book
Australian television and international mediascapes / Stuart Cunningham and Elizabeth Jacka Cambridge Melbourne: Cambridge University Press, 1996.
Call No: 203(94) CUNAuthor: Cunningham, Stuart ; Jacka, Elizabeth Place: Cambridge MelbournePublisher: Cambridge University PressPubDate: 1996PhysDes: xix, 284 p. : ill. ; 23 cmSubject: INDUSTRY, TV. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; EXPORT AND IMPORT OF TV. AUSTRALIA ; TELEVISION. AUSTRALIA ; PRODUCTION. AUSTRALIA ; VILLAGE ROADSHOW ; NATIONAL CULTURE AND TV. AUSTRALIA ; NEIGHBOURS [TV] (AT, 1985-) ; FLYING DOCTORS, THE [TV] (AT, 1986-91) ; PARADISE BEACH [TV] (AT, 1993-94) ; BEYOND 2000 [TV] (AT, 1985-) ; BRIDES OF CHRIST [TV] (AT, Ken Cameron, 1991) Summary: "Describes the origins and operation of the Australian industry and the increasing globalisation of the television marketplace. Their book examines the television cultures of the countries importing Australian programs, and assesses the reasons for the success of failure of various programs" - taken from back coverNotes: Includes index; CIP confirmed; Bibliography: p. 254-270ISBN: 052147003X; 0521469740 (pbk.)LON: 11853714
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Australian television and international mediascapes / Stuart Cunningham and Elizabeth Jacka Cambridge Melbourne: Cambridge University Press, 1996.
Call No: 203(94) CUNAuthor: Cunningham, Stuart ; Jacka, Elizabeth Place: Cambridge MelbournePublisher: Cambridge University PressPubDate: 1996PhysDes: xix, 284 p. : ill. ; 23 cmSubject: INDUSTRY, TV. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; EXPORT AND IMPORT OF TV. AUSTRALIA ; TELEVISION. AUSTRALIA ; PRODUCTION. AUSTRALIA ; VILLAGE ROADSHOW ; NATIONAL CULTURE AND TV. AUSTRALIA ; NEIGHBOURS [TV] (AT, 1985-) ; FLYING DOCTORS, THE [TV] (AT, 1986-91) ; PARADISE BEACH [TV] (AT, 1993-94) ; BEYOND 2000 [TV] (AT, 1985-) ; BRIDES OF CHRIST [TV] (AT, Ken Cameron, 1991) Summary: "Describes the origins and operation of the Australian industry and the increasing globalisation of the television marketplace. Their book examines the television cultures of the countries importing Australian programs, and assesses the reasons for the success of failure of various programs" - taken from back coverNotes: Includes index; CIP confirmed; Bibliography: p. 254-270ISBN: 052147003X; 0521469740 (pbk.)LON: 11853714Donation: Counihan donation
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book
The Australian TV book / edited by Graeme Turner and Stuart Cunningham St. Leonards, N.S.W.: Allen & Unwin, 2000.
