Allegories of cinema : American film in the sixties / David E. James
Princeton, N.J.: Princeton University Press, 1989.
Call No: 771.1(73) JAM Author: James, David E., 1945 Place: Princeton, N.J. Publisher: Princeton University Press PubDate: 1989 PhysDes: xiii, 388 p. : ill. ; 26 cm Subject: UNDERGROUND FILMS; POLITICAL FILMS; BLACK POWER FILMS; WOMEN AND THE CINEMA; ART CINEMA. USA; VIETNAM WAR FILMS; BRAKHAGE, STAN; ANGER, KENNETH; WARHOL, ANDY; MEKAS, JONAS; FILM ABOUT A WOMAN WHO... (US, Yvonne Rainer, 1974); EASY RIDER (US, Dennis Hopper, 1969) Notes: Includes index; Bibliography: p. 362-377 ISBN: 0691047553 (alk. paper); 0691006040 (pbk.) LON: 5820741 Contents: Stan Brakage, p29-57 -- Andy Warhol, p58-84 -- Jonas Mekas, p100-118 -- "Film that cannot be one: Kenneth Anger" p149-155 -- "Yvonne Rainer: Film about a woman who...", p326-334 -- "Allegories of production: Easy rider", p12-17 -- "Cinema and black liberation", p177-194 -- "Film and the war: representing Vietnam", p195-212 -- More info
American independent cinema : a sight and sound reader / edited by Jim Hillier
London: British Film Institute, 2001.
Call No: 71(73) AME Author: Hillier, Jim Place: London Publisher: British Film Institute PubDate: 2001 PhysDes: xvii, 283 p. : ill., ports. ; 24 cm Subject: USA; INDEPENDENT FILMS. USA; CASSAVETES, JOHN; BRAKHAGE, STAN; WARHOL, ANDY; BLACK CINEMA; BLACKS IN FILMS. USA; BLACK FILMMAKERS. US; DASH, JULIE; DAUGHTERS OF THE DUST (US, Julie Dash, 1991); RIGGS, MARLON; TONGUES UNTIED (US, Marlon Riggs, 1989); CROOKLYN (US, Spike Lee, 1994); FRIDAY (US, F. Gary Gray, 1995); CLOCKERS (US, Spike Lee, 1995); LEE, SPIKE; GIRL 6 (US, Spike Lee, 1996); GET ON THE BUS (US, Spike Lee, 1996); SLAM (US, Marc Levin, 1998); HOMOSEXUALITY AND THE CINEMA; POISON (US, Todd Haynes, 1991); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); VAN SANT, GUS; SWOON (US, Tom Kalin, 1992); GO FISH (US, Rose Troche, 1994); TOTALLY F***ED UP (US, Gregg Araki, 1993); HAYNES, TODD; SAFE (US, Todd Haynes, 1995); DOOM GENERATION, THE (US, Gregg Araki, 1995); PEIRCE, KIMBERLY; BOYS DON'T CRY (US, Kimberly Peirce, 1999); JARMUSCH, JIM; NIGHT ON EARTH (US, Jim Jarmusch, 1991); SLACKER (US, Richard Linklater, 1990); SURE FIRE (US, Jon Jost, 1990); LINKLATER, RICHARD; BEFORE SUNRISE (US, Richard Linklater, 1995); LIVING IN OBLIVION (US, Tom DiCillo, 1995); WALKING AND TALKING (US, Nicole Holofcener, 1996); HARTLEY, HAL; HENRY FOOL (US, Hal Hartley, 1997); HAPPINESS (US, Todd Solondz, 1998); GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999); TIMECODE (US, Mike Figgis, 2000); ALTMAN, ROBERT; SHORT CUTS (US, Robert Altman, 1993); ANDERSON, PAUL THOMAS; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997); MAGNOLIA (US, Paul Thomas Anderson, 1999); FERRARA, ABEL; BAD LIEUTENANT (US, Abel Ferrara, 1992); BLACKOUT, THE (US, Abel Ferrara, 1997); ADDICTION, THE (US, Abel Ferrara, 1995); FUNERAL, THE (US, Abel Ferrara, 1996); JONZE, SPIKE; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); KORINE, HARMONY; GUMMO (US, Harmony Korine, 1997); JULIEN DONKEY-BOY (US, Harmony Korine, 1999); LYNCH, DAVID; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); LOST HIGHWAY (US, David Lynch, 1996); SAYLES, JOHN; CITY OF HOPE (US, John Sayles, 1991); LONE STAR (US, John Sayles, 1996); LIMBO (US, John Sayles, 1999); HENRY PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1989[prod. 1985]); ONE FALSE MOVE (US, Carl Franklin, 1991); BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993); EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993); PULP FICTION (US, Quentin Tarantino, 1994); Tarantino, Quentin; USUAL SUSPECTS, THE (US, Bryan Singer, 1995); BOUND (US, Larry Wachowski & Andy Wachowski, 1996); NORMAL LIFE (US, John McNaughton, 1996); THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997); JACKIE BROWN (US, Quentin Tarantino, 1997); BIG LEBOWSKI, THE (US, Joel Coen, 1998); OUT OF SIGHT (US, Steven Soderbergh, 1998); LIMEY, THE (US, Steven Soderbergh, 1999); SODERBERGH, STEVEN; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991); JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992) ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99 LON: 20980358 More info
Andy Warhol : film factory / edited by Michael O'Pray
London: BFI, 1989.
Call No: 81WAR OPR Author: O'Pray, Michael, 1945 Place: London Publisher: BFI PubDate: 1989 PhysDes: 195 p. : ill. ; 24 cm Subject: WARHOL, ANDY Notes: American cinema films. Directing. Warhol, Andy,. 1928- (BNB/PRECIS); Includes index; Bibliography: p. 189-190 ISBN: 0851702430 (pbk.) : ª8.95; 0851702503 : ª20.00 LON: bnb85170250; 6578081 More info
Andy Warhol : films and paintings
[London] [New York]: Studio Vista Dutton Pictureback, 1971].
Call No: 81WAR GID Author: Gidal, Peter Place: [London] [New York] Publisher: Studio Vista Dutton Pictureback PubDate: 1971] PhysDes: 160 p. illus., ports. 19 cm Subject: WARHOL, ANDY ISBN: 0289700744 LON: 73025200; 516860 More info
The Andy Warhol of philosophy and the philosophy of Andy Warhol
Critical inquiry (Summer 1998) vol.24 iss.4 p.965-987 Call No: PERSONALITY CLIPPINGS FILE; WARHOL, ANDY Author: Mattick, Paul PhysDes: Article Subject: ART CINEMA; WARHOL, ANDY Summary: Much of the consideration critics and philosophers have given Andy Warhol is superficial, ignoring some of the more profound levels of Warhol's work. -- article abstract provided by publisher. More info
Art and the moving image : A critical reader / Tanya Leighton
London: Tate Publishing in association with Afterall, 2008.
