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Action and adventure cinema / edited by Yvonne Tasker Abingdon, Oxon: Routledge, 2004.
Call No: 730.3 TASAuthor: Tasker, Yvonne Source: UKPlace: Abingdon, OxonPublisher: RoutledgePubDate: 2004PhysDes: 414 p. ; 25 cmSubject: ACTION FILMS ; ADVENTURE FILMS ; STARS ; ORIENTAL ACTION FILMS ; CHILDREN AND THE CINEMA ; MELODRAMA ; HISTORY OF CINEMA ; GENDER AND THE CINEMA ; VIOLENCE IN FILMS ; WOMEN IN FILMS ; WAR FILMS ; MEN IN FILMS ; MASCULINITY IN FILMS Summary: Traces the history of the action genre from its silent era beginnings. Examines action’s definition and how it works as well as critical reaction to the genre. Considers the social and political context (national identity, culture, gender, class, race and ethnicity) extending beyond Hollywood to Greece, Italy and Japan. Themes include aesthetics, industry and ideology. Examines individual films and serials The Hazards of Helen, The Wild Bunch, Dirty Dozen, Die Hard, Lara Croft: Tomb Raider and individual directors, including D.W. Griffith, Akira Kurosawa, Sam Peckinpah and Katherine Bigelow.Notes: Includes note and index.ISBN: 0 415 23507 3Contents: Part 1. History, criticism and style -- 'Trauma thrills': notes on early action cinema -- The 'culture war' of sensational melodrama, 1910-14 -- 'Child of commerce! bastard of art!': early film melodrama -- Action-adventure as Hollywood genre -- 'Dwight MacDonald and the historical epic' -- Part 2. Theorising action aesthetics -- 'Get ready for rush hour': the chronotope in action -- The colapse of reality and illusion in "The matrix" -- Guns and gas: investigating the 1970s car chase -- "Saving Private Ryan's" 'special affect' -- Part 3. Gender, stars, bodies -- Ready for action: "G.I. Jane", Demi Moore's body and the female combat movie -- Mas Macha: the new Latina action hero -- Beauty in motion: gender, spectacle and action babe cinema -- "Breakdown": what masculinity, class and US action-adventure films -- Maximus melodramaticus: masculinity, masochism and white male paranoia in contemporary Hollywood cinema -- The family in action -- Part 4. Nation, ethnicity and stardom -- The Hong Kong/Hollywood connection: stardom and spectacle in transnational action cinema -- Europeans in action! -- Greek war film as melodrama: women, female stars, and the nation as vicim -- Spaghetti western, genre criticism and national cinema: re-defining the frame of reference -- Part 5. Action, authorship and industry -- Genre and violence in the work of Kurosawa and Peckinpah -- "The dirty dozen": the contradictory nature of screen violence -- 'It's aimed at kids - the kid in everybody': George Lucas, "Star wars" and children's entertainment -- Man's favourite sport?: the action films of Kathryn Bigelow -- 'They call me "action woman": the marketing of Mimi Leder as a new concept in the high concept 'action' film.
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ACTION FILMS
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Asian Cult Cinema Miami, FL: Vital Books, [1993-].
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held no.5, 8-12
Asian Trash Cinema Miami, FL: 1993.
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At full speed : Hong Kong cinema in a borderless world / Esther C.M. Yau, editor Minneapolis, Minn.: University of Minnesota Press, 2001.
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Chang Cheh : a memoir / Hong Kong Film Archive Hong Kong: Hong Kong Film Archive, 2004.
Call No: 81CHACorpAuthor: Hong Kong Film ArchiveSource: Hong KongPlace: Hong KongPublisher: Hong Kong Film ArchivePubDate: 2004PhysDes: 255 p ; 24 cmSubject: CHANG, CHEH ; HONG KONG ; ORIENTAL ACTION FILMS Summary: The late director Chang Cheh (1924-2002) was a key advocator of the 'new century of wuxia' movement in the Hong Kong cinema. In the Memoir, Chang unveils to the readers his rarely known childhood, his aspired involvement in politics in his earlier years, and the hit trends he brought about in momentous phases of the Hong Kong cinema. The book contains precious stills and photos of the director at work, a complete filmography, and a preface written by director John Woo and renowned film critic Sek Kei as a tribute to the late master.ISBN: 9628050265
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The cinema book / edited by Pam Cook and Mieke Bernink London: British Film Institute, 1999.
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Cinema of interruptions : action genres in contemporary Indian cinema / by Lalitha Gopalan London: British Film Institute, 2002.
Call No: 71(540) GOPAuthor: Gopalan, Lalitha Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2002PhysDes: vi, 218 p. : illus. ; 24 cmSubject: ACTION FILMS ; INDIA Notes: Includes bibliography and index.ISBN: 0851709222
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Classical masculinity and the spectacular body on film : the mighty sons of Hercules / by Daniel O'Brien Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2014.
