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book		American directors : volume II / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983. Call No: 802.25(73) COU vol.2 Author: Coursodon, Jean-Pierre; Sauvage, Pierre Place: New York Publisher: McGraw-Hill PubDate: c1983 PhysDes: 2 v. ; 24 cm Subject: DIRECTORS. USA; ALDRICH, ROBERT; ALLEN, WOODY; ALTMAN, ROBERT; BOETTICHER, BUDD; BOGDANOVICH, PETER; BROOKS, RICHARD; CASSAVETES, JOHN; CASTLE, WILLIAM; COPPOLA, FRANCIS FORD; CORMAN, ROGER; DASSIN, JULES; DE PALMA, BRIAN; DMYTRYK, EDWARD; DONEN, STANLEY; EASTWOOD, CLINT; EDWARDS, BLAKE; FLEISCHER, RICHARD; FRANKENHEIMER, JOHN; FULLER, SAMUEL; HARRINGTON, CURTIS; KAZAN, ELIA; KELLY, GENE; KERSHNER, IRVIN; KUBRICK, STANLEY; LEWIS, JERRY; LOGAN, JOSHUA; LOSEY, JOSEPH; LUMET, SIDNEY; Lupino, Ida; MANKIEWICZ, JOSEPH L.; MINNELLI, VINCENTE; PARRISH, ROBERT; Peckinpah, Sam; PENN, ARTHUR; POLLACK, SYDNEY; POLONSKY, ABRAHAM; RAFELSON, BOB; RAFELSON, BOB; RAY, NICHOLAS; RITCHIE, MICHAEL; ROSSEN, ROBERT; SCORSESE, MARTIN; SIDNEY, GEORGE; SIEGEL, DON; SPIELBERG, STEVEN; STURGES, JOHN; TASHLIN, FRANK; WELLES, ORSON; WISE, ROBERT; ZINNEMANN, FRED Notes: Includes filmographies and indexes ISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95 LON: 2198273 More info
book		American film now : the people, the power, the money, the movies / by James Monaco New York: New American library, 1979. Call No: 71(73) MON Author: Monaco, James Source: US Place: New York Publisher: New American library PubDate: 1979 PhysDes: 544 p. : ill. ; 24 cm Subject: MOTION PICTURES - HISTORY; ALLEN, WOODY; ALTMAN, ROBERT; BOGDANOVICH, PETER; BROOKS, MEL; CASSAVETES, JOHN; COPPOLA, FRANCIS FORD; DE PALMA, BRIAN; LUCAS, GEORGE; MAZURSKY, PAUL; RITCHIE, MICHAEL; SCORSESE, MARTIN; SPIELBERG, STEVEN; SCHRADER, PAUL; SIMON, NEIL Summary: "Hollywood movies today are bigger - but are they better than ever? In this major examination of modern American cinema, one of our leading film critics ponders this question - and produces a wide-screen picture of the answer. Here in detail are the careers and creative milestones of the new "Whiz Kids" of hollywood - such glittering names as Scorsese, De Palma, Lucas, Spielberg, Altman, Mazursky, and Coppola. Here are the new masters of comedy - Neil Simon, Mel Brooks, Woody Allen. Here are the blockbusters that made fiscal history- Jaws, The Exorcist, the Godfather, Star Wars, Close Encounters of the Third Kind, Nashville, Superman, and all the others. Here, too, are the masterpieces that passed unnoticed, and the disasters that Hollywood would like to forget. Here are the new writers turning out novelizations of screenplays and screenplays of novels, and the current and rising stars who collectively represent America's vision of glamour and aristocracy. Above all, here is a bottom-line report on the new economics that have turned Hollywood from an old-fashioned industry centered on making movies into a "leisure-time" business obsessed with making money for coporate owners. Add to this a complete rundown of the top critics' choice for the best films of the decade, and a comprehensive "Who's Who" in current American filmmaking, and you have American Film Now- the definitve guide to the film industry as it is today and as it will be tomorrow." BOOK BLURB Notes: Includes index. Donation: donated by Senses of Cinema, 2010 Contents: -- 1 Properties and packages: Getting started, building "projects", the rules of the game -- 2 Products and profits: conglomeration, the cash flow, slicing the pie, agenting -- 3 The entertainment machine: " Eat, swim, play, not talk!", the family of genres, the quarks of film -- 4: The people who make movies: the assets, Obiter Dicta: major contributors, the rest of the crew -- 5 The Whiz kids: Peter Bogdanovich, Billy Friedkin, Martin Scorsese, Brian De Palma, George Lucas, Steven Spielberg, Paul Schrader -- 6 The black film ( and the black image): Hello, Sam; Ossie davis, Gordon Parks, Melvin Van Peebles, Bill Gunn, Michael Schultz -- 7 The importance of being funny: comics and comedians: whats funny?, the genre and the style, the sunshine boys make movies: Neil Simon, Mel Brooks, Woody Allen -- 8 Myth, reality, and other ways of meaning: Realism and documentary, the mythos and ethos, myth for myth's sake, "If you want to send a message, call Western Union", The way we live now -- 9 Who's talking? Cassavetes, Altman, and Coppola: John Cassavetes and the mystiwue of the actor, Robert Altman and the myth of the character, Francis Coppola: the Stinky Kid as mogul -- 10 Who's talking? Ritchie and Mazursky: Michael Ritchie the ironist, Paul Mazursky the satirist -- 11 The fourth estate: Begelmania, A new constellation, What is to be done? -- The Data -- Critics and critical choices -- the best films of the decade -- ten major filmographies: Woody Allen, Robert Altman, John Cassavetes, Francis Coppola, Brian De Palma, George Lucas, Paul Mazursky, Michael Ritchie, Martin Scorsese, Steven Spielberg -- reading about American film now: a guide -- references -- Who's who in Americn film now?: writers, directors, actors, actresses, producers, cinematographers, composers, designers, special effects, sound -- index -- credits More info
book		Camera politica : the politics and ideology of contemporary Hollywood film / by Michael Ryan and Douglas Kellner Bloomington, Ind.: Indiana University Press, 1988. Call No: 409(73) RYA Copy Management: Copy 1; Copy 2 Author: Ryan, Michael, 1951; Kellner, Douglas, 1943 Place: Bloomington, Ind. Publisher: Indiana University Press PubDate: 1988 PhysDes: xiii, 328 p. : ill. ; 25 cm Subject: HOLLYWOOD; DISASTERS IN FILMS. USA; SOCIAL PROBLEMS IN FILMS. USA; WORKING CLASS IN FILMS. USA; BLACKS IN FILMS. USA; SOUTH IN FILMS. USA; WOMEN IN FILMS. USA; BUDDY FILMS. USA; FAMILY IN FILMS. USA; VIETNAM WAR IN FILMS; HORROR FILMS. USA; VIETNAM WAR FILMS; POLITICS AND THE CINEMA. USA; FANTASY FILMS. USA; UTOPIA IN FILMS. USA; COMMUNISM AND THE CINEMA. USA; TECHNOLOGY AND THE CINEMA. USA; CONSPIRACY FILMS. USA; SPIELBERG, STEVEN; COPPOLA, FRANCIS FORD; BORDEN, LIZZIE; CIMINO, MICHAEL; Peckinpah, Sam; Reagan, Ronald; ROMERO, GEORGE; SCORSESE, MARTIN; HOOPER, TOBE; FRIEDKIN, WILLIAM; BROOKS, JAMES L.; DE PALMA, BRIAN; LUCAS, GEORGE; KUBRICK, STANLEY; MILIUS, JOHN; PAKULA, ALAN J.; SCOTT, RIDLEY; STAR WARS (US, George Lucas, 1977); CARNAL KNOWLEDGE (US, Mike Nichols, 1971); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); DEATH WISH (US, Michael Winner, 1974); DEER HUNTER, THE (US, Michael Cimino, 1978); DRESSED TO KILL (US, Brian De Palma, 1980); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FRENCH CONNECTION, THE (US, William Friedkin, 1971); JAWS (US, Steven Spielberg, 1975); TERMS OF ENDEARMENT (US, James L. Brooks, 1983); UNDER FIRE (US, Roger Spottiswoode, 1983); SHINING, THE (UK, Stanley Kubrick, 1980); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985); DIRTY HARRY (US, Don Siegel, 1971); GODFATHER, THE (US, Francis Ford Coppola, 1972); KLUTE (US, Alan J. Pakula, 1971); BLADE RUNNER (US, Ridley Scott, 1982) Notes: Includes index; Bibliography: p. 321-324 ISBN: 0253313341 LON: 5193671 More info
