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Call No: 771(94) TWO
Source: AT
Place: Melbourne
Publisher: National Gallery of Victoria
PubDate: 2004
PhysDes: 221 p. : col. ill. ; 17 x 17 cm
Subject: EXPERIMENTAL FILMS; EXPERIMENTAL FILMS. AUSTRALIA; AVANT-GARDE FILMS. AUSTRALIA; UNDERGROUND FILMS. AUSTRALIA
Contents: 2004 : mapping contemporary Australian art and new media / Charles Green -- Surveying the boundaries of nation : from montage to network / Victoria Lynn -- Roundtable. Always turning art back into politics / Philip Brophy ... [et al.] -- Essays. Body: Extreme makeover : the 21st century body / Isobel Crombie ; Boredom : Bored? / Anonda Bell ; Collaboration : The ethics of collaboration / Nikos Papastergiadis ; Critic : The artist, the director, the manager and their critic / Blair French ; Decades : Against pluralism / Rex Butler ; Epic : Slashing and storming and sinning our war across adventure's most violent age / Clare Stewart ; Fashion : Telling tales / Katie Somerville ; Hybrid : Attack of the killer hybrids / Adrian Martin ; Indigenous : Spirit, resonance and innovation : indigenous art 2002-04 / Judith Ryan ; Net : net.bytes / Melinda Rackham ; Painting : Fast-forward painting / Kelly Gellatly ; Reality TV : Beyond the shadow of reality / Catharine Lumby

Call No: 771 LEG
Author: Le Grice, Malcolm
Place: London
Publisher: Studio Vista
PubDate: 1977
PhysDes: 160 p. : ill. ; 23 cm
Subject: EXPERIMENTAL FILMS
Notes: Includes index; Bibliography: p. 156-158
ISBN: 0289705916 : ª6.95
LON: 78300467; 1128771

Call No: 753.8VER
Author: Verrone, William
Source: UK
Place: London
Publisher: Bloomsbury academic
PubDate: 2013
PhysDes: vi, 275 p. ; 24 cm
Subject: ADAPTATIONS; AVANT-GARDE FILMS; EXPERIMENTAL FILMS; GREENAWAY, PETER; GODARD, JEAN-LUC; MADDIN, GUY; SVANKMAJER, JAN; SCORPIO RISING (US, Kenneth Anger, 1964); FRUIT OF PARADISE (CS/BE, Vera Chytilova, 1970); OVOCE STROMU RAJSKYCH JIME(CS/BE, Vera Chytilova, 1970); HITLER, A FILM FROM GERMANY (GW/UK/FR, Hans Jurgen Syberberg, 1977) SEE HITLER - EIN FILM AUS DEUTSCHLAND; HITLER - EIN FILM AUS DEUTSCHLAND (GW/UK/FR, Hans Jurgen Syberberg, 1977); STREET OF CROCODILES (UK, Brothers Quay, 1986); DANTE QUARTET, THE (US, Stan Brakhage, 1987); ALICE (SZ/GW/UK, Jan Svankmajor, 1988) SEE NECO Z ALENKY; NECO Z ALENKY (SZ/GW/UK, Jan Svankmajor, 1988); PROSPERO'S BOOKS (UK/FR, Peter Greenaway, 1991); WISCONSIN DEATH TRIP (US, James Marsh, 1999); SPECTRES OF THE SPECTRUM (US, Craig Baldwin, 1999); DRACULA: PAGES FROM A VIRGIN'S DIARY (CN, Guy Maddin, 2002)
Summary: Adaptations have occurred regularly since the beginning of cinema, but little recognition has been given to avant-garde adaptations of literary or other texts. This compelling study corrects such omissions by detailing the theory and practice of alternative adaptation practices from major avant-garde directors. Avant-Garde films are often relegated to the margins because they challenge our traditional notions of what film form and style can accomplish. Directors who choose to adapt previous material run the risk of severe critical dismay; making films that are highly subjective interpretations or representations of existing texts takes courage and foresight. An avant-garde adaptation provokes spectators by making them re-think what they know about film itself, just as much as the previous source material.Adaptation and the Avant-Garde examines films by Peter Greenaway, Jean-Luc Godard, Guy Maddin, Jan Svankmajer and many others, offering illuminating insights and making us reconsider the nature of adaptation, appropriation, borrowing, and the re-imagining of previous sources. -- extract taken from the back of the book. --
Notes: Formerly CIP. -- Includes bibliographical references and index --
ISBN: 9781441163523
Contents: -- pt. I Historical and Theoretical Background -- ch. 1 Defining the Avant-Garde Film -- ch. 2 Adaptation Theory and Practice -- ch. 3 Appropriation -- ch. 4 The Exploitative Adaptation -- ch. 5 Why Avant-Garde? -- pt. II A Chronology of Avant-Garde Film Adaptation -- ch. 6 A Brief Narrative History of Avant-Garde Film Adaptation or, Some Instances of Avant-Garde Adaptation -- pt. III Case Studies -- ch. 7 The Fall of the House of Usher -- ch. 8 Scorpio Rising -- ch. 9 Fruit of Paradise -- ch. 10 Hitler: A Film from Germany -- ch. 11 Street of Crocodiles -- ch. 12 The Dante Quartet -- ch. 13 Alice -- ch. 14 Prospero's Books -- ch. 15 Wisconsin Death Trip -- ch. 16 Spectres of the Spectrum -- ch. 17 Dracula: Pages from a Virgin's Diary --

Call No: 771(73) YOU
Author: Young, Colin
CorpAuthor: UNESCO
Place: Paris : [s.n.]
Publisher: UNESCO
PubDate: 1964
PhysDes: 33 p. ; 27 cm
Subject: EXPERIMENTAL FILMS. USA; HISTORY OF CINEMA. USA; FILMMAKING; AESTHETICS
Notes: United Nations Educational, Scientific and Cultural Organization report; This report represents Unesco's contribution to the Mannheim round-table, organized under the auspieces of Unesco, the Unesco's Germand National Commission and the Mannheim Festival.
LON: abn98184205; 13917802

Call No: 71(41) OPR
Author: Wollen, Peter, 1938; O'Pray, Michael, 1945
CorpAuthor: Institute of Contemporary Arts (London, England)
Place: London
Publisher: ICA, Institute of Contemporary Arts
PubDate: 1993?]
PhysDes: 48 p. : ill. ; 21 cm
Subject: UNITED KINGDOM; INDEPENDENT FILMS. UK; INDUSTRY, FILM. UK; EXPERIMENTAL FILMS. UK; INSTITUTE OF CONTEMPORARY ARTS [LONDON]
Notes: "The second ICA biennial of independent film and video" -- Cover; "Supported by the British Council, the Arts Council."
ISBN: 0905263839
LON: 10200289

Call No: 771 ART
Author: Leighton, Tanya
Source: UK
Place: London
Publisher: Tate Publishing in association with Afterall
PubDate: 2008
PhysDes: 496 p. Ilustrations (some color) ; 25cm
Subject: ACCONCI, VITO; BARTHES, ROLAND; BELLOUR, RAYMOND; BENJAMIN, WALTER; BRAKHAGE, STAN; CONRAD, TONY; DANEY, SERGE; DEBORD, GUY; DELEUZE, GILLES; DUCHAMP, MARCEL; EXPANDED CINEMA; EXPERIMENTAL FILMS; EXPORT, VALIE; FAROCKI, HARUN; GODARD, JEAN-LUC; HUYGHE, PIERRE; KUBELKA, PETER; MCLUHAN, MARSHALL; MEKAS, JONAS; ONO, YOKO; PAIK, NAM JUNE; RESNAIS, ALAIN; SCHNEEMANN, CAROLEE; SNOW, MICHAEL; STRUCTURAL FILMS; STRUCTURALISM; VIDEO ART; VIOLA, BILL; WARHOL, ANDY; WOLLEN, PETER
Summary: "The mutual fascination between art and cinema has had a great influence on contemporary culture. For the past fifty years, the love/hate affair between the two has triggered vital aesthetic, social and political responses that constantly renew the way we understand our age. This book traces the story from early spatial experiments with film and video technologies to the current widespread use of projected images in museums and galleries. Why has there been a turn to the cinematic in contemporary art? What happens to the moving image when it shifts from the black box to the white cube, when cinema is exhibited? How does this challenge the traditional mediums of film, painting and sculpture? 'Art and the Moving Image' gathers together key texts including new, translated and previously unavailable essays by eminent writers and theorists including Giorgio Agamben, Beatriz Colomina, Serge Daney, Rosalind Krauss, Maurizio Lazzaratto and Peter Wollen. It offers an essential introduction to the complex field of art and the projected image for both students and general readers." -- Publisher's website.
Notes: Includes bibliographical references and index.
ISBN: 9781854376251
Donation: Adrian Miles
Contents: Preface / Charles Esche -- Introduction / Tanya Leighton -- Colour plates -- Part I. Histories and revisions -- Fluxfilms in three false starts / Bruce Jenkins -- 'Culture: Intercom' and expanded cinema: a proposal and manifesto / Stan VanDerBeek -- Enclosed by images: the Eameses' multimedia architecture / Beatriz Colomina -- 'My mind split open': Andy Warhol's exploding plastic inevitable / Branden W. Joseph -- The Museum of attractions: marcel Broodthaers and the 'Section Cine´ma' / Eric de Bruyn -- Paul Sharits and the active spectator / Federico Windhausen -- Bare lives / Pamela M. Lee -- Leisure 73 / Sabeth Buchmann -- The two avant-gardes / Peter Wollen -- Modes of film practice in the avant-garde / Jonathan Walley -- Part II. The agonistic relationship between video and television -- Hardware: the videosphere / Gene Youngblood -- Video: the aesthetics of narcissism / Rosalind Krauss -- Tale of the tape: 'Radical Software' / David Joselit -- Dependent participation: Bruce Nauman's environments / Janet Kraynak -- After the cull / Elizabeth Bennett Hupp -- Live on tape: video, liveness and the immediate / William Kaizen -- The art of the possible: notes about some installations by Harun Farocki / Christa Blu¨mlinger -- Video, flows and real time / Maurizo Lazzarato -- Five years later / Bill Horrigan -- Part III. From cinema to post-cinema -- Deleuze's time, or how the cinematic changes our idea of art / John Rajchman -- Difference and repetition: on Guy Debord's films / Giorgio Agamben -- From movies to moving / Serge Daney -- The time of re-departure: after cinema, the cinema of the subject / Jean-Chrisotphe Royoux -- Dissolution of the frame: immersion and participation in video installations / Ursula Frohne -- Video projection: the space between screens / Liz Kotz -- Siting cinema / Andrew V. Uroskie -- Moving images moving images / John Kelsey -- Of an other cinema / Raymond Bellour -- The gap between film and installation art / Alexander Alberro -- White cube, black box and grey areas: venues and values / Gregor Stemmrich -- Art and cinema: some critical reflections / Mark Nash -- 'You Never Know the Whole Story': Ute Friederike Ju¨rss and the aesthetics of the heterochronic image / Thomas Y. Levin.

Author: Martin, Adrian
PhysDes: Article
Subject: DIGITAL CINEMA; EXPERIMENTAL FILMS. AUSTRALIA; CLAYDEN, JAMES
Summary: There has been no shortage of proposals in recent years about what might constitute the ‘digital aesthetics’ of the audio-visual media. Most often these proposals of new aesthetic models are conceived in terms of a sharp break with conventional narrative form — where convention is yoked to Hollywood on the one hand, and a certain tradition of European art cinema on the other. However, a largely unexplored connection is the very fertile link between digital work and the traditions of experimental cinema. The prolific film-maker-painter — dramaturg, James Clayden, active since the early 1970s, is an especially important figure in the crossover from film to digital in Australia. With small amounts of government subsidy and finance raised from other sources, he has made several experimental features and a myriad of shorts in recent years. These have received more attention and acclaim at overseas film festivals than in Australia, where the experimental exhibition scene has largely atrophied. Intriguingly, Clayden has gone back to celluloid works (on Super 8 or 16mm) and re-fashioned them in a radical way for several digital projects; he has also been preparing a more conventional narrative art-cinema project. This article will use these rich intersections of forms, gauges and modes in Clayden's recent career as a way of approaching a new theorization of digital aesthetics in Australian cinema. -- Abstract
Notes: Part of a special issue on digital cinema in Australia and New Zealand

Call No: 771(94) HOO
Author: Hooton, Fiona
Place: Saarbru¨cken, Germany
Publisher: VDM
PubDate: 2009
PhysDes: 174 p. : ill. ; 22 cm.
Subject: EXPERIMENTAL FILMS. AUSTRALIA; THOMS, ALBIE; BERESFORD, BRUCE; UBU FILM GROUP; NEWSFRONT (AT, Phillip Noyce, 1978); AWARDS. AUSTRALIAN FILM INSTITUTE; GOD KNOWS WHY, BUT IT WORKS (AT, Phil Noyce, 1976); CRYSTAL VOYAGER (AT, David Elfick & Albert Falzon, 1973); MORA, PHILIPPE; NOYCE, PHIL
Summary: In Australia art cinema no decade can rival the importace of the 1960s, yet little is still known of it's significance. This book attempempts to fill a current void of research about early Australian Experimental film. This is a significant gap given it was a national movemenent with many international connections. - BLURB
Notes: Includes bibliographical references.
ISBN: 9783639115932
Contents: Introductoin -- 1. Undergound histories -- 2. It droppeth as the gentle rain -- 3. U bu and the counterculture -- 4. The impact of experimental film on mainstream Australian cinema -- Conclusion -- Timeline - Viewing menu -- List of illistrations -- Bibliography
ID2: 343

