Interim
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1951 1976 British Film Institute productions : a catalogue of films made under the auspices of the Experimental Film Fund 1951-1966 and the Production Board 1966-1976 London: British Film Institute, 1977.
Call No: F027(41)BFI "1951/1976"CorpAuthor: British Film InstituteSource: UKPlace: LondonPublisher: British Film InstitutePubDate: 1977PhysDes: 30 cm ; 135 p.Subject: PRODUCTION. UK Notes: catalogue
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1951-1994 production catalogue London: British Film Institute, 1994.
Call No: REFERENCE SECTION; 027(41) BFI "1951/94"CorpAuthor: British Film InstituteSource: UKPlace: LondonPublisher: British Film InstitutePubDate: 1994PhysDes: 30 cm ; 68 p.Subject: PRODUCTION. UK Notes: catalogue
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The ABC can't (and shouldn't) produce more local drama content in Crikey.com.au (13/06/2017) p.-
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ABC must step up local content in The Australian [Editorial] (2/05/2017) p.13
Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATIONAuthor: [Editorial] PhysDes: Clippings File ArticleSubject: AUSTRALIAN BROADCASTING CORPORATION ; PRODUCTION, TV. AUSTRALIA Summary: Comment on the recent essay by Kim Dalton on the ABC. This article agrees with Mr Dalton and urges the ABC to spend it's money on creating more Australian content and to move away from it's digital platforms
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ABC production : discussion paper on the future of ABC television production / Economic Development Committee [of the] Parliament of Victoria Melbourne: Parliament of Victoria, 1999.
Call No: 210.61(94) ECOAuthor: Economic Development Committee of the Parliament of Victoria Source: ATPlace: MelbournePublisher: Parliament of VictoriaPubDate: 1999PhysDes: 22 pages ; 30 cm + 1 press statement + 1 letterSubject: AUSTRALIAN BROADCASTING CORPORATION ; PRODUCTION TV AUSTRALIA ; PRODUCTION, TV. AUSTRALIA ; TV AND THE STATE. AUSTRALIA Summary: Paper details an inquiry into government funded national broadcasting and the concentration of the ABC's activities in Sydney. It proposes that the majority of the ABC's television production should be be incorporated into a distinct department or unit to be headquartered or run out of Melbourne, as this would provide significant cost savings to the ABC and would be consistent with the Victorian Government strategy of encouraging and developing high-tech exploitation of the State's artistic skillsContents: Chairman's foreword -- Part one: Inquiry overivew and aims of discussion paper -- Part two: Benefits to the ABC of locating non-news and current affairs television production in Melbourne -- Appendix 1: Terms of reference -- Appendix 2: Australian crew rates comparison
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About "Le Viol" in Melbourne Film Bulletin (April 1968) iss.2 p.26-27
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The act of documenting : documentary film in the 21st century / Brian Winston, Gail Vanstone and Wang Chi London: Bloomsbury Academic, 2017.
Call No: 761 WINAuthor: Winston, Brian ; Vanstone, Gail ; Chi, Wang Source: UKPlace: LondonPublisher: Bloomsbury AcademicPubDate: 2017PhysDes: xii ; 271 pages : illustrations ; 23 cmSubject: DOCUMENTARY FILMS ; FILMMAKING ; AESTHETICS ; EDITING ; PRODUCTION ; CAMERAS Summary: “Fiercely argued, urgently rendered, and rigorously researched, The Act of Documenting whacks through the ethical, political, moral, evidentiary, and argumentative acts undergirding documentary production and reception. This gutsy, vital book cuts to the core of documentary: it interrogates the place of documentary in the world and how it engages people and ideas in ways that truly matter. Moving adroitly between the histories of analog documentary and the promising landscapes of digital forms, this substantial, sage book irrefutably shows that ethics, politics, and philosophical inquiry override formats, interfaces, and technologies. Polemical yet lyrical, forceful yet inviting, this book leaves the reader exhilarated with new ways of thinking about and through documentary. The opening chapter précis could be assembled as an intellectual toolkit for all us in the act of documentary-theorists, historians, practitioners, programmers, or offered as a manifesto cracking open the most salient issues demanding our attention and action.” -- Patricia R. Zimmermann, Professor of Screen Studies, Ithaca College, USANotes: Includes bibliographical references and indexISBN: 9781501309175
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Address to the 40th Annual Motion Picture Industry Convention / [address by Kim Williams, Chief Executive, Australian Film Commission, late 1985] 1985.
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Adjust your set for some true blue TV in Daily Telegraph (19/11/2016) p.18
Call No: SUBJECT CLIPPINGS FILE; PRODUCTION, TV. AUSTRALIAAuthor: Dunk, Tiffany PhysDes: Clippings File ArticleSubject: PRODUCTION, TV. AUSTRALIA Summary: Report on the large amount of Australian television shows programmed for Australian TV networks in 2017. Quotes are Network Ten's Chief Programming Officer and the ABC's Director of Television
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Alex Massis to produce, Mizrahi to direct "Sutter's Gold" in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.8
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American cinematographer : Shooting in the U.K. July 1998.
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American screenwriters / [introduction and commentary by] Karl Schanzer & Thomas Lee Wright New York: Avon Books, c1993.
Call No: 802.24(73) SCHAuthor: Wright, Thomas Lee, 1953 ; Schanzer, Karl Place: New YorkPublisher: Avon BooksPubDate: c1993PhysDes: xii, 274 p. ; 22 cmSubject: SCRIPTWRITERS. USA ; PRODUCTION DEALS ; VALDEZ, LUIS ; BLACK, SHANE ; CAMERON, JAMES ; PRICE, RICHARD ; RUBIN, BRUCE JOEL ; KHOURI, CALLIE ; ROBINSON, PHIL ALDEN ; SINGLETON, JOHN ; DIXON, LESLIE ; THOMPSON, CAROLINE ; KAZAN, NICHOLAS ; ESZTERHAS, JOE ; RASCOE, JUDITH ; GANZ, LOWELL ; MANDEL, BABALOO ; RICKMAN, THOMAS ; BASS, RON ISBN: 0380767279 : $12.00 ($14.00 Can.)LON: 9905548 9905548
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AMERICAN VIDEOGRAPHER September 1998.
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AMERICAN VIDEOGRAPHER April 1999.
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AMERICAN VIDEOGRAPHER April 1998.
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Anh 'crowes' over film in Herald Sun [Confidential] (05/04/2016) p.18
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Another mountain doco for Peedom in The Age [Arts & Entertainment] (10/03/2016) p.20
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Archives recreate 'Our Century' in Encore (25 Feb, 1998) vol.16 iss.1 p.34
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The art of the film : an introduction to film appreciation / by Ernest Lindgren London: G. Allen and Unwin, 1948].
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Audiovisual industries in Australia : a discussion paper / [Graeme Taylor, Peter Dempster] Canberra: Bureau of Industry Economics, 1994.
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Australia's audiovisual markets : key statistics on Australia's cinema, video, television and interactive media markets / edited by Cathy Gray and Rosemary Curtis Sydney [New South Wales]: Australian Film Commission, 2004.
Call No: 20(94) AUSAuthor: Australian Film Commission Edition: 1st editionSource: ATPlace: Sydney [New South Wales]Publisher: Australian Film CommissionPubDate: 2004PhysDes: 96 pages : colour charts ; 30 cmSeries: Get the pictureSubject: INDUSTRY, FILM. AUSTRALIA ; STATISTICS. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; PRODUCTION. AUSTRALIA ; DISTRIBUTION. AUSTRALIA ; EXHIBITION. AUSTRALIA Summary: Australia's Audiovisual Markets is the first of a new series of publications which feature key data from Get the Picture Online, the Australian Film Commission's comprehensive web-based statistics collection. Its graphic style and short chunks of information complement the detailed data available online to provide a unique perspective on the state of Australia's cinema, video, television and interactive media markets. -Taken from back cover.Notes: Includes an index; Includes a list of abbreviationsISBN: 1920988004ID2: 145
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Australia's own Matilda moves from page to TV in Sydney Morning Herald (23/06/2016) p.17
Call No: TITLE CLIPPINGS FILE in production; ALICE-MIRANDA show [TV] in productionAuthor: Morris, Linda PhysDes: Clippings File ArticleSubject: ALICE-MIRANDA show in production Summary: Interview with Jacqueline Harvey who is the writer of the successful Australian children's book series ALICE-MIRANDA. The book series is in development to be adapted into a 26 part TV show to be screen on the Nine Network
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Australian documentary : history, practices and genres / Trish FitzSimons, Pat Laughren, Dugald Williamson Port Melbourne, Vic.: Cambridge University Press, 2011.
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Australian feature films : November 2003 / Australian Film Commission Sydney, N.S.W.: Australian Film Commission, 2003.
Call No: REFERENCE SECTION; 023(94) AUS "2003"CorpAuthor: Australian Film CommissionEdition: 2003Source: ATPlace: Sydney, N.S.W.Publisher: Australian Film CommissionPubDate: 2003PhysDes: 24 p. : ill. ; 26 cmSubject: AUSTRALIAN FILM COMMISSION ; PRODUCTION. AUSTRALIA ; FILMOGRAPHIES. AUSTRALIA Notes: Cover title: Recent Australian feature films catalogue November 2003; 2 copies
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Australian feature films 2005 / Australian Film Commission Sydney, N.S.W.: Australian Film Commission, 2005.
Call No: REFERENCE SECTION; 023(94) AUS "2005"CorpAuthor: Australian Film CommissionEdition: 2005Source: ATPlace: Sydney, N.S.W.Publisher: Australian Film CommissionPubDate: 2005PhysDes: 28 p. : ill. ; 26 cmSubject: AUSTRALIAN FILM COMMISSION ; PRODUCTION. AUSTRALIA ; FILMOGRAPHIES. AUSTRALIA Notes: Title from cover; Includes plot summary and biographies for Director and Producer of Australian feature films released in 2005
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Australian feature films 2006 / Australian Film Commission Sydney, N.S.W.: Australian Film Commission, 2006.
Call No: REFERENCE SECTION; 023(94) "2006" AUSCorpAuthor: Australian Film CommissionEdition: 2004Source: ATPlace: Sydney, N.S.W.Publisher: Australian Film CommissionPubDate: 2006PhysDes: 48 p. : ill. ; 30 cmSubject: AUSTRALIAN FILM COMMISSION ; PRODUCTION. AUSTRALIA ; FILMOGRAPHIES. AUSTRALIA Notes: Title from cover; includes 36 page A5 supplement booklet "Recent Australian feature films catalogue May 2006" in pocket inside back cover.
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Australian feature films 2007-8 / Australian Film Commission Sydney, N.S.W.: Australian Film Commission, 2007.
Call No: REFERENCE SECTION; 023(94) AUSCorpAuthor: Australian Film CommissionEdition: 2007-2008Source: ATPlace: Sydney, N.S.W.Publisher: Australian Film CommissionPubDate: 2007PhysDes: 60 p. : ill. ; 30 cmSubject: AUSTRALIAN FILM COMMISSION ; PRODUCTION. AUSTRALIA ; FILMOGRAPHIES. AUSTRALIA Notes: Title from cover; Includes plot summary and biographies for Director and Producer of Australian feature films released in 2007/8
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Australian feature films in production and recently completed : as at May 2007 / Australian Film Commission Sydney, N.S.W.: Australian Film Commission, 2007.
Call No: REFERENCE SECTION; NEW HOLDINGS SHELF; 023(94) AUSCorpAuthor: Australian Film CommissionEdition: 2007Source: ATPlace: Sydney, N.S.W.Publisher: Australian Film CommissionPubDate: 2007PhysDes: 16 p. ; 22 cmSubject: FILMOGRAPHIES. AUSTRALIA ; AUSTRALIAN FILM COMMISSION ; PRODUCTION. AUSTRALIA Summary: This booklet provides information on features currently in production and recently completed. It supplements the AFC catalogue Australian Feature Films 2007/08 published in May 2007.--BOOKLET
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Australian feature films mini catalogue January 2006 / Australian Film Commission Sydney, N.S.W.: Australian Film Commission, 2005.
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Australian feature films mini catalogue January 2007 / Australian Film Commission Sydney, N.S.W.: Australian Film Commission, 2006.
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Australian film catalogue : television drama / Australian Film Commission [Sydney]: Australian Film Commission, 2000.
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AUSTRALIAN FILM COMMISSION. TELEVISION PRODUCTION FUND
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Australian film data : selected film, video and television statistics from the Australian film data base [Sydney]: Australian Film Commission, 1988.
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Australian films catalogue/features / Australian Film Commission Sydney: Australian Film Commission, 2000.
Call No: REFERENCE SECTION; 023(94) AUSCorpAuthor: Australian Film CommissionPlace: SydneyPublisher: Australian Film CommissionPubDate: 2000PhysDes: v. : ill. ; 25 cmSubject: AUSTRALIAN FILM COMMISSION ; PRODUCTION. AUSTRALIA Notes: Description based on: April 2000; title from cover
Includes plot summary and biogs for Director and Producer of Australian feature films released in 2000.Frequency: Three times a yearLON: 21689856
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Australian films on the world stage at Venice and Toronto in Sydney Morning Herald (30/08/2016) p.24
Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. VENICEAuthor: Bunbury, Stephanie PhysDes: Clippings File ArticleSubject: FESTIVALS. VENICE ; FESTIVALS. TORONTO ; PRODUCTION. AUSTRALIA Summary: Round up of Australian films to be screened at the well known Toronto and Venice Film Festivals. Discussion is around the films HACKSAW RIDGE, HOUNDS OF LOVE, and BOYS IN THE TREES, with mentions made of LIGHT BETWEEN OCEANS a film shot in Australia, and LION
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Australian motion picture yearbook 1980 / edited by Peter Beilby ; associate editor: Scott Murray North Melbourne, Victoria: Cinema Papers Pty Ltd, 1980.
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Australian television and international mediascapes / Stuart Cunningham and Elizabeth Jacka Cambridge Melbourne: Cambridge University Press, 1996.
Call No: 203(94) CUNAuthor: Cunningham, Stuart ; Jacka, Elizabeth Place: Cambridge MelbournePublisher: Cambridge University PressPubDate: 1996PhysDes: xix, 284 p. : ill. ; 23 cmSubject: INDUSTRY, TV. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; EXPORT AND IMPORT OF TV. AUSTRALIA ; TELEVISION. AUSTRALIA ; PRODUCTION. AUSTRALIA ; VILLAGE ROADSHOW ; NATIONAL CULTURE AND TV. AUSTRALIA ; NEIGHBOURS [TV] (AT, 1985-) ; FLYING DOCTORS, THE [TV] (AT, 1986-91) ; PARADISE BEACH [TV] (AT, 1993-94) ; BEYOND 2000 [TV] (AT, 1985-) ; BRIDES OF CHRIST [TV] (AT, Ken Cameron, 1991) Summary: "Describes the origins and operation of the Australian industry and the increasing globalisation of the television marketplace. Their book examines the television cultures of the countries importing Australian programs, and assesses the reasons for the success of failure of various programs" - taken from back coverNotes: Includes index; CIP confirmed; Bibliography: p. 254-270ISBN: 052147003X; 0521469740 (pbk.)LON: 11853714
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Australian television and international mediascapes / Stuart Cunningham and Elizabeth Jacka Cambridge Melbourne: Cambridge University Press, 1996.
Call No: 203(94) CUNAuthor: Cunningham, Stuart ; Jacka, Elizabeth Place: Cambridge MelbournePublisher: Cambridge University PressPubDate: 1996PhysDes: xix, 284 p. : ill. ; 23 cmSubject: INDUSTRY, TV. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; EXPORT AND IMPORT OF TV. AUSTRALIA ; TELEVISION. AUSTRALIA ; PRODUCTION. AUSTRALIA ; VILLAGE ROADSHOW ; NATIONAL CULTURE AND TV. AUSTRALIA ; NEIGHBOURS [TV] (AT, 1985-) ; FLYING DOCTORS, THE [TV] (AT, 1986-91) ; PARADISE BEACH [TV] (AT, 1993-94) ; BEYOND 2000 [TV] (AT, 1985-) ; BRIDES OF CHRIST [TV] (AT, Ken Cameron, 1991) Summary: "Describes the origins and operation of the Australian industry and the increasing globalisation of the television marketplace. Their book examines the television cultures of the countries importing Australian programs, and assesses the reasons for the success of failure of various programs" - taken from back coverNotes: Includes index; CIP confirmed; Bibliography: p. 254-270ISBN: 052147003X; 0521469740 (pbk.)LON: 11853714Donation: Counihan donation
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The Australians making magic behind the scenes in The Age (02/01/2017) p.10
Call No: SUBJECT CLIPPINGS FILE; POST-PRODUCTION. AUSTRALIAAuthor: Quinn, Karl PhysDes: Clippings File ArticleSubject: POST-PRODUCTION. AUSTRALIA ; TAXES. AUSTRALIA Summary: Examining the success of Australia's post-production, digital, and visual effects (PDV) industry with mentions of Illoura, Animal Logic, and Rising Sun. Criticism of the taxes offset difference between location shooting (at 16.5%) and PDV (30%) and how an overseas production can only claim one of these offsets
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BBC doctor prescribes top content in Australian Financial Review (05/09/2016) p.29
Call No: PERSONALITY CLIPPINGS FILE; MOSELY, MICHAELAuthor: Mason, Max PhysDes: Clippings File ArticleSubject: PRODUCTION, TV ; MOSLEY, MICHAEL Summary: Quotes from UK TV show presenter Michael Mosley who is visiting Australia for the Australian Subscription Television and Radio Association conference
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Bibliography : documentary production. / Australian Film Television & Radio School. Jerzy Toeplitz Library.
Call No: FRONT DESKCorpAuthor: Australian Film Television & Radio School. Jerzy Toeplitz Library.Subject: DOCUMENTARY FILMS ; PRODUCTION
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The big picture : filmmaking lessons from a life on the set / Tom Reilly New York: Thomas Dunne Books, 2009.
Call No: 222.22 REIAuthor: Reilly, Tom Edition: 1st edSource: USPlace: New YorkPublisher: Thomas Dunne BooksPubDate: 2009PhysDes: xi, 239 p. ; 22 cmSubject: LOCATION PRODUCTION ; LOCATION SHOOTING ; DIRECTORS ; FILM WORKERS ; REILLY, TOM Summary: This is a must-have book for any aspiring filmmaker who wants to know the secrets of the pros, or for movie buffs who want to know what really happens on the sets of their favourite films.ISBN: 9780312380380Donation: donated by Senses of Cinema, 2012
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Big role for Australian Film Producers' Assoc. in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.3
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The book of the cinema / foreword by Francois Truffaut; a Chris Milsome book London: Artists House, 1979.
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Brad Pitt to turn Aussie thriller into film in Sydney Morning Herald (23/11/2015) p.10
Call No: TITLE CLIPPINGS FILE in production; ILLUMINAE in productionAuthor: Morris, Linda PhysDes: Clippings File ArticleSubject: ILLUMINAE in production Summary: Interivew with the authors of the novel ILLUMINAE and how it plans to be turned into a film by Brad Pitt's production company Plan B Entertainment and Warner Bros.
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Breaking and entering : land your first job in film production / April Fitzsimmons Los Angeles: Lone Eagle Publishing Co., c1997.
Call No: 209.5 FITAuthor: Fitzsimmons, April Source: USPlace: Los AngelesPublisher: Lone Eagle Publishing Co.PubDate: c1997PhysDes: xx, 204 pages : black and white illustrations : 23 cmSubject: EXTRAS ; FILM WORKERS ; FILMMAKING ; INDUSTRY, FILM ; LABOUR ; PRODUCTION Summary: "BREAKING AND ENTERING is a book designed to give you a general idea about how to break into production and have a good time along the way. With the proper tools and information, your first steps into film production will be a little easier." [TAKEN FROM INTRODUCTION]Notes: includes bibliography and indexISBN: 0945728916Donation: Simon WincerContents: Foreword -- Preface -- Acknowledgements --; Part I -- Chapter 1: the production assistant -- Chapter 2: the production assistant's golden rules --; Part II -- Chapter 3: base camp -- Chapter 4: the set -- Chapter 5: heating and air-conditioning --; Part III -- Chapter 6: a day in the life of a set PA -- Chapter 7: lock ups -- Chapter 8: the shot -- Chapter 9: paperwork --; Part IV -- Chapter 10: the cast -- Chapter 11: the crew -- chapter 12: background (extras) -- Chapter 13: stand-ins (second team) -- Chapter 14: helping out --; Part V -- Chapter 15: communications -- Chapter 16: radios -- Chapter 17: the phone -- Chapter 18: the pager --; Part VI -- Chapter 19: the production kit -- Chapter 20: tools -- Chapter 21: necessities --; Part VII -- Chapter 22: landing your first job in film production -- Chapter 23: future jobs -- Chapter 24: the DGA --; Production forms -- United States film commissions -- Appendix -- Index -- About the author
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Bringing her Rosie glow to Melbourne in Sunday Age (19/07/2015) p.8
Call No: TITLE CLIPPINGS FILE in production; ROSIE PROJECT, THE in productionAuthor: Quinn, Karl PhysDes: Clippings File ArticleSubject: LOCATION SHOOTING. AUSTRALIA: VICTORIA ; ROSIE PROJECT, THE in production Summary: Discussion around the unlikely possibility of the film version of the book The Rosie Project to be shot in the book's setting of Melbourne and the excitement around the Hollywood star Jennifer Lawrence playing the role of Rosie
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British Film Institute productions 1977/8 London: British Film Institute, 1978.
Call No: F027(41)BFI "1977/8"CorpAuthor: British Film InstituteSource: UKPlace: LondonPublisher: British Film InstitutePubDate: 1978PhysDes: 30 cmSubject: PRODUCTION. UK Notes: catalogue pamphlet
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Brothers in laughs together again in Herald Sun (3/06/2017) p.26
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The business of creativity : what drives the Australian screen content producer in Lumina (Summer 2010) iss.2 p.269-277
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The business of filmmaking Rochester, N.Y.: Eastman Kodak, 1978.
Call No: 21(73) BUSCorpAuthor: Kodak LimitedSource: USPlace: Rochester, N.Y.Publisher: Eastman KodakPubDate: 1978PhysDes: 96 p. : ill. ; 28 cmSeries: Kodak publication ; no. H-55Subject: INDEPENDENT FILMS ; INDEPENDENT PRODUCTION ; INDEPENDENT DISTRIBUTION Summary: "This publication concentrates on the business side of planning, producing, and distributing effective nontheatrical motion picture films." - TAKEN FROM BACK COVERNotes: Portions of the book were written for Kodak by Paul da Silva and Richard H. RogersISBN: 0879852038
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Call for an Australian Game of Thrones to boost screen industry in Sydney Morning Herald [Arts & Entertainment] (30/10/2015) p.19
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, TV. AUSTRALIA. 2010sAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: INDUSTRY, TV. AUSTRALIA ; DRAMAS. AUSTRALIA ; PRODUCTION Summary: Article discusses the benefits of producing tv programmes that sell internationally. It also discusses the current state of the Australian film and televisin industries
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Canberra filmmakers' deal with China company 'coup' in Canberra Times (26/06/2015) p.8
Call No: TITLE CLIPPINGS FILE in production; AODALIYA GOLD [AUSTRALIA GOLD] in productionAuthor: - PhysDes: Clippings File ArticleSubject: COPRODUCTION. AUSTRALIA ; COPRODUCTION. CHINA ; AODALIYA GOLD [AUSTRALIA GOLD] in production Summary: Film based upon Australia's sole Chinese bushranger is to go into production in Canberra. It is being funded by the Canberra companies JIA Films and SilverSun Pictures, and the Chinese comapny Yuezhong Pictures
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Canberra man captures a revolution on film in Sunday Canberra Times [General News] (8/11/2015) p.3
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Canon-fire! the art of making award-winning amateur movies / [by] Cecil Satariano London: Bachman and Turner, 1973.
Call No: 22 SATAuthor: Satariano, Cecil Place: LondonPublisher: Bachman and TurnerPubDate: 1973PhysDes: 74, [28] p. illus., ports. 23 cmSubject: AMATEUR FILMS ; PRODUCTION ISBN: 0859740021LON: 317370
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Casting clowns : Beresford tells all in Weekend Australian (18/06/2016) p.3
Call No: PERSONALITY CLIPPINGS FILE; MILLIKEN, SUEAuthor: Neill, Rosemary PhysDes: Clippings File ArticleSubject: PRODUCTION. USA ; CASTING ; BERESFORD, BRUCE ; MILLIKEN, SUE Summary: Preview of a longer article in the same paper about the relationship between director Bruce Beresford and producer Sue Milliken and their trials and tribulations in trying to get films made in Hollywood. Their correspondence has been compiled into a book titled 'There's a fax from Bruce'
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Chaplin-inspired space nurtures future talent in Sydney Morning Herald (19/08/2016) p.11
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Chase Through the Night in Australasian Cinema (27/5/1983) vol.12 iss.9 p.2
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Chasing the runaways : foreign film production and film studio development in Australia 1988-2002 / Nick Herd Sydney: Currency House, 2004.
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Child's Play : issues in Australian Children's Television 2013 2013.
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Chinese co-productions head this way in The Age (27/04/2017) p.26
Call No: TITLE CLIPPINGS FILE; AT LAST (AT/CC) in productionAuthor: [Maddox, Garry] PhysDes: Clippings File ArticleSubject: AT LAST (AT/CC) in production Summary: AT LAST is a newly approved co-production between Australia and China and is to be shot in Queensland mid 2017.
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Chinese connection has its limits in The Australian (25/11/2015) p.16
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Cinema cities, media cities : The contemporary international studio complex / Australian Film Commission Sydney: Australian Film Commission, 2003.
Call No: 210.31 GOLAuthor: Goldsmith, Ben ; O'Regan, Tom Place: SydneyPublisher: Australian Film CommissionPubDate: 2003PhysDes: 28 cm; 117 ppSeries: Screen Industry, Culture and Policy ResearchSubject: STUDIOS, FILM. AUSTRALIA ; STUDIOS, FILM. AUSTRALIA: NEW SOUTH WALES ; STUDIOS, FILM. AUSTRALIA: VICTORIA ; STUDIO SYSTEM ; STUDIO SHOOTING ; PRODUCTION CENTRES : HOLLYWOOD ; PRODUCTION. AUSTRALIA ; PRODUCTION. EUROPEAN COUNTRIES ; PRODUCTION. UK ; PRODUCTION. USA ; PRODUCTION COMPANIES & STUDIOS ; GOVERNMENT AID ; FOX STUDIOS AUSTRALIA Summary: Studio complexes are an important part of the way places around the world compete for and participate in international production. Many studios, in a range of locations, now have the size and sophistication to service large-budget feature film production. This comprehensive study of contemporary international studio considers the circumstances in which this rash of studio complex building and renovating has occurred – in places as diverse as Rome, London, Berlin, Prague, Vancouver, Toronto, Sydney, the Gold Coast and Melbourne. Central to the study is an understanding of studio complexes as cinema and media cities providing not only sound stages but a full range of production and post-production services in the one location. Cinema Cities, Media Cities is the first published analysis of this new international studio system, its origins, its business and its policy contexts. [Taken from back cover.]ISBN: 0958015279
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Cinema, television : les chaines de la creation : colloque international du 6 au 7 octobre 1983 ... au Goethe Institut ... Paris / [realise par Clara Burckner et al.] Paris: L'Institut, 1983?].
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The Cinema to-day / by D.A. Spencer and H.D. Waley London: Oxford University Press, 1956.
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Collette a Sharp shooter in Herald Sun [Confidential(HSM)] (25/05/2017) p.20
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"COLUMBIA PICTURES: SEVENTY-FIFTH ANNIVERSARY" 25 January 1999.
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Commentary on the Australian Broadcasting Tribunal's Children's Program Committee draft children's television program, advertising and drama program standards / Federation of Australian Commercial Television Stations Sydney: Federation of Australian Commercial Television Stations, 1982.
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Commentator Bolt out to 'change your mind about recognition' in Sydney Morning Herald (09/12/2015) p.2
Call No: TITLE CLIPPINGS FILE in production; CAN CHANGE YOUR MIND ABOUT RECOGNITION, I [TV] in productionPhysDes: Clippings File ArticleSubject: BOLT, ANDREW ; I CAN CHANGE YOUR MIND ON RECOGNITION [TV] in production Summary: Report on the development of a new tv series about the Australian constitution and the question of Indigenous recognition within the document. The series is to be hosted by journalist Andrew Bolt
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COMMERCIAL TELEVISION PRODUCTION FUND
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The Company of Wolves Production Information in Australasian Cinema (Friday, 31/5-6/6/1985) vol.14 iss.9 p.4
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The complete film production handbook / Eve Light Honthaner Burlington MA: Focal Press, 2010.
Call No: 21(73)(036) HONAuthor: Honthaner, Eve Light Edition: Fourth editionSource: USPlace: Burlington MAPublisher: Focal PressPubDate: 2010PhysDes: xviii, 524 pages : illustrations ; 28 cmSubject: PRODUCTION ; PRODUCTION DEALS ; PRODUCTION COSTS ; PRODUCTION. USA ; PRODUCING ; PRODUCERS Summary: "Written with both students and working film and television professionals in mind, The Complete Film Production Handbook is a comprehensive guide that covers everything from pre-production through wrap and post production and includes chapters on independent and low-budget filmmaking, television, commercials, incentives, effects and new media. In addition to advice on negotiating good deals and valuable industry survival tips, you'll find all the essential production and accounting forms needed to make your film a reality as well as a sample pre-production schedule, pre-production and wrap checklists and post production workflow charts." "An invaluable, easy-to-use reference for students and newcomers to the business as well as line producers, UPMs, assistant directors, production coordinators and other production personnel - this guide provides an in-depth look into all the steps and forms required to deliver a completed film."--BOOK JACKET.ISBN: 9780240811505Donation: donated by Michael SmithContents: The Production Team and Who Does What -- The Production Office -- Basic Accounting -- From Script to Schedule -- Incentives -- Pre-Production -- Insurance Requirements -- During the Shoot -- Building Strong Industry Relationships : Making Good Deals and Navigating the Politics -- Deal Memos -- Unions and Guilds -- Principal Talent -- Background Talent -- There's An Animal In My Film -- Clearances and Releases -- A Guide to Music Clearance -- Safety -- Locations -- Distant Location -- Foreign Location -- Travel and Housing -- Shipping -- Effects -- Specifically Television -- Independent Filmmaking -- Practical Low-Budget Filmmaking -- New Media -- Commercial Production -- Wrap -- Post Production Overview -- Greener Filmmaking -- Industry Survival Tips
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A concise handbook of movie industry economics / Charles C. Moul (ed.) New York: Cambridge University Press, 2005.
Call No: 203 CONAuthor: Charles C. Moul (ed.) Place: New YorkPublisher: Cambridge University PressPubDate: 2005PhysDes: 23 cm ; 214 pSubject: EXHIBITION ; EXHIBITION. USA ; INDUSTRY, FILM ; INDUSTRY, FILM. USA ; FINANCING. USA ; ADVERTISING FOR FILMS ; ADVERTISING. USA ; USA ; PRODUCTION ; PRODUCTION COSTS ; DIGITAL TECHNOLOGY ; INCOME ; AWARDS. ACADEMY ; STUDIO SYSTEM ; GOVERNMENT CONTROL. USA ; BOX OFFICE. USA Summary: This concise handbook collects essays on all aspects of the motion picture industry by leading authorities in political economy, economics, accounting, financing, and marketing. In addition to bringing the reader an up-to-date perspective on what is known and what has been accomplished, it includes both new findings on a variety of topics and directions for additional research. Topics include the estimation of theatrical and ancillary demand, profitability studies, resolution of evident paradoxes in studio executive behaviour, interaction of the industry and government, impacts of the most recent changes in accounting standards, and the role and importance of participation contracts. New results include findings on the true nature of the seasonality of theatrical demand, the predictive power of surveys based upon trailers, the impact of the Academy Awards, the effectiveness of prior history measures to gauge cast members and directors, and the substitutability of movies across different genres. [Taken from inner jacket sleeve].ISBN: 0521843847
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Confidential : Alex rocks into film in Herald Sun (09/06/2016) p.20
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The contemporary Hollywood film industry / edited by Paul McDonald and Janet Wasko Carlton, Victoria: Blackwell Publishing, 2008.
Call No: 201.1 (73) CONAuthor: McDonald, Paul ; Wasko, Janet Source: USPlace: Malden, Massachusetts; Oxford, UK; Carlton, VictoriaPublisher: Blackwell PublishingPubDate: 2008PhysDes: 326 p. : ill. ; 25 cmSubject: INDUSTRY, FILM ; STUDIO SYSTEM ; FINANCING ; DISTRIBUTION ; PRODUCTION ; ADVERTISING FOR FILMS ; EXHIBITION ; TELEVISION AND THE CINEMA ; VIDEODISCS ; SOUNDTRACKS ; MUSIC AND THE CINEMA ; LABOUR ; STATE AND THE CINEMA ; GLOBALISATION ; COPYRIGHT ; EXPORT OF FILMS ; UNITED KINGDOM ; FRANCE ; GERMANY ; ITALY ; LATIN AMERICAN COUNTRIES ; ASIAN COUNTRIES ; INDIA ; AUSTRALIA ; NEW ZEALAND ; VIDEO GAMES AND THE CINEMA Summary: "The contemporary Hollywood film industry is characterized by continuity and change. While many well-established Hollywood studios continue to dominate the film business, the industry has also witnessed various changes during the past two decades.