Call No: 451-01 OBRAuthor: O'Brien, Daniel Source: UK/USPlace: Houndmills, Basingstoke, HampshirePublisher: Palgrave MacmillanPubDate: 2014PhysDes: vii, 191 pages : illustrations ; 23 cmSubject: MASCULINITY IN FILMS ; MEN IN FILMS ; BODY IN FILMS ; HEROS IN FILMS ; MYTH AND THE CINEMA ; ACTION FILMS ; HISTORICAL FILMS ; HERCULES (IT, Pietro Francisci, 1957) ; FATICHE DI ERCOLE, LE (IT, Pietro Francisci, 1957) ; JASON AND THE ARGONAUTS (UK/US, Don Chaffey, 1963) ; 300 (US, Zach Snyder, 2006) ; CONAN THE BARBARIAN (US, John Milius, 1982) ; XENA: WARRIOR PRINCESS [TV] (US, 1995-) Summary: "The cinema has often showcased the muscular male body, most notably in genres invoking classical Greco-Roman culture, whether peplum, epic or sword-and-sorcery. This book reassesses the classically-inflected action film as a significant cinematic form, often marginalized in media studies, that transcends such reductive labels as camp or kitsch. The focus is on the depiction of heroic masculinity, often characterized as reactionary or fascist, yet far more varied and contradictory, especially in relation to femininity and non-whiteness. These diverse representations of masculinity offer a major contribution to debates on maleness within and beyond academia that has been largely unexplored. In particular, Hercules in his many incarnations is one of the most important mythopoetic figures, on a par with King Arthur, Robin Hood, Tarzan and James Bond, informing popular cultural interpretations of manliness and the exaggerated male form"-- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references (pages 177-186) and indexISBN: 9781137384706Contents: -- Introduction -- Part I: men as men should be 1. Hercules Unchained ; 2. Hercules Reformed ; 3. Hercules Diminished ; 4. Hercules Rebooted ; 5. I'm Spartacus! -- Part II: taming the women with love or death -- 6. The Loves of Hercules ; 7. The Temptress from Beyond ; 8. Fight Like a Man -- Part III: this thing of darkness 9. White Man's Burden? ; 10. Doom's Children ; 11. This is Sparta! ; Coda -- Bibliography --Index --
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Contemporary Hollywood cinema / edited by Steve Neale and Murray Smith London New York: Routledge, 1998.
Call No: 71(73) CONAuthor: Neale, Stephen ; Smith, Murray, 1962 Place: London New YorkPublisher: RoutledgePubDate: 1998PhysDes: xxii, 338 p. : ill. ; 24 cmSubject: USA ; HOLLYWOOD ; TECHNOLOGY AND THE CINEMA ; DISTRIBUTION. USA ; EXHIBITION. USA ; WIDE-SCREEN SYSTEMS ; SPECTATORSHIP ; MEN IN FILMS. USA ; MELODRAMA ; MUSIC, FILM ; SOUND TRACKS ; TELEVISION AND THE CINEMA ; FAMILY IN FILMS. USA ; NARRATIVE IN FILMS ; BLACKS, FILMS MADE BY. USA ; BLACKS IN FILMS. USA ; BLOCKBUSTERS ; FEMINISM AND THE CINEMA ; GENDER AND THE CINEMA ; CENSORSHIP. USA ; INDEPENDENT FILMS. USA ; WOMEN, FILMS FOR ; WOMEN IN FILMS. USA ; HORROR FILMS. USA ; CHILDREN, FILMS FOR ; ACTION FILMS ; AUDIENCES ; MIRAMAX FILMS ; NEW LINE CINEMA ; TIME WARNER ; VERHOEVEN, PAUL ; COPPOLA, FRANCIS FORD ; HAMILTON, LINDA ; MCDORMAND, FRANCES ; ELFMAN, DANNY ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FARGO (US, Ethan Coen, 1996) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992) ; BATMAN (US, Tim Burton, 1989) ; BATMAN RETURNS (US, Tim Burton, 1992) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; JURASSIC PARK (US, Steven Spielberg,, 1993) ; LION KING, THE (US, Roger Allers & Rob Minkoff, 1994) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) Notes: Includes bibliographical references (p. [312]-318) and indexISBN: 0415170095; 0415170109 (pbk.)LON: 98005952; 13736490
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Cultural studies : theorizing politics, politicizing theory : Special Issue : Becoming (Postcolonial) Hong Kong / Edited by John Nguyet Erni Routledge, July/October 2001.
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Discomfort and awe as Cruise exerts control in The Age [Arts & entertainment] (30/07/2015) p.20
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Fight and flight : the wuxia film in Chinese cinema / Stephen Teo
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The film cultures reader / Graeme Turner (ed.) New York: Routledge, 2002.
Call No: 408 TURAuthor: Graeme Turner (ed.) Place: London; New YorkPublisher: RoutledgePubDate: 2002PhysDes: 524 p. ; 24 cmSubject: CULTURE AND THE CINEMA ; GENRES ; AESTHETICS ; WOMEN AND THE CINEMA ; FEMINISM AND THE CINEMA ; SPECTATORSHIP ; AUDIENCE RECEPTION ; AUDIENCE RESEARCH ; SOUND ; THEORY ; CREED, BARBARA ; KUHN, ANNETTE ; NATIONAL CULTURE AND THE CINEMA ; POSTMODERNISM AND THE CINEMA ; HONG KONG ; HOLLYWOOD ; GLOBALISATION ; USA ; MONROE, MARILYN ; SEX IN FILMS ; HORROR FILMS ; ACTION FILMS ; HOMOSEXUALITY IN FILMS ; THRILLERS ; COLOR PURPLE, THE (US, Steven Spielberg, 1985) ; PIANO, THE (AT, Jane Campion, 1993) ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; TECHNOLOGY AND THE CINEMA ; INDUSTRY, FILM Summary: This companion reader to Film as Social Practice brings together key writings on contemporary cinema, exploring film as a social and cultural phenomenon. Key features of the reader include: thematic sections, each with an introduction by the editor; a general introduction by Graeme Turner; sections on understanding film, film technology, film industries, meanings and pleasures, identities, audiences and consumption.ISBN: 0415252822
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Film genre 2000 : new critical essays / edited by Wheeler Winston Dixon Albany: State University of New York Press, c2000.
