book
50 major film-makers / edited by Peter Cowie South Brunswick, N.J.: A. S. Barnes, c1975.
Call No: 802.25 FIFAuthor: Cowie, Peter Place: South Brunswick, N.J.Publisher: A. S. BarnesPubDate: c1975PhysDes: 287 p. : ill. ; 29 cmSubject: ANDERSON, LINDSAY ; ANTONIONI, MICHELANGELO ; BERGMAN, INGMAR ; BERTOLUCCI, BERNARDO ; BONDARCUK, SERGEJ ; BRESSON, ROBERT ; BROOKS, RICHARD ; BUNUEL, LUIS ; CHABROL, CLAUDE ; DEMY, JACQUES ; DONNER, JORN ; DONSKOJ, MARK ; FELLINI, FEDERICO ; FORMAN, MILOS ; FRANJU, GEORGES ; FRANKENHEIMER, JOHN ; HAANSTRA, BERT ; HITCHCOCK, ALFRED ; ICHIKAWA KON ; IVENS, JORIS ; JANCSO, MIKLOS ; KAZAN, ELIA ; KOZINCEV, GRIGORIJ ; KUBRICK, STANLEY ; KUROSAWA AKIRA ; LOSEY, JOSEPH ; LUMET, SIDNEY ; MAKAVEJEV, DUSAN ; MALLE, LOUIS ; MELVILLE, JEAN-PIERRE ; NEMEC, JAN ; OSHIMA NAGISA ; PASOLINI, PIER PAOLO ; PENN, ARTHUR ; POLANSKI, ROMAN ; RAY, SATYAJIT ; RESNAIS, ALAIN ; ROHMER, ERIC ; ROSI, FRANCESCO ; SCHLESINGER, JOHN ; SCHORM, EVALD ; SKOLIMOWSKI, JERZY ; TATI, JACQUES ; TORRE NILSSON, LEOPOLDO ; TROELL, JAN ; TRUFFAUT, FRANCOIS ; VISCONTI, LUCHINO ; WAJDA, ANDRZEJ ; WELLES, ORSON ; WIDERBERG, BO Notes: Includes filmographies and indexISBN: 0498012557 : $20.00LON: 723676ID2: 291
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journal article
Borrowed Time in Montage (March 1970) p.5-8
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Cinema eye, cinema ear : some key film-makers of the sixties / John R. Taylor London: Methuen, 1964.
Call No: 802.25 TAYAuthor: Taylor, John Russell, 1935 Place: LondonPublisher: MethuenPubDate: 1964PhysDes: 294 p. : plates ; 22 cmSubject: Fellini, Federico ; ANTONIONI, MICHELANGELO ; BUNUEL, LUIS ; BRESSON, ROBERT ; BERGMAN, INGMAR ; HITCHCOCK, ALFRED ; TRUFFAUT, FRANCOIS ; RESNAIS, ALAIN ; GODARD, JEAN-LUC Notes: Filmgraphies and bibliographies: p. 230-293LON: 2412522 2412522
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The cinema of Federico Fellini / Stuart Rosenthal South Brunswick [N.J.] London: A.S. Barnes Tantivy Press, 1976.
Call No: 81FEL ROSAuthor: Rosenthal, Stuart Place: South Brunswick [N.J.] LondonPublisher: A.S. Barnes Tantivy PressPubDate: 1976PhysDes: 190 p. ; ill. ; 26 cmSubject: Fellini, Federico Notes: Filmography: p. 175-184; Bibliography: p. 185-187ISBN: 0498014509 (Barnes) : $9.95; 0904208907 (Tantivy)LON: 73013193; 724277
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The cinema of Federico Fellini / Peter Bondanella ; with a foreword by Federico Fellini Princeton, N.J.: Princeton University Press, 1992.
Call No: 81FEL BONAuthor: Bondanella, Peter E., 1943 Place: Princeton, N.J.Publisher: Princeton University PressPubDate: 1992PhysDes: xxi, 367 p. : ill. ; 25 cmSubject: Fellini, Federico Notes: Filmography: p. [335]-344; Includes bibliographical references (p. [345]-360) and indexISBN: 0691031967 : $49.50; 0691008752 (pbk.) : $17.95LON: 91025873; 8202036
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Contemporary Italian filmmaking : strategies of subversion : Pirandello, Fellini, Scola, and the directors of the new generation / Manuela Gieri Toronto: University of Toronto Press, 1995.
Call No: 71(45) GIEAuthor: Gieri, Manuela Place: TorontoPublisher: University of Toronto PressPubDate: 1995PhysDes: x, 301 p. : ill. ; 23 cmSubject: Pirandello, Luigi, 1867-1936 ; Fellini, Federico ; Scola, Ettore, 1931 Summary: Contemporary Italian Filmmaking is an innovative critique of Italian filmmaking in the aftermath of World War II, as it moves beyond traditional categories such as genre film and auteur cinema. Manuela Gieri demonstrates that Luigi Pirandello's revolutionary concept of humour was integral to the development of a countertradition in Italian filmmaking that she defines as 'humoristic.' She delineates a 'Pirandellian genealogy' in Italian cinema and culture through her examination of the works of Federico Fellini, Ettore Scola, and many directors of the 'new generation,' including Nanni Moretti, Gabriele Salvatores, Maurizio Nichetti, and Giuseppe TornatoreNotes: Includes bibliographical references (p. [269]-290) and indexISBN: 080200556X (bound); 0802069797 (pbk.)LON: 12297381
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Deleuze on cinema / Ronald Bogue New York: Routledge, 2003.
Call No: 620 DEL BOGAuthor: Bogue, Ronald Source: USPlace: New YorkPublisher: RoutledgePubDate: 2003PhysDes: x, 231 p. ; 24 cm.Subject: BAZIN, ANDRE ; DELEUZE, GILLES ; CASSAVETES, JOHN ; CHAPLIN, CHARLES ; EISENSTEIN, SERGEI M. ; FELLINI, FEDERICO ; GODARD, JEAN-LUC ; RESNAIS, ALAIN ; ROBBE-GRILLET, ALAIN ; ROUCH, JEAN ; WELLES, ORSON Summary: This text provides a thorough and reliable guide to Deleuze's thought on the art of film, elucidating in clear language the shape and thrust of Deleuze's arguments found in his influential books on cinema.Notes: Includes bibliographical references (pages 219-222) and index.ISBN: 0415966043Donation: Estate of Adrian MilesContents: Ch. 1. Bergson and Cinema; Deleuze's Bergson; Three Bergsonian Theses on Movement; Image, Movement, Matter, Light; The Three Movement-Images --Ch. 2. Frame, Shot, and Montage; Frame and Shot; Montage: Organic and Dialectic; Montage: Quantitative and Intensive --Ch. 3. Eighteen Signs (More or Less); Peirce and Signs; The Perception-Image; The Affection-Image; The Impulse-Imag; The Action-Image; The Reflection-Image; The Relation-Image --Ch. 4. Hyalosigns: Crystals of Time; Opsigns; Mnemosigns and Onirosigns; Hyalosigns; Crystalline States --Ch. 5. Chronosigns: The Order of Time and Time as Series; Sheets of the Past, Peaks of the Present; Robbe-Grillet, Welles, and Resnais; Powers of the False; Rouch's Ethnofictions; Bodies and Categories --Ch. 6. Noosigns and Lectosigns: Image and Thought, Sight and Sound; The Classic Image of Thought; The Thought of the Outside; The Spiritual Automaton; Silent and Audible Lectosigns; The Modern Lectosign; A Note on Cinema, Theater, and Television.
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Development of the film : an interpretive history / Alan Casty New York: Harcourt Brace Jovanovich, 1973.
