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Call No: 771 ART
Author: Leighton, Tanya
Source: UK
Place: London
Publisher: Tate Publishing in association with Afterall
PubDate: 2008
PhysDes: 496 p. Ilustrations (some color) ; 25cm
Subject: ACCONCI, VITO; BARTHES, ROLAND; BELLOUR, RAYMOND; BENJAMIN, WALTER; BRAKHAGE, STAN; CONRAD, TONY; DANEY, SERGE; DEBORD, GUY; DELEUZE, GILLES; DUCHAMP, MARCEL; EXPANDED CINEMA; EXPERIMENTAL FILMS; EXPORT, VALIE; FAROCKI, HARUN; GODARD, JEAN-LUC; HUYGHE, PIERRE; KUBELKA, PETER; MCLUHAN, MARSHALL; MEKAS, JONAS; ONO, YOKO; PAIK, NAM JUNE; RESNAIS, ALAIN; SCHNEEMANN, CAROLEE; SNOW, MICHAEL; STRUCTURAL FILMS; STRUCTURALISM; VIDEO ART; VIOLA, BILL; WARHOL, ANDY; WOLLEN, PETER
Summary: "The mutual fascination between art and cinema has had a great influence on contemporary culture. For the past fifty years, the love/hate affair between the two has triggered vital aesthetic, social and political responses that constantly renew the way we understand our age. This book traces the story from early spatial experiments with film and video technologies to the current widespread use of projected images in museums and galleries. Why has there been a turn to the cinematic in contemporary art? What happens to the moving image when it shifts from the black box to the white cube, when cinema is exhibited? How does this challenge the traditional mediums of film, painting and sculpture? 'Art and the Moving Image' gathers together key texts including new, translated and previously unavailable essays by eminent writers and theorists including Giorgio Agamben, Beatriz Colomina, Serge Daney, Rosalind Krauss, Maurizio Lazzaratto and Peter Wollen. It offers an essential introduction to the complex field of art and the projected image for both students and general readers." -- Publisher's website.
Notes: Includes bibliographical references and index.
ISBN: 9781854376251
Donation: Adrian Miles
Contents: Preface / Charles Esche -- Introduction / Tanya Leighton -- Colour plates -- Part I. Histories and revisions -- Fluxfilms in three false starts / Bruce Jenkins -- 'Culture: Intercom' and expanded cinema: a proposal and manifesto / Stan VanDerBeek -- Enclosed by images: the Eameses' multimedia architecture / Beatriz Colomina -- 'My mind split open': Andy Warhol's exploding plastic inevitable / Branden W. Joseph -- The Museum of attractions: marcel Broodthaers and the 'Section Cine´ma' / Eric de Bruyn -- Paul Sharits and the active spectator / Federico Windhausen -- Bare lives / Pamela M. Lee -- Leisure 73 / Sabeth Buchmann -- The two avant-gardes / Peter Wollen -- Modes of film practice in the avant-garde / Jonathan Walley -- Part II. The agonistic relationship between video and television -- Hardware: the videosphere / Gene Youngblood -- Video: the aesthetics of narcissism / Rosalind Krauss -- Tale of the tape: 'Radical Software' / David Joselit -- Dependent participation: Bruce Nauman's environments / Janet Kraynak -- After the cull / Elizabeth Bennett Hupp -- Live on tape: video, liveness and the immediate / William Kaizen -- The art of the possible: notes about some installations by Harun Farocki / Christa Blu¨mlinger -- Video, flows and real time / Maurizo Lazzarato -- Five years later / Bill Horrigan -- Part III. From cinema to post-cinema -- Deleuze's time, or how the cinematic changes our idea of art / John Rajchman -- Difference and repetition: on Guy Debord's films / Giorgio Agamben -- From movies to moving / Serge Daney -- The time of re-departure: after cinema, the cinema of the subject / Jean-Chrisotphe Royoux -- Dissolution of the frame: immersion and participation in video installations / Ursula Frohne -- Video projection: the space between screens / Liz Kotz -- Siting cinema / Andrew V. Uroskie -- Moving images moving images / John Kelsey -- Of an other cinema / Raymond Bellour -- The gap between film and installation art / Alexander Alberro -- White cube, black box and grey areas: venues and values / Gregor Stemmrich -- Art and cinema: some critical reflections / Mark Nash -- 'You Never Know the Whole Story': Ute Friederike Ju¨rss and the aesthetics of the heterochronic image / Thomas Y. Levin.

