$195k slug for Jay's movie sequel
The Australian (14/06/2016) p.6 Call No: SUBJECT CLIPPINGS FILE; [FIFTY-SEVEN] 57 FILMS Author: Owen, Michael PhysDes: Clippings File Article Subject: POLITICAL FILMS. AUSTRALIA; [FIFTY-SEVEN] 57 FILMS Summary: Report about the payment by the South Australian government to production company 57 Films for a movie about the state premier's (Jay Weatherell) trade visit to China. Details of the amount paid are given and the links from to the production company and the state government are looked at as well More info
Activist film festivals : towards a political subject / Sonia Tascon and Tyson Wils [editors]
Bristol, U.K. ; Chicago, USA: Intellect Books, 2017.
Call No: 151 TAS Author: Tascon, Sonia; Wils, Tyson Edition: 2017 Place: Bristol, U.K. ; Chicago, USA Publisher: Intellect Books PubDate: 2017 PhysDes: vi, 250 pages : illustrations ; 23 cm Subject: FESTIVALS; POLITICAL FILMS Summary: Film festivals are an ever-growing part of the film industry, but most considerations of them focus almost entirely on their role in the business of filmmaking. This book breaks new ground by bringing scholars from a range of disciplines together with industry professionals to explore the concept of festivals as spaces through an activist lens, as spaces where the sociopolitical identities of communities and individuals are confronted and shaped. Tracing the growth of activist and human rights-focused films from the 1970s to the present, and using case studies from San Francisco, Brazil, Bristol, and elsewhere, the book addresses such contentious topics as whether activist films can achieve humanitarian aims or simply offer "cinema of suffering." -- publisher's web site ISBN: 9781783206346 More info
Allegories of cinema : American film in the sixties / David E. James
Princeton, N.J.: Princeton University Press, 1989.
Call No: 771.1(73) JAM Author: James, David E., 1945 Place: Princeton, N.J. Publisher: Princeton University Press PubDate: 1989 PhysDes: xiii, 388 p. : ill. ; 26 cm Subject: UNDERGROUND FILMS; POLITICAL FILMS; BLACK POWER FILMS; WOMEN AND THE CINEMA; ART CINEMA. USA; VIETNAM WAR FILMS; BRAKHAGE, STAN; ANGER, KENNETH; WARHOL, ANDY; MEKAS, JONAS; FILM ABOUT A WOMAN WHO... (US, Yvonne Rainer, 1974); EASY RIDER (US, Dennis Hopper, 1969) Notes: Includes index; Bibliography: p. 362-377 ISBN: 0691047553 (alk. paper); 0691006040 (pbk.) LON: 5820741 Contents: Stan Brakage, p29-57 -- Andy Warhol, p58-84 -- Jonas Mekas, p100-118 -- "Film that cannot be one: Kenneth Anger" p149-155 -- "Yvonne Rainer: Film about a woman who...", p326-334 -- "Allegories of production: Easy rider", p12-17 -- "Cinema and black liberation", p177-194 -- "Film and the war: representing Vietnam", p195-212 -- More info
The British documentary film movement, 1926-1946 / Paul Swann
Cambridge [England] ; New York: Cambridge University Press, 1989.
Cinema militant : political filmmaking and May 1968 / Paul Douglas Grant
London: Wallflower Press, 2016.
Call No: 626:335.5 GRA Author: Grant, Paul Douglas Place: London Publisher: Wallflower Press PubDate: 2016 PhysDes: viii, 224 pages : illustrations ; 24 cm. Subject: POLITICAL FILMS; FRANCE; DEBORD, GUY; GODARD, JEAN-LUC Notes: Includes filmography (pages 203-209), bibliographical references (pages 211-216) and index. ISBN: 9780231176675 Contents: ch. 1 Wildcat Strikes and Wildcat Cinema In May '68: ARC -- 1.1.What Is cinema militant? -- 1.2.Interrogating the absence -- 1.3.Production eclipsed by theory -- 1.4.Reception In English: Sylvia Harvey's May '68 and Film Culture -- 1.5.History in France -- 1.6.The cinema of May 1968 -- ch. 2 Jean-Pierre Thorn: "No investigation, no right to speak" -- 2.1.Jean-Pierre Thorn and Oser lutter, oser vaincre -- 2.2.The strike at Flins, as told by Jean-Pierre Thorn/ Ligne rouge -- 2.3.Ligne rouge -- 2.4.Cinema Libre -- 2.5.Les etablis -- 2.6.La greve des ouvriers de Margoline -- 2.7.Le dos au mur -- 2.8.Georgette Vacher -- ch. 3 Cinelutte: "Tout ce qui bouge est rouge" -- 3.1.Cinelutte beginnings -- 3.2.Jusqu'au bout -- 3.3.Petites tetes, grandes surfaces
anatomle d'un supermarche -- 3.4.Bonne chance la France -- 3.5.A pas lentes -- ch. 4 Les groupes Medvedkine: Before and After Chris Marker -- 4.1.The adventure of Les groupes Medvedkine -- 4.2.Medvedkin and the Cine-Train -- 4.3.CCPPO -- 4.4.Two productions by the CCPPO -- 4.5.Le groupe Medvedkine Besancon -- 4.6.Le groupe Medvedkine Sochaux -- ch. 5 Of Theory and Peasants: Groupe Cinethique -- 5.1.Groupe Cinethique -- 5.2.Le Front Paysan -- 5.3.Les Handicapes mechants and Bon pied bon oeil et toute sa tete. More info
Close-up : a critical perspective on film / [by] Marsha Kinder [and] Beverle Houston
New York: Harcourt Brace Jovanovich, .
The collapse of the conventional : German film and its politics at the turn of the twenty-first century / edited by Jaimey Fisher and Brad Prager
Detroit: Wayne State University Press, c2010.