Call No: 771 SIT
Author: Sitney, P. Adams
Source: US
Place: New York
Publisher: Anthology Film Archives
PubDate: 1987
PhysDes: xlv, 295 pages : illustrations ; 23 cm
Series: Anthology film archives series ; v. 3
Subject: EXPERIMENTAL FILMS; AVANT-GARDE FILMS; UNDERGROUND FILMS
Summary: "This is a comprehensive anthology of writings by and about avant-garde filmmakers, edited with an historical introduction by a noted authority on film. Several theoretical and critical articles appear here for the first time, while many others have been translated into English especially for this collection, making available to the reader the vivid and continuing debate about the essence of cinema which began with the Surrealist, Dadist and Constructivist filmmakers of the 1920s and which is an important and fascinating aspect of the history of the most modern art." - taken from back cover.
Notes: Includes index (pp. 291-295). -- c1978
ISBN: 0911689087
Contents: P. Adams Sitney: Introduction -- Dziga Vertov: Selected Writings -- Sergei Eisenstein: On the Question of a Materialist Approach to Form -- Hans Richter: The Badly Trained Sensibility -- Jean Epstein: The Essence of Cinema -- Jean Epstein: For a New Avant-Garde -- Germaine Dulac: From "Visual and Anti-visual Films" -- Germaine Dulac: The Essence of the Cinema: The Visual idea -- Germaine Dulac: The Avant-Garde Cinema -- Atonin Artaud: Sorcery and the Cinema -- Joseph Cornell: Monsieur Phot -- Maya Deren: Cinematography: The Creative Use of Reality -- Sidney Peterson: Cine Dance and Two Notes -- James Broughton: Two Notes on Mother's Day -- John and James Whitney: Audio-Visual Music -- P. Adams Sitney: Harry Smith Interview -- Harry Smith: On Mahogany -- Carel Rowe: Illuminating Lucifer -- Stan Brakhage: from Metaphors on Vision -- Stan Brakhage: Letter to Yves Kovacs (On Surrealism) -- Stan Brakhage: Letter to Ronna Page (On Music) -- Peter Kubelka: The Theory of Metrical Film -- Stephen Koch: Andy Warhol's Silence -- Annette Michelson: Toward Snow -- Michael Snow: Two Letters and Notes on Films -- Jonas Mekas: The Diary Film -- P. Adams Sitney: Autobiography in Avant-Garde Film -- Ernie Gehr: Program Notes -- Anthony McCall: Two Statements -- Paul Sharits: Hearing:Seeing -- Paul Sharits: from "Words Per Page" -- Tony Conrad: A Few Remarks Before I Begin -- Hollis Frampton: Lecture -- Hollis Frampton: A Pentagram For Conjuring the Narrative

Call No: 71(41) SWI
Author: Swinton, Tilda; Sweeney, Moira; Wollen, Peter
Place: London
Publisher: Institute of Contemporary Arts
PubDate: 1990
PhysDes: 36 p. : illus. ; 21 cm
Subject: EXPERIMENTAL FILMS. UK; VIDEO ART
ISBN: 0905263081

Call No: FRONT DESK
CorpAuthor: Australian Film Television & Radio School. Jerzy Toeplitz Library.
PubDate: 1989
Subject: EXPERIMENTAL FILMS

Call No: 81 MAR MAR
Author: Markopoulos, Gregory J.
Edition: 1977
Place: Roma
Publisher: Temenos
PubDate: November 1977
PhysDes: 102 pages ; 16 cm
Subject: EXPERIMENTAL FILMS; MARKOPOULOS, GREGORY; Beavers, Robert
Notes: signed and dated by the author 17/V/79

Author: Lumiere, Cheryl
PhysDes: Review
Subject: EXPERIMENTAL FILMS
Summary: Review of Brian Davies' film "Brakefluid", which experiments with characterisation and 'ad-libbing'.

Call No: held no.1-93/100 Mar. 1971-Dec.1999/Jan.2000
Author: Cantrill, Arthur; Cantrill, Corinne
Source: AT
Place: [Melbourne, Australia
Publisher: A. Cantrill
PubDate: 1971
PhysDes: v. : ill. ; 21-33 cm
Subject: EXPERIMENTAL FILMS; EXPERIMENTAL FILMS. AUSTRALIA; ART CINEMA; ART CINEMA. AUSTRALIA; AVANT-GARDE FILMS; AVANT-GARDE FILMS. AUSTRALIA
Notes: Title from cover; 2 copies of No. 3 and no. 6
ISSN: 0158-4154
Frequency: Two issues yearly (irregular) 1975-<1980; Formerly: Four issues yearly, 1973-1974; Formerly: Six issues yearly, 1971-1972
Indexed In: FIAF
LON: 81643772; 2126310
ID2: 233

Call No: 71(6) PRA
Author: Prabhu, Anjali
Edition: 2014
Place: Chichester
Publisher: Wiley Blackwell
PhysDes: 262 p. : illus. ; 25 cm
Subject: AFRICA; AFRICAN COUNTRIES; EXPERIMENTAL FILMS; SEMBENE, OUSMANE; SISSOKO, CHEIK OMAR; PECK, RAOUL; FORGIVENESS (SA, Ian Gabriel, 2004); LUMUMBA (FR/BE/GG/HT, Raouel Peck, 2000); FAAT-KINE (SG, Ousmane Sembene, 2000); NOIRE DE..., LA (SG, Ousmane Sembene, 1965); BLOOD DIAMOND (US, Edward Zwick, 2006)
Notes: Analyzing art house films from the African continent and the African diaspora, this book showcases a new generation of auteurs with African origins from political, aesthetic, and spectatorship perspectives. - Focuses on art house cinema and discusses commercial African cinema - Enlarges our understanding of African film to include thematic and aesthetic influence - Highlights aesthetic and political aspects including racial identity, women’s issues, and diaspora - Heavily illustrated with over 90 film stills - Features selected stills integral to the filmic analysis in full color - Moves beyond Western-oriented analytical paradigm -- publisher's web site
ISBN: 9781405193047
Contents: Acknowledgments ix 1 AfricaWatch: Parameters and Contexts 1 Part I Space 33 2 The Postcolonial City: Education of the Spectator in Harrikrisna Anenden's The Cathedral 35 3 Framing the City: Africanizing Viewer and Viewed through Angle, Distance, Genre, and Movement 55 Part II Character 77 4 Models of African Femininity 79 5 African Masculinity: "We Don't Need Another Hero" 113 6 Revolutionary Personhood: Revolutionize the Spectator, or Stop,Thief! 133 Part III Narrative 155 7 Documentary Film: Situating a Style 157 8 African Narration: Narration of Africa 172 9 Jean-Marie Teno: Creating an African Repertoire 187 10 Conclusion: Inside/Outside or How to Make a Film about Africa Today 216 Filmography 234 References 238 Glossary 246 Index 251

Call No: 802.25 MAC
Author: MacDonald, Scott
Edition: 2005
Place: Berkeley and Los Angeles, California
Publisher: University of California Press
PubDate: 2005
PhysDes: 410 p. ; 23 cm
Series: A critical cinema
Subject: STAN BRAKHAGE; EXPERIMENTAL FILMS; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; INDEPENDENT FILMMAKERS
Summary: A Critical Cinema 4 is the fourth volume in Scott MacDonald's Critical Cinema series, the most extensive, in-depth exploration of independent cinema available in English. In this new set of interviews, MacDonald once again engages filmmakers in detailed discussions of their films and of the personal experiences and political and theoretical currents that have shaped their work. The interviews are arranged to express the remarkable diversity of modern independent cinema and the network of interconnections within the community of filmmakers. A Critical Cinema 4 includes the most extensive interview with the late Stan Brakhage yet published; a conversation with P. Adams Sitney about his arrival on the New York independent film scene; a detailed discussion with Peter Kubelka about the experience of making Our African Journey; a conversation with Jill Godmilow and Harun Farocki on modern political documentary; Jim McBride's first extended published conversation in thirty years; a discussion with Abigail Child about her evolution from television documentarian to master editor; and the first extended interview with Chuck Workman. This volume also contains discussions with Chantal Akerman about her place trilogy; Lawrence Brose on his examination of Oscar Wilde's career; Hungarian Peter Forgács about his transformation of European home movies into video operas; Iranian-born Shirin Neshat on working between two cultures; and Ellen Spiro about exploring America with her video camera and her dog. Each interview is supplemented by an introductory overview of the filmmaker's contributions. A detailed filmography and a selected bibliography complete the volume. -- publisher's blurb
ISBN: 9780520242715
Contents: Introduction P. Adams Sitney Stan Brakhage Jill Godmilow (and Harun Farocki) Peter Kubelka Jim McBride Abigail Child Chuck Workman Chantl Akerman Lawrence Brose Peter Forgacs Shirin Neshat Ellen Spiro Filmography Bibliography Index

Call No: 62 KYD
Author: Kydd, Elspeth
Source: UK/US
Place: Houndmills. Basingstoke, Hampshire ; New York
Publisher: Palgrave Macmillan
PubDate: 2011
PhysDes: xix, 316 p. : ill. ; 26 cm
Subject: NARRATIVE IN FILMS; DOCUMENTARY FILMS; EXPERIMENTAL FILMS; CINEMATOGRAPHY; SOUND; EDITING; MUSIC IN FILMS; FILM; COSTUMES; COSTUME DESIGNING; CRITICISM
Summary: "The successful study of film combines criticism, theory and practice. This book covers all three areas and guides the student towards an engaged form of creative expression and an active role as reviewer and critic. Beautifully presented, this ground-breaking text offers all students an integrated understanding of film criticism and production"--Provided by publisher - LIBRARIES AUSTRALIA
Notes: Includes index; Includes bibliographical references and index
ISBN: 9780230229754
Contents: -- illustrations -- acknowledgments -- PART I: CRITICAL PRACTICE -- The Critical Practice of Film -- Motion pictures -- PART II: FILM FORM -- Narrative Film -- Documentary Film -- Experimental film -- PART III: TECHNIQUES OF FILM -- Cinematography -- Mise-en-Scene -- Sound -- Editing -- Film music -- PART IV: ANALYSIS AND CRITICAL PRACTICE -- Analysis and interpretation of film -- Critical practice in action -- bibliography -- glossary -- index --

Author: Bishop, Rod; Mackie, Fiona
PhysDes: Article
Subject: CONSUMERISM AND THE CINEMA; DRUGS IN FILMS; EXPERIMENTAL FILMS. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; DELING, BERT; DALMAS (AT, Bert Deling, 1973)
Summary: Review of experimental film DALMAS, and interview with its director Bert Deling and crew/cast member Robin Laurie

Author: Hibberd, Jack
PhysDes: Article Review
Subject: HEROSTRATUS (UK, Don Levy, 1967); DIRECTORS. AUSTRALIA; EXPERIMENTAL FILMS
Summary: Unfavourable review of Don Levy's debut feature film, including examples of what the author describes as "pretension" and "naivety" direct taken from the programme notes.

Call No: 462-02(94) DON
Copy Management: Copy 1; Copy 2
Author: Blonski, Annette; Creed, Barbara; Freiberg, Freda
Place: Richmond, Vic.
Publisher: Greenhouse
PubDate: 1987
PhysDes: 400 p. : ill., facsims., ports. ; 28 cm
Subject: WOMEN AND THE CINEMA. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; INDEPENDENT FILMMAKERS. AUSTRALIA; INDEPENDENT FILMS. AUSTRALIA; EXPERIMENTAL FILMS. AUSTRALIA; FEMINISM AND THE CINEMA. AUSTRALIA; ADDIS, ERIKA; ANSARA, MARTHA; ASH, EVE; CANTRILL, ARTHUR & CORINNE; FISKE, PAT; GIBSON, SARAH; GRACE, HELEN; LAMBERT, SUSAN; HARTMAN, RIVKA; HOASS, SOLRUN; KEARNEY, BRIANN; KELLY, GABRIELLE; ROLLE, DI; SCHWARZ, MONIQUE; THORNLEY, JENI; TILSON, ALISON; ARMSTRONG, GILLIAN; CAMPION, JANE; BEHIND CLOSED DOORS (AT, Sarah Gilbert & Susan Lambert, 1980); IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1987); FOR LOVE OR MONEY (AT, Megan McMurchy & Jeni Thornley, 1983); MY LIFE WITHOUT STEVE (AT, Gillian Leahy, 1986); WE AIM TO PLEASE (AT, Robin Laurie & Margot Nash, 1977); SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983); SONG OF CEYLON, A (AT, Laleen S.B. Jayamanne, 1984)
Summary: Don't shoot darling! affirms the significant role played by women filmmakers. Various contributors examine the institutions and organisation which provide support for women's films; the achievements and limitations of affirmative action training schemes for women; and the reception and coverage of women's independent films by the press. A number of particular films - among them, For love or mone, My life without Steve, Serious Undertakings and Behind closed doors - are analused from feminist critical perspectives, and the book includes a collection of statements by individual women filmmakers about their own experiences and attitudes. -- Back cover
Notes: Includes bibliographical references and indexes
ISBN: 0864360584 : price unknown
LON: anb86436058; 5042996
Contents: Preface -- Beginnings -- Big brother - women and the state -- Feminist initiatives -- Training and affirmative action -- Personal statements -- The press -- Textual analysis