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journal article
The big picture in Filmnews (Australia) (Jun-90) vol.XX iss.5 p.Aug-13
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journal article
Community broadcasting and civil society : a keynote address to the 24th National Conference of the Community Broadcasting Association of Australia, November 1996. in Metro (1997) iss.110 p.21-25
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Online resource
book
A companion to Australian cinema / Edited by Felicity Collins, Jane Landman, and Susan Bye Hoboken, New Jersey: Wiley-Blackwell, 2019. Available at ProQuest (RMIT login required)
Call No: 71(94) COMAuthor: Collins, Felicity ; Columpar, Corinn ; Rutherford, Anne ; Ford, Felicity ; Kelada, Odette ; Clark, Maddee ; Verevis, Constantine ; Goldsmith, Ben ; French, Lisa ; David Marshall, P. ; Bennett, James ; Grace, Helen ; Khoo, Olivia ; Yue, Audrey ; Bye, Susan ; Sandars, Diana ; Stadler, Jane ; Gaunson, Stephen ; Trevisanut, Amanda Malel ; Turnbull, Sue ; McCutcheon, Marion ; Goritsas, Helen ; Tiwary, Ana ; Lambert, Anthony ; Gibson, Ross ; Cunningham, Stuart ; Swift, Adam ; Williams, Deane ; Smaill, Belinda ; Neumark, Norie Source: US/UKPlace: Hoboken, New JerseyPublisher: Wiley-BlackwellPubDate: 2019PhysDes: xxii, 581 pages ; 26 cmSeries: Wiley Blackwell companions to national cinemaSubject: AUSTRALIA ; FILM ; INDUSTRY, FILM ; INDUSTRY, FILM. AUSTRALIA ; INDIGENOUS ; AUSTRALIAN ABORIGINAL CINEMA ; TRANSNATIONAL CINEMA ; HISTORY OF CINEMA ; HISTORY OF CINEMA. AUSTRALIA ; TELEVISION AND THE CINEMA ; TELEVISION AND THE CINEMA. AUSTRALIA ; AUTEUR THEORY ; GENRES ; THEORY ; CAMPION, JANE ; CHARLIE'S COUNTRY (AT, Rolf de Heer, 2013) ; SPEAR (AT, Stephen Page, 2015) ; MAD MAX (AT, George Miller, 1979) ; MAD MAX : FURY ROAD (AT/US, George Miller, 2015) ; MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985) ; MAD MAX II (AT, George Miller, 1981) ; LEGO MOVIE, THE (AT/US/DK, Phil Lord & Christopher Miller, 2014) ; ROCKET, THE (AT/TH/LS, Kim Mordaunt, 2013) ; SERANGOON ROAD [TV] (AT/SI, 2013 -) ; KETTERING INCIDENT, THE [TV](AT, 2015-) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) Summary: The essays assembled here address six thematically organized propositions - that Australian cinema an Indigenous screen culture, an international cinema, a minor transnational imaginary, an auteur-genre-landscape cinema, a televisual industry and a multiplatform ecology. Offering fresh critical perspectives and extending previous scholarship, case studies range from The Lego Movie, Mad Max and Australian stars in Hollywood, to transnational co-productions, YouTube channels, transmedia and naturecam documentaries. New research on trends such as the Blak Wave, the convergence of television and film, digital transformations of screen production and the shifting roles of women, on and off-screen, highlight how established precedents have been transformed by new realities beyond both cinema and national borders. --
Written in an accessible style that does not require knowledge of cinema studies or Australian studies. --
Presents original research on Australian actors such as Cate Blanchett and Chris Hemsworth, evaluating their training, branding and path from Australia to Hollywood. --
Explores the films and filmmakers of the Blak Wave and their challenge to Australian settler-colonial history and white identity. --
Introduces readers to founding texts in Australian screen studies. --
Felicity Collins is Reader/ Associate Professor in Screen Studies, La Trobe University, Melbourne, Australia --
Jane Landman was Senior Lecturer, Victoria University, Melbourne, Australia --
Susan Bye is Education Programmer, Australian Centre for the Moving Image, Melbourne, Australia. --Book JacketNotes: Includes bibliographical references and index -- signed by Felicity CollinsISBN: 9781118942529Contents: You Are Here: Living Maps of Deep Time, Clock Time / Felicity Collins -- Charlie's Country, Gulpilil's Body / Corinn Columpar -- Ivan Sen's Cinematic Imaginary: Restraint, Complexity, and a Politics of Place / Anne Rutherford