Call No: 70 CASAuthor: Casty, Alan Source: USPlace: New YorkPublisher: Harcourt Brace JovanovichPubDate: 1973PhysDes: 425 p. ; 23 cmSubject: EDITING ; HISTORICAL FILMS ; HISTORY AND THE CINEMA ; PRODUCTION TECHNOLOGY ; GENRES ; SOCIAL HISTORY AND THE CINEMA ; BOGART, HUMPHREY ; BRECHT, BERTOLT ; BUNUEL, LUIS ; CAPRA, FRANK ; CARNE, MARCEL ; CHAPLIN, CHARLES ; CLAIR, RENE ; COOPER, GARY ; CURTIZ, MICHAEL ; DEMILLE, CECIL B. ; DE SICA, VITTORIO ; DIETRICH, MARLENE ; DOVZENKO, ALEKSANDR ; DREYER, CARL TH. ; DUVIVIER, JULIEN ; Fellini, Federico ; FLAHERTY, ROBERT ; FORD, JOHN ; GARBO, GRETA ; GODARD, JEAN-LUC ; GRIFFITH, DAVID WARK ; HITCHCOCK, ALFRED ; HUSTON, JOHN ; HAWKS, HOWARD ; KINGSLEY, STANLEY ; KAZAN, ELIA ; LANG, FRITZ ; Lean, David ; LEROY, MERVYN ; LUBITSCH, ERNST ; MCCREA, JOEL ; MAMOULIAN, ROUBEN ; MARX BROTHERS ; MILESTONE, LEWIS ; MURNAU, FRIEDRICH WILHELM ; NEWMAN, PAUL ; PABST, GEORG WILHELM ; Pasolini, Pier Paolo ; Peckinpah, Sam ; PUDOVKIN, VSEVELOD ; REED, CAROL ; RENOIR, JEAN ; ROSSELLINI, ROBERTO ; ROSSEN, ROBERT ; Stewart, James ; TOLAND, GREGG ; TRUFFAUT, FRANCOIS ; VIGO, JEAN ; VISCONTI, LUCHINO ; VON STERNBERG, JOSEF ; VON STROHEIM, ERICH ; WAYNE, JOHN ; WELLES, ORSON ; WELLMAN, WILLIAM ; WILDER, BILLY ; WISE, ROBERT ; WYLER, WILLIAM ; ZOLA, EMILE ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; INTOLERANCE (US, David Wark Griffith, 1916) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; STRAW DOGS (UK, Sam Peckinpah, 1971) Summary: The development of the cinemictic styles and genres in films worldwide and the important professical within the film industry.ISBN: 0155176226
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Dolce vita confidential : Fellini, Loren, Pucci, paparazzi, and the swinging high life of 1950s Rome / Shawn Levy London: Weidenfeld & Nicolson, 2018.
Call No: 79 DOL LEVAuthor: Levy, Shawn Source: UKPlace: LondonPublisher: Weidenfeld & NicolsonPubDate: 2018PhysDes: xxiii, 447 pages, 16 pages of unnumbered plates : Illustrations ; 20 cmSubject: DOLCE VITA, LA (FR/IT, Federico Fellini, 1960) ; CINECITTA FILM STUDIO ; ANTONIONI, MICHELANGELO ; DE LAURENTIIS, DINO ; DE SICA, VITTORIO ; EKBERG, ANITA ; FASHION AND THE CINEMA ; FELLINI, FEDERICO ; LOREN, SOPHIA ; MASTROIANNI, MARCELLO ; ROSSELLINI, ROBERTO ; VISCONTI, LUCHINO Summary: "From the ashes of war, the Eternal City is reborn as the epicentre of film, style, boldfaced libertinism and titillating journalism. It’s the heyday of fashion icons such as Pucci and Brioni, and the height of ‘Hollywood on the Tiber’, when a dizzying array of stars flock to Cinecittà, the huge movie studio on the outskirts of Rome. At the bars on Via Veneto the likes of Ingrid Bergman, Audrey Hepburn and Elizabeth Taylor mix with blue bloods and bohemians, while behind them trail street photographers in pursuit of the most unflattering and dramatic portraits of fame. In a fast-paced, kaleidoscopic narrative, Shawn Levy shows how all roads lead to Federico Fellini’s world-conquering movie La Dolce Vita, starring Marcello Mastroianni and the Swedish bombshell Anita Ekberg. He recreates Rome’s stunning ascent with vivid and compelling tales of its glitterati and artists, down to every last outrageous detail of the city’s magnificent transformation." - taken from publisher's websiteNotes: Includes bibliographical references and index.ISBN: 9781474606158Contents: 1. Buzzing Through Ruins -- 2. "An Old River Among the Great Hotels" -- 3. Made in Italy -- 4. "The Three-Sided Mirror" -- 5. "Paris Didn't Move Us Like This" -- 6. "Motion Pictures Are the Most Powerful Weapon" -- 7."Hollywood on the Tiber" -- 8. Scattini and Fumetti -- 9. A Girl on a Beach -- 10. A Nose for the Shot -- 11. The Curvy Girls -- 12. "She Will Be a Sensation" -- 13. "She's Impossible to Photograph" -- 14. "I'm a Peasant" -- 15. Signor Sigarone -- 16. "Sit Down, If You Dare" -- 17. "Florence Is a Lost Cause" -- 18. "A Fine Race Horse and a Ghost" -- 19. "A Charnel House Under a Green Marque" -- 20. "Poor Starving Devils" -- 21. "We Take Their Pictures, and They Beat Us Up" -- 22. "The Most Sinful, Transgressive Thing" -- 23. Babylon, 2000 Years After Christ -- 24. "Poor You" -- 25. "I Am Not a Sexy Pot" -- 26. "You've Done It. You've Won"-- 27. "A Ravenous Wolf Pack" -- 28. "Everybody Becomes a Roman Within Three Days" -- 29. "There's No Erotic Charge in Me" -- 30. "We Are on Stage All the Time" -- 31. "Please Stop Crying"
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The emergence of film art : the evolution and development of the motion picture as an art, from 1900 to the present New York: Hopkinson and Blake, [c1969].
Call No: 70 JACAuthor: Jacobs, Lewis, comp Place: New YorkPublisher: Hopkinson and BlakePubDate: [c1969]PhysDes: 453 p. illus. 25 cmSubject: HISTORY OF CINEMA ; HISTORY OF CINEMA. SILENT PERIOD ; HISTORY OF CINEMA. SOUND PERIOD ; COLORIZATION ; SOCIETY AND THE CINEMA ; GERMANY ; ANIMATED FILMS ; CINEMA VERITE ; AUTEUR THEORY ; NOUVELLE VAGUE ; MUSIC IN FILMS ; NEOREALISM ; AVANT-GARDE FILMS ; MELIES, GEORGES ; GRIFFITH, DAVID WARK ; CLAIR, RENE ; FORD, JOHN ; PORTER, EDWIN S. ; LESTER, RICHARD ; DISNEY, WALT ; BERGMAN, INGMAR ; TRUFFAUT, FRANCOIS ; SARRIS, ANDREW ; KAEL, PAULINE ; KUROSAWA AKIRA ; RESNAIS, ALAIN ; FELLINI, FEDERICO ; ANTONIONI, MICHELANGELO ; BASS, SAUL ; MEKAS, JONAS ; CITIZEN KANE (US, Orson Welles, 1941) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928) Notes: Bibliography: p. 438-439LON: 5011ID2: 291
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Federico Fellini / Translated by Rosalie Siegel New York: Crown Publishers, 1969].
Call No: 81FEL SALAuthor: Salachas, Gilbert Place: New YorkPublisher: Crown PublishersPubDate: 1969]PhysDes: 224 p. illus., ports. 17 cmSubject: Fellini, Federico LON: 68009071; 696437
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Federico Fellini : Variety lights to La dolce vita / Frank Burke London: Columbus, 1987, c1984.