Call No: 771.1(41) ELU
Author: Curtis, David, 1942
CorpAuthor: Arts Council of Great Britain; British Council
Place: [London]
Publisher: Arts Council of Great Britain British Council
PubDate: 1988?]
PhysDes: 58 p. : ill. ; 20 cm
Subject: AVANT-GARDE FILMS. UK; EXPERIMENTAL FILMS. UK
ISBN: 0863550622
LON: 7570421

Call No: 632.22 ESS
Author: Papazian, Elizabeth A; Eades, Caroline
Edition: 2016
Place: New York; Chichester, UK
Publisher: Wallflower Press
PubDate: 2016
PhysDes: xi,315 p. : illustrated ; 23 cm
Subject: DOCUMENTARY FILMS; EXPERIMENTAL FILMS; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); TREE OF LIFE, THE (US, Terrence Malick, 2011); VERTOV, DZIGA; MARKER, CHRIS; Pasolini, Pier Paolo; AKERMAN, CHANTAL; GODARD, JEAN-LUC; MORETTI, NANNI; DENIS, CLAIRE; MALICK, TERRENCE
Summary: With its increasing presence in a continuously evolving media environment, the essay film as a visual form raises new questions about the construction of the subject, its relationship to the world, and the aesthetic possibilities of cinema. In this volume, authors specializing in various national cinemas (Cuban, French, German, Israeli, Italian, Lebanese, Polish, Russian, American) and critical approaches (historical, aesthetic, postcolonial, feminist, philosophical) explore the essay film and its consequences for the theory of cinema while building on and challenging existing theories. Taking as a guiding principle the essay form's dialogic, fluid nature, the volume examines the potential of the essayistic to question, investigate, and reflect on all forms of cinema—fiction film, popular cinema, and documentary, video installation, and digital essay. A wide range of filmmakers are covered, from Dziga Vertov (Man with a Movie Camera, 1928), Chris Marker (Description of a Struggle, 1960), Nicolás Guillén Landrián (Coffea Arábiga, 1968), Pier Paolo Pasolini (Notes for an African Oresteia, 1969), Chantal Akerman (News from Home, 1976) and Jean-Luc Godard (Notre musique, 2004) to Nanni Moretti (Palombella Rossa, 1989), Mohammed Soueid (Civil War, 2002), Claire Denis (L'Intrus, 2004) and Terrence Malick (The Tree of Life, 2011), among others. The volume argues that the essayistic in film—as process, as experience, as experiment—opens the road to key issues faced by the individual in relation to the collective, but can also lead to its own subversion, as a form of dialectical thought that gravitates towards crisis. -- publisher's web site
ISBN: 9780231176958
Contents: Acknowledgments -- Notes on Contributors -- Introduction: Dialogue, Politics, Utopia, by Elizabeth A. Papazian and Caroline Eades -- Part I: The Essay Film as Dialogue -- 1. Essayism and Contemporary Film Narrative, by Timothy Corrigan -- 2. Essaying the Forms of Popular Cinema: Godard, Farocki and the Principle of Shot/Countershot, by Rick Warner -- 3. The Practice of Strangeness: L'Intrus, from Jean-Luc Nancy (2000) to Claire Denis (2004), by Martine Beugnet -- 4. Cinéma-vérité and Kino-pravda: Rouch, Vertov, and the Essay Form, by Caroline Eades and Elizabeth A. Papazian -- Part II: The Essay Film as Politics -- 5. Notes for a Revolution: Pasolini's Postcolonial Essay Films, by Luca Caminati -- 6. Chris Marker's Description of a Struggle and the Limits of the Essay Film, by Eric Zakim -- 7. A Woman with a Movie Camera: Chantal Akerman's Essay Films, by Anne Eakin Moss -- 8. 'What Does It Mean Today to Be a Communist?': Nanni Moretti's Palombella rossa and La cosa as Essay Films, by Mauro Resmini -- Part III: The Essay Film as Utopia -- 9. Mohamed Soueid's Cinema of Immanence, by Laura U. Marks -- 10. Inside/Outside: Nicolasito Guillén Landrián's Subversive Strategy in Coffea Arábiga, by Ernesto Livon-Grosman -- 11. American Essays in How to Build a Home: Thoreau, Mekas, Proenneke, by Oliver Gaycken -- 12. 'to speak, to hold, to live by the image': Notes in the Margins of the New Videographic Tendency, by Luka Arsenjuk -- Afterword: The Idea of Essay Film, by Laura Rascaroli -- Index

Call No: SUBJECT CLIPPINGS FILE; EXPERIMENTAL FILMS
Author: McDonald, John
PhysDes: Clippings File Article
Subject: AI WEIWEI; WARHOL, ANDY; EXPERIMENTAL FILMS
Summary: Review of the Ai Weiwei and Andy Warhol exhibition at the National Gallery of Victoria

Call No: 62 YOU
Author: Youngblood, Gene
Source: US
Place: New York
Publisher: E.P. Dutton & Co., Inc.
PubDate: 1970
PhysDes: 432p. : illus. : 20cm.
Subject: EXPERIMENTAL FILMS; BELSON, JORDAN; HOLOGRAPHY
Notes: Includes selected bibliography and index.
ISBN: 0525101527; 0525472630
Contents: Part One: The Audience and the myth of entertainment -- Part Two: Synaesthetic Cinema: the end of drama -- Part Three: Toward cosmic consciousness -- Part Four: Cybernetic cinema and computer films -- Part Five: Television as a creative medium -- Part Six: Holographic cinema: a new world
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Call No: 771 EXP
Author: Manvell, Roger, 1909
Source: UK
Place: London
Publisher: Grey Walls Press
PubDate: 1949
PhysDes: 285 p. : ill., plates ; 23 cm
Subject: EXPERIMENTAL FILMS
Summary: "In all walks of life experiment precedes and paves the way for practical and widespread development. The Film is no exception, yet although it must be considered one of the most popular forms of entertainment, very little is known by the general public about its experimental side. This book is a collection of essays by the leading experts of all countries on the subject, and it is designed to give a picture of the growth and development of experiment in the Film. Dr. Roger Manvell, author of the Penguin book Film, has edited the collection and contributed a general appreciation. " -- BOOK JACKET
Notes: Includes index
LON: 1350109
Contents: -- editor's foreword p5 -- experiment in the film: Roger Manvell p13 -- experimental film in France: Jacques B. Brunius, translated by Mary Kesteven p60 -- avant-garde production in America: Lewis Jacobs p113 -- Soviet film: Grigori Roshal: translated by Catherine de la Roche p153 -- Soviet documentary: Roman Karmen, translated by Catherine de la Roche p171 -- expansion of the German and Austrian film: Ernst Iros, translated by Bernard and Moura Wolpert p189 -- avant-garde film in Germany: Hans Richter p219 -- development of film technique in Britain: Edgar Anstey p234 -- experiment in the scientific film: John Maddison p266 -- notes on contributors p275 --

Call No: FESTIVAL CATALOGUE SHELVES; held 1988, 1990, 1992, 1994, 1996, 2000-2003, 2005-2007; incomplete
CorpAuthor: Modern Image Makers Association
Source: AT
Place: Melbourne
Publisher: MIMA
PubDate: 1988-
Subject: FESTIVALS. MELBOURNE. EXPERIMENTA MEDIA ARTS; EXPERIMENTAL FILMS. AUSTRALIA
ISBN: 0731647130
LON: 7904255; 9333312; 6235972

Call No: 771(94) MOD
Author: Modern Image Makers Association
Source: AT
Place: Melbourne
Publisher: MIMA
PubDate: 1988
PhysDes: 48 p. ; 30 cm
Subject: ART AND THE CINEMA; ART CINEMA. AUSTRALIA; EXHIBITION. AUSTRALIA; EXPERIMENTAL FILMS. AUSTRALIA; MONDO FILMS; MARTIN, ADRIAN; CANTRILL, ARTHUR & CORINNE; Gibson, Ross; ALEXANDER, GEORGE
Summary: Program for the Experimenta exhibition 1988. Includes short essays from various performers and presenters as well as the list of exhibits and exhibiting artists
Notes: State Film Theatre, City Gallery, 200 Gertrude Street Gallery, Australian Centre for Contemporary Art, National Gallery of Victoria
ISBN: 731641730
Contents: Experimenta Program -- Theatrical -- Performance -- Installation -- Seminars; Project: last written words -- Hello comrade: Adrian Martin -- Last and first words: Fiona Mackie -- Some thoughts on the practice of film as art in Australia: Arthur Cantrill -- I used to speak French: Ross Gibson -- Against the grain: Kris Hemensley -- Mondo video: George Alexander --; Exhibiting artists; Experimenta at a glance

Call No: 204(94)EXP
Subject: FESTIVALS. TIBERINA; EXPERIMENTAL FILMS. AUSTRALIA; EXPERIMENTAL FILM AND TELEVISION FUND

Call No: 385.83 DIX
Author: Dixon, Wheeler Winston, and Foster, Gwendolyn Audrey
Source: UK
Place: London
Publisher: Routledge
PubDate: 2002
PhysDes: 356 p. : ill.; 23 cm
Subject: EXPERIMENTAL FILMS; AVANT-GARDE FILMS. USA; AVANT-GARDE FILMS. EUROPEAN COUNTRIES; STRUCTURALISM; DEREN, MAYA; ANGER, KENNETH; SMITH, JACK; WARHOL, ANDY; BRAKHAGE, STAN; CONNER, BRUCE; SNOW, MICHAEL; FRAMPTON, HOLLIS; JULIEN, ISAAC; DASH, JULIE; HAMMER, BARBARA
Summary: Brings together key writings on American avant-garde cinema to explore the long tradition of underground filmmaking from its origins in the 1920’s to the work of contemporary film and video artists. Each section features an editor’s introduction setting debates in their context. Sections include: Origins of the American avant-garde cinema, The 1960’s experimental cinema explosion, Structuralism in the 1970’s and Alternative cinemas.
ISBN: 0415277876

Call No: 771 LEG
Author: Malcolm Grice
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: xix, 330 p. ; 24 cm.
Subject: EXPERIMENTAL FILMS; DIGITAL MEDIA AND THE CINEMA
Notes: Contains Index
ISBN: 0851708730

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: EXPERIMENTAL FILMS

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: EXPERIMENTAL FILMS. AUSTRALIA

Call No: 771 ROS
Author: Rosenbaum, Jonathan
Place: Denver, Colo.
Publisher: Arden
PubDate: 1983
PhysDes: 238 p. : ill. ; 24 cm
Subject: EXPERIMENTAL FILMS; MEKAS, JONAS; AKERMAN, CHANTAL; B, BETH & SCOTT; BENNING, JAMES; GIDAL, PETER; JOST, JON; OTTINGER, ULRIKE; RAINER, YVONNE; RAPPAPORT, MARK; RIVETTE, JACQUES; SNOW, MICHAEL; STRAUB, JEAN-MARIE; HUILLET, DANIELE; BREER, ROBERT; DE LANDA, MANUEL; DRIVER, SARA; HOCK, LOUIS; RAYNAL, JACKIE; THORNTON, LESLIE; GIDAL, PETER
Notes: Includes indexes
ISBN: 0912869038
LON: 3461214

Call No: 771 EHR
Author: Ehrenstein, David
Place: Denver, Colo.
Publisher: Arden Press
PubDate: 1984
PhysDes: 183 p. : ill. ; 23 cm
Subject: EXPERIMENTAL FILMS; SMITH, JACK; JACOBS, KEN; CONNER, BRUCE; SCHROETER, WERNER; RUIZ, RAUL; SONBERT, WARREN; MCDOWELL, CURT; BORDEN, LIZZIE; POTTER, SALLY; JARVIK, LAURENCE; WELLES, ORSON; BROOKS, DAVID; GARREL, PHILIPPE; MOULLET, LUC; DEMOTT, JOEL; KREINES, JEFF; LANDOW, GEORGE
Notes: "The Front line is an annual series meant to bring a greater prominence to the work of experimental and personal filmmakers."; Includes indexes
ISBN: 0912869054
LON: 6751681

Call No: 771 HAM
Author: Hamlyn, Nicky
CorpAuthor: BFI
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2003
PhysDes: 224 p. : ill. ; 24cm
Subject: ART CINEMA; AESTHETICS; VIDEO ART; EXPERIMENTAL FILMS; BRAKHAGE, STAN; LE GRICE, MALCOLM; SNOW, MICHAEL; SHERWIN, GUY; SMITH, JOHN; HALL, DAVID; HILL, TONY; LARCHER, DAVID; RABAN, WILLIAM
Summary: "Hamlyn's major new study treats artists' film conceptually in order to explore key categories that connect different works and film-makers: from framing to digital media, installation to interactivity, point of view to sound. In so doing he considers the work of Stan Brakhage, Malcolm Le Grice and Michael Snow as well as younger artists such as Karen Mirza and Brad Butler, Jennifer Nighting ale, and Colin Crockatt, among many others. Film Art Phenomena is a crucial intervention in debates about the modes of film-making that diverge from and oppose the mainstream." -- Back cover
Notes: Includes bibliography p. 188; includes index p. 195
ISBN: 0851709710. m
Contents: I. MEDIA -- 1. Film and video -- 2. Digital media -- 3. Expanded technologies -- 4. Installation and its audience -- II. THE APPARATUS -- 5. The frame and its dissolution -- 6. Framing -- 7. Holding the camera -- 8. Point of view -- III. AESTHETICS -- 9. Space -- 10. Location -- 11. Interactivity -- 12. Sound, sync, performance -- 13. Film, art, ideology