book		A cinema of loneliness : Penn, Kubrick, Coppola, Scorsese, Altman / Robert Phillip Kolker New York: Oxford University Press, 1980. Call No: 802.25(73) KOL Author: Kolker, Robert Phillip Place: New York Publisher: Oxford University Press PubDate: 1980 PhysDes: xii, 395 p. : ill. ; 22 cm Subject: PENN, ARTHUR; KUBRICK, STANLEY; COPPOLA, FRANCIS FORD; SCORSESE, MARTIN; ALTMAN, ROBERT Notes: Filmography: p. 351-381; Includes bibliographical references and index ISBN: 0195025881 LON: 1361315 More info
book		A cinema without walls : movies and culture after Vietnam / Timothy Corrigan London: Routledge, 1991. Call No: 626(73) COR Author: Corrigan, Timothy, 1951 Place: London Publisher: Routledge PubDate: 1991 PhysDes: x, 258 p. : ill. ; 23 cm Subject: HEAVEN'S GATE (US, Michael Cimino, 1980); PLATOON (US, Oliver Stone, 1986); FULL METAL JACKET (UK, Stanley Kubrick, 1987); SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986); BLUE VELVET (US, David Lynch, 1986); CHOOSE ME (US, Alan Rudolph, 1984); AFTER HOURS (US, Martin Scorsese, 1985); COPPOLA, FRANCIS FORD; KLUGE, ALEXANDER; RUIZ, RAUL; BONNIE AND CLYDE (US, Arthur Penn, 1967); BADLANDS (US, Terrence Malick, 1973); PARIS, TEXAS (GW/FR, Wim Wenders, 1984); KING OF COMEDY, THE (US, Martin Scorsese, 1983); THIRD GENERATION, THE (GW, Rainer Werner Fassbinder, 1979); MY BEAUTIFUL LAUNDRETTE (UK, Stephen Frears, 1985); IN EINEM JAHR MIT 13 MONDEN (GW, Rainer Werner Fassbinder, 1979); DRITTE GENERATION, DIE (GW, Rainer Werner Fassbinder, 1979) Notes: Includes index; Bibliography: p. [233]-250 ISBN: 0415071348 (pbk.) : ª9.99; 041507133X (cased) : ª35.00 LON: bnb41507133; 8595450 More info
book		Contemporary cinema / John Orr Edinburgh: Edinburgh University Press, c1998. Call No: 62 ORR Author: Orr, John, 1943 Place: Edinburgh Publisher: Edinburgh University Press PubDate: c1998 PhysDes: xi,243 p. : ill. ; 24 cm Subject: CANADA; CHINA; MASCULINITY IN FILMS; RELIGION AND THE CINEMA; COMMUNISM AND THE CINEMA; DOUBLES IN FILMS; EXPRESSIONISM; FILM NOIR; HONG KONG; POLAND; PSYCHOLOGY AND THE CINEMA; SEX IN FILMS; SURREALISM AND THE CINEMA; ALLEN, WOODY; ALTMAN, ROBERT; ANTONIONI, MICHELANGELO; BEATTY, WARREN; BELMONDO, JEAN-PAUL; BERGMAN, INGMAR; BINOCHE, JULIETTE; BONNAIRE, SANDRINE; BURTON, TIM; CAGE, NICOLAS; CAMPION, JANE; CHABROL, CLAUDE; CHEUNG, LESLIE; COPPOLA, FRANCIS FORD; COSTNER, KEVIN; CRONENBERG, DAVID; DAHL, JOHN; DE NIRO, ROBERT; DE PALMA, BRIAN; DERN, LAURA; EGOYAN, ATOM; FIGGIS, MIKE; GERE, RICHARD; GONG, LI; GREENAWAY, PETER; HAUER, RUTGER; JAMESON, FREDRIC; KIESLOWSKI, KRZYSZTOF; LYNCH, DAVID; MALICK, TERRENCE; Pasolini, Pier Paolo; ROSSELLINI, ISABELLA; SCORSESE, MARTIN; SCOTT, RIDLEY; STONE, OLIVER; TRAN, ANH HUNG; WEIR, PETER; Wenders, Wim; WONG KAR-WAI; YOUNG, SEAN; ZHANG, YIMOU; ANDERSSON, BIBI; AUDRAN, STEPHANE; DUVALL, SHELLY; GIDLEY, PAMELA; JANDA, KRYSTYNA; KANESHIRO, TANESHI; LEUNG, TONY; LIN, BRIGITTE; KROTKI FILM O MILOSCI (PL, Krzysztof Kieslowski, 1988); KILL ME AGAIN (US, John Dahl, 1989); AH FEI ZHENG ZHUANG (HK, Wong Kar-Wei, 1991); HIMMEL UBER BERLIN, DER (GW/FR, Wim Wenders, 1987); ADJUSTER, THE (CN, Atom Egoyan, 1991); BELLE NOISEUSE, LA (FR, Jacques Rivette, 1991); BLADE RUNNER (US, Ridley Scott, 1982); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); CHINATOWN (US, Roman Polanski, 1974); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); DAYS OF HEAVEN (US, Terrence Malick, 1978); JFK (US, Oliver Stone, 1991); LAST SEDUCTION, THE (US, John Dahl, 1994); LIEBESTRAUM (US, Mike Figgis, 1991); MCCABE AND MRS MILLER (US, Robert Altman, 1971); CZLOWIEK Z MARMURA (PL, Andrzej Wajda, 1977); ONE FALSE MOVE (US, Carl Franklin, 1991); PERSONA (SW, Ingmar Bergman, 1966); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); RAGING BULL (US, Martin Scorsese, 1980); DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); SHINING, THE (UK, Stanley Kubrick, 1980); STALKER (UR, Andrei Tarkovsky, 1979); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); WILD AT HEART (US, David Lynch, 1990); XICH LO (FR/V, Tran Anh Hung, 1995) Summary: "'Contemporary cinema' is a major study of key developments in the cinema over the last thirty years. It reworks Pasolini's landmark concept of 'the cinema of poetry' to look at the transformation of film form in its encounter with society, the sacred, the subjective and the presence of the camera. In the 1970s, the influential forms of a cinema of poetry are analysed in key features by Altman, Herzog, Malick, Scorsese, Weir, Von Trotta and Tarkovsky while in the 1980s and 1990s the emergence of new filmmakers has meant a diffusion of different cinemas of poetry using new techniques and new poetries. Of key importance here is the work of Kieslowski, Lynch, Egoyan, Campion, Greenaway, Zhang Yimou, Tran Anh Hung and Wong Kar-Wai, as well as the reinvention of science fiction and film noir in American genre." Taken from back cover. Notes: Includes bibliographical references and index ISBN: 0748608362(pbk.) : No price LON: 13772409 ID2: 291 More info