Call No: 81FEL BURAuthor: Burke, Frank Place: LondonPublisher: ColumbusPubDate: 1987, c1984PhysDes: 168 p. : ill. ; 22cmSubject: Fellini, Federico Notes: Italian cinema films. Directing. Fellini, Federico. - Critical studies (BNB/PRECIS); Originally published: Boston : Twayne, 1984; Bibliography: p133-137. - Includes indexISBN: 0862873568 (pbk) : ª5.95 : CIP confirmedLON: bnb86287356; 5498385
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Federico Fellini : an annotated international bibliography / by Barbara Anne Price and Theodore Price Metuchen, N.J.: Scarecrow Press, 1978.
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Federico Fellini, essays in criticism / edited by Peter Bondanella New York: Oxford University Press, 1978.
Call No: 81FEL FEDAuthor: Bondanella, Peter E., 1943 Place: New YorkPublisher: Oxford University PressPubDate: 1978PhysDes: xiii, 314 p. : ill. ; 22 cmSubject: Fellini, Federico Notes: Bibliography: p. 305-307; Filmography: p. 307-314ISBN: 0195022734 : $15.00. 0195022742 pbk. : $4.95LON: 76057481; 851663
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Fellini / John Baxter London: Fourth Estate, 1994.
Call No: 81FEL BAXAuthor: Baxter, John, 1939 Edition: Paperback edPlace: LondonPublisher: Fourth EstatePubDate: 1994PhysDes: 376 p., [24] p. of plates ; ill., ports. ; 20 cmSubject: Fellini, Federico Notes: Includes indexISBN: 1857022467 (pbk.)LON: bnc85702246; 11127559
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Fellini : Storia di Federico Fellini. English / translated [from the Italian] by Elizabeth Greenwood London: Merlin, 1967.
Call No: 81FEL SOLAuthor: Solmi, Angelo Place: LondonPublisher: MerlinPubDate: 1967PhysDes: 183 p. front., 8 plates (incl. ports.) 25 1/2 cmSubject: Fellini, Federico Notes: Originally published as "Storia di Federico Fellini". Milano, Rizzoli, 1962; "Bibliography and films" p. 179-183LON: 67089255; 686613
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Fellini / by Suzanne Budgen [London]: British Film Institute, 1966.
Call No: 81FEL BUDAuthor: Budgen, Suzanne Place: [London]Publisher: British Film InstitutePubDate: 1966PhysDes: 128 p. : ill. ; 21 cmSubject: Fellini, Federico LON: abn87055230; 5136505
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Fellini, a life / by Hollis Alpert New York: Paragon House, 1988, c1986.
Call No: 81FEL ALPAuthor: Alpert, Hollis, 1916 Place: New YorkPublisher: Paragon HousePubDate: 1988, c1986PhysDes: xii, 337 p., [16] p. of plates : ill. ; 23 cmSubject: Fellini, Federico Notes: Includes index; Filmography: p. [303]-315; Bibliography: p. [317]-322ISBN: 1557780005 (pbk.)LON: 87013431; 5395384
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personality microfilm collection
Fellini, Federico
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Clippings; PublicitySubject: Fellini, Federico
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Interim
book
Fellini lexicon / by Sam Rohdie London: bfi Publishing, 2002.
Call No: 81FEL ROHAuthor: Rohdie, Sam Source: UKPlace: LondonPublisher: bfi PublishingPubDate: 2002PhysDes: vi, 159p. ; illus. ; 24cm.Subject: Fellini, Federico Notes: Includes filmography and bibliography.ISBN: 0851709346
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Interim
book
Fellini lexicon / by Sam Rohdie London: bfi Publishing, 2002.
Call No: 81FEL ROHAuthor: Rohdie, Sam Source: UKPlace: LondonPublisher: bfi PublishingPubDate: 2002PhysDes: vi, 159p. ; illus. ; 24cm.Subject: Fellini, Federico Notes: Includes filmography and bibliography.ISBN: 0851709346
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Fellini on Fellini / edited by Anna Keel and Christian Strich ; translated by Isabel Quigly London: Methuen, 1976.
Call No: 81FEL FELAuthor: Fellini, Federico Place: LondonPublisher: MethuenPubDate: 1976PhysDes: 180 p. ; 21 cmSubject: Fellini, Federico Notes: German translation has title: AufsFatze und Notizen; "The bulk of this volume is specially translated from the original Italian."; Filmography: p. 167-175; Includes bibliographical references and indexISBN: 0413336409 : ª4.50. 0413336506 pbkLON: 76362770; 783518
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journal article
The Festival in Lumiere (July-August 1971) iss.10 p.28-32
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book
Film : a montage of theories N.Y.: Dutton, 1966.
Call No: 62 MACAuthor: MacCann, Richard Dyer Edition: 1st edPlace: N.Y.Publisher: DuttonPubDate: 1966PhysDes: 384 p. : movie stills ; 18 cmSubject: THEORY ; AESTHETICS ; DOCUMENTARIES ; CINEMASCOPE ; NEOREALISM ; PUDOVKIN, VSEVELOD ; CLAIR, RENE ; HITCHCOCK, ALFRED ; KNOX, ALEXANDER ; NICHOLS, DUDLEY ; BERGMAN, INGMAR ; BALAZS, BELA ; SENNETT, MACK ; VORKAPICH, SLAVKO ; RICHTER, HANS ; Grierson, John ; ZAVATTINI, CESARE ; KRACAUER, SIEGFRIED ; ROEMER, MICHAEL ; BACHMANN, GIDEON ; DREW, ROBERT ; LEACOCK, RICHARD ; PENNEBAKER, D. A. ; DREYER, CARL TH. ; VANDERBEEK, STAN ; MEKAS, JONAS ; KAEL, PAULINE ; TRUFFAUT, FRANCOIS ; Fellini, Federico ISBN: 0525471812LON: 21441213
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Film 69/70 : an anthology by the National Society of Film Critics / edited by Joseph Morgenstern and Stefan Kanfer New York: Simon and Schuster, c1970.
