Yet to catalogue
book
35mm dreams / Sue Mathews Ringwood, Vic.: Penguin, 1984.
Call No: 802.25(94) MATAuthor: Mathews, Sue, 1952 Source: ATPlace: Ringwood, Vic.Publisher: PenguinPubDate: 1984PhysDes: 295 p. : ill., ports. ; 20 cmSubject: DIRECTORS. AUSTRALIA ; DIRECTION ; INDUSTRY, FILM. AUSTRALIA ; SCHEPISI, FRED ; WEIR, PETER ; ARMSTRONG, GILLIAN ; DUIGAN, JOHN ; MILLER, GEORGE Summary: "In this collection of interviews, five of Australia's most successful film directors discuss Australian cinema - from the startling resurgence of the industry to their roles as directors compared with those overseas. They talk about how films actually get made, their individual cinematic aspirations, and discuss issues such as whether Australian films should become more 'international'. These interviews make up a portion of new Australian cinema." [Book blurb]Notes: Australian cinema films. Directors. Interviews (ANB/PRECIS SIN 0699594); Australian cinema films (ANB/PRECIS SIN 0390917); Cover subtitle: Conversations with five directors about the Australian film revival; Filmography: p. 279-293ISBN: 0140067094 : $9.95 AustLON: anb14006709; 3025187ID2: 161
More info
book
Abel Ferrara / Nicole Brenez ; translated from the French by Adrian Martin Urbana, Ill ; Chicago: University of Illinois Press, 2007.
Call No: 81FER BREAuthor: Brenez, Nicole Source: USPlace: Urbana, Ill ; ChicagoPublisher: University of Illinois PressPubDate: 2007PhysDes: xii, 210 p. : ill. ; 22 cmSeries: Contemporary film directors / edited by Jame NaremoreSubject: DIRECTORS. USA ; CRITICISM ; FERRARA, ABEL Notes: Includes filmography (pp. [173]-191).
Includes bibliographical references (pp. [193]-197) and index.ISBN: 9780252074110 (pbk. : alk. paper) - ISBN 13
0252074114 (pbk. : alk. paper) - ISBN 19
More info
journal article
About "Le Viol" in Melbourne Film Bulletin (April 1968) iss.2 p.26-27
More info
serial
Action / Directors Guild of America Hollywood, Calif.: The Guild, 1966-78.
Call No: held v.5, no.1-v.11, no.9 Jan./Feb. 1970-Nov./Dec. 1978 lacks v.7, no.6; v.11, no.4-5; -- IN STORAGE. OVERNIGHT RETRIEVALCorpAuthor: Directors Guild of America; Action (Hollywood, Calif.)Source: USPlace: Hollywood, Calif.Publisher: The GuildPubDate: 1966-78PhysDes: 11 v. : ill. ; 28 cmSubject: DIRECTORS. USA Notes: Issues for Sept./Oct. 1966- have subtitle "the magazine of the Directors Guild of America."ISSN: 0001-7361Frequency: BimonthlyLON: sn 95006971; 12188595
More info
subject clippings file
ACTORS AS DIRECTORS
More info
book
The American cinema : directors and directions, 1929-1968 New York: Dutton, 1968.
Call No: 802.25(73) SARAuthor: Sarris, Andrew Edition: [1st ed.]Place: New YorkPublisher: DuttonPubDate: 1968PhysDes: 383 p. 22 cmSubject: DIRECTORS. USA ; LUBITSCH, ERNST ; LOSEY, JOSEPH ; FORD, JOHN ; GRIFFITH, DAVID WARK ; HAWKS, HOWARD ; HITCHCOCK, ALFRED ; OPHULS, MAX ; VON STERNBERG, JOSEF ; PREMINGER, OTTO ; STURGES, PRESTON ; WALSH, RAOUL ; LEWIS, JERRY ; WELLES, ORSON LON: 31835
More info
book
American directors : volume 1 / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983.
Call No: 802.25(73) COU vol.1Author: Coursodon, Jean-Pierre ; Sauvage, Pierre Place: New YorkPublisher: McGraw-HillPubDate: c1983PhysDes: 2 v. ; 24 cmSubject: DIRECTORS. USA ; BERKELEY, BUSBY ; BORZAGE, FRANK ; BROWN, CLARENCE ; CAPRA, FRANK ; CHAPLIN, CHARLES ; CUKOR, GEORGE ; CURTIZ, MICHAEL ; DAVES, DELMER ; DEMILLE, CECIL B. ; DWAN, ALLAN ; FLEMING, VICTOR ; FORD, JOHN ; HAWKS, HOWARD ; HITCHCOCK, ALFRED ; HUSTON, JOHN ; KING, HENRY ; LA CAVA, GREGORY ; LANG, FRITZ ; LEROY, MERVYN ; LEWIS, JOSEPH H. ; LUBITSCH, ERNST ; MAMOULIAN, ROUBEN ; MANN, ANTHONY ; MCCAREY, LEO ; PREMINGER, OTTO ; SHERMAN, VINCENT ; SIRK, DOUGLAS ; STAHL, JOHN M. ; VON STERNBERG, JOSEF ; STEVENS, GEORGE ; STURGES, PRESTON ; TOURNEUR, JACQUES ; ULMER, EDGAR G. ; VIDOR, KING ; WALSH, RAOUL ; WELLMAN, WILLIAM ; WILDER, BILLY ; WYLER, WILLIAM Notes: Includes filmographies and indexesISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95LON: 2198273
More info
book
American directors : volume II / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983.
Call No: 802.25(73) COU vol.2Author: Coursodon, Jean-Pierre ; Sauvage, Pierre Place: New YorkPublisher: McGraw-HillPubDate: c1983PhysDes: 2 v. ; 24 cmSubject: DIRECTORS. USA ; ALDRICH, ROBERT ; ALLEN, WOODY ; ALTMAN, ROBERT ; BOETTICHER, BUDD ; BOGDANOVICH, PETER ; BROOKS, RICHARD ; CASSAVETES, JOHN ; CASTLE, WILLIAM ; COPPOLA, FRANCIS FORD ; CORMAN, ROGER ; DASSIN, JULES ; DE PALMA, BRIAN ; DMYTRYK, EDWARD ; DONEN, STANLEY ; EASTWOOD, CLINT ; EDWARDS, BLAKE ; FLEISCHER, RICHARD ; FRANKENHEIMER, JOHN ; FULLER, SAMUEL ; HARRINGTON, CURTIS ; KAZAN, ELIA ; KELLY, GENE ; KERSHNER, IRVIN ; KUBRICK, STANLEY ; LEWIS, JERRY ; LOGAN, JOSHUA ; LOSEY, JOSEPH ; LUMET, SIDNEY ; Lupino, Ida ; MANKIEWICZ, JOSEPH L. ; MINNELLI, VINCENTE ; PARRISH, ROBERT ; Peckinpah, Sam ; PENN, ARTHUR ; POLLACK, SYDNEY ; POLONSKY, ABRAHAM ; RAFELSON, BOB ; RAFELSON, BOB ; RAY, NICHOLAS ; RITCHIE, MICHAEL ; ROSSEN, ROBERT ; SCORSESE, MARTIN ; SIDNEY, GEORGE ; SIEGEL, DON ; SPIELBERG, STEVEN ; STURGES, JOHN ; TASHLIN, FRANK ; WELLES, ORSON ; WISE, ROBERT ; ZINNEMANN, FRED Notes: Includes filmographies and indexesISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95LON: 2198273
More info
book
American-Jewish filmmakers : traditions and trends / David Desser and Lester D. Friedman Urbana: University of Illinois Press, 1993.
Call No: 802.25-054(=924) DESAuthor: Desser, David ; Friedman, Lester D Place: UrbanaPublisher: University of Illinois PressPubDate: 1993PhysDes: x, 318 p. : ill. ; 23 cmSubject: ALLEN, WOODY ; BROOKS, MEL ; LUMET, SIDNEY ; MAZURSKY, PAUL ; JEWS AND THE CINEMA. USA ; DIRECTORS. USA ; JEWS IN FILMS. USA Notes: "An Illini book"--Cover; Includes bibliographical references (p. [297]-307) and indexISBN: 0252015649 (cl : acid-free paper); 0252063015 (pb : acid-free paper)LON: 9606171Contents: Woody Allen, p36-104 -- Mel Brooks, p105-159 -- Sidney Lumet, p160-223 -- Paul Mazursky, p224-279
More info
book
The American vein : directors and directions in television / Christopher Wicking and Tise Vahimagi London: Talisman Books, 1979.
More info
book
Animation from script to screen / Shamus Culhane London: Columbus, 1989, c1988.
Call No: 246CULAuthor: Culhane, Shamus Source: UKPlace: LondonPublisher: ColumbusPubDate: 1989, c1988PhysDes: xv, 336 p., [2] p. of plates : ill.(some col.) ; 24 cmSubject: ANIMATION ; ANIMATORS ; CARTOONS. USA ; DIRECTORS. USA ; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS Summary: The book covers all areas of animation: the basic mechanics of animation, expressing creativity through animation, writing, recording, acting and dialogue in the area of animation, and finally it deals with managing an animation studio. It contains the work of 130 leading animators, worldwide.Notes: Includes indexISBN: 0862879590
More info
journal article
Around the world, films by women from Europe and elsewhere : Aloïse in NFT (May 1982) p.5
More info
book
Aural Auteur : sound in the films of Rolf De Heer / David Bruno Starrs Brisbane, Queensland: 2009.
Call No: 81:634DEH STAAuthor: Starrs, David Bruno Source: ATPlace: Brisbane, QueenslandPubDate: 2009PhysDes: 263 p. : ill. ; 30 cmSubject: AUTEUR THEORY ; DIRECTORS. AUSTRALIA ; SOUND ; THEORY ; DE HEER, ROLF ; DANCE ME TO MY SONG (AT, Rolf de Heer, 1998) ; DR PLONK (AT, Rolf de Heer, 2007) ; EPSILON (AT/IT, Rolf de Heer, 1995) ; OLD MAN WHO READ LOVE STORIES (AT/SP/FR/NL, Rolf de Heer, 2000) ; PROPOSITION, THE (AT/UK, John Hillcoat, 2005) ; TRACKER, THE (AT, Rolf de Heer, 2002) Summary: "An interpretative methodology for understanding meaning in cinema since the 1950s, auteur analysis is an approach to film studies in which an individual, usually the director, is studied as the author of his or her films. The principal argument of this thesis is that proponents of auteurism have privileged examination of the visual components in a film-makers' body of work, neglecting the potentially significant role played by sound.
The thesis seeks to address this problematic imbalance by interrogating the creative use of sound in the films written and directed Rolf de Heer, asking the question, "Does his use of sound make Rolf de Heer and aural auteur?" In so far as the term 'aural' encompasses everything in the film that is heard by the audience, the analysis seeks to discover if de Heer has, as Peter Wollen suggests of the auteur and her or his directing of the visual components (1968, 1972 and 1998), unconsciously left a detectable aural signature on his films.
The thesis delivers an innovative outcome by demonstrating that auteur analysis that goes beyond the mise-en-scene (i.e. visuals) is productive and worthwhile as an interpretative response to film. De Heer's use of the aural point of view and binaural sound recording, his interest in providing a 'voice' for marginalised people, his self-penned song lyrics, his close and early collaboration with composer Graham Tardif and sound desinger Jim Currie, his 'hands-on' approach to sound recording and sound editing and his predilection for making films about sound are all shown to be examples of de Heer's aural auteurism.
As well as the three published (or accepted for publication) interviews with de Heer, Tardif and Currie, the dissertation consists of seven papers refereed and published (or accepted for publication) in journals and internatiional conference proceedings, a literature review and a unifying essay. The papers presented are close textual analyses of de Heer's films which, when considered as a whole, support the thesis' overall argument and serve as comprehensive auteur analysis, the first such sustained study of his work, and the first with an emphasis on the aural. " -- ABSTRACTNotes: Presented to the Creative Industries Faculty, Queensland University of Technology. Thesis (Ph.D.)--Queensland University of Technology, Brisbane, 2009; Includes bibliographical references (p. 213-231)Contents: -- part one: introduction -- chapter 1: the research problem, objective/aims, subject and methodologies -- chapter 2: the literature and contextual review -- part two: the seven refereed and published papers of the thesis -- chapter 3: a paper utilising genre analysis and signalling an interest in the auteurism of Rolf de Heer -- chapter 4: the first of two papers utilising standard auteur analysis -- chapter 5: the second of two papers utilising standard auteur analysis -- chapter 6: a paper arguing for the methodological innovation of the thesis: aural auteur analysis -- chapter 7: the first of three papers utilising aural auteur analysis -- chapter 8: the second of three papers utilising aural auteur analysis -- chapter 9: the third of three papers utilising aural auteur analysis -- part three: conclusion -- chapter 10: the unifying essay -- 11: references/bibliography and filmography -- 12: appendicies -- list of figures --
More info
journal article
Aussies make Hollywood sit up and take notice in Encore (May 2000) vol.18 iss.4 p.14
More info
Interim
book
Aussiewood : Australia's leading actors and directors tell how they conquered Hollywood Crows Nest, NSW: Allen & Unwin, 2004.
Call No: 802 BOLAuthor: Boland, M. ; Bodey, M. Place: Crows Nest, NSWPublisher: Allen & UnwinPubDate: 2004PhysDes: 294 p. ; ill. ; 23 cmSubject: ACTORS. AUSTRALIA ; INDUSTRY, FILM. USA ; DIRECTORS. AUSTRALIA ; AUSTRALIANS IN FILMS Summary: Australia’s leading actors and directors tell how they conquered Hollywood. Includes chapters on Nicole Kidman, Eric Bana, Geoffrey Rush, Naomi Watts, Anthony LaPaglia, Phillip Noyce, Paul Hogan and more.Notes: Bibliogrpahy
More info
Interim
book
Australian directors : a quick reference guide / Australian Film Commission Sydney: Australian Film Commission, 1997.
Call No: 802.25(94) AUSCorpAuthor: Australian Film CommissionPlace: SydneyPublisher: Australian Film CommissionPubDate: 1997Subject: DIRECTORS. AUSTRALIA
More info
Interim
book
Australian directors : a quick reference guide / Australian Film Commission Sydney: Australian Film Commission, 1999.
Call No: 802.25(94) AUSCorpAuthor: Australian Film CommissionPlace: SydneyPublisher: Australian Film CommissionPubDate: 1999Subject: DIRECTORS. AUSTRALIA
More info
Old collection
book
Australian feature (fiction) films written, directed and produced by women 1970-1995 / Lisa French 1995.
More info
Online resource
book
Australian film / Saskia Vanderbent Harpenden, UK: Pocket Essentials, 2006. Available at ProQuest (RMIT login required)
Call No: 71(94) VANAuthor: Vanderbent, Saskia Source: AUPlace: Harpenden, UKPublisher: Pocket EssentialsPubDate: 2006PhysDes: 160 p. ; 18 cmSubject: DIRECTORS. AUSTRALIA ; FILMOGRAPHIES. AUSTRALIA ; HISTORY AND THE CINEMA. AUSTRALIA Summary: This book analyses over 80 significant works from silent through to contemporary themes. The author examines how directors have used the medium of film to explore and come to terms with their problematic past, in particular British colonialism and the treatment of indigenous Ausralians, and dramatise issues of landscape, masculinity, anti-authoritarianism and the pioneering spirit. The careers of several actors are also traced. [Adapted from back cover.]Notes: Cover title: The pocket essential Australian film.ISBN: 1904048587URL status: URL: 'https://ebookcentral.proquest.com/lib/rmit/detail.action?docID=282644'
Checked: 31/08/2021 1:14:52 PM
Status: Moved
Details: HTTP status 302 - Moved temporarily
More info
book
Australian motion picture yearbook 1980 / edited by Peter Beilby ; associate editor: Scott Murray North Melbourne, Victoria: Cinema Papers Pty Ltd, 1980.
More info
subject clippings file
AUSTRALIAN SCREEN DIRECTORS ASSOCIATION
More info
book
An autobiography of British cinema as told by the filmmakers and actors who made it / Brian McFarlane ; foreward by Julie Christie London: Methuen, 1997.
More info
subject clippings file
AWARDS. AUSTRALIAN DIRECTORS GUILD
More info
subject clippings file
AWARDS. DIRECTORS GUILD OF AMERICA
More info
subject clippings file
AWARDS. PRODUCERS & DIRECTORS GUILD OF AUSTRALIA
More info
book
Behind a velvet light trap : a filmmaker's journey from Cinesound to Cannes / Anthony Buckley Prahran, Vic.: Hardie Grant, 2009.