Call No: 771 BLO
Author: Blom, Ina
Source: G
Place: Berlin
Publisher: Sternberg Press
PubDate: 2016
PhysDes: 242 pages : illustrations (some color) ; 23 cm
Subject: VIDEO ART
Summary: "In this innovative text, Ina Blom traces the autobiography of video as enacted in the field of early analog video art. She documents, among other things, the becoming of video through the framework of painting, its identification with biological life, its exploration of the outer limits of technical and mental time control, and its construction of new realms of labor and collaboration. This is a book about technology and social memory in the field of twentieth-century art." -- taken from back cover
Notes: Includes bibliographical references and notes.
ISBN: 9783956791895
Contents: Acknowledgements -- Chapter One: Introduction, The Autobiography of Video -- Chapter Two: Video and Autobiography versus the Autobiography of Video -- Chapter Three: Becoming Video (The Prehension of Painting) -- Chapter Four: Video Life -- Chapter Five: Video Times -- Chapter Six: Inside Equipment (Studio Practice) -- Chapter Seven: Passive Viewing, Video Watching Television -- Chapter Eight: Love, Sync, and Possession -- Notes -- Bibliography -- Image Credits

Call No: 71(41) SWI
Author: Swinton, Tilda; Sweeney, Moira; Wollen, Peter
Place: London
Publisher: Institute of Contemporary Arts
PubDate: 1990
PhysDes: 36 p. : illus. ; 21 cm
Subject: EXPERIMENTAL FILMS. UK; VIDEO ART
ISBN: 0905263081

Call No: 401"313" CUL
Author: Hayward, Philip
Place: London
Publisher: J. Libbey
PubDate: 1990]
PhysDes: viii, 248 p. : ill. ; 25 cm
Subject: POPULAR CULTURE AND THE CINEMA; VIDEO ART; MUSIC TELEVISION; TECHNOLOGY AND THE CINEMA; COMPUTERS AND THE CINEMA; DIGITAL TECHNOLOGY; SOUND; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS; COLORS (US, Dennis Hopper, 1988)
Notes: Spine title: Culture, technology & creativity; Includes bibliographical references and index
ISBN: 0861962664
LON: 7559951

Call No: 201.26(94) DOH
Author: Doherty, Brian; Charlton, Susan; Haros, Maria
Source: AT
Place: [Australia]
Publisher: [s.n.]
PubDate: 1997
Subject: STATE AND THE CINEMA. AUSTRALIA; EXHIBITION. AUSTRALIA; VIDEO ART; MULTIMEDIA. AUSTRALIA; DISTRIBUTION. AUSTRALIA; ARTS PROGRAMMES

Call No: 175AN AN
Source: US
Place: New York
Publisher: American Federation of Arts
PubDate: c1994
PhysDes: 28 p. : ill. ; 30 cm
Subject: VIDEO ART; VIDEO INSTALLATIONS
Summary: a booklet based on the an exhibition of over 30 Australian based video artists
Notes: Financial assistance provided by the Australian Film Commission
ISBN: 0646198998