Call No: 67 (04) FILSource: USPlace: New YorkPublisher: Simon and SchusterPubDate: c1970PhysDes: 286 p. ; 22 cmSubject: INDUSTRY, FILM. USA ; MUSICALS ; VIETNAM WAR IN FILMS ; POLITICS IN FILMS ; PORNOGRAPHY AND THE CINEMA ; FELLINI, FEDERICO ; STREISAND, BARBRA ; WAYNE, JOHN ; CHE! (US, Richard Fleischer, 1969) ; SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969) ; Z (FR/AE, Constantin Costa-Gavras, 1969) ; EASY RIDER (US, Dennis Hopper, 1969) ; BOB & CAROL & TED & ALICE (US, Paul Mazursky, 1969) ; ALICE'S RESTAURANT (US, Arthur Penn, 1969) ; BAISERS VOLES (FR, Francois Truffaut, 1968) ; MIDNIGHT COWBOY (US, John Schlesinger, 1969) ; GOODBYE COLUMBUS (US, Larry Peerce, 1969) ; IF... (UK, Lindsay Anderson, 1968) ; THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969) ; PAINT YOUR WAGON (US, Joshua Logan, 1969) ; INTIMNI OSVETLENI (CZ, Ivan Passer, 1969) ; GURU, THE (US/II, James Ivory, 1968) ; HAR HAR DU DITT LIV (SW, Jan Troell, 1966) ; AKAHIGE (JA, Akira Kurosawa, 1965) ; PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965) ; CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; PUTNEY SWOPE (US, Robert Downey, 1969) ; MEDIUM COOL (US, Haskell Wexler, 1969) ; ANGEL LEVINE, THE (US, Jan Kadar, 1970) ; IN THE YEAR OF THE PIG (US, Emile de Antonio, 1968) ; HIGH SCHOOL (US, Frederick Wiseman, 1969) ; ISADORA (UK, Karel Reisz, 1968) ; GOODBYE MR CHIPS (UK, Herbert Ross, 1969) ; JAG AR NYFIKEN - GUL (SW, Vilgot Sjoman, 1967) ; FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968) Summary: Critical reviews of films produced 1969/1970Notes: Includes indexISBN: 671-20608-7Contents: I. Pick of the Litter -- Z / Pauline Kael, Arthur Schlesinger, Jr. -- Easy Rider / Joseph Morgenstern, Penelope Gillatt, Stefan Kanfer, Richard Schickel -- Bob & Carol & Ted & Alice / Hollis Alpert, Pauline Kael, Arthur Schlesinger, Jr., John Simon -- Alice's Restaurant / Robert Hatch, John Simon / If... / Arthur Schlesinger, Jr., Pauline Kael -- They Shoot Horses, Don't They? / Stefan Kanfer, John Simon -- II. Advance Obit. -- Hollywood: Myth, Fact and Trouble / Joseph Morgenstern -- The Studio by John Gregory Dunne / Stanley Kauffmann -- Paint Your Wagon / Pauline Kael -- III. Auteurisms -- Intimate Lighting / Andrew Sarris -- La Femme Infidele / Andrew Sarris -- Stolen Kisses / Joseph Morgenstern, Hollis Alpert, Robert Kotlowitz -- Here's Your Life / Stanley Kauffmann -- Pierrot Le Fou / Joseph Morgenstern -- The Red and the White / Penelope Gilliatt, Richard Schickel, John Simon -- Putney Swope / Arthur Knight, Penelope Gilliattt, Richard Schickel -- Medium Cook / John Simon, Andrew Sarris -- IV. On Location -- The Making of The Angel Levine / Robert Kotlowitz -- Fellini at Work / Hollis Alpert -- Che! / Joseph Morgenstern, Robert Hatch -- V. Documentarians -- Salesman / Harold Clurman, Joseph Morgenstern -- In the Year of the Pig / Pauline Kael -- High School / Richard Schickel -- VI. Performers and Performances -- The Loves of Isadora / Richard Schickel, Stanley Kauffmann, Stefan Kanfer, Hollis Alpert, Penelope Gilliatt -- Goodbye, Mr. Chips / Pauline Kael, Stefan Kanfe -- Superstar: The Streisand Story / Joseph Morgenstern -- John Wayne as the Last Hero / Stefan Kanfer -- VII. Skin -- I Am Curious (Yellow) / John Simon, Penelope Gilliatt, Hollis Alpert -- Coming Apart / Joseph Mergenstern, Richard Schickel
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Old collection
book
Film: Book 1 : the audience and the filmmaker / edited by Robert Hughes New York: Grove Press, 1959.
Call No: 62 FILAuthor: Hughes, Robert Source: USPlace: New YorkPublisher: Grove PressPubDate: 1959PhysDes: v. : ill., ports ; 20 cm.Series: Evergreen Books E140Subject: PERIODICALS, FILM ; ART AND THE CINEMA ; SPECTATORSHIP ; ANDERSON, LINDSAY ; BARDEM, JUAN ANTONIO ; BUNUEL, LUIS ; CLEMENT, RENE ; MEYERS, SIDNEY ; DREYER, CARL TH. ; HENNING-JENSEN, BJARNE ; KAZAN, ELIA ; Lean, David ; SATYAJIT, RAY ; RENOIR, JEAN ; FLAHERTY, ROBERT ; Fellini, Federico ; AGEE, JAMES ; ZAVATTINI, CESARE ; MEKAS, JONAS ; MAN OF ARAN (UK, Robert Flaherty, 1934) ; ALL OF MY BABIES : A MIDWIFE'S OWN STORY (US, George Stoney, 1952) ISBN: 0195018346
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Film makers on film making : Statements on their art by thirty directors / Geduld, Harry M. (editor) Harmondsworth: Penguin, 1967.
Call No: 802.25 FILPlace: HarmondsworthPublisher: PenguinPubDate: 1967PhysDes: 18 cm; 303 p.Subject: AUTHORSHIP ; LUMIERE, LOUIS ; PORTER, EDWIN S. ; SENNETT, MACK ; GRIFFITH, DAVID WARK ; FLAHERTY, ROBERT ; CHAPLIN, CHARLES ; VON STROHEIM, ERICH ; VERTOV, DZIGA ; DREYER, CARL TH. ; HITCHCOCK, ALFRED ; RICHARDSON, TONY ; COCTEAU, JEAN ; RESNAIS, ALAIN ; ROBBE-GRILLET, ALAIN ; BUNUEL, LUIS ; BERGMAN, INGMAR ; FELLINI, FEDERICO ; VON STERNBERG, JOSEF ; ANTONIONI, MICHELANGELO ; LANG, FRITZ ; WAJDA, ANDRZEJ ; WELLES, ORSON ; RAY, SARYAJIT ; KUROSAWA AKIRA ; ANDERSON, LINDSAY ; LEAN, DAVID ; RENOIR, JEAN ; BARDEM, JUAN ANTONIO ; ANGER, KENNETH Summary: Does the making of films – a group activity – permit anything that can be called self-expression? Can a director, as the conductor of an orchestra of writers, actors, cameramen and technicians, stamp his personal vision on the films he makes? This and related questions are raised by this collection of statements made by famous directors about their art. Harry Geguld’s anthology of “patristic writings” runs from the days (in 1895) when Louis Lumiere filmed a train entering a station, by way of Charlie Chaplin’s knockabout ad-libbing, to the sophisticated ruminations of Antonioni and Bergman and the ideas behind the nouvelle vague. Here is D.W. Griffith’s scouting the very idea of talking pictures; Mack Sennett on custard pies; Eisenstein on three-dimensional film; Cocteau on the raw materials of illusion; Kurosawa on filming in Japan; Hitchcock on the macabre; and some other twenty leading directors on aspects of their work. In his introduction, Harry Geguld assesses the unique characteristics of motion pictures and comments refreshingly on the eternal controversy of “book into film”. [Taken from back cover.]ID2: 291
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Film world : interviews with cinema's leading directors / Michel Ciment; translated by Julie Rose New York: Berg, 2009.
Call No: 802.25 CIMAuthor: Ciment, Michel Source: USPlace: New YorkPublisher: BergPubDate: 2009PhysDes: viii, 372 p. ; 25 cmSeries: Talking images seriesSubject: BERTOLUCCI, BERNARDO ; BOORMAN, JOHN ; BRESSON, ROBERT ; CAMPION, JANE ; CASSAVETES, JOHN ; CRONENBERG, DAVID ; EGOYAN, ATOM ; FELLINI, FEDERICO ; GODARD, JEAN-LUC ; GREENAWAY, PETER ; HERZOG, WERNER ; HOU HSIAO-HSIEN ; WONG KAR WAI ; KAURISMAKI, AKI ; KIAROSTAMI, ABBAS ; KIESLOWSKI, KRZYSZTOF ; KITANO TAKESHI ; IM KWON-TAEK ; LEIGH, MIKE ; DE OLIVEIRA, MANOEL ; RAY, SATYAJIT ; SCORSESE, MARTIN ; TARKOVSKY, ANDREI ; VON TRIER, LARS ; ZHANG YIMOU Summary: "Film world brings together key interviews with cinema's learing directors. The directors chosen represent many of the most influential film-makers of the last 50 years..." -- Back coverNotes: First published in France, 2003, by Editions Stock as Petite planete cinematographique; Includes indexISBN: 9781845204577Language: English, translated from the FrenchContents: 1. Bernardo Berrolucci -- 2. John Boorman -- 3. Robert Bresson -- 4. Jane Campion -- 5. John Cassavetes -- 6. David Cronenberg -- 7. Atom Egoyan -- 8. Federico Fellini -- 9. Jean-Luc Godard -- 10. Peter Greenaway -- 11. Werner Herzog -- 12. Hou Hsiao-hsien -- 13. Wong Kar-wai -- 14. Aki Kaurismaki -- 15. Abbas Kiarosrami -- 16. Krzyszrof Kieslowski -- 17. Takeshi Kirano -- 18. Im Kwon-taek -- 19. Mike Leigh -- 20. Manoel de Oliveira -- 21. Satyajit Ray -- 22. Marrin Scorsese -- 23. Andrei Tarkovsky -- 24. Lars von Trier -- 25. Zhang Yimou.ID2: 291
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Great film directors : a critical anthology / edited by Leo Braudy and Morris Dickstein New York: Oxford University Press, 1978.