Call No: 81BUC BUCAuthor: Buckley, Anthony Source: ATPlace: Prahran, Vic.Publisher: Hardie GrantPubDate: 2009PhysDes: x, 406 p. : ill. (some col.), ports. ; 26 cmSubject: BUCKLEY, ANTHONY ; PRODUCERS ; DIRECTORS. AUSTRALIA ; FILM WORKERS ; FILM WORKERS. AUSTRALIA ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) Summary: Almost from the inception of movies, the Buckley family were involved, so it was natural for the young Tony Buckley to get a job at a film laboratory, and move into film editing. Despite being warned by a veteran of film, "There's no future in it", Buckley began a career that was to involve a cast of thousands including Australian film pioneers, Raymond Longford and Ken G. Hall, Australian and international stars, and the pick of the Australian film and television industry. As an acclaimed editor, then producer, Tony Buckley's films have attracted numerous accolades and awards. In Behind a Velvet Light Trap, Buckley chronicles the frequent disasters on the set and the antics of actors and film crew with wry humour and a firm sense of professionalism. It is an insider's view of Australian movies and television where we get to meet some of the vivid personalities including Rudolf Nureyev, Michael Powell, Patrick White, James Mason, Ruth Park, Leo McKern and Joan Sutherland. --BOOK JACKETISBN: 9781740667906Contents: -- Preface -- Acknowledgement -- PART ONE -- 1 -- Saturdays At The Sesqui -- 2 --The Sentimental Bloke - Meeting Raymond Longford -- 3 -- Discovering 'The Hidden Power' -- 4 -- The Voice Of Australia -- 5 -- 'There's No Future In It, Son!' -- 6 -- Seven Miles From Sydney And 10,000 Miles From Care -- 7 -- Letters Home: 189 Cromwell Road - 'Hurry, My Milliner Is Waiting!' -- 8 -- Five For Europe: A Telegram From Home -- 9 -- Another Cinesound Excusive! -- 10 -- Forgotten Cinema And The Australian Renaissance -- 11-- Michael Powell and S.Y.M -- 12 -- Home to Avening -- 13 -- 'The Locomotive that Drives Everything Else -- 14 -- Mercer Clips and Hollywood -- 15 -- Le Reveil Dans La Terreur - Wake in Fright -- 16 -- Ballet in the Bedroom -- 17 -- Insular Fairyland - anyone for Croquet? -- 18 -- ...'You wanna make a film about a woman???!!' -- 19 -- My Sons, My Horses - The Anatomy of a Motion Picture -- 20 -- 'This Bizarre Work' - The Night of the Prowler -- 21 -- The very strange case of the Unknown Industrial Prisoner -- 22 -- Not In The Public Interest - the Juanita Factor -- 23 -- Flight Ten From Honolulu - A complete Change Of Direction -- 24 -- A Landmark Australian Film -- PART TWO -- 25 -- ...And Now For Something Completely Different - Television! -- 26 -- The Tree Of Humankind - Man On A Limb! -- 27 -- The Heroes Of The Miniseries -- 28 -- Prostitution - Adapting Bryce Courtenay - And The Mysterious Case Of The Stolen Logie -- PART THREE -- 29 -- Back To The Reel World -- 30 -- On Their Selection - The $24,000 Lunch! -- 31 -- A Celebration - Then Shadows Fall -- 32 -- 'That Resilient Little Beast' - But Not Quite A Heart Stopper! -- 33 -- An Apple For The Teacher - Food for thought -- 34 -- Shattered Dreams - Broken Promises -- The Final Reel - The Full Circle
More info
book
The best film I never made : and other stories about a life in the arts / by Bruce Beresford Melbourne, Victoria: The Text Publishing Company, 2017.
Call No: 81BER BERAuthor: Beresford, Bruce Source: ATPlace: Melbourne, VictoriaPublisher: The Text Publishing CompanyPubDate: 2017PhysDes: 281 pages ; 24 cmSubject: INDUSTRY, FILM ; INDUSTRY, FILM. AUSTRALIA ; PRODUCERS ; DIRECTORS ; AUSTRALIA ; BERESFORD, BRUCE Summary: "This entertaining collection of stories by the acclaimed director of Breaker Morant, Driving Miss Daisy and Mao’s Last Dancer includes memoirs, brief lives and revealing accounts of the film world and beyond.
Alongside unsung heroes from behind the camera and producers of dubious repute are Madeleine St John and Clive James, Margaret Olley and Jeffrey Smart, as well as a particularly seductive 1963 EH Holden—and Bruce Beresford’s father, whose strange and startling decline in old age is charted in a brilliant, poignant essay." -- BOOK BACK COVERISBN: 9781925603101Contents: -- I -- family, journeys, memories -- family tree -- my parents -- out of Toongabbie -- the end of the Roxy -- the lure of the EH -- in Guatemala -- pass the passport -- the age of memoirs -- inadvertant meetings - and premonitions -- II -- making and not making movies -- stumbling towards directing -- a career of sorts -- thoughts about actors and acting -- financing movies -- the Hubert Opperman saga -- the best film i never made -- III -- behind the screen -- the two Barrys -- memories of Horton Foote -- John Simon on film: an introduction -- Dino De Laurentiis, producer -- Tony Scott, director -- Robert Krasker: a sketch -- Sven Nykvist: an appreciation -- Don McAlpine, cameraman -- Ken Adam: a personal memoir -- Georges Delerue, composer -- Erich Korngold: a sketch -- IV-- opera, painters, writers -- a brief guide to American opera -- smart lessons -- a memory of Margaret Olley -- forgotten - and in Mildura -- Caravaggio and the cinema -- remembering B.S, Johnson -- Madeleine and me -- a remarkable man -- Australian literature and Film --
More info
book
Beyond document : essays on nonfiction film / edited by Charles Warren Hanover, NH: University Press of New England, 1996.
Call No: 761(04) BEYAuthor: Warren, Charles, 1948 Place: Hanover, NHPublisher: University Press of New EnglandPubDate: 1996PhysDes: xxviii, 366 p. : ports. ; 24 cmSubject: DOCUMENTARY FILMS ; CINEMA VERITE ; DIRECTORS ; DOCUMENTARY DRAMAS ; NEWSREELS ; MEMORY IN FILMS ; ETHNOGRAPHIC FILMS ; BIOGRAPHICAL FILMS ; GENOCIDE IN FILMS ; WORLD WAR II FILMS ; NUIT ET BROUILLARD (FR, Alain Resnais, 1955) ; OPHULS, MARCEL ; RESNAIS, ALAIN ; SANS SOLEIL (FR, Chris Marker, 1983) ; SHOAH (FR/SZ, Claude Lanzmann, 1985) ; TRI PESNI O LENINE (UR, Dziga Vertov, 1934) ; WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971) ; BOOMERANG (US, Elia Kazan, 1947) ; VERTOV, DZIGA ; MARKER, CHRIS ; FILM PORTAIT (US, Jerome Hill, 1972) ; GARDNER, ROBERT ; MCELWEE, ROSS ; ZERKALO (UR, Andrei Tarkovsky, 1975) Summary: "In essays by eleven of America's foremost writers, critics and filmmakers, Beyond Document explores the full spectrum on nonfiction film and its creative possibilities. In addition to Charles Warren's broad introductory history of the genre, the book takes a close look at ethnographic films, cinema verite, memoir and autobiography, docudramas, essay films, and newsreels, from classics like Night and Fog and Nanook of the North to more recent important work like Film about a Woman Who..., Harlan County, U.S.A., Sans Soleil, and Forest of Bliss.
Representations of reality are increasingly contested, in courtrooms and Congress, as well as in art. Asking what the art of film can achieve, Helene Keyssar considers the history of nonfiction films by women; Jay Cantor discusses film investigations of the Holocaust; Patricia Hampl looks at how autobiographical films render experience into narrative; Robert Gardner questions the filmmaker's "impulse to preserve"; and poet Susan Howe explores structures of mourning in several filmmakers. All of the books essays provide deeply felt understandings of documentary film, and of how we live with, and within, images." -- BOOK BLURBNotes: Includes bibliographical references (p. 345-350) and indexISBN: 0819552879 (cl : alk. paper); 0819562904 (pbk. : alk. paper)LON: 11642141Contents: Words of welcome / Stanley Cavell -- Introduction, with a brief history of nonfiction film / Charles Warren -- Death and the image / Jay Cantor -- Memory's movies / Patricia Hampl -- Eternal Verites / William Rothman -- The toil of thought: on several nonfiction films by women / Helene Keyssar -- The camera people / Eliot Weinberger -- The impulse to preserve / Robert Gardner -- You are there / Maureen Howard -- Earth and beyond: Dusan Makaveyev's WR: Mysteries of the Organism / Charles Warren -- In search of the centaur: the essay film / Phillip Lopate -- Vertov's cinematic transposition of reality / Vlada Petric -- Sorting facts; or, nineteen ways of looking at marker / Susan Howe
More info
book
The big picture : filmmaking lessons from a life on the set / Tom Reilly New York: Thomas Dunne Books, 2009.
Call No: 222.22 REIAuthor: Reilly, Tom Edition: 1st edSource: USPlace: New YorkPublisher: Thomas Dunne BooksPubDate: 2009PhysDes: xi, 239 p. ; 22 cmSubject: LOCATION PRODUCTION ; LOCATION SHOOTING ; DIRECTORS ; FILM WORKERS ; REILLY, TOM Summary: This is a must-have book for any aspiring filmmaker who wants to know the secrets of the pros, or for movie buffs who want to know what really happens on the sets of their favourite films.ISBN: 9780312380380Donation: donated by Senses of Cinema, 2012
More info
book
Blood cinema : the reconstruction of national identity in Spain / by Marsha Kinder Berkeley: University of California Press, 1993.
Call No: 408.1(46) KINAuthor: Kinder, Marsha Place: BerkeleyPublisher: University of California PressPubDate: 1993PhysDes: xi, 553 p. : ill. ; 24 cmSubject: SPAIN ; INDUSTRY, FILM. UK ; NATIONAL CULTURE AND THE CINEMA. SPAIN ; NATIONAL IDENTITY IN FILMS. SPAIN ; SPAIN: CATALONIA ; VIOLENCE IN FILMS. SPAIN ; DIRECTORS. USA ; ERICE, VICTOR ; SAURA, CARLOS ; ALMODOVAR, PEDRO ; BUNUEL, LUIS ; SURCOS (SP, Jose Antonio Nieves Conde, 1951) ; MUERTE DE UN CICLISTA (SP, Juan Antonio Bardem, 1955) ; GOLFOS, LOS (SP, Carlos Saura, 1959) ; COCHECITO, EL (SP, Marco Ferreri, 1959) ; ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973) ; RIO ABAJO (SP, Jose Luis Borau, 1984) Notes: "A Centennial book."; Includes bibliographical references (p. 507-522) and indexISBN: 0520081536 (alk. paper); 0520081579 (pbk. : alk. paper)LON: 9293143
More info
book
British feature directors : an index to their work [London?]: [British Film Institute?], [1958?].
Call No: 71(410)BRIEdition: [1958?]Place: [London?]Publisher: [British Film Institute?]PubDate: [1958?]PhysDes: 16 p : illus. ; 28 cmSubject: DIRECTORS. UK Summary: Short biographies (each with filmography and photograph) of eighty British directorsNotes: Little bibliographic information on item. Possibly a supplement to Monthly FIlm Bulletin
More info
Old collection
book
Bulgarian film directors : a dialogue with the foreign spectator / issued by the editotrial board of the review "Bulgarian Films" Sofia: Filmbulgaria, [1976].
Call No: 71(497.2) BULSource: BUPlace: SofiaPublisher: FilmbulgariaPubDate: [1976]PhysDes: [p.] : ill. ; 22 x 23 cmSubject: BULGARIA ; DIRECTORS. BULGARIA Summary: Profiles on a number of Bulgarian film directorsNotes: Title also in RussianLanguage: Russian, English
More info
journal article
Campaign to redress gender imbalance in The Age [Arts & entertainment] (5/11/2015) p.20
Call No: SUBJECT CLIPPINGS FILE; WOMEN DIRECTORS. AUSTRALIAPhysDes: ArticleSubject: WOMEN DIRECTORS. AUSTRALIA Summary: Comments by Screen Australia on 50/50 quota
More info
book
Celluloid ceiling : women film directors breaking through / edited by Gabrielle Kelly and Cheryl Robson Twickenham: Supernova Books, 2014.
Call No: 802.253 CELSource: UKPlace: TwickenhamPublisher: Supernova BooksPubDate: 2014PhysDes: 383 pages : illustrations ; 20 cmSeries: Women and the artsSubject: WOMEN DIRECTORS ; WOMEN AND THE CINEMA ; FEMINISM AND THE CINEMA Summary: "With Katherine Bigelow making history as the first woman to win an Oscar for directing, is this a new era for female filmmakers? The numbers suggest otherwise. A San Diego University study published last year states that only 9% of Hollywood directors in 2008 were women - the same figure recorded in 1998. Celluloid Ceiling seeks to redress the imbalance in the ratio of male to female film directors by exploring the most inspiring new work appearing in the UK, US and across the globe. Highlighting emerging female directors alongside recognised pioneers (eg. Bigelow, Campion, Coppola), placing all in context and examining their influences, Celluloid Ceiling offers a one-stop guide to the leading female directors of 21st century. With particular attention paid to women making films in traditionally male-dominated areas - such as action movies and films featuring violence or pornography - the author hopes to show all budding filmmakers that women can overcome the challenges within this industry." -- BOOK BLURBNotes: Includes bibliographical referencesISBN: 9780956632906Donation: donated by Senses of Cinema, 2014Contents: Introduction / Gabrielle Kelly and Cheryl Robson --
Africa -- African Women Directors: Edited version of a speech given at the colloquy 'Francophone African Women Filmmakers: 40 years of cinema, Paris (1972-2012)' / Beti Ellerson -- Speak Up! Who's Speaking?: African Female Filmmakers Speak for Themselves / Maria Williams-Hawkins --
Americas -- The home, the body and otherness: Canadian representations of identity and feminism in Mary Harron's American Psycho, Sarah Polley's Away From Her and the Soska Sisters' American Mary / Karen Oughton -- Female Filmmakers in Latin America / Ana Maria Bahiana -- USA: Flouting the System: Lois Weber, Dorothy Arzner and Ida Lupino / Jacqui Miller -- From Hollywood to Indiewood to Chinawood: Women Film Directors in the US / Gabrielle Kelly -- US: Women Film Directors of the Indie World / Nathan Shaw -- Oscar-worthy Women Directors / Patricia Di Risio -- Interview with Kathryn Bigelow / Ana Maria Bahiana --
Asia -- Moving Up: Women Directors and South-east Asian Cinema / Anchalee Chaiworaporn -- Films from an Unknown Woman: Remediating the absence of gender politics in the films of women directors in China, Taiwan and Hong Kong / Pieter Aquilia -- Women Filmmakers of South Korea / Anchalee Chaiworaporn -- 'Why are you making such a big deal just because I am a woman?' Women Directors of Popular Indian Cinema / Coonoor Kripalani -- Cats and Dogs and Wild Berries: New Voices in Japanese Cinema / Adam Bingham -- To Direct Patriarchy / Women Film Directors in Pakistan / Iram Parveen Bilal --
Australia & New Zealand -- Brilliant Careers: Three Waves of Australian, New Zealand and Indigenous Women Film Directors / Pieter Aquilia --
Europe -- Alice Guy-Blache, True Pioneer / Tania Field -- A Century of Madchen: Femmes and Frauen in Facist, New Wave, and Contemporary European Cinema / Heidi Honeycutt -- Hidden Histories on Film: Female Directors from South Eastern Europe / Dina Iordanova -- Iron and Reel: Russian Women Directors Through the Soviet Era and Beyond / Karlanna Lewis -- Where's Britannia / Melody Bridges --
Middle East -- Coming Forth (Day) by Day: Arab Female Filmmakers Making Strides / Ronan Doyle -- In their Own Words: Interviews with Contemporary Women Directors from the Middle East / Elhum Shalerikar -- Voices of Israeli Women Filmmakers / Amy Kronish -- Summary / Gabrielle Kelly
More info
book
Celluloid Immigrant : Italian Australian filmmaker Giorgio Mangiamele / by Gaetano Rando and Gino Moliterno St Kilda, Vic: Australian Teachers of Media (ATOM), c2011.