Call No: 771 ART Author: Leighton, Tanya Source: UK Place: London Publisher: Tate Publishing in association with Afterall PubDate: 2008 PhysDes: 496 p. Ilustrations (some color) ; 25cm Subject: ACCONCI, VITO; BARTHES, ROLAND; BELLOUR, RAYMOND; BENJAMIN, WALTER; BRAKHAGE, STAN; CONRAD, TONY; DANEY, SERGE; DEBORD, GUY; DELEUZE, GILLES; DUCHAMP, MARCEL; EXPANDED CINEMA; EXPERIMENTAL FILMS; EXPORT, VALIE; FAROCKI, HARUN; GODARD, JEAN-LUC; HUYGHE, PIERRE; KUBELKA, PETER; MCLUHAN, MARSHALL; MEKAS, JONAS; ONO, YOKO; PAIK, NAM JUNE; RESNAIS, ALAIN; SCHNEEMANN, CAROLEE; SNOW, MICHAEL; STRUCTURAL FILMS; STRUCTURALISM; VIDEO ART; VIOLA, BILL; WARHOL, ANDY; WOLLEN, PETER Summary: "The mutual fascination between art and cinema has had a great influence on contemporary culture. For the past fifty years, the love/hate affair between the two has triggered vital aesthetic, social and political responses that constantly renew the way we understand our age. This book traces the story from early spatial experiments with film and video technologies to the current widespread use of projected images in museums and galleries. Why has there been a turn to the cinematic in contemporary art? What happens to the moving image when it shifts from the black box to the white cube, when cinema is exhibited? How does this challenge the traditional mediums of film, painting and sculpture? 'Art and the Moving Image' gathers together key texts including new, translated and previously unavailable essays by eminent writers and theorists including Giorgio Agamben, Beatriz Colomina, Serge Daney, Rosalind Krauss, Maurizio Lazzaratto and Peter Wollen. It offers an essential introduction to the complex field of art and the projected image for both students and general readers." -- Publisher's website. Notes: Includes bibliographical references and index. ISBN: 9781854376251 Donation: Adrian Miles Contents: Preface / Charles Esche -- Introduction / Tanya Leighton -- Colour plates -- Part I. Histories and revisions -- Fluxfilms in three false starts / Bruce Jenkins -- 'Culture: Intercom' and expanded cinema: a proposal and manifesto / Stan VanDerBeek -- Enclosed by images: the Eameses' multimedia architecture / Beatriz Colomina -- 'My mind split open': Andy Warhol's exploding plastic inevitable / Branden W. Joseph -- The Museum of attractions: marcel Broodthaers and the 'Section Cine´ma' / Eric de Bruyn -- Paul Sharits and the active spectator / Federico Windhausen -- Bare lives / Pamela M. Lee -- Leisure 73 / Sabeth Buchmann -- The two avant-gardes / Peter Wollen -- Modes of film practice in the avant-garde / Jonathan Walley -- Part II. The agonistic relationship between video and television -- Hardware: the videosphere / Gene Youngblood -- Video: the aesthetics of narcissism / Rosalind Krauss -- Tale of the tape: 'Radical Software' / David Joselit -- Dependent participation: Bruce Nauman's environments / Janet Kraynak -- After the cull / Elizabeth Bennett Hupp -- Live on tape: video, liveness and the immediate / William Kaizen -- The art of the possible: notes about some installations by Harun Farocki / Christa Blu¨mlinger -- Video, flows and real time / Maurizo Lazzarato -- Five years later / Bill Horrigan -- Part III. From cinema to post-cinema -- Deleuze's time, or how the cinematic changes our idea of art / John Rajchman -- Difference and repetition: on Guy Debord's films / Giorgio Agamben -- From movies to moving / Serge Daney -- The time of re-departure: after cinema, the cinema of the subject / Jean-Chrisotphe Royoux -- Dissolution of the frame: immersion and participation in video installations / Ursula Frohne -- Video projection: the space between screens / Liz Kotz -- Siting cinema / Andrew V. Uroskie -- Moving images moving images / John Kelsey -- Of an other cinema / Raymond Bellour -- The gap between film and installation art / Alexander Alberro -- White cube, black box and grey areas: venues and values / Gregor Stemmrich -- Art and cinema: some critical reflections / Mark Nash -- 'You Never Know the Whole Story': Ute Friederike Ju¨rss and the aesthetics of the heterochronic image / Thomas Y. Levin. More info
Bike boys, drag queens & superstars : avant-garde, mass culture, and gay identities in the 1960s underground cinema / Juan A. Sußrez
Bloomington: Indiana University Press, 1996.
Call No: 451-03 SUA Author: Sußrez, Juan Antonio Place: Bloomington Publisher: Indiana University Press PubDate: 1996 PhysDes: xxviii, 353 p. : ill. ; 23 cm Subject: ANGER, KENNETH; SMITH, JACK; WARHOL, ANDY; UNDERGROUND FILMS. USA; HOMOSEXUALITY AND THE CINEMA. USA; HOMOSEXUALITY IN FILMS. USA; AVANT-GARDE FILMS. USA; MEKAS, JONAS; SCORPIO RISING (US, Kenneth Anger, 1964); FLAMING CREATURES (US, Jack Smith, 1963) Notes: Includes bibliographical references (p. -343) and index; Filmography: p. -320; Bike boys, drag queens, and superstars ISBN: 025332971X (cl : alk. paper); 025321033X (pa : alk. paper) LON: 11661060 More info
The cinematic body / Steven Shaviro
Minneapolis: University of Minnesota Press, 1993.
Call No: 64POS SHA Author: Shaviro, Steven Place: Minneapolis Publisher: University of Minnesota Press PubDate: 1993 PhysDes: x, 276 p. ; 26 cm Series: Theory out of bounds ; v. 2 Subject: AESTHETICS; POSTMODERNISM AND THE CINEMA; PERCEPTION; MASCULINITY IN FILMS; MEN IN FILMS; PORNOGRAPHY AND THE CINEMA; BODY IN FILMS; SEX IN FILMS; WARHOL, ANDY; ROMERO, GEORGE; LEWIS, JERRY; CRONENBERG, DAVID; BRESSON, ROBERT; DELEUZE, GILLES; GUATTARI, FELIX; QUERELLE (GW/FR, Rainer Werner Fassbinder, 1982) Notes: Includes bibliographical references (p. -272) and index ISBN: 0816622949 (PB : acid-free paper) LON: 9656941 More info
Cutting edge : art-horror and the horrific avant-garde / Joan Hawkins
Minneapolis: University of Minnesota Press, c2000.