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Genre and Hollywood / Steve Neale London: Routledge, 2000.
Call No: 64GEN NEAAuthor: Neale, Steve Place: LondonPublisher: RoutledgePubDate: 2000PhysDes: viii, 336 p. ; 25 cmSubject: GENRES ; FILM NOIR ; MELODRAMA ; ACTION FILMS ; ADVENTURE FILMS ; BIOGRAPHICAL FILMS ; COMEDIES ; CRIME FILMS ; DETECTIVE FILMS ; EPIC FILMS ; FORMALISM ; FRONTIERS IN FILMS ; GANGSTER FILMS ; GENDER AND THE CINEMA ; HORROR FILMS ; MUSICALS ; USA ; SCIENCE-FICTION FILMS ; SOCIAL PROBLEMS IN FILMS ; STUDIO SYSTEM ; THRILLERS ; WAR FILMS ; WESTERNS ; WOMEN, FILMS FOR ; WOMEN IN FILMS ; YOUNG PEOPLE IN FILMS ; YOUNG PEOPLE, FILMS FOR ; TODOROV, TZVETAN ; ALTMAN, ROBERT ; BASINGER, JEANINE ; DOHERTY, THOMAS ; SCHATZ, THOMAS Summary: "Steve Neale provides a comprehensive introduction to genre and Hollywood cinema. He discusses all the major concepts, theories and accounts of Hollywood and genre, an the key genres which theorists and critics have tended to write about - from musicals to horror films, from action-adventure to the western. He also offers detailed revisionist accounts of melodrama and 'film noir', and puts forward new arguments about the place and importance of genre in understanding Hollywood cinema." -- Taken from back cover.Notes: Includes bibliography and indexISBN: 0415026059 : No price; 0415026067(pbk.)LON: 21413450
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Global Chinese cinema : the culture and politics of Hero / edited by Gary D. Rawnsley and Ming-Yeh T. Rawnsley Oxon: Routledge, 2010.
Call No: 79HER GLOSource: UKPlace: OxonPublisher: RoutledgePubDate: 2010PhysDes: xxvi, 226 p. ; 25 cmSeries: Routledge Media, Culture and Social Change in AsiaSubject: ORIENTAL ACTION FILMS ; CHINA ; INDUSTRY, FILM. CHINA ; LEUNG, TONY ; YIMOU, ZHANG ; YING XIONG (HK/C, Yimou Zhang, 2002) ; HERO (HK/C, Yimou Zhang, 2002) ISBN: 97880415453158Donation: donated by Stephanie Hemelryk Donald, 2010Contents: Changing discourse of national identities and heroism. The political narrative(s) of Hero / GARY D. RAWNSLEY
Recycled heroes, invented tradition and transformed identity / YINGJIE GUO
The emperor and the assassin: China's national Hero and the myth of state origins / YIYAN WANG
The king, the musician and the village idiot: images of manhood / KAM LOUIE
Transformations of cultural perception, genre and stardom. Twenty-first century women warriors: variations on a traditional theme / LOUISE EDWARDS
On "Tian Xia (All under heaven)" in Zhang Yimou's Hero / XIZOMING CHEN and MING-YEH T. RAWNSLEY
Hero: rewriting the Chinese martial arts film genre / HAIZHOU WANG AND MING-YEH T. RAWNSLEY
"Would you rather spend more time making serious cinema?": Hero and Tony Leung's polysemic masculinity / MARK GALLAGHER
Fifteen minutes of fame: transient/transnational female stardom in Hero / OLIVIA KHOO
Local vs. global: deconstructing global Chinese blockbusters. Camp pleasure in an era of Chinese blockbusters: internet reception of Hero in mainland China / SABRINA QIONG YU
North American reception of Zhang Yimou's Hero / WENDY LARSON
Heroic music: from Hunan to Hollywood and back / KATY GOW
Visual effects magic: Hero's Sydney connection / MARY FARQUHAR
Towards a global blockbuster: the political economy of Hero's nationalism / ANTHONY FUNG AND JOSEPH M. CHAN.
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Graphic violence on the screen / edited by Thomas R. Atkins New York: Monarch Press, c1976.
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High contrast : race and gender in contemporary Hollywood film / Sharon Willis Durham, N.C.: Duke University Press, 1997.
Call No: 451-054(73) WILAuthor: Willis, Sharon Place: Durham, N.C.Publisher: Duke University PressPubDate: 1997PhysDes: 266 p. ; 24 cmSubject: RACE AND THE CINEMA ; ACTION FILMS ; GENDER AND THE CINEMA.USA ; MEN IN FILMS ; WOMEN IN FILMS ; LEE, SPIKE ; LYNCH, DAVID ; TARANTINO, QUENTIN ; DIE HARD (US, John McTiernan, 1988) ; LETHAL WEAPON [...] (US, Richard Donner, 1987-92) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; WILD AT HEART (US, David Lynch, 1990) ; PULP FICTION (US, Quentin Tarantino, 1994) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) Summary: In High Contrast, Sharon Willis examines the dynamic relationships between racial and sexual difference in Hollywood film from the 1980s and 1990s. Seizing on the way these differences are accentuated, sensationalized, and eroticized on the screen - most often with little apparent regard for the political context in which they operate - Willis restores that context through close readings of a range of movies from cinematic blockbusters to the work of the new auteurs, Spike Lee, David Lynch, and Quentin TarantinoNotes: Includes bibliographical references (p. [217]-257) and indexISBN: 0822320290 (cloth : acid-free paper); 082232041X (pbk. : acid-free paper)LON: 97013147; 13158378Contents: Part 1. Battles of the sexes -- 1. Mutilated Masculinties and Their Prostheses: Die Hards and Lethal Weapons -- 2. Insides Out: Public and Private Exchanges from Fatal Attraction to Basic Instinct -- 3. Combative Femininity: Thelma and Louise and Terminator 2 -- Part II. Ethnographies of the "White" Gaze -- 4. Do the Wrong Thing: David Lynch's Perverse Style -- 5. Tell the Right Story: Spike Lee and the Politics of Representative Style -- 6. Borrowed "Style": Quentin Tarantino's Figures of Masculinity
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Hong Kong : culture and the politics of disappearance / Ackbar Abbas Minneapolis: University of Minnesota Press, 1997.
