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The BBC radiophonic workshop : the first 25 years: the inside story of providing sound and music for television and radio 1958-1983 / remembered by Desmond Briscoe and those whose versatility and unremitting voluntary enthusiasm have made an idea a reality ; realised by Roy Curtis-Bramwell. London: British Broadcasting Corporation, 1983.
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Both sides of the camera : a souvenir book of television programmes and the people who make them / edited by Marie Donaldson ; designed by Robert Claxton London: Weidenfeld and Nicolson, 1960.
Call No: 71(41) THOAuthor: Donaldson, Marie Place: LondonPublisher: Weidenfeld and NicolsonPubDate: 1960PhysDes: [124] p. : chiefly ill. ; 29 cmSubject: TELEVISION. UK LON: 5182069
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British Television Drama : A History / Lez Cooke London: bfi Publishing, 2003.
Call No: 71(41) COOAuthor: Cooke, Lez Source: UKPlace: LondonPublisher: bfi PublishingPubDate: 2003PhysDes: 227 p.: ill. ; 23cmSubject: TELEVISION. UK ; DRAMAS. UK Notes: Select Bibliography: p. 211
Index: p. 216
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Broadcast in colour : cultural diversity and television programming in four countries / by Harvey May Brisbane, Queensland: Australian Film Commission, Creative Industries Research and Applications Centre, Australian Key Centre for Cultural and Media Policy, 2002.
Call No: 205.1 MAYAuthor: May, Harvey Source: ATPlace: Sydney; Brisbane, QueenslandPublisher: Australian Film Commission; Creative Industries Research and Applications Centre; Australian Key Centre for Cultural and Media PolicyPubDate: 2002PhysDes: 72 pages : 30cm.Series: Screen Industry, Culture and Policy Research SeriesSubject: CULTURE AND THE CINEMA ; PROGRAMME POLICY ; TELEVISION. AUSTRALIA ; TELEVISION. UK ; TELEVISION. NEW ZEALAND ; TELEVISION. USA ; ETHNIC GROUPS ON TV. AUSTRALIA ; AUSTRALIAN ABORIGINALS ON TV Summary: 'Examines the cultural diversity policies and practices and their impact on television programming in the United States of America, the United Kingdom, New Zealand and Australia, with a focus on drama. The study looks at the relationship between multicultural history and policy, and the developments made in the representation of a culturally diverse population on each nation's television screens' - taken from executive summaryNotes: Includes appendix of acronymsISBN: 0958015244Contents: Acknowledgements -- About the author -- Executive summary -- Key findings -- 1. Charting the waters -- 2. The United States: affirmative action, 'quotas' abd diversity rights -- 3. The United Kingdom: policy remits for diversity and an 'everyday' multiculturalism -- 4. New Zealand: Biculturalism and targeted subsidies -- 5. Australia: the shift to cultural diversity -- 6. Conclusion -- Appendix -- About the Screen Industry, Culture and Policy Research series
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title clippings file
DEF II: LIQUID TELEVISION : (UK/US, 1991)
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Doctor Who : A critical reading of the series London: bfi Publishing, 2005.
Call No: 79DOC NEWAuthor: Kim Newman Place: LondonPublisher: bfi PublishingPubDate: 2005PhysDes: 19 cm; 138 cmSeries: BFI TV ClassicsSubject: DOCTOR WHO [TV] (UK, 1963-1989) ; TELEVISION. UK Summary: From 1963 to 1989, for the most part at teatime on Saturdays on BBC1, Doctor Who was a British TV institution. The series had its roots in British science fiction but grew to take in many other influences: historical drama, Hammer horror, satire, conspiracy thriller, even pantomime. Over the years, it developed a uniquely eccentric style, at once cosily familiar and cosmically terrifying, and many of its characters, creatures and objects have become iconic – the Doctors and his assistants, the TARDIS, the Time Lords, and a panoply of monsters and villains: Cybermen, Ice Warriors, the Master, and, of course, the Daleks…. Kim Newman’s comprehensive study follows the Doctor’s travels through time and space, placing Doctor Who in the context of science-fiction television, and traces the history of the show through its outstanding stories and its recurring themes, from its highs (Jon Pertwee, Tom Baker) to its lows (K-9, Bonnie Langford, and cancellation) and suggests why the programmer has become an enduring television masterpiece and a cultural phenomenon. [Taken from back cover.]ISBN: 1844570908
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festival catalogue
The fifth celtic film and television festival : Cardiff, Wales, April 1984 / The celtic film and television festival Wales: [s.n.], 1984.
