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in Australasian Cinema (Thursday, 10/5/ 1975) vol.3 iss.7 p.10 More info |
journal article |
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in Australasian Cinema (24/9/1982) vol.11 iss.17 p.4 More info |
journal article |
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in Australasian Cinema (16/07/1982) vol.11 iss.12 p.4 More info |
journal article |
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2SM's unique 'Moving Out' promotional launch in Australasian Cinema (10/6/1983) vol.12 iss.10 p.3 More info |
journal article |
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$26.7m investment down turn in Oz film and T.V. in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.15 More info |
journal article |
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The 33rd Sydney film festival in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.5 More info |
Yet to catalogue book |
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35mm dreams / Sue Mathews Ringwood, Vic.: Penguin, 1984. Call No: 802.25(94) MAT Author: Mathews, Sue, 1952 Source: AT Place: Ringwood, Vic. Publisher: Penguin PubDate: 1984 PhysDes: 295 p. : ill., ports. ; 20 cm Subject: DIRECTORS. AUSTRALIA; DIRECTION; INDUSTRY, FILM. AUSTRALIA; SCHEPISI, FRED; WEIR, PETER; ARMSTRONG, GILLIAN; DUIGAN, JOHN; MILLER, GEORGE Summary: "In this collection of interviews, five of Australia's most successful film directors discuss Australian cinema - from the startling resurgence of the industry to their roles as directors compared with those overseas. They talk about how films actually get made, their individual cinematic aspirations, and discuss issues such as whether Australian films should become more 'international'. These interviews make up a portion of new Australian cinema." [Book blurb] Notes: Australian cinema films. Directors. Interviews (ANB/PRECIS SIN 0699594); Australian cinema films (ANB/PRECIS SIN 0390917); Cover subtitle: Conversations with five directors about the Australian film revival; Filmography: p. 279-293 ISBN: 0140067094 : $9.95 Aust LON: anb14006709; 3025187 ID2: 161
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The 1983 AFI nominations in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.8 More info |
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'1984' wins awards Best Film, Best Actor in Australasian Cinema (Friday, 30/11/1984) vol.13 iss.20 p.4 More info |
journal article |
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1986 challenges showman in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.6 More info |
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450,000' of historical film located in first year of "Lost Film Search" in Australasian Cinema (29/10/1982) vol.11 iss.19 p.22 More info |
journal article |
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A.V.A. holds second convention in Australasian Cinema (13/5/1983) vol.12 iss.8 p.4 More info |
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ABKO films to make Sam Cooke biopic in Australasian Cinema (Friday, 26/4-2/5/1985) vol.14 iss.7 p.8 Subject: INDUSTRY, FILM Summary: Article on the announcement of 'A Change Is Gonna Come'
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Access lightbulb moments on tap in Canberra Times (26/10/2016) p.2 More info |
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Ace Buys Perth Properties in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.8 Subject: INDUSTRY, FILM. AUSTRALIA Summary: Piece on Ace Theatres' recent peoperty purchases for their offices in Perth, Western Australia
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Ace Promotions for "Stone" and "The Dove" in W.A. in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.9 More info |
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Ace Topper- John Pye retires in Australasian Cinema (15/7/1983) vol.12 iss.12 p.28 More info |
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Action cameras in Adelaide : Rod Nicholls reports on the rapidly growing South Australian Film Corporation in Lumiere (November, 1973) iss.29 p.16-19 More info |
journal article |
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Des Adams new chairman in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.5 More info |
journal article |
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Address by Alan Finney MPEAQ convention, 1983 in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.14-15 More info |
book |
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Address to the 40th Annual Motion Picture Industry Convention / [address by Kim Williams, Chief Executive, Australian Film Commission, late 1985] 1985. More info |
journal article |
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'Adroid' to Brazuk wutg 'Harry Tracy' and 'Scarab' in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.19 More info |
journal article |
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The Adventures of Barry McKenzie : Pommy View in Lumiere (December, 1972) iss.19 p.21-22 More info |
journal article |
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The Adventures of Barry McKenzie : Yanky View in Lumiere (December, 1972) iss.19 p.21-22 More info |
journal article |
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AFC and FFC put a new spin on the numbers in Encore (Feb 2000) vol.18 iss.1 p.6 More info |
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AFC information tax update in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.19 More info |
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Affinity Enterprises joins AFM Association in Australasian Cinema (22/7/1983) vol.12 iss.13 p.5 More info |
journal article |
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AFI news in Filmnews (Australia) (Jan-Feb 1980) vol.X iss.01-Feb p.1 More info |
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AFM selects Hollywood Palace for opening night in Australasian Cinema (11/2/1983) vol.12 iss.2 p.2 More info |
journal article |
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AFMA elects Andrew Vajna as president in Australasian Cinema (16/7/1982) vol.11 iss.12 p.35 More info |
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AFMA reveals sharp increase in new films for 1983 in Australasian Cinema (11/3/1983) vol.12 iss.2 p.1 More info |
book |
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Africa at the pictures / [edited by Keith Shiri] London: National Film Theatre, 1993. More info |
journal article |
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After The Fox : whither film culture? in Metro (2000) iss.121/122 p.9-12 More info |
serial |
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AIC newsletter : Arts Industry Council (Victoria) Melbourne: Arts Industry Council (Victoria), Call No: held vol.10 no.1- Feb.1999- CorpAuthor: Arts Industry Council (Victoria) Source: AT Place: Melbourne Publisher: Arts Industry Council (Victoria) PhysDes: vol. Subject: INDUSTRY, FILM. AUSTRALIA : VICTORIA Order Notes: Current
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Alex Massis to produce, Mizrahi to direct "Sutter's Gold" in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.8 More info |
Interim book |
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Alice in Movieland / by Alice M. Williamson New York: D. Appleton Company, 1928. More info |
journal article |
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All investment in $7.3m film filled in Australasian Cinema (15/7/1983) vol.12 iss.12 p.24 More info |
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Allan Collins in Australian Cinematographer (Dec 2014) iss.64 p.10-20 More info |
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Along film row in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.6, 9 Subject: INDUSTRY, FILM. AUSTRALIA Summary: Brief news items concerning numerous people working in the film industry throughout New South Wales, Victoria and Queensland
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Along film row in Australasian Cinema (Thursday, 31/10/1974) vol.2 iss.21 p.4,7 Subject: INDUSTRY, FILM. AUSTRALIA Summary: Brief news items concerning people working in the film industry throughout New South Wales, Victoria, Queensland and Western Australia
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Along film row in Australasian Cinema (Thursday, 10/5/ 1975) vol.3 iss.7 p.7 Subject: INDUSTRY, FILM. AUSTRALIA Summary: Brief news itemsconcerning numerous people working in the film industry throughout New South Wales, Victoria, Queensland and Western Australia
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Along film row in Australasian Cinema (Friday, 26/7-1/8, 1985) vol.14 iss.12 p.6-7 More info |
journal article |
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Along film row in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.7 More info |
journal article |
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Along film row in Australasian Cinema (Friday, 21-27/6/1985) vol.14 iss.10 p.6-7 More info |
journal article |
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Along Film Row in Australasian Cinema (Friday, 31/5-6/6/1985) vol.14 iss.9 p.6-7 More info |
journal article |
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Along Film Row in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.6-7 More info |
journal article |
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Along film row in Australasian Cinema (Friday, 26/4-2/5/1985) vol.14 iss.7 p.6 More info |
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Along film row in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.6 More info |
journal article |
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Along film row in Australasian Cinema p.6-7 More info |
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Along Film Row in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.6 More info |
journal article |
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Along film row in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.9 More info |
journal article |
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Along film row in Australasian Cinema (16/9/1983) vol.12 iss.17 p.25-27 More info |
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Along Film Row in Australasian Cinema (Friday, 2/9/1983) vol.12 iss.16 p.4-7 More info |
journal article |
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Along film row in Australasian Cinema (19/8/1983) vol.12 iss.15 p.5-7 More info |
journal article |
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Along film row in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.18-21 More info |
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Along film row in Australasian Cinema (15/7/1983) vol.12 iss.12 p.34, 36-37 More info |
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Along film row in Australasian Cinema (24/6/1983) vol.12 iss.11 p.5-7 More info |
journal article |
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Along film row in Australasian Cinema (10/6/1983) vol.12 iss.10 p.6-7 More info |
journal article |
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Along Film Row in Australasian Cinema (27/5/1983) vol.12 iss.9 p.10-11 More info |
journal article |
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Along Film Row in Australasian Cinema p.10-12 More info |
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Along Film Row in Australasian Cinema (29/4/1983) vol.12 iss.7 p.9-11 More info |
journal article |
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Along Film Row in Australasian Cinema (15/4/1983) vol.12 iss.6 p.14-15 More info |
journal article |
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Along Film Row in Australasian Cinema (25/3/1983) vol.12 iss.5 p.6-7 More info |
journal article |
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Along Film Row in Australasian Cinema (11/3/1983) vol.12 iss.4 p.6-7 More info |
journal article |
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Along Film Row in Australasian Cinema (25/2/1983) vol.12 iss.3 p.6-8 More info |
journal article |
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Along Film Row in Australasian Cinema (11/2/1983) vol.12 iss.2 p.4, 6-7 More info |
journal article |
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Along Film Row in Australasian Cinema (11/2/1983) vol.12 iss.2 p.6-7 More info |
journal article |
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Along Film Row in Australasian Cinema (28/1/1983) vol.12 iss.1 p.14 More info |
journal article |
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Along Film Row in Australasian Cinema (29/10/1982) vol.11 iss.19 p.26-27 More info |
journal article |
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Along Film Row in Australasian Cinema (12/11/1982) vol.11 iss.20 p.10-11 More info |
journal article |
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Along Film Row in Australasian Cinema (15/10/1982) vol.11 iss.18 p.8 More info |
journal article |
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Along Film Row in Australasian Cinema (10/9/1982) vol.11 iss.16 p.10-11 More info |
journal article |
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Along Film Row in Australasian Cinema (27/8/1982) vol.11 iss.15 p.34-36 More info |
journal article |
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Along Film Row in Australasian Cinema (6/8/1982) vol.11 iss.14 p.12, 14-15 More info |
journal article |
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Along Film Row in Australasian Cinema (23/07/1982) vol.11 iss.13 p.6 More info |
journal article |
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Along Film Row in Australasian Cinema (16/7/1982) vol.11 iss.12 p.36-38 More info |
journal article |
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Along Film Row in Australasian Cinema (25/6/1982) vol.11 iss.11 p.6-7 More info |
journal article |
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Along Film Row in Australasian Cinema (18/6/1982) vol.11 iss.10 p.10-11 More info |
journal article |
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Along the Rialto in Australasian Cinema (Thursday, 31/10/1974) vol.2 iss.21 p.6 More info |
journal article |
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Amalgamated Theatres N.Z. now owned by Chase Holdings Ltd. in Australasian Cinema (10/9/1982) vol.11 iss.16 p.1 More info |
Special issue serial |
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American cinematographer : Shooting in the U.K. July 1998. More info |
newspaper article |
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American export monopoly calls the tune in Australian Financial Review (27/06/1972) p.15 Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIA Author: McGuinness, P. P. PhysDes: Clippings File Article Subject: INDUSTRY, FILM. AUSTRALIA; DISTRIBUTION. AUSTRALIA Summary: Third in a series of articles looking at the state of the Australian film industry in 1972. Analysis of large American film distribution companies and their control of film distribution in Australia. Notes: located in the INDUSTRY, FILM. AUSTRALIA. 1972 clippings file
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American Film Genre : An Interview with John Cawelti in Wide Angle (1978) vol.2 iss.2 p.50-57 More info |
book |
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The American film industry / edited by Tino Balio Madison, Wis.: University of Wisconsin Press, c1985. Call No: 71(73) AME Author: Balio, Tino Edition: Rev. ed Place: Madison, Wis. Publisher: University of Wisconsin Press PubDate: c1985 PhysDes: xi, 664 p. : ill. ; 23 cm Subject: USA; INDUSTRY, FILM. USA Notes: Includes indexes; Bibliography: p. 633-643 ISBN: 0299098745 (pbk.) : $14.95; 0299098702 (hard) : $32.50 LON: 3666491 3666491
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The American film industry : A historical dictionary Westport, Connecticut: Greenwood Press, 1986. Call No: 201(73) SLI Author: Slide, Anthony Place: Westport, Connecticut Publisher: Greenwood Press PubDate: 1986 PhysDes: 24 cm ; x,432 pages Subject: INDUSTRY, FILM. USA ISBN: 0313246939 AFIRC Location: Stacks
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American Film Market being restricted in Australasian Cinema (28/5/1982) vol.11 iss.9 p.1 More info |
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American Film Market sideline in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2 More info |
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American Film Marketing Assocn. appoints DDA in Australasian Cinema (29/10/1982) vol.11 iss.19 p.11 More info |
book |
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Anatomy of the movies / edited by David Pirie London: W. H. Smith & Son Ltd, 1981. Call No: 201(73) ANA Author: Pirie, David Source: UK Place: London Publisher: W. H. Smith & Son Ltd PubDate: 1981 PhysDes: 320 p. : illus. ; 26 cm Subject: INDUSTRY, FILM. USA Summary: Inside the film industry: the money, the power, the people, the craft, the movies. Notes: Includes index. ISBN: 0711200645 ID2: 228
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Andrew Vial looks at makeup & effects in Australian films in Australasian Cinema (29/10/1982) vol.11 iss.19 p.22 More info |
journal article |
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Los Angeles raves over "Starstruck" in Australasian Cinema (28/1/1983) vol.12 iss.1 p.11 More info |
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Angus & Robertson video library at two Visionhire branches in Australasian Cinema (10/6/1983) vol.12 iss.10 p.1 More info |
book |
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Another cinema for another society / Gaston Roberge Calcutta: Seagull Books, 1985. Call No: 408.1(540) ROB Author: Roberge, Gaston Source: II Place: Calcutta Publisher: Seagull Books PubDate: 1985 PhysDes: 151p. : ill. ; 22cm Subject: CRITICISM; HISTORY OF CINEMA. INDIA; INDUSTRY, FILM. INDIA; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES; POLITICS AND THE CINEMA; SOCIETY AND THE CINEMA; BAZIN, ANDRE; EISENSTEIN, SERGEI M.; RAY, SATYAJIT; WELLES, ORSON; BRON, PETER; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); GANDHI (UK/II, Richard Attenborough, 1982); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NAPOLEON (FR, Abel Gance, 1927) Summary: "Father Gaston Roberge, Director of Chitrabani, a Calcutta-based institution involved in development communication, and a media critic in his own right, with five title to his credit already, proposes, in his latest work, a militant programme... for another cinema committed to the building up of another society.' He offers revaluations of the established systems of film aesthetics, with fresh insights into the thoughts and works of Eisenstein, Bazin, Welles, and Ray; before analysing the Indian social scene in depth and detail, to suggest a comprehensive model for a parallel Indian cinema, complete with a new scheme for film and media education for the new cinema" -Book blurb ISBN: 0861320751 Donation: donated by the family of Wayne Levy, 2006 Contents: Preface -- Part one: cinema -- Introduction: a militant programme -- What is it in cinema that makes it cinema -- Montage: the formative principle -- An anthropology of the cinema -- An exercise in film appreciation or the magnificent Andre Bazin -- Author-ity, text-uality and read-in(g) -- Part two: society -- The end of a film era -- Nine and one facts and not a few illusions -- Of many movies and some words to talk about them -- Films for social change -- Politics in film -- The politics of non-political cinema -- The cultural and social influence of foreign films -- History through films and filmed history -- Conclusion -- Film education for a new movie-man -- index
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Another winner for Q'Land M.P.E.A. : The 37th "Movie Market '82" Convention hits new triumphant high in Australasian Cinema (6/8/1982) vol.11 iss.14 p.4-5 More info |
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Any year in the MPI is exciting in Australasian Cinema (15/7/1983) vol.12 iss.12 p.3 More info |
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Anzac Day March and Re-union 1983 1st Australian Cinema Unit Assoc. in Australasian Cinema (25/3/1983) vol.12 iss.5 p.2 More info |
book |
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Arrows of desire : new directions in British film and video : an international tour / selected by Peter Wollen ; [notes by Michael O'Pray] London: ICA, Institute of Contemporary Arts, 1993?]. More info |
journal article |
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The art of horror in Lumina (2009) iss.1 p.84-91 Author: Cameron, Allan PhysDes: Article Subject: HORROR FILMS. AUSTRALIA; GENRES; INDUSTRY, FILM. AUSTRALIA; AUDIENCES. AUSTRALIA Summary: Article discussing the tension between government funded films and the so called 'low-brow' films that proved popular with Australian audiences: sex comedies, action thrillers and horror movies. Cameron argues that horror films need not be arthouse to be art so the binary logic of current debates - low 'genuine' horror vs acceptable, well made - is a disservice to the genre.
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Artburst! : growth in arts demand and supply over two decades, the summary / by Gary Martin Redfern, N.S.W.: Australia Council, 1992. More info |
book |
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Artburst! : growth in arts demand and supply over two decades / by Hans Hoegh Guldberg Redfern, N.S.W.: Australia Council, 1992. More info |
journal article |
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Arthur Stiles retires : Film man of year 1984 calls it a day- Allan Stiles new chief exec. in Australasian Cinema (Friday, 26/7-1/8, 1985) vol.14 iss.12 p.1 More info |
book |
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The Arts : some Australian data Redfern, N.S.W.: Australia Council for the Arts, 1996. More info |
book |
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Arts 21 : the Victorian government's strategy for the arts into the twenty-first century Melbourne: Arts Victoria, 1994. More info |
book |
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Artswork : a report on Australians working in the arts / prepared for the Australia Council by the Australian Bureau of Statistics, National Centre for Culture and Recreation Statistics Strawberry Hills, N.S.W.: Australia Council for the Arts, 1997. More info |
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Asian Film in Wide Angle (July 1989) vol.11 iss.3 p.[whole issue] Author: Rothschild, Wayne (ed) PhysDes: Article Subject: INDUSTRY, FILM. ASIAN COUNTRIES; INDUSTRY, FILM. JAPAN; INDUSTRY, FILM. ISRAEL; INDUSTRY, FILM. CHINA; INDUSTRY, FILM. HONG KONG Summary: Articles on Asian cinema. 'Reconsidering Modernism: Japanese Film and the Postmodern Context', 'Back to Japan: Militarism and Monumentalism in Prewar Japanese Cinema', 'Accomodation and Resistance: Expression of Working-Class Values Through Tamil Cinema', 'Anomalies of the National: Representing Israel/Palestine', 'Towards a Cultural Understanding of Cinema: A Comparison of Contemporary Films from the People's Republic of China and Hong Kong'.
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The Asian film industry / John A. Lent Bromley: Christopher Helm, 1990. More info |
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Asian TV trainees at National Film Archive in Australasian Cinema (Friday, 2/9/1983) vol.12 iss.16 p.2 More info |
book |
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Attendance at selected cultural venues March 1995 [Canberra]: Australian Bureau of Statistics, 1995. Call No: 410.3(94) ATT CorpAuthor: Australian Bureau of Statistics Place: [Canberra] Publisher: Australian Bureau of Statistics PubDate: 1995 PhysDes: v, 46 p. : ill. ; 30 cm Subject: STATISTICS. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; AUDIENCE RESEARCH. AUSTRALIA; AUDIENCES. AUSTRALIA Summary: Contains data on the frequency of attendance and characteristics of people 18 years and over who have attended libraries, museums, art galleries, pop concerts, music, dance, theatre performances and classical musical concerts during the 12 months prior to the survey Notes: Includes tables; Catalogue no. 4114.0 ISBN: 0642206996 LON: 12020268
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Aussie movies sidelined by Hollywood in Sydney Morning Herald [Business News] (07/03/2015) p.2 More info |
Interim book |
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Aussiewood : Australia's leading actors and directors tell how they conquered Hollywood Crows Nest, NSW: Allen & Unwin, 2004. Call No: 802 BOL Author: Boland, M.; Bodey, M. Place: Crows Nest, NSW Publisher: Allen & Unwin PubDate: 2004 PhysDes: 294 p. ; ill. ; 23 cm Subject: ACTORS. AUSTRALIA; INDUSTRY, FILM. USA; DIRECTORS. AUSTRALIA Summary: Australia’s leading actors and directors tell how they conquered Hollywood. Includes chapters on Nicole Kidman, Eric Bana, Geoffrey Rush, Naomi Watts, Anthony LaPaglia, Phillip Noyce, Paul Hogan and more. Notes: Bibliogrpahy
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Aust. film & television school celebrates ten years in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.6 More info |
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Australia's audiovisual markets : key statistics on Australia's cinema, video, television and interactive media markets / edited by Cathy Gray and Rosemary Curtis Sydney [New South Wales]: Australian Film Commission, 2004. Call No: 20(94) AUS Author: Australian Film Commission Edition: 1st edition Source: AT Place: Sydney [New South Wales] Publisher: Australian Film Commission PubDate: 2004 PhysDes: 96 pages : colour charts ; 30 cm Series: Get the picture Subject: INDUSTRY, FILM. AUSTRALIA; STATISTICS. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; PRODUCTION. AUSTRALIA; DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA Summary: Australia's Audiovisual Markets is the first of a new series of publications which feature key data from Get the Picture Online, the Australian Film Commission's comprehensive web-based statistics collection. Its graphic style and short chunks of information complement the detailed data available online to provide a unique perspective on the state of Australia's cinema, video, television and interactive media markets. -Taken from back cover. Notes: Includes an index; Includes a list of abbreviations ISBN: 1920988004 ID2: 145
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Australia's film industry / Simon Brand Sydney: Australian Knowledge, 1987. Call No: 71(94) BRA Author: Brand, Simon, 1951 Place: Sydney Publisher: Australian Knowledge PubDate: 1987 PhysDes: 16 p. : ill. (some col.), ports. ; 28 cm Series: Australian knowledge ; no. 10 Subject: AUSTRALIA; INDUSTRY, FILM. AUSTRALIA Notes: Cover title ISBN: 0864350104 LON: 5446371
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Australia's most liveable city in Encore (May 2012) p.33-41 More info |
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Australia to do overseas film processing in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.3 PhysDes: Article Subject: RISKY BUSINESS (US, Paul Brickman, 1983); INDUSTRY, FILM. AUSTRALIA Summary: Article on how Australian film labs are now able to process foreign film titles such as 'Risky Business' for exhibition and distribution. This is in relation to a government election promise with the hope it will creatre more jobs and imrove local talent.
