Series: Twayne's Theatrical Arts Series
Subject: WILDER, BILLY; APARTMENT, THE (US, Billy Wilder, 1960); AVANTI (US, Billy Wilder, 1972); ACE IN THE HOLE (US, Billy Wilder, 1951); DOUBLE INDEMNITY (US, Billy Wilder, 1944); FEDORA (GW/FR, Billy Wilder, 1978); [FIVE] 5 GRAVES TO CAIRO (US, Billy Wilder, 1943); FORTUNE COOKIE, THE (US, Billy Wilder, 1966); FRONT PAGE, THE (US, Billy Wilder, 1974); IRMA LA DOUCHE (US, Billy Wilder, 1963); KISS ME, STUPID (US, Billy Wilder, 1964); LOST WEEKEND, THE (US, Billy Wilder, 1945); LOVE IN THE AFTERNOON (US, Billy Wilder, 1957); MAJOR AND THE MINOR, THE (US, Billy Wilder, 1942); ONE, TWO, THREE (US/GW, Billy Wilder, 1961); PRIVATE LIFE OF SHERLOCK HOLMES, THE (US/UK, Billy Wilder, 1970); SABRINA (US, Billy Wilder, 1954); SOME LIKE IT HOT (US, Billy Wilder, 1959); SEVEN YEAR ITCH, THE (US, Billy Wilder, 1955); SPIRIT OF ST. LOUIS, THE (US, Billy Wilder, 1957); STALAG 17 (US, Billy Wilder, 1952); SUNSET BOULEVARD (US, Billy Wilder, 1950); WITNESS FOR THE PROSECUTION (US, Billy Wilder, 1957)
Notes: Includes index. Bibliography: p. 173-174. Filmography: p. 175-183.
ISBN: 0805792740
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE; ODDBALL (AT, Stuart McDonald, 2015)
Author: Wilson, Jake
PhysDes: Clippings
Subject: ODDBALL (AT, Stuart McDonald, 2015)
Rating: 2.5 out of 5 stars

Call No: 451-054(=9) BLA
CorpAuthor: Institute of Contemporary Arts (London, England)
Place: London
Publisher: Institute of Contemporary Arts
PubDate: 1988
PhysDes: 62 p. : ill. ; 30 cm
Series: ICA documents ; 7
Subject: NATIONAL IDENTITY IN FILMS. UK; BLACK CINEMA. UK; BLACK FILMMAKERS. UK; ETHNIC GROUPS IN FILMS. UK; ASIANS IN FILMS. UK; BLACK AUDIO FILM COLLECTIVE; SANKOVA FILM AND VIDEO COLLECTIVE; CHANNEL FOUR; HANDSWORTH SONGS (UK, John Akomfrah, 1986); MY BEAUTIFUL LAUNDRETTE (UK, Stephen Frears, 1985); PASSION OF REMEMBRANCE, THE (UK, Maureen Blackwood & Isaac Julien, 1986)
Notes: Papers originally presented at a day conference, conducted at ICA, Feb. 1988; Includes bibliographical references
ISBN: 0905263960
LON: 6631335

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 20 photographs : b&w ; 13 x 18 cm
Subject: PARFITT, TREVOR; NANNUP, FRANK; MOORE, JOHN; NGOOMBUJARRA, DAVID; WILKES, JUDITH; HUDSPETH, JULIE; CHARLES, JACK; RILEY, JAYLENE; KINCHELA, LISA; DINGO, ERNIE; RICKETSON, JAMES; HARGREAVES, JOHN; BLACKFELLAS (AT, James Ricketson, 1992)
Summary: 20 black and white photographs relating to the film Blackfellas
Notes: Some black and white photographs contain duplicates

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 5 photographs : b&w ; 11 x 17 cm - 20 x 25 cm + 1 transparency : col. ; 120 mm
Subject: DE TELIGA, SARAH; JONES, HELEN; OTTO, BARRY; BUCHANAN, MILES; CURRAN, LYNETTE; CARIDES, GIA; BLISS (AT, Ray Lawrence, 1985)
Summary: Five black and white photographs and one small colour transparency relating to the film Bliss

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 7 photographs : 25 x 17 cm - 25 x 20 cm
Subject: PELLIZZERI, RIC; McCune, Lisa; MCINNES, WILLIAM; MILLER, DENNIS; WOOD, JOHN; FILES, GARY; BLUE HEELERS [TV] (AT, 1994-2006)
Summary: Seven black and white photographs relating to the TV series Blue Heelers