Call No: 771.1 HAW Author: Hawkins, Joan, 1953 Place: Minneapolis Publisher: University of Minnesota Press PubDate: c2000 PhysDes: xiii, 326 p. : ill. ; 24 cm Subject: AVANT-GARDE FILMS; HORROR FILMS; FRANJU, GEORGES; FRANCO, JESUS [JESS]; MORRISSEY, PAUL; WARHOL, ANDY; RAPE (US, Yoko Ono & John Lennon, 1968); YEUX SANS VISAGE, LES (FR/IT, Georges Franju, 1959); FREAKS (US, Tod Browning, 1932) Notes: "Select Filmography and Videography": p; Includes bibliographical references (p. ) and index ISBN: 0816634130 (alk. paper); 0816634149 (pbk. : alk. paper) LON: 21283291 More info
Directors and directions : cinema for the seventies / John Russell Taylor
London: Eyre Methuen, 1975.
Call No: 802.25 TAY Author: Taylor, John Russell Source: UK Place: London Publisher: Eyre Methuen PubDate: 1975 PhysDes: 327 p. ; 21 cm Subject: CHABROL, CLAUDE; Pasolini, Pier Paolo; ANDERSON, LINDSAY; KUBRICK, STANLEY; WARHOL, ANDY; MORRISSEY, PAUL; Ray, Satyajit; JANCSO, MIKLOS; MAKAVEJEV, DUSAN Summary: A study of the cinema of the 1970s based around the films made by the directors Claude Chabrol, Pier Paolo Pasolini, Lindsay Anderson, Stanley Kubrick, Andy Warhol and Paul Morrissey, Satyajit Ray, Miklos Jancso, and Dusan Makavejev. ISBN: 0413319202 More info
Documentary time : film and phenomenology / Malin Wahlberg
Minneopolis: University of Minnesota Press, c2008.
Call No: 630:761 WAH Author: Wahlberg, Malin Source: US Place: Minneopolis Publisher: University of Minnesota Press PubDate: c2008 PhysDes: xvii, 170 p. : ill. ; 26 cm Series: Visible evidence ; v. 21 Subject: PHILOSOPHY AND THE CINEMA; DOCUMENTARIES; WARHOL, ANDY; DELEUZE, GILLES; BAZIN, ANDRE; MITRY, JEAN Summary: The book attempts to look at the idea of time for both the maker of documentaries, and the viewer of such works; it attempts to bring together the philosophy of time and the ideas of documentary making [Taken from the back of the book] Notes: Bibliography: p.151-164; Includes index ISBN: 9780816649686 More info
Doom patrols : a theoretical fiction about postmodernism / Steven Shaviro
London: High Risk Books, 1997.
Sydney Morning Herald [Spectrum] (02/01/2016) p.16 More info
Experimental cinema : the film reader / edited by Wheeler Winston Dixon and Gwendolyn Audrey Foster
London: Routledge, 2002.
Call No: 385.83 DIX Author: Dixon, Wheeler Winston, and Foster, Gwendolyn Audrey Source: UK Place: London Publisher: Routledge PubDate: 2002 PhysDes: 356 p. : ill.; 23 cm Subject: EXPERIMENTAL FILMS; AVANT-GARDE FILMS. USA; AVANT-GARDE FILMS. EUROPEAN COUNTRIES; STRUCTURALISM; DEREN, MAYA; ANGER, KENNETH; SMITH, JACK; WARHOL, ANDY; BRAKHAGE, STAN; CONNER, BRUCE; SNOW, MICHAEL; FRAMPTON, HOLLIS; JULIEN, ISAAC; DASH, JULIE; HAMMER, BARBARA Summary: Brings together key writings on American avant-garde cinema to explore the long tradition of underground filmmaking from its origins in the 1920’s to the work of contemporary film and video artists. Each section features an editor’s introduction setting debates in their context. Sections include: Origins of the American avant-garde cinema, The 1960’s experimental cinema explosion, Structuralism in the 1970’s and Alternative cinemas. ISBN: 0415277876 More info
The face on film / Noa Steimatsky
New York: Oxford Univesity Press, 2017.
Call No: 747.7 STE Author: Steimatsky, Noa Edition: 2017 Place: New York Publisher: Oxford Univesity Press PubDate: 2017 PhysDes: 280 p. : illustrated ; 26 cm Subject: FACE IN FILMS; AU HASARD, BALTHAZAR (FR/SW, Robert Bresson, 1966); ANTONIONI, MICHELANGELO; BARTHES, ROLAND; BAZIN, ANDRE; BENJAMIN, WALTER; BRESSON, ROBERT; JOURNAL D'UN CURE DE CAMPAGNE (FR, Robert Bresson, 1951); EISENSTEIN, SERGEI M.; DREYER, CARL TH.; PROCES DE JEANNE D'ARC (FR, Robert Bresson, 1962); GODARD, JEAN-LUC; HITCHCOCK, ALFRED; SEDGWICK, EDIE; WARHOL, ANDY; OUTER AND INNER SPACE (US, Andy Warhol, 1965); WRONG MAN, THE (US, Alfred Hitchcock, 1957); FUNNY FACE (US, Stanley Donen, 1957) Notes: The human face was said to have been rediscovered with the advent of motion pictures, in which it was often viewed as expressive locus, as figure, and even as essence of the cinema. But how has this modern, technological, mass-circulating medium revealed the face in ways that are also distinct from any other? How has it altered our perception of this quintessential incarnation of the person? The archaic powers of masks and icons, the fashioning of the individual in the humanist portrait, the modernist anxieties of fragmentation and de-figuration—these are among the cultural precedents informing our experience in the movie theatre. Yet the moving, time-based image also offers radical new confrontations with the face: Dreyer's Passion of Joan of Arc, Donen's Funny Face, Hitchcock's The Wrong Man, Bresson's Au hazard, Balthazar, Antonioni's Screen Test, Warhol's filmic portraits of celebrity and anonymity. Such intense encounters, examined in this book, manifest a desire for transparency and plenitude, but—especially in post-classical cinema—also betray a profound ambiguity that haunts the human countenance, confronting interiority as opacity, treading the gap between image and language. The spectacular impact of the cinematic face is uncannily intertwined with a reticence, an ineffability; but is it not for this very reason that—like faces in the world—it still enthralls us? -- publisher's web site ISBN: 9780199863167 Contents: Acknowledgements -- Preface: Face Moving Image -- A Dispositif -- An Ur-Image -- The Face Against the Image -- Itineraries Chapter One: We Had Faces, Then -- Expressivity in the 1920s -- Joan of Arc, Inevitably -- The Face and its Voices -- Glamour/Anti-Glamour Chapter Two: Roland Barthes Looks at the Stars -- Towards “Visages et Figures,” and circa 1953 Excursus on the Face in Language -- Into the Movie Theater -- Ultra-Face Excursus on the Mask -- From Cult to Charm: Funny Face Chapter Three: Face-to-Face (with The Wrong Man) -- What Godard Saw -- What the Clerk Saw Excursus on Anthropometrics -- Not a Mirror, Not a Lamp Chapter Four: Pass/Fail: Screen Test, Apparatus, Subject -- The Antonioni Screen Test Excursus on the Portrait -- Outer and Inner Space, and the Pathos of Time -- Fail Better Chapter Five: In Reticence (Bresson) -- The Epidermal and the Written -- The Image Against the Face -- Not an Open Book, but a Door Ajar -- Postface: The Two-Shot: Inherent More info
Fear eats the soul : Angst essen seele auf / Laura Cottingham
London UK: British Film Institute, 2005.
