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in Australasian Cinema (Thursday, 10/5/ 1975) vol.3 iss.7 p.10
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in Australasian Cinema (24/9/1982) vol.11 iss.17 p.4
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in Australasian Cinema (16/07/1982) vol.11 iss.12 p.4
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2SM's unique 'Moving Out' promotional launch in Australasian Cinema (10/6/1983) vol.12 iss.10 p.3
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$26.7m investment down turn in Oz film and T.V. in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.15
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The 33rd Sydney film festival in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.5
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35mm dreams / Sue Mathews Ringwood, Vic.: Penguin, 1984.
Call No: 802.25(94) MATAuthor: Mathews, Sue, 1952 Source: ATPlace: Ringwood, Vic.Publisher: PenguinPubDate: 1984PhysDes: 295 p. : ill., ports. ; 20 cmSubject: DIRECTORS. AUSTRALIA ; DIRECTION ; INDUSTRY, FILM. AUSTRALIA ; SCHEPISI, FRED ; WEIR, PETER ; ARMSTRONG, GILLIAN ; DUIGAN, JOHN ; MILLER, GEORGE Summary: "In this collection of interviews, five of Australia's most successful film directors discuss Australian cinema - from the startling resurgence of the industry to their roles as directors compared with those overseas. They talk about how films actually get made, their individual cinematic aspirations, and discuss issues such as whether Australian films should become more 'international'. These interviews make up a portion of new Australian cinema." [Book blurb]Notes: Australian cinema films. Directors. Interviews (ANB/PRECIS SIN 0699594); Australian cinema films (ANB/PRECIS SIN 0390917); Cover subtitle: Conversations with five directors about the Australian film revival; Filmography: p. 279-293ISBN: 0140067094 : $9.95 AustLON: anb14006709; 3025187ID2: 161
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The 1983 AFI nominations in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.8
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'1984' wins awards Best Film, Best Actor in Australasian Cinema (Friday, 30/11/1984) vol.13 iss.20 p.4
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1986 challenges showman in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.6
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450,000' of historical film located in first year of "Lost Film Search" in Australasian Cinema (29/10/1982) vol.11 iss.19 p.22
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A.V.A. holds second convention in Australasian Cinema (13/5/1983) vol.12 iss.8 p.4
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ABKO films to make Sam Cooke biopic in Australasian Cinema (Friday, 26/4-2/5/1985) vol.14 iss.7 p.8
Subject: INDUSTRY, FILM Summary: Article on the announcement of 'A Change Is Gonna Come'
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Access lightbulb moments on tap in Canberra Times (26/10/2016) p.2
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Ace Buys Perth Properties in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.8
Subject: INDUSTRY, FILM. AUSTRALIA Summary: Piece on Ace Theatres' recent peoperty purchases for their offices in Perth, Western Australia
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Ace Promotions for "Stone" and "The Dove" in W.A. in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.9
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Ace Topper- John Pye retires in Australasian Cinema (15/7/1983) vol.12 iss.12 p.28
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Action cameras in Adelaide : Rod Nicholls reports on the rapidly growing South Australian Film Corporation in Lumiere (November, 1973) iss.29 p.16-19
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Des Adams new chairman in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.5
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Address by Alan Finney MPEAQ convention, 1983 in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.14-15
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Address to the 40th Annual Motion Picture Industry Convention / [address by Kim Williams, Chief Executive, Australian Film Commission, late 1985] 1985.
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'Adroid' to Brazuk wutg 'Harry Tracy' and 'Scarab' in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.19
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The Adventures of Barry McKenzie : Pommy View in Lumiere (December, 1972) iss.19 p.21-22
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The Adventures of Barry McKenzie : Yanky View in Lumiere (December, 1972) iss.19 p.21-22
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AFC and FFC put a new spin on the numbers in Encore (Feb 2000) vol.18 iss.1 p.6
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AFC information tax update in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.19
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Affinity Enterprises joins AFM Association in Australasian Cinema (22/7/1983) vol.12 iss.13 p.5
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AFI news in Filmnews (Australia) (Jan-Feb 1980) vol.X iss.01-Feb p.1
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AFM selects Hollywood Palace for opening night in Australasian Cinema (11/2/1983) vol.12 iss.2 p.2
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AFMA elects Andrew Vajna as president in Australasian Cinema (16/7/1982) vol.11 iss.12 p.35
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AFMA reveals sharp increase in new films for 1983 in Australasian Cinema (11/3/1983) vol.12 iss.2 p.1
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Africa at the pictures / [edited by Keith Shiri] London: National Film Theatre, 1993.
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After The Fox : whither film culture? in Metro (2000) iss.121/122 p.9-12
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AIC newsletter : Arts Industry Council (Victoria) Melbourne: Arts Industry Council (Victoria),
Call No: held vol.10 no.1- Feb.1999-CorpAuthor: Arts Industry Council (Victoria)Source: ATPlace: MelbournePublisher: Arts Industry Council (Victoria)PhysDes: vol.Subject: INDUSTRY, FILM. AUSTRALIA : VICTORIA Order Notes: Current
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Alex Massis to produce, Mizrahi to direct "Sutter's Gold" in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.8
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Alice in Movieland / by Alice M. Williamson New York: D. Appleton Company, 1928.
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All investment in $7.3m film filled in Australasian Cinema (15/7/1983) vol.12 iss.12 p.24
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Allan Collins in Australian Cinematographer (Dec 2014) iss.64 p.10-20
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Along film row in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.6, 9
Subject: INDUSTRY, FILM. AUSTRALIA Summary: Brief news items concerning numerous people working in the film industry throughout New South Wales, Victoria and Queensland
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Along film row in Australasian Cinema (Thursday, 31/10/1974) vol.2 iss.21 p.4,7
Subject: INDUSTRY, FILM. AUSTRALIA Summary: Brief news items concerning people working in the film industry throughout New South Wales, Victoria, Queensland and Western Australia
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Along film row in Australasian Cinema (Thursday, 10/5/ 1975) vol.3 iss.7 p.7
Subject: INDUSTRY, FILM. AUSTRALIA Summary: Brief news itemsconcerning numerous people working in the film industry throughout New South Wales, Victoria, Queensland and Western Australia
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Along film row in Australasian Cinema (Friday, 26/7-1/8, 1985) vol.14 iss.12 p.6-7
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Along film row in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.7
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Along film row in Australasian Cinema (Friday, 21-27/6/1985) vol.14 iss.10 p.6-7
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Along Film Row in Australasian Cinema (Friday, 31/5-6/6/1985) vol.14 iss.9 p.6-7
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Along Film Row in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.6-7
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Along film row in Australasian Cinema (Friday, 26/4-2/5/1985) vol.14 iss.7 p.6
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Along film row in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.6
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Along film row in Australasian Cinema p.6-7
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Along Film Row in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.6
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Along film row in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.9
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Along film row in Australasian Cinema (16/9/1983) vol.12 iss.17 p.25-27
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Along Film Row in Australasian Cinema (Friday, 2/9/1983) vol.12 iss.16 p.4-7
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Along film row in Australasian Cinema (19/8/1983) vol.12 iss.15 p.5-7
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Along film row in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.18-21
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Along film row in Australasian Cinema (15/7/1983) vol.12 iss.12 p.34, 36-37
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Along film row in Australasian Cinema (24/6/1983) vol.12 iss.11 p.5-7
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Along film row in Australasian Cinema (10/6/1983) vol.12 iss.10 p.6-7
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Along Film Row in Australasian Cinema (27/5/1983) vol.12 iss.9 p.10-11
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Along Film Row in Australasian Cinema p.10-12
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Along Film Row in Australasian Cinema (29/4/1983) vol.12 iss.7 p.9-11
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Along Film Row in Australasian Cinema (15/4/1983) vol.12 iss.6 p.14-15
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Along Film Row in Australasian Cinema (25/3/1983) vol.12 iss.5 p.6-7
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Along Film Row in Australasian Cinema (11/3/1983) vol.12 iss.4 p.6-7
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Along Film Row in Australasian Cinema (25/2/1983) vol.12 iss.3 p.6-8
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Along Film Row in Australasian Cinema (11/2/1983) vol.12 iss.2 p.4, 6-7
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Along Film Row in Australasian Cinema (11/2/1983) vol.12 iss.2 p.6-7
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Along Film Row in Australasian Cinema (28/1/1983) vol.12 iss.1 p.14
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Along Film Row in Australasian Cinema (29/10/1982) vol.11 iss.19 p.26-27
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Along Film Row in Australasian Cinema (12/11/1982) vol.11 iss.20 p.10-11
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Along Film Row in Australasian Cinema (15/10/1982) vol.11 iss.18 p.8
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Along Film Row in Australasian Cinema (10/9/1982) vol.11 iss.16 p.10-11
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Along Film Row in Australasian Cinema (27/8/1982) vol.11 iss.15 p.34-36
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Along Film Row in Australasian Cinema (6/8/1982) vol.11 iss.14 p.12, 14-15
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Along Film Row in Australasian Cinema (23/07/1982) vol.11 iss.13 p.6
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Along Film Row in Australasian Cinema (16/7/1982) vol.11 iss.12 p.36-38
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Along Film Row in Australasian Cinema (25/6/1982) vol.11 iss.11 p.6-7
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Along Film Row in Australasian Cinema (18/6/1982) vol.11 iss.10 p.10-11
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Along the Rialto in Australasian Cinema (Thursday, 31/10/1974) vol.2 iss.21 p.6
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Amalgamated Theatres N.Z. now owned by Chase Holdings Ltd. in Australasian Cinema (10/9/1982) vol.11 iss.16 p.1
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American cinematographer : Shooting in the U.K. July 1998.
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American export monopoly calls the tune in Australian Financial Review (27/06/1972) p.15
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIAAuthor: McGuinness, P. P. PhysDes: Clippings File ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; DISTRIBUTION. AUSTRALIA Summary: Third in a series of articles looking at the state of the Australian film industry in 1972. Analysis of large American film distribution companies and their control of film distribution in Australia.Notes: located in the INDUSTRY, FILM. AUSTRALIA. 1972 clippings file
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American Film Genre : An Interview with John Cawelti in Wide Angle (1978) vol.2 iss.2 p.50-57
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The American film industry / edited by Tino Balio Madison, Wis.: University of Wisconsin Press, c1985.
Call No: 71(73) AMEAuthor: Balio, Tino Edition: Rev. edPlace: Madison, Wis.Publisher: University of Wisconsin PressPubDate: c1985PhysDes: xi, 664 p. : ill. ; 23 cmSubject: USA ; INDUSTRY, FILM. USA Notes: Includes indexes; Bibliography: p. 633-643ISBN: 0299098745 (pbk.) : $14.95; 0299098702 (hard) : $32.50LON: 3666491 3666491
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The American film industry : A historical dictionary Westport, Connecticut: Greenwood Press, 1986.
Call No: 201(73) SLIAuthor: Slide, Anthony Place: Westport, ConnecticutPublisher: Greenwood PressPubDate: 1986PhysDes: 24 cm ; x,432 pagesSubject: INDUSTRY, FILM. USA ISBN: 0313246939AFIRC Location: Stacks
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American Film Market being restricted in Australasian Cinema (28/5/1982) vol.11 iss.9 p.1
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American Film Market sideline in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2
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American Film Marketing Assocn. appoints DDA in Australasian Cinema (29/10/1982) vol.11 iss.19 p.11
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Anatomy of the movies / edited by David Pirie London: W. H. Smith & Son Ltd, 1981.
Call No: 201(73) ANAAuthor: Pirie, David Source: UKPlace: LondonPublisher: W. H. Smith & Son LtdPubDate: 1981PhysDes: 320 p. : illus. ; 26 cmSubject: INDUSTRY, FILM. USA Summary: Inside the film industry: the money, the power, the people, the craft, the movies.Notes: Includes index.ISBN: 0711200645ID2: 228
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Andrew Vial looks at makeup & effects in Australian films in Australasian Cinema (29/10/1982) vol.11 iss.19 p.22
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Los Angeles raves over "Starstruck" in Australasian Cinema (28/1/1983) vol.12 iss.1 p.11
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Angus & Robertson video library at two Visionhire branches in Australasian Cinema (10/6/1983) vol.12 iss.10 p.1
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Another cinema for another society / Gaston Roberge Calcutta: Seagull Books, 1985.
Call No: 408.1(540) ROBAuthor: Roberge, Gaston Source: IIPlace: CalcuttaPublisher: Seagull BooksPubDate: 1985PhysDes: 151p. : ill. ; 22cmSubject: CRITICISM ; HISTORY OF CINEMA. INDIA ; INDUSTRY, FILM. INDIA ; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES ; POLITICS AND THE CINEMA ; SOCIETY AND THE CINEMA ; BAZIN, ANDRE ; EISENSTEIN, SERGEI M. ; RAY, SATYAJIT ; WELLES, ORSON ; BRON, PETER ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; GANDHI (UK/II, Richard Attenborough, 1982) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NAPOLEON (FR, Abel Gance, 1927) Summary: "Father Gaston Roberge, Director of Chitrabani, a Calcutta-based institution involved in development communication, and a media critic in his own right, with five title to his credit already, proposes, in his latest work, a militant programme... for another cinema committed to the building up of another society.' He offers revaluations of the established systems of film aesthetics, with fresh insights into the thoughts and works of Eisenstein, Bazin, Welles, and Ray; before analysing the Indian social scene in depth and detail, to suggest a comprehensive model for a parallel Indian cinema, complete with a new scheme for film and media education for the new cinema" -Book blurbISBN: 0861320751Donation: donated by the family of Wayne Levy, 2006Contents: Preface -- Part one: cinema -- Introduction: a militant programme -- What is it in cinema that makes it cinema -- Montage: the formative principle -- An anthropology of the cinema -- An exercise in film appreciation or the magnificent Andre Bazin -- Author-ity, text-uality and read-in(g) -- Part two: society -- The end of a film era -- Nine and one facts and not a few illusions -- Of many movies and some words to talk about them -- Films for social change -- Politics in film -- The politics of non-political cinema -- The cultural and social influence of foreign films -- History through films and filmed history -- Conclusion -- Film education for a new movie-man -- index
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Another winner for Q'Land M.P.E.A. : The 37th "Movie Market '82" Convention hits new triumphant high in Australasian Cinema (6/8/1982) vol.11 iss.14 p.4-5
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Any year in the MPI is exciting in Australasian Cinema (15/7/1983) vol.12 iss.12 p.3
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Anzac Day March and Re-union 1983 1st Australian Cinema Unit Assoc. in Australasian Cinema (25/3/1983) vol.12 iss.5 p.2
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Arrows of desire : new directions in British film and video : an international tour / selected by Peter Wollen ; [notes by Michael O'Pray] London: ICA, Institute of Contemporary Arts, 1993?].
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The art of horror in Lumina (2009) iss.1 p.84-91
Author: Cameron, Allan PhysDes: ArticleSubject: HORROR FILMS. AUSTRALIA ; GENRES ; INDUSTRY, FILM. AUSTRALIA ; AUDIENCES. AUSTRALIA Summary: Article discussing the tension between government funded films and the so called 'low-brow' films that proved popular with Australian audiences: sex comedies, action thrillers and horror movies. Cameron argues that horror films need not be arthouse to be art so the binary logic of current debates - low 'genuine' horror vs acceptable, well made - is a disservice to the genre.
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Artburst! : growth in arts demand and supply over two decades, the summary / by Gary Martin Redfern, N.S.W.: Australia Council, 1992.
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Artburst! : growth in arts demand and supply over two decades / by Hans Hoegh Guldberg Redfern, N.S.W.: Australia Council, 1992.
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Arthur Stiles retires : Film man of year 1984 calls it a day- Allan Stiles new chief exec. in Australasian Cinema (Friday, 26/7-1/8, 1985) vol.14 iss.12 p.1
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The Arts : some Australian data Redfern, N.S.W.: Australia Council for the Arts, 1996.
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Arts 21 : the Victorian government's strategy for the arts into the twenty-first century Melbourne: Arts Victoria, 1994.
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Artswork : a report on Australians working in the arts / prepared for the Australia Council by the Australian Bureau of Statistics, National Centre for Culture and Recreation Statistics Strawberry Hills, N.S.W.: Australia Council for the Arts, 1997.
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Asian Film in Wide Angle (July 1989) vol.11 iss.3 p.[whole issue]
Author: Rothschild, Wayne (ed) PhysDes: ArticleSubject: INDUSTRY, FILM. ASIAN COUNTRIES ; INDUSTRY, FILM. JAPAN ; INDUSTRY, FILM. ISRAEL ; INDUSTRY, FILM. CHINA ; INDUSTRY, FILM. HONG KONG Summary: Articles on Asian cinema. 'Reconsidering Modernism: Japanese Film and the Postmodern Context', 'Back to Japan: Militarism and Monumentalism in Prewar Japanese Cinema', 'Accomodation and Resistance: Expression of Working-Class Values Through Tamil Cinema', 'Anomalies of the National: Representing Israel/Palestine', 'Towards a Cultural Understanding of Cinema: A Comparison of Contemporary Films from the People's Republic of China and Hong Kong'.
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The Asian film industry / John A. Lent Bromley: Christopher Helm, 1990.
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Asian TV trainees at National Film Archive in Australasian Cinema (Friday, 2/9/1983) vol.12 iss.16 p.2
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Attendance at selected cultural venues March 1995 [Canberra]: Australian Bureau of Statistics, 1995.
Call No: 410.3(94) ATTCorpAuthor: Australian Bureau of StatisticsPlace: [Canberra]Publisher: Australian Bureau of StatisticsPubDate: 1995PhysDes: v, 46 p. : ill. ; 30 cmSubject: STATISTICS. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; AUDIENCE RESEARCH. AUSTRALIA ; AUDIENCES. AUSTRALIA Summary: Contains data on the frequency of attendance and characteristics of people 18 years and over who have attended libraries, museums, art galleries, pop concerts, music, dance, theatre performances and classical musical concerts during the 12 months prior to the surveyNotes: Includes tables; Catalogue no. 4114.0ISBN: 0642206996LON: 12020268
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Aussie movies sidelined by Hollywood in Sydney Morning Herald [Business News] (07/03/2015) p.2
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Aussiewood : Australia's leading actors and directors tell how they conquered Hollywood Crows Nest, NSW: Allen & Unwin, 2004.
Call No: 802 BOLAuthor: Boland, M. ; Bodey, M. Place: Crows Nest, NSWPublisher: Allen & UnwinPubDate: 2004PhysDes: 294 p. ; ill. ; 23 cmSubject: ACTORS. AUSTRALIA ; INDUSTRY, FILM. USA ; DIRECTORS. AUSTRALIA Summary: Australia’s leading actors and directors tell how they conquered Hollywood. Includes chapters on Nicole Kidman, Eric Bana, Geoffrey Rush, Naomi Watts, Anthony LaPaglia, Phillip Noyce, Paul Hogan and more.Notes: Bibliogrpahy
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Aust. film & television school celebrates ten years in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.6
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Australia's audiovisual markets : key statistics on Australia's cinema, video, television and interactive media markets / edited by Cathy Gray and Rosemary Curtis Sydney [New South Wales]: Australian Film Commission, 2004.
Call No: 20(94) AUSAuthor: Australian Film Commission Edition: 1st editionSource: ATPlace: Sydney [New South Wales]Publisher: Australian Film CommissionPubDate: 2004PhysDes: 96 pages : colour charts ; 30 cmSeries: Get the pictureSubject: INDUSTRY, FILM. AUSTRALIA ; STATISTICS. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; PRODUCTION. AUSTRALIA ; DISTRIBUTION. AUSTRALIA ; EXHIBITION. AUSTRALIA Summary: Australia's Audiovisual Markets is the first of a new series of publications which feature key data from Get the Picture Online, the Australian Film Commission's comprehensive web-based statistics collection. Its graphic style and short chunks of information complement the detailed data available online to provide a unique perspective on the state of Australia's cinema, video, television and interactive media markets. -Taken from back cover.Notes: Includes an index; Includes a list of abbreviationsISBN: 1920988004ID2: 145
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Australia's film industry / Simon Brand Sydney: Australian Knowledge, 1987.
Call No: 71(94) BRAAuthor: Brand, Simon, 1951 Place: SydneyPublisher: Australian KnowledgePubDate: 1987PhysDes: 16 p. : ill. (some col.), ports. ; 28 cmSeries: Australian knowledge ; no. 10Subject: AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA Notes: Cover titleISBN: 0864350104LON: 5446371
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Australia's most liveable city in Encore (May 2012) p.33-41
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Australia to do overseas film processing in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.3
PhysDes: ArticleSubject: RISKY BUSINESS (US, Paul Brickman, 1983) ; INDUSTRY, FILM. AUSTRALIA Summary: Article on how Australian film labs are now able to process foreign film titles such as 'Risky Business' for exhibition and distribution. This is in relation to a government election promise with the hope it will creatre more jobs and imrove local talent.
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Australian box office report in Australasian Cinema (14/5/1982) vol.11 iss.8 p.8
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Australian Box-Office Reports in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.10
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Australian box office reports in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.10
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Australian box office reports in Australasian Cinema (16/9/1983) vol.12 iss.17 p.28
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Australian box office reports in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.24
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Australian box office reports in Australasian Cinema (22/7/1983) vol.12 iss.13 p.8
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australian box office reports in Australasian Cinema (15/7/1983) vol.12 iss.12 p.38
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Australian box office reports in Australasian Cinema (24/6/1983) vol.12 iss.11 p.8
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Australian box office reports in Australasian Cinema (10/6/1983) vol.12 iss.10 p.8
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Australian box office reports in Australasian Cinema (25/2/1983) vol.12 iss.3 p.10
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Australian box office reports in Australasian Cinema (28/1/1983) vol.12 iss.1 p.16
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Australian box office reports in Australasian Cinema (12/11/1982) vol.11 iss.20 p.12
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Australian box office reports in Australasian Cinema (27/8/1982) vol.11 iss.15
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Australian box office reports in Australasian Cinema (23/07/1982) vol.11 iss.13 p.8
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Australian box office reports in Australasian Cinema (16/7/1982) vol.11 iss.12 p.39
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Australian box office reports in Australasian Cinema (25/6/1982) vol.11 iss.11 p.8
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Australian box office reports in Australasian Cinema (28/5/1982) vol.11 iss.9 p.10
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Australian box office reports in The australasian Cinema (2/4/1982) vol.11 iss.5 p.14
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Australian Broadcasting Tribunal inquiry into film and television co-productions information paper, March 1991, IP/ 91/ 016 - R1 / Australian Broadcasting Tribunal [North Sydney]: Australian Broadcasting Tribunal, 1991.
Call No: 212.1(94) AUSSource: ATPlace: [North Sydney]Publisher: Australian Broadcasting TribunalPubDate: 1991PhysDes: 1 v. (various pagings) ; 30 cmSubject: AUSTRALIAN BROADCASTING TRIBUNAL ; COPRODUCTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA Summary: Information paper pertaining to an inquiry into Australian film and television co-productions, with a view to invite relevant industry bodies and the public to submit their thoughts on the inquiry's terms of reference. The information paper includes material on; how the Australianess content of tv shows and films are measured for quota purposes, summary of the 1988 Part indigenous drama co-productions inquiry, exisiting film co-production agreements and application guidelinesContents: Terms of reference for inquiry -- Appendix A: Television program standard (TPS) 14. Australian content of television programs -- Appendix B: Australian content inquiry, Part indigenous drama co-productions discussions paper - summary of submissions [1988] -- Appendix C: Films co-production agreement between the government of Australia and the government of the United Kindom of Great Britain and Northern Ireland -- Appendix D: Films co-production agreement between the government of Australia and the government of Canada -- Appendix E: Australian Film Commission international co-production program: Application guidelines, November 1990
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Australian cinema : industry, narrative and meaning / John Tulloch Sydney: George Allen & Unwin, 1982.
Call No: 71(94) TULAuthor: Tulloch, John, 1942 Place: SydneyPublisher: George Allen & UnwinPubDate: 1982PhysDes: 272 p. : ill. ; 23 cmSubject: AUSTRALIA ; IMPERIALISM AND THE CINEMA. AUSTRALIA ; STATE AND THE CINEMA. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; NARRATIVE IN FILMS. AUSTRALIA ; HALL, KEN G. ; AUSTRALASIAN FILMS ; SMITH, BEAUMONT ; HOWE, W.J. ; DOYLE, STUART ; KRACAUER, SIEGFRIED ; BREAKING OF THE DROUGHT, THE (AT, Franklyn Barrett, 1920) ; HORDEN MYSTERY, THE (AT, Harry Southwell, 1920) ; JUNGLE WOMAN, THE (AT, Frank Hurley, 1926) ; LIFE STORY OF JOHN LEE - THE MAN THEY COULDN'T HANG, THE (AT, Arthur W. Sterry, 1921) ; HAYSEEDS, THE (AT, Beaumont Smith, 1933) ; MAN FROM KANGAROO, THE (AT, Wilfred Lucas, 1920) ; SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933) Notes: Cinema industries. Australia, ca 1920- ca 1940 (ANB/PRECIS SIN 0527041); Ill. on lining papers; Includes bibliographical references and indexISBN: 0868611484 (pbk.); 0868611409 : price unknownLON: 2138387
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Australian cinema : the first eighty years / Graham Shirley & Brian Adams Sydney: Angus & Robertson, 1983.
Call No: 71(94) SHIAuthor: Shirley, Graham, 1949 ; Shirley, Graham, 1949 ; Adams, Brian, 1934 Place: SydneyPublisher: Angus & RobertsonPubDate: 1983PhysDes: x, 325 p., [24] p. of plates : ill. ; 22 cmSubject: AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) Notes: Australian cinema films, 1896-1980 (ANB/PRECIS SIN 0622443); Includes index; Includes bibliography: p. 305-308ISBN: 0207145814 : price unknownLON: anb20714581; 2419431ID2: 38URL status: URL: 'http://-'
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Australian cinema in the 1990s / editor, Ian Craven London: Frank Cass, 2001.
Call No: 71(94) AUSAuthor: Craven, Ian Place: LondonPublisher: Frank CassPubDate: 2001PhysDes: 239 p. ; 22 cmSubject: AUSTRALIA ; MULTICULTURALISM AND THE CINEMA. AUSTRALIA ; ABORIGINAL AUSTRALIANS ON TV ; GONSKI REPORT ; INDUSTRY, FILM. AUSTRALIA ; LANDSCAPES IN FILMS. AUSTRALIA ; MEN IN FILMS. AUSTRALIA ; NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA ; SUBURBS IN FILMS. AUSTRALIA ; SOCIETY AND TV ; DINGO, ERNIE ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; BABE (AT, Chris Noonan, 1995) ; BIG STEAL, THE (AT, Nadia Tass, 1990) ; CASTLE, THE (AT, Rob Sitch, 1997) ; DEATH IN BRUNSWICK (AT, John Ruane, 1991) ; HEARTBREAK KID, THE (AT, Michael Jenkins, 1993) ; HEARTLAND [TV] (AT, 1994) ; IDIOT BOX (AT, David Caesar, 1996) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; LOVE SERENADE (AT, Shirley Barrett, 1996) ; METAL SKIN (AT, Geoffrey Wright, 1994) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; MURIEL’S WEDDING (AT, P.J. Hogan, 1994) ; STRICTLY BALLROOM (AT, Baz Luhrmann, 1992) Notes: Includes index and bibliographyISBN: 0714649740; 0714680346(pbk.) : ª16.50LON: 21663632Contents: 1. Australian cinema towards the millennium / Ian Craven -- 2. Patterns of production and policy: the Australian film industry in the 1990s / Lisa French -- 3. Unhappy endings: the heterosexual dynamic in Australian film / Nigel Spence and Leah McGirr -- 4. Vulnerable bodies: creative disabilities in contemporary Australian film / Liz Ferrier -- 5. Becoming a man in Australian film in the early 1990s: The big steal, Death in Brunswick, Strictly ballroom and The heartbreak kid / Philip Butterss -- 6. His natural whiteness: modes of ethnic presence and absence in some recent Australian films / David Callahan -- 7. All quiet on the western front? Suburban reverberations in recent Australian cinema / Ben Goldsmith -- 8. Romance and sensation in the 'glitter' cycle / Emily Rustin -- 9. A pig in space? Babe and the problem of landscape / Tara Brabazon -- 10. The castle: 1997's 'battlers' and the ir/relevance of the aesthetic / Stephen Crofts -- 11. Idiot box: television, urban myths and ethical scenarios / Kaye Ferres -- 12. Ernie Dingo: reconciliation (a love story forged against the odds?) / Alan McKee -- Australian cinema in the 1990s: filmography / Samantha Searle -- Australian cinema in the 1990s: a select bibliography / Linda SmithID2: 306
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Australian cinema's dark sun in Studies in Australasian cinema (2010) vol.4 iss.1 p.23-41
Author: Ryan, Mark David PhysDes: ArticleSubject: HORROR FILMS. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; FUNDING. AUSTRALIA ; AUDIENCES. AUSTRALIA ; WOLF CREEK (AT, Greg McLean, 2005) Summary: This article argues that the renaissance of Australian horror films in the 2000s has been driven by intersecting international market forces, domestic financing factors and technological change. It argues for two distinct tiers of production with different financing, production and distribution models.Notes: There has been a boom in Australian horror movie production in recent years.
Daybreakers (2010), Wolf Creek (2005), Rogue (2007), Undead (2003), Black
Water (2008), and Storm Warning (2006), among others, have all experienced
varying degrees of popularity, mainstream visibility and cult success in worldwide
horror markets. While Aussie horror’s renaissance is widely acknowledged in industry
literature, there is limited research into the extent of the boom and the dynamics
of production. Consequently, there are few explanations for why and how this
surge has occurred. This article argues that the recent growth in Australian horror
films has been driven by intersecting international market forces, domestic financing
factors and technological change. In so doing, it identifies two distinct tiers of
Australian horror film production: ‘mainstream’ and ‘underground’ production,
though overlap between these two tiers results in ‘high-end indie’ films capable of
cinema release. Each tier represents the high and low ends of Australian horror film
production, each with different financing, production and distribution models. -- Abstract
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Australian cinemas hopefully riding their own "J" curve in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.3
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Australian editions to AFC Office, LA in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2
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Australian feature films, 1930-1939 : a critical bibliography / by Andrea C. Allard Melbourne: Australian Film Institute Research & Information, 1983.
Call No: 71(94)(01) ALLCopy Management: Copy 1; Copy 2; Copy 3Author: Allard, Andrea C CorpAuthor: Australian Film Institute. Research & Information CentrePlace: MelbournePublisher: Australian Film Institute Research & InformationPubDate: 1983PhysDes: xi, 79, [12] p. ; 30 cmSeries: A.F.I. Research & Information bibliographySubject: AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA Notes: Australian films, 1930-1939. Documents on Australian films. Lists (ANB/PRECIS SIN 0725129); Cinema industries, 1930-1939. Australia. Bibliographies (ANB/PRECIS SIN 0725137)ISBN: 0908023073LON: 2993513
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Australian Film Commission : Projects Approved at June, July and August AFCE Meetings in Australasian Cinema (12/11/1982) vol.11 iss.20 p.4
PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; AUSTRALIAN FILM COMMISSION ; FUNDING. AUSTRALIA ; NAKED UNDER CAPRICORN (AT, Rob Stewart, 1988) ; UMBRELLA WOMAN, THE (AT, Ken Cameron, 1986) ; SILVER CITY (AT, Sophia Turkiewicz, 1984) ; LION IN THE DOORWAY, THE (AT, John Pradhubodh Walker, 1983) ; LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983) Summary: Films approved for funding by the Australian Film Commission.
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Australian Film Commission in Australasian Cinema (10/9/1982) vol.11 iss.16 p.8-9
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Australian Film Council Newsletter in Lumiere (September 1970) vol.1 iss.4 p.45-48
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Australian Film Development Corp's financial support of film projects in Australasian Cinema (Thursday, 10/5/ 1975) vol.3 iss.7 p.2
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Australian film esthetics in Lumiere (March, 1974) iss.32 p.4-7
Author: Lowe, Barry PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; LANDSCAPES IN FILMS. AUSTRALIA ; WALKABOUT (AT, Charles Chauvel, 1958) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; NED KELLY (AT/UK, Gregor Jordan, 2003) ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) Summary: An analysis of the emerging aesthetics of current Australian films which, Lowe argues, is showing two main themes: mateship and the outback.
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Australian film fair directory / Australian Film Commission Pymble, N.S.W: Playbill in association with the Australian Film Fair, 1983.
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Australian Film Festival : New York 1978 press digest / New South Wales Film Corporation Australian Films Office Inc. New South Wales Film Corporation Australian Films Office Inc., [1978].
Call No: 151(73) AUSTRALIAN "1978"CorpAuthor: New South Wales Film Corporation Australian Films Office Inc.Source: ATPublisher: New South Wales Film Corporation Australian Films Office Inc.PubDate: [1978]PhysDes: 32 leaves : illustrations ; 30 cmSubject: FESTIVALS. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; NEW SOUTH WALES FILM CORPORATION ; NOYCE, PHILLIP ; SHARMAN, JIM ; THOMPSON, JACK ; CADDIE (AT, Donald Crombie, 1976) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) ; STORM BOY (AT, Henri Safran, 1976) ; SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) Summary: A collection of clippings from US print media relating to the Australian Film Festival in 1978.
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Australian Film Industry Trust Fund established in Australasian Cinema (15/7/1983) vol.12 iss.12 p.14
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annual report
[Australian Film Institute] Newsletter Carlton South, Vic.: Australian Film Institute,
Call No: Held: vol. 1, no.1 (Autmn 1985); vol. 1, no. 2 (Spring 1985); vol. 1, no. 7 (Spring 1987)CorpAuthor: The InstituteSource: ATPlace: Carlton South, Vic.Publisher: Australian Film InstituteSubject: AUSTRALIAN FILM INSTITUTE ; INDUSTRY, FILM. AUSTRALIA Notes: Continues Australian Film Institute newsletter; Continued by AFI Newsletter
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Australian films at A.F.M. in Australasian Cinema (11/3/1983) vol.12 iss.4 p.1
PhysDes: ArticleSubject: AUSTRALIAN FILM COMMISSION ; NEW SOUTH WALES FILM CORPORATION ; INDUSTRY, FILM. AUSTRALIA ; CLINIC, THE (AT, David Stevens, 1982) ; DUSTY (AT, John Richardson, 1983) ; DEAD EASY (AT, Bert Deling, 1982) ; FIGHTING BACK (AT, Michael Caulfield, 1982) ; GINGER MEGGS (AT, Jonathan Dawson, 1982) ; NORMAN LOVES ROSE (AT, Henri Safran, 1982) ; DOUBLE DEAL (AT, Brian Kavanagh, 1983) ; EARLY FROST (AT, Brian McDuffie, 1981) ; FAR EAST (AT, John Duigan, 1982) ; MIDNITE SPARES (AT, Quentin Masters, 1983) ; NEXT OF KIN (AT, Tony Williams, 1982) ; UNDERCOVER (AT, David Stevens, 1983) ; KITTY AND THE BAGMAN (AT, Donald Crombie, 1982) ; TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) Summary: Article on australian films screened at the American Film Market
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Australian films score fest. award in Australasian Cinema (12/11/1982) vol.11 iss.20 p.1
PhysDes: ArticleSubject: ANGELS OF WAR (AT, Andrew Pike & Hank Nelson & Gavan Daws, 1982) ; PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982) ; WOMEN OF THE SUN [TV] (AT, James Ricketson, David Stevens, Stephen Wallace, Geoffrey Nottage, 1982) ; FESTIVALS ; INDUSTRY, FILM. AUSTRALIA Summary: Article on Australian films at the 14th Nylon International Film Festival in Switzerland.
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Australian motion picture yearbook 1980 / edited by Peter Beilby ; associate editor: Scott Murray North Melbourne, Victoria: Cinema Papers Pty Ltd, 1980.
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Australian national cinema / Tom O'Regan London New York: Routledge, 1996.
Call No: 408.1(94) ORECopy Management: 2 copiesAuthor: O'Regan, Tom, 1956 Place: London New YorkPublisher: RoutledgePubDate: 1996PhysDes: ix, 405 p. ; 24 cmSeries: National cinemas seriesSubject: INDUSTRY, FILM. AUSTRALIA ; POPULAR CULTURE AND THE CINEMA. AUSTRALIA ; SOCIETY AND THE CINEMA. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; CRITICISM. AUSTRALIA Notes: Includes bibliographical references (p. [376]-391) and indexesISBN: 0415057310 (pbk.); 0415057302LON: 12193364Contents: 1. Introducing Australian national cinema -- 2. Theorizing Australian cinema -- 3. A national cinema -- 4. A medium-sized English-language cinema -- 5. Formations of value -- 6. Making meaning -- 7. Diversity -- 8. Unity -- 9. Negotiating cultural transfers -- 10. A distinct place in the cinema -- 11. Problematizing the social -- 12. Problematizing gender -- 13. Problematizing nationhood -- 14. Critical dispositions.
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"Australian-ness" and the film industry : between rhetorics of business and national culture / by Susan Dermody in collaboration with Elizabeth Jacka Broadway, [NSW]: News South Wales Institute of Technology,
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Australian popular culture / edited by Ian Craven with Martin Gray and Geraldine Stoneham Melbourne, Australia: Cambridge University Press, published in association with Australian Studies and the British Australian Studies Association, 1994.
Call No: 408.1(94) CRAAuthor: Craven, Ian ; Gray, Martin ; Stoneham, Geraldine Source: UKPlace: Melbourne, AustraliaPublisher: Cambridge University Press, published in association with Australian Studies and the British Australian Studies AssociationPubDate: 1994PhysDes: 228 pages, 2 folded leaves ; 24 cmSeries: Australian cultural studiesSubject: COPRODUCTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; POPULAR CULTURE AND THE CINEMA. AUSTRALIA ; POPULAR CULTURE AND TV. AUSTRALIA Summary: "Australia's leisure culture is legendary, and as millions of British viewers of Neighbours, fans of Yothu Yindi or drinkers of Castlemaine XXXX would attest, Australian popular culture is popular outside of Australia. Australian Popular Culture is an exciting collection of essays bringing together new perspectives on the nature and meaning of a nation's changing life. The collection also explores the idea of popular culture at large. Leading authors represent a range of approaches, backgrounds and fields to explore subjects of wide interest within the categories of 'the everyday', 'the mass media' and 'critical theory'. Chapters are devoted to the Aussie Back Yard; Vegemite; postage stamps; Australian Rules football; the introduction of television; Crocodile Dundee; The Lindy Chamberlain Affair; Spycatcher; Domesticity, leisure and love and Postmodernism and Australian Culture." -Publisher description.Notes: 2 folded leaves inserted into back of book, entitled "Australian historical studies, style sheet for book reviewers"; Some text highlighted pages 66-76ISBN: 0521466679Contents: Introduction -- Part I. Popular Culture as the Everyday: 1. A brief cultural history of vegemite Robert White -- 2. The Australian back yard George Seddon -- 3. Stamp duty Xavier Pons -- 4. Australian football as secular religion Stephen Alomes -- Part II. Popular Culture and the 'Mass' Media: 5. Controlling the technology of popular culture and the introduction of television to Australia James Walter -- 6. 'Crocodile Dundee': the revival of American virtue Ruth Brown -- 7. The Boys from the Bush: television coproduction in the 1990s Ian Craven -- 8. Patterns of control in Australian crime fiction Stephen Knight -- 9. National fictions and the 'Spycatcher' trial Kevin Foster -- 10. Naturalising 'horror stories': Australian crime news as popular culture Christine Higgins -- Part III. Popular Culture and Critical Theory: 11. How to be a singer though married: domesticity, leisure and modern love Kay Ferres -- 12. The Wild Colonial Boy rides again and again: an Australian legend abroad Grahame Seal -- 13. Shaping the Plain Australian: Social analysis in the 1940s and 1950s Nicholas Brown -- 14. 'On the Beach': Apocalyptic hedonism and the origins of postmodernism Andrew Milner.
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Australian presence in Cannes '82 in The Australasian Cinema (16/07/1982) vol.11 iss.12 p.11
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Australian product Cannes Film Festival, 1982 in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2
PhysDes: ArticleSubject: HEATWAVE (AT, Phillip Noyce, 1981) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; STARSTRUCK (AT, Gillian Armstrong, 1982) ; FREEDOM (AT, Scott Hicks, 1982) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) ; KITTY AND THE BAGMAN (AT, Donald Crombie, 1982) ; FIGHTING BACK (AT, Michael Caulfield, 1982) ; NORMAN LOVES ROSE (AT, Henri Safran, 1982) ; SQUIZZY TAYLOR (AT, Kevin Dobson, 1982) ; INDUSTRY, FILM. AUSTRALIA ; CANNES FILM FESTIVAL ; ADVERTISING FOR FILMS Summary: Article on the Australian Film Commission helping to organise the promotion of numerous Australian films at the Cannes Film Festival.
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Australian variety Sydney: Martin C. Brennan, 1913-1916.
Call No: MICROFILM - vol. 1, no. 1 (1913) - May 31, 1916Place: SydneyPublisher: Martin C. BrennanPubDate: 1913-1916Subject: INDUSTRY, FILM. AUSTRALIA Notes: Issues from Jan. 6 1915-Jan 12, 1916 titled: Australian variety and sports gazette
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Australian variety and show world Sydney: Martin C. Brennan, 1916-1921.
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The avocado plantation : boom and bust in the Australian film industry / David Stratton Chippendale, N.S.W.: Pan Macmillan, 1990.
Call No: 71(94) STRAuthor: Stratton, David Place: Chippendale, N.S.W.Publisher: Pan MacmillanPubDate: 1990PhysDes: xiii, 465 p. : ill. ; 25 cmSubject: FILMOGRAPHIES. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; AUSTRALIA ; TAXES. AUSTRALIA ; MILLER, GEORGE ; LAWRENCE, RAY ; COX, PAUL ; BENNETT, BILL ; DOBROWOLSKA, GOSIA ; PARKER, DAVID ; SALVAT, KEITH ; SCHEPISI, FRED ; SCHULTZ, CARL ; SULLIVAN, ERROL ; TASS, NADIA ; TURKIEWICZ, SOPHIA ; WEIR, PETER ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; TIME GUARDIAN, THE (AT, Brian Hannant, 1987) ; SILVER CITY (AT, Sophia Turkiewicz, 1984) ; MALCOLM (AT, Nadia Tass, 1986) ; BURKE AND WILLS (AT, Graeme Clifford, 1985) ; BLISS (AT, Ray Lawrence, 1985) Summary: "Film? Or avocados? During the heady years of tax incentives and 10BA it didn't much matter to Australian investors where they put their surplus funds. For the Australian film industry, booming after the creative revival of the 1970s, the next decade became one of confusion and controversy. In THE AVOCADO PLANTATION, David Stratton gives us a comprehensive look at the making of 270 film features between 1980 and 1990. He discusses the big name attractions - GALLIPOLI, THE MAN FROM SNOWY RIVER, MAD MAX 2, CROCODILE DUNDEE, MAN OF FLOWERS, SWEETIE - and a host of lesser known films. Adventure films, horror films, love stories, comedies, they're all here: the smash hits, the turkets and the quality movies appreciated by discerning audiences. Stratton tells the behind-the-scenes stories of how the films were made - or in some casxes, un-made. He talks with directors such as Peter Weir, George Miller and Paul Cox, as well as producers, writers, actors, and crew members. Their reflections and revelations form a major part of THE AVOCADO PLANTATION." [Taken from book jacket]Notes: Includes indexISBN: 0732902509LON: 7520974Donation: Simon WincerID2: 255
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Awards in Lumiere (November-December 1970) vol.1 iss.6 p.40-45
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B.C. & C. launches promotion of 'Big Screen Movies' in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.5
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Bad news for video pirates : Address to Bundaberg Convention by Ray Stevenson, Director Australian Film Secuirty Office in Australasian Cinema (13/5/1983) vol.12 iss.8 p.2
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Barbara Carrera in UK promotes 'Wild Geese II' in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.5
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BC & C centralise operations in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.2
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The best film I never made : and other stories about a life in the arts / by Bruce Beresford Melbourne, Victoria: The Text Publishing Company, 2017.
Call No: 81BER BERAuthor: Beresford, Bruce Source: ATPlace: Melbourne, VictoriaPublisher: The Text Publishing CompanyPubDate: 2017PhysDes: 281 pages ; 24 cmSubject: INDUSTRY, FILM ; INDUSTRY, FILM. AUSTRALIA ; PRODUCERS ; DIRECTORS ; AUSTRALIA ; BERESFORD, BRUCE Summary: "This entertaining collection of stories by the acclaimed director of Breaker Morant, Driving Miss Daisy and Mao’s Last Dancer includes memoirs, brief lives and revealing accounts of the film world and beyond.
Alongside unsung heroes from behind the camera and producers of dubious repute are Madeleine St John and Clive James, Margaret Olley and Jeffrey Smart, as well as a particularly seductive 1963 EH Holden—and Bruce Beresford’s father, whose strange and startling decline in old age is charted in a brilliant, poignant essay." -- BOOK BACK COVERISBN: 9781925603101Contents: -- I -- family, journeys, memories -- family tree -- my parents -- out of Toongabbie -- the end of the Roxy -- the lure of the EH -- in Guatemala -- pass the passport -- the age of memoirs -- inadvertant meetings - and premonitions -- II -- making and not making movies -- stumbling towards directing -- a career of sorts -- thoughts about actors and acting -- financing movies -- the Hubert Opperman saga -- the best film i never made -- III -- behind the screen -- the two Barrys -- memories of Horton Foote -- John Simon on film: an introduction -- Dino De Laurentiis, producer -- Tony Scott, director -- Robert Krasker: a sketch -- Sven Nykvist: an appreciation -- Don McAlpine, cameraman -- Ken Adam: a personal memoir -- Georges Delerue, composer -- Erich Korngold: a sketch -- IV-- opera, painters, writers -- a brief guide to American opera -- smart lessons -- a memory of Margaret Olley -- forgotten - and in Mildura -- Caravaggio and the cinema -- remembering B.S, Johnson -- Madeleine and me -- a remarkable man -- Australian literature and Film --
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BFI film and television handbook London: British Film Institute, c1992.
Call No: REFERENCE SECTION; 058(41) BRI "1999"; 058(41) BRI "2001"; 058(41) BRI "2002"; 058(41) BRI "2004"CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: c1992PhysDes: v. : ill. ; 25 cmSubject: INDUSTRY, FILM. UK Frequency: AnnualLON: 10454500
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BFI film handbook / edited by Eddie Dyja London: bfi Publishing, 2004.
Call No: REFERENCE SECTION; 058(41) BRI "2005" REF FRONT DESKSource: UKPlace: LondonPublisher: bfi PublishingPubDate: 2004PhysDes: 431 p. ; 25 cmSubject: INDUSTRY, FILM. UK Notes: Index
Formerly compiled in 'BFI Film & Television Handbook'ISBN: 1844570428
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Big Brother helps again! : New tax guidlines in Australasian Cinema (28/1/1983) vol.12 iss.1 p.1
PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; GOVERNMENT AID. AUSTRALIA ; TAXES. AUSTRALIA Summary: Brief article on the recent amendments to Division 10BA. New amendments will make international resources (directors, actor,s etc.) harder to use, and will also abolish the '12-month rule', allowing filmmakers two years to complete a feature.
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Big city, big potential : Sydney's creative industry in Encore (June 2012) p.29-37
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The black book directory : indigenous arts and media directory / Compiled by Rose Perkins and Hope Perkins Rose Bay, NSW: Blackfella Films, 2000.
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'Bliss' official Oz entry at Cannes Festival in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.1
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Blockbusters : hit-making, risk-taking, and the big business of entertainment / Anita Elberse New York: Henry Holt and Company, 2013.
Call No: 203 ELBAuthor: Elberse, Anita Source: USPlace: New YorkPublisher: Henry Holt and CompanyPubDate: 2013PhysDes: 307 pages : illustrations ; 25 cmSubject: INDUSTRY, FILM. USA ; INDUSTRY, TV. USA ; WARNER BROS. ; SPORT ON TV ; MARVEL ENTERTAINMENT Summary: Explores "what's behind the phenomenal success of entertainment businesses such as Warner Bros., Marvel Entertainment, and the NFL--along with such stars as Jay-Z, Lady Gaga, and LeBron James--[and] which strategies give leaders in film, television, music, publishing, and sports an edge over their rivals"--Dust jacket flapISBN: 9780805094336Contents: Betting on blockbusters -- Launching and managing blockbusters -- Investing in superstars -- How superstars use their powers -- Will digital technology end the dominance of blockbusters? -- Will digital technology threaten powerful producers? -- The future of blockbuster strategies -- No business like show business?
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Blood cinema : the reconstruction of national identity in Spain / by Marsha Kinder Berkeley: University of California Press, 1993.
Call No: 408.1(46) KINAuthor: Kinder, Marsha Place: BerkeleyPublisher: University of California PressPubDate: 1993PhysDes: xi, 553 p. : ill. ; 24 cmSubject: SPAIN ; INDUSTRY, FILM. UK ; NATIONAL CULTURE AND THE CINEMA. SPAIN ; NATIONAL IDENTITY IN FILMS. SPAIN ; SPAIN: CATALONIA ; VIOLENCE IN FILMS. SPAIN ; DIRECTORS. USA ; ERICE, VICTOR ; SAURA, CARLOS ; ALMODOVAR, PEDRO ; BUNUEL, LUIS ; SURCOS (SP, Jose Antonio Nieves Conde, 1951) ; MUERTE DE UN CICLISTA (SP, Juan Antonio Bardem, 1955) ; GOLFOS, LOS (SP, Carlos Saura, 1959) ; COCHECITO, EL (SP, Marco Ferreri, 1959) ; ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973) ; RIO ABAJO (SP, Jose Luis Borau, 1984) Notes: "A Centennial book."; Includes bibliographical references (p. 507-522) and indexISBN: 0520081536 (alk. paper); 0520081579 (pbk. : alk. paper)LON: 9293143
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Bollywood : A guide to popular Hindi Cinema New York: Routledge, 2004.
