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Call No: 632.22 ESS
Author: Alter, Nora M.; Corrigan, Timothy
Place: New York; Chichester, U.K.
Publisher: Columbia University Press
PubDate: 2017
PhysDes: ix,372 : illus. ; 23 cm
Series: Film and culture series
Subject: DOCUMENTARY FILMS; RICHTER, HANS; ASTRUC, ALEXANDRE; MARKER, CHRIS; VERTOV, DZIGA; GODARD, JEAN-LUC; GORIN, JEAN-PIERRE; MULVEY, LAURA; JULIEN, ISAAC
Summary: The essay—with its emphasis on the provisional and explorative rather than on definitive statements—has evolved from its literary beginnings and is now found in all mediums, including film. Today, the essay film is, arguably, one of the most widely acclaimed and critically discussed forms of filmmaking around the world, with practitioners such as Chris Marker, Hito Steyerl, Errol Morris, Trinh T. Minh-ha, and Rithy Panh. Characteristics of the essay film include the blending of fact and fiction, the mixing of art- and documentary-film styles, the foregrounding of subjective points of view, a concentration on public life, a tension between acoustic and visual discourses, and a dialogic encounter with audiences. This anthology of fundamental statements on the essay film offers a range of crucial historical and philosophical perspectives. It provides early critical articulations of the essay film as it evolved through the 1950s and 1960s, key contemporary scholarly essays, and a selection of writings by essay filmmakers. It features texts on the foundations of the essay film by writers such as Hans Richter and André Bazin; contemporary positions by, among others, Phillip Lopate and Michael Renov; and original essays by filmmakers themselves, including Laura Mulvey and Isaac Julien. -- publishers' web site
ISBN: 9780231172677
Contents: Introduction, by Nora M. Alter and Timothy Corrigan Part I. Foundations 1. "On the Nature and Form of the Essay," by Georg Lukács 2. The Man Without Qualities, by Robert Musil 3. "On the Essay and Its Prose," by Max Bense 4. "The Essay as Form," by Theodor W. Adorno 5. "Preface to The Collected Essays of Aldous Huxley," by Aldous Huxley Part II. The Essay Film Through History 6. "The Film Essay: A New Type of Documentary Film," by Hans Richter 7. "The Future of Cinema," by Alexandre Astruc 8. "Bazin on Marker," by André Bazin Part III. Contemporary Positions 9. "In Search of the Centaur: The Essay-Film," by Phillip Lopate 10. "The Political Im/Perceptible in the Essay Film: Farocki's Images of the World and the Inscription of War," by Nora M. Alter 11. "Essay Questions," by Paul Arthur 12. "The Electronic Essay," by Michael Renov 13. "The Essay Film: Problems, Definitions, Textual Commitments," by Laura Rascaroli 14. "Of the History of the Essay Film: Vertov, to Varda," by Timothy Corrigan 15. "The Cinema and the Essay as a Way of Thinking," by Raymond Bellour 16. "The Essay Film: From Film Festival Favorite to Flexible Commodity Form?," by Thomas Elsaesser Part IV. Filmmakers on the Essayistic 17. "Performing Borders: Transnational Video," by Ursula Biemann 18. "Proposal for a Tussle," by Jean-Pierre Gorin 19. "The Essay as Conformism? Some Notes on Global Image Economies," by Hito Steyerl 20. "On Writing the Film Essay," by Lynne Sachs 21. "Tramp Steamer," by Ross McElwee 22. "The ABCs of the Film Essay," by Harun Farocki and Christa Blümlinger 23. "Riddles as Essay Film," by Laura Mulvey 24. "Certain Obliquenesses," by Renée Green 25. "Essay Documentary: The disembodied narrator and an unclaimed image that floats through space and time," by Rea Tajiri 26. "From Ten Thousand Waves to Lina Bo Bardi, via Kapital," by Isaac Julien Bibliography Contributors Permissions Index

Call No: 62 MAC
Author: MacCann, Richard Dyer
Edition: 1st ed
Place: N.Y.
Publisher: Dutton
PubDate: 1966
PhysDes: 384 p. : movie stills ; 18 cm
Subject: THEORY; AESTHETICS; DOCUMENTARIES; CINEMASCOPE; NEOREALISM; PUDOVKIN, VSEVELOD; CLAIR, RENE; HITCHCOCK, ALFRED; KNOX, ALEXANDER; NICHOLS, DUDLEY; BERGMAN, INGMAR; BALAZS, BELA; SENNETT, MACK; VORKAPICH, SLAVKO; RICHTER, HANS; Grierson, John; ZAVATTINI, CESARE; KRACAUER, SIEGFRIED; ROEMER, MICHAEL; BACHMANN, GIDEON; DREW, ROBERT; LEACOCK, RICHARD; PENNEBAKER, D. A.; DREYER, CARL TH.; VANDERBEEK, STAN; MEKAS, JONAS; KAEL, PAULINE; TRUFFAUT, FRANCOIS; Fellini, Federico
ISBN: 0525471812
LON: 21441213

Call No: 771(430) GER
Author: Schobert, Walter
Source: GR
Place: Munich, Germany
Publisher: Goethe-Institut
PubDate: 1989
PhysDes: 126p. : illus. : 24cm
Subject: ART AND THE CINEMA; AVANT-GARDE FILMS. EUROPEAN COUNTRIES; HISTORY OF CINEMA; FISCHINGER, OSKAR; RICHTER, HANS; RUTTMAN, WALTER
Notes: Includes chapter of Texts and Personal Testimonies; Text in English and German
Language: German; English