book		Contemporary Hollywood cinema / edited by Steve Neale and Murray Smith London New York: Routledge, 1998. Call No: 71(73) CON Author: Neale, Stephen; Smith, Murray, 1962 Place: London New York Publisher: Routledge PubDate: 1998 PhysDes: xxii, 338 p. : ill. ; 24 cm Subject: USA; HOLLYWOOD; TECHNOLOGY AND THE CINEMA; DISTRIBUTION. USA; EXHIBITION. USA; WIDE-SCREEN SYSTEMS; SPECTATORSHIP; MEN IN FILMS. USA; MELODRAMA; MUSIC, FILM; SOUND TRACKS; TELEVISION AND THE CINEMA; FAMILY IN FILMS. USA; NARRATIVE IN FILMS; BLACKS, FILMS MADE BY. USA; BLACKS IN FILMS. USA; BLOCKBUSTERS; FEMINISM AND THE CINEMA; GENDER AND THE CINEMA; CENSORSHIP. USA; INDEPENDENT FILMS. USA; WOMEN, FILMS FOR; WOMEN IN FILMS. USA; HORROR FILMS. USA; CHILDREN, FILMS FOR; ACTION FILMS; AUDIENCES; MIRAMAX FILMS; NEW LINE CINEMA; TIME WARNER; VERHOEVEN, PAUL; COPPOLA, FRANCIS FORD; HAMILTON, LINDA; MCDORMAND, FRANCES; ELFMAN, DANNY; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FARGO (US, Ethan Coen, 1996); BASIC INSTINCT (US, Paul Verhoeven, 1992); BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992); BATMAN (US, Tim Burton, 1989); BATMAN RETURNS (US, Tim Burton, 1992); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); JURASSIC PARK (US, Steven Spielberg,, 1993); LION KING, THE (US, Roger Allers & Rob Minkoff, 1994); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) Notes: Includes bibliographical references (p. [312]-318) and index ISBN: 0415170095; 0415170109 (pbk.) LON: 98005952; 13736490 More info
book		Coppola / Peter Cowie London: Andre Deutsch, 1989. Call No: 81COP COW Author: Cowie, Peter Place: London Publisher: Andre Deutsch PubDate: 1989 PhysDes: ix, 270 p., [48] p. of plates : ill. ; 24 cm Subject: COPPOLA, FRANCIS FORD Notes: Includes bibliographical references ISBN: 0233983333 : ª15.95 LON: bnb23398333; 6096564 More info
personality microfilm collection		Coppola, Francis Ford Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION PhysDes: Clippings Subject: COPPOLA, FRANCIS FORD More info
book		Easy riders, raging bulls : how the sex-drugs-and-rock-'n'-roll generation saved Hollywood / Peter Biskind New York, NY: Simon & Schuster, 1998. Call No: 71(73) BIS Author: Biskind, Peter Place: New York, NY Publisher: Simon & Schuster PubDate: 1998 PhysDes: 506 p. : ill. ; 25 cm Subject: HOLLYWOOD; USA. 1970's; COLUMBIA PICTURES; PARAMOUNT STUDIOS; TWENTIETH CENTURY-FOX; UNIVERSAL PICTURES; WARNER BROS.; ZOETROPE STUDIOS; ALTMAN, ROBERT; ASHBY, HAL; BEATTY, WARREN; BEGELMAN, DAVID; BLATTY, WILLIAM PETER; BOGDANOVICH, PETER; BRANDO, MARLON; BROWN, DAVID; BURSTYN, ELLEN; CALLEY, JOHN; CHRISTIE, JULIE; COPPOLA, ELEANOR; COPPOLA, FRANCIS FORD; DE NIRO, ROBERT; DE PALMA, BRIAN; DILLER, BARRY; EVANS, ROBERT; FONDA, PETER; FRIEDKIN, WILLIAM; GEFFEN, DAVID; HAWKS, HOWARD; HOPPER, DENNIS; IRVING, AMY; KAEL, PAULINE; KIDDER, MARGOT; LUCAS, GEORGE; LUCAS, MARCIA; MILIUS, JOHN; NEWMAN, DAVID; NICHOLSON, JACK; PENN, ARTHUR; PHILLIPS, JULIA; PLATT, POLLY; POLANSKI, ROMAN; RAFELSON, BOB; SCHNEIDER, BERT; SCHRADER, LEONARD; SCHRADER, PAUL; SCORSESE, MARTIN; SHEPHERD, CYBILL; SIMPSON, DON; SPIELBERG, STEVEN; SYLBERT, RICHARD; TANEN, NED; TOWNE, ROBERT; WEINTRAUB, SANDRA; YABLANS, FRANK; ZANUCK, RICHARD; AMERICAN GRAFFITI (US, George Lucas, 1973); EASY RIDER (US, Dennis Hopper, 1969); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BONNIE AND CLYDE (US, Arthur Penn, 1967); CHINATOWN (US, Roman Polanski, 1974); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); EXORCIST, THE (US, William Friedkin, 1973); GODFATHER, THE (US, Francis Ford Coppola, 1972); HEAVEN'S GATE (US, Michael Cimino, 1980); JAWS (US, Steven Spielberg, 1975); LAST PICTURE SHOW, THE (US, Peter Bogdanovich, 1971); MCCABE AND MRS MILLER (US, Robert Altman, 1971); MASH (US, Robert Altman, 1969); MEAN STREETS (US, Martin Scorsese, 1973); PAPER MOON (US, Peter Bogdanovich, 1973); PERSONAL BEST (US, Robert Towne, 1982); RAGING BULL (US, Martin Scorsese, 1980); REDS (US, Warren Beatty, 1981); SHAMPOO (US, Hal Ashby, 1975); SORCERER (US, William Friedkin, 1977); STAR WARS (US, George Lucas, 1977); SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974); TAXI DRIVER (US, Martin Scorsese, 1976) Notes:* Includes bibliographical references (p. [449]-482) and index; Filmography: p. [447]-448 ISBN: 0684809966 LON: 98002919; 13698645 More info
book		Fast times and excellent adventures : the surprising hisory of the '80s teen movie / James King London: Constable, 2018. Call No: 451-058.6 KIN Author: King, James Source: UK Place: London Publisher: Constable PubDate: 2018 PhysDes: xi, 452 pages, 16 unnumbered pages of plates : illustrations, portraits ; 24 cm Subject: TEEN FILM; TEEN FILMS; YOUNG PEOPLE AND THE CINEMA; YOUNG PEOPLE IN FILMS; HISTORY OF CINEMA; HISTORY OF CINEMA. USA; HISTORY OF CINEMA. 1980's; BACON, KEVIN; COPPOLA, FRANCIS FORD; BRODERICK, MATTHEW; CROWE, CAMERON; CRUISE, TOM; DILLON, MATT; ESTEVEZ, EMILIO; FOSTER, JODIE; HECKERLING, AMY; HUGHES, JOHN (US); LEE, SPIKE; LOWE, ROB; MUSIC TELEVISION UF MTV; PENN, SEAN; RINGWALD, MOLLY; TRAVOLTA, JOHN; ZEMECKIS, ROBERT; BACK TO THE FUTURE (US, Robert Zemeckis, 1985); FAST TIMES AT RIDGEMONT HIGH (US, Amy Heckerling, 1982); GREASE (US, Randal Kleisner, 1978); GREMLINS (US, Joe Dante, 1984); LOST BOYS, THE (US, Joel Schumacher, 1987); OUTSIDERS, THE (US, Francis Ford Coppola, 1983); PRETTY IN PINK (US, Howard Deutch, 1986); RISKY BUSINESS (US, Paul Brickman, 1983); RIVER'S EDGE (US, Tim Hunter, 1986); SATURDAY NIGHT FEVER (US, John Badham, 1977); SIXTEEN CANDLES (US, John Hughes, 1984) Summary: "Take a trip back to the era of troubled teens and awesome soundtracks; of Reagan, rap and Ridgemont High; of MTV, VHS and 'Axel F'; of outsiders, lost boys and dead poets; of Bill and Ted, Brooke Shields and the Brat Pack; of three Porky's, two Coreys and one summer when everyone called her Baby . . . Fast Times and Excellent Adventures goes behind the scenes of a genre where cult hits mingled with studio blockbusters, where giants like Spielberg and Coppola rubbed shoulders with baby-faced first-timers and where ambitious future superstars Sean, Demi and Tom all got their big break. Music, comedy and politics - all play a part in the surprisingly complex history of the '80s teen movie. And while the films might have been aimed primarily at adolescents, the best tackle universal issues and remain a magnet to all ages. Time of your life, huh kid? From a late '70s Hollywood in flux to an early '90s indie scene that gave youth cinema a timely reboot, respected film expert James King smartly highlights the personal struggles, the social changes and the boardroom shake-ups that produced an iconic time in movie history" -- BOOK BACK COVER Notes: Includes bibliographical references and index ISBN: 9781472123725 More info
book		The film director as superstar London: Secker and Warburg, 1971. Call No: 802.25 GEL Author: Gelmis, Joseph, 1935 Place: London Publisher: Secker and Warburg PubDate: 1971 PhysDes: xx, 316 p., 12 plates; illus., ports. 22 cm Subject: MCBRIDE, JIM; DE PALMA, BRIAN; DOWNEY, ROBERT; MAILER, NORMAN; WARHOL, ANDY; CASSAVETES, JOHN; ANDERSON, LINDSAY; BERTOLUCCI, BERNARDO; FORMAN, MILOS; POLANSKI, ROMAN; CORMAN, ROGER; COPPOLA, FRANCIS FORD; PENN, ARTHUR; LESTER, RICHARD; NICHOLS, MIKE; KUBRICK, STANLEY ISBN: 0436173700 LON: 210670 210670 More info