Call No: 71(540) GANAuthor: Ganti, Tejaswini Place: New YorkPublisher: RoutledgePubDate: 2004PhysDes: 254 p. ; ill. ; 20 cmSubject: POPULAR CULTURE AND THE CINEMA.INDIA ; INDIA ; INDUSTRY, FILM. INDIA Summary: "In 'Bollywood', anthropologist and film scholar Tejaswini Ganti provides a guide to the cultural, social and political significance of Hindii cinema, outlining the history and structure of the Bombay film industry, and the development of popular Hindi filmmaking since the 1930s. Providing information and commentary on the key players in Hollywood including composers, directors and stars, as well as material from current filmmakers themselves. " (back cover)Notes: Index: p.242-254; Bibliography
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Bonanza Year in Australasian Cinema (16/07/1982) vol.11 iss.12 p.4
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The box office rip-off in Lumiere (September, 1973) iss.27 p.10-11
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Breaker sold to China in Australasian Cinema (28/1/1983) vol.12 iss.1 p.1
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Breaking and entering : land your first job in film production / April Fitzsimmons Los Angeles: Lone Eagle Publishing Co., c1997.
Call No: 209.5 FITAuthor: Fitzsimmons, April Source: USPlace: Los AngelesPublisher: Lone Eagle Publishing Co.PubDate: c1997PhysDes: xx, 204 pages : black and white illustrations : 23 cmSubject: EXTRAS ; FILM WORKERS ; FILMMAKING ; INDUSTRY, FILM ; LABOUR ; PRODUCTION Summary: "BREAKING AND ENTERING is a book designed to give you a general idea about how to break into production and have a good time along the way. With the proper tools and information, your first steps into film production will be a little easier." [TAKEN FROM INTRODUCTION]Notes: includes bibliography and indexISBN: 0945728916Donation: Simon WincerContents: Foreword -- Preface -- Acknowledgements --; Part I -- Chapter 1: the production assistant -- Chapter 2: the production assistant's golden rules --; Part II -- Chapter 3: base camp -- Chapter 4: the set -- Chapter 5: heating and air-conditioning --; Part III -- Chapter 6: a day in the life of a set PA -- Chapter 7: lock ups -- Chapter 8: the shot -- Chapter 9: paperwork --; Part IV -- Chapter 10: the cast -- Chapter 11: the crew -- chapter 12: background (extras) -- Chapter 13: stand-ins (second team) -- Chapter 14: helping out --; Part V -- Chapter 15: communications -- Chapter 16: radios -- Chapter 17: the phone -- Chapter 18: the pager --; Part VI -- Chapter 19: the production kit -- Chapter 20: tools -- Chapter 21: necessities --; Part VII -- Chapter 22: landing your first job in film production -- Chapter 23: future jobs -- Chapter 24: the DGA --; Production forms -- United States film commissions -- Appendix -- Index -- About the author
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The Bredin report : on the future of the French cinema / BFI London: BFI Publishing, c1982.
Call No: 71(44) BREAuthor: Bredin, Jean-Denis CorpAuthor: British Film InstitutePlace: LondonPublisher: BFI PublishingPubDate: c1982PhysDes: 87 p ; 29 cmSubject: FRANCE ; INDUSTRY, FILM. FRANCE Notes: Translation of the French Bredin report, jointly commissioned by the Association of Cinematograph and Television Technicians, the British Film Institute, the National Film Finance Corporation and the Scottish Film Council, from the Department of Trade..LON: 4399957
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Breeding In Captivity in Australian Cinematographer (March 2013) iss.57 p.26-37
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Brian Casey hosts Vic. Cinema Pioneers in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.23
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Brian Griffin appointed programme manager of Ace Theatres in Australasian Cinema (6/8/1982) vol.11 iss.14 p.2
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Brian Griffin elected president. W.A.M.P.E.A. in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.2
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Bright light on the horizon in The Australian (15/10/2005) p.23
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Zion, Lawrie Subject: AUSTRALIA 2000s ; BOX OFFICE. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; CONNOLLY, ROBERT ; LANTANA (AT, Ray Lawrence, 2001) ; LOOK BOTH WAYS (AT, Sarah Watt, 2005) ; BANK, THE (AT/IT, Robert Connolly, 2001) Summary: Mainly about the fortunes of the Australian film industry in 2005, in comparison to the earlier years in the decade. Some interesting stats on The Bank which shine a light on the importance of DVD sales and TV sales on top of Box Office.Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: -- Assessing the precise value of these additional revenue streams is difficult, but they are important. The experience of the 2001 film The Bank is instructive. Like several of this year's movies, this financial thriller earned about $2.6 million during its original box-office run, which means that about 260,000 Australians saw it on the big screen. But after being released on home formats, and screen on pay and free-to-air TV, its total audience has built to more than 3 million, according to director Robert Connolly.; -- This "accured interest" suggests that the theatrical release can account for less than 10 per cent of a film's eventual audience reach. "My suspicion is that because of the cost of a movie ticket people are increasingly going to the the cinema to see spectable and choosing to see Australian films at home," says Connolly, who also directed Three Dollars. Still, for most films it is the success, however measured, of the theatrical release that largely determines its subsequent fate in other formats, making a strong splash in cinemas just as critical as ever.
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"BRIGHT LIGHTS, BIG CITY: NEW YORK AND THE MOVIES" 1994.
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Britain : world film centre / editor Michael Relph London: Film Production Association of Great Britain, [1976].
Call No: REFERENCE SECTION; 023(41) BRIAuthor: Relph, Michael Source: UKPlace: LondonPublisher: Film Production Association of Great BritainPubDate: [1976]PhysDes: [1], 96 p. : ill. (some col.), ports. (some col.) ; 30 cmSubject: UNITED KINGDOM. 1970's ; INDUSTRY, FILM. UK Summary: Brochure listing the British films films of 1975-76 and also provides a detailed overview of the British film industry itself at the time of publicationLanguage: English, German, French, Italian
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British $75 million prod. programmes in Australasian Cinema (Friday, 26/10/1984) vol.13 iss.18 p.1
Subject: GOLDCREST FILMS ; INDUSTRY, FILM. UK ; REVOLUTION (UK/NO, Hugh Hudson, 1985) ; MISSION, THE (UK, Roland Joffe, 1986) ; ABSOLUTE BEGINNERS (UK, Julien Temple, 1986) ; HUDSON, HUGH ; JOFFE, ROLAND Summary: Article on Goldcrest's future planes for British film from directors Hugh Hudson, Roland Joffee and Marek Kanievska.
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Interim
book
The British film industry : a report on its history and present organisation, with special reference to the economic problems of British feature film production. London: P E P (Political & Economic Planning), 1952.
Call No: 201(41) PEPCorpAuthor: PEP (Political & Economic Planning)Source: UKPlace: LondonPublisher: P E P (Political & Economic Planning)PubDate: 1952PhysDes: 307 p. : graphs ; 24 cmSubject: INDUSTRY, FILM. UK Notes: Includes Chronological table of main events and Index.
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British Film Industry : Derek Todd talks with John Boulting in Lumiere (June 1970) vol.1 iss.1 p.33-35
Author: Todd, Derek PhysDes: ArticleSubject: INDUSTRY, FILM. UK ; BOULTING, JOHN Summary: Interview between Derek Todd and British filmmaker John Boulting on the state of the British film industry. Boulting believes that Britain has become too influenced by the American funding and production model.
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British national cinema / Sarah Street London New York: Routledge, 1997.
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Brown Brown Brown & Brown in Lumiere (June 1970) vol.1 iss.1 p.28-31
Author: Byrne, T.A. PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; HISTORY OF CINEMA. AUSTRALIA Summary: Article on the Brown family's involvement in the Australian film industry with members being on the first film cesnorship board, producing features for RKO and Warner Bros., making patriotic films in World War I, and pioneering early cinematography.
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Building a National Cinema : Soviet Film Education, 1918-1934 in Wide Angle (1987) vol.9 iss.3 p.4-20
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Buoyant trading as video levels off in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.4
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Burning Man in Australian Cinematographer (March 2012) iss.53 p.29-33
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Busy year for Colorfilm in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.3
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Cable Television, CTV or RSTV, to be $300 mill. or $500 mill.- or not to be? in Australasian Cinema (24/9/1982) vol.11 iss.17 p.3
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Cairns Coral Twin Drive-In opens in Australasian Cinema (18/6/1982) vol.11 iss.10 p.3
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newspaper article
Call for tax breaks to put us on the big screen in The Australian (05/01/2016) p.17
Call No: SUBJECT CLIPPINGS FILE; TAXES. AUSTRALIAAuthor: Shanahan, Leo PhysDes: Clippings File ArticleSubject: BANKS, ANDREW ; TAXES. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA Summary: Australian movie producer Andrew Banks comments about the tax rebate for films made in Australia, stating that it should be far higher than the current 16.5 percent. Other issues he comments on are about the quality of Australian screenplays, and the complex formula used to state the Australian quota of a film for tax purposes
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Came the dawn : memories of a film pioneer ... / illus. with drawings by the author London: Phoenix House, 1951.
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Camera mart rental catalogue 1972 New York: [Camera Mart Inc.], 1972.
Call No: F(017)(73)291CAMCorpAuthor: [Camera Mart Inc.]Edition: 1972Place: New YorkPublisher: [Camera Mart Inc.]PubDate: 1972PhysDes: 52 p. ; 29 cmSubject: CAMERAS ; EQUIPMENT ; INDUSTRY, FILM
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Cannes Film Festival report in Australasian Cinema (Friday, 31/5-6/6/1985) vol.14 iss.9 p.5
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Cannon Group picks up Germany's Ewert circuit in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.1
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Cast of "No. 96" come to Brisbane in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.7
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Cecil Holmes' Man Alone in Lumiere (December, 1973) iss.30 p.4-8
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Celluloid Dreams : a century of film in New Zealand / editor in chief - Geoffrey B. Churchman Wellington: IPL Publishing Services, 1997.
Call No: 71(931) CHUAuthor: Churchman, Geoffrey B. Source: NZPlace: WellingtonPublisher: IPL Publishing ServicesPubDate: 1997PhysDes: 144 p. ; col. and b+w ill. : 29 cmSubject: INDUSTRY, FILM. NEW ZEALAND ; FILMMAKING Summary: Traces the development of cinema exhibition and filmmaking in New Zealand from its beginnings up to the 90s. Includes filmography and synopses.Notes: Includes select bibliographyISBN: 09088776963Language: English
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'Centrespread' movie hits Adelaide with a bang! in Australasian Cinema (16/7/1982) vol.11 iss.12 p.32
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Change of Identity in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2
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Changes to TVW management- senior executive resigns in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.1
PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA Summary: Report on re-shuffling after TVW Enterprises loose their secretary and corporation lawyer, general manager of finance and administration, and a group engineer.
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Charles de Salis appointed NSW sales manager, Roadshow in Australasian Cinema (25/2/1983) vol.12 iss.3 p.2
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Interim
book
Chasing the runaways : foreign film production and film studio development in Australia 1988-2002 / Nick Herd Sydney: Currency House, 2004.
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Chief film censor resigns in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.14
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China! : Max Keogh interviews Don Kennedy about his recent China trip in Lumiere (January/February, 1974) iss.31 p.4-7
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newspaper article
China loses the force in film market battle in The Australian (21/07/2016) p.25
Call No: SUBJECT CLIPPINGS FILE; CHINAAuthor: Lin, Lilian PhysDes: Clippings File ArticleSubject: INDUSTRY, FILM. CHINA ; CITY OF SADNESS, A [ ; EXHIBITION. CHINA Summary: Report on the slowdown to box office growth in China. Speculation was that heavy discounts in previous years boosted box office sales but with the discounting over the attendences and box office has stablised. Chinese companies are looking to purchase Hollywood businesses and the USA are looking to get their film's shown in China
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China on screen : cinema and nation / Chris Berry New York: Columbia University Press, 2006.
Call No: 71(51) BERAuthor: Berry, Chris Place: New YorkPublisher: Columbia University PressPubDate: 2006PhysDes: xi, 313 p. ; 23 cmSeries: Film and CultureSubject: CITY OF SADNESS, A [ ; TAIWAN ; MASCULINITY IN FILMS ; FAMILY IN FILMS ; INDUSTRY, FILM. CHINA ; HISTORICAL FILMS. CHINA ; WOMEN IN FILMS. CHINA ; REALISM IN FILMS. CHINA ; OPERA IN FILMS ; LEE, ANG ; LINGYU, RUAN Summary: Explores Chinese cinema from its beginnings to the present day in relation to how China depicts its national identity.ISBN: 0231137079Contents: 1. Introduction: cinema and the national -- 2. Time and the National: History, Historiology, Haunting -- 3. Operatic Modes: Opera Film, Martial Arts, and Cultural Nationalism -- 4. Realist Modes: Melodrama, Modernity, and Home -- 5. How Should a Chinese Woman Look? Woman and Nation -- 6. How Should Chinese Men Act? Ordering the Nation -- 7. Where Do You Draw the Line? Ethnicity in Chinese Cinemas -- 8. The National in the Transnational
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China's cinema today in Australasian Cinema (16/07/1982) vol.11 iss.12 p.12
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China's influence on Hollywood growing in Weekend Australian (16/07/2016) p.34
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Chinese Film in Wide Angle (1989) vol.11 iss.2 p.[whole issue]
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Chinese film archivists in Australia in Australasian Cinema (22/7/1983) vol.12 iss.13 p.1
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Chinese national cinema / Yingjin Zhang New York: Routledge, 2004.
Call No: 71(51) ZHAAuthor: Zhang, Yingjin Source: USPlace: New YorkPublisher: RoutledgePubDate: 2004PhysDes: 328 p. ; ill. ; 24 cmSubject: CITY OF SADNESS, A [ ; INDUSTRY, FILM. CHINA ; INDUSTRY, FILM. HONG KONG ; HISTORY OF CINEMA ; NATIONAL CULTURE AND THE CINEMA. CHINA Summary: ‘This introduction to Chinese national cinema, by a leading critic, covers three ‘Chinas’: mainland China, Hong Kong and Taiwan. It traces the formation, negotiation and problematization of the national on the Chinese screen over ninety years. Historical and comparative perspectives bring out the parallel developments in the three Chinas, while critical analysis explores thematic and stylistic changes over time…’ (Back cover)ISBN: 041517290Contents: 1. Introduction: National cinema and China -- 2. Cinema and national traditions, 1896-1929 -- 3. Cinema and the nation-people, 1930-49 -- 4. Cinematic reinvention of the national in Taiwan, 1896-1978 -- 5. Cinematic revival of the regional in Hong Kong, 1945-78 -- 6. Cinema and the nation-state in the PRC, 1949-78 -- 7. Cinema and national/regional cultures, 1979-89 -- 8. Cinema and the transnational imaginary, 1990-2002
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CIBF of Vic. tables 47th annual report in Australasian Cinema (Friday, 26/7-1/8, 1985) vol.14 iss.12 p.5
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CIC's Victor Hoare to retire in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.2
Subject: INDUSTRY, FILM. AUSTRALIA Summary: Announcment of the retirement of Victor Hoare, exectuive director of Cinema International Corporation and president of CIC's theatre division
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Cinderella Promotion in Queensland in Australasian Cinema (23/7/1982) vol.11 iss.13 p.2
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The Cine-sentimental Bloke in Lumiere (October, 1972) iss.17 p.16-18
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Cinema and cultural identity : reflections on films from Japan, India, and China / edited by Wimal Dissanayake Lanham, MD: University Press of America, 1988.
Call No: 408.1(5) CINAuthor: Dissanayake, Wimal CorpAuthor: Institute of Culture and Communication (East-West Center)Place: Lanham, MDPublisher: University Press of AmericaPubDate: 1988PhysDes: vii, 214 p. ; 24 cmSubject: INDUSTRY, FILM. ASIAN COUNTRIES ; INDUSTRY, FILM. CHINA ; INDUSTRY, FILM. JAPAN ; INDUSTRY, FILM. INDIA ; WOMEN IN FILMS ; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES ; GENRES ; SAMURAI FILMS ; RAY, SATYAJIT Notes: "Co-published by arrangement with the East-West Center, Institute of Culture and Communication"--T.p. verso; Includes bibliographies and indexISBN: 0819169455 (alk. paper); 0819169463 (pbk.)LON: 5986435Contents: PART I. JAPAN -- 1. Viewing Japanese film: some considerations / Donald Richie -- 2. The destiny of Samurai films / Michitaro Tada -- 3. The multilayered nature of the tradition of acting in Japanese cinema / Tadao Sato -- 4. Japanese film genres / Audie Bock -- 5. Change in the image of mother in Japanese cinema and television / Tadao Sato -- PART 2. INDIA -- 6. Innovation and imitation in the Indian cinema / Mira Reym Binford -- 7. Art, vision, and culture: Satiyajit Ray's Apu trilogy revisited / Wimal Dissanayake -- 8. The woman: myth and reality in Indian cinema / Aruna Vasudev -- 9. The painted face of politics: the actor politicians of South India / Chidananda Das Gupta -- 10. Songs in Hindi films: nature and function / Teri Skillman -- PART 3. CHINA -- 11. The Chinese film in the 1980s: art and industry / Ma Qiang -- 12. The sinification of cinema: the foreignness of film in China / Paul Clark -- 13. The position of women in new Chinese cinema / Tony Rayns -- 14. Chinese films amidst the tide of reform / Shao Mujun
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Cinema and society : France and Germany during the Twenties / Paul Monaco New York ; Oxford ; Amsterdam: Elsevier, c1976.
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Cinema examined : selections from Cinema journal / Richard Dyer MacCann, Jack C. Ellis New York: Dutton, 1982.
Call No: 67(04) CINAuthor: MacCann, Richard Dyer ; Ellis, Jack C., 1922 CorpAuthor: Cinema JournalEdition: 1st edPlace: New YorkPublisher: DuttonPubDate: 1982PhysDes: xiii, 300 p., [1] leaf of plates : ill. ; 21 cmSubject: INDUSTRY, FILM. USSR ; SAMURAI FILMS ; CHAPLIN, CHARLES ; VISCONTI, LUCHINO ; HITCHCOCK, ALFRED ; INDUSTRY, TV. USA ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; GABRIEL OVER THE WHITE HOUSE (US, Gregory La Cava, 1933) ; WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966) ; CET OBSCUR OBJET DU DESIR (FR/SP, Luis Bunuel, 1977) Notes: Includes bibliographical referencesISBN: 0525474641 (pbk.) : $9.95LON: abn83062603; 2630261
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Cinema in Australia : an industry profile / written and researched by Jock Given, Rosemary Curtis and Mary McCutcheon Hawthorn, Victoria: Swinburne University of Technology, June 2013.
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Old collection
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The cinema in Denmark Copenhagen: Danish Government Film Foundation, [1970].
Call No: 71(489) CINCorpAuthor: Danish Government Film FoundationSource: DKPlace: CopenhagenPublisher: Danish Government Film FoundationPubDate: [1970]PhysDes: 35 p. ; 21 cmSubject: DENMARK ; INDUSTRY, FILM. DENMARK Summary: A summary of the Danish film industry at the time of publication.
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Cinema manager is recognised by Rotary in Australasian Cinema (28/1/1983) vol.12 iss.1 p.2
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The cinema of apartheid : race and class in South African film / Keyan Tomaselli Sandton: Radix, 1989.
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Cinema Papers yearbook 1986 / Nick Roddick; editor B. L. Kay Pub. Co. Ltd, [1986].
Call No: 058(94) CIN "1986"Publisher: B. L. Kay Pub. Co. LtdPubDate: [1986]PhysDes: 317 p. : ill. ; 20 cmSubject: FILM WORKERS. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA Summary: Contains contact details for various people and businesses involved in the film, tv, and video industries in Australia in 1986Notes: Cover title - The 1986 Cinema Papers Australasian production yearbook: film - television - videoISBN: 0946919100
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Cinema Without Censor in Lumiere (August 1970) vol.1 iss.3 p.30-31
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Cinemas with a difference in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.4
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City flicks : Indian cinema and the urban experience / edited by Preben Kaarsholm Oxford: Seagull Books, 2007.
Call No: 408.1(54) KAAAuthor: Kaarsholm, Preben Edition: rev. and updatedSource: UKPlace: OxfordPublisher: Seagull BooksPubDate: 2007PhysDes: ix, 274p. :24cmSubject: INDUSTRY, FILM. INDIA ; BOLLYWOOD ; SOCIETY AND THE CINEMA. INDIA Summary: "The relationship between cinema and modernity in the Indian context is both complex and multifaceted. In this volume, some of the leading names in film and cultural studies explore its many dimensions. The essays range from discussions of urbanity and film language to realism and the Indian city in Bengali film of the 1940s; from the cultural resonances of popular Hindi film songs and the idea of the "city" to realism and fantasy in cinematic representations of metropolitan Indian life; from cinematic aspects of Salman Rushdie's Midnight's Children to genre, narrative form and film style in contemporary Indian urban action films; from the complexities of female spectatorship to an analysis of the current primacy of Bollywood; and finally, to the cultural impact and influence of Indian cinema on audiences outside India." [taken from cover]ISBN: 1905422369Language: EnglishContents: Introduction Unreal City: Cinematic Representation, Globalization and the Ambiguities of Metropolitan Life / Preben Kaarsholm 1 -- Urban Legends: Notes on a Theme in Early Film Theory / Peter Larsen 26 -- The City and the Real: Chhinnamul and the Left Cultural Movement in the 1940s / Moinak Biswas 40 -- Reading a Song of the City-Images of the City in Literature and Films / Sudipta Kaviraj 60 -- Realism and Fantasy in Representations of Metropolitan Life in Indian Cinema / M. Madhava Prasad 82 -- A Close-Up on Salman Rushdie's Midnight's Children / Martin Zerlang 99 -- The 'Bollywoodization' of the Indian Cinema: Cultural Nationalism in a Global
Arena / Ashish Rajadhyaksha 111 -- Chalo Jahaji: Bollywood in the Tracks of Indenture to Globalization / Manas Ray 138 -- Colonialism and the Built Space of Cinema in Nigeria / Brian Larkin 180 -- The Politics of Urban Segregation and Indian Cinema in Durban / Vashna Jagarnath 207 -- The Exhilaration of Dread: Genre, Narrative Form and Film Style in Contemporary Urban Action Films / Ravi S. Vasudevan 219 -- Vigilantism and the Pleasures of Masquerade: The Female Spectator of Vijayasanthi Films / Tejaswini Niranjana 233
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City Theatres a great help in fundraising in Australasian Cinema (27/8/1982) vol.11 iss.15 p.32
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City Theatres: A Western Australia Success Story in Australasian Cinema (27/8/1982) vol.11 iss.15 p.3
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City Theatres Group turned threats into opportunities in Australasian Cinema (27/8/1982) vol.11 iss.15 p.3
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City Theatres hold Charity Preview of Squizzy Taylor in Australasian Cinema (27/8/1982) vol.11 iss.15 p.20
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City Theatres opens its seventh drive-in in Australasian Cinema (Thursday, 31/10/1974) vol.2 iss.21 p.2
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City Theatres still pioneer the way : History of City Theatre- 50 years of outstanding achievement in Australasian Cinema (27/8/1982) vol.11 iss.15 p.11, 13
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The clapperboard book of the cinema / Leslie Halliwell and Graham Murray St Albans, UK: Hart Davis, MacGibbon, 1975.
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newspaper article
The Code unlocks govt funds to return for a second season in Canberra Times [General News] (03/03/2015) p.2
Call No: TITLE CLIPPINGS in production; CODE, THE [TV] (AT, 2014)Author: McIlroy, Tom PhysDes: Clippings File ArticleSubject: CODE, THE [TV] (AT, 2014) ; INDUSTRY, FILM Summary: A second season of The Code will begin in canberra this year along with Joe Cinque's Consolation, Secret City and The Marmalade Files.Notes: 10/03/2015
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Colin Tipping retires in Australasian Cinema (29/10/1982) vol.11 iss.19 p.12
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Colonialism and nationalism in Asian cinema / edited by Wimal Dissanayake Bloomington: Indiana University Press, 1994.
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Colonialism and nationalism in Asian cinema / edited by Wimal Dissanayake Bloomington: Indiana University Press, 1994.
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journal article
Columbia Buys from Young Film Makers in Lumiere (August 1970) vol.1 iss.3 p.38-39
PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; COLUMBIA PICTURES Summary: Announcement of a local Melbourne film getting a release through Columbia pictures. Includes notes by the editor on film's production.
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The Coming of Stork in Lumiere (November-December 1971) iss.12 p.24-25
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Communications and the media in Australia / edited by Ted Wheelwright and Ken Buckley Sydney: Allen & Unwin, 1987.
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A companion to Australian cinema / Edited by Felicity Collins, Jane Landman, and Susan Bye Hoboken, New Jersey: Wiley-Blackwell, 2019. Available at ProQuest (RMIT login required)
Call No: 71(94) COMAuthor: Collins, Felicity ; Columpar, Corinn ; Rutherford, Anne ; Ford, Felicity ; Kelada, Odette ; Clark, Maddee ; Verevis, Constantine ; Goldsmith, Ben ; French, Lisa ; David Marshall, P. ; Bennett, James ; Grace, Helen ; Khoo, Olivia ; Yue, Audrey ; Bye, Susan ; Sandars, Diana ; Stadler, Jane ; Gaunson, Stephen ; Trevisanut, Amanda Malel ; Turnbull, Sue ; McCutcheon, Marion ; Goritsas, Helen ; Tiwary, Ana ; Lambert, Anthony ; Gibson, Ross ; Cunningham, Stuart ; Swift, Adam ; Williams, Deane ; Smaill, Belinda ; Neumark, Norie Source: US/UKPlace: Hoboken, New JerseyPublisher: Wiley-BlackwellPubDate: 2019PhysDes: xxii, 581 pages ; 26 cmSeries: Wiley Blackwell companions to national cinemaSubject: AUSTRALIA ; FILM ; INDUSTRY, FILM ; INDUSTRY, FILM. AUSTRALIA ; INDIGENOUS ; ABORIGINAL AUSTRALIAN CINEMA ; TRANSNATIONAL CINEMA ; HISTORY OF CINEMA ; HISTORY OF CINEMA. AUSTRALIA ; TELEVISION AND THE CINEMA ; TELEVISION AND THE CINEMA. AUSTRALIA ; AUTEUR THEORY ; GENRES ; THEORY ; CAMPION, JANE ; CHARLIE'S COUNTRY (AT, Rolf de Heer, 2013) ; SPEAR (AT, Stephen Page, 2015) ; MAD MAX (AT, George Miller, 1979) ; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) ; MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985) ; MAD MAX II (AT, George Miller, 1981) ; LEGO MOVIE, THE (US/AT/DK, Phil Lord and Christopher Miller, 2014) ; ROCKET, THE (AT/TH/LS, Kim Mordaunt, 2013) ; SERANGOON ROAD [TV] (AT/SI, 2013 -) ; KETTERING INCIDENT, THE [TV](AT, 2015-) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) Summary: The essays assembled here address six thematically organized propositions - that Australian cinema an Indigenous screen culture, an international cinema, a minor transnational imaginary, an auteur-genre-landscape cinema, a televisual industry and a multiplatform ecology. Offering fresh critical perspectives and extending previous scholarship, case studies range from The Lego Movie, Mad Max and Australian stars in Hollywood, to transnational co-productions, YouTube channels, transmedia and naturecam documentaries. New research on trends such as the Blak Wave, the convergence of television and film, digital transformations of screen production and the shifting roles of women, on and off-screen, highlight how established precedents have been transformed by new realities beyond both cinema and national borders. --
Written in an accessible style that does not require knowledge of cinema studies or Australian studies. --
Presents original research on Australian actors such as Cate Blanchett and Chris Hemsworth, evaluating their training, branding and path from Australia to Hollywood. --
Explores the films and filmmakers of the Blak Wave and their challenge to Australian settler-colonial history and white identity. --
Introduces readers to founding texts in Australian screen studies. --
Felicity Collins is Reader/ Associate Professor in Screen Studies, La Trobe University, Melbourne, Australia --
Jane Landman was Senior Lecturer, Victoria University, Melbourne, Australia --
Susan Bye is Education Programmer, Australian Centre for the Moving Image, Melbourne, Australia. --Book JacketNotes: Includes bibliographical references and index -- signed by Felicity CollinsISBN: 9781118942529Contents: You Are Here: Living Maps of Deep Time, Clock Time / Felicity Collins -- Charlie's Country, Gulpilil's Body / Corinn Columpar -- Ivan Sen's Cinematic Imaginary: Restraint, Complexity, and a Politics of Place / Anne Rutherford
-- Shadowing and Disruptive Temporality in Bangarra Dance Theatre's Spear / Felicity Ford -- Beyond the Wonderland of Whiteness: The Blak Wave of Indigenous Women Shaping Race on Screen / Maddee Clark / Odette Kelada -- Another Green World: The Mad Max Series / Constantine Verevis -- Is Everything Awesome?: The LEGO Movie and the Australian Film Industry / Ben Goldsmith -- Jane Campion: Girlshine and the International Auteur / Lisa French -- Constructing Persona: Mediatisation, Performativity, Quality, and Branding in Australian Film Actors's; Migration to Hollywood / P. David Marshall -- Interpreting Anzac and Gallipoli through a Century of Anglophone Screen Representations / James Bennett -- Unsettling the Suburban: Space, Sentiment, and Migration in National Cinematic Imaginaries / Helen Grace -- The Rocket: Small, Foreign-Language Cinema / Olivia Khoo -- Serangoon Road: The Convergent Culture of Minor Transnationalism / Audrey Yue -- An Independent Spirit: Robert Connolly as Auteur-Producer / Susan Bye -- Disruptive Daughters: The Heroine's Journey in Four Films / Diana Sandars -- Atopian Landscapes: Gothic Tropes in Australian Cinema / Jane Stadler -- Spirits Do Come Back: Bunyips and the European Gothic in The Babadook / Stephen Gaunson -- Between Public and Private: How Screen Australia, the ABC and SBS have shaped Film and Television Convergence / Amanda Malel Trevisanut -- Quality vs Value: The Case of The Kettering Incident / Marion McCutcheon / & Sue Turnbull -- The Evolution of Matchbox Pictures: A New Business Model / Helen Goritsas & Ana Tiwary -- Schapellevision: Screen Aesthetics and Asian Drug Stories / Anthony Lambert -- CHURN: Cinema Made Sometime Last Night / Ross Gibson -- Over the Horizon: YouTube Culture Meets Australian Screen Culture / Adam Swift & Stuart Cunningham -- Digital Transmedia Forms and Transnational Documentary Networks / Deane Williams -- Ecological Relations: FalconCam in Conversation with The Back of Beyond / Belinda Smaill -- Where Am I?: The Terror of Terra Nullius / Norie Neumark
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Company of heroes : my life as an actor in the John Ford Stock Company / Harrey Carey, Jr. Metuchen, NJ: Scarecrow Press, Inc, 1994.
Call No: 81FOR CARAuthor: Carey, Harry Jr. Source: US/UKPlace: Metuchen, NJPublisher: Scarecrow Press, IncPubDate: 1994PhysDes: 218 p. : 23cmSeries: Filmmakers no.42Subject: WESTERNS ; FILMMAKING ; INDUSTRY, FILM ; INDUSTRY, FILM. USA ; FORD, JOHN ; CAREY, HARRY JR. ; SHE WORE A YELLOW RIBBON (US, John Ford, 1949) ; WAGON MASTER (US, John Ford, 1950) ; RIO GRANDE (US, John Ford, 1950) ; LONG GRAY LINE, THE (US, John Ford, 1954) ; SEARCHERS, THE (US, John Ford, 1956) ; TWO RODE TOGETHER (US, John Ford, 1961) ; CHEYENNE AUTUMN (US, John Ford, 1964) ; [THREE] 3 GODFATHERS (US, John Ford, 1948) ; [MISTER] MR ROBERTS (US, John Ford & Mervyn Le Roy, 1955) Summary: "When Harry Carey, Sr. died in 1947, director John Ford cast Carey's 26 year-old son, Harry Jr. in the role of The Abilene Kid in 3 Godfathers. Ford and the elder Carey had filmed an earlier version of the story, and Ford dedicated the Technicolor remake to his memory.
Company of heroes is the story of the making of that film, as well as the eight subsequent Ford classics. In it, Harry Carey, Jr. casts a remarkably observant eye on the process of filming Westerns by one of the true masters of the form. " -- BOOK JACKETISBN: 0810828650Contents: -- in the beginning-- 3 Godfathers -- Myself When Young With Cowboys and Navajos -- She Wore a Yellow Ribbon -- Paul Fix, the OSS, and Merry Christmas -- Wagonmaster -- Rio Grande -- The Long Gray Line -- Mister Roberts -- The Searchers -- Two Rode Together -- Cheyenne Autumn -- So Long, But Not Good-bye -- Harry Carey, Jr.'s Appearances in John Ford Films -- index --
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A competitive cinema / Terence Kelly with Graham Norton and George Perry London: Institute of Economic Affairs, 1966.
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Comprehensive Annenberg report on diversity in entertainment : inclusion or invisibility? / Stacy L. Smith, PhD, Marc Choueiti, Katherine Pieper, PhD with assistance from Adriana Case and Artur Tofan. USC Anneberg School of Communication and Journalism, Feb 22 2016.
Call No: 461 COMAuthor: Smith, Stacy L. ; Choueiti, Marc ; Pieper, Katherine Source: USPublisher: USC Anneberg School of Communication and JournalismPubDate: Feb 22 2016Subject: WOMEN FILM WORKERS ; ETHNIC GROUPS AND THE CINEMA ; RACIAL ISSUES AND THE CINEMA ; FILM WORKERS ; INDUSTRY, FILM Summary: The Comprehensive Annenberg Report on Diversity examines inclusion from CEO to every speaking character across film, television and digital content in America. This report was developed by The Media, Diversity, & Social Change (MDSC) Initiative at USC's Annenberg School for Communication and Journalism dedicated to addressing issues of inequality in entertainment.
"The Comprehensive Annenberg Report on Diversity (CARD) assesses inclusion on screen and behind the camera in fictional films, TV shows, and digital series distributed by 10 major media companies (21st Century Fox, CBS,
Comcast NBC Universal, Sony, The Walt Disney Company, Time Warner, Viacom, Amazon, Hulu, and Netflix). Movies theatrically released in 2014 by the major studios or their art house divisions were included in the sample,
provided they met a certain threshold of domestic box office performance (see Appendix A).¹ Prime-time first run scripted series as well as digital offerings airing from September 1st 2014 to August 31st 2015 were sampled on
broadcast, popular basic cable, premium channels or streaming services associated with the companies listed above (see Appendix B).² In total, the sample included 414 stories or 109 motion pictures and 305 broadcast,
cable, and digital series.
The major unit of analysis was the speaking or named character.³ Each speaking character was assessed for role, demographics, domesticity, and hypersexualization.4 Behind the camera, the gender of directors and writers of
each film and every episode within a sampled series was evaluated. Race/ethnicity was assessed for directors of movies as well as those helming the season premiere episode of television/digital programs. Finally, the gender
composition of CEOs, members of executive suites, boards of directors, and employees at the Executive" [Taken from the executive summary included in the report]Notes: Available at: http://annenberg.usc.edu/pages/~/media/MDSCI/CARDReport%20FINAL%2022216.ashx
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A concise handbook of movie industry economics / Charles C. Moul (ed.) New York: Cambridge University Press, 2005.
Call No: 203 CONAuthor: Charles C. Moul (ed.) Place: New YorkPublisher: Cambridge University PressPubDate: 2005PhysDes: 23 cm ; 214 pSubject: EXHIBITION ; EXHIBITION. USA ; INDUSTRY, FILM ; INDUSTRY, FILM. USA ; FINANCING. USA ; ADVERTISING FOR FILMS ; ADVERTISING. USA ; USA ; PRODUCTION ; PRODUCTION COSTS ; DIGITAL TECHNOLOGY ; INCOME ; AWARDS. ACADEMY ; STUDIO SYSTEM ; GOVERNMENT CONTROL. USA ; BOX OFFICE. USA Summary: This concise handbook collects essays on all aspects of the motion picture industry by leading authorities in political economy, economics, accounting, financing, and marketing. In addition to bringing the reader an up-to-date perspective on what is known and what has been accomplished, it includes both new findings on a variety of topics and directions for additional research. Topics include the estimation of theatrical and ancillary demand, profitability studies, resolution of evident paradoxes in studio executive behaviour, interaction of the industry and government, impacts of the most recent changes in accounting standards, and the role and importance of participation contracts. New results include findings on the true nature of the seasonality of theatrical demand, the predictive power of surveys based upon trailers, the impact of the Academy Awards, the effectiveness of prior history measures to gauge cast members and directors, and the substitutability of movies across different genres. [Taken from inner jacket sleeve].ISBN: 0521843847
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Congratulations to the convenors of the Bundaberg mini convention in Australasian Cinema (13/5/1983) vol.12 iss.8 p.13
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The contemporary Hollywood film industry / edited by Paul McDonald and Janet Wasko Carlton, Victoria: Blackwell Publishing, 2008.
Call No: 201.1 (73) CONAuthor: McDonald, Paul ; Wasko, Janet Source: USPlace: Malden, Massachusetts; Oxford, UK; Carlton, VictoriaPublisher: Blackwell PublishingPubDate: 2008PhysDes: 326 p. : ill. ; 25 cmSubject: INDUSTRY, FILM ; STUDIO SYSTEM ; FINANCING ; DISTRIBUTION ; PRODUCTION ; ADVERTISING FOR FILMS ; EXHIBITION ; TELEVISION AND THE CINEMA ; VIDEODISCS ; SOUNDTRACKS ; MUSIC AND THE CINEMA ; LABOUR ; STATE AND THE CINEMA ; GLOBALISATION ; COPYRIGHT ; EXPORT OF FILMS ; UNITED KINGDOM ; FRANCE ; GERMANY ; ITALY ; LATIN AMERICAN COUNTRIES ; ASIAN COUNTRIES ; INDIA ; AUSTRALIA ; NEW ZEALAND ; VIDEO GAMES AND THE CINEMA Summary: "The contemporary Hollywood film industry is characterized by continuity and change. While many well-established Hollywood studios continue to dominate the film business, the industry has also witnessed various changes during the past two decades.
"'The Contemporary Hollywood Film Industry' is a collection of essays by leading scholars that examine the US film industry as an international phenomenon, from the 1980s to the present day. It explores a host of challenges and changes facing Hollywood, and includes important discussions of the industry's labor and star systems, as well as intellectual property and state relations. Essays consider the role of independent producers, the global marketplace for Hollywood products, corporate changes, and various new-media windows, including video, DVD to cable, satellite, and online channels of delivery." (Taken from the back cover)Notes: Includes indexISBN: 9781405133883URL status: URL: 'http://-'
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Continued growth of Entertainment Services, Brisbane : A company that sees no gloom for our industry in Australasian Cinema (11/3/1983) vol.12 iss.4 p.5
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Contracting out Hollywood : runaway productions and foreign location shooting / edited by Greg Elmer and Mike Gasher Lanham, MD: Rowman & Littlefield Pub, 2005.
Call No: 217 ELMAuthor: Elmer, Greg ; Gasher, Mike Source: USPlace: Lanham, MDPublisher: Rowman & Littlefield PubPubDate: 2005PhysDes: 189 p. ; 23 cmSubject: LOCATION SHOOTING. AUSTRALIA ; LOCATION SHOOTING. CANADA ; INDIA ; INDUSTRY, FILM. USA ; SERIALS ; STUDIOS, FILM ; LEE, ANG ; NIGHT HEAT [TV] (US, 1994) Summary: The practice of producing American films on foreign shores is examined within this book. The contributing authors explain this phenomenon from historical, political, economic, and cultural perspectives, using case studies; challenges to contemporary screen, media, and globalization theories; and analyses of changing government politics toward cultural industries [taken from back cover]ISBN: 0742536955Contents: Introduction : catching up to runaway productions / Greg Elmer and Mike Gasher -- 1. Divide and conquer : regional competition in a concentrated media industry / Susan Christopherson -- 2. The policy environment of the contemporary film studio / Ben Goldsmith and Tom O'Regan -- 3. Offshore pot o'gold : the political economy of the Australian film industry / Marcus Breen -- 4. Hollywood's effects, Bollywood's FX / Nitin Govil -- 5. Projecting placelessness : industrial television and the "authentic" Canadian city / Sarah Matheson -- 6. The ice storm : Ang Lee, cosmopolitanism, and the global audience / Stephanie Hemelryk Donald -- 7. World-class budgets and big-name casts : the miniseries and international coproductions / Barbara Selznick
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'Coolangatta Gold' wins $2mill. worldwide sale in Australasian Cinema (Friday, 21-27/6/1985) vol.14 iss.10 p.3
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Copyright broadside aimed at Pirates in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.8
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Coverted role for Sydney actress in Australasian Cinema (Friday, 29/3-4/4/1985) vol.14 iss.5 p.4
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Creating culture : the new growth industries : conference papers, 11-12 August 1994 / Commonwealth Department of Communications and the Arts [Canberra]: Commonwealth Dept. of Communications and the Arts, 1994].
Call No: 161(94) CRE AUSCorpAuthor: Creating Culture Conference (1994 : Canberra, A.C.T.); Australia. Dept. of Communications and the ArtsPlace: [Canberra]Publisher: Commonwealth Dept. of Communications and the ArtsPubDate: 1994]PhysDes: 195 p. : ill., ports. ; 30 cmSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; GOVERNMENT AID. AUSTRALIA ; STATE AND THE CINEMA. AUSTRALIA Notes: Cover title; "These are the edited transcripts of speeches given at the "Creating Culture - the new growth industries" conference held at Parliament House, Canberra on 11 and 12 August 1994."--P. [1]; Conference organised under the Cultural Industry Development Program of the Dept. of Communications and the ArtsISBN: 0642224307LON: 11325570
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Crim. conviction for video pirate in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.18
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A Critic for Critics in Australasian Cinema (16/7/1982) vol.11 iss.12 p.36
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The Cuban Filmography, 1987 though 2001 North Carolina: McFarland and Company, 2003.
Call No: 71(729.1) OSUAuthor: Garcia Osuna, Alfonso j. Source: USPlace: North CarolinaPublisher: McFarland and CompanyPubDate: 2003PhysDes: 216p.Subject: CUBA ; INDUSTRY, FILM. CUBA Summary: On January 24, 1897, an event took place that would change Cuban culture forever: the first moving pictures were shown in Havana. A couple of weeks later, on February 7, the first movie was filmed on the island. Since then, cinematography and Cuba have shared peculiar and innate connections, as their beginnings roughly coincide and Cubans are living in both the age of independence and revolution and the age of film.
This work is a filmography of every Cuban film (including documentaries, shorts, and cartoons) released from 1897, the first year films were shown and made in Cuba, through 2001. Each entry gives the original title of the film, the English translation of it, director, production company or companies, year of release, black and white or color, total running time, writing credits if the film is based on a story or novel, animation credits if the film is a cartoon, music credits if music has been written specifically for the film, cast credits, and a synopsis and short critical evaluation.
The work also provides comments on the relationship between Cuban film and history, and the changes that have taken place over the years in themes, topics, methods, and other aspects of filmmaking in Cuba.
Taken from http://www.mcfarlandpub.com/book-2.php?isbn=0-7864-1275-5ISBN: 0786412755
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Cultural funding in Australia : three tiers of government 2004-05 / National Centre for Culture and Recreation Statistics, Australian Bureau of Statistics [Canberra]: Commonwealth of Australia, in conjunction with the Governments of New South Wales, Victoria, Queensland, Western Australia, South Australia, Tasmania, the Northern Territory and the Australian Capital Territory., c2006.
Call No: 205.34(94) NATCorpAuthor: National Centre for Culture and Rectreation Statistics, Australian Bureau of StatisticsSource: ATPlace: [Canberra]Publisher: Commonwealth of Australia, in conjunction with the Governments of New South Wales, Victoria, Queensland, Western Australia, South Australia, Tasmania, the Northern Territory and the Australian Capital Territory.PubDate: c2006PhysDes: vi, 45 pages : illustrations ; 30 cmSubject: GOVERNMENT AID. AUSTRALIA ; STATISTICS. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA Summary: "This publication is the eleventh in a series of cultural funding reports produced for the Cultural Ministers Council Statistics Working Group (CMC SWG) by the National Centre for Culture and Recreation Statistics (NCCRS), a section of the Australian Bureau of Statistics (ABS). The publication presents information about cultural funding by each level of government." -preface of report.ISBN: 0642753679Contents: Section 1 - main features -- Section 2 - government funding of culture - an overview -- Australian Government funding -- State and Territory Government funding -- Local Government funding -- Funding per person -- Recurrent and capital funding -- Proportion of total government expenses -- Section 3 - cultural funding by Australian Government -- Sources of funding -- Funding by category -- Recurrent and capital funding -- Section 4 - Cultural funding by State and Territory Governments -- Sources of funding -- Funding by category -- Funding per person -- Recurrent and capital funding -- Section 5 - Cultural funding by Local Government -- Funding by state and territory -- Funding per person -- Recurrent and capital funding -- Section 6 - cultural funding over time -- Funding by level of government -- Funding per person -- Recurrent and capital funding -- Funding by state and territory -- New South Wales -- Victoria -- Queensland -- South Australia -- Western Australia -- Tasmania -- Northern Territory -- Australian Capital Territory -- State and territory funding per person -- Funding by Local Government -- Explanatory notes -- Glossary of terms -- Appendix - funding classification -- Related publications
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Curt Jurgens dies in Australasian Cinema (25/6/1982) vol.11 iss.11 p.7
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Curtain call for Lord Grade : Departs ACC in Australasian Cinema (25/6/1982) vol.11 iss.11 p.1
PhysDes: ArticleSubject: INDUSTRY, FILM. UK Summary: Announcement of Lord Grade's retirement from the company he started, Associated Communications Corporation.
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Cyril Cornish dies in Australasian Cinema (27/8/1982) vol.11 iss.15 p.27
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Daily activity programme : 38th annual motion picture industry convention July 17- July20 1983 Surfers Paradise. Qld. in Australasian Cinema (24/6/1983) vol.12 iss.11 p.2
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Dalmas : the film that freaked out in Lumiere (April, 1973) iss.22 p.22-25
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Database economy and transnational cinema in Studies in Australasian cinema (2009) vol.3 iss.2 p.155-166
Author: Cubitt, Sean PhysDes: ArticleSubject: DIGITAL TECHNOLOGY. AUSTRALIA ; DIGITAL TECHNOLOGY. NEW ZEALAND ; DIGITAL PROJECTION ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND Summary: Digital or electronic cinemas are dependent on a global regime of standards covering such features as aspect ratios, colour gamuts, screen resolution and compression-decompression algorithms. These standards are worked out by a variety of intersecting organizations representing a variety of interests. This article argues that such standardization is isomorphic with the convergence of biopolitical and commodity forms in an emergent political economy that can be described as a database economy. This infrastructure of standards and ordering principles constitutes an actually existing transnational public sphere. The article discusses the possibilities for developing an alter-globalizing public sphere in digital cinemas, testing three possible avenues: cinemas of the silent majority, new modes of distribution and content-driven approaches. It concludes by asking whether vanguard practices of building new forms of cinema apparatus may be essential to the construction of alter-globalizing transnational cinemas. -- AbstractNotes: Part of a special issue on digital cinema in Australia and New Zealand
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David Pye appointed managing director Ace Theatres in Australasian Cinema (29/10/1982) vol.11 iss.19 p.2
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Death of A. R. Payne in Australasian Cinema (6/8/1982) vol.11 iss.14 p.15
PhysDes: ArticleSubject: OBITUARIES ; INDUSTRY, FILM. AUSTRALIA Summary: Obituary of A. R. Payne, former president of the Motion Picture Exhibitors Association of New South Wales, and member of the Australian Film Protection Association.
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Death of Frank Power in Brisbane in Australasian Cinema (11/2/1983) vol.12 iss.2 p.4
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A Decade of Women in Australasian Cinema (Friday, 26/7-1/8, 1985) vol.14 iss.12 p.4
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Decision on "Pixote" in Australasian Cinema (6/8/1982) vol.11 iss.14 p.1
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The decline of the cinema : an economist's report / By John Spraos London: Allen & Unwin, 1962.
Call No: 201(41) SPRAuthor: Spraos, John Source: UKPlace: LondonPublisher: Allen & UnwinPubDate: 1962PhysDes: 168 p. : graphs ; 23 cmSubject: INDUSTRY, FILM. UK Notes: Includes index.
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'Defence of the Realm' in production in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.6
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Defining a new genre/ part 1 : The road movie in Lumiere (October, 1973) iss.28 p.22-25
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Deja Vu- With Palms in Lumiere (June 1970) vol.1 iss.1 p.9-10
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The Demonstrator in Lumiere (February 1971) iss.7 p.28-29
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Development : a study of Australian and international funding and practice in the feature film industry / Author: Jeremy Bean Sydney: Australian Film Commission, 2000.
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Distribution : The Struggle Up North in Lumiere (September 1972) iss.16 p.29
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The distribution hangup in Lumiere (September, 1972) iss.16 p.11-13
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Documentary and educational films of the 1930s / Rachael Low London, UK: George Allen & Unwin, 1979.
