newspaper article
2 create in Sydney Morning Herald (22/02/2013) p.24
More info
book
Adaptations : from text to screen, screen to text / edited by Deborah Cartmell and Imelda Whelehan London New York: Routledge, 1999.
Call No: 753 ADAAuthor: Cartmell, Deborah ; Whelehan, Imelda Source: US/UKPlace: London New YorkPublisher: RoutledgePubDate: 1999PhysDes: xvii, 247 p. : ill. ; 24 cmSubject: ADAPTATIONS ; ADAPTATIONS. AUSTEN, JANE ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; ANIMATION ; BATMAN IN FILMS ; TELEVISION AND THE CINEMA ; TELEVISION IN FILMS ; CAMPION, JANE ; BATMAN [TV] (US, 1965-67) ; SCARLET LETTER, THE (US, Roland Joffe, 1995) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; EMMA (UK, Douglas McGrath, 1996) ; CLUELESS (US, Amy Heckerling, 1995) ; LITTLE WOMEN (US, George Cukor, 1933) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; LITTLE WOMEN (US, Mervyn LeRoy, 1948) ; NAKED LUNCH (CN/UK, David Cronenberg, 1991) ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; PIANO, THE (AT, Jane Campion, 1993) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; BATMAN (US, Tim Burton, 1989) ; [ONE HUNDRED AND ONE] 101 DALMATIANS (US, Stephen Herek, 1996) Summary: "Adaptations surveys the key approaches and debates surrounding adaptation, and explores why adaptations of both 'high' and 'low' cultural texts have become increasingly popular. Beginning with the history of Shakespeare on film, from Olivier's and Branagh's Hamlet, contributors examine screen versions of literary classics, from Nathaniel Hawthorne's The Scarlet Letter and Louisa May Alcott's Little Women to Thomas Keneally's Schindler's Ark and Irvine Welsh's Trainspotting. Adaptations goes on to consider adaptation in reverse: How writers like Virginia Woolf incorporated cinematic elements into their work, and explains why there had to be a novel of Jane Campion's The Piano. Contributors examine adaptations from comics to film, such as the Batman movies, Star Trek's incarnations as a long-running tv series, and then as a sequence of movies, and 101 Dalmations' [sic] move from children's novel to cartoon to live-action film." - BOOK BLURBNotes: Includes bibliographical references (p. 226-238) and indexISBN: 041516737X (hbk); 0415167388 (pbk); 041516737X (hardcover : alk. paper); 0415167388 (pbk : alk. paper)LON: 14255526Contents: Part 1: an overview -- Adaptations: the contemporary dilemmas / Imelda Whelehan; Part 2: from text to screen -- Introduction / Deborah Cartmell -- The Shakespeare on screen industry / Deborah Cartmell -- Conservative Austen, radical Austen: Sense and Sensibility from text to screen / Julian North -- From Emma to Clueless: taste, pleasure and the scene of history / Esther Sonnet -- Imagining the puritan body: the 1995 cinematic version of Nathaniel Hawthorne's The Scarlet Letter / Roger Bromley -- Four Little Women: three films and a novel / Pat Kirkham and Sarah Warren -- Will Hollywood never learn? David Cronenberg's Naked Lunch / Nicholas Zurbrugg -- Adapting the Holocaust: Schindler's List, intellectuals and public knowledge / Mark Rawlinson -- Speaking out: the transformations of trainspotting / Derek Paget; Part 3: from screen to text and multiple adaptations -- Introduction / Deborah Cartmell -- Orlando: coming across the divide / Sharon Ouditt -- Jane Campion and the limits of literary cinema / Ken Gelder -- The wrath of the original cast: translating embodied television character to other media / Ina Rae Hark -- Batman: one life, many faces / Will Brooker -- 'Thou art translated': analysing animated adaptation / Paul Wells -- 'A doggy fairy tale': the film metamorphoses of The Hundred and One Dalmatians / Imelda Whelehan
More info
Advertisement for Jane Campion
More info
book
The best American movie writing 1998 / George Plimpton, editor New York: St. Martin's Griffin, 1998.
Call No: 67(04) BESAuthor: Plimpton, George Place: New YorkPublisher: St. Martin's GriffinPubDate: 1998PhysDes: xvi, 265 p. ; 21 cmSubject: PRODUCERS ; CAMP ; CENTENARY OF CINEMA ; HOMOSEXUALITY AND THE CINEMA ; SCORSESE, MARTIN ; Fry, Stephen ; CAMPION, JANE ; BEATTY, WARREN ; STABILE, SALVATORE ; POLANSKI, ROMAN ; DANDRIDGE, DOROTHY ; HITCHCOCK, ALFRED ; STREISAND, BARBRA ; WATERS, JOHN (US) ; WILDE (UK/US/JA/GG, Brian Gilbert, 1997) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) ; GODFATHER [...], THE (US, Francis Ford Coppola, 1972-) ; MIRROR HAS TWO FACES, THE (US, Barbra Streisand, 1996) LON: abn98329398; 14168026
More info
journal article
Beyond bonnets : period drama, sex and transcendence in Lumina (Summer 2010) iss.2 p.129-139
Author: Pearlman, Karen PhysDes: ArticleSubject: HISTORICAL FILMS ; CAMPION, JANE ; PIANO, THE (AT, Jane Campion, 1993) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; BRIGHT STAR (UK/AT/FR, Jane Campion, 2009) Summary: Recontextualising the perceived notion of 'auteur' within genre cinema using the example of Jane Campion and her period films; The piano; Portrait of a lady and, most recently, Bright star
More info
personality microfilm collection
CAMPION, JANE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Clippings; StillsSubject: CAMPION, JANE
More info
book
Centring the female : the articulation of female experience in the films of Jane Campion / Lisa French [Melbourne]: School of Applied Communication, Design and Social Context, RMIT, June 2007.