book		Francis Ford Coppola Springfield, Illinois.: University of Illinois Press, 2014. Call No: 81COP MEN Author: Menne, Jeff Edition: 1st ed. Source: US Place: Urbana, Illinois.; Chicago, Illinois.; Springfield, Illinois. Publisher: University of Illinois Press PubDate: 2014 PhysDes: 168 pages ; 21 cm Series: Contemporary Film Directors Subject: AUTEUR THEORY; DIRECTORS. USA; HOLLYWOOD; COPPOLA, FRANCIS FORD Summary: "Analyzing films like The Godfather (1972) and the overlooked Tucker: The Man and His Dream (1988) through Coppola's use of opera, Menne illustrates how Coppola developed a defining musical aesthetic while making films that reflected the idea of a corporation as family - and how his studio, American Zoetrope, came to represent a new brand of auteurism and the model for post-Fordist Hollywood." -- BOOK BLURB Notes: Contains twenty black and white photographs. -- Includes contents, bibliographic references and index ISBN: 9780252080371 More info
book		George Lucas : the making of his movies / Chris Salewicz London: Orion, 1998. Call No: 81LUC SAL Author: Salewicz, Chris Source: UK Place: London Publisher: Orion PubDate: 1998 PhysDes: 143 p. : ill. (some col.) ; 20 cm Subject: DIRECTORS. USA; LUCASFILM; SCRIPTWRITERS. USA; WARNER BROS.; COPPOLA, FRANCIS FORD; KURTZ, GARY; LUCAS, GEORGE; AMERICAN GRAFFITI (US, George Lucas, 1973); EMPIRE STRIKES BACK, THE (US, Irvin Kershner, 1980); INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984); KAGEMUSHA (JA, Akira Kurosawa, 1980); RETURN OF THE JEDI (US, Richard Marquand, 1983); STAR WARS (US, George Lucas, 1977); THX 1138 4EB (US, George Lucas, 1967) Notes: Bibliography: p.[140]-141 ISBN: 0752813188 Donation: donated by the family of Wayne Levy, 2006 More info
book		The Hollywood interviews / Cahiers du Cinéma; translated by John Flower Oxford, UK: Berg, 2006. Call No: 802.25 CAH Source: UK Place: Oxford, UK Publisher: Berg PubDate: 2006 PhysDes: v, 154 p. ; 19 cm Subject: AUTEUR THEORY; COPPOLA, FRANCIS FORD; DE PALMA, BRIAN; SCORSESE, MARTIN; EASTWOOD, CLINT; BURTON, TIM; COEN, JOEL & ETHAN Summary: Interviews with Francis Ford Coppola, Brian de Palma, Martin Scorsese, Clint Eastwood, and Tim Burton. Notes: Formerly CIP.; Includes filmographies.; Translated from the French. ISBN: 1845204417 More info
book		The Hollywood war film : critical observations from World War I to Iraq / Daniel Binns Bristol, UK ; Chicago, USA: Intellect Books, 2017. Call No: 737(73) BIN Author: Binns, Daniel Edition: 2017 Place: Bristol, UK ; Chicago, USA Publisher: Intellect Books PubDate: 2017 PhysDes: 172 pages : illustrated ; 23 cm Subject: WAR FILMS. USA; VIETNAM WAR FILMS. USA; WORLD WAR II FILMS. USA; VIDEO GAMES; ALL QUIET ON THE WESTERN FRONT (US, Lewis Milestone, 1930); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); COPPOLA, FRANCIS FORD; FULL METAL JACKET (UK, Stanley Kubrick, 1987); HURT LOCKER, THE (US, Kathryn Bigelow, 2008); MASH (US, Robert Altman, 1969); PATTON (US, Franklin J. Schaffner, 1970); SAVING PRIVATE RYAN (US, Steven Spielberg, 1998); STEEL HELMET, THE (US, Samuel Fuller, 1951) Notes:* Combining action, violence, and deeply conflicted emotions, war has always been a topic made for the big screen. In The Hollywood War Film, Daniel Binns considers how war has been depicted throughout the history of cinema. Looking at depictions of both World Wars, the Vietnam War, and the major conflicts in the Middle East, Binns reflects on representations of war and conflict, revealing how Hollywood has made the war film more than just a genre, but a dynamic cultural phenomenon. Looking closely at films such as All Quiet on the Western Front, Full Metal Jacket, and The Hurt Locker, Binns reveals the commonalities in Hollywood films despite the distinct conflicts and eras they represent, and he shows how contemporary war films closely echo earlier films in their nationalistic and idealistic depictions. Offering a trenchant analysis of some of the most important war films from the past century, this book will be of interest to anyone who has been captivated by how film has dealt with one of humanity’s most difficult, but far too common, realities. -- publisher's web site ISBN: 9781783207541 Contents: Acknowledgements and dedication -- Introduction: war and cinema -- For glory: World Wars I and II -- Fear and frustration: Korea and Vietnam -- Live from the front line: conflict in the Middle East -- Extended discourse: cross-platform war -- Conclusion: cycles of violence, repeat performances -- Bibliography -- Index. More info
book		In the blink of an eye : a perspective on film editing / by Walter Murch Sydney: Australian Film, Television & Radio School, c1992. Call No: 24 MUR Author: Murch, Walter CorpAuthor: Australian Film, Television and Radio School Source: AT Place: Sydney Publisher: Australian Film, Television & Radio School PubDate: c1992 PhysDes: viii, 108 p. : 6 col. ports. ; 21 cm Subject: AUDIENCES; CONTINUITY; EDITING; EMOTION IN FILMS; FILM WORKERS; POST-PRODUCTION; TECHNOLOGICAL DEVELOPMENTS; TECHNOLOGY AND THE CINEMA; COPPOLA, FRANCIS FORD; MURCH, WALTER; UNBEARABLE LIGHTNESS OF BEING, THE (US, Philip Kaufman, 1988) Summary: "It was 1988 when Walter Murch first presented his fascinating lecture, IN THE BLINK OF AN EYE, to an audience in Sydney, Australia. His comments and insights are as relevant now as they were then, and will be in a decade's time. Included with the lecture is an equally important new chapter on changing editing technologies." [Book blurb] Notes: Includes bibliographical references and index ISBN: 0642180377 : price unknown LON: 9030756 9030756 More info
book		Inner views : filmmakers in conversation / David Breskin Boston: Faber and Faber, c1992. Call No: 802.25 BRE Author: Breskin, David Place: Boston Publisher: Faber and Faber PubDate: c1992 PhysDes: vii, 366 p. ; 22 cm Subject: COPPOLA, FRANCIS FORD; LYNCH, DAVID; STONE, OLIVER; LEE, SPIKE; CRONENBERG, DAVID; ALTMAN, ROBERT; BURTON, TIM Notes: "These interviews first appeared in slightly different form in issues of Rolling stone magazine between 1990 and 1992"--T.p. verso; Includes filmographies ISBN: 0571129293 (paper) : $15.95 LON: 9271051 More info