Call No: 81MAN RANAuthor: Moliterno, Gino ; Rando, Gaetano Source: ATPlace: St Kilda, VicPublisher: Australian Teachers of Media (ATOM)PubDate: c2011PhysDes: 145 p. : ill. ; 24 cmSeries: The moving image ; no. 10, 2011Subject: CINEMATOGRAPHY ; CINEMATOGRAPHY. AUSTRALIA ; DIRECTORS. AUSTRALIA ; FILM AUSTRALIA ; FILMMAKING ; FILMMAKING, AUSTRALIA ; MIGRATION ; MANGIAMELE, GIORGIO ; SPAG, THE (AT, Giorgio Mangiamele, 1962) ; CLAY (AT, Giorgio Mangiamele, 1964) ; BEYOND REASON (AT, Giorgio Mangiamele, 1970) Summary: " Giorgio Mangiamele is one of the most under-estimated figures in Australian cinema history. Soon after his arrival in Australia in 1952 as a migrant from Italy, he began making films at a time when feature film production in Australia was almost non-existent. His films were seldom seen in Australia, although one - Clay (1965) - was applauded overseas as an official selection in the Cannes Film Festival. " -- BOOK BLURB (last page of book)Notes: "Published biannually by Australian Teachers of Media in association with its publishing partners, National Film & Sound Archive (NSFA), the Australian Film Institute (AFI) and RMIT University (School of Media and Communications)" -- Verso t.p; Includes bibliographical references and indexISBN: 1876467215Contents: -- notes on the text -- introduction -- chapter one: a celluloid life: a brief biography of Giorgio Mangiamele -- chapter two: foto studio Mangiamele: serving Melbourne's Italian community -- chapter three: Mangiamele's migrant movies -- chapter four: Clay and Cannes: the beginnings of art cinema in Australia -- chapter five: beyond Cannes and Beyond Reason -- chapter six: beyond Beyond Reason: towards Papua New Guinea -- chapter seven: back in oz and more unrealised projects -- conclusion -- Giorgio Mangiamele filmography -- bibliography -- index --
More info
book
Cinema at the edges : new encounters with Julio Medem, Bigas Luna and Jose Luis Guerin New York: Berghahn Books, 2014.
Call No: 802.25(460) LOXAuthor: Loxham, Abigail Source: USPlace: New YorkPublisher: Berghahn BooksPubDate: 2014PhysDes: vii, 193 pages : illustrations ; 24 cmSubject: MEDEM, JULIO ; BIGAS LUNA ; GUERIN, JOSE ; SPAIN ; EUROPEAN COUNTRIES ; DIRECTORS. SPAIN Summary: "The works of popular Spanish film directors Julio Medem, Juan Jose Bigas Luna and Jose Guerin are newly appraised in relation to their engagement with alternative national and cinematic subjectives. Their films examine the limitations of the cinematic gaze, as the author shows, highlighting the ways in which these directors make recourse to hybridity, contact and interface to overcome the binary power dynamic previously thought to be a feature of cinema. This book explores their status as solely 'Spanish' filmmakers while focusing on their diverse and immensely creative output, offering new readings that engage with current debates in visual culture surrounding psychoanalytic theory, phenomenology and theories of documentary practice." -- BOOK BLURBNotes: Includes bibliographical references and index; Includes filmographyISBN: 9781782383048Donation: donated by Senses of Cinema, 2014Contents: Introduction: Defining the Edge -- Chapter 1. (Re-)Defining Spanish Cinema? -- Chapter 2. Julio Medem: At the Margins of the Self -- Chapter 3. Bigas Luna: Physical Frontiers -- Chapter 4. Jose Luis Guerin: Between Reality and Fiction -- Conclusion: Looking Forward to the Past
More info
book
Cinema in the Federal Republic of Germany : the new German film, origins and present situation : a handbook / Hans GFunther Pflaum, Hans Helmut Prinzler ; [translation, Timothy Nevill] Bonn: Inter Nationes, 1983.
Call No: 71(430.1) PFLAuthor: Pflaum, Hans GFunther ; Prinzler, Hans Helmut Place: BonnPublisher: Inter NationesPubDate: 1983PhysDes: 180 p. : ill. ; 21 cmSubject: GERMANY ; GERMAN FEDERAL REPUBLIC ; DIRECTORS. GERMANY ; ACHTERNBUSCH, HERBERT ; ACKEREN, ROBERT VAN ; FASSBINDER, RAINER WERNER ; GEISSENDORFER, HANS W. ; HERZOG, WERNER ; KLUGE, ALEXANDER ; WILDENHAHN, KLAUS ; ZIEWER, CHRISTIAN ; SCHROETER, WERNER ; STRAUB, JEAN-MARIE ; THOME, RUDOLPH ; SANDER, HELKE ; SCHILLING, NIKLAUS ; NEKES, WERNER ; COSTARD, HELLMUTH ; HAUFF, REINHARD ; LILIENTHAL, PETER ; OTTINGER, ULRIKE ; PETERSEN, WOLFGANG ; PRAUNHEIM, ROSA VON ; SANDERS-BRAHMS, HELMA ; SCHLONDORFF, VOLKER ; SYBERBERG, HANS JURGEN ; TROTTA, MARGARETHE VON ; Wenders, Wim Notes: Translation of: Film in der Bundesrepublik Deutschland; Bibliography: p. 179LON: 3594169
More info
book
Le Cinema indien / sous la direction de Jean-Loup Passek ; textes de Raphael Bassan ... [et al.] Paris: L'Equerre Centre Georges Pompidou, c1983.
Call No: 71(540) CINAuthor: Passek, Jean Loup ; Bassan, Raphael CorpAuthor: Centre Georges PompidouPlace: ParisPublisher: L'Equerre Centre Georges PompidouPubDate: c1983PhysDes: 228 p. : ill. ; 24 cmSeries: Cinema/plurielSubject: INDIA ; DIRECTORS. INDIA Notes: "Livre ... concu a l'occasion de la retrospective consacree au cinema indien au Centre Pompidou du 26 mars au 21 juin 1983"--T.p. verso; Includes index; Bibliography: p. 219ISBN: 2864250373 : 159FLanguage: FrenchLON: 3068080
More info
Old collection
book
Cinemaworkshop / Jo¨rn Donner Carlton, Vic.: Federation of Victorian Film Societies, 1967.
Call No: 81DON CINAuthor: Donner, Jorn Source: ATPlace: Carlton, Vic.Publisher: Federation of Victorian Film SocietiesPubDate: 1967PhysDes: 10 1. ; 26 cm.Subject: DONNER, JORN ; FESTIVALS MELBOURNE ; DIRECTORS. SWEDEN Notes: Edited transcript of working workshop session organised by the Melbourne Film Festival hold in June 1967.
Processed.
More info
book
Clint Eastwood : sexual cowboy / Douglas Thompson London: Warner, 1993.
Call No: 81EAS THOAuthor: Thompson, Douglas Source: UKPlace: LondonPublisher: WarnerPubDate: 1993PhysDes: vii, 231 p., [8]p of plates : ill., ports ; 18cmSubject: ACTORS. USA ; ACTORS AS DIRECTORS ; DIRECTORS. USA ; WARNER BROS. ; BOGART, HUMPHREY ; BURTON, RICHARD ; EASTWOOD, CLINT ; COOPER, GARY ; HOLDEN, WILLIAM ; LOCKE, SONDRA ; NEWMAN, PAUL ; REYNOLDS, BURT ; SIEGEL, DON ; ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980) ; BEGUILED, THE (US, Don Siegel, 1971) ; BIRD (US, Clint Eastwood, 1988) ; BREEZY (US, Clint Eastwood, 1973) ; BRONCO BILLY (US, Clint Eastwood, 1980) ; CITY HEAT (US, Richard Benjamin, 1984) ; DIRTY HARRY (US, Don Siegel, 1971) ; ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979) ; EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978) ; HEARTBREAK RIDGE (US, Clint Eastwood, 1986) ; HONKYTONK MAN (US, Clint Eastwood, 1982) ; OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976) ; PALE RIDER (US, Clint Eastwood, 1985) ; PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964) ; PINK CADILLAC (US Buddy van Horn, 1989) ; SUDDEN IMPACT (US, Clint Eastwood, 1983) ; TIGHTROPE (US, Richard Tuggle, 1984) ; TWO MULES FOR SISTER SARA (US, Don Siegel, 1969) ; WHERE EAGLES DARE (US, Brian G. Hutton, 1969) Notes: First published London : Smith Graphon, 1992; Filmography: p 215-224.; Includes index.ISBN: 0751503878Donation: donated by the family of Wayne Levy, 2006
More info
book
A companion to Alfred Hitchcock / edited by Thomas Leitch and Leland Poague Chichester, U.K. ; Malden, MA: Wiley-Blackwell, 2011.
Call No: 81HIT COMSource: UKPlace: Chichester, U.K. ; Malden, MAPublisher: Wiley-BlackwellPubDate: 2011PhysDes: xiv, 610 pages ; 25 cmSeries: Wiley Blackwell companions to film directorsSubject: THEORY ; DIRECTORS. UK ; HITCHCOCK, ALFRED Summary: "A Companion to Alfred Hitchcock is the most ambitious and comprehensive volume ever published on the Master of Suspense, considering the full range of his career--from his earliest contributions to other directors' silent films to his own uncompleted last effort. Thirty chapters by the world's leading Hitchcock experts cover well-established approaches and cutting-edge scholarship, and tackle the most puzzling and complex problems in Hitchcock's films and contemporary film studies. Placing Hitchcock and his works in their cultural and intellectual contexts, contributors to the volume explore the genres with which his work is most closely associated; his relationships with his performers and other leading collaborators; the verbal and visual style of his films; Hitchcock's rise to prominence as the quintessential Hollywood auteur; the ideological and ethical implications of his films; and the enduring legacy he left to filmmakers and audiences alike." -- BOOK BLURBNotes: Includes bibliographical references and index.ISBN: 9781118797006Contents: pt. I Background -- 1.Hitchcock's Lives / Thomas Leitch -- 2.Hitchcock's Literary Sources / Ken Mogg -- 3.Hitchcock and Early Filmmakers / Charles Barr -- 4.Hitchcock's Narrative Modernism: Ironies of Fictional Time / Thomas Hemmeter -- pt. II Genre -- 5.Hitchcock and Romance / Lesley Brill -- 6.Family Plots: Hitchcock and Melodrama / Richard R. Ness -- 7.Conceptual Suspense in Hitchcock's Films / Paula Marantz Cohen -- pt. III Collaboration -- 8."Tell Me the Story So Far": Hitchcock and His Writers / Leland Poague -- 9.Suspicion: Collusion and Resistance in the Work of Hitchcock's Female Collaborators / Tania Modleski -- 10.A Surface Collaboration: Hitchcock and Performance / Susan White -- pt. IV Style -- 11.Aesthetic Space in Hitchcock / Brigitte Peucker -- 12.Hitchcock and Music / Jack Sullivan -- 13.Some Hitchcockian Shots / Murray Pomerance -- pt. V Development -- 14.Hitchcock's Silent Cinema / Sidney Gottlieb --
Contents note continued: 15.Gaumont Hitchcock / Tom Ryall -- 16.Hitchcock Discovers America: The Selznick-Era Films / Ina Rae Hark -- 17.From Transatlantic to Warner Bros. / David Sterritt -- 18.Hitchcock, Metteur-en-scene: 1954-60 / Joe McElhaney -- 19.The Universal Hitchcock / William Rothman -- pt. VI Auteurism -- 20.French Hitchcock, 1945-55 / James M. Vest -- 21.Lost in Translation? Listening to the Hitchcock-Truffaut Interview / Janet Bergstrom -- 22.Robin Wood's Hitchcock / Harry Oldmeadow -- pt. VII Ideology -- 23.Accidental Heroes and Gifted Amateurs: Hitchcock and Ideology / Toby Miller -- 24.Hitchcock and Feminist Criticism: From Rebecca to Marnie / Florence Jacobowitz -- 25.Queer Hitchcock / Alexander Doty -- pt. VIII Ethics -- 26.Hitchcock and Philosophy / Richard Gilmore -- 27.Hitchcock's Ethics of Suspense: Psychoanalysis and the Devaluation of the Object / Todd McGowan --
Contents note continued: 28.Occasions of Sin: The Forgotten Cigarette Lighter and Other Moral Accidents in Hitchcock / George Toles -- pt. IX Beyond Hitchcock -- 29.Hitchcock and the Postmodern / Angelo Restivo -- 30.Hitchcock's Legacy / Richard Allen
More info
title clippings file
CONCERTINAS : (AT, 9 Different Directors, 1992)
More info
still
[Concertinas : stills file] / Simon Cardwell
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 2 photographs : b&w ; 13 x 18 cmSubject: CONCERTINAS (AT, 9 Different Directors, 1992) Summary: Two black and white photographs relating to the film ConcertinasNotes: One photograph is a still from 'Postcards from the gutter' directed by Shane McNeil ; the other photograph is a still from 'Sunsets' directed by Jenni Robertson - both are part of 'Concertinas - the one minute film project.'
More info
subject clippings file
CONFERENCES. AUSTRALIA. SCREEN DIRECTORS ASSOCIATION
More info
journal article
David Minter on "Hel Al Baby" in Melbourne Film Bulletin (April 1968) iss.2 p.9-10
More info
newspaper article
Director praises his lionheart in Sunday Herald Sun [Gossip Queen] (7/05/2017) p.16
More info
subject clippings file
DIRECTORS. AUSTRALIA
More info
book
Directors close up : interviews with directors nominated for Best Film by the Directors Guild of America / Jeremy Kagan (editor) Lanham, Md.: Scarecrow Press, 2006.
Call No: 802.25 KAGAuthor: Kagan, Jeremy Edition: 2nd ed.Source: USPlace: Lanham, Md.Publisher: Scarecrow PressPubDate: 2006PhysDes: ix, 341p. : ill. ; 26cm.Subject: AWARDS. DIRECTORS GUILD OF AMERICA ; PRODUCTION ; KAZAN, ELIA Summary: Loosely organized by phases in the moviemaking process (preproduction, the cast, the crew, rehearsal, etc.), Kagan lets his subjects discuss their craft without limiting their comments to the movies for which they were nominated.Notes: Includes index.; Includes essay in Appendix C by Elia Kazan: On what makes a directorISBN: 081085712X
More info
subject clippings file
DIRECTORS. CZECHOSLOVAKIA
More info
subject clippings file
DIRECTORS. GERMANY
More info
book
Directors in British and Irish Cinema : a reference companion / edited by Robert Murphy London: British Film Institute, 2006.
Call No: (03)802.25(41) DIRAuthor: Murphy, Robert Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2006PhysDes: xxviii, 644 p. ; b+w ill. : 25 cmSubject: DIRECTORS. UK Summary: Dictionary of directors in Britain and Ireland.ISBN: 1844571262
More info
subject clippings file
DIRECTORS. ITALY
More info
subject clippings file
DIRECTORS TALENT LIBRARY
More info
subject clippings file
DIRECTORS. UK
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: DIRECTORS. UK
More info
subject clippings file
DIRECTORS. USA
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: DIRECTORS. USA
More info
journal article
The Don in Melbourne Film Bulletin (October 1968) iss.6 p.20-23
More info
Interim
book
Down and dirty pictures : Miramax, Sundance and the rise of independent film / Peter Biskind London: Bloomsbury, 2004.
Call No: 721.3(73) BISAuthor: Biskind, Peter Place: LondonPublisher: BloomsburyPubDate: 2004PhysDes: 24 cm ; 545 pSubject: DIRECTORS. USA ; HOLLYWOOD ; USA ; AWARDS. ACADEMY ; INDEPENDENT DISTRIBUTION ; INDEPENDENT FILMS. USA ; INDEPENDENT PRODUCTION ; INDEPENDENT PRODUCTION. USA ; DISTRIBUTION. USA ; FESTIVALS. PARK CITY. SUNDANCE ; MIRAMAX FILMS ; AFFLECK, BEN ; ALTMAN, ROBERT ; ANDERS, ALLISON ; ANDERSON, PAUL THOMAS ; ANDERSON, WES ; ARAKI, GREGG ; ARONOFSKY, DARREN ; ARTETA, MIGUEL ; WEINSTEIN, BOB ; WEINSTEIN, HARVEY ; ALLEN, WOODY ; ALL THE PRETTY HORSES (US, Billy Bob Thornton, 2000) ; FABULEUX DESTIN D'AMELIE POULAIN, LE (FR/GG, Jean-Pierre Jeunet, 2001) ; APOSTLE, THE (US, Robert Duvall, 1997) ; AMERICAN BEAUTY (US, Sam Mendes, 1999) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) Summary: In Down and Dirty Pictures, Peter Biskind tells the story of the filmmakers and the independent distributors who revitalised Hollywood in the 1990s. He follows the growth of Sundance from a regional film festival to the premier showcase of independent film that it became, showing how it succeeded almost despite Robert Redford, whose visionary plans were often thwarted by his quixotic personality. He charts the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul who, with his brother Bob, left a trail of carnage in his wake, yet created an Oscar factory that is the envy of the studios. [Taken from inner jacket sleeve].ISBN: 0747565708ID2: 341
More info
book
Edward Yang / John Anderson Urbana, Ill ; Chicago: University of Illinois Press, 2005.