Call No: 761(41) LOWAuthor: Low, Rachael Source: UKPlace: London, UKPublisher: George Allen & UnwinPubDate: 1979PhysDes: 244 p. : ill. ; 22 cmSeries: The History of British Film 1929-1939Subject: BRITISH FILM INSTITUTE ; DOCUMENTARY FILMS. UK ; EDUCATION, USE OF FILMS IN ; EDUCATION, FILM. UK ; INDUSTRY, FILM. UK ; INSTRUCTIONAL FILMS ; PROPAGANDA FILMS ; POLITICAL FILMS ; TRUTH IN FILMS ; ANSTEY, EDGAR ; CAVALCANTI, ALBERTO ; ELTON, ARTHUR ; GRIERSON, JOHN ; ROTHA, PAUL ; WRIGHT, BASIL Summary: "With the advent of sound a host of film makers began, during the 1930s, to explore the wider possibilities of film as a means of communication. Without doubt the most spectacular development during this decade of social and political unrest was the dramatic growth of the mainstream British documentary movement closely associated with names such as John Grierson and Paul Rotha, which is often described as Britain's most important contribution to world cinema. In these pages for the first time a full and detailed account is given of people involved in the documentary movement and a coherant attempt is made to date and describe their whole output. Rachael Low demonstrates how different documentary styles evolved, developed and changed - and eventually split into two distinct schools of film making.
An equally important innovation in the 1930s was the first use of film for educational purposes. Rachael Low records in detail the many experiments and debates held to determine the best use of films in schools and the often disappointing attempts to produce satisfactory educational films."--BOOK JACKETNotes: includes bibliographical references; incldues film listing
includes indexISBN: 0047910364Contents: -- Acknowledgements -- List of Illustrations -- 1. Introduction -- 2. The Educational Film -- 3. The Documentary Movement -- (i) Early Stages -- (ii) The Middle Years -- (iii) Maturity -- (iv) The End of the Decade -- 4. Reality and the Documentary Film -- Appendix: The British Film Institute -- Notes -- Bibliography -- Film List -- Index --
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The Documentary film in Australia / edited by Ross Lansell and Peter Beilby North Melbourne: Cinema Papers in association with Film Victoria, c1982.
Call No: 761(94) DOCCopy Management: Copy 1; Copy 2Author: Beilby, Peter ; Lansell, Ross CorpAuthor: Film VictoriaPlace: North MelbournePublisher: Cinema Papers in association with Film VictoriaPubDate: c1982PhysDes: 205 p. : ill., ports. ; 27 cmSubject: DOCUMENTARY FILMS. AUSTRALIA ; ARCHIVES & INSTITUTES, FILM. AUSTRALIA ; GOVERNMENT ORGANIZATIONS. AUSTRALIA ; FILMMAKING. AUSTRALIA ; HISTORY OF CINEMA ; HISTORY OF CINEMA. 1920's ; HISTORY OF CINEMA. 1930's ; HISTORY OF CINEMA. 1950's ; HISTORY OF CINEMA. 1960's ; HISTORY OF CINEMA. 1970's ; HISTORY OF CINEMA. 1980's ; HISTORY OF CINEMA. AUSTRALIA ; HISTORY OF CINEMA. NEW ZEALAND ; INDUSTRY, FILM. AUSTRALIA ; PRESERVATION OF FILMS. AUSTRALIA ; PRODUCTION ; PRODUCTION COMPANIES & STUDIOS. AUSTRALIA ; BAKER, SUZANNE ; EDWARDS, JOHN ; MCMAHON, TERENCE ; BRADBURY, DAVID ; NOONAN, CHRIS ; HURLEY, FRANK ; GRIERSON, JOHN Summary: Collection of essays on Australian documentary, covering the history of documentary in Australia and world-wide up until the early 1980s, documentary production, interviews with key documentary makers, information on documentary preservation and repositories, and hypotheses on the future of documentary-making in Australia.Notes: Includes indexISBN: 0959564721 : $12.95 AustLON: 2380995Contents: 1. What is a documentary? / John Langer; 2. A brief history of the documentary -- 1890s Australia / Chris Long -- 1900s world-wide and Australia / Ray Edmonston, Jenny Trustum -- 1910s Australia / Chris Long -- World War 1 / Phil Taylor -- 1920s world-wide and Australia / Andrew Pike -- 1930s world-wide / Jonathan Dawson -- 1930s Australia / Chris Long -- Early 1940s World War 2 / Phil Taylor -- Late 1940s world-wide / Brian McFarlane -- Late 1940s Australia / Tom Politis -- 1950s world-wide / Keith Connolly -- 1950s Australia / Anthony Buckley -- 1960s world-wide / John Pruzanski -- 1960s Australia / Ross Lansell -- 1970s world-wide and Australia / Gillian Coote -- Some issues and concerns of the 1970s / Barbara Alysen, David McDougall, Noel Purdon and Albie Thoms -- The 1980s and beyond / Ian Stocks --; 3. Documentary production today -- Government / Bruce Moir -- Specialist film units / Robert Rothols -- Television / Brian Davies -- Commerce and industry / Eve Ash and Ian McFayden -- Independent / Curtis Levy; 4. Case-histories -- Government: Suzzane Baker, John Edwards, Oliver Howes and Stephen Ramsey / Ian Stocks -- Specialist film units: Ross Campbell / Robert Rothol -- Television: Jeremy Cornford and Peter Luck / Jeremy Cornford and Nick Herd -- Commerce and industry: Terence McMahon / Eve Ash -- Independent: David Bradbury and Chris Noonan / Barbara Alysen --; 5. The marketplace / Kim Dalton --; 6. Some documentary themes -- Documentary traditions before Grierson: the case of Frank Hurley / Andrew Pike -- The Grierson tradition / Jonathan Dawson -- Propaganda then and now / John Hughes -- The television age / Tom Haydon --; 7. Preserving the past / Barbara Alysen --; 8. The documentary of the future / Fred Harden
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Doing business with Australia : producer offset and co-productions / Screen Australia [Woolloomooloo, N.S.W.]: Screen Australia, January 2014.
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Doing Your Own Thing in Lumiere (June, 1973) iss.24 p.4-8
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Doug Rattray dies in Bundaberg in Australasian Cinema (11/2/1983) vol.12 iss.2 p.7
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The Dream Machine in Lumiere (April/May, 1974) iss.33 p.22-24
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Drop in Australian dollar bites into Oz buyers at American Film Market in Australasian Cinema (Friday, 29/3-4/4/1985) vol.14 iss.5 p.2
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'Dusty' launches new campaign for 'Life Education Centres' in Australasian Cinema (Friday, 19/8/1983) vol.12 iss.15
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Dynamic box office appointment in Australasian Cinema (29/4/1983) vol.12 iss.7 p.2
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East Asian screen industries / Darrell William Davis and Emilie Yueh-yu Yeh London: British Film Institute, 2008.
Call No: 71(5-012) DAVAuthor: Davis, Darrell William ; Yeh, Emilie Yueh-yu Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2008PhysDes: 202 p. ; b+w ill. : 24 cmSubject: INDUSTRY, FILM. ASIAN COUNTRIES Summary: Introduction to the screen industries of Japan, Sth Korea, Taiwan, Hong Kong and the PRC.Notes: Includes index and bibliographyISBN: 9781844571819Language: English
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Eastern Europe : an illustrated guide London New York: A. Zwemmer A. S. Barnes, [c1969].
Call No: 71(4-11)(03) HIBAuthor: Hibbin, Nina Place: London New YorkPublisher: A. Zwemmer A. S. BarnesPubDate: [c1969]PhysDes: 239 p. : ill., ports ; 21 cmSubject: EASTERN EUROPEAN COUNTRIES ; INDUSTRY, FILM. EUROPEAN COUNTRIES ; INDUSTRY, FILM. GERMANY ; INDUSTRY, FILM. USSR Summary: "This guide has been designed to help filmgoers and televiewers to get to know more about the films they have enjoyed and the film-makers they admire, and at the same time to provide students of cinema with a compact source of information, most of which has not been previously collated in English, about filming in Eastern Europe." -- BLURBISBN: 0498074218LON: 33889
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The economics of film and television in Australia / Simon Molloy, Barry Burgan Sydney: Australian Film Commission, 1993.
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Editorial: Early movie release or oblivion! More cinemas up for grabs! in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.3
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Electric shadows : 45 years of Chinese cinema / by Tony Rayns & Scott Meek London: British Film Institute, 1980.
Call No: 71(51) RAYAuthor: Rayns, Tony ; Meek, Scott CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 1980PhysDes: 1 v. (various pagings) : ill. ; 30 cmSeries: BFI dossier ; no. 3Subject: CITY OF SADNESS, A [ ; INDUSTRY, FILM. CHINA Notes: Contains two chapters translated from ChineseLON: 5988816
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Electronic audio unit for cinemas offers remote control in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.19
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Embassy Pictures have record 2,432 prints playing U.S. market in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.20
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Embracing innovation : a new methodology for feature film production in Australia in Lumina (Summer 2010) iss.2 p.153-180
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Empire Intrnational and American Nat'l. Enterprises join American Film Market in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.2
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The Encore directory Manly, N.S.W.: Chekeven, 1986.
Call No: REFERENCE SECTION; 058(94) ENC REF; held 1986-CorpAuthor: Australian Film CommissionPlace: Manly, N.S.W.Publisher: ChekevenPubDate: 1986PhysDes: v. ; 21 - 23 cmSubject: INDUSTRY, FILM. AUSTRALIA Notes: 1991- published Redfern, N.S.W. : Trade News Corporation; <1994>- published Chatswood, N.S.W. : Reed Business Publishing; <2014> published Chatswood, N.S.W.: Cirrus Media.; 1991- subtitle: Film and television production, creative and technical resources; <1998>- has title: Encore (directory) : the film and television industry bible; <2014> subtitle: The essential business resource for the film and television industry.ISSN: 0817-6469LON: 4463943
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English high court grants Lorimar Prods. injustion in copyright infringement action in Australasian Cinema (22/7/1983) vol.12 iss.13 p.1
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Entertainment Services appoints Administrator in Australasian Cinema (23/7/1982) vol.11 iss.13 p.1
PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA Summary: Announcement of Kay Kenrick to an administrator position at Entertainment Services
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Eric Tsang, filmmaker in focus / Keith Chan (ed.), Li Cheuk-to (ed.), Ho Wai-leng (ed.), Gary McDonogh (ed.) Hong Kong: Hong Kong International Film Festival Society, 2008.
Call No: 81TSA CHAAuthor: Chan, Keith and Li, Cheuk-to (eds.) Edition: 1stSource: HKPlace: Hong KongPublisher: Hong Kong International Film Festival SocietyPubDate: 2008PhysDes: 112p.;b+w ill. : 26cmSeries: HKIFF Society Series, no. 8, March 2008Subject: INDUSTRY, FILM. HONG KONG ; TSANG, EDWARD ; MAO TAO YING (HK, David Chiang, 1981) ; TSUI HOU SING LEI (HK, Patrick Tam, 1987) ; SIU SIU SIU KING CHAT (HK, Eric Tsang, 1989) ; ON LOK TSIN CHEUNG (HK, Eric Tsang, 1990) ; SHENG SING KU SEE (HK, Peter Ho-sun Chan, 1991) ; BOON CHI YIN (HK, Riley Ip, 1999) ; CHI FAT FAN FAT (HK, Marco Mak, 2001) ; KONG WU (HK, Wong Ching-po, 2004) Summary: Interviews, essays and film notes for actor, scriptwriter, producer and director Eric Tsang.Notes: Includes biography: p.107-108; Includes filmography: p.108-111ISBN: 9789889918137Language: English; Chinese
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Esec. appointment to VCOA of Australia in Australasian Cinema (16/7/1982) vol.11 iss.12 p.35
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Essays on the Swedish cinema : Part one- an introduction in Lumiere (March, 1974) iss.32 p.22-24
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Essays on the Swedish cinema : Part two- Stiller and Sjostrom in Lumiere (April/May, 1974) iss.33 p.14-19, 36
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European cinema journal Milan: Media Salles, 1999-.
Call No: held No.1- April 1999-; -- IN STORAGE. OVERNIGHT RETRIEVALCorpAuthor: Media SallesSource: ITPlace: MilanPublisher: Media SallesPubDate: 1999-PhysDes: vol.Subject: INDUSTRY, FILM. EUROPEAN COUNTRIES Order Notes: Current
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European cinema yearbook Milano: Media Salles, 1999.
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European Film Industries / Anne Jackel London: British Film Institute, 2003.
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European Underground in Lumiere (November-December 1971) iss.12 p.36-38
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Eve Brandstein named V.P., Embassy Communications in Australasian Cinema (11/3/1983) vol.12 iss.4 p.7
PhysDes: ArticleSubject: CASTING ; INDUSTRY, FILM. USA Summary: Announcement of Eve Brandstein to vice president, talent and casting fro Embassy Communications. Article goes on to mention her future plans for the company.
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Everyones: the motion picture authority Sydney: Everyones Ltd, 1920-1937.
Call No: MICROFILM - v. 1 (10 March 1920) - v. 15, no. 408 (Oct 20, 1937)Source: ATPlace: SydneyPublisher: Everyones LtdPubDate: 1920-1937Subject: INDUSTRY, FILM. AUSTRALIA Notes: Former title - Australian Variety and show world
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Evilspeak in Australasian Cinema (16/7/1982) vol.11 iss.12 p.33
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Experimental : New Cinema Catalogues in Lumiere (September 1972) iss.16 p.36
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The Experimental Films in Lumiere (July-August, 1971) iss.10 p.33
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Experimentalists 1 in Lumiere (November, 1972) iss.18 p.18-19
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"Extremely valuable" film of New Guinea found in Australasian Cinema (Friday, 2/9/1983) vol.12 iss.16 p.1
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Faith in the future- GUO expansion in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.1
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'Far East' will have World Premiere at Sydney State Theatre on July 27 in Australasian Cinema (25/6/1982) vol.11 iss.11 p.1
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Farwell to Gordon Mummery in Australasian Cinema (6/8/1982) vol.11 iss.14 p.2
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Fast fade : David Puttnam, Columbia Pictures, and the battle for Hollywood / Andew Yule New York: Delacorte Press, c1989.
Call No: 81PUT YULAuthor: Yule, Andrew Source: USPlace: New YorkPublisher: Delacorte PressPubDate: c1989PhysDes: viii, 376 pages : black and white illustrations ; 25 cmSubject: COLUMBIA PICTURES ; INDUSTRY, FILM. USA ; KAUFMAN, VICTOR A. ; PUTTNAM, DAVID ; CHARIOTS OF FIRE (UK, Hugh Hudson, 1981) ; KILLING FIELDS, THE (UK, Roland Joffe, 1984) Summary: "FAST FADE is the story of David Puttnam's meteoric rise to the top of the Hollywood heap, and of his equally precipitous descent. It is also a very personal look at the man himself, from young boy growing up in middle-class London suburb, feasting on a steady diet of Hollywood-made movies, to successful producer of small, thoughtful films such as LOCAL HERO, as well as epic, "important" features like THE MISSION. Along the way, Puttnam has made a number of enemies, but he also has made many loyal friends, and he has earned the respect of a great portion of the world's most visible - and, perhaps, most powerful - industry. FAST FADE is an honest, balanced look at the man and his career, and especially his turbulent tenure as head of one of Hollywood's most powerful studios." [Taken from book jacket]Notes: Includes indexISBN: 0440501776; 9780440501770Donation: Simon Wincer
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Federal police seize tapes in Australasian Cinema (6/8/1982) vol.11 iss.14 p.2
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Federal Treasurer Paul Keating critical of accounts and stock brokers on film tax shelters in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.1
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Felony in Australian Cinematographer (Sept 2013) iss.63 p.54-61
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Festival of Oz films at the Trak in Australasian Cinema (6/8/1982) vol.11 iss.14 p.2
PhysDes: ArticleSubject: GALLIPOLI (AT, Peter Weir, 1981) ; PUBERTY BLUES (AT, Bruce Beresford, 1981) ; MAD MAX (AT, George Miller, 1979) ; CADDIE (AT, Donald Crombie, 1976) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981) ; REMOVALISTS, THE (AT, Tom Jeffrey, 1975) ; MAD DOG MORGAN (AT, Philippe Mora, 1976) ; DON'S PARTY (AT, Bruce Beresford, 1976) ; MANGO TREE, THE (AT, Kevin Dobson, 1977) ; STARSTRUCK (AT, Gillian Armstrong, 1982) ; CLUB, THE (AT, Bruce Beresford, 1980) ; INDUSTRY, FILM. AUSTRALIA ; FESTIVALS Summary: Article on Sydney theatre The Trak running an 'Austrailan Film' Film Festival.
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The fifty-year decline and fall of Hollywood. / by Ezra Goodman New York: Simon & Schuster, 1961.
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Fighting films : a history of the Waterside Workers Federation Unit / Lisa Milner North Melbourne: Pluto, 2003.
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Fiji spurs production push in Encore (May 2000) vol.18 iss.4 p.8
Author: Prisk, Tracey PhysDes: Article; Illustration(s)Subject: INDUSTRY, FILM. FIJI Summary: The Fijian government has proposed an audio-visual initiative to encourage production and distribution in Fiji.
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Film / Roger Manvell Harmondsworth: Penguin, 1950.
Call No: 62 MANAuthor: Manvell, Roger, 1909 Edition: Further revPlace: HarmondsworthPublisher: PenguinPubDate: 1950PhysDes: 182 p., [80] p. of plates : ill. ; 18 cmSeries: Pelican book ; A126Subject: SOCIETY AND THE CINEMA ; AESTHETICS ; CENSORSHIP ; INDUSTRY, FILM ; DOCUMENTARY FILMS Notes: Includes index; Bibliography: p. 251-263LON: abn86084370; 4435368URL status: URL: 'http://-'
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Film : it's a contact sport / by Sarah Darmody Frenchs Forest, N.S.W.: New Holland, 2002.
Call No: 802(94) DARAuthor: Darmody, Sarah Source: ATPlace: Frenchs Forest, N.S.W.Publisher: New HollandPubDate: 2002PhysDes: xiii, 274p. ;21cm.Subject: INDUSTRY, FILM. AUSTRALIA ; BERESFORD, BRUCE ; BILCOCK, JILL ; JORDAN, GREGOR ; MASON, DAVE ; SEALE, JOHN ; STRATTON, DAVID ; WEIR, PETER Notes: Includes index and useful contact information.ISBN: 1864368071
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Film : readings in the mass media / Allen Kirschner and Linda Kirschner New York: The Odyssey Press, c1971.
Call No: 62(04) KIRAuthor: Kirschner, Allen
Kirschner, Linda Place: New YorkPublisher: The Odyssey PressPubDate: c1971PhysDes: 315 pages : 23 cmSubject: CRITICISM ; HISTORY OF CINEMA ; AUDIENCES ; RATING FOR FILMS. USA ; INDUSTRY, FILM. USA ; COMEDIES ; DIRECTION ; GRADUATE, THE (US, Mike Nichols, 1967) Summary: A collection of essays on the history, art and effects of film separated into 3 sections (form and technique, audience and effects, and critics and criticism) with the final section focussing largely on the film The GraduateNotes: Bibliography: p. 313-315.Contents: Movies: the reel world / Marshall McLuhan -- Comedy's greatest era / James Agee -- from King of comedy / Mack Sennett -- The movies 100 years from now / David Wark Griffith -- The modern photoplay / Irving Thalberg -- The movies / H.L. Mencken -- Film and reality / Rudolf Arnheim -- Direction / Alfred Hitchcock -- Reflections on the film actor / Michelangelo Antonioni -- What is "film making"? / Ingmar Bergman -- The reality of New Cinema / Ken Kelman -- Where are we, the underground? / Jonas Mekas -- What makes a good screen story? / Mervyn LeRoy -- The writer and the film / Dudley Nichols -- The movies are now high art / Richard Schickel -- The movies are better than the theater / Walter Kerr -- The film generation / Stanley Kauffmann -- Engaging the eye-minded / Arthur Knight -- Movies: morals, violence, sex: anything goes / Judith Christ -- Film as environment / Anthony Schillaci -- Loverboy of the bourgeoisie / Tom Wolfe -- Freedom of speech in a mass medium / Richard S. Randall -- Rating code / Motion Picture Association of America -- Movies, the desperate art / Pauline Kael -- Should American films be subsidized? / William Fadiman -- The movie industry and the film culture / Ernest Callenbach -- On reviewing, I: Turnstiles / Renata Adler -- Is film criticism only propaganda? / Parker Tyler -- The graduate: four reviews. The graduate makes out / Hollis Alpert ; Tales out of school / Bosley Crowther ; Summa cum laude / Joseph Morgenstern ; The graduate / Stephen Farber and Estelle Changas -- Mike Nichols talks about The graduate / Joseph Gelmis -- The future of film / Members of the National Society of Film Critics: Hollis Alpert ; Brendan Gill ; Philip T. Hartung ; Stanley Kauffmann ; Arthur Knight ; Joseph Morgenstern ; Andrew Sarris ; Richard Schickel ; Wilfrid Sheed ; John Simon
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Film 69/70 : an anthology by the National Society of Film Critics / edited by Joseph Morgenstern and Stefan Kanfer New York: Simon and Schuster, c1970.
Call No: 67 (04) FILSource: USPlace: New YorkPublisher: Simon and SchusterPubDate: c1970PhysDes: 286 p. ; 22 cmSubject: INDUSTRY, FILM. USA ; MUSICALS ; VIETNAM WAR IN FILMS ; POLITICS IN FILMS ; PORNOGRAPHY AND THE CINEMA ; FELLINI, FEDERICO ; STREISAND, BARBRA ; WAYNE, JOHN ; CHE! (US, Richard Fleischer, 1969) ; SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969) ; Z (FR/AE, Constantin Costa-Gavras, 1969) ; EASY RIDER (US, Dennis Hopper, 1969) ; BOB & CAROL & TED & ALICE (US, Paul Mazursky, 1969) ; ALICE'S RESTAURANT (US, Arthur Penn, 1969) ; BAISERS VOLES (FR, Francois Truffaut, 1968) ; MIDNIGHT COWBOY (US, John Schlesinger, 1969) ; GOODBYE COLUMBUS (US, Larry Peerce, 1969) ; IF... (UK, Lindsay Anderson, 1968) ; THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969) ; PAINT YOUR WAGON (US, Joshua Logan, 1969) ; INTIMNI OSVETLENI (CZ, Ivan Passer, 1969) ; GURU, THE (US/II, James Ivory, 1968) ; HAR HAR DU DITT LIV (SW, Jan Troell, 1966) ; AKAHIGE [RED BEARD] (JA, Akira Kurosawa, 1965) ; PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965) ; CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; PUTNEY SWOPE (US, Robert Downey, 1969) ; MEDIUM COOL (US, Haskell Wexler, 1969) ; ANGEL LEVINE, THE (US, Jan Kadar, 1970) ; IN THE YEAR OF THE PIG (US, Emile de Antonio, 1968) ; HIGH SCHOOL (US, Frederick Wiseman, 1969) ; ISADORA (UK, Karel Reisz, 1968) ; GOODBYE MR CHIPS (UK, Herbert Ross, 1969) ; FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968) Summary: Critical reviews of films produced 1969/1970Notes: Includes indexISBN: 671-20608-7Contents: I. Pick of the Litter -- Z / Pauline Kael, Arthur Schlesinger, Jr. -- Easy Rider / Joseph Morgenstern, Penelope Gillatt, Stefan Kanfer, Richard Schickel -- Bob & Carol & Ted & Alice / Hollis Alpert, Pauline Kael, Arthur Schlesinger, Jr., John Simon -- Alice's Restaurant / Robert Hatch, John Simon / If... / Arthur Schlesinger, Jr., Pauline Kael -- They Shoot Horses, Don't They? / Stefan Kanfer, John Simon -- II. Advance Obit. -- Hollywood: Myth, Fact and Trouble / Joseph Morgenstern -- The Studio by John Gregory Dunne / Stanley Kauffmann -- Paint Your Wagon / Pauline Kael -- III. Auteurisms -- Intimate Lighting / Andrew Sarris -- La Femme Infidele / Andrew Sarris -- Stolen Kisses / Joseph Morgenstern, Hollis Alpert, Robert Kotlowitz -- Here's Your Life / Stanley Kauffmann -- Pierrot Le Fou / Joseph Morgenstern -- The Red and the White / Penelope Gilliatt, Richard Schickel, John Simon -- Putney Swope / Arthur Knight, Penelope Gilliattt, Richard Schickel -- Medium Cook / John Simon, Andrew Sarris -- IV. On Location -- The Making of The Angel Levine / Robert Kotlowitz -- Fellini at Work / Hollis Alpert -- Che! / Joseph Morgenstern, Robert Hatch -- V. Documentarians -- Salesman / Harold Clurman, Joseph Morgenstern -- In the Year of the Pig / Pauline Kael -- High School / Richard Schickel -- VI. Performers and Performances -- The Loves of Isadora / Richard Schickel, Stanley Kauffmann, Stefan Kanfer, Hollis Alpert, Penelope Gilliatt -- Goodbye, Mr. Chips / Pauline Kael, Stefan Kanfe -- Superstar: The Streisand Story / Joseph Morgenstern -- John Wayne as the Last Hero / Stefan Kanfer -- VII. Skin -- I Am Curious (Yellow) / John Simon, Penelope Gilliatt, Hollis Alpert -- Coming Apart / Joseph Mergenstern, Richard Schickel
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The film and television production industry in Victoria : report of the Victorian Film & Television Industry Task Force Melbourne, Australia: Victorian Film & Television Task Force, September 2000.
Call No: 201(945) VICCorpAuthor: Victorian Film & Industry Task ForceSource: ATPlace: Melbourne, AustraliaPublisher: Victorian Film & Television Task ForcePubDate: September 2000PhysDes: 99 leaves ; 30 cmSubject: INDUSTRY, FILM. AUSTRALIA : VICTORIA ; INDUSTRY, FILM. AUSTRALIA ; STATE AND THE CINEMA. AUSTRALIA : VICTORIA ; Film Victoria ; CINEMEDIA ; MELBOURNE FILM OFFICE ; EDUCATION, FILM. AUSTRALIA Summary: A report to review and recommend a strategic framework for the Victorian Film and Television Industry. Government support for retaining and securing production investment is important for a knowledge economy. The report looks at different requirments to achieve this including: reinvigorating state film and television funding, advocacy to the Federal government about national policy, adopting a government approach to the industry, adding infrustructure and expanding education and training opportunities. Various proposals are also put forward.Notes: Includes preface letter by Sigrid Thornton -- Includes table of contents -- Ring binding -- Additional catalogue information added 28 August 2019Language: EnglishContents: The Victorian Film and Television Industy - a vision for the future -- Executive summary -- The review process -- The industry nationally -- The industry in Victoria today -- Federal government support for the industry -- Government support for the industry in other states -- Victorian government support for the industry -- Industry infrustructure in Victoria -- Education and training in Victoria -- The global operating environment -- Overseas government funding programs -- The stategic framework for the Victorian industry -- The best position for the Victorian industry in relation to other Australian states and overseas industries -- The effectiveness of current state government programs in addressing the requirements needed to ensure the Victorian industry is a centre for excellence -- The requirements and initiatives needed to ensure that the Victorian industry is a centre for excellence
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The film and the public / Roger Manvell Harmondsworth, Middlesex: Penguin, 1955.
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Film and video production and distribution, Australia, 1993-94 [Canberra]: Australian Bureau of Statistics, 1996.
Call No: 21(94) "1993-94" MCLCorpAuthor: Australian Bureau of StatisticsPlace: [Canberra]Publisher: Australian Bureau of StatisticsPubDate: 1996PhysDes: vi, 38 p. : ill. ; 30 cmSubject: STATISTICS. AUSTRALIA ; PRODUCTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; DISTRIBUTION. AUSTRALIA ; INDUSTRY, VIDEO. AUSTRALIA Summary: Contains information about the film and video production industries in Australia. The data includes major sources of income and components of expenditure; characteristics of employment and the seasonal pattern of employment; key characteristics by State; performance ratios; market distribution of Australian titles; type and value of transactions in services with overseas residents; the production of films, videos and television programs by type of programming formatNotes: Catalogue no. 8679.0; "W. McLennan, Australian Statistician"; Includes tablesISBN: 0642207305LON: 12274947
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Film and video production and distribution, Australia, 1996-97 [Canberra]: Australian Bureau of Statistics, 1998.
Call No: 21(94) "1996-97" MCLCorpAuthor: Australian Bureau of StatisticsPlace: [Canberra]Publisher: Australian Bureau of StatisticsPubDate: 1998PhysDes: 30 p. ; 30 cmSubject: PRODUCTION. AUSTRALIA ; DISTRIBUTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; STATISTICS. AUSTRALIA Summary: Contains information about the film and video production industries in Australia. The data includes major sources of income and components of expenditure; characteristics of employment and the seasonal pattern of employment; key characteristics by State; performance ratios; market distribution of Australian titles; type and value of transactions in services with overseas residents; the production of films, videos and television programs by type of programming formatNotes: Catalogue no. 8679.0; Caption title; Includes tablesISBN: 0642256764LON: abn98389714; 14261746
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Film as social practice / Graeme Turner London New York: Routledge, 1988.
Call No: 408 TURAuthor: Turner, Graeme Place: London New YorkPublisher: RoutledgePubDate: 1988PhysDes: xv, 187 p. : ill. ; 20 cmSeries: Studies in communicationSubject: POPULAR CULTURE AND THE CINEMA ; INDUSTRY, FILM ; INDUSTRY, FILM. AUSTRALIA ; AUTEUR THEORY ; NARRATIVE IN FILMS ; STARS ; SPECTATORSHIP ; AUDIENCES ; AUSTRALIA ; IDEOLOGY AND THE CINEMA ; BAZIN, ANDRE ; WRIGHT, WILL ; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969) ; DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985) ; METROPOLIS (G, Fritz Lang, 1926) Summary: “Explores the feature film as entertainment, as narrative, and as cultural event. Graeme Turner discusses the major theoretical issues surrounding the history of film production and film studies, using them to examine the cultural function of film and its place in our popular culture. This updated third edition includes: discussion of classical and popular contemporary films, updated and expanded discussion of debates surrounding film narrative and arguments revised throughout to take into account recent developments in film and cultural theory and changing cinematic trends.” [Taken from back cover]Notes: Includes index; Bibliography: p. 180-184ISBN: 0415007348; 0415007356 (pbk.)LON: 5742606
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Film Australian will film migrant stories in Australasian Cinema (14/5/1982) vol.11 iss.8 p.5
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Film Censorship, April, 1982 in Australasian Cinema (25/6/1982) vol.11 iss.11 p.4-5
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Film Censorship, December, 1982 in Australasian Cinema (28/1/1983) vol.12 iss.1 p.10, 15
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Film Censorship, February 1982 in Australasian Cinema (30/4/1982) vol.11 iss.7 p.2-3
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Film Censorship, January 1982 in Australasian Cinema (16/4/1982) vol.11 iss.6 p.8-9
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Film Censorship, July, 1982 in Australasian Cinema (10/9/1982) vol.11 iss.16 p.4-5, 11
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Film Censorship, July 1983 in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.20-23
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Film Censorship, June, 1982 in Australasian Cinema (27/8/1982) vol.11 iss.15 p.30-31
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Film Censorship, June 1983 in Australasian Cinema (Friday, 19/8/1983) vol.12 iss.15 p.3-5
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Film Censorship, March, 1982 in Australasian Cinema (14/5/1982) vol.11 iss.8 p.4-5
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The film cultures reader / Graeme Turner (ed.) New York: Routledge, 2002.
Call No: 408 TURAuthor: Graeme Turner (ed.) Place: London; New YorkPublisher: RoutledgePubDate: 2002PhysDes: 524 p. ; 24 cmSubject: CULTURE AND THE CINEMA ; GENRES ; AESTHETICS ; WOMEN AND THE CINEMA ; FEMINISM AND THE CINEMA ; SPECTATORSHIP ; AUDIENCE RECEPTION ; AUDIENCE RESEARCH ; SOUND ; THEORY ; CREED, BARBARA ; KUHN, ANNETTE ; NATIONAL CULTURE AND THE CINEMA ; POSTMODERNISM AND THE CINEMA ; GLOBALISATION ; USA ; MONROE, MARILYN ; SEX IN FILMS ; HORROR FILMS ; ACTION FILMS ; HOMOSEXUALITY IN FILMS ; THRILLERS ; COLOR PURPLE, THE (US, Steven Spielberg, 1985) ; PIANO, THE (AT, Jane Campion, 1993) ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; TECHNOLOGY AND THE CINEMA ; INDUSTRY, FILM Summary: This companion reader to Film as Social Practice brings together key writings on contemporary cinema, exploring film as a social and cultural phenomenon. Key features of the reader include: thematic sections, each with an introduction by the editor; a general introduction by Graeme Turner; sections on understanding film, film technology, film industries, meanings and pleasures, identities, audiences and consumption.ISBN: 0415252822
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Film flam / by Elliot Paul London: Frederick Muller Ltd., 1956.
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Film in the age of digital distribution : the challenge for Australian content / Richard Harris Strawberry Hills, NSW: Currency House, 2007.
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The film industry in Brazil : culture and the state / Randal Johnson Pittsburgh, Pa.: University of Pittsburgh Press, c1987.
Call No: 71(81) JOHAuthor: Johnson, Randal, 1948 Place: Pittsburgh, Pa.Publisher: University of Pittsburgh PressPubDate: c1987PhysDes: xiv, 265 p. ; 23 cmSeries: Pitt Latin American seriesSubject: BRAZIL ; INDUSTRY, FILM. BRAZIL Notes: Includes index; Bibliography: p. 247-255ISBN: 0822935384LON: 4395325
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The film industry in Great Britain : some facts and figures / British Film Academy London: British Film Academy, 1950.
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The film-maker and his world : a young person's guide / by R. J. Minney London: Victor Gollancz, 1964.
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Film policy : an Australian reader / edited by Albert Moran [Queensland], Australia: Institute for Cultural Policy Studies, Faculty of Humanities, Griffith University, 1994.
Call No: 205.1(94) FILAuthor: Moran, Albert CorpAuthor: Griffith University. Institute for Cultural Policy Studies; Film Policy Conference (1991 : Griffith University)Place: [Queensland], AustraliaPublisher: Institute for Cultural Policy Studies, Faculty of Humanities, Griffith UniversityPubDate: 1994PhysDes: iii, 193 p. ; 30 cmSeries: Special publication of the Institute for Cultural Policy Studies, Faculty of Humanities, Griffith UniversitySubject: STATE AND THE CINEMA. AUSTRALIA ; GOVERNMENT CONTROL. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. UK ; INDUSTRY, FILM. NEW ZEALAND ; INDUSTRY, TV. AUSTRALIA ; QUOTA. AUSTRALIA ; NATIONAL CONTENT. AUSTRALIA ; ABORIGINAL AUSTRALIAN CINEMA ; ABORIGINAL AUSTRALIANS AND TV ; MAORI CINEMA ; ADVERTISING FOR FILMS. AUSTRALIA ; INDEPENDENT PRODUCTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA : NEW SOUTH WALES ; INDUSTRY, FILM. AUSTRALIA : QUEENSLAND ; INDUSTRY, FILM. AUSTRALIA : SOUTH AUSTRALIA ; NEW SOUTH WALES FILM AND TELEVISION OFFICE ; QUEENSLAND FILM DEVELOPMENT OFFICE Notes: "These papers were originally presented at the Film Policy Conference hosted by the Institute for Cultural Policy Studies at Griffith University in Brisbane in 1991"--Cover p. [4]; Includes bibliographical referencesISBN: 0868575453LON: 9849431
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Film policy : international, national, and regional perspectives / edited by Albert Moran New York: Routledge, 1996.
Call No: 205 FILAuthor: Moran, Albert Place: New YorkPublisher: RoutledgePubDate: 1996PhysDes: xvi, 285 pSubject: GOVERNMENT CONTROL ; STATE AND THE CINEMA ; INDUSTRY, VIDEO. USA ; DISTRIBUTION ; INDUSTRY, FILM ; COPRODUCTION. FRANCE ; COPRODUCTION. UK ; INDUSTRY, FILM. UK ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. CANADA ; INDUSTRY, FILM. LATIN AMERICAN COUNTRIES ; INDUSTRY, FILM. INDIA ; INDUSTRY, FILM. INDONESIA ; INDUSTRY, FILM. SINGAPORE ; ABORIGINAL AUSTRALIAN CINEMA ; MAORI CINEMA ; INDIGENOUS PEOPLE'S CINEMA. CANADA Notes: Includes bibliographical references and indexISBN: 0415097916 (pbk.); 0415097908 (hardcover)LON: 12158074
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Film Production Management 101 : management and coordination in a digital age / Deborah Patz Studio City, CA: Michael Wiese Productions, c2010.
Call No: 21 PATAuthor: Patz, Deborah Source: USPlace: Studio City, CAPublisher: Michael Wiese ProductionsPubDate: c2010PhysDes: xviii, 535 p. ; 26 cmSubject: PRODUCTION ; DIRECTION ; FILM ; TELEVISION ; INDUSTRY, FILM ; INDUSTRY, TV. Summary: "Known as "the Swiss Army knife of production management," Film Production Management 101 is actually two books in one - the essential open-on-the-desk guide for Production Managers and Production Coordinators. Patz takes you on a journey from development through pre-visualization to postproduction through the audit, covering everything with detailed insights, humorous production stories, and the inside scoop on working in film and television." -- BOOK BACK COVERNotes: Includes indexISBN: 9781932907773Donation: Donated by Michael SmithContents: -- I: Project development -- 1 Getting hired -- 2 Before official prep -- 3 Budgeting & breakdowns -- 4.Your kit & online resources II: Preproduction 5 Setting up the production office -- 6 Hiring crew -- 7 Crew departments -- 8 Work space organizatiion -- 9 Telephone etiquette -- 10 Setting up a filing system -- 11 Forms, memos, logs, checklists -- 12 Countdown to production III: Production 13 The shoot day & call sheets -- 14 Daily production reports -- 15 Countdown through production IV: More management & money issues 16 Locatiion management -- 17 Production insurance -- 18 Completion bonds -- 19 Petty cash & purchase orders -- 20 Cash flows -- 21 Interim financing -- 22 Official & PM-only cost reports V: More contracting issues 23 Deal memos & long forms -- 24 Cast contracts & immigration -- 25 Supplier agreements -- 26 The special departments VI: More production & coordination issues. 27 Script format & revisions -- 28 Production scheduling -- 29 Credits -- 30 Documentation distribution VII: Ongoing special issues 31 Publicity & the audience -- 32 Couriers & customs -- 33 Script, music & other legal clearances VIII: Postproduction 34, Wrap & wrap party -- 35 Postproduction -- 36. Audit -- closing notes --
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Film Schools Need Sponsors in Lumiere (January/February, 1973) iss.20 p.33-34
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Film Styles : Styles In Filmmaking in Lumiere (July-August 1971) iss.10 p.6-11
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Film & T.V. awards 1971 in Lumiere (November-December 1971) iss.12 p.40-41
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Film trade day in Melbourne big success in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.1-2
Subject: FILMWAYS ; INDUSTRY, FILM. AUSTRALIA Summary: A report on the 1974 Filmways Trade Day, discussing the screening of The Winners and new industry equipment available.
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newspaper article
Film, TV industry in rebates call in Sun Herald (16/04/2017) p.4
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microfilm
The Film weekly Sydney: Film Weekly, 1926-1973.
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book
Film world : a guide to cinema / by Ivor Montagu Harmondsworth, England: Penguin Books, 1964.
Call No: 62 MONAuthor: Montagu, Ivor Goldsmid Samuel, 1904 Source: USPlace: Harmondsworth, EnglandPublisher: Penguin BooksPubDate: 1964PhysDes: 327 pages : illustrations ; 18 cmSubject: AESTHETICS ; ART CINEMA ; BUDGETING ; CINEMATOGRAPHY ; EDITING ; INDUSTRY, FILM ; REALISM IN FILMS ; PRODUCTION COSTS ; SCIENCE AND THE CINEMA ; SOUND ; SPECIAL EFFECTS ; EISENSTEIN, SERGEI M. Summary: "At a moment when the cinema is struggling to escape from both the Hollywood blockbuster and the art form, FILM WORLD is a reminder of the true nature of cinema itself. In a personal survey of astonishing range and uncommon perception of Ivor Montagu shows us the facts of the film as art form, as undustry, and as a means of social communication. The four parts of the book - Film as Science, Film as Art, Film as Commodity, and Film as Vehicle - cover every aspect of the medium - its history, its resemblance to and difference from other arts, its aesthetic laws, the compound effects of sound and vision, the business side and in particular the inherent tendency towards monopoly." [Taken from book blurb]Notes: Contains indexLON: nla07041764; 6387892URL status: URL: 'http://-'
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Filming The Fight in Lumiere (May, 1973) iss.23 p.22
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Filmnews Index: 1975-82/1986-95
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book
Filmography : a filmography of Asian films and films about Asia / by Sylvie Shaw Canberra City Carlton, Vic.: Asian Studies Council Asialink, 1990.
Call No: REFERENCE SECTION; 023(5) SHAAuthor: Shaw, Sylvie CorpAuthor: Asialink; Asian Studies Council (Australia)Place: Canberra City Carlton, Vic.Publisher: Asian Studies Council AsialinkPubDate: 1990PhysDes: vii, 78 p. ; 30 cmSubject: FILMOGRAPHIES ; LITERATURE, FILM ; ASIAN COUNTRIES ; INDUSTRY, FILM. ASIAN COUNTRIES Notes: "The Visions of Asia filmography lists repositories of films and videos about Asia, Asian films and Australian films with an Asian component which are available right throughout the country."--from introduction; Cover title: Visions of Asia; "Asialink is a joint initiative of the Asian Studies Council, the Commission for the Future, and the Myer Foundation with the support of the Australian Bicentennial Multicultural Foundation."ISBN: 0642157723LON: 7580718Contents: Asia General -- China -- Hong Kong -- India -- Indo-China -- Indonesia -- Japan -- Korea -- Malaysia -- Philippines -- Singapore -- Taiwan -- Thailand -- Vietnam
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book
Films in 1951 : a special publication on British films and film-makers for the Festival of Britain London: Published by Sight & Sound for the British Film Institute, [1951].
Call No: 71(41) FILCorpAuthor: British Film InstituteSource: UKPlace: LondonPublisher: Published by Sight & Sound for the British Film InstitutePubDate: [1951]PhysDes: 72 p. illus. 28 cmSubject: RANK ORGANISATION ; CENSORSHIP. UK ; CHILDREN, FILMS FOR. UK ; SOCIETIES, FILM. UNITED KINGDOM ; AMATEUR FILMS. UK ; FESTIVALS. EDINBURGH ; EDUCATION, FILM. UK ; INDUSTRY, FILM. UK ; KORDA, ALEXANDER ; EALING STUDIOS ; REED, CAROL ; CLARKE, T E B ; CARDIFF, JACK ; HARRIS, JACK ; OLIVIER, LAURENCE ; ALWYN, WILLIAM ; HOBSON, VALERIE ; BALCON, MICHAEL ; Grierson, John Summary: Focuses on a number of different films, people, and areas within the British film industry at the time of publication.Notes: Includes list of film companies and studios -; Includes list of distribution and exhibition companies -; Includes list of production organisations -; Includes bibliography
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Films of change in Lumiere (December, 1973) iss.30 p.31-32
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Films of change in Lumiere (January/February, 1974) iss.31 p.33-34
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newspaper article
Films worth fighting for in Sydney Morning Herald [Letters] (19/12/2015) p.39
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journal article
Filmways appoints new Queensland manager in The Australasian Cinema (5/3/1982) vol.11 iss.3 p.2
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Filmways Brisbane up-grades in Australasian Cinema (27/8/1982) vol.11 iss.15 p.16
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Filmways on the move in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.4
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book
Final cut : dreams and disaster in the making of Heaven's Gate / by Steven Bach New York: William Morrow & Co., Inc., c1985.
Call No: 79HEA BACAuthor: Bach, Steven Source: USPlace: New YorkPublisher: William Morrow & Co., Inc.PubDate: c1985PhysDes: 432 pages ; 25 cmSubject: BUDGETING ; FINANCING ; BOX OFFICE ; INDUSTRY, FILM. USA ; STUDIOS, FILM. USA ; UNITED ARTISTS ; ALLEN, WOODY ; CIMINO, MICHAEL ; FIELD, DAVID ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; HEAVEN'S GATE (US, Michael Cimino, 1980) Summary: "HEAVEN'S GATE is probably the most discussed, least seen film in modern movie history. Its notoriety is so great that it has become a generic term for disaster, for ego run rampant, for epic mismanagement, for wanton extravagance. It was also the watershed film of the decade - not for its cinematic qualities, but for its effect on Hollywood and the way movies will and will not be made in the future. For Michael Cimino's HEAVEN'S GATE did not merely fail (failure is forgivable, sometimes even endorsed in the strange labyrinths of the Hollywood psyche), HEAVEN'S GATE did the unthinkable: it sank a studio. Less than a month after the picture's second release, United Artists - the company founded by Douglas Fairbanks, Mary Pickford, D.W. Griffith and Charlie Chaplin - for all practical purposes ceased to exist. Why? How?" [TAKEN FROM BOOK JACKET]Notes: Includes indexISBN: 0688043828Donation: Simon Wincer
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journal article
Final post-production of 'Careful, He Might Hear You' in Australasian Cinema (27/5/1983) vol.12 iss.9 p.8
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Five Oz films for Moscow fest. in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.1
Subject: WOMEN OF UTOPIA (AT, Keith Gow, 1984) ; SILVER CITY (AT, Sophia Turkiewicz, 1984) ; FOR LOVE ALONE (AT, Stephen Wallace, 1985) ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. USSR Summary: Article on five Australian films (inc. 'Light Industrial' and 'Strike Bound') are being screened at the XIV international film festival, Moscow, 28/6-12/7/1985
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Interim
book
Focus 1999 : world market trends / European Audiovisual Observatory Paris: European Audiovisual Observatory, 1999.
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Interim
book
Focus 2000 : world film market trends / European Audiovisual Observatory Paris: European Audiovisual Observatory, 2000.
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Interim
book
Focus 2002 : World film market trends. Tendances du marche mondial du film / Executive director Jerome Paillard France: Marche du film, European Audiovisual Observatory, 2002.
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book
Footnotes to the film / edited by Charles Davy London: Lovat Dickson Ltd, Readers' Union, 1938.
Call No: REFERENCE SECTION; 003 FOOAuthor: Davy, Charles Source: UKPlace: LondonPublisher: Lovat Dickson Ltd; Readers' UnionPubDate: 1938PhysDes: 334 p. : ill. ; 21 cmSubject: PRODUCTION ; INDUSTRY, FILM ; DIRECTION ; ACTING ; CINEMATOGRAPHY ; SCRIPTWRITING ; COMEDIES ; CARTOONS ; COSTUMES ; COSTUME DESIGNING ; SET DESIGNING ; SETS ; ART DIRECTION ; MUSIC IN FILMS ; COLOUR ; REALISM IN FILMS ; UNITED KINGDOM ; USA ; THEATRE AND THE CINEMA ; AUDIENCES ; CRITICISM ; CENSORSHIP ; SOCIETIES, FILM Notes: Includes contributor biographies and indexDonation: donated by the family of Wayne Levy, 2006Contents: Includes essays by Alfred Hitchcock, Robert Donat, Basil Wright, Graham Greene, Alberto Cavalcanti, John Betjeman, Maurice Jaubert, Paul Nash, John Grierson, Alexander Korda, Basil Dean, Maurice Kann, Elizabeth Bowen, Sidney L. Bernstein, Alistair Cooke, Forsyth Hardy, Charles Davy
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Fosse / Sam Wasson, author of Fifth Avenue, 5am Boston ; New York: Houghton Mifflin Harcourt, 2013.
Call No: 81FOS WASAuthor: Wasson, Sam Source: USPlace: Boston ; New YorkPublisher: Houghton Mifflin HarcourtPubDate: 2013PhysDes: 723 pages : illustrations ; 24 cmSubject: ACADEMY AWARDS ; BURLESQUE ; CHOREOGRAPHY ; CULTURE AND THE CINEMA. USA ; DANCE IN FILMS ; DIRECTORS ; INDUSTRY, FILM. USA ; MUSICALS. USA ; UNITED ARTISTS ; FOSSE, BOB ; ASTAIRE, FRED ; CHAYEFSKY, PADDY ; DREYFUSS, RICHARD ; HEIM, ALAN ; MINNELLI, LIZA ; SONDHEIM, STEPHEN ; ALL THAT JAZZ (US, Bob Fosse, 1979) ; CABARET (US, Bob Fosse, 1972) ; LENNY (US, Bob Fosse, 1974) ; NOTTI DI CABIRIA, LE (IT, Federico Fellini, 1957) ; ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970) ; STAR 80 (US, Bob Fosse, 1983) ; SWEET CHARITY (US, Bob Fosse, 1969) Summary: "We see Bob Fosse's legacy everywhere--from Broadway to "Billy Jean" to Beyonce;'s moves in the "Single Ladies" video. Yet in spite of Fosse's deep cultural significance, no biography has ever brought him fully to life, unveiling the man behind the bowler hat and the swaggering sex appeal. Now, acclaimed cultural historian Sam Wasson traces Fosse's numberless reinventions of himself over a career that would spawn The Pajama Game, Cabaret, Pippin, Chicago, All That Jazz, and other iconic works of art and earn him Tonys, Emmys, and an Oscar. Wasson traces not only Fosse's prodigious professional life, but his intense relationships with everyone from Liza Minnelli, Fred Astaire, and Neil Simon to Shirley MacLaine, Jessica Lange, and Dustin Hoffman. Through extensive interviews with collaborators and lovers and unprecedented access to Fosse's archives, Wasson also reveals the deep wounds that propelled his subject's excessive appetites--for spotlights, women, and life itself. In Fosse, Wasson's stylish, effervescent prose proves the ideal vehicle for reanimating Bob Fosse as he truly was--after hours, close up, and in vibrant color" -- FROM TROVENotes: Contains photos and indexISBN: 9780547553290
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Fox Columbia committed to future in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.2
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The Fox that got away : the last days of the Zanuck dynasty at Twentieth Century Fox / Stephen M. Silverman Secaucus, New Jersey: Lyle Stuart Inc., c1988.