Call No: 81 CAM FREAuthor: Frenh, Lisa Place: [Melbourne]Publisher: School of Applied Communication, Design and Social Context, RMITPubDate: June 2007PhysDes: 271 p. ; 30 cmSubject: CAMPION, JANE
More info
Online resource
book
A companion to Australian cinema / Edited by Felicity Collins, Jane Landman, and Susan Bye Hoboken, New Jersey: Wiley-Blackwell, 2019. Available at ProQuest (RMIT login required)
Call No: 71(94) COMAuthor: Collins, Felicity ; Columpar, Corinn ; Rutherford, Anne ; Ford, Felicity ; Kelada, Odette ; Clark, Maddee ; Verevis, Constantine ; Goldsmith, Ben ; French, Lisa ; David Marshall, P. ; Bennett, James ; Grace, Helen ; Khoo, Olivia ; Yue, Audrey ; Bye, Susan ; Sandars, Diana ; Stadler, Jane ; Gaunson, Stephen ; Trevisanut, Amanda Malel ; Turnbull, Sue ; McCutcheon, Marion ; Goritsas, Helen ; Tiwary, Ana ; Lambert, Anthony ; Gibson, Ross ; Cunningham, Stuart ; Swift, Adam ; Williams, Deane ; Smaill, Belinda ; Neumark, Norie Source: US/UKPlace: Hoboken, New JerseyPublisher: Wiley-BlackwellPubDate: 2019PhysDes: xxii, 581 pages ; 26 cmSeries: Wiley Blackwell companions to national cinemaSubject: AUSTRALIA ; FILM ; INDUSTRY, FILM ; INDUSTRY, FILM. AUSTRALIA ; INDIGENOUS ; AUSTRALIAN ABORIGINAL CINEMA ; TRANSNATIONAL CINEMA ; HISTORY OF CINEMA ; HISTORY OF CINEMA. AUSTRALIA ; TELEVISION AND THE CINEMA ; TELEVISION AND THE CINEMA. AUSTRALIA ; AUTEUR THEORY ; GENRES ; THEORY ; CAMPION, JANE ; CHARLIE'S COUNTRY (AT, Rolf de Heer, 2013) ; SPEAR (AT, Stephen Page, 2015) ; MAD MAX (AT, George Miller, 1979) ; MAD MAX : FURY ROAD (AT/US, George Miller, 2015) ; MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985) ; MAD MAX II (AT, George Miller, 1981) ; LEGO MOVIE, THE (AT/US/DK, Phil Lord & Christopher Miller, 2014) ; ROCKET, THE (AT/TH/LS, Kim Mordaunt, 2013) ; SERANGOON ROAD [TV] (AT/SI, 2013 -) ; KETTERING INCIDENT, THE [TV](AT, 2015-) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) Summary: The essays assembled here address six thematically organized propositions - that Australian cinema an Indigenous screen culture, an international cinema, a minor transnational imaginary, an auteur-genre-landscape cinema, a televisual industry and a multiplatform ecology. Offering fresh critical perspectives and extending previous scholarship, case studies range from The Lego Movie, Mad Max and Australian stars in Hollywood, to transnational co-productions, YouTube channels, transmedia and naturecam documentaries. New research on trends such as the Blak Wave, the convergence of television and film, digital transformations of screen production and the shifting roles of women, on and off-screen, highlight how established precedents have been transformed by new realities beyond both cinema and national borders. --
Written in an accessible style that does not require knowledge of cinema studies or Australian studies. --
Presents original research on Australian actors such as Cate Blanchett and Chris Hemsworth, evaluating their training, branding and path from Australia to Hollywood. --
Explores the films and filmmakers of the Blak Wave and their challenge to Australian settler-colonial history and white identity. --
Introduces readers to founding texts in Australian screen studies. --
Felicity Collins is Reader/ Associate Professor in Screen Studies, La Trobe University, Melbourne, Australia --
Jane Landman was Senior Lecturer, Victoria University, Melbourne, Australia --
Susan Bye is Education Programmer, Australian Centre for the Moving Image, Melbourne, Australia. --Book JacketNotes: Includes bibliographical references and index -- signed by Felicity CollinsISBN: 9781118942529Contents: You Are Here: Living Maps of Deep Time, Clock Time / Felicity Collins -- Charlie's Country, Gulpilil's Body / Corinn Columpar -- Ivan Sen's Cinematic Imaginary: Restraint, Complexity, and a Politics of Place / Anne Rutherford
-- Shadowing and Disruptive Temporality in Bangarra Dance Theatre's Spear / Felicity Ford -- Beyond the Wonderland of Whiteness: The Blak Wave of Indigenous Women Shaping Race on Screen / Maddee Clark / Odette Kelada -- Another Green World: The Mad Max Series / Constantine Verevis -- Is Everything Awesome?: The LEGO Movie and the Australian Film Industry / Ben Goldsmith -- Jane Campion: Girlshine and the International Auteur / Lisa French -- Constructing Persona: Mediatisation, Performativity, Quality, and Branding in Australian Film Actors's; Migration to Hollywood / P. David Marshall -- Interpreting Anzac and Gallipoli through a Century of Anglophone Screen Representations / James Bennett -- Unsettling the Suburban: Space, Sentiment, and Migration in National Cinematic Imaginaries / Helen Grace -- The Rocket: Small, Foreign-Language Cinema / Olivia Khoo -- Serangoon Road: The Convergent Culture of Minor Transnationalism / Audrey Yue -- An Independent Spirit: Robert Connolly as Auteur-Producer / Susan Bye -- Disruptive Daughters: The Heroine's Journey in Four Films / Diana Sandars -- Atopian Landscapes: Gothic Tropes in Australian Cinema / Jane Stadler -- Spirits Do Come Back: Bunyips and the European Gothic in The Babadook / Stephen Gaunson -- Between Public and Private: How Screen Australia, the ABC and SBS have shaped Film and Television Convergence / Amanda Malel Trevisanut -- Quality vs Value: The Case of The Kettering Incident / Marion McCutcheon / & Sue Turnbull -- The Evolution of Matchbox Pictures: A New Business Model / Helen Goritsas & Ana Tiwary -- Schapellevision: Screen Aesthetics and Asian Drug Stories / Anthony Lambert -- CHURN: Cinema Made Sometime Last Night / Ross Gibson -- Over the Horizon: YouTube Culture Meets Australian Screen Culture / Adam Swift & Stuart Cunningham -- Digital Transmedia Forms and Transnational Documentary Networks / Deane Williams -- Ecological Relations: FalconCam in Conversation with The Back of Beyond / Belinda Smaill -- Where Am I?: The Terror of Terra Nullius / Norie Neumark
More info
book
Contemporary cinema / John Orr Edinburgh: Edinburgh University Press, c1998.
Call No: 62 ORRAuthor: Orr, John, 1943 Place: EdinburghPublisher: Edinburgh University PressPubDate: c1998PhysDes: xi,243 p. : ill. ; 24 cmSubject: CANADA ; CHINA ; MASCULINITY IN FILMS ; RELIGION AND THE CINEMA ; COMMUNISM AND THE CINEMA ; DOUBLES IN FILMS ; EXPRESSIONISM ; FILM NOIR ; HONG KONG ; POLAND ; PSYCHOLOGY AND THE CINEMA ; SEX IN FILMS ; SURREALISM AND THE CINEMA ; ALLEN, WOODY ; ALTMAN, ROBERT ; ANTONIONI, MICHELANGELO ; BEATTY, WARREN ; BELMONDO, JEAN-PAUL ; BERGMAN, INGMAR ; BINOCHE, JULIETTE ; BONNAIRE, SANDRINE ; BURTON, TIM ; CAGE, NICOLAS ; CAMPION, JANE ; CHABROL, CLAUDE ; CHEUNG, LESLIE ; COPPOLA, FRANCIS FORD ; COSTNER, KEVIN ; CRONENBERG, DAVID ; DAHL, JOHN ; DE NIRO, ROBERT ; DE PALMA, BRIAN ; DERN, LAURA ; EGOYAN, ATOM ; FIGGIS, MIKE ; GERE, RICHARD ; GONG, LI ; GREENAWAY, PETER ; HAUER, RUTGER ; JAMESON, FREDRIC ; KIESLOWSKI, KRZYSZTOF ; LYNCH, DAVID ; MALICK, TERRENCE ; Pasolini, Pier Paolo ; ROSSELLINI, ISABELLA ; SCORSESE, MARTIN ; SCOTT, RIDLEY ; STONE, OLIVER ; TRAN, ANH HUNG ; WEIR, PETER ; Wenders, Wim ; WONG KAR-WAI ; YOUNG, SEAN ; ZHANG, YIMOU ; ANDERSSON, BIBI ; AUDRAN, STEPHANE ; DUVALL, SHELLY ; GIDLEY, PAMELA ; JANDA, KRYSTYNA ; KANESHIRO, TANESHI ; LEUNG, TONY ; LIN, BRIGITTE ; KROTKI FILM O MILOSCI (PL, Krzysztof Kieslowski, 1988) ; KILL ME AGAIN (US, John Dahl, 1989) ; AH FEI ZHENG ZHUANG (HK, Wong Kar-Wei, 1991) ; HIMMEL UBER BERLIN, DER (GW/FR, Wim Wenders, 1987) ; ADJUSTER, THE (CN, Atom Egoyan, 1991) ; BELLE NOISEUSE, LA (FR, Jacques Rivette, 1991) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; CHINATOWN (US, Roman Polanski, 1974) ; COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989) ; DAYS OF HEAVEN (US, Terrence Malick, 1978) ; JFK (US, Oliver Stone, 1991) ; LAST SEDUCTION, THE (US, John Dahl, 1994) ; LIEBESTRAUM (US, Mike Figgis, 1991) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; CZLOWIEK Z MARMURA (PL, Andrzej Wajda, 1977) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; PERSONA (SW, Ingmar Bergman, 1966) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; RAGING BULL (US, Martin Scorsese, 1980) ; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991) ; DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; STALKER (UR, Andrei Tarkovsky, 1979) ; TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993) ; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992) ; WILD AT HEART (US, David Lynch, 1990) ; XICH LO (FR/V, Tran Anh Hung, 1995) Summary: "'Contemporary cinema' is a major study of key developments in the cinema over the last thirty years. It reworks Pasolini's landmark concept of 'the cinema of poetry' to look at the transformation of film form in its encounter with society, the sacred, the subjective and the presence of the camera. In the 1970s, the influential forms of a cinema of poetry are analysed in key features by Altman, Herzog, Malick, Scorsese, Weir, Von Trotta and Tarkovsky while in the 1980s and 1990s the emergence of new filmmakers has meant a diffusion of different cinemas of poetry using new techniques and new poetries. Of key importance here is the work of Kieslowski, Lynch, Egoyan, Campion, Greenaway, Zhang Yimou, Tran Anh Hung and Wong Kar-Wai, as well as the reinvention of science fiction and film noir in American genre."
