book
Beyond formula : American film genres / Stanley J. Solomon New York: Harcourt Brace Jovanovich, 1976.
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journal article
The big combo in Metro (2000) iss.123 p.43-48
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subject clippings file
CRIME FILMS
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: CRIME FILMS
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book
The crime films of Anthony Mann / by Max Alvarez Jackson, Miss.: University Press of Mississippi, 2014.
Call No: 81MAN ALVAuthor: Alvarez, Max Source: USPlace: Jackson, Miss.Publisher: University Press of MississippiPubDate: 2014PhysDes: 324 pages ; 24 cmSubject: CRIME FILMS ; FILM NOIR ; MANN, ANTHONY ; DR. BROADWAY (US, Anthony Mann, 1942) ; STRANGERS IN THE NIGHT (US, Anthony Mann, 1944) ; TWO O'CLOCK COURAGE (US, Anthony Mann, 1945) ; GREAT FLAMARION, THE (US, Anthony Mann, 1945) ; STRANGE IMPERSONATION (US, Anthony Mann, 1946) ; DESPERATE (US, Anthony Mann, 1947) ; RAILROADED! (US, Anthony Mann, 1947) ; T-MEN (US, Anthony Mann, 1947) ; RAW DEAL (US, Anthony Mann, 1948) ; HE WALKED BY NIGHT (US, Alfred L. Werker and Anthony Mann, 1948) ; FOLLOW ME QUIETLY (US, Richard Fleischer, 1949) ; BORDER INCIDENT (US, Anthony Mann, 1949) ; SIDE STREET (US, Anthony Mann, 1950) ; TALL TARGET, THE (US, Anthony Mann, 1951) Summary: "Anthony Mann (1906-1967) is renowned for his outstanding 1950s westerns starring James Stewart (Winchester '73, The Naked Spur, The Man from Laramie). But there is more to Mann's cinematic universe than those tough Wild West action dramas featuring conflicted and secretive heroes. This brilliant Hollywood craftsman also directed fourteen electrifying crime thrillers between 1942 and 1951, among them such towering achievements in film noir as T-Men, Raw Deal, and Side Street. Mann was as much at home filming dark urban alleys in black-and-white as he was the prairies and mountains in Technicolor, and his protagonists were no less conflicted and secretive than his 1950s cowboys.In these Mann crime thrillers we find powerful stories of sexual obsession (The Great Flamarion), the transforming images of women in wartime and postwar America (Strangers in the Night, Strange Impersonation), exploitation of Mexican immigrants (Border Incident), studies of the criminal mind (He Walked by Night), and Civil War bigotry (The Tall Target). Mann's forceful camera captured such memorable and diverse stars as Erich von Stroheim, Farley Granger, Dennis O'Keefe, Claire Trevor, Richard Basehart, Ricardo Montalba´n, Ruby Dee, and Raymond Burr.The Crime Films of Anthony Mann features analysis of rare documents, screenplays, story treatments, and studio memoranda and reveals detailed behind-the-scenes information on preproduction and production on the Mann thrillers. Author Max Alvarez uses rare and newly available sources to explore the creation of these noir masterworks. Along the way, the book exposes secrets and solves mysteries surrounding the mercurial director and his remarkable career, which also included Broadway and early live television"-- LIBRARIES AUSTRALIANotes: Includes bibliographical references, filmography and indexISBN: 9781617039249Contents: -- introduction -- 1: From Lomaland to Broadway -- 2: From Broadway to Hollywood -- 3: Dr. Broadway (1942) -- 4: Strangers in the Night (1944) -- 5: Two O'Clock Courage (1945) -- 6: The Great Flamarion (1945) -- 7: Strange Impersonation (1946) -- 8: Desperate (1947) -- 9:Railroaded! (1947) -- 10: T-Men (1947) -- 11: Raw Deal (1948) -- 12: He Walked By Night (1948) -- 13: Follow Me Quietly (1949) -- 14: Border Incident (1949) -- 15: Side Street (1950) -- 16: The Tall Target (1951) -- 17: The Lost Noir of Anthony Mann -- postscript -- acknowledgments -- Anthony Mann crime filmography -- notes -- archival sources -- bibliography -- index --
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book
Crime movies : from Griffith to the Godfather and beyond / [by] Carlos Clarens London: Secker and Warburg, 1980.