Call No: 751(73) BAB
Author: Babington, Bruce; Evans, Peter William
Place: Manchester [Greater Manchester] Dover, N.H., USA
Publisher: Manchester University Press
PubDate: c1985
PhysDes: 258 p. : ill. ; 25 cm
Subject: MUSICALS. USA; BERKELEY, BUSBY; ASTAIRE, FRED; ROGERS, GINGER; KELLY, GENE; MINNELLI, VINCENTE; MERRY WIDOW, THE (US, Ernst Lubitsch, 1934); SWING TIME (US, George Stevens, 1936); JOLSON STORY, THE (US, Alfred E. Green, 1946); JOLSON SINGS AGAIN (US, Henry Levin, 1949); SUMMER HOLIDAY (US, Rouben Mamoulian, 1948); IT'S ALWAYS FAIR WEATHER (US, Gene Kelly & Stanley Donen, 1955); CAROUSEL (US, Henry King, 1956); ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970); EASTER PARADE (US, Charles Walters, 1948); GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933); HAIR (US, Milos Forman, 1979)
Notes: Bibliography: p. [248]-258
ISBN: 0719017394 : $19.00
LON: 3592471

Call No: TITLE CLIPPINGS FILE; NOW ADD HONEY (AT, Wayne Hope, 2015)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: FESTIVALS. AUSTRALIA. CINEFESTOZ; BUTLER, ROBYN; NOW ADD HONEY (AT, Wayne Hope, 2015)
Summary: Interview with Robyn Butler, the writer and co-star of the upcoming film NOW ADD HONEY

Call No: 81BOG EYL
Author: Eyles, Allen
Place: London
Publisher: Macmillan
PubDate: 1975
PhysDes: 128 p. : ill. (some col.) ; 26 cm.
Series: The Movie Makers
Subject: ACTORS; BOGART, HUMPHREY; BACALL, LAUREN; AFRICAN QUEEN, THE (US, John Huston, 1952); CASABLANCA (US, Michael Curtiz, 1942); PETRIFIED FOREST, THE (US, Archie L. Mayo, 1935); MALTESE FALCON, THE (US, John Huston, 1941); HIGH SIERRA (US, Raoul Walsh, 1941)
Summary: A study of Humphrey Bogart's acting career from Broadway until his final films, with much reference to his acting atyle and character types.
Notes: Includes index. Bibliography: p. 128. Filmography: p. 123-127.
ISBN: 333180208

Author: Michael Adams
PhysDes: Article
Subject: NOVAKOVIC, BOJANA; SOLO (AT, Morgan O'Neill, 2005)
Summary: Interview with Bojana Novakovic on her career, focusing on her latest release Solo

Call No: 722.81 SCH
Author: Schaefer, Eric, 1959
Place: Durham
Publisher: Duke University Press
PubDate: 1999
PhysDes: p. cm
Subject: EXPLOITATION FILMS; BURLESQUE; CENSORSHIP; DRUGS IN FILMS; SEX FILMS; NUDITY IN FILMS; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; PROSTITUTES IN FILMS
Notes: Filmography: p; Includes bibliographical references and index
ISBN: 0822323532 (cloth : alk. paper); 0822323745 (paper : alk. paper)
LON: 14489922

Author: Gardner, Geoffrey
PhysDes: Article Review
Subject: BONNIE AND CLYDE (US, Arthur Penn, 1967); PENN, ARTHUR; VIOLENCE IN FILMS; VIOLENCE IN FILMS. USA; TIREZ SUR LE PIANISTE (FR, Francois Truffaut, 1960); TRUFFAUT, FRANCOIS
Summary: Essay discusses Arthur Penn's "Bonnie and Clyde" in terms of how the violent aesthetic of the film affects its reception.