-- Shadowing and Disruptive Temporality in Bangarra Dance Theatre's Spear / Felicity Ford -- Beyond the Wonderland of Whiteness: The Blak Wave of Indigenous Women Shaping Race on Screen / Maddee Clark / Odette Kelada -- Another Green World: The Mad Max Series / Constantine Verevis -- Is Everything Awesome?: The LEGO Movie and the Australian Film Industry / Ben Goldsmith -- Jane Campion: Girlshine and the International Auteur / Lisa French -- Constructing Persona: Mediatisation, Performativity, Quality, and Branding in Australian Film Actors's; Migration to Hollywood / P. David Marshall -- Interpreting Anzac and Gallipoli through a Century of Anglophone Screen Representations / James Bennett -- Unsettling the Suburban: Space, Sentiment, and Migration in National Cinematic Imaginaries / Helen Grace -- The Rocket: Small, Foreign-Language Cinema / Olivia Khoo -- Serangoon Road: The Convergent Culture of Minor Transnationalism / Audrey Yue -- An Independent Spirit: Robert Connolly as Auteur-Producer / Susan Bye -- Disruptive Daughters: The Heroine's Journey in Four Films / Diana Sandars -- Atopian Landscapes: Gothic Tropes in Australian Cinema / Jane Stadler -- Spirits Do Come Back: Bunyips and the European Gothic in The Babadook / Stephen Gaunson -- Between Public and Private: How Screen Australia, the ABC and SBS have shaped Film and Television Convergence / Amanda Malel Trevisanut -- Quality vs Value: The Case of The Kettering Incident / Marion McCutcheon / & Sue Turnbull -- The Evolution of Matchbox Pictures: A New Business Model / Helen Goritsas & Ana Tiwary -- Schapellevision: Screen Aesthetics and Asian Drug Stories / Anthony Lambert -- CHURN: Cinema Made Sometime Last Night / Ross Gibson -- Over the Horizon: YouTube Culture Meets Australian Screen Culture / Adam Swift & Stuart Cunningham -- Digital Transmedia Forms and Transnational Documentary Networks / Deane Williams -- Ecological Relations: FalconCam in Conversation with The Back of Beyond / Belinda Smaill -- Where Am I?: The Terror of Terra Nullius / Norie Neumark
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Contemporary Australian television / Stuart Cunningham and Toby Miller Sydney, NSW: UNSW Press, 1994.
Call No: 71(94) CUNAuthor: Cunningham, Stuart ; Miller, Toby Place: Sydney, NSWPublisher: UNSW PressPubDate: 1994PhysDes: viii, 184 p., [4] p. of plates : ill., ports. ; 22 cmSubject: HISTORY AND TV. AUSTRALIA ; HISTORY AND TV ; TELEVISION. AUSTRALIA ; POPULAR CULTURE AND TV ; POPULAR CULTURE AND TV. AUSTRALIA Summary: This book provides the first up-to-date introduction to the shape and style of Australian television in the 1980s, 1990s, and beyond. Traditional formats like news, current affairs, and sport as well as newer genres like tabloid and reality TV are treated in detail. The authors use their expertise in cultural and media studies to take apart the medium in terms of text, genre, audience, antion, culture, policy, industry, and postmodernity. -BlurbISBN: 0-86840-397-0Contents: Terms and debates--Text--Genre--Audience--Nation--Culture--Policy--Industry--Postmodernity--Continuing debates------Electronic forum--News--Current affairs--Mix and match genres--Four Corners and the truth--Trends in reading the genre------Spectacle of sport--Sport for sport's sake--Sport for TV's sake--Language of sports television------Hard copy, soft porn (by David Rowe)--Regulation of sexualised violence--Sex, violence and genre--Hard Copy: subject and structure--Regulating sexualised violence on television------OZ TV goes global--Television international--Cross-cultural textual and audience analysis--Middle range approach--Australian soaps in Britain------Tomorrow's television--Tele-visions of a nation in the 1990s--ABC in Asia--Software wars: Pay TV--Community TV and diversity.
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journal article
Documentary : globalisation of the real in Metro (2000) iss.121/122 p.40-44
Author: Cunningham, Stuart PhysDes: Article; Bibliography; Illustration(s)Subject: DOCUMENTARIES Summary: The paper crosses the fields of theory, policy and production, and market place realities, to articulate an affirmative and integrated framework for thinking about and promoting documentaries.
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Featuring Australia : the cinema of Charles Chauvel / Stuart Cunningham Sydney: Allen & Unwin, 1991.