Call No: 408.1(512.317) ABBAuthor: Abbas, M. A. (M. Ackbar) Place: MinneapolisPublisher: University of Minnesota PressPubDate: 1997PhysDes: vii, 155 p. : ill. ; 24 cmSeries: Public worlds ; v. 2Subject: HONG KONG ; NATIONAL CULTURE AND THE CINEMA. HONG KONG ; NATIONAL IDENTITY AND THE CINEMA. HONG KONG ; ORIENTAL ACTION FILMS ; WONG KAR-WAI ; KWAN, STANLEY ; TSUI, HARK ; HUI, ANN Summary: The Culture of Hong Kong encompasses Jackie Chan and John Woo, British colonial architecture and postmodern skyscrapers. Ironically, it was not until they were faced with the imposition of Mainland power - with the signing of the Sino-British Joint Agreement in 1984 - that the denizens of the colony began the search for a Hong Kong identity. According to Abbas, Hong Kong's peculiar lack of identity is due to its status as "not so much a place as a space of transit," whose residents think of themselves as transients and migrants on their way from China to somewhere else. In this intriguing and provocative exploration of its cinema, architecture, photography, and literature, Ackbar Abbas considers what Hong Kong, with its unique relations to decolonization and disappearance, can teach us about the future of both the colonial city and the global cityNotes: Includes bibliographical references (p. 147-150) and indexISBN: 0816629242 (hard : alk. paper); 0816629250 (pbk. : alk. paper)LON: 12802637 12802637ID2: 291
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Hong Kong action cinema / Bey Logan London: Titan Books, 1995.
Call No: 736.35(512.317) LOGAuthor: Logan, Bey Place: LondonPublisher: Titan BooksPubDate: 1995PhysDes: 191 p. ; ill. (some col.) ; 28cmSubject: HONG KONG ; ACTION FILMS. HONG KONG ; ORIENTAL ACTION FILMS ; WOMEN IN FILMS. HONG KONG ; CHAN, JACKIE ; WOO, JOHN [pseud. of Wu Yusen] ; CHOW, YUN-FAT ; LEE, BRUCE ; LAU KAR LEUNG ; HUNG, SAMO ; CHENG PEI PEI ; ROTHROCK, CYNTHIA ; PENN, KIM MAREE ; CRAWFORD, SOPHIA ; ACES GO PLACES (HK, Tsang Chi Wai, 1982) ; LONG XIONG HU DI (HK, Jackie Chan [pseud. of Cheng Long], 1986) ; JINGCHA GUSHI (HK, Jackie Chan [pseud. of Cheng Long], 1985) ; [BIG BOSS, THE] (HK, Lo Wei, 1971) ; [FIST OF FURY] (HK, Lo Wei, 1972) ; LASHOU SHENTAN (HK, John Woo [pseud. of Wu Yusen], 1992) ; SINNUI YAUMAN (HK, Ching Siu Tung, 1987) ; CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987) ; [CITY ON FIRE] (HK, Ringo (Ling-Tung) Lam, 1987) ; [DRUNKEN MASTER, THE] (HK, Yuen Woo-Ping, 1978) ; [EASTERN CONDORS] (HK, Samo Hung, 1987) ; [PEDICAB DRIVER] (HK, Samo Hung, 1990) ; ENTER THE DRAGON (US/HK, Robert Clouse, 1973) ; WAY OF THE DRAGON, THE (HK, Bruce Lee, 1973) ; YINGXIONG BENSE (HK, John Woo [pseud. of Wu Yusen], 1986) ; [BULLET IN THE HEAD] (HK, John Woo [pseud. of Wu Yusen], 1990) ; DIEXUE SHUANG XIONG (HK, John Woo [pseud. of Wu Yusen], 1989) Notes: Includes index; Bibliography: p. 188ISBN: 1852865407 (pbk)LON: 11245180
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Hong Kong cinema : From handicraft to high-tech / Hong Kong Film Archive Hong Kong: Hong Kong Film Archive, 2001.
Call No: 175(512.317) HONCorpAuthor: Hong Kong Film ArchivePlace: Hong KongPublisher: Hong Kong Film ArchivePubDate: 2001PhysDes: 29 cm; 24 ppSubject: HONG KONG ; ORIENTAL ACTION FILMS ; SHAW BROTHERS ; ASIAN COUNTRIES Summary: A pictorial exhibition catalogue of Hong Kong cinema from the 1910s to the dawn of the twenty-first century. The exhibition and this catalogue “attempt to display the progress of Hong Kong cinema from handicraft to modernization, from intense labour to its blending with new technology, creating a striking Eastern aesthetic” and covers from silent to talkies; East meets West; post-war recovery; money talks; the studio era; new century of martial arts; acrobats and kung-fu; read? Action!; new wave and modernization; new visual techniques; dressed to kill; screen fashion; unforgettable settings; painting the city; digital realm; East-West fusion and; into the 21st century.ISBN: 9628050125
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Hong Kong connections : transnational imagination in action cinema / edited by Meaghan Morris, Siu Leung Li, and Stephen Chan Ching-kiu Hong Kong: Hong Kong University Press, 2005.