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Australian box office report in Australasian Cinema (14/5/1982) vol.11 iss.8 p.8 More info |
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Australian Box-Office Reports in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.10 More info |
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Australian box office reports in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.10 More info |
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Australian box office reports in Australasian Cinema (16/9/1983) vol.12 iss.17 p.28 More info |
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Australian box office reports in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.24 More info |
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Australian box office reports in Australasian Cinema (22/7/1983) vol.12 iss.13 p.8 More info |
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australian box office reports in Australasian Cinema (15/7/1983) vol.12 iss.12 p.38 More info |
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Australian box office reports in Australasian Cinema (24/6/1983) vol.12 iss.11 p.8 More info |
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Australian box office reports in Australasian Cinema (10/6/1983) vol.12 iss.10 p.8 More info |
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Australian box office reports in Australasian Cinema (25/2/1983) vol.12 iss.3 p.10 More info |
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Australian box office reports in Australasian Cinema (28/1/1983) vol.12 iss.1 p.16 More info |
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Australian box office reports in Australasian Cinema (12/11/1982) vol.11 iss.20 p.12 More info |
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Australian box office reports in Australasian Cinema (27/8/1982) vol.11 iss.15 More info |
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Australian box office reports in Australasian Cinema (23/07/1982) vol.11 iss.13 p.8 More info |
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Australian box office reports in Australasian Cinema (16/7/1982) vol.11 iss.12 p.39 More info |
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Australian box office reports in Australasian Cinema (25/6/1982) vol.11 iss.11 p.8 More info |
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Australian box office reports in Australasian Cinema (28/5/1982) vol.11 iss.9 p.10 More info |
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Australian box office reports in The australasian Cinema (2/4/1982) vol.11 iss.5 p.14 More info |
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Australian Broadcasting Tribunal inquiry into film and television co-productions information paper, March 1991, IP/ 91/ 016 - R1 / Australian Broadcasting Tribunal [North Sydney]: Australian Broadcasting Tribunal, 1991. Call No: 212.1(94) AUS Source: AT Place: [North Sydney] Publisher: Australian Broadcasting Tribunal PubDate: 1991 PhysDes: 1 v. (various pagings) ; 30 cm Subject: AUSTRALIAN BROADCASTING TRIBUNAL; COPRODUCTION. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; INDUSTRY, TV. AUSTRALIA Summary: Information paper pertaining to an inquiry into Australian film and television co-productions, with a view to invite relevant industry bodies and the public to submit their thoughts on the inquiry's terms of reference. The information paper includes material on; how the Australianess content of tv shows and films are measured for quota purposes, summary of the 1988 Part indigenous drama co-productions inquiry, exisiting film co-production agreements and application guidelines Contents: Terms of reference for inquiry -- Appendix A: Television program standard (TPS) 14. Australian content of television programs -- Appendix B: Australian content inquiry, Part indigenous drama co-productions discussions paper - summary of submissions [1988] -- Appendix C: Films co-production agreement between the government of Australia and the government of the United Kindom of Great Britain and Northern Ireland -- Appendix D: Films co-production agreement between the government of Australia and the government of Canada -- Appendix E: Australian Film Commission international co-production program: Application guidelines, November 1990
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Australian cinema : industry, narrative and meaning / John Tulloch Sydney: George Allen & Unwin, 1982. Call No: 71(94) TUL Author: Tulloch, John, 1942 Place: Sydney Publisher: George Allen & Unwin PubDate: 1982 PhysDes: 272 p. : ill. ; 23 cm Subject: AUSTRALIA; IMPERIALISM AND THE CINEMA. AUSTRALIA; STATE AND THE CINEMA. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; NARRATIVE IN FILMS. AUSTRALIA; HALL, KEN G.; AUSTRALASIAN FILMS; SMITH, BEAUMONT; HOWE, W.J.; DOYLE, STUART; KRACAUER, SIEGFRIED; BREAKING OF THE DROUGHT, THE (AT, Franklyn Barrett, 1920); HORDEN MYSTERY, THE (AT, Harry Southwell, 1920); JUNGLE WOMAN, THE (AT, Frank Hurley, 1926); LIFE STORY OF JOHN LEE - THE MAN THEY COULDN'T HANG, THE (AT, Arthur W. Sterry, 1921); HAYSEEDS, THE (AT, Beaumont Smith, 1933); MAN FROM KANGAROO, THE (AT, Wilfred Lucas, 1920); SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933) Notes: Cinema industries. Australia, ca 1920- ca 1940 (ANB/PRECIS SIN 0527041); Ill. on lining papers; Includes bibliographical references and index ISBN: 0868611484 (pbk.); 0868611409 : price unknown LON: 2138387
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Australian cinema : the first eighty years / Graham Shirley & Brian Adams Sydney: Angus & Robertson, 1983. Call No: 71(94) SHI Author: Shirley, Graham, 1949; Shirley, Graham, 1949; Adams, Brian, 1934 Place: Sydney Publisher: Angus & Robertson PubDate: 1983 PhysDes: x, 325 p., [24] p. of plates : ill. ; 22 cm Subject: AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) Notes: Australian cinema films, 1896-1980 (ANB/PRECIS SIN 0622443); Includes index; Includes bibliography: p. 305-308 ISBN: 0207145814 : price unknown LON: anb20714581; 2419431 ID2: 38 URL status: URL: 'http://-'
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Australian cinema in the 1990s / editor, Ian Craven London: Frank Cass, 2001. Call No: 71(94) AUS Author: Craven, Ian Place: London Publisher: Frank Cass PubDate: 2001 PhysDes: 239 p. ; 22 cm Subject: AUSTRALIA; MULTICULTURALISM AND THE CINEMA. AUSTRALIA; ABORIGINAL AUSTRALIANS ON TV; GONSKI REPORT; INDUSTRY, FILM. AUSTRALIA; LANDSCAPES IN FILMS. AUSTRALIA; MEN IN FILMS. AUSTRALIA; NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA; SUBURBS IN FILMS. AUSTRALIA; SOCIETY AND TV; DINGO, ERNIE; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); BABE (AT, Chris Noonan, 1995); BIG STEAL, THE (AT, Nadia Tass, 1990); CASTLE, THE (AT, Rob Sitch, 1997); DEATH IN BRUNSWICK (AT, John Ruane, 1991); HEARTBREAK KID, THE (AT, Michael Jenkins, 1993); HEARTLAND [TV] (AT, 1994); IDIOT BOX (AT, David Caesar, 1996); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); LOVE SERENADE (AT, Shirley Barrett, 1996); METAL SKIN (AT, Geoffrey Wright, 1994); MONKEY GRIP (AT, Ken Cameron, 1982); MURIEL’S WEDDING (AT, P.J. Hogan, 1994); STRICTLY BALLROOM (AT, Baz Luhrmann, 1992) Notes: Includes index and bibliography ISBN: 0714649740; 0714680346(pbk.) : ª16.50 LON: 21663632 Contents: 1. Australian cinema towards the millennium / Ian Craven -- 2. Patterns of production and policy: the Australian film industry in the 1990s / Lisa French -- 3. Unhappy endings: the heterosexual dynamic in Australian film / Nigel Spence and Leah McGirr -- 4. Vulnerable bodies: creative disabilities in contemporary Australian film / Liz Ferrier -- 5. Becoming a man in Australian film in the early 1990s: The big steal, Death in Brunswick, Strictly ballroom and The heartbreak kid / Philip Butterss -- 6. His natural whiteness: modes of ethnic presence and absence in some recent Australian films / David Callahan -- 7. All quiet on the western front? Suburban reverberations in recent Australian cinema / Ben Goldsmith -- 8. Romance and sensation in the 'glitter' cycle / Emily Rustin -- 9. A pig in space? Babe and the problem of landscape / Tara Brabazon -- 10. The castle: 1997's 'battlers' and the ir/relevance of the aesthetic / Stephen Crofts -- 11. Idiot box: television, urban myths and ethical scenarios / Kaye Ferres -- 12. Ernie Dingo: reconciliation (a love story forged against the odds?) / Alan McKee -- Australian cinema in the 1990s: filmography / Samantha Searle -- Australian cinema in the 1990s: a select bibliography / Linda Smith ID2: 306
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Australian cinema's dark sun in Studies in Australasian cinema (2010) vol.4 iss.1 p.23-41 Author: Ryan, Mark David PhysDes: Article Subject: HORROR FILMS. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; FUNDING. AUSTRALIA; AUDIENCES. AUSTRALIA; WOLF CREEK (AT, Greg McLean, 2005) Summary: This article argues that the renaissance of Australian horror films in the 2000s has been driven by intersecting international market forces, domestic financing factors and technological change. It argues for two distinct tiers of production with different financing, production and distribution models. Notes: There has been a boom in Australian horror movie production in recent years.
Daybreakers (2010), Wolf Creek (2005), Rogue (2007), Undead (2003), Black
Water (2008), and Storm Warning (2006), among others, have all experienced
varying degrees of popularity, mainstream visibility and cult success in worldwide
horror markets. While Aussie horror’s renaissance is widely acknowledged in industry
literature, there is limited research into the extent of the boom and the dynamics
of production. Consequently, there are few explanations for why and how this
surge has occurred. This article argues that the recent growth in Australian horror
films has been driven by intersecting international market forces, domestic financing
factors and technological change. In so doing, it identifies two distinct tiers of
Australian horror film production: ‘mainstream’ and ‘underground’ production,
though overlap between these two tiers results in ‘high-end indie’ films capable of
cinema release. Each tier represents the high and low ends of Australian horror film
production, each with different financing, production and distribution models. -- Abstract
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Australian cinemas hopefully riding their own "J" curve in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.3 More info |
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Australian editions to AFC Office, LA in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2 More info |
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Australian feature films, 1930-1939 : a critical bibliography / by Andrea C. Allard Melbourne: Australian Film Institute Research & Information, 1983. Call No: 71(94)(01) ALL Copy Management: Copy 1; Copy 2; Copy 3 Author: Allard, Andrea C CorpAuthor: Australian Film Institute. Research & Information Centre Place: Melbourne Publisher: Australian Film Institute Research & Information PubDate: 1983 PhysDes: xi, 79, [12] p. ; 30 cm Series: A.F.I. Research & Information bibliography Subject: AUSTRALIA; INDUSTRY, FILM. AUSTRALIA Notes: Australian films, 1930-1939. Documents on Australian films. Lists (ANB/PRECIS SIN 0725129); Cinema industries, 1930-1939. Australia. Bibliographies (ANB/PRECIS SIN 0725137) ISBN: 0908023073 LON: 2993513
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Australian Film Commission : Projects Approved at June, July and August AFCE Meetings in Australasian Cinema (12/11/1982) vol.11 iss.20 p.4 PhysDes: Article Subject: INDUSTRY, FILM. AUSTRALIA; AUSTRALIAN FILM COMMISSION; FUNDING. AUSTRALIA; NAKED UNDER CAPRICORN (AT, Rob Stewart, 1988); UMBRELLA WOMAN, THE (AT, Ken Cameron, 1986); SILVER CITY (AT, Sophia Turkiewicz, 1984); LION IN THE DOORWAY, THE (AT, John Pradhubodh Walker, 1983); LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983) Summary: Films approved for funding by the Australian Film Commission.
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Australian Film Commission in Australasian Cinema (10/9/1982) vol.11 iss.16 p.8-9 More info |
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Australian Film Council Newsletter in Lumiere (September 1970) vol.1 iss.4 p.45-48 More info |
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Australian Film Development Corp's financial support of film projects in Australasian Cinema (Thursday, 10/5/ 1975) vol.3 iss.7 p.2 More info |
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Australian film esthetics in Lumiere (March, 1974) iss.32 p.4-7 Author: Lowe, Barry PhysDes: Article Subject: INDUSTRY, FILM. AUSTRALIA; LANDSCAPES IN FILMS. AUSTRALIA; WALKABOUT (AT, Charles Chauvel, 1958); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); NED KELLY (AT/UK, Gregor Jordan, 2003); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) Summary: An analysis of the emerging aesthetics of current Australian films which, Lowe argues, is showing two main themes: mateship and the outback.
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Australian film fair directory / Australian Film Commission Pymble, N.S.W: Playbill in association with the Australian Film Fair, 1983. More info |
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Australian Film Festival : New York 1978 press digest / New South Wales Film Corporation Australian Films Office Inc. New South Wales Film Corporation Australian Films Office Inc., [1978]. Call No: 151(73) AUSTRALIAN "1978" CorpAuthor: New South Wales Film Corporation Australian Films Office Inc. Source: AT Publisher: New South Wales Film Corporation Australian Films Office Inc. PubDate: [1978] PhysDes: 32 leaves : illustrations ; 30 cm Subject: FESTIVALS. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; NEW SOUTH WALES FILM CORPORATION; NOYCE, PHILLIP; SHARMAN, JIM; THOMPSON, JACK; CADDIE (AT, Donald Crombie, 1976); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); NEWSFRONT (AT, Phillip Noyce, 1978); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978); STORM BOY (AT, Henri Safran, 1976); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) Summary: A collection of clippings from US print media relating to the Australian Film Festival in 1978.
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Australian Film Industry Trust Fund established in Australasian Cinema (15/7/1983) vol.12 iss.12 p.14 More info |
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[Australian Film Institute] Newsletter Carlton South, Vic.: Australian Film Institute, Call No: Held: vol. 1, no.1 (Autmn 1985); vol. 1, no. 2 (Spring 1985); vol. 1, no. 7 (Spring 1987) CorpAuthor: The Institute Source: AT Place: Carlton South, Vic. Publisher: Australian Film Institute Subject: AUSTRALIAN FILM INSTITUTE; INDUSTRY, FILM. AUSTRALIA Notes: Continues Australian Film Institute newsletter; Continued by AFI Newsletter
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Australian films at A.F.M. in Australasian Cinema (11/3/1983) vol.12 iss.4 p.1 PhysDes: Article Subject: AUSTRALIAN FILM COMMISSION; NEW SOUTH WALES FILM CORPORATION; INDUSTRY, FILM. AUSTRALIA; CLINIC, THE (AT, David Stevens, 1982); DUSTY (AT, John Richardson, 1983); DEAD EASY (AT, Bert Deling, 1982); FIGHTING BACK (AT, Michael Caulfield, 1982); GINGER MEGGS (AT, Jonathan Dawson, 1982); NORMAN LOVES ROSE (AT, Henri Safran, 1982); DOUBLE DEAL (AT, Brian Kavanagh, 1983); EARLY FROST (AT, Brian McDuffie, 1981); FAR EAST (AT, John Duigan, 1982); MIDNITE SPARES (AT, Quentin Masters, 1983); NEXT OF KIN (AT, Tony Williams, 1982); UNDERCOVER (AT, David Stevens, 1983); KITTY AND THE BAGMAN (AT, Donald Crombie, 1982); TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) Summary: Article on australian films screened at the American Film Market
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Australian films score fest. award in Australasian Cinema (12/11/1982) vol.11 iss.20 p.1 PhysDes: Article Subject: ANGELS OF WAR (AT, Andrew Pike & Hank Nelson & Gavan Daws, 1982); PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982); WOMEN OF THE SUN [TV] (AT, James Ricketson, David Stevens, Stephen Wallace, Geoffrey Nottage, 1982); FESTIVALS; INDUSTRY, FILM. AUSTRALIA Summary: Article on Australian films at the 14th Nylon International Film Festival in Switzerland.
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Australian motion picture yearbook 1980 / edited by Peter Beilby ; associate editor: Scott Murray North Melbourne, Victoria: Cinema Papers Pty Ltd, 1980. More info |
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Australian national cinema / Tom O'Regan London New York: Routledge, 1996. Call No: 408.1(94) ORE Copy Management: 2 copies Author: O'Regan, Tom, 1956 Place: London New York Publisher: Routledge PubDate: 1996 PhysDes: ix, 405 p. ; 24 cm Series: National cinemas series Subject: INDUSTRY, FILM. AUSTRALIA; POPULAR CULTURE AND THE CINEMA. AUSTRALIA; SOCIETY AND THE CINEMA. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; CRITICISM. AUSTRALIA Notes: Includes bibliographical references (p. [376]-391) and indexes ISBN: 0415057310 (pbk.); 0415057302 LON: 12193364 Contents: 1. Introducing Australian national cinema -- 2. Theorizing Australian cinema -- 3. A national cinema -- 4. A medium-sized English-language cinema -- 5. Formations of value -- 6. Making meaning -- 7. Diversity -- 8. Unity -- 9. Negotiating cultural transfers -- 10. A distinct place in the cinema -- 11. Problematizing the social -- 12. Problematizing gender -- 13. Problematizing nationhood -- 14. Critical dispositions.
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"Australian-ness" and the film industry : between rhetorics of business and national culture / by Susan Dermody in collaboration with Elizabeth Jacka Broadway, [NSW]: News South Wales Institute of Technology, More info |
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Australian popular culture / edited by Ian Craven with Martin Gray and Geraldine Stoneham Melbourne, Australia: Cambridge University Press, published in association with Australian Studies and the British Australian Studies Association, 1994. Call No: 408.1(94) CRA Author: Craven, Ian; Gray, Martin; Stoneham, Geraldine Source: UK Place: Melbourne, Australia Publisher: Cambridge University Press, published in association with Australian Studies and the British Australian Studies Association PubDate: 1994 PhysDes: 228 pages, 2 folded leaves ; 24 cm Series: Australian cultural studies Subject: COPRODUCTION. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; POPULAR CULTURE AND THE CINEMA. AUSTRALIA; POPULAR CULTURE AND TV. AUSTRALIA Summary: "Australia's leisure culture is legendary, and as millions of British viewers of Neighbours, fans of Yothu Yindi or drinkers of Castlemaine XXXX would attest, Australian popular culture is popular outside of Australia. Australian Popular Culture is an exciting collection of essays bringing together new perspectives on the nature and meaning of a nation's changing life. The collection also explores the idea of popular culture at large. Leading authors represent a range of approaches, backgrounds and fields to explore subjects of wide interest within the categories of 'the everyday', 'the mass media' and 'critical theory'. Chapters are devoted to the Aussie Back Yard; Vegemite; postage stamps; Australian Rules football; the introduction of television; Crocodile Dundee; The Lindy Chamberlain Affair; Spycatcher; Domesticity, leisure and love and Postmodernism and Australian Culture." -Publisher description. Notes: 2 folded leaves inserted into back of book, entitled "Australian historical studies, style sheet for book reviewers"; Some text highlighted pages 66-76 ISBN: 0521466679 Contents: Introduction -- Part I. Popular Culture as the Everyday: 1. A brief cultural history of vegemite Robert White -- 2. The Australian back yard George Seddon -- 3. Stamp duty Xavier Pons -- 4. Australian football as secular religion Stephen Alomes -- Part II. Popular Culture and the 'Mass' Media: 5. Controlling the technology of popular culture and the introduction of television to Australia James Walter -- 6. 'Crocodile Dundee': the revival of American virtue Ruth Brown -- 7. The Boys from the Bush: television coproduction in the 1990s Ian Craven -- 8. Patterns of control in Australian crime fiction Stephen Knight -- 9. National fictions and the 'Spycatcher' trial Kevin Foster -- 10. Naturalising 'horror stories': Australian crime news as popular culture Christine Higgins -- Part III. Popular Culture and Critical Theory: 11. How to be a singer though married: domesticity, leisure and modern love Kay Ferres -- 12. The Wild Colonial Boy rides again and again: an Australian legend abroad Grahame Seal -- 13. Shaping the Plain Australian: Social analysis in the 1940s and 1950s Nicholas Brown -- 14. 'On the Beach': Apocalyptic hedonism and the origins of postmodernism Andrew Milner.
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Australian presence in Cannes '82 in The Australasian Cinema (16/07/1982) vol.11 iss.12 p.11 More info |
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Australian product Cannes Film Festival, 1982 in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2 PhysDes: Article Subject: HEATWAVE (AT, Phillip Noyce, 1981); MONKEY GRIP (AT, Ken Cameron, 1982); STARSTRUCK (AT, Gillian Armstrong, 1982); FREEDOM (AT, Scott Hicks, 1982); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982); KITTY AND THE BAGMAN (AT, Donald Crombie, 1982); FIGHTING BACK (AT, Michael Caulfield, 1982); NORMAN LOVES ROSE (AT, Henri Safran, 1982); SQUIZZY TAYLOR (AT, Kevin Dobson, 1982); INDUSTRY, FILM. AUSTRALIA; CANNES FILM FESTIVAL; ADVERTISING FOR FILMS Summary: Article on the Australian Film Commission helping to organise the promotion of numerous Australian films at the Cannes Film Festival.