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book
Crime scenes : movie poster art of the film noir ; the classic period : 1941-1959 / written and collected by Lawrence Bassoff ; foreword with Robert Wise Beverly Hills: Lawrence Bassoff Collection, c1997.
Call No: 915 BASAuthor: Bassoff, Lawrence CorpAuthor: Lawrence Bassoff CollectionSource: USPlace: Beverly HillsPublisher: Lawrence Bassoff CollectionPubDate: c1997PhysDes: 159 pages : illustrations (chiefly colour) ; 28 x 36 cmSubject: FILM NOIR ; CRIME FILMS ; POSTERS ; ADVERTISING FOR FILMS ; MERCHANDISING ; WISE, ROBERT Summary: "Crime Scenes - Movie Poster Art of the Film Noir is the first book to trace the development and history of this intriguing movement by employing original movie poster art from over 100 vintage film noirs from the classic period of 1941 to 1959 including: The Maltese Falcon with Humphrey Bogart and Mary Astor, This Gun for Hire with Alan Ladd and Veronica Lake, Laura with Gene Tierney and Dana Andrews, and The Postman Always Rings Twice with Lana Turner and John Garfield. Originally displayed in movie theatres, these rare, ravishing and valuable posters and lobby cards also illustrate the signature in-house movie poster styles and printing processes utilized by the major studios and leading independents of the day. Academy Award-winning producer and director Robert Wise recalls his experiences as the RKO Radio Pictures contract director of such film noirs as Born to Kill (1947) and The Set Up (1949) in an informative foreword interview." - BOOK BLURBNotes: Contains bibliography and index of movie posters -- Dedicated to the Art Gallery of New South Wales and the Art Gallery Society of New South WalesISBN: 1886310114
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book
The entertainment machine : American show business in the twentieth century / Robert C. Toll Oxford [Oxfordshire] New York: Oxford University Press, 1982.
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newspaper article
Family drama delves deep into Calabrian underworld : Francesco Munzi's award-winning Black Souls deromanticises the mafia in The Australian [Arts & Entertainment] (9/09/2015) p.15
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book
Film genre 2000 : new critical essays / edited by Wheeler Winston Dixon Albany: State University of New York Press, c2000.
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book
Film genre reader / edited by Barry Keith Grant Austin: University of Texas Press, 1986.
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book
Film in Australia : an introduction / Albert Moran and Errol Vieth Port Melbourne: Cambridge University Press, 2006.
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book
Generation multiplex : the image of youth in American Cinema since 1980 / Timothy Shary ; foreword by Stephen Tropiano ; afterword by Catherine Driscoll Austin, Texas: University of Texas Press, 2014.
Call No: 451-053.6(73) SHAAuthor: Shary, Timothy Edition: Revised editionSource: USPlace: Austin, TexasPublisher: University of Texas PressPubDate: 2014PhysDes: xvii, 414 pages : illustrations ; 23 cmSubject: TEEN FILMS ; EDUCATION IN FILMS ; CRIME FILMS. USA ; HORROR FILMS. USA ; ROMANTIC FILMS. USA Summary: "This updated and expanded edition reaffirms the idea that films about youth constitute a legitimate genre worthy of study on its own terms. Identifying four distinct subgenres - school, deliquency, horror, and romance - Timothy Shary explores hundreds of representative films while offering in-depth discussion of movies that constitute key moments in the genre, including Fast Times at Ridgemont High, A Nightmare on Elm Street, The Breakfast Club, Say Anything..., Boyz N the Hood, Scream, American Pie, Napoleon Dynamite, Superbad, The Twilight Saga and The Hunger GamesISBN: 9780292756625Contents: Machine generated contents note: One.Introduction: The Cinematic Image of Youth -- Social Representation and Genre Theory -- The Study of Youth, In and Out of Movies -- Two.Youth in School: Academics and Attitude -- Contexts and Trends in the Subgenre -- School Kids -- Transforming the Nerd -- Delinquents and Their Avenues of Anger -- Resisting Rebels -- The Labor of Being Popular -- The Sensitive Athlete -- Conclusion -- Three.Delinquent Youth: Having Fun, on the Loose, in Trouble -- Contexts and Trends in the Subgenre -- Delinquent Styles -- Deviant Dancing -- Natural Encounters -- Tough Girls -- Crime Until 1999 -- Crime after Columbine -- Conclusion -- Four.The Youth Horror Film: Slashers and the Supernatural -- Contexts and Trends in the Subgenre -- Horror Stories -- The Slasher/Stalker Film -- Supernatural Movies -- Conclusion -- Five.Youth Romance: Falling in Love and the Fallout of Sex -- Contexts and Trends in the Subgenre -- From Adolescent Ardor to Juggling Gender -- Family Matters -- Proms -- Losing Virginity -- Being Queer -- Pregnancy -- Conclusion -- Six.Conclusion: Youth Cinema into a New Century.