Call No: 730.3 (512.317) MORPlace: Hong KongPublisher: Hong Kong University PressPubDate: 2005PhysDes: xvi, 343 p. ; 23 cm.Subject: ACTION FILMS. HONG KONG ; HISTORY OF CINEMA. HONG KONG ; POPULAR CULTURE AND THE CINEMA. HONG KONG Summary: Since the 1960s, Hong Kong cinema has helped to shape one of the world's most popular cultural genres: action cinema. Hong Kong action films have proved popular over the decades with audiences worldwide, and they have seized the imaginations of filmmakers working in many different cultural traditions and styles. How do we account for this appeal, which changes as it crosses national borders?
Hong Kong Connections brings leading film scholars together to explore the uptake of Hong Kong cinema in Japan, Korea, India, Australia, France and the US, as well as its links with Taiwan, Singapore and the Chinese mainland. In the process, this collective study examines diverse cultural contexts for action cinema's popularity, and the problems involved in the transnational study of globally popular forms - suggesting that in order to grasp the history of Hong Kong action cinema's influence we need to bring out the difference as well as the links that constitute popularity. [Taken from back cover.]ISBN: 1932643192
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John Woo : the films / by Kenneth E. Hall North Carolina: McFarland & Company, Inc., Publishers, 1999.
Call No: 81WOO HALAuthor: Hall, Kenneth E. Source: USPlace: North CarolinaPublisher: McFarland & Company, Inc., PublishersPubDate: 1999PhysDes: 239 p. :illus. filmog. : 24 cmSubject: ACTION FILMS. HONG KONG ; DIRECTORS. CHINA ; WOO, JOHN [pseud. of Wu Yusen] ; BROKEN ARROW (US, John Woo [pseud. of Wu Yusen], 1996) ; DIEXUE SHUANG XIONG (HK, John Woo [pseud. of Wu Yusen], 1989) ; FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997) ; HARD TARGET (US, John Woo [pseud. of Wu Yusen], 1993) ; YINGXIONG BENSE (HK, John Woo [pseud. of Wu Yusen], 1986) ; YINGXIONG BENSE II (HK, John Woo [pseud. of Wu Yusen], 1988) Notes: Includes filmography, bibliographical references and index.ISBN: 0786406194
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The Making of Martial Arts Films- : As told by filmakers and stars / Provisional Urban Council Hong Kong: Hong Kong Film Archive, 1999.
Call No: 736.35(512.317) HONSource: HKPlace: Hong KongPublisher: Hong Kong Film ArchivePubDate: 1999PhysDes: 96 p. : col. ill. ; 25 cmSubject: ORIENTAL ACTION FILMS ; HONG KONG ; LEE, BRUCE ; CHAN, JACKIE ; Yeoh, Michelle ; LI, JET ; CHENG PEI PEI Summary: Contains two levels of significance. First, it is the reappearance of many veterans of our film industry to relate their memories; and second, it retrospects on the development of martial arts films through extracts of video interviews whereby veterans speak about the martial arts genre and the pictures. The veterans that the Hong Kong Film Archive has managed to interview span from Chin Tsi-ang, Hong Kong's first lady martial arts star (the grandmother of Sammo Hung), to Michelle Yeoh, who has now carried her fame and talent into Hollywood. Among them are prominent stars and directors who have long retired as well as those up-and-coming talents still working in the industry. In English and Chinese.
Taken from http://www.lcsd.gov.hk/CE/CulturalService/HKFA/english/publication/pub05_preface.htmlISBN: 9628050060Language: Chinese; English
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Malaysian Cinema, Asian Film : border crossings and national cultures / William van der Heide Amsterdam: Amsterdam University Press, 2002. Available at OAPEN (open access)
Call No: 71(595) VANAuthor: van der Heide, William Source: NEPlace: AmsterdamPublisher: Amsterdam University PressPubDate: 2002PhysDes: 301 p. : 24 cmSeries: Film Culture in TransitionSubject: MALAYSIA ; ASIAN COUNTRIES ; CULTURE AND THE CINEMA ; SAMURAI FILMS ; WESTERNS. ITALY ; ORIENTAL ACTION FILMS ; INDIA ; HONG KONG ; INDONESIA Summary: A detailed study of the complexities of the film industry and film culture in Malaysia. Using cross-cultural analysis approaches, the book characterizes Malaysia as a pluralist society, consisting of a multiplicity of cultural identities.Notes: Includes filmography
Includes bibliography
Includes indexISBN: 9053565809 (pbk.)
9053565191 (hbk.)URL status: URL: 'https://library.oapen.org/handle/20.500.12657/35103'
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The man from U.N.C.L.E. in The Age [The shortlist] (14/08/2015) p.8
Call No: TITLE CLIPPINGS FILE; MAN FROM U.N.C.L.E., THE (US, Guy Ritchie, 2015)Author: Hawker, Phillipa PhysDes: Clippings File ArticleSubject: ACTION FILMS ; RITCHIE, GUY ; MAN FROM U.N.C.L.E., THE (US, Guy Ritchie, 2015) Summary: Review of the film, The man from U.N.C.L.E., directed by Guy RitchieRating: 2.5 out of 5 stars
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The martial arts film / Marilyn D. Mintz South Brunswick [N.J.]: A. S. Barnes, c1978.