Call No: N79BOO BLI
Author: Bliss, Charles
Edition: Second
Source: AT
Place: Sydney
Publisher: Semantography-Blissymbolics Publications
PubDate: 1976
PhysDes: 192 p. : ill. ; 18cm
Subject: COMMUNICATIONS; SEMANTICS; PEOPLE WITH DISABILITIES, PROGRAMMES FOR; [MISTER] MR SYMBOL MAN (CN/AT, Bruce Moir & Bob Kingsbury, 1975)
Summary: The book attempts to explain how a a symbol system has been devised and used as a language, which can be used to communicate with verbally handicapped children, and which can be a valuable help to their parents and teachers [Taken from the book]
Notes: Includes index; Also titled: Mr symbol man
Donation: donated by the family of Wayne Levy, 2006

Call No: 732(94) JOH
Author: Johnson, Rob, 1969; Smiedt, David
Place: Rydalmere, N.S.W.
Publisher: Hodder Headline Australia
PubDate: 1999
PhysDes: viii, 376 p. : ill., ports. ; 24 cm
Subject: COMEDIES. AUSTRALIA; COMEDY PROGRAMMES. AUSTRALIA; COMEDIENNES. AUSTRALIA; ADAMS, PHILLIP; GLEISNER, TOM; MCDERMOTT, PAUL; O'DONOGHUE, RORY; BAILEY, BERT; BOND, GRAHAME; BOURNE, SHANE; BROWN, NOELINE; CILAURO, SANTO; CHATER, GORDON; CREYTON, BARRY; DENTON, ANDREW; FAHEY, MARYANNE; FERGUSON, TIM; GILLIES, MAX; GRILLS, LUCKY; GYNGELL, KIM; HALL, KEN G.; HARMER, WENDY; HOGAN, PAUL; HUMPHRIES, BARRY; KENNEDY, GRAHAM; LAMOND, TONI; MCDONALD, GARRY; QUANTOCK, ROD; RAYE, CAROL; REILLY, GARY; SITCH, ROB; SORRENTI, VINCE; SZUBANSKI, MAGDA; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); BIG GIG, THE [TV] (AT, Ted Robinson, 1989); FRONTLINE [TV] (AT, 1994- ); MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968); IN MELBOURNE TONIGHT [TV] (AT, 1957-?, 1997-); AUNTY JACK SHOW, THE [TV] (AU, 1972-73); COMEDY COMPANY, THE [TV] (AT, 1988-1990); D-GENERATION [TV] (AT, 1986-?); FAST FORWARD [TV] (AT, 1988-1989?)
Notes: Includes index; "An Allison Pressley book."
ISBN: 0733609384 : $24.95
LON: 14529909

Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. AUSTRALIA. SCANDINAVIAN
Author: Craven, Peter
PhysDes: Clippings File Article
Subject: FESTIVALS. AUSTRALIA. SCANDINAVIAN; DENMARK; OFTEBRO, JAKOB
Summary: Interview with Danish actor Jakob Oftenbro about his career and his thoughts on Danish and Scandanavian film and tv
Notes: similar article in: Saturday Age. Title: 'Scandi devotional'. Same date. Section: Spectrum, p. 12.

Author: White, Eric
PhysDes: Article
Subject: BONNIE AND CLYDE (US, Arthur Penn, 1967); PENN, ARTHUR; DUNAWAY, FAYE; PARAMOUNT STUDIOS; Metro-Goldwyn-Mayer; VIOLENCE IN FILMS; SEX IN FILMS
Summary: Essay discusses the 'New Hollywood', influenced by young, new directors, often from overseas. Emphasis on "Bonnie and Clyde" as an example of a 'watershed picture' in that it signalled a new style in filmmaking. Adapted from Time, by Eric White.

PhysDes: Article
Subject: AUTHORSHIP; AUTEUR THEORY; CAHIERS DU CINEMA; TRUFFAUT, FRANCOIS; PENN, ARTHUR; KUBRICK, STANLEY; NICHOLS, MIKE; Fellini, Federico; GODARD, JEAN-LUC; ANTONIONI, MICHELANGELO
Summary: Essay describes the emergence of auteur theory in 'Cahiers du Cinema', and discusses issues of control of films with regard to Hollywood directors. Reprinted from "Time" 4/7/1969.