Interim book		International film guide 1976 / edited by Peter Cowie London: Tantivy Press, 1975. Call No: REFERENCE SECTION; 058 INT "1976" Author: Cowie, Peter Place: London Publisher: Tantivy Press PubDate: 1975 PhysDes: v. Subject: CACOYANNIS, MICHAEL; CASSAVETES, JOHN; COPPOLA, FRANCIS FORD; FASSBINDER, RAINER WERNER; ZANUSSI, KRZYSZTOF ISBN: 090420801X More info
book		"It's only a movie, Ingrid" : encounters on and off screen / Alexander Walker London: Headline Book Publishing, 1989. Call No: 67(04) WAL Author: Walker, Alexander Source: UK Place: London Publisher: Headline Book Publishing PubDate: 1989 PhysDes: viii, [312] p., [16] leaves of plates : ill., ports. ; 18 cm Subject: CRITICISM; FESTIVALS. CANNES; DR STRANGELOVE (UK, Stanley Kubrick, 1964); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GODFATHER, THE (US, Francis Ford Coppola, 1972); SHINING, THE (UK, Stanley Kubrick, 1980); 2001: A SPACE ODYSSEY (US, Stanley Kubrick, 1968); BOGARDE, DIRK; BURTON, RICHARD; CHAPLIN, CHARLES; COPPOLA, FRANCIS FORD; COOPER, GARY; Crawford, Joan; CRAWFORD, NOEL; DAVIS, BETTE; EVANS, EDITH; Fellini, Federico; FORBES, BRYAN; GARBO, GRETA; GIELGUD, JOHN; GRANT, CARY; GREENE, GRAHAM; HARVEY, LAURENCE; HEPBURN, KATHARINE; HITCHCOCK, ALFRED; HOWARD, TREVOR; HUSTON, JOHN; KAZAN, ELIA; KUBRICK, STANLEY; Lean, David; LEIGH, VIVIEN; LOSEY, JOSEPH; Shakespeare, William; TRACY, SPENCER; TYNAN, KENNETH; VON STERNBERG, JOSEF; WELLES, ORSON; ZINNEMANN, FRED ISBN: 0747230218 Contents: -- "Do you mean to say they pay you to go to the movies?" -- "Name the six best films you've ever seen" -- Charlie's Angel and the Culture Minister's walking stick -- A day in the hard-playing hard-working life of a far from mad old woman -- Cary Grant and the Harry Lime connection -- The soft words of Mr Rattigan - the hard blows of Mr Russell --- Even Hollywood princesses don't always live happy ever after -- No need to bribe a film festival jury; it can do that for itself -- What made Marlon Brando stop running and find peace at last -- The girl who blew in with the Boston winds -- Peter O'Toole meets himself, two feet tall and blue-eyed, coming back from a trip abroad -- Random thoughts on the Englishness (or otherwise) of English film actors -- Inexactly expressed sentiments about the most private person I know -- "Why this one and not that one, why one event and not the other?" More info
book		Italian and Irish filmmakers in America : Ford, Capra, Coppola, and Scorsese / Lee Lourdeaux Philadelphia: Temple University Press, 1990. Call No: 802.25(73) LOU Author: Lourdeaux, Lee Place: Philadelphia Publisher: Temple University Press PubDate: 1990 PhysDes: xi, 288 p. : ill. ; 24 cm Subject: FORD, JOHN; CAPRA, FRANK; COPPOLA, FRANCIS FORD; SCORSESE, MARTIN Notes: Filmography: p. 267-271; Includes bibliographical references (p. 273-281) and index ISBN: 0877226970 (alk. paper) LON: 6778362 More info
book		Lost angels : psychoanalysis and cinema / Vicky Lebeau London New York: Routledge, 1995. Call No: 626:159.964.2 LEB Author: Lebeau, Vicky, 1963 Place: London New York Publisher: Routledge PubDate: 1995 PhysDes: 172 p. : ill. ; 25 cm Subject: PSYCHOANALYSIS AND THE CINEMA; YOUNG PEOPLE AND THE CINEMA; FEMINISM AND THE CINEMA; SPECTATORSHIP; COPPOLA, FRANCIS FORD; ELLIS, BRET EASTON; HINTON, S.E.; FERRIS BUELLER'S DAY OFF (US, John Hughes, 1986); RIVER'S EDGE (US, Tim Hunter, 1986); RUMBLE FISH (US, Francis Ford Coppola, 1983); OUTSIDERS, THE (US, Francis Ford Coppola, 1983) Notes: Includes bibliographical references (p. [160]-165) and index ISBN: 0415107210 (pbk.); 0415107202 LON: 10868509 More info
book		Make my day : movie culture in the age of Reagan / J. Hoberman New York: New Press, Call No: 71"198"(73) HOB Author: Hoberman, J. Place: New York Publisher: New Press PhysDes: xii, 398 pages; illustrations ; 23 cm Subject: COMMUNISM AND THE CINEMA. USA; APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); COPPOLA, FRANCIS FORD; CRUISE, TOM; EASTWOOD, CLINT; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FONDA, JANE; GHOSTBUSTERS (US, Ivan Reitman, 1984); HEARTBREAK RIDGE (US, Clint Eastwood, 1986); KAEL, PAULINE; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988); MADONNA; MILIUS, JOHN; MUSIC TELEVISION; REAGAN RONALD; RIGHT STUFF, THE (US, Philip Kaufman, 1983); ROCKY (US, John G. Avildsen, 1976); RED DAWN (US, John Milius, 1984); STONE, OLIVER ISBN: 9781595580061 More info
book		Notes / Eleanor Coppola New York: Limelight Editions, 1991. Call No: 79APO COP Author: Coppola, Eleanor Place: New York Publisher: Limelight Editions PubDate: 1991 PhysDes: 292 p. : ill. ; 23 cm Subject: COPPOLA, FRANCIS FORD; COPPOLA, ELEANOR; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) Notes: Cover title: Notes on the making of Apocalypse now; Reprint with new afterword. Originally published: New York : Simon & Schuster, 1979 ISBN: 0879101504 : $14.95 LON: 91024001; 8200950 More info
Interim book		Pop fiction : The song in cinema / edited by Steve Lannin and Matthew Caley Porland, Oregon: Intellect, 2005. Call No: 634.6 POP Author: Lannin, Steve; Caley, Matthew Source: UK Place: Bristol, UK; Porland, Oregon Publisher: Intellect PubDate: 2005 PhysDes: 173 p. : 23 cm Subject: POP MUSIC AND THE CINEMA; POP MUSIC IN FILMS; MUSIC AND THE CINEMA; MUSIC IN FILMS; ADVERTISING FOR FILMS; COHEN, LEONARD; MORETTI, NANNI; DOORS, THE; COPPOLA, FRANCIS FORD; SOGGY BOTTOM BOYS; COEN, JOEL & ETHAN; PFEIFFER, MICHELLE; Damon, Matt; KLOVES, STEVE; MINGHELLA, ANTHONY; VALLI, FRANKIE; CIMINO, MICHAEL; RIGHTEOUS BROTHERS; ZUCKER, JERRY; REED, LOU; BOYLE, DANNY; STEALERS WHEEL; Tarantino, Quentin; BAKER, CHET; WEBER, BRUCE; WINGS; ARMITAGE, GEORGE; COLLINS, PHIL; BRICKMAN, PAUL; MASSIVE ATTACK; WONG KAR WAI; CARO DIARIO (IT/FR, Nanni Moretti, 1993); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000); FABULOUS BAKER BOYS, THE (US, Steve Kloves, 1989); TALENTED MR. RIPLEY, THE (US, Anthony Minghella, 1999); DEER HUNTER, THE (US, Michael Cimino, 1978); GHOST (US, Jerry Zucker, 1990); TRAINSPOTTING (UK, Danny Boyle, 1996); RESERVOIR DOGS (US, Quentin Tarantino, 1992); LET'S GET LOST (US, Bruce Weber, 1988); GROSSE POINTE BLANK (US, George Armitage, 1997); RISKY BUSINESS (US, Paul Brickman, 1983); DUOLUO TIANSHI (HK, Wong Kar-Wai, 1995) Summary: "'Pop Fiction's unique essays individually consider one song within a cinematic context. Unlike previous collected volumes about pop music in film, where a generalised approach has been adopted, it offers instead a close examination of these two most pervasive and significant mediums in contemporary culture. "The collection introspects, assembling the pop song into various guises and documenting how individuals dissemble the multiple roles that the pop song plays in all and one audio-visual moment. The song as: ghost, role-play, memory trigger, narrator, marketing device, translator, alienator, membership rite, etc." (Taken from the back cover) Notes: Includes index ISBN: 184150078X More info