Taken from back cover.Notes: Includes bibliographical references and indexISBN: 0748608362(pbk.) : No priceLON: 13772409ID2: 291
More info
book
Contemporary New Zealand cinema : : from new wave to blockbuster / edited by Ian Conrich and Stuart Murray London: I.B. Tauris, 2008.
Call No: 71 (931) NEWAuthor: Conrich, Ian (ed) ; Murray, Stuart(ed) Place: LondonPublisher: I.B. TaurisPubDate: 2008PhysDes: xiv, 273 p. : ill. ; 24 cmSeries: I.B Taruris world cinema seriesSubject: FEMINISM AND THE CINEMA ; FESTIVALS. NEW ZEALAND ; MAORI CINEMA ; MASCULINITY IN FILMS ; NEW ZEALAND FILM COMMISSION ; NEW ZEALAND IN FILMS ; REALISM IN FILMS ; RELIGION IN FILMS ; BARCLAY, BARRY ; CAMPION, JANE ; CURTIS, CLIFF ; DUFF, ALAN ; DONALDSON, ROGER ; DENNIS, JONATHAN ; Grierson, John ; JACKSON, PETER (NZ) ; LAWRENCE, BRUNO ; MUNE, IAN ; MURPHY, GEOFFREY ; LANGE, DAVID ; MACLEAN, ALISON ; MITA, MERATA ; MORRIESON, RONALD HUGH ; MORRISON, TEMUERA ; MULDOON, ROBERT ; NEILL, SAM ; PRESTON, GAYLENE ; SARGESTON, FRANK ; SARKIES, ROBERT ; TAMAHORI, LEE ; WARD, VINCENT ; BAISE-MOI (FR, Virginie Despentes, 2000) ; BRAINDEAD (NZ, Peter Jackson, 1992) ; CAME A HOT FRIDAY (NZ, Ian Mune, 1985) ; CHANNELLING BABY (NZ, Christine Parker, 1999) ; CINEMA OF UNEASE: A PERSONAL JOURNEY BY SAM NEILL (NZ, Sam Neill & Judy Reimer, 1995) ; CRUSH (NZ, Alison MacLean, 1992) ; DESPERATE REMEDIES (NZ, Stewart Main & Peter Wells, 1993) ; END OF THE GOLDEN WEATHER, THE (NZ, Ian Mune, 1991) ; GOODBYE PORK PIE (NZ, Geoffrey Murphy, 1980) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; IRREFUTABLE TRUTH ABOUT DEMONS ((NZ, Glenn Standring, 2000) ; JUBILEE (NZ, Michael Hurst, 2000) ; LORD OF THE RINGS, THE (US, PETER JACKSON, 2001) ; MAGIK AND ROSE (NZ, Vanessa Alexander, 1999) ; NGATI (NZ, Barry Barclay, 1987) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; PIANO, THE (AT, Jane Campion, 1993) ; PRICE OF MILK, THE (NZ, Harry Sinclair, 2000) ; QUIET EARTH, THE (NZ, Geoffrey Murphy, 1985) ; RAIN (NZ, Christine Jeffs, 2001) ; SAVING GRACE (NZ, Costa Botes, 1997) ; SCARECROW, THE (NZ, Sam Pillsbury, 1982) ; SCARFIES (NZ, Robert Sarkies, 1999) ; SKIN DEEP (NZ, Geoff Steven, 1978) ; SNAKESKIN (NZ, Gillian Ashurst, 2001) ; SLEEPING DOGS (NZ, Roger Donaldson, 1977) ; SMASH PALACE (NZ, Roger Donaldson, 1981) ; TOPLESS WOMEN TALK ABOUT THEIR LIVES (NZ, Harry Sinclair, 1997) ; UTU (NZ, Geoffrey Murphy, 1983) ; VIGIL (NZ, Vincent Ward, 1984) ; WHALE RIDER (NZ/GG, Niki Caro, 2002) Summary: "Focusing on industrial and commercial concerns, questions of aesthetics and form, and the cultural debates surrounding nation and identity, the book surveys the full range of filmmaking in New Zealand. It displays the rich diversity of film production in the country, and in doing so highlights a number of specific contexts - Maori, documentary and short filmmaking, literary adaptations, the development of the national Film Commission and Archive, marketing and censorship, in addition to explorations into the place of bicultural relations, spirituality, masculinity and disability - that have created a cinema of global significance. Featuring critical accounts of internationally-acclaimed features like The Piano and Once Were Warriors, as well as the growth of the national infrastructure that made such films possible, Contemporary New Zealand Cinema is the most thorough study available of a vibrant filmmaking culture. The book also includes a fully comprehensive filmography detailing all New Zealand feature and television films."--BOOK JACKETNotes: Filmography: p.[239]-253
Bibliography: p. 255- 258; Includes indexISBN: 9781845118372
More info
book
Don't shoot darling! : women's independent filmmaking in Australia / edited by Annette Blonski, Barbara Creed, Freda Freiberg Richmond, Vic.: Greenhouse, 1987.