Call No: 802.25 GREAuthor: Dickstein, Morris ; Braudy, Leo Place: New YorkPublisher: Oxford University PressPubDate: 1978PhysDes: xi, 778 p. ; 23 cmSubject: ANTONIONI, MICHELANGELO ; BERGMAN, INGMAR ; BRESSON, ROBERT ; BUNUEL, LUIS ; CAPRA, FRANK ; CHAPLIN, CHARLES ; DREYER, CARL TH. ; FELLINI, FEDERICO ; FLAHERTY, ROBERT ; FORD, JOHN ; GODARD, JEAN-LUC ; GRIFFITH, DAVID WARK ; HAWKS, HOWARD ; HITCHCOCK, ALFRED ; KEATON, BUSTER ; KUROSAWA AKIRA ; LANG, FRITZ ; RENOIR, JEAN ; ROSSELLINI, ROBERTO ; VON STERNBERG, JOSEF ; TRUFFAUT, FRANCOIS ; WELLES, ORSON Notes: Includes bibliographical referencesISBN: 0195023129 : $7.50LON: 952629ID2: 291
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A history of films / John Fell New York: Holt, Rinehart and Winston, 1979.
Call No: 70 FELAuthor: Fell, John Source: USPlace: New YorkPublisher: Holt, Rinehart and WinstonPubDate: 1979PhysDes: 588 p. : ill. ; 23 cmSubject: HISTORY AND THE CINEMA ; PRODUCTION ; ALEXANDROV, GROGORIO ; ANTONIONI, MICHELANGELO ; BRECHT, BERTHOLD ; CAPRA, FRANK ; CHAPLIN, CHARLES ; DE SICA, VITTORIO ; COCTEAU, JEAN ; DEMILLE, CECIL B. ; DREYER, CARL TH. ; DISNEY, WALT ; DOVZENKO, ALEKSANDR ; EPSTEIN, JEAN ; FELLINI, FEDERICO ; FRANJU, GEORGES ; LANG, FRITZ ; MURNAU, FRIEDRICH WILHEL ; Pasolini, Pier Paolo ; PAUL, ROBERT ; PORTER, EDWIN S. ; PUDOVKIN, VSEVELOD ; RENOIR, JEAN ; RESNAIS, ALAIN ; ROSSELLINI, ROBERTO ; THALBERG, IRVING ; TRUFFAUT, FRANCOIS ; VERTOV, DZIGA ; VIGO, JEAN ; VISCONTI, LUCHINO ; ZAVATTINI, CESARE ; WELLES, ORSON ; WYLER, WILLIAM ; ZUKOR, ADOLPH ; L'AGE D'OR (FR, Luis Bruñell, 1930) ; L'ATALANTE (FR, Jean Vigo, 1930) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; BALLET MÉCANIQUE (FR, Fernand Lèger && Dudley Murphy,1934) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; CABINET DES DR. CALIGARI, DAS (G, Robert Wiene, 1920) ; METROPOLIS (G, Fritz Lang, 1926) ; SANG D'UN POETE, LE (FR, Jean Cocteau, 1932) Notes: Bibliography: p.546-548
Includes indexISBN: 0030363160Donation: donated by the family of Wayne Levy, 2006
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Interim
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International film guide 1965 / edited by Peter Cowie London: Tantivy Press, 1964.
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"It's only a movie, Ingrid" : encounters on and off screen / Alexander Walker London: Headline Book Publishing, 1989.
Call No: 67(04) WALAuthor: Walker, Alexander Source: UKPlace: LondonPublisher: Headline Book PublishingPubDate: 1989PhysDes: viii, [312] p., [16] leaves of plates : ill., ports. ; 18 cmSubject: CRITICISM ; FESTIVALS. CANNES ; DR STRANGELOVE (UK, Stanley Kubrick, 1964) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; 2001: A SPACE ODYSSEY (US, Stanley Kubrick, 1968) ; BOGARDE, DIRK ; BURTON, RICHARD ; CHAPLIN, CHARLES ; COPPOLA, FRANCIS FORD ; COOPER, GARY ; Crawford, Joan ; CRAWFORD, NOEL ; DAVIS, BETTE ; EVANS, EDITH ; Fellini, Federico ; FORBES, BRYAN ; GARBO, GRETA ; GIELGUD, JOHN ; GRANT, CARY ; GREENE, GRAHAM ; HARVEY, LAURENCE ; HEPBURN, KATHARINE ; HITCHCOCK, ALFRED ; HOWARD, TREVOR ; HUSTON, JOHN ; KAZAN, ELIA ; KUBRICK, STANLEY ; Lean, David ; LEIGH, VIVIEN ; LOSEY, JOSEPH ; Shakespeare, William ; TRACY, SPENCER ; TYNAN, KENNETH ; VON STERNBERG, JOSEF ; WELLES, ORSON ; ZINNEMANN, FRED ISBN: 0747230218Contents: -- "Do you mean to say they pay you to go to the movies?" -- "Name the six best films you've ever seen" -- Charlie's Angel and the Culture Minister's walking stick -- A day in the hard-playing hard-working life of a far from mad old woman -- Cary Grant and the Harry Lime connection -- The soft words of Mr Rattigan - the hard blows of Mr Russell --- Even Hollywood princesses don't always live happy ever after -- No need to bribe a film festival jury; it can do that for itself -- What made Marlon Brando stop running and find peace at last -- The girl who blew in with the Boston winds -- Peter O'Toole meets himself, two feet tall and blue-eyed, coming back from a trip abroad -- Random thoughts on the Englishness (or otherwise) of English film actors -- Inexactly expressed sentiments about the most private person I know -- "Why this one and not that one, why one event and not the other?"
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Italian cinema : from neorealism to the present / Peter Bondanella New York: F. Ungar Pub. Co., c1983.
Call No: 71(45) BONAuthor: Bondanella, Peter E., 1943 Place: New YorkPublisher: F. Ungar Pub. Co.PubDate: c1983PhysDes: viii, 440 p. : ill. ; 22 cmSeries: Ungar film librarySubject: ITALY ; NEOREALISM ; WESTERNS. ITALY ; CAVANI, LILIANA ; WERTMULLER, LINA ; COMENCINI, LUIGI ; ROSSELLINI, ROBERTO ; DE SICA, VITTORIO ; VISCONTI, LUCHINO ; ANTONIONI, MICHELANGELO ; Fellini, Federico ; BERTOLUCCI, BERNARDO ; LEONE, SERGIO ; Pasolini, Pier Paolo ; FERRERI, MARCO ; GERMI, PIETRO ; LATTUADA, ALBERTO ; MONICELLI, MARIO ; PONTECORVO, GILLO ; RISI, DINO ; ROSI, FRANCESCO ; TAVIANI, PAOLO & VITTORIO ; OLMI, ERMANNO ; PETRI, ELIO ; BRUSATI, FRANCO ; BELLOCCHIO, MARCO Notes: Includes index; Bibliography: p. 413-421ISBN: 0804420645 : $17.95; 0804460612 (pbk.) : $10.95LON: 2315799 2315799
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Italian national cinema, 1896-1996 / Pierre Sorlin New York: Routledge, 1996.