Call No: FESTIVAL CATALOGUE SHELVESPlace: WalesPublisher: [s.n.]PubDate: 1984PhysDes: 1 v. : ill. ; 30 cmSubject: FESTIVALS. WALES ; FOREIGN FILMS
USE: IMPORT OF FILMS ; SHORT FILMS ; TELEVISION AND THE CINEMA. EUROPEAN COUNTRIES ; TELEVISION. UK ; DOCUMENTARY FILMS Notes: The Fifth Celtic Film and Television Festival includes a selection of feature length films, short films, documentaries and television programs. The festival program has an emphasis on film and television from Celtic nations such as Wales, Ireland, Scotland and France. The catalogue also includes numerous black and white stills and film synopses. NB. The festival catalogue is in English, French and Welsh languages.
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Film and television catalogue / Canal+ Image UK Pinewood Rd, Bucks, Ivers: Canal+ Image UK,
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Fragments : Janet Hills 1919-1956 / Janet Hills Stroud: H., M. and C. Hills, [1956].
Call No: F81HIL HILAuthor: Hills, Janet Source: UKPlace: StroudPublisher: H., M. and C. HillsPubDate: [1956]PhysDes: 143 p., [6] leaves of plates : ports. ; 22 cm.Subject: TELEVISION. UK Notes: Poems; newspaper articles; film and television criticism from The Times educational supplement; short storiesLanguage: English
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General catalogue : BBC TV programmes 1962.
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Missing, believed wiped : searching for the lost treasures of British television / Dick Fiddy London: British Film Institute, 2001.
Call No: 721.304.31(41) FIDAuthor: Fiddy, Dick Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: 146p. : ill. ; 25 cmSubject: UNITED KINGDOM ; TELEVISION. UK ISBN: 0851708668
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The office : A critical reading of the series London: bfi Publishing, 2005.
Call No: 79OFF WALAuthor: Ben Walters Place: LondonPublisher: bfi PublishingPubDate: 2005PhysDes: 19 cm; 184 p.Series: BFI TV ClassicsSubject: TELEVISION. UK ; OFFICE, THE [TV] (UK, 2001) ; GERVAIS, RICKY Summary: When The Office first aired in July 2001, it attracted a tiny audience and BBC2’s lowest approval rating of the year (apart from women’s bowls). Some viewers even failed to identify the series as a comedy – and not without reason. Set in the banal environs of a Slough paper merchants and presented in deadpan ‘docusoap’ style, the series was built around neither one-liners nor farcical set-ups, but the painfully-observed minutiae of everyday life. Not much happened, and what did – the self-serving posturing of middle-manager and would-be entertainer David Brent, and the simmering flirtation between employees Tim and Dawn – was often excruciatingly uncomfortable to watch. Yet two series and a feature-length special later, The Office has broken DVD sales records, won dozens of awards, played in over sixty countries and been remade by a major American network. In the first full-length study of the show, Ben Walters traces its unorthodox journey to the screen, drawing on extensive interviews with those most closely involved in its production, from novice writer-directors Stephen Merchant and Ricky Gervais to BBC2 Controller Jane Root. The book also explores the series’ unusually potent effects from its attention to the discontents of contemporary working life to its sophisticated melding of docusoap and sitcom conventions. [Taken from back cover.]ISBN: 1844570916
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On television / Stuart Hood London: Pluto, 1983.
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Open the box : about television / by Jane Root London: Comedia Pub. Group, 1986.
Call No: 408.1(41) ROOAuthor: Root, Jane Place: LondonPublisher: Comedia Pub. GroupPubDate: 1986PhysDes: 126 p. : ill. ; 21 cmSeries: Comedia series ; no. 34Subject: TELEVISION. UK ; NATIONAL IDENTITY AND TV. UK ; AUDIENCES. UK Notes: "A Channel four book"--Cover; Bibliography: p. 122-123ISBN: 0906890780 (pbk.) : ¦4.95 ($7.50 U.S.)LON: bnb90689078; 4280321
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Our friends in the north : A critical reading of the series London: bfi Publishing, 2005.
