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Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CAMELOT (US, Joshua Logan, 1967)

Call No: 741.31(73) ARO
Author: Aronstein, Susan
Edition: 2005
Place: New York
Publisher: Palgrave Macmillan
PubDate: 2005
PhysDes: 264 pages ; 22 cm
Subject: CAMELOT (US, Joshua Logan, 1967); EXCALIBUR (UK, John Boorman, 1981); CONNECTICUT YANKEE IN KING ARTHUR'S COURT, A (US, Tay Garnett, 1949); KNIGHTRIDERS (US, George A. Romero, 1981); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981)
Summary: Hollywood Knights examines Hollywood Arthuriana as political nostalgia offered to American viewers during times of cultural crisis: the red scare of the 1950s, the breakdown of traditional authority in the 1960s and 1970s, the turn to the right in the 1980s and the redemption of masculine and national authority in the 1990s. Its analysis of these films explores their proposal of an ideal past - an Americanized Camelot and a democratized chivalry - as the solution to the problems of a troubled present, a solution that will ensure prosperity in the homeland and a globally beneficial American authority abroad. -- publisher's web site
ISBN: 9781403966490

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAGIC SWORD: THE QUEST FOR CAMELOT, THE (US, Frederick Du Chau, 1998)

Call No: 67(04) SIM
Author: Simon, John
Source: US
Place: New York
Publisher: Dell Publishing
PubDate: 1971
PhysDes: xiii, 446 p. ; 21 cm
Subject: CRITICISM; SEX IN FILMS; VIOLENCE IN FILMS; MUSICALS; FESTIVALS; AWARDS; ADAPTATIONS; BERGMAN, INGMAR; MARAT/SADE (UK, Peter Brook, 1967); TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967); ULYSSES (UK/US, Joseph Strick, 1967); FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967); REFLECTIONS IN A GOLDEN EYE (US, John Huston, 1967); VOYNA I MIR (RU, Sergei Bondarchuk, 1968); HEART IS A LONELY HUNTER, THE (US, Robert Ellis Miller, 1968); KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968); PRIME OF MISS JEAN BRODIE, THE (UK, Ronald Neame, 1968); JUSTINE (US, George Cukor, 1969); TROPIC OF CANCER (US, Joseph Strick, 1969); WOMEN IN LOVE (UK, Ken Russell, 1969); VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970); WAR IS OVER, THE [GUERRE EST FINIE, LA] (FR/SW, Alain Resnais, 1966); DUTCHMAN (UK, Anthony Harvey, 1967); COOL HAND LUKE (US, Stuart Rosenberg, 1967); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); MEDIUM COOL (US, Haskell Wexler, 1969); THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969); Z (FR/AE, Constantin Costa-Gavras, 1969); PATTON (US, Franklin J. Schaffner, 1970); WOODSTOCK (US, Michael Wadleigh, 1970); REVOLUTIONARY, THE (UK, Paul Williams, 1970); JOE (US, John G. Avildsen, 1970); GRADUATE, THE (US, Mike Nichols, 1967); ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968); YELLOW SUBMARINE (UK, George Dunning, 1968); IF... (UK, Lindsay Anderson, 1968); THREE IN THE ATTIC (US, Richard Wilson, 1968); LAST SUMMER, THE (US, Frank Perry, 1969); EASY RIDER (US, Dennis Hopper, 1969); ALICE'S RESTAURANT (US, Arthur Penn, 1969); STERILE CUCKOO, THE (US, ALAN J. PAKULA, 1969); MAGIC GARDEN OF STANLEY SWEETHEART, THE (US, Leonard Horn, 1970); LET IT BE (UK, Michael Lindsay-Hogg, 1970); FOX, THE (US, Mark Rydell, 1968); HERE WE GO ROUND THE MULBERRY BUSH (UK, Clive Donner, 1968); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); BARBARELLA (FR/IT, Roger Vadim, 1967); PRISONNIERE, LA (FR/IT, Henri-Georges Clouzot, 1968); TEOREMA (IT, Pier Paolo Pasolini, 1968); COMING APART (US, Milton Moses Ginsberg, 1970); MYRA BRECKENRIDGE (US, Mike Sarne, 1970); FREEDOM TO LOVE (IT, Phyllis & Eberhard Kronhausen, 1969); BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970); BONNIE AND CLYDE (US, Arthur Penn, 1967); WILD BUNCH, THE (US, Sam Peckinpah, 1969); IN COLD BLOOD (US, Richard Brooks, 1967); TRUE GRIT (US, Henry Hathaway, 1969); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); TELL THEM WILLIE BOY IS HERE (US, Abraham Polonsky, 1969); ROSEMARY'S BABY (US, Roman Polanski, 1968); BRIDE WORE BLACK, THE [MARIEE ETAIT EN NOIR] (FR, Francios Truffaut, 1968); BAISERS VOLES (FR, Francois Truffaut, 1968); HISTOIRES EXTRAORDINAIRES (FR/IT, Louis Malle & Roger Vadim & Federico Fellini, 1968); SATYRICON (IT/FR, Federico Fellini, 1969); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970); SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969); PASSAGER DE LA PLUIE, LE (FR/IT, Rene Clement, 1970); PERSONA (SW, Ingmar Bergman, 1966); VARGTIMMEN (SW, Ingmar Bergman, 1967); SKAMMEN (SW, Ingmar Bergman, 1968); CHINOISE, LA (FR, Jean-Luc Godard, 1967); BICHES, LES (FR/IT, Claude Chabrol, 1968); CHAMADE, LA (FR/IT, Alain Cavalier, 1968); FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968); SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968); CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967); POOR COW (UK, Kenneth Loach, 1967); TANTE ZITA (FR, Robert Enrico, 1968); BULLITT (US, Peter Yates, 1968); FACES (US, John Cassavetes, 1968); HAR HAR DU DITT LIV (SW, Jan Troell, 1966); CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967); PUTNEY SWOPE (US, Robert Downey, 1969); DOWNHILL RACER (US, Michael Ritchie, 1969); M*A*S*H (US, Robert Altman, 1969); PAINT YOUR WAGON (US, Joshua Logan, 1969); CAMELOT (US, Joshua Logan, 1967); OLIVER (UK, Carol Reed, 1968); ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970); HOW I WON THE WAR (UK, Richard Lester, 1967); MIDNIGHT COWBOY (US, John Schlesinger, 1969); PETULIA (US, Richard Lester, 1968); LION IN WINTER, THE (UK, Anthony Harvey, 1968); MAGUS, THE (US, Guy Green, 1968); CANDY (FR/IT/US, Christian Marquand, 1968); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968); CATCH 22 (US, Mike Nichols, 1970); RACHEL, RACHEL (US, Paul Newman, 1968); CHARLIE BUBBLES (UK, Albert Finney, 1967)
Summary: The author critically analyses a number of films from the period 1967-1970 as a means to show the changes that occured during this time, the historical context of this period and films, and to predict future directions.
Notes: Includes index.
ISBN: 44005880295
Donation: donated by the family of Wayne Levy, 2006
Contents: -- adaptations -- politics and society -- the youth film -- sex -- the new violence -- declines and pratfalls of major directors -- Ingmar Bergman -- French film in eclipse -- young directors -- is Hollywood going contemporary? -- musicals -- pseudo-art -- the festival and awards game -- critical matters
ID2: 41