Call No: 412 VOG
Author: Vogel, Amos
Place: New York
Publisher: Random House
PubDate: [1974]
PhysDes: 336 p. : ill. ; 26 cm
Subject: PSYCHOLOGICAL EFFECTS OF FILMS; EXPERIMENTAL FILMS; REVOLUTIONARY THEMES IN FILMS; MONTAGE; FASCISM AND THE CINEMA; SEX AND THE CINEMA; RELIGION AND THE CINEMA
Notes: Includes index; Bibliography: p. 329-331
ISBN: 0394490789 : $15.00
LON: 511546

Call No: 175(94)FIL FIL
Source: AT
Place: Melbourne
Publisher: Victorian College of the Arts
PubDate: [1982]
PhysDes: [11] p. : ill. ; 30 cm
Subject: ART CINEMA. AUSTRALIA; EXPERIMENTAL FILMS. AUSTRALIA; TRAVELLING EXHIBITION; VICTORIAN COLLEGE OF THE ARTS, SCHOOL OF FILM AND TELEVISION
Summary: Programme listing of the different films and filmmakers featured within the 'Film as Art' exhibition (which toured around Australia). Filmmakers listed include: Sue Ford, John Dunkley-Smith, Mike Parr, William Anderson, (aka. Tch Tch Tch) (Some lost advertisements), Ivan Durrant, Paul Winkler, Arthur and Corinne Cantill, Dirk de Bruyn, Jonas Balsaitas, George Gittoes

Call No: 771.3 SAR
Author: Sargeant, Jack
Place: Los Angeles, CA
Publisher: Amok Books
PubDate: 2015
PhysDes: 222 p. : illustrations ; 23cm
Subject: EXPERIMENTAL FILMS; SURREALISM AND THE CINEMA; BALDWIN, CRAIG; ZEDD, NICK; LUNCH, LYDIA; PHILLIPS, TODD; LABRUCE, BRUCE; KERN, RICHARD; STARK, CASANDRA
Summary: Jack Sargeant's first new book dedicated to Underground Film since 1999 sees the cult author return to the physical, body-focused and transgressive films that first seduced him. With Flesh & Excess: On Underground Film, the focus is now divided between the historical, theoretical and philosophical. Starting with an exploration of the return to the shock of the body in underground film in the 1980s and the growth of underground film in the '90s, he explores and defines an underground cinema that remains radical and contemporary, informing subcultures and independent cinema today. Primarily focusing on a handful of key works by two award-winning underground filmmakers (Usama Alshaibi and Aryan Kaganof), Sargeant examines the the desire - even the need - for a shocking bodily representations and interventions. Punctuating his writing with philosophical analysis, explorations of areas as diverse as industrial culture, surrealism, butoh dance, fine art and medical fetishism, the book challenges the reader to examine the very nature of pleasure, of viewing and of experiencing cinema. Comprehensively illustrated throughout. -- publisher's web site
ISBN: 9781878923288
ID2: 285

Author: Beresford, Bruce
PhysDes: Article
Subject: EUROPEAN CINEMA; EXPERIMENTAL FILMS; UNDERGROUND FILMS; BERESFORD, BRUCE; DWOSKIN, STEPHEN; KEEN, JEFF; WARHOL, ANDY
Summary: Discussion of underground cinema by Bruce Beresford

Call No: 771(430.1) GRE
Place: Munich
Publisher: Goethe-Institute
PubDate: 1980
PhysDes: [45] p. : ill. ; 14 x 18 cm
Subject: EXPERIMENTAL FILMS. GERMANY; O., DORE; CLEVE, BASTIAN; HEIN, BIRGIT & WILHEIM; WYBORNY, KLAUS; NEKES, WERNER; EMIGHOLZ, HEINZ
Notes: Title from cover
LON: 9722525

Call No: 81BAL CLE
Author: Clerc, Adrien
Source: AT
Place: [Melbourne, Victoria]
Publisher: LedaTape Organisation
PubDate: c2014
PhysDes: 226 pages : illustrations ; 22 cm
Subject: DISTRIBUTION. UK; EXPERIMENTAL FILMS; EXPLOITATION FILMS; BALCH, ANTONY; BURROUGHS, WILLIAM; CUT UPS, THE (UK, Antony Balch, 1967); TOWERS OPEN FIRE (UK, Antony Balch, 1963)
Summary: "Here is an overview of one of the most adventurous and radical and overlooked producers of cinema, that of Antony Balch's. Film director, distributor, programmer, editor, publicist and critic, the Abominable Showman worked among others with the writer William Burroughs and producer Richard Gordon. Between experimental cinema and films explotation Antony Balch produced a singular work, iconoclastic, whose Guerilla Conditions summarizes the issues and describes the circumstances of establishment." -Book blurb, translation via Google Translate
Notes: Avant-propos par Norman J. Warren
ISBN: 9780992302122
Language: French
Contents: Souvenirs d'Antony Balch par Narman J. Warren -- Nos officiers sont des poetes -- Towers Open Fire -- The Cut-Ups -- Lost St Hill movie -- Withcraft Through the Ages -- Secrets of Sex -- Bill and Tony -- Horror Hospital -- Ghosts at Number 9 -- Le Festin Nu qui n'eut jamais lieu -- Distribution et programmation -- Bibliographie

Call No: 10257
Author: Broomer, Stephen
Place: Toronto
Publisher: University of Toronto Press
PubDate: 2016
PhysDes: xii, 264 : illus. ; 24 cm
Subject: EXPERIMENTAL FILMS: CANADA; HOFSESS, JOHN; REITMAN, IVAN
Notes: Founded in 1966 at McMaster University by avant-garde filmmaker John Hofsess and future frat-comedy innovator Ivan Reitman, the McMaster Film Board was a milestone in the development of Canada’s commercial and experimental film communities. McMaster’s student film society quickly became the site of art filmmaking and an incubator for some of the country’s most famous commercial talent – as the well as the birthplace of the first Canadian film to lead to obscenity charges, Hofsess’s Columbus of Sex. In Hamilton Babylon, Stephen Broomer traces the history of the MFB from its birth as an organization for producing and exhibiting avant-garde films, through its transformation into a commercial-industrial enterprise, and into its final decline as a show business management style suppressed many of its voices. The first book to highlight the work of Hofsess, an innovative filmmaker whose critical role in the MFB has been almost entirely eclipsed by Reitman’s legend, Hamilton Babylon is a fascinating study of the tension between art and business in the growth of the Canadian film industry.
ISBN: 9781442647787
Donation: donated by Senses of Cinema
Contents: Chapter One: A Dangerous Precedent Chapter Two: Assembling Pleasure Chapter Three: A New President Chapter Four: Participatory Democracy Chapter Five: Seize the Projectors Chapter Six: Sync Sound Arrives, 1970 Chapter Seven: The Film Board Presidents on Trial Chapter Eight: The Appeal Chapter Nine: Show Business Appendix: McMaster Film Board Filmography

Call No: 771(410) GAA
Author: Gaal-Holmes, Patti
Source: UK
Place: London
Publisher: Palgrave Macmillan
PubDate: 2015
PhysDes: xviii, 231 pages ; 23 cm.
Subject: EXPERIMENTAL FILMS. UK; EXPERIMENTAL FILMS; BRAKHAGE, STAN; DWOSKIN, STEPHEN; GIDAL, PETER; JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (BE/FR, Chantal Akerman, 1975); LE GRICE, MALCOLM; MARXISM AND THE CINEMA; MCCALL, ANTHONY; VIDEO ART; WARHOL, ANDY; WOLLEN, PETER
Summary: "This comprehensive historical account demonstrates the rich diversity in 1970s British experimental filmmaking. It acts as a form of reclamation by integrating films having received inadequate historical and critical recognition and placing these alongside films existing as accepted texts of the decade. This history challenges the problematic 'return to image' thesis, providing examples of written evidence and demonstrating how this has problematically perpetuated a flawed account of the decade. This is the first extensive overview of 1970s filmmaking, contextualizing films within broader aesthetic, theoretical and socio-political frameworks. The detailed textual and comparative analyses offer unique approaches to individual films, shedding light on technical, aesthetic and economic decisions informing filmmaking. As such, it provides a unique understanding of how experimental filmmaking grew from a small handful of films and filmmakers, at the start of the 1970s, to a veritable 'explosion' in filmmaking by the end of the decade"-- TROVE
Notes: Includes bibliographical references and index
ISBN: 9781349474912
Language: English
Contents: Introduction -- 1. Questions of history -- 2. Institutional frameworks and organisational strategies -- 3.Experimental film and other visual arts -- 4. Visionary, mythopoeia and diary films -- 5. Experiments with structure and material -- 6. Women and film -- Conclusion: (Re)cognitions and (Re)considerations for This History -- Notes -- Bibliography -- Index
ID2: 343

Call No: 771.1(41) CUR
Author: Curtis, David
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2007
PhysDes: 312 p. : col. ill. ; 25 cm.
Subject: ART AND THE CINEMA; ART CINEMA; EXPERIMENTAL FILMS
Summary: A history of artists' film in Britain that looks at the work of 300 artists.

Call No: 771 REE
Author: Rees, A. L. (Alan Leonard), 1949
Place: London
Publisher: BFI Publishing
PubDate: 1999
PhysDes: viii, 152, 32 p. of plates : ill. ; 25 cm
Subject: EXPERIMENTAL FILMS; AVANT-GARDE FILMS
Notes: Includes bibliographical references and index
ISBN: 0851706843(cased) : ª35.00; 0851706819(pbk.) : ª13.99
LON: 14631434

Call No: 771 REE
Author: Rees, A. L.
Edition: 2nd Edition
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 2011
PhysDes: viii, 196 : ill. ; 25 cm.
Subject: EXPERIMENTAL FILMS; VIDEO ART; ART CINEMA; AVANT-GARDE FILMS
Summary: Avant-garde film is almost indefinable. It is in a constant state of change and redefinition. In his highly-acclaimed history of experimental film, A.L. Rees tracks the movement of the film avant-garde between the cinema and modern art (with its postmodern coda). But he also reconstitutes the film avant-garde as an independent form of art practice with its own internal logic and aesthetic discourse. In this revised and updated edition, Rees introduces experimental film and video to new readers interested in the wider cinema, as well as offering a guide to enthusiasts of avant-garde film and new media arts. Ranging from Cézanne and Dada, via Cocteau, Brakhage and Le Grice, to the new wave of British film and video artists from the 1990s to the present day, this expansive study situates avant-garde film between the cinema and the gallery, with many links to sonic as well as visual arts. The new edition includes a review of current scholarship in avant-garde film history and includes updated reading and viewing lists. It also features a new introduction and concluding chapter, which assess the rise of video projection in the gallery since the millennium, and describe new work by the latest generation of experimental film-makers. The new edition is richly illustrated with images of the art works discussed
Notes: Includes bibliographical references and index.
ISBN: 9781844576203
Contents: Pt. 1. The canonical avant-garde. Origins of the moving image (1780-1880). Photography. Art and the avant-garde: summary 1909-20. The cubists. Primitives and pioneers (1880-1915). Futurists. Abstract film. The comic burlesque. The Art Cinema and its circuit. Cine-poems and lyric abstraction. Origins of abstract film. The absolute film. Cubism and poular film. Dada and surrealist film. The French avant-garde 1924-32. Voice and vision in the pre-war avant-garde. Transition: into the 1930s and documentary. Reviewing the first avant-garde. Origins of the post-war avant-garde. Underground. Two avant-gardes (mark 1)? Structural -- Pt. 2. Britain, 1966-98. English structuralists. Primitives and post-structuralists. Video stirs. Art and politics. A cinema of small gestures. Rebel waves. Art Cinema's odd couple: Derek Jarman and Peter Greenaway. New pluralism. Black British. Electronic arts. yBa. 'Where are we now?'. Points of resistance.