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Australian variety Sydney: Martin C. Brennan, 1913-1916. Call No: MICROFILM - vol. 1, no. 1 (1913) - May 31, 1916 Place: Sydney Publisher: Martin C. Brennan PubDate: 1913-1916 Subject: INDUSTRY, FILM. AUSTRALIA Notes: Issues from Jan. 6 1915-Jan 12, 1916 titled: Australian variety and sports gazette
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Australian variety and show world Sydney: Martin C. Brennan, 1916-1921. More info |
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The avocado plantation : boom and bust in the Australian film industry / David Stratton Chippendale, N.S.W.: Pan Macmillan, 1990. Call No: 71(94) STR Author: Stratton, David Place: Chippendale, N.S.W. Publisher: Pan Macmillan PubDate: 1990 PhysDes: xiii, 465 p. : ill. ; 25 cm Subject: FILMOGRAPHIES. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; AUSTRALIA; TAXES. AUSTRALIA; MILLER, GEORGE; LAWRENCE, RAY; COX, PAUL; BENNETT, BILL; DOBROWOLSKA, GOSIA; PARKER, DAVID; SALVAT, KEITH; SCHEPISI, FRED; SCHULTZ, CARL; SULLIVAN, ERROL; TASS, NADIA; TURKIEWICZ, SOPHIA; WEIR, PETER; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); TIME GUARDIAN, THE (AT, Brian Hannant, 1987); SILVER CITY (AT, Sophia Turkiewicz, 1984); MALCOLM (AT, Nadia Tass, 1986); BURKE AND WILLS (AT, Graeme Clifford, 1985); BLISS (AT, Ray Lawrence, 1985) Summary: "Film? Or avocados? During the heady years of tax incentives and 10BA it didn't much matter to Australian investors where they put their surplus funds. For the Australian film industry, booming after the creative revival of the 1970s, the next decade became one of confusion and controversy. In THE AVOCADO PLANTATION, David Stratton gives us a comprehensive look at the making of 270 film features between 1980 and 1990. He discusses the big name attractions - GALLIPOLI, THE MAN FROM SNOWY RIVER, MAD MAX 2, CROCODILE DUNDEE, MAN OF FLOWERS, SWEETIE - and a host of lesser known films. Adventure films, horror films, love stories, comedies, they're all here: the smash hits, the turkets and the quality movies appreciated by discerning audiences. Stratton tells the behind-the-scenes stories of how the films were made - or in some casxes, un-made. He talks with directors such as Peter Weir, George Miller and Paul Cox, as well as producers, writers, actors, and crew members. Their reflections and revelations form a major part of THE AVOCADO PLANTATION." [Taken from book jacket] Notes: Includes index ISBN: 0732902509 LON: 7520974 Donation: Simon Wincer ID2: 255
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Awards in Lumiere (November-December 1970) vol.1 iss.6 p.40-45 More info |
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B.C. & C. launches promotion of 'Big Screen Movies' in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.5 More info |
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Bad news for video pirates : Address to Bundaberg Convention by Ray Stevenson, Director Australian Film Secuirty Office in Australasian Cinema (13/5/1983) vol.12 iss.8 p.2 More info |
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Barbara Carrera in UK promotes 'Wild Geese II' in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.5 More info |
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BC & C centralise operations in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.2 More info |
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The best film I never made : and other stories about a life in the arts / by Bruce Beresford Melbourne, Victoria: The Text Publishing Company, 2017. Call No: 81BER BER Author: Beresford, Bruce Source: AT Place: Melbourne, Victoria Publisher: The Text Publishing Company PubDate: 2017 PhysDes: 281 pages ; 24 cm Subject: INDUSTRY, FILM; INDUSTRY, FILM. AUSTRALIA; PRODUCERS; DIRECTORS; AUSTRALIA; BERESFORD, BRUCE Summary: "This entertaining collection of stories by the acclaimed director of Breaker Morant, Driving Miss Daisy and Mao’s Last Dancer includes memoirs, brief lives and revealing accounts of the film world and beyond.
Alongside unsung heroes from behind the camera and producers of dubious repute are Madeleine St John and Clive James, Margaret Olley and Jeffrey Smart, as well as a particularly seductive 1963 EH Holden—and Bruce Beresford’s father, whose strange and startling decline in old age is charted in a brilliant, poignant essay." -- BOOK BACK COVER ISBN: 9781925603101 Contents: -- I -- family, journeys, memories -- family tree -- my parents -- out of Toongabbie -- the end of the Roxy -- the lure of the EH -- in Guatemala -- pass the passport -- the age of memoirs -- inadvertant meetings - and premonitions -- II -- making and not making movies -- stumbling towards directing -- a career of sorts -- thoughts about actors and acting -- financing movies -- the Hubert Opperman saga -- the best film i never made -- III -- behind the screen -- the two Barrys -- memories of Horton Foote -- John Simon on film: an introduction -- Dino De Laurentiis, producer -- Tony Scott, director -- Robert Krasker: a sketch -- Sven Nykvist: an appreciation -- Don McAlpine, cameraman -- Ken Adam: a personal memoir -- Georges Delerue, composer -- Erich Korngold: a sketch -- IV-- opera, painters, writers -- a brief guide to American opera -- smart lessons -- a memory of Margaret Olley -- forgotten - and in Mildura -- Caravaggio and the cinema -- remembering B.S, Johnson -- Madeleine and me -- a remarkable man -- Australian literature and Film --
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BFI film and television handbook London: British Film Institute, c1992. Call No: REFERENCE SECTION; 058(41) BRI "1999"; 058(41) BRI "2001"; 058(41) BRI "2002"; 058(41) BRI "2004" CorpAuthor: British Film Institute Place: London Publisher: British Film Institute PubDate: c1992 PhysDes: v. : ill. ; 25 cm Subject: INDUSTRY, FILM. UK Frequency: Annual LON: 10454500
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BFI film handbook / edited by Eddie Dyja London: bfi Publishing, 2004. Call No: REFERENCE SECTION; 058(41) BRI "2005" REF FRONT DESK Source: UK Place: London Publisher: bfi Publishing PubDate: 2004 PhysDes: 431 p. ; 25 cm Subject: INDUSTRY, FILM. UK Notes: Index
Formerly compiled in 'BFI Film & Television Handbook' ISBN: 1844570428
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Big Brother helps again! : New tax guidlines in Australasian Cinema (28/1/1983) vol.12 iss.1 p.1 PhysDes: Article Subject: INDUSTRY, FILM. AUSTRALIA; GOVERNMENT AID. AUSTRALIA; TAXES. AUSTRALIA Summary: Brief article on the recent amendments to Division 10BA. New amendments will make international resources (directors, actor,s etc.) harder to use, and will also abolish the '12-month rule', allowing filmmakers two years to complete a feature.
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Big city, big potential : Sydney's creative industry in Encore (June 2012) p.29-37 More info |
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The black book directory : indigenous arts and media directory / Compiled by Rose Perkins and Hope Perkins Rose Bay, NSW: Blackfella Films, 2000. More info |
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'Bliss' official Oz entry at Cannes Festival in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.1 More info |
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Blockbusters : hit-making, risk-taking, and the big business of entertainment / Anita Elberse New York: Henry Holt and Company, 2013. Call No: 203 ELB Author: Elberse, Anita Source: US Place: New York Publisher: Henry Holt and Company PubDate: 2013 PhysDes: 307 pages : illustrations ; 25 cm Subject: INDUSTRY, FILM. USA; INDUSTRY, TV. USA; WARNER BROS.; SPORT ON TV; MARVEL ENTERTAINMENT Summary: Explores "what's behind the phenomenal success of entertainment businesses such as Warner Bros., Marvel Entertainment, and the NFL--along with such stars as Jay-Z, Lady Gaga, and LeBron James--[and] which strategies give leaders in film, television, music, publishing, and sports an edge over their rivals"--Dust jacket flap ISBN: 9780805094336 Contents: Betting on blockbusters -- Launching and managing blockbusters -- Investing in superstars -- How superstars use their powers -- Will digital technology end the dominance of blockbusters? -- Will digital technology threaten powerful producers? -- The future of blockbuster strategies -- No business like show business?
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Blood cinema : the reconstruction of national identity in Spain / by Marsha Kinder Berkeley: University of California Press, 1993. Call No: 408.1(46) KIN Author: Kinder, Marsha Place: Berkeley Publisher: University of California Press PubDate: 1993 PhysDes: xi, 553 p. : ill. ; 24 cm Subject: SPAIN; INDUSTRY, FILM. UK; NATIONAL CULTURE AND THE CINEMA. SPAIN; NATIONAL IDENTITY IN FILMS. SPAIN; SPAIN: CATALONIA; VIOLENCE IN FILMS. SPAIN; DIRECTORS. USA; ERICE, VICTOR; SAURA, CARLOS; ALMODOVAR, PEDRO; BUNUEL, LUIS; SURCOS (SP, Jose Antonio Nieves Conde, 1951); MUERTE DE UN CICLISTA (SP, Juan Antonio Bardem, 1955); GOLFOS, LOS (SP, Carlos Saura, 1959); COCHECITO, EL (SP, Marco Ferreri, 1959); ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973); RIO ABAJO (SP, Jose Luis Borau, 1984) Notes: "A Centennial book."; Includes bibliographical references (p. 507-522) and index ISBN: 0520081536 (alk. paper); 0520081579 (pbk. : alk. paper) LON: 9293143
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Bollywood : A guide to popular Hindi Cinema New York: Routledge, 2004. Call No: 71(540) GAN Author: Ganti, Tejaswini Place: New York Publisher: Routledge PubDate: 2004 PhysDes: 254 p. ; ill. ; 20 cm Subject: POPULAR CULTURE AND THE CINEMA.INDIA; INDIA; INDUSTRY, FILM. INDIA Summary: "In 'Bollywood', anthropologist and film scholar Tejaswini Ganti provides a guide to the cultural, social and political significance of Hindii cinema, outlining the history and structure of the Bombay film industry, and the development of popular Hindi filmmaking since the 1930s. Providing information and commentary on the key players in Hollywood including composers, directors and stars, as well as material from current filmmakers themselves. " (back cover) Notes: Index: p.242-254; Bibliography
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Bonanza Year in Australasian Cinema (16/07/1982) vol.11 iss.12 p.4 More info |
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The box office rip-off in Lumiere (September, 1973) iss.27 p.10-11 More info |
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Breaker sold to China in Australasian Cinema (28/1/1983) vol.12 iss.1 p.1 More info |
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Breaking and entering : land your first job in film production / April Fitzsimmons Los Angeles: Lone Eagle Publishing Co., c1997. Call No: 209.5 FIT Author: Fitzsimmons, April Source: US Place: Los Angeles Publisher: Lone Eagle Publishing Co. PubDate: c1997 PhysDes: xx, 204 pages : black and white illustrations : 23 cm Subject: EXTRAS; FILM WORKERS; FILMMAKING; INDUSTRY, FILM; LABOUR; PRODUCTION Summary: "BREAKING AND ENTERING is a book designed to give you a general idea about how to break into production and have a good time along the way. With the proper tools and information, your first steps into film production will be a little easier." [TAKEN FROM INTRODUCTION] Notes: includes bibliography and index ISBN: 0945728916 Donation: Simon Wincer Contents: Foreword -- Preface -- Acknowledgements --; Part I -- Chapter 1: the production assistant -- Chapter 2: the production assistant's golden rules --; Part II -- Chapter 3: base camp -- Chapter 4: the set -- Chapter 5: heating and air-conditioning --; Part III -- Chapter 6: a day in the life of a set PA -- Chapter 7: lock ups -- Chapter 8: the shot -- Chapter 9: paperwork --; Part IV -- Chapter 10: the cast -- Chapter 11: the crew -- chapter 12: background (extras) -- Chapter 13: stand-ins (second team) -- Chapter 14: helping out --; Part V -- Chapter 15: communications -- Chapter 16: radios -- Chapter 17: the phone -- Chapter 18: the pager --; Part VI -- Chapter 19: the production kit -- Chapter 20: tools -- Chapter 21: necessities --; Part VII -- Chapter 22: landing your first job in film production -- Chapter 23: future jobs -- Chapter 24: the DGA --; Production forms -- United States film commissions -- Appendix -- Index -- About the author
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The Bredin report : on the future of the French cinema / BFI London: BFI Publishing, c1982. Call No: 71(44) BRE Author: Bredin, Jean-Denis CorpAuthor: British Film Institute Place: London Publisher: BFI Publishing PubDate: c1982 PhysDes: 87 p ; 29 cm Subject: FRANCE; INDUSTRY, FILM. FRANCE Notes: Translation of the French Bredin report, jointly commissioned by the Association of Cinematograph and Television Technicians, the British Film Institute, the National Film Finance Corporation and the Scottish Film Council, from the Department of Trade.. LON: 4399957
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Breeding In Captivity in Australian Cinematographer (March 2013) iss.57 p.26-37 More info |
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Brian Casey hosts Vic. Cinema Pioneers in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.23 More info |
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Brian Griffin appointed programme manager of Ace Theatres in Australasian Cinema (6/8/1982) vol.11 iss.14 p.2 More info |
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Brian Griffin elected president. W.A.M.P.E.A. in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.2 More info |
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Bright light on the horizon in The Australian (15/10/2005) p.23 Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER Author: Zion, Lawrie Subject: AUSTRALIA 2000s; BOX OFFICE. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; CONNOLLY, ROBERT; LANTANA (AT, Ray Lawrence, 2001); LOOK BOTH WAYS (AT, Sarah Watt, 2005); BANK, THE (AT/IT, Robert Connolly, 2001) Summary: Mainly about the fortunes of the Australian film industry in 2005, in comparison to the earlier years in the decade. Some interesting stats on The Bank which shine a light on the importance of DVD sales and TV sales on top of Box Office. Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: -- Assessing the precise value of these additional revenue streams is difficult, but they are important. The experience of the 2001 film The Bank is instructive. Like several of this year's movies, this financial thriller earned about $2.6 million during its original box-office run, which means that about 260,000 Australians saw it on the big screen. But after being released on home formats, and screen on pay and free-to-air TV, its total audience has built to more than 3 million, according to director Robert Connolly.; -- This "accured interest" suggests that the theatrical release can account for less than 10 per cent of a film's eventual audience reach. "My suspicion is that because of the cost of a movie ticket people are increasingly going to the the cinema to see spectable and choosing to see Australian films at home," says Connolly, who also directed Three Dollars. Still, for most films it is the success, however measured, of the theatrical release that largely determines its subsequent fate in other formats, making a strong splash in cinemas just as critical as ever.
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"BRIGHT LIGHTS, BIG CITY: NEW YORK AND THE MOVIES" 1994. More info |
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Britain : world film centre / editor Michael Relph London: Film Production Association of Great Britain, [1976]. Call No: REFERENCE SECTION; 023(41) BRI Author: Relph, Michael Source: UK Place: London Publisher: Film Production Association of Great Britain PubDate: [1976] PhysDes: [1], 96 p. : ill. (some col.), ports. (some col.) ; 30 cm Subject: UNITED KINGDOM. 1970's; INDUSTRY, FILM. UK Summary: Brochure listing the British films films of 1975-76 and also provides a detailed overview of the British film industry itself at the time of publication Language: English, German, French, Italian
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British $75 million prod. programmes in Australasian Cinema (Friday, 26/10/1984) vol.13 iss.18 p.1 Subject: GOLDCREST FILMS; INDUSTRY, FILM. UK; REVOLUTION (UK/NO, Hugh Hudson, 1985); MISSION, THE (UK, Roland Joffe, 1986); ABSOLUTE BEGINNERS (UK, Julien Temple, 1986); HUDSON, HUGH; JOFFE, ROLAND Summary: Article on Goldcrest's future planes for British film from directors Hugh Hudson, Roland Joffee and Marek Kanievska.
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The British film industry : a report on its history and present organisation, with special reference to the economic problems of British feature film production. London: P E P (Political & Economic Planning), 1952. Call No: 201(41) PEP CorpAuthor: PEP (Political & Economic Planning) Source: UK Place: London Publisher: P E P (Political & Economic Planning) PubDate: 1952 PhysDes: 307 p. : graphs ; 24 cm Subject: INDUSTRY, FILM. UK Notes: Includes Chronological table of main events and Index.
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British Film Industry : Derek Todd talks with John Boulting in Lumiere (June 1970) vol.1 iss.1 p.33-35 Author: Todd, Derek PhysDes: Article Subject: INDUSTRY, FILM. UK; BOULTING, JOHN Summary: Interview between Derek Todd and British filmmaker John Boulting on the state of the British film industry. Boulting believes that Britain has become too influenced by the American funding and production model.
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British national cinema / Sarah Street London New York: Routledge, 1997. More info |
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Brown Brown Brown & Brown in Lumiere (June 1970) vol.1 iss.1 p.28-31 Author: Byrne, T.A. PhysDes: Article Subject: INDUSTRY, FILM. AUSTRALIA; HISTORY OF CINEMA. AUSTRALIA Summary: Article on the Brown family's involvement in the Australian film industry with members being on the first film cesnorship board, producing features for RKO and Warner Bros., making patriotic films in World War I, and pioneering early cinematography.
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Building a National Cinema : Soviet Film Education, 1918-1934 in Wide Angle (1987) vol.9 iss.3 p.4-20 More info |
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Buoyant trading as video levels off in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.4 More info |
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Burning Man in Australian Cinematographer (March 2012) iss.53 p.29-33 More info |
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Busy year for Colorfilm in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.3 More info |
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Cable Television, CTV or RSTV, to be $300 mill. or $500 mill.- or not to be? in Australasian Cinema (24/9/1982) vol.11 iss.17 p.3 More info |
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Cairns Coral Twin Drive-In opens in Australasian Cinema (18/6/1982) vol.11 iss.10 p.3 More info |
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Call for tax breaks to put us on the big screen in The Australian (05/01/2016) p.17 Call No: SUBJECT CLIPPINGS FILE; TAXES. AUSTRALIA Author: Shanahan, Leo PhysDes: Clippings File Article Subject: BANKS, ANDREW; TAXES. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA Summary: Australian movie producer Andrew Banks comments about the tax rebate for films made in Australia, stating that it should be far higher than the current 16.5 percent. Other issues he comments on are about the quality of Australian screenplays, and the complex formula used to state the Australian quota of a film for tax purposes
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Came the dawn : memories of a film pioneer ... / illus. with drawings by the author London: Phoenix House, 1951. More info |
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Camera mart rental catalogue 1972 New York: [Camera Mart Inc.], 1972. Call No: F(017)(73)291CAM CorpAuthor: [Camera Mart Inc.] Edition: 1972 Place: New York Publisher: [Camera Mart Inc.] PubDate: 1972 PhysDes: 52 p. ; 29 cm Subject: CAMERAS; EQUIPMENT; INDUSTRY, FILM
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Cannes Film Festival report in Australasian Cinema (Friday, 31/5-6/6/1985) vol.14 iss.9 p.5 More info |
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Cannon Group picks up Germany's Ewert circuit in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.1 More info |
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Cast of "No. 96" come to Brisbane in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.7 More info |
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Cecil Holmes' Man Alone in Lumiere (December, 1973) iss.30 p.4-8 More info |
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Celluloid Dreams : a century of film in New Zealand / editor in chief - Geoffrey B. Churchman Wellington: IPL Publishing Services, 1997. Call No: 71(931) CHU Author: Churchman, Geoffrey B. Source: NZ Place: Wellington Publisher: IPL Publishing Services PubDate: 1997 PhysDes: 144 p. ; col. and b+w ill. : 29 cm Subject: INDUSTRY, FILM. NEW ZEALAND; FILMMAKING Summary: Traces the development of cinema exhibition and filmmaking in New Zealand from its beginnings up to the 90s. Includes filmography and synopses. Notes: Includes select bibliography ISBN: 09088776963 Language: English
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'Centrespread' movie hits Adelaide with a bang! in Australasian Cinema (16/7/1982) vol.11 iss.12 p.32 More info |
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Change of Identity in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2 More info |
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Changes to TVW management- senior executive resigns in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.1 PhysDes: Article Subject: INDUSTRY, FILM. AUSTRALIA Summary: Report on re-shuffling after TVW Enterprises loose their secretary and corporation lawyer, general manager of finance and administration, and a group engineer.