Call No: 71(430):45:32 COL Author: Fisher, Jaimey (ed.); Prager, Brad (ed.) Source: US Place: Detroit Publisher: Wayne State University Press PubDate: c2010 PhysDes: vi, 431 p. : ill. ; 23 cm Series: Contemporary approaches to film and television series Subject: POLITICAL FILMS; POLITICS AND THE CINEMA; POLITICS IN FILMS; GERMANY; AESTHETICS; HISTORY AND THE CINEMA. GERMANY; HISTORY OF CINEMA. GERMANY; STALINGRAD (GG, Joseph Vilsmaier, 1992); DOWNFALL (GG, Oliver Hirschbiegel, 2004)SEE
UNTERGANG, DER; UNTERGANG, DER (G, Oliver Hirschbiegel, 2004); ROSENSTRASSE (US/BE/NE, Margarethe von Trotta, 2004); NO PLACE TO GO (GG, Oskar Rohler, 2000)
UNBERUHRBARE, DIE; UNBERUHRBARE, DIE (GG, Oskar Rohler, 2000); LIVES OF OTHERS, THE (GE, Florian Henckel Von Donnersarck, 2006)SEE
LEBEN DER ANDEREN, DAS (GE, Florian Henckel Von Donnersarck, 2006); LEBEN DER ANDEREN, DAS (GE, Florian Henckel Von Donnersarck, 2006) Summary: "Fisher and Prager have assembled a significant group of essays by the emerging generation of German cinema experts in the U.S. The anthology is the first serious attempt to retell the history of the New German Cinema and the 'consensus' cinema of the 1900s through the lens of contemporary, post-2000 films in all their diversity. Film scholars, students of the German cinema, and the general reading public will discover here why 'Deutsches Kino' is once again in the limelight. " -- Marc Silberman Notes: Includes bibliographical references and index; Includes filmography ISBN: 9780814333778 Contents: -- Introduction / Jaimey Fisher and Brad Prager -- Imitation of life: the aesthetics of Agfacolor in recent historical cinema / Jennifer M. Kapczynski -- Public viewing: soccer patriotism and post-cinema / Lutz Koepnick -- More war stories: Stalingrad and downfall / Elisabeth Krimmer -- Neofeminist mutterfilm? the emotional politics of Margarethe von Trotta's Rosenstrasse / Anna M. Parkinson -- Dresden: the return of history as soap / Wilfried Wilms -- Terrains vagues: landscapes of unification in Oskar Roehler's No place to go / Johannes von Moltke -- German historical film as production trend: European heritage cinema and melodrama in The lives of others / Jaimey Fisher -- A world of objects: consumer culture in filmic reconstructions of the GDR / Michael D. Richardson -- Playing hide-and-seek with tradition: games, aesthetic form, and social critique in German cinema following the Wende / John E. Davidson -- Imaging Germany: the (political) cinema of Christian Petzold / Marco Abel -- Christoph Hochhausler's This very moment: the Berlin school and the politics of spatial aesthetics in the German-Polish borderlands / Kristin Kopp -- Die fetten Jahre sind vorbei: Edukating the post-left generation / Roger F. Cook -- The global elsewhere: Ursula Biemann's Multimedia countergeography / Barbara Mennel -- Glimpses of freedom: the reemergence of utopian longing in German cinema / Brad Prager -- works cited -- filmography -- contributors -- index -- More info
Documentary and educational films of the 1930s / Rachael Low
London, UK: George Allen & Unwin, 1979.
Call No: 761(41) LOW Author: Low, Rachael Source: UK Place: London, UK Publisher: George Allen & Unwin PubDate: 1979 PhysDes: 244 p. : ill. ; 22 cm Series: The History of British Film 1929-1939 Subject: BRITISH FILM INSTITUTE; DOCUMENTARY FILMS. UK; EDUCATION, USE OF FILMS IN; EDUCATION, FILM. UK; INDUSTRY, FILM. UK; INSTRUCTIONAL FILMS; PROPAGANDA FILMS; POLITICAL FILMS; TRUTH IN FILMS; ANSTEY, EDGAR; CAVALCANTI, ALBERTO; ELTON, ARTHUR; GRIERSON, JOHN; ROTHA, PAUL; WRIGHT, BASIL Summary: "With the advent of sound a host of film makers began, during the 1930s, to explore the wider possibilities of film as a means of communication. Without doubt the most spectacular development during this decade of social and political unrest was the dramatic growth of the mainstream British documentary movement closely associated with names such as John Grierson and Paul Rotha, which is often described as Britain's most important contribution to world cinema. In these pages for the first time a full and detailed account is given of people involved in the documentary movement and a coherant attempt is made to date and describe their whole output. Rachael Low demonstrates how different documentary styles evolved, developed and changed - and eventually split into two distinct schools of film making.
An equally important innovation in the 1930s was the first use of film for educational purposes. Rachael Low records in detail the many experiments and debates held to determine the best use of films in schools and the often disappointing attempts to produce satisfactory educational films."--BOOK JACKET Notes: includes bibliographical references; incldues film listing
includes index ISBN: 0047910364 Contents: -- Acknowledgements -- List of Illustrations -- 1. Introduction -- 2. The Educational Film -- 3. The Documentary Movement -- (i) Early Stages -- (ii) The Middle Years -- (iii) Maturity -- (iv) The End of the Decade -- 4. Reality and the Documentary Film -- Appendix: The British Film Institute -- Notes -- Bibliography -- Film List -- Index -- More info
The documentary film book / edited by Brian Winston
London: Palgrave Macmillan, 2013.
Call No: 761 DOC Author: Winston, Brian CorpAuthor: British Film Institute Source: UK Place: London Publisher: Palgrave Macmillan PubDate: 2013 PhysDes: 416 pages ; 25 cm Subject: AFRICA; ART CINEMA; ANTHROPOLOGY AND THE CINEMA; BLACK CINEMA; BRAZIL; CINEMA-DIRECT; CINEMA VERITE; DOCUMENTARIES; DOCUMENTARY FILMS; DOCUMENTARY DRAMAS; ETHICS AND THE CINEMA; ETHNOGRAPHIC FILMS; HISTORY ON TV; HOMOSEXUALITY AND THE CINEMA; ISRAEL; INTERNET AND THE CINEMA; LATIN AMERICAN COUNTRIES; PALESTINE; POLITICAL FILMS; RACE AND THE CINEMA; REVOLUTIONARY THEMES IN FILMS; MOVEMENTS IN FILM HISTORY; REALITY TV; GRIERSON, JOHN; MOORE, MICHAEL; VERTOV, DZIGA; AFRICA RISING (US, Paula Heredia, 2009); AILEEN: LIFE AND DEATH OF A SERIAL KILLER (UK, Nick Bloomfield & Joan Churchill, 2003); CHRONIQUE D' UN ETE (FR, Jean Rouch/Edgar Morin, 1961); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); MAN WITH A MOVIE CAMERA (UR, Dziga Vertov, 1929); NANOOK OF THE NORTH (US, Robert Flaherty, 1922) Summary: Powerfully posing questions of ethics, ideology, authorship and form, documentary film has never been more popular than it is today. Edited by one of the leading British authorities in the field, The Documentary Film Book is an essential guide to current thinking on documentary film.