Call No: 19TWE SILAuthor: Silverman, Stephen M. Source: USPlace: Secaucus, New JerseyPublisher: Lyle Stuart Inc.PubDate: c1988PhysDes: 356 pages : black and white illustrations ; 24 cmSubject: HISTORY OF CINEMA. 1960's ; HISTORY OF CINEMA. 1970's ; INDUSTRY, FILM. USA ; TWENTIETH CENTURY-FOX ; ZANUCK, DARRYL F. ; ZANUCK, RICHARD ; CLEOPATRA (US, Joseph L. Mankiewicz, 1963) Summary: "A powerful man and his determined son, an internationally famous dream factory where money is no object, and a battle between egos staged on the most lavish playgrounds in the world. This is the inside story of a family torn from within by greed, envy and a blind need to control. Movie mogul Darryl F. Zanuck believed that the kingdom he had built - 20th Century Fox - was impregnable to outside conquest. Little did he dream that the power who would eventually dethrone him in one of the nastiest battles in Hollywood history would be none other than his own son, Richard Zanuck. In the best Hollywood tradition, this drama was played out on a larger than life scale against a glamorous international setting. There is a cast of supporting players that formed a Zanuck coterie - from their innumerable "yes men" to the old man's many mistresses [...] THE FOX THAT GOT AWAY is filled with high drama. It is a story that will not be soon forgotten, and a look at the workings of an industry that never fails to fascinate." [Taken from book jacket]Notes: Includes bibliography and indexISBN: 081840485XDonation: Simon Wincer
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frances Pardell exits DDA to set up own company in Australasian Cinema (13/5/1983) vol.12 iss.8 p.4
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Frank Bitcher's 30yrs service to advertising industry in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.2
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Frank Poole joins IMC+Isram and Silverstein International in Australasian Cinema (22/7/1983) vol.12 iss.13 p.2
PhysDes: ArticleSubject: INDUSTRY, FILM. UK ; DISTRIBUTION Summary: Announcement of Frank Poole joining the IMC+Isram and Silverstein International companies in the United Kingdom.
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journal article
Fred Berry retires in The Australasian Cinema (5/3/1982) vol.11 iss.3 p.2
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Freddie Young, cameraman in Lumiere (September, 1972) iss.16 p.26-28
Author: Copping, Robin PhysDes: ArticleSubject: CAMERAS ; CINEMATOGRAPHY ; INDUSTRY, FILM. UK ; LIGHTING ; Lean, David ; YOUNG, FREDDIE ; ASPHYX, THE (UK, Peter Newbrook, 1973) ; [DOCTOR] DR ZHIVAGO (US, David Lean, 1965) ; LAWRENCE OF ARABIA (UK, David Lean, 1962) ; QUEEN OF DESTINY (UK, Herbert Wilcox, 1938) ; RYAN'S DAUGHTER (UK, David Lean, 1970) Summary: Interview with cameraman Freddie Young, second person ever to receive the Alfred Hitchcock award for outstanding achievements in film from the British Film Industry. He discusses his career and cinematographic techniques, and his working relationship with director David Lean
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Freelance gaffers - making light work in Encore (July 2000) vol.18 iss.6 p.28
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French Cinema in Wide Angle (1981) vol.4 iss.4 p.[whole issue]
Author: Lehmen, Peter PhysDes: ArticleSubject: INDUSTRY, FILM. FRANCE ; NOUVELLE VAGUE ; VARDA, AGNES ; RENOIR, JEAN ; CLOUZOT, HENRI-GEORGES Summary: Whole issue on French cinema, focusing on films by Renoir, Clouzot, Varda, the New Wave, and interviews with Truffaut and Victor Ancona.
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From Aboriginal Australia to German autumn : on the West German reception of thirteen films from Black Australia in Studies in Australasian cinema (2009) vol.3 iss.3 p.251-263
Author: Hurley, Andrew W PhysDes: ArticleSubject: ABORIGINAL AUSTRALIANS IN FILMS ; AUDIENCE RECEPTION ; GERMANY ; INDUSTRY, FILM. AUSTRALIA ; URAN GEHOERT DER REGENBOGENSCHLANGE, DAS (GW, Nina Gladitz, 1978) ; WO DIE GRUNEN AMEISEN TRAUMEN (GW, Werner Herzog, 1984) ; BIS ANS ENDE DER WELT (GG/FR/AT, Wim Wenders, 1991) Summary: This article examines some aspects of the West German reception of a series of Australian films about Aborigines including Peter Weir's The Last Wave (1977), Phillip Noyce's Backroads (1977) and Michael Edols' Lalai and Floating (1973 and 1975) which were shown in Germany and elsewhere in Europe in 1978 and 1979. It explains how these films came to be shown in Europe, how and why they caught the imagination of German reviewers and film-makers at the time, and how they themselves contributed to the begetting of several German films on Aboriginal themes including Nina Gladitz's documentary Das Uran gehrt der Regenbogenschlange (The Uranium Belongs to the Rainbow Serpent) (1979), Werner Herzog's Where the Green Ants Dream (1984) and Wim Wenders' Until the End of the World (1991).
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From Madea to media mogul : theorizing Tyler Perry / edited by TreaAndrea M. Russworm, Samantha N. Sheppard, and Karen M. Bowdre ; foreword by Eric Pierson Jackson, Mississippi: University Press of Mississippi, 2016.
Call No: 81PER FROAuthor: Russworm, TreaAndrea M. (editor) ; Sheppard, Samantha N. (editor) ; Bowdre, Karen M. (editor) Source: USPlace: Jackson, MississippiPublisher: University Press of MississippiPubDate: 2016PhysDes: xxxiv, 255 pages ; 24 cmSubject: ETHNIC GROUPS IN FILMS ; FILM ; INDUSTRY, FILM ; CRITICISM ; PERRY, TYLER Summary: "For over a decade Tyler Perry has been a lightning rod for both criticism and praise. To some he is most widely known for his drag performances as Madea, a self-proclaimed "mad black woman," not afraid to brandish a gun or a scalding pot of grits. But to others who watch the film industry, he is the businessman who by age thirty-six had sold more than $100 million in tickets, $30 million in videos, $20 million in merchandise, and was producing 300 projects each year viewed by 35,000 every week. Is the commercially successful African American actor, director, screenwriter, playwright, and producer "malt liquor for the masses," an "embarrassment to the race," or is he a genius who has directed the most culturally significant American melodramas since Douglas Sirk? Are his films and television shows even melodramas, or are they conservative Christian diatribes, cheeky camp, or social satires? Do Perry's flattened narratives and character tropes irresponsibly collapse important social discourses into one-dimensional tales that affirm the notion of a "post-racial" society? This volume makes the argument that Tyler Perry must be understood as a figure at the nexus of converging factors, cultural events, and historical traditions. The essays challenge value-judgment criticism and offer new insights on the industrial and formal qualities of Perry's work"-- LIBRARIES AUSTRALIANotes: Includes index; Includes bibliographical references and indexISBN: 9781496820174Contents: -- foreword - centrality / Eric Pierson -- acknowledgments -- introduction - respectability -- Media Studies Has Ninety-Nine Problems ... But Tyler Perry Ain't One of Them? / TreaAndrea M Russworm -- ch 1 Platforms -- "Tyler Perry Presents ...": The Cultural Projects, Partnerships, and Politics of Perry's Media Platforms / Samantha N Sheppard -- ch 2 Chitlin -- From the Margins to Center Stage: Tyler Perry's Popular African American Theatre / Rashida Z Shaw -- ch 3 Gospel -- Tyler Perry, T D Jakes, and the Birth of Gospel Cinema / Keith Corson -- ch 4 Affect -- Worship at the Altar of Perry: Spectatorship and the Aesthetics of Testimony / Brandeise Monk-Payton -- ch 5 Cinephilia -- "All My Life I Had to Fight": Domestic Trauma and Cinephilia in Tyler Perry's Archive of Feelings / Ben Raphael Sher -- ch 6 Disguise -- "Who I Am Is Conflicting with This Dress I Got On": Madea's Intimate Public and the Possibilities and Limitations of False Disguise / Rachel Jessica Daniel -- ch 7 Niche -- One Man Hollywood: The Decline of Black Creative Production in Post-Network Television / Aymar Jean Christian and Khadijah Costley White -- ch 8 Thirst -- Bring the Payne: The Erasure of the Black Sitcom and the Emergence of Tyler Perry's House of Payne / Artel Great -- ch 9 Exceptionalism -- Spike and Tyler's Beef: Blackness, Authenticity, and Discourses of Black Exceptionalism / Karen M Bowdre -- ch 10 Mogul -- The Case for Calling George Lucas the "White Tyler Perry" / Paul N Reinsch -- ch 11 Rebrand -- To Brand and Rebrand: Questioning the Futurity of Tyler Perry / Leah Aldridge -- epilgue Madea - Playing with the Changes / Miriam J Petty -- contributors -- index --
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From reel to unreal : Future opportunities for Australia's film, animation, special effects and electronic games industries / The Parliament of the Commonwealth of Australia Canberra, Australia: The Parliament of the Commonwealth of Australia, 2004.
Call No: 205.1(94) FROCorpAuthor: The Parliament of the Commonwealth of AustraliaPlace: Canberra, AustraliaPublisher: The Parliament of the Commonwealth of AustraliaPubDate: 2004PhysDes: 24 cm; 250 ppSubject: AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA : ACT ; ANIMATION. AUSTRALIA ; SPECIAL EFFECTS. AUSTRALIA ; VIDEO GAMES. AUSTRALIA ; DIGITAL TECHNOLOGY. AUSTRALIA ; INTERNET ; LABOUR. AUSTRALIA ; GOVERNMENT AID. AUSTRALIA ; GOVERNMENT CONTROL. AUSTRALIA Summary: This report, made to the House of Representatives Standing Committee on Communications, Information Technology and the Arts, is concerned with (a) the current size and scale of Australia’s film, animation, special effects and electronic games industries, (b) the economic, social and cultural benefits of these industries, (c) future opportunities for further growth of these industries, including through the application of advanced digital technologies, online interactivity and broadband, (d) the current and likely future infrastructure needs of these industries, including access to bandwidth, (e) the skills required to facilitate future growth in these industries and the wider cultural and information technology sectors; (g) how Australia’s capabilities in these industries, including in education and training, can be best leveraged to maximize export and investment opportunities, and (h) whether any changes should be made to existing government support programs to ensure they are aligned with the future opportunities and trends in these industries.Notes: Government reportISBN: 0642784698
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From the outback to the background : Indian films in Australia in Studies in Australasian cinema (2010) vol.4 iss.3 p.215-30
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Funky Bollywood : the wild world of 1970s Indian action cinema; a selective guide / by Todd Stadtman Godalming, Surrey: FAB Press,
Call No: 71(540) STAAuthor: Stadtman, Todd Edition: 2015Place: Godalming, SurreyPublisher: FAB PressPhysDes: 228 pages : illustrated ; 22 cmSubject: BOLLYWOOD ; INDIA ; INDUSTRY, FILM. INDIA ; POPULAR CULTURE AND THE CINEMA.INDIA ; SHOLAY (II, Ramesh Sippy, 1975) Summary: Despite the often stereotypical notions of Bollywood, it’s not all weddings, wet saris and running around trees. In the 1970s, Indian cinema gave birth to a new breed of action movie, one that combined its own exuberant traditions with foreign influences like the gritty urban crime thrillers of the New Hollywood, Hong Kong martial arts cinema, and Italian exploitation fare.
This was the domain of hard fighting he-men stars like Amitabh Bachchan, Dharmendra and Feroz Khan and badass, whip-wielding heroines played by the likes of the gorgeous Zeenat Aman, Hema Malini, and Rekha.
Let world cult cinema fanatic Todd Stadtman be your guide through this world of karate killers, femme fatales, space age lairs, bombshells and booby traps with Funky Bollywood, a book with an attitude as freewheeling and feisty as its subject matter, bursting with colour and imagination on every vibrant page! -- publisher's web siteISBN: 9781903254776
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Future of Aust. film production in Australasian Cinema (Friday, 21-27/6/1985) vol.14 iss.10 p.3
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G.U.O. managing director heads citizens' committee to farewell prominent banking personalities in Australasian Cinema (Thursday, 31/10/1974) vol.2 iss.21 p.2
Subject: INDUSTRY, FILM. AUSTRALIA Summary: Article on the reirement of T. C. J. Caldwell, State manager for N.S.W. of the Australian and New Zealand Banking Group
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Genius in the Shadows in Lumiere (September 1972) iss.16 p.20-21
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Interim
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Genre and contemporary Hollywood / Edited by Steve Neale London: bfi Publishing, 2002.
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George Cukor wins highest French honor in The Australasian Cinema (5/3/1982) vol.11 iss.3 p.2
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George Till to retire in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.6
Subject: INDUSTRY, FILM. AUSTRALIA Summary: Announcement of the retirement of George Till, theatre manager for Birch, Carrol & Coyle, and member of the Management Committee.
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The German Undergound in Lumiere (September-October 1971) iss.11 p.37-39
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Yet to catalogue
book
Get the picture : essential data on Australian film, television and video / compiled and edited by Peta Spear North Sydney: The Commission, 1989.
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Yet to catalogue
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Get the picture : essential data on Australian film, television and video Sydney: Australian Film Commission, 1994.
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Yet to catalogue
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Get the picture : essential data on Australian film, television and video / Australian Film Commission Sydney: Australian Film Commission, 1992.
Call No: 201(94) AUSAuthor: Australian Film Commission Edition: 2nd edSource: AUPlace: SydneyPublisher: Australian Film CommissionPubDate: 1992PhysDes: 219 p. : ill. ; 25 cmSubject: ADVERTISING FOR FILMS ; AUDIENCES. AUSTRALIA ; DISTRIBUTION. AUSTRALIA ; FILM STUDY AND RESEARCH. AUSTRALIA ; FUNDING. AUSTRALIA ; LABOUR ; INDUSTRY, FILM. AUSTRALIA ; PRODUCTION Summary: "The aim of GET THE PICTURE is to collate data on the Australian film, television and video industries to assist in the analysis, research, and promotion of these industries. This edition continues the project of the first edition with sections on the production and international distribution of Australian films/programs. Description of key events in the industries in 1991, and an overview of reviews of Australian films, have been added." [Taken from Introduction]Notes: Addenda laid in; Includes bibliographical references (p. 198-216) and indexISBN: 064217475XLON: abn92098202; 8924673
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Get the picture : essential data on Australian film, television, video and new media / Australian Film Commission, [edited by Rosemary Curtis and Cathy Gray] Sydney: Australian Film Commission, 1998.
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Get the picture : essential data on Australian film, television, video and interactive media / edited by Cathy Gray and Rosemary Curtis Sydney: Australian Film Commission, c2002.
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journal article
Getting a grip in Encore (July 2000) vol.18 iss.6 p.32
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Gianni Masotto exclusive to Dennis Davidson Assoc. in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.5
Subject: INDUSTRY, FILM Summary: Article on Gianni Masotto now working as an international marketing consultant
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Gibson back in director's role in The Age [Arts & Entertainment] (1/10/2015) p.20
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Giving protectionism the flicks in Sun Herald [Extra] (08/03/2015) p.28
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Glamour and glitter for Gold Coast premiere of film classic in Australasian Cinema (18/6/1982) vol.11 iss.10 p.7
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Glittering "Meggs" Melbourne premiere in Australasian Cinema (11/2/1983) vol.12 iss.2 p.3
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A glittering night to celebrate the World Premiere of John Duigan's "Far East" : A romantic thriller starring Bryan Brown and Helen Morse in Australasian Cinema (6/8/1982) vol.11 iss.14 p.3
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Global Chinese cinema : the culture and politics of Hero / edited by Gary D. Rawnsley and Ming-Yeh T. Rawnsley Oxon: Routledge, 2010.
Call No: 79HER GLOSource: UKPlace: OxonPublisher: RoutledgePubDate: 2010PhysDes: xxvi, 226 p. ; 25 cmSeries: Routledge Media, Culture and Social Change in AsiaSubject: CITY OF SADNESS, A [ ; INDUSTRY, FILM. CHINA ; LEUNG, TONY ; YIMOU, ZHANG ; YING XIONG (HK/C, Yimou Zhang, 2002) ; HERO (HK/C, Yimou Zhang, 2002) ISBN: 97880415453158Donation: donated by Stephanie Hemelryk Donald, 2010Contents: Changing discourse of national identities and heroism. The political narrative(s) of Hero / GARY D. RAWNSLEY
Recycled heroes, invented tradition and transformed identity / YINGJIE GUO
The emperor and the assassin: China's national Hero and the myth of state origins / YIYAN WANG
The king, the musician and the village idiot: images of manhood / KAM LOUIE
Transformations of cultural perception, genre and stardom. Twenty-first century women warriors: variations on a traditional theme / LOUISE EDWARDS
On "Tian Xia (All under heaven)" in Zhang Yimou's Hero / XIZOMING CHEN and MING-YEH T. RAWNSLEY
Hero: rewriting the Chinese martial arts film genre / HAIZHOU WANG AND MING-YEH T. RAWNSLEY
"Would you rather spend more time making serious cinema?": Hero and Tony Leung's polysemic masculinity / MARK GALLAGHER
Fifteen minutes of fame: transient/transnational female stardom in Hero / OLIVIA KHOO
Local vs. global: deconstructing global Chinese blockbusters. Camp pleasure in an era of Chinese blockbusters: internet reception of Hero in mainland China / SABRINA QIONG YU
North American reception of Zhang Yimou's Hero / WENDY LARSON
Heroic music: from Hunan to Hollywood and back / KATY GOW
Visual effects magic: Hero's Sydney connection / MARY FARQUHAR
Towards a global blockbuster: the political economy of Hero's nationalism / ANTHONY FUNG AND JOSEPH M. CHAN.
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Global Hollywood / Toby Miller ... [et al.]. London: bfi Publishing, 2001.
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Global Hollywood 2 / Toby Miller...[et al.] London: British Film Institute, 2005.
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Golden role could be the big break for Lowe in The Australian [Arts & Entertainment] (11/03/2015) p.15
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIAAuthor: Bodey, Michael PhysDes: Clippings File ArticleSubject: INDUSTRY, FILM. AUSTRALIA Summary: Sophie Lowe to star in 'Waiting for the Miracle to Come'.; Australian box office; 'Plonk to be shown on video on demand service, Stan; Brief program included for theis years Australian Directors Guild Awards.; Sony has announced the establisment of Ghost Corps, a collective headed by original Ghostbusters director Ivan Reitman and Dan Aykroyd.
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Goldman appt'd. VP and GSM, Embassy Pics. in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.18
PhysDes: ArticleSubject: EMBASSY ROADSHOW ; INDUSTRY, FILM Summary: Announcement of Mitchell Goldman becoming the Vice President, General Sales Manager at Embassy Pictures
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Goods and services to be taxed? Feds vs. Trade Unions in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.1
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Government assistance aims at increasing quality films in Australasian Cinema (Friday, 2/9/1983) vol.12 iss.16 p.1
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Government reaffirms pledge to Oz film industry in Australasian Cinema (15/4/1983) vol.12 iss.6 p.4
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Grandfather's films prompts Vanessa Redgrace's support in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.3
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The great audience / by Gilbert Seldes Westport, Conn: Greenwood Press, [1970, c1950].
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The Great Wall in Sydney Morning Herald [Spectrum] (3/10/2015) p.14
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. CHINAAuthor: Byrnes, Paul PhysDes: Clippings File ArticleSubject: INDUSTRY, FILM. CHINA Summary: An article reporting on the increase of Chinese movie market.
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Greater Union Film Distributors in Australasian Cinema (29/10/1982) vol.11 iss.19 p.11
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Green light for film investors in Australasian Cinema (10/6/1983) vol.12 iss.10 p.1
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Greg Lynch Film Distrib's apptd. N.Z. agent in Australasian Cinema (10/9/1982) vol.11 iss.16 p.1
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"Gregory's Girl" sets records in Australasian Cinema (25/6/1982) vol.11 iss.11 p.1
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The gross : the hits, the flops - the summer that ate Hollywood / Peter Bart New York: St. Martin's Griffin, February 2000.
Call No: 210.31(73) BARAuthor: Bart, Peter Edition: First EditionSource: USPlace: New YorkPublisher: St. Martin's GriffinPubDate: February 2000PhysDes: 337 p. ; 24 cmSubject: BART, PETER ; INDUSTRY, FILM. USA ; BOX OFFICE. USA ; STUDIOS, FILM. USA ; PARAMOUNT STUDIOS ; TWENTIETH CENTURY-FOX ; SONY CORPORATION ; WARNER BROS. ; UNIVERSAL PICTURES ; SPIELBERG, STEVEN ; ARMAGEDDON (US, Michael Bay, 1998) ; BULWORTH (US, Warren Beatty, 1998) ; DEEP IMPACT (US, Mimi Leder, 1997) ; HORSE WHISPERER, THE (US, Robert Redford, 1998) ; LETHAL WEAPON 4 (US, Richard Donner, 1998) ; MASK OF ZORRO (US, Martin Campbell, 1998) ; MULAN (US, Barry Cook & Tony Bancroft, 1998) ; OUT OF SIGHT (US, Steven Soderbergh, 1998) ; SMALL SOLDIERS (US, Joe Dante, 1998) ; SAVING PRIVATE RYAN (US, Steven Spielberg, 1998) ; SIX DAYS, SEVEN NIGHTS (US, Ivan Reitman, 1998) ; GODZILLA (US/JA, Roland Emmerich, 1998) ; THERE'S SOMETHING ABOUT MARY (US, Bobby Farrelly & Peter Farrelly, 1998) Notes: A behind-the-scenes tour of Hollywood during its busiest season - where big-budget blockbusters can make or break a studio, and summer sleepers sneak onto the radar.--BOOK BLURBISBN: 0312253915
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The Guardian international film guide 2005 : the definitive annual review of world cinema / edited by Daniel Rosenthal; founding editor Peter Cowie London: Button, 2005.
Call No: REFERENCE SECTION; 058 INT "2005"Edition: 42nd ed.Place: LondonPublisher: ButtonPubDate: 2005PhysDes: 432 p. : col. ill. ; 24 cm.Subject: PERIODICALS, FILM ; INDUSTRY, FILM ; DOCUMENTARIES ; KI-DUK, KIM ; LEIGH, MIKE ; MORRIS, ERROL ; PAYNE, ALEXANDER ; ZELENKA, PETR Summary: Includes articles on directors of the year, features on documentary cinema, a round-up of DVDs and books, a survey of film production in each country, and directories of festivals and organisations around the world.Notes: Other title: International film guide 2005ISBN: 0954876601
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Guide to filming in Hong Kong / produced bby the Film Services Office of the television and Entertainment Licencing Authority Hong Kong: Film Services Office, 1999.
Call No: 201(512.317) GUICorpAuthor: Film Services OfficeEdition: 1999 ed.Place: Hong KongPublisher: Film Services OfficePubDate: 1999Subject: INDUSTRY, FILM. HONG KONG
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Guilds suggest new model in Encore (12 Feb, 1999) vol.17 iss.2 p.16
PhysDes: ArticleSubject: AUSTRALIAN FILM COMMISSION ; GOVERNMENT AID. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA Summary: Condensed version of a paper written on behalf of the Australian Writers' Guild, SPAA, ASDA and MEAA by Karin Altmann, Michael Brindley and Deborah Parsons and presented to the Dept of Communication & the Arts in 1998. It outlines recommendations for changing government policy on development funding for screen projects, particularly in relation to the role of the Australian Film Commission.
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Hands on : A practical guide to production and technology in film, TV and new media / Marcus Gillezeau Sydney: Currency Press, 2004.
Call No: 222(94) GILAuthor: Marcus Gillezeau Place: SydneyPublisher: Currency PressPubDate: 2004PhysDes: 340 p ; 21 cmSubject: PRODUCTION ; PRODUCTION COSTS ; PRODUCTION TECHNOLOGY ; PRODUCTION, TV. AUSTRALIA ; PRODUCTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; FINANCING. AUSTRALIA ; TECHNOLOGY AND THE CINEMA. AUSTRALIA ; PRE-PRODUCTION. AUSTRALIA ; ADVERTISING FOR FILMS. AUSTRALIA ; DISTRIBUTION. AUSTRALIA Summary: Written specifically for the Australian industry, Hands On is an essential guide to the latest film, video and new-media technology. Hands On defines a cyclical production model that empowers the film-maker and saves time and money. From conception to financing, choosing a screen ratio, a camera or a lawyer, delivering over the web, TV or the cinema, Hands On helps emerging and established practitioners to make informed decisions. This book features budgets, illustrations, charts and a glossary. It also inludes a comprehensive list of industry associations and government bodies with their full contact details. [Taken from back cover].ISBN: 0868196827
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The hard copy Woolloongabba, Qld: QPIX, 2007-.
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Harold Evans appointed to board of Goldcrest in Australasian Cinema (27/8/1982) vol.11 iss.15 p.16
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Has the industry stabalised? in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.6
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"Heidi's Song" joins favourites in Australasian Cinema (28/1/1983) vol.12 iss.1 p.6
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Hello, he lied : and other truths from the Hollywood trenches / Lynda Obst Pymble, N.S.W.: HarperCollins, 1997.
Call No: 81OBS OBSAuthor: Obst, Lynda Rosen Place: Pymble, N.S.W.Publisher: HarperCollinsPubDate: 1997PhysDes: x, 246 p., [8] p. of plates : ill. ; 24 cmSubject: INDUSTRY, FILM. USA ; PRODUCERS ; PRODUCING ; STUDIOS, FILM. USA ; OBST, LYNDA ; BAD GIRLS (US, Jonathan Kaplan, 1994) ; CONTACT (US, Robert Zemeckis, 1997) ; FISHER KING, THE (US, Terry Gilliam, 1991) ; SLEEPLESS IN SEATTLE (US, Nora Ephron, 1993) Summary: Welcome to the world of Hollywood - a constantly spinning cyclone of glamour, money, and gossip where there is no glossary and people play by rules discernible only to those on the inside. It is a world that Lynda Obst, one of the most successful producers in Hollywood today, entered two decades ago as a neophyte and where through resolve, determination, and quick wit, she has been able to produce some of today's biggest movies, including The Fisher King and Sleepless in Seattle.
Now in Hello, He Lied, Lynda Obst takes us on a behind-the-scenes tour of her world - onto sound stages with Tom Hanks and Meg Ryan, inside meetings with David Geffen and Peter Guber, on location in New York City with George Clooney and Michelle Pfeiffer, and into negotiations over The Hot Zones. She shares what she has learned in over twenty years in the business, about how to pitch an idea, impress a suit, win a bidding war over a hot script, and massage egos, as well as the all consuming issue of how to dress on location, what to say to skittish directors, where to eat lunch - whether in New York, LA, or a town you've never heard of - and most important, how to produce successful, critically acclaimed movies.Notes: First published: Boston : Little, Brown, c1996ISBN: 0732258618 : $16.95LON: abn97006410; 12942780
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Heston on video threat in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2
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Hethaer Carney apptd. Qld. manager, Palace Home Video in Australasian Cinema (Friday, 26/10/1984) vol.13 iss.18 p.2
Subject: INDUSTRY, FILM. AUSTRALIA Summary: Announcement of Heather Carney's promotion to manager of Queensland's Palace Home Video
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Hey Dahl, it's a family thing in Sunday Age (4/10/2015) p.4
Call No: SUBJECT CLIPPINGS FILE; SCREEN AUSTRALIAAuthor: Quinn, Karl PhysDes: Clippings File ArticleSubject: SCREEN AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA Summary: Screen Australia is calling out for Australian film makers to submit ideas for a live-action film costing under $7 million.
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Hidden dragon out of the shadows : The Chinese are building another great wall-this time in cinema-and Hollywood is starting to take notice in Canberra Times [Panorama] (3/10/2015) p.19
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. CHINAAuthor: Byrnes, Paul PhysDes: Clippings File ArticleSubject: INDUSTRY, FILM. CHINA Summary: An article about the rise of the Chinese film market and box office.
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High Goon On The Sunstruck Set... in Lumiere (December, 1972) iss.19 p.8-9
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High time local movie industry reflected our culture in Sun Herald (29/10/2017) p.19
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIAAuthor: Hornery, Andrew PhysDes: Clippings File ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; CULTURE AND THE CINEMA. AUSTRALIA ; AUSTRALIANS OVERSEAS Summary: We have much to be proud of when it comes to the 'gumnut mafia' that has so comprehensively conquered Hollywood ever since Nicole Kidman still had freckles and frizzy hair. Today 'our Nic' is aged 50 and enjoying one of the most successful chapters of her career, but for all our Oscars, Golden Globes and success in Hollywood, the Australian film industry has lost a little more than a few freckles along the way.
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Hire purpose for 2000 : feature - travel, transport & hire in Encore (June 2000) vol.18 iss.5 p.32,34
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Historicizing transition in Australian cinema: the moment of Emerald city in Studies in Australasian cinema (2007) vol.1 iss.1 p.29-46
Author: Craven, Ian PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; FINANCING. AUSTRALIA ; AUSTRALIAN FILM FINANCE CORPORATION ; EMERALD CITY (AT, Michael Jenkins, 1988) Summary: This article maps a series of connections between the feature film Emerald city (1988) and a range of contexts seens as informing its generation, operation and reception. Emphasis is placed upon the synchronicity of the movie's appearance with key shifts in government film policy, and the emergence of new critical paradigms within the academy, which reorganized dominany understandings of Australian cinema, and questioned the cultural value assigned to particular works and genres. Through this ' conjectural' analysis, Emerald city is reread as not only a symptomatic work, marking transitions between 'new wave' films-making and the 'post-national' cinema of the 1990s, but is re-evaluated as a significant film, provocative of fresh approaches to both the historiography and practical management of Australian cinema, detectable within more recent archaeologies of screen 'content' and the rhetorics of film policy formulated in its wake'--Abstract
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The history of the British film 1929-1939 : film making in 1930s Britain / Rachael Low London Sydney: George Allen & Unwin, 1985.
Call No: 71(41) LOWAuthor: Low, Rachael CorpAuthor: British Film InstitutePlace: London SydneyPublisher: George Allen & UnwinPubDate: 1985PhysDes: xv, 452 p. : ill. ; 25cmSubject: INDUSTRY, FILM. UK ; HISTORY OF CINEMA. 1930's ; CENSORSHIP. UK ; QUOTA. EUROPEAN COUNTRIES Notes: Spine title: Film making in 1930s Britain; Published in association with the British Film Institute; Ill on lining papers; Bibliography: p282. - List of films : p287-413. - Includes indexISBN: 0047910429LON: bnb04791042; 3712956
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Holding hands again across the Tasman in Encore (May 2000) vol.18 iss.4 p.13
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Hollywood : the haunted house / by Paul Mayersberg London: Penguin, 1967.
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Hollywood : the haunted house / Paul Mayersberg Harmondsworth: Penguin Books, 1969.
Call No: New Holdings ShelvesAuthor: Mayersberg, Paul Source: UKPlace: HarmondsworthPublisher: Penguin BooksPubDate: 1969PhysDes: 172 p ; 18 cmSubject: INDUSTRY, FILM. USA ; HISTORY OF CINEMA. 1960's ; FILM WORKERS ; BROOKS, RICHARD ; CUKOR, GEORGE ; DAVES, DELMER ; HITCHCOCK, ALFRED ; KRAMER, STANLEY ; STURGES, JOHN Summary: This book by a young British critic is an experience of Hollywood today, and an inside account of the process of modern film-making - how Hollywood movies are planned, financed, written, directed, shot, cut and publicized... -- Book coverNotes: Includes bibliographyDonation: donated by the family of Wayne Levy, 2006Contents: 1. The haunted house -- 2. The big break -- 3. Above and below the thin red line -- 4. The wench is dead -- 5. The world's greatest train set -- 6. The great rewrite -- 7. The conscience of the crowd -- 8. The formula for failure -- 9. The paper cup -- 10. Epilogue
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Hollywood 1938 : motion pictures' greatest year / by Catherine Jurca Berkeley: University of California Press, c2012.
Call No: 71(73) "1938" JURAuthor: Jurca, Catherine Source: USPlace: BerkeleyPublisher: University of California PressPubDate: c2012PhysDes: x, 272 p. : ill. ; 23 cmSubject: USA ; USA. 1930's ; INDUSTRY, FILM. USA ; FILM ; HISTORY OF CINEMA. 1930's ; [FOUR] 4 DAUGHTERS (US, Michael Curtiz, 1938 ; BOYS TOWN (US, Norman Taurog, 1938) ; YOU CAN'T TAKE IT WITH YOU (US, Frank Capra, 1938) ; MARIE ANTOINETTE (US, W.S. Van Dyke, 1938) Summary: "In Hollywood 1938, Catherine Jurca brings to light a tumultuous year of crisis that has been neglected in histories of the studio era. With attendance in decline, negative publicity about stars who were "poison at the box office", and a spate of bad films, industry executives decided that the public was fed up with the movies. Jurca describes their desperate attempt to win back audiences by launching Motion Pictures' Greatest Year, a massive, and unsuccessful, public relations campaign conducted in theaters and newspapers across North America. Drawing on the records of studio personnel, independent exhibitors, movie-goers, and the motion pictures themselves, she analyzes what was wrong - and right - with Hollywood at the end of a heralded decade and how the industry's troubles changed the making and marketing of films in 1938 and beyond." -- BOOK BLURBNotes: Formerly CIP; "Fletcher Jones Foundation humanities imprint"; Includes bibliographical references (p. 231-261), index and filmographyISBN: 9780520271807Donation: Donated by Senses of CInema, 2013Contents: -- list of illustrations -- acknowledgments -- Introduction: Hollywood looks at its audience -- The campaign -- Annus horribilis -- Goldwyn's folly -- Such a thing as bad publicity -- The moviegoing habit -- Exhibitors, the movie quiz contest, and a divided industry -- the minds of exhibitors -- The carrot and the stick -- The quiz contest on the ground -- What the contest did for me -- Independents rebel -- The campaign and the press -- The film industry speaks its mind -- Marginal moviegoers -- The gossip columnists -- The dailies have their say -- The films -- "The finest array of productions" -- Ninety-four films -- The death of glamour -- Human films -- The human side of screwball -- You can't take it with you -- Four daughters -- Boys town -- Marie Antoinette -- That's entertainment -- The fourth estate -- Conclusion: motion pictures' worst year -- appendix 1 -- appendix 2 -- notes -- index --
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Hollywood a go-go : the true story of the Cannon film empire / Andrew Yule London: Sphere Books, 1987.
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Hollywood breakfasts with Australia in Encore (July 2000) vol.18 iss.6 p.14-15
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Hollywood by starlight / by R.J. Minney London: Chapman & Hall, 1935.
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Hollywood economics : how extreme uncertainty shapes the film industry / Arthur De Vany New York: Routledge, 2005.
Call No: 203 DEVAuthor: De Vany, Arthur Source: UK/USPlace: London; New YorkPublisher: RoutledgePubDate: 2005PhysDes: 308 p. : 23 cm.Series: Contemporary Political EconomySubject: ECONOMICS AND THE CINEMA. USA ; BUSINESS AND THE CINEMA ; GLOBALISATION ; INDUSTRY, FILM ; DE VANEY, ARTHUR Summary: Just how risky is the movie industry? Is screenwriter William Goldman’s claim that “nobody knows anything” really true? Can a star and a big opening change a movie’s risks and return? Do studio executives really earn their huge paychecks? These and many other questions are answered in Hollywood Economics. The book uses powerful analytical models to uncover the wild uncertainty that shapes the industry. The centerpiece of the analysis is the unpredictable and often chaotic dynamic behavior of motion picture audiences. This unique and important book will be of interest to students and researchers involved in the economics of movies, industrial economics and business studies. The book will also be a real eye-opener for film-writers, movie executives, finance and risk management professionals as well as more general movie fans. [Taken from first page of book.]ISBN: 9780415312615
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The Hollywood film industry : a reader / edited by Paul Kerr London New York: Routledge & Kegan Paul in association with the British Film Institute, 1986.
Call No: 71(73) HOLAuthor: Kerr, Paul CorpAuthor: British Film InstitutePlace: London New YorkPublisher: Routledge & Kegan Paul in association with the British Film InstitutePubDate: 1986PhysDes: x, 290 p. ; 22 cmSeries: British Film Institute readers in film studiesSubject: USA ; INDUSTRY, FILM. USA ; STAR SYSTEM Notes: Includes index; Bibliography: p. [276]-283ISBN: 0710097301 (pbk.) : ª7.95 ($14.95 U.S.)LON: 4319087
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Hollywood goes to war : how politics, profits and propaganda shaped World War II movies / Clayton R. Koppes and Gregory D. Black London: I.B. Tauris, 1987.
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Hollywood here, there and everywhere in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.22
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Hollywood here, there and everywhere in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.6
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Hollywood here, there and everywhere in Australasian Cinema (Friday, 21-27/6/1985) vol.14 iss.10 p.7
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Hollywood here, there and everywhere in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.7
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Hollywood here, there and everywhere in Australasian Cinema (Friday, 30/11/1984) vol.13 iss.20 p.4
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Hollywood in the information age : beyond the silver screen / Janet Wasko Cambridge, U.K.: Polity Press, 1994.
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Hollywood in the new millenium / Balio, Tino London: Palgrave macmillan [on behalf of the] bfi, 2013.
Call No: 203(73) BALAuthor: Balio, Tino Edition: 2013Place: LondonPublisher: Palgrave macmillan [on behalf of the] bfiPubDate: 2013PhysDes: 184 p. ; 24 cmSeries: International Screen IndustriesSubject: INDUSTRY, FILM. USA Summary: Hollywood is facing unprecedented challenges – and is changing rapidly and radically as a result. In this major new study of the contemporary film industry, leading film historian Tino Balio explores the impact of the Internet, declining DVD sales and changing consumer spending habits on the way Hollywood conducts its business. Today, the major studios play an insignificant role in the bottom lines of their conglomerate parents and have fled to safety, relying on big-budget tentpoles, franchises and family films to reach their target audiences. Comprehensive, compelling and filled with engaging case studies (TimeWarner, DreamWorks SKG, Spider Man, The Lord of the Rings, IMAX, Netflix, Miramax, Sony Pictures Classics, Lionsgate and Sundance), Hollywood in the New Millennium is a must-read for all students of film studies, cinema studies, media studies, communication studies, and radio and television. -- publisher's blurbContents: Introduction
1 Mergers and Acquisitions: The Quest for Synergy
2 Production: Tentpoles and Franchises
3 Distribution: Open Wide
4 Exhibition: Upgrading Moviegoing
5 Ancillary Markets: Shattered Windows
6 Independents: 'To the Rear and Back End'
Conclusion
References and Further Reading
Index
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Hollywood now / William Fadiman; foreword by Irving Wallace New York: Liveright, 1972.
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The Hollywood reporter book of box office hits / Susan Sackett New York: Billboard Books, 1990.
Call No: REFERENCE SECTION; 03 SAC REFAuthor: Sackett, Susan Place: New YorkPublisher: Billboard BooksPubDate: 1990PhysDes: 365 p. : ill. ; 24 cmSubject: BOX OFFICE. USA ; INDUSTRY, FILM. USA Summary: Updated through to 1995, this compendium presents Hollywood's most popular movies since 1939 - the most successful films of each year, ranked according to their box office earnings. Film and box office statistics, credits and background information are included.Notes: Includes bibliographical references (p. 353-354) and indexISBN: 0823075494 : $19.95LON: 89048076; 6850722
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The Hollywood Reporter. Hollywood 100 Years in The Hollywood Reporter (03/03/1987) vol.296 iss.10 p.S1-S140
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Hollywood's overseas campaign : the North Atlantic movie trade, 1920-1950 / Ian Jarvie New York, N.Y.: Cambridge University Press, 1992.
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The Hollywood sequel : history & form, 1911 - 2010 / Stuart Henderson Houndmills, Basingstoke, Hampshire New York, NY: Palgrave Macmillan on behalf of the British Film Institute, 2014.
Call No: 753.83(73) HENAuthor: Henderson, Stuart Source: US/UKPlace: Houndmills, Basingstoke, Hampshire New York, NYPublisher: Palgrave Macmillan on behalf of the British Film InstitutePubDate: 2014PhysDes: viii, 220 pages : illustrations ; 24 cmSubject: SEQUELS ; INDUSTRY, FILM. USA ; STARS ; GENRES ; NARRATIVE IN FILMS ; INTERTEXUALITY ; TARZAN IN FILMS Summary: "This illuminating study charts the changing role of the Hollywood film sequel over the past century. Considering a range of sequels in their industrial, historical and aesthetic contexts, from The Son of a Sheik (1926) to Toy Story 3 (2010), this book provides a comprehensive history of this critically-neglected yet commercially-dominant art form"--Notes: A BFI book.
Formerly CIP.
Includes bibliographical references (pages 204-207) and indexISBN: 9781844576524Contents: 'Here we go again ... and again' : introducing the Hollywood sequel -- Early sequels, 1911-28 -- Sequels in the factory, 1929-54 -- The uncertainty principles, 1955-77 -- 4. The end is just the beginning, 1978-2010 -- No end in sight : the classical narrative paradigm and the sequel -- The McClane principle : intertextuality, stardom and character in the sequel -- A formula of formula : genre and the aequel -- Conclusion : the Hollywood sequel : a story complete in itself
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Hollywood, the dream factory : an anthropologist looks at the movie-makers / by Hortense Powdermaker Boston MA: Little Brown & Co., 1951.
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Hopes of local film-makers are all chained up in Australian Financial Review (15/06/1972) p.13
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIAAuthor: McGuinness, P. P. PhysDes: Clippings File ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; EXHIBITION. AUSTRALIA ; NEW SOUTH WALES THEATRES AND FILM COMMISSION Summary: Second in a series of articles looking at the state of the Australian film industry in 1972. Arguement here is that the exhibition of films in Australia are linked to two major companies, Hoyts and Greater Union, and this is stifiling the development of Australian film production. Includes close examination of the NSW Theatres and Films CommissionNotes: located in the INDUSTRY, FILM. AUSTRALIA. 1972 clippings file
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How to sell your film in Lumiere (August, 1973) iss.26 p.14-16
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How to, where to : How to do an arts project, where to get help / Australia Council Sydney, NSW: Australia Council, 2004.
Call No: 209 HOWAuthor: Byron, Paul ; Curry, Ben ; Eltham, Ben ; Foong, Rowena ; Frost, Damien ; Healy, Sean ; Katz, Lally ; Kulbicki, Michal ; Kukuchka, Susan ; O'Reilly, Rachel ; Terry, Louise ; Westbury, Marcus CorpAuthor: Australia CouncilSource: Australia CouncilPlace: Sydney, NSWPublisher: Australia CouncilPubDate: 2004PhysDes: 174 p ; 21 cmSubject: INDUSTRY, FILM. AUSTRALIA ; EXHIBITION. AUSTRALIA ; LABOUR Summary: How to do an arts project, where to get help (H2W2- How to, Where to) is the perfect toolkit, providing the absolute lowdown on getting projects up and running. It has advice on everything from the initial flash of inspiration to taking the final bow and all tricky bits in between. The H2W2 guide is practical and action-driven, showing young people how to develop their ideas, manage projects well and move on to the next one. It has lists of contacts for advice and help, and it will assist young people develop skills to be a manager, artistic director, negotiator, public relations officer and fundraiser.ISBN: 1920784225
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Howard Eden leaves Hoyts, John Cronin appointed S.A. state manager in Australasian Cinema (15/7/1983) vol.12 iss.12 p.12
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Hoyts new cinema for Hobart in Australasian Cinema (27/8/1982) vol.11 iss.15 p.16
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Hoyts Theatres National Conference underscores diversity for major Australian cinema chain in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.4-5
PhysDes: ArticleSubject: HOYTS ; INDUSTRY, FILM. AUSTRALIA Summary: Brief report on the 1983 National Conference of Hoyts Theatres Pty. Ltd. whose central themes were diversity in product and expansion into other film-related revenues. Numerous photographs accompany the article.
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Hoyts to expand in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.4
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"Huon Cry" for Cannes in Australasian Cinema (15/4/1983) vol.12 iss.6 p.13
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The IFTC directory of international film and television organisations and their national branches / International Film and Television Council London: Film Centre, 1964.
Call No: 058.7 IFTCCorpAuthor: International Film and Television CouncilPlace: LondonPublisher: Film CentrePubDate: 1964PhysDes: 210 p. ; 24 cmSubject: INDUSTRY, FILM ; INDUSTRY, TV. Language: English / French bilingual
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The image / Daniel J. Boorstin Harmondsworth, Middlesex: Penguin, 1961.
Call No: 401 BOOAuthor: Boorstin, Daniel J. Source: UKPlace: Harmondsworth, MiddlesexPublisher: PenguinPubDate: 1961PhysDes: 314 p. ; 19 cmSubject: INDUSTRY, FILM. USA ; INDUSTRY, TV. USA Summary: Study on the fabrication in media and entertainment in America.Notes: Includes indexLanguage: English
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In a haze of indifference, distribution runs the industry into a cul de sac in Australian Financial Review (13/06/1972) p.19
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIAAuthor: McGuinness, P. P. PhysDes: Clippings File ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; DISTRIBUTION. AUSTRALIA ; EXHIBITION. AUSTRALIA Summary: First of a series of articles looking at the state of the Australian film industry in 1972. Focus here is in relation to film distribution in Australia and its control by American companies.Notes: located in the INDUSTRY, FILM. AUSTRALIA. 1972 clippings file
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In Camera : Tariff Report in Lumiere (October, 1973) iss.28 p.4
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In conversation : Kath Shelper and Robert Connolly in Lumina (Summer 2010) iss.2 p.141-152
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In darkest Hollywood : exploring the jungles of cinema's South Africa / Peter Davis Randburg: Ravan, 1996.
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In Production in Lumiere (December, 1972) iss.19 p.35
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Increase duty on video tapes causes rush on imports in Australasian Cinema (14/5/1982) vol.11 iss.8 p.5
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Indecent exposure : a true story of Hollywood and Wall Street / David McClintick New York: William Morrow & Co., Inc., c1982.
Call No: 19COL MCCAuthor: McClintick, David Place: New YorkPublisher: William Morrow & Co., Inc.PubDate: c1982PhysDes: 544 pages : black and white illustrations ; 25 cmSubject: COLUMBIA PICTURES ; FINANCING ; INDUSTRY, FILM ; LAW AND THE CINEMA ; BEGELMAN, DAVID ; JAFFE, LEO ; ROBERTSON, CLIFF ; STARK, RAY ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) Summary: "Here is the brilliantly rendered story of the greatest scandal and most bitter power struggle in Hollywood's history. It began in the middle of 1977 with what seemed a serious but completely contained incident of embezzlement: David Begelman's forgery of Cliff Robertson's name on a $10,000 check. But by the time a year had gone by, the lives of these men and dozens of other very powerful Hollywood figures would be engulfed in a holocaust of controversy and pain that would rock the foundations of the world's most glamorous industry for years to come." [TAKEN FROM BOOK JACKET]Notes: Includes indexISBN: 068801349XDonation: Simon Wincer
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An industry divided : Encore readers reveal a state of uncertainty in Encore (March 2012) p.20-23
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Industry executives farwell Jack O'Sullivan in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.1-2
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subject clippings file
INDUSTRY, FILM
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: INDUSTRY, FILM
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INDUSTRY, FILM. AFRICAN COUNTRIES
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INDUSTRY, FILM. ARAB COUNTRIES
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INDUSTRY, FILM. ASIAN COUNTRIES
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INDUSTRY, FILM. AUSTRALIA Digital clippings file available
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INDUSTRY, FILM. AUSTRALIA. 2010
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INDUSTRY, FILM. AUSTRALIA : ACT
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INDUSTRY, FILM. AUSTRALIA : NEW SOUTH WALES
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INDUSTRY, FILM. AUSTRALIA : NORTHERN TERRITORY
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INDUSTRY, FILM. AUSTRALIA : QUEENSLAND
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INDUSTRY, FILM. AUSTRALIA : SOUTH AUSTRALIA
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INDUSTRY, FILM. AUSTRALIA : TASMANIA
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INDUSTRY, FILM. AUSTRALIA : VICTORIA
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INDUSTRY, FILM. AUSTRALIA : VICTORIA
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industry, film. australia [weekly summaries]
INDUSTRY, FILM. AUSTRALIA [weekly summaries]
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INDUSTRY, FILM. AUSTRALIA : WESTERN AUSTRALIA
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INDUSTRY, FILM. CANADA
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INDUSTRY.FILM.CHINA Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: INDUSTRY.FILM.CHINA URL status: URL: 'http://file://Q:/S/INDUSTRY.FILM.CHINA.zip'
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INDUSTRY, FILM. DENMARK
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INDUSTRY, FILM. EUROPEAN COUNTRIES
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INDUSTRY, FILM. FRANCE
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INDUSTRY, FILM. GEORGIA
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INDUSTRY, FILM. HONG KONG
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INDUSTRY, FILM. INDIA
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INDUSTRY, FILM. ISRAEL
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INDUSTRY, FILM. JAPAN
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INDUSTRY, FILM. KOREA
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INDUSTRY, FILM. MALAYSIA
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INDUSTRY, FILM. NEW ZEALAND
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INDUSTRY, FILM. REPUBLIC OF IRELAND
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INDUSTRY, FILM. SINGAPORE
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INDUSTRY, FILM. SOUTH KOREA
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INDUSTRY, FILM. UK Digital clippings file available
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INDUSTRY, FILM. USA
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INDUSTRY, FILM. USSR
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journal article
Industry in state of ill repair in Encore (July 2000) vol.18 iss.6 p.8
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An Industry of Challenge in Australasian Cinema (16/01/1982) vol.11 iss.12 p.3
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journal article
Inn of the Damned in Lumiere (January/February, 1974) iss.31 p.14-19
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"Innamorato Pazzo" sets national record in Italy: receipts $8m. in Australasian Cinema (18/6/1982) vol.11 iss.10 p.7
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Interim
book
An Innocent in Hollywood / By Clarence Winchester Illustrated by Goetz London: Cassell and Company, Limited., 1936.