"'The Contemporary Hollywood Film Industry' is a collection of essays by leading scholars that examine the US film industry as an international phenomenon, from the 1980s to the present day. It explores a host of challenges and changes facing Hollywood, and includes important discussions of the industry's labor and star systems, as well as intellectual property and state relations. Essays consider the role of independent producers, the global marketplace for Hollywood products, corporate changes, and various new-media windows, including video, DVD to cable, satellite, and online channels of delivery." (Taken from the back cover)Notes: Includes indexISBN: 9781405133883URL status: URL: 'http://-'
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Costly change hits post operators in Encore (25 Feb, 1998) vol.16 iss.1 p.25, 26
Author: Harty, Jason PhysDes: Article; Illustration(s)Subject: POST-PRODUCTION. AUSTRALIA Summary: Examines the effect of new technology on post production in regard to quality and employment.
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Creative cities : cinema and the built environment / Creative Industries Research & Applications Centre Symposium, Tuesday 28 October 2003 [Brisbane]: Creative Industries Research and Applications Centre, 2003.
Call No: 161(94) CRECorpAuthor: Australian Government. Australian Research Council.; Queensland University of Technology. Creative Industries Research and Applications Centre.Place: [Brisbane]Publisher: Creative Industries Research and Applications CentrePubDate: 2003PhysDes: 88 p. : ill. ; 30 cm.Subject: PRODUCTION CENTRES Summary: "The genesis of this collection was a one-day seminar on the convergence and divergence of thinking around cities, creative industries, cinema, and the built environment" -- from the Introduction.ISBN: 1741070619Contents: Introduction -- The enigma of arrival / James Donald -- Screening the metropolis / Steffen Lehmann -- City surfaces / Scott McQuire -- Finding Sydney / Brian Morris -- Hong Kong 1:99: SARS and story-telling in a Special Autonomous Region / Stephanie Hemelryk Donald -- Colour and the city : Sydney / John Gammack -- The studio city : the inner-city studio complex / Tom O'Regan & Ben Goldsmith -- Possible cities : the world of immersive travel / Angelina Russo
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Crowe business in Australian Financial Review (24/04/2015) p.47
Call No: PERSONALITY CLIPPINGS FILE; CROWE, RUSSELLAuthor: Rottenberg, Josh PhysDes: Clippings File ArticleSubject: CROWE, RUSSELL ; WATER DIVINER, THE (AT/TU, Russell Crowe, 2014) ; NICE GUYS, THE (in production) Summary: Interview with Russell Crowe, talking about his experiences on The Water Diviner, The Nice Guys, and his personal life
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Crunch time for our film industry in Sydney Morning Herald (28/02/2017) p.17
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Daniel Mac reveals next move in Daily Telegraph [Sydney Confidential] (7/08/2015) p.36
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Daniel's film for justice in Herald Sun (07/07/2016) p.16
Call No: TITLE CLIPPINGS FILE in production; WHERE IS DANIEL? in productionAuthor: - PhysDes: Clippings File ArticleSubject: WHERE IS DANIEL? in production Summary: Snippet on the Kickstarter campaign to raise funds for a film about the abduction and murder of Daniel Morcombe, which is to be titled WHERE IS DANIEL?
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A dark new world : anatomy of Australian horror films / by Mark David Ryan Brisbane, Queensland: 2008.
Call No: 735.2(94)[043] RYAAuthor: Ryan, Mark D. Source: ATPlace: Brisbane, QueenslandPubDate: 2008PhysDes: x, 217 p. : ill. ; 30 cm.Subject: AUSTRALIA ; GENRES ; GENRES. AUSTRALIA ; HORROR FILMS ; HORROR FILMS. AUSTRALIA ; PRODUCTION Summary: A thesis submitted in fulfillment of the degree Doctor of Philosophy (Phd), December 2008Notes: Presented to the Creative Industries Faculty, Queensland University of Technology.; Thesis (Ph.D.)--Queensland University of Technology, Brisbane, 2008.; Includes bibliographical references (p. 206-217)Donation: Donated by Senses Of Cinema, 2009Contents: -- chapter 1: introduction -- chapter 2: globalising film production and the renaissance of the horror genre -- chapter 3: a history of Australian horror films -- chapter 4: contemporary Australian horror production -- chapter 5: financing, production and distribution models -- chapter 6: returns, markets and fan/subcultures -- chapter 7: the future of Australian horror production - sustainability and policy --appendix 1: Australian horror films by decade -- appendix 2: budget expenditure on Australian horror production -- appendix 3: Australian horror films by budget range -- references --
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The data book : New Zealand's screen production directory Auckland: Mediaweb Ltd in association with Images & Sound and Onfilm magazine, 2012.
Call No: 058.7(931)DATEdition: 2012Place: AucklandPublisher: Mediaweb Ltd in association with Images & Sound and Onfilm magazinePubDate: 2012PhysDes: 210 p. ; 30 cmSubject: NEW ZEALAND ; PRODUCTION ISBN: 047300627
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David Minter on "Hel Al Baby" in Melbourne Film Bulletin (April 1968) iss.2 p.9-10
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Depp to return to Australia in Canberra Times [General News] (7/11/2015) p.7
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Development of the film : an interpretive history / Alan Casty New York: Harcourt Brace Jovanovich, 1973.
Call No: 70 CASAuthor: Casty, Alan Source: USPlace: New YorkPublisher: Harcourt Brace JovanovichPubDate: 1973PhysDes: 425 p. ; 23 cmSubject: EDITING ; HISTORICAL FILMS ; HISTORY AND THE CINEMA ; PRODUCTION TECHNOLOGY ; GENRES ; SOCIAL HISTORY AND THE CINEMA ; BOGART, HUMPHREY ; BRECHT, BERTOLT ; BUNUEL, LUIS ; CAPRA, FRANK ; CARNE, MARCEL ; CHAPLIN, CHARLES ; CLAIR, RENE ; COOPER, GARY ; CURTIZ, MICHAEL ; DEMILLE, CECIL B. ; DE SICA, VITTORIO ; DIETRICH, MARLENE ; DOVZENKO, ALEKSANDR ; DREYER, CARL TH. ; DUVIVIER, JULIEN ; Fellini, Federico ; FLAHERTY, ROBERT ; FORD, JOHN ; GARBO, GRETA ; GODARD, JEAN-LUC ; GRIFFITH, DAVID WARK ; HITCHCOCK, ALFRED ; HUSTON, JOHN ; HAWKS, HOWARD ; KINGSLEY, STANLEY ; KAZAN, ELIA ; LANG, FRITZ ; Lean, David ; LEROY, MERVYN ; LUBITSCH, ERNST ; MCCREA, JOEL ; MAMOULIAN, ROUBEN ; MARX BROTHERS ; MILESTONE, LEWIS ; MURNAU, FRIEDRICH WILHELM ; NEWMAN, PAUL ; PABST, GEORG WILHELM ; Pasolini, Pier Paolo ; Peckinpah, Sam ; PUDOVKIN, VSEVELOD ; REED, CAROL ; RENOIR, JEAN ; ROSSELLINI, ROBERTO ; ROSSEN, ROBERT ; Stewart, James ; TOLAND, GREGG ; TRUFFAUT, FRANCOIS ; VIGO, JEAN ; VISCONTI, LUCHINO ; VON STERNBERG, JOSEF ; VON STROHEIM, ERICH ; WAYNE, JOHN ; WELLES, ORSON ; WELLMAN, WILLIAM ; WILDER, BILLY ; WISE, ROBERT ; WYLER, WILLIAM ; ZOLA, EMILE ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; INTOLERANCE (US, David Wark Griffith, 1916) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; STRAW DOGS (UK, Sam Peckinpah, 1971) Summary: The development of the cinemictic styles and genres in films worldwide and the important professical within the film industry.ISBN: 0155176226
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Digital filmmaking : the changing art and craft of making motion pictures / Thomas A. Ohanian, Michael E. Phillips ; cover art by Jeffrey Krebs Boston: Focal Press, c1996.
Call No: 220"313" OHAAuthor: Ohanian, Thomas A ; Phillips, Michael E Place: BostonPublisher: Focal PressPubDate: c1996PhysDes: xxiv, 267 p. : ill. (some col.) ; 28 cmSubject: DIGITAL TECHNOLOGY ; EDITING ; PRODUCTION ; POST-PRODUCTION ; LUCAS, GEORGE ; CAMERON, JAMES ; BAKER, RICK ; JONES, ED Summary: Digital Filmmaking is the professional "bible" of the new era in filmmaking. This book details the procedural, creative, and technical aspects of preproduction, production, and postproduction within a digital filmmaking environment. Readers will understand not only what new digital methods and techniques are redefining the filmmaking process, but also how the evolution into digital filmmaking can be used to achieve greater creative flexibility as well as cost and time savings. Digital Filmmaking: The Changing Art and Craft of Making Motion Pictures thoroughly explains vital concepts, including digitization, compression, digital compositing, nonlinear editing, and on-set digital production and relates traditional film production and editing processes to those of digital techniques [taken from cover]Notes: Includes bibliographical references (p. 257) and indexISBN: 0240802195 (paper : alk. paper)LON: 12009091
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The digital producer : getting it done with computer-based tools / Curtis Poole, Ellen Feldman Boston: Focal Press, c2000.
Call No: 220 POOAuthor: Poole, Curtis, 1958 ; Feldman, Ellen, 1948 Place: BostonPublisher: Focal PressPubDate: c2000PhysDes: xvii, 345 p. : ill. ; 24 cm. + 1 computer optical disc (4 3/4 in.)Subject: DIGITAL TECHNOLOGY ; PRODUCING ; PRODUCTION Summary: "The Digital Producer is the first comprehensive introduction to the world of digital video production methods from the producer's point of view. Whether you sit in the producer's chair or assist in the production process in some way, this book will provide you with a broad understanding of the digital tools and techniques, as well as specific tips and guidelines, to use during every phase of the production process, from scripting to finishing. While many books have been published covering specific areas of the digital production workflow, such as nonlinear editing or pre-production methods, no single comprehensive volume has yet been published. This book will fill that gap, providing professionals and students alike with a useful guide to the many changes taking place."--BOOK JACKETNotes: "An AvidPress book"--Cover; Includes indexISBN: 0240803957 (pbk. : alk. paper)LON: 20260276
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Directing actors : creating memorable performances for film and television / by Judith Weston Studio City, CA: M. Wiese Productions, c1996.
Call No: 225 WESAuthor: Weston, Judith Source: USPlace: Studio City, CAPublisher: M. Wiese ProductionsPubDate: c1996PhysDes: xiv, 314 p. : ill. ; 21 cmSubject: PRODUCTION ; DIRECTION ; ACTORS ; SCRIPTS ; CASTING ; FILM ; TELEVISION Summary: "Directing Actors is a method for establishing creative, collaborative relationships with actors, getting the most out of rehearsals, troubleshooting poor performances, and giving briefer directions."--BOOK JACKET. "Ms. Weston discusses what constitutes a good performance, what actors want from a director, what directors do wrong, script analysis, how actors work, and the director/actor relationship. This book is based on the author's twenty years of professional acting and eight years of teaching Acting for Directors."--BOOK JACKET.Notes: Includes bibliographical references (p. 311-314); Filmography (p. 308-310)ISBN: 0941188248Contents: -- acknowledgments -- introduction -- I. result direction and quick fixes -- II. moment by moment -- III. listening and talking -- IV. actors' choices -- V. structure: transitions, events and through-lines -- VI. actors' resources and training -- VII. script analysis -- VIII. casting -- IX. rehearsal -- X. shooting -- spp. A. children and nonprofessional actors -- app. B. comedy -- app. C. short list of action verbs sample simple objectives more action verbs -- filmography -- bibliography -- further acknowledgments --
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Directing the documentary / Michael Rabiger Boston: Focal Press, c1987.
Call No: 761 RABAuthor: Rabiger, Michael Place: BostonPublisher: Focal PressPubDate: c1987PhysDes: xii, 316 p. : ill. ; 26 cmSubject: DIRECTION ; PRODUCTION ; EDITING ; AESTHETICS ; DOCUMENTARY FILMS ; COMMENTARY ; INTERVIEWS IN FILMS ; RABIGER, MICHAEL Summary: "Directing the Documentary discusses the necessary technical basics you need to know before shooting, and describes with astonishing clarity the concepts and human processes behing the making of the film. From preproduction considerations, such as research or choosing a subject, to production and postproduction factors like shooting an interview or assembling the sound track, Directing the Documentary keeps the final goal always in sightL the creation of an effective documentary film.
Structured witha focus on specific stages of the process, this book allows flexible use through a series of project designed to teach necessary skills through action. Valuable summaries provide checkliests of immeasurable help for those involved in actual production work. The coverage is complete in the discussions of the documentary's history and development, of the issues of aesthetics and authorship, and of education and careers in documentary films." -- Taken from back cover.Notes: Includes index; Bibliography: p. [306]-309ISBN: 0240517946 (pbk.)LON: 4791160
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Directors close up : interviews with directors nominated for Best Film by the Directors Guild of America / Jeremy Kagan (editor) Lanham, Md.: Scarecrow Press, 2006.
Call No: 802.25 KAGAuthor: Kagan, Jeremy Edition: 2nd ed.Source: USPlace: Lanham, Md.Publisher: Scarecrow PressPubDate: 2006PhysDes: ix, 341p. : ill. ; 26cm.Subject: AWARDS. DIRECTORS GUILD OF AMERICA ; PRODUCTION ; KAZAN, ELIA Summary: Loosely organized by phases in the moviemaking process (preproduction, the cast, the crew, rehearsal, etc.), Kagan lets his subjects discuss their craft without limiting their comments to the movies for which they were nominated.Notes: Includes index.; Includes essay in Appendix C by Elia Kazan: On what makes a directorISBN: 081085712X
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A discussion with Werner Herzog Melbourne, Vic.: 1983.
Call No: 81HER AUSCorpAuthor: Australian Film InstituteSource: ATPlace: Melbourne, Vic.PubDate: 1983PhysDes: 36 p. ; 28 cmSubject: FILMMAKING ; AUTHORSHIP ; LOCATION SHOOTING ; PRODUCTION ; CRITICISM, TV. ; HERZOG, WERNER ; ISLAND (AT, Paul Cox, 1989) ; JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974) ; KASPAR HAUSER (GE, Peter Sehr, 1993) Summary: Transcript of a discussion with Werner herzog at the AFI Longford Cinema, Melbourne.Language: English
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The Documentary film in Australia / edited by Ross Lansell and Peter Beilby North Melbourne: Cinema Papers in association with Film Victoria, c1982.
Call No: 761(94) DOCCopy Management: Copy 1; Copy 2Author: Beilby, Peter ; Lansell, Ross CorpAuthor: Film VictoriaPlace: North MelbournePublisher: Cinema Papers in association with Film VictoriaPubDate: c1982PhysDes: 205 p. : ill., ports. ; 27 cmSubject: DOCUMENTARY FILMS. AUSTRALIA ; ARCHIVES & INSTITUTES, FILM. AUSTRALIA ; GOVERNMENT ORGANIZATIONS. AUSTRALIA ; FILMMAKING. AUSTRALIA ; HISTORY OF CINEMA ; HISTORY OF CINEMA. 1920's ; HISTORY OF CINEMA. 1930's ; HISTORY OF CINEMA. 1950's ; HISTORY OF CINEMA. 1960's ; HISTORY OF CINEMA. 1970's ; HISTORY OF CINEMA. 1980's ; HISTORY OF CINEMA. AUSTRALIA ; HISTORY OF CINEMA. NEW ZEALAND ; INDUSTRY, FILM. AUSTRALIA ; PRESERVATION OF FILMS. AUSTRALIA ; PRODUCTION ; PRODUCTION COMPANIES & STUDIOS. AUSTRALIA ; BAKER, SUZANNE ; EDWARDS, JOHN ; MCMAHON, TERENCE ; BRADBURY, DAVID ; NOONAN, CHRIS ; HURLEY, FRANK ; GRIERSON, JOHN Summary: Collection of essays on Australian documentary, covering the history of documentary in Australia and world-wide up until the early 1980s, documentary production, interviews with key documentary makers, information on documentary preservation and repositories, and hypotheses on the future of documentary-making in Australia.Notes: Includes indexISBN: 0959564721 : $12.95 AustLON: 2380995Contents: 1. What is a documentary? / John Langer; 2. A brief history of the documentary -- 1890s Australia / Chris Long -- 1900s world-wide and Australia / Ray Edmonston, Jenny Trustum -- 1910s Australia / Chris Long -- World War 1 / Phil Taylor -- 1920s world-wide and Australia / Andrew Pike -- 1930s world-wide / Jonathan Dawson -- 1930s Australia / Chris Long -- Early 1940s World War 2 / Phil Taylor -- Late 1940s world-wide / Brian McFarlane -- Late 1940s Australia / Tom Politis -- 1950s world-wide / Keith Connolly -- 1950s Australia / Anthony Buckley -- 1960s world-wide / John Pruzanski -- 1960s Australia / Ross Lansell -- 1970s world-wide and Australia / Gillian Coote -- Some issues and concerns of the 1970s / Barbara Alysen, David McDougall, Noel Purdon and Albie Thoms -- The 1980s and beyond / Ian Stocks --; 3. Documentary production today -- Government / Bruce Moir -- Specialist film units / Robert Rothols -- Television / Brian Davies -- Commerce and industry / Eve Ash and Ian McFayden -- Independent / Curtis Levy; 4. Case-histories -- Government: Suzzane Baker, John Edwards, Oliver Howes and Stephen Ramsey / Ian Stocks -- Specialist film units: Ross Campbell / Robert Rothol -- Television: Jeremy Cornford and Peter Luck / Jeremy Cornford and Nick Herd -- Commerce and industry: Terence McMahon / Eve Ash -- Independent: David Bradbury and Chris Noonan / Barbara Alysen --; 5. The marketplace / Kim Dalton --; 6. Some documentary themes -- Documentary traditions before Grierson: the case of Frank Hurley / Andrew Pike -- The Grierson tradition / Jonathan Dawson -- Propaganda then and now / John Hughes -- The television age / Tom Haydon --; 7. Preserving the past / Barbara Alysen --; 8. The documentary of the future / Fred Harden
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Doing business with Australia : producer offset and co-productions / Screen Australia [Woolloomooloo, N.S.W.]: Screen Australia, January 2014.
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Down and dirty pictures : Miramax, Sundance and the rise of independent film / Peter Biskind London: Bloomsbury, 2004.
Call No: 721.3(73) BISAuthor: Biskind, Peter Place: LondonPublisher: BloomsburyPubDate: 2004PhysDes: 24 cm ; 545 pSubject: DIRECTORS. USA ; USA ; AWARDS. ACADEMY ; INDEPENDENT DISTRIBUTION ; INDEPENDENT FILMS. USA ; INDEPENDENT PRODUCTION ; INDEPENDENT PRODUCTION. USA ; DISTRIBUTION. USA ; FESTIVALS. PARK CITY. SUNDANCE ; MIRAMAX FILMS ; AFFLECK, BEN ; ALTMAN, ROBERT ; ANDERS, ALLISON ; ANDERSON, PAUL THOMAS ; ANDERSON, WES ; ARAKI, GREGG ; ARONOFSKY, DARREN ; ARTETA, MIGUEL ; WEINSTEIN, BOB ; WEINSTEIN, HARVEY ; ALLEN, WOODY ; ALL THE PRETTY HORSES (US, Billy Bob Thornton, 2000) ; FABULEUX DESTIN D'AMELIE POULAIN, LE (FR/GG, Jean-Pierre Jeunet, 2001) ; APOSTLE, THE (US, Robert Duvall, 1997) ; AMERICAN BEAUTY (US, Sam Mendes, 1999) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) Summary: In Down and Dirty Pictures, Peter Biskind tells the story of the filmmakers and the independent distributors who revitalised Hollywood in the 1990s. He follows the growth of Sundance from a regional film festival to the premier showcase of independent film that it became, showing how it succeeded almost despite Robert Redford, whose visionary plans were often thwarted by his quixotic personality. He charts the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul who, with his brother Bob, left a trail of carnage in his wake, yet created an Oscar factory that is the envy of the studios. [Taken from inner jacket sleeve].ISBN: 0747565708ID2: 341
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Dreamworks drops Minchin's outback opus in The Age (7/03/2017) p.10
Call No: TITLE CLIPPINGS FILE in production; LARRIKINS, THE in productionAuthor: Carmody, Broede PhysDes: Clippings File ArticleSubject: MINCHIN, TIM ; LARRIKINS in production Summary: Report on the cancellation of the film THE LARRIKINS, with Tim Minchin telling of his disappointment that the film won't be made
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EDEN VALLEY : (UK, Richard Grassick [for Amber Production Team], 1994)
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Effective TV Production / Gerald Millerson London: Focal Press, 1976.
Call No: 222 MILLAuthor: Millerson, Gerald Source: UKPlace: LondonPublisher: Focal PressPubDate: 1976PhysDes: 192 p. : ill. (chiefly col.), plan ; 22 cm.Subject: PRODUCTION, TV ISBN: 0240509501
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Embracing innovation : a new methodology for feature film production in Australia in Lumina (Summer 2010) iss.2 p.153-180
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Empire Intrnational and American Nat'l. Enterprises join American Film Market in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.2
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An encyclopaedia of Australian film / John Stewart Frenchs Forest, NSW: Reed, 1984.
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European Film Industries / Anne Jackel London: British Film Institute, 2003.
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Everything is awesome for Lego studio in Sun Herald [General News] (08/03/2015) p.19
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Extras needed for new film about sensational crime in Canberra Times (25/04/2015) p.8
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Feature - post production in Encore (Apr 2000) vol.18 iss.3 p.22-38
Author: Griffiths, Peter PhysDes: Article; Illustration(s)Subject: POST-PRODUCTION. AUSTRALIA ; HIGH DEFINITION TV ; SOUND ; EDITING. AUSTRALIA Summary: Griffiths surveys the post-production industry in Australia in 2000. Visual and sound post-production firms reported that 1999 was a slow year but production is increasing in 2000. High-definition television will introduce new challenges to the post-production industry. Screen editors are frustrated by their working conditions and the expectation that they coordinate all aspects of post-production.
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Film : an introduction / John L. Fell New York: Praeger Publishers, 1975.
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Film and television catalogue / Canal+ Image UK Pinewood Rd, Bucks, Ivers: Canal+ Image UK,
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Film and television production : problems, possibilities and techniques : proceedings of conference, Armidale - January 7-14, 1961 / Clarence Regional Office, Department of Adult Education, University of New England Armidale, NSW: University of New England, 1961.
Call No: 22 CLAAuthor: University of New England. Clarence Regional Office ; University of New England. Department of Adult Education Source: ATPlace: Armidale, NSWPublisher: University of New EnglandPubDate: 1961PhysDes: 128 p. ; 33cmSubject: 16 MM FILMS ; AUSTRALIAN BROADCASTING CORPORATION ; CAMERAS ; CINEMATOGRAPHY ; EDITING ; EDUCATION AND TV ; FILMMAKING ; PRODUCTION ; PRODUCTION, TV ; SCRIPTWRITING ; SOUND RECORDING Summary: A collection of proceedings from the University of England's first residential "Film and Television Producers' School" held for seven days in January 1961.Notes: Book is in extremely fragile condition; handle with careContents: Introduction -- Editorial -- List of lecturers and delegates -- Preface to notes -- "The future of television": Sir Richard Boyer -- Question and answer session -- "The place of the creative thinker in film and television": Mr. Maslyn Williams -- Films shown in discussion evenings -- "Form and construction": Mr Maslyn Williams -- "Creative editing": Mr. Stanley Hawes -- Masculine cut and feminine fade -- "The seeing eye": Mr. Geoffrey Collings -- Black & white versus colour -- "Notes for a talk on the photographic lenses": Dr. Neville Fletcher -- Some questions on editing -- "The sound track and film production": Mr. Don Kennedy -- "Notes on a lecture-demonstration on television production": Mr. Colin Dean -- The impossible isn't possible -- "Preparing a script": Mr. Shan Benson -- A simple appreciation of picture reproduction characteristics -- "The motion picture film in the school": Mr. Clive Linz -- 35 mm and 16 mm film -- "The use of television for educational purposes": Mr. Charles Bull -- Reference to lecture by Mr. King -- "Influence of Production on vision and sound recording in T.V.": Mr. Carl Wilhelm -- Construction and form in the arts
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FILM AND TELEVISION PRODUCTION ASSOCIATION OF AUSTRALIA
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Film and TV Producers appoint Anthony Buckley, new president, and Tom Haydon, vice-president in Australasian Cinema (29/10/1982) vol.11 iss.19 p.10
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Film and video production and distribution, Australia, 1993-94 [Canberra]: Australian Bureau of Statistics, 1996.
Call No: 21(94) "1993-94" MCLCorpAuthor: Australian Bureau of StatisticsPlace: [Canberra]Publisher: Australian Bureau of StatisticsPubDate: 1996PhysDes: vi, 38 p. : ill. ; 30 cmSubject: STATISTICS. AUSTRALIA ; PRODUCTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; DISTRIBUTION. AUSTRALIA ; INDUSTRY, VIDEO. AUSTRALIA Summary: Contains information about the film and video production industries in Australia. The data includes major sources of income and components of expenditure; characteristics of employment and the seasonal pattern of employment; key characteristics by State; performance ratios; market distribution of Australian titles; type and value of transactions in services with overseas residents; the production of films, videos and television programs by type of programming formatNotes: Catalogue no. 8679.0; "W. McLennan, Australian Statistician"; Includes tablesISBN: 0642207305LON: 12274947
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Film and video production and distribution, Australia, 1996-97 [Canberra]: Australian Bureau of Statistics, 1998.
Call No: 21(94) "1996-97" MCLCorpAuthor: Australian Bureau of StatisticsPlace: [Canberra]Publisher: Australian Bureau of StatisticsPubDate: 1998PhysDes: 30 p. ; 30 cmSubject: PRODUCTION. AUSTRALIA ; DISTRIBUTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; STATISTICS. AUSTRALIA Summary: Contains information about the film and video production industries in Australia. The data includes major sources of income and components of expenditure; characteristics of employment and the seasonal pattern of employment; key characteristics by State; performance ratios; market distribution of Australian titles; type and value of transactions in services with overseas residents; the production of films, videos and television programs by type of programming formatNotes: Catalogue no. 8679.0; Caption title; Includes tablesISBN: 0642256764LON: abn98389714; 14261746
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Film art : an introduction / David Bordwell, Kristin Thompson New York: Knopf Distributed by Random House, 1986.
Call No: 62 BORAuthor: Bordwell, David, 1947 ; Thompson, Kristin, 1950 Edition: 2nd edPlace: New YorkPublisher: Knopf Distributed by Random HousePubDate: 1986PhysDes: xiii, 400 p., [2] p. of plates : ill. (some col.) ; 26 cmSubject: PRODUCTION ; NARRATIVE IN FILMS ; CINEMATOGRAPHY ; EDITING ; SOUND ; CRITICISM ; HISTORY OF CINEMA ; MOVEMENTS IN FILM HISTORY ; BALLET MECANIQUE, LE (FR, Fernand Leger, 1924) ; CITIZEN KANE (US, Orson Welles, 1941) Notes: Includes index; Bibliography: p. 387-389ISBN: 0394352378 (pbk.)LON: 85018198; 4389326URL status: URL: 'http://-'
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Film as art / by Rudolf Arnheim London: Faber, 1958.
Call No: 632 ARNAuthor: Arnheim, Rudolf Place: LondonPublisher: FaberPubDate: 1958PhysDes: 194 p., [16] p. of plates : ill. ; 23 cmSubject: PRODUCTION ; AESTHETICS ; CINEMATOGRAPHY Notes: The first part is taken from the author's Film, published 1933ISBN: 0571090826LON: isb57109082; 5509021
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Film Australia here to stay in Encore (May 2000) vol.18 iss.4 p.55
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Film business : a handbook for film producers / edited by Tom Jeffrey North Ryde, N.S.W. St Leonards, NSW: Australian Film, Television and Radio School Distributed in Australia and New Zealand by Allen & Unwin, 1995.
Call No: 222(94) FILAuthor: Jeffrey, Tom ; Parer, Damien, 1945 CorpAuthor: Australian Film, Television and Radio SchoolEdition: 2nd edPlace: North Ryde, N.S.W. St Leonards, NSWPublisher: Australian Film, Television and Radio School Distributed in Australia and New Zealand by Allen & UnwinPubDate: 1995PhysDes: x, 386 p. : ill., forms ; 25 cmSubject: PRODUCING. AUSTRALIA ; PRODUCTION. AUSTRALIA ; COPYRIGHT. AUSTRALIA ; FINANCING. AUSTRALIA ; CASTING. AUSTRALIA ; BUDGETING. AUSTRALIA ; POST-PRODUCTION. AUSTRALIA ; ADVERTISING FOR FILMS. AUSTRALIA ; DISTRIBUTION. AUSTRALIA Notes: CIP confirmed; Previous ed.: Parer, Damien (editor). North Ryde, N.S.W. : Australian Film, Television and Radio School, 1989; Includes index; Bibliography: p. 359-364ISBN: 0642227055LON: 11509898 11509898
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Film business : a handbook for producers / edited and compiled by Damien Parer North Ryde, N.S.W.: Australian Film, Television and Radio School, 1989.
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Film business : a handbook for film producers / edited by Tom Jeffrey Crows Nest, N.S.W.: Australian Film, Television and Radio School Distributed in Australia and New Zealand by Allen & Unwin, 2006.
Call No: 222(94) FILAuthor: Jeffrey, Tom ; Parer, Damien, 1945 CorpAuthor: Australian Film, Television and Radio SchoolEdition: 3rd edSource: ATPlace: Crows Nest, N.S.W.Publisher: Australian Film, Television and Radio School Distributed in Australia and New Zealand by Allen & UnwinPubDate: 2006PhysDes: x, 451 p. : forms ; 23 cmSubject: PRODUCING. AUSTRALIA ; PRODUCTION. AUSTRALIA ; COPYRIGHT. AUSTRALIA ; FINANCING. AUSTRALIA ; CASTING. AUSTRALIA ; BUDGETING. AUSTRALIA ; POST-PRODUCTION. AUSTRALIA ; ADVERTISING FOR FILMS. AUSTRALIA ; DISTRIBUTION. AUSTRALIA Notes: Previous ed.: Parer, Damien (editor). North Ryde, N.S.W. : Australian Film, Television and Radio School, 1989; Includes index; Bibliography: p. 359-364ISBN: 1741146461
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Film cultures / Janet Harbord London: Sage Publications, 2002.
Call No: 62(081) HARAuthor: Harbord, Janet Source: UKPlace: LondonPublisher: Sage PublicationsPubDate: 2002PhysDes: 182 p. ; 25 cmSubject: EXHIBITION ; FESTIVALS ; ADVERTISING FOR FILMS ; PRODUCTION ; AESTHETICS ; FILM CULTURE Summary: "In Film cultures, Janet Harbord looks at the ways in which film connects us to social, spatial, and temporal networks of exchange and meaning. Harbord argues that the space in which we view films, whether it be a multiplex, an art house or our own home, as well as the way in which we view them, as either singular objects or hypertexts linked to an almost infinite variety of other products, connects us to a particular film culture. Shifting the focus of film analysis from the text to the paths of circulation, Film cultures invites us to explore the ways in which film connects us to specific social, national, and global networks."Notes: Includes bibliographical references (p. [164]-176) and indexISBN: 0761965211Contents: Introduction - Chapter 1 Breaking with the aura? Film as object or experience -- Chapter 2 Spatial effects: film cultures and sites of exhibition -- Chapter 3 Film festivals: media events and spaces of flow -- Chapter 4 Marketing films and audiences -- Chapter 5 Postmodern praxes: production on the national and global stage -- Chapter 6 Aesthetic encounters -- Chapter 7 Digitalization and its discontents -- References -- Index
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Film directing cinematic motion : a workshop for staging scenes / Steven D. Katz Studio City: M. Wiese Productions, 1992.