Call No: 81YAN ANDAuthor: Anderson, John Source: USPlace: Urbana, Ill ; ChicagoPublisher: University of Illinois PressPubDate: 2005PhysDes: x, 128 p. : ill. ; 21 cmSeries: Contemporary film directors / edited by James NaremoreSubject: DIRECTORS.TAIWANESE ; CRITICISM ; YANG, EDWARD Notes: Includes filmograghy (pp.[117]-121)
Includes bibliographical references (pp.[123]-124) and indexISBN: 0252072367 (pbk. : alk. paper)
More info
newspaper article
Emerging talent vies for guild gongs in The Age (13/04/2017) p.26
Call No: SUBJECT CLIPPINGS FILE; AWARDS. AUSTRALIAN DIRECTORS GUILDAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: AWARDS. AUSTRALIAN DIRECTORS GUILD Summary: Listing of nominees for the upcoming Australian Directors Guild awardsNotes: A
More info
book
An encyclopaedia of Australian film / John Stewart Frenchs Forest, NSW: Reed, 1984.
More info
journal article
European Underground in Lumiere (November-December 1971) iss.12 p.36-38
More info
book
Exploring the Barriers and Opportunities for Independent Women Filmmakers / research by Stacy L. Smith, Katherine Pieper, Marc Choueiti University of Southern California, 2013.
Call No: 451-02 SMIAuthor: Pieper, Katherine ; Choueiti, Marc ; Smith, Stacy L. Source: USPublisher: University of Southern CaliforniaPubDate: 2013PhysDes: 43p. : ill. ; 30cmSubject: WOMEN FILM WORKERS ; WOMEN FILMMAKERS ; WOMEN AND THE CINEMA ; WOMEN DIRECTORS ; WOMEN, FILMS MADE BY Summary: "The purpose of this research is to examine how females are faring in American independent film. Studies have been conducted in the past on women in the mainstream U.S film industry, but little research has yet been done in the U.S independent film arena. To this end, we developed a research strategy with a two-prong approach.
First, we quantitatively document the involvement of female content creators of U.S films at the Sundance Film Festival, assessing the gender of 11,197 directors, writers, producers, cinematographers, and editors across 820 films classified as U.S narratives (534 films) or documentaries (286 films) between 2002 and 2012.
The second prong documents the qualitative experiences of female filmmakers through interviews with emerging and seasoned content creators as well as key industry gate-keepers. Here, we surveyed 51 individuals to unpack the specific obstacles that face female directors and producers in the independent film arena. We also assessed participants' perceptions of opportunities that may increase women's involvement behind the camera" -- taken from the Executive SummaryNotes: This research was commissioned by the Sundance Insitute and Women in Film Los Angeles thorugh their 'Women Filmmakers Initiative'.Contents: -- pages 3-4: case statement: Independent Women Filmmakers: setting the agenda for change -- page 5: allied organizations list -- page 7: 2012-2013 mentorship program participants -- pages 9-11: research study executive summary -- pages 13-33: research study: exploring the barriers and opportunities for independent women filmmakers -- page 34: acknowledgments -- pages 35-43: works cited and notes --
More info
book
Eye on the world : conversations with international filmmakers / by Judy Stone Los Angeles: Silman-James Press, 1997.
More info
book
Featuring Australia : the cinema of Charles Chauvel / Stuart Cunningham Sydney: Allen & Unwin, 1991.
Call No: 81CHA CUNAuthor: Cunningham, Stuart Source: ATPlace: SydneyPublisher: Allen & UnwinPubDate: 1991PhysDes: x, 214 p. : ill. ; 22 cmSeries: Australian cultural studiesSubject: DIRECTORS. AUSTRALIA ; HISTORY OF CINEMA. AUSTRALIA ; IMPERIALISM AND THE CINEMA. AUSTRALIA ; LOCATION SHOOTING. AUSTRALIA ; NATIONALISM AND THE CINEMA ; WORLD WAR II AND THE CINEMA. AUSTRALIA ; CHAUVEL, CHARLES ; FORTY THOUSAND HORSEMEN (AT, Charles Chauvel, 1940) ; GREENHIDE (AT, Charles Chauvel, 1926) ; HERITAGE (AT, Charles Chauvel, 1935) ; IN THE WAKE OF THE BOUNTY (AT, Charles Chauvel, 1933) ; JEDDA (AT, Charles Chauvel, 1955) ; RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944) ; SONS OF MATTHEW (AT, Charles Chauvel, 1949) ; UNCIVILISED (AT, Charles Chauvel, 1936) ; WALKABOUT (AT, Charles Chauvel, 1958) Summary: "FEATURING AUSTRALIA follows the exceptional career of Charles Chauvel and the films he made over a thirty-year span in the battling Australian film industry of the 1920s to the 1950s. Stuart Cunningham probes the work of Chauvel to examine his strange, ambitious and fascinating films and the industrial and cultural environment from which they emerged - giving an appreciation of the films which has never before been available. This book also offers new approaches to understanding Australian cinema, and show how Australian culture and society changed during the period of Chauvel's work. Running through these changes, however, are continuities based on Australia's status as an 'import culture' and the consequent frailties of its cultural identity." [Taken from book blurb]Notes: Includes index; Includes bibliographical references (p. 178-196); Bibliography: p. 197-201; Filmography: p. 175-177ISBN: 0044422547 : price unknownLON: anb04442254; 7520705 7514911
More info
book
Female spectators : looking at film and television / edited by E. Deidre Pribram London New York: Verso, 1988.
Call No: 632.53 FEMAuthor: Pribram, E. Deidre Place: London New YorkPublisher: VersoPubDate: 1988PhysDes: vii, 199 p., [12] p. of plates : ill. ; 24 cmSeries: Questions for feminismSubject: FEMINISM AND THE CINEMA ; WOMEN AND THE CINEMA ; SPECTATORSHIP ; PSYCHOANALYSIS AND THE CINEMA ; MUSIC TELEVISION ; DIRECTORS ; WOMEN ON TV ; FEMINISM AND TV ; BODY ON TV ; MILDRED PIERCE (US, Michael Curtis, 1945) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; COLOR PURPLE, THE (US, Steven Spielberg, 1985) Notes: Bibliography: p. 196-197ISBN: 0860912043; 0860919226 (pbk.)LON: 5927013
More info
book
Feminism at the movies : understanding gender in contemporary popular culture / Edited by Hilary Radner and Rebecca Stringer London ; New York: Routledge, 2011.
Call No: 744.7 FEMAuthor: Radner, Hilary ; Stringer, Rebecca Source: USPlace: London ; New YorkPublisher: RoutledgePubDate: 2011PhysDes: ix, 310 pages : illustrations ; 23 cmSubject: BISEXUALITY IN FILMS ; FEMINISM AND THE CINEMA ; GENRES ; HOLLYWOOD ; HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; IDENTITY IN FILMS ; JAMES BOND IN FILMS ; MARRIAGE IN FILMS ; MASCULINITY IN FILMS ; MUSIC IN FILMS ; POPULAR CULTURE AND THE CINEMA ; RACE AND THE CINEMA ; SEXUALITY AND THE CINEMA ; WOMEN AND THE CINEMA ; WOMEN DIRECTORS ; WOMEN FILMMAKERS ; YOUNG PEOPLE AND THE CINEMA ; YOUNG PEOPLE IN FILMS ; 13 GOING ON 30 (US, Gary Winick, 2004) ; BABY MAMA (US, Michael McCullers, 2008) ; BEND IT LIKE BECKHAM (UK, Gurinda Chadha, 2002) ; BRAVE ONE, THE (US/AT, Neil Jordan, 2007) ; BRIDE WARS (US, Gary Winick, 2009) ; CASINO ROYALE (CZ/US/UK, Martin Campbell, 2006) ; ENCHANTED (US, KEVIN LIMA, 2007) ; FORTY YEAR OLD VIRGIN, THE (US, Judd Apatow, 2005) ; FRIENDS WITH MONEY (US, Nicole Holofcener, 2006) ; HARD CANDY (US, David Slade, 2005) ; JUNO (US/CN, Jason Reitman 2007) ; KISSING JESSICA STEIN (US, Charles Herman-Wurmfeld, 2001) ; MARIE ANTOINETTE (US, Sofia Coppola, 2006) ; MICHAEL CLAYTON (US, Tony Gilroy, 2007) ; MISS CONGENIALITY (US, Donald Petrie, 2000) ; SECRET LIFE OF BEES (US, Gina Prince-Bythewood, 2008) ; SEX AND THE CITY: THE MOVIE (US, MICHAEL PATRICK KING, 2008) ; SINGLE MAN, A (US, Tom Ford, 2009) ; SISTERHOOD OF THE TRAVELLING PANTS, THE (US, Ken Kwapis, 2005) ; WAR OF THE WORLDS (US, Steven Spielberg, 2005) Summary: "Feminism at the Movies: Understanding Gender in Contemporaty Popular Cinema examines the way that contemporary film reflects today's changing gender roles. The book offers a comprehensive overview of the central issues in feminist film criticism with analyses of over twenty popular contemporary films across a range of genres, such as chick flicks, teen pics, hommecoms, horror, action adventure, indie flicks, and women lawyer films. Contributors explore issues of masculinity as well as femininity, reflecting on the interface of popular cinema with gendered realities and feminist ideas. Topics include the gendered political economy of cinema, the female director as auteur, postfeminist fatherhood, consumer culture, depictions of professional women, transgender, sexuality, gendered violence, and the intersections of gender, race, and ethnic identities." - BOOK BLURBNotes: Includes list of figures, bibliographical references and indexISBN: 9780415895880Contents: List of figures -- Acknowledgements; Introduction: "Re-vision"?: Feminist film criticism in the twenty-first century / Hilary Radner and Rebecca Stringer; Part I: Masculinity in question -- "The first Bond who bleeds, literally and metaphorically": gendered spectatorship for "pretty boy" action movies / Janet Staiger -- Queer memories and universal emotions: A Single Man (2009) / Michael DeAngelis -- "Lad flicks": discursive reconstruction of masculinity in popular film / David Hansen-Miller and Rosalind Gill -- Transamerica (2005): the road to the multiplex after New Queer Cinema / Gary Needham; Part II: New feminine subjects: a space for women? -- Enchanted (2007) by postfeminism: gender, irony, and new romantic comedy / Yvonne Tasker -- Neoliberal feminism in Miss Congeniality (2000) / Yael D Sherman -- Girls' sexualities in The Sisterhood of the Travelling Pants universe: feminist challenges and missed opportunities / Sarah Projansky -- Michael Clayton (2007): women lawyers betrayed - again / Taunya Lovell Banks -- Crossing race, crossing sex in Gurinder Chadha's Bend It Like Beckham (2002): managing anxiety in multicultural Britain / Mridula Nath Chakraborty -- Speaking the name of the father in the neo-romantic comedy: 13 Going On 30 (2004) / Hilary Radner; Part III: Consuming culture(s) -- No country for old women: gendering cinema in conglomerate Hollywood / Rob Schaap -- Music and the woman's film: Sex and the City: The Movie (2008) / Peter Stapleton -- Independence at what cost? Economics and desire in Nicole Holofcener's Friends With Money (2006) / Michele Schreiber -- The feminist politics of Sofia Coppola: spectacle and self-consciousness in Marie Antoinette (2006) / Christine Lane and Nicole Richter; Part IV: Relationships, identity and family -- "Eggs in many baskets": Juno (2007), Baby Mama (2008), and the new intimacies of reproduction / JaneMaree Maher -- Temporarily Kissing Jessica Stein (2001): negotiating (and negating) lesbian sexuality in popular film / Kelly Kessler -- "Die, Bridezilla, die!": Bride Wars (2009), wedding envy, and chick flicks / Heather Brook -- Extreme parenting: recuperating fatherhood in Steven Spielberg's War of the Worlds (2005) / Hannah Hamad; Part V: Gender and violence -- Kinship and racist violence in Gina Prince-Blythwood's The Secret Life of Bees (2008) / Ewa Plonowska Ziarek -- From victim to vigilante: gender, violence, and revenge in The Brave One (2007) and Hard Candy (2005) / Rebecca Stringer -- "When the woman looks": Haute Tension (2003) and the horrors of heteronormativity / Barry Keith Grant; Contributors -- Index
More info
subject clippings file
FESTIVALS. NEW YORK [VARIOUS]
More info
book
Film fatales : independent women directors / Judith M. Redding and Victoria A. Brownworth Seattle: Seal Press, 1997.
Call No: 802.253 REDAuthor: Redding, Judith M ; Brownworth, Victoria A Place: SeattlePublisher: Seal PressPubDate: 1997PhysDes: 293 p. : ill. ; 24 cmSubject: DIRECTORS ; CAMPION, JANE ; LIGHT, ALLIE ; PARMAR, PRATIBHA ; Lupino, Ida ; PARKERSON, MICHELLE ; SAALFIELD, CATHERINE ; HAMMER, BARBARA ; FRIEDRICH, SU ; TRINH, T. MINH-HA ; NEGRON-MUNTANER, FRANCES ; MOHABEER, MICHELLE ; TAIT, MARGARET ; WELBON, YVONNE ; AYOKA, CHENZIRA ; BENNING, SADIE ; BORDEN, LIZZIE ; SEIDELMAN, SUSAN ; NAIR, MIRA ; GORRIS, MARLEEN ; ANDERS, ALLISON ; DASH, JULIE ; ROZEMA, PATRICIA ; PORTILLO, LOURDES ; DAVIS, ZEINABU IRENE ; DEITCH, DONNA ; BHARADWAJ, RADHA ; OXENBERG, JAN ; MEHTA, VIJAYA ; BALLETBO-COLL, MARTA ; ZIMMERMAN, DEBRA ; VACHON, CHRISTINE ; GRIFFIN, ADA GAY ; GRIER, BARBARA Notes: Filmography: p; Includes bibliographical referencesISBN: 1878067974LON: 97029205; 13395017
More info
newspaper article
Film fund gives women $3m 'express lane' in Sydney Morning Herald (13/07/2016) p.16
More info
newspaper article
Film gender gap slow to close in Sydney Morning Herald (8/08/2017) p.11
More info
book
The film handbook / Geoff Andrew Harlow, Essex: Longman Group UK Limited, 1989.
Call No: 03:802.25Author: Andrew, Geoff Edition: 1989Place: Harlow, EssexPublisher: Longman Group UK LimitedPubDate: 1989PhysDes: 362 pages : illustrated ; 22 cmSubject: DIRECTORS Notes: Introduction by Martin ScorceseISBN: 9780582032927Contents: Introduction by Martin Scorcese
How to use The Film Handbook
Directors A-Z
Glossary
Film information
Index
More info
journal article
Filming "We Are None of Us Perfect" in Melbourne Film Bulletin (1968) iss.2 p.11-13
More info
journal article
Filmmaking by committee : John Lord interviews John B. Murray, co-producer of Libido in Lumiere (May, 1973) iss.23 p.4-7
More info
book
The films of Claire Denis : intimacy on the border / edited by Marjorie Vecchio ; with a foreword by Wim Wenders New York: I.B. Tauris, 2014.