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Innovation in the Australian film industry / Prime Minister's Science, Engineering and Innovation Council Canberra: Dept. of Industry, Science and Resources, 2000.
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Interim
book
Inside pictures : with some reflections from the outside / by Ernest Betts London: Cresset Press, 1960.
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Levy Collection
book
Inside Warner Bros. (1935-1951) : the battles, the brainstorms, and the bickering-from the files of Hollywood's greatest studio / selected, edited and annotated by Rudy Behlmer London: Weidenfield and Nicolson, 1987.
Call No: 19WAR BEHAuthor: Behlmer, Rudy Source: UKPlace: LondonPublisher: Weidenfield and NicolsonPubDate: 1987PhysDes: xix, 358p, [16]p of plates : ill., 1facsim, ports ; 24cmSubject: FILMMAKING ; INDUSTRY, FILM. USA ; PRODUCERS. USA ; PRODUCTION COMPANIES & STUDIOS. USA ; PRODUCTION. USA ; STAR SYSTEM ; STUDIO SYSTEM ; WARNER BROS. ; BOGART, HUMPHREY ; HUSTON, JOHN Summary: "Few books offer as direct and intimate a portrait of the tumult, trauma and glory of making films as this fascinating collection. Culled from Warner Bros's voluminous files, these memos and letters recapture - from inspiration to filming, through fights and reconciliations - the creation of some of the most popular films ever made: Casablanca, Mildred Pierce, Yankee Doodle Dandy, The Maltese Falcon, Johnny Belinda, A Streetcar Named Desire and many, many more."--BOOK BLURBNotes: California. Los Angeles. Hollywood. Cinema industries: Warner Brothers,. to 1951 (BNB/PRECIS)
Originally published: New York : Viking, 1985 ; London : Weidenfeld and Nicolson, 1986.
Includes index.ISBN: 0297792423Donation: donated by the family of Wayne Levy, 2006
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serial
INSIDEFILM (IF) Clovelly, N.S.W.: Words Worth Communication, 1997. Available here
Call No: held no.1- May/Jun 1997-Source: ATPlace: Clovelly, N.S.W.Publisher: Words Worth CommunicationPubDate: 1997PhysDes: v. : ill., ports. ; 30 cmSubject: INDUSTRY, FILM. AUSTRALIA Notes: 1) Date on first issue given as: Issue 1 odysseus May-June 1997
2) From issue 5, title on cover is: If: independent filmmakers
3) From issue 22, title on cover is: If: Australia's independent film magazine
4) From issue 39, title on cover is: If: inside filmISSN: 1329-8690Missing Issues: No. 41 February 2002Order Notes: CurrentSpecial Issues: "what's on in film: jan-june 2002"; "what's on in film: jan-june 2003"LON: abn97177194; 13232126AFIRC Location: Reading RoomURL status: URL: 'https://search-informit-com-au.ezproxy.lib.rmit.edu.au/browseJournalTitle;issn=1447-2252;res=IELLCC'
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journal article
Int'l. appointments to London multi-media team in Australasian Cinema (6/8/1982) vol.11 iss.14 p.11
PhysDes: ArticleSubject: INDUSTRY, FILM. UK ; TRADE FAIRS Summary: Announcement of Doris Weitzel and Regina Frederick as organisers of the London multi-media market
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Interactive entertainment arts : a report to Screen West on potential for interactive multimedia and the WA film and television industry / Nic Beames 1995.
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Interim report on the Australian film industry : a survey of industry activity from October 1980 to October 1981 against the background of industry development from 1969 to 1980 / sponsored by the Australian Film Commission in association with all state government film corporations and the Film and Television Production Association of Australia [North Sydney: Australian Film Commission, 1982?].
Call No: 201(94) INTCopy Management: Copy 1; Copy 2CorpAuthor: Australian Film Commission; Film and Television Production Association of AustraliaPlace: [North SydneyPublisher: Australian Film CommissionPubDate: 1982?]PhysDes: 49, [8] leaves ; 30 cmSubject: INDUSTRY, FILM. AUSTRALIA ; AUSTRALIA ISBN: 0642883033LON: abn82084044; 2346851
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book
The international film business : a market guide beyond Hollywood / Angus Finney with Eugenio Triana Abingdon, Oxon -- New York: Routledge, 2015.
Call No: 203 FINAuthor: Finney, Angus Edition: Second editionSource: UK/USPlace: Abingdon, Oxon -- New YorkPublisher: RoutledgePubDate: 2015PhysDes: xiv, 287 pages ; 25 cmSubject: INDUSTRY, FILM ; PRODUCTION ; DISTRIBUTION ; EXHIBITION ; ADVERTISING FOR FILMS ; FINANCING ; COPRODUCTION ; REDBUS GROUP ; RENAISSANCE FILMS ; ZENTROPA [company] ; ARTS ALLIANCE MEDIA ; FILM DEPARTMENT, THE ; PIXAR ; BARKER, MICHAEL ; PHAROAH, ASHLEY ; RECKONING, THE (UK/SP, Paul McGuigan, 2002) ; OPAL DREAM (AT, Peter Cattaneo, 2005) ; KING'S SPEECH, THE (AT/UK, Tom Hooper, 2010) ; CONFESSIONS OF A DANGEROUS MIND (US, George Clooney, 2002) ; MOTHER, THE (UK, Roger Michell, 2003) ; BEST EXOTIC MARIGOLD HOTEL, THE (UK, John Madden, 2011) ; CLOVERFIELD (US, Matt Reeves, 2008) ; VAPOR [Neil LaBute - not made] ; GOOD OMENS [Terry Gilliam - not made] Summary: The International Film Business examines the independent film sector as a business, and addresses the specific skills and knowledge it demands. It describes both the present state of the industry, the significant digital and social media developments that are continuing to take place, and what changes these might effectNotes: Includes bibliographical references (pages 272-275) and indexContents: Part one: The film value chain -- Global film: a changing world -- The film value chain model and current restructring -- Film development -- Green lighting films -- Sales and markets -- Film producer-distributor partnerships -- Film finance -- Co-production -- Exhibition and the changing cinema experience -- Part 2: Users and the changing digital market -- Users, consumer behaviour and market research -- Traditional film marketing -- Digital production -- Digital distribution -- Film marketing through the internet -- Part 3: Business and management strategies -- Business strategy -- Entrepreneurs and investors in the film industry -- The challenge of creative management -- Project management -- Business models 2.0 -- Case study: interview with Simon Franks, Redbus Group -- Conclusion
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International film financing / transcript of a seminar with Michael Flint Sydney: Australian Film and Television School, 1980.
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International film guide 2012 : the definitive annual review of world cinema / edited by Ian Haydn Smith Brighton: International Film Guide, 2012.
Call No: REFERENCE SECTION; 058 INT "2012"Author: Smith, Ian Haydn Edition: 48th ed.Source: UKPlace: BrightonPublisher: International Film GuidePubDate: 2012PhysDes: 339 p . : ill. ; 24 cmSubject: FESTIVALS ; CRITICISM ; INDUSTRY, FILM ; ALFREDSON, TOMAS ; DARDENNE, JEAN-PIERRE & LUC ; DAVIES, TERENCE ; MALICK, TERRENCE ; REFN, NICHOLAS WINDING Notes: 48th editionISBN: 9781908215017Contents: : -- Directors of the Year -- Tomas Alfredson -- Jean-Pierre and Luc Dardenne -- Terence Davies -- Terrence Malick -- Nicolas Winding Refn -- DVD Focus -- World Survey -- Algeria -- Argentina -- Armenia -- Australia -- Austria -- Belgium -- Bolivia -- Bosnia & Herzegovina -- Brazil -- Bulgaria -- Canada -- Chile -- China -- Colombia -- Croatia -- Cuba -- Cyprus -- Czech Republic -- Denmark -- Ecuador -- Egypt -- Estonia -- Finland -- France -- Georgia -- Germany -- Greece -- Hong Kong -- Hungary -- Iceland -- India -- Iran -- Israel -- Italy -- Japan -- Kazakhstan -- Lithuania -- Mexico -- Morocco -- Netherlands -- New Zealand -- Nigeria -- Norway -- Poland -- Portugal -- Romania -- Russia -- Serbia -- Singapore -- Slovakia -- South Africa -- South Korea -- Spain -- Sweden -- Switzerland -- Taiwan -- Thailand -- Tunisia -- Turkey -- Ukraine -- United Kingdom -- United States -- Additional Countries -- Burkina Faso -- Cambodia -- Cameroon -- Chad -- Costa Rica -- Gabon -- Guatemala -- Iraq -- Ivory Coast -- Kyrgyzstan -- Lebanon -- Malaysia -- Mali -- Mauritania -- Nepal -- Palestine -- Qatar -- Senegal -- Tajikistan -- Uzbekistan -- Festival News -- Festival Director Profiles -- Film Festival Calendar -- Leading Festivals -- Festivals and Markets of Note -- index to advertisers --
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journal article
'International outlaws' : Tony Richardson, Mick Jagger and Ned Kelly in Studies in Australasian cinema (2010) vol.4 iss.3 p.255-265
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Interplanetary joins the American Film Marketing Assoc. in Australasian Cinema (28/1/1983) vol.12 iss.1 p.3
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Interrogating film culture : a collection of seminar papers presented in Sydney on 29 May 1984 North Sydney: Australian Film Commission, [1984].
Call No: 408(94) INTCorpAuthor: Australian Film CommissionSource: ATPlace: North SydneyPublisher: Australian Film CommissionPubDate: [1984]PhysDes: 83 p. ; 30 cm + 1 leaflet (2 leaves)Subject: INDUSTRY, FILM. AUSTRALIA ; FUNDING. AUSTRALIA ; CONFERENCES. AUSTRALIA. FILM CULTURE SEMINAR. 1984 Summary: The papers in this volume were specifically written for and presented at the Film Culture Ceminar held by the Australian Film Commission (AFC) on 29 May 1984. The purpose of this seminar was to encourage a dialogue between film educators/researchers (who have a continuing concern for the well being of the Australian Film Industry and its links with film culture activities) and administrators who frame policy and disburse funds to various organisations and activities in the film industry. -Taken from introduction on page 3.Notes: Spiral binding; Includes bibliographical referencesISBN: 064207593X : price unknownLON: abn85049955; 3725599Contents: Foreword -- Introduction - Barrett Hodsdon -- Shifting notions of an Australian film culture - Liz Jacka -- Structuring an approach to film culture; the British experience - Kari Hanet -- Film culture in action - alternative exhibition - a dearth of policies - Barrett Hodsdon -- Reconciling mainstream and independent filmaking - Tom O'Regan -- Public as patrons - a new goal for cinema subsidy - Tim Rowse
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An introduction to 'Robbery Under Arms' in Australasian Cinema (Friday, 29/3-4/4/1985) vol.14 iss.5 p.8
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newspaper article
Investors buy tickets in China's movie boom in The Australian [Business News] (03/05/2016) p.24
Call No: SUBJECT CLIPPINGS FILE; FINANCING. CHINAAuthor: Lin, Lilian PhysDes: Clippings File ArticleSubject: FINANCING. CHINA ; INDUSTRY, FILM. CHINA Summary: China's film industry is going through a boom. Movies have become attractive for high risk financial instruments and ample funding has mean an increase in the number of films made.
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Is "Gallipoli" the tip of the iceberg? in Australasian Cinema (27/8/1982) vol.11 iss.15 p.31
Author: Hayden, Syd PhysDes: ArticleSubject: GALLIPOLI (AT, Peter Weir, 1981) ; INDUSTRY, FILM. AUSTRALIA ; SAFETY. AUSTRALIA ; CINEMA BUILDINGS. AUSTRALIA ; COPYRIGHT. AUSTRALIA Summary: Editorial on 'Gallipoli' being screened at clubs, hotels, RSLs, public halls etc. which is not only illegal due to copyright and publication laws, but also a safety risk. These venues, argues Hayden, are not equiped to deal with flammable projection equipment, and do not have correct exits or seating.
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Is Ozpix industry flopping badly?... Mitchell reports stirs industry in Australasian Cinema (25/3/1983) vol.12 iss.5 p.2
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ISRAM/Silverstein & Tony Blanco in multi-picture deal in Australasian Cinema (23/07/1982) vol.11 iss.13 p.6
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"It's Called Murder Baby"- to a Police Film Festival in Australasian Cinema (27/5/1983) vol.12 iss.9 p.2
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ITC honored at Luxembourg celebrations in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.8
Subject: INDUSTRY, FILM Summary: Article on the RTL honouring ITC in Luxembourg for 'The Muppets'
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ITC ups Joseph Ceslik to exec. VP & GSM in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.4
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Jack Lee, John McLean, Tony Buckley On FIlm Making in Lumiere (August 1970) vol.1 iss.3 p.14-15
Author: Taylor, Max PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; LEE, JACK Summary: Article stemming from talks given by Lee (director), McLean (cinematographer) and Buckley (film editor) at a Australian Cinematographer's Society meeting. The three discuss the current Australian film indutsry, it's problems, and it's future.
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Jack Welch retires as chairman, Q'land MPIBF in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.5
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Jan Troell's The Emigrants in Lumiere (December, 1972) iss.19 p.31-33
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Japanese Cinema in Wide Angle (1977) vol.1 iss.4 p.[whole issue]
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John Seale named 'Cinematographer of the year' in Australasian Cinema (28/1/1983) vol.12 iss.1 p.2
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Josh Hartnett definitely wants to do this... : true stories from a life in the screen trade / Bruce Beresford Sydney: Fourth Estate, 2007.
Call No: 81BER BERAuthor: Beresford, Bruce Place: SydneyPublisher: Fourth EstatePubDate: 2007PhysDes: 322 p. : ill. ; 22 cmSubject: BERESFORD, BRUCE ; INDUSTRY, FILM Summary: Award-winning film-maker Bruce Beresford takes us through the highs and lows of the screen trade - from high-powered dinner tables to obscure backlots, from the centres of power to far-flung locations - with a cast of characters that includes Russell Crowe, Cate Blanchett, Jeffrey Archer, Steven Seagal, and many others. Delightfully literate and sharply observed, this is a highly entertaining insider's account of a rarely glimpsed world. [Taken from back cover.]ISBN: 0732284392
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July 18, 19, 20 very important to MPI in Australasian Cinema (16/01/1982) vol.11 iss.12 p.3
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Just Mackaay appointed Assistant GM Ace Theatres in Australasian Cinema (29/10/1982) vol.11 iss.19 p.4
PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA Summary: Announcement of Just Mackaay to assitant to the general manager at Ace Theatres.
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Ken Hall presents 43 years old "Dad Rudd, M.P." in Australasian Cinema (29/10/1982) vol.11 iss.19 p.23
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Ken Hall to present Byron Kennedy 1985 Memorial Award in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.5
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Kerridge Odeon corporation opens the Regent Centre, Wellington, NZ in Australasian Cinema (16/7/1982) vol.11 iss.12 p.30
PhysDes: ArticleSubject: FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981) ; ARTHUR (US, Steve Gordon, 1981) ; SCARECROW, THE (NZ, Sam Pillsbury, 1982) ; INDUSTRY, FILM. NEW ZEALAND ; CINEMAS. NEW ZEALAND ; NEW ZEALAND FILM COMMISSION Summary: Article and photographs from the opening of the Regent Centre in Wellington, New Zealand.
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Kerridge Odeon opens Regents I & II, N.Z. in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.23
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Kevin Baddock appointed GM of Infa Set Services in Australasian Cinema (25/2/1983) vol.12 iss.3 p.5
PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA Summary: Announcement of Kevin Baddock to general manager at Infa Set Services
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King of Cannes : a journey into the underbelly of the movies / Stephen Walker London: Bloomsbury, 2002.
Call No: 97 WALAuthor: Walker, Stephen Source: UKPlace: LondonPublisher: BloomsburyPubDate: 2002PhysDes: 277p. ; 20 cmSubject: CANNES FILM FESTIVAL ; FILMMAKING ; INDUSTRY, FILM Summary: "Film-maker Stephen Walker wanted to make a documentary about the Cannes Film Festival. He needed to find four young, untried, untested, obsessive and possibly unhinged film-makers who he could follow in their quest for fame and glory. Over six months, he met literally hundreds of film-makers from all over the world. Some were clearly talented. A few seemed certifiably insane. What united them was a passion for making movies and an inhuman determination to make their mark - whatever the cost.
King of Cannes is a riotously funny account of those six months, a rollercoaster ride through the nether regions of the movie business which culminates at Cannes, the most important - and the most glamorous - film festival in the world."-BOOK BLURBNotes: Previously published: London: Heinemann, 1999ISBN: 0747559155
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Kino-eye : the writings of Dziga Vertov / edited with an introduction by Annette Michelson ; translated by Kevin O'Brien Berkeley, Ca.: University of California Press, 1984.
Call No: 81VER KINAuthor: Vertov, Dziga, 1896-1954 ; Michelson, Annette Source: USPlace: Berkeley, Ca.Publisher: University of California PressPubDate: 1984PhysDes: lxi, 344 p. : ill. ; 23 cmSubject: ART CINEMA ; CINEMATOGRAPHY ; DOCUMENTARIES ; DOCUMENTARY FILMS. USSR ; EDITING ; INDUSTRY, FILM. USSR ; NEWSREELS ; POLITICS AND THE CINEMA ; REVOLUTION AND THE CINEMA ; SOCIALISM AND THE CINEMA ; WOMEN AND THE CINEMA ; VERTOV, DZIGA ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; MAN WITH A MOVIE CAMERA (UR, Dziga Vertov, 1929) ; KINOGLAZ (UR, Dziga Vertov, 1924) ; KOLYBELNAYA (UR, Dziga Vertov, 1937) ; LULLABY (UR, Dziga Vertov, 1937) ; THREE SONGS ABOUT LENIN (UR, Dziga Vertov, 1934) ; TRI PESNI O LENINE (UR, Dziga Vertov, 1934) Summary: "Vertov's writings, collected here, range from calculated manifestoes setting forth a new, heroic version of film's potentiual to dark rumination on the inactivity forced upon him by the growing bureaucratization of the of the Soviet state and its film industry. His theory was at every point elaborated in direct, vigorous relation with practice; his doctrine of kino-eye, breaking with film's subjection to traditional narrative purposes, was a passionate call to action. Vertov's spirit of revolutionary optimism leaps from his pages. Articles, memoranda, speeches, letters, proposals for films, poured from his pen - explaining, defining, persuading. In voluminous notebooks and diaries he proposed a cinema implicated in the process of revolutionary transformation, one that would play a leading role in the construction of socialism." -- BOOK BLURBNotes: Includes index; Filmography: p. [330]-334ISBN: 0520046242 (cloth); 0520047605 (pbk.); 0520056302 (alk. paper)LON: 82011189; 2248486
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Kitty and the Bagman in Australasian Cinema (25/3/1983) vol.12 iss.5 p.3
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A knock in the dead of night in Weekend Australian (26/11/2016) p.16
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIAAuthor: Hawker, Philippa PhysDes: Clippings File ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; JASPER JONES (AT, Rachel Perkins, 2017) Summary: An overview of a number of Australian film productions to be released in late 2016 and 2017. Included are JASPER JONES, RED DOG: TRUE BLUE, LION, DANCE ACADEMY: THE MOVIE, ALI'S WEDDING, HOUNDS OF LOVE
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Knowing our production limits : a key to luring offshore work in Encore (Feb 2000) vol.18 iss.1 p.17
Author: Pratt, David PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA Summary: Pratt explains that individuals and organisations that are promoting Australia as a location for offshore productions, must provide accurate and up-to-date information. They must also be aware that there is a limited number of experienced crew available.
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Interim
book
Korean Cinema 2003 / edited by Keun-sang Lee / Sun-hee Choi / Young-sub Ko / Darcy Paquet Seoul, Korea: Korean Film Commission, 2003.
Call No: REFERENCE SECTION; 023(519)
KORAuthor: Cheong, Sung-il ; Paquet, Darcy CorpAuthor: Korean Film CommissionSource: KPlace: Seoul, KoreaPublisher: Korean Film CommissionPubDate: 2003PhysDes: 371 p. ; ill. ; 21 cmSubject: KOREA ; INDUSTRY, FILM. KOREA ; PRODUCTION. KOREA Summary: "This book contains information about the most up-to-date Korean films, produced or having entered production since the publication of Korean Cinema 2002" (Foreword).Notes: Includes Statistics, Index of 2003 Films and Addresses pp. 315-371
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serial
Korean film news Seoul : Korean Motion Picture Promotion Corp:
Call No: held no.1-no.6, July 1996-Dec. 1998; -- IN STORAGE. OVERNIGHT RETRIEVALSource: KOPlace: Seoul : Korean Motion Picture Promotion CorpPhysDes: v. : col. illSubject: INDUSTRY, FILM. KOREA Notes: Ceased publication with No.6, Dec. 1998; See annual publication "Korean cinema"LON: abn97052101; 13029456
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Lawrence Meyers gains promotion at Lorimar in Australasian Cinema (11/2/1983) vol.12 iss.2 p.4
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Letter from the society of Australian Cinema Pioneers in Australasian Cinema (Francesca Gregorini) vol.11 iss.20 p.2
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The life and films of Stanley Stadler Crick in Lumiere (March, 1973) iss.21 p.22-26
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Lights, camera, masala : making movies in Mumbai / [photographs], Sheena Sippy ; text, Naman Ramachandran ; design, Divya Thakur Mumbai: India Book House, 2006.
Call No: 210.1(540) SIPSource: IIPlace: MumbaiPublisher: India Book HousePubDate: 2006PhysDes: 246 p., [2] leaves of plates : ill. (chiefly col.) ; 27 cmSubject: INDIA ; BOLLYWOOD ; STARS. INDIA ; STAR SYSTEM ; INDUSTRY, FILM. INDIA ; PRODUCTION. INDIA ; ACTORS. INDIA ; DIRECTORS. INDIA Summary: An exploration of how films are made in 'Bollywood' that uses interviews with famous stars and well known film workers in the industry during a few months of 2005 and 2006. The fictional characters Vijay and Ravi go through the process of making a Bollywood film, including screenwriting, the Bollywood star system, pre-production, marketing and promotion, and audience receptionNotes: 246 p., [2] leaves of plates : ill. (chiefly col.) ; 27 cmISBN: 8175084413Donation: Alex Gionfriddo
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Like a Bollywood movie in AFR Weekend (28/01/2017) p.35
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Lisa Keogh joins Seven Keys in Australasian Cinema (27/5/1983) vol.12 iss.9 p.2
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Living on a variety of fringes in Lumiere (January-February, 1972) iss.13 p.32-33
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The living screen : background to the film and television / by Roger Manvell London: George C. Harrap, 1961.
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Local Hollywood : global film production and the Gold Coast / by Ben Goldsmith, Susan Ward, and Tom O'Regan St Lucia, Qld: University of Queensland Press, 2010.
Call No: 212.1(73:94) GOLAuthor: Goldsmith, Ben ; O'Regan, Tom ; Ward, Susan Source: ATPlace: St Lucia, QldPublisher: University of Queensland PressPubDate: 2010PhysDes: 296 p. ; 23 cmSubject: AUSTRALIA ; FILM AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA : QUEENSLAND ; PRODUCTION CENTRES. GOLD COAST ; COPRODUCTION Summary: "...This book gives an unprecedented insight into how the Gold Coast became the first outpost of Hollywood in Australia. When a combination of forces drove studios and producers to work outside California, the Gold Coast's unique blend of government tax support, innovative entrepreneurs and diverse natural settings made it a perfect choice to host Hollywood producations. Local Hollywood makes an essential contribution to the field of film and media studies, as well as giving movie bufffs a behind-the-scenes tour of the film industry. " -- BOOK BLURBISBN: 9780702237799Contents: -- contents -- chapter 1: global and local Hollywood -- chapter 2: inventing a local Hollywood -- chapter 3: the Greenfields location -- chapter 4: the Junior partner -- chapter 5: film friendliness -- chapter 6: local Hollywood's location space -- chapter 7: learning from a local Hollywood -- acknowledgements -- notes -- list of productions -- index --
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The location guide & contact book Melbourne: Melbourne Film Office, 1999.
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Location vehicles on the rise : feature - travel, transport & hire in Encore (June 2000) vol.18 iss.5 p.30-31
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London multi media market tops target in Australasian Cinema (27/8/1982) vol.11 iss.15 p.27
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Looking forward to a great 1986 in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.6
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book
Looking to the future : Submission to the Victorian Government Victoria, Australia: [s.n.], July 1999.
Call No: 205(94) LOOCorpAuthor: Victorian Film and Television Industry Working PartySource: ATPlace: Victoria, AustraliaPublisher: [s.n.]PubDate: July 1999PhysDes: 49 l.Subject: INDUSTRY, FILM. AUSTRALIA : VICTORIA
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Lord Mayor of Sydney attends 51st Annual General Meeting of M.P.I. Benevolent Society in Australasian Cinema (24/9/1982) vol.11 iss.17 p.1-2
PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; JOEL, DAVID Summary: Coverage of the 51st Annual General Meeting of the Motion Picture Industry Benevolent Society. Includes The Chairman's address (David Joel), the Lord Mayor's address, the presentation of Life Membership to Ron Freer and David Joel, and the announcement of Darby Jewell being appointed Life Governor.
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"LOS ANGELES: ENTERTAINMENT TOWN" 16 November 1998.
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M.P.D.A. wants change to trailer legislation in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.3
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M.P.E.A.Q. convention programme- in brief in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.5
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M.P.I.B.S. holds 43rd annual federal meeting in Sydney in Australasian Cinema (Thursday, 31/10/1974) vol.2 iss.21 p.1, 7
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M.P.I. Benevolent Fund (Queensland) 50th year golden jubilee luncheon in Australasian Cinema (27/8/1982) vol.11 iss.15 p.17, 21
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M.P.I. club of South Australia luncheon in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.9
Subject: INDUSTRY, FILM. AUSTRALIA Summary: Report on the Motion Picture Industry's luncheon with Leslie Phillips ('The Man Most Likely Too') and Geoffrey Davies ('Doctor in the House')
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"Mad Max 3"- set for '84 in Australasian Cinema (24/6/1983) vol.12 iss.11 p.3
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Mad Max- Beyond Thunderdome in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.22
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book
the mailroom : Hollywood history from the bottom up / by David Rensin New York: Ballantine Books, c2003.
Call No: 935 RENAuthor: Rensin, David Edition: First Trade paperback editionSource: USPlace: New YorkPublisher: Ballantine BooksPubDate: c2003PhysDes: xxiii, 439 p. ; 25 cmSubject: HISTORY OF CINEMA ; INDUSTRY, FILM ; INDUSTRY, FILM. USA Summary: "It's like a plot from a Hollywood potboiler: start out in the mailroom, end up a mogul. But for many, it happens to be true. Some of the biggest names in entertainment- including David Geffen, Barry Diller, and Michael Ovitz started their dazzling careers in the lowly mailroom. Based on more than two hundred interviews, David Rensin unfolds the never-before-told history of an American institution - in the voices of the people who lived it. Through nearly seven decades of glamour and humiliation, lousy pay and incredible perks, killer egos and a kill-or-be-killed ethos, you'll go where the trainees go, learn what they must do to get ahead, and hear the best insider stories from the Hollywood everyone knows about but no one really knows. A vibrant tapestry of dreams, desire, and exploitation, The Mailroom is not only an engrossing read but a crash course, taught by the experts, on how to succeed in Hollywood." -- BACK COVER BOOK BLURBISBN: 9780345442352Contents: -- Kids at Work -- Kids at Work: William Morris Agency, New York, 1937-1951 --
A Charmed Life, or A Thirty-Six Short Makes It Big: Norman Brokaw: William Morris Agency, Los Angeles, 1943 -- The Thrill of It All -- Traffic: Music Corporation of America, Los Angeles, 1942-1958 -- the thrill of It All: William Morris Agency, New York, 1955-1958 -- The Mentor: William Morris Agency, Los Angeles, 1957-1959 -- Ambition -- The Man Who Loved Show Business: Sandy Gallin: General Artists Corporation, New York, 1962 -- Sons of the Triple Cross: William Morris Agency, Los Angeles, 1961-1963 -- Everybody Loves Ronnie: Ron Meyer: Paul Kohner Agency, Los Angeles, 1963 -- Ambition: William Morris Agency, New York, 1961-1967 -- The Good Mike: Michael Peretzian: William Morris Agency, Los Angeles, 1969 -- Ties that Bind --
Ties That Bind: William Morris Agency, Los Angeles, 1974-1977 -- The Guinea Pig: Michael Menchel: Creative Artists Agency, Los Angeles, 1976 -- The Wild East: International Creative Management, New York, 1978-1981 -- Thoughtfully Political: Sam Haskell: William Morris Agency, Los Angeles, 1978; Rob Carlson: William Morris Agency, Los Angeles, 1989 -- If I Do Say So Myself: Jeremy Zimmer: William Morris Agency, New York, 1979 -- Pressure, Pressure, Pressure -- Our Job is to Say Yes: Judy Hofflund: Creative Artists Agency, Los Angeles, 1982 -- For the Love of Mike: Assisting Michael Ovitz: Stuart Griffen: Creative Artists Agency, Los Angeles, 1982; David "Doc" O'Connor: Creative Artists Agency, Los Angeles, 1983 -- Pressure, Pressure, Pressure: Creative Artists Agency, Los Angeles, 1984-1990 -- As the mailroom Turns -- Outpost on Sixth Avenue: William Morris Agency, New York, 1981-1986 -- Came and Gone: William Morris Agency, Los Angeles, 1980-1986 --
Brothers in Arms: Brian Medavoy and Kevin Misher: Creative Artists Agency, International Creative Management, InterTalent, Los Angeles, 1986-1990 --
As The Mailroom Turns: International Creative Management, Los Angeles, 1989-1993 -- In Your Face! ... With Love -- Jeremy's Kids: United Talent Agency, Los Angeles, 1991-1994 -- In Your Face! ... With Love: Adriana Alberghetti: Endeavor, Los Angeles, 1995 -- Stairway to Heaven: Creative Artists Agency, Los Angeles, 1994-1996 -- The Second Hundred Years --
Kids at Work: William Morris Agency, Los Angeles, 1997-1999 -- Acknowledgments --
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Major brewing company awards video movie contract in Australasian Cinema (16/07/1982) vol.11 iss.12 p.10
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journal article
Major int'l. film and video event for Sydney in Australasian Cinema (15/7/1983) vol.12 iss.12 p.25
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journal article
Make our myths in Lumina (2010) iss.2 p.31-38
Author: Pearlman, Karen PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA Summary: Discussion of the Australian feature film industry in the new media environment, arguing that the scale of stories told is vital to the continuing viability of the industry.
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Making our voices heard : Canadian broadcasting and film for the 21st century / Mandate Review Committee, CBC, NFB, Telefilm [Ottawa, Ont.]: Ministry of Supply and Services, 1996.
Call No: 201(71) MANCorpAuthor: Mandate Review Committee, CBC, NFB, Telefilm (Canada); Canada. Canadian HeritagePlace: [Ottawa, Ont.]Publisher: Ministry of Supply and ServicesPubDate: 1996PhysDes: 299 p. : ill. ; 28 cmSubject: INDUSTRY, FILM. CANADA ; INDUSTRY, TV. CANADA ; NATIONAL FILM BOARD OF CANADA ; TELEFILM CANADA ; CANADIAN BROADCASTING CORPORATION Notes: Simultaneously published in French as: Faire entendre nos voix : le cinema et la tTlTvision du Canada au 21e si¯ ecle; Subtitle on spine: Report of the Mandate Review Committee, CBC, NFB, Telefilm; Canadian broadcasting and film for the 21st centuryISBN: 0662241053LON: 12400027
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Making sense of the foreign actor visa dispute in Sunday Age [General News] (08/03/2015) p.30
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Mammoth Premiere launches "The Man from Snowy River" in Australasian Cinema (16/07/1982) vol.11 iss.12 p.16-17
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Mammoth!- that's the only word for the M.P.E.A.Q. convention in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.10-11
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The Man From Snowy River in Australasian Cinema (16/4/1982) vol.11 iss.6 p.9
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Margaret Fink to produce new film "For Love Alone" in Australasian Cinema (14/5/1982) vol.11 iss.8 p.3
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Market blooms with Springtime gains in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.4
Subject: INDUSTRY, FILM. UK Summary: Article on the upsurge of 25% of investors and buyers at the London Market
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Marketing strategies for Australian films in the United States
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A matter of concern: N.S.W. Government Commission of Inquiry into Distribution and Exhibition of Australian Films in Australasian Cinema (25/2/1983) vol.12 iss.3 p.3
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Maximising the appeal of Australian movies with Australian audiences / report for FFC by Bergent Research, June 2008 [Southbank, VIC: Bergent, 2008.
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Media Education in Lumiere (August, 1973) iss.26 p.36-37
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The media in Australia : industries, texts, audiences / edited by Stuart Cunningham and Graeme Turner St Leonards, N.S.W.: Allen & Unwin, 1997.
Call No: 401(94) MEDAuthor: Cunningham, Stuart ; Turner, Graeme Edition: 2nd edPlace: St Leonards, N.S.W.Publisher: Allen & UnwinPubDate: 1997PhysDes: xviii, 490 p. : ill. ; 23 cmSubject: MEDIA. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; ADVERTISING. AUSTRALIA ; AUDIENCE RESEARCH. AUSTRALIA ; AUDIENCES. AUSTRALIA ; PAY TV. AUSTRALIA ; PRODUCTION. AUSTRALIA ; PRODUCTION, TV. AUSTRALIA ; NEWS PROGRAMMES. AUSTRALIA ; OWNERSHIP. AUSTRALIA ; POLITICS AND TV. AUSTRALIA ; GOVERNMENT CONTROL. AUSTRALIA ; VIOLENCE ON TV. AUSTRALIA ; DRAMAS. AUSTRALIA ; WOMEN AND TV. AUSTRALIA ; HOME VIDEO. AUSTRALIA ; RATINGS. AUSTRALIA ; AUSTRALIAN BROADCASTING TRIBUNAL ; COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994) ; PERFECT MATCH [TV] (AT, 1984-89?) Notes: Includes index; Bibliography: p. 441-467ISBN: 1864482737LON: 12826003
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The Media reader / edited by Manuel Alvarado and John O. Thompson London: BFI Pub., 1990.
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book
Melepas Pasung Kebijakan Pefilman di Indonesia Jakarta: Warta Global Indonesia,
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Memo from Darryl F. Zanuck : the golden years at Twentieth Century Fox / selected and edited by Rudy Behlmer New York: Grove Press, c1993.
Call No: 81ZAN MEMAuthor: Behlmer, Rudy (ed.) Edition: First edition 1993Source: USPlace: New YorkPublisher: Grove PressPubDate: c1993PhysDes: xxiii, 276 p. : ill. ; 24 cm.Subject: TWENTIETH CENTURY-FOX ; HISTORY OF CINEMA. USA ; INDUSTRY, FILM. USA ; HISTORY AND THE CINEMA ; HISTORY AND THE CINEMA. USA ; HISTORY OF CINEMA. 1930's ; HISTORY OF CINEMA. 1940's ; HISTORY OF CINEMA. 1950's ; HISTORY OF CINEMA. 1960's ; ZANUCK, DARRYL F. Summary: '...A treasure trove of legend and lore, insights and nostalgia, Memo from Darryl F. Zanuck is as entertaining as it is informative, and full of secrets and surprises. Illustrated with photographs as intimate and candid as the correspondance itself, it offers a chronicle of Hollywood's most glamorous age and rich testimony to the taste, showmanship, and vision of of its most resilient, efficient and enduring producer." -- BOOK JACKETNotes: "A selection of Darryl F. Zanuck's letters and memoranda during the glory days of 20th Century-Fox (1935-1956)"--Introd; Includes indexISBN: 0802115403Contents: -- foreword by Philip Dunne -- preface -- one: twentieth century-fox: off and running -- two: twentieth century-fox: a major force -- three: world war II: business is fine, thank you --four: semidocumentaries, films noir, literary works, and sleepers -- five: the going gets tough -- six: the going gets tougher -- seven: cinemascope and stereophonic sound to the rescue -- afterword -- about Darryl F. Zanuck -- index --
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Message by the leader of the opposition in Australasian Cinema (27/8/1982) vol.11 iss.15 p.3
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Message from MPEAQ president James Sourris in Australasian Cinema (24/6/1983) vol.12 iss.11 p.2
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Mexican national cinema / Andrea Noble Abingdon, Oxon, UK: Routledge, 2005.
Call No: 71(72) NOBAuthor: Noble, Andrea Source: UKPlace: Abingdon, Oxon, UKPublisher: RoutledgePubDate: 2005PhysDes: viii, 224p. : ill. ; 23cmSubject: MEXICO ; MEXICO IN FILMS ; NATIONAL CULTURE AND THE CINEMA. MEXICO ; NATIONAL CULTURE IN FILMS. MEXICO ; INDUSTRY, FILM. MEXICO ; AUDIENCES. MEXICO ; MOVEMENTS AND STYLES IN FILM HISTORY ; POLITICS IN FILMS. MEXICO ; POLITICAL FILMS. MEXICO ; REVOLUTION AND THE CINEMA. MEXICO ; DOCUMENTARY FILMS. MEXICO ; MELODRAMA. MEXICO ; MUJER DEL PUERTO, LA (MX, Arcady Boytler, 1933) ; MUJER DEL PUERTO, LA (MX, Arturo Ripstein, 1991) ; MARIA CANDELARIA (MX, Emilio Fernández, 1943) ; FAMILIA DE TANTAS, UNE (MX, Alejandro Galindo, 1948) ; CASTILLO DE LA PUREZA, EL (MX, Arturo Ripstein, 1972) ; MIDAQ ALLEY [CALLEJON DE LOS MILAGROS, EL] (MX, Jorge Fons, 1995) ; QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]) ; ESPALDAS MOJADAS (MX, Alejandro Galindo, 1955) ; JARDIN DEL EDÉN, EL (MX, María Novaro, 1994) ; Y TU MAMA TAMBIEN (MX, Alfonso Cuaron, 2001) Summary: Mexican National Cinema offers an account of the development of Mexican cinema from the intense cultural nationalism of the Mexican Revolution, through the "Golden Age" of the 1940s and the Nuevo Cine of the 1960s, to the renaissance in Mexican cinema in the 1990s.
The book moves from broad historical and theoretical context, particularly theories of nation, emergent discourses of "mexicanidad" and the establishment and development of the Mexican industry, towards readings of key film texts and genres. Individual chapters discuss the relationship between Hollywood cinema and Mexican cinema, the stars of the "Golden Age," the role of foreign auteurs in the founding of Mexican cinema, tensions in the industry in the 1960s, and the national and international reception of contemporary films and film-makers. The author then examines the portrayal of Mexican nationhood through critical analysis of film genres including Revolutionary films, machismo and "mexicanidad," the prostitute, and the work of female auteurs.ISBN: 0415230101
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journal article
MGM/UA ups income 3% in Australasian Cinema (Friday, 30/11/1984) vol.13 iss.20 p.2
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journal article
Michael Tarant named senior VP, New Biz Develop. in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.5
Subject: INDUSTRY, FILM Summary: Article on Michael Tarant becomming senior vide president at New Business Development
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"MICOMP special issue" 29-9-98.
Call No: Journal Shelves. Hollywood ReporterPubDate: 29-9-98Subject: INDUSTRY, FILM. USA Language: English
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MIFED Dates in Australasian Cinema (22/7/1983) vol.12 iss.13 p.4
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Mike Walsh's theatres discount tickets 40% for the unemployed in Australasian Cinema (12/11/1982) vol.11 iss.20 p.1
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Minister for the media introducers Australian Film Commission in Australasian Cinema (Thursday, 31/10/1974) vol.2 iss.21 p.1
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Missing - screen culture in Metro (2000) iss.121/122 p.13-16
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Mission impossible? Reconsidering the research into Sydney's film industry in Studies in Australasian cinema (2007) vol.1 iss.1 p.47-60
Author: Mould, Oli PhysDes: ArticleSubject: AUSTRALIAN FILM COMMISSION ; LOCATION SHOOTING. AUSTRALIA: NEW SOUTH WALES ; INDUSTRY, FILM. AUSTRALIA : NEW SOUTH WALES ; FOX STUDIOS (SYDNEY) ; NEW SOUTH WALES FILM AND TELEVISION OFFICE ; SUPERMAN RETURNS (AT/US, Bryan Singer, 2006) ; FOOTY LEGENDS (AT, Khoa Do, 2006) Summary: This article addresses the presence of the large mainly Hollywood productions in the city of Sydney and the perception that there is a marked difference between a film industry in Sydney and a Sydney film industry. Rather than viewing the two figurations of film-making in Sydney as two distinct entities, an approach inspired by Actor-Network Theory (ANT) is deployed, using interview and ethnographic data to argue that is the networks and collaborative connections within the industry in Sydney, and between Sydney and other cities, are considered, Sydney's position within the global film industry becomes clearer.--Abstract
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Money and drive : The future of Australian filmmakers in University Film Group Bulletin (1964) iss.3 p.6-9
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Monster : living off the big screen / by John Gregory Dunne New York: Random House, c1997.
Call No: 81DUN DUNAuthor: Dunne, John Gregory Edition: First editionSource: USPlace: New YorkPublisher: Random HousePubDate: c1997PhysDes: 203 p. ; 22 cmSubject: INDUSTRY, FILM ; INDUSTRY, FILM. USA ; SCRIPTS ; DUNNE, JOHN GREGORY ; UP CLOSE AND PERSONAL (US, Jon Avnet, 1996) Summary: "Monster is John Gregory Dunne's mordantly funny account of life on the Hollywood food chain. Dunne and his wife, Joan Didion, have been working in the movies for over twenty-five years, and have written, rewritten, brainstormed, and developed two dozen scripts, seven of which have been produced. Monster is the candid chronicle of how one of those scripts finally got made into Up Close & Personal, starring Robert Redford and Michelle Pfeiffer.
The Up Close screenplay started out as the story of Jessica Savitch, the television news anchorwoman whose history included drugs, opportunistic sex, and an early, violent death. Over the years it was refined into a story that would "make the audience walk out feeling uplifted, good about something, and good about themselves," as one executive put it in an early script meeting. The tale of how this happened is a hilarious saga that Dunne relates with a wicked eye and perfect pitch for the absurdities and savage infighting of the film industry."
-- BOOK JACKETISBN: 0679455795
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More 'tax movie' benefits on one hand... overseas stars banned on the other : Do we want to sell OZPIX overseas?Do we want to sell OZPIX in Australia?-It makes you wonder. in Australasian Cinema (28/1/1983) vol.12 iss.1 p.6
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Motion Picture Empire / Gertrude Jobes Hamden, Connecticut: Archon Books, 1966.
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Motion Picture Exhibitors' Association of N.S.W. annual general meeting in Australasian Cinema (10/9/1982) vol.11 iss.16 p.2
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Motion Picture Industry involved in triumphant Commonwealth Games in Australasian Cinema (29/10/1982) vol.11 iss.19 p.11
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Moves into fair marketing of videotapes to go before U.S. congress in Australasian Cinema (15/7/1983) vol.12 iss.12 p.20
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Movie blockbusters / edited by Julian Stringer London: Routledge, 2003.
Call No: 721.303.311 STRAuthor: Stinger, Julian (ed.) Source: UKPlace: LondonPublisher: RoutledgePubDate: 2003PhysDes: 276 p. : ill. ; 24 cmSubject: BLOCKBUSTERS ; INDUSTRY, FILM. USA ; INDUSTRY, FILM. NEW ZEALAND ; INDUSTRY, FILM. CHINA ; INDUSTRY, FILM. INDIA ; INDUSTRY, FILM. KOREA ; INDUSTRY, FILM. ARGENTINA ; AWARDS. ACADEMY ; SPIELBERG, STEVEN ; CAMERON, JAMES ; JAWS (US, Steven Spielberg, 1975) ; JAZZ SINGER, THE (US, Alan Crosland, 1927) ; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TITANIC (US, James Cameron, 1997) ; CONTACT (US, Robert Zemeckis, 1997) ; FUGITIVE, THE (US, Andrew Davis, 1993) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; STAR WARS (US, George Lucas, 1977) Summary: Big-budget, spectacular films designed to appeal to a mass audience: is this what – or all – blockbusters are? Movie Blockbuster brings together leading film scholars to consider this most high-profile and culturally significant genre. Drawing on a range of critical perspectives, the book traces how and why the ‘even movie’ has played such a large role in popular imagination, tracing a path from the spectacles of the silent era to the effects-laden mega-hits of the digital age.ISBN: 0415256097
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The movie business : American film industry practice. / edited by A. William Bluem and Jason E. Squire New York: Hastings House, 1972.
Call No: 201(73) MOVAuthor: Bluem, A. William ; Squire, Jason E. Source: USPlace: New YorkPublisher: Hastings HousePubDate: 1972PhysDes: xvi, 368 p. ; 24 cmSeries: Studies in Media Management; Communication arts booksSubject: INDUSTRY, FILM. USA Summary: Story and screenplay / financing and budgeting / management and exhibition/ production - preliminaries / production - creative functions / distribution and exhibition / building film audiences / the new technology / guild and union contracts.Notes: Includes index.
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The movie business book / edited by Jason E. Squire Englewood, New Jersey: Prentice-Hall, Inc, c1983.
Call No: 203 MOVAuthor: Squire, Jason E. Source: USPlace: Englewood, New JerseyPublisher: Prentice-Hall, IncPubDate: c1983PhysDes: xviii, 414 p. : illSubject: INDUSTRY, FILM ; BUSINESS AND THE CINEMA ; ECONOMICS AND THE CINEMA ; DISTRIBUTION ; EXHIBITION ; PRODUCTION Summary: "The inside story of the creation, financing, making, selling, and exhibiting of movies - as told by Mel Brooks, Robert Evans, William Goldman, Sydney Pollack, and 38 other equally notable members of the movie industry" -- FRONT COVERNotes: First published: Englewood Cliffs, N.J.: Prentice-Hall, c1983; Includes indexISBN: 0136045952Contents: -- 1: the creators -- 2: the property -- 3: the money -- 4: the management -- 5: the deal -- 6: the shooting -- 7: the selling -- 8: the distributors -- 9: the exhibitors -- 10: the audience -- 11: the future -- index --
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The movie directors story / Joel W. Finler London: Octopus Books, 1985.
Call No: 802.25 FIN; FOLIOAuthor: Finler, Joel W. (Joel Waldo), 1938 Source: UKPlace: LondonPublisher: Octopus BooksPubDate: 1985PhysDes: 272 p. : ill. ; 33 cmSubject: DIRECTORS ; FILM WORKERS ; HISTORY OF CINEMA ; INDUSTRY, FILM. USA ; STAR SYSTEM Summary: "Since the earliest days of cinema, the director has combined and controlled all the elements of film-making. His status and independence have waxed and waned but he has always - rightly or wrongly - been credited with a film's success or blamed for its failure. Here is the absorbing account of 140 careers, ranging across the spectrum from studio work-horse to acknowledged genius. The famous director-star partnerships, such as Clarence Brown and Greta Garbo, John Ford and John Wayne, Josef von Sternberg, and Marlene Dietrich, Martin Scorsese and Robert de Niro are all here, as are the unknown but invaluable contract directors, the great innovators, the writer-directors and the rebels. Each entry is generously illustrated with pictures of the directors themselves, as well as scenes from their most characteristic movies. The selection has been made to give a has been made to give a varied and representative view of the director's contribution to the English speaking cinema in general and Hollywood in particular." [Taken from book jacket]Notes: Includes indexesISBN: 0706422880LON: 4458266 4458266
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The movie game : the film business in Britain, Europe, and America / Martin Dale London Herndon, VA, USA: Cassell, 1997.