Call No: 79OUR EATAuthor: Michael Eaton Place: LondonPublisher: bfi PublishingPubDate: 2005PhysDes: 19 cm ; 134 pSeries: BFI TV ClassicsSubject: TELEVISION. UK ; OUR FRIENDS IN THE NORTH [TV] Summary: Our Friends in the North (1996) is the kind of epic drama that has ensured the BBC’s worldwide reputation for seriousness and excellence. In nine parts, it tells the life stories of four friends – Mary, Nicky, Geordie and Tosker – from adolescence to middle age. Their personal triumphs and crises unfold against the backdrop of massive social and political change in Britain – in particular the rise of Thatcherism and the decline of Socialist ideals. Technically outstanding, Our Friends in the North is truly a ‘state of the nation’ drama, exploring its major themes alongside more specific ones (domestic violence, corruption in the police and local government, inequities in the criminal justice system) while developing its central characters with exceptional subtlety and finesse. Michael Eaton traces the history of Our Friends in the North: its origins in Peter Flannery’s 1982 play for the Royal Shakespeare Company and the long road to TV adaptation. Eaton, himself a screenwriter, has conducted lengthy interviews with Flannery, Executive Producer Michael Wearing and other key personnel, and this book provides a unique insight into the often labyrinthine ways in which TV drama is commissioned and produced. He goes on to locate the series in the genealogy of quality television drama, and he reflects on whether Our Friends in the North could ever be made today. Did the series bring to an end the Golden Age of British TV drama 0 and, if so, what have we lost in the process? [Taken from back cover.]ISBN: 1844570924
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Quality popular television : Cult TV, the industry and fans / Mark Jancovich & James Lyons (eds) London UK: bfi Publishing, 2003.
Call No: 725.3 JANCorpAuthor: BFI PublishingPlace: London UKPublisher: bfi PublishingPubDate: 2003PhysDes: 23 cm, 204 ppSubject: NBC TELEVISION NETWORK ; TELEVISION. UK ; ELLEN [TV] (US, 1995-) ; STAR TREK - THE NEXT GENERATION [TV] (US, 1987-1994) ; BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004) ; VIOLENCE ON TV ; INTERNET AND TV Summary: Why are some contemporary television shows so compelling? The Sopranos, Buffy the Vampire Slayer, Friends and ER are examples among many of a new era of the 'must-see' programme. These shows and others like The X-Files and Ally McBeal, have a compulsiveness, a depth of characterisation and 'back-story' that puts much of mainstream cinema to shame. Quality Popular Television examines this new category of mostly US-Produced 'cult' television and the reasons for its emergence. Looking at shows as diverse as Ally McBeak, Martial Law, Buffy, Lois and Clark, Star Trek: The Next Generation and Ellen, the book identifies the particular qualities necessary for success and how they relate to issues such as the economics of network scheduling, the growth of the internet and contemporary debates about television audiences. [Taken from back cover.]ISBN: 0851709419
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Selling television : British television in the global market place / Jeanette Steemers London: bfi Publishing, 2004.
Call No: 203(41) STEAuthor: Steemers, Jeanette Place: LondonPublisher: bfi PublishingPubDate: 2004PhysDes: 252 p. ; 24 cmSubject: TELEVISION. UK Notes: Bibliography; IndexISBN: 184457055X
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Teaching tv sitcom / withen by Cary Bazalgette, Jim Cook and Andy Medhurst ; with addition material by Arthur Horwood and Gillian Swanson ; edited by Jim Cook and Nicky North London: BFI Education, 1985.
Call No: 53 BAZAuthor: Bazalgette, Cary ; Cook, Jim ; Medhurst, Andy Place: LondonPublisher: BFI EducationPubDate: 1985PhysDes: ii, 98 p. ; 30 cm. + 10 strips of transparencesSubject: SITUATION COMEDY ; TELEVISION. UK ; TEACHING MATERIALS ; WHATEVER HAPPENED TO THE LIKELY LADS? [TV] (UK, 1973-74) ; PORRIDGE [TV] (UK, 1973-77) ; HI-DE-HI [TV] (UK, 1980-88) ; YOUNG ONES, THE [TV] (UK, 1982-84) ; GEORGE AND MILDRED [TV] (UK, 1976-79) ; RISING DAMP [TV] (UK, 1974-78) ; SHELLEY [TV] (UK, 1979-1992) ; AGONY [TV] (UK, 1979-81)
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Telefantasy / Catherine Johnson London: British Film Institute, 2005.
Call No: 735.1Author: Johnson, Catherine Source: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 2005Series: 181 p ; 23 cmSubject: TELEVISION. UK ; PRISONER, THE [TV] (UK, 1967-1968) ; STAR TREK ; STAR TREK [TV] [...] (US, 1966-69, 1987-) ; X-FILES, THE [TV] (US, 1993-) ; BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004) Summary: Telefantasy offers the first book-length study to consider the place of fantasy, science-fiction and horror dramas in the history of British and US television. Looking at two periods (the 1950s and the 1960s and the 1990s through to the 2000s) when telefantasy has been particularly prevalent on television, this book provides detailed historical accounts of the production of key "telefantasy" programmes: the Quatermass serials, The Prisoner, Star Trek, The X-Files, Buffy the Vampire Slayer, and Randall and Hopkirk (Deceased). [Taken from back cover].ISBN: 184570762
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Television industries / Douglas Gomery & Luke Hockley (eds) London: British Film Institute, 2006.