Call No: 79ANG COT Author: Cottingham, Laura Edition: 1st ed. Source: UK Place: London UK Publisher: British Film Institute PubDate: 2005 PhysDes: 86 p. : col, b&w, ill. ; 19 cm Series: BFI film classics Subject: RACIAL PROBLEMS IN FILMS; RACE AND THE CINEMA; HUMAN RELATIONS IN FILMS; MARRIAGE IN FILMS; REALISM IN FILMS; GERMAN FEDERAL REPUBLIC; SEXUALITY AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; FEMINISM AND THE CINEMA; WOMEN IN FILMS; FALLEN WOMEN IN FILMS; BIOGRAPHICAL FILMS; DRUGS IN FILMS; FASSBINDER, RAINER WERNER; WARHOL, ANDY; SIRK, DOUGLAS; RIEFENSTAHL, LENI; ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955); WRITTEN ON THE WIND (US, Douglas Sirk, 1956); EHE DER MARIA BRAUN, DIE (GW, Rainer Werner Fassbinber, 1979); BERLIN ALEXANDERPLATZ (GW/IT, Rainer Werner Fassbinder, 1980); QUERELLE (GW/FR, Rainer Werner Fassbinder, 1982); FAUSTRECHT DER FREIHEIT (GW, Rainer Werner Fassbinder, 1975); BITTEREN TRANEN DER PETRA VON KANT, DIE (GW, Rainer Werner Fassbinder, 1972); ANGST ESSEN SEELE AUF (GW, Rainer Werner Fassbinder, 1974) Summary: Set in Munich in the 1970s, Fear Eats the Soul melds the convention of melodrama with a radical sensibility in order to present a portrait of racism and everyday hypocrisy in post-war Germany. Laura Cottingham celebrates Fassbinder’s achievement, placing Fear Eats the Soul in relation to his extraordinary prolific career in theatre, film and television. Her analysis pulls back the thin curtain that separated his work from his tumultuous life. [Taken from back cover]. Notes: includes film credits ISBN: 1844570711 More info
The film director as superstar
London: Secker and Warburg, 1971.
Call No: 802.25 GEL Author: Gelmis, Joseph, 1935 Place: London Publisher: Secker and Warburg PubDate: 1971 PhysDes: xx, 316 p., 12 plates; illus., ports. 22 cm Subject: MCBRIDE, JIM; DE PALMA, BRIAN; DOWNEY, ROBERT; MAILER, NORMAN; WARHOL, ANDY; CASSAVETES, JOHN; ANDERSON, LINDSAY; BERTOLUCCI, BERNARDO; FORMAN, MILOS; POLANSKI, ROMAN; CORMAN, ROGER; COPPOLA, FRANCIS FORD; PENN, ARTHUR; LESTER, RICHARD; NICHOLS, MIKE; KUBRICK, STANLEY ISBN: 0436173700 LON: 210670 210670 More info
Frank Cox to dist. 11 Warhol-Morrissey pics. in Australia
Australasian Cinema (Friday, 19/8/1983) vol.12 iss.15 p.2 More info
From A to B & back again : the philosophy of Andy Warhol
London: Picador, 1976.
Call No: 81WAR WAR Author: Warhol, Andy, 1928-1987 Place: London Publisher: Picador PubDate: 1976 PhysDes: 222 p. ; 20 cm Subject: WARHOL, ANDY Notes: First published: London : Michael Dempsey in association with Cassell & Co. Ltd., 1975 entitled The philosophy of Andy Warhol : from A to B and back again ISBN: 0330248154 LON: abn84140146; 3260184 More info
From the third eye : the Evergreen Review film reader / edited by Ed Halter and Barney Rosset
New York: Seven Stories Press, 2018.
Call No: 115.3(73) EVE Author: Rosset, Barney; Halter, Ed Edition: 2018 Place: New York Publisher: Seven Stories Press PubDate: 2018 PhysDes: 334 pages : illustrated ; 24 cm Subject: VOGEL, AMOS; ROSSET, BARNEY; WARHOL, ANDY; GODARD, JEAN-LUC; DURAS, MARGUERITE; KLEIN, WILLIAM; HOPPER, DENNIS; SJOMAN, VILGOT; DEMY, JACQUES; PAPATAKIS, NICO; SEMBENE, OUSMANE; ROBBE-GRILLET, ALAIN; PORNOGRAPHIC FILMS; EROTIC FILMS; CENSORSHIP. USA; CINEMA 16; ROCHA, GLAUBER Summary: An essential collection of groundbreaking film writing from the legendary Evergreen Review and its cutting-edge coverage of the underground, experimental, pornographic, and political mid-century film scene.
In this collection of film writing from Evergreen Review, the legendary publication’s important contributions to film culture are available in a single volume. Featuring leading writers such as Nat Hentoff, Norman Mailer, Parker Tyler, and Amos Vogel, the book presents the films of Jean-Luc Godard, Pier Paolo Pasolini, Ousmane Sembene, Andy Warhol, and others, and offers incisive essays and interviews from the late 1950s to early 1970s. Articles explore politics, revolution, and the cinema; underground and experimental film, pornography, and censorship; and the rise of independent film against the dominance of Hollywood. A new introductory essay by Ed Halter reveals the important role Evergreen Review and its publisher, Grove Press, played in advancing cinema during this period through innovations in production, distribution, and exhibition. -- publisher's web site ISBN: 9781609806156 More info
Further into the underground
Lumiere (March-April, 1972) iss.14 p.32-34 More info
A history of 1970s experimental film : Britain's decade of diversity / Patti Gaal-Holmes
London: Palgrave Macmillan, 2015.