book		Projections 3 : film-makers on film-making / edited by John Boorman and Walter Donohue London: Faber and Faber, 1994. Call No: 802 PRO v.3 Author: Boorman, John, 1933; Donohue, Walter Place: London Publisher: Faber and Faber PubDate: 1994 PhysDes: xiv, 290 p. : ill., ports; 24 cm Subject: COPPOLA, FRANCIS FORD; LINSON, ART; Tarantino, Quentin; VAN SANT, GUS; CHEN, KAIGE; POLLACK, SYDNEY; WILLNER, HAL; ALMEREYDA, MICHAEL; KASDAN, LAWRENCE; TOLKIN, MICHAEL; POTTER, SALLY; STANLEY, RICHARD; HARTLEY, HAL; OGRESTA, ZRINKO; LOWENSTEIN, RICHARD; SHORT CUTS (US, Robert Altman, 1993); FLIRT (US/GG/JA, Hal Hartley, 1995); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) Notes: Includes filmography: p. [289]-290 ISBN: 0571170471 (pbk) LON: abn94201432; 10975435 More info
book		Projections 7 : film-makers on film-making in association with Cahiers du Cinéma / edited by John Boorman and Walter Donohue London: Faber & Faber, 1997. Call No: 802 PRO v.7 Author: Boorman, John, 1933; Donohue, Walter Place: London Publisher: Faber & Faber PubDate: 1997 PhysDes: x, 301 p. : ill., ports. ; 24 cm Subject: SCORSESE, MARTIN; CAPRA, FRANK; BARRON, BEBE; DORMAEL, JACO VAN; SCHOONMAKER, THELMA; DE NIRO, ROBERT; FORD, JOHN; ROCHA, GLAUBER; BERTOLUCCI, BERNARDO; RENOIR, JEAN; OPHULS, MAX; MASTROIANNI, MARCELLO; FERRARA, ABEL; ASSAYAS, OLIVIER; CURTIS, JAMIE LEE; LEIGH, JANET; BURNS, LILLIAN; GIRARDOT, HIPPOLYTE; MCDORMAND, FRANCES; MITCHUM, ROBERT; HODGSON, PIERRE; COX, BRIAN; CARON, LESLIE; SYMS, SYLVIA; WRIGHT, TERESA; COPPOLA, FRANCIS FORD; DE PALMA, BRIAN; SPIELBERG, STEVEN; LUCAS, GEORGE; Tarantino, Quentin; WALSH, RAOUL; HUSTON, JOHN; MCCAREY, LEO; Lupino, Ida; CASSAVETES, JOHN; WELLES, ORSON; HITCHCOCK, ALFRED; WOO, JOHN [pseud. of Wu Yusen]; DAFOE, WILLEM; SIRK, DOUGLAS; ALMEREYDA, MICHAEL; BOORMAN, JOHN; BAD LIEUTENANT (US, Abel Ferrara, 1992); CASINO (US, Martin Scorsese, 1995); TAXI DRIVER (US, Martin Scorsese, 1976); MEAN STREETS (US, Martin Scorsese, 1973); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); RAGING BULL (US, Martin Scorsese, 1980); KING OF COMEDY, THE (US, Martin Scorsese, 1983); GOODFELLAS (US, Martin Scorsese, 1990); CAPE FEAR (US, Martin Scorsese, 1991); MANHUNTER (US, Michael Mann, 1986); L-SHAPED ROOM, THE (UK, Bryan Forbes, 1962); VICTIM (UK, Basil Dearden, 1961); SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943); FORBIDDEN PLANET (US, Fred McLeod Wilcox, 1956); DEAD MAN (US, Jim Jarmusch, 1995); CAHIERS DU CINEMA Notes: Filmography: p. 300-301 ISBN: 0571190332 LON: abn97280608; 13386768 More info
book		Religion in film / edited by John R. May and Michael Bird Knoxville: University of Tennessee Press, c1982. Call No: 45:2 MAY Author: Bird, Michael (Michael S.), 1941; May, John R Edition: 1st ed Place: Knoxville Publisher: University of Tennessee Press PubDate: c1982 PhysDes: xviii, 257 p. : ill. ; 23 cm Subject: RELIGION AND THE CINEMA; RELIGIOUS FILMS; DEVIL IN FILMS; CENSORSHIP; ALLEGORY IN FILMS; ALTMAN, ROBERT; BERGMAN, INGMAR; BRESSON, ROBERT; BUNUEL, LUIS; CHAPLIN, CHARLES; COPPOLA, FRANCIS FORD; Fellini, Federico; HITCHCOCK, ALFRED; JUTRA, CLAUDE; KUBRICK, STANLEY; Peckinpah, Sam; RUSSELL, KEN; TRUFFAUT, FRANCOIS; WERTMULLER, LINA; APOCALYPSE NOW (US, Francis Ford Coppola, 1979); COOL HAND LUKE (US, Stuart Rosenberg, 1967); DOLCE VITA, LA (FR/IT, Federico Fellini, 1960); EXORCIST, THE (US, William Friedkin, 1973); NASHVILLE (US, Robert Altman, 1975); NOTTI DI CABIRIA, LE (IT, Federico Fellini, 1957); QUINTET (US, Robert Altman, 1979); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) Notes: Includes index; Bibliography: p. 242-244 ISBN: 0870493523 LON: 2165498 More info
book		Remapping cinema, remaking history : XIVth Biennial Conference of the Film and History Association of Australia and New Zealand: Refereed Abstracts / edited by Catherine Fowler and Rochelle Simmons Dunedin, NZ: University of Otago - Department of Media, Film & Communication, 2008. Call No: 45:93HIS Author: Film and History Associationof Australia and New Zealand Conference (14th : 2008 : Dunedin, NZ) Source: NZ Place: Dunedin, NZ Publisher: University of Otago - Department of Media, Film & Communication PubDate: 2008 PhysDes: v, 223 p. ; 21 cm Subject: CONFERENCES. AUSTRALIA. FILM AND HISTORY; HOLLYWOOD MEMORY IN FILMS; MOTION PICTURES EUROPEAN; MOTION PICTURES - HISTORY; NEW ZEALAND; ASHBY, HAL; SCHLESINGER, JOHN; HALL, CONRAD; COPPOLA, FRANCIS FORD; NICHOLS, MIKE; CIMINO, MICHAEL; ALTMAN, ROBERT; KUBRICK, STANLEY; HILL, WALTER; SPIELBERG, STEVEN; KAURISMAKI, AKI; MILLER, GEORGE; FRENCH CONNECTION, THE (US, William Friedkin, 1971); ONE FROM THE HEART (US, Francis Ford Coppola, 1982); DAY OF THE LOCUST, THE (US, John Schlesinger, 1975); WITCHES OF EASTWICK, THE (US, George Miller, 1987); GODFATHER [...], THE (US, Francis Ford Coppola, 1972-); GRADUATE, THE (US, Mike Nichols, 1967); STREETS OF FIRE (US, Walter Hill, 1984); LONG GOODBYE, THE (US, Robert Altman, 1973); MCCABE AND MRS MILLER (US, Robert Altman, 1971); SHINING, THE (UK, Stanley Kubrick, 1980); SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974); KENNY (AT, Clayton Jacobson, 2006); SYLVIA (NZ, Michael Firth, 1985); RED ROAD (UK/DK, Andrea Arnold, 2006); THIS IS ENGLAND (UK, Shane Meadows, 2006); STALINGRAD (GG, Joseph Vilsmaier, 1992); BAND OF BROTHERS (US, David Frannel & Tom Hanks & David Leland & Richard Loncraine & David Nutter & Phil Alden Robinson & Mikael Salomon & Tony To, 2001) Summary: The film and history conference is held every two years and is an opportunity for international scholars, archivists and filmmakers to present their thoughts on recent debates and events in the fields of film history, history and film, national and transnational cinemas, film theory, film practice, and the importance of cinema to specific communities Notes: "27-30 November 2008"- cover includes bibliographical reference and index ISBN: 9780473138899; 9780473148867 Contents: v.1 refereed abstracts/ edited by Catherine Fowler and Rochelle Simmons- v. 2 select refereed papers/ edited by Hilary Radner and Pam fosser; Part 1: Re-thinking Film History. 