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Charles de Salis appointed NSW sales manager, Roadshow in Australasian Cinema (25/2/1983) vol.12 iss.3 p.2 More info |
Interim book |
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Chasing the runaways : foreign film production and film studio development in Australia 1988-2002 / Nick Herd Sydney: Currency House, 2004. More info |
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Chief film censor resigns in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.14 More info |
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China! : Max Keogh interviews Don Kennedy about his recent China trip in Lumiere (January/February, 1974) iss.31 p.4-7 More info |
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China loses the force in film market battle in The Australian (21/07/2016) p.25 Call No: SUBJECT CLIPPINGS FILE; CHINA Author: Lin, Lilian PhysDes: Clippings File Article Subject: INDUSTRY, FILM. CHINA; CITY OF SADNESS, A [; EXHIBITION. CHINA Summary: Report on the slowdown to box office growth in China. Speculation was that heavy discounts in previous years boosted box office sales but with the discounting over the attendences and box office has stablised. Chinese companies are looking to purchase Hollywood businesses and the USA are looking to get their film's shown in China
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China on screen : cinema and nation / Chris Berry New York: Columbia University Press, 2006. Call No: 71(51) BER Author: Berry, Chris Place: New York Publisher: Columbia University Press PubDate: 2006 PhysDes: xi, 313 p. ; 23 cm Series: Film and Culture Subject: CITY OF SADNESS, A [; TAIWAN; MASCULINITY IN FILMS; FAMILY IN FILMS; INDUSTRY, FILM. CHINA; HISTORICAL FILMS. CHINA; WOMEN IN FILMS. CHINA; REALISM IN FILMS. CHINA; OPERA IN FILMS; LEE, ANG; LINGYU, RUAN Summary: Explores Chinese cinema from its beginnings to the present day in relation to how China depicts its national identity. ISBN: 0231137079 Contents: 1. Introduction: cinema and the national -- 2. Time and the National: History, Historiology, Haunting -- 3. Operatic Modes: Opera Film, Martial Arts, and Cultural Nationalism -- 4. Realist Modes: Melodrama, Modernity, and Home -- 5. How Should a Chinese Woman Look? Woman and Nation -- 6. How Should Chinese Men Act? Ordering the Nation -- 7. Where Do You Draw the Line? Ethnicity in Chinese Cinemas -- 8. The National in the Transnational
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China's cinema today in Australasian Cinema (16/07/1982) vol.11 iss.12 p.12 More info |
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China's influence on Hollywood growing in Weekend Australian (16/07/2016) p.34 More info |
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Chinese Film in Wide Angle (1989) vol.11 iss.2 p.[whole issue] More info |
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Chinese film archivists in Australia in Australasian Cinema (22/7/1983) vol.12 iss.13 p.1 More info |
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Chinese national cinema / Yingjin Zhang New York: Routledge, 2004. Call No: 71(51) ZHA Author: Zhang, Yingjin Source: US Place: New York Publisher: Routledge PubDate: 2004 PhysDes: 328 p. ; ill. ; 24 cm Subject: CITY OF SADNESS, A [; INDUSTRY, FILM. CHINA; INDUSTRY, FILM. HONG KONG; HISTORY OF CINEMA; NATIONAL CULTURE AND THE CINEMA. CHINA Summary: ‘This introduction to Chinese national cinema, by a leading critic, covers three ‘Chinas’: mainland China, Hong Kong and Taiwan. It traces the formation, negotiation and problematization of the national on the Chinese screen over ninety years. Historical and comparative perspectives bring out the parallel developments in the three Chinas, while critical analysis explores thematic and stylistic changes over time…’ (Back cover) ISBN: 041517290 Contents: 1. Introduction: National cinema and China -- 2. Cinema and national traditions, 1896-1929 -- 3. Cinema and the nation-people, 1930-49 -- 4. Cinematic reinvention of the national in Taiwan, 1896-1978 -- 5. Cinematic revival of the regional in Hong Kong, 1945-78 -- 6. Cinema and the nation-state in the PRC, 1949-78 -- 7. Cinema and national/regional cultures, 1979-89 -- 8. Cinema and the transnational imaginary, 1990-2002
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CIBF of Vic. tables 47th annual report in Australasian Cinema (Friday, 26/7-1/8, 1985) vol.14 iss.12 p.5 More info |
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CIC's Victor Hoare to retire in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.2 Subject: INDUSTRY, FILM. AUSTRALIA Summary: Announcment of the retirement of Victor Hoare, exectuive director of Cinema International Corporation and president of CIC's theatre division
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Cinderella Promotion in Queensland in Australasian Cinema (23/7/1982) vol.11 iss.13 p.2 More info |
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The Cine-sentimental Bloke in Lumiere (October, 1972) iss.17 p.16-18 More info |
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Cinema and cultural identity : reflections on films from Japan, India, and China / edited by Wimal Dissanayake Lanham, MD: University Press of America, 1988. Call No: 408.1(5) CIN Author: Dissanayake, Wimal CorpAuthor: Institute of Culture and Communication (East-West Center) Place: Lanham, MD Publisher: University Press of America PubDate: 1988 PhysDes: vii, 214 p. ; 24 cm Subject: INDUSTRY, FILM. ASIAN COUNTRIES; INDUSTRY, FILM. CHINA; INDUSTRY, FILM. JAPAN; INDUSTRY, FILM. INDIA; WOMEN IN FILMS; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES; GENRES; SAMURAI FILMS; RAY, SATYAJIT Notes: "Co-published by arrangement with the East-West Center, Institute of Culture and Communication"--T.p. verso; Includes bibliographies and index ISBN: 0819169455 (alk. paper); 0819169463 (pbk.) LON: 5986435 Contents: PART I. JAPAN -- 1. Viewing Japanese film: some considerations / Donald Richie -- 2. The destiny of Samurai films / Michitaro Tada -- 3. The multilayered nature of the tradition of acting in Japanese cinema / Tadao Sato -- 4. Japanese film genres / Audie Bock -- 5. Change in the image of mother in Japanese cinema and television / Tadao Sato -- PART 2. INDIA -- 6. Innovation and imitation in the Indian cinema / Mira Reym Binford -- 7. Art, vision, and culture: Satiyajit Ray's Apu trilogy revisited / Wimal Dissanayake -- 8. The woman: myth and reality in Indian cinema / Aruna Vasudev -- 9. The painted face of politics: the actor politicians of South India / Chidananda Das Gupta -- 10. Songs in Hindi films: nature and function / Teri Skillman -- PART 3. CHINA -- 11. The Chinese film in the 1980s: art and industry / Ma Qiang -- 12. The sinification of cinema: the foreignness of film in China / Paul Clark -- 13. The position of women in new Chinese cinema / Tony Rayns -- 14. Chinese films amidst the tide of reform / Shao Mujun
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Cinema and society : France and Germany during the Twenties / Paul Monaco New York ; Oxford ; Amsterdam: Elsevier, c1976. More info |
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Cinema examined : selections from Cinema journal / Richard Dyer MacCann, Jack C. Ellis New York: Dutton, 1982. Call No: 67(04) CIN Author: MacCann, Richard Dyer; Ellis, Jack C., 1922 CorpAuthor: Cinema Journal Edition: 1st ed Place: New York Publisher: Dutton PubDate: 1982 PhysDes: xiii, 300 p., [1] leaf of plates : ill. ; 21 cm Subject: INDUSTRY, FILM. USSR; SAMURAI FILMS; CHAPLIN, CHARLES; VISCONTI, LUCHINO; HITCHCOCK, ALFRED; INDUSTRY, TV. USA; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); GABRIEL OVER THE WHITE HOUSE (US, Gregory La Cava, 1933); WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966); CET OBSCUR OBJET DU DESIR (FR/SP, Luis Bunuel, 1977) Notes: Includes bibliographical references ISBN: 0525474641 (pbk.) : $9.95 LON: abn83062603; 2630261
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Cinema in Australia : an industry profile / written and researched by Jock Given, Rosemary Curtis and Mary McCutcheon Hawthorn, Victoria: Swinburne University of Technology, June 2013. More info |
Old collection book |
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The cinema in Denmark Copenhagen: Danish Government Film Foundation, [1970]. Call No: 71(489) CIN CorpAuthor: Danish Government Film Foundation Source: DK Place: Copenhagen Publisher: Danish Government Film Foundation PubDate: [1970] PhysDes: 35 p. ; 21 cm Subject: DENMARK; INDUSTRY, FILM. DENMARK Summary: A summary of the Danish film industry at the time of publication.
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Cinema manager is recognised by Rotary in Australasian Cinema (28/1/1983) vol.12 iss.1 p.2 More info |
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The cinema of apartheid : race and class in South African film / Keyan Tomaselli Sandton: Radix, 1989. More info |
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Cinema Papers yearbook 1986 / Nick Roddick; editor B. L. Kay Pub. Co. Ltd, [1986]. Call No: 058(94) CIN "1986" Publisher: B. L. Kay Pub. Co. Ltd PubDate: [1986] PhysDes: 317 p. : ill. ; 20 cm Subject: FILM WORKERS. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; INDUSTRY, TV. AUSTRALIA Summary: Contains contact details for various people and businesses involved in the film, tv, and video industries in Australia in 1986 Notes: Cover title - The 1986 Cinema Papers Australasian production yearbook: film - television - video ISBN: 0946919100
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Cinema Without Censor in Lumiere (August 1970) vol.1 iss.3 p.30-31 More info |
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Cinemas with a difference in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.4 More info |
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City flicks : Indian cinema and the urban experience / edited by Preben Kaarsholm Oxford: Seagull Books, 2007. Call No: 408.1(54) KAA Author: Kaarsholm, Preben Edition: rev. and updated Source: UK Place: Oxford Publisher: Seagull Books PubDate: 2007 PhysDes: ix, 274p. :24cm Subject: INDUSTRY, FILM. INDIA; BOLLYWOOD; SOCIETY AND THE CINEMA. INDIA Summary: "The relationship between cinema and modernity in the Indian context is both complex and multifaceted. In this volume, some of the leading names in film and cultural studies explore its many dimensions. The essays range from discussions of urbanity and film language to realism and the Indian city in Bengali film of the 1940s; from the cultural resonances of popular Hindi film songs and the idea of the "city" to realism and fantasy in cinematic representations of metropolitan Indian life; from cinematic aspects of Salman Rushdie's Midnight's Children to genre, narrative form and film style in contemporary Indian urban action films; from the complexities of female spectatorship to an analysis of the current primacy of Bollywood; and finally, to the cultural impact and influence of Indian cinema on audiences outside India." [taken from cover] ISBN: 1905422369 Language: English Contents: Introduction Unreal City: Cinematic Representation, Globalization and the Ambiguities of Metropolitan Life / Preben Kaarsholm 1 -- Urban Legends: Notes on a Theme in Early Film Theory / Peter Larsen 26 -- The City and the Real: Chhinnamul and the Left Cultural Movement in the 1940s / Moinak Biswas 40 -- Reading a Song of the City-Images of the City in Literature and Films / Sudipta Kaviraj 60 -- Realism and Fantasy in Representations of Metropolitan Life in Indian Cinema / M. Madhava Prasad 82 -- A Close-Up on Salman Rushdie's Midnight's Children / Martin Zerlang 99 -- The 'Bollywoodization' of the Indian Cinema: Cultural Nationalism in a Global
Arena / Ashish Rajadhyaksha 111 -- Chalo Jahaji: Bollywood in the Tracks of Indenture to Globalization / Manas Ray 138 -- Colonialism and the Built Space of Cinema in Nigeria / Brian Larkin 180 -- The Politics of Urban Segregation and Indian Cinema in Durban / Vashna Jagarnath 207 -- The Exhilaration of Dread: Genre, Narrative Form and Film Style in Contemporary Urban Action Films / Ravi S. Vasudevan 219 -- Vigilantism and the Pleasures of Masquerade: The Female Spectator of Vijayasanthi Films / Tejaswini Niranjana 233
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City Theatres a great help in fundraising in Australasian Cinema (27/8/1982) vol.11 iss.15 p.32 More info |
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City Theatres: A Western Australia Success Story in Australasian Cinema (27/8/1982) vol.11 iss.15 p.3 More info |
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City Theatres Group turned threats into opportunities in Australasian Cinema (27/8/1982) vol.11 iss.15 p.3 More info |
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City Theatres hold Charity Preview of Squizzy Taylor in Australasian Cinema (27/8/1982) vol.11 iss.15 p.20 More info |
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City Theatres opens its seventh drive-in in Australasian Cinema (Thursday, 31/10/1974) vol.2 iss.21 p.2 More info |
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City Theatres still pioneer the way : History of City Theatre- 50 years of outstanding achievement in Australasian Cinema (27/8/1982) vol.11 iss.15 p.11, 13 More info |
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The clapperboard book of the cinema / Leslie Halliwell and Graham Murray St Albans, UK: Hart Davis, MacGibbon, 1975. More info |
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The Code unlocks govt funds to return for a second season in Canberra Times [General News] (03/03/2015) p.2 Call No: TITLE CLIPPINGS in production; CODE, THE [TV] (AT, 2014) Author: McIlroy, Tom PhysDes: Clippings File Article Subject: CODE, THE [TV] (AT, 2014); INDUSTRY, FILM Summary: A second season of The Code will begin in canberra this year along with Joe Cinque's Consolation, Secret City and The Marmalade Files. Notes: 10/03/2015
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Colin Tipping retires in Australasian Cinema (29/10/1982) vol.11 iss.19 p.12 More info |
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Colonialism and nationalism in Asian cinema / edited by Wimal Dissanayake Bloomington: Indiana University Press, 1994. More info |
book |
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Colonialism and nationalism in Asian cinema / edited by Wimal Dissanayake Bloomington: Indiana University Press, 1994. More info |
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Columbia Buys from Young Film Makers in Lumiere (August 1970) vol.1 iss.3 p.38-39 PhysDes: Article Subject: INDUSTRY, FILM. AUSTRALIA; COLUMBIA PICTURES Summary: Announcement of a local Melbourne film getting a release through Columbia pictures. Includes notes by the editor on film's production.
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The Coming of Stork in Lumiere (November-December 1971) iss.12 p.24-25 More info |
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Communications and the media in Australia / edited by Ted Wheelwright and Ken Buckley Sydney: Allen & Unwin, 1987. More info |
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A companion to Australian cinema / Edited by Felicity Collins, Jane Landman, and Susan Bye Hoboken, New Jersey: Wiley-Blackwell, 2019. Available at ProQuest (RMIT login required) Call No: 71(94) COM Author: Collins, Felicity; Columpar, Corinn; Rutherford, Anne; Ford, Felicity; Kelada, Odette; Clark, Maddee; Verevis, Constantine; Goldsmith, Ben; French, Lisa; David Marshall, P.; Bennett, James; Grace, Helen; Khoo, Olivia; Yue, Audrey; Bye, Susan; Sandars, Diana; Stadler, Jane; Gaunson, Stephen; Trevisanut, Amanda Malel; Turnbull, Sue; McCutcheon, Marion; Goritsas, Helen; Tiwary, Ana; Lambert, Anthony; Gibson, Ross; Cunningham, Stuart; Swift, Adam; Williams, Deane; Smaill, Belinda; Neumark, Norie Source: US/UK Place: Hoboken, New Jersey Publisher: Wiley-Blackwell PubDate: 2019 PhysDes: xxii, 581 pages ; 26 cm Series: Wiley Blackwell companions to national cinema Subject: AUSTRALIA; FILM; INDUSTRY, FILM; INDUSTRY, FILM. AUSTRALIA; INDIGENOUS; ABORIGINAL AUSTRALIAN CINEMA; TRANSNATIONAL CINEMA; HISTORY OF CINEMA; HISTORY OF CINEMA. AUSTRALIA; TELEVISION AND THE CINEMA; TELEVISION AND THE CINEMA. AUSTRALIA; AUTEUR THEORY; GENRES; THEORY; CAMPION, JANE; CHARLIE'S COUNTRY (AT, Rolf de Heer, 2013); SPEAR (AT, Stephen Page, 2015); MAD MAX (AT, George Miller, 1979); MAD MAX: FURY ROAD (AT/US, George Miller, 2015); MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985); MAD MAX II (AT, George Miller, 1981); LEGO MOVIE, THE (US/AT/DK, Phil Lord and Christopher Miller, 2014); ROCKET, THE (AT/TH/LS, Kim Mordaunt, 2013); SERANGOON ROAD [TV] (AT/SI, 2013 -); KETTERING INCIDENT, THE [TV](AT, 2015-); BACK OF BEYOND, THE (AT, John Heyer, 1953) Summary: The essays assembled here address six thematically organized propositions - that Australian cinema an Indigenous screen culture, an international cinema, a minor transnational imaginary, an auteur-genre-landscape cinema, a televisual industry and a multiplatform ecology. Offering fresh critical perspectives and extending previous scholarship, case studies range from The Lego Movie, Mad Max and Australian stars in Hollywood, to transnational co-productions, YouTube channels, transmedia and naturecam documentaries. New research on trends such as the Blak Wave, the convergence of television and film, digital transformations of screen production and the shifting roles of women, on and off-screen, highlight how established precedents have been transformed by new realities beyond both cinema and national borders. --
Written in an accessible style that does not require knowledge of cinema studies or Australian studies. --
Presents original research on Australian actors such as Cate Blanchett and Chris Hemsworth, evaluating their training, branding and path from Australia to Hollywood. --
Explores the films and filmmakers of the Blak Wave and their challenge to Australian settler-colonial history and white identity. --
Introduces readers to founding texts in Australian screen studies. --
Felicity Collins is Reader/ Associate Professor in Screen Studies, La Trobe University, Melbourne, Australia --
Jane Landman was Senior Lecturer, Victoria University, Melbourne, Australia --
Susan Bye is Education Programmer, Australian Centre for the Moving Image, Melbourne, Australia. --Book Jacket Notes: Includes bibliographical references and index -- signed by Felicity Collins ISBN: 9781118942529 Contents: You Are Here: Living Maps of Deep Time, Clock Time / Felicity Collins -- Charlie's Country, Gulpilil's Body / Corinn Columpar -- Ivan Sen's Cinematic Imaginary: Restraint, Complexity, and a Politics of Place / Anne Rutherford
-- Shadowing and Disruptive Temporality in Bangarra Dance Theatre's Spear / Felicity Ford -- Beyond the Wonderland of Whiteness: The Blak Wave of Indigenous Women Shaping Race on Screen / Maddee Clark / Odette Kelada -- Another Green World: The Mad Max Series / Constantine Verevis -- Is Everything Awesome?: The LEGO Movie and the Australian Film Industry / Ben Goldsmith -- Jane Campion: Girlshine and the International Auteur / Lisa French -- Constructing Persona: Mediatisation, Performativity, Quality, and Branding in Australian Film Actors's; Migration to Hollywood / P. David Marshall -- Interpreting Anzac and Gallipoli through a Century of Anglophone Screen Representations / James Bennett -- Unsettling the Suburban: Space, Sentiment, and Migration in National Cinematic Imaginaries / Helen Grace -- The Rocket: Small, Foreign-Language Cinema / Olivia Khoo -- Serangoon Road: The Convergent Culture of Minor Transnationalism / Audrey Yue -- An Independent Spirit: Robert Connolly as Auteur-Producer / Susan Bye -- Disruptive Daughters: The Heroine's Journey in Four Films / Diana Sandars -- Atopian Landscapes: Gothic Tropes in Australian Cinema / Jane Stadler -- Spirits Do Come Back: Bunyips and the European Gothic in The Babadook / Stephen Gaunson -- Between Public and Private: How Screen Australia, the ABC and SBS have shaped Film and Television Convergence / Amanda Malel Trevisanut -- Quality vs Value: The Case of The Kettering Incident / Marion McCutcheon / & Sue Turnbull -- The Evolution of Matchbox Pictures: A New Business Model / Helen Goritsas & Ana Tiwary -- Schapellevision: Screen Aesthetics and Asian Drug Stories / Anthony Lambert -- CHURN: Cinema Made Sometime Last Night / Ross Gibson -- Over the Horizon: YouTube Culture Meets Australian Screen Culture / Adam Swift & Stuart Cunningham -- Digital Transmedia Forms and Transnational Documentary Networks / Deane Williams -- Ecological Relations: FalconCam in Conversation with The Back of Beyond / Belinda Smaill -- Where Am I?: The Terror of Terra Nullius / Norie Neumark
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Company of heroes : my life as an actor in the John Ford Stock Company / Harrey Carey, Jr. Metuchen, NJ: Scarecrow Press, Inc, 1994. Call No: 81FOR CAR Author: Carey, Harry Jr. Source: US/UK Place: Metuchen, NJ Publisher: Scarecrow Press, Inc PubDate: 1994 PhysDes: 218 p. : 23cm Series: Filmmakers no.42 Subject: WESTERNS; FILMMAKING; INDUSTRY, FILM; INDUSTRY, FILM. USA; FORD, JOHN; CAREY, HARRY JR.; SHE WORE A YELLOW RIBBON (US, John Ford, 1949); WAGON MASTER (US, John Ford, 1950); RIO GRANDE (US, John Ford, 1950); LONG GRAY LINE, THE (US, John Ford, 1954); SEARCHERS, THE (US, John Ford, 1956); TWO RODE TOGETHER (US, John Ford, 1961); CHEYENNE AUTUMN (US, John Ford, 1964); [THREE] 3 GODFATHERS (US, John Ford, 1948); [MISTER] MR ROBERTS (US, John Ford & Mervyn Le Roy, 1955) Summary: "When Harry Carey, Sr. died in 1947, director John Ford cast Carey's 26 year-old son, Harry Jr. in the role of The Abilene Kid in 3 Godfathers. Ford and the elder Carey had filmed an earlier version of the story, and Ford dedicated the Technicolor remake to his memory.
Company of heroes is the story of the making of that film, as well as the eight subsequent Ford classics. In it, Harry Carey, Jr. casts a remarkably observant eye on the process of filming Westerns by one of the true masters of the form. " -- BOOK JACKET ISBN: 0810828650 Contents: -- in the beginning-- 3 Godfathers -- Myself When Young With Cowboys and Navajos -- She Wore a Yellow Ribbon -- Paul Fix, the OSS, and Merry Christmas -- Wagonmaster -- Rio Grande -- The Long Gray Line -- Mister Roberts -- The Searchers -- Two Rode Together -- Cheyenne Autumn -- So Long, But Not Good-bye -- Harry Carey, Jr.'s Appearances in John Ford Films -- index --
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A competitive cinema / Terence Kelly with Graham Norton and George Perry London: Institute of Economic Affairs, 1966. More info |
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Comprehensive Annenberg report on diversity in entertainment : inclusion or invisibility? / Stacy L. Smith, PhD, Marc Choueiti, Katherine Pieper, PhD with assistance from Adriana Case and Artur Tofan. USC Anneberg School of Communication and Journalism, Feb 22 2016. Call No: 461 COM Author: Smith, Stacy L.; Choueiti, Marc; Pieper, Katherine Source: US Publisher: USC Anneberg School of Communication and Journalism PubDate: Feb 22 2016 Subject: WOMEN FILM WORKERS; ETHNIC GROUPS AND THE CINEMA; RACIAL ISSUES AND THE CINEMA; FILM WORKERS; INDUSTRY, FILM Summary: The Comprehensive Annenberg Report on Diversity examines inclusion from CEO to every speaking character across film, television and digital content in America. This report was developed by The Media, Diversity, & Social Change (MDSC) Initiative at USC's Annenberg School for Communication and Journalism dedicated to addressing issues of inequality in entertainment.
"The Comprehensive Annenberg Report on Diversity (CARD) assesses inclusion on screen and behind the camera in fictional films, TV shows, and digital series distributed by 10 major media companies (21st Century Fox, CBS,
Comcast NBC Universal, Sony, The Walt Disney Company, Time Warner, Viacom, Amazon, Hulu, and Netflix). Movies theatrically released in 2014 by the major studios or their art house divisions were included in the sample,
provided they met a certain threshold of domestic box office performance (see Appendix A).¹ Prime-time first run scripted series as well as digital offerings airing from September 1st 2014 to August 31st 2015 were sampled on
broadcast, popular basic cable, premium channels or streaming services associated with the companies listed above (see Appendix B).² In total, the sample included 414 stories or 109 motion pictures and 305 broadcast,
cable, and digital series.