Call No: 771(410) GAA Author: Gaal-Holmes, Patti Source: UK Place: London Publisher: Palgrave Macmillan PubDate: 2015 PhysDes: xviii, 231 pages ; 23 cm. Subject: EXPERIMENTAL FILMS. UK; EXPERIMENTAL FILMS; BRAKHAGE, STAN; DWOSKIN, STEPHEN; GIDAL, PETER; JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (BE/FR, Chantal Akerman, 1975); LE GRICE, MALCOLM; MARXISM AND THE CINEMA; MCCALL, ANTHONY; VIDEO ART; WARHOL, ANDY; WOLLEN, PETER Summary: "This comprehensive historical account demonstrates the rich diversity in 1970s British experimental filmmaking. It acts as a form of reclamation by integrating films having received inadequate historical and critical recognition and placing these alongside films existing as accepted texts of the decade. This history challenges the problematic 'return to image' thesis, providing examples of written evidence and demonstrating how this has problematically perpetuated a flawed account of the decade. This is the first extensive overview of 1970s filmmaking, contextualizing films within broader aesthetic, theoretical and socio-political frameworks. The detailed textual and comparative analyses offer unique approaches to individual films, shedding light on technical, aesthetic and economic decisions informing filmmaking. As such, it provides a unique understanding of how experimental filmmaking grew from a small handful of films and filmmakers, at the start of the 1970s, to a veritable 'explosion' in filmmaking by the end of the decade"-- TROVE Notes: Includes bibliographical references and index ISBN: 9781349474912 Language: English Contents: Introduction -- 1. Questions of history -- 2. Institutional frameworks and organisational strategies -- 3.Experimental film and other visual arts -- 4. Visionary, mythopoeia and diary films -- 5. Experiments with structure and material -- 6. Women and film -- Conclusion: (Re)cognitions and (Re)considerations for This History -- Notes -- Bibliography -- Index ID2: 343 More info
An introduction to the American underground film / by Shelton Renan
New York: E.P. Dutton, 1967.
Call No: 771.3(73) REN Author: Renan, Shelton Edition: 1st ed. Place: New York Publisher: E.P. Dutton PubDate: 1967 PhysDes: 318 p. : ill. ; 19 cm. Subject: EXPANDED CINEMA; UNDERGROUND FILMS. USA; EXPERIMENTAL FILMS. USA; AVANT-GARDE FILMS. USA; ANGER, KENNETH; BAILLIE, BRUCE; BELSON, JORDAN; BRAKHAGE, STAN; BRANAMAN, ROBERT; BREER, ROBERT; BURCKHARDT, RUDY; CONNER, BRUCE; CONRAD, TONY; D'AVINO, CARMEN; EMSHWILLER, ED; GOLDMAN, PETER EMANUEL; JACOBS, KEN; JORDAN, LARRY; KAYE, STANTON; KUCHAR, GEORGE; KUCHAR, MIKE; LANDOW, GEORGE; MARKOPOULOS, GREGORY; MEKAS, JONAS; MENKEN, MARIE; NELSON, ROBERT; RICE, RON; SMITH, HARRY; SMITH, JACK; VAN DER BEEK, STAN; WARHOL, ANDY Summary: A study of the American Underground Film, its subject matter and stylistic elements. Also a history of avant garde film in America with director and actor profiles. Notes: Bibliography: p. 295-296
Includes index. Contents: -- What is the underground film? -- A history of the avant-garde/experimental/underground film in America -- A gallery of film-makers -- Stars of the underground films -- The underground establishment -- Expanded Cinema More info
It looks at you : the returned gaze of cinema / Wheeler Winston Dixon
Albany: State University of New York Press, 1995.
Call No: 632.53 DIX Author: Dixon, Wheeler W., 1950 Place: Albany Publisher: State University of New York Press PubDate: 1995 PhysDes: xv, 238 p. : ill. ; 24 cm Series: SUNY series in postmodern culture Subject: GAZE IN FILMS; UTOPIA IN FILMS; INTERACTIVE CINEMA; WARHOL, ANDY; BRAKHAGE, STAN; GUY-BLACHE, ALICE; VINYL (US, Andy Warhol, 1965?) Summary: This book is a study of one of the most insidious and pervasive phenomena in the study and reception of cinema: the "returned gaze" from the screen in which the audience is actually surveilled by the film being projected on the screen. Rather than the usual process of watching a film, in those films which return the gaze of the viewer, the film looks at us, confronting our voyeur's embrace of the spectacle it presents. The book cites examples as diverse as Andy Warhol's Vinyl, Laurel and Hardy two-reel comedies, the films of Jean-Marie Straub, Jean-Luc Godard, Roberto Rossellini, and Wesley E. Barry's Creation of The Humanoids. It also discusses the history of the returned gaze in video, pornography, surveillance systems, and the related plastic arts Notes: Includes bibliographical references (p. 203-226) and index ISBN: 0791423409 (pbk.); 0791423395 LON: 10868713 More info
Joseph Mankiewicz : Deauville Film Festival: an exclusive interview with legendary Hollywood figure
Interview (1981) vol.11 iss.11 p.32-34 Author: Ginsberg, Ina PhysDes: Article Subject: DEAUVILLE FILM FESTIVAL; AMERICAN CINEMA; MANKIEWICZ, JOSEPH L.; WARHOL, ANDY; DEMILLE, CECIL B.; CRAWFORD, JOAN; MONROE, MARILYN; SCREEN ACTORS GUILD; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); BAREFOOT CONTESSA, THE (US, Joseph L. Mankiewicz, 1954); SUDDENLY LAST SUMMER (UK, Joseph L. Mankiewicz, 1959); SLEUTH (UK, Joseph L. Mankiewicz, 1972) Summary: Ina Ginsburg quizzes Joseph Mankiewicz on beautiful women, the thematic focus of various films, his year-long tenure as President of the Screen Actors Guild, and on his famous feud with Cecil B. De Mille. Ginsburg also explores Mankiewicz's career trajectory beginning as a writer, transitioning to a producer for MGM, and finally as a director or Twentieth Century Fox. Andy Warhol joins the interview half-way through as Mankiewicz begins to make a number of contentious statements, including that Joan Crawford was pathetic towards the end of her career and that if Marilyn Monroe had lived longer she would have been a fat, washed-up drunk More info
Negative space : Manny Farber on the movies / new preface by Robert Walsh
New York: Da Capo Press, 1998.