Call No: 201 DALAuthor: Dale, Martin Place: London Herndon, VA, USAPublisher: CassellPubDate: 1997PhysDes: xi, 340 p. : ill. ; 23 cmSubject: INDUSTRY, FILM. UK ; INDUSTRY, FILM. EUROPEAN COUNTRIES ; INDUSTRY, FILM. USA ; INDEPENDENT PRODUCTION ; GOVERNMENT AID. EUROPEAN COUNTRIES ; QUOTA. EUROPEAN COUNTRIES ; DISTRIBUTORS ; ALMODOVAR, PEDRO ; PUTTNAM, DAVID ; BERLUSCONI, SILVIO ; BERRI, CLAUDE ; BESSON, LUC Summary: The Movie Game is the first ever comprehensive guide to the industry on both sides of the Atlantic. The book outlines the game rules for the Majors, Independents, Foreign Sales Agents and the European subsidy system. Europe has always been the 'hidden' half of the American film equation. The Majors were built by native Europeans and have always been highly dependent on European talent and revenues. The Independents finance their films through pre-sales to Europe, and many of the leading producers are native Europeans who have relocated to the movie colony. While the American Majors thrive on high-risk free-market capitalism, Europe's media groups are enmeshed in political straitjackets designed to defend the 'national interest'. Quotas and subsidies have herded European cinema into a cultural ghetto from which it is very difficult to conduct rational debate. The MEDIA Programme seems only to have intensified the problem; Inspiration is drawn from the European film-makers who have succeeded in rising above the 'subsidy trap' mentality. The book concludes with profiles of producers such as David Puttnam, Claude Berri, Pedro Almodovar and Luc Besson. They are the human face of the industry and prove that however bureaucratic the world becomes, there will always be mavericks who stand out and make their voice heardNotes: Includes bibliographical references (p. 332-334) and indexISBN: 0304333867; 0304333875 (pbk.)LON: gb 97034316; 13222852
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Movie hopes ride on an outback dog in Australian slump in Sun Herald (04/12/2016) p.13
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIAAuthor: Quinn, Karl PhysDes: Clippings File ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; BOX OFFICE. AUSTRALIA ; PRODUCTION. AUSTRALIA ; SCREEN AUSTRALIA Summary: Looking at the low box office take of Australian films in 2016. Interviewed is Screen Australia chief Graeme Mason who explains the low figures and why he thinks that the likely successes of upcoming films RED DOG: TRUE BLUE and LION will set up 2017 as a strong year for Australian cinemaNotes: similar article in The Age titled 'Year of the dog, or dog of a year?'Quotations: `
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Movie industry involvement in coming Commonwealth Games in Australasian Cinema (27/8/1982) vol.11 iss.15 p.24
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Movie industry rejoices over strong showing in The Age (22/01/2016) p.13
Call No: SUBJECT CLIPPINGS FILE; BOX OFFICE. AUSTRALIAAuthor: Hawker, Philippa PhysDes: Clippings File ArticleSubject: BOX OFFICE. AUSTRALIA ; EXHIBITION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA Summary: A report on the record making year for cinemas and in particular Australian films in box office returns.Notes: same article published as: 'Strong year for Australian films' in Sydney Morning Herald, p. 17; '2015 a strong year for Australian Films' in Canberra Times, p 7 [same author and date as this article]
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The movie moguls : an informal history of Hollywood tycoons / Philip French Harmondsworth, Middlesex: Penguin, 1971.
Call No: 802.091.11 FREAuthor: French, Philip Source: UKPlace: Harmondsworth, MiddlesexPublisher: PenguinPubDate: 1971PhysDes: 208 p., [16] p. of plates ; 18 cmSubject: HISTORY AND THE CINEMA. USA ; INDUSTRY, FILM ; Metro-Goldwyn-Mayer ; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA ; STUDIO SYSTEM ; PARAMOUNT STUDIOS ; TWENTIETH CENTURY-FOX ; UNIVERSAL PICTURES ; UNITED ARTISTS ; WARNER BROS. ; COHN, HARRY ; DEMILLE, CECIL B. ; DISNEY, WALT ; KATZ, SAM ; KENNEDY JOSEPH P. ; LAEMMLE, CARL ; LASKY, JESSE ; SCHARY, DORE ; SCHULBERG, BUDD ; SCHENCK, JOSEPH M ; SELZNICK, DAVID O. ; SHEARER, NORMA ; SKOURAS, SPYROS ; SINCLAIR, UPTON ; THALBERG, IRVING ; WANGER, WALTER ; STROHEIN, ERICH VON ; ZANUCK, DARRYL F. ; ZANUCK, RICHARD ; ZUKOR, ADOLPH Notes: includes bibliographical references and indexISBN: 297762664Donation: donated by the family of Wayne Levy, 2006
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"Moving Out" now a paperback book in Australasian Cinema (28/1/1983) vol.12 iss.1 p.11
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MPEAQ Convention in Australasian Cinema (Friday, 26/7-1/8, 1985) vol.14 iss.12 p.3
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MPEAQ convention address in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.13
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MPEAQ convention address in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.15
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MPEAQ convention address in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.17
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MPEAQ hits bulls-eye with Bundaberg Convention in Australasian Cinema (13/5/1983) vol.12 iss.8 p.3,13
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MPEAQ president James Sourris addresses convention in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.16
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MPEAQ president, Jim Sourris addresses SCM convention in Australasian Cinema (13/5/1983) vol.12 iss.8 p.2
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Mr Exhibitor, you will pay anyway! in Australasian Cinema (15/10/1982) vol.11 iss.18 p.5
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Mr. Prime Minister, Mr. Treasurer... in Australasian Cinema (Friday, 21-27/6/1985) vol.14 iss.10 p.1
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Mr Showbiz : the biography of Robert Stigwood / by Stephen Dando-Collins North Sydney: Penguin Random House Australia Pty Ltd, 2017.
Call No: 81STI DANAuthor: Dando-Collins, Stephen Source: ATPlace: North SydneyPublisher: Penguin Random House Australia Pty LtdPubDate: 2017PhysDes: xi, 418 pages, 16 unnumbered pages of plates : illustrations (some in colour), portraits ; 24 cm.Subject: PRODUCERS ; DIRECTORS ; THEATRE AND THE CINEMA ; AUSTRALIA ; INDUSTRY, FILM ; INDUSTRY, FILM. AUSTRALIA ; STIGWOOD, ROBERT Summary: "In the 1970s, Australian entrepreneur Robert Stigwood was the entertainment industry's most powerful tycoon. This is his largest-than-life story. Stiggy's ability to pick and promote talent was astounding. He came to renown managing the careers of the Bee Gees, Cream and Eric Clapton and Grease, and was behind the massive West End and Broadway musicals Hair and Jesus Christ Superstar. There were also great crashes, including an infamous Chuck Berry tour that failed to attract audiences and forced the Australian impresario into bankruptcy. The failure of the big-budget musical film of the Beatles' album Sgt. Pepper's Lonely Hearts Club Band also cut deep. Throughout it all, Stigwood lived it up with champagne, staff, private planes, yachts and luxury penthouses. The parties he hosted were legendary, as was his ability to party all night long and pull off a substantial business deal the next morning. Great rifts arose in almost all of his closest personal and professional relationships, but his gift for friendship and enormous talents in the entertainment business generally saw rapprochement. Not for nothing was Robert Stigwood dubbed "Mt Showbiz". "-- BOOK BACK COVERNotes: Includes bibliographical references (pages 404-407) and indexISBN: 9781925324747Contents: -- acknowledgments -- preface -- act one: the rise and fall of a bloke called bob -- Jesus Christ, a Superstar! -- a starmaker is born -- king of the arts -- chasing a dream -- becoming the starmaker -- on the up -- going bust -- act two: the remaking of Robert -- cream of the crop -- getting into bed with Brian Epstein -- three brothers with the voices of angels -- save the Bee Gees! -- the king is dead, long live the king -- the irresistable rise of RSO -- hair, there and everywhere -- forging ahead with blind faith -- all in the family -- enter Rice and Lloyd Webber -- Joseph, Jeeves, Evita and a red crow -- Tommy brings back Clapton -- conquering America -- the Travolta trilogy -- greasing the wheels -- Sgt. Pepper's, a business deal set to music -- a racehorse, a yacht, an island -- a year of love and war -- upping anchor -- act three: Stiggy sails into the sunset -- not so plain sailing -- lord of the manor -- the last lap -- Stiggy's final after party -- bibliography -- index --
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Mt. Isa Star shines again in Australasian Cinema (29/10/1982) vol.11 iss.19 p.15
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Naked Bunyip in Lumiere (July 1970) vol.1 iss.2 p.24-27
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Naked City in Lumiere (February 1971) iss.7 p.20-21
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Nationalising the film industry : Report of the ACTT Nationalisation Forum / A special ACTT publication London: Association of Cinematograph, Television and allied Technicians, August 1973.
Call No: 205.6(410) HARAuthor: [Hartog, Simon] CorpAuthor: [Association of Cinematograph, Television and allied Technicians]Place: LondonPublisher: Association of Cinematograph, Television and allied TechniciansPubDate: August 1973PhysDes: 60, 4 p. ; 25 cmSubject: STATE AND THE CINEMA. UK ; INDUSTRY, FILM. UK
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Nationalising the movies : Some possible implications of the ACTT report on nationalising the British film industry in Lumiere (January/February, 1974) iss.31 p.9-11
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Networks of entertainment : Early film distribution 1895-1915 / edited by Frank Kessler and Nanna Verhoeff Eastleigh, Hampshire: John Libbey Publlishing, 2007.
Call No: 302KESAuthor: Kessler, Frank and Verhoeff, Nanna (eds. Source: UKPlace: Eastleigh, HampshirePublisher: John Libbey PubllishingPubDate: 2007PhysDes: viii, 344 p. ; b+w ill. : 23 cmSubject: INDUSTRY, FILM ; DISTRIBUTION Summary: Collection of essays exploring film distribution and related issues since the invention of cinema in early 1900's.ISBN: 9780861966813Language: English
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'Never Never' a winner? You'd better believe it! in Australasian Cinema (25/2/1983) vol.12 iss.3 p.5
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New appointments at B. C. & C. in Australasian Cinema (28/1/1983) vol.12 iss.1 p.2
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New appointments at RFD in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.14
Subject: INDUSTRY, FILM Summary: Article on Rank Film Distributors' international publicity expansion with the hiring of Brian Burton and promotion of Mike Wheeler
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New Aussie Pics at AFM in Variety (19/02/1986) vol.322 iss.4 p.146, 163, 177
PhysDes: SerialSubject: INDUSTRY, FILM. AUSTRALIA ; AMERICAN FILM MARKET ; MALCOLM (AT, Nadia Tass, 1986) ; BLISS (AT, Ray Lawrence, 1985) ; ARCHER (AT, Denny Lawrence, 1985) ; AUSTRALIAN DREAM (AT, Jack McKimmie, 1986) ; DEVIL IN THE FLESH (AT, Scott Murray, 1986) ; DOT AND KEETO (AT, Yoram Goss, 1986) ; FAIR GAME (AT, Mario Andreacchio, 1986) ; KANGAROO (AT, Tim Burstall, 1986) ; PERFECTIONIST, THE (AT, Chris Thomson, 1985) ; TWELFTH NIGHT (AT, Neil Armfield, 1986) Summary: List of Australian productions screening at the American Film Market. Later pages include posters for MALCOM and BLISS.
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New board appointments at Dennis Davidson Assoc. in Australasian Cinema (11/2/1983) vol.12 iss.2 p.2
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New Bris. cinema part of Arts Centre in Australasian Cinema (6/8/1982) vol.11 iss.14 p.2
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New chief for Film Victoria in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.6
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New cinemas for Oz in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.4
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New contractors for Fiji cinema advert. market in Australasian Cinema (Francesca Gregorini) vol.11 iss.20 p.2
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New Eastman high-speed colour negative film is mileston in Kodak motion picture film technology in Australasian Cinema (30//4/1982) vol.11 iss.7 p.5
PhysDes: ArticleSubject: INDUSTRY, FILM ; EQUIPMENT ; FILMMAKING Summary: Article on new Eastman high-speed colour negative film from Kodak which excells in low lighting and when filming high-speed action.
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New film helps to pay adventurer's debts in Australasian Cinema (27/5/1983) vol.12 iss.9 p.8
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book
The new film history : sources, methods, approaches / edited by James Chapman, Mark Glancy and Sue Harper Basingstoke, Hampshire: Palgrave Macmillan, 2007.
Call No: 70 (04) CHAAuthor: Chapman, James and Glancy, Mark and Harper, Sue Source: UKPlace: Basingstoke, HampshirePublisher: Palgrave MacmillanPubDate: 2007PhysDes: xi, 256p. : 23cm.Subject: MOTION PICTURES - HISTORY ; HISTORY AND THE CINEMA ; NATIONAL IDENTITY AND AUSTRALIA ; NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA ; CRIMINALS IN FILMS ; INDUSTRY, FILM. UK ; SCRIPTWRITERS ; MASTER AND COMMANDER: THE FAR SIDE OF THE WORLD (US, Peter Weir, 2003) ; NOW, VOYAGER (US, Irving Rapper, 1942) ; GONE WITH THE WIND (US, Victor Fleming, 1939) ; GALLIPOLI (AT, Peter Weir, 1981) ; BLACKMAIL (UK, Alfred Hitchcock, 1929) ; BLACK NARCISSUS (UK, Michael Powell & Emeric Pressburger, 1947) ; WICKER MAN, THE (UK, Robin Hardy, 1973) ; FONDA, JANE ; BERGMAN, INGMAR Notes: Includes bibliographical references and index; Contents:; Gone with the wind (1939) and the lost cause : a critical view / Melvyn Stokes; History and representation : the case of 1970s British cinema / Sue Harper 27; Gallipoli (1981) : 'a poignant search for national identity' / Mark Connelly 41; 'This ship is England' : history, politics and national identity in Master and commander : the far side of the world (2003) / James Chapman 55; Art in context : British film design of the 1940s / Laurie Ede 73; The author as author : restoring the screenwriter to British film history / Andrew Spicer 89; When 'Hanoi Jane' conquered Hollywood : Jane Fonda's films and activism, 1977-81 / Peter Kramer 104; The politics of the swashbuckler / Jeffrey Richards 119; The Stalinist musical / Richard Taylor 137; Now, voyager (1942) : melodrama then and now / Martin Shingler 152; From gangsta to gangster : the hood film's criminal allegiance with Hollywood / Jonathan Munby 166; Blackmail (1929), Hitchcock and film nationalism / Mark Glancy 185; British cinema, American reception : Black Narcissus (1947) and the legion of decency / Sarah Street 201; Studying cross-cultural marketing and reception : Ingmar Bergman's Persona (1966) / Ingrid Stigsdotter, and Tim Bergfelder 215; The wicker man (1973) email digest : a case study in Web ethnography / Justin Smith 229ISBN: 9780230001695Language: English
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New Greater Union complex in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.4
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new GUO appointment in Australasian Cinema (28/1/1983) vol.12 iss.1 p.1
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New head for Australian Film in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.14
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book
New Korean cinema / by Julian Stringer and Chi-Yun Shin Edinburgh: Edinburgh University Press, 2005.
Call No: 71(519-13) NEWAuthor: Stringer, Julian and Shin, Chi-Yun Source: UKPlace: EdinburghPublisher: Edinburgh University PressPubDate: 2005PhysDes: x, 234p. ; b+w ill. : 24cm.Subject: KOREA ; INDUSTRY, FILM. KOREA ; NATIONAL CULTURE AND THE CINEMA ; FESTIVALS ; GENRES ; HORROR FILMS ; COMEDIES ; MELODRAMA ; ROMANTIC FILMS ; YOUNG PEOPLE IN FILMS ; CHUNHYANG (KO, Im Kwon-Taek, 2000) ; TEL MI SSEOMTING (KO, Chang Youn-Hyun, 2000) ; BOKSEUNEUN NAEUI GEOS (KO, Park Chan-wook, 2002) ; CHINGU (KO, Kwak Kyeong-Taek, 2001) ; GOYANGIREUL BUTAKHAE (KO, Jeong Jae-eun, 2001) ; JUYUSO SEUBGYUKSAGEUN (KO, Kim Sang-Jin, 1999) ; SARA-INNUN RYONGHONGDUL (KO, Kim Chun-song, 2001) ; YURYEONG (KO, Min Biong Hun, 1999) ; BAKHA SATANG (KO, Lee Chang-Dong, 1999) ; SAENG-HWAL-EUI BAL-GYUN (KO, Hong Sangsoo, 2002) ; YEOGO GOEDAM II (KO, Kim Tae-Yong, 2000) ; SUN AE BO (KO, E J-Young, 2001) Summary: "New Korean Cinema provides a comprehensive overview of the production, circulation, and reception of this vibrant cinema, which has begun to flourish again in the past decade, following the lifting of repressive government policies. In addition to providing a cultural, historical, and social context for understanding this burgeoning cinema, the book considers the political economy of South Korea's film industry, strategies of domestic and international distribution and marketing, and the consumption of Korean films throughout the world. The volume also includes a glossary of key terms and a bibliography of works on Korean cinema."Notes: Includes bibliographical references, glossary, websites and indexISBN: 9780814740309Language: English
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New look in cinemas at $1 admission in Australasian Cinema p.4
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New management and direction for Magnavox Australia in Australasian Cinema (Friday, 2/9/1983) vol.12 iss.16 p.2
PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA Summary: Article on the new leadership of Magnavox, an Australian speaker manifacturer, as well as the planned system upgrades the company has.
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New moves at film school in Australasian Cinema (28/1/1983) vol.12 iss.1 p.6
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New Oz appointment for Sanyo in Australasian Cinema (Friday, 19/8/1983) vol.12 iss.15 p.3
PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA Summary: Announcement of Warren Stevens as the new New South Wales sales manager for Sanyo
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New Vic. president Reg Potter hosts local Pioneer's dinner in Australasian Cinema (25/6/1982) vol.11 iss.11 p.3
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New World signs lab. agreement with CFI in Australasian Cinema (16/9/1983) vol.12 iss.17 p.24
PhysDes: ArticleSubject: NEW WORLD PICTURES ; ADVERTISING ; INDUSTRY, FILM Summary: Announcement of deal between New World and Consolidated Film Industries. CFI will handle New World's production work and release prints for the next three years.
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Special issue
serial
"NEW YORK: ENTERTAINMENT TOWN" 12 October 1998.
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New Zealand film and television : institution, industry, and cultural change / Trisha Dunleavy and Hester Joyce Bristol, U.K. ; Chicago, USA: Intellect, 2011.
Call No: 71(931) DUNAuthor: Dunleavy, Trisha ; Joyce, Hester Source: UKPlace: Bristol, U.K. ; Chicago, USAPublisher: IntellectPubDate: 2011PhysDes: 291 p. : ill. ; 24 cmSubject: NEW ZEALAND ; INDUSTRY, FILM. NEW ZEALAND ; INDUSTRY, TV. NEW ZEALAND ; MAORI IN FILMS ; SLEEPING DOGS (NZ, Roger Donaldson, 1977) ; VIGIL (NZ, Vincent Ward, 1984) ; NGATI (NZ, Barry Barclay, 1987) ; SHORTLAND STREET [TV] (NZ, 1992-) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; PIANO, THE (AT, Jane Campion, 1993) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; WHALE RIDER (NZ/GG, Niki Caro, 2002) ; BOY (NZ, Taika Waititi, 2010) Summary: "Despite the challenges arising from a limited population size and the difficulty of obtaining adequate funding, the film and television industries of New Zealand have been the source of significant creative achievement and profound cultural influence. Charting their emergence and subsequent development through five decades, New Zealand Film and Television: Institution, Industry and Cultural Change examines these two increasingly vibrant cultural and creative industries. Whilst there is a growing body of academic work on the film and television productions which have originated in New Zealand, relatively little exists that examines the specific cultural concerns, institutional objectives, policy directives, and industry practices that have shaped these productions. New Zealand Film and Television: Institution, Industry and Cultural Change aims to fill this gap."-BOOK BLURBNotes: includes glossary of Maori terms; includes bibliographical references; includes indexISBN: 9781841504575Contents: -- List of Illustrations -- Acknowledgements -- Glossary of Maori Terms -- List of Abbreviations -- Introduction -- 1. Television in the Era of Public Monopoly -- 2. Pioneers, Mavericks and the Inception of a National Cinema (1960-88) -- 3. Television, Neo-liberalism and the Advent of Competition (1988-99) -- 4. Neo-liberalism and the Consolidation of a National Film Industry (1988-97) -- 5. Television after 2000: Digital 'Plenty' in a Small Market -- 6. New Zealand and Internationalism (1998-2010) -- Conclusions -- References -- Index --
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The New Zealand film archive in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.22
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New Zealand notes in Australasian Cinema (Friday, 21-27/6/1985) vol.14 iss.10 p.5
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New Zealand Notes in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.7
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New Zealand Notes in Australasian Cinema (Friday, 21/12/1984) vol.13 iss.21-22 p.34
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New Zealand notes in Australasian Cinema (Friday, 30/11/1984) vol.13 iss.20 p.7
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New Zealand Notes in Australasian Cinema (16/9/1983) vol.12 iss.17 p.27
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New Zealand Notes in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.21
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New Zealand Notes in Australasian Cinema (24/6/1983) vol.12 iss.11 p.4
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New Zealand Notes in Australasian Cinema (29/4/1983) vol.12 iss.7 p.3
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New Zealand Notes in Australasian Cinema (11/3/1983) vol.12 iss.4 p.7
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New Zealand Notes in Australasian Cinema (11/2/1983) vol.12 iss.2 p.5
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New Zealand Notes : Wansbone, Ernie in Australasian Cinema (28/1/1983) vol.12 iss.1 p.10
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New Zealand Notes in Australasian Cinema (29/10/1982) vol.11 iss.19 p.14
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New Zealand Notes in Australasian Cinema (12/11/1982) vol.11 iss.20 p.8
Author: Wansbone, Ernie PhysDes: ArticleSubject: INDUSTRY, FILM. NEW ZEALAND ; ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; PARADISE (CN, Stuart Gillard, 1982) ; MERRY CHRISTMAS MR. LAWRENCE (UK/JA, Nagisa Oshima, 1983) Summary: Film news from New Zealand.
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New Zealand Notes in Australasian Cinema (27/8/1982) vol.11 iss.15 p.36
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New Zealand Notes in Australasian Cinema (23/7/1982) vol.11 iss.13 p.3
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New Zealand Notes in Australasian Cinema (23/07/1982) vol.11 iss.13 p.3
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New Zealand Notes in Australasian Cinema (25/6/1982) vol.11 iss.11 p.4-5
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New Zealand Notes in Australasian Cinema (18/6/1982) vol.11 iss.10 p.8
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New Zealand Notes in Australasian Cinema (16/4/1982) vol.11 iss.6 p.11
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New Zealand Notes in The Australasian Cinema (2/4/1982) vol.11 iss.5 p.11
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New Zealand slate spurred by Jackson in Encore (Feb 2000) vol.18 iss.1 p.13
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News in Lumiere (June 1970) vol.1 iss.1 p.44-46
PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; PORTER, ERIC Summary: News snippets. Includes information on screenings of Australian films associated with the NGV, annoucement of the formation of Endeavour Films, the onset of video, the opening of more Mole Richardson production studios, Eric Porter's latest project, and the expansion of Cinetec.
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News in Lumiere (October 1970) vol.1 iss.5 p.32-37
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News in Lumiere (November-December 1970) vol.1 iss.6 p.47-49
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News from Greater Union in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.19
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News from New Zealand in Australasian Cinema (22/7/1983) vol.12 iss.13 p.7
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NFA will train South-East Asians in Australasian Cinema (23/7/1982) vol.11 iss.13 p.1
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"Norman Loves Rose" synopsis in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.4
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Notes on Theory and the Autobiographical Documentary Film in America in Wide Angle (July 1993) vol.15 iss.3 p.21-36
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Nothing Short of a Miracle in Lumiere (October 1970) vol.1 iss.5 p.4-9
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NSW clubs hit by economic recession and random breath testing in Australasian Cinema (22/7/1983) vol.12 iss.13 p.4
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NT to draft industry plan in Encore (Jan 29, 1999) vol.17 iss.1 p.1
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newspaper article
Numbers games in Herald Sun (10/12/2016) p.60
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NZ Amalgamated theatres may grow in Australasian Cinema (12/11/1982) vol.11 iss.20 p.2
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NZ industry gets government boost in Encore (June 2000) vol.18 iss.5 p.11
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Online resource
annual report
NZ on Air Annual report / Broadcasting Commission = Ripoata a-tau / Te Kahui Irirangi Wellington, N.Z.: The Commission, [1990. Digital clippings file available
Call No: SEE STAFF; held 1997/98-2010/11; DIGITAL FILES; held 1989/90-2020/21CorpAuthor: New Zealand. Broadcasting CommissionPlace: Wellington, N.Z.Publisher: The CommissionPubDate: [1990PhysDes: v. : ill., ports. ; 29-30 cmSubject: INDUSTRY, FILM. NEW ZEALAND Notes: Title from cover; At head of title: NZ on Air = Irirangi te MotuISSN: 1171-1922LON: 8661461 8661461
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O'seas execs, farewell Joe McElligott, welcome Irving Cook in Australasian Cinema (Thursday, 10/5/ 1975) vol.3 iss.7 p.3
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Old debts: the unsung relationship between Australia's film and advertising industries in Studies in Australasian cinema (2008) vol.2 iss.1 p.33-45
Author: Crawford, Robert PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; ADVERTISING. AUSTRALIA ; HISTORY OF CINEMA. AUSTRALIA ; ADVERTISING. TV. AUSTRALIA ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; CROCODILE DUNDEE (AT, Peter Faiman, 1986) Summary: This study surveys the relationship that has developed between Australia's advertising and film industries from the early twentieth century to the present. Throughout this period there has been a continuous exchange of skills, talent and ideas between the two industries. While the flow has been two ways, it will be argued that the advertising industry's contribution to the film industry has been greater. Australia's advertising industry functioned as a nursery for the nation's film industry, identifying and training the nation's aspiring film-makers whilst providing them with access to a large audience. The globalization of both industries has similarly reinforced this relationship, ensuring that the film industry remains indebted to its commercial cousin. -- Abstract
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Interim
book
On cinema / by Vincent Porter London: Pluto Press, 1985.
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Interim
serial
On screen Brisbane, Queensland: Pacific Film and Television Commission, 2002.
Call No: Edition no. 1 Jan-Feb 2002CorpAuthor: Pacific Film & Television CommissionSource: ATPlace: Brisbane, QueenslandPublisher: Pacific Film and Television CommissionPubDate: 2002Subject: INDUSTRY, FILM. AUSTRALIA : QUEENSLAND Notes: Cover title: Getting ideas On Screen: news & views from Queensland's Pacific Film & Television CommissionOrder Notes: Current
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The one and only Edward Yang / Bryan Chang (ed.), Li Cheuk-to(ed.), Ho Wai-leng(ed.), Gary McDonogh(ed.) Hong Kong: Hong Kong International Film Festival Society, 2008.
Call No: 81YAN CHAAuthor: Chang, Bryan (ed.) and Li, Cheuk-to (ed.) Edition: 1st ed.Source: HKPlace: Hong KongPublisher: Hong Kong International Film Festival SocietyPubDate: 2008PhysDes: 144p.; col. ill. : 26cmSeries: HKIFF Society Series, no. 9, March 2008Subject: INDUSTRY, FILM. ASIAN COUNTRIES ; YANG, EDWARD ; HAI-T'AN-TE YI-T'IEN (TZ, Yang Teh-Chang, 1983) ; DULI SHIDAI (TZ, Edward Yang [pseud. Yang Teh-Chang], 1994) ; GUANG YIN DE GU SHI (TZ, Edward Yang, 1982) ; QING MEI ZHU MA (TZ, Edward Yang, 1985) ; KONG BU FEN ZI (TZ, Edward Yang, 1986) ; GU LING JIE SHAO NIAN SHA REN SHI JIAN (TZ, Edward Yang, 1991) ; MA JIANG (TZ, Edward Yang, 1996) ; YI YI (TZ, Edward Yang, 2000) ; WINTER OF 1905, THE / WIND, THE (TZ, Edward Yang, 2004) ; [ELEVEN] 11 WOMEN: FLOATING WEEDS, PART 1 & 2 (TZ, Edward Yang, 1982) Summary: Collection of interviews, essays, film notes and some of Yang's short stories, this is a tribute to the work of a prolific Asian film-maker.Contains synopsis of films, a bio-filmography and both colour and black and white illustrations. In both Chinese and English translations.Notes: English and Chinese; Bio-filmography: p.140-143ISBN: 9789889918149Language: English; Chinese
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One-Armed Boxer in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.9
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Only A Beginning in Lumiere (September 1970) vol.1 iss.4 p.6-9
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Optimism at box-office with upgraded cinemas in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.4
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OS work boosts travel : feature - travel, transport & hire in Encore (June 2000) vol.18 iss.5 p.28-29
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The Other Fassbinder in Wide Angle (January 1990) vol.12 iss.1 p.[whole issue]
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Our industry faced with unique problems in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.4
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Out from nowhere : Pakeha anxieties in Ngati (Barclay, 1987), Once were warriors (Tamahori, 1994) and Whale rider (Caro, 2002) in Studies in Australasian cinema (2009) vol.3 iss.3 p.239-250
Author: Joyce, Hester PhysDes: ArticleSubject: INDUSTRY, FILM. NEW ZEALAND ; MAORI IN FILMS ; NATIONAL CULTURE AND THE CINEMA. NEW ZEALAND ; IMPERIALISM AND THE CINEMA ; NGATI (NZ, Barry Barclay, 1987) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; WHALE RIDER (NZ/GG, Niki Caro, 2002) Summary: This article explores the development of New Zealand cinema as one of unease, as reflective of the disintegration of the utopian dream inherent in the founding settler era. It examines three films from consecutive decades, Ngati (Barclay, 1987), Once Were Warriors (Tamahori, 1994) and Whale Rider (Caro, 2002), and compares representations of Maori as illustrative of Pakeha (white settler) anxieties about Maori/Pakeha relations. It argues that while Ngati and Once Were Warriors contain elements of postcolonial critique, Whale Rider returns to a model of segregation, invoking spirituality of Maori as nostalgia for a lost utopian past. -- Abstract
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Outlaw masters of Japanese film / Chris D London ; New York: I.B. Tauris, 2005.
Call No: 802.25(52) DESAuthor: D., Chris [Desjardins, Chris] Source: UK/USPlace: London ; New YorkPublisher: I.B. TaurisPubDate: 2005PhysDes: ix, 262 p. : ill. ; 25 cmSubject: JAPAN ; INDUSTRY, FILM. JAPAN ; KINJI FUKASAKU ; SUZUKI, SEIJUM ; MIIKE TAKASHI Summary: This book offers an extraordinary close-up on the golden age of Japanese cult, action and exploitation cinema from the early 1950s through to the late 1970s, and up to the present dayNotes: Includes index.; Includes bibliographical references (p. 256-257); Includes filmographies.ISBN: 9781845110864Contents: 1. Kinji Fukasaku -- 2. Eiichi Kudo -- 3. Shinichi 'Sonny' Chiba -- 4. Meiko Kaji -- 5. Junya Sato -- 6. Kihachi Okamoto -- 7. Kazuo Ikehiro -- 8. Masahiro Shinoda -- 9. Yasuharu Hasebe -- 10. Seijun Suziki -- 11. Teruo Ishii -- 12. Koji Wakamatsu -- 13. Takashi Miike -- 14. Kiyoshi Kurosawa -- Appendices -- Selected bibliographyID2: 291
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Outward-looking Australian cinema in Studies in Australasian cinema (2010) vol.4 iss.3 p.199-214
Author: Goldsmith, Ben PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; PRODUCTION DEALS. AUSTRALIA ; DISTRIBUTION. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA Summary: The writer examines how dynamic and shifting relations between the local/national and the international have transformed the ways in which people think about what constitutes Australian cinema. Noting that over the last 20 years or so, Australian cinema's international relations in production and policy have expanded and become more complex, while those with Hollywood have been transformed, he illustrates how relations of commonality and continuity with the international called up in the new arrangements challenge the dominant articulation in policy of difference from other kinds of filmmaking as the basis of Australian cinema. -- Provided by publisher
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Over $1m paid under public lending right scheme in Australasian Cinema (16/01/1982) vol.11 iss.12 p.3
PhysDes: ArticleSubject: GOVERNMENT AID. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA Summary: Article on the monetary payback for 1981-82 for the Public Lending Right Scheme which protects writers and publishers from loss of funds when their works are found in libraries.
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The overlanders: between nations in Studies in Australasian cinema (2007) vol.1 iss.1 p.79-89
Author: Williams, Deane PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; OVERLANDERS, THE (UK, Harry Watt, 1946) Summary: This article argues that Harry Watt's The overlandrs (1946), an Ealing Studios film shot in Australia, should be understood as an international film product, one with a foot in the post-war cultural histories of both Australia and Britain. In this sense the film requires different reading strategies to those used within a national cinema framework. The article resists 'settling' the account, or justifying the film's raison d'etre with respect to only one of nationalist discourse, arguing that a reliable and truthful account of The overlanders will always be a composite one. -- Abstract
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Overseas actors banned : Actors Equity moves... in Australasian Cinema (28/1/1983) vol.12 iss.1 p.2
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Overseas participation in film and television program production in Australia : a symposium held at the Australian Government Centre, Sydney, on 21 July 1974 / Symposium on Overseas Participation in Film and Television Program Production in Australia (1974 : Sydney, N.S.W.) [North Sydney]: Dept. of the Media, [1974].
Call No: 212.1(94) OVESource: ATPlace: [North Sydney]Publisher: Dept. of the MediaPubDate: [1974]PhysDes: 1 v. (various foliations) ; 30 cmSubject: COPRODUCTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; PRODUCTION DEALS. AUSTRALIA ; PRODUCTION, TV. AUSTRALIA ; PRODUCTION. AUSTRALIA ; AUSTRALIAN FILM DEVELOPMENT CORPORATION ; MOTION PICTURE DISTRIBUTORS ASSOCIATION. AUSTRALIA ; AUSTRALIAN WRITERS GUILD Contents: Opening address / James H Oswin, Secretary, Department of the Media and Chairman of the Symposium -- Paper on behalf of the Federation of Australian Commercial Television stations / Leonard Mauger -- Paper on behalf of the Australian Film Council / Anthony Buckley -- Paper on behalf of the Motion Picture Distributors' Association of Australia / Noel Ford -- Paper on behalf of the Film Production Association of Australia / John Daniell -- Paper on behalf of the Australian Writers Guild / Ted Roberts -- Paper on behalf of the Australian Film Development Corporation / Thomas Stacey -- Paper on behalf of the Producers' and Directors' Guild of Australia / Thomas Jeffrey -- Paper on behalf of the Australian Theatrical and Amusement Employees' Association / John McQuaid -- Summary of General Discussion -- List of participants
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The Oxford handbook of Japanese cinema / edited by Daisuke Miyao New York: Oxford University Press, 2014.
Call No: 71(52) OXFSource: USPlace: New YorkPublisher: Oxford University PressPubDate: 2014PhysDes: xii, 483 pages : illustrations ; 25 cmSeries: Oxford handbooks of literatureSubject: JAPAN ; CULTURE AND THE CINEMA. JAPAN ; INDUSTRY, FILM. JAPAN ; ANIME ; MANGA ; TSUKAMOTO SHINYA ; MIIKE TAKASHI ; MIZOGUCHI KENJI ; YASUJIRO OZU Summary: Features twenty essays, all by leading researchers in the field, that provide the reader with a multifaceted single-volume account of Japanese cinema
Engages in debates about what Japanese cinema is, where Japanese cinema is, as well as what and where Japanese cinema studies is
The reality of transnational innovation and dissemination of new technologies, including digital media, has yet to make a dent in the deep-seated culturalism that insists on reinscribing a divide between the West and Japan, even in realms of technological activity that are quite evidently dispersed across cultures. Film and media studies are not immune to this trend. They continue to fret over the "Westernness" of film technologies vis-à-vis the apparently self-evident "Japaneseness" of other modes of cultural production. The main goal of The Oxford Handbook of Japanese Cinema is to counter this trend toward dichotomizing the West and Japan and to challenge the pervasive culturalism of today's film and media studies. This volume addresses productive debates about what Japanese cinema is, where Japanese cinema is, and where Japanese cinema is going at the period of crisis of national boundary under globalization. In order to do so, this volume attempts to foster dialogue between Japanese scholars of Japanese cinema, film scholars of Japanese cinema based in Anglo-American and European countries, film scholars of non-Japanese cinema, film archivists, film critics, and filmmakers familiar with film scholarship. [Extract taken from publisher's website]Notes: Includes bibliographical references and indexISBN: 9780199731664Contents: -- Introduction -- What is Japanese cinema studies?: Japanese cinema and cinema studies. Japanese film without Japan: toward an undisciplined film studies / Eric Cazdyn -- Triangulating Japanese film style / Ben Singer -- Critical reception: historical conceptions of Japanese film criticism / Aaron Gerow -- Creating the audience: cinema as popular recreation and social education in modern Japan / Hideaki Fujiki -- What is Japanese cinema?: Japanese cinema and the transnational network. Adaptation as "transcultural mimesis" / Michael Raine -- The edge of montage: a case of modernism/modanizumu in Japanese cinema / Chika Kinoshita -- Nationalizing Madame Butterfly: the formation of female stars in Japanese cinema / Daisuke Miyao -- Performing colonial identity: Byeonsa, colonial film spectatorship, and the formation of national cinema in Korea under Japanese colonial rule / Dong Hoon Kim -- Outpost of hybridity: Paramount's campaign in Japan, 1952-1962 / Hiroshi Kitamura -- Erasing China in Japan's "Hong Kong films" / Kwai Cheung Lo -- The emergence of the Asian Film Festival: Cold War Asia and Japan's re-entrance to the regional film industry in the 1950s / Sang Joon Lee -- Yamagata "Asia" Europe: International Film Festival short-circuit / Abe´ Mark Nornes -- What Japanese cinema is!: Japanese cinema and the intermedial practices. Nitrate film production in Japan: a historical background of the early days / Okada Hidenori ; translated by Ayako Saito -- Sketches of silent Film sound in Japan: theatrical functions of ballyhoo, orchestras and Kabuki ensembles / Shuhei Hosokawa -- The Jidaigeki film genre: Twilight Samurai and its contexts / Yamamoto Ichiro ; translated by Diane Wei Lewis -- Occupation and memory: the representation of woman's body in postwar Japanese cinema / Ayako Saito -- reading Nishijin (1961) as cinematic memory / Mitsuyo Wada-Marciano -- by other hands: environment and apparatus in 1960s intermedia / Miryam Sas -- viral contagion in the Ringu intertext / Carlos Rojas -- media mix and the metaphoric economy of world / Alexander Zahlten -- index --ID2: 291
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Oz 8th in world film rentals in Australasian Cinema (14/5/1982) vol.11 iss.8 p.1
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Oz attends MIP-TV in Australasian Cinema (14/5/1982) vol.11 iss.8 p.5
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Oz film "We of the Never Never" for nat'l release in Australasian Cinema (10/9/1982) vol.11 iss.16 p.1
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Oz films at MIFED '82 in Australasian Cinema (15/10/1982) vol.11 iss.18 p.4
PhysDes: ArticleSubject: MEGALOMEDIA [TV] (AT, Bruce Petty, 1981) ; DEADLY HARVEST, THE (AT, Charles Stewart, 1981) ; SHIFTING DREAMING, A (AT, Bob Plasto, 1982) ; AUSTRALIAN FILM COMMISSION ; INDUSTRY, FILM. ITALY ; INDUSTRY, FILM. AUSTRALIA Summary: Article on the Australian representation at the 1982 Mercato Internazionale del Film, del TV Film e del Documentario in Milano, Italy.
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Oz in for savage satire on UK lifestyle in Australasian Cinema (14/5/1982) vol.11 iss.8 p.5
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Oz 'World Safari II' picks up US awards in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.1
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Ozpix Unlimited in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.3
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Ozploitation compared to what? : A challenge to contemporary Australian film studies. in Studies in Australasian Cinema (2010) vol.4 iss.1 p.9-21
Author: Martin, Adrian PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; GENRES. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; NOT QUITE HOLLYWOOD (AT, Mark Hartley, 2008) Summary: Discussion of critical attention given to 'Ozploitation' films particularly after 'Not Quite Hollywood'. Martin argues suggests current focus on this repressed strain of national cinema excludes many genres and therefore provides limited insight into Australian cinema.Notes: Australian exploitation cinema of the 1970s and 1980s has swiftly become a fashionable topic for analysis, rehabilitation and celebration, especially in the wake of the popular documentary Not Quite Hollywood featuring Quentin Tarantino. Is this Australian cinema's ‘return of the repressed’, at last, in the form of tough, vulgar, anarchic genre pictures – and does this show the way forward for our national cinema? This essay questions many aspects of the ‘Ozploitation’ craze, including its exclusion of art, intellectual or experimental cinema, and its peculiar streamlining of an extremely variegated and still obfuscated national film history. In particular, I argue for a comparative approach to national film cultures – which, in this case, would compel us to ask other, more stringent questions about the ultimate value of the currently baptized Ozploitation ‘classics’. -- ABSTRACT
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The Paramount story / John Douglas Eames London: Octopus Books, 1985.
Call No: 19PAR EAM; FOLIOAuthor: Eames, John Douglas, 1915 Source: UKPlace: LondonPublisher: Octopus BooksPubDate: 1985PhysDes: 368 pages : illustrations ; 33 cmSubject: HISTORY OF CINEMA ; INDUSTRY, FILM. USA ; PRODUCTION CENTRES : HOLLYWOOD ; PARAMOUNT STUDIOS ; STAR SYSTEM Summary: "The endless parade of Paramount hits, ranging from the first full-length film made in Hollywood - THE SQUAW MAN in 1913 - and the first winner of an Academy Award - WINGS in 1928 - to the blockbusters of the Eighties, and the blazing galaxy of Paramount stars, from Mary Pickford to Meryl Streep, Rudolph Valentino to Eddie Murphy, are fully documented in this indispensable book. Its lavish illustrations, in themselves a collection of collector's items, are an irresistable added attraction." [Taken from book jacket]Notes: Includes indexes; Filmography: p. 323-344ISBN: 0706420578LON: 4496946 4496946Contents: Preface and acknowledgements -- Introduction - the men who made Paramount --; 1916-1925: the best show in town -- 1926-1935: revolution and downfall -- 1936-1957: the mountain rises again -- 1958-1984: the big money --; The rest of 'the best shows in town' (1916-1925) -- Academy nominations and awards -- Index of films -- Index of personnelID2: 229
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Passing of J. W. (Bill) Heffron in Australasian Cinema (28/5/1982) vol.11 iss.9 p.7
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Peter Carey's and Ray Lawrence's Bliss (1985) : fiction, film and power in Studies in Australasian cinema (2009) vol.3 iss.3 p.279-294
Author: Dixon, Robert PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; CONSUMERISM IN FILMS ; BLISS (AT, Ray Lawrence, 1985) Summary: This article looks into the uncertain cultural politics of Ray Lawrence's 1985 film adaptation of Peter Carey's Bliss (1981) perhaps one reason for critical reticence about it to examine the functioning of the film as a critique of the options aesthetic, commercial and political within the inherited aesthetic force field of the period. The film is considered in two ways: first, with regard to the question of why Bliss has come to be regarded as a key film in the story of the Australian movies, as a kind of liberation point a leap away from naturalism and the historical realism of the new wave of the 1970s (Byrnes 2008); and second, with regard to its main theme, the satiric treatment of advertising, American consumerism and commodity culture. What lies at the heart of this is the complex relationship between representation and power, and this will be considered in terms of the paradox that Blisscriticizes consumerism while being aware of its own aspirations as a commercial feature film, and therefore a commodity. This is what is meant by the film's uncertain cultural politics: the paradox arises from the fact that cinema is both an artistic and a commercial medium; as a culture-industry, it seeks to criticize the commercial processes in which it is itself embedded. -- Abstract
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Peter Dodds' Lost in the Bush in Lumiere (October, 1973) iss.28 p.18-19
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Peter Weir : a creative journey from Australia to Hollywood / by Serena Formica Bristol ; Chicago: Intellect Books, 2012. Available at ProQuest (RMIT login required)
Call No: 81WEI FORAuthor: Formica, Serena Source: USPlace: Bristol ; ChicagoPublisher: Intellect BooksPubDate: 2012PhysDes: vii, 202 p. : ill. ; 23 cmSubject: AUTEUR THEORY ; INDUSTRY, FILM. AUSTRALIA : NEW SOUTH WALES ; WEIR, PETER ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; WITNESS (US, Peter Weir, 1985) ; TRUMAN SHOW, THE (US, Peter Weir, 1998) Summary: "The cinematic output of Australian director Peter Weir has garnered numerous awards and widespread critical acclaim-from his early short films of the 1970s to the Hollywood hits he's helmed since 1985, including the likes of Witness, Dead Poets Society, The Truman Show, and Master and Commander.
Drawing on contemporary concepts from transnational cinema studies, this book investigates Weir's entire three-decade career, paying particular attention to his journey from his native Sydney, with its largely auteur-driven national cinema, to the miltimillion-dollar Hollywood film industry with its many genre conventions. Along the way, the author explores a host of questions accompanying this move, including Weir's status as a transnational filmmaker and a more generalised discussion of the critically controversial idea of the auteur. Rounding out this volume are interviews with leading Hollywood filmmakers who discuss Weir's work."-BOOK BLURBNotes: Includes bibliographical references (p. 173-193) and filmography (p. 195-202)ISBN: 9781841504773Contents: -- acknowldegments -- Introduction -- Migrations and transnationalism in the cinema -- Perspectives on Peter Weir -- Australian production context in the 1970s and early 1980s -- Peter Weir's four key steps from Australia to Hollywood -- Conclusions -- Bibliography -- Appendix 1: Filmography - main credits -- Appendix 2: Films made in Hollywood by Australian directors --URL status: URL: 'https://ebookcentral.proquest.com/lib/rmit/detail.action?docID=1069409'
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Peter Weir in Lumiere (March, 1973) iss.21 p.4-7
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Peter Weir begins his next picture in The Australasian Cinema (5/3/1982) vol.11 iss.3 p.2
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Phillip Adams a guest speaker at M.P.E.A.Q's 41st convention in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.10
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Pioneer meeting goes with a bang in Australasian Cinema (16/4/1982) vol.11 iss.6 p.2
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Piracy plundering plummeting in Australasian Cinema (15/7/1983) vol.12 iss.12 p.4
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Please Note in Australasian Cinema (29/10/1982) vol.11 iss.19 p.4
PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA Summary: Announcement of the ceasing of Regent Trading Enterprises acting on behalf of Greg Lynch Film Distributors Pty. Ltd. in New South Wales.
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Police sink private film ring in Australasian Cinema (27/8/1982) vol.11 iss.15 p.24
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A policy of significance in Australasian Cinema (15/7/1983) vol.12 iss.12 p.31
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Politics : Industry Censures Howson in Lumiere (November-December 1971) iss.12 p.21-22
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Post-war Italian Cinema in Lumiere (June, 1973) iss.24 p.14-15
Author: Williams, Ross PhysDes: ArticleSubject: VISCONTI, LUCHINO ; ROSSELLINI, ROBERTO ; FELLINI, FEDERICO ; ANTONIONI, MICHELANGELO ; NEOREALISM ; INDUSTRY, FILM. ITALY Summary: Article on the post-war, neo-realist Italian cinema of Visconti, Fellini, Rossellini, Antonioni.
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Primitive passions : visuality, sexuality, ethnography, and contemporary Chinese cinema / Rey Chow New York: Columbia University Press, 1995.
Call No: 408.1(51) CHOAuthor: Chow, Rey Place: New YorkPublisher: Columbia University PressPubDate: 1995PhysDes: xiv, 252 p. ; 24 cmSeries: Film and cultureSubject: INDUSTRY, FILM. CHINA ; CITY OF SADNESS, A [ ; CHINA IN FILMS ; ZHANG, YIMOU ; HAIZI WANG (CC, Chen Kaige, 1988) ; LAO JING (CC, Tianming Wu, 1987) ; HUANG TUDI (CC, Chen Kaige, 1985) Notes: Includes bibliographical references (p. [203]-243) and indexISBN: 0231076827 (acid-free paper); 0231076835 (pbk.)LON: 94027796; 11040898Contents: Part 1: Visuality, Modernity, and Primitive Passions -- Part 2: Some Contemporary Chinese Films -- 1. Digging an Old Well: The Labour of Social Fantasy -- 2. Silent is the Ancient Plain: Music, Filmmaking, and the Concept of Social Change in the New Chinese Cinema -- 3. Male Narcissism and National Culture: Subjectivity in Chen Kaige's King of the Children -- 4. The Force of Surfaces: Defiance in Zhang Yimou's Films -- Part 3: Film as Ethnography; or, Translation Between Cultures in the Postcolonial World
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Prince Charles to attend Royal Premier of "To The Ends Of The Earth" in Australasian Cinema (11/3/1983) vol.12 iss.2 p.2
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Prod. start for Randal Kleiser's "Grandview, USA" in Australasian Cinema (22/7/1983) vol.12 iss.13 p.2
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Production directory 2000 for Victoria / Melbourne Film Office Melbourne: Melbourne Film Office, 2000.
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Production directory 2003:2004 for Victoria / Melbourne Film Office Melbourne: Melbourne Film Office, 2000.
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Production notes on new Oz film- "Stanley" in Australasian Cinema (15/7/1983) vol.12 iss.12
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Production notes- "Stanley" in Australasian Cinema (16/9/1983) vol.12 iss.17 p.24
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Profile: Director Lindsay Anderson in Australasian Cinema (16/07/1982) vol.11 iss.12 p.28
PhysDes: ArticleSubject: ANDERSON, LINDSAY ; CRITICISM ; THEORY ; LOOK BACK IN ANGER (UK, Tony Richardson, 1959) ; RICHARDSON, TONY ; REISZ, KAREL ; INDUSTRY, FILM. UK ; O LUCKY MAN! (UK, Lindsay Anderson, 1973) ; BRITANNIA HOSPITAL (UK, Lindsay Anderson, 1982) Summary: Article on Lindsay Anderson, covering his writings for Sequence, his work with Richardson and Reisz in the 'British New Wave', his short documentaries, and his feature films.
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Profile: Gillian Armstrong : Director of "Starstruck" in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.25
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Profile of this years convention speakers in Australasian Cinema (15/7/1983) vol.12 iss.12 p.9
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Programs of assistance / Arts Tasmania Hobart : Arts Tasmania, 1998:
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Projected Backwards into the Future : Cinemedia's Platform 1.0 on Federation Square in Wide Angle (January 1999) vol.21 iss.1 p.168-180
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Projections 15 : European cinema / edited by Peter Cowie and Pascal Edelmann London: Faber and Faber, 2007.