In a series of fascinating essays, key international experts discuss the theory of documentary, outline current understandings of its history (from pre-Flaherty to the post-Griersonian world of digital 'i-Docs'), survey documentary production (from Africa to Europe, and from the Americas to Asia), consider documentaries by marginalised minority communities, and assess its contribution to other disciplines and arts. Brought together here in one volume, these scholars offer compelling evidence as to why, over the last few decades, documentary has come to the centre of screen studies. -- BOOK BLURB ISBN: 9781844573417 Contents: Acknowledgments -- Notes on Contributors -- Foreword: Why Documentaries Matter -- Introduction: The Filmed Documentary --; PART I: DOCUMENTARY VALUES -- The Question of Evidence, the Power of Rhetoric and Documentary Film: Bill Nichols -- 'I'll Believe It When I Trust the Source': Documentary Images and Visual Evidence: Carl Plantinga -- 'The Performance Documentary': The Performing Film-Maker, the Acting Subject: Stella Bruzzi -- On Truth, Objectivity and Partisanship: The Case of Michael Moore: Douglas Kellner -- CGI and the End of Photography as Evidence: Taylor Downing -- Drawn From Life: The Animated Documentary: Andy Glynne -- Dramadoc? Docudrama? The Limits and Protocols of a Televisual Form: Derek Paget -- Ambiguous Audiences: Annette Hill -- Life As Narrativised: Brian Winston -- The Dance of Documentary Ethics: Pratap Rughani -- Deaths, Transfigurations and the Future: John Corner --; PART II: DOCUMENTARY PARADIGMS -- Problems in Historiography: The Documentary Tradition Before Nanook of the North: Charles Musser -- John Grierson and the Documentary Film Movement: Ian Aitken -- Challenges For Change: Canada's National Film Board: Thomas Waugh and Ezra Winton -- Grierson's Legacies: Australia and New Zealand: Deane Williams -- New Deal Documentary and the North Atlantic Welfare State: Zoe Druick and Jonathan Kahana -- The Triumph of Observationalism: Direct Cinema in the USA: Dave Saunders -- Russian and Soviet Documentary: From Vertov to Sokurov: Ian Christie -- The Radical Tradition in Documentary Film-making, 1920s–50s: Bert Hogenkamp -- Le Groupe des trente: The Poetic Tradition: Elena Von Kassel Siambani -- Cinéma Vérité: Vertov Revisited: Genevieve Van Cauwenberge -- Beyond Sobriety: Documentary Diversions: Craig Hight --; PART III: DOCUMENTARY HORIZONS -- Eastwards: Abe Mark Nornes -- Africa N.: Frank Ukadike -- Images From the South: Contemporary Documentary in Argentina and Brazil: Ana Amado and Maria Dora Mourao -- 'Roadblock' Films, 'Children's Resistance' Films and 'Blood Relations' Films: Israeli and Palestinian Documentary Post-Intifada: Il Raya Morag -- Sacred, Mundane and Absurd Revelations of the Everyday – Poetic Vérité in the Eastern European Tradition; Susanna Helke --; PART IV: DOCUMENTARY VOICES -- First-Person Political: Alisa Lebow -- Feminist Documentaries: Finding, Seeing and Using Them: Julia Lesage -- Pioneers of Black Documentary Film: Pearl Bowser -- LGTBs' Documentary Identity: Christopher Pullen -- Docusoaps: The Ordinary Voice as Popular Entertainment: Richard Kilborn -- Reality TV: A Sign of the Times?: Anita Biressi and Heather Nunn --; PART V: DOCUMENTARY DISCIPLINES -- Anthropology: The Evolution of Ethnographic Film: Paul Henley -- Science, Society and Documentary: Tim Boon -- History Documentaries for Television: Ann Gray -- Music, Documentary, Music Documentary: Michael Chanan -- Art, Documentary as Art; Michael Renov --; PART VI: DOCUMENTARY FUTURES -- Documentary as Open Space: Helen de Michiel and Patricia R. Zimmermann -- 'This Great Mapping of Ourselves': New Documentary Forms Online: John Dovey and Mandy Rose -- New Platforms for 'Docmedia': 'Varient of a Manifesto': Peter Wintonick --; Afterword: The Unchanging Question: Brian Winston -- Index More info
Film Festival : Grove Press International Film Festival Book / Editor: Barney Rosset
New York: Grove Press, .
Film Festivals and Activism / Dina Iordanova (editor)
Leshu Torchin (editor)
St Andrews, Scotland: St Andrews Film Studies, 2012.