Call No: 20 TELCorpAuthor: British Film InstituteSource: UKPlace: LondonPublisher: British Film InstitutePubDate: 2006PhysDes: 25 cm ; 130 p.Subject: BRITISH BROADCASTING CORPORATION ; TELEVISION. UK Summary: Television Industries provides a comprehensive introduction to the inner workings of the television industry, focusing on the key features of the contemporary television landscape: television as a business, the technologies of television, the infrastructures of the industry, programme development and production practices, scheduling, budgeting and selling advertising air time, television’s policy and regulatory frameworks, and the culture of television. The book includes both overview articles of aspects of the television industry and in-depth case studies of channels and programmes, ranging from BBC Worldwide to Discovery International, and from The Simpsons to Restoration. Contributions, written by a team of leading international scholars, are extensively cross-referenced to guide the reader through the complexities of this fast-changing industry. Television Industries is essential reading for anyone interested in understanding how television programmes are shaped, produced and sold, and the central role of television in the global media economy. [Taken from back of cover].ISBN: 1844571076
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subject clippings file
TELEVISION. UK
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: TELEVISION. UK
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journal article
Television under the Tories in Metro (2000) iss.121/122 p.158-160
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Treachery? : the power struggle at tv-am / Michael Leapman London: Allen & Unwin, 1984.
Call No: 19TVA LEAAuthor: Leapman, Michael Source: UKPlace: LondonPublisher: Allen & UnwinPubDate: 1984PhysDes: 211 p. ; 22 cmSubject: TV-AM ; TELEVISION. UK Summary: Examines the beginnings of the UK television station TV-am.ISBN: 0047910410
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The TV crime drama / Sue Turnbull [Edinburgh]: Edinburgh University Press, c2014.
Call No: 734 TURAuthor: Turnbull, Sue Source: UKPlace: [Edinburgh]Publisher: Edinburgh University PressPubDate: c2014PhysDes: vii, 216 pages : illustrations ; 22 cmSeries: TV genresSubject: ADAPTATIONS. DOYLE, ARTHUR CONAN ; AUDIENCE RECEPTION ; CRIME DRAMAS ; CRIME DRAMAS. AUSTRALIA ; CRIME ON TV ; CRITICISM, TV. ; DETECTIVES ON TV ; POLICE ON TV ; PROGRAMME GENRES ; PSYCHOLOGICAL EFFECTS OF TV ; RATINGS. USA ; TELEVISION ; TELEVISION. UK ; TELEVISION. USA ; WOMEN ON TV ; CSI: CRIME SCENE INVESTIGATION [TV] (US/CA, 2000-) ; DRAGNET [TV] (US, 1951-59, 1967-70) ; HILL STREET BLUES [TV] (US, 1980-87) ; LAW AND ORDER [TV] (US, 1990-) ; POLICE STORY: COP KILLER [TV] (US, Larry Shaw, 1988) ; SOPRANOS, THE [TV] (US, 1999-) Summary: "What are the characteristic features of the crime drama as a television genre? What is the relationship between crime in the real world and the representation of crime on television? What are the merits of TV crime drama as a genre? The TV Crime Drama offers a genealogical account of the television crime drama, from its origins in popular culture of the 19th and 20th century to its most recent manifestations, as a genre enjoying transnational circulation and popularity. Exploring the key features of this genre in terms of format and style, it pays particular attention to the role of the investigators, the police, the private investigators and the specialists in forensic science and psychology, as well as the debates which have circulated about the role and representation of women. Covering classic series such as The Sweeney and Dragnet as well as contemporary crime dramas including The Wire, The Killing and Luther, this book is an essential read for students and scholars in television studies." -- BOOK BLURBNotes: Includes bibliographical references (pages 195-209) and indexISBN: 9780748640874
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serial
Vertigo London: Vertigo UK Ltd, 1994.
Call No: Vol. 1, Iss. 4 - Winter 1994/95; Vol. 1, Iss. 5 - Autumn/Winter 1995; Vol. 1, Iss. 6 - Autumn 1996; Vol. 2, Iss. 1 - Spring 2001; Vol. 2, No. 2 - Spring 2002; Vol 2, Iss. 3 - Summer 2002; Vol. 2, Iss. 4 - Spring 2003; Vol. 2, Iss. 6 - Spring 2004; Vol. 2, Iss 9; Autumn/Winter 2005; Vol. 3, Iss. 8 - Spring 2008; Vol. 4, Iss. 2 Spring 2009Source: UKPlace: LondonPublisher: Vertigo UK LtdPubDate: 1994Subject: TELEVISION. UK ; UNITED KINGDOM ; INDUSTRY, FILM. UK ; POLITICAL FILMS Notes: Donated by Bill Routt.ISSN: 09687904Missing Issues: incompleteIndexed In: FIAF
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