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Call No: 71(73) AME
Author: Hillier, Jim
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: xvii, 283 p. : ill., ports. ; 24 cm
Subject: USA; INDEPENDENT FILMS. USA; CASSAVETES, JOHN; BRAKHAGE, STAN; WARHOL, ANDY; BLACK CINEMA; BLACKS IN FILMS. USA; BLACK FILMMAKERS. US; DASH, JULIE; DAUGHTERS OF THE DUST (US, Julie Dash, 1991); RIGGS, MARLON; TONGUES UNTIED (US, Marlon Riggs, 1989); CROOKLYN (US, Spike Lee, 1994); FRIDAY (US, F. Gary Gray, 1995); CLOCKERS (US, Spike Lee, 1995); LEE, SPIKE; GIRL 6 (US, Spike Lee, 1996); GET ON THE BUS (US, Spike Lee, 1996); SLAM (US, Marc Levin, 1998); HOMOSEXUALITY AND THE CINEMA; POISON (US, Todd Haynes, 1991); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); VAN SANT, GUS; SWOON (US, Tom Kalin, 1992); GO FISH (US, Rose Troche, 1994); TOTALLY F***ED UP (US, Gregg Araki, 1993); HAYNES, TODD; SAFE (US, Todd Haynes, 1995); DOOM GENERATION, THE (US, Gregg Araki, 1995); PEIRCE, KIMBERLY; BOYS DON'T CRY (US, Kimberly Peirce, 1999); JARMUSCH, JIM; NIGHT ON EARTH (US, Jim Jarmusch, 1991); SLACKER (US, Richard Linklater, 1990); SURE FIRE (US, Jon Jost, 1990); LINKLATER, RICHARD; BEFORE SUNRISE (US, Richard Linklater, 1995); LIVING IN OBLIVION (US, Tom DiCillo, 1995); WALKING AND TALKING (US, Nicole Holofcener, 1996); HARTLEY, HAL; HENRY FOOL (US, Hal Hartley, 1997); HAPPINESS (US, Todd Solondz, 1998); GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999); TIMECODE (US, Mike Figgis, 2000); ALTMAN, ROBERT; SHORT CUTS (US, Robert Altman, 1993); ANDERSON, PAUL THOMAS; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997); MAGNOLIA (US, Paul Thomas Anderson, 1999); FERRARA, ABEL; BAD LIEUTENANT (US, Abel Ferrara, 1992); BLACKOUT, THE (US, Abel Ferrara, 1997); ADDICTION, THE (US, Abel Ferrara, 1995); FUNERAL, THE (US, Abel Ferrara, 1996); JONZE, SPIKE; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); KORINE, HARMONY; GUMMO (US, Harmony Korine, 1997); JULIEN DONKEY-BOY (US, Harmony Korine, 1999); LYNCH, DAVID; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); LOST HIGHWAY (US, David Lynch, 1996); SAYLES, JOHN; CITY OF HOPE (US, John Sayles, 1991); LONE STAR (US, John Sayles, 1996); LIMBO (US, John Sayles, 1999); HENRY PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1989[prod. 1985]); ONE FALSE MOVE (US, Carl Franklin, 1991); BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993); EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993); PULP FICTION (US, Quentin Tarantino, 1994); Tarantino, Quentin; USUAL SUSPECTS, THE (US, Bryan Singer, 1995); BOUND (US, Larry Wachowski & Andy Wachowski, 1996); NORMAL LIFE (US, John McNaughton, 1996); THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997); JACKIE BROWN (US, Quentin Tarantino, 1997); BIG LEBOWSKI, THE (US, Joel Coen, 1998); OUT OF SIGHT (US, Steven Soderbergh, 1998); LIMEY, THE (US, Steven Soderbergh, 1999); SODERBERGH, STEVEN; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991); JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992)
ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99
LON: 20980358

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GET ON THE BUS (US, Spike Lee, 1996)

Call No: 81LEE SPI
Author: Massood, Palua J.
Source: US
Place: Philadelphia
Publisher: Temple University Press
PubDate: c2008
PhysDes: xxviii, 276 p. : ill. ; 23 cm
Subject: LEE, SPIKE; SCHOOL DAZE (US, Spike Lee, 1988); DO THE RIGHT THING (US, Spike Lee, 1989); MALCOLM X (US, Spike Lee, 1992); CROOKLYN (US, Spike Lee, 1994); CLOCKERS (US, Spike Lee, 1995); GET ON THE BUS (US, Spike Lee, 1996); SUMMER OF SAM (US, Spike Lee, 1999); BAMBOOZLED (US, Spike Lee, 2000); INSIDE MAN (US, Spike Lee, 2006)
Summary: "This rich and timely anthology brings together classic and original essays on Spike Lee's major films. These thought-provoking yet accessible pieces explore such topics as the significance of Lee's aesthetic choices, his contributions to African American film history, his place in the American cinematic landscape, and his negotiations with ideologies of race, gender, sexuality, and class. The contributors' engagement with Lee's oeuvre exemplifies the diverse responses his work has inspired for more than twenty years and will secure his place as one of the most influential cultural producers of our time. " - Valerie Smith, Director, Center for African American Studies and Woodrow Wilson Profesor of Literature, Princeton University -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references (p. [259]-263) and index; Includes filmography: p. [255]-258
ISBN: 9781592134854
Contents: We've gotta have it--Spike Lee, African American film, and cinema studies / Paula J. Massood -- "Whose pussy is this" : a feminist comment / Bell Hooks -- Programming with School daze / Toni Cade Bambara -- Spike Lee and Black women / Michele Wallace -- But compared to what? reading realism, representation, and essentialism in School daze, Do the right thing, and the Spike Lee discourse / Wahneema Lubiano -- The double truth, Ruth : Do the right thing and the culture of ambiguity / James C. McKelly -- Spike Lee and the fever in the racial jungle / Ed Guerrero -- "Spike, don't mess Malcolm up" : courting controversy and control in Malcolm X / Anna Everett -- Through the looking glass and over the rainbow : exploring the fairy tale in Spike Lee's Crooklyn / Mark D. Cunningham -- Clockers (Spike Lee 1995) : adaptation in black / Keith M. Harris -- Reel men : Get on the bus and the shifting terrain of Black masulinities / S. Craig Watkins -- We shall overcome : preserving history and memory in 4 little girls / Christine Acham -- Spike Lee meets Aaron Copland / Krin Gabbard -- Race and Black American film noir : Summer of Sam as lynching parable / Dan Flory -- Racial kitsch and Black performance / Tavia Nyong'o -- "I be smackin' my hoes" : paradox and authenticity in Bamboozled / Beretta E. Smith-Shomade -- De profundis : a love letter from the inside man / David A. Gerstner.