Call No: 22(036) KATAuthor: Katz, Steven D. Source: CAPlace: Studio CityPublisher: M. Wiese ProductionsPubDate: 1992PhysDes: xix, 294 p. : ill. ; 26 cmSubject: PRODUCTION ; DIRECTION Summary: Film directing cinematic motion is a staging and blocking guide with 24 basic variations covering many dialogue and dramatic situations. Unique to this approach is the practical evaluation of each staging strategy from the production point of view. The book includes interviews with well-known professionals who comment on the practical aspects of production: John sayles (writer/director), Van Ling (special effects, "T2"), Dusty Smith (key grip), Ralph Singleton (producer), Harold Michelson (art director), Allen Daviau, ASC (cinematographer). [Taken from back cover.]Notes: At head of title: Film directing
Other title: Cinematic motionISBN: 0941188140Donation: donated by the family of Wayne Levy, 2006
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Film industry guide : Russia / Chief editor: Dmitriy Litvinov Moscow: Metropolitan ERA, 2008.
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Film jobs fillip in frame as aliens, Thor head our way in Canberra Times (23/10/2015) p.10
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Film jobs to get boost as aliens, Thor set to land in Sydney Morning Herald (23/10/2015) p.9
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Film noir production : the whodunit of the classic American mystery film / David Landau New York: Routledge, 2017.
Call No: 734.1 LANAuthor: Landau, David Source: USPlace: New YorkPublisher: RoutledgePubDate: 2017PhysDes: xi, 170 pages : illustrations ; 20 cmSubject: FILM NOIR ; NEO-NOIR ; PRODUCTION ; STUDIO SYSTEM ; CRIME IN FILMS ; GANGSTER FILMS ; DETECTIVE FILMS ; FEMME FATALE Summary: "Film Noir Production...is a book for those who like a good character-driven story -- and the noir films always deliver. The book contains behind-the-scenes tales of the productions of hard-boiled film classics and the prime players involved in their creation, from Darryl Zanuck and Raymond Chandler to John Seitz and Billy Wilder." -- BOOK BLURBNotes: Includes bibliographical references, appendices and indexISBN: 9781138201484Donation: donated by Senses of CinemaContents: Noir Comes to Light (The Maltese Falcon) -- The Noir Hero (Murder my sweet) -- The Noir Anti-Hero (This Gun for Hire) -- The Femmes of Noir: They Aren't Always Fatale (Double Indemnity) -- Directors and Studios: A Noir Relationship (Laura) -- The Noir Cast (The Big Sleep) -- Noir Themes (Macao) -- Noir Style; Music, Costumes and Art Direction (My Favorite Brunette) -- Noir Imagery: Lighting and Cinematography (The Big Combo) -- Noir Speak: Dialog & First Person Narrative (Kiss Kiss Bang Bang) -- Noir's Rebirth & Neo Noir (House of Games) -- Cross Genre Noir & Noir Influence (Brick)
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Film policy : an Australian reader / edited by Albert Moran [Queensland], Australia: Institute for Cultural Policy Studies, Faculty of Humanities, Griffith University, 1994.
Call No: 205.1(94) FILAuthor: Moran, Albert CorpAuthor: Griffith University. Institute for Cultural Policy Studies; Film Policy Conference (1991 : Griffith University)Place: [Queensland], AustraliaPublisher: Institute for Cultural Policy Studies, Faculty of Humanities, Griffith UniversityPubDate: 1994PhysDes: iii, 193 p. ; 30 cmSeries: Special publication of the Institute for Cultural Policy Studies, Faculty of Humanities, Griffith UniversitySubject: STATE AND THE CINEMA. AUSTRALIA ; GOVERNMENT CONTROL. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. UK ; INDUSTRY, FILM. NEW ZEALAND ; INDUSTRY, TV. AUSTRALIA ; QUOTA. AUSTRALIA ; NATIONAL CONTENT. AUSTRALIA ; ABORIGINAL AUSTRALIAN CINEMA ; ABORIGINAL AUSTRALIANS AND TV ; MAORI CINEMA ; ADVERTISING FOR FILMS. AUSTRALIA ; INDEPENDENT PRODUCTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA : NEW SOUTH WALES ; INDUSTRY, FILM. AUSTRALIA : QUEENSLAND ; INDUSTRY, FILM. AUSTRALIA : SOUTH AUSTRALIA ; NEW SOUTH WALES FILM AND TELEVISION OFFICE ; QUEENSLAND FILM DEVELOPMENT OFFICE Notes: "These papers were originally presented at the Film Policy Conference hosted by the Institute for Cultural Policy Studies at Griffith University in Brisbane in 1991"--Cover p. [4]; Includes bibliographical referencesISBN: 0868575453LON: 9849431
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Film production down but TV drama booming in The Age (04/11/2016) p.11
Call No: SUBJECT CLIPPINGS FILE; PRODUCTION. AUSTRALIAAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: SCREEN AUSTRALIA ; PRODUCTION, TV. AUSTRALIA ; PRODUCTION. AUSTRALIA Summary: Report on the latest annual figures for Australian film and tv production, with spending reduced overall, with a particular drop-off in film production. Screen Australia CEO Graeme Mason is quoted
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Film production management / Bastian Cleve Boston: Focal Press, 1994.
Call No: 222.2 CLEAuthor: Cleve, Bastian Source: USPlace: BostonPublisher: Focal PressPubDate: 1994PhysDes: xiii, 217 p. : ill. ; 26 cmSubject: PRODUCTION ; DIRECTION Summary: "With its practical, hands on approach, Film Production Management shows what it takes to get a screenplay produced in Hollywood and onto the big screen or television. Film students, as well as professionals starting a new phase in thier careers, will find invaluable, easy-to understand information on standards and practices in daily use in production departments. Film Production management explains in step-by-step detail how to:
--Breakdown a screenplay
--organise a shooting schedule
--create a realistic budget
-- find and secure locations
--network with agents to find actors, and
--hire a crew and communicate effectively with unions.
Also included are chapters on contracts, insurance, and special tips for low-budget films, as well as sample forms and charts used regularly in production offices. Film Production Management is an invaluable resource for anyone who wants to work in a Hollywood production department, from assistant directors to production managers to line producers." -- BOOK BLURBNotes: Includes index.ISBN: 0240801067Contents: 1. The Production Manager -- 2. The Business of Film -- 3. Preparing for Production -- 4. Special Tips for Low-Budget Productions -- 5. Locations -- 6. Unions -- 7. The Cast and Crew -- 8. Contracts, Agreements, and Working Permits -- 9. The Budget and Production Budget Forms -- 10. Insurance -- 11. Completion Bonds.
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Film Production Management 101 : management and coordination in a digital age / Deborah Patz Studio City, CA: Michael Wiese Productions, c2010.
Call No: 21 PATAuthor: Patz, Deborah Source: USPlace: Studio City, CAPublisher: Michael Wiese ProductionsPubDate: c2010PhysDes: xviii, 535 p. ; 26 cmSubject: PRODUCTION ; DIRECTION ; FILM ; TELEVISION ; INDUSTRY, FILM ; INDUSTRY, TV. Summary: "Known as "the Swiss Army knife of production management," Film Production Management 101 is actually two books in one - the essential open-on-the-desk guide for Production Managers and Production Coordinators. Patz takes you on a journey from development through pre-visualization to postproduction through the audit, covering everything with detailed insights, humorous production stories, and the inside scoop on working in film and television." -- BOOK BACK COVERNotes: Includes indexISBN: 9781932907773Donation: Donated by Michael SmithContents: -- I: Project development -- 1 Getting hired -- 2 Before official prep -- 3 Budgeting & breakdowns -- 4.Your kit & online resources II: Preproduction 5 Setting up the production office -- 6 Hiring crew -- 7 Crew departments -- 8 Work space organizatiion -- 9 Telephone etiquette -- 10 Setting up a filing system -- 11 Forms, memos, logs, checklists -- 12 Countdown to production III: Production 13 The shoot day & call sheets -- 14 Daily production reports -- 15 Countdown through production IV: More management & money issues 16 Locatiion management -- 17 Production insurance -- 18 Completion bonds -- 19 Petty cash & purchase orders -- 20 Cash flows -- 21 Interim financing -- 22 Official & PM-only cost reports V: More contracting issues 23 Deal memos & long forms -- 24 Cast contracts & immigration -- 25 Supplier agreements -- 26 The special departments VI: More production & coordination issues. 27 Script format & revisions -- 28 Production scheduling -- 29 Credits -- 30 Documentation distribution VII: Ongoing special issues 31 Publicity & the audience -- 32 Couriers & customs -- 33 Script, music & other legal clearances VIII: Postproduction 34, Wrap & wrap party -- 35 Postproduction -- 36. Audit -- closing notes --
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Film production services in Australia 1974 / Department of the Media Canberra: Australian Government Publishing Service,
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newspaper article
Film rebates 'low and unpredictable' in The Australian (27/06/2016) p.25
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Film's new take on icon in Herald Sun (07/06/2016) p.12
Call No: TITLE CLIPPINGS FILE in production; UTZON: THE MAN BEHIND THE OPERA HOUSE in productionAuthor: - PhysDes: Clippings File ArticleSubject: UTZON: THE MAN BEHIND THE OPERA HOUSE in production Summary: Mention of the production of a film about the architect Jorn Utzon and his work on designing the Sydney Opera House
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The film studio : film production in the global economy / Ben Goldsmith and Tom O'Regan Lanham, Md.: Rowman & Littlefield, 2005, 2005.
Call No: 221 GOLAuthor: Goldsmith, Ben ; O'Regan, Tom Source: UKPlace: Lanham, Md.Publisher: Rowman & Littlefield, 2005PubDate: 2005PhysDes: xiii, 231 p. ; 24 cmSeries: Critical media studiesSubject: STUDIOS, FILM ; PRODUCTION Summary: "The Film Studio sheds new light on the evolution of global film production, highlighting the role of film studios worldwide. The authors explore the contemporary international production environment, identifying various types of film studios and investigating the consequences for Hollywood, international film production, and the studio locations."--BOOK JACKETNotes: Includes bibliographical references and indexISBN: 0742536815Contents: Ch. 1. International production and globalization -- Ch 2. Types of studio -- Ch. 3. Studios, the "location interest," and policy -- Ch. 4. Studios, stargates, and urban reimagining -- Ch. 5. Extreme dreams in satellite locations : the rise of the Greenfields Studio -- Ch. 6. From national to international film studios -- Ch. 7. Still exceptional? : London's film studios -- Ch. 8. "The same but different!" : Canadian studios and international production -- Ch. 9. Still the center : studios and the United States -- Bibliography -- Index -- About the authors
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Film technique and film acting : The cinema writings of V.I. Pudovkin / V. I. Pudovkin New York: Bonanza Books, 1959.
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Film technology in post production / Dominic Case Jordan Hill, Oxford: Focal Press, 1997.
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Film theory and criticism : introductory readings / [edited by] Gerald Mast, Marshall Cohen New York: Oxford University Press, 1985.
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Film Victoria : the second reading speech on the Film Victoria Bill presented to the Legislative Assembly of the Parliament of Victoria by the Hon. Norman Lacy, M.P., Minister for the Arts and Minister of Educational Services, 6 October 1981 / Film Victoria [Australia]: [Film Victoria?], 6 October 1981.
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Film world : a guide to cinema / by Ivor Montagu Harmondsworth, England: Penguin Books, 1964.
Call No: 62 MONAuthor: Montagu, Ivor Goldsmid Samuel, 1904 Source: USPlace: Harmondsworth, EnglandPublisher: Penguin BooksPubDate: 1964PhysDes: 327 pages : illustrations ; 18 cmSubject: AESTHETICS ; ART CINEMA ; BUDGETING ; CINEMATOGRAPHY ; EDITING ; INDUSTRY, FILM ; REALISM IN FILMS ; PRODUCTION COSTS ; SCIENCE AND THE CINEMA ; SOUND ; SPECIAL EFFECTS ; EISENSTEIN, SERGEI M. Summary: "At a moment when the cinema is struggling to escape from both the Hollywood blockbuster and the art form, FILM WORLD is a reminder of the true nature of cinema itself. In a personal survey of astonishing range and uncommon perception of Ivor Montagu shows us the facts of the film as art form, as undustry, and as a means of social communication. The four parts of the book - Film as Science, Film as Art, Film as Commodity, and Film as Vehicle - cover every aspect of the medium - its history, its resemblance to and difference from other arts, its aesthetic laws, the compound effects of sound and vision, the business side and in particular the inherent tendency towards monopoly." [Taken from book blurb]Notes: Contains indexLON: nla07041764; 6387892URL status: URL: 'http://-'
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journal article
Filming in New Guinea in Lumiere (March-April, 1972) iss.14 p.20-21
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Filming "We Are None of Us Perfect" in Melbourne Film Bulletin (1968) iss.2 p.11-13
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Filmmakers call 'lights, Apples, action' in Canberra Times [TV Guide] (13/04/2015) p.8
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Films, games worth $3b a year in Sydney Morning Herald (16/11/2016) p.13
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Films go offshore for tax breaks in Sunday Telegraph (23/04/2017) p.31
Call No: SUBJECT CLIPPINGS FILE; TAXES. AUSTRALIAAuthor: Silmalis, Linda PhysDes: Clippings File ArticleSubject: TAXES. AUSTRALIA ; PRODUCTION. AUSTRALIA ; FOX STUDIOS AUSTRALIA Summary: Fox Studios Australia argues that the producer's offset tax break needs to be raised. This was tabled in a submission to the Senate inquiry on the Australian film and TV industryNotes: A
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The films of John Hughes : a history of independent screen production in Australia / by John Cumming St Kilda West, Vic.: Australian Teachers of Media (ATOM), c2014.
Call No: 81HUG CUMAuthor: Cumming, John Source: ATPlace: St Kilda West, Vic.Publisher: Australian Teachers of Media (ATOM)PubDate: c2014PhysDes: 298p. : 24cmSeries: The Moving ImageSubject: PRODUCTION ; HISTORY OF CINEMA. AUSTRALIA ; AUSTRALIA ; HUGHES, JOHN (AT) ; MENACE (AT, John Hughes, 1977) ; NOVEMBER ELEVEN (AT, ?, 1978?) ; FILM WORK (AT, John Hughes, 1981) ; TRAPS (AT, John Hughes, 1985) ; ALL THAT IS SOLID (AT, John Hughes, 19887) ; ONE WAY STREET: FRAGMENTS FOR WALTER BENJAMIN (AT, John Hughes, 1992) ; WHAT I HAVE WRITTEN (AT, John Hughes, 1996) ; ARCHIVE PROJECT THE (AT, John Hughes, 2005) ; INDONESIA CALLING : JORIS IVENS IN AUSTRALIA (AT, John Hughes, 2009) ; LOVE & FURY: JUDITH WRIGHT & 'NUGGET' COOMBS (AT, John Hughes, 2013) Summary: "John Cumming's superb book is not only about the prodigous, exploratory, challenging films, videos and TV programs made by John Hughes - an underrated canny maverick of our national scene; it is also about what it takes to keep moving and changing with the times, how to negotiate with institutions and collaborate with sympathetic minds from other art forms, how to research and teach and theorise on the spot. Only after that concerted effort can a big picture - involving, in Hughes' case, a multimedia aesthetic of collage-design, and a long view of generations, conflicts, and transmissions in social history - be dscerned." -- BOOK BLURBISBN: 9781876467234Contents: -- acknowledgements -- introduction -- chapter 1: cybernetic synergies -- chapter 2: menace -- chapter 3: november eleven -- chapter 4: film-work -- chapter 5: traps -- chapter six: all that is solid -- chapter 7: one way street -- chapter 8: what I have written -- chapter nine: some aspects of Australian racism -- chapter 10: the archive project -- chapter 11: Indonesia calling and love & fury -- appendix 1: acronyms and abbreviations -- appendix II: filmography and media works - John Hughes -- appendix III: bibliography - John Hughes -- appendix: references -- appendix V: index --
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Levy Collection
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The first colour motion pictures / D B Thomas BSc PhD London: Her Majesty's Stationery Office, 1983.
Call No: 235.2 THOAuthor: Thomas, D B CorpAuthor: Science Museum (Great Britain)Source: UKPlace: LondonPublisher: Her Majesty's Stationery OfficePubDate: 1983PhysDes: vii, 39 p. : ill., 20 cmSubject: CAMERAS ; CINEMATOGRAPHY ; COLORIZATION ; COLOUR ; COLOUR CORRECTION ; COLOUR SYSTEMS ; MOTION PICTURES - HISTORY ; MOTION PICTURES - GREAT BRITAIN ; PRODUCTION ; SMITH, GEORGE A ; URBAN, CHARLES Summary: "Motion pictures in colour could be seen soon after the birth of cinema - they were hand-painted. The only natural colour process to be a commercial success before 1920 was Kinemacolor, a process invented by an Englishman, George A Smith, and exploited by an American, Charles Urban. This booklet tells the story of how Kinemacolor was developed, given its first public showing in London in 1909 and then shown in many countries in the world. Although it had its limitations, the process was successful for many years before the First World War. Some of the motion picture colour processes which superseded Kinemacolor are described. The work is based on a collection of apparatus, manuscripts, and ephemera given to the Science Museum by Charles Urban." - BOOK BLURBNotes: Reprint. First published 1969.ISBN: 0112900143Donation: donated by the family of Wayne Levy, 2006
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Footnotes to the film / edited by Charles Davy London: Lovat Dickson Ltd, Readers' Union, 1938.
Call No: REFERENCE SECTION; 003 FOOAuthor: Davy, Charles Source: UKPlace: LondonPublisher: Lovat Dickson Ltd; Readers' UnionPubDate: 1938PhysDes: 334 p. : ill. ; 21 cmSubject: PRODUCTION ; INDUSTRY, FILM ; DIRECTION ; ACTING ; CINEMATOGRAPHY ; SCRIPTWRITING ; COMEDIES ; CARTOONS ; COSTUMES ; COSTUME DESIGNING ; SET DESIGNING ; SETS ; ART DIRECTION ; MUSIC IN FILMS ; COLOUR ; REALISM IN FILMS ; UNITED KINGDOM ; USA ; THEATRE AND THE CINEMA ; AUDIENCES ; CRITICISM ; CENSORSHIP ; SOCIETIES, FILM Notes: Includes contributor biographies and indexDonation: donated by the family of Wayne Levy, 2006Contents: Includes essays by Alfred Hitchcock, Robert Donat, Basil Wright, Graham Greene, Alberto Cavalcanti, John Betjeman, Maurice Jaubert, Paul Nash, John Grierson, Alexander Korda, Basil Dean, Maurice Kann, Elizabeth Bowen, Sidney L. Bernstein, Alistair Cooke, Forsyth Hardy, Charles Davy
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Interim
book
Foreign film and television drama production in Australia: A research report : Australia as a production destination; employment patterns; crew experience and attitudes / Australian Film Commission Sydney, N.S.W.: Australian Film Commission, 2002.
Call No: 21(94) FORCorpAuthor: Australian Film CommissionSource: ATPlace: Sydney, N.S.W.Publisher: Australian Film CommissionPubDate: 2002PhysDes: 62p. : graphs : 30cm.Subject: PRODUCTION, TV. AUSTRALIA ; PRODUCTION. AUSTRALIA ; FOREIGN FILMS Notes: Report produced by Catherine Griff, and Kate Aisbett, with research support from Drew McRae and Rosemary Curtis, and editorial and information design support from Cathy Gray.ISBN: 0958015228
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Frank Miller's Sin City : the making of the movie / by Frank Miller and Robert Rodriguez, edited by Chris Roberson, designed by Kurt Volk [United States]: Troublemaker Publishing, c2005.
Call No: 79SIN MILAuthor: Miller, Frank ; Rodriguez, Roger Source: USPlace: [United States]Publisher: Troublemaker PublishingPubDate: c2005PhysDes: 267 pages : illustrations ; 23 x 29 cmSubject: ADAPTATIONS ; ADVERTISING FOR FILMS ; ART AND THE CINEMA ; ART DIRECTION ; AUTOMOBILES IN FILMS ; COMIC STRIPS AND THE CINEMA ; COMPUTER GENERATED IMAGERY ; COSTUME DESIGNING ; COSTUMES ; MAKE-UP ; MERCHANDISING ; POSTERS ; PRE-PRODUCTION ; PRODUCTION ; SCRIPTS ; SET DESIGNING ; SPECIAL EFFECTS ; MILLER, FRANK ; RODRIGUEZ, ROBERT ; SIN CITY (US, Frank Miller and Robert Rodriguez, 2005) Summary: "With contributions from creators, cast, and crew, FRANK MILLER'S SIN CITY: THE MAKING OF THE MOVIE covers the production, from page to screen and everything in between. Featuring Rodriguez's screenplay adaptation of the original graphic novels, exclusive behind-the-scenes photos, never before seen art and conceptual designs, interviews and commentary, this is the perfect companion to both the original graphic novels and the movie."Notes: Includes poster art and promotional material for the film; Includes photo creditsISBN: 1933104007; 9781933104003Donation: Simon WincerContents: Introduction by Frank Miller -- The origins of Sin City -- Approaching Sin City -- Troublemaker Digital on previsualization -- The Hard Goodbye -- Props -- KNB -- The Big Fat Kill -- Frank Miller's sketchbook -- Wardrobe -- Cars -- That Yellow Bastard -- Poster art -- Crew -- Photo credits
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newspaper article
From stage to screen in The Age (01/12/2016) p.26
Call No: TITLE CLIPPINGS FILE in production; BEING GAVIN in productionAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: BEING GAVIN in production Summary: Snippet on the new Australian film in production titled BEING GAVIN, which is being directed by a long-time theatre director Mark Kilmurry
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journal article
From storyboard to screen in Metro Education (1997) iss.11 p.8-12
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From the outback to the background : Indian films in Australia in Studies in Australasian cinema (2010) vol.4 iss.3 p.215-30
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FTPAA welcomes change in film investment in Australasian Cinema (11/3/1983) vol.12 iss.2 p.1
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Garrett ready to tell her next story in The Age (25/05/2017) p.26
Call No: TITLE CLIPPINGS FILE in production; HOPE FARM in productionAuthor: None PhysDes: Clippings File ArticleSubject: GARRETT, TORI ; HOPE FARM in production Summary: Snippet on filmmaker Tori Garrett and how she plans to make a film of Peggy Frew's novel HOPE FARM
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Get close : lean team documentary filmmaking / Rustin Thomas Oxford: Oxford University Press, 2019.
Call No: 761 THOAuthor: Thomas, Rustin Edition: 2019Place: OxfordPublisher: Oxford University PressPubDate: 2019PhysDes: viii, 204 pages : illustrated ; 26 cmSubject: PRODUCTION ; DOCUMENTARY FILMS ; LOW BUDGET FILMS ; PRODUCTION COSTS ; BROOMFIELD, NICK ; HERZOG, WERNER ; MAYSLES, ALBERT ; MAYSLES, DAVID ; SUNDANCE INSTITUTE Summary: A refreshing new practical approach to documentary filmmaking, Get Close: Lean Team Documentary Filmmaking equips new and veteran filmmakers with the knowhow to make artistically rewarding documentaries for less money, less hassle, and less time. Author and veteran filmmaker Rustin Thompson shows that by stripping away, sidestepping, or reassessing the entrenched industry hurdles-long waits for funding, the unwieldy crews, the unnecessary gear, the gauntlet of film festivals, pitch forums, and distribution networks-filmmakers can move quickly from idea to execution to finished film. Throughout the book, Thompson demystifies and de-clutters the way docs are produced today, illustrating the use of a few simple and accessible tools and techniques while still engaging with the aesthetic possibilities of the medium, its creative opportunities and its satisfying rewards of giving back to the world. Using the essential lessons in Get Close, filmmakers will learn to eliminate physical and financial barriers between themselves and their subject matter, ultimately leading them to tell more artful, illuminating stories and find the joy in documentary filmmaking. -- publisher's web siteISBN: 9780190909901Contents: Acknowledgements -- Introduction -- Lean Team Filmmaking Will Liberate You -- Chapter One: My Lean Team Epiphany -- The Revolution Was Televised -- Chapter Two: Get Close -- Eliminate Barriers and Plan Your Project -- Chapter Three: The Lean Team Toolkit -- Essential gear and supporting equipment -- Chapter Four: The Shoot -- Field Production in the Lean Team Style -- Chapter Five: The Edit -- Cutting as a Lean Team Filmmaker -- Chapter Six: Film Festivals and Distribution -- Keep Your Lean Team Soul and Find an Audience
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Yet to catalogue
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Get the picture : essential data on Australian film, television and video / compiled and edited by Peta Spear North Sydney: The Commission, 1989.
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Yet to catalogue
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Get the picture : essential data on Australian film, television and video Sydney: Australian Film Commission, 1994.
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Yet to catalogue
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Get the picture : essential data on Australian film, television and video / Australian Film Commission Sydney: Australian Film Commission, 1992.
Call No: 201(94) AUSAuthor: Australian Film Commission Edition: 2nd edSource: AUPlace: SydneyPublisher: Australian Film CommissionPubDate: 1992PhysDes: 219 p. : ill. ; 25 cmSubject: ADVERTISING FOR FILMS ; AUDIENCES. AUSTRALIA ; DISTRIBUTION. AUSTRALIA ; FILM STUDY AND RESEARCH. AUSTRALIA ; FUNDING. AUSTRALIA ; LABOUR ; INDUSTRY, FILM. AUSTRALIA ; PRODUCTION Summary: "The aim of GET THE PICTURE is to collate data on the Australian film, television and video industries to assist in the analysis, research, and promotion of these industries. This edition continues the project of the first edition with sections on the production and international distribution of Australian films/programs. Description of key events in the industries in 1991, and an overview of reviews of Australian films, have been added." [Taken from Introduction]Notes: Addenda laid in; Includes bibliographical references (p. 198-216) and indexISBN: 064217475XLON: abn92098202; 8924673
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Get the picture : essential data on Australian film, television, video and interactive media / edited by Cathy Gray and Rosemary Curtis Sydney: Australian Film Commission, c2002.
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newspaper article
Gettin' Square director gets cranky in The Age (25/05/2017) p.26
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Giving protectionism the flicks in Sun Herald [Extra] (08/03/2015) p.28
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Interim
book
Global Hollywood 2 / Toby Miller...[et al.] London: British Film Institute, 2005.
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newspaper article
Gloves come off as Netflix and Hollywood fight for dominance in The Australian (27/03/2017) p.22
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Gollum: the lord of the rings : how we made movie magic / Andy Serkis [with contributions by Gary Russel] London [England]: HarperCollins, c2003.
Call No: 236GOL SERAuthor: Serkis, Andy Source: UKPlace: London [England]Publisher: HarperCollinsPubDate: c2003PhysDes: 119 p. : ill (col). ; 25 cmSubject: SPECIAL EFFECTS ; PRODUCTION TECHNOLOGY ; MAKE-UP ; SOUND EFFECTS ; SERKIS, ANDREW ; LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002) ; LORD OF THE RINGS: THE RETURN OF THE KING, THE (US, Peter Jackson, 2003) Notes: " A behind- the- scenes guide to the epic New Line Cinema trilogy [cover at head of title Lord of the Rings] Filmed in New Zealand. Film tie-inISBN: 0007170572Donation: donated by the family of Wayne Levy, 2006Contents: -- introduction : to begin at the beginning -- chapter 1: 'It's mine. My own. It came to me!' -- chapter 2 : welcome to planet middle-earth -- chapter 3 : another world -- chapter 4 : motion capture -- chapter 5 : muttering and gurgling -- chapter 6 : the taming of Smeagol -- chapter 7 : 'Give us that, Deagol, my love' -- chapter 8 : morgul vale -- chapter 9 : escape from middle-earth -- chapter 10 : the changing face of Gollum -- chapter 11 : 'Nobody likes you...' -- chapter 12 : 'the two towers -- chapter 13 : the return of the king -- epilogue : the good, the bad... and the precious --
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Grants lure blockbuster sequels in The Age [General News] (23/10/2015) p.6
Call No: SUBJECT CLIPPINGS FILE; PRODUCTION. AUSTRALIAAuthor: Wroe, David ; Knott, Matthew PhysDes: Clippings File ArticleSubject: PRODUCTION. AUSTRALIA Summary: New Alien and Thor movies will be filmed in Australia with the Turnbull government offering Hollywood studios grant money to lure blockbusters and create local job oppurtunities
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The great Australian movie boom : the sequel in Australian Financial Review (23/10/2015) p.7
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The greater perspective : guidelines for the production of television and film about Aboriginal and Torres Strait Islanders / researched and compiled by Lester Bostock [Sydney]: Special Broadcasting Service, 1990.
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The greatest films never made in AFR Weekend (04/03/2017) p.30
Call No: SUBJECT CLIPPINGS FILE; BLACK LISTAuthor: Wagner, Alex PhysDes: Clippings File ArticleSubject: SCRIPTS ; BLACK LIST ; PRODUCTION. USA Summary: Looking at the Black List, a screenplay survey that anonymously collates the most popular unselected scripts by Hollywood studios. Many recent critically lauded US made films were taken from scripts that were highly rated on the Black List
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Grisly skinned-and-cooked murder tale to be told on film in Canberra Times [Saturday Forum] (19/03/2016) p.3
Call No: TITLE CLIPPINGS FILE in production; BLOOD STAINS in productionAuthor: Sweeney, Karen PhysDes: Clippings File ArticleSubject: BLOOD STAINS in production Summary: Report on the moves to make a film about a true story of a murder of a butcher by his wife. The film is based on the book Blood Stains by Peter Lalor
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The guerilla film makers handbook : and the film producers toolkit / by Chris Jones and Genevieve Jolliffe London: Cassell, 1996.
Call No: 222(41) JONAuthor: Jones, Chris, 1967 ; Jolliffe, Genevieve Place: LondonPublisher: CassellPubDate: 1996PhysDes: 448 p. : ill., forms, ports. ; 21 cmSubject: FINANCING. UK ; PRODUCTION. UK ; PRE-PRODUCTION. UK ; POST-PRODUCTION. UK ; PRODUCTION MANAGING. UK ; WHITE ANGEL (UK, Chris Jones, 1993) ; BOY MEETS GIRL (UK, Ray Brady, 1993) ; STAGGERED (UK, Martin Clunes, 1993) ; CLOCKWORK MICE (UK, Vadim Jean, 1994) ; SHOPPING (UK, Paul Anderson, 1994) Notes: Includes indexISBN: 0304338540 (pbk) : No price : Formerly CIP; 0304338540Order Received: 1997LON: gb 97008239; 13003901
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Guide to Australian feature films 2004 / Australian Film Commission Sydney, N.S.W.: Australian Film Commission, 2004.
Call No: REFERENCE SECTION; 023(94) "2004" AUSCorpAuthor: Australian Film CommissionEdition: 2004Source: ATPlace: Sydney, N.S.W.Publisher: Australian Film CommissionPubDate: 2004PhysDes: 36 p. : ill. ; 25 cmSubject: AUSTRALIAN FILM COMMISSION ; PRODUCTION. AUSTRALIA ; FILMOGRAPHIES. AUSTRALIA Notes: Title from cover; includes 24 page A5 supplement booklet "Recent Australian feature films catalogue May 2004" in pocket inside back cover.; 2 copies
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Guide to film and television research / by Jenny Middlemiss Sydney North Sydney: AFTRS Publishing distributed by Allen & Unwin, 1992.
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Guide to film production in the state of Victoria / Victorian Film Corporation Melbourne: Victorian Film Corporation,
Call No: 295(94) VICCorpAuthor: Victorian Film CorporationEdition: [May 1979?]Place: MelbournePublisher: Victorian Film CorporationPhysDes: n.p. : illustrated ; 19 cmSubject: PRODUCTION. AUSTRALIA ; VICTORIAN FILM CORPORATION Notes: Produced for Victorian Film Corporation by Cinema Papers Pty Ltd.Contents: chapter 1 - services and facilities -- chapter 2 - production, creative and technical personnel -- chapter 3 - unions, guilds, societies and associations -- chapter 4 - state government instrumentalities and regulations -- chapter 5 - federal governement instrumentalities and regulations -- chapter 6 - locations -- chapter 7 - production companies -- chapter 8 - distribution, exhibition and media -- appendix a - directors' checklist, Victoria 1970-79 -- appendix b - features checklist 1970-79
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Hands on : new technology in documentary making / by Marcus Gillezeau ; edited by Jane Oehr and Gill McKinlay Sydney: Australian Film Commission, 1997.
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Hands on : A practical guide to production and technology in film, TV and new media / Marcus Gillezeau Sydney: Currency Press, 2004.