Call No: 81DEN FILAuthor: Vecchio, Marjorie ; Wenders, Wim Source: USPlace: New YorkPublisher: I.B. TaurisPubDate: 2014PhysDes: xxiii, 237 pages : illustrations ; 24 cmSubject: AESTHETICS ; AFRICA ; ART CINEMA ; CANNIBALISM IN FILMS ; CRITICISM ; DANCE IN FILMS ; DIRECTORS ; DIRECTORS. FRANCE ; FAMILY IN FILMS ; IMPERIALISM AND THE CINEMA ; LANDSCAPES IN FILMS ; MUSIC AND THE CINEMA ; MUSIC IN FILMS ; NATIONAL CULTURE AND THE CINEMA ; NATIONAL IDENTITY AND THE CINEMA ; RACE AND THE CINEMA ; TIME IN FILMS ; WORKERS IN FILMS ; WORKING CLASS IN FILMS ; DENIS, CLAIRE ; BEAU TRAVAIL (FR, Claire Denis, 1999) ; CHOCOLAT (FR, Claire Denis, 1988) ; INTRUDER, THE (FR, Claire Denis, 2004)
SEE
INTRUS, L' ; INTRUS, L' (FR, Claire Denis, 2004) ; J'AI PAS SOMMEIL (FR/SZ, Claire Denis, 1994) ; I CANT SLEEP (FR/SZ, Claire Denis, 1994) ; NENETTE AND BONI (FR, Claire Denis, 1996)
SEE
NENETTE ET BONI ; NENETTE ET BONI (FR, Claire Denis, 1996) ; TROUBLE EVERY DAY (FR/G/JA, Claire Denis, 2001) ; FRIDAY NIGHT (FR, Claire Denis, 2002)
SEE
VENDREDI SOIR ; VENDREDI SOIR (FR, Claire Denis, 2002) ; WHITE MATERIAL (FR/CM, Claire Denis, 2009) Summary: "The films of Claire Denis probe the idea of global citizenship and trace the borderlines of family, desire, nationality and power. Her films, including 'Chocolat', 'Beau travail' and 'White Material' explore connections between national experience and individual circumstance, visualising the complications of such dualities. Following a foreword by Wim Wenders, international contributors explore the themes she addresses in her films, such as kinship and landscape, neo-colonialism and New French Extremity. Original interviews with an editor, actor and two composers familiar with Denis's working style and with Denis herself, also reveal fresh facets of this intrepid filmmaker." - BOOK BLURBNotes: Includes list of illustrations, bibliographic references and indexISBN: 9781848859548Contents: --List of illustrations -- Notes on contributors -- Preface -- Foreword: 'Klarchen'
--Part I Interviews -- 'To let the image sing': Conversations with Dickon Hinchliffe and Stuart Staples: Martine Beugnet -- Interview with Nelly Quettier: Kirsten Johnson -- Interview with Alex Descas: Kirsten Johnson -- Interview with Claire Denis: Jean-Luc Nancy --
-- Part II Relations -- La famille Denis: Catherine Wheatley -- Reinventing community, or non-relational relations in Claire Denis's 'I Can't Sleep': Sam Ishii-Gonzales -- Beyond the other: grafting relations in the films of Claire Denis: James S. Williams --
-- Part III Global citizenship -- Beyond postcolonialism? From 'Chocolat' to 'White Material': Cornelia Ruhe -- 'Trouble Every Day: the neo-colonialists bite back: Florence Martin -- Forgiveness and employment: a study of the role of work in the films of Claire Denis: Rafael Ruiz Pleguezuelos -- 'The Intruder' according to Claire Denis: Jean-Luc Nancy --
--Part IV Within film -- Delivering: Claire Denis's opening sequences: Noelle Rouxel-Cubberly -- Rhythms of nationality: Denis and dance: Laura McMahon -- That interrupting feeling: interstitial disjunctions in Claire Denis's 'L'Intrus': Firoza Elavia -- Points of flight, lines of fracture: Claire Denis's uncanny landscape: Henrik Gustafsson -- Arthouse/grindhouse: Claire Denis and the 'New French Extremity': Adam Nayman and Andrew Tracy
--Bibliography -- Index
More info
book
The films of Douglas Sirk : exquisite ironies and magnificent obsessions / Tom Ryan Jackson, Mississippi: University Press of Mississippi, [2019].
Call No: 81SIR RYAAuthor: Ryan, Tom Source: USPlace: Jackson, MississippiPublisher: University Press of MississippiPubDate: [2019]PhysDes: 309 pages : illustrations ; 23 cmSubject: FILM ; GERMANY ; CRITICISM ; DIRECTORS ; SIRK, DOUGLAS ; ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955) ; WRITTEN ON THE WIND (US, Douglas Sirk, 1956) ; IMITATION OF LIFE (US, Douglas Sirk, 1959) Summary: "Best known for powerful 1950s melodramas like All That Heaven Allows, Written on the Wind, The Tarnished Angels, and Imitation of Life, Douglas Sirk (1897-1987) brought to all his work a distinctive style that led to his reputation as one of twentieth-century film's great directors. Sirk worked in Europe during the 1930s, mainly for Germany's UFA studios, and then in America in the 1940s and '50s. The Films of Douglas Sirk: Exquisite Ironies and Magnificent Obsessions provides an overview of his entire career, including Sirk's work on musicals, comedies, thrillers, war movies, and westerns. One of the great ironists of the cinema, Sirk believed rules were there to be broken. Whether defying the decrees of Nazi authorities trying to turn film into propaganda or arguing with studios that insisted characters' problems should always be solved and that endings should always restore order, what Sirk called "emergency exits" for audiences, Sirk always fought for his vision. Offering fresh insights into all of the director's films and situating them in the culture of their times, critic Tom Ryan also incorporates extensive interview material drawn from a variety of sources, including his own conversations with the director. Furthermore, his enlightening study undertakes a detailed reconsideration of the generally overlooked novels and plays that served as sources for Sirk's films, as well as providing a critical survey of previous Sirk commentary, from the time of the director's "rediscovery" in the late 1960s up to the present day." -- Provided by publisher.Notes: Includes bibliographical references and index.
Filmography: pages 257-265.ISBN: 9781496822376Contents: Chapter One: Detlef Sierck in Europe -- Chapter Two: American Beginnings: The European Legacy -- Chapter Three: In the Shadows: Sirk and the Noir Inclination -- Chapter Four: The Uncomfortable Comedies -- Chapter Five: Sirk and God: 'The Pure Ambiguity of Experience' -- Chapter Six: Pastoral Yearnings: Sirk and the Musical -- Chapter Seven: Hollywood, Rock Hudson, and the Idea of the Hero -- Chapter Eight: Sirk, the Family Melodrama, and the Production Code -- Chapter Nine: Sirk and John M. Stahl: Adaptations and Remakes -- Chapter Ten: Out of the Past -- Chapter Eleven: Into the Future: Sirk's Legacy.
More info
book
Fosse / Sam Wasson, author of Fifth Avenue, 5am Boston ; New York: Houghton Mifflin Harcourt, 2013.
Call No: 81FOS WASAuthor: Wasson, Sam Source: USPlace: Boston ; New YorkPublisher: Houghton Mifflin HarcourtPubDate: 2013PhysDes: 723 pages : illustrations ; 24 cmSubject: ACADEMY AWARDS ; BURLESQUE ; CHOREOGRAPHY ; CULTURE AND THE CINEMA. USA ; DANCE IN FILMS ; DIRECTORS ; HOLLYWOOD ; INDUSTRY, FILM. USA ; MUSICALS. USA ; UNITED ARTISTS ; FOSSE, BOB ; ASTAIRE, FRED ; CHAYEFSKY, PADDY ; DREYFUSS, RICHARD ; HEIM, ALAN ; MINNELLI, LIZA ; SONDHEIM, STEPHEN ; ALL THAT JAZZ (US, Bob Fosse, 1979) ; CABARET (US, Bob Fosse, 1972) ; LENNY (US, Bob Fosse, 1974) ; NOTTI DI CABIRIA, LE (IT, Federico Fellini, 1957) ; ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970) ; STAR 80 (US, Bob Fosse, 1983) ; SWEET CHARITY (US, Bob Fosse, 1969) Summary: "We see Bob Fosse's legacy everywhere--from Broadway to "Billy Jean" to Beyonce;'s moves in the "Single Ladies" video. Yet in spite of Fosse's deep cultural significance, no biography has ever brought him fully to life, unveiling the man behind the bowler hat and the swaggering sex appeal. Now, acclaimed cultural historian Sam Wasson traces Fosse's numberless reinventions of himself over a career that would spawn The Pajama Game, Cabaret, Pippin, Chicago, All That Jazz, and other iconic works of art and earn him Tonys, Emmys, and an Oscar. Wasson traces not only Fosse's prodigious professional life, but his intense relationships with everyone from Liza Minnelli, Fred Astaire, and Neil Simon to Shirley MacLaine, Jessica Lange, and Dustin Hoffman. Through extensive interviews with collaborators and lovers and unprecedented access to Fosse's archives, Wasson also reveals the deep wounds that propelled his subject's excessive appetites--for spotlights, women, and life itself. In Fosse, Wasson's stylish, effervescent prose proves the ideal vehicle for reanimating Bob Fosse as he truly was--after hours, close up, and in vibrant color" -- FROM TROVENotes: Contains photos and indexISBN: 9780547553290
More info
book
Fourth National ASDA Conference : Wake in fright Rozelle, NSW: [Australian Screen Directors Association], 1999.
More info
book
Francis Ford Coppola Springfield, Illinois.: University of Illinois Press, 2014.
Call No: 81COP MENAuthor: Menne, Jeff Edition: 1st ed.Source: USPlace: Urbana, Illinois.; Chicago, Illinois.; Springfield, Illinois.Publisher: University of Illinois PressPubDate: 2014PhysDes: 168 pages ; 21 cmSeries: Contemporary Film DirectorsSubject: AUTEUR THEORY ; DIRECTORS. USA ; HOLLYWOOD ; COPPOLA, FRANCIS FORD Summary: "Analyzing films like The Godfather (1972) and the overlooked Tucker: The Man and His Dream (1988) through Coppola's use of opera, Menne illustrates how Coppola developed a defining musical aesthetic while making films that reflected the idea of a corporation as family - and how his studio, American Zoetrope, came to represent a new brand of auteurism and the model for post-Fordist Hollywood." -- BOOK BLURBNotes: Contains twenty black and white photographs. -- Includes contents, bibliographic references and indexISBN: 9780252080371
More info
book
Francois Ozon / Andrew Asibong Manchester, UK: Manchester University Press, c2008.
Call No: 81OZO ASIAuthor: Asibong, Andrew Source: UKPlace: Manchester, UKPublisher: Manchester University PressPubDate: c2008PhysDes: viii, 157 p. : ill. ; 21 cmSeries: French Film DirectorsSubject: DIRECTORS. FRANCE ; OZON, FRANCOIS ; SITCOM (FR, Francois Ozon, 1998) ; REGARDE LA MER (FR, Francois Ozon, 1997) ; GOUTTES D'EAU SUR PIERRES BRULANTES (FR, Francois Ozon, 2000) ; SOUS LE SABLE (FR, Francois Ozon, 2000) ; SWIMMING POOL (FR/UK, Francois Ozon, 2003) ; 5X2 (FR, Francois Ozon, 2004) Summary: "This book is the first full-length study of the films of Francios Ozon. From his clutch of provocative and award-winning shorts in the mid-1990s to his increasingly celebrated features, including Swimming Pool, Les Amants criminels, and 5x2, as well as the star-studded, millenial classic of high camp, 8 femmes, Ozon's films have remaned silmultaneously seductive and experimental, playful and gruesome. What emerges from Andrew Asibong's passionate and highly engaged scrutiny of Ozon's cinema, however, is the extent to which the director's breezily confrontational work throws up urgent and unavoidable questions about the cinematic representation of pyschic, familial, social, and even ontological transformation. Asibong considers how Ozon's apparently subversive explorations of feminine and 'queer' desire, as well as his ongoing fascination with sadomasochistic power relations, all operate at a far more ambivalent psychoanalytic and political level than either Ozon's champions or detractors seem willing to admit. He then goes on to suggest that what may be at stake in Ozon's alternatively utopian and cynical flirtation with the construction and deconstruction of contemporary human relationships on film." BOOK BLURBNotes: Formerly CIP; Includes bibliographical references (p. [150]-151) and index; Includes filmographyISBN: 9780719074233Contents: -- list of plates -- series editors' foreword -- acknowledgements -- -- family filmmaker: an introduction to Francois Ozon -- 1: desire unlimited: sexualities on the move? -- 2: master and servant: society, spectacle and sadomasochistic cinema -- 3: shadow of the spectre: cinema beyond relation? -- 4: blood, tears, and song: genre and the shock of over-stimulation -- a drop in the ocean: concluding remarks -- filmography -- select biography -- index --
More info
book
Frank Capra : the catastrophe of success / by Joseph McBride New York: Simon & Schuster, 1992.
Call No: 81CAP MCBAuthor: McBride, Joseph Source: USPlace: New YorkPublisher: Simon & SchusterPubDate: 1992PhysDes: 768 p. : ill. ; 26 cmSubject: COMEDIES ; AUTHORSHIP ; COLUMBIA PICTURES ; HOLLYWOOD ; DIRECTORS ; COMMUNISM AND THE CINEMA. USA ; Metro-Goldwyn-Mayer ; CAPRA, FRANK ; COHN, HARRY ; RISKIN, ROBERT ; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; LADY FOR A DAY (US, Frank Capra, 1933) ; LOST HORIZON (US, Frank Capra, 1937) ; MEET JOHN DOE (US, Frank Capra, 1941) ; MR. DEEDS GOES TO TOWN (US, Frank Capra, 1936) ; MR. SMITH GOES TO WASHINGTON (US, Frank Capra, 1939) ; WHY WE FIGHT SERIES (US, 1942-44) ; YOU CAN'T TAKE IT WITH YOU (US, Frank Capra, 1938) Summary: "FRANK CAPRA: THE CATASTROPHE OF SUCCESS is the first major biography of one of the greatest directors in Hollywood history, the man behind such classic films as IT HAPPENED ONE NIGHT, MR. DEEDS GOES TO TOWN, YOU CAN'T TAKE IT WITH YOU, MR. SMITH GOES TO WASHINGTON, and IT'S A WONDERFUL LIFE [...] FRANK CAPRA: THE CATASTROPHE OF SUCCESS is the result of more than seven years of work. It is drawn from extensive archival research and interviews with 175 people who knew or worked with Capra, as well as many hours of interviews with Capra himself. In this biography, Joseph McBride gives us the definitive portrait of one of our greatest filmmakers." [Taken from book jacket]Notes: Filmography: p. [117]-731; Includes bibliographical references and indexISBN: 0671797883 (pbk.); 0671734946 : $27.50LON: abn92038576; 8711584
More info
book
French cinema since 1946 London: Zwemmer : Cranbury (N. J.) : Barnes, 1966-.
Call No: 71(44) ARMAuthor: Armes, Roy, 1937 Place: LondonPublisher: Zwemmer : Cranbury (N. J.) : BarnesPubDate: 1966-PhysDes: 2 v. : 20 plates (incl. ports.) ; 16 cmSubject: FRANCE ; DIRECTORS. FRANCE ; CLAIR, RENE ; RENOIR, JEAN ; CARNE, MARCEL ; OPHULS, MARCEL ; COCTEAU, JEAN ; CLOUZOT, HENRI-GEORGES ; CLEMENT, RENE ; BECKER, JACQUES ; BRESSON, ROBERT ; TATI, JACQUES ; GREMILLON, JEAN ; LEENHARDT, ROGER ; ROUQUIER, GEORGES ; AUTANT-LARA, CLAUDE Notes: Two volumes - Voume 1: the great tradition Volume 2: the personal styleLON: 4021093 4021093
More info
newspaper article
Funding stories by, for, about women (and one man's sexuality) in The Australian (13/07/2016) p.14
More info
book
The future of an illusion : film, feminism, and psychoanalysis / Constance Penley London: Routledge, 1989.
Call No: 626:396 PENAuthor: Penley, Constance, 1948 Place: LondonPublisher: RoutledgePubDate: 1989PhysDes: xx, 207 p. : ill. ; 23 cmSubject: FEMINISM AND THE CINEMA ; PSYCHOANALYSIS AND THE CINEMA ; THEORY ; WOMEN IN FILMS ; DIRECTORS ; AVANT-GARDE FILMS ; SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980) ; FRANCE/TOUR/RETOUR/DEUX ENFANTS [TV](FR, Jean-Luc Godard, 1978) ; JETEE, LA (FR, Chris Marker, 1963) ; TERMINATOR, THE (US, James Cameron, 1984) ; PEE-WEE'S PLAYHOUSE [TV] (US, 1986-91) Summary: "'The future of an illusion' documents the pivotal role Constance Penley has played in the development of feminist film theory. Penley analyzes the primary movements that have shaped the field: the conjunction of feminism, film theory, and psychoanalysis, and the inherent debates surrounding the politics of women and representation. These debates centre on the position of women in the classical Hollywood narrative, the construction of the spectator's desire in pornography and eroticism and the implicit male bias in the psychoanalytically oriented film theory." -- BOOK COVERNotes: Women. Portrayal by mass media (BNB/PRECIS); Includes bibliographical references and indexISBN: 0415041546 (pbk) : ª7.95 : CIP confirmedLON: bnb41504154; 6267645Contents: Feminism and the avant-garde: 1. The avant-garde and its imaginary -- 2. The avant-garde: histories and theories --
Feminism and film theory: 3. "A certain refusal of difference": feminism and film theory -- 4. Feminism, film theory, and the bachelor machines --
Feminism and femininity in Godard: 5. Pornography, eroticism (on 'Every man for himself') -- 6. Les enfants de la patrie (on 'France/tour/detour/two children') --
Sexual difference in popular culture -- 7. Time travel, primal scene, and the critical dystopia (on 'The terminator' and 'La jetee') -- 8. The cabinet of Dr. Pee-wee: consumerism and sexual terror --
Feminism and pedagogy: 9. Teaching in your sleep: feminism and psychoanalysis
More info
book
The future of the movies : interviews with Martin Scorsese, Steven Spielberg, and George Lucas / by Roger Ebert and Gene Siskel Kansas City, Missouri: Andrews and McMeel, c1991.