Call No: 802 PRO v.15Author: Cowie, Peter; Edelmann, Pascal Source: UKPlace: LondonPublisher: Faber and FaberPubDate: 2007PhysDes: xxxii, 356 pages : illustrations ; 21 cmSubject: DOGMA ; EUROPEAN CINEMA ; FILMMAKING ; FILM STUDY AND RESEARCH ; HOMOSEXUALITY AND THE CINEMA ; INDEPENDENT FILMS ; INDUSTRY, FILM. EUROPEAN COUNTRIES ; ALMODOVAR, PEDRO ; ANGELOPOULOS, THEO ; BARDEM, JAVIER ; BERGMAN, INGMAR ; BERTOLUCCI, BERNARDO ; CANTET, LAURENT ; DARDENNE, JEAN-PIERRE & LUC ; HOLLAND, AGNIESZKA ; JACOB, IRENE ; LOACH, KENNETH ; MAKAVEJEV, DUSAN ; MOREAU, JEANNE ; DE OLIVEIRA, MANOEL ; OZON, FRANCOIS ; RIKLIS, ERAN ; STORARO, VITTORIO ; STEEN, PAPRIKA ; SZABO, ISTVAN ; TANOVIC, DANIS ; THOMAS, JEREMY ; ULLMANN, LIV ; Wenders, Wim ; WINTERBOTTOM, MICHAEL ; SAVRSENI KRUG (BS/FR/NE, Ademir Kenovic, 1997) Summary: "This volume features articles with leading directors, writers, producers, actors, cinematographers, critics, directors of festivals and cinema institutions - as well as audience members from across the wide swathe of Europe - in which they discuss the question: What is a European film?" -Book blurbNotes: Contains a foreword by British critic Derek Malcolm; Cover and spine title: Projections + the European Film AcademyISBN: 9780571235292Contents: Acknowledgements -- A note on the editors -- Foreword by Derek Malcolm -- Introduction -- A family affair: Uniting the talents of Europe - by Peter Cowie -- Ingmar's dream -- The European Film Academy - a conversation with Istvan Szabo -- Dreamland Europe -- What's so European about us? - by Wim Wenders -- The land of dreams - by Manoel de Oliveira -- How Bergman can change your life - by Gunnar Bergdahl -- The poetic power of Theo Angelopoulos - by Michel Ciment -- Cinema as a way of life - notes from a conversation with Jeanne Moreau -- The meaning of light - a conversation with Vittorio Storaro -- A greater Europe -- A voice from Central Europe - an interview with Agnieszka Holland -- Filming to survive - an interview with Ademir Kenovic -- The idealist - an interview with Danis Tanovic -- A question of honesty - an interview with Cristi Puiu -- Being Hungarian - an email interview with Gyorgy Palfi -- Thoughts from Russia - by Ilya Khranovsky -- Slow train to Europe - by Eran Riklis -- Acting European -- Being an actor is to recognise and to be recognised - by Liv Ullmann -- Actresses are much more intelligent - an interview with Francois Ozon -- Between two countries - an interview with Daniel Bruhl -- Someone has to carry the baby - an interview with Irene Jacob -- Talking to an addict - an interview with Jalil Lespert -- Finding a new approach: Dogma -- A new wave in Danish cinema - by Henning Camre -- A curse and a blessing - an interview with paprika Steen -- European success stories -- Dedicated to auteur cinema - an interview with Margaret Menegoz -- All about Almodovar - by Vincente Molina Foix -- A new kind of scene - an interview with Dieter Kosslick -- A mirror of the world we live in - an interview with Bernardo Bertolucci -- A cinema for our time: the documentary - by Thierry Garrel -- The fiction of reality - by Nino Kirtadze -- Out of the closet: queer cinema -- Things can change - an interview with Wieland Speck -- A journey of twenty years of lesbian film - by Silke Brandt -- Reinventing yourself - an interview with Constantine Giannaris -- Going independent was the best idea - an interview with Ventura Pons -- No more drama, please! - an interview with Jacques Martineua and Olivier Ducastel -- A regional matter: local heroes -- A touchstone of reality - an interview with Ken Loach -- An opportunity to resist - an interview with Jean-Pierre and Luc Dardenne -- A world without red and blue - an interview with Florian Henckel von Donnersmarck -- France isn't Paris - an interview with Laurent Cantet -- Hard work - an interview with Javier Bardem and Fernando Leon de Aranoa -- Independent and successful? -- Catching the moment - an interview with Dusan Makavejev -- An almighty task - an interview with Jeremy Thomas -- Making political films - an interview with Michael Winterbottom -- Understanding different cultures - an interview with Marco Muller -- An uphill battle - an interview with Jean-Marc Barr -- A ray of sunshine in a cold country - an interview with Baltasar Kormakur -- My own cinema -- Films that European film-makers would screen -- The audience: who sees these films? -- Voices from the cinema-loving public across Europe -- European networks - by Martin Blaney -- The MEDIA programme of the EU -- Eurimages -- European film promotion -- The European Film Academy -- Appendix 1: The European Film Awards - All winners 1988-2006 -- Appendix 2: founding members of the EFA
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Projects approved by the AFC Sept., Oct., Nov., 1982 in Australasian Cinema (28/1/1983) vol.12 iss.1 p.11
PhysDes: ArticleSubject: AUSTRALIAN FILM COMMISSION ; AUSTRALIAN FILM COMMISSION. WOMEN'S FILM FUND ; AUSTRALIAN FILM COMMISSION. CREATIVE DEVELOPMENT FUND ; INDUSTRY, FILM. AUSTRALIA ; FAST TALKING (AT, Ken Cameron, 1984) ; SILVER CITY (AT, Sophia Turkiewicz, 1984) ; ONE NIGHT STAND (AT, John Duigan, 1984) ; UNDERCOVER (AT, David Stevens, 1983) ; WINDS OF JARRAH (AT, Mark Egerton, 1983) ; FLUTEMAN (AT, Peter Maxwell, 1982) ; MOVING OUT (AT, Chris Warner & Mandy Smith, 1986) ; PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982) ; ON GUARD (AT, Susan Lambert, 1984) ; PIANOFORTE: PUSSY PUMPS UP (AT, Antoinette Starkiewicz, 1987) ; CLEANING, THE (AT, Robert Grant, 1984) ; BOXER (AT, Laurie McInnes, 1984) Summary: List of films approved for Australian Film Commission funding.
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Projects Development Fund : Script Development in Australasian Cinema (12/11/1982) vol.11 iss.20 p.4-5
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PSO and Delphi companies merge in Australasian Cinema (Friday, 30/11/1984) vol.13 iss.20 p.2, 5
Subject: INDUSTRY, FILM ; PRODUCTION Summary: Article on the merging of Producers Sales Organisation and Delphi, a brief history on each company and the $350 million pledge for five years of film production.
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PSO Delphi and Titanus in major dist. co-prod. deal in Australasian Cinema (Friday, 21-27/6/1985) vol.14 iss.10 p.2
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"Puberty Blues" passes $1m. in Australasian Cinema (18/6/1982) vol.11 iss.10 p.1
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Publishing & Broadcasting Video and SAFC announce major video distribution deal in Australasian Cinema (18/6/1982) vol.11 iss.10 p.2
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Queensland film news Brisbane, Qld.: Pacific Film and Television Commission,
Call No: held winter 1994-March 1998CorpAuthor: Pacific Film and Television CommissionSource: ATPlace: Brisbane, Qld.Publisher: Pacific Film and Television CommissionPhysDes: v. : col. illSubject: PACIFIC FILM AND TELEVISION COMMISSION ; INDUSTRY, FILM. AUSTRALIA : QUEENSLAND Notes: Continued by: Queensland Production News; Description based on: Winter 1994LON: abn97053193; 13030043
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Queensland fund hits $15million in Encore (12 Feb, 1999) vol.17 iss.2 p.18
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Queensland images : in film and television / edited by Jonathan Dawson and Bruce Molloy St. Lucia, Qld.: University of Queensland Press, 1990.
Call No: 71(943) QUECopy Management: Copy 1; Copy 2Author: Dawson, Jonathan ; Molloy, Bruce Place: St. Lucia, Qld.Publisher: University of Queensland PressPubDate: 1990PhysDes: xii, 180 p., [16] p. of plates : ill., ports. ; 22 cmSubject: INDEPENDENT PRODUCTION. AUSTRALIA: QUEENSLAND ; COMMERCIALS, TV. AUSTRALIA: QUEENSLAND ; MYTH AND THE CINEMA. AUSTRALIA: QUEENSLAND ; DOCUMENTARIES. AUSTRALIA QUEENSLAND ; INDUSTRY, FILM. AUSTRALIA : QUEENSLAND ; SOCIETIES, FILM. AUSTRALIA: QUEENSLAND ; QUEENSLAND ; AUSTRALIAN BROADCASTING CORPORATION ; QUEENSLAND FILM CORPORATION ; MCKIMMIE, JACKIE ; BURNE, GEORGE ; BANNAH, MAX ; MORRIS, MONTY ; MARKS, DICK ; BUDDIES (AT, Arch Nicholson, 1983) ; COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984) ; MISSION: IMPOSSIBLE [TV] (US, 1966-73, 1988-) ; CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987) ; SONS OF MATTHEW (AT, Charles Chauvel, 1949) Notes: Bibliography: p. [177]-180ISBN: 070222331X (pbk.) : $24.95LON: abn90164773; 7319368
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Queensland premiere goes all the way with "The Man from Snowy River" in Australasian Cinema (28/5/1982) vol.11 iss.9 p.4-5
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Queensland production directory Brisbane: Pacific Film and Television Commission,
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Queensland production news Brisbane, Qld : Pacific Film and Television Commission:
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Queensland to have $15m film studio in Australasian Cinema (11/3/1983) vol.12 iss.4 p.1
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Raferty's Rules : Censorship in Lumiere (June 1970) vol.1 iss.1 p.11-13
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Raoul Walsh : the true adventures of Hollywood's legendary director / wrtitten by Marilyn Ann Moss Kentucky: University of Kentukey Press, c2011.
Call No: 81WAL MOSAuthor: Moss, Marilyn Ann Source: USPlace: KentuckyPublisher: University of Kentukey PressPubDate: c2011PhysDes: xiv, 482 p., [28] p. of plates ; 25cmSeries: Screen classicsSubject: INDUSTRY, FILM ; WALSH, RAOUL Summary: "With more than 150 films to his credit and a career spanning almost six decades, Raoul Walsh (1887 - 1980) is one of the most enduring icons of classic Hollywood. Known for his elaborate action movies, large-scale outdoor pictures, and solitary heroes on the run, the director, actor, writer, and producer became popular for his adventure films, which attracted audiences with spectacular tales of exploration and daring characters. In Raoul Walsh: The True Adventures of Hollywood's Legendary Director, Marilyn Ann Moss chronicles the career of one of the film industry's early mavericks, delving into his unique filmmaking style, his personal life, and his public image." -- BOOK JACKETNotes: Formerly CIP; Includes bibliographical references and indexISBN: 9780813133935Donation: Donated by Senses of CinemaContents: acknowledgments -- prologue : a wild ride -- Becoming Raoul Walsh -- Griffith and beyond: the apprenticeship years -- Leaning forward at Fox -- The dagger, the sword, and the gun -- Pre-code Walsh : the big camera -- Salt of the earth -- Beshert : the early Warner Bros. years -- Out of the night : at home at Warner Bros. -- One thousand and one nights with Errol Flynn -- In love and war -- Oedipus wrecked : the late 1940s at Warner Bros. -- By land and by sea -- Reverie -- His kind of women -- The adventure is larger than the man -- Epilogue : Walsh's American scene -- filmography -- notes -- selected bibliography -- index --
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Ray Stark elected a director of Columbia Pictures Industries in Australasian Cinema (25/2/1983) vol.12 iss.3 p.2
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Ray Stevenson delivers address to MPEAQ convention in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.16
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Records still fall for "Comin' At Ya" in 3-D in Australasian Cinema (27/8/1982) vol.11 iss.15 p.13
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Redford's Hollywood Bar opens in Brisbane in Australasian Cinema (16/7/1982) vol.11 iss.12 p.33
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A reel deal for cultural change in The Australian (5/04/2017) p.14
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Reel power : the struggle for influence and success in the new Hollywood / by Mark Litwak Somerset: Sidgwick & Jackson, 1987.
Call No: 201(73) LITAuthor: Litwak, Mark Source: UKPlace: SomersetPublisher: Sidgwick & JacksonPubDate: 1987PhysDes: 336 p. ; 24 cmSubject: INDUSTRY, FILM. USA Summary: Reel power documents the triumph of deal-making over film-making, showing how quality and even commerical appeal have been subordinated to the deals, the connections, the power plays, the ego trips. Inside the complex, labyrinthine, unavoidably political world of the movies, those who succeed are not the most talented and intelligent, but the most tenacious and savvy. The films theselves are increasingly a homogenized product designed for mass consumption as the studios vie to create the next blockbuster.
Reel power is indispensible reading for anyone in the film business, anyone interested in learning how the business functions and anyone who loves films. -- Publisher's descriptionNotes: Includes index and bibliographyISBN: 0283994614
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The reel resource : the Victorian film, video, TV and multimedia resource guide / [supervising editor, Peter Tapp, editor Jan Dale] [Carlton South, Vic.: Australian Teachers of Media, c1995].
Call No: 222(94) REEAuthor: Tapp, Peter ; Dale, Jan CorpAuthor: Australian Teachers of MediaPlace: [Carlton South, Vic.Publisher: Australian Teachers of MediaPubDate: c1995]PhysDes: 192 p. : forms 30 cmSubject: INDUSTRY, FILM. AUSTRALIA Notes: Cover title; Includes indexesLON: 11875994
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Reel resource 2000 : the film, video, television and multimedia resource guide / [supervising editor Peter Tapp, editor Jan Dale] [Victoria]: Australian Teachers of Media, 1999.
Call No: 222(94) REE REFAuthor: Tapp, Peter ; Dale, Jan CorpAuthor: Australian Teachers of MediaPlace: [Victoria]Publisher: Australian Teachers of MediaPubDate: 1999PhysDes: 212 p. : forms ; 30 cmSubject: INDUSTRY, FILM. AUSTRALIA Notes: Cover titleISBN: 1876467053LON: 21362703
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Reel time : opposition to foreign workers growing in The Australian [Arts & Entertainment] (25/02/2015) p.15
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Reel time : Horror film crew takes over the asylum in The Australian [Arts & Entertainment] (04/03/2015) p.15
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Reel time : Twin Peaks can wait but graffiti must go in The Australian [Arts & Entertainment] (18/03/2015) p.16
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIAAuthor: Bodey, Michael PhysDes: Clippings File ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; LYNCH, DAVID ; SCREEN [TV](AT, 2015-) ; MANNY LEWIS (AT, Anthony Mir, 2015) ; TOP FIVE (US, Chris Rock, 2014) ; INHERENT VICE (US, Paul Thomas Anderson, 2014) ; JINX, THE: THE LIFE AND DEATHS OF ROBERT DURST [TV](US, Andrew Jarecki, 2015) Summary: Lots of different clips but the main focus is on David Lyncgh and his visit to Brisbane to open his new exhibition> Some commentary on three films and their box office takings.Notes: located in the INDUSTRY, FILM. AUSTRALIA 2015 file
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Reel time in The Australian [Arts & Entertainment] (6/05/2015) p.15
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIA. 2015Author: Bodey, Michael PhysDes: Clippings File ArticleSubject: INDUSTRY, FILM. AUSTRALIA Summary: Ivan Sen has begun filming Goldstone.; Australian Cinematographers Society awards were held in Tasmania last week. Garry Phillips won the Gold Tripod for best feature and the Milli Award for best cinematographer. Ben Nott recieved an award of distinction for the film Predestination. Other prize winners included Adam Arkapaws, Andrew Commis, Jim Frater and Joel Lawrence.; Last Cab to Darwin will be the first film to premiere the new cinema initiarive call My Cinema Premiere; A brief summary of current Australian box office records; The Sydney Film Festival announces it program.
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Reel time in The Australian [Arts and entertainment] (2/9/2015) p.15
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIAAuthor: Bodey, Michael PhysDes: Clippings File ArticleSubject: INDUSTRY, FILM. AUSTRALIA Summary: Talks about a Spanish version of Josh Lawson's 'Little Death', which is in production.
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Reel time : There's life after the apocalypse- on TV in The Australian [Arts & Entertainment] (19/09/2015) p.19
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIA 2015Author: Bodey, Michael PhysDes: Clippings File ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; THESE FINAL HOURS (AT, Zak Hilditch, 2013) ; NUMBSKULL (in production) ; MONTH OF SUNDAYS, A (AT, Matthew Saville, 2015) ; DAUGHTER, THE (AT, Simon Stone, 2015) ; DRESSMAKER, THE (AT, Jocelyn Moorhouse, 2015) ; AWARDS. AUSTRALIAN WRITERS GUILD Summary: Film industry news: These Final Hours will be atapted into a television series; Josh Lawson's Little Death is also being adapted by European filmmakers; Numbskull is in production; Early Winter has won the Venice Days Award written and directed by Michael Rowe; Postive reviews have been sited for Australian films A Month of Sundays, The Daughter and The Dressmaker. Nicole Kidman has also recieved positive reviews for her stage performance in Photograph 51; and the 2015 AWGIE awards announced.
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Reeltime : Lawson sex comedy wins US festival award in The Australian [Arts & Entertainment] (25/03/2015) p.15
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIAAuthor: Bodey, Michael PhysDes: Clippings File ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; BOX OFFICE. AUSTRALIA ; FESTIVALS. CANADA. HOTDOCS DOCUMENTARY ; WILLIAMS, EVAN ; LITTLE DEATH, THE (AT, Josh Lawson, 2014) Summary: Snippets on: The Little Death winning audience award at the South by Southwest Film Festival and its retitling as 'A Funny Kind of Love' in the UK; Evan Williams receiving the Film Critics Circle of Australia life membership; Box Office figures for March 23 2015; the Australian features showing at the HotDocs festival are: Maybe Baby, Sam Klemke's Time Machine, The Bolivian Case.Notes: located in the INDUSTRY, FILM. AUSTRALIA. 2015 file
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Reeltime : Comedy hits sweet spot as CinefestOz opener in The Australian [Arts & Entertainment] (25/03/2015) p.15
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIAAuthor: Bodey, Michael PhysDes: Clippings File ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; BOX OFFICE. AUSTRALIA ; FESTIVALS. AUSTRALIA Summary: Snippets on: a discussion about opening night films for CinefestOz, Melbourne Film Festival and Sydney Film Festival 2015; Anupam Sharma's film UnIndian to have it'd premiere screening; Ben C Lucas' film OtherLife has been cast; Jury for the Adeliade film festival selected.Notes: located in the INDUSTRY, FILM. AUSTRALIA. 2015 file
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Reference : Performance of Australian films in Australian and overseas markets / Standing Committee on Environment, Recreation and the Arts Canberra: The Committee, 1991.
Call No: 30(94)(094.3) REFSource: ATPlace: CanberraPublisher: The CommitteePubDate: 1991PhysDes: p. 93-244 ; 30 cmSubject: INDUSTRY, FILM. AUSTRALIA ; EXPORT OF FILMS. AUSTRALIA ; AUDIENCE RECEPTION. AUSTRALIA ; ADVERTISING FOR FILMS. AUSTRALIA Summary: Committee members present are: Jeanette McHugh (Chair), Peter Fisher, Mr Webster, Mr Dobe. Witnesses to the committee are: Paul Cox, Bruno Doring, Alan Finney, Alastair Inglis, John Kearney, Matthew Lovering, William Marshall, John McKenzie, and Susan WoodNotes: "Official Hansard report, Melbourne, Thursday, 23 May 1991."Contents: Examination of John McKenzie -- examination of Alan Finney -- examination of Paul Cox -- examination of Bruno Doring, Alastair Inglis, Matthew Lovering -- examination of John Kearney, Susan Wood
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Reflections of reality : the media in Australia / Trevor Barr Adelaide: Rigby, 1977.
Call No: 401(94) BARAuthor: Barr, Trevor Source: ATPlace: AdelaidePublisher: RigbyPubDate: 1977PhysDes: 240 p. : ill. ; 25 cmSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; MEDIA. AUSTRALIA Summary: A wide-ranging study on mass communication in Australia, covering media's effects on society, media and government, ownership and advertising, in film, television, radio and the press.Notes: Errata slip insertedISBN: 0727003968Donation: donated by the family of Wayne Levy, 2006Contents: 1. Media and society -- The communication industry -- The coming of the media -- Media effects and uses -- The role of media -- 2. Media freedom and governments -- Freedom of the press or freedom from the press? -- A case study in media power: the Labor Government and the loans crisis -- Government control of, or influence on, the media -- Legal limitations on freedom of expression -- Postscript: the Green inquiry and changes to the structure of Broadcasting, post 1977 -- 3. Media ownership and control -- Media is big business -- Who owns whom? -- Who runs the media? -- What can be done? -- 4. The press -- Circulation, readerhip and functions of the press -- Media bias: all news is biased -- Australian Journalists Association -- Press distortion -- Personalities and privacy -- Media coverage of direct political action -- What's not in our newspapers -- Foreign news in the Australian press by Rod Tiffin -- Cartoonists on Cartoons -- 5. Television -- Impact and identity -- The television medium -- Cultural democracy -- Cathode politics -- Television programming -- 6. Radio -- Directions for broadcasting -- The radio medium -- Commercail radio: a profile -- 'There's a Melbourne worth listening to... 3AW' by Mary Keane -- New initivatives for radio by Mary Keane -- 7. Advertising -- A case against commercials by Harry van Moorst -- A case for advertising in society by Roderick White and Judy Lannan -- Australian media advertising in figures -- Advertising techniques -- 8. Film -- Perspective -- The 1970's: rebirth of an Australian film industry -- Film and public taste -- Assignments -- 1:1 Media habits -- 2:1 Media freedom -- 2:2 Media policies -- 3:1 Media ownership -- 3:2 The ownership debate -- 4:1 What's in a newspaper -- 4:2 The Australian Press Council -- 4:3 News content analysis -- 5:1 Quality in television -- 5:2 Ratings -- 5:3 Popularity and taste -- 5:4 Images of public figures -- 5:5 Television news -- 5:6 Television drama -- 5:7 A Crawford production -- 5:8 The ABC -- 6:1 Programming a community radio station -- 6:2 Make your own radio programme -- 6:3 Open line or talkback radio -- 7:1 Advertising techniques -- Index
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Report of the Royal Commission on the moving picture industry in Australia Canberra: Government Printer, 1928.
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Report on film research trip to Indonesia / by Graeme Isaac [Australia]: [s.n.], 1985.
Call No: 220(910) ISAAuthor: Isaac, Graeme Place: [Australia]Publisher: [s.n.]PubDate: 1985PhysDes: 31 pages ; 30 cmSubject: CENSORSHIP. INDONESIA ; CULTURE AND THE CINEMA ; FESTIVALS ; IMPORT OF FILMS ; INDONESIA ; INDUSTRY, FILM. INDONESIA Summary: A report on the author's experiences on a film research trip to Indonesia. It discusses the structure of the Indonesian film industry, censorship, recommendations for the structure of a future Australian film season in Jakarta, and recommendations for four other possible cultural exchange programs in the area of film between Australia and IndonesiaNotes: Funded by Department of Foreign Affairs through the Australian Film Commission
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Report on the film and television production industry : prepared in response to a request by the Minister for the Arts and the Centenary of Federation, the Hon. Peter McGauran MP / Australian Film Commission and Australian Film Finance Corporation Limited Sydney: Australian Film Commission, 1999.
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Researching Australian film exhibition and distribution / edited by Karina Aveyard and Albert Moran Brisbane, Queensland: Griffith University, 2009.
Call No: 30(94) RESAuthor: Aveyard, Karina (ed.) ; Moran, Albert (ed.) Source: ATPlace: Brisbane, QueenslandPublisher: Griffith UniversityPubDate: 2009PhysDes: iv, 65 p. : ill. ; 30 cmSeries: Working papers in communications ; no. 7, 2009; Working papers in communications (Griffith University. School of Arts, Media and Culture) ; no. 7, 2009Subject: ADVERTISING FOR FILMS ; AUSTRALIA ; DISTRIBUTION ; DISTRIBUTION. AUSTRALIA ; EXHIBITION. AUSTRALIA ; EXHIBITION ; INDUSTRY, FILM ; INDUSTRY, FILM. AUSTRALIA Summary: "The workshop, whose edited proceedings are reprinted in this volume, was prompted by convenient accidents of place and time. Early in 2009, a mature-age student with a background in journalism asked me the rhetorical question: why was Australian cinema in decline? Pressed about the proposition contained in the question, the student pointed out that in the year 2008, only two feature films - Australia and Happy Feet - appeared to have a noticeable presence at the theatrical box office. In what has become an average figure for annual Australian production output, some 22 feature films had been released that year but only these two films seemed to have any impact so far as their marketing and audience visibility was concerned. But, of course, this view drastically simpifies the situation of what is occurring in Australian film distribution and exhibition and how that is impacting on film production. The fact is that we know little of how these elements currently operate so far as various sectors of the Australian cinema industry are concernerned. This prompted first thoughts about undertaking some form of investgation" -- IntroductionNotes: Edited proceedings of a workshop "...sponsored by Griffith University in conjunction with Screen Australia and held at the Griffith University Conservatorium of Music at South Bank in Brisbane." -- Introduction; Includes bibliographical referencesISBN: 9781921291708Contents: -- contributors -- introduction / Albert Moran -- Australia's film and television geography / Tom O'regan -- the plight of the Australian film: traditional distribution and exhibition and the search for alternatives / Cathy Overett -- marketing and the fate of locally produced films in Australian cinemas / Peter Mageros -- the shift to digital cinema disribution and exhibition: implications for the future of Australian films / Trish FitzSimons -- rethinking cinema going in regional and rural Australia / Karina Aveyard -- dvd rental exhibition : running an independent outlet / Andrew Leavold -- community targeted distribution and Cinema Ventures Ltd / Gil Scrine -- Screen Australia and Australian Screen Culture / Susan Ward -- roundtable discussion -- appendix a: workshop program -- appendix b: presentation slides -- Australia's film and television geography / Tom O'Regan -- b2: rethinking cinema going in regional and rural Australia / Karina Aveyard -- b3: Screen Australia and Australian Screen Culture / Susan Ward --
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The resurgence of the film industry in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.2
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Rethinking transnational Chinese cinemas : the Amoy-dialect film industry in Cold War Asia / Jeremy E. Taylor London ; New York: Routledge, 2011.
Call No: 201(51) TAYAuthor: Taylor, Jeremy E. Place: London ; New YorkPublisher: RoutledgePubDate: 2011PhysDes: xviii, 171 p. : ill. ; 24 cm.Series: Media, culture and social change in AsiaSubject: TRANSNATIONAL CHINESE CINEMA ; INDUSTRY, FILM. CHINA ; INDUSTRY, FILM. HONG KONG Summary: An examination of the Amoy-dialect film industry, its history and scope, its place within Chinese and Asian film history, and its cultural, political and economic significance in the region.Notes: Includes bibliographical references and index.ISBN: 9780415493550Contents: -- Rethinking transnationalism -- Defining Amoy-dialect cinema -- Origins and development -- The shaping of a cinema -- The 'new Amoy-dialect films' -- A Cold War industry -- The end of Amoy-dialect cinema -- Conclusion
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A return to dialectics : Theo van Leeuwen on the Soviet filmweek in Lumiere (April, 1973) iss.22 p.4-7
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Review of Commonwealth assistance to the film industry / David Gonski Canberra, A.C.T.: Department of Communications and the Arts, 1997.
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Reviews : Alvin Purple in Lumiere (January/February, 1974) iss.31 p.30
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Rick Markovitz joins Lorimar International in Australasian Cinema (29/10/1982) vol.11 iss.19 p.21
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The RKO story / Richard B. Jewell with Vernon Harbin London: Octopus, 1982.
Call No: 19RKO JEW; FOLIOAuthor: Jewell, Richard B ; Harbin, Vernon Source: USPlace: LondonPublisher: OctopusPubDate: 1982PhysDes: 320 p. : ill. (some col.), ports. ; 33 cmSubject: INDUSTRY, FILM ; PRODUCTION CENTRES : HOLLYWOOD ; RKO Summary: "RKO Pictures existed in an atmosphere of almost continual chaos, from its optimistic beginnings in 1928, until it collapsed into ruins in the hands of the megalomaniac Howard Hughes nearly 30 years later. In its comparatively short and always turbulent history RKO made some of the greatest films and nurtured some of the finest talents ever to emerge from Hollywood - and allowed others, such as David O. Selznick, to slip disastrously through its fingers. It was the studio that immortalized Fred Astaire and Ginger Rogers, and almost succeeded in ruining Katharine Hepburn's career. It brought to stardom Irene Dunne, Bette Davis, Robert Mitchum and Cary Grant among others, unveiled the genius of Orson Wells [sic] and established KING KONG and TARZAN in popular mythology. They are all here in a detailed account of their triumphs and their failures, together with a fully illustrated description and assessment of all the films they made." [Taken from book jacket]Notes: Includes indexISBN: 0706412850 : ª11.95; 0706424700LON: 2628574Contents: Acknowledgements -- Preface -- Introduction -- 1929-1939 -- 1940-1949 -- 1950-1960 -- RKO British production and distribution -- RKO nominations and awards -- Index of film titles -- Index of personnelID2: 229
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Roadshow entertains New Zealand exhibitors in Australasian Cinema (27/5/1983) vol.12 iss.9 p.3
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Roadshow Home Video launches into Brisbane in Australasian Cinema (18/6/1982) vol.11 iss.10
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Roadshow/ Warner trade day a big hit with exhibitors : Roadshow/Warner trade show- Roadshow puts show back into showbiz in Australasian Cinema (25/2/1983) vol.12 iss.3 p.4-5
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Rolling breaks and other movie business / by Aljean Harmetz New York: Alfred A. Knopf, 1983.
Call No: 62(04)(73) HARAuthor: Harmetz, Aljean Edition: First editionSource: USPlace: New YorkPublisher: Alfred A. KnopfPubDate: 1983PhysDes: xvii, 263 pages ; 22 cmSubject: BOX OFFICE. USA ; CABLE TV. USA ; COLUMBIA PICTURES ; INDUSTRY, FILM. USA ; RATING FOR FILMS. USA ; ARKOFF, SAMUEL ; ASTAIRE, FRED ; BURTT, BEN ; DANIELS, ANTHONY ; EASTWOOD, CLINT ; FONDA, JANE ; KASDAN, LAWRENCE ; LANGE, JESSICA ; LUCAS, GEORGE ; NICHOLSON, JACK ; Peckinpah, Sam ; PICKFORD, MARY ; RITT, MARTIN ; Stanwyck, Barbara ; WILDER, BILLY ; ZUKOR, ADOLPH ; STAR WARS (US, George Lucas, 1977) Summary: "From one of the most admired and enjoyed writers on the subject of Hollywood, author of The Making of The Wizard of Oz, and for six years Los Angeles correspondent to The New York Times - her first collection of inside-the-movie-business pieces: interviews (from Jessica Lange, Jack Nicholson, and our Miss Rona, to Mary Pickford and Clint Eastwood); profiles (of the true intergalactic hero of the Star Wars trilogy, George Lucas; the last of the old true larger-than-life producers, Ray Stark; and the genius of B pictures, Sam Arkoff); and piercing in-depth reportage, clarifying and unscrambling the shake-ups and shake-down of current movie business" -Book blurb.Notes: Many pages have rough edgesISBN: 0394528867Contents: Introduction -- Mary Pickford - America's (gothic) sweetheart -- Cocaine and Hollywood -- Ms. Rona: don't call her a gossip -- What price glory at Columbia -- Jack Nicholson - odd man out -- Hollywood's hot new screen writer -- Jessica Lange - film star whose future is here -- Rating the ratings -- Astaire at 80 -- The $110,000 blunder, or the man who couldn't work movie miracles -- ReCooping: the rise and fall and rise of a child star -- Peckinpah: "Man was a killer long before he served a god" -- The dime-store way to make movies -- How Hollywood decides if a film is a hit -- Reap the Wilder wind -- Fonda at Forty -- Video wars: Hollywood's corporate rollerderby -- The man with no name is a big name now -- How a Hollywood rumor was born, flourished, and died -- Barbara Stanwyck: still a golden girl -- Martin Ritt: survivor extraordinaire -- The anatomy of the sneak preview -- Today's hottest movie stars -- From A(dolph) to Z(ukor) -- The great and powerful wizard of Lucasfilm
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Ron Reynolds appt'd mgr. Mermaid Twin Cinema and snr. mgr. for Gold Coast in Australasian Cinema (15/7/1983) vol.12 iss.12 p.14
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Roseville cinema flies the pirate flag in Australasian Cinema (15/7/1983) vol.12 iss.12 p.12
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Royal premiere for Oz film 'Burke & Wills' in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.1
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Run Run Shaw's Movietown : Asia's answer to Hollywood in Lumiere (August, 1973) iss.26 p.6-7
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Russell Baille appt'd Roadshow Q'd sales mgr. in Australasian Cinema (Friday, 29/3-4/4/1985) vol.14 iss.5 p.1
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Sad loss at Don Franks in Australasian Cinema (18/6/1982) vol.11 iss.10 p.9
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safilm.news Adelaide, South Australia: South Australian Film Corporation, 2001.
Call No: July/August 2001 - incomplete; online copies available at: http://www.safilm.com.au/site/content.cfm?snld=23CorpAuthor: South Australian Film CorporationSource: ATPlace: Adelaide, South AustraliaPublisher: South Australian Film CorporationPubDate: 2001Subject: INDUSTRY, FILM. AUSTRALIA : SOUTH AUSTRALIA Notes: the newsletter of the South Australian Film CorporationOrder Notes: Current
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Sales tax killer on video movies in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.2
PhysDes: ArticleSubject: THORN EMI ; INDUSTRY, FILM. AUSTRALIA ; DISTRIBUTION. AUSTRALIA Summary: Article, quoting Les Smith (chairman of the Australasian Video Copyright Association and general manager of Thorn EMI Video Australia), on the governments 32.5% increase on the sales tax rate on videos.
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Sam Neill reunited with Margaret Fink in Australasian Cinema (Friday, 26/4-2/5/1985) vol.14 iss.7 p.2
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Schonell Theatre off to good start in The Australasian Cinema (5/3/1982) vol.11 iss.3 p.1
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Screen Australia funds will help Bondi Hipsters' bromance flourish in Australian [Arts & Entertainment] (06/03/2015) p.16
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held 2009/2010
[Screen NSW] Annual report Sydney, NSW: NSW Film and Television Office, 2010-.
Call No: ANNUAL REPORT SHELVES; Held 2009/2010CorpAuthor: Screen NSWSource: ATPlace: Sydney, NSWPublisher: NSW Film and Television OfficePubDate: 2010-Subject: SCREEN NSW ; INDUSTRY, FILM. AUSTRALIA : NEW SOUTH WALES Notes: Continues New South Wales Film and Television Office Annual reportISSN: 1037-0366
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The screening of Australia : anatomy of a film industry / Susan Dermody, Elizabeth Jacka Sydney: Currency Press, 1987-<1988.
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ScreenWest drives production study in Encore (12 Feb, 1999) vol.17 iss.2 p.19
Author: Mooney, Jacqueline PhysDes: Article; Illustration(s)Subject: INDUSTRY, FILM. AUSTRALIA : WESTERN AUSTRALIA ; SCREENWEST Summary: ScreenWest chief executive, Debra Allanson, discusses WA state government study to develop recommendations to increase WA production levels. Includes details of the Producer Enterprise Package scheme (PEP) established by ScreenWest.
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Second American Film Market closes after record success in Australasian Cinema (30/4/1982) vol.11 iss.7 p.1
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Secret lives of Asian Australian cinema : offshore labour in transnational film industries in Studies in Australasian cinema (2008) vol.2 iss.3 p.213-227
Author: Labato, Ramon PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; PRODUCTION ASIA ; PRODUCTION DEALS. AUSTRALIA ; ASIANS AND THE CINEMA. AUSTRALIA ; FILM WORKERS Summary: This article examines some of the material dimensions of Asian Australian cinema through an analysis of selected regional production and post-production flows since 1980, and the debates surrounding them. It begins with a theoretical discussion of the role of labour within the global film industry, before moving on to consider controversies around the offshoring of film production to lower-cost destinations. Specific examples of production relays between Asia and Australia are analysed in the context of models of cultural labour offered by Toby Miller et al. and Ben Goldsmith. The author proposes a definition of Asian Australian cinema that seeks to attend to cross-border collaboration at a variety of levels and to render visible ‘below-the-line’ Asian Australian interfaces that do not necessarily register on screen. -- AbstractNotes: Part of Special Issue: Transnational Asian Australian Cinema, part 2
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Selective memory : a life in film / Sue Milliken Melbourne, Victoria: Hybrid Publishers, 2013.
Call No: 81 MIL MILAuthor: Milliken, Sue Edition: [Large print edition]Source: ATPlace: Melbourne, VictoriaPublisher: Hybrid PublishersPubDate: 2013PhysDes: xi , 369 pages (large print) ; 26 cmSubject: MILLIKEN, SUE ; INDUSTRY, FILM. AUSTRALIA Summary: This is a memoir about the Australian film industry, with inside stories about how films are funded and made, and the problems facing a producer. Sue met and worked with some unforgettable characters, including Sidney Nolan, George Johnston and Charmian Clift, Frank Thring, John Meillon, Graham Kennedy, John Hargreaves, Bryan Brown, Graeme Blundell and Barry Humphries. The book includes a number of black - and - white photos, and a foreword by well known director Bruce Beresford, who has worked closely with Sue.Notes: Includes index.ISBN: 9781921665875
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Setting of movie greats for gala AFM party in Australasian Cinema (25/2/1983) vol.12 iss.3 p.3
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Shining a light : 50 years of the Australian Film Institute / Lisa French and Mark Poole St. Kilda, Vic.: Australian Teachers of Media (ATOM), 2009.
Call No: NEW HOLDING SHELVES; 11 FREAuthor: French, Lisa ; Poole, Mark Source: ATPlace: St. Kilda, Vic.Publisher: Australian Teachers of Media (ATOM)PubDate: 2009PhysDes: xi, 256 p. : ill., ports. ; 24 cmSubject: AUSTRALIAN FILM INSTITUTE ; AWARDS. AUSTRALIAN FILM INSTITUTE ; INDUSTRY, FILM. AUSTRALIA ; AUSTRALIAN FILM COMMISSION ; GOVERNMENT AID. AUSTRALIA ; STATE AND THE CINEMA. AUSTRALIA ; HISTORY AND THE CINEMA. AUSTRALIA Notes: includes index.; Includes bibliographical references and index.ISBN: 1876467207Donation: donated by Lisa French, 2009Contents: -- Introduction: 50 years 'On the smell of any oily rag' IX -- Part 1 background: Screen culture: Plankton in the food chain p3 -- Part 2: the history of the AFI: Cinephiles and True believers: The AFI in the 1950s and 1960s p23 -- Flowers in the desert, the end of the drought: the 1970s p39 -- Film is it! The 1980s p59 -- An international industry: the 1990s and 2000s p69 -- Part 3: Engaging the public and industry -- Serious undertakings: The AFI and Stakeholders p91 -- A stellar event: The AFI awards over 50 years p107 -- Conclusion: An oasis for a national, cultural agenda p135 -- Glossary p139 -- AFI winners and Nominees list p141 -- Alumni 226 -- index 228 --
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serial
"SHOOTING IN THE UK" 16 July 1998.
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Shooting through : Australian film and the brain drain / Storry Walton Strawberry Hills, N.S.W.: Currency House, 2005.
Call No: 203(94) WALAuthor: Walton, Storry Source: ATPlace: Strawberry Hills, N.S.W.Publisher: Currency HousePubDate: 2005PhysDes: iv, 69 p. ; 21 cmSeries: Platform papers ; no. 5Subject: INDUSTRY, FILM. AUSTRALIA ; FINANCING. AUSTRALIA ; GOVERNMENT AID. AUSTRALIA ; PRODUCTION. AUSTRALIA ; AUSTRALIAN FILM FINANCE CORPORATION ; AUSTRALIAN FILM COMMISSION ; ROSEN, BRIAN ; NOYCE, PHIL ; ARMSTRONG, GILLIAN Notes: Also includes responses to 'Myth of the mainstream, a paper by Robyn Archer, pp.59-67.
Includes bibliographical references, pp.55-58.ISBN: 0975730118
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Short cuts : Russian roulette in Sydney Morning Herald [Arts & Entertainment] (05/03/2015) p.30
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Short cuts : Call for more seniors films in Sydney Morning Herald [Arts & Entertainment] (05/03/2015) p.30
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Short cuts : ticket price cut in Sydney Morning Herald [Arts & Entertainment] (05/03/2015) p.30
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Short film competition finalists announced in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.5
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Shrinking film and TV sector still a $5.8bn feature in The Australian (11/02/2015) p.5
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The significant seven : screen funding body heads in Encore (July 2012) p.12-3
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Singaporean film industry in transition : looking for a creative edge : the nature and role of intangible resources that shape an uncertain and changing environment such as the film industry / Caroline Wong Saarbrucken, Germany: LAP Lambert Academic Publishing, 2010.
Call No: 20(592.3) WONAuthor: Wong, Caroline Source: GPlace: Saarbrucken, GermanyPublisher: LAP Lambert Academic PublishingPubDate: 2010PhysDes: xi, 198 p. ; 23 cmSubject: INDUSTRY, FILM. ASIAN COUNTRIES ; INDUSTRY, FILM. SINGAPORE ; SINGAPORE Summary: "The reseach explores issues relating to competencies, policies and technology. It adopts a knowledge-based perspective, arguing that tacit knowledge often forms the basis of dynamic capabilities. This study shows how the film industry in Singapore is transforming. Singaporean film remains marginal in the global circuit of film production and distribution. Can it rise to become more recognised while delivering economic returns on creative investment? By examining the film industry from a knowledge-based perspective and taking into account intangibles, the study contributes to our understanding of management practices. In the process, it builds on previous contributions in this field and contributes to a better understanding of the creative industries. The research also identifies other underlying factors for success in the film industry in Singapore. This study examines the aspirations and cultural policies of Singapore as well as the business and managerial aspects of filmmaking in the landscape of film success."-BOOK BLURBNotes: includes bibliographic references; includes appendicesISBN: 9783838361932
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Sir Michael : today, tomorrow and yesterday in Lumiere (March-April, 1972) iss.14 p.16-18
Author: Taylor, Max PhysDes: ArticleSubject: BRITISH CINEMA ; BRITISH FILM INSTITUTE ; GOVERNMENT AID. UK ; INDUSTRY, FILM ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. UK ; PRODUCTION ; BALCON, MICHAEL ; BERESFORD, BRUCE ; OVERLANDERS, THE (UK, Harry Watt, 1946) Summary: Interview with Sir Michael Balcon on the future of films, government support of cinema, and his media consumption
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Sixty major video dealers meet in N.Z. in Australasian Cinema (27/8/1982) vol.11 iss.15 p.24
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SMPTE plans 2nd event in Australasian Cinema (Friday, 26/7-1/8, 1985) vol.14 iss.12 p.2
Subject: INDUSTRY, FILM. AUSTRALIA Summary: Article on the second conference of the Society of Motion Picture and Television Engineers
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'Snowy' bows at Mansfield- World Premiere in Australasian Cinema (2/4/1982) vol.11 iss.5 p.5
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Society of Australian Cinema Pioneers in Australasian Cinema (12/11/1982) vol.11 iss.20 p.9
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Something unnerving about Mirren in first look at spooky thriller in The Age [-] (4/05/2017) p.22
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIA [weekly summaries]Author: Maddox, Garry PhysDes: Clippings File ArticleSubject: INDUSTRY, FILM. AUSTRALIA [weekly summaries] Summary: Round-up of Australian film news, including: Helen Mirren in the Australian film WINCHESTER, Aardman animation coming to Melbourne as part of an exhibition at ACMI., Australian drama about sex abuse called DON'T TELL has won an award at the Newport Beach Film Festival in California, USA
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"Sophie's Choice" Perth's glittering charity premiere. in Australasian Cinema (27/5/1983) vol.12 iss.9 p.6-7
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Interim
book
South Australia's film, television and audio-visual industry : a development strategy stage 2 report / Bruce Moir and Barry Burgan South Australia, Australia: [s.n.], December 1999.
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The South Korean Film Renaissance : local hitmakers, global provocateurs / Jinhee Choi Middletown, Connecticut: Wesleyan University Press, c2010.
Call No: 71(519-13) CHOAuthor: Choi, Jinhee Source: USPlace: Middletown, ConnecticutPublisher: Wesleyan University PressPubDate: c2010PhysDes: xii, 252 p. : ill. ; 23 cmSeries: Wesleyan FilmSubject: FILM ; KOREA ; INDUSTRY, FILM. KOREA Summary: "For the past decade, the Korean film industry has enjoyed a renaissance. With innovative storytelling and visceral effects, Korean films not only have been commercially viable in the domestic and regional markets but also have appealed to cinephiles everywhere on the international festival circuit. This book provides both an industrial and an aesthetic account of how the Korean film industry managed to turn an economic crisis-triggered in part by globalizing processes in the world film industry - into a fiscal and cultural boom. Jinhee Choi examines the ways in which Korean film production companies, backed by affluent corporations and venture capitalists, concocted a variety of winning production trends. Through close analyses of key films, Choi demonstrates how contemporary Korean cinema portrays issues immediate to its own Korean audiences while incorporating the transnational aesthetics of Hollywood and other national cinemas such as Hong Kong and Japan. Appendixes include data on box office rankings, numbers of filmd produced and released, market shares, and film festival showings. " -- BOOK BLURBNotes: Includes bibliographical references and indexISBN: 9780819569400Contents: -- list of figures -- acknowledgments -- Introduction -- Faces of globalization -- Blockbusters, Korean style -- No blood? no tears! gangster cinema -- I'm not a girl, yet not a woman: romance films -- Once upon a time in high school: teen pics -- Not just metteurs-en-sce`ne?: "high-quality" films -- Riding the new wave -- afterword -- appendix 1: box office top ten (1986-2006) -- appendix 2 : Korean film market share -- appendix 3: number of films produced/released (1986-2006) -- appendix 4: number of theatres/screens (1986-2006) -- appendix 5: international film festivals: award-winning films (1986-2006) -- notes -- bibliography -- index --
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Speakers at this year's M.P.E.A.Q. movie market 1982 in Australasian Cinema (16/07/1982) vol.11 iss.12 p.8
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Interim
annual report
A Special report from the Minister for the Arts [Queensland]: s.n., 1991/92 -.
Call No: ANNUAL REPORT SHELVES; Held 1991/92 - 1994/95CorpAuthor: Queensland Office of Arts and Cultural DevelopmentPlace: [Queensland]Publisher: s.n.PubDate: 1991/92 -Subject: INDUSTRY, FILM. AUSTRALIA : QUEENSLAND
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Speech by the Hon. Ian Wilson, M.P., Minister for Home Affairs & Environment at the Graduation Ceremony Australian Film and Television School in Australasian Cinema (30//4/1982) vol.11 iss.7 p.6
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Spotlight on the future : John W. Smith, General Manager and Director, Burch, Carroll & Coyle Ltd. in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.2
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The spring of Judy's brilliant career in Australasian Cinema (Friday, 19/8/1983) vol.12 iss.15 p.1
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Staffing at film censorship board in Australasian Cinema (Friday, 26/7-1/8, 1985) vol.14 iss.12 p.2
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Stand up and fight! : Does the film exhibition industry know the dangers of subscription TV? in Australasian Cinema (24/9/1982) vol.11 iss.17 p.7
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Star Struck in Australasian Cinema (16/4/1982) vol.11 iss.6 p.9
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Star-Studded Premieres for Starstruck in Australasian Cinema (16/4/1982) vol.11 iss.6 p.6-7
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Starstruck in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.25
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'Starstruck' soon for release in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.10
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The state of European cinema : a new dose of reality / Angus Finney ; [foreword by Nik Powell] London: Cassell, 1996.
Call No: 201(4) FINAuthor: Finney, Angus, 1964 Place: LondonPublisher: CassellPubDate: 1996PhysDes: x, 262 p. ; 24 cmSubject: INDUSTRY, FILM. EUROPEAN COUNTRIES ; EDUCATION, FILM. EUROPEAN COUNTRIES ; STARS. EUROPEAN COUNTRIES ; DISTRIBUTION. EUROPEAN COUNTRIES ; TECHNOLOGY AND THE CINEMA. EUROPEAN COUNTRIES ; POLYGRAM ; EURIMAGES ; NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; FARINELLI IL CASTRATO (FR/BE/IT, Gerard Corbiau, 1994) ; ROB ROY (US, Michael Caton-Jones, 1995) ; TALES FROM A HARD CITY (FR/UK, Kim Flitcroft, 1994) ; BREAKING THE WAVES (DK/FR, Lars Von Trier, 1996) ; GUILTRIP (IE, Gerard Stembridge, 1995) ; ANTONIA (NE/BE/UK, Marleen Gorris, 1995) ; CIRCLE OF FRIENDS (US, Pat O'Connor, 1995) ; FLOWER OF MY SECRET, THE [FLOR DE MI SECRETO, LA] (SP/FR, Pedro Almodovar, 1995) Notes: "Includes transpotting case study"--Cover; Includes index; Bibliography: p. 255ISBN: 0304333026 (pbk)LON: abn96337602; 12766083
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Stig Bjorkman Versus The Producers in Lumiere (January-February, 1973) iss.20 p.18-21
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The Stiles Saga in Australasian Cinema (27/8/1982) vol.11 iss.15 p.25
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Stop Press in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.6
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Stop press in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.1
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Storming the magic kingdom : Wall Street, the raiders and the battle for Disney / John Taylor New York: Alfred A. Knopf, 1987.