Call No: 736.35 MINAuthor: Mintz, Marilyn D., 1950 Place: South Brunswick [N.J.]Publisher: A. S. BarnesPubDate: c1978PhysDes: 243 p. : ill. ; 25 cmSubject: ORIENTAL ACTION FILMS ; KUROSAWA AKIRA ; LEE, BRUCE ; ALFRED THE GREAT (UK, Clive Donner, 1969) ; ENTER THE DRAGON (US/HK, Robert Clouse, 1973) ; JIGOKUMON (JA, Teinosuke kinugasa, 1953) ; GOLDEN NEEDLES (US, Robert Clouse, 1974) ; SUGATA SANSHIRO (JA, Akira Kurosawa, 1943) ; CH'UAN CHI (HK, Chang Cheh, 1973) ; SHAOLIN MARTIAL ARTS (HK, Chang Cheh, 1974) Notes: Includes index; Bibliography: p. 231-234; Filmography: p. 220-229ISBN: 0498017753 : $9.95LON: 847828ID2: 291
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Maze Runner: the scorch trials in Sunday Herald Sun [Arts & Entertainment] (13/09/2015) p.83
Call No: TITLE CLIPPINGS FILE; MAZE RUNNER: THE SCORCH TRIALS (US, Wes Ball, 2015)Author: Dent, Nick PhysDes: Clippings File ArticleSubject: SEQUELS ; ACTION FILMS ; SCIENCE IN FILMS ; THRILLERS ; BALL, WES ; O'BRIEN, DYLAN ; SCODELARIO, KAYA ; GILLEN, AIDEN ; CLARKSON, PATRICIA ; MAZE RUNNER, THE (US, Wes Ball, 2014) ; MAZE RUNNER: THE SCORCH TRIALS (US, Wes Ball, 2015) Summary: Review and film critique of the movie 'Maze Runner: The Scorch Trials,' sequel of 'The Maze Runner,' including plot summary.Rating: 2.5 out of 5 stars
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Michael Bay / by Lutz Koepnick Urbana, Illinois: University of Illinois Press, c2018.
Call No: 81 BAY KOEAuthor: Koepnick, Lutz P. (Lutz Peter), (author.) Source: USPlace: Urbana, IllinoisPublisher: University of Illinois PressPubDate: c2018PhysDes: 192 pages : illustrations ; 21 cmSeries: Contemporary Film DirectorsSubject: BAY, MICHAEL ; ACTION FILMS ; BAD BOYS (US, Michael Bay, 1995) ; ROCK, THE (US, Michael Bay, 1996) ; ARMAGEDDON (US, Michael Bay, 1998) ; PEARL HARBOR (US, Michael Bay, 2001) ; BAD BOYS II (US, Michael Bay, 2003) ; ISLAND, THE (US, Michael Bay, 2005) ; TRANSFORMERS (US, Michael Bay, 2007) ; TRANSFORMERS: REVENGE OF THE FALLEN (AT, Michael Bay, 2009) ; TRANSFORMERS: DARK OF THE MOON (US, Michael Bay, 2011) ; PAIN & GAIN (US, Michael Bay, 2013) ; TRANSFORMERS: AGE OF EXTINCTION (US/C, Michael Bay, 2014) ; 13 HOURS (US, Michael Bay, 2016) ; TRANSFORMERS: THE LAST KNIGHT (US/C/CN, Michael Bay, 2017) Summary: "If size counts for anything, Michael Bay towers over his contemporaries. His ability to mastermind breathtaking spectacles of action, mayhem, and special effects continually pushes the movie industry as much as the medium of film toward new frontiers.
Lutz Koepnick engages the bigness of works like Armageddon and the Transformers movies to explore essential questions of contemporary filmmaking and culture. Combining close analysis and theoretical reflection, Koepnick shows how Bay's film, knowingly or not, address profound issues about what it means to live in the late twentieth and early twenty-first centuries. According to Koepnick's astute readings, no one eager to understand the state of cinema today can ignore Bay's work. Bay's cinema of world-making and transnational reach not only exemplifies interlocking processes of cultural and economic globalization, it urges us to contemplate the future of moving images, of memory, matter, community, and experience, amid a time of rampant political populism and ever-accelerating technological change." -- BOOK BLURBNotes: Includes bibliographical references and index
Includes filmographyISBN: 9780252083204Donation: Senses of CinemaContents: World Cinema in the Age of Populism -- Cinema -- Action -- Time -- Matter -- Sound -- Politics -- Interviews -- Filmography -- Bibliography -- Index.
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Monster hits, super profits in Daily Telegraph (15/04/2017) p.60
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Multiple modernities : cinemas and popular media in transcultural East Asia / Jenny Kwok Wah Lau (ed.) Philadelphia PA: Temple University Press, 2003.