Call No: 117(51) IGE
CorpAuthor: Hong Kong Film Archive
Place: Hong Kong
Publisher: Hong Kong Film Archive
PubDate: 2001
PhysDes: 48 p. ; 30 cm
Subject: HONG KONG; SHORT FILMS; INDEPENDENT FILMS; EXPERIMENTAL FILMS
Summary: Catalogue for the Hong Kong Film Archive exhibition “i-Generations”, which presented a history of the development of Hong Kong independent short films and videos from the 1960s to the present. The catalogue is in Cantonese and English.
ISBN: 9628050133
Language: English and Cantonese

Call No: 408.1(71) ELD
Author: Elder, R. Bruce
Source: CN
Place: Waterloo, Ontario, Canada
Publisher: Wilfred Laurier University Press; Academy of Canadian Cinema & Television
PubDate: c1989
PhysDes: xviii, 483 p. ; 24 cm
Subject: CANADA; HISTORY OF CINEMA. CANADA; EXPERIMENTAL FILMS; ART AND THE CINEMA
Summary: " In this study of Canadian film, I attempt to demonstrate that there are interrelations among Canadian film, Canadian art and Canadian philosophy. Instead of surveying the development of Canadian film over the last four decades, I have chosen to concentrate on certain key moments in the history of Canadian films, moments in our national filmmaking that most clearly manifest the indigenous style and concerns of our cinema and that disclose certain deeply felt problems that pertain both to our collective psychology and social dynamics and to fundamental issues of artistic representation and expression. What seems to be needed at this stage in our cinematic history is a careful, reasoned assessment of the strengths and weaknesses of our cinematic tradition which establishes the place of the Canadian cinema within Canadian artistic practice." -- PREFACE
Notes: Includes index; "Filmographies": p. 444-449; Includes bibliographical references (p. 451-465) and index
ISBN: 0889209561
Contents: -- foreword -- preface -- acknowledgements -- introduction -- part one -- introduction -- chapter 1-- a house divided -- chapter 2 -- two schools of thought -- chapter 3 -- an aesthetics of reconciliation -- part two -- introduction -- chapter 4 -- the documentary film in Canada --chapter 5 -- narrative transmission in American direct Canada films and Canadian candid-eye films -- chapter 6 -- the reality principle: "Goin' down the road" -- chapter 7 -- modes of representation in cinema -- part three - introduction -- chapter 8 -- Michael Snow's 'Wavelength' -- chapter 9 -- from painting into cinema: a study of Jack Chamber's ;circle' -- chapter 10 -- all things in their time: on Michael's snow -- chapter 11 -- the photographic image in Canadian avant-garde film -- chapter 12 -- Michael Snow presents 'presents' -- chapter 13 -- idealism, photography and the Canadian avant-garde film -- chapter 14 -- forms of cinema: models of self -- notes -- appendix: filmography -- bibliography -- index --

Call No: 771(94) INT
Author: Tofts, Darren
Source: AT
Place: Fishermens Bend, Vic.
Publisher: Craftsman House
PubDate: 2005
PhysDes: 145 p. ; 24 cm
Series: New Art
Subject: VIDEO ART; EXPERIMENTAL FILMS. AUSTRALIA; AUSTRALIAN CENTRE FOR THE MOVING IMAGE (ACMI); AESTHETICS; TECHNOLOGY AND THE CINEMA. AUSTRALIA; TECHNICAL DEVELOPMENTS
Summary: Interzone is specifically interested in arts practices in which the computer is the predominant medium, integrating and synthesising a range of diverse media. Its chronology is narrow and deals with works produced from the early 1990s to the present. Media arts have come to be regarded as the signature form of this period, the art of its time. But the discussion of media art is not exclusively an issue to do with emerging technologies and how artists use them. It also concerns the ways in which artists explore the social and cultural implications of the very technologies they are working with. The intervention of the computer has given rise to complex new forms of knowledge, disturbing new ways of thinking abut what it means to be alive in the age of advanced technology. [Taken from back cover].
ISBN: 097573038X

Call No: 771.3(73) REN
Author: Renan, Shelton
Edition: 1st ed.
Place: New York
Publisher: E.P. Dutton
PubDate: 1967
PhysDes: 318 p. : ill. ; 19 cm.
Subject: EXPANDED CINEMA; UNDERGROUND FILMS. USA; EXPERIMENTAL FILMS. USA; AVANT-GARDE FILMS. USA; ANGER, KENNETH; BAILLIE, BRUCE; BELSON, JORDAN; BRAKHAGE, STAN; BRANAMAN, ROBERT; BREER, ROBERT; BURCKHARDT, RUDY; CONNER, BRUCE; CONRAD, TONY; D'AVINO, CARMEN; EMSHWILLER, ED; GOLDMAN, PETER EMANUEL; JACOBS, KEN; JORDAN, LARRY; KAYE, STANTON; KUCHAR, GEORGE; KUCHAR, MIKE; LANDOW, GEORGE; MARKOPOULOS, GREGORY; MEKAS, JONAS; MENKEN, MARIE; NELSON, ROBERT; RICE, RON; SMITH, HARRY; SMITH, JACK; VAN DER BEEK, STAN; WARHOL, ANDY
Summary: A study of the American Underground Film, its subject matter and stylistic elements. Also a history of avant garde film in America with director and actor profiles.
Notes: Bibliography: p. 295-296 Includes index.
Contents: -- What is the underground film? -- A history of the avant-garde/experimental/underground film in America -- A gallery of film-makers -- Stars of the underground films -- The underground establishment -- Expanded Cinema

Call No: 604DRU
Author: Druckrey, Timothy
Place: New York : International Center of Photography ; Cambridge, Massachusetts :
Publisher: MIT Press
PubDate: 1993
PhysDes: 199 p. : ill. (some col.) ; 21 x 26 cm
Subject: VIDEO ART; EXPERIMENTAL FILMS; AESTHETICS; TECHNOLOGY AND THE CINEMA; TECHNICAL DEVELOPMENTS; EXHIBITION. USA
Summary: [Accompanying the exhibition of the same name this book focuses] on the work of sixteen prominent figures in the fields of video, film, photography, and media art, [this book] brings together an ambitious selection of work that utilizes diverse technologies, from photography to video. touch-screen to laser disk. The increased accessibility of digital imaging over the last decade... has produced a generation of artists - and audiences - who are visually and technologically literate and are eager to explore the potentil of electronic expression. [It] demonstrates that the link between creativity and technology is dynamic, expressive, and intellectually challenging, and explore how this like is redefining the role of images in our culture. [Taken from dust jacket].
Notes: This publication... accompanies the exhibition [of the same name] July 11-August 29, 1993 Montage 93: International Festival of the Image, Rochester. New York [and] October 15, 1993-January 21, 1994 International Center of Photography Midtown, New York City [Taken from the T.p. verso]; With essays by Regina Cornwell, Timothy Druckrey, Brenda Laurel, Florian Rotzer; Introduction by Charles Stainback; Includes artist biographies; Bibliography: p. 189-196
ISBN: 026204143X

Call No: 771(52) JAP
CorpAuthor: American Federation of Arts
Place: New York, N.Y.
Publisher: American Federation of Arts
PubDate: c1981
PhysDes: [36] p. : ill. ; 26 cm
Subject: EXPERIMENTAL FILMS. JAPAN
ISBN: 0917418689 (pbk.)
LON: 2202100

Call No: P EXH
PhysDes: 1 poster : col. ; 92 X 56 cm.
Subject: EXHIBITION. AUSTRALIA; JAPAN; EXPERIMENTAL FILMS. JAPAN
Summary: Image: Black and white still from a Yoichi Nagata movie of cranes in flight.
Notes: Quite worn around the edges; many tack holes

Call No: 81SMI LAN
Author: Lanyon, Josephine; Cosgrove, Mark; Parker, Cornelia; Rees, Al; Bourn, Ian; Hamlyn, Nicky; Elwes, Kate; Smith, John
CorpAuthor: Picture This Moving Image; Watershed Media Centre; The Arts Council of England
Source: UK
Place: Bristol
Publisher: Picture This Moving Image; Watershed Media Centre
PubDate: 2002
PhysDes: 135 p. ; ill. ; 21.5 cm
Subject: SMITH, JOHN; EXPERIMENTAL FILMS; EXPERIMENTAL FILMS. UK; VIDEO ART; BLIGHT (UK, John Smith, 1996); GIRL CHEWING GUM, THE (UK, John Smith, 1976)
Summary: Published to accompany a retrospective touring exhibition. Includes several essays on the work of John Smith plus an interview with the director. Also includes stills and spoken texts.
Notes: Includes filmography; Includes selected list of screenings and exhibitions 1974-1998; Includes list of television screenings; Includes list of prizes; Includes bibliography p.135
ISBN: 0 9539872 48

Call No: 771 TAB
Author: Taberham, Paul
Edition: 2018
Place: New York & Oxford
Publisher: Berghahn Books
PhysDes: 214 pages : illustrated ; 24 cm
Subject: EXPERIMENTAL FILMS; PERCEPTION; PSYCHOLOGICAL EFFECTS OF FILMS; BREER, ROBERT; BRAKHAGE, STAN; DEREN, MAYA; BELSON, JORDAN
Summary: Narrative comprehension, memory, motion, depth perception, synesthesia, hallucination and dreaming have long been objects of fascination for cognitive psychologists. They have also been among the most potent sources of creative inspiration for experimental filmmakers. Lessons in Perception melds film theory and cognitive science in a stimulating investigation of the work of iconic experimental artists such as Stan Brakhage, Robert Breer, Maya Deren, and Jordan Belson. In illustrating how avant-garde filmmakers draw from their own mental and perceptual capacities, author Paul Taberham offers a compelling for how their works expand the range of aesthetic sensitivity and open creative vistas uncharted by commercial cinema. -- publisher's web site
ISBN: 9781785336416
Donation: Senses of Cinema
Contents: List of Illustrations -- Acknowledgements -- Introduction -- PART I: COGNITION --Chapter 1. The Specter of Narrative -- Chapter 2. Ghost Films of the Avant-Garde -- PART II: VISUAL PERCEPTION -- Chapter 3. Bottom Up Processing, Entoptic Vision and the Innocent Eye in the Films of Stan Brakhage -- Chapter 4. Robert Breer and the Dialectic of Eye and Camera -- PART III: AUDIO-VISUAL PERCEPTION -- Chapter 5. Synaesthetic Film Reconsidered - Chapter 6. Three Dimensions of Visual Music -- Conclusion -- Bibliography

Author: Martin, Adrian
PhysDes: Article
Subject: EXPERIMENTAL FILMS. AUSTRALIA; SOUND; MUSIC IN FILMS. AUSTRALIA; AVANT-GARDE FILMS. AUSTRALIA
Summary: This article is an historical survey of Australian experimental cinema from the 1960s to the present day organized around the use of music and sound. Six aesthetic categories are distinguished: film as backdrop to live music; live music as backdrop to film; pre-recorded music as a ‘bed’ for images; images as a bed for pre-recorded music; disjunction between image and sound; image–sound fusion. The debate over the effects of musical rhythm in cinema is discussed.--ABSTRACT

Author: Taylor, Max
PhysDes: Article
Subject: EXPERIMENTAL FILMS. AUSTRALIA; AUSTRALIAN BROADCASTING CORPORATION
Summary: Article on experimental filmmaker Michel Pearce on his upcoming projects, many which are associated with the ABC.

Call No: 802.3(47) CAV
Author: Cavendish, Philip
Edition: 2013
Place: New York and Oxford
Publisher: Berghahn Books
PhysDes: xii, 342 pages : illustrated ; 23 cm
Subject: USSR; EXPERIMENTAL FILMS; CINEMATOGRAPHY; TISSE, EDUARD; GOLOVNA, ANATOLIJ
Summary: Unlike previous studies of the Soviet avant-garde during the silent era, which have regarded the works of the period as manifestations of directorial vision, this study emphasizes the collaborative principle at the heart of avant-garde filmmaking units and draws attention to the crucial role of camera operators in creating the visual style of the films, especially on the poetics of composition and lighting. In the Soviet Union of the 1920s and early 1930s, owing to the fetishization of the camera as an embodiment of modern technology, the cameraman was an iconic figure whose creative contribution was encouraged and respected. Drawing upon the film literature of the period, Philip Cavendish describes the culture of the camera operator, charts developments in the art of camera operation, and studies the mechanics of key director-cameraman partnerships. He offers detailed analysis of Soviet avant-garde films and draws comparisons between the visual aesthetics of these works and the modernist experiments taking place in the other spheres of the visual arts. -- publisher's web site
Contents: List of Illustrations -- Acknowledgements -- Note on Transliteration and Conventions -- Abbreviations -- Introduction -- Chapter 1. The Theory and Practice of Camera Operation within the Soviet Avant-garde of the 1920s -- Chapter 2. Eduard Tisse and Sergei Eisenstein -- Chapter 3. Anatolii Golovnia and Vsevolod Pudovkin -- Chapter 4. Andrei Moskvin and the Factory of the Eccentric Actor (FEKS) -- Chapter 5. Danylo Demuts'kyi and Oleksandr Dovzhenko -- Conclusion -- Illustrations -- Filmography -- Bibliography -- Index of names and subjects.