Call No: 462-02(94) DONCopy Management: Copy 1; Copy 2Author: Blonski, Annette ; Creed, Barbara ; Freiberg, Freda Place: Richmond, Vic.Publisher: GreenhousePubDate: 1987PhysDes: 400 p. : ill., facsims., ports. ; 28 cmSubject: WOMEN AND THE CINEMA. AUSTRALIA ; WOMEN FILM WORKERS. AUSTRALIA ; INDEPENDENT FILMMAKERS. AUSTRALIA ; INDEPENDENT FILMS. AUSTRALIA ; EXPERIMENTAL FILMS. AUSTRALIA ; FEMINISM AND THE CINEMA. AUSTRALIA ; ADDIS, ERIKA ; ANSARA, MARTHA ; ASH, EVE ; CANTRILL, ARTHUR & CORINNE ; FISKE, PAT ; GIBSON, SARAH ; GRACE, HELEN ; LAMBERT, SUSAN ; HARTMAN, RIVKA ; HOASS, SOLRUN ; KEARNEY, BRIANN ; KELLY, GABRIELLE ; ROLLE, DI ; SCHWARZ, MONIQUE ; THORNLEY, JENI ; TILSON, ALISON ; ARMSTRONG, GILLIAN ; CAMPION, JANE ; BEHIND CLOSED DOORS (AT, Sarah Gilbert & Susan Lambert, 1980) ; IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1987) ; FOR LOVE OR MONEY (AT, Megan McMurchy & Jeni Thornley, 1983) ; MY LIFE WITHOUT STEVE (AT, Gillian Leahy, 1986) ; WE AIM TO PLEASE (AT, Robin Laurie & Margot Nash, 1977) ; SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983) ; SONG OF CEYLON, A (AT, Laleen S.B. Jayamanne, 1984) Summary: Don't shoot darling! affirms the significant role played by women filmmakers. Various contributors examine the institutions and organisation which provide support for women's films; the achievements and limitations of affirmative action training schemes for women; and the reception and coverage of women's independent films by the press. A number of particular films - among them, For love or mone, My life without Steve, Serious Undertakings and Behind closed doors - are analused from feminist critical perspectives, and the book includes a collection of statements by individual women filmmakers about their own experiences and attitudes. -- Back coverNotes: Includes bibliographical references and indexesISBN: 0864360584 : price unknownLON: anb86436058; 5042996Contents: Preface -- Beginnings -- Big brother - women and the state -- Feminist initiatives -- Training and affirmative action -- Personal statements -- The press -- Textual analysis
More info
book
Film fatales : independent women directors / Judith M. Redding and Victoria A. Brownworth Seattle: Seal Press, 1997.
Call No: 802.253 REDAuthor: Redding, Judith M ; Brownworth, Victoria A Place: SeattlePublisher: Seal PressPubDate: 1997PhysDes: 293 p. : ill. ; 24 cmSubject: DIRECTORS ; CAMPION, JANE ; LIGHT, ALLIE ; PARMAR, PRATIBHA ; Lupino, Ida ; PARKERSON, MICHELLE ; SAALFIELD, CATHERINE ; HAMMER, BARBARA ; FRIEDRICH, SU ; TRINH, T. MINH-HA ; NEGRON-MUNTANER, FRANCES ; MOHABEER, MICHELLE ; TAIT, MARGARET ; WELBON, YVONNE ; AYOKA, CHENZIRA ; BENNING, SADIE ; BORDEN, LIZZIE ; SEIDELMAN, SUSAN ; NAIR, MIRA ; GORRIS, MARLEEN ; ANDERS, ALLISON ; DASH, JULIE ; ROZEMA, PATRICIA ; PORTILLO, LOURDES ; DAVIS, ZEINABU IRENE ; DEITCH, DONNA ; BHARADWAJ, RADHA ; OXENBERG, JAN ; MEHTA, VIJAYA ; BALLETBO-COLL, MARTA ; ZIMMERMAN, DEBRA ; VACHON, CHRISTINE ; GRIFFIN, ADA GAY ; GRIER, BARBARA Notes: Filmography: p; Includes bibliographical referencesISBN: 1878067974LON: 97029205; 13395017
More info
book
Film world : interviews with cinema's leading directors / Michel Ciment; translated by Julie Rose New York: Berg, 2009.
Call No: 802.25 CIMAuthor: Ciment, Michel Source: USPlace: New YorkPublisher: BergPubDate: 2009PhysDes: viii, 372 p. ; 25 cmSeries: Talking images seriesSubject: BERTOLUCCI, BERNARDO ; BOORMAN, JOHN ; BRESSON, ROBERT ; CAMPION, JANE ; CASSAVETES, JOHN ; CRONENBERG, DAVID ; EGOYAN, ATOM ; FELLINI, FEDERICO ; GODARD, JEAN-LUC ; GREENAWAY, PETER ; HERZOG, WERNER ; HOU HSIAO-HSIEN ; WONG KAR WAI ; KAURISMAKI, AKI ; KIAROSTAMI, ABBAS ; KIESLOWSKI, KRZYSZTOF ; KITANO TAKESHI ; IM KWON-TAEK ; LEIGH, MIKE ; DE OLIVEIRA, MANOEL ; RAY, SATYAJIT ; SCORSESE, MARTIN ; TARKOVSKY, ANDREI ; VON TRIER, LARS ; ZHANG YIMOU Summary: "Film world brings together key interviews with cinema's learing directors. The directors chosen represent many of the most influential film-makers of the last 50 years..." -- Back coverNotes: First published in France, 2003, by Editions Stock as Petite planete cinematographique; Includes indexISBN: 9781845204577Language: English, translated from the FrenchContents: 1. Bernardo Berrolucci -- 2. John Boorman -- 3. Robert Bresson -- 4. Jane Campion -- 5. John Cassavetes -- 6. David Cronenberg -- 7. Atom Egoyan -- 8. Federico Fellini -- 9. Jean-Luc Godard -- 10. Peter Greenaway -- 11. Werner Herzog -- 12. Hou Hsiao-hsien -- 13. Wong Kar-wai -- 14. Aki Kaurismaki -- 15. Abbas Kiarosrami -- 16. Krzyszrof Kieslowski -- 17. Takeshi Kirano -- 18. Im Kwon-taek -- 19. Mike Leigh -- 20. Manoel de Oliveira -- 21. Satyajit Ray -- 22. Marrin Scorsese -- 23. Andrei Tarkovsky -- 24. Lars von Trier -- 25. Zhang Yimou.ID2: 291
More info
Interim
book
The films of Jane Campion : views from beyond the mirror / Sue Gillett St Kilda: ATOM, 2004.
Call No: 81CAM GILAuthor: Gillett, S. Place: St KildaPublisher: ATOMPubDate: 2004PhysDes: 120 p. ; ill. ; 22 cmSeries: The Moving ImageSubject: CAMPION, JANE Summary: ‘Account of Jane Campion’s films. Moves between film theory, close textual readings and autobiographical reflection’. (Back cover)
More info
book
A fine romance : five ages of film feminism / Patricia Mellencamp Philadelphia: Temple University Press, 1995.