Call No: 15 FIL Author: Iordanova, Dina
Torchin, Lechu Source: UK Place: St Andrews, Scotland Publisher: St Andrews Film Studies PubDate: 2012 PhysDes: 322 pages : ill. ; 23 cm. Series: Film Festival Yearbook Subject: FESTIVALS; POLITICAL FILMS Summary: Film festivals not only build markets and audiences, they also provide platforms for those advocating for change, and in recent years have been playing an increasing role in social justice movements and campaigns. Bringing together the perspectives of scholars, programmers, filmmakers and activists, Film Festivals and Activism provides essential insight into the nature, function and practice of activist film festivals. With interviews, conceptual overviews, case studies, histories, bibliographies, and tables of festivals around the world, this volume offers an invaluable resource for scholars and practitioners alike. -- PUBLISHERS WEB SITE Contents: Networked for Advocacy: Film Festivals and Activism / Leshu Torchin -- Film Festivals and Dissent: Can Film Change the World? / Dina Iordanova -- Human Rights Film Festivals: Global/ Local Networks for Social Justice and Advocacy / Mariagiulia Grassilli -- On the Development of Queer Film Festivals and Their Media Activism / Ger Zielinski and Skadi Loist -- Towards an Indigenous Film Festival Circuit / Amalia Co´rdova -- Permutations of the Species: Independent Disability Cinema and the Critique of National Normativity / David Mitchell and Sharon Snyder -- Traffic Jam Revisited: Film Festivals, Activism and Human Trafficking / Leshu Torchin -- Film Festivals as a Human Rights Awareness Building Tool: Experiences of the Prague One World Festival / Igor Blaz evic -- A Cinematic Refuge in the Desert: Festival Internacional de Cine del Sahara / Stefan Simanowitz and Isabel Santaolalla -- ‘Tell Our Story to the World’: The Meaning of Success for A Massacre Foretold – A Filmmaker Reflects / Nick Higgins -- Voices from the Waters: International Travelling Film Festival on Water / Georgekutty A.L. -- Mediterranean Encounters in Rabat: Rencontres me´diterrane´ennes cine´ma et droits de l’Homme / Robert A. Rosenstone -- Human Rights Film Festivals as an Emerging Model of Human Rights Education: The Human Rights Arts and Film Festival (HRAFF), Australia / Clare Muller -- Humanist and Poetic Activism: The Robert Flaherty Film Seminar in the 1950s / Patricia R. Zimmermann -- The Resources: Groundwork Continued / Leshu Torchin and Dina Iordanova -- From Local to Global: The Growing Pains of the Human Rights Watch International Film Festival: An Interview with Bruni Burres, Festival Director (1991-2008) / Alex Fischer -- Combining the Foreign with the Familiar: An Interview with Jasmina Bojic, Founder and Director of the United Nations Association Film Festival / Raluca Iacob -- Hot Docs: A Prescription for Reality: An Interview with Sean Farnel, Former Director of Programming at Hot Docs Canadian International Documentary Festival / Alex Fischer -- Just Vision and the Uses of a Festival Circuit: An Interview with Ronit Avni, Executive Director of Just Vision / Leshu Torchin -- ‘Connect Me with Activism and Film Practice, Not Activism and Film Festivals!’: An Interview with Z elimir Z ilnik, Filmmaker / Greg De Cuir Jr. -- How to Leverage a Film Festival: An Interview with Judith Helfand, Filmmaker and Co-founder of Chicken & Egg Pictures and Working Films / Leshu Torchin -- The Human Touch: A Review of the One World Human Rights Film Festival Handbook / Alex Fischer -- Bibliography: Films, Film Festivals and Activism / Kathleen Scott -- Table 1: Human Rights Film Festivals / Beatriz Tadeo Fuica -- Table 2: Indigenous Film Festivals / Beatriz Tadeo Fuica and Amalia Co´rdova -- Table 3: Lesbian, Gay, Bisexual, Transgender and Queer Film Festivals / Beatriz Tadeo Fuica and Skadi Loist -- Table 4: Film Festivals Related to (Involuntary) Migration / Beatriz Tadeo Fuica -- Table 5: Disability and Health-Related Festivals / Beatriz Tadeo Fuica -- Table 5a: Deaf Film Festivals / Beatriz Tadeo Fuica -- Thematic Bibliography on Film Festival Research Update: 2011 / Marijke de Valck and Skadi Loist. More info
Film genre 2000 : new critical essays / edited by Wheeler Winston Dixon
Albany: State University of New York Press, c2000.
Filming the modern Middle East : politics in the cinemas of Hollywood and the Arab world
London ; New York: I.B. Tauris ; New York : Distributed in the USA by Palgrave Macmillan, 2006.
Call No: 71(53) KHA Author: Khatib, Lina Source: UK Place: London ; New York Publisher: I.B. Tauris ; New York : Distributed in the USA by Palgrave Macmillan PubDate: 2006 PhysDes: viii, 242 p. : ill. ; 24 cm Subject: ARAB COUNTRIES; ARABS IN FILMS; MIDDLE EASTERN COUNTRIES; MIDDLE EASTERN COUNTRIES IN FILMS; WORLD CINEMA; POLITICAL FILMS; POLITICS AND THE CINEMA; POLITICS IN FILMS; TERRORISM AND THE CINEMA; RELIGION IN FILMS Summary: "Today the world's media have a pressing need to understand and interpret the modern Middle East. In this timely book, Lina Khatib examines how contemporary American cinema and the cinemas of the Arab world contribute to this global preoccupation in their representations of Middle Eastern politics. This examination of Hollywood as the dominant Western interpreter of the Arab World also views the Arab world in terms of how it perceives itself and others through its films." -- BOOK BLURB Notes: Includes bibliographic references and index; Includes filmography ISBN: 9781845111915 Contents: Introduction: Orientalism and the Cinematic Middle East --; Chapter I: The Politicized Landscape -- Why space matters -- Hollywood's spatial political stage -- The spatial contradictions of Arab cinemas -- Conclusion --; Chapter II: Gendered Tools of Nationalism -- The changing face of the American male/nation -- The female nations of Arab cinema -- Conclusion --; Chapter III: Conflicts Within and Without: The Arab-Israeli Conflict (and the Gulf War) -- Hollywood's America: world police -- Arab cinemas: nostalgia and resistence -- Conclusion --; Chapter IV: From the Other Outside to the Other Within: Representing Islamic Fundementalism -- Why fundamentalism matters -- Hollywood's fundamentalist terrorists -- Islamic fundamentalism in Egyptian and Algerian cinemas: the Other within -- Conclusion; Epilogue: On Difference, Resistance, and Nationalism -- On difference -- On resistance -- On nationalism -- Beyond the East/West divide More info
Films of the Revolution
Lumiere (December, 1972) iss.19 p.14-15 More info
Human rights film festivals : Activism in context / Sonia M. Tascon
New York: Palgrave Macmillan, 2015.
Call No: 151 TAS Author: Tascon, Sonia M. Source: US Place: New York Publisher: Palgrave Macmillan PubDate: 2015 PhysDes: xiii, 248 pages : illustrations ; 23 cm. Subject: FESTIVALS. AUSTRALIA. HUMAN RIGHTS ARTS AND FILM; DOCUMENTARIES; POLITICAL FILMS Summary: This book explores how human rights developed as a language located in history, space and time, and how the festivals continue with this tradition by adapting it for local audiences. The tensions produced by human rights' search for universality and the located-ness of the festivals are explored in detail through two case studies: one located in Buenos Aires, South America; the other in New York, North America, which was the first human rights film festival worldwide. Notes: Includes bibliographical references (pages 221-238) and index. --Includes filmography: pages 239-242. ISBN: 9781137454232 Contents: Introduction --Human rights: from universalism to internationalism --Film festivals: activism and the gaze --Festival Internacional de Cine de Derechos Humanos, Buenos Aires. Context 1997-2003: history and politics --The festival 1997-2003: from the desaparecidos to neoliberalism --Context 2004-2014: post-dictatorship, post-neoliberalism and new Argentine cinema --The festival 2004-2014: the "other" and cosmopolitan visions --Human Rights Watch International Film Festival, New York --Context: from the Cold War to the Yes men --The festival: presences: Eastern Europe, Middle East and United States --Context: from Latin America to political documentary in the United States --The festival: absence: Latin America --Conclusions. Films and human rights --Film festivals, audiences and human rights --Universalism and film festivals. More info
Humor in Middle Eastern cinema / edited by Gayatri Devi and Najat Rahman
Detroit: Wayne State University Press, c2014.