Call No: 802.25 EBEAuthor: Ebert, Roger ; Siskel, Gene Source: USPlace: Kansas City, MissouriPublisher: Andrews and McMeelPubDate: c1991PhysDes: xii, 116 p. : ill. ; 22 cmSubject: FILM ; PRODUCERS ; DIRECTORS ; USA ; SPIELBERG, STEVEN ; SCORSESE, MARTIN ; LUCAS, GEORGE Summary: "Behind-the-scenes conversations with movie critics Roger Ebert and Gene Siskel reveal the personal visions of three of America's best and most innovative directors, Martin Scorsese, Steven Spielberg, and George Lucas, and the technological challenges they face in forging the future of movies. " -- BOOK BLURBISBN: 0836262166Contents: -- acknowledgments -- introduction by Roger Ebert -- Gene Siskel and Roger Ebert interview Martin Scorsese -- Gene Siskel interviews Steven Spielberg -- Roger Ebert interviews George Lucas -- afterword by Gene Siskel --
More info
Online resource
book
Gendering history on screen : women filmmakers and historical films / Julia Erhart London: I.B. Tauris & Co. Ltd., 2018. Available at ProQuest (RMIT login required)
Call No: 721-02 ERHAuthor: Erhart, Julia Source: UKPlace: LondonPublisher: I.B. Tauris & Co. Ltd.PubDate: 2018Series: Library of gender and popular cultureSubject: FEMINISM AND THE CINEMA ; WOMEN AND THE CINEMA ; WOMEN DIRECTORS ; WOMEN FILMMAKERS ; LEAGUE OF THEIR OWN, A (US, Penny Marshall, 1992) ; MONSTER (US, Patty Jenkins, 2003) ; IRON LADY, THE (UK, Phyllida Lloyd, 2011) Notes: Includes bibliographical references (pages 159-195), filmography (pages 197-200), and index.ISBN: 978784535285Contents: Introduction; Chapter Summary --1 Women Writing History Through Film; Women Writing History: Contexts and Opportunities; Performative Authorship; History on Film: from Robert Rosenstone to A League of Their Own; 'Citable in all its Moments': In-between Spaces and Sewing Machines; Conclusion --2 Reclaiming Undeserving Women: Contemporary Female Biopics. From Positive Images to Undeserving Subjects: A Place for Women?; Oppositional Medicine: The Case of Augustine; Class and Voice: Ambiguity in Monster; Affect and Ageing: The Iron Lady --3 Feminist First-Person Documentaries: Migration, Internment, Reconciliation; First-Person Documentary: Terms and Terrain; First-Person Documentary: Women Directors; Performing Memory --4 Revisiting Resistance and Occupation in Holocaust Films; Complicating Collaboration; Europeanising the Holocaust; Reconfiguring Resistance; Women and Resistance; Mimicry and Doubling; Vergangenheitsbewa¨ltigung.--5 Gendering Iraq and Afghanistan War Movies; The Paradox of Exceptionalism; Gendering the War 'Back Home'; Movies from the Periphery: Occupation; Conclusion --Conclusion
More info
book
George Lucas : the making of his movies / Chris Salewicz London: Orion, 1998.
Call No: 81LUC SALAuthor: Salewicz, Chris Source: UKPlace: LondonPublisher: OrionPubDate: 1998PhysDes: 143 p. : ill. (some col.) ; 20 cmSubject: DIRECTORS. USA ; LUCASFILM ; SCRIPTWRITERS. USA ; WARNER BROS. ; COPPOLA, FRANCIS FORD ; KURTZ, GARY ; LUCAS, GEORGE ; AMERICAN GRAFFITI (US, George Lucas, 1973) ; EMPIRE STRIKES BACK, THE (US, Irvin Kershner, 1980) ; INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984) ; KAGEMUSHA (JA, Akira Kurosawa, 1980) ; RETURN OF THE JEDI (US, Richard Marquand, 1983) ; STAR WARS (US, George Lucas, 1977) ; THX 1138 4EB (US, George Lucas, 1967) Notes: Bibliography: p.[140]-141ISBN: 0752813188Donation: donated by the family of Wayne Levy, 2006
More info
book
Great Movie Directors / by Ted Sennett New York: Harry N. Abrams, 1986.
Call No: 802.25 SENAuthor: Sennett, Ted Source: USPlace: New YorkPublisher: Harry N. AbramsPubDate: 1986PhysDes: 320 p. : ill. (some col.) ; 29 cmSubject: DIRECTORS ; FILM Summary: Contains a short bio of many different movie directorsNotes: "Times Mirror books; Includes index; Bibliography: p. 290; Filmography: p. 291-306ISBN: 0810907186Contents: -- acknowledgments -- foreword by Gilbert Cates, president of the Directors Guild of America -- introduction : directing movies -- the directors -- appendixes: winners of the directors guild of America award for theatrical direction -- recipients of the D.W. Griffith Award -- honorary life members of the directors guild of America -- selected bibliography -- filmographies -- index -- credits --
More info
book
Hector : the story of Hector Crawford and Crawford Productions North Melbourne, Victoria: ARCADIA, the general books' imprint of Australian Scholarly Publishing, 2015.
Call No: 81CRA BAZAuthor: Bazzani, Rozzi Source: ATPlace: North Melbourne, VictoriaPublisher: ARCADIA, the general books' imprint of Australian Scholarly PublishingPubDate: 2015PhysDes: xvii, 331 pages, 34 unnumbered pages of plates : illustrations, portraits, photographs ; 24 cmSubject: TELEVISION ; AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; INDUSTRY, TELEVISION. AUSTRALIA ; PRODUCERS ; PRODUCING. AUSTRALIA ; DIRECTORS ; BROADCASTING ; CRAWFORD PRODUCTIONS ; CRAWFORD, HECTOR ; HOMICIDE [TV] (AT, 1964-1975) ; BOX, THE [TV] (AT, 1974) ; BOX, THE [TV] (AT, 1974-77) ; SULLIVANS, THE [TV] (AT, 1975-1982) ; CARSON'S LAW [TV] (AT, 1983) ; FLYING DOCTORS, THE [TV] (AT, 1986-91) Summary: "Hector Crawford - the name remains synonymous with Australian television.The tag line 'This has been a Crawford Production' still resonates with generations of Australians who grew up with his cops, the Sullivan family or any of the long line of productions that flowed from his legendary company. His public facade is part of our collective memory but the man behind it, and how his passion and determination changed Australian culture forever is revealed in 'Hector'. Rozzi Bazzani recounts vividly how, as Crawford's influence grew, the off-screen politics employed by the TV networks and rivals to diminish his company's power became as exciting as any of his on-screen dramas." -- BOOK BACK COVER BLURBNotes: Incudes bibliographical references (pages 303-315) and indexISBN: 9781925003734Contents: -- part one -- the high seas -- the first family -- choir of angels -- sweet inspiration -- young lives -- searching Hart's heart -- 'music for the people' -- music changes everything -- war torn -- words and music -- no place like home -- classical gas -- heartache and hope -- the first big talent show -- testing times -- love and marriage -- sneak preview -- nuts and bolts -- the spoken word -- the boys in blue -- an identity crisis -- the big picture -- the lobbyist -- game rules -- part two -- television reality -- down to business -- quiz bang -- dirty dancing -- television tease -- all out -- was I dreaming? -- it's an emergency -- all in the family -- overshadowed -- pushing the limit -- fizzled -- the little yellow booklet -- political art -- olderfleet building -- consider it done -- new horizons -- loss and gain -- the bid -- the decision -- back to the drawing board -- homicide -- family business -- a new podium -- pioneering pictures -- forward push -- a sister's heartbreak -- striking a balance -- hunting all over -- 'divvy four' -- fighting words -- head on -- variety is the spice -- new faces -- the art of tennis -- up, up and away -- the bush on television -- drawing power -- actors act : tv: make it Australian -- a sparkling piano man to the rescue -- acting out -- hollywood on the Yarra -- a new way -- a seniors film moment -- hands across the ocean -- hoist on his petard -- sex, lies and videotape -- the flood gates open -- boys' toys -- the box -- local features feature -- the empire strikes back -- last of the Australians -- where to from here? -- everybody wants to get in on the act -- slip sliding away -- a friend in deed -- the axe falls hard -- blockade -- the comeback -- a family in war: the Sullivans -- interlude -- leaving home -- part three -- together at last -- repeat with movement -- no new tricks -- all the rivers run -- carson's law -- the flying doctors -- da capo -- palace coup -- the last act of a mogul --
More info
book
Hollywood directors, 1914-1940 / [compiled by] Richard Koszarski New York: Oxford University Press, 1976.
Call No: 802.25(73) KOSAuthor: Koszarski, Richard Place: New YorkPublisher: Oxford University PressPubDate: 1976PhysDes: xx, 364 p. : ill. ; 22 cmSubject: DIRECTORS. USA ; PORTER, EDWIN S. ; GUY-BLACHE, ALICE ; BLACKTON, J. STUART ; GRIFFITH, DAVID WARK ; HART, WILLIAM S. ; WEBER, LOIS ; SENNETT, MACK ; INCE, THOMAS HARPER ; INGRAM, REX ; NEILAN, MARSHALL ; CHAPLIN, CHARLES ; FLAHERTY, ROBERT ; LLOYD, HAROLD ; Keaton, Buster ; DWAN, ALLAN ; DEMILLE, CECIL B. ; VON STROHEIM, ERICH ; LANGDON, HARRY ; CAPRA, FRANK ; FORD, JOHN ; MURNAU, FRIEDRICH WILHELM ; BORZAGE, FRANK ; LUBITSCH, ERNST ; VIDOR, KING ; ROACH, HAL ; MAMOULIAN, ROUBEN ; DEMILLE, WILLIAM ; MILESTONE, LEWIS ; CUKOR, GEORGE ; VAN DYKE, W.S. ; HOWARD, WILLIAM K. ; TUTTLE, FRANK ; SCHOEDSACK, ERNEST B. ; GARNETT, TAY ; CROMWELL, JOHN ; OLCOTT, SIDNEY ; HORNE, JAMES W. ; FITZMAURICE, GEORGE ; PARK, IDA MAY ; TOURNEUR, MAURICE ; FLOREY, ROBERT ; MENZIES, WILLIAM CAMERON ; VORKAPICH, SLAVKO ; BRENNON, HERBERT ; CAREWE, EDWIN ; NIBLO, FRED ; GOULDING, EDMUND ; FEJOS, PAUL ; BELL, MONTA Notes: Includes indexISBN: 0195020855 : $13.95LON: 761206
More info
book
Hollywood directors, 1941-1976 / [compiled by] Richard Koszarski New York: Oxford University Press, 1977.
Call No: 802.25(73) HOLAuthor: Koszarski, Richard Place: New YorkPublisher: Oxford University PressPubDate: 1977PhysDes: xvii, 426 p. : ill. ; 22 cmSubject: DIRECTORS. USA ; WELLES, ORSON ; LEWIN, ALBERT ; VIDOR, KING ; HUSTON, JOHN ; ROSSEN, ROBERT ; CAPRA, FRANK ; JONES, CHUCK ; WYLER, WILLIAM ; RENOIR, JEAN ; LANG, FRITZ ; ZINNEMANN, FRED ; MILESTONE, LEWIS ; HITCHCOCK, ALFRED ; BROWN, CLARENCE ; SIDNEY, GEORGE ; BROOKS, RICHARD ; DIETERLE, WILLIAM ; FLEISCHER, RICHARD ; VON STERNBERG, JOSEF ; CURTIZ, MICHAEL ; RAY, NICHOLAS ; KAZAN, ELIA ; WILDER, BILLY ; LEROY, MERVYN ; ALDRICH, ROBERT ; KUBRICK, STANLEY ; LOGAN, JOSHUA ; STURGES, JOHN ; KING, HENRY ; MANN, ANTHONY ; FULLER, SAMUEL ; FRANKENHEIMER, JOHN ; KELLY, GENE ; PENN, ARTHUR ; SAKS, GENE ; Lupino, Ida ; DMYTRYK, EDWARD ; CORMAN, ROGER ; FRIEDKIN, WILLIAM ; RITCHIE, MICHAEL ; GRINDE, NICK ; PICHEL, IRVING ; SEATON, GEORGE ; BENEDEK, LASLO ; KOSTER, HENRY ; OBOLER, ARCH ; SANDERS, TERRY ; SIODMAK, ROBERT ; MARTON, ANDREW ; DEATH OF A SALESMAN (US, Laslo Benedek, 1951) ; FACE IN THE CROWD, A (US, Elia Kazan, 1957) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; SMILE (US, Michael Ritchie, 1975) ; MONSIEUR VERDOUX (US, Charles Chaplin, 1947) ; BEN HUR (US, William Wyler, 1959) Notes: Includes indexISBN: 0195022173 : $15.00; 0195022181(pbk. :) $4.95LON: 851041
More info
book
Hollywood now / William Fadiman; foreword by Irving Wallace New York: Liveright, 1972.
More info
book
Hollywood speaks! : an oral history / Mike Steen New York: G.P. Putnam's Sons, 1974.
Call No: 71(73) STEAuthor: Steen, Mike Source: USPlace: New YorkPublisher: G.P. Putnam's SonsPubDate: 1974PhysDes: 379 p. ; 21 cmSubject: FILM WORKERS ; ACTORS ; ACTING ; CHARACTER ACTORS ; SCRIPTWRITERS ; SCRIPTWRITING ; DIRECTION ; PRODUCERS ; PRODUCING ; PRODUCTION MANAGERS ; PRODUCTION MANAGING ; ASSISTANT DIRECTORS ; CINEMATOGRAPHERS ; CINEMATOGRAPHY ; ART DIRECTION ; ART DIRECTORS ; SET DESIGNING ; SET DESIGNERS ; COSTUME DESIGNERS ; COSTUME DESIGNING ; MAKE-UP ARTISTS ; MAKE-UP ; SPECIAL EFFECTS DESIGNERS ; SPECIAL EFFECTS ; MUSICALS ; CHOREOGRAPHY ; EDITING ; EDITORS ; SOUND ; MUSIC IN FILMS ; PRE-PRODUCTION ; CASTING ; PRODUCTION, TV ; FONDA, HENRY ; RUSSELL, ROSALIND ; MOOREHEAD, AGNES ; CANNON, DAVID ; STERN, STEWART ; WELLMAN, WILLIAM ; BERMAN, PANDRO S. ; PRATT, JAMES ; MOONJEAN, HANK ; HENDERSON, RANDELL ; HOWE, JAMES WONG ; AMES, PRESTON ; KRAMS, ARTHUR ; HEAD, EDITH ; WESTMORE, PERC ; MANLEY, NELLIE ; GILLESPIE, A. ARNOLD ; BERKELEY, BUSBY ; SMITH, FREDERICK Y. ; FREERICKS, BERNARD ; GREEN, JOHN ; LAWRENCE, CATALINA ; BURCH, RUTH ; ROACH, HAL ; MCCLEERY, ALBERT Summary: "'Hollywood Speaks' is a fascinating collection of interviews with the dazzled and the dazzlers, the multitalented professionals - stars and stagehands alike - who make up the motion-picture industry. Each interview follows the same general format: an extensive autobiographical sketch, the 'big break, or how I got into Hollywood', followed by the techniques and problems, the tricks and plain hard work, that go into the making of movies. The interviews are loaded with humour, bitter feuds, and personal anecdotes of the great and near great." (Taken from back cover)ISBN: 39911162XDonation: donated by the family of Wayne Levy, 2006
More info
book
Independent filmmaking around the Globe / edited by Doris Baltruschat and Mary P. Erickson Toronto: University of Toronto Press, c2015.