Call No: 81CHA CUNAuthor: Cunningham, Stuart Source: ATPlace: SydneyPublisher: Allen & UnwinPubDate: 1991PhysDes: x, 214 p. : ill. ; 22 cmSeries: Australian cultural studiesSubject: DIRECTORS. AUSTRALIA ; HISTORY OF CINEMA. AUSTRALIA ; IMPERIALISM AND THE CINEMA. AUSTRALIA ; LOCATION SHOOTING. AUSTRALIA ; NATIONALISM AND THE CINEMA ; WORLD WAR II AND THE CINEMA. AUSTRALIA ; CHAUVEL, CHARLES ; FORTY THOUSAND HORSEMEN (AT, Charles Chauvel, 1940) ; GREENHIDE (AT, Charles Chauvel, 1926) ; HERITAGE (AT, Charles Chauvel, 1935) ; IN THE WAKE OF THE BOUNTY (AT, Charles Chauvel, 1933) ; JEDDA (AT, Charles Chauvel, 1955) ; RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944) ; SONS OF MATTHEW (AT, Charles Chauvel, 1949) ; UNCIVILISED (AT, Charles Chauvel, 1936) ; WALKABOUT (AT, Charles Chauvel, 1958) Summary: "FEATURING AUSTRALIA follows the exceptional career of Charles Chauvel and the films he made over a thirty-year span in the battling Australian film industry of the 1920s to the 1950s. Stuart Cunningham probes the work of Chauvel to examine his strange, ambitious and fascinating films and the industrial and cultural environment from which they emerged - giving an appreciation of the films which has never before been available. This book also offers new approaches to understanding Australian cinema, and show how Australian culture and society changed during the period of Chauvel's work. Running through these changes, however, are continuities based on Australia's status as an 'import culture' and the consequent frailties of its cultural identity." [Taken from book blurb]Notes: Includes index; Includes bibliographical references (p. 178-196); Bibliography: p. 197-201; Filmography: p. 175-177ISBN: 0044422547 : price unknownLON: anb04442254; 7520705 7514911
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Floating lives : the media and Asian diasporas / edited by Stuart Cunningham and John Sinclair St Lucia, Qld.: University of Queensland Press, 1999.
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Framing culture : criticism and policy in Australia / Stuart Cunningham North Sydney: Allen & Unwin, 1992.
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In the vernacular : a generation of Australian culture and controversy / Stuart Cunningham St Lucia, Qld: University of Queensland Press, 2008.
Call No: 40(04)(94) CUNAuthor: Cunningham, Stuart Place: St Lucia, QldPublisher: University of Queensland PressPubDate: 2008PhysDes: xxxix, 294 p. ; 23 cmSubject: CULTURE AND THE CINEMA. AUSTRALIA ; IMPERIALISM AND TV. AUSTRALIA ; TELEVISION AND THE CINEMA. AUSTRALIA ; BAXTER, JOHN ; MURDOCH, RUPERT ; BODYLINE [TV] (AT, Carl Schultz & George Ogilvie & Lex Marinos & Denny Lawrence, 1984) ; COWRA BREAKOUT (AT, Chris Noonan & Phil Noyce, 1985) ; DIRTWATER DYNASTY [TV] (AT, John Power & Michael Jenkins, 1988) ; DISMISSAL, THE [TV] (AT, George T. Miller & others, 1983) ; EUREKA STOCKADE [TV] (AT, Rod Hardy, 1984) ; IN THE WAKE OF THE BOUNTY (AT, Charles Chauvel, 1933) ; LAST BASTION, THE (AT, Chris Thomson and Dr. George Miller, 1984) ; LAST FRONTIER, THE [TV] (AT, Simon Wincer, 1986) ; MAD MAX (AT, George Miller, 1979) ; MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985) ; MAD MAX II (AT, George Miller, 1981) ; NEIGHBOURS [TV] (AT, 1985-) ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; VIETNAM [TV] (AT, John Duigan & Chris Noonan, 1987) Summary: "These essays, written over a twenty year period, bring together important works from one of Australias leading cultural studies thinkers. The selected papers map the trajectory of our changing culture and the way the field of cultural, media and communication studies have adapted to accommodate these changes."--Provided by publisherNotes: Includes bibliographical references and indexISBN: 9780702236709
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Interim
book
The media & communications in Australia / edited by Stuart Cunningham and Graeme Turner Crows Nest, NSW: Allen & Unwin, 2002.
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The media in Australia : industries, texts, audiences / edited by Stuart Cunningham and Graeme Turner St Leonards, N.S.W.: Allen & Unwin, 1997.