Call No: 222(94) GILAuthor: Marcus Gillezeau Place: SydneyPublisher: Currency PressPubDate: 2004PhysDes: 340 p ; 21 cmSubject: PRODUCTION ; PRODUCTION COSTS ; PRODUCTION TECHNOLOGY ; PRODUCTION, TV. AUSTRALIA ; PRODUCTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; FINANCING. AUSTRALIA ; TECHNOLOGY AND THE CINEMA. AUSTRALIA ; PRE-PRODUCTION. AUSTRALIA ; ADVERTISING FOR FILMS. AUSTRALIA ; DISTRIBUTION. AUSTRALIA Summary: Written specifically for the Australian industry, Hands On is an essential guide to the latest film, video and new-media technology. Hands On defines a cyclical production model that empowers the film-maker and saves time and money. From conception to financing, choosing a screen ratio, a camera or a lawyer, delivering over the web, TV or the cinema, Hands On helps emerging and established practitioners to make informed decisions. This book features budgets, illustrations, charts and a glossary. It also inludes a comprehensive list of industry associations and government bodies with their full contact details. [Taken from back cover].ISBN: 0868196827
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Hanging the kids out to dry in Sunday Age (30/07/2017) p.15
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Harbour city needs to project itself in The Australian (24/06/2015) p.15
Call No: SUBJECT CLIPPINGS FILE; PRODUCTION CENTRES. SYDNEYAuthor: Bodey, Michael PhysDes: Clippings File ArticleSubject: PRODUCTION CENTRES. SYDNEY Summary: Discussion about Sydney's status as a UNESCO City of Film, and whether it merits that title. Comparision between Sydney and Melbourne with it's UNESCO City of Literature title
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A history of films / John Fell New York: Holt, Rinehart and Winston, 1979.
Call No: 70 FELAuthor: Fell, John Source: USPlace: New YorkPublisher: Holt, Rinehart and WinstonPubDate: 1979PhysDes: 588 p. : ill. ; 23 cmSubject: HISTORY AND THE CINEMA ; PRODUCTION ; ALEXANDROV, GROGORIO ; ANTONIONI, MICHELANGELO ; BRECHT, BERTHOLD ; CAPRA, FRANK ; CHAPLIN, CHARLES ; DE SICA, VITTORIO ; COCTEAU, JEAN ; DEMILLE, CECIL B. ; DREYER, CARL TH. ; DISNEY, WALT ; DOVZENKO, ALEKSANDR ; EPSTEIN, JEAN ; FELLINI, FEDERICO ; FRANJU, GEORGES ; LANG, FRITZ ; MURNAU, FRIEDRICH WILHEL ; Pasolini, Pier Paolo ; PAUL, ROBERT ; PORTER, EDWIN S. ; PUDOVKIN, VSEVELOD ; RENOIR, JEAN ; RESNAIS, ALAIN ; ROSSELLINI, ROBERTO ; THALBERG, IRVING ; TRUFFAUT, FRANCOIS ; VERTOV, DZIGA ; VIGO, JEAN ; VISCONTI, LUCHINO ; ZAVATTINI, CESARE ; WELLES, ORSON ; WYLER, WILLIAM ; ZUKOR, ADOLPH ; L'AGE D'OR (FR, Luis Bruñell, 1930) ; L'ATALANTE (FR, Jean Vigo, 1930) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; BALLET MÉCANIQUE (FR, Fernand Lèger && Dudley Murphy,1934) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) ; METROPOLIS (G, Fritz Lang, 1926) ; SANG D'UN POETE, LE (FR, Jean Cocteau, 1932) Notes: Bibliography: p.546-548
Includes indexISBN: 0030363160Donation: donated by the family of Wayne Levy, 2006
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Hollywood in the information age : beyond the silver screen / Janet Wasko Cambridge, U.K.: Polity Press, 1994.
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Hollywood limelight to shine in Australia in The Age (26/12/2016) p.8
Call No: SUBJECT CLIPPINGS FILE; TAXES. AUSTRALIAAuthor: Bowden, Ebony -- Maddox, Garry PhysDes: Clippings File ArticleSubject: TAXES. AUSTRALIA ; PRODUCTION. AUSTRALIA ; LOCATION SHOOTING. AUSTRALIA ; AUSFILM Summary: Looking to 2017 production schedules for Hollywood films that are being shot in Australia. Comments by Ausfilm CEO Debra Richards about how Australia's location offset tax is very low compared to the rest of the world and this puts the country at a disadvantage to attract more overseas productions to make their films in Australia
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The Hollywood Reporter. Australia '89 Special Report On Location in Australia in The Hollywood Reporter (24/2/1989) vol.306 iss.24 p.S1-72
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Hollywood speaks! : an oral history / Mike Steen New York: G.P. Putnam's Sons, 1974.
Call No: 71(73) STEAuthor: Steen, Mike Source: USPlace: New YorkPublisher: G.P. Putnam's SonsPubDate: 1974PhysDes: 379 p. ; 21 cmSubject: FILM WORKERS ; ACTORS ; ACTING ; CHARACTER ACTORS ; SCRIPTWRITERS ; SCRIPTWRITING ; DIRECTION ; PRODUCERS ; PRODUCING ; PRODUCTION MANAGERS ; PRODUCTION MANAGING ; ASSISTANT DIRECTORS ; CINEMATOGRAPHERS ; CINEMATOGRAPHY ; ART DIRECTION ; ART DIRECTORS ; SET DESIGNING ; SET DESIGNERS ; COSTUME DESIGNERS ; COSTUME DESIGNING ; MAKE-UP ARTISTS ; MAKE-UP ; SPECIAL EFFECTS DESIGNERS ; SPECIAL EFFECTS ; MUSICALS ; CHOREOGRAPHY ; EDITING ; EDITORS ; SOUND ; MUSIC IN FILMS ; PRE-PRODUCTION ; CASTING ; PRODUCTION, TV ; FONDA, HENRY ; RUSSELL, ROSALIND ; MOOREHEAD, AGNES ; CANNON, DAVID ; STERN, STEWART ; WELLMAN, WILLIAM ; BERMAN, PANDRO S. ; PRATT, JAMES ; MOONJEAN, HANK ; HENDERSON, RANDELL ; HOWE, JAMES WONG ; AMES, PRESTON ; KRAMS, ARTHUR ; HEAD, EDITH ; WESTMORE, PERC ; MANLEY, NELLIE ; GILLESPIE, A. ARNOLD ; BERKELEY, BUSBY ; SMITH, FREDERICK Y. ; FREERICKS, BERNARD ; GREEN, JOHN ; LAWRENCE, CATALINA ; BURCH, RUTH ; ROACH, HAL ; MCCLEERY, ALBERT Summary: "'Hollywood Speaks' is a fascinating collection of interviews with the dazzled and the dazzlers, the multitalented professionals - stars and stagehands alike - who make up the motion-picture industry. Each interview follows the same general format: an extensive autobiographical sketch, the 'big break, or how I got into Hollywood', followed by the techniques and problems, the tricks and plain hard work, that go into the making of movies. The interviews are loaded with humour, bitter feuds, and personal anecdotes of the great and near great." (Taken from back cover)ISBN: 39911162XDonation: donated by the family of Wayne Levy, 2006
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The Hollywood studio system : a history London: British Film Institute, 2005.
Call No: 210.31(73) GOMAuthor: Douglas Gomery CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 2005PhysDes: 333 p. ; 23 cmSubject: Metro-Goldwyn-Mayer ; WARNER BROS. ; COLUMBIA PICTURES ; UNITED ARTISTS ; RKO ; STUDIOS, FILM. USA ; PRODUCTION COMPANIES & STUDIOS. USA ; PARAMOUNT STUDIOS ; UNIVERSAL PICTURES ; ZUKOR, ADOLPH ; WASSERMAN, LEW ; HISTORY OF CINEMA Summary: Despite being one of the most influential industries in the United States, indeed the world, the internal workings of the “dream factory” that is Hollywood is little understood outside the business. The Hollywood Studio System: A History is the first book to describe and analyse the complete development, classic operation, and reinvention of the global corporate entities which produce and distribute most of the films we watch…Gomery’s history tells the story of a “tale of two systems” using primary materials from a score of archives using primary materials from a score of archives across the United States as well as a close reading of both the business and trade press of the time, together with a range of photographs never before published. [Taken from back cover.]ISBN: 1844570649
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A homegrown guide to stardom in Canberra Times [TV Guide] (19/10/2015) p.7
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Hong Kong cinema : a cross-cultural view / Law kar & Frank Bren Lanham, Maryland: Scarecrow Press, Inc., 2004.
Call No: 71(512.317) LAWAuthor: Law Kar ; Bren Frank Source: USPlace: Lanham, MarylandPublisher: Scarecrow Press, Inc.PubDate: 2004PhysDes: xviii, 375 p. ; 24 cmSubject: CITY OF SADNESS, A [ ; WOMEN IN FILMS. CHINA ; WOMEN IN FILMS. HONG KONG ; ASIAN COUNTRIES ; EXHIBITION. CHINA ; PRODUCTION ASIA ; ENG ESTHER Summary: Starting with the first “Western shadow plays” shown in the late 1890s, motion pictures have played a significant role in China’s cultural existence for more than a century. Initially centered in Shanghai, Chinese cinema boomed in Hong Kong in the 1930s, aided by the advent of talkies and the influx of talent and investment from mainland China, Southeast Asia, and America. From the late 1940s, Hong Kong supplanted Shanghai as the “Hollywood of China”. In Hong Kong Cinema: A Cross-Cultural View, authors Law Kar and Frank Bren follow the story from Hong Kong’s early silent, Chuang Tsi Tests His Wife, through the martial arts craze of the 1970s, to the medium’s continued appeal for contemporary international audiences. Rather than provide a sweeping history, the authors focus on the impact of individual personalities, particularly local filmmakers and movie stars. They also consider Eastern and Western influences and examine major developments, including the changing role of women. By profiling key figures and events of the 20th century, this overview is the perfect introduction for anyone interested in Hong Kong’s contribution to world cinema. [Taken from back cover.]ISBN: 0810849860
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How I Learnt to Stop Worrying : (And love Colin Bennett?) Part One in Montage (March 1970) p.11-19
Author: Smith, Edward PhysDes: Article
IllustrationsSubject: PRODUCTION Summary: Essay aims to give a broad audience insight into understanding film, with regard to form and content, and the roles of the production crew, with an emphasis on the control of the director over a film.
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How to make great short feature films : the making of Ghosthunter / Ian Lewis Oxford [England] Boston: Focal Press, 2000.
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How to Study Television / Keith Selby and Ron Cowdery London: Macmillan Press, 1995.
Call No: 512.1 COWAuthor: Cowdery, Ron
Selby, Keith Source: UKPlace: LondonPublisher: Macmillan PressPubDate: 1995PhysDes: 240 p. : ill. ; 22 cmSeries: How To StudySubject: PRODUCTION, TV. AUSTRALIA ; THEORY ; PROGRAMME GENRES ; BILL, THE [TV] (UK, 1984-) ; FAWLTY TOWERS [TV] (UK, 1975-1979) ; NEIGHBOURS [TV] (AT, 1985-) ; MEDIA STUDIES Summary: Contains practical, detailed advice to enable students to tackle any kind of televisual text. There are chapters on each of the major forms of television output, as well as advice on researching, preparing and presenting a project for Media or Communications studies.Notes: Includes statistical tables
Further Reading: p.215-218
Glossary: p.219-236
Index: p.237-240ISBN: 0333569652
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Images of dignity : Barry Barclay and fourth cinema / Stuart Murray Wellington: Huia, 2008.
Call No: 81BAR MURAuthor: Murray, Stuart Source: NZPlace: WellingtonPublisher: HuiaPubDate: 2008PhysDes: xiv, 108 p., [12] p. of plates : ill. (chiefly col.) ; 24 cmSubject: CRITICISM ; PRODUCTION ; DIRECTION ; DOCUMENTARY FILMS ; NEW ZEALAND ; MAORI CINEMA ; MAORI IN FILMS ; BARCLAY, BARRY ; MATTER OF TASTE, A (NZ, Barry Barclay,1968) ; SPINNINING A YARN (NZ, Barry Barclay, 1971)
ALL THAT WE NEED (NZ, Barry Barclay, 1972)
THERE'S A PROBLEM HERE (NZ, Barry Barclay, 1972 ) TOWN THAT LOST A MIRACLE, THE [TV](NZ,1972)
IN THE COMPANY OF TREES (NZ, Barry Barclay, ; ASHES (NZ,1975) [TV] ; HUNTING HORNS [TV] (NZ,1976) ; WOMEN IN POWER: INDIRA GANDHI (NZ, 1976) [TV] ; IN SEARCH OF PAKEHATANGA: AUTUMN FIRES [TV] (NZ,1977) ; AKU MAHI WHATU MAORI (NZ, 1977) [TV] ; MY ART OF MAORI WEAVING (NZ,1977) [TV] ; MAHAWELI (NZ, Barry Barclay,1979)
NEGLECTED MIRACLE ,THE (NZ, Barry Barclay, 1985) ; KAMATE! KAMATE! (NZ, Barry Barclay, 1987) ; NGATI (NZ, Barry Barclay, 1987) ; TE UREWERA (NZ, 1987) [TV] ; TE RUA(NZ/G Barry Barclay, 1991) ; STOREHOUSE, THE( NZ, Barry Barclay,1991) ; FEATHERS OF PEACE, THE (NZ, Barry Barclay, 2000) ; KAIPARA AFFAIR, THE (NZ, Barry Barclay, 2005) Summary: The book looks at the films, television work and documentaries of Barry Barclay, and presents him as a film maker who made a significant contribution to New Zealand's understanding of both its Maori community and bicultural character.Notes: Bibliography: p. 99-103; Includes filmography; Includes indexISBN: 9781869693282
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In the blink of an eye : a perspective on film editing / by Walter Murch Sydney: Australian Film, Television & Radio School, c1992.
Call No: 24 MURAuthor: Murch, Walter CorpAuthor: Australian Film, Television and Radio SchoolSource: ATPlace: SydneyPublisher: Australian Film, Television & Radio SchoolPubDate: c1992PhysDes: viii, 108 p. : 6 col. ports. ; 21 cmSubject: AUDIENCES ; CONTINUITY ; EDITING ; EMOTION IN FILMS ; FILM WORKERS ; POST-PRODUCTION ; TECHNOLOGICAL DEVELOPMENTS ; TECHNOLOGY AND THE CINEMA ; COPPOLA, FRANCIS FORD ; MURCH, WALTER ; UNBEARABLE LIGHTNESS OF BEING, THE (US, Philip Kaufman, 1988) Summary: "It was 1988 when Walter Murch first presented his fascinating lecture, IN THE BLINK OF AN EYE, to an audience in Sydney, Australia. His comments and insights are as relevant now as they were then, and will be in a decade's time. Included with the lecture is an equally important new chapter on changing editing technologies." [Book blurb]Notes: Includes bibliographical references and indexISBN: 0642180377 : price unknownLON: 9030756 9030756
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Independent feature film production : a complete guide from concept through distribution / by Gregory Goodell New York, N.Y.: St Martin's Press, c1982.
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Independent filmmaking around the Globe / edited by Doris Baltruschat and Mary P. Erickson Toronto: University of Toronto Press, c2015.
Call No: 210.4 INDAuthor: Baltruschat, Doris (ed.) ; Erickson, Mary P. (ed.) Source: USPlace: TorontoPublisher: University of Toronto PressPubDate: c2015PhysDes: xii, 313 pages : illustrations ; 23 cm.Subject: FILMMAKING ; INDEPENDENT FILMMAKERS ; INDEPENDENT FILMS ; INDEPENDENT PRODUCTION ; INDEPENDENT DIRECTORS ; DIRECTORS ; PRODUCERS ; CRITICISM ; EUROPEAN CINEMA ; BRITISH CINEMA ; UNITED KINGDOM ; AUSTRALIA ; PERU ; GREECE ; TURKEY ; IRAQ ; CITY OF SADNESS, A [ ; AFRICA ; MALAYSIA ; CANADA ; USA Summary: "Independent Filmmaking around the Globe calls attention to the significant changes taking place in independent cinema today, as new production and distribution technology and shifting social dynamics make it easier for independent filmmakers to produce films outside both the mainstream global film industry and their own national film systems. Identifying and analyzing the many complex forces that shape the production and distribution of feature films, the authors detail how independent filmmakers create work that reflects independent voices and challenges political, economic, and cultural constraints.
With chapters on the under-explored cinemas of Greece, Turkey, Iraq, China, Malaysia, Peru, and West Africa, as well as traditional production centres such as the United States, the United Kingdom, Canada, and Australia, Independent Filmmaking around the Globe explores how contemporary independent filmmaking increasingly defines the global cinema of our time." -- TAKEN FROM FIRST PAGE OF BOOKNotes: Includes bibliographical references and filmographyISBN: 9781442626836Donation: Senses of CinemaContents: -- foreword: producing independently in global industry / David Hamilton -- ackowledgments -- 1.The Meaning of Independence: Concepts, Contexts, and Interpretations / Mary P. Erickson -- pt. One Independent Film vis-a-vis the Local and Global Mainstream -- 2.An Increasingly Global Presence: Contemporary American Independent Cinema outside the United States / Yannis Tzioumakis -- 3.European Union Initiatives for Independent Filmmakers across Europe / Teresa Hoefert de Turegano -- 4.Dependency and Independence in British Independent Film / Erik Knudsen -- 5.From Aussiewood Movies to Guerrilla Filmmaking: Independent Filmmaking and Contemporary Australian Cinema / Mark David Ryan -- 6.Independent Filmmaking in the Peruvian Context: Seeking Meaning / Gabriela Martinez -- pt. Two The Meaning of Independence in Regions of Conflict and Change -- 7.In the Shadow of the Studios, the State, and the Multiplexes: Independent Filmmaking in Greece / Lydia Papadimitriou -- 8.Turkish Independent Cinema: Between Bourgeois Auteurism and Political Radicalism / Murat Akser -- 9.Filmmaking in Iraq: A Rebirth / Mary P. Erickson -- 10.The Grassroots Perspective: Sixth Generation Cinema and Independent Filmmaking in China / Hongwei Lu -- 11.Independent Filmmaking in Africa: New Voices and Challenges / Martin Mhando -- pt. Three Digital Media and the Independent Voice -- 12.Syiok Sendiri? Independent Filmmaking in Malaysia / Gaik Cheng Khoo -- 13.Independent Filmmaking in the Canadian Arctic / Doris Baltruschat -- 14.Digital Video Films as "Independent" African Cinema / Sheila Petty -- glossary -- filmography -- bibliography -- contributors --
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Independent filmmaking in Australia, 1960-1980 / Nick Herd North Ryde, N.S.W.: Australian Film and Televison School, 1983.
Call No: 71(94) HERAuthor: Herd, Nick CorpAuthor: Australian Film and Television SchoolPlace: North Ryde, N.S.W.Publisher: Australian Film and Televison SchoolPubDate: 1983PhysDes: xi, 68 p. : ill. ; 25 cmSubject: INDEPENDENT FILMS. AUSTRALIA ; INDEPENDENT PRODUCTION. AUSTRALIA ; AUSTRALIA Notes: Cinematography. Australia, 1960-1980 (ANB/PRECIS SIN 0683299); Bibliography: p. 54-57ISBN: 064292547X : price unknownLON: 2686388
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INDEPENDENT PICTURES (Production company. USA)
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The Independent producer : film and television / Amanda Harcourt ... [et al.] London Boston: Faber and Faber, 1986.
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Special issue
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Independent producers and distributors 2001 Hollywood Reporter, August 2001.
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INDEPENDENT PRODUCTION. AUSTRALIA
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INDEPENDENT PRODUCTION. USA
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INDEPENDENT PRODUCTIONS (Production company. Australia)
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journal article
Industry demands mobile editing in Encore (25 Feb, 1998) vol.16 iss.1 p.28
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Industry neglects assistant role in Encore (25 Feb, 1998) vol.16 iss.1 p.31
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Levy Collection
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Inside Warner Bros. (1935-1951) : the battles, the brainstorms, and the bickering-from the files of Hollywood's greatest studio / selected, edited and annotated by Rudy Behlmer London: Weidenfield and Nicolson, 1987.
Call No: 19WAR BEHAuthor: Behlmer, Rudy Source: UKPlace: LondonPublisher: Weidenfield and NicolsonPubDate: 1987PhysDes: xix, 358p, [16]p of plates : ill., 1facsim, ports ; 24cmSubject: FILMMAKING ; INDUSTRY, FILM. USA ; PRODUCERS. USA ; PRODUCTION COMPANIES & STUDIOS. USA ; PRODUCTION. USA ; STAR SYSTEM ; STUDIO SYSTEM ; WARNER BROS. ; BOGART, HUMPHREY ; HUSTON, JOHN Summary: "Few books offer as direct and intimate a portrait of the tumult, trauma and glory of making films as this fascinating collection. Culled from Warner Bros's voluminous files, these memos and letters recapture - from inspiration to filming, through fights and reconciliations - the creation of some of the most popular films ever made: Casablanca, Mildred Pierce, Yankee Doodle Dandy, The Maltese Falcon, Johnny Belinda, A Streetcar Named Desire and many, many more."--BOOK BLURBNotes: California. Los Angeles. Hollywood. Cinema industries: Warner Brothers,. to 1951 (BNB/PRECIS)
Originally published: New York : Viking, 1985 ; London : Weidenfeld and Nicolson, 1986.
Includes index.ISBN: 0297792423Donation: donated by the family of Wayne Levy, 2006
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The insider's guide to independent film distribution / Stacey Parks Amsterdam: Elsevier, 2007.
Call No: 301.4 PARAuthor: Parks, Stacey Place: AmsterdamPublisher: ElsevierPubDate: 2007PhysDes: xi, 202 p. ; 23 cmSubject: ADVERTISING FOR FILMS ; ADVERTISING ; DISTRIBUTION ; INDEPENDENT FILMS ; PRODUCTION ; DIRECTION Summary: "This comprehensive manual for filmmakers and producers dedicated to film distribution and the marketplace could mean the difference between getting your film out to the public and keeping it "in the can." Learn how to sell your movie to a studio, a cable network, a video distributor, or international buyers. Self-distribution and other alternatives to traditional distribution are also considered. As well, you'll hear some success stories from producers and hear directly from buyers what they are seeking."--BOOK JACKET.Notes: Includes index.ISBN: 9780240809229Contents: Introduction -- 1: History of distribution and state of the market -- a recent history of distribution -- the current state of the market: a reality check -- suggested exercises for part one -- 2: Before you start production: Getting a leg up on distribution -- get in touch with the market -- carefully consider genre and format -- casting for distribution -- hire a casting director -- submit offers to agents -- exploit your contacts and go for out-of-work actors -- financing strategies for distribution -- set money aside for the last mile -- how much money will I make? realsitic sales projections for your film -- make a business plan for your film -- suggested exercises for part two -- 3: Production geared toward distribution -- shooting format -- the importance of stills --starting publicity during producation: get the buz going -- suggested exercises for part three -- 4: Postproduction with an eye toward distribution -- get objective third-party feedback -- licence stock footage -- build your press kit -- suggested exercises for part four -- 5: It's in the can-now what? how to create a campaign -- appyling to film festivals: your strategy -- finding producer reps and sales agents - sales agencies to consider -- filmmaker case study: Percy Angress, in his own words -- Navigating international fim markets -- a film-market prep guide -- Some do's and don'ts when atending a film market -- should I have a distributor screening for my film? suggested exercises for part five -- 6: Getting a distribution deal -- the U.S. distribution deal and what to expect -- how to approach U.S. distributors yourself -- filmmaker case study: David Basulto, in his own words -- Foreign distribution and what to expect -- expenses required to market and distribute a film -- filmmaker case study: Robert Brinkmann, in his own words -- suggested exercises for part six -- 7: After the distribution deal -- when will I get paid?: distribution cash flow -- suggested exercises for part seven -- 8: Self-distribution and other alternatives to traditional distribution -- filmmaker case study: Tamar Halpern, in her own words -- on-demand DVD distribution -- internet distribution/Video on demand (VOD) -- posting your trailer -- online film markets -- filmmaker case study: Bradley Beesley, on his Okie Noodling Microcinema Tour -- art-house cinemas at which my films have screened -- platform theatrical release -- hybrid distribution model suggested exercises for part eight -- my very best advice to you -- Appendix A: anatomy of a distribution agreement -- Appendix B: sample U.S. distribution contract -- Appendix C: twelve ways to market your film for self-distribution -- Appendix D: more sample contracts -- Index
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Inspiring tale of paraplegic who walked movie magic in Canberra Times [Saturday Forum] (18/03/2017) p.2
Call No: TITLE CLIPPINGS FILE in production; JOHN MACLEAN MOVIE in productionAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: FRASER, ANDREW ; JOHN MACLEAN MOVIE in production Summary: Andrew Fraser, producer of LION, talks about some of the next projects he hopes to produce including a film on athlete John Maclean
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The international film business : a market guide beyond Hollywood / Angus Finney with Eugenio Triana Abingdon, Oxon -- New York: Routledge, 2015.
Call No: 203 FINAuthor: Finney, Angus Edition: Second editionSource: UK/USPlace: Abingdon, Oxon -- New YorkPublisher: RoutledgePubDate: 2015PhysDes: xiv, 287 pages ; 25 cmSubject: INDUSTRY, FILM ; PRODUCTION ; DISTRIBUTION ; EXHIBITION ; ADVERTISING FOR FILMS ; FINANCING ; COPRODUCTION ; REDBUS GROUP ; RENAISSANCE FILMS ; ZENTROPA [company] ; ARTS ALLIANCE MEDIA ; FILM DEPARTMENT, THE ; PIXAR ; BARKER, MICHAEL ; PHAROAH, ASHLEY ; RECKONING, THE (UK/SP, Paul McGuigan, 2002) ; OPAL DREAM (AT, Peter Cattaneo, 2005) ; KING'S SPEECH, THE (AT/UK, Tom Hooper, 2010) ; CONFESSIONS OF A DANGEROUS MIND (US, George Clooney, 2002) ; MOTHER, THE (UK, Roger Michell, 2003) ; BEST EXOTIC MARIGOLD HOTEL, THE (UK, John Madden, 2011) ; CLOVERFIELD (US, Matt Reeves, 2008) ; VAPOR [Neil LaBute - not made] ; GOOD OMENS [Terry Gilliam - not made] Summary: The International Film Business examines the independent film sector as a business, and addresses the specific skills and knowledge it demands. It describes both the present state of the industry, the significant digital and social media developments that are continuing to take place, and what changes these might effectNotes: Includes bibliographical references (pages 272-275) and indexContents: Part one: The film value chain -- Global film: a changing world -- The film value chain model and current restructring -- Film development -- Green lighting films -- Sales and markets -- Film producer-distributor partnerships -- Film finance -- Co-production -- Exhibition and the changing cinema experience -- Part 2: Users and the changing digital market -- Users, consumer behaviour and market research -- Traditional film marketing -- Digital production -- Digital distribution -- Film marketing through the internet -- Part 3: Business and management strategies -- Business strategy -- Entrepreneurs and investors in the film industry -- The challenge of creative management -- Project management -- Business models 2.0 -- Case study: interview with Simon Franks, Redbus Group -- Conclusion
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International film financing / transcript of a seminar with Michael Flint Sydney: Australian Film and Television School, 1980.
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An investigation of the dynamics of cultural policy formation : the state's patronage of film production in Australia 1970-1988 / by Thomas Vincent O'Donnell Melbourne: RMIT, 2005.
Call No: 205 ODOAuthor: O'Donnell, Thomas V. Source: ATPlace: MelbournePublisher: RMITPubDate: 2005PhysDes: 472 leaves, bound ; 30cm.Subject: PRODUCTION ; PRODUTION. AUSTRALIA ; AUSTRALIA ; CULTURE AND THE CINEMA. AUSTRALIA ; GOVERNMENT AID. AUSTRALIA ; GOVERNMENT CONTROL. AUSTRALIA Summary: "In Australia, the decades of the 1960s, 1970s and 1980s were times of a great nationalist revival and cultural self-discovery. In the visual arts, theatre, popular and classical music, and especially in cinema and television, a distinct Australian voice could be heard that was accepted as culturally valid and nationally relevant. The renaissance of local production for cinema and television was reliant on the patronage of the state, first the Commonwealth government with the establishment of the Australian Film Development Corporation and the Experimental Film and Television Fund in 1970 and, later, the Australian Film and Television School. Then from 1972 to 1978 each Australian state established a film support agency to extend that patronage and assure the state of a role in the burgeoning film industry. This thesis relates the stories of the creation and development-and in some cases demise-of those six state film agencies over the period 1970 to 1988. It identifies the influences that directed the creation of each state agency and proposes a qualitative model of the relationships between the influences. It then argues the applicability of the model to the formation of cultural policy in general in a pluralistic democratic society. It also argues that the state film agencies were more influential on national film industry policy than has hitherto been recognised." - ABSTRACTNotes: Presented as author's thesis (phd) - RMIT UniversityContents: -- introduction -- chapter one: locating the state -- chapter two: cinema and state --chapter three: South Australia -- chapter four: Victoria -- chapter five: Queensland -- chapter six: New South Wales -- chapter seven: Tasmania -- chapter eight: Western Australia -- chapter nine: A model of cultural policy -- chapter ten: conclusion -- bibliography -- appendices --
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It cost how much? : in the strange new television economy, costs are slashed and soaring at the same time in Sunday Age (31/07/2016) p.22
Call No: SUBJECT CLIPPINGS FILE; PRODUCTION COSTSAuthor: Idato, Michael PhysDes: Clippings File ArticleSubject: PRODUCTION COSTS ; PRODUCTION, TV ; PRODUCTION, TV. AUSTRALIA Summary: Report on the rising costs of making high end television shows, such as THE GET DOWN and THE KETTERING INCIDENT. Quotes from various Australian TV producers about how they are adapting to the changing maketsNotes: similar article in Saturday Age. Title: 'Stylish TV shows all yours fo just $10m an episode'. Section: Insight. p. 23
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Jane North appt'd. exec. director of F. & T.P.A. in Australasian Cinema (13/5/1983) vol.12 iss.8 p.4
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Jaws in space : powerful pitching for film and tv scriptwriters / Charles Harris Harpenden, Herts, UK: Kamera Books, 2016.
Call No: 224.8 HARAuthor: Harris, Charles Edition: 2016Place: Harpenden, Herts, UKPublisher: Kamera BooksPubDate: 2016PhysDes: 192 pages ; 20 cmSubject: PRODUCTION DEALS Summary: Two screenwriters once walked into a Hollywood producer’s office and said three words 'Jaws in space.' Those three words won them the contract for the blockbuster movie Alien.
The ability to pitch well is essential for all writers, directors and producers in cinema and TV, drama, documentary and series. Strong pitching skills will accelerate your career – not only helping you sell your projects, but also developing them in the first place, focusing on what makes a story work, clarifying character and plot, and working more successfully with industry collaborators.
This book takes you from the essentials of what makes a good pitch to advanced skills that will help you in all kinds of pitching situations. Charles Harris gives a clear-sighted view of how pitching works in the industry and a series of very practical techniques for developing a gripping and convincing pitch. Drawing on his experience, he examines the problems that can arise with both mainstream and unconventional projects – from a range of different cultures – and explains how to solve them. He also analyses the process of taking a pitch meeting and shows you how to ensure you perform at your best. -- publisher's web siteISBN: 9781843447337
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Joe Cinque Canberra murder film a highlight of festival in Canberra Times (06/07/2016) p.7
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sfv1 in production
Just a happy family on the set of SFv1 : Sydney Confidential in Daily Telegraph [Sydney Confidential] (22/9/2015) p.16
Call No: TITLE CLIPPINGS FILE; SFv1 in productionPhysDes: ClippingsSubject: SFv1 in production Notes: Interview with director Shane Abbess
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Kids' TV : 433 things to do in a rainy studio / Ian Fairweather ; with drawings by Deane Taylor [Adelaide]: NBN Limited, Southern Television Corporation, 1981.
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Kong films in Australia in Herald Sun (27/10/2015) p.2
Call No: TITLE CLIPPINGS FILE in production; KONG: SKULL ISLAND in productionPhysDes: Clippings File ArticleSubject: KONG: SKULL ISLAND in production Summary: This film is due to be filmed in Queensland
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Interim
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Korean Cinema 2003 / edited by Keun-sang Lee / Sun-hee Choi / Young-sub Ko / Darcy Paquet Seoul, Korea: Korean Film Commission, 2003.
Call No: REFERENCE SECTION; 023(519)
KORAuthor: Cheong, Sung-il ; Paquet, Darcy CorpAuthor: Korean Film CommissionSource: KPlace: Seoul, KoreaPublisher: Korean Film CommissionPubDate: 2003PhysDes: 371 p. ; ill. ; 21 cmSubject: KOREA ; INDUSTRY, FILM. KOREA ; PRODUCTION. KOREA Summary: "This book contains information about the most up-to-date Korean films, produced or having entered production since the publication of Korean Cinema 2002" (Foreword).Notes: Includes Statistics, Index of 2003 Films and Addresses pp. 315-371
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Lawrence of Arabia : the 30th anniversary pictorial history / L. Robert Morris and Lawrence Raskin ; foreword by Martin Scorsese New York: Doubleday, c1992.