Call No: 71(5) MULSource: USPlace: Philadelphia PAPublisher: Temple University PressPubDate: 2003PhysDes: 250 p. ; 25 cmSubject: ASIAN COUNTRIES ; GLOBALISATION ; CHINA ; TAIWAN ; HONG KONG ; JAPAN ; KOREA ; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES ; NATIONAL IDENTITY AND THE CINEMA ; ORIENTAL ACTION FILMS ; GENDER AND THE CINEMA.CHINA ; KWOK WAH LAU JENNY Summary: Multiple Modernities explores the cultural terrain of East Asia. Arguing that becoming modern happens differently in different places, the contributors examine popular culture – most notably cinema and television – to see how modernization, as both a response to the West and a process that is unique in its own right in the region, operates on a mass level. Included in this collection are significant explorations of popular culture in East Asia, including Chinese new cinema and rock music, Korean cinema, and Taiwanese television, as well as discussions of alternative arts in general. While each essay focuses on specific nations or cinemas, the collective effect of reading them is to offer a comprehensive, in-depth picture of how popular culture in East Asia operates to both generate and reflect the immense change this significant region of the world is undergoing. [Taken from back cover.]ISBN: 1566399866
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The New Australian cinema / editor: Scott Murray, associate editor: Peter Beilby West Melbourne, Vic.: Nelson, 1980.
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ORIENTAL ACTION FILMS
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Outlaw masters of Japanese film / Chris D London ; New York: I.B. Tauris, 2005.
Call No: 802.25(52) DESAuthor: D., Chris [Desjardins, Chris] Source: UK/USPlace: London ; New YorkPublisher: I.B. TaurisPubDate: 2005PhysDes: ix, 262 p. : ill. ; 25 cmSubject: ORIENTAL ACTION FILMS ; JAPAN ; INDUSTRY, FILM. JAPAN ; FUKASAKU KINJI ; SUZUKI, SEIJUM ; MIIKE TAKASHI Summary: This book offers an extraordinary close-up on the golden age of Japanese cult, action and exploitation cinema from the early 1950s through to the late 1970s, and up to the present dayNotes: Includes index.; Includes bibliographical references (p. 256-257); Includes filmographies.ISBN: 9781845110864Contents: 1. Kinji Fukasaku -- 2. Eiichi Kudo -- 3. Shinichi 'Sonny' Chiba -- 4. Meiko Kaji -- 5. Junya Sato -- 6. Kihachi Okamoto -- 7. Kazuo Ikehiro -- 8. Masahiro Shinoda -- 9. Yasuharu Hasebe -- 10. Seijun Suziki -- 11. Teruo Ishii -- 12. Koji Wakamatsu -- 13. Takashi Miike -- 14. Kiyoshi Kurosawa -- Appendices -- Selected bibliographyID2: 291
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journal article
Run Run Shaw's Movietown : Asia's answer to Hollywood in Lumiere (August, 1973) iss.26 p.6-7
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Screening the male : exploring masculinities in Hollywood cinema / edited by Steven Cohan and Ina Rae Hark London New York: Routledge, 1993.
Call No: 451-01 SCRAuthor: Cohan, Steven ; Hark, Ina Rae Place: London New YorkPublisher: RoutledgePubDate: 1993PhysDes: x, 272 p. : ill. ; 25 cmSubject: MEN IN FILMS ; MASCULINITY IN FILMS ; MUSICALS ; ACTION FILMS ; HORROR FILMS ; VALENTINO, RUDOLPH ; STALLONE, SYLVESTER ; WHITE HEAT (US, Raoul Walsh, 1949) ; PLAY MISTY FOR ME (US, Clint Eastwood, 1971) ; SPARTACUS (US, Stanley Kubrick, 1960) Summary: "Screening the Male challenges the traditional understanding of the male's position in Hollywood cinema. Gathering together thirteen original essays by scholars in the US, UK, and Australia, as well as Steve Neale's ground-breaking article on the male spectacle, this collection looks beyong the seemingly unassailable monolithic understanding of the 'masculine' which has previously dominiated most film criticism.
Ranging from Valentino to Schwarzeneeger, from the musical to the horror film. from close readings to 'queer' readings, the essays all differ in their critical method and historical focus. But whatever their specific interest, each essay holds a strong concern with issues that film studies has repeatedly linked to the feminine without considering how they relate as well to the masculine: spectacle, masochism, passivity, masquerade and, most of all, the body as it signifies gendered, racial, class and generational differences." -- BOOK COVERNotes: Includes bibliographical references and indexesISBN: 0415077583; 0415077591 (pbk.)LON: 92005815; 8965703
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Spectacular bodies : gender, genre, and the action cinema / Yvonne Tasker London New York: Routledge, 1993.
Call No: 451-01/02 TASAuthor: Tasker, Yvonne, 1964 Place: London New YorkPublisher: RoutledgePubDate: 1993PhysDes: 195 p., [11] p. of plates : ill. ; 24 cmSeries: ComediaSubject: ACTION FILMS ; MEN IN FILMS ; MASCULINITY IN FILMS ; GENRES ; RACE AND THE CINEMA ; BIGELOW, KATHRYN Notes: Filmography: p. 178-185; Includes bibliographical references (p. 186-190) and indexISBN: 0415092248; 041509223X (hbk.)LON: 92044020; 9902660Contents: 1. Women warriors: gender, sexuality and Hollywood's fighting heroines -- 2. Black buddies and white heroes: racial discourse in the action cinema -- 3. New Hollywood, genre and the action cinema -- 4. Tough guys and wise-guys: masculinities and star images in the action cinema -- 5. Masculinite, politics and national identity -- 6. The body in crisis or the body triumphant? -- 7. Action heroines in the 1980s: the limits of 'musculinity' -- The cinema as experience: Kathryn Bigelow and the cinema of spectacle
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Interim
book
A Study of the Hong Kong martial arts film / The 4th Hong Kong International Film festival Hong Kong: Urban Council, 1980.