Call No: 751.1(73) KEN
Author: Kennedy, Matthew
Place: Oxford ; New York
Publisher: Oxford University Press
PhysDes: x, 307 pages ; 25 cm
Subject: MUSICALS. USA; ANDREWS, JULIE; HARRISON, REX; STREISAND, BARBRA; CABARET (US, Bob Fosse, 1972); CAMELOT (US, Joshua Logan, 1967); CHITTY CHITTY BANG BANG (UK, Ken Hughes, 1968); DARLING LILI (US, Blake Edwards, 1970); [DOCTOR] DR DOLITTLE (US, Richard Fleischer, 1967); FIDDLER ON THE ROOF (US, Norman Jewison, 1971); FUNNY GIRL (US, William Wyler, 1968); GOODBYE MR CHIPS (UK, Herbert Ross, 1969); HAPPIEST MILLIONAIRE, THE (US, Norman Tokar, 1967); HELLO, DOLLY! (US, Gene Kelly, 1969); MAN OF LA MANCHA (US/IT, Arthur Hiller, 1972); MY FAIR LADY (US, George Cukor, 1964); OLIVER (UK, Carol Reed, 1968); PAINT YOUR WAGON (US, Joshua Logan, 1969); SONG OF NORWAY (US, Andrew L. Stone, 1970); SOUND OF MUSIC, THE (US, Robert Wise, 1965); STAR (US, Robert Wise, 1968); SWEET CHARITY (US, Bob Fosse, 1969); THOROUGHLY MODERN MILLIE (US, George Roy Hill, 1967)
Summary: A study on the Hollywood musical of the late 1960's and how after the remarkable box office highs of The Sound of Music, musicals were generally financial and critical disappointments for a number of years.
ISBN: 9780199925674
Contents: Machine generated contents note: ch. 1 The Musical That Ate Hollywood -- ch. 2 "I, Too, Can Sing" -- ch. 3 The Animal Kingdom -- ch. 4 Movie Stars -- ch. 5 Smoke and Gold -- ch. 6 Over-Egg the Pudding -- ch. 7 Do Little -- ch. 8 Casting About -- ch. 9 Buying and Selling -- ch. 10 "Impossible to Control the Cost of This Gown" -- ch. 11 Battle of the Girls -- ch. 12 Delayed Adolescence -- ch. 13 The Paramount Bloodsuckers -- ch. 14 Goodbye, MGM -- ch. 15 Numbers -- ch. 16 "Magnificent Apathy" -- ch. 17 Acts of Faith -- ch. 18 The Impossible Dream