Call No: 210.4 INDAuthor: Baltruschat, Doris (ed.) ; Erickson, Mary P. (ed.) Source: USPlace: TorontoPublisher: University of Toronto PressPubDate: c2015PhysDes: xii, 313 pages : illustrations ; 23 cm.Subject: FILMMAKING ; INDEPENDENT FILMMAKERS ; INDEPENDENT FILMS ; INDEPENDENT PRODUCTION ; INDEPENDENT DIRECTORS ; DIRECTORS ; PRODUCERS ; CRITICISM ; EUROPEAN CINEMA ; BRITISH CINEMA ; UNITED KINGDOM ; AUSTRALIA ; PERU ; GREECE ; TURKEY ; IRAQ ; CHINA ; AFRICA ; MALAYSIA ; CANADA ; USA Summary: "Independent Filmmaking around the Globe calls attention to the significant changes taking place in independent cinema today, as new production and distribution technology and shifting social dynamics make it easier for independent filmmakers to produce films outside both the mainstream global film industry and their own national film systems. Identifying and analyzing the many complex forces that shape the production and distribution of feature films, the authors detail how independent filmmakers create work that reflects independent voices and challenges political, economic, and cultural constraints.
With chapters on the under-explored cinemas of Greece, Turkey, Iraq, China, Malaysia, Peru, and West Africa, as well as traditional production centres such as the United States, the United Kingdom, Canada, and Australia, Independent Filmmaking around the Globe explores how contemporary independent filmmaking increasingly defines the global cinema of our time." -- TAKEN FROM FIRST PAGE OF BOOKNotes: Includes bibliographical references and filmographyISBN: 9781442626836Donation: Senses of CinemaContents: -- foreword: producing independently in global industry / David Hamilton -- ackowledgments -- 1.The Meaning of Independence: Concepts, Contexts, and Interpretations / Mary P. Erickson -- pt. One Independent Film vis-a-vis the Local and Global Mainstream -- 2.An Increasingly Global Presence: Contemporary American Independent Cinema outside the United States / Yannis Tzioumakis -- 3.European Union Initiatives for Independent Filmmakers across Europe / Teresa Hoefert de Turegano -- 4.Dependency and Independence in British Independent Film / Erik Knudsen -- 5.From Aussiewood Movies to Guerrilla Filmmaking: Independent Filmmaking and Contemporary Australian Cinema / Mark David Ryan -- 6.Independent Filmmaking in the Peruvian Context: Seeking Meaning / Gabriela Martinez -- pt. Two The Meaning of Independence in Regions of Conflict and Change -- 7.In the Shadow of the Studios, the State, and the Multiplexes: Independent Filmmaking in Greece / Lydia Papadimitriou -- 8.Turkish Independent Cinema: Between Bourgeois Auteurism and Political Radicalism / Murat Akser -- 9.Filmmaking in Iraq: A Rebirth / Mary P. Erickson -- 10.The Grassroots Perspective: Sixth Generation Cinema and Independent Filmmaking in China / Hongwei Lu -- 11.Independent Filmmaking in Africa: New Voices and Challenges / Martin Mhando -- pt. Three Digital Media and the Independent Voice -- 12.Syiok Sendiri? Independent Filmmaking in Malaysia / Gaik Cheng Khoo -- 13.Independent Filmmaking in the Canadian Arctic / Doris Baltruschat -- 14.Digital Video Films as "Independent" African Cinema / Sheila Petty -- glossary -- filmography -- bibliography -- contributors --
More info
book
An index to Czechoslovak directors / Lang Dewey London: Federation of Film Societies, 1968.
Call No: 71(437) (03) INDAuthor: Dewey, Lang Source: UKPlace: LondonPublisher: Federation of Film SocietiesPubDate: 1968PhysDes: 22 p. : ill. ; 13 x 20 cmSubject: DIRECTORS. CZECHOSLOVAKIA
More info
book
Indian cinema / edited by Paul Willemen and Behroze Gandhy [London]: British Film Institute, 1982.
Call No: 71(540) INDAuthor: Willemen, Paul ; Gandhy, Behroze Edition: Rev. edPlace: [London]Publisher: British Film InstitutePubDate: 1982PhysDes: 48 p. : map ; 30 cmSeries: BFI dossierSubject: INDIA ; DIRECTORS. INDIA Notes: Bibliography: p. 48LON: 3147967 3147967
More info
Interim
book
The Influence of the world cinema heritage on the education and training of film/television directors and communicators / Edited by Timothy J. Lyons, with Donald E. Staples and Robert W. Wagner. Translated by Carole Lawson Houston, Texas: University of Houston, Fall 1979.
More info
book
Inside stories : diaries of British film-makers / edited by Duncan Petrie, assistant editor Nick Pettigrew London: British Film Institute, 1996.
Call No: 792(41)(088.94) INSAuthor: Petrie, Duncan (ed) ; Pettigrew, Nick (ed) Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 1996PhysDes: x, 205 p. ; 24 cmSubject: FILM WORKERS. UK ; PRODUCERS. UK ; DIRECTORS. UK Summary: "Inside Stories reveals the fascinating diaries of key film-makers working today - all with a British connection. It takes you behind the scenes and gives a gripping account of pre-production (Hollow Reed), shooting (Crash, Breaking the Waves), post-production (Twelve Monkeys), certification (from Tank Girl to soft-porn videos) and exhibition. For those who make films, want to make them, or simply love to watch them, Inside Stories is an unmissable read. " -- BOOK BLURBNotes: Includes filmography (p. 202-205)ISBN: 0851705839Contents: Introductions. Stephen Woolley. David Aukin -- The Producer. Nik Powell. Mark Shivas. Simon Relph. Julie Baines. Keith Griffiths. Christopher Wicking -- The Director. Gillies MacKinnon. Michael Apted. Gary Sinyor -- The Writer. Peter Capaldi. Allan Shiach. Richard Curtis -- The Actor. Alfred Molina. Katrin Cartlidge -- The Cinematographer. Peter Suschitzky. Seamus McGarvey -- The Designer. John Bloomfield. Christopher Hobbs -- The Editor. Mick Audsley. Anne Sopel -- The Composer. Simon Fisher Turner -- The Distributor. Pam Engel -- The Exhibitor. Philip Grey. Jim Hamilton -- The Censor. Richard Falcon -- The Journalist. Neil McCartney -- The Television Documentarist. David Thompson -- Checklist of films.
More info
journal article
An Interview with Arthur Penn in Melbourne Film Bulletin (June 1968) iss.3 p.3-17
Author: Hanson, Curtis Lee PhysDes: ArticleSubject: PENN, ARTHUR ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; CHASE, THE (US, Arthur Penn, 1966) ; LEFT-HANDED GUN, THE (US, Arthur Penn, 1958) ; VIOLENCE IN FILMS ; VIOLENCE IN FILMS. USA ; CITIZEN KANE (US, Orson Welles, 1941) ; DIRECTORS. USA Summary: Interview with filmmaker Arthur Penn, where in the wake of "Bonnie and Clyde", he remarks on claims that his films are 'distinctly American', as well as his influences as a director. Reprinted from "Cinema" with kind permission of the Editor.
More info
journal article
An Interview with Satyajit Ray in Melbourne Film Bulletin (July 1968) iss.4 p.3-16
Author: Mogg, Ken and Gardner, Geoffrey PhysDes: ArticleSubject: Ray, Satyajit ; INDIA ; DIRECTORS. INDIA ; DEVI (II, Satyajit Ray, 1960) ; PATHER PANCHALI (II, Satyajit Ray, 1955) ; APARAJITO (II, Satyajit Ray, 1957) ; APU SANSAR (II, Satyajit Ray, 1958) ; RENOIR, JEAN ; GHATAK, RITWIK Summary: Interview with Bengali filmmaker Satyajit Ray discussing his past and current works.
More info
book
Issues in feminist film criticism / edited by Patricia Erens Bloomington: Indiana University Press, 1990.
Call No: 626:396 EREAuthor: Erens, Patricia, 1938 Place: BloomingtonPublisher: Indiana University PressPubDate: 1990PhysDes: xxvi, 450 p. : 24 cmSubject: FEMINISM AND THE CINEMA ; THEORY ; WOMEN IN FILMS ; MELODRAMA ; ETHNIC GROUPS IN FILMS ; HOMOSEXUALITY IN FILMS ; DIRECTORS ; SPECTATORSHIP Summary: "Issues in Feminist Film Criticism brings together a wide variety of theoretical writings and methodologies by U.S. and British feminist film scholars. The twenty-seven essays represent some of the most influential work on Hollywood film, women's cinema, and documentary filmmaking to appear during the last decade and beyond.
Among the subjects treated are images of women on the screen; questions of film realism; the notion of counter-cinema; the concept of "reading against the grain"; the use of psychoanalytic theories; concerns over female spectatorship; women's place in specific genres, especially film melodrama; and issues related to the representations of lesbians and women of color." -- BACK COVERNotes: Includes bibliographical references (p. 425-438) and indexISBN: 0253319641 (alk. paper); 0253206103 (pbk. : alk. paper)LON: 89046336; 7125665
More info
book
Italian directors / Unitalia Film Rome: Unitalia Film, 1958.
Call No: 71 (45) UNICorpAuthor: Unitalia FilmEdition: 1958Place: RomePublisher: Unitalia FilmPubDate: 1958PhysDes: 21 cm ; 204 pagesSubject: DIRECTORS. ITALY AFIRC Location: Stacks
More info
book
J.J. Abrams : interviews / Edited by Brent Dunham The United States: University Press of Mississippi, 2019.
Call No: 81ABR INTAuthor: Dunham, Brent, (editor.) Source: USPlace: The United StatesPublisher: University Press of MississippiPubDate: 2019PhysDes: xlviii, 182 pages ; 23 cm.Series: Conversations with filmmakers seriesSubject: DIRECTORS ; PRODUCERS ; SCRIPTWRITERS ; USA ; ABRAMS, J.J ; LOST [TV] (US, 2004 -) ; LOST [TV], (US, 2004 -) ; MISSION IMPOSSIBLE III (US, J. J. Abrams. 2006) ; STAR TREK (US/G, J.J. Abrams, 2009) ; STAR TREK INTO DARKNESS (US, J.J.Abrams, 2013) ; STAR WARS: THE FORCE AWAKENS (US, J.J. Abrams, 2015) ; SUPER 8 (US, J.J. Abrams, 2011) Summary: "Jeffrey Jacob "J. J." Abrams (b. 1966) decided to be a filmmaker at the age of eight after his grandfather took him on the back-lot tour of Universal Studios. Throughout his career, Abrams has dedicated his life to storytelling and worked tirelessly to become one of the best-known and most-successful creators in Hollywood. The thirty interviews collected in this volume span Abrams's entire career, covering his many projects from television and film to video games and theater. The volume also includes a 1982 article about Abrams as a teen sensation whose short film High Voltage won the Audience Award at a local film festival and garnered the attention of Steven Spielberg. Beginning his career as a screenwriter on films like Regarding Henry and Armageddon, Abrams transitioned into a TV mogul with hit shows like Alias and Lost. Known for his imaginative work across several genres, from science fiction and horror to action and drama, Abrams's most successful films include Mission: Impossible III; Star Trek; and Star Wars: The Force Awakens, which went on to become the highest grossing film of all time in the United States. His production company, Bad Robot, has produced innovative genre projects like Cloverfield and Westworld. Abrams also cowrote a novel with Doug Dorst called S. and, most recently, he produced the Broadway run of The Play That Went Wrong. In conversations with major publications and independent blogs, Abrams discusses his long-standing collaborations with others in the field, explains his affinity for mystery, and describes his approach to creating films like those he gravitated to as a child, revealing that the award-winning director-writer-producer is a fan before he is a filmmaker."-- FROM BLURB.Notes: Includes index, includes filmography, includes chronology.ISBN: 9781496820426Donation: Senses of CinemaContents: Beardless Wonders of Film Making - Robert Young/1982 -- From the Archives: J. J. Abrams Interview Regarding Superman - Ed Gross/2002 --
TV Producer J. J. Abrams on Creating Lost - David Bianculli/2004 --
J. J. Abrams - Mission: Impossible III - Peter Canavese/2006 --
Interview: J. J. Abrams and Michelle Monaghan - Clint Morris/2006 --
J. J. Abrams - George Stephanopoulas/2006 --
The Mystery Box - J. J. Abrams/2007 --
J. J. Abrams - Noel Murray/2008 --
Star Trek: J. J. Abrams Interview - John Hiscock/2009 --
J. J. Abrams Takes on a Soaring Franchise - Paul Fischer/2009 --
Star Trek: 3. J. Abrams Interview - Rob Carnevale/2009 --
J. J. Abrams - Charlie Rose/2009 --
Director of Star Trek: Into Darkness, Star Wars, and the Lost Finale - Paul Byrne/2009
J. J. Abrams Not Worried about Writer's Block on Fringe - Tyrone Warner/2010 --
An Interview with Super 8 Director J. J. Abrams - Matthew Pejkovic/2011 -- An Interview with J. J. Abrams, Director of Super 8 - Matthew Toomey/2011 --
Contents note continued: Interview: Super 8 Director J. J. Abrams! - Chris Eggertsen/2011 --
J. J. Abrams Talks Super 8, Bad Robot, Lens Flares, Lost, Spielberg, and the Mystery Box - Peter Sciretta/2011
J. J. Abrams: The "Super" Career of a Movie-Crazed Kid - Terry Gross/2011
J. J. Abrams Interview - Abbie Bernstein/2011 --
Interview: J. J. Abrams
-Star Trek: Into Darkness - Iamag.co/2013 --
J. J. Abrams Interview for Star Trek: Into Darkness - John Hiscock/2013 --
Meet the Author: Jonathan Tropper, J. J. Abrams, and Doug Dorst - Jonathan Tropper/2013 --
J. J. Abrams: Hollywood's Renaissance Man - Horatia Harrod/2014 --
Believe: J. J. Abrams Interview UKTV/2014 --
Interview with J. J. Abrams - Andrew Fish/2015 --
J. J. Abrams: The Force Awakens Interview - Tara Salinas/2015
J. J. Abrams Talks 10 Cloverfield Lane, the "Clover-Verse," Cannibal Airlines, and More - Peter Sciretta/2016
J. J. Abrams Interview / Erik Nagel/2017.
More info
book
Jane Campion / Deb Verhoeven London: Routledge, 2009.
Call No: 81CAM VERAuthor: Verhoeven, Deb Source: UKPlace: LondonPublisher: RoutledgePubDate: 2009PhysDes: xii, 273 p. : ill. ; 20 cmSeries: Routledge film guidebooksSubject: WOMEN AND THE CINEMA ; DIRECTORS ; WOMEN FILMMAKERS. AUSTRALIA ; CAMPION, JANE Summary: Featuring a career overview, a filmography, scene-by-scene analysis and an extended interview with Jane Campion on her approach to creativity, this is a great introductin to one of the most important directors of contempoarary cinema.ISBN: 9780415262750Contents: --Introduction: Being Jane Campion in a post-Campion world? -- Chapter 1 Becoming Jane Campion: modes of auteurism and the medias -- Chapter 2: Realizing Jane Campion: the industry, politics and economics of contemporary auteurism -- Chapter 3: Disciplining Jane Campion: auteurism and the knowing audience -- Chapter 4: Jane Campion on Jane Campion: one more interview --Chronology -- Filmography -- Bibliographic resources -- Glossary -- Index
More info
book
Jane Campion : cinema, nation, identity / edited by Hilary Radner, Alistair Fox and Irene Bessiere Detroit, Mich: Wayne State University Press, 2009.
Call No: 81CAM JANAuthor: Radner, Hilary ; Fox, Alistair ; Bessiere, Irene Place: Detroit, MichPublisher: Wayne State University PressPubDate: 2009PhysDes: xiv, 329 p. : ill. ; 23 cmSeries: Contemporary approaches to film and televisionSubject: CAMPION, JANE ; DIRECTORS ; WOMEN FILM WORKERS. AUSTRALIA ; WOMEN AND THE CINEMA ; PIANO, THE (AT, Jane Campion, 1993) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) Notes: Includes bibliographical references, filmography and indexISBN: 9780814334324Contents: Introduction: an antipodean filmmaker in an international context / Alistair Fox and Hilary Radner -- Subjectivities and the construction of identity in Jane Campion's films. "In extremis": Jane Campion and the woman's film / Hilary Radner -- Her-land: Jane Campion's cinema, or another poetic of the inner sense / Muriel Andrin -- The Campions indulge in the audition / Harriet Margolis -- Campion-Keitel Connections, a.k.a. "We are the piano" / Chris Holmlund -- Jane Campion and her sources. "I can really see myself in her story": Jane Campion's adaptation of Janet Frame's autobiography / Lawrence Jones -- Puritanism and the erotics of transgression: the New Zealand influence in Jane Campion's thematic imaginary / Alistair Fox -- Portraits of a woman: Jane Campion and Henry James / Irene Bessiere -- Jane Campion: adaptation, signature, autobiography / Kathleen A. McHugh -- Jane Campion's "Geographies". Jane Campion and the international theme: from The portrait of a lady to An angel at my table / Jean Bessiere -- The suburb in Jane Campion's films / Rochelle Simmons -- From antipodean cinema to international art cinema / Raphaelle Moine -- Viewers respond to Jane Campion. "Comme une invitation au voyage": French reception of Jane Campion, An angel at my table, and The piano / Simon Sigley -- "The piano is mine. It's mine." My (free association with) Jane Campion, or, the child in the spectator / Sue Gillett -- Jane Campion and the moral occult / Ann Hardy -- On viewing Jane Campion as an antipodean / Annabel Cooper
More info
book
Jane Campion and adaptation : angels, demons and unsettling voices / Estella Tincknell Basingstoke, Hampshire: Palgrave Macmillan, 2013.