The major unit of analysis was the speaking or named character.³ Each speaking character was assessed for role, demographics, domesticity, and hypersexualization.4 Behind the camera, the gender of directors and writers of
each film and every episode within a sampled series was evaluated. Race/ethnicity was assessed for directors of movies as well as those helming the season premiere episode of television/digital programs. Finally, the gender
composition of CEOs, members of executive suites, boards of directors, and employees at the Executive" [Taken from the executive summary included in the report] Notes: Available at: http://annenberg.usc.edu/pages/~/media/MDSCI/CARDReport%20FINAL%2022216.ashx
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A concise handbook of movie industry economics / Charles C. Moul (ed.) New York: Cambridge University Press, 2005. Call No: 203 CON Author: Charles C. Moul (ed.) Place: New York Publisher: Cambridge University Press PubDate: 2005 PhysDes: 23 cm ; 214 p Subject: EXHIBITION; EXHIBITION. USA; INDUSTRY, FILM; INDUSTRY, FILM. USA; FINANCING. USA; ADVERTISING FOR FILMS; ADVERTISING. USA; USA; PRODUCTION; PRODUCTION COSTS; DIGITAL TECHNOLOGY; INCOME; AWARDS. ACADEMY; STUDIO SYSTEM; GOVERNMENT CONTROL. USA; BOX OFFICE. USA Summary: This concise handbook collects essays on all aspects of the motion picture industry by leading authorities in political economy, economics, accounting, financing, and marketing. In addition to bringing the reader an up-to-date perspective on what is known and what has been accomplished, it includes both new findings on a variety of topics and directions for additional research. Topics include the estimation of theatrical and ancillary demand, profitability studies, resolution of evident paradoxes in studio executive behaviour, interaction of the industry and government, impacts of the most recent changes in accounting standards, and the role and importance of participation contracts. New results include findings on the true nature of the seasonality of theatrical demand, the predictive power of surveys based upon trailers, the impact of the Academy Awards, the effectiveness of prior history measures to gauge cast members and directors, and the substitutability of movies across different genres. [Taken from inner jacket sleeve]. ISBN: 0521843847
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Congratulations to the convenors of the Bundaberg mini convention in Australasian Cinema (13/5/1983) vol.12 iss.8 p.13 More info |
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The contemporary Hollywood film industry / edited by Paul McDonald and Janet Wasko Carlton, Victoria: Blackwell Publishing, 2008. Call No: 201.1 (73) CON Author: McDonald, Paul; Wasko, Janet Source: US Place: Malden, Massachusetts; Oxford, UK; Carlton, Victoria Publisher: Blackwell Publishing PubDate: 2008 PhysDes: 326 p. : ill. ; 25 cm Subject: INDUSTRY, FILM; STUDIO SYSTEM; FINANCING; DISTRIBUTION; PRODUCTION; ADVERTISING FOR FILMS; EXHIBITION; TELEVISION AND THE CINEMA; VIDEODISCS; SOUNDTRACKS; MUSIC AND THE CINEMA; LABOUR; STATE AND THE CINEMA; GLOBALISATION; COPYRIGHT; EXPORT OF FILMS; UNITED KINGDOM; FRANCE; GERMANY; ITALY; LATIN AMERICAN COUNTRIES; ASIAN COUNTRIES; INDIA; AUSTRALIA; NEW ZEALAND; VIDEO GAMES AND THE CINEMA Summary: "The contemporary Hollywood film industry is characterized by continuity and change. While many well-established Hollywood studios continue to dominate the film business, the industry has also witnessed various changes during the past two decades.
"'The Contemporary Hollywood Film Industry' is a collection of essays by leading scholars that examine the US film industry as an international phenomenon, from the 1980s to the present day. It explores a host of challenges and changes facing Hollywood, and includes important discussions of the industry's labor and star systems, as well as intellectual property and state relations. Essays consider the role of independent producers, the global marketplace for Hollywood products, corporate changes, and various new-media windows, including video, DVD to cable, satellite, and online channels of delivery." (Taken from the back cover) Notes: Includes index ISBN: 9781405133883 URL status: URL: 'http://-'
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Continued growth of Entertainment Services, Brisbane : A company that sees no gloom for our industry in Australasian Cinema (11/3/1983) vol.12 iss.4 p.5 More info |
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Contracting out Hollywood : runaway productions and foreign location shooting / edited by Greg Elmer and Mike Gasher Lanham, MD: Rowman & Littlefield Pub, 2005. Call No: 217 ELM Author: Elmer, Greg; Gasher, Mike Source: US Place: Lanham, MD Publisher: Rowman & Littlefield Pub PubDate: 2005 PhysDes: 189 p. ; 23 cm Subject: LOCATION SHOOTING. AUSTRALIA; LOCATION SHOOTING. CANADA; INDIA; INDUSTRY, FILM. USA; SERIALS; STUDIOS, FILM; LEE, ANG; NIGHT HEAT [TV] (US, 1994) Summary: The practice of producing American films on foreign shores is examined within this book. The contributing authors explain this phenomenon from historical, political, economic, and cultural perspectives, using case studies; challenges to contemporary screen, media, and globalization theories; and analyses of changing government politics toward cultural industries [taken from back cover] ISBN: 0742536955 Contents: Introduction : catching up to runaway productions / Greg Elmer and Mike Gasher -- 1. Divide and conquer : regional competition in a concentrated media industry / Susan Christopherson -- 2. The policy environment of the contemporary film studio / Ben Goldsmith and Tom O'Regan -- 3. Offshore pot o'gold : the political economy of the Australian film industry / Marcus Breen -- 4. Hollywood's effects, Bollywood's FX / Nitin Govil -- 5. Projecting placelessness : industrial television and the "authentic" Canadian city / Sarah Matheson -- 6. The ice storm : Ang Lee, cosmopolitanism, and the global audience / Stephanie Hemelryk Donald -- 7. World-class budgets and big-name casts : the miniseries and international coproductions / Barbara Selznick
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'Coolangatta Gold' wins $2mill. worldwide sale in Australasian Cinema (Friday, 21-27/6/1985) vol.14 iss.10 p.3 More info |
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Copyright broadside aimed at Pirates in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.8 More info |
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Coverted role for Sydney actress in Australasian Cinema (Friday, 29/3-4/4/1985) vol.14 iss.5 p.4 More info |
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Creating culture : the new growth industries : conference papers, 11-12 August 1994 / Commonwealth Department of Communications and the Arts [Canberra]: Commonwealth Dept. of Communications and the Arts, 1994]. Call No: 161(94) CRE AUS CorpAuthor: Creating Culture Conference (1994 : Canberra, A.C.T.); Australia. Dept. of Communications and the Arts Place: [Canberra] Publisher: Commonwealth Dept. of Communications and the Arts PubDate: 1994] PhysDes: 195 p. : ill., ports. ; 30 cm Subject: INDUSTRY, FILM. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; GOVERNMENT AID. AUSTRALIA; STATE AND THE CINEMA. AUSTRALIA Notes: Cover title; "These are the edited transcripts of speeches given at the "Creating Culture - the new growth industries" conference held at Parliament House, Canberra on 11 and 12 August 1994."--P. [1]; Conference organised under the Cultural Industry Development Program of the Dept. of Communications and the Arts ISBN: 0642224307 LON: 11325570
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Crim. conviction for video pirate in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.18 More info |
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A Critic for Critics in Australasian Cinema (16/7/1982) vol.11 iss.12 p.36 More info |
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The Cuban Filmography, 1987 though 2001 North Carolina: McFarland and Company, 2003. Call No: 71(729.1) OSU Author: Garcia Osuna, Alfonso j. Source: US Place: North Carolina Publisher: McFarland and Company PubDate: 2003 PhysDes: 216p. Subject: CUBA; INDUSTRY, FILM. CUBA Summary: On January 24, 1897, an event took place that would change Cuban culture forever: the first moving pictures were shown in Havana. A couple of weeks later, on February 7, the first movie was filmed on the island. Since then, cinematography and Cuba have shared peculiar and innate connections, as their beginnings roughly coincide and Cubans are living in both the age of independence and revolution and the age of film.
This work is a filmography of every Cuban film (including documentaries, shorts, and cartoons) released from 1897, the first year films were shown and made in Cuba, through 2001. Each entry gives the original title of the film, the English translation of it, director, production company or companies, year of release, black and white or color, total running time, writing credits if the film is based on a story or novel, animation credits if the film is a cartoon, music credits if music has been written specifically for the film, cast credits, and a synopsis and short critical evaluation.
The work also provides comments on the relationship between Cuban film and history, and the changes that have taken place over the years in themes, topics, methods, and other aspects of filmmaking in Cuba.
Taken from http://www.mcfarlandpub.com/book-2.php?isbn=0-7864-1275-5 ISBN: 0786412755
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Cultural funding in Australia : three tiers of government 2004-05 / National Centre for Culture and Recreation Statistics, Australian Bureau of Statistics [Canberra]: Commonwealth of Australia, in conjunction with the Governments of New South Wales, Victoria, Queensland, Western Australia, South Australia, Tasmania, the Northern Territory and the Australian Capital Territory., c2006. Call No: 205.34(94) NAT CorpAuthor: National Centre for Culture and Rectreation Statistics, Australian Bureau of Statistics Source: AT Place: [Canberra] Publisher: Commonwealth of Australia, in conjunction with the Governments of New South Wales, Victoria, Queensland, Western Australia, South Australia, Tasmania, the Northern Territory and the Australian Capital Territory. PubDate: c2006 PhysDes: vi, 45 pages : illustrations ; 30 cm Subject: GOVERNMENT AID. AUSTRALIA; STATISTICS. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA Summary: "This publication is the eleventh in a series of cultural funding reports produced for the Cultural Ministers Council Statistics Working Group (CMC SWG) by the National Centre for Culture and Recreation Statistics (NCCRS), a section of the Australian Bureau of Statistics (ABS). The publication presents information about cultural funding by each level of government." -preface of report. ISBN: 0642753679 Contents: Section 1 - main features -- Section 2 - government funding of culture - an overview -- Australian Government funding -- State and Territory Government funding -- Local Government funding -- Funding per person -- Recurrent and capital funding -- Proportion of total government expenses -- Section 3 - cultural funding by Australian Government -- Sources of funding -- Funding by category -- Recurrent and capital funding -- Section 4 - Cultural funding by State and Territory Governments -- Sources of funding -- Funding by category -- Funding per person -- Recurrent and capital funding -- Section 5 - Cultural funding by Local Government -- Funding by state and territory -- Funding per person -- Recurrent and capital funding -- Section 6 - cultural funding over time -- Funding by level of government -- Funding per person -- Recurrent and capital funding -- Funding by state and territory -- New South Wales -- Victoria -- Queensland -- South Australia -- Western Australia -- Tasmania -- Northern Territory -- Australian Capital Territory -- State and territory funding per person -- Funding by Local Government -- Explanatory notes -- Glossary of terms -- Appendix - funding classification -- Related publications
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Curt Jurgens dies in Australasian Cinema (25/6/1982) vol.11 iss.11 p.7 More info |
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Curtain call for Lord Grade : Departs ACC in Australasian Cinema (25/6/1982) vol.11 iss.11 p.1 PhysDes: Article Subject: INDUSTRY, FILM. UK Summary: Announcement of Lord Grade's retirement from the company he started, Associated Communications Corporation.
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Cyril Cornish dies in Australasian Cinema (27/8/1982) vol.11 iss.15 p.27 More info |
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Daily activity programme : 38th annual motion picture industry convention July 17- July20 1983 Surfers Paradise. Qld. in Australasian Cinema (24/6/1983) vol.12 iss.11 p.2 More info |
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Dalmas : the film that freaked out in Lumiere (April, 1973) iss.22 p.22-25 More info |
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Database economy and transnational cinema in Studies in Australasian cinema (2009) vol.3 iss.2 p.155-166 Author: Cubitt, Sean PhysDes: Article Subject: DIGITAL TECHNOLOGY. AUSTRALIA; DIGITAL TECHNOLOGY. NEW ZEALAND; DIGITAL PROJECTION; INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. NEW ZEALAND Summary: Digital or electronic cinemas are dependent on a global regime of standards covering such features as aspect ratios, colour gamuts, screen resolution and compression-decompression algorithms. These standards are worked out by a variety of intersecting organizations representing a variety of interests. This article argues that such standardization is isomorphic with the convergence of biopolitical and commodity forms in an emergent political economy that can be described as a database economy. This infrastructure of standards and ordering principles constitutes an actually existing transnational public sphere. The article discusses the possibilities for developing an alter-globalizing public sphere in digital cinemas, testing three possible avenues: cinemas of the silent majority, new modes of distribution and content-driven approaches. It concludes by asking whether vanguard practices of building new forms of cinema apparatus may be essential to the construction of alter-globalizing transnational cinemas. -- Abstract Notes: Part of a special issue on digital cinema in Australia and New Zealand
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David Pye appointed managing director Ace Theatres in Australasian Cinema (29/10/1982) vol.11 iss.19 p.2 More info |
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Death of A. R. Payne in Australasian Cinema (6/8/1982) vol.11 iss.14 p.15 PhysDes: Article Subject: OBITUARIES; INDUSTRY, FILM. AUSTRALIA Summary: Obituary of A. R. Payne, former president of the Motion Picture Exhibitors Association of New South Wales, and member of the Australian Film Protection Association.
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Death of Frank Power in Brisbane in Australasian Cinema (11/2/1983) vol.12 iss.2 p.4 More info |
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A Decade of Women in Australasian Cinema (Friday, 26/7-1/8, 1985) vol.14 iss.12 p.4 More info |
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Decision on "Pixote" in Australasian Cinema (6/8/1982) vol.11 iss.14 p.1 More info |
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The decline of the cinema : an economist's report / By John Spraos London: Allen & Unwin, 1962. Call No: 201(41) SPR Author: Spraos, John Source: UK Place: London Publisher: Allen & Unwin PubDate: 1962 PhysDes: 168 p. : graphs ; 23 cm Subject: INDUSTRY, FILM. UK Notes: Includes index.
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'Defence of the Realm' in production in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.6 More info |
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Defining a new genre/ part 1 : The road movie in Lumiere (October, 1973) iss.28 p.22-25 More info |
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Deja Vu- With Palms in Lumiere (June 1970) vol.1 iss.1 p.9-10 More info |
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The Demonstrator in Lumiere (February 1971) iss.7 p.28-29 More info |
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Development : a study of Australian and international funding and practice in the feature film industry / Author: Jeremy Bean Sydney: Australian Film Commission, 2000. More info |
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Distribution : The Struggle Up North in Lumiere (September 1972) iss.16 p.29 More info |
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The distribution hangup in Lumiere (September, 1972) iss.16 p.11-13 More info |
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Documentary and educational films of the 1930s / Rachael Low London, UK: George Allen & Unwin, 1979. Call No: 761(41) LOW Author: Low, Rachael Source: UK Place: London, UK Publisher: George Allen & Unwin PubDate: 1979 PhysDes: 244 p. : ill. ; 22 cm Series: The History of British Film 1929-1939 Subject: BRITISH FILM INSTITUTE; DOCUMENTARY FILMS. UK; EDUCATION, USE OF FILMS IN; EDUCATION, FILM. UK; INDUSTRY, FILM. UK; INSTRUCTIONAL FILMS; PROPAGANDA FILMS; POLITICAL FILMS; TRUTH IN FILMS; ANSTEY, EDGAR; CAVALCANTI, ALBERTO; ELTON, ARTHUR; GRIERSON, JOHN; ROTHA, PAUL; WRIGHT, BASIL Summary: "With the advent of sound a host of film makers began, during the 1930s, to explore the wider possibilities of film as a means of communication. Without doubt the most spectacular development during this decade of social and political unrest was the dramatic growth of the mainstream British documentary movement closely associated with names such as John Grierson and Paul Rotha, which is often described as Britain's most important contribution to world cinema. In these pages for the first time a full and detailed account is given of people involved in the documentary movement and a coherant attempt is made to date and describe their whole output. Rachael Low demonstrates how different documentary styles evolved, developed and changed - and eventually split into two distinct schools of film making.
An equally important innovation in the 1930s was the first use of film for educational purposes. Rachael Low records in detail the many experiments and debates held to determine the best use of films in schools and the often disappointing attempts to produce satisfactory educational films."--BOOK JACKET Notes: includes bibliographical references; incldues film listing
includes index ISBN: 0047910364 Contents: -- Acknowledgements -- List of Illustrations -- 1. Introduction -- 2. The Educational Film -- 3. The Documentary Movement -- (i) Early Stages -- (ii) The Middle Years -- (iii) Maturity -- (iv) The End of the Decade -- 4. Reality and the Documentary Film -- Appendix: The British Film Institute -- Notes -- Bibliography -- Film List -- Index --
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The Documentary film in Australia / edited by Ross Lansell and Peter Beilby North Melbourne: Cinema Papers in association with Film Victoria, c1982. Call No: 761(94) DOC Copy Management: Copy 1; Copy 2 Author: Beilby, Peter; Lansell, Ross CorpAuthor: Film Victoria Place: North Melbourne Publisher: Cinema Papers in association with Film Victoria PubDate: c1982 PhysDes: 205 p. : ill., ports. ; 27 cm Subject: DOCUMENTARY FILMS. AUSTRALIA; ARCHIVES & INSTITUTES, FILM. AUSTRALIA; GOVERNMENT ORGANIZATIONS. AUSTRALIA; FILMMAKING. AUSTRALIA; HISTORY OF CINEMA; HISTORY OF CINEMA. 1920's; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. 1950's; HISTORY OF CINEMA. 1960's; HISTORY OF CINEMA. 1970's; HISTORY OF CINEMA. 1980's; HISTORY OF CINEMA. AUSTRALIA; HISTORY OF CINEMA. NEW ZEALAND; INDUSTRY, FILM. AUSTRALIA; PRESERVATION OF FILMS. AUSTRALIA; PRODUCTION; PRODUCTION COMPANIES & STUDIOS. AUSTRALIA; BAKER, SUZANNE; EDWARDS, JOHN; MCMAHON, TERENCE; BRADBURY, DAVID; NOONAN, CHRIS; HURLEY, FRANK; GRIERSON, JOHN Summary: Collection of essays on Australian documentary, covering the history of documentary in Australia and world-wide up until the early 1980s, documentary production, interviews with key documentary makers, information on documentary preservation and repositories, and hypotheses on the future of documentary-making in Australia. Notes: Includes index ISBN: 0959564721 : $12.95 Aust LON: 2380995 Contents: 1. What is a documentary? / John Langer; 2. A brief history of the documentary -- 1890s Australia / Chris Long -- 1900s world-wide and Australia / Ray Edmonston, Jenny Trustum -- 1910s Australia / Chris Long -- World War 1 / Phil Taylor -- 1920s world-wide and Australia / Andrew Pike -- 1930s world-wide / Jonathan Dawson -- 1930s Australia / Chris Long -- Early 1940s World War 2 / Phil Taylor -- Late 1940s world-wide / Brian McFarlane -- Late 1940s Australia / Tom Politis -- 1950s world-wide / Keith Connolly -- 1950s Australia / Anthony Buckley -- 1960s world-wide / John Pruzanski -- 1960s Australia / Ross Lansell -- 1970s world-wide and Australia / Gillian Coote -- Some issues and concerns of the 1970s / Barbara Alysen, David McDougall, Noel Purdon and Albie Thoms -- The 1980s and beyond / Ian Stocks --; 3. Documentary production today -- Government / Bruce Moir -- Specialist film units / Robert Rothols -- Television / Brian Davies -- Commerce and industry / Eve Ash and Ian McFayden -- Independent / Curtis Levy; 4. Case-histories -- Government: Suzzane Baker, John Edwards, Oliver Howes and Stephen Ramsey / Ian Stocks -- Specialist film units: Ross Campbell / Robert Rothol -- Television: Jeremy Cornford and Peter Luck / Jeremy Cornford and Nick Herd -- Commerce and industry: Terence McMahon / Eve Ash -- Independent: David Bradbury and Chris Noonan / Barbara Alysen --; 5. The marketplace / Kim Dalton --; 6. Some documentary themes -- Documentary traditions before Grierson: the case of Frank Hurley / Andrew Pike -- The Grierson tradition / Jonathan Dawson -- Propaganda then and now / John Hughes -- The television age / Tom Haydon --; 7. Preserving the past / Barbara Alysen --; 8. The documentary of the future / Fred Harden
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Doing business with Australia : producer offset and co-productions / Screen Australia [Woolloomooloo, N.S.W.]: Screen Australia, January 2014. More info |
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Doing Your Own Thing in Lumiere (June, 1973) iss.24 p.4-8 More info |
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Doug Rattray dies in Bundaberg in Australasian Cinema (11/2/1983) vol.12 iss.2 p.7 More info |
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The Dream Machine in Lumiere (April/May, 1974) iss.33 p.22-24 More info |
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Drop in Australian dollar bites into Oz buyers at American Film Market in Australasian Cinema (Friday, 29/3-4/4/1985) vol.14 iss.5 p.2 More info |
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'Dusty' launches new campaign for 'Life Education Centres' in Australasian Cinema (Friday, 19/8/1983) vol.12 iss.15 More info |
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Dynamic box office appointment in Australasian Cinema (29/4/1983) vol.12 iss.7 p.2 More info |
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East Asian screen industries / Darrell William Davis and Emilie Yueh-yu Yeh London: British Film Institute, 2008. Call No: 71(5-012) DAV Author: Davis, Darrell William; Yeh, Emilie Yueh-yu Source: UK Place: London Publisher: British Film Institute PubDate: 2008 PhysDes: 202 p. ; b+w ill. : 24 cm Subject: INDUSTRY, FILM. ASIAN COUNTRIES Summary: Introduction to the screen industries of Japan, Sth Korea, Taiwan, Hong Kong and the PRC. Notes: Includes index and bibliography ISBN: 9781844571819 Language: English
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Eastern Europe : an illustrated guide London New York: A. Zwemmer A. S. Barnes, [c1969]. Call No: 71(4-11)(03) HIB Author: Hibbin, Nina Place: London New York Publisher: A. Zwemmer A. S. Barnes PubDate: [c1969] PhysDes: 239 p. : ill., ports ; 21 cm Subject: EASTERN EUROPEAN COUNTRIES; INDUSTRY, FILM. EUROPEAN COUNTRIES; INDUSTRY, FILM. GERMANY; INDUSTRY, FILM. USSR Summary: "This guide has been designed to help filmgoers and televiewers to get to know more about the films they have enjoyed and the film-makers they admire, and at the same time to provide students of cinema with a compact source of information, most of which has not been previously collated in English, about filming in Eastern Europe." -- BLURB ISBN: 0498074218 LON: 33889
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The economics of film and television in Australia / Simon Molloy, Barry Burgan Sydney: Australian Film Commission, 1993. More info |
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Editorial: Early movie release or oblivion! More cinemas up for grabs! in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.3 More info |
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Electric shadows : 45 years of Chinese cinema / by Tony Rayns & Scott Meek London: British Film Institute, 1980. Call No: 71(51) RAY Author: Rayns, Tony; Meek, Scott CorpAuthor: British Film Institute Place: London Publisher: British Film Institute PubDate: 1980 PhysDes: 1 v. (various pagings) : ill. ; 30 cm Series: BFI dossier ; no. 3 Subject: CITY OF SADNESS, A [; INDUSTRY, FILM. CHINA Notes: Contains two chapters translated from Chinese LON: 5988816
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Electronic audio unit for cinemas offers remote control in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.19 More info |
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Embassy Pictures have record 2,432 prints playing U.S. market in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.20 More info |
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Embracing innovation : a new methodology for feature film production in Australia in Lumina (Summer 2010) iss.2 p.153-180 More info |
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Empire Intrnational and American Nat'l. Enterprises join American Film Market in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.2 More info |
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The Encore directory Manly, N.S.W.: Chekeven, 1986. Call No: REFERENCE SECTION; 058(94) ENC REF; held 1986- CorpAuthor: Australian Film Commission Place: Manly, N.S.W. Publisher: Chekeven PubDate: 1986 PhysDes: v. ; 21 - 23 cm Subject: INDUSTRY, FILM. AUSTRALIA Notes: 1991- published Redfern, N.S.W. : Trade News Corporation; <1994>- published Chatswood, N.S.W. : Reed Business Publishing; <2014> published Chatswood, N.S.W.: Cirrus Media.; 1991- subtitle: Film and television production, creative and technical resources; <1998>- has title: Encore (directory) : the film and television industry bible; <2014> subtitle: The essential business resource for the film and television industry. ISSN: 0817-6469 LON: 4463943
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English high court grants Lorimar Prods. injustion in copyright infringement action in Australasian Cinema (22/7/1983) vol.12 iss.13 p.1 More info |
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Entertainment Services appoints Administrator in Australasian Cinema (23/7/1982) vol.11 iss.13 p.1 PhysDes: Article Subject: INDUSTRY, FILM. AUSTRALIA Summary: Announcement of Kay Kenrick to an administrator position at Entertainment Services
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Eric Tsang, filmmaker in focus / Keith Chan (ed.), Li Cheuk-to (ed.), Ho Wai-leng (ed.), Gary McDonogh (ed.) Hong Kong: Hong Kong International Film Festival Society, 2008. Call No: 81TSA CHA Author: Chan, Keith and Li, Cheuk-to (eds.) Edition: 1st Source: HK Place: Hong Kong Publisher: Hong Kong International Film Festival Society PubDate: 2008 PhysDes: 112p.;b+w ill. : 26cm Series: HKIFF Society Series, no. 8, March 2008 Subject: INDUSTRY, FILM. HONG KONG; TSANG, EDWARD; MAO TAO YING (HK, David Chiang, 1981); TSUI HOU SING LEI (HK, Patrick Tam, 1987); SIU SIU SIU KING CHAT (HK, Eric Tsang, 1989); ON LOK TSIN CHEUNG (HK, Eric Tsang, 1990); SHENG SING KU SEE (HK, Peter Ho-sun Chan, 1991); BOON CHI YIN (HK, Riley Ip, 1999); CHI FAT FAN FAT (HK, Marco Mak, 2001); KONG WU (HK, Wong Ching-po, 2004) Summary: Interviews, essays and film notes for actor, scriptwriter, producer and director Eric Tsang. Notes: Includes biography: p.107-108; Includes filmography: p.108-111 ISBN: 9789889918137 Language: English; Chinese
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Esec. appointment to VCOA of Australia in Australasian Cinema (16/7/1982) vol.11 iss.12 p.35 More info |
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Essays on the Swedish cinema : Part one- an introduction in Lumiere (March, 1974) iss.32 p.22-24 More info |
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Essays on the Swedish cinema : Part two- Stiller and Sjostrom in Lumiere (April/May, 1974) iss.33 p.14-19, 36 More info |
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European cinema journal Milan: Media Salles, 1999-. Call No: held No.1- April 1999-; -- IN STORAGE. OVERNIGHT RETRIEVAL CorpAuthor: Media Salles Source: IT Place: Milan Publisher: Media Salles PubDate: 1999- PhysDes: vol. Subject: INDUSTRY, FILM. EUROPEAN COUNTRIES Order Notes: Current
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European cinema yearbook Milano: Media Salles, 1999. More info |
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European Film Industries / Anne Jackel London: British Film Institute, 2003. More info |
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European Underground in Lumiere (November-December 1971) iss.12 p.36-38 More info |
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Eve Brandstein named V.P., Embassy Communications in Australasian Cinema (11/3/1983) vol.12 iss.4 p.7 PhysDes: Article Subject: CASTING; INDUSTRY, FILM. USA Summary: Announcement of Eve Brandstein to vice president, talent and casting fro Embassy Communications. Article goes on to mention her future plans for the company.