Call No: 79LAW MORAuthor: Morris, Robert L. ; Raskin, Lawrence Source: USPlace: New YorkPublisher: DoubledayPubDate: c1992PhysDes: xvii, 237 pages : illustrations ; 29 cmSubject: ACADEMY AWARDS ; CINEMATOGRAPHY ; CASTING ; COSTUME DESIGNING ; COSTUMES ; LOCATION SHOOTING ; POSTERS ; POST-PRODUCTION ; PRE-PRODUCTION ; PREMIERES ; RESTORED FILMS ; Lean, David ; SPIEGEL, SAM ; LAWRENCE OF ARABIA (UK, David Lean, 1962) Summary: 'Two years in the making and the winner of seven Academy Awards, including Best Picture of the Year, the Sam Spiegel-David Lean screen classic LAWRENCE OF ARABIA has been seen and enjoyed by millions since its original release in 1962. This volume, specially compiled to herald the film's thirtieth anniversary, provides, for the first time, a visual and textual account of this remarkable epic's genesis, artistry, and influence, as well as a fascinating new look at the life and legend of T.E. Lawrence." [TAKEN FROM BOOK JACKET]Notes: Includes bibliographyISBN: 0385424787Donation: Simon WincerContents: Foreword / Martin Scorsese -- Chapter 1: the legend of Lawrence -- Chapter 2: the epics that never were -- Chapter 3: Spiegel and Lean -- Chapter 4: preproduction -- Chapter 5: on location -- Chapter 6: postproduction -- Chapter 7: premieres, reviews and Oscars: 1962 and 1963 -- Chapter 8: the lost picture show -- Chapter 9: reconstruction and restoration -- Chapter 10: premieres, reviews and video: 1989 -- Chapter 11: accolades and celebration -- Chapter 12: Lawrence of Arabia: an icon -- Cast and credits
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Leading the self-love revolution in Daily Telegraph [Kids] (09/01/20165) p.8
Call No: TITLE CLIPPINGS FILE; EMBRACE in productionAuthor: Tuohy, Wendy PhysDes: Clippings File ArticleSubject: BRUMFITT, TARYN ; EMBRACE in production Summary: Interview with Taryn Brumfitt, who is directing an Australian feature length documentary about women and their body image
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Lehmann at large : Around town in Daily Telegraph (16/05/2015) p.17
Call No: TITLE CLIPPINGS FILE in production; JACK JOHNSON IN SYDNEY FILM in productionAuthor: Lehmann, John PhysDes: Clippings File ArticleSubject: JACK JOHNSON IN SYDNEY FILM in production Summary: Australian Ben Damon is trying to get a film about the 1908 battle for the world heavyweight boxing crown made,a nd he has the support of Hugh Jackman and Bruce Beresford
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Lift red tape so Australian can compete in golden age of TV in Sydney Morning Herald (14/09/2016) p.17
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Light and shadows : a history of motion pictures / Thomas W. Bohn, and Richard L. Stromgren, with the assistance of Daniel H. Johnson Port Washington, N.Y.: Alfred Pub. Co., [1975].
Call No: 70 BOHAuthor: Bohn, Thomas W., 1941 ; Stromgren, Richard L., 1932-, joint author ; Johnson, Daniel H., 1940-, joint author Place: Port Washington, N.Y.Publisher: Alfred Pub. Co.PubDate: [1975]PhysDes: xvii, 537 p. : ill. ; 24 cmSubject: HISTORY OF CINEMA ; NEOREALISM ; HISTORY OF CINEMA. SILENT PERIOD ; PRODUCTION COMPANIES & STUDIOS. USA ; DOCUMENTARIES ; PRE-CINEMA HISTORY ; NOUVELLE VAGUE ; COMEDIANS Notes: Includes indexes; Bibliography: p. 513-520ISBN: 088284024X : $8.00LON: 737594
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Lights, camera, masala : making movies in Mumbai / [photographs], Sheena Sippy ; text, Naman Ramachandran ; design, Divya Thakur Mumbai: India Book House, 2006.
Call No: 210.1(540) SIPSource: IIPlace: MumbaiPublisher: India Book HousePubDate: 2006PhysDes: 246 p., [2] leaves of plates : ill. (chiefly col.) ; 27 cmSubject: INDIA ; BOLLYWOOD ; STARS. INDIA ; STAR SYSTEM ; INDUSTRY, FILM. INDIA ; PRODUCTION. INDIA ; ACTORS. INDIA ; DIRECTORS. INDIA Summary: An exploration of how films are made in 'Bollywood' that uses interviews with famous stars and well known film workers in the industry during a few months of 2005 and 2006. The fictional characters Vijay and Ravi go through the process of making a Bollywood film, including screenwriting, the Bollywood star system, pre-production, marketing and promotion, and audience receptionNotes: 246 p., [2] leaves of plates : ill. (chiefly col.) ; 27 cmISBN: 8175084413Donation: Alex Gionfriddo
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Local Hollywood : global film production and the Gold Coast / by Ben Goldsmith, Susan Ward, and Tom O'Regan St Lucia, Qld: University of Queensland Press, 2010.
Call No: 212.1(73:94) GOLAuthor: Goldsmith, Ben ; O'Regan, Tom ; Ward, Susan Source: ATPlace: St Lucia, QldPublisher: University of Queensland PressPubDate: 2010PhysDes: 296 p. ; 23 cmSubject: AUSTRALIA ; FILM AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA : QUEENSLAND ; PRODUCTION CENTRES. GOLD COAST ; COPRODUCTION Summary: "...This book gives an unprecedented insight into how the Gold Coast became the first outpost of Hollywood in Australia. When a combination of forces drove studios and producers to work outside California, the Gold Coast's unique blend of government tax support, innovative entrepreneurs and diverse natural settings made it a perfect choice to host Hollywood producations. Local Hollywood makes an essential contribution to the field of film and media studies, as well as giving movie bufffs a behind-the-scenes tour of the film industry. " -- BOOK BLURBISBN: 9780702237799Contents: -- contents -- chapter 1: global and local Hollywood -- chapter 2: inventing a local Hollywood -- chapter 3: the Greenfields location -- chapter 4: the Junior partner -- chapter 5: film friendliness -- chapter 6: local Hollywood's location space -- chapter 7: learning from a local Hollywood -- acknowledgements -- notes -- list of productions -- index --
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LOCATION PRODUCTION
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serial
"LOCATIONS '99: KEMPS" 21 December 1998.
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newspaper article
Losing touch? in Weekend Australian [Review] (10/06/2017) p.1
Call No: SUBJECT CLIPPINGS FILE; DRAMAS. AUSTRALIAAuthor: Neill, Rosemary PhysDes: Clippings File ArticleSubject: DRAMAS. AUSTRALIA ; PRODUCTION, TV. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; DALTON, KIM Summary: Piece on Australian tv drama production and questioning the amount of production that has been undertaken by the Australian Broadcasting Corporation. Mentions former ABC executive Kim Dalton and his essay 'Missing in action: the ABC and Australian Screen Culture'. Quotes from Penny Chapman, Screen Producers Australia, Freeview and the Australian Childrens Television Foundation
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Bibliography
book
Low budget filmmaking quicklist / Australian Film Television & Radio School. Jerzy Toeplitz Library. 1999.
Call No: www.aftrs.edu.auCorpAuthor: Australian Film Television & Radio School. Jerzy Toeplitz Library.PubDate: 1999Subject: PRODUCTION COSTS
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Making money in film and video : a handbook for freelancers and independents / Raul da Silva New York: Prentice Hall Press, c1986.
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Making movies / Sidney Lumet London: Bloomsbury, 1997.
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The making of a television series : a case study in the sociology of culture / Philip Elliott London: Constable and Co., 1972.
Call No: 761 ELLAuthor: Elliott, Philip Source: UKPlace: LondonPublisher: Constable and Co.PubDate: 1972PhysDes: x, 180p. ; 22 cmSeries: Communication and SocietySubject: PRODUCTION ; DIRECTION ; PROGRAMME CONTENT ; SOCIOLOGY AND TV ; NATURE OF PREJUDICE, THE [TV](UK, 1968) Summary: "This blow-by-blow account of the making of television documentary series, The Nature of Prejudice, traces the evolution of the programmes through all the processes of selection from the emergence of an idea, through the recruitment of the production team and the collection of a wide range of material to their final realisation in the studio, The results of the study are surprising and the implications disturbing. Mr Elliot shows how haphazard the process of programme production is and how much it is constrained by the social and organisational framework in which it takes place. Of absorbing interest to all sociologists and students of the mass media as well as the general public, this book raises the challenging question of whether it is inevitable that television should be a reflective medium, or whether it can be a vehicle for the communication of new ideas and experiences. " -- BOOK BLURBNotes: Includes bibliographical references and index.; Includes bibliography.ISBN: 0094584001Donation: donated by the family of Wayne Levy, 2006Contents: -- acknowledgements -- introduction -- 1: a case study of the television production -- 2: starting work on the series -- 3: collecting programme material -- 4: preparing programme outlines and scripts -- 5: the presenter and the studio guests -- 6: the audience and the nature of prejudice (by Roger. L. Brown) -- 7: the organization of television production -- 8: mass communication - a contradiciton in terms? -- appendix A programme outlines -- appenidx B the research method -- index --URL status: URL: 'http://-'
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The making of ANZACS / compiled by John Cribbin ; stills photography by Greg Noakes Sydney: Fontana, 1985.
Call No: 79ANZ CRIAuthor: Cribbin, John Source: ATPlace: SydneyPublisher: FontanaPubDate: 1985PhysDes: 135 p. : ill. (some col.), facsims., maps, ports. ; 28 cm.Subject: ART DIRECTION ; HISTORY AND TV. AUSTRALIA ; LOCATION SHOOTING. AUSTRALIA ; PRE-PRODUCTION. AUSTRALIA ; PRODUCTION, TV. AUSTRALIA ; TELEVISION. AUSTRALIA ; WAR ON TV ; BURROWES, GEOFF ; DIXON, JOHN ; MILLER, GEORGE ; ANZACS [TV] (AT, Pino Amenta, John Dixon & George Miller, 1985) Summary: "They were the tallest soldiers of any army; the only all-volunteer fighting force and the best paid of all the troops in the Great War. Yet in 1914 when they marched away, they were considered a rag-tag lot, probably too ill-disciplined to be useful in war. The proud but tragic fiasco of Gallipoli changed that perception [...] Now the Great War is the backdrop of ANZACS, one of the most dramatic and important series ever made for Australian television. In five parts the ANZACS brings to life forgotten aspects of an immense conflict, and the men - and women too - who were swept up or overtaken by it. Here, vividly illustrated in text and in pictures, is an account of how that series was made; the powerful and moving stories told; the stars who portray the dignity, bravery and poignancy of yesterday's heroes."--BOOK BLURBNotes: "The major 9 network television series (produced by Geoff Burrowes and John Dixon)'--CoverISBN: 000636893XDonation: donated by the family of Wayne Levy, 2006
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Malick adopts Animal Logic in Encore (12 Feb, 1999) vol.17 iss.2 p.37
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Map of the cinematic heart : an industry focused review of co-productions in the Australian film industry / by Lara Woolf RMIT, [200-?].
Call No: 212.1(94) WOOAuthor: Woolf, Lara Source: ATPublisher: RMITPubDate: [200-?]PhysDes: 36p. ; 30cmSubject: AUSTRALIA ; COPRODUCTION ; COPRODUCTION. AUSTRALIA ; FILM ; PRODUCTION Summary: "Are Australian co-productions the way forward for the future growth of Australian cinema? Co-productions are film projects where the division of labour, investments, talent, crew and production logistics are balanced between two or more countries. This thesis seeks to examine the current opinions and logistical frameworks which contribute to and govern the feasibility of co-productions. Interviews with Australian film industry professionals and textual analysis of government and non-government film texts will form the qualitative research basis of this project. Through analysis, this project aims to examine the Australian co-production as a feature of the current Australian and set in the context of a growing international film industry." -- ABSTRACTNotes: This is a Minor Thesis by student Lara Woolf submitted for a Master of Arts (Communication)Contents: -- 1: introduction -- 2: background on co-productions -- 3: methodology -- 4: industry focused review of co-productions -- 5: conclusion -- bibliography --
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Marvellous result as Aussie drama spending hits $1.3bn in The Australian (31/10/2017) p.4
Call No: SUBJECT CLIPPINGS FILE; PRODUCTION COSTS. AUSTRALIA 2017Author: Brook, Stephen PhysDes: Clippings File ArticleSubject: PRODUCTION COSTS. AUSTRALIA Summary: Thor, Janet King and Peter Rabbit have all helped spending on Australian drama surge 50 per cent in a year to a record $1.3 billion. The record spending includes local film and television productions worth $667 million, and foreign projects of $610m last financial year, according to government funding body Screen Australia.
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Maximising the appeal of Australian movies with Australian audiences / report for FFC by Bergent Research, June 2008 [Southbank, VIC: Bergent, 2008.
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The McCarthy files : the unlikely rise of movie comic Melissa McCarthy in Daily Telegraph [Hit] (21/05/2015) p.29
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digital clippings file
MCLEODS OF DROVERS RUN [IN PRODUCTION] : (AT, 2021) Digital clippings file available
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The media in Australia : industries, texts, audiences / edited by Stuart Cunningham and Graeme Turner St Leonards, N.S.W.: Allen & Unwin, 1997.
Call No: 401(94) MEDAuthor: Cunningham, Stuart ; Turner, Graeme Edition: 2nd edPlace: St Leonards, N.S.W.Publisher: Allen & UnwinPubDate: 1997PhysDes: xviii, 490 p. : ill. ; 23 cmSubject: MEDIA. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; ADVERTISING. AUSTRALIA ; AUDIENCE RESEARCH. AUSTRALIA ; AUDIENCES. AUSTRALIA ; PAY TV. AUSTRALIA ; PRODUCTION. AUSTRALIA ; PRODUCTION, TV. AUSTRALIA ; NEWS PROGRAMMES. AUSTRALIA ; OWNERSHIP. AUSTRALIA ; POLITICS AND TV. AUSTRALIA ; GOVERNMENT CONTROL. AUSTRALIA ; VIOLENCE ON TV. AUSTRALIA ; DRAMAS. AUSTRALIA ; WOMEN AND TV. AUSTRALIA ; HOME VIDEO. AUSTRALIA ; RATINGS. AUSTRALIA ; AUSTRALIAN BROADCASTING TRIBUNAL ; COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994) ; PERFECT MATCH [TV] (AT, 1984-89?) Notes: Includes index; Bibliography: p. 441-467ISBN: 1864482737LON: 12826003
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The men who would be king : an almost epic tale of moguls, movies, and a company called DreamWorks / Nicole LaPorte Boston ; New York: Mariner Books, 2011.
Call No: 19DRE LAPAuthor: LaPorte, Nicole Source: USPlace: Boston ; New YorkPublisher: Mariner BooksPubDate: 2011PhysDes: xix, 491 pages ; 21 cmSubject: DREAMWORKS SKG ; PRODUCERS ; PRODUCTION CENTRES : HOLLYWOOD ; EISNER, MICHAEL ; GEFFEN, DAVID ; KATZENBERG, JEFFREY ; SPIELBERG, STEVEN ; AMERICAN BEAUTY (US, Sam Mendes, 1999) ; AMISTAD (US, Steven Spielberg, 1997) ; PRINCE OF EGYPT, THE (US, Brenda Chapman, Steve Hickner & Simon Wells, 1998) ; SAVING PRIVATE RYAN (US, Steven Spielberg, 1998) ; SHREK (US, Kelly Asbury & Andrew Adamson, 2001) Summary: "For sixty years, the lineup of Hollywood's major studios varied little. Then came the Circus Maximus created by director Steven Spielberg, billionaire David Geffen, and Jeffrey Katzenberg (who gave the world The Lion King). Nothing in decades had approached the excitement surrounding the empire called DreamWorks, where hype, glory, and investors vying to kick in billions gave way to blowups, battles, and betrayals worthy of THE GODFATHER. Nicole LaPorte reveals for the first time the delicious truths of what happened behind the scenes. Readers will feel they are part of the creative calamities of moviemaking as LaPorte's fly-on-the-wall detail shows us Hollywood's bizarre rules of business. We see clashes between the often otherworldly Spielberg's troops and Katzenberg's warriors, the debacles and disasters, but also the Oscar-winning triumphs, such as SAVING PRIVATE RYAN. We see Geffen seducing investors and watch as the studio burns through billions while its rich owners get richer and everybody else suffers. Here is Hollywood - up close, glamorous, and gritty." [TAKEN FROM BOOK BLURB]Notes: Includes indexISBN: 9780547520278Donation: Simon Wincer
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Merchants of Menace : the Business of Horror Cinema / edited by Richard Nowell New York: Bloomsbury, 2014.
Call No: 735.2:203 MERAuthor: Nowell, Richard (ed.) Source: US/UKPlace: New YorkPublisher: BloomsburyPubDate: 2014PhysDes: xiv, 264 pages : illustrations (black and white) ; 23 cmSubject: HORROR FILMS ; ECONOMICS AND THE CINEMA ; PRODUCTION ; HORROR FILMS. AUSTRALIA ; CRITICISM ; DIRECTION ; LITERATURE AND THE CINEMA ; THEORY ; DISTRIBUTION ; ADVERTISING FOR FILMS ; SCREAM (US, Wes Craven, 1996) ; SCREAM 2 (US, Wes Craven, 1997) ; SCREAM 3 (US, Wes Craven, 2000) ; SCREAM 4 (US, Wes Craven, 2011) Summary: "Even though horror has been a key component of media output for almost a century, the genre's industrial character remains under explored and poorly understood. Merchants of Menace: The Business of Horror Cinema responds to a major void in film history by shedding much-needed new light on the economic dimensions of one of the world's most enduring audiovisual forms. Given horror cuts across budgetary categories, industry sectors, national film cultures, and media, Merchants of Menace also promises to expand understandings of the economics of cinema generally. Covering 1930-present, this groundbreaking collection boasts fourteen original chapters from world-leading experts taking as their focus such diverse topics as early zombie pictures, post-WWII chillers, Civil Rights-Era marketing, Hollywood literary adaptations, Australian exploitation, "torture-porn" Auteurs, and twenty-first-century remakes." - Publisher's WebsiteNotes: Formerly CIP; Includes bibliographical references and index; Also issued onlineISBN: 9781623564209Contents: -- Production lines, trends, and cycles. "House of horrors": corporate strategy at Universal Pictures in the 1930s / Kyle Edwards -- The undead of Hollywood and poverty row: the influence of studio-era industrial patterns on zombie film production, 1932-46 / Todd K. Platts -- By the book: American horror cinema and horror literature of the late 1960s and 1970s / Peter Hutchings -- Risen from the vaults: recent horror film remakes and the American film industry / Kevin Heffernan -- Monster factory: international dynamics of the Australian horror movie industry / Mark David Ryan -- Film content, style, and themes. "Bad medicine": the psychiatric profession's interventions into the business of postwar horror / Tim Snelson -- Horror film atmosphere as anti-narrative (and vice versa) / Robert Spadoni --"A kind of Bacall quality?: Jamie Lee Curtis, stardom, and gentrifying non-Hollywood horror / Richard Nowell -- "New decade, new rules": rebooting the scream franchise in the digital age / Valerie Wee -- Movie marketing, branding, and distribution. "Hot profits out of cold shivers!": horror, the first run market, and the Hollywood studios, 1938-42 / Mark Jancovich -- Strange enjoyments: the marketing and reception of horror in the civil rights era black press / Mikal J. Gaines -- Bids for distinction: the critical-industrial function of the horror auteur / Joe Tompkins -- Low budgets, no budgets, and digital-video nasties: recent British horror and informal distribution / Johnny Walker -- Hammer 2.0: legacy, modernization, and hammer horror as a heritage brand / Matt Hills --
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Merger sign of the times in Herald Sun (23/11/2015) p.29
Call No: SUBJECT CLIPPINGS FILE; FREMANTLEMEDIAAuthor: Buchanan, Brian PhysDes: Clippings File ArticleSubject: FREMANTLEMEDIA ; PRODUCTION COMPANIES & STUDIOS. AUSTRALIA Summary: Brief interivew with FremantleMedia CEO Ian Hogg who talks about the recent merger of Endemol and Shine, and the direction his company is taking with a mention of Family Feud
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Minding movies : observations on the art, craft, and business of filmmaking / by David Bordwell and Kristin Thompson Chicago: University of Chicago Press, 2011.
Call No: 62(04) BORAuthor: Bordwell, David ; Thompson, Kristin Source: USPlace: ChicagoPublisher: University of Chicago PressPubDate: 2011PhysDes: 292 p. : ill. ; 24 cmSubject: ANIMATION ; CRITICISM ; FILM ; GENRES ; PRODUCTION ; THEORY Summary: "Minding movies presents a selection from over three hundred essays on genre movies, art films, animation, and the business of Hollywood that have graced David Bordwell and Kristin Thompson's blog Observations on Film Art since its debut in 2006. Informal pieces, conversational in tone but grounded in three decades of authoritative research, the essays gathered here range from in-depth analyses of individual films such as Slumdog Millionaire and Inglourious Basterds to adjustments of Hollywood media claims and forays into cinematic humor. For Bordwell and Thompson, the most fruitful place to begin is how movies are made, how they work, and how they work on us. Written for film lovers, these essays- on topics ranging from Borat to blockbusters and back again - will delight current fans and gain new enthusiasts. Serious but not solemn, vibrantly informative without condescension, and above all illuminating reading, Minding Movies offers ideas sure to set film lovers thinking - and keep them returning to the silver screen. " -- BOOK BLURBNotes: Includes indexISBN: 9780226066998Contents: -- preface -- acknowledgments -- pt. 1. The business : World rejects Hollywood blockbusters!? ; Live with it! There'll always be movie sequels. Good thing, too ; Superheroes for sale ; What won the weekend? Or, how to understand box-office figures ; Snakes, no; Borat, yes: not all internet publicity is the same ; Don't knock the blockbusters --
pt. 2. Writing about movies : In critical condition ; Love isn't all you need ; Do filmmakers deserve the last word? ; Crix nix Variety's tics --
pt. 3. Film as art : But what kind of art? ; This is your brain on movies, maybe ; Movies still matter --
pt. 4. Storytelling and style : Anatomy of the action picture ; Times go by turns ; Grandmaster flashback ; Originality and origin stories ; Good actors spell good acting ; By Annie standards ; Unsteadicam chronicles ; Pausing and chortling: a tribute to Bob Clampett --
pt. 5. Films : A behemoth from the dead zone ; Cronenberg's violent reversals ; The movie looks back at us ; Lessons from Babel ; Slumdogged by the past ; Rat rapture ; A welcome basterdization --
pt. 6. Into the future : New media and old storytelling ; The celestial multiplex ; Take my film, please -- index --
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Minerfeels the Call of Duty... in Hollywood in The Australian [Business News] (1/04/2016) p.19
Call No: TITLE CLIPPINGS FILE; TANGO DOWN (in production)Author: Garvey, Paul PhysDes: Clippings File ArticleSubject: TANGO DOWN (in production) Summary: Artemis Resources to invest in the action film TANGO DOWN.
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The mission : a film journal / Daniel Berrigan, S.J. San Francisco: Harper and Row, c1986.
Call No: 79MIS BERAuthor: Berrigan, Daniel Source: USPlace: San FranciscoPublisher: Harper and RowPubDate: c1986PhysDes: 160 pages ; 22 cmSubject: FILMMAKING ; LOCATION SHOOTING ; PRODUCTION ; RELIGION AND THE CINEMA ; DE NIRO, ROBERT ; JOFFE, ROLAND ; MISSION, THE (UK, Roland Joffe, 1986) Summary: This is the rich account of the making of "The Mission", the feature film directed by Roland Joffe that recreates the utopian splendor and ultimate demise of the "Jesuit republic" in South America [...] Daniel Berrigan spent four months with the cast and crew as a behind-the-scenes consultant on Jesuit life and history. In THE MISSION: A FILM JOURNAL, he shares his candid insights on the making of the film and on its meaning and message for us today [...] Warm, personal, and very wise, THE MISSION re-creates the rhythm of the making of the film and raises provocative and incisive questions for our times." [TAKEN FROM BOOK JACKET]ISBN: 0062500562Donation: Simon Wincer
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MONEY PLANE (IN PRODUCTION)
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More handouts for film than car makers in AFR Weekend (29/07/2017) p.5
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The movie business book / edited by Jason E. Squire Englewood, New Jersey: Prentice-Hall, Inc, c1983.
Call No: 203 MOVAuthor: Squire, Jason E. Source: USPlace: Englewood, New JerseyPublisher: Prentice-Hall, IncPubDate: c1983PhysDes: xviii, 414 p. : illSubject: INDUSTRY, FILM ; BUSINESS AND THE CINEMA ; ECONOMICS AND THE CINEMA ; DISTRIBUTION ; EXHIBITION ; PRODUCTION Summary: "The inside story of the creation, financing, making, selling, and exhibiting of movies - as told by Mel Brooks, Robert Evans, William Goldman, Sydney Pollack, and 38 other equally notable members of the movie industry" -- FRONT COVERNotes: First published: Englewood Cliffs, N.J.: Prentice-Hall, c1983; Includes indexISBN: 0136045952Contents: -- 1: the creators -- 2: the property -- 3: the money -- 4: the management -- 5: the deal -- 6: the shooting -- 7: the selling -- 8: the distributors -- 9: the exhibitors -- 10: the audience -- 11: the future -- index --
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The movie game : the film business in Britain, Europe, and America / Martin Dale London Herndon, VA, USA: Cassell, 1997.
Call No: 201 DALAuthor: Dale, Martin Place: London Herndon, VA, USAPublisher: CassellPubDate: 1997PhysDes: xi, 340 p. : ill. ; 23 cmSubject: INDUSTRY, FILM. UK ; INDUSTRY, FILM. EUROPEAN COUNTRIES ; INDUSTRY, FILM. USA ; INDEPENDENT PRODUCTION ; GOVERNMENT AID. EUROPEAN COUNTRIES ; QUOTA. EUROPEAN COUNTRIES ; DISTRIBUTORS ; ALMODOVAR, PEDRO ; PUTTNAM, DAVID ; BERLUSCONI, SILVIO ; BERRI, CLAUDE ; BESSON, LUC Summary: The Movie Game is the first ever comprehensive guide to the industry on both sides of the Atlantic. The book outlines the game rules for the Majors, Independents, Foreign Sales Agents and the European subsidy system. Europe has always been the 'hidden' half of the American film equation. The Majors were built by native Europeans and have always been highly dependent on European talent and revenues. The Independents finance their films through pre-sales to Europe, and many of the leading producers are native Europeans who have relocated to the movie colony. While the American Majors thrive on high-risk free-market capitalism, Europe's media groups are enmeshed in political straitjackets designed to defend the 'national interest'. Quotas and subsidies have herded European cinema into a cultural ghetto from which it is very difficult to conduct rational debate. The MEDIA Programme seems only to have intensified the problem; Inspiration is drawn from the European film-makers who have succeeded in rising above the 'subsidy trap' mentality. The book concludes with profiles of producers such as David Puttnam, Claude Berri, Pedro Almodovar and Luc Besson. They are the human face of the industry and prove that however bureaucratic the world becomes, there will always be mavericks who stand out and make their voice heardNotes: Includes bibliographical references (p. 332-334) and indexISBN: 0304333867; 0304333875 (pbk.)LON: gb 97034316; 13222852
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Movie hopes ride on an outback dog in Australian slump in Sun Herald (04/12/2016) p.13
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIAAuthor: Quinn, Karl PhysDes: Clippings File ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; BOX OFFICE. AUSTRALIA ; PRODUCTION. AUSTRALIA ; SCREEN AUSTRALIA Summary: Looking at the low box office take of Australian films in 2016. Interviewed is Screen Australia chief Graeme Mason who explains the low figures and why he thinks that the likely successes of upcoming films RED DOG: TRUE BLUE and LION will set up 2017 as a strong year for Australian cinemaNotes: similar article in The Age titled 'Year of the dog, or dog of a year?'Quotations: `
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Movies from the mansion : a history of Pinewood Studios / George Perry London: Elm Tree Books, 1976.
Call No: 19PIN PERAuthor: Perry, George, 1935 Source: UKPlace: LondonPublisher: Elm Tree BooksPubDate: 1976PhysDes: 186, [5] p. : ill. (some col.), ports. (some col.) ; 29 cmSubject: PINEWOOD STUDIOS ; PRODUCTION CENTRES : HOLLYWOOD ; PRODUCTION COMPANIES & STUDIOS ; STUDIOS, FILM ; WORLD WAR II AND THE CINEMA Summary: "George Perry surveys Pinewood's not always certain progress from its beginnings through the bleak war years, post-war austerity, dollar crises and the encroachment of television to the resurgence of the '60s and '70s. In doing so, he tells the story of the people who made Pinewood : of stars as varied as Jack Buchanan, Jack Hawkins and Roger Moore, Glenda Jackson and Jessie Matthews; of great directors such as Lean, Reed, Neame, Huston, Truffaut, Hitchcock, and even Chaplin; of the talented craftsmen whose skills have attracted film-makers from all over the world." [Taken from book jacket]Notes: Includes index; Bibliography: p. 182ISBN: 0241895006 : ª6.95LON: 866478
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Moving pictures as text in Metro Education (1997) iss.11 p.34-39
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NAB funds first TV project in Encore (Feb 11, 1998) vol.15 iss.22 p.1
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NAB post perspectives in Encore (June 2000) vol.18 iss.5 p.15
PhysDes: InterviewSubject: POST-PRODUCTION. AUSTRALIA Summary: Interview with four Australian post-production houses who attended National Association of Broadcasting Convention 2000.
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Netflix after more Australian content in Saturday Age (11/6/2016) p.14
Call No: SUBJECT CLIPPINGS FILE; VIDEO ON DEMANDAuthor: Lallo, Michael PhysDes: Clippings File ArticleSubject: NETFLIX ; VIDEO ON DEMAND ; PRODUCTION, TV. AUSTRALIA Summary: Report on the streaming video on demand services wishes for more suitable Australian content, with the success of shows like MISS FISHER'S MURDER MYSTERIES, WENTWORTH, and WOLF CREEK
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Netflix safe, so chill, but it's a drama for local TV in Saturday Age (24/06/2017) p.18
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Networking : Australian pair to play rivals in Canberra Times [TV Guide] (10/08/2015) p.2
Call No: TITLE CLIPPINGS FILE in production; EDGE [TV] in productionAuthor: Idato, Michael PhysDes: Clippings File ArticleSubject: EDGE [TV] in production Summary: Snippet about a new TV drama series by Amazon titled EDGE. It stars Australian's Ryan Kwanten and Yvonne Strahovski
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Networking in The Age [Green Guide] (13/08/2015) p.2
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Networking : Twin Peaks stalls in The Age [Green Guide] (12/11/2015) p.2
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Networking in The Age [Green Guide] (17/12/2015) p.2
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, TV. AUSTALIAAuthor: Ellis, Scott PhysDes: Clippings File ArticleSubject: INDUSTRY, TV. AUSTRALIA ; AWARDS. AUSTRALIAN ACADEMY OF CINEMA AND TELEVISION ARTS ; PETER ALLEN : NOT THE BOY NEXT DOOR [TV] (AT, 2015) ; HOGES: THE PAUL HOGAN STORY [TV] (AT, 2016) ; FULLER HOUSE [TV] in production ; RECRUIT, THE [TV] (AT, 2014-) ; I'M A CELEBRITY, GET ME OUT OF HERE [TV] (AT, 2015-) Summary: Review of Australian TV news including: decisions need to be made for the FremantleMedia production of the Paul Hogan story; list of the Austrailan TV AACTA award winners, FULLER HOUSE - a reboot of the US sitcom FULL HOUSE, Mick Malthouse to join THE RECRUIT
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Networking in Canberra Times [Tv Guide] (05/09/2016) p.2
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Networking in The Age [Green Guide] (6/7/2017) p.2
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Networks lament CTPF loss in Encore (Jan 29, 1999) vol.17 iss.1 p.8
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Networks race to air Hoges, Olivia dramas in The Australian (17/11/2015) p.3
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New celluloid stars to fly the flag in Daily Telegraph (09/06/2015) p.11
Call No: SUBJECT CLIPPINGS FILE; PRODUCTION. AUSTRALIAAuthor: Bamford, Matt PhysDes: Clippings File ArticleSubject: FESTIVALS. SYDNEY ; PRODUCTION. AUSTRALIA Summary: Report on the promising outlook for the reception for upcoming Australian films, and comments on the success of Australian films shown in 2015
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New film in train for DFressmaker director in The Age (16/02/2017) p.24
Call No: SUBJECT CLIPPINGS FILE; PRODUCTION. AUSTRALIAAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: PRODUCTION. AUSTRALIA ; SCREEN AUSTRALIA Summary: Report on the recent funding agreements for a number of feature films including: THE VARIATIONS (Jocelyn Moorhouse), LITTLE MONSTERS (Abe Forsythe), THE PROSPECTORS (Rachel Perkins), and THE DROVER'S WIFE.