Call No: 67(04) FAR
Author: Farber, Manny
Place: New York
Publisher: Hillstone
PhysDes: viii, 288 p., [18] of plates : ill. ; 21 cm.
Subject: ACTORS; EXPERIMENTAL FILMS; FESTIVALS. NEW YORK; UNDERGROUND FILMS; AGEE, JAMES; ALDRICH, ROBERT; ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BOGARDE, DIRK; BOGART, HUMPHREY; BRESSON, ROBERT; BUNUEL, LUIS; BURTON, RICHARD; DENEUVE, CATHERINE; FONDA, HENRY; FORD, JOHN; FULLER, SAMUEL; GODARD, JEAN-LUC; HAWKS, HOWARD; HITCHCOCK, ALFRED; HUSTON, JOHN; KAZAN, ELIA; MANN, ANTHONY; MOREAU, JEANNE; SIEGEL, DON; SNOW, MICHAEL; STEVENS, GEORGE; STURGES, PRESTON; TAYLOR, ELIZABETH; ASPHALT JUNGLE, THE (US, John Huston, 1950); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); BIG CLOCK, THE (US, John Farrow, 1947); BIG SLEEP, THE (US, Howard Hawkes, 1946); BODY SNATCHER, THE (US, Robert Wise, 1945); CURSE OF THE CAT PEOPLE, THE (US, Gunther von Fritsch & Robert Wise, 1944); DETECTIVE STORY (US, William Wyler, 1951); FLAMING STAR (US, Don Siegel, 1960); HIGH SIERRA (US, Raoul Walsh, 1941); HIS KIND OF WOMAN (US, John Farrow, 1951); HIS GIRL FRIDAY (US, Howard Hawks, 1940); KILLERS, THE (US, Robert Siodmak, 1946); ODD MAN OUT (UK, Carol Reed, 1947); LADY FROM SHANGHAI, THE (US, Orson Welles, 1948); PICKUP ON SOUTH STREET (US, Samuel Fuller, 1953); PROWLER, THE (US, Joseph Losey, 1950); RED RIVER (US, Howard Hawks, 1948); ROARING TWENTIES, THE (US, Raoul Walsh, 1939); SCAR OF SHAME, THE (US, Frank Peregini, 1927); SET-UP (US, Kathryn Bigelow, 1978); SKAMMEN (SW, Ingmar Bergman, 1968); SULLIVAN'S TRAVELS (US, Preston Sturges, 1942); SUNSET BOULEVARD (US, Billy Wilder, 1950); THIRD MAN, THE (UK, Carol Reed, 1949)
Notes: Includes index.; Orginally published as: Negative space

Call No: 771 MUS
Author: Rogers, Holly; Barham, Jeremy
Edition: 2017
Place: New York
Publisher: Oxford Univesity Press
PhysDes: xvi, 320 pages : illustrations ; 24 cm
Subject: EXPERIMENTAL FILMS; COLOUR BOX, A (UK, Len Lye, 1935); AVANT-GARDE FILMS; LYE, LEN; MCLAREN, NORMAN; BRAKHAGE, STAN; AKERMAN, CHANTAL; SMITH, JOHN; COMPILATION FILMS; CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928)
Summary: This book explores music/sound-image relationships in non-mainstream screen repertoire from the earliest examples of experimental audiovisuality to the most recent forms of expanded and digital technology. It challenges presumptions of visual primacy in experimental cinema and rethinks screen music discourse in light of the aesthetics of non-commercial imperatives. Several themes run through the book, connecting with and significantly enlarging upon current critical discourse surrounding realism and audibility in the fiction film, the role of music in mainstream cinema, and the audiovisual strategies of experimental film. The contributors investigate repertoires and artists from Europe and the USA through the critical lenses of synchronicity and animated sound, interrelations of experimentation in image and sound, audiovisual synchresis and dissonance, experimental soundscape traditions, found-footage film, re-mediation of pre-existent music and sound, popular and queer sound cultures, and a diversity of radical technological, aesthetic, tropes in film media traversing the work of early pioneers such as Walther Ruttmann and Len Lye, through the mid-century innovations of Norman McLaren, Stan Brakhage, Lis Rhodes, Kenneth Anger, Andy Warhol, and studio collectives in Poland, to latter-day experimentalists John Smith and Bill Morrison, as well as the contemporary practices of Vjing. -- publisher's web site
ISBN: 9780190469900
Contents: Preface - Jeremy Barham -- Introduction - Holly Rogers -- Chapter 1: Absolute Sounding Images: Abstract Film and Radio Drama of the 1920s as Complementary Forms of a Media Specific Art - Dieter Daniels -- Chapter 2: A Primitivism of the Senses: The Role of Music in Len Lye's Experimental Animation, -- Malcolm Cook -- Chapter 3: An Educational Avant-Garde: Sound and Music in Julien Bryan's OIAA Films on Latin America, 1942-1949 - James Tobias -- Chapter 4: bup bup bup: Aural Innovation in the Films of Norman McLaren - Terence Dobson -- Chapter 5: Sights and Sounds of the Moving Mind: The Visionary Soundtracks of Stan Brakhage - Eric Smigel -- Chapter 6: Discontinuities and Resynchronisations: The Use of Sound in Polish Experimental Cinema from the 1930s to the 1980s - Daniel Muzyczuk -- Chapter 7: Grid Intensities: Hearing Structures in Chantal Akerman's Films of the 1970s - Paul Hegarty -- Chapter 8: Meaning and Musicality: Sound-Image Relations in the Films of John Smith - Andy Birtwistle -- Chapter 9: Audiovisual Dissonance in Found-Footage Film - Holly Rogers -- Chapter 10: Rebalancing the Picture/Sound Relationship: The Audiovisual Compositions of Lis Rhodes - Aimee Mollaghan -- Chapter 11: Sounding Decay in the Digital Age: Audio-Visions of Decasia (2002) and Lyrical Nitrate (1991) - Nessa Johnston -- Chapter 12: The Sound of Queer Experimental Film - Juan A. Suárez -- Chapter 13: Avant-Gardists and the Lure of Pop Music - Carol Vernallis -- Chapter 14: The Music of Gustav Mahler in Experimental Film Contexts: Questions of Visual Music and Intermedial Theory - Jeremy Barham -- index

Call No: 771(94) THO
Author: Thoms, Albie
Source: AT
Place: The Rocks, N.S.W.
Publisher: Media21 Publishing Pty Ltd
PubDate: 2012
PhysDes: 480 pages : some colour illustrations, portraits ; 25 cm
Subject: AUSTRALIA. 1960s; AUSTRALIA. 1970's; EXPERIMENTAL FILMS. AUSTRALIA; UBU FILM GROUP; UNDERGROUND FILMS. AUSTRALIA
Summary: This is the quintessential reference to the decade in which Australia shed the cultural cringe. The Sydney Push. The Iconic Yellow House. UBU Films. Oz Magazine. All were the launching pad for a new generation to challenge the conservative, stultified monoculture. Set in the context of the sexual revolution, Women's and Gay Liberation, Aboriginal Rights to Struggles, the anti-Vietnam war movement, hippies, drugs, psychedelic parties and Happenings, this book is Albie Thoms' definitive account of a major turning point in the cultural life of Australia. An amazing technicolour journey through 60s Sydney, My Generation is late filmmaker Albie Thoms' definitive account of a major turning point in the cultural life of Australia. The Sydney Push. The Iconic Yellow House. UBU Films. Oz Magazine. All were the launching pad for a new generation to challenge the conservative, stultified monoculture.
ISBN: 9780987449801

Call No: P EXH
PhysDes: 1 poster : col. ; 102 X 38 cm.
Subject: EXHIBITION. AUSTRALIA; JAPAN; SHORT FILMS. JAPAN; EXPERIMENTAL FILMS. JAPAN; AUSTRALIAN FILM INSTITUTE; CINEMAS. AUSTRALIA. AFI; CINEMAS. AUSTRALIA. CHAUVEL
Summary: Image: a still from a film of a woman with a bow and arow. Text: 'Shorts/ Experimental'
Notes: Quite a bit of wear and tear, tape on the back

Call No: SUBJECT CLIPPINGS FILE; VIRTUAL REALITY. AUSTRALIA
Author: Cuthbertson, Debbie
PhysDes: Clippings File Article
Subject: AUSTRALIAN CENTRE FOR THE MOVING IMAGE [ACMI]; VIRTUAL REALITY. AUSTRALIA; FUNDING. AUSTRALIA; EXPERIMENTAL FILMS. AUSTRALIA
Summary: Report on a new fund from the Australian Centre for the Moving Image (ACMI) and philanthropists Simon and Catriona Mordant for new virtual reality works. Comments from CEO of ACMI Katrina Sedgwick and Simon Mordant about the why the new fund was created

PhysDes: Article
Subject: GOVERNMENT AID. AUSTRALIA; EXPERIMENTAL FILM AND TELEVISION FUND; EXPERIMENTAL FILMS. AUSTRALIA
Summary: News. Includes list of 1971 grants made available, state-by-state, through the Experimental Film Fund. Announcement of the Unified Film Foundation ceasing all future grants.

Author: Ball, Steven
PhysDes: Article; Bio-filmography; Credits
Subject: MEN IN FILMS; EXPERIMENTAL FILMS. UK; REEVES, DANIEL; LE GRICE, MALCOLM; DWOSKIN, STEPHEN; OBSESSIVE BECOMING (UK, Daniel Reeves, 1995); CHRONOS FRAGMENTED (UK, Malcolm Le Grice, 1995); TRYING TO KISS THE MOON (UK, Stephen Dwoskin, 1994)
Summary: Ball's essay explores the personal avant-garde video works of Daniel Reeves, Malcolm Le Grice and Stephen Dwoskin. Includes Reeves and Le Grice filmography.

Call No: 205 (94) AUS
Source: AT
PubDate: 1973
PhysDes: 290 pages ; 30 cm
Subject: TELEVISION. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; PRODUCTION, TV. AUSTRALIA; PRODUCTION. AUSTRALIA; EXPERIMENTAL FILM AND TELEVISION FUND; EXPERIMENTAL FILMS. AUSTRALIA; INDEPENDENT FILMMAKERS. AUSTRALIA; AUSTRALIAN FILM INSTITUTE; WOMEN AND TV. AUSTRALIA; WOMEN TV WORKERS. AUSTRALIA; AUSTRALIAN BROADCASTING COMMISSION; CHILDREN, EFFECTS OF TV ON. AUSTRALIA; CHILDREN, PROGRAMMES FOR. AUSTRALIA; OFFICE PICNIC, THE (AT, Tom Cowan, 1973)
Summary: Reports and discussions made by the Media Women's Action Group, Australian Children's Television Action Committee, Australian Film Institute, and Reg Grundy Enterprises with members of the Australian Senate. These reports and discussions include descriptions of Australian TV (particularly daytime TV) in relation to the women who watch it, the effect of programs on children, the role the Australian Film Institute has in relation to the Experimental Film and Television Fund, it's effectiveness and relationship to the Australian Broadcasting Commission, and the ability of Australian's to sell their TV shows overseras
Notes: condition of distribution: this is an uncorrected proof of evidence taken before the Standing Committee. It is made available under the conditiion that it is recognised that this copy is an uncorrected proof.
Contents: Witnesses: Suzanne Baker and Eva Maria Cox / Media Women's Action Group -- Merle James and Ewart Wade / Australian Children's Television Action Committee -- Richard Brennan / Australian Film Institute -- Edwin Morrisby / Reg Grundy Enterprises

Author: Wade, Ewart
PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; AUSTRALIAN FILM INSTITUTE; EXPERIMENTAL FILM AND TELEVISION FUND; EXPERIMENTAL FILMS. AUSTRALIA; RADO, ERWIN
Summary: Interview with director of the Australian Film Institute, Erwin Rado, on the AFI becoming the new administer for the Expermintal Film Fund and the newly established distribution and exhibition elements of the AFI.

Call No: 771 CON
Author: Connolly, Maeve
Edition: 1st ed
Source: UK
Place: Bristol, UK
Publisher: Intellect Books
PubDate: 2009
PhysDes: 276 p. : ill. (chiefly col.) ; 23 cm
Subject: EXPERIMENTAL FILMS; ART AND THE CINEMA; VIDEO ART
Summary: The Place of Artists' Cinema examines the social, political, cultural, and economic factors shaping the production, exhibition and circulation of artists' cinema in various contexts, from museums, biennial exhibitions and site-specific public art projects to commercial galleries, and art fairs.The book incorporates in-depth readings of recent works by twenty-four artists, including Doug Aitken, Carlos Amorales, Gerard Byrne, Tacita Dean, Jeremy Deller, Thomas Demand, Stan Douglas, Pierre Huyghe, Jaki Irvine, Isaac Julien, Aernout Mik, Shirin Neshat, Tobias Putrih, Anne Tallentire and Francesco Vezzoli, among others.
ISBN: 978-1-84150-246-5
Language: English
Contents: Acknowledgements -- Introduction: The Place of Artists' Cinema -- Chapter 1 Between Space, Site and Screen -- Chapter 2 The Place of the Market -- Chapter 3 Multi-screen Projections and Museum Spaces -- Chapter 4 Event-sites and Documentary Dislocations -- Chapter 5 Cine-material Screens and Structures -- Conclusion: Materials, Places, and Social Relations -- Notes -- References -- Index

Call No: 771 THO
Author: Thoms, Albie, 1941
Place: Glebe, N.S.W.
Publisher: Wild & Woolley
PubDate: 1978
PhysDes: 427p. ; 21cm
Subject: EXPERIMENTAL FILMS; AUSTRALIA. 1970's; SURFING FILMS; SYDNEY FILMMAKERS CO-OPERATIVE; CANTRILL, ARTHUR & CORINNE; KUCHAR, MIKE; THOMS, ALBIE; MEKAS, JONAS; HALL, KEN G.; NED KELLY (UK, Tony Richardson, 1970); WOODSTOCK (US, Michael Wadleigh, 1970); VIOLENCE IN THE CINEMA (AT, George Miller, 1972); ROLLING HOME (AT, David Lourie & Paul Witzig, 1975)
Notes: Index; Includes bibliographical references
ISBN: 0909331588 : $11.66 Aust; 0909331596 (Paperback) : $6.95 Aust
LON: 1473377

Call No: 771 THO
Author: Thoms, Albie
Place: Sydney
Publisher: Wild and Woolley
PubDate: 1978
PhysDes: 427 p. ; 21 cm
Subject: EXPERIMENTAL FILMS; AUSTRALIA. 1970's; SURFING FILMS; SYDNEY FILMMAKERS CO-OPERATIVE; CANTRILL, ARTHUR & CORINNE; KUCHAR, MIKE; THOMS, ALBIE; MEKAS, JONAS; HALL, KEN G.; NED KELLY (UK, Tony Richardson, 1970); WOODSTOCK (US, Michael Wadleigh, 1970); VIOLENCE IN THE CINEMA (AT, George Miller, 1972); ROLLING HOME (AT, David Lourie & Paul Witzig, 1975)
Notes: Partial collection of previously published articles. Includes bibliographical references and index.
ISBN: 0909331596

Call No: 771 PUR
Author: Hjort, Mette; Mackenzie, Scott
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2003
PhysDes: xii, 237 p. : ill. ; 24 cm
Subject: AVANT-GARDE FILMS; EXPERIMENTAL FILMS; INDEPENDENT FILMMAKERS; MOTION PICTURES - HISTORY
Notes: Includes bibliographical references, filmography and index
ISBN: 0851709524
Donation: Donated by Senses Of Cinema, 2009
Contents: Part one -- Dogma 95: a small nation's response to globalisation: Mette Hjort -- Manifest Destinies: Dogma 95 and the Future of the film manifesto: Scott MacKenzie -- Kill your darlings: Lars von Trier and the origin of Dogma 95: Peter Schepelern -- Dogma 95 and the new Danish cinema: Ib Bondebjerg -- Part two -- Naked film: Dogma and its limits: Berys Gaut -- Artisitc self-reflexivity in the king is alive and strass: Paisley Livingston -- Lars von Trier: Sentimental Surrealist: Murray Smith -- Dogma in Paris: Jean-Marc Barr's Lovers: Ginette Vincendeau Part three -- The globalisation of dogma: the dynamics of metaculture and counter-publicity: Mette Hjort -- Decoding D-day: multi-channel television at the millenium: Martin Roberts -- Dogma dance: Sally Banes and Noel Carroll --Documentary gets the dogma treatment: Claus Christensen -- Dogma and marketing: the state of film marketing in Europe and the achievements of the first dogma films: Mads Egmont Christensen Part four -- Appendix 1: Dogma 95 manifesto and its progeny: compiled by Mette Hjort and Scott Mackenzie -- Appendix 2: Dogma filmography: Complied by Emma Bell -- Appendix 3: Dogma related films: Compiled by Mette Hjort and Scott Mackenzie

Author: Berry, Chris
PhysDes: Book review; Bibliography
Subject: AVANT-GARDE FILMS; EXPERIMENTAL FILMS; HOMOSEXUALITY IN FILMS
Summary: A book review of Juan A. Suarez's 'Bike boys, drag queens and superstars: avant-garde, mass culture, and gay identities in the 1960's underground cinema'.

Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. MELBOURNE. 2015
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: FESTIVALS. MELBOURNE; EXPERIMENTAL FILMS; EXPANDED CINEMA; GOLDING, SALLY; BREACHING TRANSMISSIONS (UK, Sally Golding, 2015)
Summary: Interview with artist Sally Golding where she discusses her project BREACHING TRANSMISSIONS, and how it will debut at the 2015 Melbourne International Film Festival

Call No: 175 REM
CorpAuthor: Australian Centre for the Moving Image
Place: Melbourne, Australia
Publisher: Australian Centre for the Moving Image
PubDate: 2003
PhysDes: 22 cm; 151 pp
Subject: AUSTRALIAN CENTRE FOR THE MOVING IMAGE (ACMI); BENNING, SADIE; MARKER, CHRIS; SOKUROV, ALEKSANDR; SEN, IVAN; VIDEO ART; EXPERIMENTAL FILMS
Summary: Memory works in a myriad ways: it can trick, it can go missing, it can confuse, and it can lay claim to undiscovered truths. The moving image has taken a wondrous path through memory over the last century. With the increasing creative potential of digital technologies, filmmakers and artists can express a multitude of parallel memories at once. This collection of works is not so much about what we remember, but how we remember through the moving image. Remembrance and the Moving Image is the first in a series of publications dedicated to the Exhibition Collection of the ACMI. [Taken from Preface.]
Notes: Exhibition catalogue
ISBN: 192080501X

Call No: 71(73) JAC
Author: Jacobs, Lewis
Edition: 1968
Place: New York
Publisher: Teachers College Press
PubDate: c1939
PhysDes: xxxii, 632 p. : ill. ; 23 cm
Series: Studies in culture and communication
Subject: MELIES, GEORGES; PORTER, EDWIN S.; GRIFFITH, DAVID WARK; CHAPLIN, CHARLES; DISNEY, WALT; EXPERIMENTAL FILMS. USA; USA
Notes: Includes index; Bibliography: p. 583-606; With an essay "experimental cinema in America 1921-1947"
LON: 3904022 3904022

Call No: 81BEA ROB
Author: Rutkoff, Rebekah
CorpAuthor: O¨sterreichisches Filmmuseum --SYNEMA-Gesellschaft fu¨r Film und Medien
Source: AU
Place: Vienna, Austria
Publisher: FilmmuseumSynemaPublikationen
PhysDes: 219 pages : illustrations (some color) ; 20 cm
Subject: CRITICISM; EXPERIMENTAL FILMS; AVANT-GARDE FILMS; Beavers, Robert; WORK DONE (US, Robert Beavers, 2000)
Summary: "In a career spanning five decades, Robert Beavers has distinguished himself as one of the most important American avant-garde filmmakers. From My Hand Outstretched to the Winged Distance and Sightless Measure, his cycle of 18 films made across Europe since 1967, to Pitcher of Colored Light (2007) and The Suppliant (2010), intimate portraits shot in the U.S., Beavers has produced a deeply original film language framed by his use of colored filters and mattes. His investigations of the handwork of anonymous artisans complement his dialogues with Ruskin, Leonardo, and Borromini in Ruskin (1975/1997), From the Notebook of... (1971/1998), and The Hedge Theater (1986/2002). This volume contains critical investigations of Beavers' most important films and a collection of the filmmaker's own writings. Occupying a unique space between poetry and philosophy, his aphoristic meditations vivify his own work and generously illuminate the art of film." -- BOOK BLURB
Notes: Includes bibliography and filmography
ISBN: 9783901644696
Language: English
Donation: Senses of Cinema
Contents: Preface / Rebekah Rutkoff -- 10th of July, 1967 / Gregory J. Markopoulos -- A note on The Count of Days, a film by Robert Beavers / Tom S. Chomont -- Introduction to the work of Robert Beavers / Jonas Mekas -- Robert Beavers or absolute film / Rene Micha -- He made this screen: toward Robert Beavers's poetry / Rebekah Rutkoff -- In the shadow of a sound: sonic montage in the works of Robert Beavers / Luke Fowler -- A single image: two versions of Work Done (1972, 1999) / Ricardo Matos Cabo -- Masked rhythm in Ruskin / P. Adams Sitney -- Tectonics and space: architectural thought in the films of Robert Beavers / James Macgillivray -- Drowning in light: Sotiros / Kristin M. Jones -- Notes on Robert Beavers / Erik Ulman -- A master motif: aesthetic benefice in four films by Robert Beavers / Don Daniels -- The sightless measure - love, loss and eternity / Susan Oxtoby -- Conversation about The Stoas / Ute Aurand and Robert Beavers -- Of place and portraiture / Haden Guest -- Robert Beavers -- A few points -- Acnode -- Selected notes films in From the Notebook of... -- From the notebook of -- Sotiros: a sequence of notes -- The searching measure

Call No: 771 BIE
Author: Biemann, Ursula
CorpAuthor: Institute for Theory of Art and Design
Source: SZ
Place: Zurich [Switzerland]
Publisher: [Voldemeer Zurich?]
PubDate: 2003
PhysDes: 166 p. ; ill. ; 24 cm
Series: Theorie: Gestaltung
Subject: VIDEO ART; DIGITAL TECHNOLOGY; LITERATURE AND THE CINEMA; EXPERIMENTAL FILMS; AESTHETICS
Summary: 'Stuff it is a profusely illustrated collection of texts by video artists and cultural theorists who illuminate the video essay in its role as crossover and communicator between art, theory and critical practice in all its variations: from monologues of disembodyment to cartographies of diaspora experiences and transnational conditions, from the essay as the organisation of complex social shifts to its technological mutation and increasing digitisation. ' (back cover)
Notes: Includes selected bibliography & videography
ISBN: 9 783211 203187

Call No: 62 KRA
Author: Kracauer, Siegfried
Place: New York
Publisher: Oxford University Press
PubDate: 1965
PhysDes: xix, 364 p. ill., 20 cm.
Subject: ACTORS; ADAPTATIONS; EXPERIMENTAL FILMS; THEORY; AGEE, JAMES; ALEXANDROV, GROGORIJ; ANGER, KENNETH; ANSTEY, EDGAR; ARNHEIM, RUDOLF; ASTAIRE, FRED; BALAZS, BELA; BENJAMIN, WALTER; BERGMAN, INGMAR; BOGART, HUMPHREY; BRAKHAGE, STAN; BRANDO, MARLON; BUNUEL, LUIS; CAGNEY, JAMES; CAPRA, FRANK; CASTELLANI, RENATO; CAVALCANTI, ALBERTO; CHANEY, LON; CHAPLIN, CHARLES; CLAIR, RENE; CLEMENT, RENE; CLOUZOT, HENRI-GEORGES; COCTEAU, JEAN; DALI, SALVADOR; DE FILIPPO, EDUARDO; DEMILLE, CECIL B.; DE SICA, VITTORIO; DISNEY, WALT; DOVZENKO, ALEKSANDR; DREYER, CARL TH.; DUCHAMP, MARCEL; DUVIVIER, JULIEN; ELTON, ARTHUR; ENGEL, MORRIS; EPSTEIN, JEAN; FELLINI, FEDERICO; FEUILLADE, LOUIS; FEYDER, JACQUES; FISCHINGER, OSKAR; FLAHERTY, ROBERT; FORD, JOHN; FRANJU, GEORGES; FREUD, SIGMUND; GANCE, ABEL; GARNETT, GALE; GIDE, ANDRE; GREENE, GRAHAM; GRIERSON, JOHN; GRIFFITH, DAVID WARK; GRIFFITHS, RICHARD; GUITRY, SACHA; HARRINGTON, CURTIS; HILL, DAVID; HITCHCOCK, ALFRED; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); VITELLONI, I (IT, Federico Fellini, 1953); VAMPYR : DER TRAUM DES ALLEN GRAY (G/FR, Carl Th. Dreyer, 1932); VARIETE (G, E.A. Dupont, 1925); VALLEY TOWN - A STUDY OF MACHINES AND MEN (US, Willard Van Dyke, 1940); UMBERTO D. (IT, Vittorio De Sica, 1952); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); THIRD MAN, THE (UK, Carol Reed, 1949); OKTIABR (UR, Sergei M. Eisenstein, 1928); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946); SWING TIME (US, George Stevens, 1936); STRADA, LA (IT, Federico Fellini, 1954); ROMAN D'UN TRICHEUR, LE (FR, Sacha Guitry, 1936); MATTER OF LIFE AND DEATH, A (UK, Michael Powell & Emeric Pressburger, 1946); SPIONE (G, Fritz Lang, 1928); SPELLBOUND (US, Alfred Hitchcock, 1945); SOUS LES TOITS DE PARIS (FR, Rene Clair, 1930); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SMILING LIEUTENANT, THE (US, Ernst Lubitsch, 1931); SHANE (US, George Stevens, 1953); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); GEHEIMNISSE EINER SEELE (G, Georg Wilhelm Pabst, 1926); SCARFACE (US, Howard Hawks, 1932); SANG DES BETES, LE (FR, Georges Franju,1949); SAN FRANCISCO (US, W.S. Van Dyke, 1936); ROUE, LA (FR, Abel Gance, 1922); ROMEO I DZULETTA (UR, Lev Arnstam & Leonid Lavrovskij, 1954); RICHARD III (UK, Laurence Olivier, 1955); REGLE DU JEU, LA (FR, Jean Renoir, 1939); RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948); RASHOMON (JA, Akira Kurosawa, 1950); REGEN (NE, Joris Ivens, 1929); PYGMALION (UK, Anthony Asquith & Leslie Howard, 1938); PLACE IN THE SUN, A (US, George Stevens, 1951); PATHER PANCHALI (II, Satyajit Ray, 1955); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); PARIS 1900 (FR, Nicole Vedres, 1948); PARADINE CASE, THE (US, Alfred Hitchcock, 1947); OTELLO (UR, Sergej Jutkevic, 1956); ON THE WATERFRONT (US, Elia Kazan, 1954); OLVIDADOS, LOS (MX, Luis Bunuel, 1951); OF MEN AND MUSIC (US, Irving Reis, 1950); NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); NIGHT MAIL (UK, Basil Wright & Harry Watt, 1936); NIGHT AT THE OPERA, A (US, Sam Wood, 1935); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); MOULIN ROUGE (UK, E.A. Dupont, 1928); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); MODERN TIMES (US, Charles Chaplin, 1936); MOBY DICK (UK, John Huston, 1956); MOANA (US, Robert Flaherty, 1926); MILLION, LE (FR, Rene Clair, 1931); METROPOLIS (GG, Fritz Lang, 1927); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); MENSCHEN AM SONNTAG (G, Robert Siodmak & Edgar G. Ulmer, 1929); MARTY (US, Delbert Mann, 1954); MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936); MAJOR BARBARA (UK, Gabriel Pascal, 1941); MADAME BOVARY (FR, Claude Chabrol, 1991); MACBETH (US, Orson Welles, 1948); M (G, Fritz Lang, 1931); LOVE PARADE, THE (US, Ernst Lubitsch, 1929); LIMELIGHT (US, Charles Chaplin, 1952); LIFEBOAT (US, Alfred Hitchcock, 1944); OSTATNI ETAP (PL, Wanda Jakubowska, 1948); LADY IN THE LAKE (US, Robert Montgomery, 1946); KID, THE (US, Charles Chaplin, 1921); JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953); JAZZ SINGER, THE (US, Alan Crosland, 1927); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); INVISIBLE MAN, THE (US, James Whale, 1933); INTOLERANCE (US, David Wark Griffith, 1916); HUMAN DESIRE (US, Fritz Lang, 1954); HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935); HOTEL DES INVALIDES (FR, Georges Franju, 1952); HIGH NOON (US, Fred Zinnemann, 1952); HENRY V (UK, Laurence Olivier, 1944); HEIRESS, THE (US, William Wyler, 1949); HATFUL OF RAIN, A (US, Fred Zinnemann, 1957); HAMLET (UK, Laurence Olivier, 1948); HALLELUJAH! (US, King Vidor, 1929); GREED (US, Erich von Stroheim, 1925); GREAT EXPECTATIONS (UK, David Lean, 1946); GRAPES OF WRATH, THE (US, John Ford, 1940); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); GOLD RUSH, THE (US, Charles Chaplin, 1925); ORO DI NAPOLI, L' (IT, Vittorio De Sica, 1954); GOLD OF NAPLES (IT, Vittorio De Sica, 1954); GLASS MENAGERIE, THE (US, Irving Rapper, 1950); VORMITTAGSSPUK (G, Hans Richter, 1928); GHOST GOES WEST, THE (UK, Rene Clair, 1935); GHOST AND MRS. MUIR, THE (US, Joseph L. Mankiewicz, 1947); GERVAISE (FR, Rene Clement, 1956); JIGOKUMON (JA, Teinosuke kinugasa, 1953); FURY (US, Fritz Lang, 1936); FOUR HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962); FARREBIQUE (FR, Georges Rouquier, 1945); FANTASIA (US, Walt Disney, 1940); ZEMLJA (UR, Alexksandr Dovzenko, 1930); JOURNAL D'UN CURE DE CAMPAGNE (FR, Robert Bresson, 1951); DESTRY RIDES AGAIN (US, George Marshall, 1939); MUDE TOD, DER (G, Fritz Lang, 1921); DEATH OF A SALESMAN (US, Laslo Benedek, 1951); DEAD OF NIGHT (UK, Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer, 1945); CONDAMNE A MORT S`EST ECHAPPE, UN (FR, Robert Bresson, 1956); CITY LIGHTS (US, Charles Chaplin, 1931); CITIZEN KANE (US, Orson Welles, 1941); CINDERELLA (US, Wilfred Jackson & Hamilton Laske & Clyde Geronomi, 1950); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928); BROKEN BLOSSOMS (US, David Wark Griffith, 1919); BROADWAY MELODY OF 1938 (US, Norman Taurog, 1940); BRIEF ENCOUNTER (UK, David Lean, 1945); BOOMERANG (US, Elia Kazan, 1947); SANG D'UN POETE, LE (FR, Jean Cocteau, 1932); BLACKMAIL (UK, Alfred Hitchcock, 1929); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); BEZZERIDES, A.I.; BEN HUR (US, Fred Niblo, 1925); BAMBI (US, David Hand, 1942); BALLET MECANIQUE, LE (FR, Fernand Leger, 1924); BACK STREET (US, John M. Stahl, 1932); ATALANTE, L' (FR, Jean Vigo, 1934); A PROPOS DE NICE (FR, Jean Vigo, 1930); APARAJITO (II, Satyajit Ray, 1957); ANNA CHRISTIE (US, Clarence Brown, 1930); ANATOMY OF A MURDER (US, Otto Preminger, 1959); AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931); ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938); BROADWAY MELODY, THE (US, Harry Beaumont, 1929); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924)
Notes: Frist published 1960; Previously published as: Nature of films. England : Dobson ;1965; Includes bilbiograpy: p. 351-364; Includes index
URL status: URL: 'http://-' Checked: 31/08/2021 1:14:06 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 62 TYL
Author: Tyler, Parker
Place: New York
Publisher: Thomas Yoseloff
PubDate: 1960]
Subject: EXPERIMENTAL FILMS; DOCUMENTARY FILMS; ART AND THE CINEMA; INDUSTRY, FILM. USA; CHAPLIN, CHARLES; RASHOMON (JA, Akira Kurosawa, 1950); MIRACOLO A MILANO (IT, Vittorio de Sica, 1951)
LON: 60010847; 5581269
URL status: URL: 'http://-' Checked: 31/08/2021 12:39:37 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 61[77] DAN
Author: Danks, Adrian
PhysDes: 233 p. ; 29 cm.
Subject: AESTHETICS; PHOTOGRAPHY AND THE CINEMA; AUTEUR THEORY; AVANT-GARDE FILMS; AVANT-GARDE FILMS. AUSTRALIA; EXPERIMENTAL FILMS; EXPERIMENTAL FILMS. AUSTRALIA; Powell, Michael; PRESSBURGER, EMERIC; BELLE NOISEUSE, LA (FR, Jacques Rivette, 1991); BADLANDS (US, Terrence Malick, 1973); SONG OF AIR (AT, Merilee Bennett, 1987); CANTERBURY TALE, A (UK, Michael Powell & Emeric Pressburger, 1944); PEEPING TOM (UK, Michael Powell, 1960); JFK (US, Oliver Stone, 1991); CALENDAR (CN/GG/AR, Atom Egoyan, 1993); WINDOW WATER BABY MOVING (US, Stan Brakhage, 1959)
Summary: This thesis analyses the representation of 'home' photographic materials within a range of historically, aesthetically and generically diverse cinematic works. [Taken from thesis summary.]
Notes: PhD thesis

