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Call No: 71(73) AME
Author: Hillier, Jim
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: xvii, 283 p. : ill., ports. ; 24 cm
Subject: USA; INDEPENDENT FILMS. USA; CASSAVETES, JOHN; BRAKHAGE, STAN; WARHOL, ANDY; ETHNIC GROUPS IN FILMS. USA; BLACK FILMMAKERS. US; DASH, JULIE; DAUGHTERS OF THE DUST (US, Julie Dash, 1991); RIGGS, MARLON; TONGUES UNTIED (US, Marlon Riggs, 1989); CROOKLYN (US, Spike Lee, 1994); FRIDAY (US, F. Gary Gray, 1995); CLOCKERS (US, Spike Lee, 1995); LEE, SPIKE; GIRL SIX (US, Spike Lee, 1996); GET ON THE BUS (US, Spike Lee, 1996); SLAM (US, Marc Levin, 1998); HOMOSEXUALITY AND THE CINEMA; POISON (US, Todd Haynes, 1991); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); VAN SANT, GUS; SWOON (US, Tom Kalin, 1992); GO FISH (US, Rose Troche, 1994); TOTALLY F***ED UP (US, Gregg Araki, 1993); HAYNES, TODD; SAFE (US, Todd Haynes, 1995); DOOM GENERATION, THE (US, Gregg Araki, 1995); PEIRCE, KIMBERLY; BOYS DON'T CRY (US, Kimberly Peirce, 1999); JARMUSCH, JIM; NIGHT ON EARTH (US, Jim Jarmusch, 1991); SLACKER (US, Richard Linklater, 1990); SURE FIRE (US, Jon Jost, 1990); LINKLATER, RICHARD; BEFORE SUNRISE (US, Richard Linklater, 1995); LIVING IN OBLIVION (US, Tom DiCillo, 1995); WALKING AND TALKING (US, Nicole Holofcener, 1996); HARTLEY, HAL; HENRY FOOL (US, Hal Hartley, 1997); HAPPINESS (US, Todd Solondz, 1998); GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999); TIMECODE (US, Mike Figgis, 2000); ALTMAN, ROBERT; SHORT CUTS (US, Robert Altman, 1993); ANDERSON, PAUL THOMAS; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997); MAGNOLIA (US, Paul Thomas Anderson, 1999); FERRARA, ABEL; BAD LIEUTENANT (US, Abel Ferrara, 1992); BLACKOUT, THE (US, Abel Ferrara, 1997); ADDICTION, THE (US, Abel Ferrara, 1995); FUNERAL, THE (US, Abel Ferrara, 1996); JONZE, SPIKE; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); KORINE, HARMONY; GUMMO (US, Harmony Korine, 1997); JULIEN DONKEY-BOY (US, Harmony Korine, 1999); LYNCH, DAVID; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); LOST HIGHWAY (US, David Lynch, 1996); SAYLES, JOHN; CITY OF HOPE (US, John Sayles, 1991); LONE STAR (US, John Sayles, 1996); LIMBO (US, John Sayles, 1999); HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986); ONE FALSE MOVE (US, Carl Franklin, 1991); BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993); EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993); PULP FICTION (US, Quentin Tarantino, 1994); Tarantino, Quentin; USUAL SUSPECTS, THE (US, Bryan Singer, 1995); BOUND (US, Larry Wachowski & Andy Wachowski, 1996); NORMAL LIFE (US, John McNaughton, 1996); THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997); JACKIE BROWN (US, Quentin Tarantino, 1997); BIG LEBOWSKI, THE (US, Joel Coen, 1998); OUT OF SIGHT (US, Steven Soderbergh, 1998); LIMEY, THE (US, Steven Soderbergh, 1999); SODERBERGH, STEVEN; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991); JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992)
ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99
LON: 20980358

Call No: TITLE CLIPPINGS FILE
PhysDes: Postcards; Stills; Clippings; Press kit
Subject: BOUND (US, Larry Wachowski & Andy Wachowski, 1996)
ID2: 81