Call No: 19DIS TAYAuthor: Taylor, John Source: USPlace: New YorkPublisher: Alfred A. KnopfPubDate: 1987PhysDes: x, 261 p., [16] p. of plates : ill. ; 26 cmSubject: WALT DISNEY PRODUCTIONS ; INDUSTRY, FILM ; PRODUCTION COMPANIES & STUDIOS. USA ; PRODUCTION COSTS ; PRODUCTION DEALS ; WALT DISNEY PRODUCTIONS ; AHMANSON, CAROLINE ; BAGNALL, MICHAEL ; BALDWIN, ROBERT ; BASS, SID RICHARDSON ; BERGER, RICHARD ; BOESKY, IVAN ; CHAMBERS, RICHARD ; CHECCHI, ALFRED ; COBB, CHARLES ; DAILY, PETER ; DAVIS, MARTIN ; DAVIS, MARVIN ; DILLER, BARRY ; DISNEY, ROY EDWARD ; DISNEY, WALT ; DRAPKIN, DONALD ; EISNER, MICHAEL ; FLOM, JOSEPH ; GOLD, STANLEY ; JACOBS, IRWIN ; HAWLEY, PHILIP ; KELLNER. PETER ; MILLER, RONALD ; RAINWATER, RICHARD ; STEINBURG, SAUL ; WATSON, RAYMOND L Summary: "The riveting account of how a covey of corporate raiders and Wall Street mercenaries launched an assault on that bastion of American values, Walt Disney Productions, and of the furious combat that followed" - BOOK JACKETNotes: Includes indexISBN: 0394546407Donation: donated by the family of Wayne Levy, 2006
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The story of the films : as told by leaders of the industry to the students of the Graduate School of Business Administration, George F. Baker Foundation, Harvard University. Chicago, A. W. Shaw, 1927 / edited by Joseph P. Kennedy New York: J. S. Ozer, 1971.
Call No: 203(73) STOSource: USPlace: New YorkPublisher: J. S. OzerPubDate: 1971PhysDes: xxi, 377 p. : illus. ; 23 cmSeries: Moving pictures: their impact on societySubject: INDUSTRY, FILM. USA ; USA. 1895-1930 ; USA. 1920's Summary: Text from a series of lectures given at the Harvard University business school in 1927 on various aspects of the film industryNotes: "A facsimile reprint."Contents: Preface -- General Introduction to the course / Joesph P. Kennedy -- Supervision from within / Will H. Hays -- Origin and Growth of the Industry / Adolph Zukor -- Financial aspects / Dr Attilio H Giannini -- Production problems / Jesse L. Lasky -- Building a photoplay / Cecil B. deMille -- Short reels and educational subjects / Earle W. Hammons -- The Actor's part / Milton Sills -- Distributing the product / Sidney R. Kent -- Advertising motion pictures / Robert H. Cochrane -- Theatre mangement / Samuel Katz -- The motion picture and vaudeville / Marcus Loew -- Reminiscences and observations / William Fox -- Future developments / Harry M. Warner -- APPENDICES -- A. The lectures -- B. The Film library at Harvard -- C. Bibliography -- Index
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Stratergy of a Film School in Lumiere (January/February, 1973) iss.20 p.34-35
Author: Swain, David PhysDes: ArticleSubject: INDUSTRY, FILM. UK Summary: Interview with Colin Young, director of Britain's National Film School on the purpose, scope, and goals of the new institute.
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Strong recovery prompts new cinemas in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.4
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Submission to the Australian Government's 2010 review of the independent screen production sector / Screen Australia [Sydney]: Screen Australia, August 2010.
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Submission to the Department Of Foreign Affairs And Trade Australia's approach to further multilateral trade negotiations / Australia Film Commission [Australia]: Australian Film Commission and Film Australia, May 1999.
Call No: 205.36(94)AFC AUSCorpAuthor: Australian Film Commission; Film AustraliaSource: ATPlace: [Australia]Publisher: Australian Film Commission and Film AustraliaPubDate: May 1999PhysDes: 37 p. + appendicesSubject: AUSTRALIAN FILM COMMISSION ; FILM AUSTRALIA ; GOVERNMENT CONTROL ; GOVERNMENT AID. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; FINANCING. AUSTRALIA ; EXPORT OF FILMS Summary: Submission by the Australian Film Commission and Film Australia to the Department of Foreign Affairs in relation to the Australian government's review of content issues.Contents: 1. Executive summary -- 2. Introduction -- 3. Why is culture different? -- 3.1 Australia's cultural objectives -- 4. Australia's audio - visual sector -- 4.1 Production activity -- 4.2 Commercial television expenditure -- 4.3 Investment -- 4.4 Trade -- 5. The essential mechanisms -- 5.1 Direct funding -- 5.2 Australian content rules -- 5.3 Indirect support - taxation concessions -- 5.4 International co-production arrangements -- 5.5 Imported artists and related personnel -- 5.6 National broadcasters -- 5.7 Foreign ownership rules -- 5.8 Cultural support mechanisms elsewhere -- 6. Why is support essential? -- 7. Future threats and challenges -- 8. The options for Australia in the WTO round -- 9. Appendices -- Media release - Australian content on Australian Television 13.3.99 by Senator the Hon Richard Alston - Minister for Communications, Information Technology and the Arts -- Australian Audio-visual production 1996-1997 -- AFC national production survey 1997-1998 -- "Audiovisual trade: the import/export balance sheet" Chapter 6, Get the Picture
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Super 16 in Australia in Lumiere (November, 1973) iss.29 p.38-40
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Superheroes help boost local film and TV in The Age (31/10/2017) p.8
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIA 2017Author: Quinn, Karl PhysDes: Clippings File ArticleSubject: INDUSTRY, FILM. AUSTRALIA Summary: Lights, camera, action Thanks largely to big-budget Hollywood features Thor: Ragnarok, Aquaman and Pacific Rim: Uprising, last year was the biggest ever for the Australian film and television industry.
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Surfie films in pubs in Australasian Cinema (18/6/1982) vol.11 iss.10 p.1
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Survey on the Australian film industry : conducted on June 15/16 and 22/23 1985 / conducted for NSW Film Corporation 1985.
Call No: 20(94)(048) SURCorpAuthor: The Roy Morgan Research Centre Pty LtdSource: ATPubDate: 1985PhysDes: 45 pages ; 30 cmSubject: INDUSTRY, FILM. AUSTRALIA ; TAXES. AUSTRALIA ; AUDIENCE RECEPTION. AUSTRALIA ; INVESTING. AUSTRALIA ; TOURISM AND THE CINEMA Summary: Survey on Australian film industry, with a range of questions about cinema exhibition, film production, audience attendence, and Australian film culture and its impact on the world. --
Q1A/B - In your opinion, should the federal government continue to give financial support to the Australian film industry or stop it? If continue: in your opinion, which line best describes how you believe the federal government should give financial support to the Australian film industry, only by direct grants to government film bodies, or only by tax concessions to the people or companies who invest in Australian films, or by both direct grants and tax concessions --
Q1C - and about films made in Australia. In your opinion, do you think Australian films increase international awareness of Australia? --
Q1D - In your opinion, do you think Australian films help Australia's export trade, by making people overseas more aware of Australia? --
Q1E - and in your opinion, do you think Australian films help increase the number of tourists and other visitors to Australia? --
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Sweden bans violence on video in Australasian Cinema (6/8/1982) vol.11 iss.14 p.1
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Sweet dreams : Queensland, sugar and the 1927 Royal Commission into the Moving Picture Industry in Studies in Australasian Cinema (2011) vol.5 iss.2 p.107 - 119
Author: Delamoir, Jeannette PhysDes: ArticleSubject: AUSTRALIA. 1895-1930 ; AUSTRALIA. 1927-1932 ; EXHIBITION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA ; STATE AND THE CINEMA. AUSTRALIA Summary: This article looks at how the 1927 Royal commission grappled with the financial viability of the local industry in a global marketplace. It examines the relationships between government support, cultural production, cultural consumption and national indentityNotes: The impetus for the 1927 Royal Commission into the Moving Picture Industry was the US film companies' `stranglehold' on the Australian film industry, the effects of which were perceived as undermining both Australian film businesses and Australian national identity. The Commissioners took evidence in seven Queensland towns, some quite small and isolated, with almost all exhibitors from these locations represented. This evidence constructs an in-depth picture of film business and consumption in regional Australia, as well as a social, cultural and economic portrait of the country on the cusp of the Great Depression. This article takes as its starting point the Commissioners' repeated comparison of the film industry and Queensland's sugar industry, and their suggestions that the film industry's problems could be solved by replicating the intervention and support given to the sugar industry by both State and Federal Governments. These references, the article argues, reveal the Commissioners' understanding of the film industry, and conjectures that these conceptualizations may still influence the way Australian films are watched today -- Abstract
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Sydney Film Festival in Australasian Cinema (Friday, 21-27/6/1985) vol.14 iss.10 p.4
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Sydney studies in English Sydney, N.S.W.: University of Sydney, 1975/76.
Call No: 753 SYDCorpAuthor: University of Sydney. Dept. of English; English Association. Sydney BranchPlace: Sydney, N.S.W.Publisher: University of SydneyPubDate: 1975/76PhysDes: v. ; 21 cmSubject: INDUSTRY, FILM. AUSTRALIA ; ADAPTATIONS ; FORBIDDEN PLANET (US, Fred McLeod Wilcox, 1956) ; TEMPEST (US, Paul Mazursky, 1982) ; EMMA (UK, Douglas McGrath, 1996) ; CLUELESS (US, Amy Heckerling, 1995) ; LITTLE DORRIT (UK, Christine Edzard, 1987) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; X-FILES, THE [TV] (US, 1993-) Notes: "Jointly sponsored by the Department of English, University of Sydney and the English Association (Sydney Branch)"ISSN: 0156-5419LON: abn84028394; 3052804
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Sydney welcomes 'Snowy' in Australasian Cinema (2/4/1982) vol.11 iss.5 p.8
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Synopsis 'Robbery Under Arms' in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.4
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Taking the Outback to the nation's capital in Australasian Cinema (12/11/1982) vol.11 iss.20 p.6-7
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Tales That Witness Madness in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.8
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Tape decks cleared for action... in Australasian Cinema (10/6/1983) vol.12 iss.10 p.1
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annual report
Tasmanian Film Corporation annual report S.l.: s.n., 1977/78 -1980/81.
Call No: ANNUAL REPORT SHELVES; Held 1977/78 - 1980/81CorpAuthor: Tasmanian Film CorporationPlace: S.l.Publisher: s.n.PubDate: 1977/78 -1980/81Subject: INDUSTRY, FILM. AUSTRALIA : TASMANIA
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Tax Notes: A General Guide in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.12
PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; GOVERNMENT AID. AUSTRALIA ; TAXES. AUSTRALIA ; FUNDING. AUSTRALIA Summary: A break-down for investors and producers regarding the Australian Governments tax scheme for private investment, Division 10BA. Has general information under the categories; eligible films, eligible expenses, production expenses, development expenses, at risk, underwriting, allocation of individual investments to production costs, and timing of deduction.
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Tax shelters bring out investors, artists and movie buffs... : The paying patrons come later! in Australasian Cinema (24/6/1983) vol.12 iss.11 p.1
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Tese and Gladden reach agreement in Australasian Cinema (Friday, 31/5-6/6/1985) vol.14 iss.9 p.2
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Tex Morton dies in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.9
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"That's Entertainment!" Socko-Tokya in Australasian Cinema (Thursday, 10/5/ 1975) vol.3 iss.7 p.2
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'The Coca-Cola Kid' official Oz entry at Cannes Festival in Australasian Cinema (Friday, 26/4-2/5/1985) vol.14 iss.7 p.1
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'The Dark Room' a Filmco presentation in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.24-25
PhysDes: ArticleSubject: DARK ROOM, THE (AT, Paul Harmon, 1982) ; FILMCO ; HARMON, PAUL ; INDUSTRY, FILM. AUSTRALIA ; HAYDON, TOM ; CASSELL, ALAN ; JEMISON, ANNA
SEE
MONTICELLI, ANNA-MARIA Summary: Article on Filmco's 'The Dark Room', followed by a synopsis of the film.
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'The locals' and the global : transnational currents in contemporary New Zealand horror in Studies in Australasian cinema (2010) vol.4 iss.1 p.73-79
Author: Cameron, Allan PhysDes: ArticleSubject: NATIONAL IDENTITY AND THE CINEMA. NEW ZEALAND ; HORROR FILMS. NEW ZEALAND ; INDUSTRY, FILM. NEW ZEALAND ; FANTASTIC FILMS ; LOCALS, THE (NZ, Greg Page, 2003) ; BLACK SHEEP (NZ, Jonathan King, 2006) ; FERRYMAN, THE (NZ/UK, Chris Graham, 2007) ; TATTOOIST, THE (NZ/SI, Peter Berger, 2007) ; PERFECT CREATURE (NZ/UK, Glenn Standring, 2006) Summary: Article arguing the connectedness between otherness of horror with the otherness of cultural identities within New Zealand horror film.Notes: Recent years have seen a conspicuous resurgence of the horror genre in New
Zealand cinema. What sets recent New Zealand horror films apart from their
local antecedents, however, is their self-conscious reframing of local identity
against an international backdrop. Contemporary Kiwi horrors such as The
Locals, Black Sheep, The Tattooist and Perfect Creature effectively extend
horror’s characteristic focus on questions of otherness to the otherness of local
and global cultural identities. In this way, they subject New Zealand cinema’s
Gothic tradition to a type of remapping, in which the Gothic is ironized, hybridized
or displaced. In a number of these films (several of which are international
co-productions) the Gothic even comes untethered from the local landscape and
moves across national frontiers. By reworking the tropes of New Zealand horror,
these films take up the challenge of re-articulating New Zealand identities for
the early twenty-first century, producing a palimpsestic vision of nationhood
determined not by essences but by codes.--Abstract
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'The Man' foes vice regal in Melbourne in Australasian Cinema (2/4/1982) vol.11 iss.5 p.6-7
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"The Man From Snowy River" in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.6
PhysDes: ArticleSubject: MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982) ; MILLER, GEORGE T. ; BURROWES, GEOFF ; THORNTON, SIGRID ; BURLINSON, TOM ; DOUGLAS, KIRK ; WINCER, SIMON ; INDUSTRY, FILM. AUSTRALIA Summary: Background development and synopsis of the up-coming 'The Man From Snowy River'.
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'The Man From Snowy River' in Longreach, Queensland in Australasian Cinema (12/11/1982) vol.11 iss.20 p.11
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"The Man From Snowy River" opens Hoyts Midcity, Hobart in Australasian Cinema (29/10/1982) vol.11 iss.19 p.6-7
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'The Naked Island' to be major Aust. feature film in Australasian Cinema (19/8/1983) vol.12 iss.15
PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA Summary: Announcement of the film-adaption of Australian story 'The Naked Island'. The screenplay will be written by John Miller, and Executive Task Force is producing the film.
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'The Return of Captain Invincible'- a muscial comedy/adventure in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.8
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'The Soldier' takes foreign box-office by storm in Australasian Cinema (25/2/1983) vol.12 iss.3 p.7
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"The Year of Living Dangerously" begins lensing in Australasian Cinema (2/4/1982) vol.11 iss.5 p.2
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Theatres die off, and box-office takings are looking sick in Australian Financial Review (15/06/1972) p.-
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIAPhysDes: Clippings File ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; EXHIBITION. AUSTRALIA ; BOX OFFICE. AUSTRALIA Summary: Study of the box office figures in Australia over the past 15 years. Shows that takings are going down in most states (except Western Australia)Notes: located in the INDUSTRY, FILM. AUSTRALIA. 1972 clippings file
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Thorn EMI invade Berlin in Australasian Cinema (Friday, 30/11/1984) vol.13 iss.20 p.5
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Three Aussie Pictures represented by Massis and Silverstein in Australasian Cinema (16/4/1982) vol.11 iss.6 p.2
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The three faces of the film New York: Thomas Yoseloff, 1960].
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Three industry identities retire from G.U. in Australasian Cinema (16/07/1982) vol.11 iss.12 p.20
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Three licences granted in Australasian Cinema (Thursday, 31/10/1974) vol.2 iss.21 p.2
Subject: INDUSTRY, FILM. AUSTRALIA Summary: Report that the Theatres and Films Commission is allowing three theatres to be built along Pitt St., Sydney.
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'Three miles of rough dirt road' : towards an audience-centred approach to cinema studies in Australia in Studies in Australasian cinema (2007) vol.1 iss.3 p.245-60
Author: Bowles, Kate PhysDes: ArticleSubject: HISTORY OF CINEMA. AUSTRALIA ; AUDIENCES. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA Summary: 'Cinema studies in Australia has conventionally focused on the national production industry, the government policies that sustain and protect it, and the films that it has produced. The role of the Australian audience in shaping the market for Australian films is less well understood, and yet assumptions about audiences and the benefit offered to them in terms of cultural learning and national identity are embedded in policy rhetoric, and are necessarily invoked in the critique of content which accompanies a textually focused approach to national cinema. This article proposes that Australian cinema audiences, whatever they are watching, play a more significant role in the Australian public sphere than Australian films...' -- Taken from abstract
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Three new members appointed to Film Censorship Board in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.1
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To desire differently : feminism and the French cinema / Sandy Flitterman-Lewis Urbana: University of Illinois Press, 1990.
Call No: 626:396(44) FLIAuthor: Flitterman-Lewis, Sandy, 1946 Place: UrbanaPublisher: University of Illinois PressPubDate: 1990PhysDes: xii, 340 p. : ill. ; 23 cmSubject: FEMINISM AND THE CINEMA ; THEORY ; INDUSTRY, FILM. FRANCE ; HISTORY OF CINEMA ; VARDA, AGNES ; DULAC, GERMAINE ; EPSTEIN, MARIE Summary: Using biographic, historical, and textual analyses to elaborate an alternative, feminist cinematic tradition, this groundbreaking study presents an exploration of the impact of three French women filmmakers: Germaine Dulac, Marie Epstein, and Agnes Varda.Notes: Originally presented as the author's thesis (Ph. D.--University of California, Berkeley); Includes index; Bibliography: p. [321]-332ISBN: 0252016548 (alk. paper)LON: 89031664; 6319232Contents: 1. Introduction -- 2. Germaind Dulac: first feminist of the avant-garde -- 3. Dulac in context: French film production in the twenties -- 4. From fantasy to structure of the fantasm: 'The smiling mme Beudet' and 'The seashell and the clergyman' -- Marie Epstein: a woman in the shadows -- 6. Epstein in context: French film production in the thirties -- 7. Nursery/rhymes: primal scenes in 'La maternelle' -- 8. Agnes Varda and the woman seen -- 9. Varda in context: French film production in the early sixties - the new wave -- 10. From deesse to idee: 'Cleo from 5-7' -- 11. The "impossible portrait" of femininity: 'Vagabond' -- 12. Conclusion
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To market, to market for the beast deal in 1982 in Australasian Cinema (16/01/1982) vol.11 iss.12 p.3
Author: Joel, David PhysDes: ArticleSubject: MOTION PICTURE EXHIBITORS ASSOCIATION OF QUEENSLAND ; JOEL, DAVID ; INDUSTRY, FILM. AUSTRALIA ; MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982) ; GALLIPOLI (AT, Peter Weir, 1981) ; PUBERTY BLUES (AT, Bruce Beresford, 1981) Summary: David Joel's (Chairman) views on the up-comming Motion Picture Exhibitors Association of Queensland and the success of the film industry thus far in 1982.
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Tokyo drifting : Toei Corporation's The drifting avenger and the internationalization of the Australian western in Studies in Australasian cinema (2010) vol.4 iss.3 p.231-241
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Toni Hamilton appointed nat'l. marketing manager of Roadshow Home Video in Australasian Cinema (12/11/1982) vol.11 iss.20 p.2
PhysDes: ArticleSubject: VIDEO, FILMS ON. AUSTRALIA ; ADVERTISING FOR FILMS ; INDUSTRY, FILM. AUSTRALIA ; MAD MAX (AT, George Miller, 1979) ; CALIGULA (IT, Giovanni Tinto Brass, 1979) ; LOVE AT FIRST BITE (US, Stan Dragoti, 1979) Summary: Article on the success of Roadshow Home Video, and the announcement of their new marketing manager, Toni Hamilton.
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Top TV and movie personality Robin Stewart joins Cine-Ad in Australasian Cinema (15/4/1983) vol.12 iss.6 p.13
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The total film-maker / by Jerry Lewis London: Vision, 1974.
Call No: 21(73) LEWAuthor: Lewis, Jerry Source: UKPlace: LondonPublisher: VisionPubDate: 1974PhysDes: 208p. : ill. ; 22cmSubject: DIRECTION ; INDUSTRY, FILM. USA ; PRODUCTION ; BRANDO, MARLON ; CHAPLIN, CHARLES ; HARDY, OLIVER ; LAUREL, STAN ; LEWIS, JERRY ; WISE, ROBERT ; WYLER, WILLIAM ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; MODERN TIMES (US, Charles Chaplin, 1936) Summary: "Adapted from his lectures to university post-graduate students, The Total Film-Maker is Jerry Lewis's frank, sometimes irreverent account, from the director's viewpoint, of the splendours and miseries of film-making. Replete with anecdotes and asides, the book details almost every aspect of the production of a motion picture, including the marshalling of actors and technicians, the preparation for filming itself, the cutting and editing processes, and the not always amicable transactions with distributors and would-be exploiters that follow the making of a film. The final section deals with the art of film comedy: how it is created, what makes it work, and who the great comedians are and why" -Book blurbISBN: 01854780238Donation: donated by the family of Wayne Levy, 2006Contents: To the reader -- Prologue -- Part one - production -- The humanities of film -- The total film-maker -- The money man -- Script and writer -- Actors -- The million-dollar hug -- Pre-production chores -- The crew -- Homework -- Filming it! -- Part two - post-production -- Editing -- Music and dubbing -- distribution and exploitation -- Other film-makers, other films -- Part three - comedy -- Laughs are our thing -- The visuals of comedy -- The comedians -- Kind of a wrap
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Tough time for Oz film buyers at AFM in Australasian Cinema (Friday, 29/3-4/4/1985) vol.14 iss.5 p.2
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Towards a more effective Commission : the AFC in the 80's / Peat, Marwick, Mitchell Services Sydney: Australian Film Commission, 1979.
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Towards a sustainable UK film industry / Film Council London: Film Council, 2000.
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Trade Suppliment : News in Lumiere (February 1971) iss.7 p.s4-9
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Tribute to Myron Karlin in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14
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TV's "bad boy" becomes film distributor in Australasian Cinema (Thursday, 10/5/ 1975) vol.3 iss.7 p.9
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Twelve N.Z. titles at Cannes Fest. in Australasian Cinema (Friday, 31/5-6/6/1985) vol.14 iss.9 p.5
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Twelve Oz films for Cannes Fest. in Australasian Cinema (Friday, 26/4-2/5/1985) vol.14 iss.7 p.2
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Two UAA films in the can in Australasian Cinema (Friday, 29/3-4/4/1985) vol.14 iss.5 p.2
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UAA to fund 'The Right-Hand Man' in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.2
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Unearthing a buried treasure : Mario Bava: a career overview in Metro (1997) iss.110 p.39-44
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Unemployment and money problems hit Oz film industry in Australasian Cinema (24/9/1982) vol.11 iss.17 p.5
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United British Artists formed as entertainment organisation in Australasian Cinema (11/3/1983) vol.12 iss.2 p.1
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Up-Market London in Australasian Cinema (6/8/1982) vol.11 iss.14 p.13
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US dives into 'development hell' in Encore (Mar 2000) vol.18 iss.2 p.12
Author: Pratt, David PhysDes: ArticleSubject: INDUSTRY, FILM. USA Summary: The US industry is facing difficult times with the production slate of many major companies falling and the number of mergers and sell-offs increasing.
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US star in Melbourne for Australian film in Australasian Cinema (Friday, 26/10/1984) vol.13 iss.18
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US takes 'Puberty Blues' for worldwide release in Australasian Cinema (27/5/1983) vol.12 iss.9 p.1
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The use of the film / Basil Wright London: Bodley Head, 1948.
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Val Morgan- ready to project into the future in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.6
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Vale Tottie Storm in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.4
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Vale Varden Stephens, DFM in Australasian Cinema (16/07/1982) vol.11 iss.12 p.27
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Variety- Australia/New Zealand Section in Variety (07/05/1986) vol.323 iss.2 p.346-363
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Variety- Australia/ New Zealand Section in Variety (04/05/1988) vol.331 iss.2 p.373-390
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Variety- Australia/New Zealand Section in Variety (07/05/1980) vol.299 iss.1 p.556-558
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Variety- Australia/New Zealand Section in Variety (10/1988) vol.332 iss.13 p.428-438
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Variety- Australia/ New Zealand Section in Variety (09/05/1979) vol.295 iss.1 p.81-83, 466-477
PhysDes: SerialSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND ; CANNES FILM FESTIVAL ; ADVERTISING FILMS ; THIRST (AT, Rod Hardy, 1979) ; PATRICK (AT, Richard Franklin, 1978) ; SNAPSHOT (AT, Simon Wincer, 1978) ; JOURNALIST, THE (AT, Micheal Thornhill, 1979) ; GOVERNMENT AID. AUSTRALIA ; DISTRIBUTION. AUSTRALIA Summary: Collection of articles featuring information on Australian and New Zealand films and film industries. Includes articles on Australian Government industry support, and Australian films at Cannes. Includes list of current New Zealand films, list of Australian films in production, and advertisements for THIRST, PATRICK and SNAPSHOT.
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Variety- Australia/ New Zealand Section in Variety (04/05/1983) vol.311 iss.1 p.163, 420-430
PhysDes: SerialSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND ; CANNES FILM FESTIVAL ; CENSORSHIP. NEW ZEALAND ; RETURN OF CAPTAIN INVINCIBLE, THE (AT, Philippe Mora, 1982) ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; GOVERNMENT AID. AUSTRALIA ; GOVERNMENT AID ; FESTIVALS. NEW ZEALAND ; AUSTRALIAN FILM AND TELEVISION SCHOOL ; UTU (NZ, Geoffrey Murphy, 1983) ; COPRODUCTION. AUSTRALIA Summary: Variety of Articles featuring the Australian and New Zealand film industry. Australian articles focus on the controversy of RETURN OF CAPTAIN INVICIBLE not qualifying for 10BA tax lean, the West Australian Film Council wishing to make more productions, new graduates of the Australian Film and TV School, a Chinese-Australian Documentary, and the recently completed YEAR OF LIVING DANGEROUSLY.
New Zealand articles focus on film financing laws and taxation, lists films screening at Cannes, the Wellington Film Festival, censorship.
Includes advertisements for UTU, THE LOST TRIBE, MOVING OUT, SAME AS IT EVER WAS and CONSTANCE.
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Variety- Australia/New Zealand Section in Variety (21/10/1987) vol.328 iss.13 p.20, 103, 244, 426-440
PhysDes: SerialSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND ; BOX OFFICE. AUSTRALIA ; PRODUCTION COMPANIES & STUDIOS. AUSTRALIA Summary: Various articles on Australian and New Zealand film industries.
Austrlian articles focus on current box office films and takings, changes to do with distribution and acquisitions companies, films in production, Australian organisations at MIFED, and the expansion of Premier Film Marketing.
New Zealand article focuses on films screening at MIFED.
Advertising posters for EVIL ANGEL, HOWLING III: THE MARSUPIALS, DOGS IN SPACE, STARLIGHT HOTEL, ILLUSTRIOUS ENERGY, A SOLDIER'S TALE, THE RIGHT HAND MAN, BELINDA, AS TIME GOES BY, NGATI
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Variety- Australia/New Zealand section in Variety (09/05/1984) vol.315 iss.2 p.263, 414-431
PhysDes: SerialSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND ; CANNES FILM FESTIVAL ; GOVERNMENT AID. AUSTRALIA ; GOVERNMENT AID ; FESTIVALS. SYDNEY ; BOX OFFICE. AUSTRALIA ; VIDEO AND THE CINEMA. AUSTRALIA ; UNDERCOVER (AT, David Stevens, 1983) ; CONSTANCE (NZ, Bruce Morrison, 1984) ; CAME A HOT FRIDAY (NZ, Ian Mune, 1985) ; AMONG THE CINDERS (NZ, Rolf Haedrich, 1984) ; VIGIL (NZ, Vincent Ward, 1984) ; ANNIE'S COMING OUT (AT, Gil Brealey, 1984) ; CAREFUL, HE MIGHT HEAR YOU (AT, Carl Schultz, 1983) ; FAST TALKING (AT, Ken Cameron, 1984) ; FANTASY MAN (AT, John Meagher, 1984) ; RUN CHRISSIE RUN! (AT, Chris Langman, 1984) Summary: Various articles on Australian and New Zealand film industries.
Australian articles focus on Australian personnel attending Cannes, Government financial aid for Australian films, preparations for the Sydney Film Festival, box office takings, home video's effects on cinemas in Australia, and new Australian films debuting at Cannes.
New Zealand articles focus on films to be shown at Cannes, and the New Zealand Film Commission's plans to discontinue funding of big-budget films.
Advertising posters for UNDERCOVER, CONSTANCE, PALLET ON THE FLOOR, CAME A HOT FRIDAY, AMONG THE CINDERS, VIGIL, ANNIE'S COMING OUT, CAREFUL, HE MIGHT HEAR YOU, FAST TALKING, REUNION [AKA RUN CHRISSIE RUN!], and FANTASY MAN.
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Variety- Australia/New Zealand section in Variety (22/10/1986) vol.324 iss.13 p.71, 413-420
PhysDes: SerialSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND ; DIRECTORS. AUSTRALIA ; DISTRIBUTION. AUSTRALIA ; BOX OFFICE. AUSTRALIA ; WINDRIDER (AT, Vincent Monton, 1986) ; GALLAGHER'S TRAVELS [TV] (AT, Michael Caulfield, 1986) ; AROUND THE WORLD IN 80 WAYS (AT, Stephen Maclean, 1986) ; QUEEN CITY ROCKERS (NZ, Bruce Morrison, 1987) Summary: Various articles on Australian and New Zealand film industries.
Australian articles focus on Australian directors currently active, Australian films in production, expected effects of changes in exchange rates and local distribution on purchasing at MIFED, Australian box office takings, and Australian organisations at MIFED.
New Zealand article focuses on films to be screened at MIFED.
Advertising posters for WINDRIDER, GALLAGHER'S TRAVELS, AROUND THE WORLD IN EIGHTY WAYS, and QUEEN CITY ROCKER.
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Variety- Australia/New Zealand section in Variety (16/10/1985) vol.320 iss.12 p.392-397
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Variety- Australia/New Zealand section in Variety (12/05/1982) vol.307 iss.2 p.347-363
PhysDes: SerialSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND ; AUSTRALIAN FILM AND TELEVISION SCHOOL ; BOX OFFICE. AUSTRALIA ; CANNES FILM FESTIVAL ; LABORATORIES. AUSTRALIA ; COPYRIGHT. AUSTRALIA ; PIRACY. AUSTRALIA ; SQUIZZY TAYLOR (AT, Kevin Dobson, 1982) ; HEATWAVE (AT, Phillip Noyce, 1981) ; COPRODUCTION ; CARRY ME BACK (NZ, John Reid, 1982) ; SCARECROW, THE (NZ, Sam Pillsbury, 1982) ; FREEDOM (AT, Scott Hicks, 1982) ; FIGHTING BACK (AT, Michael Caulfield, 1982) Summary: Various articles on Australian and New Zealand film industries.
Australian articles focus on changes to the curriculum at the Australian Film and Television School, Ace Theatres' slump in box office takings, Australian films to be featured at Cannes, the lack of US and UK processing going to Australian film labs, as well as plans to expand processing into Asia, copyright law relating to using technology to make illegal copies, recently completed films SQUIZZY TAYLOR and HEATWAVE, and Australian films in production.
New Zealand articles focus on the New Zealand government's intention to encourage coproduction, and New Zealand films to be screened at Cannes.
Advertising posters for CARRY ME BACK, THE SCARECROW, FREEDOM, HEATWAVE, DOT AND SANTA CLAUS, FIGHTING BACK, THE SEVENTH MATCH.
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Variety- Australia/New Zealand section in Variety (13/05/1981) vol.303 iss.2 p.320-332
PhysDes: SerialSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND ; FINANCING. AUSTRALIA ; BEST OF FRIENDS, THE (AT, Michael Robertson, 1982) ; BAD BLOOD (NZ, Mike Newell, 1981) ; SMASH PALACE (NZ, Roger Donaldson, 1981) ; SCARECROW, THE (NZ, Sam Pillsbury, 1982) ; BEYOND REASONABLE DOUBT (NZ, John Laing, 1980) ; GOODBYE PORK PIE (NZ, Geoffrey Murphy, 1980) ; FATTY FINN (AT, Maurice Murphy, 1980) ; HOODWINK (AT, Claude Whatham, 1981) Summary: Various articles on Australian and New Zealand film industries.
Australian articles focus on the formation of new film funding companies, and the films A BURNING MAN and THE BEST OF FRIENDS currently in production.
New Zealand articles focus on the New Zealand Film Unit, recently completed films BAD BLOOD, SMASH PALACE, and THE SCARECROW, and New Zealand films released since Cannes 1980.
Advertising posters for BEYOND REASONABLE DOUBT, THE SCARECROW, GOODBYE PORK PIE, FATTY FINN, THE SEVENTH MATCH, HOODWINK, and A BURNING MAN.
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Variety- Australia/ New Zealand Sections in Variety (06/05/1987) vol.327 iss.2 p.432-446
PhysDes: SerialSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND ; GOVERNMENT AID ; CANNES FILM FESTIVAL ; ADVERTISING FOR FILMS ; SURFER, THE (AT, Frank Shields, 1987) ; GINNANE, TONY ; DISTRIBUTION. AUSTRALIA Summary: Various articles on Australian and New Zealand film industries.
Austrlian articles focus on new releases and Antony Ginnane at Cannes, current films in production, and new film THE SURFER.
New Zealand articles look at New Zealand's selections for Cannes, and government investment in the film industry.
Includes various film poster advertisments for STARLIGHT HOTEL, ILLUSTRIOUS ENERGY, MAURI, A SOLDIER'S TALE, NGATI, and RIKKY & PETE.
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Variety- Australia/ New Zealand Summary in Variety (24/10/1984) vol.316 iss.13 p.355-360
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Variety international film guide 2006 : the definitive annual review of world cinema / edited by Daniel Rosenthal; founding editor Peter Cowie London; Los Angeles: Button; Silman-James, 2006.
Call No: REFERENCE SECTION; 058 INT "2006"Edition: 43rd ed.Source: USPlace: London; Los AngelesPublisher: Button; Silman-JamesPubDate: 2006PhysDes: 432 p. : col. ill. ; 24 cm.Subject: PERIODICALS, FILM ; INDUSTRY, FILM ; INDUSTRY, FILM. IRELAND ; DIGITAL TECHNOLOGY ; CHEREAU, PATRICE ; CRONENBERG, DAVID ; HANEKE, MICHAEL ; Mehta, Deepa ; SORIN, CARLOS Summary: Includes articles on directors of the year, features on Irish cinema and digital cinema, a round-up of DVDs and books, a survey of film production in each country, and directories of festivals and organisations around the world.Notes: Other title: International film guide 2006ISBN: 0954876628
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VaultAge : digitizing and contextualizing Australian audio-visual content: Australianscreen online (aso.gov.au) in Studies in Australasian cinema (2009) vol.3 iss.2 p.205-222
Author: Aveyard, Karina PhysDes: ArticleSubject: DIGITAL CINEMA ; DIGITAL DISTRIBUTION ; DIGITAL TECHNOLOGY. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; NATIONAL FILM AND SOUND ARCHIVE ; EXHIBITION. AUSTRALIA Summary: Australia is on the path to achieving a full-scale conversion to digital cinema exhibition probably within the next five to ten years. Despite early optimism that digitization could provide a catalyst for greater democratization of the Australian exhibition market by creating more opportunities for audiences to see independent and alternate films, this outcome now appears far from certain. The launch and ongoing roll-out of the international standard for digital exhibition, which is now firmly controlled by the major American studios, is intensifying, rather than diminishing, the market dominance of these media conglomerates and their local allies, the major Australian exhibition chains. Independent film exhibition and alternative presentation formats, on the other hand, are being pushed even further to the periphery by these increasingly centralized market forces. While independent and major exhibitors have historically coexisted, although at times in a somewhat uneasy relationship, the financial imperatives of digital cinema now threaten to drive many independent cinemas to the edge, and with them the ongoing diversity of cinema culture in Australia. Of particular concern is the late of independent theatres in regional and rural locations where many provide the only public screening opportunities within large geographic areas. This article outlines digital developments in Australia's commercial cinema industry within a national and international context, and in doing so considers the impact of digital exhibition technologies on Australia's independent cinema sector. -- AbstractNotes: Part of a special issue on digital cinema in Australia and New Zealand
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Vertigo London: Vertigo UK Ltd, 1994.
Call No: Vol. 1, Iss. 4 - Winter 1994/95; Vol. 1, Iss. 5 - Autumn/Winter 1995; Vol. 1, Iss. 6 - Autumn 1996; Vol. 2, Iss. 1 - Spring 2001; Vol. 2, No. 2 - Spring 2002; Vol 2, Iss. 3 - Summer 2002; Vol. 2, Iss. 4 - Spring 2003; Vol. 2, Iss. 6 - Spring 2004; Vol. 2, Iss 9; Autumn/Winter 2005; Vol. 3, Iss. 8 - Spring 2008; Vol. 4, Iss. 2 Spring 2009Source: UKPlace: LondonPublisher: Vertigo UK LtdPubDate: 1994Subject: TELEVISION. UK ; UNITED KINGDOM ; INDUSTRY, FILM. UK ; POLITICAL FILMS Notes: Donated by Bill Routt.ISSN: 09687904Missing Issues: incompleteIndexed In: FIAF
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Vic. CIBF ladies celebrate 21 yrs in Australasian Cinema (Friday, 26/4-2/5/1985) vol.14 iss.7 p.7
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Victorian CIBF brings in 44th year's Report in Australasian Cinema (28/5/1982) vol.11 iss.9 p.6
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VIDA exec. o'seas researches copyright and censorship in Australasian Cinema (Friday, 30/11/1984) vol.13 iss.20 p.4
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Video and dvd industries / Paul McDonald London: British Film Institute, 2007.
Call No: 301.83(-4)VID MCDAuthor: McDonald, Paul Source: ATPlace: LondonPublisher: British Film InstitutePubDate: 2007PhysDes: 247 p. : ill. ; 24 cmSubject: DISTRIBUTION ; INDUSTRY, FILM Summary: scholarly study of the video and dvd industries including distributionNotes: Includes bibliographical references and indexISBN: 9781844571680
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Video Association Elects Executives in Australasian Cinema (28/5/1982) vol.11 iss.9 p.2
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Video cheats and rip off deals : Standard hiring contract to be considered by N.S.W. government in Australasian Cinema (29/4/1983) vol.12 iss.7 p.1
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Video movie distributor expands into W. Australia in Australasian Cinema (23/7/1982) vol.11 iss.13 p.1
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Video Power, NZ, celebrates second birthday in Australasian Cinema (Friday, 2/9/1983) vol.12 iss.16 p.2
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Video thief arrested in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.3
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Vieo movie dist. expands into Q'land in Australasian Cinema (14/5/1982) vol.11 iss.8 p.7
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Vietnam and the Media in Wide Angle (1985) vol.7 iss.4 p.[whole issue]
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Village opens $30m. 4 cinema complex centre in Melbourne in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.4
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Village twin cinemas Gosford in Australasian Cinema (30/4/1982) vol.11 iss.7 p.3
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Visible fictions : cinema, television, video / John Ellis London Boston: Routledge & Kegan Paul, 1982.
Call No: 611 ELLAuthor: Ellis, John, 1952 Place: London BostonPublisher: Routledge & Kegan PaulPubDate: 1982PhysDes: viii, 295 p. : ill., ports. ; 22 cmSubject: SOCIETY AND THE CINEMA ; SOCIETY AND TV ; INDUSTRY, FILM. UK Notes: Bibliography: p. 289-295ISBN: 0710093047 (pbk.)LON: 82011290; 2251819URL status: URL: 'http://-'
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W.A.M.P.E.A. annual meeting in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.8
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W.A. overcomes diversity in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.2
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WA's Arthur Stiles 'Film Man of the Year' in Australasian Cinema (Friday, 30/11/1984) vol.13 iss.20 p.1
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Warmest welcome to Myron Karlin in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.3
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The Water Diviner in Australian Cinematographer (Dec 2014) iss.64 p.24-31
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Waves of optimism : ebbs and flows in Australia's film history in Sequential (Summer 1989) iss.1 p.14-18
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Way out west in Lumiere (January/February, 1974) iss.31 p.26-27
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Welcome from the M.P.E.A.Q. President in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.3
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'Wellywood' gets wobbles as hopes for a New Zealand film industry fade in The Australian [Business News] (15/04/2016) p.25
Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. NEW ZEALANDAuthor: Geenty, Kate PhysDes: Clippings File ArticleSubject: INDUSTRY, FILM. NEW ZEALAND Summary: An article about the decline of New Zealand film industry and production revenue.
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Western Australia's Arthur Stiles is Film Man of the Year in Australasian Cinema (Friday, 30/11/1984) vol.13 iss.20 p.2
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What Australians are watching - cinema industry : cinema industry : printed from Get the Picture Online www.afc.gov.au/gtp/ : as of 3 May 2007 / Get the Picture Australian Film Commission, 2007.
Call No: 205(94) WHASource: ATPublisher: Australian Film CommissionPubDate: 2007PhysDes: 104 p. ; 30 cmSubject: EXHIBITION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; BOX OFFICE. AUSTRALIA ; AUDIENCE RESEARCH. AUSTRALIA Summary: A downloaded version of the Get the Picture website as of May 3 2007. Includes essays on the Australian film industry as well as statistics on various aspects of it including: exhibition, cinema data, box office, and audience researchContents: The cinema industry in Australia -- Overview of the exhibition industry -- Historical data -- Screens and theatres -- Films screened -- Box Office -- Top Films -- Cinema audiences (Val Morgan data) -- Cinema audiences (ABS data)
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What just happened? : bitter Hollywood tales from the front line / written by Art Linson London: Bloomsbury, 2003.
Call No: 935 LINAuthor: Linson, Art Source: UK/USPlace: LondonPublisher: BloomsburyPubDate: 2003PhysDes: 181 p. ; 20cmSubject: FILMMAKING ; INDUSTRY, FILM. USA Summary: "Being a Hollywood producer is no average job. There are delicate egos to be massaged, whether coaxing Alec Baldwin to shave off his beard, persuading executives that Gwyneth Paltrow has a chin, discussing your hairy ankles with Dustin Hoffman or that painful wait as Robert De Niro weighs up yet another script. And if you hesitate too long, the money men could come to their senses and cancel the whole thing. Art Linson survives another movie, to produce this, the ultimate insiders' guide to filmmaking" -- BOOK BLURBNotes: Originally published: 2002ISBN: 0747562059Contents: -- 1: negative pickup -- 2: two guys and a bear -- 3: over the edge -- 4: one plus one equals three -- 5: after shave -- 6: bookwormed -- 7: great expectations dashed -- 8: a glass jaw -- 9: I'm driving a pinto -- 10: pushing tin downhill -- 11: the fox and the hound -- 12: fight clubbed -- 13: sunset stripped naked -- 14: I'm as independent as a dry cleaner from Lebanon --
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What now? : a new perspective on Australian film in Lumina (Winter 2009) iss.1 p.9 - 17
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When Hollywood came to Melbourne : the story of the making of Stanley Kramer's On the Beach / Philip R. Davey with special observations by Ted S. Madden; foreward by Karen Sharpe Kramer Melbourne: Philip R. Davey, 2005.
Call No: 79ONT DAVAuthor: Davey, Philip R. Source: ATPlace: MelbournePublisher: Philip R. DaveyPubDate: 2005PhysDes: xx, 252 p. : ill., ports. ; 30 cmSubject: NUCLEAR ISSUES IN FILMS ; MELBOURNE IN FILMS ; INDUSTRY, FILM. AUSTRALIA : VICTORIA ; KRAMER, STANLEY ; ASTAIRE, FRED ; GARDNER, AVA ; Perkins, Anthony ; PECK, GREGORY ; ANDERSON, DONNA ; SHUTE, NEVIL ; ON THE BEACH (US, Stanley Kramer, 1959) Summary: Providing a behind-the-scenes, location-by-location snapshot of a fascinating period in Melbourne's cultural history when so many locals found themselves intertwined with the making of On the Beach. The book highlights Stanley Kramer's determination to stimulate the 'conscience of the world' with a message that portrays the absolute horror and futility of nuclear war. [taken from back cover]Notes: Bibliography: p. 227-234; Issued also on CD-ROM; Donated by Philip R. DaveyISBN: 0646453637
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When it all started : Politics and policies of the Australian film industry from the revival to the international breakthrough in Studies in Australasian cinema (2011) vol.5 iss.1 p.43-57
Author: Formica, Serena PhysDes: ArticleSubject: STATE AND THE CINEMA. AUSTRALIA ; HISTORY OF CINEMA. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; AUSTRALIAN FILM COMMISSION Summary: In the late 1960s, the Australian film industry was in crisis: audiences were turning to television programmes, in part because they offered more Australian content, and the commercially successful screen comedies of the so-called Ocker were perceived to be damaging the image of Australia abroad. In the 1970s, realizing the potential of cinema as a cultural flagship, the government invested heavily in the film industry through the establishment of the Australian Film Commission (AFC) for the purpose of promoting of high-quality productions. This article examines the main polices of the AFC, and argues that its role in transforming the film industry from a ‘cottage industry into a business’ (Murray 1990: 14) has been overestimated by Australian cinema scholars such as Dermody and Jacka, David Stratton and Tom O'Regan. The AFC's role as a government body meant that the Commission was more accountable to the government than to film industry professionals, such as producers and filmmakers. The final section of this article examines the producers' reactions to the AFC's policies, and argues that their role within the revival of the Australian film industry has been overlooked and, possibly, underestimated. -- Abstract
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"Whither or wither film censorship?" : Talk given to the MPEAQ 37th Annual Convention in Australasian Cinema (6/8/1982) vol.11 iss.14 p.6
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Who killed Hollywood? : - and put the tarnish on tinseltown / Peter Bart Los Angeles, CA: Renaissance Books, c1999.
Call No: 210.31(73) BARAuthor: Bart, Peter Edition: 1st edSource: USPlace: Los Angeles, CAPublisher: Renaissance BooksPubDate: c1999PhysDes: 399 p. ; 24 cmSubject: INDUSTRY, FILM. USA ; DIRECTORS. USA ; PRODUCERS. USA ; SCRIPTWRITERS. USA ; ACTORS ; BASS, RON ; BEATTY, WARREN ; COPPOLA, FRANCIS FORD ; COSTNER, KEVIN ; EISNER, MICHAEL ; Gibson, Mel ; GODFATHER [...], THE (US, Francis Ford Coppola, 1972-) ; KATZENBERG, JEFFREY ; NICHOLS, MIKE ; NICHOLSON, JACK ; OVITZ, MIKE ; POLANSKI, ROMAN ; REDFORD, ROBERT ; RIFKIN, ARNOLD ; SCHWARZENEGGER, ARNOLD ; SPIELBERG, STEVEN ; STALLONE, SYLVESTER ; WILDER, BILLY Summary: "Who killed hollywood? is a passionate love/hate letter to the film industry. In it, Peter Bart pulls together his best columns from Variety and GQ. He groups them, juxtaposes them, and interprets them, outlining in detail the history and inner workings of Hollywood. This could only be done by someone powerful enough to phone any star or head of studio and have his calls taken on the first ring. In story after story, Bart shows how the major studios haver diverted thie energies away from production of the shrewdly crafted pictures that once made the industry powerful. There isn't, for example, much range or innovation in the movies of salable objects- natural disasters, aliens, dinosaurs, ghosts, monsters, or any combination thereof. All are subjects easily parlayed into theme-park environments, action figures, video games, and clothing lines. Similarly, since Jaws twenty years ago, there's been a very short list of acceptable settings. The 1998 Academy Award nominations for best picture all went to films set in Elizabethian times or during World War II. A few years ago it looked as though Pulp Fiction and other independent films were going to save showbiz. Now independent producers like Miramax and New Line have been acquired by the conglomerates. Who and what will resurrect Hollywood? Peter Bart has the answers." - BOOK JACKETNotes: Includes indexISBN: 1580631169LON: 21362029
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Who killed Jenny Langby? in Lumiere (April/May, 1974) iss.33 p.20-21
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Who's Who in Canadian Film and Television : Qui est qui au cinema et a la television au Canada / Academy of Canadian Cinema and Television Toronto, Ontario: Global Press, 1999.
Call No: REFERENCE SECTION; 058.7(71) WHO REFEdition: 2000Place: Toronto, OntarioPublisher: Global PressPubDate: 1999PhysDes: 860 p ; 21 cmSubject: CANADA ; INDUSTRY, FILM. CANADA Summary: From A to Z, writers to post-production sound mixers – the only comprehensive directory to behind-the-camera talent in Canada. This indispensable guide lists up-to-date addresses, biographies and filmographies of more than 2000 administrative support personnel, art directors, cinematographers, music personnel, communications personnel, sound personnel, creative support personnel, directors, editors, executives, producers, screenwriters, visual effects and animation specialists. For anyone who wants to know about the professionals in the Canadian film and television industry, here’s the essential information. [Taken from back cover.]ISBN: 0771576544ISSN: 08316309Language: English and French
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