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New film on Port Arthur massacre will be 'no-holds-barred' in Sydney Morning Herald (20/04/2016) p.15
Call No: TITLE CLIPPINGS FILE in production; WASP: THE PORT ARTHUR MASSACRE (AT, Paul Moder, in production)Author: Maddox, Garry PhysDes: Clippings File ArticleSubject: MODER, PAUL ; WASP: THE PORT ARTHUR MASSACRE (AT, Paul Moder, in production) Summary: Report on the plans of filmmaker Paul Moder to make a film about the death of 35 people at Port Arthur, Tasmania in 1996 and the man convicted of the killings Martin BryantNotes: article printed in The Age: 'Film on Port Arthur tragedy planned', same day, p. 37.
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New media players are shifting focus to TV in The Australian [Business news] (14/10/2015) p.24
Call No: SUBJECT CLIPPINGS FILE; PRODUCTION, TV. AUSTRALIAAuthor: Alpert, Lukas PhysDes: Clippings File ArticleSubject: PRODUCTION, TV. AUSTRALIA Summary: "Companies like BuzzFeed, Vice Media and Huffington Post are known as new media specialists - makers of lists, articles and video designed to go viral online and lure young audiences." Companies like these are now trying to break into television which has a bigger business than online advertising.
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Interim
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New player : Australia/film/version 1.0 / Tim Richards Melbourne: Ematic Pty Ltd, 1999.
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New project for Dressmaker director in The Age [Arts & entertainment] (5/11/2015) p.20
Call No: TITLE CLIPPINGS FILE; CLARA (in production)PhysDes: ArticleSubject: CLARA (in production) Summary: Short article on Jocelyn Moorhouse's new film
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New team and NBC for "Aurora" in Foreign sales Italian movie trade (April/May 1984) vol.10 iss.4/5 p.18
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New twist for SBS indents in Encore (Feb 2000) vol.18 iss.1 p.59
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New World (Aust) signs deal with Jackie Collins in Encore (24 September - 7 October 1987) vol.5 iss.17 p.3-4
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Special issue
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"NEW YORK: ENTERTAINMENT TOWN" 12 October 1998.
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Nine risks dishing up another seven scrap in The Australian [Media] (14/03/2016) p.25
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No more Larrikins: Minchin's film cancelled in Sydney Morning Herald (7/03/2017) p.2
Call No: TITLE CLIPPINGS FILE in production; LARRIKINS, THE in productionAuthor: Carmody, Broede -- Quinn, Karl PhysDes: Clippings File ArticleSubject: MINCHIN, TIM ; LARRIKINS in production Summary: Report on the cancellation of the film THE LARRIKINS, with Tim Minchin telling of his disappointment that the film won't be made
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NSW uses the force of a $20m fund to attract next Star Wars in Sydney Morning Herald (09/06/2016) p.17
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Off-Hollywood : the making and marketing of independent films / David Rosen, with Peter Hamilton New York: Grove Weidenfeld, 1990.
Call No: 210.2(73) ROSAuthor: Rosen, David (David M.) ; Hamilton, Peter Edition: 1st edPlace: New YorkPublisher: Grove WeidenfeldPubDate: 1990PhysDes: xx, 326 p. : ill. ; 24 cmSubject: INDEPENDENT PRODUCTION ; INDEPENDENT DISTRIBUTION ; ADVERTISING FOR FILMS ; STAND AND DELIVER (US, Ramon Menendez, 1988) ; BALLAD OF GREGORIO CORTEZ, THE (US, Robert M. Young, 1983) ; COLD FEET (US, Bruce van Dusen, 1983) ; EATING RAOUL (US, Paul Bartel, 1982) ; NORTE, EL (US, Gregory Nava, 1983) ; GOOD FIGHT, THE (US, Noel Buckner, Mary Dore & Sam Sills, 1984) ; HEARTLAND (US, Richard Pearce, 1979) ; HOLLYWOOD SHUFFLE (US, Robert Townsend, 1987) ; MY DINNER WITH ANDRE (US, Louis Malle, 1981) ; OLD ENOUGH (US, Marisa Silver, 1984) ; RETURN OF THE SECAUCUS SEVEN (US, John Sayles, 1980) ; WEAVERS - WASN'T THAT A TIME, THE (US, James B. Brown, 1981) ; WILD STYLE (US/GW, Charlie Ahearn, 1983) Notes: "Based on a study originally commissioned by the Sundance Institute and the Independent Feature Project."ISBN: 0802131875 (pa)LON: 6416531
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(Official Hansard report) : Commonwealth of Australia. Senate. Standing Committee on Education, Science and the Arts: (Reference: broadcasting and television). (PROOF); Sydney, Monday, 17 December 1973 / Australia. Parliament. Senate. Standing Committee on Education and the Arts 1973.
Call No: 205 (94) AUSSource: ATPubDate: 1973PhysDes: 290 pages ; 30 cmSubject: TELEVISION. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; PRODUCTION, TV. AUSTRALIA ; PRODUCTION. AUSTRALIA ; EXPERIMENTAL FILM AND TELEVISION FUND ; EXPERIMENTAL FILMS. AUSTRALIA ; INDEPENDENT FILMMAKERS. AUSTRALIA ; AUSTRALIAN FILM INSTITUTE ; WOMEN AND TV. AUSTRALIA ; WOMEN TV WORKERS. AUSTRALIA ; AUSTRALIAN BROADCASTING COMMISSION ; CHILDREN, EFFECTS OF TV ON. AUSTRALIA ; CHILDREN, PROGRAMMES FOR. AUSTRALIA ; OFFICE PICNIC, THE (AT, Tom Cowan, 1973) Summary: Reports and discussions made by the Media Women's Action Group, Australian Children's Television Action Committee, Australian Film Institute, and Reg Grundy Enterprises with members of the Australian Senate. These reports and discussions include descriptions of Australian TV (particularly daytime TV) in relation to the women who watch it, the effect of programs on children, the role the Australian Film Institute has in relation to the Experimental Film and Television Fund, it's effectiveness and relationship to the Australian Broadcasting Commission, and the ability of Australian's to sell their TV shows overserasNotes: condition of distribution: this is an uncorrected proof of evidence taken before the Standing Committee. It is made available under the conditiion that it is recognised that this copy is an uncorrected proof.Contents: Witnesses: Suzanne Baker and Eva Maria Cox / Media Women's Action Group -- Merle James and Ewart Wade / Australian Children's Television Action Committee -- Richard Brennan / Australian Film Institute -- Edwin Morrisby / Reg Grundy Enterprises
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Omnilab spoof 'Matrix' effects for DB Breweries in Encore (June 2000) vol.18 iss.5 p.38
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On the waterfront : BFI film classics / Leo Braudy London, UK: British Film Institute, London, 2005.
Call No: 79ONT BRAAuthor: Braudy, Leo Edition: 1st edSource: UKPlace: London, UKPublisher: British Film Institute, LondonPubDate: 2005PhysDes: 88p ; 18.5 cm + b&w ill.Series: BFI Film ClassicsSubject: SOCIETY AND THE CINEMA. USA ; CLASS AND THE CINEMA ; POLITICS AND THE CINEMA. USA ; WORKING CLASS IN FILMS. USA ; TYPE CHARACTERS IN FILMS ; COMMUNISM AND THE CINEMA. USA ; PRODUCTION. USA ; FINANCING. USA ; IMAGE ANALYSIS ; LABOUR ; FINANCING ; LABOUR ISSUES IN FILMS ; HUMAN RELATIONS IN FILMS ; RELIGION IN FILMS ; KAZAN, ELIA ; BRANDO, MARLON ; SAINT, EVA MARIE ; MILLER, ARTHUR ; BERNSTEIN, LEONARD ; SCHULBERG, BUDD ; SPIEGEL, SAM ; MALDEN, KARL ; STEIGER, ROD ; STREETCAR NAMED DESIRE, A (US, Elia Kazan, 1951) ; GENTLEMAN'S AGREEMENT (US, Elia Kazan, 1947) ; TREE GROWS IN BROOKLYN, A (US, Elia Kazan, 1945) ; BABY DOLL (US, Elia Kazan, 1956) Summary: With director Elia Kazan’s death in 2003 and actor Marlon Brando’s in 2004, a reappraisal of this classic film is timely and necessary. In this definitive study, Leo Braudy tells the complicated story of the film’s production. He revisits the facts behind the controversy of Kazan’s infamous ‘naming of names’ during the McCarthy communist trials of the 1950s. But above all this is an analysis of the enduring appeal of On the Waterfront: the method inspired acting, the music and cinematography, the use of authentic locations and its powerfully symbolic depiction of post-war American values. [Taken from back cover].Notes: includes film creditsISBN: 184457072X
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Online TV unearths new pool of talent in Herald Sun [Switched On] (2/09/2015) p.41
Call No: SUBJECT CLIPPINGS FILE; PRODUCTIONAuthor: Molloy, Shannon PhysDes: Clippings File ArticleSubject: PRODUCTION Summary: Kacie Anning used a crowd funding website to raise money to make a six part episode online comedy, Fragments of Friday. They also got funding from Screen Australia to make the second season. Thefirst installment was released online recently
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Out of the box in Australian Financial Review [AFR Magazine] (6/10/2017) p.74
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Outsourcing does not break Sydney's ABC stranglehold in Crikey.com.au [Current affairs] (14/04/2016)
Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATIONAuthor: Robin, Myriam PhysDes: Clippings File ArticleSubject: AUSTRALIAN BROADCASTING CORPORATION ; PRODUCTION. AUSTRALIA Summary: Myriam Robin reports on ABC'S favouritism toward outsourcing content to production companies in NSW and Victoria. South Australian and Tasmanian have notably fewer project contracted out to them.
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Outward-looking Australian cinema in Studies in Australasian cinema (2010) vol.4 iss.3 p.199-214
Author: Goldsmith, Ben PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; PRODUCTION DEALS. AUSTRALIA ; DISTRIBUTION. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA Summary: The writer examines how dynamic and shifting relations between the local/national and the international have transformed the ways in which people think about what constitutes Australian cinema. Noting that over the last 20 years or so, Australian cinema's international relations in production and policy have expanded and become more complex, while those with Hollywood have been transformed, he illustrates how relations of commonality and continuity with the international called up in the new arrangements challenge the dominant articulation in policy of difference from other kinds of filmmaking as the basis of Australian cinema. -- Provided by publisher
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Overseas participation in film and television program production in Australia : a symposium held at the Australian Government Centre, Sydney, on 21 July 1974 / Symposium on Overseas Participation in Film and Television Program Production in Australia (1974 : Sydney, N.S.W.) [North Sydney]: Dept. of the Media, [1974].
Call No: 212.1(94) OVESource: ATPlace: [North Sydney]Publisher: Dept. of the MediaPubDate: [1974]PhysDes: 1 v. (various foliations) ; 30 cmSubject: COPRODUCTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; PRODUCTION DEALS. AUSTRALIA ; PRODUCTION, TV. AUSTRALIA ; PRODUCTION. AUSTRALIA ; AUSTRALIAN FILM DEVELOPMENT CORPORATION ; MOTION PICTURE DISTRIBUTORS ASSOCIATION. AUSTRALIA ; AUSTRALIAN WRITERS GUILD Contents: Opening address / James H Oswin, Secretary, Department of the Media and Chairman of the Symposium -- Paper on behalf of the Federation of Australian Commercial Television stations / Leonard Mauger -- Paper on behalf of the Australian Film Council / Anthony Buckley -- Paper on behalf of the Motion Picture Distributors' Association of Australia / Noel Ford -- Paper on behalf of the Film Production Association of Australia / John Daniell -- Paper on behalf of the Australian Writers Guild / Ted Roberts -- Paper on behalf of the Australian Film Development Corporation / Thomas Stacey -- Paper on behalf of the Producers' and Directors' Guild of Australia / Thomas Jeffrey -- Paper on behalf of the Australian Theatrical and Amusement Employees' Association / John McQuaid -- Summary of General Discussion -- List of participants
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Oyster card : Kim Beamish tackles climate change in his new film in Canberra Times [Panorama] (10/12/2016) p.14
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The Paramount story / John Douglas Eames London: Octopus Books, 1985.
Call No: 19PAR EAM; FOLIOAuthor: Eames, John Douglas, 1915 Source: UKPlace: LondonPublisher: Octopus BooksPubDate: 1985PhysDes: 368 pages : illustrations ; 33 cmSubject: HISTORY OF CINEMA ; INDUSTRY, FILM. USA ; PRODUCTION CENTRES : HOLLYWOOD ; PARAMOUNT STUDIOS ; STAR SYSTEM Summary: "The endless parade of Paramount hits, ranging from the first full-length film made in Hollywood - THE SQUAW MAN in 1913 - and the first winner of an Academy Award - WINGS in 1928 - to the blockbusters of the Eighties, and the blazing galaxy of Paramount stars, from Mary Pickford to Meryl Streep, Rudolph Valentino to Eddie Murphy, are fully documented in this indispensable book. Its lavish illustrations, in themselves a collection of collector's items, are an irresistable added attraction." [Taken from book jacket]Notes: Includes indexes; Filmography: p. 323-344ISBN: 0706420578LON: 4496946 4496946Contents: Preface and acknowledgements -- Introduction - the men who made Paramount --; 1916-1925: the best show in town -- 1926-1935: revolution and downfall -- 1936-1957: the mountain rises again -- 1958-1984: the big money --; The rest of 'the best shows in town' (1916-1925) -- Academy nominations and awards -- Index of films -- Index of personnelID2: 229
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Paul Cox pushes ahead with new film in The Age [Arts & entertainment] (5/11/2015) p.20
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Percy Grainger biopic announced in The Age [Arts & Entertainment] (23/04/2015) p.20
Call No: SUBJECT CLIPPINGS FILE; PRODUCTION. AUSTRALIA 2015Author: Quinn, Karl PhysDes: Clippings File ArticleSubject: PRODUCTION. AUSTRALIA Summary: Blue Rose and Addition are the latest films receiving funding by Screen Australia
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Picture / Lillian Ross Harmondsworth: Penguin Books, 1962.
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Plans to make a killing with Wolf Creek's TV adaptation in Sydney Morning Herald (16/02/2015) p.7
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Porn and royalty claim film funding share in Canberra Times (10/02/2016) p.3
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POST-PRODUCTION. AUSTRALIA
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PRE-PRODUCTION
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Pressure for quota on Netflix in The Age (30/05/2016) p.21
Call No: SUBJECT CLIPPINGS FILE; PRODUCTION, TV. AUSTRALIAAuthor: Mason, Max PhysDes: Clippings File ArticleSubject: VIDEO ON DEMAND ; STATE AND TV. EUROPEAN COUNTRIES ; PRODUCTION, TV. AUSTRALIA Summary: The European Union have imposed on streaming services a requirement that 20 percent of their libraries are made up of European content. Screen Producers Australia and the Nine Network discuss whether similar requirements should be made in AustraliaNotes: same article in Sydney Morning Herald. p 25
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Producers applaud FFC guideline changes in Encore (June 2000) vol.18 iss.5 p.6
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Producers deny 'unsafe' work in Sydney Morning Herald (08/02/2016) p.11
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Producers turn to the madding crowd to fund web series in Sydney Morning Herald (03/07/2015) p.13
Call No: TITLE CLIPPINGS FILE in production; CROCODILE, THE in productionAuthor: Morris, Linda PhysDes: Clippings File ArticleSubject: CONNELL, JOHN ; CROCODILE, THE in production Summary: Report on John Connell and his attempt to crowdfund an animated web series for children, MR CROCODILE
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Producing profitable low budget documentaries in Lumiere (March, 1974) iss.32 p.34-36
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Producing TV movies / Everett Chambers New York: Prentice Hall Press, 1986.
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PRODUCTION ASIA
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PRODUCTION. AUSTRALIA
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Production budgeting : + Film management / written by Dominic Case ... [et al.] ; compiled by Gill McKinlay Sydney North Ryde, N.S.W.: Australian Film Commission Australian Film, Television and Radio School, 1998.
Call No: 222(94) AUSAuthor: Case, Dominic ; McKinlay, Gill CorpAuthor: Australian Film Commission; Australian Film, Television and Radio SchoolEdition: 3rd edPlace: Sydney North Ryde, N.S.W.Publisher: Australian Film Commission Australian Film, Television and Radio SchoolPubDate: 1998PhysDes: viii, 442 p. : ill., forms. ; 30 cm. + 5 foldersSubject: PRODUCTION. AUSTRALIA ; BUDGETING. AUSTRALIA Notes: In satchel, 35 x 30 x 9 cm; Previous ed.: 1995; Includes index; Bibliography: p. 439-442ISBN: 1876351063LON: 14368984
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Production budgeting : + Film management / written by Dominic Case ... [et al.] ; compiled by Catherine Knapman ; updates compiled by Gill McKinlay Sydney North Ryde, N.S.W.: Australian Film Commission Australian Film, Television and Radio School, 1995.
Call No: 222(94) AUSAuthor: Knapman, Catherine, 1954 ; Case, Dominic ; McKinlay, Gill CorpAuthor: Australian Film Commission; Australian Film, Television and Radio SchoolEdition: 2nd edPlace: Sydney North Ryde, N.S.W.Publisher: Australian Film Commission Australian Film, Television and Radio SchoolPubDate: 1995PhysDes: vi, 440 p. : ill., forms. ; 30 cm. + 5 foldersSubject: PRODUCTION. AUSTRALIA ; BUDGETING. AUSTRALIA Notes: In satchel, 35 x 30 x 10 cm; Previous ed.: 1994; Includes index; Bibliography: p. 423-425ISBN: 0642199310LON: 11809272
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Production budgeting : + Film management / written by Dominic Case ... [et al.] ; compiled by Gill McKinlay Sydney North Ryde, N.S.W.: Australian Film Commission Australian Film, Television and Radio School, 2002.
Call No: 222(94) AUSAuthor: Case, Dominic ; McKinlay, Gill CorpAuthor: Australian Film Commission; Australian Film, Television and Radio SchoolEdition: 4rth edPlace: Sydney North Ryde, N.S.W.Publisher: Australian Film Commission Australian Film, Television and Radio SchoolPubDate: 2002PhysDes: viii, 458 p. : ill., forms. ; 30 cm. + 5 foldersSubject: PRODUCTION. AUSTRALIA ; BUDGETING. AUSTRALIA Notes: In satchel, 35 x 30 x 9 cm; Previous ed.: 1998; Includes index; Bibliography: p. 439-442ISBN: 1876351063LON: 14368984
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PRODUCTION CENTRES. AUSTRALIA
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PRODUCTION CENTRES. SYDNEY
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PRODUCTION COMPANIES & STUDIOS
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PRODUCTION COMPANIES & STUDIOS. AUSTRALIA
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PRODUCTION COSTS
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Production culture : industrial reflexivity and critical practice in film and television / John Thornton Caldwell Durham, NC: Duke University Press, 2008.
Call No: 21 CALAuthor: Caldwell, John Thornton Source: USPlace: Durham, NCPublisher: Duke University PressPubDate: 2008PhysDes: x, 451 p. : ill. ; 23 cmSeries: Console-ing passions; television and cultural powerSubject: PRODUCTION Notes: Includes bibliographical references (p. [433]-443) and indexISBN: 9780822341116Contents: Introduction: Industrial Reflexivity and Common Sense -- Ch. 1. Trade Stories and Career Capital -- Ch. 2. Trade Rituals and Turf Marking -- Ch. 3. Trade Images and Imagined Communities (Below the Line) -- Ch. 4. Trade Machines and Manufactured Identities (Below the Line) -- Ch. 5. Industrial Auteur Theory (Above the Line / Creative) -- Ch. 6. Industrial Identity Theory (Above the Line / Business) -- Ch. 7. Industrial Reflexivity as Viral Marketing -- Conclusion: Shoot-Outs, Bake-Offs, and Speed Dating (Manic Disclosure/Non-Disclosure) -- Appendix 1. Method: Artifacts and Cultural Practices in Production Studies -- Appendix 2. A Taxonomy of DVD Bonus Track Strategies and Functions -- Appendix 3. Practitioner Avowal/Disavowal (Industrial Doublespeak) -- Appendix 4. Corporate Reflexivity vs. Worker Reflexivity (The Two Warring Flipsides of Industrial Self-Disclosure)
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Production personnel resources / ... prepared by ... Sandra Alexander [North Sydney, N.S.W.: Australian Broadcasting Tribunal], 1987.
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PRODUCTION TECHNOLOGY
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PRODUCTION. USA
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Projects Development Fund : Script Development in Australasian Cinema (12/11/1982) vol.11 iss.20 p.4-5
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PROPAGANDA FILMS (Production Company)
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PSO and Delphi companies merge in Australasian Cinema (Friday, 30/11/1984) vol.13 iss.20 p.2, 5
Subject: INDUSTRY, FILM ; PRODUCTION Summary: Article on the merging of Producers Sales Organisation and Delphi, a brief history on each company and the $350 million pledge for five years of film production.
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Psychedelorama in Montage (September 1967) p.7-10
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thor: ragnarok (us, taika waititi, 2017)
Qld premier visits Thor on Brisbane set in AAP Newswire (23/08/2016)
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Queensland images : in film and television / edited by Jonathan Dawson and Bruce Molloy St. Lucia, Qld.: University of Queensland Press, 1990.
Call No: 71(943) QUECopy Management: Copy 1; Copy 2Author: Dawson, Jonathan ; Molloy, Bruce Place: St. Lucia, Qld.Publisher: University of Queensland PressPubDate: 1990PhysDes: xii, 180 p., [16] p. of plates : ill., ports. ; 22 cmSubject: INDEPENDENT PRODUCTION. AUSTRALIA: QUEENSLAND ; COMMERCIALS, TV. AUSTRALIA: QUEENSLAND ; MYTH AND THE CINEMA. AUSTRALIA: QUEENSLAND ; DOCUMENTARIES. AUSTRALIA QUEENSLAND ; INDUSTRY, FILM. AUSTRALIA : QUEENSLAND ; SOCIETIES, FILM. AUSTRALIA: QUEENSLAND ; QUEENSLAND ; AUSTRALIAN BROADCASTING CORPORATION ; QUEENSLAND FILM CORPORATION ; MCKIMMIE, JACKIE ; BURNE, GEORGE ; BANNAH, MAX ; MORRIS, MONTY ; MARKS, DICK ; BUDDIES (AT, Arch Nicholson, 1983) ; COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984) ; MISSION: IMPOSSIBLE [TV] (US, 1966-73, 1988-) ; CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987) ; SONS OF MATTHEW (AT, Charles Chauvel, 1949) Notes: Bibliography: p. [177]-180ISBN: 070222331X (pbk.) : $24.95LON: abn90164773; 7319368
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Queer Asian Australian migration : creative film co-production and diasporic intimicy in The home song stories in Studies in Australasian cinema (2008) vol.2 iss.3 p.229-243
Author: Yue, Audrey PhysDes: ArticleSubject: PRODUCTION DEALS. AUSTRALIA ; ASIANS IN FILMS. AUSTRALIA ; ADVERTISING FOR FILMS ; PRODUCTION DEALS. AUSTRALIA ; SEXUALITY AND THE CINEMA ; HOME SONG STORIES, THE (AT, Tony Ayres, 2007) Summary: This paper examines Tony Ayres' recent film, The Home Song Stories (2007) using the framework of queer Asian Australian migration. First, queer migration is critically considered through the minor transnationalism of its co-production. Evaluating the marketing of the film in Singapore and Australia, this article shows how Chinese ethnicity is deployed as exclusive and inclusive to enable different tactics of queer mobility and how these tactics are incorporated by different film policies to fulfil competing national aims. Second, this article considers the queer mobility of diasporic intimacy. Diasporic intimacy disrupts the regulation of queer migration and shows how the private domains of memory, family and sexuality are reconstituted in the transnational Chinese diaspora. The framework of queer Asian Australian migration describes the non-normative migration of Asians to Australia, the disjunctive flows of mobility that constitute the Asian diaspora in Australia, as well as the regulation of non-normative Asian Australian migration in national symbolic and institutional economies. The framework of queer Asian Australian migration, this article argues, provides a theoretical platform to critically consider the transnationality of Asian Australian cinema. -- AbstractNotes: Part of Special Issue: Transnational Asian Australian Cinema, part 2
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Questions raised about unsafe work on Bollywood film shoot in Sydney Morning Herald (06/02/2016) p.4
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Reading for a living : how to be a professional story analyst for film and television / T.L. Katahn Los Angeles, Calif.: Blue Arrow Books, 1990.
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Reel time : Horror film crew takes over the asylum in The Australian [Arts & Entertainment] (04/03/2015) p.15
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Reel Time : Cameras rolling for old dog with new tricks in The Australian (20/05/2015) p.15
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Reel Time : Cameras rolling for old dog with new tricks in The Australian (20/05/2015) p.15
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Reel time : Schumer vows to return for stand-up in The Australian (05/08/2015) p.15
Call No: SUBJECT CLIPPINGS FILE; PRODUCTION. AUSTRALIAAuthor: Bodey, Michael PhysDes: Clippings File ArticleSubject: PRODUCTION. AUSTRALIA Summary: Screen Australia has confirmed production investment in two feature films and a new Seven drama series- The Nest, directed by Kimble Rendall, A Few Less Men directed bt Peter Templeman and adventure drama series titled Wanted.
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Reel time : There's life after the apocalypse- on TV in The Australian [Arts & Entertainment] (19/09/2015) p.19
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIA 2015Author: Bodey, Michael PhysDes: Clippings File ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; THESE FINAL HOURS (AT, Zak Hilditch, 2013) ; NUMBSKULL (in production) ; MONTH OF SUNDAYS, A (AT, Matthew Saville, 2015) ; DAUGHTER, THE (AT, Simon Stone, 2015) ; DRESSMAKER, THE (AT, Jocelyn Moorhouse, 2015) ; AWARDS. AUSTRALIAN WRITERS GUILD Summary: Film industry news: These Final Hours will be atapted into a television series; Josh Lawson's Little Death is also being adapted by European filmmakers; Numbskull is in production; Early Winter has won the Venice Days Award written and directed by Michael Rowe; Postive reviews have been sited for Australian films A Month of Sundays, The Daughter and The Dressmaker. Nicole Kidman has also recieved positive reviews for her stage performance in Photograph 51; and the 2015 AWGIE awards announced.
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Reel time : Edgerton back in chair with kidnap drama in The Australian (16/03/2016) p.15
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Reel time : making the Cannes cut is far from in the can in The Australian (23/03/2016) p.15
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM & TV. AUSTRALIA [weekly summaries]Author: Michael Bodey PhysDes: Clippings File ArticleSubject: FESTIVALS. CANNES ; BOX OFFICE. AUSTRALIA ; JUNGLE in production ; FROM NOWHERE (US, Matthew Newton, 2016) ; DEADPOOL (US, Tim Miller, 2016) ; TOP OF THE LAKE [TV] (AT/UK, Jane Campion/Garth Davis, 2013) Summary: Snippets on various aspects of the Australian film industry in March 2016. Articles include --
Speculation about which Australian productions and productions involving Australians will screen at the 2016 Cannes Film Festival, with the most likely being the Cate Shortland helmed BERLIN SYNDROME. Some notable films such as: LION, WAR MACHINE will be most likely be screened at festivals later in the year. -- Greg McLean is to start the production of JUNGLE, which is based on a memoir. It will be adapted by Justin Monjo -- FROM NOWHERE, directed by Australian Matthew Newton, has won an award at the South By Southwest Film Festival -- DEADPOOL has earned $40 million at the Australian box office, whilst other films mentioned in regards to Box Office are THE DAUGHTER, LADY IN THE VAN, ZOOTOPIA, LONDON HAS FALLEN, THE WITCH, THE REVENANT, GODS OF EGYPT, and STAR WARS: THE FORCE AWAKENS. -- Discussion of the casting for the new season of TOP OF THE LAKE -- Australian actors Guy Pearce and Rachel Griffiths will appear in the US TV drama series WHEN WE RISE
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Reel time : Baker in director debut for Winton's Breath in The Australian (20/04/2016) p.15
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM & TV. AUSTRALIA (WEEKLY SUMMARIES)Author: Bodey, Michael PhysDes: Clippings File ArticleSubject: BREATH (AT, Simon Baker, 2017) ; SEE PICTURES ; TICKET TO RIDE [company] ; WALT DISNEY PRODUCTIONS ; BOX OFFICE. AUSTRALIA ; FESTIVALS. AUSTRALIA. ESSENTIAL INDEPENDENTS ; WATTS, NAOMI ; GYPSY [TV] in production ; AVATAR sequels in production ; JUSTICE LEAGUE, THE in production ; STUFFED (AT, Warwick Young, 2014) Summary: Round-up of film/tv industry news stories for the week, including: Simon Baker starting shooting of the film BREATH, AVATAR sequels production has begun, THE JUSTICE LEAGUE film starting shooting with well-known producers onboard including Dr George Miller Doug Mitchell, Barrie Osbourne, Managing Director of Australia/NZ Disney Catherine Powell is moving just as Disney's box office share in Australia is growing, Richard Sowada has put together a festival of American Independent cinema, Warwick Young has won Best Foreign Film category at the Beverly Hills Film Festival for his film STUFFED, Naomi Watts will produce and act in the Netflix series GYPSY
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Reeltime : Oddball catches up with high-flying Planes in The Australian [Arts & Entertainment] (14/10/2015) p.15
Call No: SUBJECT CLIPPINGS FILE; PRODUCTION. AUSTRALIAAuthor: Bodey, Michael PhysDes: Clippings File ArticleSubject: PRODUCTION. AUSTRALIA Summary: The Australian Directors Guild is now to be consulted before foreign films are awarded permission to shoot in AustraliaTaika Waititi in negotiations to direct Thor 3- it is one of several productions considering Australia as the Australian dollar has dropped against the US.
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Remakes and more remakes for Murdoch's 'entertainment' arms in Crikey.com.au (08/09/2016)
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Report to the Minister on national interest program production 1989/90 / Film Australia Australia: Film Australia, 1990.
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The retiring type in Daily Telegraph [Hit] (21/05/2015) p.46
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RETURN TO KANDAHAR in production : (AT, Benjamin Gilmour, ?)
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Ridley swaps lightsabres for swords in Sydney Morning Herald (16/03/2017) p.20
Call No: PERSONALITY CLIPPINGS FILE; MCCARTHY, CLAIREAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: MCCARTHY, CLAIRE ; OPHELIA in production Summary: Report on the new film production OPHELIA, based upon William Shakespeare's play Hamlet. The film is to be directed by Claire McCarthy and she discusses her career and the difficulties in getting a feature film made
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Rival SBS crime drama could sink indie doco two years in development in Crikey.com.au (19/11/2015) p.-
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The RKO story / Richard B. Jewell with Vernon Harbin London: Octopus, 1982.
Call No: 19RKO JEW; FOLIOAuthor: Jewell, Richard B ; Harbin, Vernon Source: USPlace: LondonPublisher: OctopusPubDate: 1982PhysDes: 320 p. : ill. (some col.), ports. ; 33 cmSubject: INDUSTRY, FILM ; PRODUCTION CENTRES : HOLLYWOOD ; RKO Summary: "RKO Pictures existed in an atmosphere of almost continual chaos, from its optimistic beginnings in 1928, until it collapsed into ruins in the hands of the megalomaniac Howard Hughes nearly 30 years later. In its comparatively short and always turbulent history RKO made some of the greatest films and nurtured some of the finest talents ever to emerge from Hollywood - and allowed others, such as David O. Selznick, to slip disastrously through its fingers. It was the studio that immortalized Fred Astaire and Ginger Rogers, and almost succeeded in ruining Katharine Hepburn's career. It brought to stardom Irene Dunne, Bette Davis, Robert Mitchum and Cary Grant among others, unveiled the genius of Orson Wells [sic] and established KING KONG and TARZAN in popular mythology. They are all here in a detailed account of their triumphs and their failures, together with a fully illustrated description and assessment of all the films they made." [Taken from book jacket]Notes: Includes indexISBN: 0706412850 : ª11.95; 0706424700LON: 2628574Contents: Acknowledgements -- Preface -- Introduction -- 1929-1939 -- 1940-1949 -- 1950-1960 -- RKO British production and distribution -- RKO nominations and awards -- Index of film titles -- Index of personnelID2: 229
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Roadshow zooms in on 'Australiana' films in The Australian (31/08/2015) p.25
Call No: SUBJECT CLIPPINGS FILE; PRODUCTION. AUSTRALIAAuthor: Bodey, Michael PhysDes: Clippings File ArticleSubject: VILLAGE ROADSHOW ; PRODUCTION. AUSTRALIA Summary: Interview with Roadshow film head of production Seph McKenna who talks about the types of Australian films that have been successful in the box office and the ones that haven't. He thinks that films that have explicitly Australian themes are amongst Roadshow's highest grossing films
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ROSIE PROJECT, THE in production Digital clippings file available
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The satchel : Production budgeting and film management / Coordinationg editor: Sandra Alexander Woolloomooloo, NSW: Australian Film Commission, 2007.