Call No: 401(94) MEDAuthor: Cunningham, Stuart ; Turner, Graeme Edition: 2nd edPlace: St Leonards, N.S.W.Publisher: Allen & UnwinPubDate: 1997PhysDes: xviii, 490 p. : ill. ; 23 cmSubject: MEDIA. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; ADVERTISING. AUSTRALIA ; AUDIENCE RESEARCH. AUSTRALIA ; AUDIENCES. AUSTRALIA ; PAY TV. AUSTRALIA ; PRODUCTION. AUSTRALIA ; PRODUCTION, TV. AUSTRALIA ; NEWS PROGRAMMES. AUSTRALIA ; OWNERSHIP. AUSTRALIA ; POLITICS AND TV. AUSTRALIA ; GOVERNMENT CONTROL. AUSTRALIA ; VIOLENCE ON TV. AUSTRALIA ; DRAMAS. AUSTRALIA ; WOMEN AND TV. AUSTRALIA ; HOME VIDEO. AUSTRALIA ; RATINGS. AUSTRALIA ; Australian Broadcasting Tribunal ; COUNTRY PRACTICE, A [TV] (AT, 1981-1995?) ; PERFECT MATCH [TV] (AT, 1984-89?) Notes: Includes index; Bibliography: p. 441-467ISBN: 1864482737LON: 12826003
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Yet to catalogue
book
The Media in Australia : industries, texts, audiences / edited by Stuart Cunningham and Graeme Turner St Leonards, N.S.W.: Allen & Unwin, 1993.
Call No: 401(94) MEDCopy Management: Copy 1; Copy 2Author: Cunningham, Stuart ; Turner, Graeme Place: St Leonards, N.S.W.Publisher: Allen & UnwinPubDate: 1993PhysDes: xvi, 414 p. : ill. ; 23 cmNotes: CIP confirmed; Includes index; Bibliography: p. [369]-390ISBN: 1863733434 (pbk.) : $29.95LON: abn93464293; 10634637
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journal article
Nascent Innovation in Continuum (1987) vol.1 iss.1 p.93-99
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journal article
Parasites and hosts in Filmnews (Australia) (Oct-89) vol.XIX iss.10 p.6
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Social media entertainment : The new intersection of Hollywood and Silicon Valley / Stuart Cunningham ; David Craig New York: New York University Press, 2019.
Call No: 229.5(73) CUNAuthor: Cunningham, Stuart ; Craig, David Source: USPlace: New YorkPublisher: New York University PressPubDate: 2019PhysDes: x, 353 pages : figures, illustrations, tables ; 23 cmSubject: AUDIENCES ; INTERNET AND THE CINEMA ; SOCIAL MEDIA AND THE CINEMA ; AUDIENCE RESEARCH Summary: "How the transformation of social media platforms and user-experience have redefined the entertainment industry
In a little over a decade, competing social media platforms, including YouTube, Facebook, Twitter, Instagram, and Snapchat, have given rise to a new creative industry: social media entertainment. Operating at the intersection of the entertainment and interactivity, communication and content industries, social media entertainment creators have harnessed these platforms to generate new kinds of content separate from the century-long model of intellectual property control in the traditional entertainment industry.
Social media entertainment has expanded rapidly and the traditional entertainment industry has been forced to cede significant power and influence to content creators, their fans, and subscribers. Digital platforms have created a natural market for embedded advertising, changing the worlds of marketing and communication in their wake. Combined, these factors have produced new, radically shifting demands on the entertainment industry, posing new challenges for screen regimes, media scholars, industry professionals, content creators, and audiences alike.
Stuart Cunningham and David Craig chronicle the rise of social media entertainment and its impact on media consumption and production. A massive, industry-defining study with insight from over 100 industry insiders, Social Media Entertainment explores the latest transformations in the entertainment industry in this time of digital disruption." -- book blurbNotes: Includes bibliography, index, notesISBN: 9781479846894Contents: 1. Introduction -- 2. Platform strategy -- 3. Creator labor -- 4. Social media entertainment intermediaries -- 5. Authenticity, community, and brand culture -- 6. Cultural politics of social media entertainment -- 7. Globalizing social media entertainment -- 8. Conclusion
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