Call No: FESTIVAL CATALOGUE SHELVESEdition: 1980Source: HKPlace: Hong KongPublisher: Urban CouncilPubDate: 1980PhysDes: 239p. : illus. : 30cm.Series: Hong Kong International Film Festival CatalogueSubject: HONG KONG ; ORIENTAL ACTION FILMS Notes: The 4th Hong Kong International Film Festival April 3-18, 1980; Part 1 : Development - Structure - Myth; Part 2 : Important figures in the genre; Part 3 : Biographical notes; Part 4 : Program notes; Part 5 : Filmography of Chinese Martial Arts filmsLanguage: English
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Interim
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The swordsman and his jiang hu : Tsui Hark and Hong Kong film / Ho, Sam (ed.) Hong Kong: Hong Kong Film Archive, 2002.
Call No: 81TSU SWOAuthor: Sam Ho (ed.) CorpAuthor: Hong Kong Film ArchiveSource: Hong KongPlace: Hong KongPublisher: Hong Kong Film ArchivePubDate: 2002PhysDes: 267 p ; 27 cmSubject: TSUI, HARK ; HONG KONG ; ORIENTAL ACTION FILMS Summary: Tsui Hark is best known for his martial arts films. From his very first feature, The Butterfly Murders (1979), he has been making films regularly in the wuxia genre and many of them are importnt re-definitions of the genre. [Taken from introduction].ISBN: 962805015XLanguage: Chinese and English
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The Tartan guide to Asia extreme : An introduction to the astonishing world of cinema from the far east / Mark Pilkington / Jule Hartung (ed.) 2004.
Call No: 720(5) TARAuthor: Mark Pilkington PubDate: 2004PhysDes: 17 cm ; 58 pSubject: HORROR FILMS. HONG KONG ; HORROR FILMS ; ORIENTAL ACTION FILMS ; CHINA ; KOREA ; JAPAN ; TAIWAN ; HONG KONG ; GENRES ; THAILAND Summary: With titles such as Hard Boiled, Kwaidan and Onibaba, Tartan delivered the best and most provocative cinema from the East. But when Ring and Audition were unleashed upon unsuspecting audiences nationwide it became apparent that the appetite for such outrageous fare was massive, and it made sense to let people know where to find it. Thus, Asia Extreme was born. Films such as Battle Royale and Infernal Affairs continue to satisfy the ever increasing hunger for astounding cinematic style and outrageous shock moments, while a swathe of even newer titles – like Oldboy and Koma – wait in the wings for their chance to leave audiences breathless. Now, it seems inconceivable that, once upon a time, Asia Extreme didn’t exist at all. Heres the story of the origin and development of the most exciting and unique of all contemporary genres. [Taken from back cover].
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Violence and American cinema / edited by J. David Slocum New York: Routledge, 2001.
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Violent America : the movies 1946-1964 / Lawrence Alloway New York: Museum of Modern Art, 1971.
Call No: 730.3(73) ALLAuthor: Alloway, Lawrence Edition: 1971Place: New YorkPublisher: Museum of Modern ArtPubDate: 1971PhysDes: 96 pages : illustrated ; 24 cmSubject: ACTION FILMS ; VIOLENCE IN FILMS. USA ; KILLERS, THE (US, Don Siegel, 1964) ; KILLERS, THE (US, Robert Siodmak, 1946) ; LADY FROM SHANGHAI, THE (US, Orson Welles, 1948) ; KISS ME DEADLY (US, Robert Aldrich, 1955) ; IN A LONELY PLACE (US, Nicholas Ray, 1950) ; WRITTEN ON THE WIND (US, Douglas Sirk, 1956) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) Notes: distributed by New York Graphic Society, Greenwich, Conn.ISBN: 9780870706226Donation: Megan McMurchy
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White guys : studies in postmodern domination and difference / Fred Pfeil London: Verso, 1995.
Call No: 451-01 PFEAuthor: Pfeil, Fred Place: LondonPublisher: VersoPubDate: 1995PhysDes: xxi, 269 p., [4] p. of plates : ill. ; 23 cmSeries: Haymarket seriesSubject: ACTION FILMS ; MEN IN FILMS ; MASCULINITY IN FILMS ; RACE AND THE CINEMA ; CLASS AND THE CINEMA Summary: "What do men - white straight men in particular - want? IN a series of witty and provcative investigations of American popular culture, Fred Pfeil exposes the contradictions in the construction of what heterosexual masculinity over the last fifteen years. White Guys proves such topics as the rock'n'roll bodies of Bruce Springsteen, Axl Rose, and the late Kurt Cobain; the 'male rampage' films Die Hard and Lethal Weapon and the films of 'sensitive transpormation' that followed in their wake; and the curious yet symptomatic activities of the men's movement whose 'rituals' Pfeil has investigated firsthand.
Pfeil's aim is to reveal the ambiguity and flux in a social category too often assumed to be monolithic and unchanging. White Guys invites its readers to consider the shifts in mainstream masculinity's representation, in relation to the general emergence of postmodern 'tribalisms' and in the context of changes in both contemporary feminism and the global economy." -- BOOK COVERISBN: 1859849377 : ¦39.95; 1859840329 (pbk.) : ¦12.99LON: bnc85984937; 11499168Contents: From Pillar to Postmodern: Race, Class, and Gender in the Male Rampage Film -- The Year of Living Sensitively -- Rock Incorporated: Plugging in to Axl and Bruce -- Soft-Boiled Dicks -- Guerillas in the Mist: Wild Guys and New Age Tribes -- Chips off the Old Block
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