Call No: 626:396 MELAuthor: Mellencamp, Patricia Place: PhiladelphiaPublisher: Temple University PressPubDate: 1995PhysDes: xiii, 330 p. : ill. ; 24 cmSeries: Culture and the moving imageSubject: FEMINISM AND THE CINEMA ; FEMINISM AND THE CINEMA. AUSTRALIA ; BODY IN FILMS ; EXPRESSIONISM ; DASH, JULIE ; DELEUZE, GILLES ; CAMPION, JANE ; ARMSTRONG, GILLIAN ; POTTER, SALLY ; Tarantino, Quentin ; CHRISTIE, JULIE ; DAVIS, GEENA ; DAVIS, JUDY ; EPHRON, NORA ; GLYN, ELINOR ; GOGOBERIDZE, LANA ; HANKS, TOM ; JAYAMANNE, LALEEN ; LAFFONT, COLLETTE ; LANGTON, MARCIA ; RYAN, MEG ; MOFFATT, TRACEY ; HOOKS, BELL ; PREER, EVELYN ; STONE, SHARON ; SWINTON, TILDA ; TAYLOR, CLYDE ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; ANGIE (US, Martha Coolidge, 1994) ; NIGHT CRIES : A RURAL TRAGEDY (AT, Tracey Moffatt, 1990) ; NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987) ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BEDEVIL (AT, Tracey Moffat, 1993) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; COVER GIRL (US, Charles Vidor, 1944) ; DOLLY SISTERS (US, Irving Cummings, 1945) ; FORBIDDEN LOVE : THE UNASHAMED STORIES OF LESBIAN LOVE (CN, Aerlyn Weissman & Lynne Fernie, 1993) ; GOLD DIGGERS, THE (US, Sally Potter, 1983) ; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; ILLUSIONS (US, Julie Dash, 1983?) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; PRIVILEGE (US, Yvonne Rainer, 1990) ; PULP FICTION (US, Quentin Tarantino, 1994) ; QUICK AND THE DEAD, THE (US, Sam Raimi, 1995) ; SHERLOCK, JR. (US, Buster Keaton, 1924) ; SOMETHING TO TALK ABOUT (US, Lasse Hallstrom, 1995) ; THRILLER (UK, Sally Potter, 1979) ; JEDDA (AT, Charles Chauvel, 1955) ; PIANO, THE (AT, Jane Campion, 1993) ; METROPOLIS (G, Fritz Lang, 1926) Notes: Includes bibliographical references (p. 291-324) and index; Five ages of film feminismISBN: 1566394015 (pbk.: acid-free paper); 1566394007 (hbk.: acid-free paper)LON: 11870265
More info
book
A history of the New Zealand fiction feature film / Bruce Babington Manchester: Manchester University Press, 2007.
Call No: 71(93) BABAuthor: Babington, Bruce Source: UKPlace: ManchesterPublisher: Manchester University PressPubDate: 2007PhysDes: x, 290 p. : ill. ; 24 cmSubject: TORR, OLIVER ; DONALDSON, ROGER ; REID, JOHN ; PRESTON, GAYLENE ; CAMPION, JANE ; WARD, VINCENT ; JACKSON, MICHAEL ; JACKSON, PETER (NZ) ; CARO, NIKI ; ADVENTURES IN MAORILAND: ALEXANDER MACKEY AND THE MAKING OF 'HEI TIKI' (NZ, Geoff Steven, 1981) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; BAD BLOOD (NZ, Mike Newell, 1981) ; BRAINDEAD (NZ, Peter Jackson, 1992) ; BROKEN BARRIER (NZ, Roger Mirams & John O'Shea, 1952) ; CAME A HOT FRIDAY (NZ, Ian Mune, 1985) ; FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; IN MY FATHER'S DEN (NZ/UK, Brad McGann, 2004) ; JACK BE NIMBLE (NZ, Garth Maxwell, 1993) ; LORD OF THE RINGS, THE ( US, PETER JACKSON, 2001) ; NAVIGATOR, THE (NZ/AT, Vincent Ward, 1988) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; PIANO, THE (AT, Jane Campion, 1993) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; SCARECROW, THE (NZ, Sam Pillsbury, 1982) ; SOLO (NZ/AT, Tony Williams, 1978) ; WHALE RIDER (NZ/GG, Niki Caro, 2002) ; XENA: WARRIOR PRINCESS [TV] (US, 1995-) Summary: The is a comprehensive account of the New Zealand feature film from its beginnings, in 1912 to now, when New Zealand films are recognised internationally [Taken from the back of the book.]Notes: Bibliography: p 279-282; Filmography: p.272-278; Includes indexISBN: 9780719075414(hbk.); 9780719075421(pbk.)Contents: 1 -- Introduction: the New Zealand fiction feature film: the history, theory, practice -- 2. Forgotten nitrate: feature film-making in New Zealand 1912-1940 -- 3. Fifty years a pioneer: the cinema of Rudall Hayward 1921-1972 -- 4. Sustaining the dream: the age of O'Shea -- 5. Living white males: New Zealand cinema 1975-1985 -- 6. 'World famous in New Zealand': contemporary cinema 1986-2005 -- 7. Wandering stars: New Zealand cinema on the world screen - Vincent Ward, Peter Jackson, Jane Campion
More info
book
In the scene : Jane Campion / Ellen Cheshire Twickenham: Supernova Books, 2018.
Call No: 81 CAM CHEAuthor: Cheshire, Ellen Source: UKPlace: TwickenhamPublisher: Supernova BooksPubDate: 2018PhysDes: 192 pages : illustrations ; 20 cmSubject: CAMPION, JANE Summary: "This book will cover Jane Campion's remarkable career from her Palme d'Or winning debut short film Peel to her recent return to television with the Top of the Lake series, reflecting on the influence of her study in anthropology as well as her formative years growing up in New Zealand."- taken from back coverNotes: Includes bibliographical references and index.ISBN: 9780993220722Contents: Jane Campion: a life -- Part one (Tissues ; Mishaps: Seductions and conquests ; An exercise in discipline: Peel ; Passionless moments ; A girl's own story ; After hours) -- Part two (Dancing daze ; 2 friends ; Sweetie ; The audition ; An angel at my table ; The piano ; The portrait of a lady ; Holy smoke ; In the cut ; The water diary ; The lady bug ; Bright star) -- Part three (Top of the lake ; Top of the lake: China girl) -- Timeline
More info
book
Jane Campion : interviews / edited by Virginia Wright Wexman Jackson: University Press of Mississippi, c1999.
Call No: 81CAM JANAuthor: Campion, Jane ; Wexman, Virginia Wright Place: JacksonPublisher: University Press of MississippiPubDate: c1999PhysDes: xxvii, 216 p. : ill. ; 23 cmSeries: Conversations with filmmakers seriesSubject: CAMPION, JANE ; HUNTER, HOLLY ; JONES, LAURA ; KIDMAN, NICOLE ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; PIANO, THE (AT, Jane Campion, 1993) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; SWEETIE (AT, Jane Campion, 1989) ; GIRL'S OWN STORY, A (AT, Jane Campion, 1983) Notes: Filmography: p. [xxiii]-xxvii; Includes bibliographical references (p. xx) and indexISBN: 1578060826 (cloth : alk. paper); 1578060834 (pbk. : alk. paper)LON: 14173448
More info
Interim
book
Jane Campion / Dana Polan London: British Film Institute, 2001.
Call No: 81CAM POLAuthor: Polan, Dana Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: 186p. : ill. ; 19 cmSeries: BFI world directors.Subject: BONGERS, SALLY ; ARMSTRONG, GILLIAN ; CAMPION, JANE ; AFTER HOURS (AT, Jane Campion, 1984) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; HOLY SMOKE (US, Jane Campion, 1999) ; PEEL (AT, Jane Campion, 1982) ; PIANO, THE (AT, Jane Campion, 1993) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; SWEETIE (AT, Jane Campion, 1989) Notes: Includes bibliographical references and indexISBN: 0851708560(pbk.)
More info
Interim
book
Jane Campion : the pocket essential guide / by Ellen Cheshire Harpenden, Herts: Pocket Essentials, 2000.
Call No: 81CAM CHEAuthor: Cheshire, Ellen Source: UKPlace: Harpenden, HertsPublisher: Pocket EssentialsPubDate: 2000PhysDes: 96 p. ; 18 cmSeries: Pocket Essentials FilmSubject: CAMPION, JANE ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; HOLY SMOKE (US, Jane Campion, 1999) ; PIANO, THE (AT, Jane Campion, 1993) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; SWEETIE (AT, Jane Campion, 1989) Notes: Includes list of reference materialsISBN: 1903047242
More info
book
Jane Campion / Kathleen McHugh Urbana: University of Illinois Press, 2007.
