Levy Collection
book
The adventures of Antoine Doinel : Four screenplays by Francois Truffaut / Francois Truffaut New York: Simon and Schuster, 1971.
Call No: 79ADV TRUAuthor: Truffaut, Francois Source: USPlace: New YorkPublisher: Simon and SchusterPubDate: 1971PhysDes: 320 p. : ill ; 23cm.Subject: SCRIPTS ; TRUFFAUT, FRANCOIS ; BAISERS VOLES (FR, Francois Truffaut, 1968) ; QUATRE CENTS COUPS, LES (FR, Francois Truffaut, 1959) ; AMOUR A VINGT ANS, L' (FR, Francois Truffaut, 1962) ; DOMICILE CONJUGAL (FR, Francois Truffaut, 1970) Summary: The screenplays of Truffaut's films Love at Twenty, Stolen Kisses and Bed And Board, and first treatment and notes for The 400 Blows.Notes: The 400 Blows, Love at Twenty, Stolen Kisses, Bed and Board, directed by Francois Truffaut and starring Jean Pierre Leaud as Antoine Doinel; Translated by Helen G. ScottISBN: 671211218Donation: donated by the family of Wayne Levy, 2006ID2: 54
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title clippings file
BAISERS VOLES : (FR, Francois Truffaut, 1968)
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book
Film 69/70 : an anthology by the National Society of Film Critics / edited by Joseph Morgenstern and Stefan Kanfer New York: Simon and Schuster, c1970.
Call No: 67 (04) FILSource: USPlace: New YorkPublisher: Simon and SchusterPubDate: c1970PhysDes: 286 p. ; 22 cmSubject: INDUSTRY, FILM. USA ; MUSICALS ; VIETNAM WAR IN FILMS ; POLITICS IN FILMS ; PORNOGRAPHY AND THE CINEMA ; FELLINI, FEDERICO ; STREISAND, BARBRA ; WAYNE, JOHN ; CHE! (US, Richard Fleischer, 1969) ; SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969) ; Z (FR/AE, Constantin Costa-Gavras, 1969) ; EASY RIDER (US, Dennis Hopper, 1969) ; BOB & CAROL & TED & ALICE (US, Paul Mazursky, 1969) ; ALICE'S RESTAURANT (US, Arthur Penn, 1969) ; BAISERS VOLES (FR, Francois Truffaut, 1968) ; MIDNIGHT COWBOY (US, John Schlesinger, 1969) ; GOODBYE COLUMBUS (US, Larry Peerce, 1969) ; IF... (UK, Lindsay Anderson, 1968) ; THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969) ; PAINT YOUR WAGON (US, Joshua Logan, 1969) ; INTIMNI OSVETLENI (CZ, Ivan Passer, 1969) ; GURU, THE (US/II, James Ivory, 1968) ; HAR HAR DU DITT LIV (SW, Jan Troell, 1966) ; AKAHIGE (JA, Akira Kurosawa, 1965) ; PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965) ; CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; PUTNEY SWOPE (US, Robert Downey, 1969) ; MEDIUM COOL (US, Haskell Wexler, 1969) ; ANGEL LEVINE, THE (US, Jan Kadar, 1970) ; IN THE YEAR OF THE PIG (US, Emile de Antonio, 1968) ; HIGH SCHOOL (US, Frederick Wiseman, 1969) ; ISADORA (UK, Karel Reisz, 1968) ; GOODBYE MR CHIPS (UK, Herbert Ross, 1969) ; JAG AR NYFIKEN - GUL (SW, Vilgot Sjoman, 1967) ; FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968) Summary: Critical reviews of films produced 1969/1970Notes: Includes indexISBN: 671-20608-7Contents: I. Pick of the Litter -- Z / Pauline Kael, Arthur Schlesinger, Jr. -- Easy Rider / Joseph Morgenstern, Penelope Gillatt, Stefan Kanfer, Richard Schickel -- Bob & Carol & Ted & Alice / Hollis Alpert, Pauline Kael, Arthur Schlesinger, Jr., John Simon -- Alice's Restaurant / Robert Hatch, John Simon / If... / Arthur Schlesinger, Jr., Pauline Kael -- They Shoot Horses, Don't They? / Stefan Kanfer, John Simon -- II. Advance Obit. -- Hollywood: Myth, Fact and Trouble / Joseph Morgenstern -- The Studio by John Gregory Dunne / Stanley Kauffmann -- Paint Your Wagon / Pauline Kael -- III. Auteurisms -- Intimate Lighting / Andrew Sarris -- La Femme Infidele / Andrew Sarris -- Stolen Kisses / Joseph Morgenstern, Hollis Alpert, Robert Kotlowitz -- Here's Your Life / Stanley Kauffmann -- Pierrot Le Fou / Joseph Morgenstern -- The Red and the White / Penelope Gilliatt, Richard Schickel, John Simon -- Putney Swope / Arthur Knight, Penelope Gilliattt, Richard Schickel -- Medium Cook / John Simon, Andrew Sarris -- IV. On Location -- The Making of The Angel Levine / Robert Kotlowitz -- Fellini at Work / Hollis Alpert -- Che! / Joseph Morgenstern, Robert Hatch -- V. Documentarians -- Salesman / Harold Clurman, Joseph Morgenstern -- In the Year of the Pig / Pauline Kael -- High School / Richard Schickel -- VI. Performers and Performances -- The Loves of Isadora / Richard Schickel, Stanley Kauffmann, Stefan Kanfer, Hollis Alpert, Penelope Gilliatt -- Goodbye, Mr. Chips / Pauline Kael, Stefan Kanfe -- Superstar: The Streisand Story / Joseph Morgenstern -- John Wayne as the Last Hero / Stefan Kanfer -- VII. Skin -- I Am Curious (Yellow) / John Simon, Penelope Gilliatt, Hollis Alpert -- Coming Apart / Joseph Mergenstern, Richard Schickel
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journal article
Francois Truffaut : Lost Horizon? in Melbourne Film Bulletin (September 1970) p.15-18
Author: Campi, Mike PhysDes: ArticleSubject: TRUFFAUT, FRANCOIS ; FAHRENHEIT 451 (UK, Francois Truffaut, 1966) ; BAISERS VOLES (FR, Francois Truffaut, 1968) ; QUATRE CENTS COUPS, LES (FR, Francois Truffaut, 1959) ; CINEPHILIA Summary: Essay discusses the influences on Truffaut's work, from genre films to Hitchcock, in his story of Doniel.
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book
Going Steady / Pauline Kael Boston: Little Brown & Co., c1968.
Call No: 67 (049.32) KAEAuthor: Kael, Pauline Edition: 1stSource: USPlace: BostonPublisher: Little Brown & Co.PubDate: c1968PhysDes: xiii, 304 p. ; 22 cm.Subject: CRITICISM ; BARBARELLA (FR/IT, Roger Vadim, 1967) ; BIRTHDAY PARTY, THE (UK, William Friedkin, 1968) ; BOSTON STRANGLER, THE (US, Richard Fleischer, 1968) ; BROTHERHOOD, THE (US, Martin Ritt, 1968) ; BULLITT (US, Peter Yates, 1968) ; BYE BYE BRAVERMAN (US, Sidney Lumet, 1968) ; CANDY (FR,/IT/US, Christian Marquand, 1968) ; CHARGE OF THE LIGHT BRIGADE, THE (US, Michael Curtiz, 1936) ; CHARLIE BUBBLES (UK, Albert Finney, 1967) ; LA CINA E VICINA (IT, Marco Bellocchio, 1967) ; CHARLY (US, Ralph Nelson, 1968) ; CHITTY CHITTY BANG BANG (UK, Ken Hughes, 1968) ; DOCTOR FAUSTUS (GB/IT, Richard Burton and Nevill Coghill, 1967) ; FACES (US, John Cassavetes, 1968) ; FINIAN'S RAINBOW (US, Francis Ford Coppola, 1968) ; FIXER, THE (US, John Frankenheimer, 1968) ; FUNNY GIRL (US, William Wyler, 1968) ; HERE WE GO ROUND THE MULBERRY BUSH (UK, Clive Donner, 1968) ; ICE STATION ZEBRA (US, John Sturges, 1968) ; IF... (UK, Lindsay Anderson, 1968) ; I LOVE YOU, ALICE B. TOKLAS! (US, Hy