Call No: 771 HAM
Author: Hamlyn, Nicky
CorpAuthor: BFI
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2003
PhysDes: 224 p. : ill. ; 24cm
Subject: ART CINEMA; AESTHETICS; VIDEO ART; EXPERIMENTAL FILMS; BRAKHAGE, STAN; LE GRICE, MALCOLM; SNOW, MICHAEL; SHERWIN, GUY; SMITH, JOHN; HALL, DAVID; HILL, TONY; LARCHER, DAVID; RABAN, WILLIAM
Summary: "Hamlyn's major new study treats artists' film conceptually in order to explore key categories that connect different works and film-makers: from framing to digital media, installation to interactivity, point of view to sound. In so doing he considers the work of Stan Brakhage, Malcolm Le Grice and Michael Snow as well as younger artists such as Karen Mirza and Brad Butler, Jennifer Nighting ale, and Colin Crockatt, among many others. Film Art Phenomena is a crucial intervention in debates about the modes of film-making that diverge from and oppose the mainstream." -- Back cover
Notes: Includes bibliography p. 188; includes index p. 195
ISBN: 0851709710. m
Contents: I. MEDIA -- 1. Film and video -- 2. Digital media -- 3. Expanded technologies -- 4. Installation and its audience -- II. THE APPARATUS -- 5. The frame and its dissolution -- 6. Framing -- 7. Holding the camera -- 8. Point of view -- III. AESTHETICS -- 9. Space -- 10. Location -- 11. Interactivity -- 12. Sound, sync, performance -- 13. Film, art, ideology

Call No: 771(410) GAA
Author: Gaal-Holmes, Patti
Source: UK
Place: London
Publisher: Palgrave Macmillan
PubDate: 2015
PhysDes: xviii, 231 pages ; 23 cm.
Subject: EXPERIMENTAL FILMS. UK; EXPERIMENTAL FILMS; BRAKHAGE, STAN; DWOSKIN, STEPHEN; GIDAL, PETER; JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (BE/FR, Chantal Akerman, 1975); LE GRICE, MALCOLM; MARXISM AND THE CINEMA; MCCALL, ANTHONY; VIDEO ART; WARHOL, ANDY; WOLLEN, PETER
Summary: "This comprehensive historical account demonstrates the rich diversity in 1970s British experimental filmmaking. It acts as a form of reclamation by integrating films having received inadequate historical and critical recognition and placing these alongside films existing as accepted texts of the decade. This history challenges the problematic 'return to image' thesis, providing examples of written evidence and demonstrating how this has problematically perpetuated a flawed account of the decade. This is the first extensive overview of 1970s filmmaking, contextualizing films within broader aesthetic, theoretical and socio-political frameworks. The detailed textual and comparative analyses offer unique approaches to individual films, shedding light on technical, aesthetic and economic decisions informing filmmaking. As such, it provides a unique understanding of how experimental filmmaking grew from a small handful of films and filmmakers, at the start of the 1970s, to a veritable 'explosion' in filmmaking by the end of the decade"-- TROVE
Notes: Includes bibliographical references and index
ISBN: 9781349474912
Language: English
Contents: Introduction -- 1. Questions of history -- 2. Institutional frameworks and organisational strategies -- 3.Experimental film and other visual arts -- 4. Visionary, mythopoeia and diary films -- 5. Experiments with structure and material -- 6. Women and film -- Conclusion: (Re)cognitions and (Re)considerations for This History -- Notes -- Bibliography -- Index
ID2: 343