Call No: 81CAM MCHAuthor: McHugh, Kathleen Anne Source: USPlace: UrbanaPublisher: University of Illinois PressPubDate: 2007PhysDes: xii, 186 p. : ill., ports. ; 21 cmSeries: Contemporary film directorsSubject: CAMPION, JANE ; PIANO, THE (AT, Jane Campion, 1993) ; IN THE CUT (US/AT, Jane Campion, 2003) ; SWEETIE (AT, Jane Campion, 1989) ; HOLY SMOKE (US, Jane Campion, 1999) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; HOLY SMOKE (US, Jane Campion, 1999) Summary: Jane Campion's work calls us to attend these mysteries and passions of family, especially among sisters [taken from "acknowledgments" part]Notes: Includes index
Bibliography: p [169]-175
Filmography: p [163]-167ISBN: 9780252074479
More info
book
Jane Campion / Deb Verhoeven London: Routledge, 2009.
Call No: 81CAM VERAuthor: Verhoeven, Deb Source: UKPlace: LondonPublisher: RoutledgePubDate: 2009PhysDes: xii, 273 p. : ill. ; 20 cmSeries: Routledge film guidebooksSubject: WOMEN AND THE CINEMA ; DIRECTORS ; WOMEN FILMMAKERS. AUSTRALIA ; CAMPION, JANE Summary: Featuring a career overview, a filmography, scene-by-scene analysis and an extended interview with Jane Campion on her approach to creativity, this is a great introductin to one of the most important directors of contempoarary cinema.ISBN: 9780415262750Contents: --Introduction: Being Jane Campion in a post-Campion world? -- Chapter 1 Becoming Jane Campion: modes of auteurism and the medias -- Chapter 2: Realizing Jane Campion: the industry, politics and economics of contemporary auteurism -- Chapter 3: Disciplining Jane Campion: auteurism and the knowing audience -- Chapter 4: Jane Campion on Jane Campion: one more interview --Chronology -- Filmography -- Bibliographic resources -- Glossary -- Index
More info
book
Jane Campion : cinema, nation, identity / edited by Hilary Radner, Alistair Fox and Irene Bessiere Detroit, Mich: Wayne State University Press, 2009.
Call No: 81CAM JANAuthor: Radner, Hilary ; Fox, Alistair ; Bessiere, Irene Place: Detroit, MichPublisher: Wayne State University PressPubDate: 2009PhysDes: xiv, 329 p. : ill. ; 23 cmSeries: Contemporary approaches to film and televisionSubject: CAMPION, JANE ; DIRECTORS ; WOMEN FILM WORKERS. AUSTRALIA ; WOMEN AND THE CINEMA ; PIANO, THE (AT, Jane Campion, 1993) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) Notes: Includes bibliographical references, filmography and indexISBN: 9780814334324Contents: Introduction: an antipodean filmmaker in an international context / Alistair Fox and Hilary Radner -- Subjectivities and the construction of identity in Jane Campion's films. "In extremis": Jane Campion and the woman's film / Hilary Radner -- Her-land: Jane Campion's cinema, or another poetic of the inner sense / Muriel Andrin -- The Campions indulge in the audition / Harriet Margolis -- Campion-Keitel Connections, a.k.a. "We are the piano" / Chris Holmlund -- Jane Campion and her sources. "I can really see myself in her story": Jane Campion's adaptation of Janet Frame's autobiography / Lawrence Jones -- Puritanism and the erotics of transgression: the New Zealand influence in Jane Campion's thematic imaginary / Alistair Fox -- Portraits of a woman: Jane Campion and Henry James / Irene Bessiere -- Jane Campion: adaptation, signature, autobiography / Kathleen A. McHugh -- Jane Campion's "Geographies". Jane Campion and the international theme: from The portrait of a lady to An angel at my table / Jean Bessiere -- The suburb in Jane Campion's films / Rochelle Simmons -- From antipodean cinema to international art cinema / Raphaelle Moine -- Viewers respond to Jane Campion. "Comme une invitation au voyage": French reception of Jane Campion, An angel at my table, and The piano / Simon Sigley -- "The piano is mine. It's mine." My (free association with) Jane Campion, or, the child in the spectator / Sue Gillett -- Jane Campion and the moral occult / Ann Hardy -- On viewing Jane Campion as an antipodean / Annabel Cooper
More info
journal article
Jane Campion : an overview in Sequential (Summer 1989) iss.1 p.3-5
More info
book
Jane Campion : authorship and personal cinema / by Alistair Fox Bloomington: Indiana University Press, c2011.
Call No: 81CAM FOXAuthor: Fox, Alistair Source: USPlace: BloomingtonPublisher: Indiana University PressPubDate: c2011PhysDes: xii, 269 p. : ill. ; 23 cmSubject: FILM ; CAMPION, JANE ; SWEETIE (AT, Jane Campion, 1989) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; PIANO, THE (AT, Jane Campion, 1993) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; HOLY SMOKE (US, Jane Campion, 1999) ; IN THE CUT (US/AT, Jane Campion, 2003) ; WATER DIARY THE (AT, Jane Campion, 2006) ; BRIGHT STAR (UK/AT/FR, Jane Campion, 2009) Summary: "Alistair Fox explores the dynamics of the creative process involved in cinematic representation in the films of Jane Campion, one of the most highly regarded of contemporary filmmakers. Utilizing a wealth of new material -- including interviews with Campion and her sister and personal writings of Campion's mother -- Fox traces the connections between the filmmaker's complex background and the thematic preoccupations of her films, from her earliest short, Peel, to 2009's Bright Star. He establishes how Campion's deep investment in family relationships informs her aesthetic strategies, revealed in everything from the handling of shots and lighting, to the complex system of symbolic images repeated from one film to the next. " -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references and indexISBN: 9780253223012Contents: -- acknowledgments -- Introduction: authorship, creativity, and personal cinema -- Origins of a problematic: the Campion family -- The "tragic underbelly" of the family: fantasies of transgression in the early films -- Living in the shadow of the family tree: Sweetie -- "How painful it is to have a family member with a problem like that": authorship as creative adaptation in An angel at my table -- Traumas of separation and the encounter with the phallic other: The piano -- The misfortunes of an heiress: The portrait of a lady -- Exacting revenge on "cunt men": Holy smoke as sexual fantasy -- "That which terrifies and attracts simultaneously": Killing daddy in the cut -- Lighting a lamp: loss, art, and transcendence in The water diary and Bright star -- Conclusion: theorizing the personal component of authorship -- motes -- works cited filmography -- index --
More info
book
Jane Campion and adaptation : angels, demons and unsettling voices / Estella Tincknell Basingstoke, Hampshire: Palgrave Macmillan, 2013.