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 10 photographs : b&w ; 25 x 20 cm
Subject: WATERS, JOHN (AT); PAULL, NICKI; GYNGELL, KIM; AMENTA, PINO; STEWART, PENELOPE; BOULEVARD OF BROKEN DREAMS (AT, Pino Amenta, 1988)
Summary: Ten black and white photographs relating to the film Boulevard of broken dreams
Notes: Contains one duplicate

Call No: TITLE CLIPPINGS FILE; WOMEN HE'S UNDRESSED (AT, Gillian Armstrong, 2015)
Author: -
PhysDes: Clippings File Article
Subject: ORRY-KELLY; WOMEN HE'S UNDRESSED (AT, Gillian Armstrong, 2015)
Summary: Positive review of Australian documentary on renowed cinema costumer designer Orry-Kelly titled WOMEN HE'S UNDRESSED
Rating: 4 out of 5 stars

Author: Stephens, Mark
PhysDes: Illustration(s); Review
Subject: PARADISE BENT: BOYS WILL BE GIRLS IN SAMOA (AT, Heather Croall, 1999)

Call No: 620 DEL FLA
Author: Flaxman, Gregory
Source: US
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 2000
PhysDes: x, 395 pages ; 24 cm
Subject: DELEUZE, GILLES; SPECTATORSHIP; PERCEPTION
Summary: "With this collection, the first to focus solely and extensively on Deleuze's cinematic work, the nature and reach of that work finally become clear. Composed of a substantial introduction, twelve original essays produced for this volume, and a new English translation of a personal, intriguing, and little-known interview with Deleuze on his cinema books, The Brain is the Screen is a sustained engagement with Deleuze's cinematic philosophy that leads to a new view of the larger confrontation of philosophy with cinematic images." - taken from back cover.
Notes: Includes bibliographical references and index.
ISBN: 0816634475
Contents: Introduction / Gregory Flaxman -- Approaching Images. 1. Of images and Worlds: Toward a Geology of the Cinema / Jean-Clet Martin. -- 2. Cinema Year Zero / Gregory Flaxman. -- 3. Escape from the Image: Deleuze's Image-Ontology / Martin Schwab. -- 4. The Eye of Montage: Dziga Vertov and Bergsonian Materialism / Francois Zourabichvili -- Mapping Images. -- 5. The Film History of Thought / Andras Balint Kovacs. -- 6. Into the Breach: Between The Movement-Image and The Time-Image / Angelo Restivo. -- 7. Signs of the Time: Deleuze, Peirce, and the Documentary Image / Laura U. Marks. -- 8. The Roots of the Nomadic: Gilles Deleuze and the Cinema of West Africa / Dudley Andrew -- Thinking Images. -- 9. Cinema and the Outside / Gregg Lambert. -- 10. Midday, Midnight: The Emergence of Cine-Thinking / Eric Alliez. -- 11. The Film Event: From Interval to Interstice / Tom Conley. -- 12. The Imagination of Immanence: An Ethics of Cinema / Peter Canning -- After-Image. -- 13. The Brain Is the Screen: An Interview with Gilles Deleuze. -- Contributors

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 4 photographs : b&w ; 13 x 18 cm
Subject: PARKINS, BARBARA; MULLINAR, ROD; BREAKFAST IN PARIS (AT, John Lammond, 1982)
Summary: Four black and white photographs relating to the film Breakfast in Paris

Call No: 409 GIR
Author: Giroux, Henry A.
Source: US
Place: Malden
Publisher: Blackwell Publishers
PubDate: 2002
PhysDes: 297 p. ; 24 cm
Subject: CULTURE AND THE CINEMA. USA; POLITICS AND THE CINEMA. USA; GENDER AND THE CINEMA; VIOLENCE IN FILMS. USA; CHILDREN AND THE CINEMA; WALT DISNEY PRODUCTIONS; WERTMULLER, LINA; CLARK, LARRY; NORMA RAE (US, Martin Ritt, 1979); LOOKING FOR MR. GOODBAR (US, Richard Brooks, 1977); DEAD POETS SOCIETY (US, Peter Weir, 1989); DANGEROUS MINDS (US, John N. Smith, 1995); PULP FICTION (US, Quentin Tarantino, 1994); ONE EIGHT SEVEN (US, Kevin Reynolds, 1997); FIGHT CLUB (US, David Fincher, 1999)
ISBN: 0631226044
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE; WOMEN HE'S UNDRESSED (AT, Gillian Armstrong, 2015)
Author: Hall, Sandra
PhysDes: Clippings File Article
Subject: ORRY-KELLY; WOMEN HE'S UNDRESSED (AT, Gillian Armstrong, 2015)
Summary: Review for documentary WOMEN HE'S UNDRESSED
Rating: 3.5 out of 5 stars