Call No: 670 INV GRI
Author: Grieveson, Lee; Wasson, Haidee
Source: UK
Place: Durham
Publisher: Duke University Press
PubDate: 2008
PhysDes: xxxii, 446 p. : ill. ; 24 cm
Subject: American Film Institute; AVANT-GARDE FILMS; COMPUTER GENERATED IMAGERY; CRITICISM; FILM ART MEDIA; FILM CULTURE; FILM NOIR; FILM STUDY AND RESEARCH; FILMOGRAPHIES; HISTORY OF CINEMA. SILENT PERIOD; MARXISM AND THE CINEMA; MOTION PICTURE ASSOCIATION OF AMERICA; MUSEUM OF MODERN ART [NEW YORK]; PHILOSOPHY AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; REALISM IN FILMS; SOCIETIES, FILM; SOCIOLOGY AND THE CINEMA; SPECTATORSHIP; ALTHUSSER, LOUIS; BACHMANN, GIDEON; BARRY, IRIS; BAZIN, ANDRE; BELLOUR, RAYMOND; BERGSTROM, JANET; BORDWELL, DAVID; BRAKHAGE, STAN; BURGESS, ERNEST; BUSCOMBE, ED; CHAPLIN, CHARLES; COOK, PAM; DEREN, MAYA; FOUCAULT, MICHEL; FULLER, SAMUEL; GODARD, JEAN-LUC; GRIERSON, JOHN; GRIFFITH, DAVID WARK; GRIFFITHS, RICHARD; HAWKS, HOWARD; HAYS, WILL; HEATH, STEPHEN; HUFF, THEODORE; MACCABE, COLIN; METZ, CHRISTIAN; PARK, ROBERT; PATTERSON, FRANCES TAYLOR; PENLEY, CONSTANCE; RAINER, YVONNE; RAMSAYE, TERRY; RICHTER, HANS; ROTHA, PAUL; SARRIS, ANDREW; SCORSESE, MARTIN; SELDES, GILBERT; SHORT, REV WILLIAM H; STERN, SEYMOUR; THRASHER, FREDRICK; VOGEL, AMOS; VON STROHEIM, ERICH; WEINBERG, HERMAN G; WHANNEL, PADDY; WOLLEN, PETER
Summary: Inventing Film Studies offers original and provocative insights into the institutional and intellectual foundations of cinema studies. Many scholars have linked the origins of the discipline to late-1960s developments in the academy such as structuralist theory and student protest. Yet this collection reveals the broader material and institutional forces—both inside and outside of the university—that have long shaped the field. Beginning with the first investigations of cinema in the early twentieth century, this volume provides detailed examinations of the varied social, political, and intellectual milieus in which knowledge of cinema has been generated. The contributors explain how multiple instantiations of film study have had a tremendous influence on the methodologies, curricula, modes of publication, and professional organizations that now constitute the university-based discipline. Extending the historical insights into the present, contributors also consider the directions film study might take in changing technological and cultural environments. -- Publisher description
Notes: Includes bibliographical references and index
ISBN: 9780822342892
Contents: The Academy and Motion Pictures / Lee Grieveson, Haidee Wasson -- Making Cinema Knowable -- Cinema Studies and the Conduct of Conduct / Lee Grieveson Taking Liberties: The Payne Fund Studies and the Creation of the Media Expert / Mark Lynn Anderson "Reaching the Multimillions": Liberal Internationalism and the Establishment of Documentary Film / Zoe Druick Young Art, Old Colleges: Early Episodes in the American Study of Film / Dana Polan -- Making Cinema Educational -- Studying Movies at the Museum: The Museum of Modern Art and Cinema's Changing Object / Haidee Wasson Classrooms, Clubs, and Community Circuits: Cultural Authority and the Film Council Movement, 1946-1957 / Charles R. Acland Experimental Film and the Development of Film Study in America / Michael Zryd From Cinephilia to Film Studies / Laura Mulvev, Peter Wollen -- Making Cinema Legible -- Experimentation and Innovation in Three American Film Journals of the 1950s / Haden Guest Screen and 1970s Film Theory / Philip Rosen (Re)Inventing Camera Obscura / Amelie Hastie, Lynne Joyrich, Patricia White, Sharon Willis Little Books / Mark Betz -- Making and Remaking Cinema Studies -- Footstool Film School: Home Entertainment as Home Education / Alison Trope Dr. Strange Media, or How I Learned to Stop Worrying and Love Film Theory / D. N. Rodowick

Call No: 721-051[7] ZIN
Author: Zinman, Gregory
Edition: 2020
Place: Oakland, California
Publisher: University of California Press
PubDate: 2020
PhysDes: xvi, 372 pages : illustrated ; 26cm
Subject: EXPERIMENTAL FILMS; BELSON, JORDAN; BRAKHAGE, STAN; DEBORD, GUY; LYE, LEN; MCLAREN, NORMAN; PAIK, NAM JUNE; RICHTER, HANS; TRAITE DE BAVE ET D'ETERNITE (FR, Isidore Isou, 1951); SCHNEEMANN, CAROLEE; VIDEO ART
Summary: Making Images Move reveals a new history of cinema by uncovering its connections to other media and art forms. In this richly illustrated volume, Gregory Zinman explores how moving-image artists who worked in experimental film pushed the medium toward abstraction through a number of unconventional filmmaking practices, including painting and scratching directly on the film strip; deteriorating film with water, dirt, and bleach; and applying materials such as paper and glue. This book provides a comprehensive history of this tradition of “handmade cinema” from the early twentieth century to the present, opening up new conversations about the production, meaning, and significance of the moving image. From painted film to kinetic art, and from psychedelic light shows to video synthesis, Gregory Zinman recovers the range of forms, tools, and intentions that make up cinema’s shadow history, deepening awareness of the intersection of art and media in the twentieth century, and anticipating what is to come. -- publisher's web site
ISBN: 9780520302730
Donation: Footprint Books

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: RICHTER, HANS