Call No: 771 REE
Author: Rees, A. L.
Edition: 2nd Edition
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 2011
PhysDes: viii, 196 : ill. ; 25 cm.
Subject: EXPERIMENTAL FILMS; VIDEO ART; ART CINEMA; AVANT-GARDE FILMS
Summary: Avant-garde film is almost indefinable. It is in a constant state of change and redefinition. In his highly-acclaimed history of experimental film, A.L. Rees tracks the movement of the film avant-garde between the cinema and modern art (with its postmodern coda). But he also reconstitutes the film avant-garde as an independent form of art practice with its own internal logic and aesthetic discourse. In this revised and updated edition, Rees introduces experimental film and video to new readers interested in the wider cinema, as well as offering a guide to enthusiasts of avant-garde film and new media arts. Ranging from Cézanne and Dada, via Cocteau, Brakhage and Le Grice, to the new wave of British film and video artists from the 1990s to the present day, this expansive study situates avant-garde film between the cinema and the gallery, with many links to sonic as well as visual arts. The new edition includes a review of current scholarship in avant-garde film history and includes updated reading and viewing lists. It also features a new introduction and concluding chapter, which assess the rise of video projection in the gallery since the millennium, and describe new work by the latest generation of experimental film-makers. The new edition is richly illustrated with images of the art works discussed
Notes: Includes bibliographical references and index.
ISBN: 9781844576203
Contents: Pt. 1. The canonical avant-garde. Origins of the moving image (1780-1880). Photography. Art and the avant-garde: summary 1909-20. The cubists. Primitives and pioneers (1880-1915). Futurists. Abstract film. The comic burlesque. The Art Cinema and its circuit. Cine-poems and lyric abstraction. Origins of abstract film. The absolute film. Cubism and poular film. Dada and surrealist film. The French avant-garde 1924-32. Voice and vision in the pre-war avant-garde. Transition: into the 1930s and documentary. Reviewing the first avant-garde. Origins of the post-war avant-garde. Underground. Two avant-gardes (mark 1)? Structural -- Pt. 2. Britain, 1966-98. English structuralists. Primitives and post-structuralists. Video stirs. Art and politics. A cinema of small gestures. Rebel waves. Art Cinema's odd couple: Derek Jarman and Peter Greenaway. New pluralism. Black British. Electronic arts. yBa. 'Where are we now?'. Points of resistance.

Call No: 771 MEI
Author: Meigh-Andrews, Chris
Place: United Kingdom
Publisher: Berg
PubDate: 2006
PhysDes: 318 p., [8] p. of plates : ill. (some col.) ; 25 cm
Subject: VIDEO ART; EXPANDED CINEMA; AVANT-GARDE FILMS; UNDERGROUND FILMS; SNOW, MICHAEL; VIOLA, BILL
Summary: "'A History of Video Art' is a critical introduction and guide to artists' video. It covers the period from the early 1960s - when video art first appeared as a distinctive medium - into the 1990s - when digital technology merged video's distinctive practice with that of independent film-making and photography. This artistic history is also a technological and a cultural history. A History of Video Art also sets its analysis of artistic practice firmly within the context of both the development of electronic imaging technology and the changing political and social climate." -- Publisher's website.
Notes: Formerly CIP. Includes bibliographical references (p. [305]-310) and index
ISBN: 1845202198

Call No: 771 ILL
Author: Hall, Doug, 1944; Fifer, Sally Jo
Place: New York, N.Y.
Publisher: Aperture in association with the Bay Area Video Coalition
PubDate: 1990
PhysDes: 566 p. : ill. ; 24 cm
Subject: VIDEO ART; VIDEO AND TELEVISION; VIDEO INSTALLATIONS; PERCEPTION; MUSEUM REACTION PIECE, THE [MM] (US, Howard Fried?, 1978-83)
Notes: Includes index; Bibliography: p. 526-556
ISBN: 0893813893 (hard); 0893813907 (pbk.)
LON: 8006458

Call No: SUBJECT CLIPPINGS FILE; ART AND TV
Author: Rule, Dan
PhysDes: Clippings File Article
Subject: ART AND TV; VIDEO ART
Summary: Notes on an upcoming exhibition titled 'Transmission: legacies of the television age' at Melbourne's National Gallery of Victoria, which features artworks that reference television, including video artists such as Miranda July and Tracey Moffatt

Call No: 771(94) INT
Author: Tofts, Darren
Source: AT
Place: Fishermens Bend, Vic.
Publisher: Craftsman House
PubDate: 2005
PhysDes: 145 p. ; 24 cm
Series: New Art
Subject: VIDEO ART; EXPERIMENTAL FILMS. AUSTRALIA; AUSTRALIAN CENTRE FOR THE MOVING IMAGE (ACMI); AESTHETICS; TECHNOLOGY AND THE CINEMA. AUSTRALIA; TECHNICAL DEVELOPMENTS
Summary: Interzone is specifically interested in arts practices in which the computer is the predominant medium, integrating and synthesising a range of diverse media. Its chronology is narrow and deals with works produced from the early 1990s to the present. Media arts have come to be regarded as the signature form of this period, the art of its time. But the discussion of media art is not exclusively an issue to do with emerging technologies and how artists use them. It also concerns the ways in which artists explore the social and cultural implications of the very technologies they are working with. The intervention of the computer has given rise to complex new forms of knowledge, disturbing new ways of thinking abut what it means to be alive in the age of advanced technology. [Taken from back cover].
ISBN: 097573038X