Call No: 71(45) SORAuthor: Sorlin, Pierre Place: New YorkPublisher: RoutledgePubDate: 1996PhysDes: viii, 202 p. : ill. ; 23 cmSeries: National cinemas seriesSubject: ITALY ; NEOREALISM ; TELEVISION AND THE CINEMA. ITALY ; FASCISM AND THE CINEMA. ITALY ; DOCUMENTARY FILMS. ITALY ; ANTONIONI, MICHELANGELO ; BLASETTI, ALESSANDRO ; PAGANO, BARTOLOMEO ; NAZZARI, AMEDEO ; ROSSELLINI, ROBERTO ; DE SICA, VITTORIO ; VISCONTI, LUCHINO ; Pasolini, Pier Paolo ; Fellini, Federico Notes: Filmography: p. (181)-202; Includes bibliographical references and indexISBN: 0415116988 (pbk. : alk. paper); 041511697X (hbk. : alk. paper)LON: 12008493
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Literature and film / Robert Richardson Bloomington: Indiana University Press, c1969.
Call No: 753 RICAuthor: Richardson, Robert D., 1934 Source: USPlace: BloomingtonPublisher: Indiana University PressPubDate: c1969PhysDes: ix, 149 p. 22 cmSubject: ADAPTATIONS ; ADAPTATIONS. DICKENS, CHARLES ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; LITERATURE AND THE CINEMA ; POETRY AND THE CINEMA ; AGEE, JAMES ; EISENSTEIN, SERGEI M. ; FELLINI, FEDERICO ; GRIFFITH, DAVID WARK Summary: "Beginning with the simple but possibly crucial observation that, in general, literature and film are storytelling arts, Mr. Richardson presents a lucid and straightforward analysis arguing that film and literature are not the entirely different, antithetical disciplines that they are widely held to be. He shows clearly the relationship of film to literature, outlining differences as well as similarities, and common goals as well as divergent aims appropriate to the two arts, demonstrating how each form and its associated criticism is frequently able to illuminate and enliven the other. A film's consciousness sharpens the reader's alertness to the visual and aural qualities that mark much great writing, and literary training, in turn, adds depth and perspective to appreciation of film. Mr. Richardson goes on to present some of the literary influences, such as the writings Dickens and Flaubert, that have significantly affected film since the era of D.W. Griffith, and he discusses film's major influences on modern literature. The author concludes with an extended exploration of the relationship of film to poetry, suggesting that while the two forms have been concerned with similar thematic material and make use of similar techniques, film has dealt more significantly with the question of how to find a humane, noncoercive order in life.Notes: Bibliography: p. 133-142ISBN: 0253148456LON: 72085098; 589352
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The new Italian cinema : studies in dance and despair / R.T. Witcombe New York: Oxford University Press, 1982.
Call No: 71(45) WITAuthor: Witcombe, R. T. (Rick Trader), 1943 Place: New YorkPublisher: Oxford University PressPubDate: 1982PhysDes: x, 294 p. : ill. ; 22 cmSubject: ITALY ; FERRERI, MARCO ; ANTONIONI, MICHELANGELO ; CAVANI, LILIANA ; BERTOLUCCI, BERNARDO ; Pasolini, Pier Paolo ; Fellini, Federico ; ROSI, FRANCESCO ; TAVIANI, PAOLO & VITTORIO ; VISCONTI, LUCHINO ; WERTMULLER, LINA ; BRASS, TINTO ; BELLOCCHIO, MARCO ; BOLOGNINI, MAURO ; PETRI, ELIO ; OLMI, ERMANNO ; BRUSATI, FRANCO ; BERTOLUCCI, GIUSEPPE ; DEL MONTE, PETER ; MORETTI, NANNI Notes: Includes indexISBN: 019520381X : $19.95LON: 2332499
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Political Fellini : journey to the end of Italy / by Andrea Minuz, translated by Marcus Perryman New York: Berghahn Books, c2015.
Call No: 81FEL MINAuthor: Minuz, Andrea Edition: English-language editionSource: US/UKPlace: New YorkPublisher: Berghahn BooksPubDate: c2015PhysDes: xvii, 196 pages : illustrations ; 24 cmSubject: ITALY ; ITALY IN FILMS ; FELLINI, FEDERICO ; DOLCE VITA, LA (FR/IT, Federico Fellini, 1960) ; PROVA D'ORCHESTRA (IT/GW, Federico Fellini, 1978) ; ORCHESTRA REHEARSAL (IT/GW, Federico Fellini, 1978) Summary: "Federico Fellini is often considered a disengaged filmmaker, interested in self-referential dreams and grotesquerie rather than contemporary politics. This book challenges that myth by examining the filmmaker's reception in Italy, and by exploring his films in the context of significant political debates. By conceiving Fetlini's cinema as an individual expression of the nation's "mythical biography," the director's most celebrated themes and images---a nostalgia for childhood, unattainable female figures, fantasy, the circus, carnivals---become symbols of Italy's traumatic modernity and perpetual adolescence." -- BACK COVER BLURBNotes: Translated from the Italian; Includes bibliographical references (pages 190-193) and indexISBN: 978182388197Contents: -- preface to the English edition -- acknowledgments -- essential chronology by Fabio Benincasa -- introduction : political Fellini? -- ch 1 Fellini and "Italian Ideology" -- ch 2 Mythical Biography of a Nation -- ch 3 La Dolce Vita and Its Relevance Today -- ch 4 Fellini, Mussolini, and the Complex of Rome -- ch 5 Fellini and Feminism -- ch 6 A Public Dream: Italy and Prova d'orchestra -- ch 7 You Don't Interrupt an Emotion -- appendix: the Divo and the maestro Fellini in the Andreotti archives -- selected bibliography -- index --
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journal article
Post-war Italian Cinema in Lumiere (June, 1973) iss.24 p.14-15
Author: Williams, Ross PhysDes: ArticleSubject: VISCONTI, LUCHINO ; ROSSELLINI, ROBERTO ; FELLINI, FEDERICO ; ANTONIONI, MICHELANGELO ; NEOREALISM ; INDUSTRY, FILM. ITALY Summary: Article on the post-war, neo-realist Italian cinema of Visconti, Fellini, Rossellini, Antonioni.
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Projections 4 : film-makers on film-making / edited by John Boorman ... [et al.] London: Faber and Faber, 1995.
Call No: 802 PRO v.4Author: Boorman, John, 1933 Place: LondonPublisher: Faber and FaberPubDate: 1995PhysDes: xi, 333 p. : ill., ports; 24 cmSubject: WARD, VINCENT ; TOLKIN, MICHAEL ; SCORSESE, MARTIN ; TOBACK, JAMES ; PENN, ARTHUR ; MALLE, LOUIS ; MOORE, JULIEANNE ; MURCH, WALTER ; POTTER, SALLY ; Fellini, Federico ; ANDERSON, LINDSAY ; FORD, JOHN ; LUMIERE, LOUIS ; BROWNLOW, KEVIN ; BURNS, KEN ; HOWARD, SYDNEY ; GREGORY, ANDRE ; BERNER, FRED ; SHAWN, WALLACE ; PINE, LARRY ; FOWLIE, EDDIE ; SEALE, JOHN ; KELLY, GENE ; DENNIS, SANDY ; MORTENSEN, VIGGO ; QUIET MAN, THE (US, John Ford, 1952) ISBN: 0571173632LON: abn95260853; 11807172
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journal article
Reaching La Noia with Federico in Lumiere (January-February, 1973) iss.20 p.4-6
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The real gaze : film theory after Lacan / Todd McGowan Albany, NY: State University of New York Press, c2007.
Call No: 626[159.964.2] MCGAuthor: McGowan, Todd Place: Albany, NYPublisher: State University of New York PressPubDate: c2007PhysDes: xii, 254 p. ; 24 cm.Subject: PSYCHOANALYSIS AND THE CINEMA ; LACAN, JACQUES ; SPECTATORSHIP ; KUBRICK, STANLEY ; LEE, SPIKE ; MANN, MICHAEL ; FELLINI, FEDERICO ; NOUVELLE VAGUE ; WELLES, ORSON ; DENIS, CLAIRE ; NEOREALISM ; HOWARD, RON ; SPIELBERG, STEVEN ; GRIFFITH, DAVID WARK ; TARKOVSKY, ANDREI ; Wenders, Wim ; LYNCH, DAVID Summary: "Historically film scholars have located the gaze on the side of the spectator; however, Todd McGowan positions it within the filmic image, where it has the radical potential to disrupt the spectator's sense of identity and challenege the foundations of ideology." -- from the back cover. McGowan makes the argument for his theory with reference to the works of several directors and film movements.Notes: Includes index.ISBN: 9780791470398
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Religion in film / edited by John R. May and Michael Bird Knoxville: University of Tennessee Press, c1982.