1. What's new about New Cinema History/ Kate Bowles and Richard Maltby--Part 2: Memory and History 2. Fixing visual memories and history: film and the Chinese Cultural Revolution/ Paul Clark-- 3. Folding History back on itself / Dirk de Bruyn -- 4. Testimony and Memory : rewriteable video memoirs / Stephen Goddard -- Part 3: Australia and New Zealand. 5. this land speaks for " Us" : the price of milk and the articulation of New Zealand's "Difficult" history/ Scott Wilson -- the location of referents: double time, atemporality and colonial heritage cinema/ Olivia Macassey -- Part 4: European Narratives. 7. Still in the shadows : reconsidering history through intertextual references in Aki Kaurismaki's European films/ Sanna Peden-- 8. Imaging/imagining a history of violence: Red Road and This is England/ Steven Allen--9. " I am not a Nazi": The past as present in portrayals of wartime German forces in Stalingrad and Band of Brothers/ Stephanie Cousineau--10. Neoliberalism and the fate of the collective in recent German cinema/ Simon Ryan-- Part 5: Music and Historical Representation-- 11. The representation of Rapanui 9 Easter Island) in feature film/ Dan Bendrups-- 12. Beating the East german blues: musical representations of freedom in Leander Haussmann's Sonnenallee and Michael Schorr's Schultze gets the Blues/ Andrew Wright Hurley--Part 6 : Historical Fictions? Documentary, Mockumentary and the Biopic--13. Getting the story crooked: Errol Morris and Narrativist Historiography/ Pam Fossen -- Kenny and Australian cinema in the Howard era/ Lisa Milner -- 15. The life of Lady Lazarus? An analysis of the film Sylvia as historical document/Bronwyn Polaschek-- Part 7: Considering Hollywood -- 16. Battling Hollywood: The 1930 Trade War between the New Zealand government and Hollywood/ David Newman -- 17. Reality and pictoriality : Hollywood style from the 1970s to the 1980s/ Paul Ramaeker More info
book		Robert Duvall : Hollywood maverick / Judith Slawson New York: St. Martin's Press, 1986. Call No: 81DUV SLA Author: Slawson, Judith Source: US Place: New York Publisher: St. Martin's Press PubDate: 1986 PhysDes: 198 p. : ill. ; 19 cm Subject: DUVALL, ROBERT; BRANDO, MARLON; DE NIRO, ROBERT; COPPOLA, FRANCIS FORD; FOOTE, HORTON; CANBY, VINCENT; KAEL, PAULINE; GROSBARD, ULU; ANGELO, MY LOVE (US, Robert Duvall, 1983); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); CHASE, THE (US, Arthur Penn, 1966); GREAT SANTINI, THE (US, Lewis John Carlino, 1979); GODFATHER PART II, THE (US, Francis Ford Coppola, 1974); GODFATHER, THE (US, Francis Ford Coppola, 1972); TO KILL A MOCKINGBIRD (US, Robert Mulligan, 1962); TOMORROW (US, Joseph Anthony, 1972); TENDER MERCIES (US, Bruce Beresford, 1982) ISBN: 0312904231 Donation: donated by the family of Wayne Levy, 2006 More info
book		Scenes from a revolution : the birth of the new Hollywood / Mark Harris Edinburgh: Canongate, 2008. Call No: 71 (73) HAR Author: Harris Mark Place: Edinburgh Publisher: Canongate PubDate: 2008 PhysDes: 490 p., [16] p. of plates : ill. ; 25 cm Subject: COLUMBIA PICTURES; CRITICISM; CRITICS; DIRECTORS. USA; HISTORY AND THE CINEMA. USA; HOLLYWOOD IN FILMS; JAMES BOND IN FILMS; TWENTIETH CENTURY-FOX; WALT DISNEY PRODUCTIONS; ALLEN, WOODY; ANTONIONI, MICHELANGELO; ASHBY, HAL; BANCROFT, ANNE; BEATTY, WARREN; BENTON, ROBERT; BERGMAN, INGRID; BLAKE, ROBERT; BRANDO, MARLON; BURTON, RICHARD; CAINE, MICHAEL; CARON, LESLIE; CUKOR, GEORGE; COLLINS, JOAN; CONNERY, SEAN; COPPOLA, FRANCIS FORD; CORMAN, ROGER; DANIELS, WILLIAM; DAVIS, SAMMY, Jr.; DAY, DORIS; DUNAWAY, FAYE; DUVALL, ROBERT; FELLINI, FEDERICO; FLEISCHER, RICHARD; FONDA, JANE; FRANKOVICH, MIKE; GODARD, JEAN-LUC; HARRISON, REX; HENRY, BUCK; HEPBURN, KATHARINE; HOFFMAN, DUSTIN; NEWMAN, DAVID; BONNIE AND CLYDE (US, Arthur Penn, 1967); CAMELOT (US, Joshua Logan, 1967); CLEOPATRA (US, Joseph L. Mankiewicz, 1963); COOL HAND LUKE (US, Stuart Rosenberg, 1967); DOCTOR DOLITTLE (US, Richard Fleischer, 1967); GRADUATE, THE (US, Mike Nichols, 1967); GUESS WHO'S COMING TO DINNER (US, Stanley Kramer, 1967); KAEL, PAULINE; IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967) Summary: In this book, Mark Harris looks at 1967, and marks it as a pivotal moment in Hollywood's history: the shift from studio -generated epics, westerns and musicals, such as "Doctor Doolitle"to the director-centred European aesthetic seen in "Bonnie & Clyde" and "The Graduate". It was the birth of the New Hollywood. The book look at five films made in this year- "Bonnie & Clyde", "In the heat of the night", "Doctor Doolittle" "The Graduate" and "Guess who's coming to dinner" from the. first draft of the scripts to the impact of their release. The author interviews most of the actors in volved in the making of these films and presents a book about Hollywood and the United States at a critical juncture in their history. [Taken from the cover] Notes: Includes bibliographical references (p. [432]-438) and index. ISBN: 9781847671028 ID2: 277 More info
book		Skywalking : the life and films of George Lucas / Dale Pollock London: Elm Tree, 1983. Call No: 81LUC POL Author: Pollock, Dale Source: UK Place: London Publisher: Elm Tree PubDate: 1983 PhysDes: xvi, 304 p., [16] p. of plates : ill., ports. ; 24 cm Subject: AUTOMOBILES IN FILMS; DIRECTORS; LUCASFILM; PRODUCTION. USA; COPPOLA, FRANCIS FORD; LADD, ALAN, Jr.; TANEN, NED; LUCAS, GEORGE; AMERICAN GRAFFITI (US, George Lucas, 1973); EMPIRE STRIKES BACK, THE (US, Irvin Kershner, 1980); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); STAR WARS [...] (US, 1977-99); STAR WARS (US, George Lucas, 1977); THX 1138 4EB (US, George Lucas, 1967) Summary: "SKYWALKING is the story of one of the most creative visionaries in all film history. George Lucas was a typical Californian child of no great promise - he read comic books and watched TV; no one guessed that his imagination would inspire millions of people. Dale Pollock brilliantly tells the story of Lucas's legendary days at USCinema and his tangles with Francis Coppola and Universal Pictures. Pollock was one of the few reporters allowed on the set of RETURN OF THE JEDI, and he takes us behind the scenes of Lucas's movies. We find out how Artoo-Detoo got his name, how the Force came to be, and many other surprising revelations. Complete with photographs from Lucas's private collection, SKYWALKING is a powerful biography about a man who is setting the future course of film for years to come." [Taken from book jacket] Notes: Also published: New York, N.Y. : Harmony, 1983; Includes bibliographical references and index; Filmography: p. 279-289 ISBN: 0241110343 : ª9.95 LON: abn84206746; 3369213 More info