Call No: 753CAM TINAuthor: Tincknell, Estella Source: UKPlace: Basingstoke, HampshirePublisher: Palgrave MacmillanPubDate: 2013PhysDes: 139 pages : illustrated ; 22 cmSeries: The adaptation seriesSubject: ADAPTATIONS ; ADAPTATIONS. JAMES, HENRY ; AUTEUR THEORY ; AUTHORSHIP ; DIRECTORS ; FEMINISM AND THE CINEMA ; GENRES ; LITERATURE AND THE CINEMA ; MYTH AND THE CINEMA ; CAMPION, JANE ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; BRIGHT STAR (UK/AT/FR, Jane Campion, 2009) ; IN THE CUT (US/AT, Jane Campion, 2003) ; PIANO, THE (AT, Jane Campion, 1993) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; SWEETIE (AT, Jane Campion, 1989) ; TOP OF THE LAKE [TV] (AT/UK, Jane Campion/Garth Davis, 2013) Summary: "In Jane Campion and Adaptation Estella Tincknell presents a compelling analysis of the interplay between literature and cinema in relation to Campion's work. The text takes a distinct approach to understanding Campion's films, positioning them not simply as the work of a cinematic auteur, but as the culmination of a complex set of textual relationships and practices. In doing so, Tincknell argues persuasively that the director's use of adaptation goes well beyond the conventionally respectful approach to literary texts, opting instead for a playful, subversive and challenging re-imagining of the connections between literature, myth, cultural identity and cinema." -- PORTION OF BOOK BLURBNotes: Contains bibliographic references and index -- list of illustrations included as looseleaf in front of bookISBN: 9780230229006Contents: -- pt. One Versions -- `A Jane Campion film': authorships and adaptations -- Collaborations, credibility, creativity -- Cultural value and the fidelity question -- `Adding to' not taking from: textual ontologies redux -- pt. Two Visions and Voices -- Multiple voices, different visions -- Gothic visions, feminine fables -- Shadow Males and Super Males -- Angels, fairies, demons -- Demythologising space and place -- Attending to the past -- pt. Three Genres -- Art cinema or feminist cinema? -- Re-articulating film genres one: the anti-heritage text - The Portrait of a Lady -- Playfulness and respect -- Costume drama, feminism and the `affect' of history -- Indexing the past -- Adapting the self -- Auditory affect, musical boxes -- Re-articulating film genres two: The Piano as melodrama -- Re-articulating film genres three: An Angel at My Table and the biopic - public lives, private selves -- From the margins to the centre - Bright Star as biopic --
Re-articulating film genres four: In the Cut's rewriting of film noir -- conclusion -- notes -- bibliography -- index --
More info
book
Jane Campion's The piano / edited by Harriet Margolis Cambridge: Cambridge University Press, 2000.
More info
book
New Zealand filmmakers / edited by Ian Conrich and Stuart Murray Detroit, Mich: Wayne State University Press, C2007.
Call No: 71(931) NEWAuthor: Conrich, Ian (ed) ; Murray, Stuart (ed) Source: USPlace: Detroit, MichPublisher: Wayne State University PressPubDate: C2007PhysDes: xiii, 374 p. : ill. ; 23 cmSeries: Contemporary approaches to film and television seriesSubject: MAORI CINEMA
RT: NEW ZEALAND ; LYE, LEN ; O'SHEA, JOHN ; PRESTON, GAYLENE ; BARCLAY, BARRY ; MITA, MERATA ; WELLS, PETER ; DONALDSON, ROGER ; MURPHY, GEOFFREY ; MUNE, IAN ; LAWRENCE, BRUNO ; LAING, JOHN ; REID, JOHN ; NARBEY, LEON ; WARD, VINCENT ; CAMPION, JANE ; MACLEAN, ALISON ; JACKSON, PETER (NZ) ; BLYTH, DAVID ; BAD BLOOD (NZ, Mike Newell, 1981) ; BEYOND REASONABLE DOUBT (NZ, John Laing, 1980) ; BOUNTY, THE (US, Roger Donaldson, 1984) ; BRAINDEAD (NZ, Peter Jackson, 1992) ; BRIDGE TO NOWHWERE (NZ, Ian Mune, 1986) ; CADILLAC MAN (US, Roger Donaldson, 1990) ; DEATH IN THE FAMILY, A [TV] (NZ, Stewart Main and Peter Wells, 1987) ; END OF THE GOLDEN WEATHER, THE (NZ, Ian Mune, 1991) ; FORGOTTEN SILVER (NZ, Peter Jackson & Costa Botes, 1996) ; HOLY SMOKE (US, Jane Campion, 1999) Summary: "New Zealand cinema is now applauded worldwide for its achievements and, in theis book, it is the subject of the wide-ranging critical analysis. The essays here describe an incredible progression from early New Zealand films to the blockbusters of the present. They outline industrial achievements, the workings of film form, and the effect that New Zealand cinema has as part of the country's culture. Taken together, the essays are a fitting tribute to all those who have worked in the industry." -- From the forward by Terence BaylerNotes: Bibliography: p. 349-353; Includes indexISBN: 9780814330173 (pbk : alk paper); 0814330177 (pbk : alk paper)
More info
book
Political animals : the new feminist cinema / Sophie Mayer London ; New York: I.B. Tauris, 2016.
Call No: 744.7 MAYAuthor: Mayer, Sophie Edition: 2016Place: London ; New YorkPublisher: I.B. TaurisPubDate: 2016PhysDes: xii,260 : illustrated ; 23 cmSubject: FEMINISM AND THE CINEMA ; FEMININITY IN FILMS ; WOMEN AND THE CINEMA ; BELLE (UK, Amma Asante, 2013) ; FROZEN (US, Chris Buck & Jennifer Lee, 2013) ; BIGELOW, KATHRYN ; CAMPION, JANE ; VARDA, AGNES ; PERSEPOLIS (FR, Marjane Satrapi, 2007) Summary: Feminist filmmakers are hitting the headlines. The last decade has witnessed: the first Best Director Academy Award won by a woman; female filmmakers reviving, or starting, careers via analogue and digital television; women filmmakers emerging from Saudi Arabia, Palestine, Pakistan, South Korea, Paraguay, Peru, Burkina Faso, Kenya and The Cree Nation; a bold emergent trans cinema; feminist porn screened at public festivals; Sweden's A-Markt for films that pass the Bechdel Test; and Pussy Riot's online videos sending shockwaves around the world. A new generation of feminist filmmakers, curators and critics is not only influencing contemporary debates on gender and sexuality, but starting to change cinema itself, calling for a film world that is intersectional, sustainable, family-friendly and far-reaching. Political Animals argues that, forty years since Laura Mulvey's seminal essay 'Visual Pleasure and Narrative Cinema' identified the urgent need for a feminist counter-cinema, this promise seems to be on the point of fulfilment.
Forty years of a transnational, trans-generational cinema has given rise to conversations between the work of now well-established filmmakers such as Abigail Child, Sally Potter and Agnes Varda, twenty-first century auteurs including Kelly Reichardt and Lucretia Martel, and emerging directors such as Sandrine Bonnaire, Shonali Bose, Zeina Daccache, and Hana Makhmalbaf. A new and diverse generation of British independent filmmakers such as Franny Armstrong, Andrea Arnold, Amma Asante, Clio Barnard, Tina Gharavi, Sally El Hoseini, Carol Morley, Samantha Morton, Penny Woolcock, and Campbell X join a worldwide dialogue between filmmakers and viewers hungry for a new and informed point of view. Lovely, vigorous and brave, the new feminist cinema is a political animal that refuses to be domesticated by the persistence of everyday sexism, striking out boldly to claim the public sphere as its own. -- publisher's web siteISBN: 9781784533724
More info
book
Projections : a forum for film-makers / edited by John Boorman and Walter Donohue London: Faber, 1992.