Call No: 45:2 MAYAuthor: Bird, Michael (Michael S.), 1941 ; May, John R Edition: 1st edPlace: KnoxvillePublisher: University of Tennessee PressPubDate: c1982PhysDes: xviii, 257 p. : ill. ; 23 cmSubject: RELIGION AND THE CINEMA ; RELIGIOUS FILMS ; DEVIL IN FILMS ; CENSORSHIP ; ALLEGORY IN FILMS ; ALTMAN, ROBERT ; BERGMAN, INGMAR ; BRESSON, ROBERT ; BUNUEL, LUIS ; CHAPLIN, CHARLES ; COPPOLA, FRANCIS FORD ; Fellini, Federico ; HITCHCOCK, ALFRED ; JUTRA, CLAUDE ; KUBRICK, STANLEY ; Peckinpah, Sam ; RUSSELL, KEN ; TRUFFAUT, FRANCOIS ; WERTMULLER, LINA ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; COOL HAND LUKE (US, Stuart Rosenberg, 1967) ; DOLCE VITA, LA (FR/IT, Federico Fellini, 1960) ; EXORCIST, THE (US, William Friedkin, 1973) ; NASHVILLE (US, Robert Altman, 1975) ; NOTTI DI CABIRIA, LE (IT, Federico Fellini, 1957) ; QUINTET (US, Robert Altman, 1979) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) Notes: Includes index; Bibliography: p. 242-244ISBN: 0870493523LON: 2165498
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Scenes from a revolution : the birth of the new Hollywood / Mark Harris Edinburgh: Canongate, 2008.
Call No: 71 (73) HARAuthor: Harris Mark Place: EdinburghPublisher: CanongatePubDate: 2008PhysDes: 490 p., [16] p. of plates : ill. ; 25 cmSubject: COLUMBIA PICTURES ; CRITICISM ; CRITICS ; DIRECTORS. USA ; HISTORY AND THE CINEMA. USA ; HOLLYWOOD IN FILMS ; JAMES BOND IN FILMS ; TWENTIETH CENTURY-FOX ; WALT DISNEY PRODUCTIONS ; ALLEN, WOODY ; ANTONIONI, MICHELANGELO ; ASHBY, HAL ; BANCROFT, ANNE ; BEATTY, WARREN ; BENTON, ROBERT ; BERGMAN, INGRID ; BLAKE, ROBERT ; BRANDO, MARLON ; BURTON, RICHARD ; CAINE, MICHAEL ; CARON, LESLIE ; CUKOR, GEORGE ; COLLINS, JOAN ; CONNERY, SEAN ; COPPOLA, FRANCIS FORD ; CORMAN, ROGER ; DANIELS, WILLIAM ; DAVIS, SAMMY, Jr. ; DAY, DORIS ; DUNAWAY, FAYE ; DUVALL, ROBERT ; FELLINI, FEDERICO ; FLEISCHER, RICHARD ; FONDA, JANE ; FRANKOVICH, MIKE ; GODARD, JEAN-LUC ; HARRISON, REX ; HENRY, BUCK ; HEPBURN, KATHARINE ; HOFFMAN, DUSTIN ; NEWMAN, DAVID ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; CAMELOT (US, Joshua Logan, 1967) ; CLEOPATRA (US, Joseph L. Mankiewicz, 1963) ; COOL HAND LUKE (US, Stuart Rosenberg, 1967) ; DOCTOR DOLITTLE (US, Richard Fleischer, 1967) ; GRADUATE, THE (US, Mike Nichols, 1967) ; GUESS WHO'S COMING TO DINNER (US, Stanley Kramer, 1967) ; KAEL, PAULINE ; IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967) Summary: In this book, Mark Harris looks at 1967, and marks it as a pivotal moment in Hollywood's history: the shift from studio -generated epics, westerns and musicals, such as "Doctor Doolitle"to the director-centred European aesthetic seen in "Bonnie & Clyde" and "The Graduate". It was the birth of the New Hollywood. The book look at five films made in this year- "Bonnie & Clyde", "In the heat of the night", "Doctor Doolittle" "The Graduate" and "Guess who's coming to dinner" from the. first draft of the scripts to the impact of their release. The author interviews most of the actors in volved in the making of these films and presents a book about Hollywood and the United States at a critical juncture in their history. [Taken from the cover]Notes: Includes bibliographical references (p. [432]-438) and index.ISBN: 9781847671028ID2: 277
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Old collection
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Theory of film : the redemption of physical reality / Siegfried Kracauer New York: Oxford University Press, 1965.
Call No: 62 KRAAuthor: Kracauer, Siegfried Place: New YorkPublisher: Oxford University PressPubDate: 1965PhysDes: xix, 364 p. ill., 20 cm.Subject: ACTORS ; ADAPTATIONS ; EXPERIMENTAL FILMS ; THEORY ; AGEE, JAMES ; ALEXANDROV, GROGORIJ ; ANGER, KENNETH ; ANSTEY, EDGAR ; ARNHEIM, RUDOLF ; ASTAIRE, FRED ; BALAZS, BELA ; BENJAMIN, WALTER ; BERGMAN, INGMAR ; BOGART, HUMPHREY ; BRAKHAGE, STAN ; BRANDO, MARLON ; BUNUEL, LUIS ; CAGNEY, JAMES ; CAPRA, FRANK ; CASTELLANI, RENATO ; CAVALCANTI, ALBERTO ; CHANEY, LON ; CHAPLIN, CHARLES ; CLAIR, RENE ; CLEMENT, RENE ; CLOUZOT, HENRI-GEORGES ; COCTEAU, JEAN ; DALI, SALVADOR ; DE FILIPPO, EDUARDO ; DEMILLE, CECIL B. ; DE SICA, VITTORIO ; DISNEY, WALT ; DOVZENKO, ALEKSANDR ; DREYER, CARL TH. ; DUCHAMP, MARCEL ; DUVIVIER, JULIEN ; ELTON, ARTHUR ; ENGEL, MORRIS ; EPSTEIN, JEAN ; FELLINI, FEDERICO ; FEUILLADE, LOUIS ; FEYDER, JACQUES ; FISCHINGER, OSKAR ; FLAHERTY, ROBERT ; FORD, JOHN ; FRANJU, GEORGES ; FREUD, SIGMUND ; GANCE, ABEL ; GARNETT, GALE ; GIDE, ANDRE ; GREENE, GRAHAM ; GRIERSON, JOHN ; GRIFFITH, DAVID WARK ; GRIFFITHS, RICHARD ; GUITRY, SACHA ; HARRINGTON, CURTIS ; HILL, DAVID ; HITCHCOCK, ALFRED ; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924) ; SMULTRONSTALLET (SW, Ingmar Bergman, 1957) ; VITELLONI, I (IT, Federico Fellini, 1953) ; VAMPYR : DER TRAUM DES ALLEN GRAY (G/FR, Carl Th. Dreyer, 1932) ; VARIETE (G, E.A. Dupont, 1925) ; VALLEY TOWN - A STUDY OF MACHINES AND MEN (US, Willard Van Dyke, 1940) ; UMBERTO D. (IT, Vittorio De Sica, 1952) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; THIRD MAN, THE (UK, Carol Reed, 1949) ; OKTIABR (UR, Sergei M. Eisenstein, 1928) ; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956) ; SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946) ; SWING TIME (US, George Stevens, 1936) ; STRADA, LA (IT, Federico Fellini, 1954) ; ROMAN D'UN TRICHEUR, LE (FR, Sacha Guitry, 1936) ; MATTER OF LIFE AND DEATH, A (UK, Michael Powell & Emeric Pressburger, 1946) ; SPIONE (G, Fritz Lang, 1928) ; SPELLBOUND (US, Alfred Hitchcock, 1945) ; SOUS LES TOITS DE PARIS (FR, Rene Clair, 1930) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) ; SMILING LIEUTENANT, THE (US, Ernst Lubitsch, 1931) ; SHANE (US, George Stevens, 