Call No: 604DRU
Author: Druckrey, Timothy
Place: New York : International Center of Photography ; Cambridge, Massachusetts :
Publisher: MIT Press
PubDate: 1993
PhysDes: 199 p. : ill. (some col.) ; 21 x 26 cm
Subject: VIDEO ART; EXPERIMENTAL FILMS; AESTHETICS; TECHNOLOGY AND THE CINEMA; TECHNICAL DEVELOPMENTS; EXHIBITION. USA
Summary: [Accompanying the exhibition of the same name this book focuses] on the work of sixteen prominent figures in the fields of video, film, photography, and media art, [this book] brings together an ambitious selection of work that utilizes diverse technologies, from photography to video. touch-screen to laser disk. The increased accessibility of digital imaging over the last decade... has produced a generation of artists - and audiences - who are visually and technologically literate and are eager to explore the potentil of electronic expression. [It] demonstrates that the link between creativity and technology is dynamic, expressive, and intellectually challenging, and explore how this like is redefining the role of images in our culture. [Taken from dust jacket].
Notes: This publication... accompanies the exhibition [of the same name] July 11-August 29, 1993 Montage 93: International Festival of the Image, Rochester. New York [and] October 15, 1993-January 21, 1994 International Center of Photography Midtown, New York City [Taken from the T.p. verso]; With essays by Regina Cornwell, Timothy Druckrey, Brenda Laurel, Florian Rotzer; Introduction by Charles Stainback; Includes artist biographies; Bibliography: p. 189-196
ISBN: 026204143X

Call No: 81SMI LAN
Author: Lanyon, Josephine; Cosgrove, Mark; Parker, Cornelia; Rees, Al; Bourn, Ian; Hamlyn, Nicky; Elwes, Kate; Smith, John
CorpAuthor: Picture This Moving Image; Watershed Media Centre; The Arts Council of England
Source: UK
Place: Bristol
Publisher: Picture This Moving Image; Watershed Media Centre
PubDate: 2002
PhysDes: 135 p. ; ill. ; 21.5 cm
Subject: SMITH, JOHN; EXPERIMENTAL FILMS; EXPERIMENTAL FILMS. UK; VIDEO ART; BLIGHT (UK, John Smith, 1996); GIRL CHEWING GUM, THE (UK, John Smith, 1976)
Summary: Published to accompany a retrospective touring exhibition. Includes several essays on the work of John Smith plus an interview with the director. Also includes stills and spoken texts.
Notes: Includes filmography; Includes selected list of screenings and exhibitions 1974-1998; Includes list of television screenings; Includes list of prizes; Includes bibliography p.135
ISBN: 0 9539872 48

Call No: 747.19 WIL
Author: Wilson, Emma
Source: UK/US
Place: Basingstoke, England
Publisher: Palgrave Macmillan
PubDate: 2012
PhysDes: ix, 184 p., [8] p. of plates : col. ill. ; 23 cm
Subject: LOVE IN FILMS; DEATH IN FILMS; VIDEO ART
Summary: "In their use of home movies, collages of photographs and live footage, moving image artists explore the wish to see dead loved ones living. This study scrutinizes emotions and sensations surrounding mortality and longing. Its focus is on love, tenderness, and eroticism, on the undoing of the self in desire and loss, and on the pursuit of relations with a missing other. In dialogue with Judith Butler on greivability, and Giorgio Agamben on bare life, Emma Wilson traces connections between imaging of intimate losses and public acts of mourning in response to atrocity, the Shoah and Hurricane Katrina. The book lays out a series of sensitive new readings of works by Agnes Varda, Pedro Almodovar, Ingmar Bergman, Sophie Calle, and many others. Attending to images of tactility, to fine details of texture, light, and affect, it re-imagines the role of the sensuous in lens-based art. " -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references and index
ISBN: 9780230308398
Contents: -- acknowledgments -- plates -- introduction -- 1.Love -- 2.Mother -- 3.Child -- 4.Coma -- 5.Pieta -- 6.Touch -- 7.Home -- Conclusion -- Notes -- References -- Moving Image Artworks -- index --