Averback, 1968) ; JOANNA (UK, Michael Same, 1968) ; KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968) ; LA CHINOISE (FR, Jean-Luc Godard, 1967) ; LION IN WINTER, THE (UK, Anthony Harvey, 1968) ; MAGUS, THE (US, Guy Green, 1968) ; MODEL SHOP, THE ( FR/US, Jacques Demy, 1969) ; NIGHT OF THE FOLLOWING DAY, THE (US, Hubert Cornfield, 1968) ; NIGHT THEY RAIDED MINSKY'S, THE (US, William Friedkin, 1968) ; NO WAY TO TREAT A LADY (US, Jack Smight, 1968) ; PLANET OF THE APES (US, Franklin J. Schaffner, 1967) ; POOR COW (UK, Kenneth Loach, 1967) ; PRIME OF MISS JEAN BRODIE, THE (UK, Ronald Neame, 1968) ; PRODUCERS, THE (US, Mel Brooks, 1967) ; ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968) ; SECRET CEREMONY (UK, Joseph Losey, 1969) ; SIMON DEL DESIERTO (MX, Luis Bunuel, 1965) ; SPLIT, THE (US, Gordon Flemyng, 1968) ; STALKING THE MOON (US, Robert Mulligan, 1969) ; BAISERS VOLES (FR, Francois Truffaut, 1968) ; SUBJECT WAS ROSES, THE (US, Ulu Grosbard, 1968) ; SWEET NOVEMBER (US, Robert Ellis Miller, 1968) ; THREE IN THE ATTIC (US, Richard Wilson, 1968) ; YELLOW SUBMARINE (UK, George Dunning, 1968) ; YOU ARE WHAT YOU EAT (US, Barry Feinstein, 1968) Notes: "An Atlantic monthly press book"; "Movie reviews originally published in the New Yorker, Jan. 1968-Mar. 1969"Donation: Donated by Senses Of Cinema, 2009Contents: --foreword -- 1: movies by the week: first sequence p1 -- Movies as Opera , 'China is Near' p3 -- Celebrities make spectacles of themselves, 'Wild 90' p9 -- Ciphers, 'How to save a marriage- and ruin your life'/ 'Sebastian' p18 -- Intentions, 'Poor cow' p25 -- Making Lawrence more Lawrentian, 'The Fox' p29 -- Apes Must Be Remembered, Charlie, 'Planet of the Apes'/ 'Sweet November'/' Doctor Faustus' p36 -- A Great Folly, and a Small One, Mae March's death and 'Intolerance'/'Charlie Bubbles' p42 -- That Clean Old Peasant Again, 'The Two of Us'/'Bye Bye Braverman'/ 'The Good, the Bad and the Ugly' / 'A Matter of Innocence' p49 -- Business as Usual, 'We Still Kill the Old Way' / 'The Secret War of Harry Frig' p55 -- The Freedom to Make Product, '30 is a Dangerous Age, Cynthia' / 'Here We Go Round the Mulberry Bush' p59 -- O Pioneer!, 'The Producers' / 'Op the Junction' / 'A Midsummer Night's Dream' p66 -- The Old Wave, 'Benjamin '/ 'No Way to Treat a Lady' p72 -- A Minority Movie,'La Chinoise' p76 -- 2: Trash, Art, and the Movies p85 -- 3: Movies by the Week: Second Sequence p131 -- Bravo!, 'Funny girl' p132 -- Weekend in Hell, 'Weekend' p138 -- War as Vaudeville, 'The Charge of the Light Brigade' / 'Les Biches' / 'You are What You Eat' / 'Duffy' / 'Charly' p145 -- 'She Came at Me in Sections', 'Romeom and Juliet' / 'I Love You, Alice b. Toklas!' / ' Finian's Rainbow' / 'The Subject was Roses' p153 -- Cripes!, 'Star!' / 'Bullit" / 'The Boston Strangler' p161 -- A Fresh Start, 'Pretty Poison' / 'Secret Ceremony' / 'Barbarella' p168 -- Lioness in Winter, 'The Lion in Winter' p174 -- Muddling Through, 'The Shoes of the Fisherman' / 'The Split' / 'Head' p179 -- Metamorphosis of the Beatles, 'Yellow Submarine' p187 -- the Corrupt and the Primitive, 'Joanna' / 'Faces ' p193 -- The Concealed Art of Carol Reed, 'Oliver!' p200 -- Frightening the Horses, 'The Killing of Sister Geroge' / 'The Fixer' / 'The Girl on a Motorcycle' / 'A Flea in Her Ear' / 'The Magus' / 'The Birthday Party' / 'Greetings ' p206 -- A Sign of Life, 'Shame' p214 -- Big Misses, 'Ice Station Zebra' / 'Candy' / Chitty Chitty Bang Bang' p222 -- Filmed Theatre, 'the Sea Gull' p228 -- Baggy Pants, 'The Night they Raided Minsky's' / 'The Sergeant' p237 -- Son of Little Ceaser, 'The Brotherhood' p243 -- Overkill? 