Call No: 732(5-011) HUM Author: Revi, Gayatri (ed.); Rahman, Najat (ed.) Source: US Place: Detroit Publisher: Wayne State University Press PubDate: c2014 PhysDes: 282 pages ; 23 cm Series: Contemporary approaches to film and media Subject: AFGHANISTAN; ARAB COUNTRIES; ARABS IN FILMS; AUDIENCE RECEPTION; BOLLYWOOD; CENSORSHIP; COMEDIES. MIDDLE EASTERN COUNTRIES; CULTURAL IMPERIALISM. US; EGYPT; HUMOUR IN FILMS; INDIA; IRAN; IRAQ; ISRAEL; IRONY IN FILMS; NATIONAL CULTURE AND THE CINEMA; PALESTINE; POLITICAL FILMS; RACIAL STEREOTYPES IN FILMS; SATIRE IN FILMS; TYPE CHARACTERS IN FILMS; PAKISTAN; CHAHINE, YOUSSEF; DHOUIB, MONCEF; KIAROSTAMI, ABBAS; ZARHIN, SHEMI; AMERIKALI (TU, Serif Gören, 1993); BAD MA RA KHAHAD BORD (IR/FR, Abbas Kiarostami, 1999); DIVINE INTERVENTION (FR/MR/G/PA, Elia Suleiman, 2002); ISKANDERIJA...LIH? (UA/AE, Youssef Chahine, 1978); ALEXANDRIA...WHY? (UA/AE, Youssef Chahine, 1978); TELE ARRIVE, LA (TI, Moncef Dhouib, 2006); TERE BIN LADEN (II, Abhishek Sharma, 2010); TV IS COMING, THE (TI, Moncef Dhouib, 2006) Summary: "While Middle Eastern culture does not tend to be associated with laughter and levity in the global imagination, humor—often satirical—has long been a staple of mainstream Arabic film. In Humor in Middle Eastern Cinema, editors Gayatri Devi and Najat Rahman shed light on this tradition, as well as humor and laughter motivated by other intent—including parody, irony, the absurd, burlesque, and dark comedy. Contributors trace the proliferation of humor in contemporary Middle Eastern cinema in the works of individual directors and from the perspectives of genre, national cinemas, and diasporic cinema. Humor in Middle Eastern Cinema explores what humor theorists have identified as an “emancipatory,” “liberatory,” even “revolutionary” function to humor. Among the questions contributors ask are: How does Middle Eastern cinema and media highlight the stakes and place of humor in art and in life? What is its relation to the political? Can humor in cinematic art be emancipatory? What are its limits for its intervention or transformation? Contributors examine the region’s masterful auteurs, such as Abbas Kiarostami, Youssef Chahine, and Elia Suleiman and cover a range of cinematic settings, including Egypt, Iran, Israel, Lebanon, Palestine, Syria, Tunisia, and Turkey. They also trace diasporic issues in the distinctive cinema of India and Pakistan. This insightful collection will introduce readers to a variety of contemporary Middle Eastern cinema that has attracted little critical notice. Scholars of cinema and media studies as well as Middle Eastern cultural history will appreciate this introduction to a complex and fascinating cinema." -- GOOGLE BOOKS Notes: Contains bibliography and filmography -- contains index -- contains list of contributors ISBN: 9780814339374 Contents: Introduction / Gayatri Devi and Najat Rahman -- Humor, loss, and the possibility for politics in recent Palestinian cinema / Najat Rahman -- Strategies of subversion in Ben Ali's Tunisia: allegory and satire in Moncef Dhouib's TV Is Coming / Robert Lang -- Satiric traversals in the comedy of Mehran Modiri: space, irony, and national allegory on Iranian television / Cyrus Ali Zargar -- Ethnic humor, stereotypes, and cultural power in Israeli cinema / Elise Burton -- The laughter of Youssef Chahine / Najat Rahman -- Comedic meditations: war and genre in The Outcasts / Somy Kim -- Humor and the cinematic sublime in Kiarostami's The Wind Will Carry Us / Gayatri Devi -- America the oppressively funny: humor and anti-americanisms in modern Turkish cinema / Perin Gurel -- Laughter across borders: the case of the Bollywood film Tere Bin Laden / Mara Matta More info
Irish film : the emergence of a contemporary cinema / Martin McLoone
London: British Film Institute, 2000.
Call No: 71(417) MCL Author: McLoone, Martin CorpAuthor: British Film Institute Place: London Publisher: British Film Institute PubDate: 2000 PhysDes: 234 p. : ill. ; 24 cm Subject: REPUBLIC OF IRELAND; NATIONAL IDENTITY AND THE CINEMA. REPUBLIC OF IRELAND; LANDSCAPES IN FILMS; BUTCHER BOY, THE (US, Neil Jordan, 1997); POLITICAL FILMS; POLITICS AND THE CINEMA; FLAHERTY, ROBERT; HUSH-A-BYE-BABY (UK, Margo Hakin, 1990); IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993); JORDAN, NEIL; MAEVE (UK/IE, Pat Murphy & John Davies, 1981); MAN OF ARAN (UK, Robert Flaherty, 1934); NOTHING PERSONAL (UK/IE, Thaddeus O'Sullivan, 1995); OUR BOYS (IE, Cathal Black, 1981); PATRIOT GAMES (US, Philip Noyce, 1992); QUIET MAN, THE (US, John Ford, 1952); SHERIDAN, JIM; THIS IS MY FATHER (US, Paul Quinn, 1998); TITANIC (US, James Cameron, 1997) Notes: Includes bibliographical references and index ISBN: 0851707920(cased) : ¦45.00; 0851707939(pbk.) : ¦14.99; 0851707920; 0851707939 (pbk.); 0851707920 (cased); 0851707939 (pbk.); 0851707920 (cased) : ¦45.00; 0851707939 (pbk.) : ¦14.99 LON: 21663034 21663034 More info
The man in the picture : an interview with Mike Rubbo by Dave Jones
Lumiere (April, 1973) iss.22 p.10-15 More info
The Manchurian candidate / by Greil Marcus
London: bfi Publishing, 2002.
Mexican national cinema / Andrea Noble
Abingdon, Oxon, UK: Routledge, 2005.