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Genre and Hollywood / Steve Neale London: Routledge, 2000.
Call No: 64GEN NEAAuthor: Neale, Steve Place: LondonPublisher: RoutledgePubDate: 2000PhysDes: viii, 336 p. ; 25 cmSubject: GENRES ; FILM NOIR ; MELODRAMA ; ACTION FILMS ; ADVENTURE FILMS ; BIOGRAPHICAL FILMS ; COMEDIES ; CRIME FILMS ; DETECTIVE FILMS ; EPIC FILMS ; FORMALISM ; FRONTIERS IN FILMS ; GANGSTER FILMS ; GENDER AND THE CINEMA ; HORROR FILMS ; MUSICALS ; USA ; SCIENCE-FICTION FILMS ; SOCIAL PROBLEMS IN FILMS ; STUDIO SYSTEM ; THRILLERS ; WAR FILMS ; WESTERNS ; WOMEN, FILMS FOR ; WOMEN IN FILMS ; YOUNG PEOPLE IN FILMS ; YOUNG PEOPLE, FILMS FOR ; TODOROV, TZVETAN ; ALTMAN, ROBERT ; BASINGER, JEANINE ; DOHERTY, THOMAS ; SCHATZ, THOMAS Summary: "Steve Neale provides a comprehensive introduction to genre and Hollywood cinema. He discusses all the major concepts, theories and accounts of Hollywood and genre, an the key genres which theorists and critics have tended to write about - from musicals to horror films, from action-adventure to the western. He also offers detailed revisionist accounts of melodrama and 'film noir', and puts forward new arguments about the place and importance of genre in understanding Hollywood cinema." -- Taken from back cover.Notes: Includes bibliography and indexISBN: 0415026059 : No price; 0415026067(pbk.)LON: 21413450
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Interim
book
The German cinema book / edited by Tim Bergfelder, Erica Carter and Deniz Gokturk London: bfi Publishing, 2002.
Call No: 71(430) GERAuthor: Bergfelder, Tim ; Carter, Erica ; Gokturk, Deniz Source: UKPlace: LondonPublisher: bfi PublishingPubDate: 2002PhysDes: xi 291p. : illus. : 25cmSubject: EXHIBITION ; UFA
UF: UNIVERSUM FILM AKTIEN ; GOVERNMENT AID. GERMANY ; GOVERNMENT CONTROL ; GERMANY ; HISTORY OF CINEMA ; CULTURE AND THE CINEMA ; HEIMAT FILMS ; COMEDIES. GERMANY ; CRIME FILMS ; HOMOSEXUALITY AND THE CINEMA ; POLITICS AND THE CINEMA ; HISTORY OF CINEMA ; DIETRICH, MARLENE ; LANG, FRITZ ; LUBITSCH, ERNST ; MUELLER-STAHL, ARMIN ; OTTINGER, ULRIKE ; RUHMANN, HEINZ ; NIBELUNGEN, DIE (G, Fritz Lang, 1922-24) Notes: Includes bibliography and resources and indexISBN: 085170946X
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book
Great Hollywood movies / Ted Sennett New York: Abradale Press/H.N. Abrams, 1986.
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Yet to catalogue
book
Movie parade / by Paul Rotha London New York: The Studio, ld. The Studio publications, inc, [1936].