Call No: 771 CON
Author: Connolly, Maeve
Edition: 1st ed
Source: UK
Place: Bristol, UK
Publisher: Intellect Books
PubDate: 2009
PhysDes: 276 p. : ill. (chiefly col.) ; 23 cm
Subject: EXPERIMENTAL FILMS; ART AND THE CINEMA; VIDEO ART
Summary: The Place of Artists' Cinema examines the social, political, cultural, and economic factors shaping the production, exhibition and circulation of artists' cinema in various contexts, from museums, biennial exhibitions and site-specific public art projects to commercial galleries, and art fairs.The book incorporates in-depth readings of recent works by twenty-four artists, including Doug Aitken, Carlos Amorales, Gerard Byrne, Tacita Dean, Jeremy Deller, Thomas Demand, Stan Douglas, Pierre Huyghe, Jaki Irvine, Isaac Julien, Aernout Mik, Shirin Neshat, Tobias Putrih, Anne Tallentire and Francesco Vezzoli, among others.
ISBN: 978-1-84150-246-5
Language: English
Contents: Acknowledgements -- Introduction: The Place of Artists' Cinema -- Chapter 1 Between Space, Site and Screen -- Chapter 2 The Place of the Market -- Chapter 3 Multi-screen Projections and Museum Spaces -- Chapter 4 Event-sites and Documentary Dislocations -- Chapter 5 Cine-material Screens and Structures -- Conclusion: Materials, Places, and Social Relations -- Notes -- References -- Index

Call No: 175 REM
CorpAuthor: Australian Centre for the Moving Image
Place: Melbourne, Australia
Publisher: Australian Centre for the Moving Image
PubDate: 2003
PhysDes: 22 cm; 151 pp
Subject: AUSTRALIAN CENTRE FOR THE MOVING IMAGE (ACMI); BENNING, SADIE; MARKER, CHRIS; SOKUROV, ALEKSANDR; SEN, IVAN; VIDEO ART; EXPERIMENTAL FILMS
Summary: Memory works in a myriad ways: it can trick, it can go missing, it can confuse, and it can lay claim to undiscovered truths. The moving image has taken a wondrous path through memory over the last century. With the increasing creative potential of digital technologies, filmmakers and artists can express a multitude of parallel memories at once. This collection of works is not so much about what we remember, but how we remember through the moving image. Remembrance and the Moving Image is the first in a series of publications dedicated to the Exhibition Collection of the ACMI. [Taken from Preface.]
Notes: Exhibition catalogue
ISBN: 192080501X

Call No: 771 BIE
Author: Biemann, Ursula
CorpAuthor: Institute for Theory of Art and Design
Source: SZ
Place: Zurich [Switzerland]
Publisher: [Voldemeer Zurich?]
PubDate: 2003
PhysDes: 166 p. ; ill. ; 24 cm
Series: Theorie: Gestaltung
Subject: VIDEO ART; DIGITAL TECHNOLOGY; LITERATURE AND THE CINEMA; EXPERIMENTAL FILMS; AESTHETICS
Summary: 'Stuff it is a profusely illustrated collection of texts by video artists and cultural theorists who illuminate the video essay in its role as crossover and communicator between art, theory and critical practice in all its variations: from monologues of disembodyment to cartographies of diaspora experiences and transnational conditions, from the essay as the organisation of complex social shifts to its technological mutation and increasing digitisation. ' (back cover)
Notes: Includes selected bibliography & videography
ISBN: 9 783211 203187