Call No: 71(41) BRI
Author: Higson, Andrew; Ashby, Justine
Source: UK
Place: London New York, NY
Publisher: Routledge
PubDate: 2000
PhysDes: xx, 385 p. : ill. ; 24 cm
Subject: ASKEY, ARTHUR; ASSOCIATED BRITISH PICTURE CORPORATION; AUDIENCES. UK; BAKER, ROY WARD; BRASSED OFF (UK, Mark Herman, 1996); BRIEF ENCOUNTER (UK, David Lean, 1945); BOX, BETTY E.; EALING STUDIOS; GREENAWAY, PETER; JARMAN, DEREK; KEILLER, PATRICK; PEEPING TOM (UK, Michael Powell, 1960); PRIVATE LIFE OF HENRY VIII, THE (UK, Alexander Korda, 1933); RADIO PARADE OF 1935 (UK, Arthur Woods, 1934); UNITED KINGDOM
Notes: Includes bibliographical references (p. 354-369) and index
ISBN: 0415220610 (alk. paper); 0415220629 (pbk. : alk. paper); 0415220610 (hc : alk. paper)
LON: 21262622

Call No: 204(94) AUS
CorpAuthor: Productivity Commission
Source: AT
Place: Melbourne
Publisher: Productivity Commission
PubDate: 1999
Subject: GOVERNMENT CONTROL. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; BROADCASTING. AUSTRALIA; DIGITAL BROADCASTING. AUSTRALIA; OWNERSHIP. AUSTRALIA; ABORIGINAL AUSTRALIANS AND TV; LICENCES. AUSTRALIA

Call No: 203(94) PET
Author: Peters, Bob -- Leigh, Peter
Source: AT
Place: Melbourne
Publisher: ANZ McCaughan
PubDate: 1993
PhysDes: 78, A-11.2 pages
Subject: ADVERTISING. TV. AUSTRALIA; COMMERCIAL TV. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; INVESTING. AUSTRALIA; PAY TV. AUSTRALIA
Summary: Report on the Australian commercial television industry that suggests strong financial growth. Considers advertising volitility and the arrival of pay tv
Contents: Executive summary -- Introduction -- Industry description -- Ratings, programming, and strategies -- Financial performance -- Corporate profiles -- Future prospects -- Appendices -- Australian advertising expenditures sector shares of total expenditure 1961-1991 -- Metroploitan commercial television analysis of top 25 product categories 1981-1991 -- Regression analysis summary and projections total and television advertising expenditure growth versus gross domestic product growth 1962-1991 -- Metropolitan television ratings shares by market and channel 1983 to 1992 -- Metropolitan commercial television analysis of programming by type and origin: all Sydney commercial stations during 1991 -- Metropolitan commercial television stations ultimate or effective owners or controllers from 1 January 1983 to 1 June 1993 -- Metropolitan commercial television comparison of advertising revenue growth and gross domestic product growth 1970/71 to 1991/92 -- Metropolitan commercial television summary of financial performance 1970/71-1991/92 -- Australian commercial television historical profit margins 1957/58 to 1991/92 -- Metropolitan commercial television summary of network financial performance on a four market basis 1987/88 to 1991/92 -- Metropolitan commercial television network's share ofd revenue on a four market basis 1987/88 to 1991/92

Call No: 260(94) AUS "1990"
CorpAuthor: Australian Broadcasting Tribunal
Place: North Sydney, N.S.W.
Publisher: Australian Broadcasting Tribunal
PubDate: 1988-1992
PhysDes: 4 v. : ill. (some col.), maps ; 25-35 cm
Subject: BROADCASTING. AUSTRALIA; TELEVISION. AUSTRALIA; INDUSTRY, TELEVISION. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; MEDIA AUSTRALIA; COMMERCIAL TV. AUSTRALIA; COMMERCIALS, TV. AUSTRALIA; PAY TV. AUSTRALIA; RADIO AND TV. AUSTRALIA
Notes: Subtitle varies
ISSN: 1034-8689
LON: abn89174413; 6490748 6176346
Contents: Foreward / Peter Westerway -- Broadcasting issues -- The Tribunal: regulating the public interest -- Television Programming: on-screen happenings -- Children's television: Kid's stuff of the box -- Radio programming: Sound practice -- Financial results: TV and radio profits slump -- Ownership and control: television receivers move in -- Location of services: coast to coast -- Licensing: the licence holders -- the national broadcasters: The ABC and SBS -- Index