Call No: 67(04) FAR Author: Farber, Manny Edition: Expanded ed Place: New York Publisher: Da Capo Press PubDate: 1998 PhysDes: xiv, 412 p. ; 21 cm Subject: FESTIVALS. NEW YORK; HAWKS, HOWARD; HUSTON, JOHN; LEWTON ,VAL; AGEE, JAMES; STURGES, PRESTON; CAPRA, FRANK; SIEGEL, DON; FULLER, SAMUEL; SNOW, MICHAEL; GODARD, JEAN-LUC; BUNUEL, LUIS; WALSH, RAOUL; ROEG, NICOLAS; HERZOG, WERNER; FASSBINDER, RAINER WERNER; FARBER, MANNY; AKERMAN, CHANTAL; JONES, CHUCK; Stewart, James; FORD, JOHN; WALSH, RAOUL; WARHOL, ANDY; PATTERSON, PATRICIA; WAVELENGTH (US, Michael Snow, 1967); FAR COUNTRY, THE (US, Anthony Mann, 1955); CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963); DETECTIVE STORY (US, William Wyler, 1951); HOME OF THE BRAVE (US, Mark Robson, 1949); SPY WHO CAME IN FROM THE COLD, THE (UK, Martin Ritt, 1965); HOW I WON THE WAR (UK, Richard Lester, 1967); CITIZEN KANE (US, Orson Welles, 1941); GRADUATE, THE (US, Mike Nichols, 1967); IN COLD BLOOD (US, Richard Brooks, 1967); JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (BE, Chantal Akerman, 1975); TAXI DRIVER (US, Martin Scorsese, 1976); THIRD MAN, THE (UK, Carol Reed, 1949); SKAMMEN (SW, Ingmar Bergman, 1968); CHINOISE, LA (FR, Jean-Luc Godard, 1967); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967) Summary: Manny Farber, one of the most important and entertaining critics in movie history, championed the American action film - the bravado of Howard Hawks, the art brut styling of Samuel Fuller, the crafty, sordid entertainments of Don Siegel - at a time when other critics dismissed the genre. His witty, incisive criticism later worked exacting language into an exploration of the feelings and strategies that went into low-budget and radical films as diverse as Michael Snow's Wavelength, Werner Herzog's Fata Morgana, and Shantal Akerman's Jeanne Dielman. Expanded with an in-depth interview and seven essays written in collaboration with his wife, artist Patricia Patterson, Negative Space gathers Farber's most influential writings, making this an indispensable collection for all lovers of film Notes: "First Da Capo Press edition"--T.p. verso; Includes index ISBN: 0306808293 (pbk. : alk. paper) LON: 13667387 More info
new Visions presents the new wave of quality films
Australasian Cinema (15/7/1983) vol.12 iss.12 p.30 More info
Nightmare movies : a critical history of the horror films, 1968-88 / Kim Newman
London: Bloomsbury, 1988.
Call No: 735.2 NEW Author: Newman, Kim Edition: The new ed Place: London Publisher: Bloomsbury PubDate: 1988 PhysDes: xiii, 255 p. : ill. ; 25 cm Subject: CRITICISM; HORROR FILMS; ADAMSON, AL; ANTONIONI, MICHELANGELO; ALLEN, NANCY; ARGENTO, DARIO; BAVA, MARIO; CAINE, MICHAEL; CARPENTER, JOHN; CARRADINE, JOHN; COHEN, LARRY; CRONENBERG, DAVID; DE PALMA, BRIAN; FULCI, LUCIO; HARPER, JESSICA; HITCHCOCK, ALFRED; HOOPER, TOBE; KING, STEPHEN; LEE, CHRISTOPHER; LEWIS, HERSCHELL GORDON; LYNCH, RICHARD; LUCAS, GEORGE; Perkins, Anthony; PLEASENCE, DONALD; ROMERO, GEORGE; WARHOL, ANDY; WATERS, JOHN (US); ALIEN (UK, Ridley Scott, 1979); ALONE IN THE DARK (US, Jack Sholder, 1982); AMERICAN WEREWOLF IN LONDON, AN (UK, John Landis, 1981); AMITYVILLE II: THE POSSESSION (US, Damiano Damiani, 1982); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); ASSAULT ON PRECINCT 13 (US, Jean-Francois Richet, 2005); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); COMPANY OF WOLVES, THE (UK, Neil Jordan, 1984); DAY OF THE WOMAN (US, Meir Zarchi, 1978); HALLOWEEN (US, John Carpenter, 1978); JAWS (US, Steven Spielberg, 1975); LAST HOUSE ON THE LEFT (US, Wes Craven, 1972); LOST BOYS, THE (US, Joel Schumacher, 1987); NIGHT OF THE LIVING DEAD (US, Tom Savini, 1990); ROSEMARY'S BABY (US, Roman Polanski, 1968); ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975); SHIVELS (CA, David Cronenberg, 1975); 2001: A SPACE ODYSSEY (US, Stanley Kubrick, 1968); THING, THE (US, John Carpenter, 1982); TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974); TWILIGHT ZONE, THE [TV] (US, 1959-64, 1985-88); THING, THE (US, John Carpenter, 1982) Notes: Includes bibliographical references (p. 216-217) and index ISBN: 0747502951 More info
The Producer as Author
Wide Angle (1985) vol.7 iss.3 p.24-33 More info
Projections 4 1/2 : film-makers on film-making / edited by John Boorman and Walter Donohue
London: Faber and Faber, 1995.
Call No: 802 PRO v.4 1/2 Author: Boorman, John, 1933; Donohue, Walter CorpAuthor: Positif Place: London Publisher: Faber and Faber PubDate: 1995 PhysDes: vii, 312 p. : ill., ports. ; 24 cm Subject: Keaton, Buster; ALTMAN, ROBERT; ASSAYAS, OLIVIER; WARHOL, ANDY; BOORMAN, JOHN; COEN, JOEL & ETHAN; PRICE, VINCENT; LANG, FRITZ; EASTWOOD, CLINT; FREARS, STEPHEN; FULLER, SAMUEL; ALLEN, WOODY; KIESLOWSKI, KRZYSZTOF; MALLE, LOUIS; MARKER, CHRIS; OPHULS, MARCEL; REISZ, KAREL; VON STROHEIM, ERICH; RUIZ, RAUL; SEN, MRINAL; TAVERNIER, BERTRAND; ALMEREYDA, MICHAEL; JARMAN, DEREK; LOWENSTEIN, RICHARD; POTTER, SALLY; ROUSSELOT, PHILIPPE; TOLKIN, MICHAEL; WARD, VINCENT; ZINNEMANN, FRED; ANGELOPOULOS, THEO; AVATI, PUPI; MARVIN, LEE; BREILLAT, CATHERINE; BRISSEAU, JEAN-CLAUDE; CAVALIER, ALAIN; CHABROL, CLAUDE; BUGIN, HARRY; COMENCINI, LUIGI; DE FILIPPO, EDUARDO; CORMAN, ROGER; CORNEAU, ALAIN; DEVILLE, MICHEL; DIEGUES, CARLOS; EGOYAN, ATOM; MACKENDRICK, ALEXANDER; GAAL, ISTVAN; GREENAWAY, PETER; HARRIS, JAMES B.; HELLMAN, MONTE; IOSELIANI, OTAR; BARNET, BORIS; KAZAN, ELIA; KEZDI-KOVACS, ZSOLT; KIAROSTAMI, ABBAS; KLOPCIC, MATJAZ; A TOUT ALLURE (FR, Robert Kramer, 1982); LATTUADA, ALBERTO; LECONTE, PATRICE; LEIGH, MIKE; LOACH, KENNETH; MAKAVEJEV, DUSAN; PEREIRA DOS SANTOS, NELSON; MINGOZZI, GIANFRANCO; MONICELLI, MARIO; PARRISH, ROBERT; PENN, ARTHUR; PINTILIE, LUCIAN; POLANSKI, ROMAN; RIPSTEIN, ARTURO; RISI, DINO; RISSIENT, PIERRE; ROHMER, ERIC; ROSI, FRANCESCO; RUDOLPH, ALAN; SARMIENTO, VALERIA; SAUTET, CLAUDE; SCHATZBERG, JERRY; SCHRADER, PAUL; SIJAN, SLOBODAN; STEVENIN, JEAN-FRANCIS; TAVIANI, PAOLO & VITTORIO; VARDA, AGNES; YANG, EDWARD; ZANUSSI, KRZYSZTOF; ZULAWSKI, ANDREJ; KERRIGAN, LODGE; LINKLATER, RICHARD; RIDLEY, PHILIP; ROBERTS, JULIA; RUSSELL, DAVID O.; SHERMAN, VINCENT; DAVIS, BETTE; SIEGEL, DAVID; MCGEHEE, SCOTT; SODERBERGH, STEVEN; TOBACK, JAMES; BABY DOLL (US, Elia Kazan, 1956); TEOREMA (IT, Pier Paolo Pasolini, 1968); ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973); SZEGENYLEGENYEK (HU, Miklos Jancso, 1966); ALBERO DEGLI ZOCCOLI, L' (IT, Ermanno Olmi, 1978); VERTIGO (US, Alfred Hitchcock, 1958); PSYCHO (US, Alfred Hitchcock, 1960); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); HUSTLER, THE (US, Robert Rossen, 1961); MIRAGE (US, Edward Dmytryk, 1965); DEUS E O DIABO NA TERRA DO SOL (BL, Glauber Rocha, 1964); POSITIF Notes: "In association with Positif."; "Centenary edition"--P. vii ISBN: 0571176097 LON: abn96057645; 12129416 More info
Rebirth of Warhol's Frankenstein, Dracula
Australasian Cinema (23/07/1982) vol.11 iss.13 p.3 PhysDes: Article Subject: WARHOL, ANDY; MORRISSEY, PAUL; DISTRIBUTION Summary: Brief article on the success of Andy Warhol/ Paul Morrissey films 'Flesh for Frankenstein' and 'Blood for Dracula' and where they were distributed. More info
Rewriting indie cinema : improvisation, psychodrama, and the screenplay / J.J Murphy
New York: Columbia University Press, 2019.