Call No: 70 ROTAuthor: Rotha, Paul Place: London New YorkPublisher: The Studio, ld. The Studio publications, incPubDate: [1936]PhysDes: ix,142 p. : illus. ; 30 cmSubject: ADVENTURE FILMS ; AVANT-GARDE FILMS ; COMEDIES ; CRIME FILMS ; DOCUMENTARIES ; INSTRUCTIONAL FILMS ; EPIC FILMS ; FANTASTIC FILMS ; HISTORICAL FILMS ; HISTORY OF CINEMA. 1920's ; HISTORY OF CINEMA. 1930's ; INSTRUCTIONAL FILMS ; MELODRAMA ; MUSICALS ; ROMANIES IN FILM ; SATIRE IN FILMS ; WAR FILMS ; WESTERNS ; BIG PARADE, THE (US, King Vidor, 1925) ; CHYORTOVO KOLESO (UR, Grigori Kozintsev & Leonid Trauberg, 1926) ; FOUR HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962) ; GENERAL, THE (UK, John Boorman, 1998) ; GOLD RUSH, THE (US, Charles Chaplin, 1925) ; GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903) ; IRON HORSE, THE (UK, John Ford, 1924) ; LOST PATROL, THE (US, John Ford, 1934) ; OUR HOSPITALITY (US, Buster Keaton & John Blystone, 1923) ; PUBLIC ENEMY, THE (US, William Wellmen, 1931) ; QUICK MILLIONS (US, Rowland Brown, 1931) ; SON OF KONG (US, Ernest B. Schoedsack, 1933) ; SPEEDY (US, Ted Wilde, 1928) ; TABU (US, Friedrich Wilhelm Murnau, 1931) ; TESTAMENT DES DOKTOR MABUSE, DAS (G, Fritz Lang, 1933) ; WINGS (US, William Wellman, 1927) ; WOMAN OF PARIS, A (US, Charles Chaplin, 1923) Notes: Title on two leaves; "Pictorial survey ... some 600 stills ... from all parts of the world."--p. [iv]LON: 1376838
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journal article
Myths of violence in American popular culture in Critical inquiry (Mar 1975) vol.1 iss.3 p.521-541
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A new deal in entertainment : Warner Brothers in the 1930s / Nick Roddick London: British Film Institute, 1983.
Call No: 19WAR RODAuthor: Roddick, Nick Place: LondonPublisher: British Film InstitutePubDate: 1983PhysDes: viii, 332 p. : ill. ; 22 cmSubject: WARNER BROS. ; CRIME FILMS ; RACIAL PROBLEMS IN FILMS ; FASCISM AND THE CINEMA ; HISTORICAL FILMS. USA ; EPIC FILMS ; LEROY, MERVYN ; WALLIS, HAL B. ; CURTIZ, MICHAEL ; GIBNEY, SHERIDAN ; CAPTAIN BLOOD (US, Michael Curtiz, 1935) ; CHARGE OF THE LIGHT BRIGADE, THE (US, Michael Curtiz, 1936) ; DOORWAY TO HELL, THE (US, Archie L. Mayo, 1930) ; MOBY DICK (US, Lloyd Bacon, 1930) ; ROARING TWENTIES, THE (US, Raoul Walsh, 1939) ; SERGEANT YORK (US, Howard Hawks, 1941) ; ANTHONY ADVERSE (US, Mervyn LeRoy, 1936) ; BLESSED EVENT (US, Roy del Ruth, 1932) ; "G" MEN (US, William Keighley, 1935) ; KNUTE ROCKNE - ALL AMERICAN (US, Lloyd Bacon, 1940) ; JUAREZ (US, William Dieterle, 1939) ; LIFE OF EMILE ZOLA, THE (US, William Dieterle, 1937) ; MASSACRE (US, Alan Crosland, 1933) ; PUBLIC ENEMY, THE (US, William Wellmen, 1931) ; SEA WOLF, THE (US, Michael Curtiz, 1941) ; ANGELS WITH DIRTY FACES (US, Michael Curtiz, 1938) ; BLACK FURY (US, Michael Curtiz, 1934) ; BLACK LEGION (US, Archie L. Mayo, 1936) ; CONFESSIONS OF A NAZI SPY (US, Anatole Litvak, 1939) ; DISRAELI (US, Alfred E. Green, 1929) ; I AM A FUGITIVE FROM A CHAIN GANG (US, Mervyn LeRoy, 1932) Notes: Includes index; Bibliography: p. 320-326ISBN: 0851701256 : ª11.95; 0851701264 (pbk.) : ª6.95LON: 2656181
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journal article
On Point Blank in Melbourne Film Bulletin (April 1970) iss.12 p.41-42
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journal article
Point Blank in Melbourne Film Bulletin (June 1968) iss.3 p.29-30
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book
Talking pictures / Barry Norman London: BBC Books, Hodder and Stoughton, 1987.
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