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: BOUND (AT, Serhat Caradee, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOUND FOR BOTANY BAY (AT, John Dollar, 1983)

Call No: N79BOU GUT
Author: Guthrie, Woody, 1912-1967
Place: London
Publisher: Dent
PubDate: 1969
PhysDes: xi, 430 p. : ill. ; 23 cm
Subject: BOUND FOR GLORY (US, Hal Ashby, 1976)
Summary: Autobiography of folk singer Woody Guthrie
Notes: Reprint. Originally published: New York : E.P. Dutton, 1943
ISBN: 0460039245
LON: nla05004351; 6362529

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 4 photographs : b&w ; 13 x 18 cm
Subject: BOUND (AT, Serhat Caradee, 2000)
Summary: Four black and white photographs relating to the film Bound
Notes: Contains duplicates of the one photograph

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: BROADWAY BOUND (US, Paul Bogart, 1991)
ID2: 79

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Press kit; Clippings
Subject: HOMEWARD BOUND II: LOST IN SAN FRANCISCO (US, David R. Ellis, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: HOMEWARD BOUND: THE INCREDIBLE JOURNEY (US, Duwayne Dunham, 1993)

Call No: 81WAC KEE
Author: Keegan, Cael M.
Place: Urbana
Publisher: University of Illinois Press
PubDate: 2018
PhysDes: x, 180 pages : illustrations ; 21 cm.
Series: Contemporary film directors
Subject: FILM; DIRECTORS; PRODUCERS; CRITICISM; TRANSGENDER AND THE CINEMA; TRANSGENDERISM IN FILMS; CONTROVERSIAL ISSUES IN FILMS; WACHOWSKI, LANA; WACHOWSKI, LILLY; WACHOWSKI, LARRY; WACHOWSKI, ANDREW; ANIMATRIX, THE (US, Peter Chung & Andy Jones & Yoshiaki Kawajiri & Takeshi Koike & Mahiro Maeda & Kouji Morimoto & Shinichiro Watanabe, 2003); BOUND (US, Larry Wachowski & Andy Wachowski, 1996); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); MATRIX REVOLUTIONS, THE (US, Andy Wachowski & Larry Wachowski, 2003); V FOR VENDETTA (US/GG, James McTeigue, 2005); SPEED RACER (US, ANDY WACHOWSKI, LARRY WACHOWSKI, 2008); CLOUD ATLAS (G/US/HK/SI, Tom Tykwer/Andy Wachowski, 2012); JUPITER ASCENDING (US, The Wachowskis, 2015); SENSE8 [TV] (US, 2015-2018)
Summary: "Lana and Lilly Wachowski are intensely political film writers, directors, and producers whose work has made an indelible impact on American popular culture. From The Matrix (1999) to Cloud Atlas (2012), they have left their mark as innovators in the industry, consistently pushing the boundaries of what is perceived as technically and topically possible in studio film. They are also the world's first major transgender film directors and arguably the most influential transgender cultural producers in human history. Their coming out makes possible a reevaluation of the Wachowskis' entire oeuvre as curating alternate approaches to gender, emobodiment, and perception, that might be retrospectively theorized as "trans." In this study, Cael Keegan will argue that the Wachowskis' work can be read as an aesthetic history of transgender political consciousness as it has evolved in popular media. He explores the significance of the Wachowskis as film and genre innovators who have permanently altered the technology and aesthetics of mainstream Hollywood cinema. Keegan sees the radical identities at play in many of their early films as emerging from a queer sensibility and and a hoped-for sense of the body's plasticity. Moving chronologically through the Wachowskis' filmography, he uses the films' theorization of gender and embodied identity at the intersection of convergence, virtuality, biopolitical surveillance and capitalist realism to open these much-discussed works to new modes of analysis" --
Notes: "Lilly Wachowski was born in 1967 in Chicago as Andrew Wachowski" -- Libraries Australia; Lana Wochowski was born as Larry Wochowski - Libraries Australia; Alternate Names: The Wachowski Brothers or The Wachowskis; Includes bibliographical references, filmography, and index.
ISBN: 9780252083839
Contents: Trans opt: Received -- "You can believe what you feel": Bound -- Ecstatic passages: The Matrix -- Redpill -- Adventures in transreality: The animatrix -- Heroic ends: The matrix reloaded and The matrix revolutions -- Revolutionary guises: V for Vendetta -- Sensorial assault -- Fixed races: Speed racer -- Escaping history: Cloud atlas -- Speculative heights: Jupiter ascending -- Epilogue: event horizon: Sense8 --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OUTBACK BOUND (US, John Llewellyn Moxey)