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Everyones: the motion picture authority Sydney: Everyones Ltd, 1920-1937. Call No: MICROFILM - v. 1 (10 March 1920) - v. 15, no. 408 (Oct 20, 1937) Source: AT Place: Sydney Publisher: Everyones Ltd PubDate: 1920-1937 Subject: INDUSTRY, FILM. AUSTRALIA Notes: Former title - Australian Variety and show world
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Evilspeak in Australasian Cinema (16/7/1982) vol.11 iss.12 p.33 More info |
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Experimental : New Cinema Catalogues in Lumiere (September 1972) iss.16 p.36 More info |
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The Experimental Films in Lumiere (July-August, 1971) iss.10 p.33 More info |
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Experimentalists 1 in Lumiere (November, 1972) iss.18 p.18-19 More info |
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"Extremely valuable" film of New Guinea found in Australasian Cinema (Friday, 2/9/1983) vol.12 iss.16 p.1 More info |
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Faith in the future- GUO expansion in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.1 More info |
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'Far East' will have World Premiere at Sydney State Theatre on July 27 in Australasian Cinema (25/6/1982) vol.11 iss.11 p.1 More info |
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Farwell to Gordon Mummery in Australasian Cinema (6/8/1982) vol.11 iss.14 p.2 More info |
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Fast fade : David Puttnam, Columbia Pictures, and the battle for Hollywood / Andew Yule New York: Delacorte Press, c1989. Call No: 81PUT YUL Author: Yule, Andrew Source: US Place: New York Publisher: Delacorte Press PubDate: c1989 PhysDes: viii, 376 pages : black and white illustrations ; 25 cm Subject: COLUMBIA PICTURES; INDUSTRY, FILM. USA; KAUFMAN, VICTOR A.; PUTTNAM, DAVID; CHARIOTS OF FIRE (UK, Hugh Hudson, 1981); KILLING FIELDS, THE (UK, Roland Joffe, 1984) Summary: "FAST FADE is the story of David Puttnam's meteoric rise to the top of the Hollywood heap, and of his equally precipitous descent. It is also a very personal look at the man himself, from young boy growing up in middle-class London suburb, feasting on a steady diet of Hollywood-made movies, to successful producer of small, thoughtful films such as LOCAL HERO, as well as epic, "important" features like THE MISSION. Along the way, Puttnam has made a number of enemies, but he also has made many loyal friends, and he has earned the respect of a great portion of the world's most visible - and, perhaps, most powerful - industry. FAST FADE is an honest, balanced look at the man and his career, and especially his turbulent tenure as head of one of Hollywood's most powerful studios." [Taken from book jacket] Notes: Includes index ISBN: 0440501776; 9780440501770 Donation: Simon Wincer
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Federal police seize tapes in Australasian Cinema (6/8/1982) vol.11 iss.14 p.2 More info |
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Federal Treasurer Paul Keating critical of accounts and stock brokers on film tax shelters in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.1 More info |
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Felony in Australian Cinematographer (Sept 2013) iss.63 p.54-61 More info |
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Festival of Oz films at the Trak in Australasian Cinema (6/8/1982) vol.11 iss.14 p.2 PhysDes: Article Subject: GALLIPOLI (AT, Peter Weir, 1981); PUBERTY BLUES (AT, Bruce Beresford, 1981); MAD MAX (AT, George Miller, 1979); CADDIE (AT, Donald Crombie, 1976); NEWSFRONT (AT, Phillip Noyce, 1978); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981); REMOVALISTS, THE (AT, Tom Jeffrey, 1975); MAD DOG MORGAN (AT, Philippe Mora, 1976); DON'S PARTY (AT, Bruce Beresford, 1976); MANGO TREE, THE (AT, Kevin Dobson, 1977); STARSTRUCK (AT, Gillian Armstrong, 1982); CLUB, THE (AT, Bruce Beresford, 1980); INDUSTRY, FILM. AUSTRALIA; FESTIVALS Summary: Article on Sydney theatre The Trak running an 'Austrailan Film' Film Festival.
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The fifty-year decline and fall of Hollywood. / by Ezra Goodman New York: Simon & Schuster, 1961. More info |
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Fighting films : a history of the Waterside Workers Federation Unit / Lisa Milner North Melbourne: Pluto, 2003. More info |
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Fiji spurs production push in Encore (May 2000) vol.18 iss.4 p.8 Author: Prisk, Tracey PhysDes: Article; Illustration(s) Subject: INDUSTRY, FILM. FIJI Summary: The Fijian government has proposed an audio-visual initiative to encourage production and distribution in Fiji.
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Film / Roger Manvell Harmondsworth: Penguin, 1950. Call No: 62 MAN Author: Manvell, Roger, 1909 Edition: Further rev Place: Harmondsworth Publisher: Penguin PubDate: 1950 PhysDes: 182 p., [80] p. of plates : ill. ; 18 cm Series: Pelican book ; A126 Subject: SOCIETY AND THE CINEMA; AESTHETICS; CENSORSHIP; INDUSTRY, FILM; DOCUMENTARY FILMS Notes: Includes index; Bibliography: p. 251-263 LON: abn86084370; 4435368 URL status: URL: 'http://-'
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Film : it's a contact sport / by Sarah Darmody Frenchs Forest, N.S.W.: New Holland, 2002. Call No: 802(94) DAR Author: Darmody, Sarah Source: AT Place: Frenchs Forest, N.S.W. Publisher: New Holland PubDate: 2002 PhysDes: xiii, 274p. ;21cm. Subject: INDUSTRY, FILM. AUSTRALIA; BERESFORD, BRUCE; BILCOCK, JILL; JORDAN, GREGOR; MASON, DAVE; SEALE, JOHN; STRATTON, DAVID; WEIR, PETER Notes: Includes index and useful contact information. ISBN: 1864368071
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Film : readings in the mass media / Allen Kirschner and Linda Kirschner New York: The Odyssey Press, c1971. Call No: 62(04) KIR Author: Kirschner, Allen
Kirschner, Linda Place: New York Publisher: The Odyssey Press PubDate: c1971 PhysDes: 315 pages : 23 cm Subject: CRITICISM; HISTORY OF CINEMA; AUDIENCES; RATING FOR FILMS. USA; INDUSTRY, FILM. USA; COMEDIES; DIRECTION; GRADUATE, THE (US, Mike Nichols, 1967) Summary: A collection of essays on the history, art and effects of film separated into 3 sections (form and technique, audience and effects, and critics and criticism) with the final section focussing largely on the film The Graduate Notes: Bibliography: p. 313-315. Contents: Movies: the reel world / Marshall McLuhan -- Comedy's greatest era / James Agee -- from King of comedy / Mack Sennett -- The movies 100 years from now / David Wark Griffith -- The modern photoplay / Irving Thalberg -- The movies / H.L. Mencken -- Film and reality / Rudolf Arnheim -- Direction / Alfred Hitchcock -- Reflections on the film actor / Michelangelo Antonioni -- What is "film making"? / Ingmar Bergman -- The reality of New Cinema / Ken Kelman -- Where are we, the underground? / Jonas Mekas -- What makes a good screen story? / Mervyn LeRoy -- The writer and the film / Dudley Nichols -- The movies are now high art / Richard Schickel -- The movies are better than the theater / Walter Kerr -- The film generation / Stanley Kauffmann -- Engaging the eye-minded / Arthur Knight -- Movies: morals, violence, sex: anything goes / Judith Christ -- Film as environment / Anthony Schillaci -- Loverboy of the bourgeoisie / Tom Wolfe -- Freedom of speech in a mass medium / Richard S. Randall -- Rating code / Motion Picture Association of America -- Movies, the desperate art / Pauline Kael -- Should American films be subsidized? / William Fadiman -- The movie industry and the film culture / Ernest Callenbach -- On reviewing, I: Turnstiles / Renata Adler -- Is film criticism only propaganda? / Parker Tyler -- The graduate: four reviews. The graduate makes out / Hollis Alpert ; Tales out of school / Bosley Crowther ; Summa cum laude / Joseph Morgenstern ; The graduate / Stephen Farber and Estelle Changas -- Mike Nichols talks about The graduate / Joseph Gelmis -- The future of film / Members of the National Society of Film Critics: Hollis Alpert ; Brendan Gill ; Philip T. Hartung ; Stanley Kauffmann ; Arthur Knight ; Joseph Morgenstern ; Andrew Sarris ; Richard Schickel ; Wilfrid Sheed ; John Simon
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Film 69/70 : an anthology by the National Society of Film Critics / edited by Joseph Morgenstern and Stefan Kanfer New York: Simon and Schuster, c1970. Call No: 67 (04) FIL Source: US Place: New York Publisher: Simon and Schuster PubDate: c1970 PhysDes: 286 p. ; 22 cm Subject: INDUSTRY, FILM. USA; MUSICALS; VIETNAM WAR IN FILMS; POLITICS IN FILMS; PORNOGRAPHY AND THE CINEMA; FELLINI, FEDERICO; STREISAND, BARBRA; WAYNE, JOHN; CHE! (US, Richard Fleischer, 1969); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); Z (FR/AE, Constantin Costa-Gavras, 1969); EASY RIDER (US, Dennis Hopper, 1969); BOB & CAROL & TED & ALICE (US, Paul Mazursky, 1969); ALICE'S RESTAURANT (US, Arthur Penn, 1969); BAISERS VOLES (FR, Francois Truffaut, 1968); MIDNIGHT COWBOY (US, John Schlesinger, 1969); GOODBYE COLUMBUS (US, Larry Peerce, 1969); IF... (UK, Lindsay Anderson, 1968); THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969); PAINT YOUR WAGON (US, Joshua Logan, 1969); INTIMNI OSVETLENI (CZ, Ivan Passer, 1969); GURU, THE (US/II, James Ivory, 1968); HAR HAR DU DITT LIV (SW, Jan Troell, 1966); AKAHIGE [RED BEARD] (JA, Akira Kurosawa, 1965); PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965); CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967); WILD BUNCH, THE (US, Sam Peckinpah, 1969); PUTNEY SWOPE (US, Robert Downey, 1969); MEDIUM COOL (US, Haskell Wexler, 1969); ANGEL LEVINE, THE (US, Jan Kadar, 1970); IN THE YEAR OF THE PIG (US, Emile de Antonio, 1968); HIGH SCHOOL (US, Frederick Wiseman, 1969); ISADORA (UK, Karel Reisz, 1968); GOODBYE MR CHIPS (UK, Herbert Ross, 1969); FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968) Summary: Critical reviews of films produced 1969/1970 Notes: Includes index ISBN: 671-20608-7 Contents: I. Pick of the Litter -- Z / Pauline Kael, Arthur Schlesinger, Jr. -- Easy Rider / Joseph Morgenstern, Penelope Gillatt, Stefan Kanfer, Richard Schickel -- Bob & Carol & Ted & Alice / Hollis Alpert, Pauline Kael, Arthur Schlesinger, Jr., John Simon -- Alice's Restaurant / Robert Hatch, John Simon / If... / Arthur Schlesinger, Jr., Pauline Kael -- They Shoot Horses, Don't They? / Stefan Kanfer, John Simon -- II. Advance Obit. -- Hollywood: Myth, Fact and Trouble / Joseph Morgenstern -- The Studio by John Gregory Dunne / Stanley Kauffmann -- Paint Your Wagon / Pauline Kael -- III. Auteurisms -- Intimate Lighting / Andrew Sarris -- La Femme Infidele / Andrew Sarris -- Stolen Kisses / Joseph Morgenstern, Hollis Alpert, Robert Kotlowitz -- Here's Your Life / Stanley Kauffmann -- Pierrot Le Fou / Joseph Morgenstern -- The Red and the White / Penelope Gilliatt, Richard Schickel, John Simon -- Putney Swope / Arthur Knight, Penelope Gilliattt, Richard Schickel -- Medium Cook / John Simon, Andrew Sarris -- IV. On Location -- The Making of The Angel Levine / Robert Kotlowitz -- Fellini at Work / Hollis Alpert -- Che! / Joseph Morgenstern, Robert Hatch -- V. Documentarians -- Salesman / Harold Clurman, Joseph Morgenstern -- In the Year of the Pig / Pauline Kael -- High School / Richard Schickel -- VI. Performers and Performances -- The Loves of Isadora / Richard Schickel, Stanley Kauffmann, Stefan Kanfer, Hollis Alpert, Penelope Gilliatt -- Goodbye, Mr. Chips / Pauline Kael, Stefan Kanfe -- Superstar: The Streisand Story / Joseph Morgenstern -- John Wayne as the Last Hero / Stefan Kanfer -- VII. Skin -- I Am Curious (Yellow) / John Simon, Penelope Gilliatt, Hollis Alpert -- Coming Apart / Joseph Mergenstern, Richard Schickel
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The film and television production industry in Victoria : report of the Victorian Film & Television Industry Task Force Melbourne, Australia: Victorian Film & Television Task Force, September 2000. Call No: 201(945) VIC CorpAuthor: Victorian Film & Industry Task Force Source: AT Place: Melbourne, Australia Publisher: Victorian Film & Television Task Force PubDate: September 2000 PhysDes: 99 leaves ; 30 cm Subject: INDUSTRY, FILM. AUSTRALIA : VICTORIA; INDUSTRY, FILM. AUSTRALIA; STATE AND THE CINEMA. AUSTRALIA : VICTORIA; Film Victoria; CINEMEDIA; MELBOURNE FILM OFFICE; EDUCATION, FILM. AUSTRALIA Summary: A report to review and recommend a strategic framework for the Victorian Film and Television Industry. Government support for retaining and securing production investment is important for a knowledge economy. The report looks at different requirments to achieve this including: reinvigorating state film and television funding, advocacy to the Federal government about national policy, adopting a government approach to the industry, adding infrustructure and expanding education and training opportunities. Various proposals are also put forward. Notes: Includes preface letter by Sigrid Thornton -- Includes table of contents -- Ring binding -- Additional catalogue information added 28 August 2019 Language: English Contents: The Victorian Film and Television Industy - a vision for the future -- Executive summary -- The review process -- The industry nationally -- The industry in Victoria today -- Federal government support for the industry -- Government support for the industry in other states -- Victorian government support for the industry -- Industry infrustructure in Victoria -- Education and training in Victoria -- The global operating environment -- Overseas government funding programs -- The stategic framework for the Victorian industry -- The best position for the Victorian industry in relation to other Australian states and overseas industries -- The effectiveness of current state government programs in addressing the requirements needed to ensure the Victorian industry is a centre for excellence -- The requirements and initiatives needed to ensure that the Victorian industry is a centre for excellence
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The film and the public / Roger Manvell Harmondsworth, Middlesex: Penguin, 1955. More info |
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Film and video production and distribution, Australia, 1993-94 [Canberra]: Australian Bureau of Statistics, 1996. Call No: 21(94) "1993-94" MCL CorpAuthor: Australian Bureau of Statistics Place: [Canberra] Publisher: Australian Bureau of Statistics PubDate: 1996 PhysDes: vi, 38 p. : ill. ; 30 cm Subject: STATISTICS. AUSTRALIA; PRODUCTION. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; DISTRIBUTION. AUSTRALIA; INDUSTRY, VIDEO. AUSTRALIA Summary: Contains information about the film and video production industries in Australia. The data includes major sources of income and components of expenditure; characteristics of employment and the seasonal pattern of employment; key characteristics by State; performance ratios; market distribution of Australian titles; type and value of transactions in services with overseas residents; the production of films, videos and television programs by type of programming format Notes: Catalogue no. 8679.0; "W. McLennan, Australian Statistician"; Includes tables ISBN: 0642207305 LON: 12274947
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Film and video production and distribution, Australia, 1996-97 [Canberra]: Australian Bureau of Statistics, 1998. Call No: 21(94) "1996-97" MCL CorpAuthor: Australian Bureau of Statistics Place: [Canberra] Publisher: Australian Bureau of Statistics PubDate: 1998 PhysDes: 30 p. ; 30 cm Subject: PRODUCTION. AUSTRALIA; DISTRIBUTION. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; STATISTICS. AUSTRALIA Summary: Contains information about the film and video production industries in Australia. The data includes major sources of income and components of expenditure; characteristics of employment and the seasonal pattern of employment; key characteristics by State; performance ratios; market distribution of Australian titles; type and value of transactions in services with overseas residents; the production of films, videos and television programs by type of programming format Notes: Catalogue no. 8679.0; Caption title; Includes tables ISBN: 0642256764 LON: abn98389714; 14261746
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Film as social practice / Graeme Turner London New York: Routledge, 1988. Call No: 408 TUR Author: Turner, Graeme Place: London New York Publisher: Routledge PubDate: 1988 PhysDes: xv, 187 p. : ill. ; 20 cm Series: Studies in communication Subject: POPULAR CULTURE AND THE CINEMA; INDUSTRY, FILM; INDUSTRY, FILM. AUSTRALIA; AUTEUR THEORY; NARRATIVE IN FILMS; STARS; SPECTATORSHIP; AUDIENCES; AUSTRALIA; IDEOLOGY AND THE CINEMA; BAZIN, ANDRE; WRIGHT, WILL; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985); METROPOLIS (G, Fritz Lang, 1926) Summary: “Explores the feature film as entertainment, as narrative, and as cultural event. Graeme Turner discusses the major theoretical issues surrounding the history of film production and film studies, using them to examine the cultural function of film and its place in our popular culture. This updated third edition includes: discussion of classical and popular contemporary films, updated and expanded discussion of debates surrounding film narrative and arguments revised throughout to take into account recent developments in film and cultural theory and changing cinematic trends.” [Taken from back cover] Notes: Includes index; Bibliography: p. 180-184 ISBN: 0415007348; 0415007356 (pbk.) LON: 5742606
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Film Australian will film migrant stories in Australasian Cinema (14/5/1982) vol.11 iss.8 p.5 More info |
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Film Censorship, April, 1982 in Australasian Cinema (25/6/1982) vol.11 iss.11 p.4-5 More info |
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Film Censorship, December, 1982 in Australasian Cinema (28/1/1983) vol.12 iss.1 p.10, 15 More info |
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Film Censorship, February 1982 in Australasian Cinema (30/4/1982) vol.11 iss.7 p.2-3 More info |
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Film Censorship, January 1982 in Australasian Cinema (16/4/1982) vol.11 iss.6 p.8-9 More info |
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Film Censorship, July, 1982 in Australasian Cinema (10/9/1982) vol.11 iss.16 p.4-5, 11 More info |
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Film Censorship, July 1983 in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.20-23 More info |
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Film Censorship, June, 1982 in Australasian Cinema (27/8/1982) vol.11 iss.15 p.30-31 More info |
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Film Censorship, June 1983 in Australasian Cinema (Friday, 19/8/1983) vol.12 iss.15 p.3-5 More info |
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Film Censorship, March, 1982 in Australasian Cinema (14/5/1982) vol.11 iss.8 p.4-5 More info |
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The film cultures reader / Graeme Turner (ed.) New York: Routledge, 2002. Call No: 408 TUR Author: Graeme Turner (ed.) Place: London; New York Publisher: Routledge PubDate: 2002 PhysDes: 524 p. ; 24 cm Subject: CULTURE AND THE CINEMA; GENRES; AESTHETICS; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; SPECTATORSHIP; AUDIENCE RECEPTION; AUDIENCE RESEARCH; SOUND; THEORY; CREED, BARBARA; KUHN, ANNETTE; NATIONAL CULTURE AND THE CINEMA; POSTMODERNISM AND THE CINEMA; GLOBALISATION; USA; MONROE, MARILYN; SEX IN FILMS; HORROR FILMS; ACTION FILMS; HOMOSEXUALITY IN FILMS; THRILLERS; COLOR PURPLE, THE (US, Steven Spielberg, 1985); PIANO, THE (AT, Jane Campion, 1993); AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); TECHNOLOGY AND THE CINEMA; INDUSTRY, FILM Summary: This companion reader to Film as Social Practice brings together key writings on contemporary cinema, exploring film as a social and cultural phenomenon. Key features of the reader include: thematic sections, each with an introduction by the editor; a general introduction by Graeme Turner; sections on understanding film, film technology, film industries, meanings and pleasures, identities, audiences and consumption. ISBN: 0415252822