1953) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; GEHEIMNISSE EINER SEELE (G, Georg Wilhelm Pabst, 1926) ; SCARFACE (US, Howard Hawks, 1932) ; SANG DES BETES, LE (FR, Georges Franju,1949) ; SAN FRANCISCO (US, W.S. Van Dyke, 1936) ; ROUE, LA (FR, Abel Gance, 1922) ; ROMEO I DZULETTA (UR, Lev Arnstam & Leonid Lavrovskij, 1954) ; RICHARD III (UK, Laurence Olivier, 1955) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948) ; RASHOMON (JA, Akira Kurosawa, 1950) ; REGEN (NE, Joris Ivens, 1929) ; PYGMALION (UK, Anthony Asquith & Leslie Howard, 1938) ; PLACE IN THE SUN, A (US, George Stevens, 1951) ; PATHER PANCHALI (II, Satyajit Ray, 1955) ; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928) ; PARIS 1900 (FR, Nicole Vedres, 1948) ; PARADINE CASE, THE (US, Alfred Hitchcock, 1947) ; OTELLO (UR, Sergej Jutkevic, 1956) ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; OLVIDADOS, LOS (MX, Luis Bunuel, 1951) ; OF MEN AND MUSIC (US, Irving Reis, 1950) ; NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922) ; NIGHT MAIL (UK, Basil Wright & Harry Watt, 1936) ; NIGHT AT THE OPERA, A (US, Sam Wood, 1935) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; MOULIN ROUGE (UK, E.A. Dupont, 1928) ; MONSIEUR VERDOUX (US, Charles Chaplin, 1947) ; MODERN TIMES (US, Charles Chaplin, 1936) ; MOBY DICK (UK, John Huston, 1956) ; MOANA (US, Robert Flaherty, 1926) ; MILLION, LE (FR, Rene Clair, 1931) ; METROPOLIS (GG, Fritz Lang, 1927) ; MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943) ; MENSCHEN AM SONNTAG (G, Robert Siodmak & Edgar G. Ulmer, 1929) ; MARTY (US, Delbert Mann, 1954) ; MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936) ; MAJOR BARBARA (UK, Gabriel Pascal, 1941) ; MADAME BOVARY (FR, Claude Chabrol, 1991) ; MACBETH (US, Orson Welles, 1948) ; M (G, Fritz Lang, 1931) ; LOVE PARADE, THE (US, Ernst Lubitsch, 1929) ; LIMELIGHT (US, Charles Chaplin, 1952) ; LIFEBOAT (US, Alfred Hitchcock, 1944) ; OSTATNI ETAP (PL, Wanda Jakubowska, 1948) ; LADY IN THE LAKE (US, Robert Montgomery, 1946) ; KID, THE (US, Charles Chaplin, 1921) ; JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953) ; JAZZ SINGER, THE (US, Alan Crosland, 1927) ; IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; INVISIBLE MAN, THE (US, James Whale, 1933) ; INTOLERANCE (US, David Wark Griffith, 1916) ; HUMAN DESIRE (US, Fritz Lang, 1954) ; HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935) ; HOTEL DES INVALIDES (FR, Georges Franju, 1952) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HENRY V (UK, Laurence Olivier, 1944) ; HEIRESS, THE (US, William Wyler, 1949) ; HATFUL OF RAIN, A (US, Fred Zinnemann, 1957) ; HAMLET (UK, Laurence Olivier, 1948) ; HALLELUJAH! (US, King Vidor, 1929) ; GREED (US, Erich von Stroheim, 1925) ; GREAT EXPECTATIONS (UK, David Lean, 1946) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; GOLD RUSH, THE (US, Charles Chaplin, 1925) ; ORO DI NAPOLI, L' (IT, Vittorio De Sica, 1954) ; GOLD OF NAPLES (IT, Vittorio De Sica, 1954) ; GLASS MENAGERIE, THE (US, Irving Rapper, 1950) ; VORMITTAGSSPUK (G, Hans Richter, 1928) ; GHOST GOES WEST, THE (UK, Rene Clair, 1935) ; GHOST AND MRS. MUIR, THE (US, Joseph L. Mankiewicz, 1947) ; GERVAISE (FR, Rene Clement, 1956) ; JIGOKUMON (JA, Teinosuke kinugasa, 1953) ; FURY (US, Fritz Lang, 1936) ; FOUR HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962) ; FARREBIQUE (FR, Georges Rouquier, 1945) ; FANTASIA (US, Walt Disney, 1940) ; ZEMLJA (UR, Alexksandr Dovzenko, 1930) ; JOURNAL D'UN CURE DE CAMPAGNE (FR, Robert Bresson, 1951) ; DESTRY RIDES AGAIN (US, George Marshall, 1939) ; MUDE TOD, DER (G, Fritz Lang, 1921) ; DEATH OF A SALESMAN (US, Laslo Benedek, 1951) ; DEAD OF NIGHT (UK, Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer, 1945) ; CONDAMNE A MORT S`EST ECHAPPE, UN (FR, Robert Bresson, 1956) ; CITY LIGHTS (US, Charles Chaplin, 1931) ; CITIZEN KANE (US, Orson Welles, 1941) ; CINDERELLA (US, Wilfred Jackson & Hamilton Laske & Clyde Geronomi, 1950) ; CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928) ; BROKEN BLOSSOMS (US, David Wark Griffith, 1919) ; BROADWAY MELODY OF 1938 (US, Norman Taurog, 1940) ; BRIEF ENCOUNTER (UK, David Lean, 1945) ; BOOMERANG (US, Elia Kazan, 1947) ; SANG D'UN POETE, LE (FR, Jean Cocteau, 1932) ; BLACKMAIL (UK, Alfred Hitchcock, 1929) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949) ; BEZZERIDES, A.I. ; BEN HUR (US, Fred Niblo, 1925) ; BAMBI (US, David Hand, 1942) ; BALLET MECANIQUE, LE (FR, Fernand Leger, 1924) ; BACK STREET (US, John M. Stahl, 1932) ; ATALANTE, L' (FR, Jean Vigo, 1934) ; A PROPOS DE NICE (FR, Jean Vigo, 1930) ; APARAJITO (II, Satyajit Ray, 1957) ; ANNA CHRISTIE (US, Clarence Brown, 1930) ; ANATOMY OF A MURDER (US, Otto Preminger, 1959) ; AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931) ; ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938) ; BROADWAY MELODY, THE (US, Harry Beaumont, 1929) ; LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924) Notes: Frist published 1960; Previously published as: Nature of films. England : Dobson ;1965; Includes bilbiograpy: p. 351-364; Includes indexURL status: URL: 'http://-'
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Tower of Babel : speculations on the cinema Philadelphia: Chilton Books, [1967, c1966].
Call No: 802.25 RHOAuthor: Rhode, Eric, 1934 Place: PhiladelphiaPublisher: Chilton BooksPubDate: [1967, c1966]PhysDes: 214 p. 23 cmSubject: VIGO, JEAN ; BRESSON, ROBERT ; JENNINGS, HUMPHREY ; LANG, FRITZ ; RIVETTE, JACQUES ; Fellini, Federico ; RESNAIS, ALAIN ; OPHULS, MAX ; WAJDA, ANDRZEJ ; Ray, Satyajit LON: 669525 669525
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Tutto Fellini / Cinecitta International Italy: Cinecitta International, 1993.
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