Call No: REFERENCE SECTION; 036-02 STR
Author: Clarke, Nicola; Gordon, Stephen; Johnston, Louise; Khan, Ayesha; Smart, Emma
Source: UK
Place: London
Publisher: BFI National Library
PubDate: c2001
PhysDes: 77 p ; 30 cm
Series: National Library 16+ guides
Subject: WOMEN IN FILMS; FEMINISM AND THE CINEMA; TODO SOBRE MI MADRE (SP/FR, Pedro Almodovar, 1999); ALLY MCBEAL [TV] (US, 1997-); BASIC INSTINCT (US, Paul Verhoeven, 1992); BHAJI ON THE BEACH (UK, Gurinder Chadha, 1993); BOUND (AT, Serhat Caradee, 2000); BUFFY THE VAMPIRE SLAYER (US, Fran Rubel Kuzui, 1992); BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004); CHARLIE'S ANGELS (US, McG, 2000); WO HU ZANG LONG (HK, Ang Lee, 2000); ELIZABETH (UK, Shekhar Kapur, 1998); ERIN BROKOVICH (US, Stephen Soderbergh, 2000); LARA CROFT: TOMB RAIDER (US, Simon West, 2001); LAST SEDUCTION, THE (US, John Dahl, 1994); NIKITA (FR/IT, Luc Besson, 1990); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); ROSEANNE [TV] (US, 1988- ); RUN LOLA RUN (G, Tom Tykwer, 1998); SENSE AND SENSIBILITY (US, Ang Lee, 1995); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); WAITING TO EXHALE (US, Forest Whitaker, 1995); XENA: WARRIOR PRINCESS [TV] (US, 1995-); X-FILES, THE [TV] (US, 1993-); CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000)
Notes: This and other bfi National Library 16+ Guides available from http://www.bfi.org.uk/16+
ID2: 150

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: TOKYO BOUND: BONDAGE MISTRESS OF JAPAN (US, Susan Lambert, 2000)

Call No: 734:451-02 WOM
Author: Kaplan, E. Ann
Edition: Rev. and expanded ed
Place: London
Publisher: BFI Publishing
PubDate: 1998
PhysDes: ix, 238 p. : ill. ; 24 cm
Subject: WOMEN IN FILMS; FILM NOIR; FEMINISM AND THE CINEMA; ETHNIC GROUPS IN FILMS; HOMOSEXUALITY AND THE CINEMA; FEMME FATALE; POSTMODERNISM AND THE CINEMA; HAUNTING, THE (US, Robert Wise, 1963); BOUND (US, Larry Wachowski & Andy Wachowski, 1996); CAT PEOPLE (US, Jacques Tourneur, 1942); LADY FROM SHANGHAI, THE (US, Orson Welles, 1948); KLUTE (US, Alan J. Pakula, 1971); MILDRED PIERCE (US, Michael Curtis, 1945); BLUE GARDENIA, THE (US, Fritz Lang, 1953); DOUBLE INDEMNITY (US, Billy Wilder, 1944); GILDA (US, Charles Vidor, 1946)
Notes: Includes bibliographical references
ISBN: 0851706665 (pbk.); 0851706657 (hbk.)
LON: 14106071