Call No: 802 PRO v.1 - v.12Author: Boorman, John, 1933 ; Donohue, Walter Place: LondonPublisher: FaberPubDate: 1992PhysDes: viii, 283 p. : ill. ; 23 cmSubject: PRESSBURGER, EMERIC ; HARTLEY, HAL ; VAN SANT, GUS ; CUKOR, GEORGE ; BOORMAN, JOHN ; FULLER, SAMUEL ; DEMME, JONATHAN ; ALMENDROS, NESTOR ; PHOENIX, RIVER ; MANN, MICHAEL ; CAMPION, JANE ; WARD, VINCENT ; LOWENSTEIN, RICHARD ; SURVIVING DESIRE (US, Hal Hartley, 1992) Notes: "Issue No. 1" - coverISBN: 0571167292 (pbk.) : ¦9.99LON: bnb57116729; 8676208
More info
book
Second take : Australian film-makers talk / edited by Geoff Burton and Raffaele Caputo St Leonards, N.S.W.: Allen & Unwin, 1999.
Call No: 802.25(94) SECAuthor: Burton, Geoff ; Caputo, Raffaele Place: St Leonards, N.S.W.Publisher: Allen & UnwinPubDate: 1999PhysDes: x, 342 : ill. ; 23 cmSubject: DIRECTORS. AUSTRALIA ; PREVIEWS ; EALING STUDIOS ; FOX STUDIOS AUSTRALIA ; DUIGAN, JOHN ; WATT, HARRY ; ROWE, GLENYS ; MILLER, GEORGE ; CAMPION, JANE ; BERESFORD, BRUCE ; ARMSTRONG, GILLIAN ; FRANKLIN, RICHARD ; ROEG, NICOLAS ; ZUBRYCKI, TOM ; RUBBO, MICHAEL ; NOONAN, CHRIS ; BENNETT, BILL ; LOWENSTEIN, RICHARD ; HICKS, SCOTT ; SIRENS (AT/UK, John Duigan, 1994) ; YEAR MY VOICE BROKE, THE (AT, John Duigan, 1987) ; MAD MAX (AT, George Miller, 1979) ; BABE (AT, Chris Noonan, 1995) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; WALKABOUT (UK, Nicolas Roeg, 1971) ; KISS OR KILL (AT, Bill Bennett, 1997) ; SHINE (AT/UK, Scott Hicks, 1996) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; DOCUMENTARY FILMS. AUSTRALIA ; EUREKA STOCKADE (UK, Harry Watt, 1949 [prod. 1948]) ; FLIRTING (AT, John Duigan, 1991) ; DOGS IN SPACE (AT, Richard Lowenstein, 1986) ; MYTH AND THE CINEMA. AUSTRALIA ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; PIANO, THE (AT, Jane Campion, 1993) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; RACE AROUND THE WORLD [TV] (AT, John Lander, 1997-) ; STRIKEBOUND (AT, Richard Lowenstein, 1984) Notes: Includes indexISBN: 1864487658 : $19.95LON: 14469038URL status: URL: 'http://-'
Checked: 31/08/2021 12:58:39 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
More info
book
Some significant women in Australian film : a celebration and a cautionary tale : Longford Lyell lecture 2002 / Jan Chapman Australia: Screen sound Australia, 2002.
Call No: 721.02 (94) CHAAuthor: Chapman, Jan Edition: 1st ed.Source: AustraliaPlace: AustraliaPublisher: Screen sound AustraliaPubDate: 2002PhysDes: 1 v ; 20.5 cm, b&w ill.Series: Longford Lyell lecture 2002, ScreenSound Australia Monograph no.3Subject: WOMEN AND THE CINEMA. AUSTRALIA ; WOMEN FILM WORKERS. AUSTRALIA ; WOMEN FILMMAKERS. AUSTRALIA ; WOMEN IN FILMS ; WOMEN ON TV. AUSTRALIA ; WOMEN, FILMS FOR ; WOMEN, FILMS MADE BY ; FEMINISM AND THE CINEMA ; FEMINISM AND TV ; CHAPMAN, JAN ; ARMSTRONG, GILLIAN ; CAMPION, JANE ; LYELL, LOTTIE ; BARRETT, SHIRLEY ; MILLIKEN, SUE ; Lovell, Patricia ; ROBB, JILL ; SCOTT, JANE ; LONG, JOAN ; FINK, MARGARET ; DAVIS, JUDY ; LEVY, SANDRA ; GRIFFITHS, RACHEL ; BLANCHETT, CATE ; KIDMAN, NICOLE ; COLLETTE, TONI ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; WOMAN SUFFERS, THE (AT, Raymond Longford, 1918) ; ON OUR SELECTION (AT, Raymond Longford, 1920) ; SHOWTIME (AT, Jan Chapman, 1978) ; SWEET AND SOUR [TV] (AT, 1984) ; SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977) ; SMOKES AND LOLLIES (AT, Gillian Armstrong, 1976) ; BINGO BRIDESMAIDS AND BRACES (AT, Gillian Armstrong, 1988) ; MORE SMOKES, LESS LOLLIES (AT, Gillian Armstrong, 1981) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; WELL, THE (AT, Samantha Lang, 1997) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; TWO FRIENDS [TV] (AT, Jane Campion, 1986) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997) ; CHARLOTTE GRAY (G/UK/AT, Gillian Armstrong, 2001) ; PIANO, THE (AT, Jane Campion, 1993) ; GIRL'S OWN STORY, A (AT, Jane Campion, 1983) Summary: The ScreenSound Australia Annual Longford Lyell Lecture was established in 2001. It is named in honour of two significant pioneers of Australian cinema, Lottie Lyell and Raymond Longford, who were the foremost creative partnership in the pioneering years of Australian cinema. Jan Chapman is one of Australia’s most famous producers having been involved in the production of ‘Come in Spinner’, ‘Sweet and Sour’, ‘the Piano’ and ‘Lantana’ to name but a few. Chapman talks about the development of her career in relation to other Australian women involved in filmmaking such as Gillian Armstrong and New Zealand born Jane CampionISBN: 0642365172
More info
book
The St. James women filmmakers encyclopedia : women on the other side of the camera / edited by Amy L. Unterburger ; foreword by Gwendolyn Audrey Foster Detroit: Visible Ink Press, c1999.
Call No: 802.253 STJAuthor: Unterburger, Amy L Place: DetroitPublisher: Visible Ink PressPubDate: c1999PhysDes: xxvi, 568 p. : ill. ; 24 cmSubject: DIRECTORS ; ARMSTRONG, GILLIAN ; CAMPION, JANE ; CANTRILL, ARTHUR & CORINNE ; LAW, CLARA ; LYELL, LOTTIE ; MCDONAGH, PAULETTE ; MCDONAGH, PHYLLIS ; MCDONAGH, ISABEL ISBN: 1578590922 (softcover)LON: 20020284
More info
book
Sweetie Compilation book 2009.
Call No: 79SWE SWESource: ATPubDate: 2009PhysDes: ca. 280 p. : ill. ; 30cmSubject: FAMILY IN FILMS ; FAMILY IN FILMS. AUSTRALIA ; CAMPION, JANE ; SWEETIE (AT, Jane Campion, 1989) Summary: This is a collection of items on Jane Campion's Sweetie. It contains a press kit, journal articles, book chapters, internet newspaper articles, and ordinary newspaper articles.Notes: The items in this bound compilation were from Jane Campion items donated to the AFI Research CollectionContents: -- press kit -- journal articles and book chapters -- internet newspaper articles -- newspaper articles --
More info
book
Variety international film guide 1995 / edited by Peter Cowie London Hollywood: Hamlyn Samuel French, [1994].
More info
journal article
Where there's smoke... in If magazine (Dec 1999-Jan 2000) iss.20 p.32-34
More info