Call No: 222(94) AUSAuthor: Alexander, Sandra CorpAuthor: Australian Film CommissionEdition: 2007 edition, fully revisedPlace: Woolloomooloo, NSWPublisher: Australian Film CommissionPubDate: 2007PhysDes: xii, 456 p. : ill., forms. ; 34 cm. + 5 folders in loose-leaf binder.Subject: PRODUCTION. AUSTRALIA ; BUDGETING. AUSTRALIA ISBN: 1876351063LON: 14368984Donation: Michael SmithID2: 227
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SCAR, THE : (UK, Amber Production Team, 1997)
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Screen boss tips revival from local film production decline in The Australian (03/08/2015) p.25
Call No: SUBJECT CLIPPINGS FILE; PRODUCTION. AUSTRALIAAuthor: Bodey, Michael PhysDes: Clippings File ArticleSubject: PRODUCTION, TV. AUSTRALIA ; PRODUCTION. AUSTRALIA ; SCREEN AUSTRALIA Summary: Interview with Screen Australia chief executive Graeme Mason about the state of Australia's production industry. He acknowledges the recent downturn in film/tv production, but is optimistic that it will rise again soon
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Screen dream amiss in Sunday Herald Sun (30/04/2017) p.37
Call No: SUBJECT CLIPPINGS FILE; TAXES. AUSTRALIAAuthor: Smethurst, Annika PhysDes: Clippings File ArticleSubject: TAXES. AUSTRALIA ; PRODUCTION, TV. AUSTRALIA Summary: Call by production companies for the Australian govenrment to broaden the scope of eligibility for tax offsets to include streaming production companies
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Screen International. Focus on Australia '79 in Screen International (28/4-05/05/1979) iss.187 p.13-59
PhysDes: Focus IssueSubject: AUSTRALIAN FILM COMMISSION ; DISTRIBUTION. AUSTRALIA ; GOVERNMENT AID. AUSTRALIA ; SOUTH AUSTRALIAN FILM CORPORATION ; AUSTRALIAN FILM INSTITUTE ; FUNDING. AUSTRALIA ; LAST WAVE, THE (AT, Peter Weir, 1977) ; HOYTS ; GREATER UNION ; PRODUCTION COMPANIES & STUDIOS. AUSTRALIA Summary: Articles on the state of the Australian film industry, many focusing on proposed funding changes, the role of producers in making a film, and various distribution deals. John Morris, Antony Ginnane, Paul Davies, Fred Schepisi, and Graham Burke were consulted within some of the articles. Peter Weir's 'The Last Wave' features heavily as an example of the emerging Australian film scene. Includes numerous visuals of various Australian films and television showsNotes: In bound Screen International book 'Focus on Australia '79' appears both in Iss.187, and as a second copy at the end.
For other Australian Focus Issue resources see;'The Hollywood Reporter. A Special Report On Location in Australia', V.300, Iss.27, 05/01/1988'The Hollywood Reporter. Australia '89 Special Report On Location in Australia', V.306, Iss. 24, 24/02/1989
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Screen Producers urges government to remove barriers in Australian Financial Review (3/04/2017) p.31
Call No: SUBJECT CLIPPINGS FILEAuthor: Mason, Max PhysDes: Clippings File ArticleSubject: SCREEN PRODUCERS AUSTRALIA ; TAXES. AUSTRALIA ; PRODUCTION, TV. AUSTRALIA Summary: Report on the Screen Producers Australia submission to the Arts Inquiry, where the organisation has asked for the Producer's Tax Offset for television production to be set at the same rate as film production, which is 40 percent. Other suggestions including a measured approach to tv broadcasting deregulation are listed
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Screen sector dismayed by 'dysfunctional' ABC TV in The Australian (03/08/2015) p.23
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Second annual John Grierson lecture : children's television - the past, the present and the future / delivered by Patricia Edgar East Melbourne: Victorian Documentary Film Council, State Film Centre of Victoria Council, [1979].
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Secret lives of Asian Australian cinema : offshore labour in transnational film industries in Studies in Australasian cinema (2008) vol.2 iss.3 p.213-227
Author: Labato, Ramon PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; PRODUCTION ASIA ; PRODUCTION DEALS. AUSTRALIA ; ASIANS AND THE CINEMA. AUSTRALIA ; FILM WORKERS Summary: This article examines some of the material dimensions of Asian Australian cinema through an analysis of selected regional production and post-production flows since 1980, and the debates surrounding them. It begins with a theoretical discussion of the role of labour within the global film industry, before moving on to consider controversies around the offshoring of film production to lower-cost destinations. Specific examples of production relays between Asia and Australia are analysed in the context of models of cultural labour offered by Toby Miller et al. and Ben Goldsmith. The author proposes a definition of Asian Australian cinema that seeks to attend to cross-border collaboration at a variety of levels and to render visible ‘below-the-line’ Asian Australian interfaces that do not necessarily register on screen. -- AbstractNotes: Part of Special Issue: Transnational Asian Australian Cinema, part 2
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Secret missions in dark of night in Daily Telegraph (19/11/2016) p.12
Call No: TITLE CLIPPINGS FILE in production; INTO THE SOUTH CHINA SEA in productionAuthor: Hook, Chris PhysDes: Clippings File ArticleSubject: INTO THE SOUTH CHINA SEA in production Summary: Interview with Robert Cockvburn, the director of a documentary (in production) INTO THE SOUTH CHINA SEA, which is about the Royal Australia Airforce mining harbours to hinder the efforts of the Japanese Navy in World War 2
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A select list of Australian independent films held by the Film & Video Collection / Education Department of Victoria Carlton, Vic.: Education Department of Victoria, [1984?].
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Seven to bowl up Warne drama in The Australian (27/10/2016) p.3
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Shoot it! : Hollywood inc. and the rising of independent film / David Spaner Vancouver: Arsenal Pulp Press, 2012.
Call No: 721.210.4 SPAAuthor: Spaner, David Edition: 2012Place: VancouverPublisher: Arsenal Pulp PressPubDate: 2012PhysDes: 304 pages : illustrated ; 23 cmSubject: INDEPENDENT PRODUCTION ; INDEPENDENT FILMS ; POLITICS AND THE CINEMA ; FRANCE ; UNITED KINGDOM ; KOREA ; MEXICO ; ROMANIA ; CANADA ; USA Summary: Shoot It! is a revealing history of how Hollywood, with its eye on the bottom line, lost its ability to support the work of creative filmmakers; it is also a passionate portrait of the independent filmmakers who have risen up to fill the void.
The book examines the Hollywood studio system over several decades, from the period when it produced more quality yet commercially viable films, to today, when studios seem only interested in surefire sequels and comic-book adaptations aimed at a global audience. By the same token, Shoot It! also celebrates today's great movies produced outside of the studio system, chronicling the international independent film movement in seven countries (the United States, Canada, Mexico, Britain, France, Romania, and South Korea), from its roots (European New Waves, New York independents) to the revolutionary impact of digital technology. It also features commentary from indie film notables such as Mike Leigh, Gus Van Sant, Claire Denis, Miranda July, Woody Allen, Atom Egoyan, Catherine Breillat, Sally Potter, John Sayles, and Ken Loach.
While the studios envisage a generic universe, repressing local film cultures along the way, talented independents continue to tell local stories with universal appeal. This book is a celebration of those determined filmmakers who, despite it all, overcome every obstacle and just shoot it. -- publisher's web siteISBN: 9781551524085
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"SHOOTING IN THE UK" 16 July 1998.
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Shooting through : Australian film and the brain drain / Storry Walton Strawberry Hills, N.S.W.: Currency House, 2005.
Call No: 203(94) WALAuthor: Walton, Storry Source: ATPlace: Strawberry Hills, N.S.W.Publisher: Currency HousePubDate: 2005PhysDes: iv, 69 p. ; 21 cmSeries: Platform papers ; no. 5Subject: INDUSTRY, FILM. AUSTRALIA ; FINANCING. AUSTRALIA ; GOVERNMENT AID. AUSTRALIA ; PRODUCTION. AUSTRALIA ; AUSTRALIAN FILM FINANCE CORPORATION ; AUSTRALIAN FILM COMMISSION ; ROSEN, BRIAN ; NOYCE, PHIL ; ARMSTRONG, GILLIAN Notes: Also includes responses to 'Myth of the mainstream, a paper by Robyn Archer, pp.59-67.
Includes bibliographical references, pp.55-58.ISBN: 0975730118
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Shooting to kill : how an independent producer blasts through the barriers to make movies that matter / Christine Vachon with David Edelstein New York: Avon Books, c1998.
Call No: 210.2(73) VACAuthor: Vachon, Christine ; Edelstein, David Place: New YorkPublisher: Avon BooksPubDate: c1998PhysDes: 335 p. : ill. ; 21 cmSubject: INDEPENDENT PRODUCTION ; BUDGETING ; DISTRIBUTION ; POST-PRODUCTION ; FINANCING ; HAYNES, TODD ; VACHON, CHRISTINE ; VELVET GOLDMINE (UK, Todd Haynes, 1998) ; I SHOT ANDY WARHOL (US, Mary Harron, 1996) ; KIDS (US, Larry Clark, 1995) ; SAFE (US, Todd Haynes, 1995) ; STONEWALL (US/UK, Nigel Finch, 1995) Notes: Includes indexISBN: 0380LON: 13921660
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Shooting women : behind the camera, around the world / by Harriet Margolis, Alexis Krasilovsky, and Julia Stein Bristol, U.K. ; Chicago, USA: Intellect, c2015.
Call No: 451-02 MARAuthor: Margolis, Harriet ; Krasilovsky, Alexis ; Stein, Julia Source: UK/USPlace: Bristol, U.K. ; Chicago, USAPublisher: IntellectPubDate: c2015PhysDes: xxvii, 338 pages ; 23 cmSubject: WOMEN FILM WORKERS ; WOMEN TV WORKERS ; WOMEN FILMMAKERS ; CINEMATOGRAPHY ; PRODUCTION ; CAMERAS ; WOMEN AND THE CINEMA ; DOCUMENTARIES ; WOMEN, FILMS MADE BY Summary: "Shooting Women takes readers around the world to explore the lives of camerawomen working in features, TV news, and documentaries. From first-world pioneers like African American camerawoman Jessie Maple Patton who got her job only after suing the union to China's first camerawomen who traveled with Mao, to rural India where poor women have learned camerawork as a means of empowerment, Shooting Women reveals a world of women working with courage and skill in the male-dominated film and televsion industries." -- BOOK BACK COVER BLURBNotes: Includes bibliographical references and indexLON: 9781783205066Contents: -- acknowledgments -- prefaces -- from Alex Krasilovsky -- from Harriet Margolis-- ch: 1 How do women become camerawomen? -- Learning on the Job -- Still Photography -- Film School -- Training Programs -- Two Examples of Feminist Groups: Women in Film and Behind the Lens -- Women-Supportive Workshops and Production Groups -- Filming in the Service of Social Activism: Video SEWA and Aina -- Collectives -- Rental Houses -- ch: 2 How hard can it be? -- Gender Discrimination -- Unions and Guilds -- When Cameras Were Heavy -- Helpful Men -- Ssh! (Secret Sexual Harassment) -- Sabotage -- Getting Paid Jobs -- Breaking Out of Isolation -- Rising through the Ranks -- Budgets and Glass Ceilings -- ch: 3 Documentary: A good and satisfying career choice that is statistically friendlier to women than feature fiction filmmaking -- Filming History Being Made in China -- Documentary: Historical and Personal -- ch: 4 Hollywood, Bollywood, independents, and short forms -- Hollywood -- Indian Cinema -- The Freedom of Independent Films -- Music Videos -- Commercials and Such -- Experimental/Avant-Garde Films and Videos -- Art Films and Videos -- Shooting Special Material: Birth -- ch: 5 Special skills and creativity -- Handheld Camerawork -- Cranes -- Underwater -- Helicopters -- Special Effects -- Lighting as a Cinematographer's Dream Job -- Digital Technology -- Style -- ch: 6 Shooting around the world -- Erika Addis on Beginning her Career -- Arlene Burns on Filming in the Kuril Islands -- Young-Joo Byun on Filming Comfort Women in Korea -- Nancy Durham on Filming the Balkan War -- Jolanta Dylewska on Filming in Kazakhstan -- Sabeena Gadihoke on Filming Three Women and a Camera -- Rozette Ghadery on Filming in Kurdistan -- Sue Gibson on Filming in Jordan -- Joan Giummo on Filming Homeless Women in New York -- Agnes Godard Pays Homage to Beauty -- Marina Goldovskaya on Filming History Being Made in Russia -- Ellen Kuras on Pivotal Moments in Shooting -- Heather MacKenzie on Filming Romanian Orphans -- Sandi Sissel on Filming Salaam Bombay! -- Agnes Varda on Filming the Human Body -- Liz Ziegler on Filming Eyes Wide Shut (1999) for Stanley Kubrick -- ch: 7 Can camerawomen also be women? -- Parents -- Fathers -- Mothers -- Friends and Extended Family -- Husbands -- A Happy Marriage -- Pregnancy -- Children and Childcare -- Daughters -- ch: 8 What's it really like? -- A Typical Day -- Where Do Camerawomen Go? -- What Do Camerawomen Wear? -- Working with the Crew -- Working with Directors and Producers -- Acting Like Men to Fit In -- The Advantages of Being Female -- ch: 9 Magic moments, worst moments -- Satisfactions -- Worst Moments, Dangers, and Risking One's Life -- ch: 10 What do camerawomen see? -- Representation and Gender -- Ethics -- Camerawomen Teaching -- "Just Do It" -- Aspirations for the Future -- List of camerawomen whose interviews are included in this book -- bibliography -- index --
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Short cuts : new films in Sydney Morning Herald [Arts & Entertainment] (12/03/2015) p.30
Call No: SUBJECT CLIPPINGS FILE; PRODUCTION. AUSTRALIAAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: PRODUCTION. AUSTRALIA Summary: A brief review of films in production in Australia
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Short Cuts : Morecombe film to be 'uplifing' in Sydney Morning Herald [Arts & Entertainment] (26/03/2015) p.30
Call No: TITLE CLIPPINGS FILE in production; WHERE IS DANIEL? in productionAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: WHERE IS DANIEL? in production Summary: Film about the real life case of the disappearance of school boy Daniel Morcombe is to be directed by Peter Cousens and is titled Where Is Daniel?
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Short Cuts : Brosnan's Melbourne film ditched in The Age [Arts & Entertainment] (26/03/2015) p.30
Call No: TITLE CLIPPINGS FILE in production; MOON AND THE SUN, THE in productionAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: MOON AND THE SUN, THE in production Summary: THe Moon and the Sun, a film shot in Melbourne starring Pierce Brosnan has it's release date (originally scheduled for April 10, 2015) delayed.
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Short Cuts : Morecombe film to be 'uplifing' in The Age [Arts & Entertainment] (26/03/2015) p.30
Call No: TITLE CLIPPINGS FILE in production; WHERE IS DANIEL? in productionAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: WHERE IS DANIEL? in production Summary: Film about the real life case of the disappearance of school boy Daniel Morcombe is to be directed by Peter Cousens and is titled Where Is Daniel?
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Short cuts : Behind the scenes in The Age [Arts & Entertainment] (2/4/2015) p.20
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Short cuts : welcome back in Sydney Morning Herald (23/04/2015) p.30
Call No: SUBJECT CLIPPINGS FILE; PRODUCTION. AUSTRALIAAuthor: Quinn, Karl PhysDes: Clippings File ArticleSubject: SCREEN AUSTRALIA ; FUNDING. AUSTRALIA ; PRODUCTION. AUSTRALIA Summary: Funding has been approved by Screen Australia for two new productions: Addition (based on the novel by Toni Jordan), and Blue Rose (a biopic on Australian composer Percy Grainger)
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Short cuts : Kent in demand in Sydney Morning Herald (21/05/2015) p.30
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Short cuts : Deal for western in Sydney Morning Herald (21/05/2015) p.30
Call No: TITLE CLIPPINGS FILE in production; BY WAY OF HELENA in productionAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: BY WAY OF HELENA in production Summary: By way of Helena, a western directed by Australian Kieran Darcy-Smith, has been picked up for distribution in North America by Lionsgate
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Short cuts : Producer takes the bait again in Sydney Morning Herald (08/08/2013) p.16
Call No: TITLE CLIPPINGS FILE in production; DEEP WATER in productionAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: DEEP WATER in production Summary: Australian producer Gary Hamilton is looking to shoot an Australian-China co-production of a film Deep Water. He has success with the film Bait.
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Short cuts : horror plan in Sydney Morning Herald [Arts and Entertainment] (28/05/2015) p.20
Call No: PERSONALITY CLIPPINGS FILE; TEDESCHI, ENZOAuthor: Maddox, Gary PhysDes: Clippings File ArticleSubject: TEDESCHI, ENZO ; ABSENTION in production Summary: Brief article on horror producer Enzo Tedeschi gaining the film rights to horror-video game ABSENTION
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Short cuts : survival horror game adaptation in The Age (28/05/2015) p.28
Call No: TITLE CLIPPINGS FILE in production; ABSENTION in productionAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: TEDESCHI, ENZO ; ABSENTION in production Summary: Producer Enzo Tedeschi is hoping to adapt a videogame into a film titled 'Absention'
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Short cuts : Paul Cox dramtatises struggle for life in The Age (11/06/2015) p.30
Call No: TITLE CLIPPINGS FILE in production; FORCE OF DESTINY in productionAuthor: - PhysDes: Clippings File ArticleSubject: DEATH IN FILMS ; COX, PAUL ; FORCE OF DESTINY in production Summary: Snippet on Paul Cox's upcoming film 'Force of Destiny', as well as mention of film 'Last Cab to Darwin
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Short cuts : Documentary plans in Sydney Morning Herald (18/06/2015) p.15
Call No: SUBJECT CLIPPINGS FILE; DOCUMENTARIES. AUSTRALIAAuthor: Hawker, Philippa PhysDes: Clippings File ArticleSubject: SCREEN AUSTRALIA ; DOCUMENTARIES. AUSTRALIA ; MOUNTAIN in production Summary: Screen Australia to put in $4.4 m of funding into upcoming productions of Australian documentaries, which includes the production 'Mountain', which will be made in collaboration with Richard Tognetti and will feature live performances by the Australian Chamber Orchestra
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Short cuts : Cox returns in Sydney Morning Herald (25/6/2015) p.30
Call No: TITLE CLIPPINGS FILE in production; FORCE OF DESTINY in productionAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: FESTIVALS. MELBOURNE ; COX, PAUL ; FORCE OF DESTINY in production Summary: Snippet on Paul Cox, his failing heath, and that his film FORCE OF DESTINY will make its debut screening at the 2015 Melbourne International Film Festival
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Short cuts : Wenham to direct film set in sex shop in The Age (02/07/2015) p.20
Call No: TITLE CLIPPINGS FILE in production; LOVE MACHINE in productionAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: LOVE MACHINE in production Summary: Snippet about the film LOVE MACHINE, set in a Kings Cross sex shop. It is to be directed by David Wenham
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Short cuts : Werewolf film for Mora in The Age (02/07/2015) p.20
Call No: TITLE CLIPPINGS FILE in production; GROWLING, THE in productionAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: MORA, PHILIPPE ; GROWLING, THE in production Summary: Australian film director is looking to crowdfund a new film about werewolves titled THE GROWLING
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Short cuts : Roxburgh, Ward develop films in Sydney Morning Herald (23/07/2015) p.30
Call No: SUBJECT CLIPPINGS FILE; PRODUCTION. AUSTRALIAAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: PRODUCTION. AUSTRALIA Summary: Snippet on Richard Roxburgh and Rachel Ward receiving funding from Screen Australia for new films. Roxburgh will direct Babyteeth, whilst Ward will write and direct Tourmaline
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Short cuts : film and TV downturn to continue in The Age (30/07/2015) p.20
Call No: SUBJECT CLIPPINGS FILE; PRODUCTION. AUSTRALIAAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: PRODUCTION. AUSTRALIA Summary: Downturn in Australian film and tv show production in the 2014-15 financial year
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Short cuts : film downturn in Sydney Morning Herald [Arts & Entertainment] (30/07/2015) p.30
Author: Maddox, Garry PhysDes: Clippings File ArticleSubject: PRODUCTION, TV. AUSTRALIA Summary: This article outlines production expenditure for this financial year, 2015. It is predicted that production expenditure will drop again , partially due to the collapse of foreign investment in Australin TV production and a decline in ABC spending. Screen Australia is to invest slightly more this financial year.
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Short cuts : Winslet signs on to Lee Miller biopic in The Age (15/10/2015) p.32
Call No: TITLE CLIPPINGS FILE in production; LEE MILLER FILM in productionAuthor: - PhysDes: Clippings File ArticleSubject: LEE MILLER FILM in production Summary: Snippet about Kate Winslet to appear in an Australian produced, by Hopscotch, biopic about Lee Miller
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Short cuts : new thriller on honour killings in Sydney Morning Herald (19/11/2015) p.22
Call No: TITLE CLIPPINGS FILE in production; DEFIANT in productionAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: DEFIANT in production Summary: Snippet on Bill Bennett entering production of the film DEFIANT, which is about honour killings in Inida
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Short cuts : Camel film next for Wadjda director in The Age (24/12/2015) p.22
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Short cuts : Star Wars in The Age (24/12/2015) p.22
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Short Cuts : director slams 'Hollywood war porn' in Sydney Morning Herald (28/01/2016) p.20
Call No: TITLE CLIPPINGS FILE in production; RETURN TO KANDAHAR in productionAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: GILMOUR, BENJAMIN ; RETURN TO KANDAHAR in production (AT, Benjamin Gilmour, ?) Summary: Report on Australian filmmaker Benjamin Gilmour who is looking to raise funds to shoot a fiction film about a US soldier going back to Afghanistan to find the family of a victim of his actions. He rails against Hollywood's depiction of warNotes: same article in The Age, 28/01/2016. p. 28.
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Short cuts : Australia gets its own Spotlight in Sydney Morning Herald [Arts & Entertainment] (10/03/2016) p.30
Call No: TITLE CLIPPINGS FILE in production; DON'T TELL in productionAuthor: Maddox, garry PhysDes: Clippings File ArticleSubject: DON'T TELL in production Summary: Don't Tell is shooting in Queensland. The film is about a landmark sexual abuse case against an Anglican school
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Short cuts : Mountain high in Sydney Morning Herald [Arts & Entertainment] (10/03/2016) p.30
Call No: TITLE CLIPPINGS FILE in production; MOUNTAIN in productionPhysDes: Clippings File ArticleSubject: MOUNTAIN in production Summary: New film in production by Australian director Jennifer Peedom
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Short cuts : Afghan drama in Sydney Morning Herald (17/03/2016) p.30
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Short cuts : Peter Rabbit to hop Down Under? in The Age (24/03/2016) p.32
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Short cuts : China's cinema expands Down Under in The Age (21/4/2016) p.20
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Short cuts : Owen on board for Schepisi thriller in The Age (12/05/2016) p.28
Call No: TITLE CLIPPINGS FILE in production; ANDORRA in productionAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: ANDORRA in production Summary: Report on new film ANDORRA, to be directed by Fred Schepisi and starring Clive Owen
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Short cuts : Edgerton film in Sydney Morning Herald (19/05/2016) p.20
Call No: TITLE CLIPPINGS FILE in production; NASH EDGERTON FILM in productionAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: NASH EDGERTON FILM in production Summary: Snippet on the upcoming Nash Edgerton directed film (currently untitled), which is being shot in Mexico City and features his brother Joel Edgerton, Charlize Theron and number of well-known actors
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Short cuts : Kidman snaps up vampire play in The Age (02/06/2016) p.24
Call No: TITLE CLIPPINGS FILE in production; CUDDLES in productionAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: BLOSSUM FILMS ; KIDMAN, NICOLE ; CUDDLES in production Summary: Snippet on Nicole Kidman to produce CUDDLES, an adaptation of a play as well as her role in the TV series BIG LITTLE LIES
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Short cuts : tasty projects in Sydney Morning Herald (14/07/2016) p.18
Call No: SUBJECT CLIPPINGS FILE; GENDER MATTERSAuthor: Maddox, Gary PhysDes: Clippings File ArticleSubject: SCREEN AUSTRALIA ; GENDER MATTERS ; LAST FLIGHT, THE (AT, Unjoo Moon) in production ; NIGHTINGALE AND THE ROSE, THE (AT, Del Kathryn Barton, 2015) ; SOUND OF MUMBAI, THE (AT, Sarah McCarthy) in production Summary: Brief summary of a few productions that are being funded by the Screen Australia initiative Gender MattersNotes: similar article in The Age. Subtitle: Film fund unearth's fascinating stories, same date, page 26.
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Short cuts : Seale in the frame in Canberra Times (21/07/2016) p.19
Call No: TITLE CLIPPINGS FILE in production; MAD MAX FURY ROAD SEQUELS in productionAuthor: Maddox, Garry Subject: SEALE, JOHN ; MAD MAX FURY ROAD SEQUELS in production Summary: Quotes from cinematographer John Seale about his masterclass for the Australian Academy of Cinema and Television Arts and how he mentioned the possibility of a new Mad Max film (depending on the location offset from the Federal Government) and a new Peter Weir filmNotes: shorter article in The Age, title: Short cuts: Seale of approval for next Mad Max?, same date, p 216
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Short cuts : Snoekstra's book to become a movie in The Age (21/07/2016) p.26
Call No: TITLE CLIPPINGS FILE in production; ONLY DAUGHTER in productionAuthor: Maddox, Garry Subject: ONLY DAUGHTER in production Summary: Note on Anna Snoekstra's book ONLY DAUGHTER, whose film rights have been bought by Working Title
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Short cuts : James Corden joins Peter Rabbit cast in The Age [Arts & Entertainment] (11/08/2016) p.26
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Short Cuts : Wan's new deal in Sydney Morning Herald (18/08/2016) p.16
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Short cuts : the future Bright for Fry in The Age (13/10/2016) p.26
Call No: PERSONALITY CLIPPINGS FILE; BRIGHT, LUCYAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: FRY, LUCY ; BRIGHT in production Summary: Snippet on the actor Lucy Fry and her roles in the upcoming films BRIGHT, MR CHURCH, THE DARKNESS and in the TV show 11.22.63
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Short cuts : War drama in Sydney Morning Herald (20/10/2016) p.20
Call No: TITLE CLIPPINGS FILE in production; UNKNOWN SOLDIER, THE (in production)Author: Maddox, Garry PhysDes: ClippingsSubject: UNKNOWN SOLDIER, THE (in production) Summary: Snippet on Jan Sardi receiving money from Screen Australia to develop a script aboout the man who created the Tomb of the Unknown Soldier
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Short cuts : identical twins in Sydney Morning Herald (03/11/2016) p.20
Call No: TITLE CLIPPINGS FILE in production; RABBIT in productionAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: RABBIT in production Summary: Note on the production and story of the Australian film RABBITNotes: similar article in The Age, same date
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Short cuts : Saw creators head home with big plans in Sydney Morning Herald (22/12/2016) p.20
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Sir Michael : today, tomorrow and yesterday in Lumiere (March-April, 1972) iss.14 p.16-18
Author: Taylor, Max PhysDes: ArticleSubject: BRITISH CINEMA ; BRITISH FILM INSTITUTE ; GOVERNMENT AID. UK ; INDUSTRY, FILM ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. UK ; PRODUCTION ; BALCON, MICHAEL ; BERESFORD, BRUCE ; OVERLANDERS, THE (UK, Harry Watt, 1946) Summary: Interview with Sir Michael Balcon on the future of films, government support of cinema, and his media consumption
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Skywalking : the life and films of George Lucas / Dale Pollock London: Elm Tree, 1983.
Call No: 81LUC POLAuthor: Pollock, Dale Source: UKPlace: LondonPublisher: Elm TreePubDate: 1983PhysDes: xvi, 304 p., [16] p. of plates : ill., ports. ; 24 cmSubject: AUTOMOBILES IN FILMS ; DIRECTORS ; LUCASFILM ; PRODUCTION. USA ; COPPOLA, FRANCIS FORD ; LADD, ALAN, Jr. ; TANEN, NED ; LUCAS, GEORGE ; AMERICAN GRAFFITI (US, George Lucas, 1973) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; STAR WARS (US, George Lucas, 1977) ; THX 1138 4EB (US, George Lucas, 1967) Summary: "SKYWALKING is the story of one of the most creative visionaries in all film history. George Lucas was a typical Californian child of no great promise - he read comic books and watched TV; no one guessed that his imagination would inspire millions of people. Dale Pollock brilliantly tells the story of Lucas's legendary days at USCinema and his tangles with Francis Coppola and Universal Pictures. Pollock was one of the few reporters allowed on the set of RETURN OF THE JEDI, and he takes us behind the scenes of Lucas's movies. We find out how Artoo-Detoo got his name, how the Force came to be, and many other surprising revelations. Complete with photographs from Lucas's private collection, SKYWALKING is a powerful biography about a man who is setting the future course of film for years to come." [Taken from book jacket]Notes: Also published: New York, N.Y. : Harmony, 1983; Includes bibliographical references and index; Filmography: p. 279-289ISBN: 0241110343 : ª9.95LON: abn84206746; 3369213
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Small screen goes big time in Sunday Age (26/06/2016) p.12
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Sound : dialogue, music, and effects / edited by Kathryn Kalinak London: I.B. Tauris, 2015.
Call No: 244 SOUAuthor: Kalinak, Kathryn (ed.) Source: US/UKPlace: LondonPublisher: I.B. TaurisPubDate: 2015PhysDes: 222 pages : illustrations ; 24 cmSeries: Behind the silver screen ; 10Subject: SOUND ; SOUND EFFECTS ; SOUND EDITING ; SOUND RECORDING ; SOUND TRACK ; SOUNDTRACKS ; MUSIC IN FILMS ; MUSIC AND THE CINEMA ; DIALOGUE ; CINEMATOGRAPHY ; HISTORY OF CINEMA ; POST-PRODUCTION ; PRODUCTION Summary: "This innovative book highlights the workers who collaborated inside and outside Hollywood to produce dialogue, sound effects and music for motion pictures. It demonstrates the transformative powers of sound as they shape the specific ways in which film meaning is made." -- BOOK BACK COVERNotes: Includes bibliographical references (pages 203-206) and indexISBN: 9781784534059Contents: -- Introduction / Kathryn Kalinak -- The silent screen, 1894-1927 / James Wierzbicki -- Classical Hollywood, 1928-1946 / Kathryn Kalinak -- Postwar Hollywood, 1947-1967 / Nathan Platte -- The auteur renaissance, 1968-1980 / Jeff Smith -- The new Hollywood, 1981-1999 / Jay Beck with Vanessa Theme Ament -- The modern entertainment marketplace, (2000-present) / Mark Kerins -- Academy Awards for sound -- Academy Awards for music -- notes -- glossary -- selected bibliography -- notes on contributors -- index --
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SPA Calls for Netflix local content quota in Australian Financial Review (30/05/2016) p.31
Call No: SUBJECT CLIPPINGS FILE; VIDEO ON DEMANDAuthor: Mason, Max PhysDes: Clippings File ArticleSubject: PRODUCTION. EUROPEAN COUNTRIES ; VIDEO ON DEMAND Summary: The European Union has imposed a content quota for streaming services like Netflix, Amazon Prime, with a requirement that 20 percent of their library is dedicated to European content. This article looks at the call from Screen Producers Australia for streamers in the Australian market to do the same. Interivewed are representatives from Nine Network, Netflix, Ministry of th Communications
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Sparring parners in Weekend Australian [Review] (18/06/2016) p.12
Call No: PERSONALITY CLIPPINGS FILE; BERESFORD, BRUCEAuthor: Neill, Rosemary PhysDes: Clippings File ArticleSubject: PRODUCTION. USA ; CASTING ; BERESFORD, BRUCE ; MILLIKEN, SUE Summary: Interview with director Bruce Beresford and producer Sue Milliken about their book titled There's a Fax from Bruce'. The book is based upon letters sent to each other in the process of trying to get several films made. Beresford and Milliken discuss the difficulties in making films in Hollywood
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Sparring partners in Weekend Australian [Review] (18/06/2016) p.12
Call No: PERSONALITY CLIPPINGS FILE; BERESFORD, BRUCEAuthor: Neill, Rosemary PhysDes: Clippings File ArticleSubject: PRODUCTION. USA ; CASTING ; BERESFORD, BRUCE ; MILLIKEN, SUE Summary: Interview with director Bruce Beresford and producer Sue Milliken about their book titled There's a Fax from Bruce'. The book is based upon letters sent to each other in the process of trying to get several films made. Beresford and Milliken discuss the difficulties in making films in Hollywood
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Special effects : creating movie magic / by Christopher Finch New York: Abbeville Press, c1984.