'The Stalking Moon' p248 -- Saintliness, 'Simon of the Desert' p254 -- The Lady from Across the Sea, 'Model Shop' p263 -- He Walks in Beauty, 'Mayerling' / 'Hell in the Pacific' p273 -- The Small Winner, 'Stolen Kisses' / 'Three in the Attic' / 'the Night of the Following Day' p273 -- SChool Days, School Days 'If...' / 'The Prime of Miss Jean Brodie' p279 -- index p289 --
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Levy Collection
book
Movies into film : film criticism 1967-1970 / John Simon New York: Dell Publishing, 1971.
Call No: 67(04) SIMAuthor: Simon, John Source: USPlace: New YorkPublisher: Dell PublishingPubDate: 1971PhysDes: xiii, 446 p. ; 21 cmSubject: CRITICISM ; SEX IN FILMS ; VIOLENCE IN FILMS ; MUSICALS ; FESTIVALS ; AWARDS ; ADAPTATIONS ; BERGMAN, INGMAR ; MARAT/SADE (UK, Peter Brook, 1967) ; TAMING OF THE SHREW, THE (US/IT, Franco Zeffirelli, 1967) ; CAMPANADAS A MEDIANOCHE (SP/SZ, Orson Welles, 1966) ; ULYSSES (UK/US, Joseph Strick, 1967) ; FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967) ; REFLECTIONS IN A GOLDEN EYE (US, John Huston, 1967) ; VOYNA I MIR (RU, Sergei Bondarchuk, 1968) ; HEART IS A LONELY HUNTER, THE (US, Robert Ellis Miller, 1968) ; KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968) ; PRIME OF MISS JEAN BRODIE, THE (UK, Ronald Neame, 1968) ; JUSTINE (US, George Cukor, 1969) ; TROPIC OF CANCER (US, Joseph Strick, 1969) ; WOMEN IN LOVE (UK, Ken Russell, 1969) ; VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970) ; GUERRE EST FINIE, LA (FR/SW, Alain Resnais, 1966) ; DUTCHMAN (UK, Anthony Harvey, 1967) ; COOL HAND LUKE (US, Stuart Rosenberg, 1967) ; SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969) ; MEDIUM COOL (US, Haskell Wexler, 1969) ; THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969) ; Z (FR/AE, Constantin Costa-Gavras, 1969) ; PATTON (US, Franklin J. Schaffner, 1970) ; WOODSTOCK (US, Michael Wadleigh, 1970) ; REVOLUTIONARY, THE (UK, Paul Williams, 1970) ; JOE (US, John G. Avildsen, 1970) ; GRADUATE, THE (US, Mike Nichols, 1967) ; ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968) ; YELLOW SUBMARINE (UK, George Dunning, 1968) ; IF... (UK, Lindsay Anderson, 1968) ; THREE IN THE ATTIC (US, Richard Wilson, 1968) ; LAST SUMMER, THE (US, Frank Perry, 1969) ; EASY RIDER (US, Dennis Hopper, 1969) ; ALICE'S RESTAURANT (US, Arthur Penn, 1969) ; STERILE CUCKOO, THE (US, ALAN J. PAKULA, 1969) ; MAGIC GARDEN OF STANLEY SWEETHEART, THE (US, Leonard Horn, 1970) ; LET IT BE (UK, Michael Lindsay-Hogg, 1970) ; FOX, THE (US, Mark Rydell, 1968) ; HERE WE GO ROUND THE MULBERRY BUSH (UK, Clive Donner, 1968) ; BELLE DE JOUR (FR/IT, Luis Bunuel, 1967) ; BARBARELLA (FR/IT, Roger Vadim, 1967) ; JAG AR NYFIKEN - GUL (SW, Vilgot Sjoman, 1967) ; PRISONNIERE, LA (FR/IT, Henri-Georges Clouzot, 1968) ; TEOREMA (IT, Pier Paolo Pasolini, 1968) ; COMING APART (US, Milton Moses Ginsberg, 1970) ; MYRA BRECKENRIDGE (US, Mike Sarne, 1970) ; FREEDOM TO LOVE (IT, Phyllis & Eberhard Kronhausen, 1969) ; BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; IN COLD BLOOD (US, Richard Brooks, 1967) ; TRUE GRIT (US, Henry Hathaway, 1969) ; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969) ; TELL THEM WILLIE BOY IS HERE (US, Abraham Polonsky, 1969) ; ROSEMARY'S BABY (US, Roman Polanski, 1968) ; LE MARIEE ETAIT EN NOIR (FR/IT, Francois Truffaut, 1968) ; BAISERS VOLES (FR, Francois Truffaut, 1968) ; HISTOIRES EXTRAORDINAIRES (FR/IT, Louis Malle & Roger Vadim & Federico Fellini, 1968) ; DAMNED, THE (IT/GW, Luchino Visconti, 1969) ; SATYRICON (IT/FR, Federico Fellini, 1969) ; ZABRISKIE POINT (US, Michelangelo Antonioni, 1970) ; SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969) ; PASSAGER DE LA PLUIE, LE (FR/IT, Rene Clement, 1970) ; PERSONA (SW, Ingmar Bergman, 1966) ; VARGTIMMEN (SW, Ingmar Bergman, 1967) ; SKAMMEN (SW, Ingmar Bergman, 1968) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; BICHES, LES (FR, CLaude Chabrol, 1968) ; CHAMADE, LA (FR/IT, Alain Cavalier, 1968) ; FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968) ; SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968) ; LA CINA E VICINA (IT, Marco Bellocchio, 1967) ; POOR COW (UK, Kenneth Loach, 1967) ; TANTE ZITA (FR, Robert Enrico, 1968) ; BULLITT (US, Peter Yates, 1968) ; FACES (US, John Cassavetes, 1968) ; HAR HAR DU DITT LIV (SW, Jan Troell, 1966) ; CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967) ; PUTNEY SWOPE (US, Robert Downey, 1969) ; DOWNHILL RACER (US, Michael Ritchie, 1969) ; M*A*S*H (US, Robert Altman, 1969) ; PAINT YOUR WAGON (US, Joshua Logan, 1969) ; CAMELOT (US, Joshua Logan, 1967) ; OLIVER (UK, Carol Reed, 1968) ; ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970) ; HOW I WON THE WAR (UK, Richard Lester, 1967) ; MIDNIGHT COWBOY (US, John Schlesinger, 1969) ; PETULIA (US, Richard Lester, 1968) ; LION IN WINTER, THE (UK, Anthony Harvey, 1968) ; MAGUS, THE (US, Guy Green, 1968) ; CANDY (FR,/IT/US, Christian Marquand, 1968) ; 2001: A SPACE ODYSSEY (US, Stanley Kubrick, 1968) ; THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968) ; CATCH 22 (US, Mike Nichols, 1970) ; RACHEL, RACHEL (US, Paul Newman, 1968) ; CHARLIE BUBBLES (UK, Albert Finney, 1967) Summary: The author critically analyses a number of films from the period 1967-1970 as a means to show the changes that occured during this time, the historical context of this period and films, and to predict future directions.Notes: Includes index.ISBN: 44005880295Donation: donated by the family of Wayne Levy, 2006Contents: -- adaptations -- politics and society -- the youth film -- sex -- the new violence -- declines and pratfalls of major directors -- Ingmar Bergman -- French film in eclipse -- young directors -- is Hollywood going contemporary? -- musicals -- pseudo-art -- the festival and awards game -- critical mattersID2: 41
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