Call No: 771.3(94) MUD
Author: Mudie, Peter
Place: Sydney
Publisher: UNSW Press
PubDate: 1997
PhysDes: 287 p. : ill. some col. ; 28 cm
Subject: EXPERIMENTAL FILMS. AUSTRALIA; UNDERGROUND FILMS. AUSTRALIA; POLITICS AND THE CINEMA. AUSTRALIA; THOMS, ALBIE; PERRY, CLARK; READ, AGGY; CLARK, JOHN
Notes: Includes index; Bibliography and filmography: p. 274-279
ISBN: 0868405124 : $44.95
LON: abn97156178; 13202483

Author: Lindley, Howard
PhysDes: Article
Subject: UNDERGROUND FILMS. AUSTRALIA; EXPERIMENTAL FILMS. AUSTRALIA; BEGINNINGS (AT, Rod Bishop, Gorden Glen, Scott Murray & Andrew Pezue, 1970); SYDNEY FILMMAKERS CO-OPERATIVE; MELBOURNE FILMMAKERS CO-OPERATIVE
Summary: A monthly Lumiere suppliment that looks at experimental, undergournd, and radical local film makers and films emerging from Melbourne and Sydney.

Author: Lindley, Howard
PhysDes: Article
Subject: EXPERIMENTAL FILMS. AUSTRALIA; UNDERGROUND FILMS. AUSTRALIA; MELBOURNE FILMMAKERS CO-OPERATIVE; SYDNEY FILMMAKERS CO-OPERATIVE
Summary: News on Australia's experimental and underground film scenes.

Author: Howard, Lindley (ed.)
PhysDes: Article
Subject: COWAN, TOM; EXPERIMENTAL FILMS. AUSTRALIA; UNDERGROUND FILMS. AUSTRALIA
Summary: Collection of news featuring underground and experimental news. Includes an interview with Tom Cowan and Alan Doble.

Call No: 67(04) MUL
Author: Mulvey, Laura
Place: Bloomington
Publisher: Indiana University Press
PubDate: 1989
PhysDes: xvi, 201 p., [12] p. of plates : ill. ; 24 cm
Series: Theories of representation and difference
Subject: FEMINISM AND THE CINEMA; THEORY; NARRATIVE IN FILMS; EXPERIMENTAL FILMS; MELODRAMA; PERCEPTION; WOMEN IN FILMS; GODARD, JEAN-LUC; SIRK, DOUGLAS; FASSBINDER, RAINER WERNER; DUEL IN THE SUN (US, King Vidor, 1946); RIDDLES OF THE SPHINX (UK, Laura Mulvey & Peter Wollen, 1977)
Notes: Includes bibliographies
ISBN: 0253362261; 0253204941 (pbk.)
LON: 88009627; 5820595
Contents: I. ICONOCLASM -- 1. The spectacle is vulnerable: Miss World 1970 -- 2. Fears, fantasies and the male unconsious or 'You don't know what is happening, do you Mr. Jones?' -- 3. Visual pleasure and narrative cinema -- II. MELODRAMA -- 4. Afterthoughts on 'Visual pleasure and narrative cinema' inspired by King Vidor's Duel in the sun (1946) -- 5. Notes on Sirk and melodrama -- 6. Fassbinder and Sirk -- 7. Images of women, images of sexuality: some films by J. L. Godard -- 8. Melodrama inside and outside the house -- III. ON THE MARGINS -- 9. Frida Kahlo and Tina Modotti -- IV. Avant-Garde -- 10. Film, feminism and the avant-garde -- 11. Dialogue with spectatorship: Barbara Kruger and Victor Burgin -- 12. 'Magnificent obsession': an introduction to the work of five photographers -- 13. Impending time: Mary Kelly's Corpus -- V. BOUNDARIES -- 14. Changes: thoughts on myth, narrative and historical experience -- 15. The Oedipus myth: beyond the Riddles of the Sphinx

Call No: 771-02 WOM
Author: Blaetz, Robin
Source: US
Place: Durham
Publisher: Duke University Press
PubDate: 2007
PhysDes: viii, 421 p. : ill., ports. ; 24 cm
Subject: WOMEN, FILMS MADE BY; WOMEN, FILMS FOR; EXPERIMENTAL FILMS; CRITICISM; BLAETZ, ROBIN; RAGONA, MELISSA; ARTHUR, PAUL; MENKEN, MARIE; WIELAND, JOYCE; HOLMLUND, CHRIS; NELSON, GUNVOR; CARROLL, NOEL; SERRA, M.M; RAMEY, KATHRYN; SCHNEEMANN, CAROLEE; OSTERWEIL, ARA; RUBIN, BARBARA; HALLER, ROBERT; GREENFIELD, AMY; KLEINHANS, CHUCK; HAMMER, BARBARA; PRAMAGGIORE, MARIA; STRAND, CHICK; KELLER, MARJORIE; DOANE, MARY ANN; THORNTON, LESLIE; TURIM, MAUREEN; CHILD, ABIGAIL; WEES, WILLIAM C; CUTLER, JANET; FRIEDRICH, SU; MCHUGH, KATHLEEN; MACDONALD, SCOTT
Notes: Formerly CIP; Includes bibliographical references and index
ISBN: 9780822340447
Contents: Swing and sway / Melissa Ragona -- Different/same/both/neither / Paul Arthur -- Excavating visual fields, layering auditory frames / Chris Holmlund -- Moving and moving / Noel Carroll -- Eye/body / M. M. Serra and Kathryn Ramey -- 'Absently enchanted' / Ara Osterweil -- Amy Greenfield / Robert A. Haller -- Barbara Hammer / Chuck Kleinhans -- Chick Strand's experimental ethnography / Maria Pramaggiore -- Amnesis time / Robin Blaetz -- In the ruins of the image / Mary Ann Doane -- Sounds, intervals, and startling images in the films of Abigail Child / Maureen Turim -- Peggy's playhouse / William C. Wees -- Su Friedrich / Janet Cutler -- The experimental 'dunyementary' / Kathleen McHugh -- Women's experimental cinema / Scott MacDonald.
URL status: URL: 'https://library.oapen.org/handle/20.500.12657/25768' Checked: 31/08/2021 1:18:26 PM Status: Live Details: HTTP status 200 - Usual success response

Call No: F(027)(94)MOD
CorpAuthor: Modern Image Makers Association Incorporated
Place: Melbourne
Publisher: Modern Image Makers Association
PubDate: [1986?]
PhysDes: 8 p. ; 30 cm.
Subject: MODERN IMAGE MAKERS ASSOCIATION; VIDEO ART; EXPERIMENTAL FILMS. AUSTRALIA
Contents: Film text, film, texture: a checklist of artists and sixteen millimetre film - Dirk De Bruyn -- Super 8: Definition and difference - Rolando Caputo -- In the video playground - Stephen Goddard -- Yearbook Vol. I: program notes -- Yearbook Vol. II: program notes -- Yearbook Vol. III: program notes -- Modern Image Makers Association.

Call No: 771(44) SHA
Author: Shafto, Sally
Place: New York NY
Publisher: Zanzibar USA
PubDate: 2000
PhysDes: 63 p; 21 cm
Subject: ZANZIBAR FILMS; GARREL, PHILIPPE; FRANCE; EXPERIMENTAL FILMS; RAYNAL, JACKIE; PRODUCTION. EUROPEAN COUNTRIES
Summary: The first English-language account of this little-known chapter in French cinema history. Between 1968 and 1970, Sylvina Boissonnas, a young French heiress and patroness of the arts, financed the production of some fifteen films that would prove highly influential while remaining largely unknown outside of France. Under the banner of “Zanzibar Films” (a name taken from the Maoist island nation in East Africa), a decidely informal collective of about a dozen artists, writers, and students began to make their first films. While the New Wave filmmakers had been in their late twenties and early thirties when they began filmmaking, the Zanzibar directors were younger (Philippe Garrel, one of the key figures, was just twenty) and were inspired by the heady spirit and times of May 1968. These filmmakers quickly became the darlings of Henri Langlois, who often showed their films at the Cinémathèque Française in late-night screenings. Despite their diversity, the Zanzibar films were marked by minimal scripts, the use of nonactors and improvisation, and strong ties to both the art world and the world of fashion. (Several of the Zanzibar participants spent time in Warhol’s Factory in the mid-1960s.) Their films represented the French equivalent of the American underground, and these young cinéastes quickly became the radical dandies of May 1968.
ISBN: 0970240201
Donation: Donated by author