Call No: 260(94) AUS "1992"
CorpAuthor: Australian Broadcasting Tribunal
Place: North Sydney, N.S.W.
Publisher: Australian Broadcasting Tribunal
PubDate: 1988-1992
PhysDes: 4 v. : ill. (some col.), maps ; 25-35 cm
Subject: BROADCASTING. AUSTRALIA; TELEVISION. AUSTRALIA; INDUSTRY, TELEVISION. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; MEDIA AUSTRALIA; COMMERCIAL TV. AUSTRALIA; COMMERCIALS, TV. AUSTRALIA; PAY TV. AUSTRALIA; RADIO AND TV. AUSTRALIA
Summary: Overarching report by the Australian Broadcasting Tribunal on Australia's broadcasting industries in 1989. Includes: statistical analysis of television and radio programming and audiences, financial results of tv and radio in the commercial and public sectors, owners of Australia's media groups, broadcaster locations and licensees.
Notes: Subtitle varies
ISSN: 1034-8689
LON: abn89174413; 6490748 6176346
Contents: Foreward / Peter Webb-- Broadcasting issues: the banks take 7 & 10 -- The Tribunal: the broadcasting regulator -- Television Programming: entertainment information and relaxation -- Children's television: Kidz TV -- Radio programming: Gold format dominates again -- Financial results: TV and radio both post losses -- Ownership and control: Black, Packer, Tourang & Fairfax -- Location of services: across this wide brown land -- Licensing: providing a service-- the national broadcasters: The ABC and SBS -- Index of tables and illustrations

Call No: SUBJECT CLIPPINGS FILE; MEDIA. AUSTRALIA
Author: Day, Mark
PhysDes: Clippings File Article
Subject: MEDIA. AUSTRALIA; OWNERSHIP TV. AUSTRALIA; STATE AND TV. AUSTRALIA; REGIONAL TELEVISION
Summary: A detailed roundup of the changes in Australian media law that occured and what effects it will have in regards to issues like ownership, the reach rule, and regional television

Call No: 802 AIT
Author: Aitken, Doug
Source: US
Place: New York
Publisher: Distributed Art Publishers
PubDate: 2006
PhysDes: 302 p. : col. ill. ; 25 cm
Subject: AITKEN, DOUG; AHTILA, EIJA-LIISA; ALTMAN, ROBERT; ANGER, KENNETH; BALDESSARI, JOHN; BARNEY, MATHEW; BURDEN, CHRIS; CONNER, BRUCE; DENIS, CLAIRE; DOUGLAS, STAN; ELIASSON, OLAFUR; FERRO, PABLO; FIGGIS, MIKE; HERZOG, WERNER; HILL, GARY; HOLLER, CARSTEN; HUYGHE, PIERRE; JODOROWSKY, ALEXANDRO; KOOLHAAS, REM; LYNN, GREG; NICOLAI, CARSTEN; PRINCE, RICHARD; RIST, PIPILOTTI; RONDINONE, UGO; RUSCHA, ED; VOGEL, AMOS; WILSON, ROBERT; OBRIST, HANS ULRICH
Summary: Broken Screen is comprised of informal conversations between artist Doug Aitken and a roster of 25 carefully chosen artists, filmmakers, designers, and architects. Part guidebook and part manifesto, the book takes a fresh look at what it's like to create work in a world that has become increasingly fragmentary. Through casual and direct discussions Broken Screen offers a detailed navigation through the ideas behind the important yet under-documented visual language of nonlinear narratives, split screens, and fragmentary visual planes that define the most progressive moving images today.
ISBN: 1933045264

Call No: PERSONALITY CLIPPINGS FILE; PAPANDREA, BRUNA
Author: Walker-Mitchell, Donna
PhysDes: Clippings File Article
Subject: PAPANDREA, BRUNA
Summary: An interview with Australian born and American based film producer Bruna Papandrea about her career

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: BUCHSE DER PANDORA, DIE (G, Georg Wilhelm Pabst, 1929); PANDORA'S BOX (G, Georg Wilhelm Pabst, 1929)
ID2: 79

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BUMAZHNYY SOLDAT (RU, Aleksei German MI., 2008); PAPER SOLDIER (RU, Aleksei German MI., 2008)

Call No: TITLE CLIPPINGS FILE; ORANGE IS THE NEW BLACK [TV](US, 2013-)
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: ORANGE IS THE NEW BLACK [TV](US, 2013-)
Summary: Preview for the 4th season of ORANGE IS THE NEW BLACK