Call No: 771 TIM
Author: Agacinski, Sylviane; Muir, Gregor; Morgan, Jessica
CorpAuthor: Tate Modern (Gallery)
Source: UK
Place: London
Publisher: Tate
PubDate: 2004
PhysDes: 112 pages : illustrations ; 22 cm
Subject: VIDEO ART
Summary: "Time zones is an important contribution to current understanding of the way in which perception of time is both altered and made apparent through time-based media. It explores questions around the nature of time and the way it is perceived in modern culture, issues forefronted in the work of the international selection of artists featured in the book. These include Francis Alys, Fikret Atay, Yael Bartana, Jeroen de Rijke and Willem de Rooij, Anri Sala, Bojan Sarcevic, Wolfgang Staehle, Fiona Tan and Yang Fudong, in all of whose work the passage of time is a central feature. Jessica Morgan and Gregor Muir offer insight into the work of the individual artists, while leading contemporary theorists Sylviane Agacinski, Peter Osborne and Irit Rogoff explore our changing perceptions of time from a critical and philosophical viewpoint." - taken from back cover
Notes: Published to accompany an exhibition held at the Tate Modern, London, 6 October, 2004 - 2 January, 2005 -- Curators, Jessica Morgan and Gregor Muir -- Includes bibliographical references -- statement of responsibility taken from back cover
ISBN: 1854375490
Contents: Francis Aly¨s -- Fikret Atay -- Yael Bartana -- Yang Fudong -- Jeroen de Rijke and Willem de Rooij -- Anri Sala -- Bojan Sarcevic -- Wolfgang Staehle -- Fiona Tan

Call No: 771 SPI
Author: Spielmann, Yvonne
Source: US
Place: Cambridge, Mass.
Publisher: MIT Press
PubDate: 2008
PhysDes: viii, 371 pages : illustrations ; 24 cm
Series: Leonardo
Subject: VIDEO ART; ACCONCI, VITO; PAIK, NAM JUNE
Summary: "In this book, Yvonne Spielmann argues that video is not merely an intermediate stage between analog and digital but a medium in its own right. Video has metamorphosed from technology to medium, with a set of aesthetic languages that are specific to it, and current critical debates on new media still need to recognize this." - taken from back cover
Notes: Includes bibliographical references and index. -- Translated from the German.
ISBN: 9780262515177
Contents: Introduction: the Audiovisual Medium -- 1. Video, a Technology, a Medium -- Media-theoretical Considerations -- The Visualization Debate -- Preconditions of the Technology and the Apparatus -- Matrix Phenomena -- 2. The Reflexive Medium -- Experimental Phase -- Guerilla Television -- Artistic Video -- Excursus on the Relationship of Film, Video, and Computer -- Experimental Video -- Video Cultures -- 3. Video Aesthetics -- Apparatus, Self-Reflexion, and Performance: Vito Acconci and Dennis Oppenheim -- Picture, Reproduction, Media Images: Ulrike Rosenbach, Joan Jonas, and Valie Export -- Video/ TV: Nam June Paik and Dara Birnbaum -- Video, Photo, and Film: Klaus vom Bruch and Peter Campus -- Structural Video: Michael Langoth, Les Levine, Jean-Francois Guiton, Richard Serra, and Dieter Kiessling -- Musicalization in Video: Robert Cahen -- Layering and Condensing: Peter Callas -- Video Scratching: Martin Arnold and Raphael Montanez Ortiz -- Video Void: David Larcher -- Micro/ Macro Dimensions: Nan Hoover -- Picture, Text, Voice, and Writing: Gary Hill -- Video and Computers: Steina and Woody Vasulka -- Video and Virtual Environment: Lynn Hershman -- Video, Poetics, and Hypermedia: Bill Seaman -- Video Installation: Eija-Lilsa Ahtila, Chantal Akerman, and Gillian Wearing -- Outlook: Complexity and Interactivity.