Call No: 71 (73) HAR
Author: Harris Mark
Place: Edinburgh
Publisher: Canongate
PubDate: 2008
PhysDes: 490 p., [16] p. of plates : ill. ; 25 cm
Subject: COLUMBIA PICTURES; CRITICISM; CRITICS; DIRECTORS. USA; HISTORY AND THE CINEMA. USA; HOLLYWOOD IN FILMS; JAMES BOND IN FILMS; TWENTIETH CENTURY-FOX; WALT DISNEY PRODUCTIONS; ALLEN, WOODY; ANTONIONI, MICHELANGELO; ASHBY, HAL; BANCROFT, ANNE; BEATTY, WARREN; BENTON, ROBERT; BERGMAN, INGRID; BLAKE, ROBERT; BRANDO, MARLON; BURTON, RICHARD; CAINE, MICHAEL; CARON, LESLIE; CUKOR, GEORGE; COLLINS, JOAN; CONNERY, SEAN; COPPOLA, FRANCIS FORD; CORMAN, ROGER; DANIELS, WILLIAM; DAVIS, SAMMY, Jr.; DAY, DORIS; DUNAWAY, FAYE; DUVALL, ROBERT; FELLINI, FEDERICO; FLEISCHER, RICHARD; FONDA, JANE; FRANKOVICH, MIKE; GODARD, JEAN-LUC; HARRISON, REX; HENRY, BUCK; HEPBURN, KATHARINE; HOFFMAN, DUSTIN; NEWMAN, DAVID; BONNIE AND CLYDE (US, Arthur Penn, 1967); CAMELOT (US, Joshua Logan, 1967); CLEOPATRA (US, Joseph L. Mankiewicz, 1963); COOL HAND LUKE (US, Stuart Rosenberg, 1967); [DOCTOR] DR DOLITTLE (US, Richard Fleischer, 1967); GRADUATE, THE (US, Mike Nichols, 1967); GUESS WHO'S COMING TO DINNER (US, Stanley Kramer, 1967); KAEL, PAULINE; IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967)
Summary: In this book, Mark Harris looks at 1967, and marks it as a pivotal moment in Hollywood's history: the shift from studio -generated epics, westerns and musicals, such as "Doctor Doolitle"to the director-centred European aesthetic seen in "Bonnie & Clyde" and "The Graduate". It was the birth of the New Hollywood. The book look at five films made in this year- "Bonnie & Clyde", "In the heat of the night", "Doctor Doolittle" "The Graduate" and "Guess who's coming to dinner" from the. first draft of the scripts to the impact of their release. The author interviews most of the actors in volved in the making of these films and presents a book about Hollywood and the United States at a critical juncture in their history. [Taken from the cover]
Notes: Includes bibliographical references (p. [432]-438) and index.
ISBN: 9781847671028
ID2: 277

Call No: LP Warner Bros. Pictures presents Camelot
Author: Burke, Sonny; Lerner, Alan Jay; Loewe, Frank
Source: US
Place: ?
Publisher: Warner Bros Records
PubDate: c1967
PhysDes: 1 disc : analog, 33 1/3 rpm., stereo. ; 12 in
Subject: CAMELOT (US, Joshua Logan, 1967)
Contents: -- side one -- prelude and overture -- I wonder what the king is doing tonight / king arthur -- the simple joys of maidenhood / guenevere -- camelot and the wedding ceremony / king arthur and mixed chorus -- c'est moi / lancelot -- the lusty month of may / guenevere and mixed chorus -- follow me and children's chorus -- how to handle a woman / king arthur -- side two -- take me to the fair / guenevere and the 3 knights -- if ever I would leave you - love montage / lancelot -- what do the simple folk do? / king arthur and guenevere -- i loved you once in silence / guenevere -- guenevere / mixed chorus -- finale ultimo / king arthur and mixed chorus --
Performer: Alfred Newman; Ken Darby
Music Type: Motion Picture Music
Publisher Number: Warner Bros: BS-1712