Call No: 71(72) NOB Author: Noble, Andrea Source: UK Place: Abingdon, Oxon, UK Publisher: Routledge PubDate: 2005 PhysDes: viii, 224p. : ill. ; 23cm Subject: MEXICO; MEXICO IN FILMS; NATIONAL CULTURE AND THE CINEMA. MEXICO; NATIONAL CULTURE IN FILMS. MEXICO; INDUSTRY, FILM. MEXICO; AUDIENCES. MEXICO; MOVEMENTS AND STYLES IN FILM HISTORY; POLITICS IN FILMS. MEXICO; POLITICAL FILMS. MEXICO; REVOLUTION AND THE CINEMA. MEXICO; DOCUMENTARY FILMS. MEXICO; MELODRAMA. MEXICO; MUJER DEL PUERTO, LA (MX, Arcady Boytler, 1933); MUJER DEL PUERTO, LA (MX, Arturo Ripstein, 1991); MARIA CANDELARIA (MX, Emilio Fernández, 1943); UNE FAMILIA DE TANTAS (MX, Alejandro Galindo, 1948); CASTILLO DE LA PUREZA, EL (MX, Arturo Ripstein, 1972); CALLEJON DE LOS MILAGROS, EL (MX, Jorge Fons, 1995); QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]); ESPALDAS MOJADAS (MX, Alejandro Galindo, 1955); JARDIN DEL EDÉN, EL (MX, María Novaro, 1994); Y TU MAMA TAMBIEN (MX, Alfonso Cuaron, 2001) Summary: Mexican National Cinema offers an account of the development of Mexican cinema from the intense cultural nationalism of the Mexican Revolution, through the "Golden Age" of the 1940s and the Nuevo Cine of the 1960s, to the renaissance in Mexican cinema in the 1990s.
The book moves from broad historical and theoretical context, particularly theories of nation, emergent discourses of "mexicanidad" and the establishment and development of the Mexican industry, towards readings of key film texts and genres. Individual chapters discuss the relationship between Hollywood cinema and Mexican cinema, the stars of the "Golden Age," the role of foreign auteurs in the founding of Mexican cinema, tensions in the industry in the 1960s, and the national and international reception of contemporary films and film-makers. The author then examines the portrayal of Mexican nationhood through critical analysis of film genres including Revolutionary films, machismo and "mexicanidad," the prostitute, and the work of female auteurs. ISBN: 0415230101 More info
Movies as politics / Jonathan Rosenbaum
Berkeley, Calif.: University of California Press, 1997.
Call No: 45:32 ROS Author: Rosenbaum, Jonathan Place: Berkeley, Calif. Publisher: University of California Press PubDate: 1997 PhysDes: xi, 359 p. ; 24 cm Subject: POLITICS AND THE CINEMA; POLITICAL FILMS; RACIAL PROBLEMS IN FILMS; WELLES, ORSON; KIESLOWSKI, KRZYSZTOF; BUNUEL, LUIS; BRESSON, ROBERT; TATI, JACQUES; RAY, NICHOLAS; ZWIGOFF, TERRY; ENDFIELD, CY; HOU, HSIAO-HSIEN; CARAX, LEOS; AKERMAN, CHANTAL; ACE VENTURA, PET DETECTIVE (US, Tom Shadyac, 1994); HEARTS OF DARKNESS : A FILMMAKERS APOCALYPSE (US, Fax Bahr & George Hinkenlooper, 1991); PIANO, THE (AT, Jane Campion, 1993); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BITTER MOON (FR/UK, Roman Polanski, 1992); NOIRE DE..., LA (SG, Ousmane Sembene, 1965); BLOOD IN THE FACE (US, Anne Bohlen, Kevin Rafferty & James Ridgeway, 1991); CRUMB (US, Terry Zwigoff, 1994); DO THE RIGHT THING (US, Spike Lee, 1989); FORREST GUMP (US, Robert Zemeckis, 1994); NUIT ET JOUR (FR/BE/SZ, Chantal Akerman, 1991); OUT 1 (FR, Jacques Rivette, 1990[prod. 1970]); PLOT AGAINST HARRY, THE (US, Michael Roemer, 1989[prod.1969]); PUPPET MASTER, THE (US, David Schmoeller, 1989); REDS (US, Warren Beatty, 1981); SAFE (US, Todd Haynes, 1995); SCHINDLER'S LIST (US, Steven Spielberg, 1993); SOLARIS (UR, Andrei Tarkovsky, 1972) Notes: Includes bibliographical references and index ISBN: 0520206142 (acid-free paper); 0520206150 (pbk. : alk. paper) Order Received: 1997 LON: 96009916; 12700123 More info
subject clippings file
The politics of documentary / Michael Chanan
London: British Film Institute, 2007.
Call No: 761 CHA Author: Chanan, Michael Source: UK Place: London Publisher: British Film Institute PubDate: 2007 PhysDes: viii, 280 p. : ill., ports. ; 24 cm Subject: ARCHIVES & INSTITUTES, FILM; AVANT-GARDE FILMS; CINEMA VERITE; CINEMA-DIRECT; COMMENTARY; DOCUMENTARY FILMS. JAPAN; DOCUMENTARY FILMS. LATIN AMERICAN COUNTRIES; DOCUMENTARY FILMS. USA; DOCUMENTARY FILMS; FREE CINEMA; MONTAGE; MUSIC AND THE CINEMA; POLITICAL FILMS; POLITICS AND THE CINEMA; POLITICS IN FILMS; TRUTH IN FILMS; FLAHERTY, ROBERT; GRIERSON, JOHN; IVENS, JORIS; ROUCH, JEAN; VERTOV, DZIGA; BERLIN DIE SINFONIE DER GROSSTADT (G, Walter Ruttman, 1927); BERLIN: SYMPHONY OF A GREAT CITY (G, Walter Ruttman, 1927); NANOOK OF THE NORTH (US, Robert Flaherty, 1922) Summary: "Chanan traces the history of the documentary from the first Lumiere films to Grierson and his contemporaries, though to Free Cinema, Cinema verite and Direct Cinema, up to the current resurgence of documentary with high profile films such as those of Michael Moore. Chanan's thematic approach takes in topics such as the documentary before documentary, how documentary film language works, the veracity of the image, the construction of the soundtrack, the migration of documentary to television, political documentary, censorship, first-person film making, and the relation of the archives to history and memory. Drawing on examples of documentary cinema in Japan, Iran, and Latin America as well as Europe and the USA, Chanan argues that documentary provides a crucial public space in which ideas are debated, opinion is formed and those in authority are held to account. " - BLURB Notes: Includes bibliographical references and index ISBN: 9781844572267 Contents: Part 1: Mapping the field -- 1:The new documentary wave -- 2: The documentary field -- 3: Rules of evidence -- Part 2: Historical moments -- 4: Documentary before documentary -- 5: Discovery of space -- 6: The documented point of view -- 7: Soundscapes -- 8: Public address -- 9:Essays and endeavours -- 10:Truth games -- Part 3: Contemporary Themes -- 11:Different histories -- 12: Living history -- 13: The space of the subject -- 14: After Verite -- 15: History and memory -- Index More info
Politkino : Film catalogue 1973-4 / Politkino
London: Politkino Ltd, [1973?].