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Film flam / by Elliot Paul London: Frederick Muller Ltd., 1956. More info |
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Film in the age of digital distribution : the challenge for Australian content / Richard Harris Strawberry Hills, NSW: Currency House, 2007. More info |
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The film industry in Brazil : culture and the state / Randal Johnson Pittsburgh, Pa.: University of Pittsburgh Press, c1987. Call No: 71(81) JOH Author: Johnson, Randal, 1948 Place: Pittsburgh, Pa. Publisher: University of Pittsburgh Press PubDate: c1987 PhysDes: xiv, 265 p. ; 23 cm Series: Pitt Latin American series Subject: BRAZIL; INDUSTRY, FILM. BRAZIL Notes: Includes index; Bibliography: p. 247-255 ISBN: 0822935384 LON: 4395325
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The film industry in Great Britain : some facts and figures / British Film Academy London: British Film Academy, 1950. More info |
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The film-maker and his world : a young person's guide / by R. J. Minney London: Victor Gollancz, 1964. More info |
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Film policy : an Australian reader / edited by Albert Moran [Queensland], Australia: Institute for Cultural Policy Studies, Faculty of Humanities, Griffith University, 1994. Call No: 205.1(94) FIL Author: Moran, Albert CorpAuthor: Griffith University. Institute for Cultural Policy Studies; Film Policy Conference (1991 : Griffith University) Place: [Queensland], Australia Publisher: Institute for Cultural Policy Studies, Faculty of Humanities, Griffith University PubDate: 1994 PhysDes: iii, 193 p. ; 30 cm Series: Special publication of the Institute for Cultural Policy Studies, Faculty of Humanities, Griffith University Subject: STATE AND THE CINEMA. AUSTRALIA; GOVERNMENT CONTROL. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. UK; INDUSTRY, FILM. NEW ZEALAND; INDUSTRY, TV. AUSTRALIA; QUOTA. AUSTRALIA; NATIONAL CONTENT. AUSTRALIA; ABORIGINAL AUSTRALIAN CINEMA; ABORIGINAL AUSTRALIANS AND TV; MAORI CINEMA; ADVERTISING FOR FILMS. AUSTRALIA; INDEPENDENT PRODUCTION. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA : NEW SOUTH WALES; INDUSTRY, FILM. AUSTRALIA : QUEENSLAND; INDUSTRY, FILM. AUSTRALIA : SOUTH AUSTRALIA; NEW SOUTH WALES FILM AND TELEVISION OFFICE; QUEENSLAND FILM DEVELOPMENT OFFICE Notes: "These papers were originally presented at the Film Policy Conference hosted by the Institute for Cultural Policy Studies at Griffith University in Brisbane in 1991"--Cover p. [4]; Includes bibliographical references ISBN: 0868575453 LON: 9849431
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Film policy : international, national, and regional perspectives / edited by Albert Moran New York: Routledge, 1996. Call No: 205 FIL Author: Moran, Albert Place: New York Publisher: Routledge PubDate: 1996 PhysDes: xvi, 285 p Subject: GOVERNMENT CONTROL; STATE AND THE CINEMA; INDUSTRY, VIDEO. USA; DISTRIBUTION; INDUSTRY, FILM; COPRODUCTION. FRANCE; COPRODUCTION. UK; INDUSTRY, FILM. UK; INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. CANADA; INDUSTRY, FILM. LATIN AMERICAN COUNTRIES; INDUSTRY, FILM. INDIA; INDUSTRY, FILM. INDONESIA; INDUSTRY, FILM. SINGAPORE; ABORIGINAL AUSTRALIAN CINEMA; MAORI CINEMA; INDIGENOUS PEOPLE'S CINEMA. CANADA Notes: Includes bibliographical references and index ISBN: 0415097916 (pbk.); 0415097908 (hardcover) LON: 12158074
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Film Production Management 101 : management and coordination in a digital age / Deborah Patz Studio City, CA: Michael Wiese Productions, c2010. Call No: 21 PAT Author: Patz, Deborah Source: US Place: Studio City, CA Publisher: Michael Wiese Productions PubDate: c2010 PhysDes: xviii, 535 p. ; 26 cm Subject: PRODUCTION; DIRECTION; FILM; TELEVISION; INDUSTRY, FILM; INDUSTRY, TV. Summary: "Known as "the Swiss Army knife of production management," Film Production Management 101 is actually two books in one - the essential open-on-the-desk guide for Production Managers and Production Coordinators. Patz takes you on a journey from development through pre-visualization to postproduction through the audit, covering everything with detailed insights, humorous production stories, and the inside scoop on working in film and television." -- BOOK BACK COVER Notes: Includes index ISBN: 9781932907773 Donation: Donated by Michael Smith Contents: -- I: Project development -- 1 Getting hired -- 2 Before official prep -- 3 Budgeting & breakdowns -- 4.Your kit & online resources II: Preproduction 5 Setting up the production office -- 6 Hiring crew -- 7 Crew departments -- 8 Work space organizatiion -- 9 Telephone etiquette -- 10 Setting up a filing system -- 11 Forms, memos, logs, checklists -- 12 Countdown to production III: Production 13 The shoot day & call sheets -- 14 Daily production reports -- 15 Countdown through production IV: More management & money issues 16 Locatiion management -- 17 Production insurance -- 18 Completion bonds -- 19 Petty cash & purchase orders -- 20 Cash flows -- 21 Interim financing -- 22 Official & PM-only cost reports V: More contracting issues 23 Deal memos & long forms -- 24 Cast contracts & immigration -- 25 Supplier agreements -- 26 The special departments VI: More production & coordination issues. 27 Script format & revisions -- 28 Production scheduling -- 29 Credits -- 30 Documentation distribution VII: Ongoing special issues 31 Publicity & the audience -- 32 Couriers & customs -- 33 Script, music & other legal clearances VIII: Postproduction 34, Wrap & wrap party -- 35 Postproduction -- 36. Audit -- closing notes --
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Film Schools Need Sponsors in Lumiere (January/February, 1973) iss.20 p.33-34 More info |
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Film Styles : Styles In Filmmaking in Lumiere (July-August 1971) iss.10 p.6-11 More info |
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Film & T.V. awards 1971 in Lumiere (November-December 1971) iss.12 p.40-41 More info |
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Film trade day in Melbourne big success in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.1-2 Subject: FILMWAYS; INDUSTRY, FILM. AUSTRALIA Summary: A report on the 1974 Filmways Trade Day, discussing the screening of The Winners and new industry equipment available.
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Film, TV industry in rebates call in Sun Herald (16/04/2017) p.4 More info |
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The Film weekly Sydney: Film Weekly, 1926-1973. More info |
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Film world : a guide to cinema / by Ivor Montagu Harmondsworth, England: Penguin Books, 1964. Call No: 62 MON Author: Montagu, Ivor Goldsmid Samuel, 1904 Source: US Place: Harmondsworth, England Publisher: Penguin Books PubDate: 1964 PhysDes: 327 pages : illustrations ; 18 cm Subject: AESTHETICS; ART CINEMA; BUDGETING; CINEMATOGRAPHY; EDITING; INDUSTRY, FILM; REALISM IN FILMS; PRODUCTION COSTS; SCIENCE AND THE CINEMA; SOUND; SPECIAL EFFECTS; EISENSTEIN, SERGEI M. Summary: "At a moment when the cinema is struggling to escape from both the Hollywood blockbuster and the art form, FILM WORLD is a reminder of the true nature of cinema itself. In a personal survey of astonishing range and uncommon perception of Ivor Montagu shows us the facts of the film as art form, as undustry, and as a means of social communication. The four parts of the book - Film as Science, Film as Art, Film as Commodity, and Film as Vehicle - cover every aspect of the medium - its history, its resemblance to and difference from other arts, its aesthetic laws, the compound effects of sound and vision, the business side and in particular the inherent tendency towards monopoly." [Taken from book blurb] Notes: Contains index LON: nla07041764; 6387892 URL status: URL: 'http://-'
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Filming The Fight in Lumiere (May, 1973) iss.23 p.22 More info |
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Filmnews Index: 1975-82/1986-95 More info |
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Filmography : a filmography of Asian films and films about Asia / by Sylvie Shaw Canberra City Carlton, Vic.: Asian Studies Council Asialink, 1990. Call No: REFERENCE SECTION; 023(5) SHA Author: Shaw, Sylvie CorpAuthor: Asialink; Asian Studies Council (Australia) Place: Canberra City Carlton, Vic. Publisher: Asian Studies Council Asialink PubDate: 1990 PhysDes: vii, 78 p. ; 30 cm Subject: FILMOGRAPHIES; LITERATURE, FILM; ASIAN COUNTRIES; INDUSTRY, FILM. ASIAN COUNTRIES Notes: "The Visions of Asia filmography lists repositories of films and videos about Asia, Asian films and Australian films with an Asian component which are available right throughout the country."--from introduction; Cover title: Visions of Asia; "Asialink is a joint initiative of the Asian Studies Council, the Commission for the Future, and the Myer Foundation with the support of the Australian Bicentennial Multicultural Foundation." ISBN: 0642157723 LON: 7580718 Contents: Asia General -- China -- Hong Kong -- India -- Indo-China -- Indonesia -- Japan -- Korea -- Malaysia -- Philippines -- Singapore -- Taiwan -- Thailand -- Vietnam
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Films in 1951 : a special publication on British films and film-makers for the Festival of Britain London: Published by Sight & Sound for the British Film Institute, [1951]. Call No: 71(41) FIL CorpAuthor: British Film Institute Source: UK Place: London Publisher: Published by Sight & Sound for the British Film Institute PubDate: [1951] PhysDes: 72 p. illus. 28 cm Subject: RANK ORGANISATION; CENSORSHIP. UK; CHILDREN, FILMS FOR. UK; SOCIETIES, FILM. UNITED KINGDOM; AMATEUR FILMS. UK; FESTIVALS. EDINBURGH; EDUCATION, FILM. UK; INDUSTRY, FILM. UK; KORDA, ALEXANDER; EALING STUDIOS; REED, CAROL; CLARKE, T E B; CARDIFF, JACK; HARRIS, JACK; OLIVIER, LAURENCE; ALWYN, WILLIAM; HOBSON, VALERIE; BALCON, MICHAEL; Grierson, John Summary: Focuses on a number of different films, people, and areas within the British film industry at the time of publication. Notes: Includes list of film companies and studios -; Includes list of distribution and exhibition companies -; Includes list of production organisations -; Includes bibliography
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Films of change in Lumiere (December, 1973) iss.30 p.31-32 More info |
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Films of change in Lumiere (January/February, 1974) iss.31 p.33-34 More info |
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Films worth fighting for in Sydney Morning Herald [Letters] (19/12/2015) p.39 More info |
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Filmways appoints new Queensland manager in The Australasian Cinema (5/3/1982) vol.11 iss.3 p.2 More info |
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Filmways Brisbane up-grades in Australasian Cinema (27/8/1982) vol.11 iss.15 p.16 More info |
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Filmways on the move in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.4 More info |
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Final cut : dreams and disaster in the making of Heaven's Gate / by Steven Bach New York: William Morrow & Co., Inc., c1985. Call No: 79HEA BAC Author: Bach, Steven Source: US Place: New York Publisher: William Morrow & Co., Inc. PubDate: c1985 PhysDes: 432 pages ; 25 cm Subject: BUDGETING; FINANCING; BOX OFFICE; INDUSTRY, FILM. USA; STUDIOS, FILM. USA; UNITED ARTISTS; ALLEN, WOODY; CIMINO, MICHAEL; FIELD, DAVID; DEER HUNTER, THE (US, Michael Cimino, 1978); HEAVEN'S GATE (US, Michael Cimino, 1980) Summary: "HEAVEN'S GATE is probably the most discussed, least seen film in modern movie history. Its notoriety is so great that it has become a generic term for disaster, for ego run rampant, for epic mismanagement, for wanton extravagance. It was also the watershed film of the decade - not for its cinematic qualities, but for its effect on Hollywood and the way movies will and will not be made in the future. For Michael Cimino's HEAVEN'S GATE did not merely fail (failure is forgivable, sometimes even endorsed in the strange labyrinths of the Hollywood psyche), HEAVEN'S GATE did the unthinkable: it sank a studio. Less than a month after the picture's second release, United Artists - the company founded by Douglas Fairbanks, Mary Pickford, D.W. Griffith and Charlie Chaplin - for all practical purposes ceased to exist. Why? How?" [TAKEN FROM BOOK JACKET] Notes: Includes index ISBN: 0688043828 Donation: Simon Wincer
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Final post-production of 'Careful, He Might Hear You' in Australasian Cinema (27/5/1983) vol.12 iss.9 p.8 More info |
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Five Oz films for Moscow fest. in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.1 Subject: WOMEN OF UTOPIA (AT, Keith Gow, 1984); SILVER CITY (AT, Sophia Turkiewicz, 1984); FOR LOVE ALONE (AT, Stephen Wallace, 1985); INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. USSR Summary: Article on five Australian films (inc. 'Light Industrial' and 'Strike Bound') are being screened at the XIV international film festival, Moscow, 28/6-12/7/1985
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Interim book |
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Focus 1999 : world market trends / European Audiovisual Observatory Paris: European Audiovisual Observatory, 1999. More info |
Interim book |
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Focus 2000 : world film market trends / European Audiovisual Observatory Paris: European Audiovisual Observatory, 2000. More info |
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Focus 2002 : World film market trends. Tendances du marche mondial du film / Executive director Jerome Paillard France: Marche du film, European Audiovisual Observatory, 2002. More info |
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Footnotes to the film / edited by Charles Davy London: Lovat Dickson Ltd, Readers' Union, 1938. Call No: REFERENCE SECTION; 003 FOO Author: Davy, Charles Source: UK Place: London Publisher: Lovat Dickson Ltd; Readers' Union PubDate: 1938 PhysDes: 334 p. : ill. ; 21 cm Subject: PRODUCTION; INDUSTRY, FILM; DIRECTION; ACTING; CINEMATOGRAPHY; SCRIPTWRITING; COMEDIES; CARTOONS; COSTUMES; COSTUME DESIGNING; SET DESIGNING; SETS; ART DIRECTION; MUSIC IN FILMS; COLOUR; REALISM IN FILMS; UNITED KINGDOM; USA; THEATRE AND THE CINEMA; AUDIENCES; CRITICISM; CENSORSHIP; SOCIETIES, FILM Notes: Includes contributor biographies and index Donation: donated by the family of Wayne Levy, 2006 Contents: Includes essays by Alfred Hitchcock, Robert Donat, Basil Wright, Graham Greene, Alberto Cavalcanti, John Betjeman, Maurice Jaubert, Paul Nash, John Grierson, Alexander Korda, Basil Dean, Maurice Kann, Elizabeth Bowen, Sidney L. Bernstein, Alistair Cooke, Forsyth Hardy, Charles Davy
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Fosse / Sam Wasson, author of Fifth Avenue, 5am Boston ; New York: Houghton Mifflin Harcourt, 2013. Call No: 81FOS WAS Author: Wasson, Sam Source: US Place: Boston ; New York Publisher: Houghton Mifflin Harcourt PubDate: 2013 PhysDes: 723 pages : illustrations ; 24 cm Subject: ACADEMY AWARDS; BURLESQUE; CHOREOGRAPHY; CULTURE AND THE CINEMA. USA; DANCE IN FILMS; DIRECTORS; INDUSTRY, FILM. USA; MUSICALS. USA; UNITED ARTISTS; FOSSE, BOB; ASTAIRE, FRED; CHAYEFSKY, PADDY; DREYFUSS, RICHARD; HEIM, ALAN; MINNELLI, LIZA; SONDHEIM, STEPHEN; ALL THAT JAZZ (US, Bob Fosse, 1979); CABARET (US, Bob Fosse, 1972); LENNY (US, Bob Fosse, 1974); NOTTI DI CABIRIA, LE (IT, Federico Fellini, 1957); ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970); STAR 80 (US, Bob Fosse, 1983); SWEET CHARITY (US, Bob Fosse, 1969) Summary: "We see Bob Fosse's legacy everywhere--from Broadway to "Billy Jean" to Beyonce;'s moves in the "Single Ladies" video. Yet in spite of Fosse's deep cultural significance, no biography has ever brought him fully to life, unveiling the man behind the bowler hat and the swaggering sex appeal. Now, acclaimed cultural historian Sam Wasson traces Fosse's numberless reinventions of himself over a career that would spawn The Pajama Game, Cabaret, Pippin, Chicago, All That Jazz, and other iconic works of art and earn him Tonys, Emmys, and an Oscar. Wasson traces not only Fosse's prodigious professional life, but his intense relationships with everyone from Liza Minnelli, Fred Astaire, and Neil Simon to Shirley MacLaine, Jessica Lange, and Dustin Hoffman. Through extensive interviews with collaborators and lovers and unprecedented access to Fosse's archives, Wasson also reveals the deep wounds that propelled his subject's excessive appetites--for spotlights, women, and life itself. In Fosse, Wasson's stylish, effervescent prose proves the ideal vehicle for reanimating Bob Fosse as he truly was--after hours, close up, and in vibrant color" -- FROM TROVE Notes: Contains photos and index ISBN: 9780547553290
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Fox Columbia committed to future in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.2 More info |
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The Fox that got away : the last days of the Zanuck dynasty at Twentieth Century Fox / Stephen M. Silverman Secaucus, New Jersey: Lyle Stuart Inc., c1988. Call No: 19TWE SIL Author: Silverman, Stephen M. Source: US Place: Secaucus, New Jersey Publisher: Lyle Stuart Inc. PubDate: c1988 PhysDes: 356 pages : black and white illustrations ; 24 cm Subject: HISTORY OF CINEMA. 1960's; HISTORY OF CINEMA. 1970's; INDUSTRY, FILM. USA; TWENTIETH CENTURY-FOX; ZANUCK, DARRYL F.; ZANUCK, RICHARD; CLEOPATRA (US, Joseph L. Mankiewicz, 1963) Summary: "A powerful man and his determined son, an internationally famous dream factory where money is no object, and a battle between egos staged on the most lavish playgrounds in the world. This is the inside story of a family torn from within by greed, envy and a blind need to control. Movie mogul Darryl F. Zanuck believed that the kingdom he had built - 20th Century Fox - was impregnable to outside conquest. Little did he dream that the power who would eventually dethrone him in one of the nastiest battles in Hollywood history would be none other than his own son, Richard Zanuck. In the best Hollywood tradition, this drama was played out on a larger than life scale against a glamorous international setting. There is a cast of supporting players that formed a Zanuck coterie - from their innumerable "yes men" to the old man's many mistresses [...] THE FOX THAT GOT AWAY is filled with high drama. It is a story that will not be soon forgotten, and a look at the workings of an industry that never fails to fascinate." [Taken from book jacket] Notes: Includes bibliography and index ISBN: 081840485X Donation: Simon Wincer
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frances Pardell exits DDA to set up own company in Australasian Cinema (13/5/1983) vol.12 iss.8 p.4 More info |
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Frank Bitcher's 30yrs service to advertising industry in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.2 More info |
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Frank Poole joins IMC+Isram and Silverstein International in Australasian Cinema (22/7/1983) vol.12 iss.13 p.2 PhysDes: Article Subject: INDUSTRY, FILM. UK; DISTRIBUTION Summary: Announcement of Frank Poole joining the IMC+Isram and Silverstein International companies in the United Kingdom.