Call No: 224(73) MUR Author: Murphy, Murphy Source: US Place: New York Publisher: Columbia University Press PubDate: 2019 PhysDes: xi, 337 pages : illustrations ; 23 cm. Subject: SCRIPTS; SCRIPTWRITERS. USA; CASSAVETES, JOHN; LODEN, BARBARA; GREAVES, WILLIAM; VAN SANT, GUS; SWANBERG, JOE; MEKAS, JONAS; WARHOL, ANDY; CLARKE, SHIRLEY; MAILER, NORMAN; FERRARA, ABEL; KEITEL, HARVEY; VAN SANT, GUS; SWANBERG, JOE Summary: "Most films rely on a script developed in pre-production. Yet beginning in the 1950s and continuing through the recent mumblecore movement, key independent filmmakers have broken with the traditional screenplay. Instead, they have turned to new approaches to scripting that allow for more complex characterization and shift the emphasis from the page to performance.In Rewriting Indie Cinema, J. J. Murphy explores these alternative forms of scripting and how they have shaped American film from the 1950s to the present. He traces a strain of indie cinema that used improvisation and psychodrama, a therapeutic form of improvised acting based on a performer’s own life experiences. Murphy begins in the 1950s and 1960s with John Cassavetes, Shirley Clarke, Barbara Loden, Andy Warhol, Norman Mailer, William Greaves, and other independent directors who sought to create a new type of narrative cinema. In the twenty-first century, filmmakers such as Gus Van Sant, the Safdie brothers, Joe Swanberg, and Sean Baker developed similar strategies, sometimes benefitting from the freedom of digital technology. In reading key films and analyzing their techniques, Rewriting Indie Cinema demonstrates how divergence from the script has blurred the divide between fiction and nonfiction. Showing the ways in which filmmakers have striven to capture the subtleties of everyday behavior, Murphy provides a new history of American indie filmmaking and how it challenges Hollywood industrial practice." -- Taken from Trove Notes: Includes bibliographical references and index. ISBN: 9780231191975 Donation: Senses of Cinema Contents: Introduction. Across the spectrum: from improvisation to psychodrama -- And I hate actors: the new American cinema -- Let's not phony it up anymore: the films of John Cassavetes -- Place-based realism: Mackenzie, Loden, and Burnett -- Experiments in psychodrama: Mekas, Warhol, Clarke, and Mailer -- Human life isn't necessarily well-written: the films of William Greaves: symbiopsychotaxiplasm: take one and take 2 1/ 2 -- Beyond the method: Abel Ferrara and Harvey Keitel -- Tied to a machine: the films of Gus Van Sant -- Like how you talk: the films of Joe Swanberg -- Improvisation and place: Putty Hill, Stand clear of the closing doors, and the films of Sean Baker -- Rediscovering psychodrama: Frownland, Heaven knows what, and Stinking heaven -- The line between reality and staging: Actor Martinez, Actress, and The witness -- Conclusion: blending fiction and documentary More info
Slow cinema / edited by Tiago de Luca and Nuno Barradas Jorge
Edinburgh: Edinburgh University Press, 2016.
Call No: 631.11 SLO Author: de Luca, Tiago; Jorge, Nuno Barradas Edition: 2016 Place: Edinburgh Publisher: Edinburgh University Press PubDate: 2016 PhysDes: xx, 332 pages ; illustrated : 24 cm Subject: TIME IN FILMS; DREYER, CARL TH.; STRAUB, JEAN-MARIE; HUILLET, DANIELE; MING-LIANG, TSAI; WEERASETHAKUL, APICHATPONG; KIAROSTAMI, ABBAS; TARR, BELA; BENNING, JAMES; WARHOL, ANDY; SNOW, MICHAEL; CONRAD, TONY; INNOCENCE (FR, Lucile Hadzihalilovic, 2004); MEEK'S CUTOFF (US, Kelly Reichardt, 2011); JAPON (MX/GG/NE/SP, Carlos Reygadas, 2002) Summary: In the context of a frantic world that celebrates instantaneity and speed, a number of cinemas steeped in contemplation, silence and duration have garnered significant critical attention in recent years, thus resonating with a larger sociocultural movement whose aim is to rescue extended temporal structures from the accelerated tempo of late-capitalism. Although not part of a structured film movement, directors such as Carlos Reygadas, Tsai Ming-liang, Béla Tarr, Pedro Costa and Kelly Reichardt have been largely subsumed under the term ‘slow cinema’. But what exactly is slow cinema? Is it a strictly recent phenomenon or an overarching cinematic tradition? And how exactly do slow cinemas interrelate on an aesthetic, technical and political level?