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: VIDEO ART

Call No: 751.83 CHA
Author: Chambers, Nicholas; Weir, Kathryn
Source: AT
Place: South Brisbane, Queensland
Publisher: Queensland Art Gallery
PubDate: 2004
PhysDes: 51 p. ; 18 cm
Subject: EXHIBITION; EXHIBITION. AUSTRALIA; PROMOTIONAL VIDEOS; VIDEO ART
Summary: "From cliche to mini revolution, music videos have a few minutes of music and images to make their mark. Over the last 30 years, promotional films for bands have developed into a very influential cultural form, affecting film, advertising and, more generally, the pace and rhythm of visual culture. Today, the exploratory edges of music video reveal many intersections between visual artists and commercial videodirectors. Video Hits: Art & Music Video brings together works by music video directors and visual artists, and offers an original and challenging framework for the MTV generation to engage with a form of popular culture that has defined a new aesthetic." BOOK JACKET
Notes: Published in association with an exhibition of the same title held at Queensland Art Gallery, South Brisbane, 21 February - 14 June, 2004.; Includes bibliographical references.
ISBN: 1876509856
Donation: Donated by Senses Of Cinema, 2009
Contents: -- videos p3 -- Jump cut: music video aesthetics by Kathryn Weir p37 -- 'Pictures came and broke your heart' by Nicholas Chambers p43 -- playlist p48 --credits p50 --

Call No: SUBJECT CLIPPINGS FILE; VIDEO ART
PhysDes: Clippings
Subject: VIDEO ART
Summary: John McDonald reviews the work of artist/filmmaker John Akomfrah. 'Vertigo Sea' is showing as apart of a suite of exhibitions at the UNSW Galleries called Trouble Sea. McDonald talks favourably of the ideas and the imagery of the artists work however questions the removal of conventional cinematic narrative and therefore its overall effect on the viewer.

Call No: 771 MOR
Author: Morse, Margaret
Source: US
Place: Indiana
Publisher: Indiana University Press
PubDate: 1998
PhysDes: xii, 266 pages : illustrations ; 24 cm
Series: Theories of contemporary culture ; v. 21
Subject: TELEVISION; VIRTUAL REALITY; VIDEO ART
Summary: ""Virtualities" are found in forms of aesthetic expression supported by television, video, and the computer. Far from being liberating, these virtualities commonly cloak an impoverished public sphere by disguising impersonal relations as Utopian expression." - taken from back cover
Notes: Includes bibliographical references (p. [243]-256) and index.
ISBN: 0253211778
Contents: Pt. 1. Virtualities as Fictions of Presence. 1. Virtualities: A Conceptual Framework. -- 2. The News As Performance: The Image As Event -- Pt. 2. Immersion in Image Worlds: Virtuality and Everyday Life. 3. Television Graphics and the Virtual Body: Words on the Move. -- 4. An Ontology of Everyday Distraction: The Freeway, the Mall, and Television. -- 5. What Do Cyborgs Eat? Oral Logic in an Information Society -- Pt. 3. Media Art and Virtual Environments. 6. The Body, the Image, and the Space-in-Between: Video Installation Art. -- 7. Cyberscapes, Control, and Transcendence: The Aesthetics of the Virtual.

Call No: F(027)(94)MOD
CorpAuthor: Modern Image Makers Association Incorporated
Place: Melbourne
Publisher: Modern Image Makers Association
PubDate: [1986?]
PhysDes: 8 p. ; 30 cm.
Subject: MODERN IMAGE MAKERS ASSOCIATION; VIDEO ART; EXPERIMENTAL FILMS. AUSTRALIA
Contents: Film text, film, texture: a checklist of artists and sixteen millimetre film - Dirk De Bruyn -- Super 8: Definition and difference - Rolando Caputo -- In the video playground - Stephen Goddard -- Yearbook Vol. I: program notes -- Yearbook Vol. II: program notes -- Yearbook Vol. III: program notes -- Modern Image Makers Association.