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Fred Berry retires in The Australasian Cinema (5/3/1982) vol.11 iss.3 p.2 More info |
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Freddie Young, cameraman in Lumiere (September, 1972) iss.16 p.26-28 Author: Copping, Robin PhysDes: Article Subject: CAMERAS; CINEMATOGRAPHY; INDUSTRY, FILM. UK; LIGHTING; Lean, David; YOUNG, FREDDIE; ASPHYX, THE (UK, Peter Newbrook, 1973); [DOCTOR] DR ZHIVAGO (US, David Lean, 1965); LAWRENCE OF ARABIA (UK, David Lean, 1962); QUEEN OF DESTINY (UK, Herbert Wilcox, 1938); RYAN'S DAUGHTER (UK, David Lean, 1970) Summary: Interview with cameraman Freddie Young, second person ever to receive the Alfred Hitchcock award for outstanding achievements in film from the British Film Industry. He discusses his career and cinematographic techniques, and his working relationship with director David Lean
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Freelance gaffers - making light work in Encore (July 2000) vol.18 iss.6 p.28 More info |
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French Cinema in Wide Angle (1981) vol.4 iss.4 p.[whole issue] Author: Lehmen, Peter PhysDes: Article Subject: INDUSTRY, FILM. FRANCE; NOUVELLE VAGUE; VARDA, AGNES; RENOIR, JEAN; CLOUZOT, HENRI-GEORGES Summary: Whole issue on French cinema, focusing on films by Renoir, Clouzot, Varda, the New Wave, and interviews with Truffaut and Victor Ancona.
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From Aboriginal Australia to German autumn : on the West German reception of thirteen films from Black Australia in Studies in Australasian cinema (2009) vol.3 iss.3 p.251-263 Author: Hurley, Andrew W PhysDes: Article Subject: ABORIGINAL AUSTRALIANS IN FILMS; AUDIENCE RECEPTION; GERMANY; INDUSTRY, FILM. AUSTRALIA; URAN GEHOERT DER REGENBOGENSCHLANGE, DAS (GW, Nina Gladitz, 1978); WO DIE GRUNEN AMEISEN TRAUMEN (GW, Werner Herzog, 1984); BIS ANS ENDE DER WELT (GG/FR/AT, Wim Wenders, 1991) Summary: This article examines some aspects of the West German reception of a series of Australian films about Aborigines including Peter Weir's The Last Wave (1977), Phillip Noyce's Backroads (1977) and Michael Edols' Lalai and Floating (1973 and 1975) which were shown in Germany and elsewhere in Europe in 1978 and 1979. It explains how these films came to be shown in Europe, how and why they caught the imagination of German reviewers and film-makers at the time, and how they themselves contributed to the begetting of several German films on Aboriginal themes including Nina Gladitz's documentary Das Uran gehrt der Regenbogenschlange (The Uranium Belongs to the Rainbow Serpent) (1979), Werner Herzog's Where the Green Ants Dream (1984) and Wim Wenders' Until the End of the World (1991).
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From Madea to media mogul : theorizing Tyler Perry / edited by TreaAndrea M. Russworm, Samantha N. Sheppard, and Karen M. Bowdre ; foreword by Eric Pierson Jackson, Mississippi: University Press of Mississippi, 2016. Call No: 81PER FRO Author: Russworm, TreaAndrea M. (editor); Sheppard, Samantha N. (editor); Bowdre, Karen M. (editor) Source: US Place: Jackson, Mississippi Publisher: University Press of Mississippi PubDate: 2016 PhysDes: xxxiv, 255 pages ; 24 cm Subject: ETHNIC GROUPS IN FILMS; FILM; INDUSTRY, FILM; CRITICISM; PERRY, TYLER Summary: "For over a decade Tyler Perry has been a lightning rod for both criticism and praise. To some he is most widely known for his drag performances as Madea, a self-proclaimed "mad black woman," not afraid to brandish a gun or a scalding pot of grits. But to others who watch the film industry, he is the businessman who by age thirty-six had sold more than $100 million in tickets, $30 million in videos, $20 million in merchandise, and was producing 300 projects each year viewed by 35,000 every week. Is the commercially successful African American actor, director, screenwriter, playwright, and producer "malt liquor for the masses," an "embarrassment to the race," or is he a genius who has directed the most culturally significant American melodramas since Douglas Sirk? Are his films and television shows even melodramas, or are they conservative Christian diatribes, cheeky camp, or social satires? Do Perry's flattened narratives and character tropes irresponsibly collapse important social discourses into one-dimensional tales that affirm the notion of a "post-racial" society? This volume makes the argument that Tyler Perry must be understood as a figure at the nexus of converging factors, cultural events, and historical traditions. The essays challenge value-judgment criticism and offer new insights on the industrial and formal qualities of Perry's work"-- LIBRARIES AUSTRALIA Notes: Includes index; Includes bibliographical references and index ISBN: 9781496820174 Contents: -- foreword - centrality / Eric Pierson -- acknowledgments -- introduction - respectability -- Media Studies Has Ninety-Nine Problems ... But Tyler Perry Ain't One of Them? / TreaAndrea M Russworm -- ch 1 Platforms -- "Tyler Perry Presents ...": The Cultural Projects, Partnerships, and Politics of Perry's Media Platforms / Samantha N Sheppard -- ch 2 Chitlin -- From the Margins to Center Stage: Tyler Perry's Popular African American Theatre / Rashida Z Shaw -- ch 3 Gospel -- Tyler Perry, T D Jakes, and the Birth of Gospel Cinema / Keith Corson -- ch 4 Affect -- Worship at the Altar of Perry: Spectatorship and the Aesthetics of Testimony / Brandeise Monk-Payton -- ch 5 Cinephilia -- "All My Life I Had to Fight": Domestic Trauma and Cinephilia in Tyler Perry's Archive of Feelings / Ben Raphael Sher -- ch 6 Disguise -- "Who I Am Is Conflicting with This Dress I Got On": Madea's Intimate Public and the Possibilities and Limitations of False Disguise / Rachel Jessica Daniel -- ch 7 Niche -- One Man Hollywood: The Decline of Black Creative Production in Post-Network Television / Aymar Jean Christian and Khadijah Costley White -- ch 8 Thirst -- Bring the Payne: The Erasure of the Black Sitcom and the Emergence of Tyler Perry's House of Payne / Artel Great -- ch 9 Exceptionalism -- Spike and Tyler's Beef: Blackness, Authenticity, and Discourses of Black Exceptionalism / Karen M Bowdre -- ch 10 Mogul -- The Case for Calling George Lucas the "White Tyler Perry" / Paul N Reinsch -- ch 11 Rebrand -- To Brand and Rebrand: Questioning the Futurity of Tyler Perry / Leah Aldridge -- epilgue Madea - Playing with the Changes / Miriam J Petty -- contributors -- index --
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From reel to unreal : Future opportunities for Australia's film, animation, special effects and electronic games industries / The Parliament of the Commonwealth of Australia Canberra, Australia: The Parliament of the Commonwealth of Australia, 2004. Call No: 205.1(94) FRO CorpAuthor: The Parliament of the Commonwealth of Australia Place: Canberra, Australia Publisher: The Parliament of the Commonwealth of Australia PubDate: 2004 PhysDes: 24 cm; 250 pp Subject: AUSTRALIA; INDUSTRY, FILM. AUSTRALIA : ACT; ANIMATION. AUSTRALIA; SPECIAL EFFECTS. AUSTRALIA; VIDEO GAMES. AUSTRALIA; DIGITAL TECHNOLOGY. AUSTRALIA; INTERNET; LABOUR. AUSTRALIA; GOVERNMENT AID. AUSTRALIA; GOVERNMENT CONTROL. AUSTRALIA Summary: This report, made to the House of Representatives Standing Committee on Communications, Information Technology and the Arts, is concerned with (a) the current size and scale of Australia’s film, animation, special effects and electronic games industries, (b) the economic, social and cultural benefits of these industries, (c) future opportunities for further growth of these industries, including through the application of advanced digital technologies, online interactivity and broadband, (d) the current and likely future infrastructure needs of these industries, including access to bandwidth, (e) the skills required to facilitate future growth in these industries and the wider cultural and information technology sectors; (g) how Australia’s capabilities in these industries, including in education and training, can be best leveraged to maximize export and investment opportunities, and (h) whether any changes should be made to existing government support programs to ensure they are aligned with the future opportunities and trends in these industries. Notes: Government report ISBN: 0642784698
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From the outback to the background : Indian films in Australia in Studies in Australasian cinema (2010) vol.4 iss.3 p.215-30 More info |
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Funky Bollywood : the wild world of 1970s Indian action cinema; a selective guide / by Todd Stadtman Godalming, Surrey: FAB Press, Call No: 71(540) STA Author: Stadtman, Todd Edition: 2015 Place: Godalming, Surrey Publisher: FAB Press PhysDes: 228 pages : illustrated ; 22 cm Subject: BOLLYWOOD; INDIA; INDUSTRY, FILM. INDIA; POPULAR CULTURE AND THE CINEMA.INDIA; SHOLAY (II, Ramesh Sippy, 1975) Summary: Despite the often stereotypical notions of Bollywood, it’s not all weddings, wet saris and running around trees. In the 1970s, Indian cinema gave birth to a new breed of action movie, one that combined its own exuberant traditions with foreign influences like the gritty urban crime thrillers of the New Hollywood, Hong Kong martial arts cinema, and Italian exploitation fare.
This was the domain of hard fighting he-men stars like Amitabh Bachchan, Dharmendra and Feroz Khan and badass, whip-wielding heroines played by the likes of the gorgeous Zeenat Aman, Hema Malini, and Rekha.
Let world cult cinema fanatic Todd Stadtman be your guide through this world of karate killers, femme fatales, space age lairs, bombshells and booby traps with Funky Bollywood, a book with an attitude as freewheeling and feisty as its subject matter, bursting with colour and imagination on every vibrant page! -- publisher's web site ISBN: 9781903254776
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Future of Aust. film production in Australasian Cinema (Friday, 21-27/6/1985) vol.14 iss.10 p.3 More info |
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G.U.O. managing director heads citizens' committee to farewell prominent banking personalities in Australasian Cinema (Thursday, 31/10/1974) vol.2 iss.21 p.2 Subject: INDUSTRY, FILM. AUSTRALIA Summary: Article on the reirement of T. C. J. Caldwell, State manager for N.S.W. of the Australian and New Zealand Banking Group
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Genius in the Shadows in Lumiere (September 1972) iss.16 p.20-21 More info |
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Genre and contemporary Hollywood / Edited by Steve Neale London: bfi Publishing, 2002. More info |
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George Cukor wins highest French honor in The Australasian Cinema (5/3/1982) vol.11 iss.3 p.2 More info |
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George Till to retire in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.6 Subject: INDUSTRY, FILM. AUSTRALIA Summary: Announcement of the retirement of George Till, theatre manager for Birch, Carrol & Coyle, and member of the Management Committee.
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The German Undergound in Lumiere (September-October 1971) iss.11 p.37-39 More info |
Yet to catalogue book |
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Get the picture : essential data on Australian film, television and video / compiled and edited by Peta Spear North Sydney: The Commission, 1989. More info |
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Get the picture : essential data on Australian film, television and video Sydney: Australian Film Commission, 1994. More info |
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Get the picture : essential data on Australian film, television and video / Australian Film Commission Sydney: Australian Film Commission, 1992. Call No: 201(94) AUS Author: Australian Film Commission Edition: 2nd ed Source: AU Place: Sydney Publisher: Australian Film Commission PubDate: 1992 PhysDes: 219 p. : ill. ; 25 cm Subject: ADVERTISING FOR FILMS; AUDIENCES. AUSTRALIA; DISTRIBUTION. AUSTRALIA; FILM STUDY AND RESEARCH. AUSTRALIA; FUNDING. AUSTRALIA; LABOUR; INDUSTRY, FILM. AUSTRALIA; PRODUCTION Summary: "The aim of GET THE PICTURE is to collate data on the Australian film, television and video industries to assist in the analysis, research, and promotion of these industries. This edition continues the project of the first edition with sections on the production and international distribution of Australian films/programs. Description of key events in the industries in 1991, and an overview of reviews of Australian films, have been added." [Taken from Introduction] Notes: Addenda laid in; Includes bibliographical references (p. 198-216) and index ISBN: 064217475X LON: abn92098202; 8924673
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Get the picture : essential data on Australian film, television, video and new media / Australian Film Commission, [edited by Rosemary Curtis and Cathy Gray] Sydney: Australian Film Commission, 1998. More info |
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Get the picture : essential data on Australian film, television, video and interactive media / edited by Cathy Gray and Rosemary Curtis Sydney: Australian Film Commission, c2002. More info |
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Getting a grip in Encore (July 2000) vol.18 iss.6 p.32 More info |
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Gianni Masotto exclusive to Dennis Davidson Assoc. in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.5 Subject: INDUSTRY, FILM Summary: Article on Gianni Masotto now working as an international marketing consultant
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Gibson back in director's role in The Age [Arts & Entertainment] (1/10/2015) p.20 More info |
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Giving protectionism the flicks in Sun Herald [Extra] (08/03/2015) p.28 More info |
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Glamour and glitter for Gold Coast premiere of film classic in Australasian Cinema (18/6/1982) vol.11 iss.10 p.7 More info |
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Glittering "Meggs" Melbourne premiere in Australasian Cinema (11/2/1983) vol.12 iss.2 p.3 More info |
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A glittering night to celebrate the World Premiere of John Duigan's "Far East" : A romantic thriller starring Bryan Brown and Helen Morse in Australasian Cinema (6/8/1982) vol.11 iss.14 p.3 More info |
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Global Chinese cinema : the culture and politics of Hero / edited by Gary D. Rawnsley and Ming-Yeh T. Rawnsley Oxon: Routledge, 2010. Call No: 79HER GLO Source: UK Place: Oxon Publisher: Routledge PubDate: 2010 PhysDes: xxvi, 226 p. ; 25 cm Series: Routledge Media, Culture and Social Change in Asia Subject: CITY OF SADNESS, A [; INDUSTRY, FILM. CHINA; LEUNG, TONY; YIMOU, ZHANG; YING XIONG (HK/C, Yimou Zhang, 2002); HERO (HK/C, Yimou Zhang, 2002) ISBN: 97880415453158 Donation: donated by Stephanie Hemelryk Donald, 2010 Contents: Changing discourse of national identities and heroism. The political narrative(s) of Hero / GARY D. RAWNSLEY
Recycled heroes, invented tradition and transformed identity / YINGJIE GUO
The emperor and the assassin: China's national Hero and the myth of state origins / YIYAN WANG
The king, the musician and the village idiot: images of manhood / KAM LOUIE
Transformations of cultural perception, genre and stardom. Twenty-first century women warriors: variations on a traditional theme / LOUISE EDWARDS
On "Tian Xia (All under heaven)" in Zhang Yimou's Hero / XIZOMING CHEN and MING-YEH T. RAWNSLEY
Hero: rewriting the Chinese martial arts film genre / HAIZHOU WANG AND MING-YEH T. RAWNSLEY
"Would you rather spend more time making serious cinema?": Hero and Tony Leung's polysemic masculinity / MARK GALLAGHER
Fifteen minutes of fame: transient/transnational female stardom in Hero / OLIVIA KHOO
Local vs. global: deconstructing global Chinese blockbusters. Camp pleasure in an era of Chinese blockbusters: internet reception of Hero in mainland China / SABRINA QIONG YU
North American reception of Zhang Yimou's Hero / WENDY LARSON
Heroic music: from Hunan to Hollywood and back / KATY GOW
Visual effects magic: Hero's Sydney connection / MARY FARQUHAR
Towards a global blockbuster: the political economy of Hero's nationalism / ANTHONY FUNG AND JOSEPH M. CHAN.
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Global Hollywood / Toby Miller ... [et al.]. London: bfi Publishing, 2001. More info |
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Global Hollywood 2 / Toby Miller...[et al.] London: British Film Institute, 2005. More info |
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Golden role could be the big break for Lowe in The Australian [Arts & Entertainment] (11/03/2015) p.15 Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIA Author: Bodey, Michael PhysDes: Clippings File Article Subject: INDUSTRY, FILM. AUSTRALIA Summary: Sophie Lowe to star in 'Waiting for the Miracle to Come'.; Australian box office; 'Plonk to be shown on video on demand service, Stan; Brief program included for theis years Australian Directors Guild Awards.; Sony has announced the establisment of Ghost Corps, a collective headed by original Ghostbusters director Ivan Reitman and Dan Aykroyd.
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Goldman appt'd. VP and GSM, Embassy Pics. in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.18 PhysDes: Article Subject: EMBASSY ROADSHOW; INDUSTRY, FILM Summary: Announcement of Mitchell Goldman becoming the Vice President, General Sales Manager at Embassy Pictures
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Goods and services to be taxed? Feds vs. Trade Unions in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.1 More info |
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Government assistance aims at increasing quality films in Australasian Cinema (Friday, 2/9/1983) vol.12 iss.16 p.1 More info |
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Government reaffirms pledge to Oz film industry in Australasian Cinema (15/4/1983) vol.12 iss.6 p.4 More info |
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Grandfather's films prompts Vanessa Redgrace's support in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.3 More info |
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The great audience / by Gilbert Seldes Westport, Conn: Greenwood Press, [1970, c1950]. More info |
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The Great Wall in Sydney Morning Herald [Spectrum] (3/10/2015) p.14 Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. CHINA Author: Byrnes, Paul PhysDes: Clippings File Article Subject: INDUSTRY, FILM. CHINA Summary: An article reporting on the increase of Chinese movie market.
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Greater Union Film Distributors in Australasian Cinema (29/10/1982) vol.11 iss.19 p.11 More info |
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Green light for film investors in Australasian Cinema (10/6/1983) vol.12 iss.10 p.1 More info |
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Greg Lynch Film Distrib's apptd. N.Z. agent in Australasian Cinema (10/9/1982) vol.11 iss.16 p.1 More info |
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"Gregory's Girl" sets records in Australasian Cinema (25/6/1982) vol.11 iss.11 p.1 More info |
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The gross : the hits, the flops - the summer that ate Hollywood / Peter Bart New York: St. Martin's Griffin, February 2000. Call No: 210.31(73) BAR Author: Bart, Peter Edition: First Edition Source: US Place: New York Publisher: St. Martin's Griffin PubDate: February 2000 PhysDes: 337 p. ; 24 cm Subject: BART, PETER; INDUSTRY, FILM. USA; BOX OFFICE. USA; STUDIOS, FILM. USA; PARAMOUNT STUDIOS; TWENTIETH CENTURY-FOX; SONY CORPORATION; WARNER BROS.; UNIVERSAL PICTURES; SPIELBERG, STEVEN; ARMAGEDDON (US, Michael Bay, 1998); BULWORTH (US, Warren Beatty, 1998); DEEP IMPACT (US, Mimi Leder, 1997); HORSE WHISPERER, THE (US, Robert Redford, 1998); LETHAL WEAPON 4 (US, Richard Donner, 1998); MASK OF ZORRO (US, Martin Campbell, 1998); MULAN (US, Barry Cook & Tony Bancroft, 1998); OUT OF SIGHT (US, Steven Soderbergh, 1998); SMALL SOLDIERS (US, Joe Dante, 1998); SAVING PRIVATE RYAN (US, Steven Spielberg, 1998); SIX DAYS, SEVEN NIGHTS (US, Ivan Reitman, 1998); GODZILLA (US/JA, Roland Emmerich, 1998); THERE'S SOMETHING ABOUT MARY (US, Bobby Farrelly & Peter Farrelly, 1998) Notes: A behind-the-scenes tour of Hollywood during its busiest season - where big-budget blockbusters can make or break a studio, and summer sleepers sneak onto the radar.--BOOK BLURB ISBN: 0312253915
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The Guardian international film guide 2005 : the definitive annual review of world cinema / edited by Daniel Rosenthal; founding editor Peter Cowie London: Button, 2005. Call No: REFERENCE SECTION; 058 INT "2005" Edition: 42nd ed. Place: London Publisher: Button PubDate: 2005 PhysDes: 432 p. : col. ill. ; 24 cm. Subject: PERIODICALS, FILM; INDUSTRY, FILM; DOCUMENTARIES; KI-DUK, KIM; LEIGH, MIKE; MORRIS, ERROL; PAYNE, ALEXANDER; ZELENKA, PETR Summary: Includes articles on directors of the year, features on documentary cinema, a round-up of DVDs and books, a survey of film production in each country, and directories of festivals and organisations around the world. Notes: Other title: International film guide 2005 ISBN: 0954876601
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Guide to filming in Hong Kong / produced bby the Film Services Office of the television and Entertainment Licencing Authority Hong Kong: Film Services Office, 1999. Call No: 201(512.317) GUI CorpAuthor: Film Services Office Edition: 1999 ed. Place: Hong Kong Publisher: Film Services Office PubDate: 1999 Subject: INDUSTRY, FILM. HONG KONG
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Guilds suggest new model in Encore (12 Feb, 1999) vol.17 iss.2 p.16 PhysDes: Article Subject: AUSTRALIAN FILM COMMISSION; GOVERNMENT AID. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA Summary: Condensed version of a paper written on behalf of the Australian Writers' Guild, SPAA, ASDA and MEAA by Karin Altmann, Michael Brindley and Deborah Parsons and presented to the Dept of Communication & the Arts in 1998. It outlines recommendations for changing government policy on development funding for screen projects, particularly in relation to the role of the Australian Film Commission.
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