Call No: 027(410) POL CorpAuthor: Politkino Ltd Edition: 1973-4 Place: London Publisher: Politkino Ltd PubDate: [1973?] PhysDes: 24 p. ; 30cm Subject: POLITICAL FILMS; BLACK POWER FILMS; BARRAVENTO (BL, Glauber rocha, 1962); NOIRE DE..., LA (SG, Ousmane Sembene, 1965); CHRONIK DER ANNA MAGDALENA BACH, DIE (GW/IT, Jean-Marie Straub & Daniele Huillet, 1968); VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970) More info
Prism of suffering
The Australian [Review] (03/11/2012) p.16 More info
Reel politics : American political movies from Birth of a nation to Platoon / Terry Christensen
Oxford New York: Blackwell, 1987.
Call No: 745 CHR Author: Christensen, Terry Place: Oxford New York Publisher: Blackwell PubDate: 1987 PhysDes: x, 244 p. : ill. ; 24 cm Subject: POLITICAL FILMS. USA; WORLD WAR II FILMS; FASCISM AND THE CINEMA; COMMUNISM AND THE CINEMA; VIETNAM WAR FILMS; WORKERS IN FILMS; NUCLEAR ISSUES IN FILMS; REVOLUTIONARY THEMES IN FILMS; WAR AND THE CINEMA; POLITICAL PERSONALITIES IN FILMS; FONDA, HENRY; FORD, JOHN; GRIFFITH, DAVID WARK; REDS (US, Warren Beatty, 1981); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); GABRIEL OVER THE WHITE HOUSE (US, Gregory La Cava, 1933); [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939); GRAPES OF WRATH, THE (US, John Ford, 1940); CITIZEN KANE (US, Orson Welles, 1941); CASABLANCA (US, Michael Curtiz, 1942); CANDIDATE, THE (US, Michael Ritchie, 1972); FRONT, THE (US, Martin Ritt, 1976); ADVISE AND CONSENT (US, Otto Preminger, 1962); STATE OF THE UNION (US, Frank Capra, 1948); SISTERS (US, Brian De Palma, 1972) Notes: Includes index; Bibliography: p.-227 ISBN: 0631158448 : $24.95 (U.S.) LON: 5549737 More info
Savage junctures : Sergei Eisenstein and the shape of thinking / Anne Nesbet
London: I.B Taurus, 2003.
Call No: 81(049.3)EIS NES Author: Nesbet, Anne Edition: 1st ed. Source: UK Place: London Publisher: I.B Taurus PubDate: 2003 PhysDes: ix, 260 p. : ill. ; 24 cm Subject: U.S.S.R IN FILMS; RUSSIANS IN FILMS; POLITICAL FILMS; HISTORICAL FILMS; STALIN [J.] IN FILMS; LENIN [V.I.] IN FILMS; POPULAR CULTURE AND THE CINEMA; CIRCUS AND THE CINEMA; PHILOSOPHY AND THE CINEMA; LITERATURE AND THE CINEMA; MYTH AND THE CINEMA; AESTHETICS; ALEXANDROV, GROGORIJ; BABEL, ISAAK; BRETON, ANDRE; DISNEY, WALT; FREUD, SIGMUND; HEGEL, GEORG, WILHELM, FRIEDRICH; SHKLOVSKY, VICTOR; SHUMIATSKII, BORIS; SINCLAIR, UPTON; SONTAG, SUSAN; TISSE, EDUARD; TOLSTOY, LEV; TROTSKY, LEON; VERTOV, DZIGA; WELLS, H.G; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); STACHKA [STRIKE] (UR, Sergei M. Eisenstein, 1925); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); STRUCTURALISM; RUSSIA; THEORY Summary: Based on extensive research in the archives of legendary Russian film director Sergei Eisenstein, this book explores his wide ranging consumption of high and low culture and his wide ranging experience in ‘thinking in pictures’. Savage Junctures plays close attention to the multiple contexts within which Eisenstein’s films evolved. Eisenstein was particularly interested in the possibilities of visual thinking and, in this spirit; each chapter addresses the question of his image based philosophy from a different perspective.
[Taken from back cover]. ISBN: 1850433305 More info
The screening of Australia : anatomy of a national cinema / Susan Dermody, Elizabeth Jacka
Sydney: Currency Press, 1987-<1988.
Call No: 71(94) DER v.2 Author: Dermody, Susan; Jacka, Elizabeth Place: Sydney Publisher: Currency Press PubDate: 1987-<1988 PhysDes: v. <1-2 > ; 21 cm Series: Australian screen series Subject: BUDDY FILMS. AUSTRALIA; AUSTRALIA; THEORY. AUSTRALIA; CULTURAL IMPERIALISM. AUSTRALIA; CLASS AND THE CINEMA. AUSTRALIA; NATIONAL IDENTITY IN FILMS. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; COMEDIES. AUSTRALIA; WOMEN IN FILMS. AUSTRALIA; MEN IN FILMS. AUSTRALIA; POLITICAL FILMS. AUSTRALIA; SEX IN FILMS. AUSTRALIA; REALISM IN FILMS. AUSTRALIA; AUSTRALIAN FILM COMMISSION; BREAKER MORANT (AT, Bruce Beresford, 1980); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); CAREFUL HE MIGHT HEAR YOU (AT, Carl Schutz, 1983); GALLIPOLI (AT, Peter Weir, 1981); MAD MAX (AT, George Miller, 1979); MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); MY BROTHER JACK (AT, Gil Brealey, 1965); ALVIN PURPLE (AT, Tim Burstall, 1973); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); FAR EAST (AT, John Duigan, 1982); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); HEATWAVE (AT, Phillip Noyce, 1981); KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981); MAD MAX II (AT, George Miller, 1981); NEWSFRONT (AT, Phillip Noyce, 1978); PALM BEACH (AT, Albie Thoms, 1979); PHAR LAP (AT, Simon Wincer, 1983); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975); TOWN LIKE ALICE, A (AT, David Stevens, 1980); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) Notes: Includes bibliographies and index ISBN: 0861911876 (v. 2); 0868191876 (v. 2) LON: 5369777 More info
Seeking finding remembering : Short films from the Federal Republic / Karola Gramann, Dr. J. S. Roth
Munich: Goethe Institute, 1987.