Call No: 236 FINAuthor: Finch, Christopher Source: USPlace: New YorkPublisher: Abbeville PressPubDate: c1984PhysDes: 252 p. : ill. (some col.) ; 27 cmSubject: COMPUTER GRAPHICS ; DIGITAL TECHNOLOGY ; COMPUTERS AND THE CINEMA ; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS ; COMPUTER GENERATED IMAGERY ; COSTUME DESIGNING ; TECHNICAL DEVELOPMENTS ; MOTION CONTROL ; MAKE UP ; TECHNOLOGY AND THE CINEMA ; PRODUCTION TECHNOLOGY ; SPECIAL EFFECTS ; CINEMATOGRAPHY ; SET DESIGNING ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLADE RUNNER: THE DIRECTOR'S CUT (US, Ridley Scott, 1982) ; BLADE RUNNER: THE FINAL CUT (US, Ridley Scott, 1982) ; TRON (US, Steven Lisberger, 1982) Summary: "Special effects is an art that sets itself the task of putting on screen anything a filmmaker can imagine, however strange or fantastic. From King Kong to Star Wars, this book details the secrets behind the magic that has thrilled and delighted generations of movie-goers." -- BOOK BLURBNotes: Includes index; Bibliography: p. 244ISBN: 0896594521Contents: -- acknowledgements -- prologue -- part 1: the art of deception -- 1: tricks and treats -- 2: masks and mirrors -- 3: silent magic -- 4: the coming of sound -- 5: king kong -- 6: invisible effects -- 7: new aspects -- 8: monsters and myths -- part II: odysseys -- 9: new beginnings -- 10: the making of 2001 -- 11: back to earth -- 12: pitching -- 13: star wars -- 14: close encounters -- 15: phone home -- 16: innovations -- 17: blade runner -- 18:state of the art -- part III: sons of hal -- 19: coordinates -- 20: the making of tron -- 21: simulation -- 22: the future -- bibliography -- glossary -- index --
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Speed : cinema of motion / Werner Adrian New York: Bounty Books, 1975.
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Spike, Mike, slackers & dykes : a guided tour across a decade of American independent cinema / John Pierson with the conversational collaboration of Kevin Smith London: Faber and Faber, 1996, c1995.
Call No: 210.2(73) PIEAuthor: Pierson, John Place: LondonPublisher: Faber and FaberPubDate: 1996, c1995PhysDes: 374 p., [16] p. of plates : ill., ports ; 24 cmSubject: INDEPENDENT FILMS. USA ; INDEPENDENT PRODUCTION. USA ; FESTIVALS. PARK CITY. SUNDANCE ; WARNER BROS. ; MIRAMAX FILMS ; SMITH, KEVIN ; WEISS, ROB ; MOORE, MICHAEL ; TROCHE, ROSE ; TURNER, GUINEVERE ; LEE, SPIKE ; LINKLATER, RICHARD ; BORDEN, LIZZIE ; Pierson, John ; GOMEZ, NICK ; JARMUSCH, JIM ; MORRIS, ERROL ; AMONGST FRIENDS (US, Rob Weiss, 1993) ; ANNA (US, Yurek Bogayevicz, 1987) ; CLERKS (US, Kevin Smith, 1994) ; MALLRATS (US, Kevin Smith, 1995) ; GO FISH (US, Rose Troche, 1994) ; PARTING GLANCES (US, Bill Sherwood, 1986) ; STRANGER THAN PARADISE (US/GW, Jim Jarmusch, 1984) ; WORKING GIRLS (US, Lizzie Borden, 1986) ; ROGER AND ME (US, Michael Moore, 1989) ; SHE'S GOTTA HAVE IT (US, Spike Lee, 1986) ; HOOP DREAMS (US, Steve James, 1994) ; SLACKER (US, Richard Linklater, 1990) ; THIN BLUE LINE, THE (US, Errol Morris, 1988) Notes: First published in the USA in 1995 by Hyperion/Miramax; Includes indexISBN: 0571179142 (pbk.)LON: 13149590
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Stars light up our city in Herald Sun (7/04/2017) p.16
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Storming the magic kingdom : Wall Street, the raiders and the battle for Disney / John Taylor New York: Alfred A. Knopf, 1987.
Call No: 19DIS TAYAuthor: Taylor, John Source: USPlace: New YorkPublisher: Alfred A. KnopfPubDate: 1987PhysDes: x, 261 p., [16] p. of plates : ill. ; 26 cmSubject: WALT DISNEY PRODUCTIONS ; INDUSTRY, FILM ; PRODUCTION COMPANIES & STUDIOS. USA ; PRODUCTION COSTS ; PRODUCTION DEALS ; WALT DISNEY PRODUCTIONS ; AHMANSON, CAROLINE ; BAGNALL, MICHAEL ; BALDWIN, ROBERT ; BASS, SID RICHARDSON ; BERGER, RICHARD ; BOESKY, IVAN ; CHAMBERS, RICHARD ; CHECCHI, ALFRED ; COBB, CHARLES ; DAILY, PETER ; DAVIS, MARTIN ; DAVIS, MARVIN ; DILLER, BARRY ; DISNEY, ROY EDWARD ; DISNEY, WALT ; DRAPKIN, DONALD ; EISNER, MICHAEL ; FLOM, JOSEPH ; GOLD, STANLEY ; JACOBS, IRWIN ; HAWLEY, PHILIP ; KELLNER. PETER ; MILLER, RONALD ; RAINWATER, RICHARD ; STEINBURG, SAUL ; WATSON, RAYMOND L Summary: "The riveting account of how a covey of corporate raiders and Wall Street mercenaries launched an assault on that bastion of American values, Walt Disney Productions, and of the furious combat that followed" - BOOK JACKETNotes: Includes indexISBN: 0394546407Donation: donated by the family of Wayne Levy, 2006
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Strewth! : Equine immortalised in The Australian (13/07/2015) p.9
Call No: TITLE CLIPPINGS FILE in production; TAKEOVER TARGET MOVIE in productionAuthor: Kerr, Christian PhysDes: Clippings File ArticleSubject: TAKEOVER TARGET MOVIE in production Summary: Snippet about the recent death of champion racehorse Takeover Target and how a planned film about the horse is going to be made
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Structual alternatives : a report on the Channel 4 franchised workshops in Britain and its relevance down under / This report was compiled by Penny Robins with the assistance of Film Victoria and the Australian Film Commission Fitzroy, Vic.:
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Submission to the Australian Government's 2010 review of the independent screen production sector / Screen Australia [Sydney]: Screen Australia, August 2010.
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Sunbury : the making of the film in Lumiere (March-April, 1972) iss.14 p.35
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Sydney confidential : Minchin is a larrikin in Daily Telegraph (18/02/2015) p.20
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Sydney Confidential : TV pilot for Horizon-ites in Daily Telegraph (25/6/2015) p.52
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Sydney confidential : Wolverine's escape claws in Daily Telegraph (06/08/2015) p.24
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Sydney confidential : Daniel Mac reveals next move: a sci-fi flick to be filmed in outback and Sydney in Daily Telegraph (07/08/2015) p.36
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Sydney confidential : Lutz of love for Australians in Daily Telegraph (17/08/2015) p.20
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Sydney Confidential : sequels will have fans pumped to the Max in Daily Telegraph (07/10/2015) p.18
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Sydney Confidential : Hollywood thinks Oz is a marvel in Daily Telegraph (23/10/2015) p.44
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Sydney Confidential in Daily Telegraph (23/10/2015) p.7
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Taffner, Ramsay Group in Merger Down Under in The Hollywood Reporter (01/05/1988) vol.300 iss.27 p.I3
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The technique of documentary film production / by W. Hugh Baddeley ; with a preface by Paul Rotha London: Focal Press, 1975.
Call No: 761 BADAuthor: Baddeley, Hugh W. Edition: 4th rev. edPlace: LondonPublisher: Focal PressPubDate: 1975PhysDes: 282 p. : ill. ; 23 cmSeries: The library of communication techniquesSubject: BUDGETING ; CAMERAS ; CINEMATOGRAPHY ; DISTRIBUTION ; DOCUMENTARIES ; DOCUMENTARY FILMS ; EDITING ; FILMMAKING ; INSURANCE, FILM ; LIGHTING ; LOCATION FINDING ; LOCATION SHOOTING ; MUSIC AND THE CINEMA ; PRE-PRODUCTION ; POST-PRODUCTION ; PRODUCTION ; PRODUCTION COSTS ; SCRIPTWRITING ; SOUNDTRACKS ; SOUND EDITING ; SOUND RECORDING Summary: "Hugh Baddeley has carried out further revisions of this book since the last edition which he enlarged by nearly forty pages. He has taken into consideration the needs of television and the text now contains interviews with well-known TV producers and key TV personnel. It deals with every aspect of documentary and factual film production. Intended for the working professional, the trainee, and the student, amateurs too will find the breadth and scope of the subject stimulating. Nowadays when the film serves not merely as a tool of entertainment, but increasingly as a tool with a variety of eminently practical jobs to do, more people than ever before become involved with film production.
Public relations officers, sales managers, television executives, those in charge of works film units, organisations using films for fund raising for charities, and members of expeditions will find here vital information. The means and methods of producing factual films are dealt with step-by-step from the initial idea to the making of release prints and their distribution. The typical problems of the "documentary" - shooting on distant and remote locations, as well as the difficulties of providing effective lighting outside the studio - are presented in practical terms. Sound recording, both under studio conditions and on location, is covered in detail. The techniques involved in laying and mixing multiple recordings to produce the final master track are described. Especially valuable are those practical suggestions that the author is able to offer from his own long personal experience. These range from budgeting and obtaining insurance cover to dealing with foreign customs." -- BOOK JACKETNotes: First ed. published 1963; Includes indexISBN: 0240509158; 0240509293 (pbk.)LON: 8735625 8735625URL status: URL: 'http://-'
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The television handbook / Jonathan Bignell and Jeremy Orlebar London ; New York: Routledge, 2005.
Call No: 20(41) BIGAuthor: Bignell, Jonathan ; Orlebar, Jeremy Edition: 3rd edSource: UK/USPlace: London ; New YorkPublisher: RoutledgePubDate: 2005PhysDes: vi, 340 p. : ill. ; 24 cmSeries: Media practiceSubject: PRODUCTION ; BROADCASTING Summary: "The Television Handbook is a critical introduction to the practice and theory of television. Jonathan Bignell and Jeremy Orlebar discuss the state of television today, explain how television is made, and how production is organised, and discuss how critical thinking about programmes and genres can illuminate their meanings. This book also explores how developments in technology and the changing structure of the television industry will lead the medium in new directions." "The Television Handbook bridges the gap between theory and practice. There are chapters on the vigorous debates about what is meant by 'quality' television, how news and factual programmes are changing as new technologies and formats such as Reality TV have risen in prominence, and how drama, sport and music television can be understood."--BOOK JACKET.Notes: Rev. ed. of: The television handbook / Patricia Holland. 2nd ed. 2000; Includes bibliographical references and indexISBN: 041534252XContents: 1. Media literacy -- 2. The political landscape -- 3. Public service broadcasting (PSB) -- 4. The widescreen world of digital technology -- 5. Production jobs -- 6. Technical jobs -- 7. Working in a television studio -- 8. Working in postproduction -- 9. Genre and format -- 10. Schedule and audience -- 11. Approaches to narrative -- 12. Factual television : tabloid TV? -- 13. Drama and 'quality' -- 14. News and current affairs : the public sphere -- 15. Sport -- 16. Music video and postmodernism -- 17. Factual programming -- 18. Fictional television -- 19. Practical programme making -- 20. Television framing and shot size -- 21. Television studio -- 22. Postproduction -- 23. Television compliance -- 24. Overview -- 25. Programme making in the future
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Tell them they're dreaming - almost $6m spent on anti-migration movie in Sun Herald
Call No: TITLE CLIPPINGS FILE; JOURNEY, THE [TV](AT/AF, 2015)Author: Gartrell, Adam PhysDes: Clippings File ArticleSubject: PROPAGANDA FILMS ; PUT IT OUT THERE [production company] ; TIERNEY, TRUDI ANN ; JOURNEY, THE [TV](AT/AF, 2015) Summary: Report on the funding from the Australian government received by a propaganda telemovie, THE JOURNEY. THe film was made to disuade people to try to apply for refugee status in Australia by travelling there by boat. Discusses the work on the film by the production company Put It Out There picutres and it's company director Trudi-Ann Tierney
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Ten lessons in film appreciation / by John Murray ; with illustrations by Alan Watt Melbourne: Georgian House, 1969, c1966.
Call No: 62 MURAuthor: Murray, John Edition: revisedSource: ATPlace: MelbournePublisher: Georgian HousePubDate: 1969, c1966PhysDes: vi, 60 p. : ill. ; 21 cmSubject: EDITING ; SOUND ; PRODUCTION ; CAMERA ANGLES Summary: A guide to developing a film appreciation course for secondary school students.Notes: Signed by the authorDonation: donated by the family of Wayne Levy, 2006
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'The Body' set to lense on June 17 in Australasian Cinema (Friday, 31/5-6/6/1985) vol.14 iss.9 p.4
Subject: PRODUCTION Summary: Announcement of the prinicple photography on 'The Body'
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Thinking about television / Juri Gabriel London: Oxford University Press, 1973.
Call No: 21:409.1 GABAuthor: Gabriel, Juri Source: UKPlace: LondonPublisher: Oxford University PressPubDate: 1973PhysDes: 143 p. ; 22 cmSubject: PRODUCTION, TV ; SOCIOLOGY AND TV ISBN: 0192731262Donation: donated by the family of Wayne Levy, 2006Contents: Photographic section -- Working in television: 1. How a programme is made; 2. Who gets the job? -- Television in society: 1. Television systems; 2. The BBC; 3. Independent television; 4. Programme policy; 5. The effects of television; 6. Good, bad, or indifferent
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Third take : Australian film-makers talk / edited by Raffaele Caputo and Geoff Burton Crows Nest, NSW: Allen & Unwin, 2002.
Call No: 802.25(94) THIAuthor: Caputo, Raffaele ; Burton, Geoff Source: ATPlace: Crows Nest, NSWPublisher: Allen & UnwinPubDate: 2002PhysDes: xiii, 215 p. : ill. ; 23 cmSubject: PRODUCERS. AUSTRALIA ; PRODUCTION ; DIRECTION ; DIRECTORS. AUSTRALIA ; DE HEER, ROLF ; DOMINIK, ANDREW ; ELLIS, BOB ; HUNTER, BILL ; LEVY, CURTIS ; NOYCE, PHIL ; O'ROURKE, DENNIS ; SEALE, JOHN ; WEIR, PETER ; NEWSFRONT (AT, Phillip Noyce, 1978) Notes: Includes index.ISBN: 1865085073
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Thor hammers out local film bonanza in Herald Sun (23/10/2015) p.6
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Threats over plans for drug mini-series in Encore (May 1985) vol.3 iss.6 p.4
Author: Maddox, Garry ; Reid, Mary Anne PhysDes: ArticleSubject: BAIN, MIRANDA ; AUSTRALIAN FILM COMMISSION. PRODUCER SUPPORT SCHEME ; AFTER THE KILLINGS [TV] (AT, in production, 1985) ; HUMPTY DUMPTY MAN, THE (AT, P.J. Hogan, 1989) ; DESOLATION ANGELS (AT, Chris Fitchett, 1982) ; STRIKEBOUND (AT, Richard Lowenstein, 1984) Summary: As part of an exploration of the "Australian Film Commission's (AFC) Producer Support Scheme" Garry Maddox and Mary Anne Reid interview producer Miranda Bain. The article provides a number of Bain's bibliographic details and solicits her opinion on what the AFC award has meant for her career. Bain reveals how her six-part mini-series project about drug running, to be called "After the Killings", has eventuated in a number of threats and intimidation. Bain's work on other projects, such as "The Humpty Dumpty Man", "Desolation Angels" and "Strikebound", is also discussed
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"To encourage the art of the film" : the story of the British Film Institute / Ivan Butler ; foreward by Richard Attenborough London: Robert Hale, 1971.
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The total film-maker / by Jerry Lewis London: Vision, 1974.
Call No: 21(73) LEWAuthor: Lewis, Jerry Source: UKPlace: LondonPublisher: VisionPubDate: 1974PhysDes: 208p. : ill. ; 22cmSubject: DIRECTION ; INDUSTRY, FILM. USA ; PRODUCTION ; BRANDO, MARLON ; CHAPLIN, CHARLES ; HARDY, OLIVER ; LAUREL, STAN ; LEWIS, JERRY ; WISE, ROBERT ; WYLER, WILLIAM ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; MODERN TIMES (US, Charles Chaplin, 1936) Summary: "Adapted from his lectures to university post-graduate students, The Total Film-Maker is Jerry Lewis's frank, sometimes irreverent account, from the director's viewpoint, of the splendours and miseries of film-making. Replete with anecdotes and asides, the book details almost every aspect of the production of a motion picture, including the marshalling of actors and technicians, the preparation for filming itself, the cutting and editing processes, and the not always amicable transactions with distributors and would-be exploiters that follow the making of a film. The final section deals with the art of film comedy: how it is created, what makes it work, and who the great comedians are and why" -Book blurbISBN: 01854780238Donation: donated by the family of Wayne Levy, 2006Contents: To the reader -- Prologue -- Part one - production -- The humanities of film -- The total film-maker -- The money man -- Script and writer -- Actors -- The million-dollar hug -- Pre-production chores -- The crew -- Homework -- Filming it! -- Part two - post-production -- Editing -- Music and dubbing -- distribution and exploitation -- Other film-makers, other films -- Part three - comedy -- Laughs are our thing -- The visuals of comedy -- The comedians -- Kind of a wrap
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A touch of class at Saqqara in Aust F Rev (Mar 1-4 1984) vol.1 iss.1 p.6
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TV bosses unite on tax offset boost in Australian Financial Review (13/07/2015) p.29
Call No: SUBJECT CLIPPINGS FILE; PRODUCTION, TV. AUSTRALIAAuthor: White, Dominic PhysDes: Clippings File ArticleSubject: TAXES. AUSTRALIA ; STATE AND TV. AUSTRALIA ; PRODUCTION, TV. AUSTRALIA Summary: Australian producers of television seem united in their call to raise the producers tax offset for Australian television production from 20 percent to 40 percent, as other recent media reform items seem to be headed for defeat. Foxtel, Seven West Media, Feree TV Australia, and Screen Producers Australia are quoted
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TV bosses unite to appeal for bigger tax break on production in Sydney Morning Herald (13/07/2015) p.23
Call No: SUBJECT CLIPPINGS FILE; PRODUCTION, TV. AUSTRALIAAuthor: White, Dominic PhysDes: Clippings File ArticleSubject: TAXES. AUSTRALIA ; STATE AND TV. AUSTRALIA ; PRODUCTION, TV. AUSTRALIA Summary: Australian producers of television seem united in their call to raise the producers tax offset for Australian television production from 20 percent to 40 percent, as other recent media reform items seem to be headed for defeat. Foxtel, and Screen Producers Australia are quoted
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TV bosses unite to appeal for bigger tax break on production in The Age (13/07/2015) p.25
Call No: SUBJECT CLIPPINGS FILE; PRODUCTION, TV. AUSTRALIAAuthor: White, Dominic PhysDes: Clippings File ArticleSubject: TAXES. AUSTRALIA ; STATE AND TV. AUSTRALIA ; PRODUCTION, TV. AUSTRALIA Summary: Australian producers of television seem united in their call to raise the producers tax offset for Australian television production from 20 percent to 40 percent, as other recent media reform items seem to be headed for defeat. Foxtel, and Screen Producers Australia are quoted
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TV production fund approves Granville disaster mini-series in Encore (Feb 11, 1998) vol.15 iss.22 p.2
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Understanding movies / Louis Giannetti Englewood Cliffs, N.J.: Prentice-Hall, 1987.
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Understanding the global TV format / Albert Moran with Justin Malbon Portland, Or. ; Bristol, England: Intellect Books, 2006.
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Variety- Australia/New Zealand Section in Variety (21/10/1987) vol.328 iss.13 p.20, 103, 244, 426-440
PhysDes: SerialSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND ; BOX OFFICE. AUSTRALIA ; PRODUCTION COMPANIES & STUDIOS. AUSTRALIA Summary: Various articles on Australian and New Zealand film industries.
Austrlian articles focus on current box office films and takings, changes to do with distribution and acquisitions companies, films in production, Australian organisations at MIFED, and the expansion of Premier Film Marketing.
New Zealand article focuses on films screening at MIFED.
Advertising posters for EVIL ANGEL, HOWLING III: THE MARSUPIALS, DOGS IN SPACE, STARLIGHT HOTEL, ILLUSTRIOUS ENERGY, A SOLDIER'S TALE, THE RIGHT HAND MAN, BELINDA, AS TIME GOES BY, NGATI
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Victoria, making Australian film and television exciting : film and video resource kit / edited and compiled by Sally Semmens [Melbourne]: Film Victoria, 1984.
Call No: 036(945) SEMAuthor: Semmens, Sally CorpAuthor: Film VictoriaPlace: [Melbourne]Publisher: Film VictoriaPubDate: 1984PhysDes: 25 p. ; 30 cmSubject: AUSTRALIAN FILM INSTITUTE ; AUSTRALIAN CHILDREN'S TELEVISION FOUNDATION ; AUSTRALIAN FILM AND TELEVISION SCHOOL ; DISTRIBUTION. AUSTRALIA ; FILM VICTORIA ; FILMOGRAPHIES. AUSTRALIA ; PRODUCTION. AUSTRALIA ; WOMEN FILM WORKERS. AUSTRALIA Summary: "This resource kit is designed to outline the breadth and scope of film activity in Victoria. The first section lists some of the production taking place in Victoria this year. The list is not meant to be comprehensive but gives a fair sample of the range of production. The films listed are funded by a variety of sources including the Australian Film Commission, Film Victoria, and private investors. The list does not include the huge number of commercials, documentaries nor trade and training films which will be produced in this State this year. THe second section includes profile information on film and video organisations in Victoria. These organisations form an important part in the dissemination of films and information and contribute to Victoria's diverse and expanding film culture." - INTERIOR BLURB
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subject clippings file
VIEW FILMS [PRODUCTION COMPANY]
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Vision, obsession and the school of hard knocks : Johnathan M. Shiff in Lumina (2009) iss.1 p.136-147
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Vocab picks up film deal in Daily Telegraph [Sydney Confidential] (25/05/2017) p.22
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I wake up screening! : everything you need to know about making independent films including a thousand reasons not to / Frank D. Gilroy Carbondale: Southern Illinois University Press, 1993.
Call No: 210.4(047.1) GILAuthor: Gilroy, Frank D. Source: USPlace: CarbondalePublisher: Southern Illinois University PressPubDate: 1993PhysDes: xiv, 361 p. ; 25 cmSubject: FILMMAKING ; INDEPENDENT FILMS ; PRODUCTION ; DIRECTION ; GILROY, FRANK D. Summary: The book offers answers to such questions as... How do you raise money for an independent film? How do you work upa budget? How do you shoot in Super 16 and blow up to 35? How do you find a distributor? [Taken from back cover.]Notes: Includes filmography (p. 349-351) and index.ISBN: 0809319187Donation: donated by the family of Wayne Levy, 2006
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Warne set for more reel fame as Seven spins out series on his life in Sunday Telegraph (11/09/2016)
Call No: TITLE CLIPPINGS FILE in production; SHANE WARNE telemovie project in productionAuthor: Byrnes, Holly PhysDes: Clippings File ArticleSubject: SHANE WARNE telemovie project in production Summary: Speculation that the Seven Network is going to make a telemovie on famous Australian cricketer and gadabout Shane Warne
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Way out west in Lumiere (January/February, 1974) iss.31 p.26-27
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'We lure more tourists than Opera house' in The Australian (16/11/2016) p.7
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Werewolf Tommi destined for small screen in Sunday Telegraph [Insider] (23/04/2017) p.98
Call No: TITLE CLIPPINGS FILE in production; WHO'S AFRAID? [TV] in productionAuthor: Rawsthorne, Sally PhysDes: Clippings File ArticleSubject: WHO'S AFRAID? [TV] in production Summary: Interview with author Maria Lewis on the possibility that her book Who's afraid? will be adapted into a TV series after a deal with Hoodlum EntertainmentNotes: A
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Why 2018 is a make or break year for the Australian film industry in Crikey.com.au (8/05/2018) p.1
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Why Australian producers should think more like distributors in Lumina (Winter 2009) iss.1 p.19-31
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Why Skippy: The Movie can't be rescued in Sunday Telegraph (28/05/2017) p.40
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Why we need more of our Australian stories on the big screen in Sun Herald [Editorials] (04/12/2016) p.34
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The woman who changed a film industry in Sydney Morning Herald (25/04/2017) p.8
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Working in Hollywood / Alexandra Brouwer and Thomas Lee Wright New York: Crown Publishers, c1990.
Call No: 22(73) BROAuthor: Brouwer, Alexandra ; Wright, Thomas Lee Source: USPlace: New YorkPublisher: Crown PublishersPubDate: c1990PhysDes: xii, 546 pages ; 25 cmSubject: ADVERTISING FOR FILMS ; ANIMALS IN FILMS ; ART DIRECTION ; CAMERAS ; CASTING ; CHOREOGRAPHY ; CINEMATOGRAPHY ; COMPOSERS ; COSTUME DESIGNERS ; DIRECTION ; DISTRIBUTION ; EDITING ; EXHIBITION ; FINANCING ; LAW AND THE CINEMA ; LOCATION HUNTING ; LOCATION SHOOTING ; MAKE-UP ARTISTS ; MUSIC IN FILMS ; POST-PRODUCTION ; PRE-PRODUCTION ; PRODUCERS ; PRODUCING ; PRODUCTION ; PROJECTION ; SCRIPTWRITING ; SET DESIGNING ; SOUND ; SPECIAL EFFECTS ; STUNTS Summary: "Now appearing for the first time ever: WORKING IN HOLLYWOOD, the definitive book that reveals how major movie studios are made, fromn the first glimmer of an idea to the final cut, to sales and marketing. Here is moviemaking told in the words of the people who do it: the deal makers, directors, artists, craftspeople, technicians, and executives." [Taken from book jacket]Notes: Includes indexISBN: 0517574012; 9780517574010Donation: Simon WincerContents: 1. The helmsmen -- 2. The deal -- 3. The guardians -- 4. The money -- 5. The talent -- 6. The look -- 7. The artists -- 8. The movers -- 9. The camera -- 10. The print -- 11. The magicians -- 12. The sound -- 13. The fury -- 14. The salesmen --
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Working in the global film and television industries : creativity, systems, space, patronage / edited by Andrew Dawson & Sean P. Holmes London: Bloomsbury Academic, 2012.
Call No: 20 DAWAuthor: Dawson, Andrew ; Holmes, Sean P. Source: UKPlace: LondonPublisher: Bloomsbury AcademicPubDate: 2012PhysDes: xii, 207 pages ; 24 cmSubject: INDUSTRY, FILM. USA ; INDUSTRY, FILM. UK ; INDUSTRY, FILM. EUROPEAN COUNTRIES ; INDUSTRY, TV. ; PRODUCTION. EUROPEAN COUNTRIES ; PRODUCTION. USA ; PRODUCTION COSTS ; GLOBAL TELEVISION ; BOLLYWOOD Summary: "The book looks at the experience of industry workers in film and television production in a variety of social, economic, political and cultural contexts. It provides a detailed analysis of specific systems of production and their role in shaping the experience of work, whilst also engaging with the key theoretical and methodological questions that attach to the study of film and television production. Working in the Global Film and Television Industries looks at film and television production not only in Hollywood and Western Europe but also in less familiar settings such as the Soviet Union, India, Nigeria, and the Democratic Republic of Congo." -- BOOK BLURBNotes: Includes index and bibliographyISBN: 9781780930237Contents: 1.New perspectives on working in the global film and television industries / Sean P. Holmes -- Section I Systems of production -- 2.Labouring in Hollywood's motion picture industry and the legacy of `flexible specialization' / Andrew Dawson -- 3.Soviet film-making under the `producership' of the party state (1955-85) / Galina Gornostaeva -- 4.Making films in Scandinavia: Work and production infrastructure in the contemporary regional sector / Olof Hedling -- Section II Manoeuvrable spaces -- 5.No room for manoeuvre: Star images and the regulation of actors' labour in silent-era Hollywood / Sean P. Holmes -- 6.Working as a freelancer in UK television / Richard Paterson -- 7.Behind the scenes: The working conditions of technical workers in the Nigerian film industry / Ikechukwu Obiaya -- Section III Patronage and clientelism --
Contents note continued: 8.Fathers, patrons and clients in Kinshasa's media world: Social and economic dynamics in the production of television drama / Katrien Pype -- 9.Les chefs-operatrices: Women behind the camera in France / Alison Smith -- Section IV Creative agency -- 10.Cornel Lucas: Stills photography and production culture in 1950s British film / Linda Marchant -- 11.Making faces: Competition and change in the production of Bollywood film star looks / Clare M. Wilkinson-Weber
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The writer's approcah to the TV-film script / by Rodney Bennett London: Harrap, 1976.
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Writing, directing, and producing documentary films and videos / Alan Rosenthal Carbondale: Southern Illinois University Press, 1996.
Call No: 761 ROSAuthor: Rosenthal, Alan, 1936 Edition: Rev. edSource: USPlace: CarbondalePublisher: Southern Illinois University PressPubDate: 1996PhysDes: xii, 301 p. : ill. ; 24 cmSubject: COMMENTARY ; DOCUMENTARIES ; DOCUMENTARY FILMS ; EDITING ; FILMMAKING ; PRE-PRODUCTION ; PRODUCING ; PRODUCTION ; POST-PRODUCTION ; SCRIPTWRITING ; SOUND ; VOICE OVER Summary: An internationally renowned documentary filmmaker with more than sixty films to his credit, including the Peabody Award-winning Out of the Ashes, Rosenthal has written the first book to address the realities involved in the making of a documentary. Rather than dealing with theory or hardware. Rosenthal tackles the day-to-day problems from initial concept through distribution. Simply and clearly, Rosenthal explains how to write, direct, and produce the new documentary, whether film or video. He emphasizes the research and writing of the documentary, from approach and structure through interviewing, narration writing, and the complexities of editing. This emphasis makes his book uniqueNotes: Rev. ed. of: Writing, directing, and producing documentary films. c1990; Includes bibliographical references (p. 291-292) and indexISBN: 0809320134 (alk. paper); 0809320142 (pbk. : alk. paper)LON: 95017159; 11606022
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Writing treatments that sell : how to create and market your story ideas to the motion picture and TV industry / Kenneth Atchity, Chi-Li Wong New York: H. Holt, 1997.
Call No: 224.812 ATCAuthor: Atchity, Kenneth John, ; Wong, Chi-Li Edition: 1st edPlace: New YorkPublisher: H. HoltPubDate: 1997PhysDes: xiv, 222 p. ; 21 cmSubject: SCRIPTWRITING ; PRODUCTION DEALS ; COPYRIGHT ; ADAPTATIONS Summary: As Hollywood insiders know, the first step in selling your story idea for film or television isn't writing a script - it's preparing a treatment, the brief pitch of a story that sells the concept to a busy producer or agent. In this accessible, entertaining guide, writer-producers Kenneth Atchity and Chi-Li Wong tell readers everything they need to know to create an effective and salable treatment, one that includes such key elements as conflict, likable characters, plot twists, a climax, and visual dramaNotes: "An Owl book."; Includes bibliographical refeences (p. 207-209) indexISBN: 0805042830 (alk. paper)LON: 13038061
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newspaper article
The year we fell in love with Australian movies again in Sun Herald (06/12/2015) p.19
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Your state Queensland : Film deal to bring gorilla in our midst in The Australian (27/10/2015) p.2
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YouTube to your tube in Canberra Times [Panorama] (13/08/2016) p.22
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The Zanzibar films and the dandies of May 1968 / Sally Shafto New York NY: Zanzibar USA, 2000.
Call No: 771(44) SHAAuthor: Shafto, Sally Place: New York NYPublisher: Zanzibar USAPubDate: 2000PhysDes: 63 p; 21 cmSubject: ZANZIBAR FILMS ; GARREL, PHILIPPE ; FRANCE ; EXPERIMENTAL FILMS ; RAYNAL, JACKIE ; PRODUCTION. EUROPEAN COUNTRIES Summary: The first English-language account of this little-known chapter in French cinema history. Between 1968 and 1970, Sylvina Boissonnas, a young French heiress and patroness of the arts, financed the production of some fifteen films that would prove highly influential while remaining largely unknown outside of France. Under the banner of “Zanzibar Films” (a name taken from the Maoist island nation in East Africa), a decidely informal collective of about a dozen artists, writers, and students began to make their first films. While the New Wave filmmakers had been in their late twenties and early thirties when they began filmmaking, the Zanzibar directors were younger (Philippe Garrel, one of the key figures, was just twenty) and were inspired by the heady spirit and times of May 1968. These filmmakers quickly became the darlings of Henri Langlois, who often showed their films at the Cinémathèque Française in late-night screenings. Despite their diversity, the Zanzibar films were marked by minimal scripts, the use of nonactors and improvisation, and strong ties to both the art world and the world of fashion. (Several of the Zanzibar participants spent time in Warhol’s Factory in the mid-1960s.) Their films represented the French equivalent of the American underground, and these young cinéastes quickly became the radical dandies of May 1968.ISBN: 0970240201Donation: Donated by author
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