festival catalogue		The spirit of Zoetrope : The 1983 Santa Fe film festival / Santa Fe film festival US: [s.n.], 1983. Call No: FESTIVAL CATALOGUE SHELVES Place: US Publisher: [s.n.] PubDate: 1983 PhysDes: 36 p. : ill. ; 28 cm Subject: FESTIVALS. USA [VARIOUS]; ZOETROPE STUDIOS; COPPOLA, FRANCIS FORD Notes: The 1983 Santa Fe Film Festival is solely dedicated to showing the feature length films produced by Zoetrope Studios. The festival catalogue contains a summary of each film as well as black and white stills taken from the films. More info
book		The story of the lost reflection : the alienation of the image in Western and Polish cinema / Paul Coates London: Verso, 1985. Call No: 62 COA Author: Coates, Paul, 1953 Place: London Publisher: Verso PubDate: 1985 PhysDes: 167 p. ; 21 cm Subject: SOCIETY AND THE CINEMA. POLAND; REALISM IN FILMS; ALTMAN, ROBERT; ANTONIONI, MICHELANGELO; BERTOLUCCI, BERNARDO; BUNUEL, LUIS; COPPOLA, FRANCIS FORD; GODARD, JEAN-LUC; HERZOG, WERNER; ROSI, FRANCESCO; TARKOVSKY, ANDREI; TRUFFAUT, FRANCOIS; WAJDA, ANDRZEJ; SKOLIMOWSKI, JERZY; ZANUSSI, KRZYSZTOF Notes: Includes indexes; Bibliography: p. [159]-161 ISBN: 0860911004 : ª20.00 ($25.00 U.S.) LON: bnb86091100; 3801747 More info
still		[ Tucker : George Lucas and Francis Coppola in a behind the scenes image from the production of 'Tucker the man and his dream'] Lucasfilm Ltd., c. 1988. Call No: TITLE STILL INTERNATIONAL Source: AT Publisher: Lucasfilm Ltd. PubDate: c. 1988 PhysDes: 1 photograph : b&w ; 21 x 26 cm. Subject: TUCKER (US, Francis Ford Coppola, 1988); COPPOLA, FRANCIS FORD; LUCAS, GEORGE Summary: Image of Francis Ford Copola and George Lucas sitting at a editing suite. Notes: Copyright details and production labels on the bottom of the image; Slight fingerprints on reverse of image More info
book		What happens next : a history of American screenwriting / Marc Norman London: Aurum, 2007. Call No: 802.24 NOR Author: Marc Norman Edition: 2008 Place: London Publisher: Aurum PubDate: 2007 PhysDes: 554 pages : illustrations ; 25 cm Subject: ACADEMY AWARDS; BLACKLISTING. USA; BEATTY, WARREN; BOGART, HUMPHREY; BRANDO, MARLON; CHAYEFSKY, PADDY; COLUMBIA PICTURES; COPPOLA, FRANCIS FORD; DEMILLE, CECIL B.; EDISON, THOMAS ALVA; FITZGERALD, F. SCOTT; GOLDWYN, SAMUEL; GRIFFITH, DAVID WARK; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; HITCHCOCK, ALFRED; HUSTON, JOHN; JONZE, SPIKE; KEITEL, HARVEY; KOCH, HOWARD; KUBRICK, STANLEY; LARDNER, RING, Jr.; LOOS, ANITA; MANKIEWICZ, HERMAN J.; MANKIEWICZ, JOSEPH L.; MILIUS, JOHN; NICHOLSON, JACK; PENN, ARTHUR; PORTER, EDWIN S.; SCHRADER, PAUL; SOUTHERN, TERRY; SPIELBERG, STEVEN; STEWART, DONALD OGDEN; TARANTINO, QUENTIN; WEINSTEIN, HARVEY; ZANUCK, DARRYL F.; ZUKOR, ADOLPH; AMERICAN GRAFFITI (US, George Lucas, 1973); ALTERED STATES (US, Ken Russell, 1980); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); BONNIE AND CLYDE (US, Arthur Penn, 1967); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); EASY RIDER (US, Dennis Hopper, 1969); INFORMER, THE (US, John Ford, 1935); RAIN PEOPLE, THE (US, Francis Ford Coppola, 1969); STAR WARS (US, George Lucas, 1977) ISBN: 9781845133245 More info
book		Who killed Hollywood? : - and put the tarnish on tinseltown / Peter Bart Los Angeles, CA: Renaissance Books, c1999. Call No: 210.31(73) BAR Author: Bart, Peter Edition: 1st ed Source: US Place: Los Angeles, CA Publisher: Renaissance Books PubDate: c1999 PhysDes: 399 p. ; 24 cm Subject: HOLLYWOOD; INDUSTRY, FILM. USA; DIRECTORS. USA; PRODUCERS. USA; SCRIPTWRITERS. USA; ACTORS; BASS, RON; BEATTY, WARREN; COPPOLA, FRANCIS FORD; COSTNER, KEVIN; EISNER, MICHAEL; Gibson, Mel; GODFATHER [...], THE (US, Francis Ford Coppola, 1972-); KATZENBERG, JEFFREY; NICHOLS, MIKE; NICHOLSON, JACK; OVITZ, MIKE; POLANSKI, ROMAN; REDFORD, ROBERT; RIFKIN, ARNOLD; SCHWARZENEGGER, ARNOLD; SPIELBERG, STEVEN; STALLONE, SYLVESTER; WILDER, BILLY Summary: "Who killed hollywood? is a passionate love/hate letter to the film industry. In it, Peter Bart pulls together his best columns from Variety and GQ. He groups them, juxtaposes them, and interprets them, outlining in detail the history and inner workings of Hollywood. This could only be done by someone powerful enough to phone any star or head of studio and have his calls taken on the first ring. In story after story, Bart shows how the major studios haver diverted thie energies away from production of the shrewdly crafted pictures that once made the industry powerful. There isn't, for example, much range or innovation in the movies of salable objects- natural disasters, aliens, dinosaurs, ghosts, monsters, or any combination thereof. All are subjects easily parlayed into theme-park environments, action figures, video games, and clothing lines. Similarly, since Jaws twenty years ago, there's been a very short list of acceptable settings. The 1998 Academy Award nominations for best picture all went to films set in Elizabethian times or during World War II. A few years ago it looked as though Pulp Fiction and other independent films were going to save showbiz. Now independent producers like Miramax and New Line have been acquired by the conglomerates. Who and what will resurrect Hollywood? Peter Bart has the answers." - BOOK JACKET Notes: Includes index ISBN: 1580631169 LON: 21362029 More info
book		Whom God wishes to destroy-- : Francis Coppola and the new Hollywood / Jon Lewis Durham: Duke University Press, 1995. Call No: 81COP LEW Author: Lewis, Jon, 1955 Place: Durham Publisher: Duke University Press PubDate: 1995 PhysDes: 194 p. : ill. ; 25 cm Subject: COPPOLA, FRANCIS FORD; HOLLYWOOD; OUTSIDERS, THE (US, Francis Ford Coppola, 1983); RUMBLE FISH (US, Francis Ford Coppola, 1983); COTTON CLUB, THE (US, Francis Ford Coppola, 1984); ZOETROPE STUDIOS Notes: Includes bibliographical references (p. [165]-184) and index ISBN: 0822316021 (acid-free paper) LON: 94044270; 11328487 More info

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