Deploying the concept of slowness as an umbrella category under which filmmakers and traditions from different historical and geographical backgrounds can fruitfully converge, this innovative collection of essays interrogates and expands the frameworks that have generally informed slow cinema debates. Repositioning the term in a broader theoretical space, the book combines an array of fine-grained studies that will provide valuable insight into the notion of slowness in the cinema, while mapping out past and contemporary slow films across the globe. -- publisher's web site ISBN: 9780748696048 Contents: Table Of Contents -- Illustrations -- Foreword / Julian Stringer -- Introduction: From Slow Cinema to Slow Cinemas / Tiago De Luca & Nuno Barradas Jorge -- Part I: Historicising Slow Cinema -- 1: The Politics of Slowness and the Traps of Modernity / Lúcia Nagib -- 2: The Slow Pulse of the Era: Carl Th. Dreyer’s Film Style / C. Claire Thomson -- 3: The First Durational Cinema and the Real of Time / Michael Walsh -- 4: ‘The Attitude of Smoking and Observing’: Slow Film and Politics in the Cinema Of Jean-Marie Straub and Danièle Huillet / Martin Brady -- Part II: Contextualising Slow Cinema -- 5: Temporal Aesthetics of Drifting: Tsai Ming-Liang and a Cinema of Slowness / Song Hwee Lim -- 6: Stills and Stillness in Apichatpong Weerasethakul’s Cinema / Glyn Davis -- 7: Melancholia: The Long, Slow Cinema of Lav Diaz / William Brown -- 8: Exhausted Drift: Austerity, Dispossession and the Politics of Slow in Kelly Reichardt’s Meek’s Cutoff / Elena Gorfinkel -- 9: If These Walls Could Speak: From Slowness to Stillness in the Cinema of Jia Zhangke / Cecília Mello -- Part III: Slow Cinema And Labour -- 10: Wastrels of Time: Slow Cinema’s Labouring Body, The Political Spectator, and the Queer / Karl Schoonover -- 11: Living Daily, Working Slowly: Pedro Costa’s in Vanda’s Room / Nuno Barradas Jorge -- 12: Working/Slow: Cinematic Style as Labour in Wang Bing’s Tie Xi Qu: West Of The Tracks / Patrick Brian Smith -- 13: ‘Slow Sounds’: Duration, Audition and Labour in Liu Jiayin’s Oxhide and Oxhide II / Philippa Lovatt -- Part IV: Slow Cinema and the Nonhuman -- 14: It’s About Time: Slow Aesthetics in Experimental Ecocinema and Nature Cam Videos / Stephanie Lam -- 15: Natural Views: Animals, Contingency and Death in Carlos Reygadas’s Japón and Lisandro Alonso’s Los Muertos / Tiago de Luca -- 16: The Sleeping Spectator: Nonhuman Aesthetics in Abbas Kiarostami’s Five: Dedicated to Ozu / Justin Remes -- Part V: The Ethics and Politics of Slowness -- 17: Béla Tarr: The Poetics and the Politics of Fiction / Jacques Rancière -- 18: Ethics of the Landscape Shot: A.K.A Serial Killer and James Benning's Portraits of Criminals / Julian Ross -- 19: Slow Cinema and the Ethics of Duration / Asbjørn Grønstad -- Part VI: Beyond ‘Slow Cinema’ -- 20: Performing Evolution: Immersion / Unfolding and Lucile Hadžihalilovic’s Innocence / Matilda Mroz -- 21: The Slow Road to Europe: The Politics and Aesthetics of Stalled Mobility in Hermakono and Morgen / Michael Gott -- 22: Crystallising the Past: Slow Heritage Cinema / Rob Stone and Paul Cooke More info
Something secret : portraiture in Warhol's films / by Callie Angell ; foreword by Leon Paroissien
Sydney: Museum of Contemporary Art, 1994.
Call No: 81WAR ANG Copy Management: Copy 1; Copy 2 Author: Angell, Callie CorpAuthor: Museum of Contemporary Art (Sydney, N.S.W.) Place: Sydney Publisher: Museum of Contemporary Art PubDate: 1994 PhysDes: 24 p. : ill., ports. ; 24 cm Subject: WARHOL, ANDY Notes: Cover title; Published on the occasion of a programme of films by Andy Warhol which complemented an exhibition of portraits mounted by the MCA in collaboration with the Anthony d'Offay Gallery, London, and the Andy Warhol Foundation, New York, 18-21 February, 1994; Bibliography: p. 24 ISBN: 1875632190 LON: abn94029199; 10688266 More info
Stargazer : Andy Warhol's world and his films / Stephen Koch ; with a new introductory chapter by the author
New York: M. Boyars Distributed in the U.S. by Scribner, 1985.
Call No: 81WAR KOC Author: Koch, Stephen Edition: 2nd ed Place: New York Publisher: M. Boyars Distributed in the U.S. by Scribner PubDate: 1985 PhysDes: 155 p.,  p. of plates : ill. ; 24 cm Subject: WARHOL, ANDY Notes: Includes index; Filmography: p. 143-151 ISBN: 0714510378 (pbk.) : $11.95 LON: 85007833; 3796450 More info
Stargazer; Andy Warhol's world and his films
New York: Praeger, 1973].
Call No: 81WAR KOC Author: Koch, Stephen Place: New York Publisher: Praeger PubDate: 1973] PhysDes: 155 p. illus. 24 cm Subject: WARHOL, ANDY Notes: Filmography: p. 143-151 LON: 72093433; 595865 More info
Visionary film : the American avant-garde / P. Adams Sitney
New York: Oxford University Press, 1979.
Call No: 771.1(73) SIT Author: Sitney, P. Adams Edition: 2d ed Place: New York Publisher: Oxford University Press PubDate: 1979 PhysDes: xiv, 463 p. : ill. ; 24 cm Subject: AVANT-GARDE FILMS. USA; SURREALISM AND THE CINEMA; ANGER, KENNETH; Beavers, Robert; BELSON, JORDAN; BRAKHAGE, STAN; BREER, ROBERT; CROWLEY, ALEISTER; BRAKHAGE, JANE; BAILLIE, BRUCE; BROUGHTON, JAMES; CLARKE, SHIRLEY; CONNER, BRUCE; DEREN, MAYA; FRAMPTON, HOLLIS; GEHR, ERNIE; JACOBS, KEN; JORDAN, LARRY; LANDOW, GEORGE; LYE, LEN; MACLAINE, CHRISTOPHER; MARKOPOULOS, GREGORY; MEKAS, JONAS; NELSON, ROBERT; PETERSON, SIDNEY; RAINER, YVONNE; SHARITS, PAUL; SMITH, HARRY; SMITH, JACK; SNOW, MICHAEL; WARHOL, ANDY; WHITNEY, JAMES; RICE, RON; MAAS, WILLARD; KUBELKA, PETER; DUCHAMP, MARCEL; CORNELL, JOSEPH Notes: Includes bibliographical references and index ISBN: 0195024850 : $15.95; 0195024869(pbk.) LON: 1228317 More info
personality microfilm collection
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION PhysDes: Clippings; Publicity Subject: WARHOL, ANDY More info