Call No: 115 287 (430.1) GRA Author: Gramann, Karola Edition: 1st ed. Source: Federal Republic of Germany Place: Munich Publisher: Goethe Institute PubDate: 1987 PhysDes: 52 p ; 20cm + b&w ill. Subject: SHORT FILMS; GERMAN FEDERAL REPUBLIC; NON-FICTION FILMS; WORKERS IN FILMS; WOMEN IN FILMS; FEMINISM AND THE CINEMA; POLITICAL FILMS; NAZIS IN FILMS; HISTORICAL FILMS; WORLD WAR II AND THE CINEMA; PEWAS, PETER; WILMS, ELISABETH; KOERBER, MARTIN; TICHAWSKY, HEINRICH; NESTLER, PETER; HERZ, HORST; DOERRIES, BERNHARD; KLUGE, ALEXANDER; SCHAMONE, PETER; STRAUB, JEAN-MARIE; KRISTL, VLADO; THOME, RUDOLPH; FASSBINDER, RAINER WERNER; STOCKL, ULA; OTTINGER, ULRIKE; HERBST, HELMUT; SANDERS-BRAHMS, HELMA; FAROCKI, HARUN; GIEFER, THOMAS; BERSWORDT-WALLRABE, VON, ALEXANDER; MERBACH, ROSEMARIE; SCHUBERT, DIETRICH; WINZENSTEN, FRANZ; LANG, MARIA; NOLL BRINCKMANN; JORITZ, CATHY; MIKESCH, ELFI; KLEINE CHAOS, DAS (GR, Rainer Werner Fassbinder, 1966); MENSCHEN, STADTEN, SCHIENEN (GR,Peter Pewas, 1949); DORTMUND DAMALS (GR, Elisabeth Wilms, 1947); HERBSTBEDANKEN (GR, Peter Pewas, 1950); VELORENES BERLIN, EIN (GR,Richard Kostelanetz, Martin Koerber, 1983); NOTIZEN AUS DEM ALTMUHTAL (GR,Hans Rolf Strobel, Heinrich Tichawsky, 1961); MULHEIM/RUHR (GR, Peter Nestler, 1964); ES LOBT DEN MANN DIE ARBEIT UND DIE TAT (GR, Horst Herz, 1982); MANNEQUIN, DAS (GR, Bernhard Doerries, 1960); BRUTALITAT IN STEIN - DIE EWIGKEIT VON GESTERN (GR, Alexander Kluge, Peter Schamoni, 1960); MACHORKA MUFF (GR, Jean-Marie Straub, 1962); MADELEINE-MADELEINE (GR, Vlado Kristl, 1963); VERSOHNUNG, DIE (GR, Rudolf Thome, 1964/65); ANTIGONE (GR, Ula Stockl, 1964); SUPERBIA (GR, Ulrike Ottinger, 1986); SCHWARZ, WEISS, ROT (GR, Helmut Herbst, 1964); INDUSTRIELLE RESERVEARMEE, DIE, Helena Sanders-Brahms, 1970/71); NICHT LOSCHBARES FEUER (GR, Harun Farocki, 1969); TERROR AUCH IM WESTERN (GR, Thomas Giefer, 1968); ABSTECHER NACH ENKBACH, EIN (GR, Alexander von Berswordt-Wallrabe, 1979); MAMMA HEMMERS GEHT MIT IHREM PASTOR ZUM LETZEN MAL UBER'N HEINRICHPLATZ; KREUZBERG ADIO (GR, S.M Rosi, 1979); GEHT UM MEHR ALS NUR UMS UBERLEBEN, ES (GR, Dietrich Schubert, 1982); ANPROBE, DIE - 1938 (GR, Franz Winzenstein, 1985); ANGELIKA URBAN, VERKAUFERIN, VERLOBT (GR, Helma Sanders-Brahms, 1969); FAMILIENGRUFT-EIN LIEBESGEDICHT AN MEINE MUTTER (GR, Maria Lang, 1982); HALBES LEBEN, EIN (GR, Christine Noll Brinckmann, 1983); NEGATIVE MAN (GR, Cathy Joritz, 1985); EXECUTION-A STUDY OF MARY (GR, Elfi Mikesch, 1979) Summary: This program presents a comprehensive survey of the Federal Republic of Germany’s contribution to the field of short films. Among other things it is a journey through the history of the former West Germany and the social changes it underwent, reflected in the various forms of political documentation and aesthetic innovation in the films. More info
London: Vertigo UK Ltd, 1994.
Call No: Vol. 1, Iss. 4 - Winter 1994/95; Vol. 1, Iss. 5 - Autumn/Winter 1995; Vol. 1, Iss. 6 - Autumn 1996; Vol. 2, Iss. 1 - Spring 2001; Vol. 2, No. 2 - Spring 2002; Vol 2, Iss. 3 - Summer 2002; Vol. 2, Iss. 4 - Spring 2003; Vol. 2, Iss. 6 - Spring 2004; Vol. 2, Iss 9; Autumn/Winter 2005; Vol. 3, Iss. 8 - Spring 2008; Vol. 4, Iss. 2 Spring 2009 Source: UK Place: London Publisher: Vertigo UK Ltd PubDate: 1994 Subject: TELEVISION. UK; UNITED KINGDOM; INDUSTRY, FILM. UK; POLITICAL FILMS Notes: Donated by Bill Routt. ISSN: 09687904 Missing Issues: incomplete Indexed In: FIAF More info
[Wagerup weekend : stills file]
[War at home, the : stills file]
[Waterloo : stills file]
Workers' cinema : List of recent publications about the history of the workers' cinema up to World War II / Bert Hogenkamp
Amsterdam: Bert Hogenkamp,
Call No: 10128 Author: Hogenkamp, Bert Edition: May 1976 Place: Amsterdam Publisher: Bert Hogenkamp PhysDes: 14 p. ; 30cm Subject: POLITICAL FILMS; WORKERS IN FILMS; IVENS, JORIS Notes: Unbound sheets, pages 2 and 4 (Dutch and German versions of foreword) are mssing. Language: Dutch; English; German More info