Call No: 753CAM TINAuthor: Tincknell, Estella Source: UKPlace: Basingstoke, HampshirePublisher: Palgrave MacmillanPubDate: 2013PhysDes: 139 pages : illustrated ; 22 cmSeries: The adaptation seriesSubject: ADAPTATIONS ; ADAPTATIONS. JAMES, HENRY ; AUTEUR THEORY ; AUTHORSHIP ; DIRECTORS ; FEMINISM AND THE CINEMA ; GENRES ; LITERATURE AND THE CINEMA ; MYTH AND THE CINEMA ; CAMPION, JANE ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; BRIGHT STAR (UK/AT/FR, Jane Campion, 2009) ; IN THE CUT (US/AT, Jane Campion, 2003) ; PIANO, THE (AT, Jane Campion, 1993) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; SWEETIE (AT, Jane Campion, 1989) ; TOP OF THE LAKE [TV] (AT/UK, Jane Campion/Garth Davis, 2013) Summary: "In Jane Campion and Adaptation Estella Tincknell presents a compelling analysis of the interplay between literature and cinema in relation to Campion's work. The text takes a distinct approach to understanding Campion's films, positioning them not simply as the work of a cinematic auteur, but as the culmination of a complex set of textual relationships and practices. In doing so, Tincknell argues persuasively that the director's use of adaptation goes well beyond the conventionally respectful approach to literary texts, opting instead for a playful, subversive and challenging re-imagining of the connections between literature, myth, cultural identity and cinema." -- PORTION OF BOOK BLURBNotes: Contains bibliographic references and index -- list of illustrations included as looseleaf in front of bookISBN: 9780230229006Contents: -- pt. One Versions -- `A Jane Campion film': authorships and adaptations -- Collaborations, credibility, creativity -- Cultural value and the fidelity question -- `Adding to' not taking from: textual ontologies redux -- pt. Two Visions and Voices -- Multiple voices, different visions -- Gothic visions, feminine fables -- Shadow Males and Super Males -- Angels, fairies, demons -- Demythologising space and place -- Attending to the past -- pt. Three Genres -- Art cinema or feminist cinema? -- Re-articulating film genres one: the anti-heritage text - The Portrait of a Lady -- Playfulness and respect -- Costume drama, feminism and the `affect' of history -- Indexing the past -- Adapting the self -- Auditory affect, musical boxes -- Re-articulating film genres two: The Piano as melodrama -- Re-articulating film genres three: An Angel at My Table and the biopic - public lives, private selves -- From the margins to the centre - Bright Star as biopic --
Re-articulating film genres four: In the Cut's rewriting of film noir -- conclusion -- notes -- bibliography -- index --
More info
book
Japanese film directors / Audie Bock ; preface by Donald Richie New York: Published for the Japan Society by Kodansha International, 1978.
More info
book
Joel and Ethan Coen / R. Barton Palmer Urbana, Ill ; Chicago: University of Illinois Press, 2004.
Call No: 81COE PALAuthor: Palmer, R. Barton Source: USPlace: Urbana, Ill ; ChicagoPublisher: University of Illinois PressPubDate: 2004PhysDes: 207 p. : ill. ; 22 cm.Series: Contemporary film directors / edited by James NaremoreSubject: DIRECTORS. USA ; CRITICISM ; COEN, JOEL & ETHAN Notes: Includes filmography (pp. [193]-199).
Includes bibliographical references (p. [201]) and indexISBN: 0252071859 (pbk. : alk. paper)
More info
book
John Grierson : film master / James Beveridge New York: Macmillan Publishing Co., Inc.,
Call No: 81GRI BEVAuthor: Beveridge, James Place: New YorkPublisher: Macmillan Publishing Co., Inc.PhysDes: xix, 362 p. : ill. ; 24 cmSubject: DOCUMENTARY FILMS ; DIRECTORS. UK ; Grierson, John Summary: Interviews and essays, most of which were done for the film 'Grierson'.Notes: Includes index.ISBN: 0025105302Donation: donated by the family of Wayne Levy, 2006
More info
book
John Huston / by Axel Madsen London: Robson, 1979.
Call No: 81HUS MADAuthor: Madsen, Axel Source: UKPlace: LondonPublisher: RobsonPubDate: 1979PhysDes: vii,280p,[24]p of plates : ill, ports ; 23cmSubject: DIRECTORS ; LOCATION SHOOTING ; Metro-Goldwyn-Mayer ; HUSTON, JOHN ; AFRICAN QUEEN, THE (US, John Huston, 1952) ; BEAT THE DEVIL (UK, John Huston, 1953) ; FREUD (US, John Huston, 1962) ; MISFITS, THE (US, John Huston, 1961) ; MOBY DICK (UK, John Huston, 1956) ; MOULIN ROUGE (US, John Huston, 1952) ; NIGHT OF THE IGUANA, THE (US, John Huston, 1964) ; TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948) Summary: "JOHN HUSTON is a colourful biography of one of Hollywood's most celebrated and prolific film-makers. An epic tale of a man whose own life has been as vivid and dramatic as any of his films, it takes the reader from the family vaudeville tours of his youth, through his five marriages and world-wide travels up to the present day." [Taken from book jacket]Notes: Originally published: Garden City, N.Y. : Doubleday, 1978; Bibl.: p.266-267. - List of films: p.258-265. - IndexISBN: 0860510743LON: isb86051074; 2613950
More info
Interim
book
John Woo : the films / by Kenneth E. Hall North Carolina: McFarland & Company, Inc., Publishers, 1999.
Call No: 81WOO HALAuthor: Hall, Kenneth E. Source: USPlace: North CarolinaPublisher: McFarland & Company, Inc., PublishersPubDate: 1999PhysDes: 239 p. :illus. filmog. : 24 cmSubject: ACTION FILMS. HONG KONG ; DIRECTORS. CHINA ; WOO, JOHN [pseud. of Wu Yusen] ; BROKEN ARROW (US, John Woo [pseud. of Wu Yusen], 1996) ; DIEXUE SHUANG XIONG (HK, John Woo [pseud. of Wu Yusen], 1989) ; FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997) ; HARD TARGET (US, John Woo [pseud. of Wu Yusen], 1993) ; YINGXIONG BENSE (HK, John Woo [pseud. of Wu Yusen], 1986) ; YINGXIONG BENSE II (HK, John Woo [pseud. of Wu Yusen], 1988) Notes: Includes filmography, bibliographical references and index.ISBN: 0786406194
More info
book
Journey to a legend and back : the British realistic film / Eva Orbanz ; Ed., Stiftung Dt. Kinemathek, Berlin (West) essays by Klaus Wildenhahn ... [et al.] ; [Transl. from the German by Stuart Hood] Berlin: Spiess, 1977.
Call No: 761(41) ORBAuthor: Orbanz, Eva CorpAuthor: Stiftung Deutsche KinemathekPlace: BerlinPublisher: SpiessPubDate: 1977PhysDes: 213 p. : ill. ; 21 cmSubject: DOCUMENTARY FILMS ; DIRECTORS. UK ; ROTHA, PAUL ; ANDERSON, LINDSAY ; REISZ, KAREL ; WATT, HARRY ; ANSTEY, EDGAR ; BROOMFIELD, NICK ; BOND, RALPH ; WRIGHT, BASIL ; GRIGSBY, MIKE ; FORMAN, DENIS ; GARNETT, TONY ; STEWART, CHARLES Notes: Translation of Eine Reise in die Legende und zuruckISBN: 3920889517 : DM12.80LON: 1264498
More info
book
Ken Russell / edited by Thomas R. Atkins New York: Monarch Press, 1976.
Call No: 81RUS KENAuthor: Atkins, Thomas R., 1939 Source: USPlace: New YorkPublisher: Monarch PressPubDate: 1976PhysDes: xi, 132 p. : ill. ; 24 cmSubject: DIRECTORS. UK ; SEXUALITY AND THE CINEMA ; TELEVISION, FILMS MADE FOR ; ADAPTATIONS ; RUSSELL, KEN ; AMELIA AND THE ANGEL (UK, Ken Russell, 1959) ; DEVILS, THE (UK, Ken Russell, 1971) ; MUSIC LOVERS, THE (UK, Ken Russell, 1971) ; PEEP SHOW (UK, Ken Russell, 1956) ; POET'S LONDON (UK, Ken Russell, 1959) ; SAVAGE MESSIAH (UK, Ken Russell, 1972) ; TOMMY (UK, Ken Russell, 1975) ; WOMEN IN LOVE (UK, Ken Russell, 1969) ; OMNIBUS [TV](UK, 1967-2003) Summary: "The films of Britain's most famous director have been praised and condemned; Russell's intentions distorted and misunderstood. With his popularity continuously growing, serious critical consideration of him has been long overdue. Covering all of Russell's work from his early amateur efforts to his films for the BBC and his features such as WOMEN IN LOVE, THE DEVILS, THE MUSIC LOVERS, and TOMMY, this anthology is a comprehensive sourcebook on Russell's cinema, an inquiry into the personal nature of his art, and a look at his working methods. Complete with biographical information, excerpts from the films TOMMY and MAHLER, filmography, bibliography, numerous production shots and scenes from his filoms, this volume presents us with an extraordinary picture of an immense talent." [Book blurb]Notes: Bibliography: p. 131-132ISBN: 0671081020 : $2.95LON: 75023545; 741449Contents: Contributors -- Acknowledgements -- Preface --; Ballet fantastique: scenario for an imaginary bio-pic of Ken Russell / Thomas R. Atkins -- The early films: Peep Show and Amelia and the Angel / Gene D. Phillips -- The television films: Poet's London to Dance of the Seven Veils / John Baxter -- Three masterpieces of sexuality: Women in Love, The Music Lovers, and The Devils / Jack Fisher -- Russell's methods of adaptation: Savage Messiah and Tommy / Joseph A. Gomez -- Excerpts of Russe; Excerpts from Russell's screenplays of Mahler and Tommy -- Biography -- Filmography -- Selected bibliography
More info
Interim
book
L.A. Confidential / Manohla Dargis London: British Film Institute,
Call No: 79LAC DARAuthor: Dargis, Manohla CorpAuthor: British Film InstituteSource: UKPlace: LondonPublisher: British Film InstitutePhysDes: 95 p. : ill. ; 19 cmSeries: BFI Modern ClassicsSubject: L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; HANSON, CURTIS ; HOLLYWOOD IN FILMS ; PEARCE, GUY ; CROWE, RUSSELL ; SPACEY, KEVIN ; BASINGER, KIM ; DEVITO, DANNY ; DIRECTORS. USA Summary: Explores the careers of Curtis Hanson, director, and James Ellroy, novelist, drawing on interviews with both men, to dig deep into the film's obssession with the twinned, equally troubled histories of the Hollywood studio system and the city of Los Angeles.Notes: Notes: p.85-87
Credits: p.88-93
Bibliography: p.94-95ISBN: 0851709443
More info
book
Lana and Lilly Wachowski / Cael M. Keegan Urbana: University of Illinois Press, 2018.
Call No: 81WAC KEEAuthor: Keegan, Cael M. Place: UrbanaPublisher: University of Illinois PressPubDate: 2018PhysDes: x, 180 pages : illustrations ; 21 cm.Series: Contemporary film directorsSubject: FILM ; DIRECTORS ; PRODUCERS ; CRITICISM ; TRANSGENDER AND THE CINEMA ; TRANSGENDERISM IN FILMS ; CONTROVERSIAL ISSUES IN FILMS ; WACHOWSKI, LANA ; WACHOWSKI, LILLY ; WACHOWSKI, LARRY ; WACHOWSKI, ANDREW ; ANIMATRIX, THE (US, Peter Chung & Andy Jones & Yoshiaki Kawajiri & Takeshi Koike & Mahiro Maeda & Kouji Morimoto & Shinichiro Watanabe, 2003) ; BOUND (US, Larry Wachowski & Andy Wachowski, 1996) ; MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999) ; MATRIX REVOLUTIONS, THE (US, Andy Wachowski & Larry Wachowski, 2003) ; V FOR VENDETTA (US/GG, James McTeigue, 2005) ; SPEED RACER (US, ANDY WACHOWSKI, LARRY WACHOWSKI, 2008) ; CLOUD ATLAS (G/US/HK/SI, Tom Tykwer/Andy Wachowski, 2012) ; JUPITER ASCENDING (US, The Wachowskis, 2015) ; SENSE8 [TV] (US, 2015-2018) Summary: "Lana and Lilly Wachowski are intensely political film writers, directors, and producers whose work has made an indelible impact on American popular culture. From The Matrix (1999) to Cloud Atlas (2012), they have left their mark as innovators in the industry, consistently pushing the boundaries of what is perceived as technically and topically possible in studio film. They are also the world's first major transgender film directors and arguably the most influential transgender cultural producers in human history. Their coming out makes possible a reevaluation of the Wachowskis' entire oeuvre as curating alternate approaches to gender, emobodiment, and perception, that might be retrospectively theorized as "trans." In this study, Cael Keegan will argue that the Wachowskis' work can be read as an aesthetic history of transgender political consciousness as it has evolved in popular media. He explores the significance of the Wachowskis as film and genre innovators who have permanently altered the technology and aesthetics of mainstream Hollywood cinema. Keegan sees the radical identities at play in many of their early films as emerging from a queer sensibility and and a hoped-for sense of the body's plasticity. Moving chronologically through the Wachowskis' filmography, he uses the films' theorization of gender and embodied identity at the intersection of convergence, virtuality, biopolitical surveillance and capitalist realism to open these much-discussed works to new modes of analysis" --Notes: "Lilly Wachowski was born in 1967 in Chicago as Andrew Wachowski" -- Libraries Australia; Lana Wochowski was born as Larry Wochowski - Libraries Australia; Alternate Names: The Wachowski Brothers or The Wachowskis; Includes bibliographical references, filmography, and index.ISBN: 9780252083839Contents: Trans opt: Received -- "You can believe what you feel": Bound -- Ecstatic passages: The Matrix -- Redpill -- Adventures in transreality: The animatrix -- Heroic ends: The matrix reloaded and The matrix revolutions -- Revolutionary guises: V for Vendetta -- Sensorial assault -- Fixed races: Speed racer -- Escaping history: Cloud atlas -- Speculative heights: Jupiter ascending -- Epilogue: event horizon: Sense8 --
More info
journal article
Life in the Desert : An Interview with Ian Dunlop in Melbourne Film Bulletin (October 1968) iss.6 p.3-16
More info
book
Lights, camera, masala : making movies in Mumbai / [photographs], Sheena Sippy ; text, Naman Ramachandran ; design, Divya Thakur Mumbai: India Book House, 2006.
Call No: 210.1(540) SIPSource: IIPlace: MumbaiPublisher: India Book HousePubDate: 2006PhysDes: 246 p., [2] leaves of plates : ill. (chiefly col.) ; 27 cmSubject: INDIA ; BOLLYWOOD ; STARS. INDIA ; STAR SYSTEM ; INDUSTRY, FILM. INDIA ; PRODUCTION. INDIA ; ACTORS. INDIA ; DIRECTORS. INDIA Summary: An exploration of how films are made in 'Bollywood' that uses interviews with famous stars and well known film workers in the industry during a few months of 2005 and 2006. The fictional characters Vijay and Ravi go through the process of making a Bollywood film, including screenwriting, the Bollywood star system, pre-production, marketing and promotion, and audience receptionNotes: 246 p., [2] leaves of plates : ill. (chiefly col.) ; 27 cmISBN: 8175084413Donation: Alex Gionfriddo
More info
newspaper article
The magic of the muse in Saturday Age [Spectrum] (26/12/2015) p.12
Call No: SUBJECT CLIPPINGS FILE; DIRECTORSAuthor: Bunbury, Stephanie Subject: DIRECTORS Summary: Actors can be recognised as muses. This article lightly explores the working partnerships between directors and actors, which can last through several films or even entire careers.
More info
book
The man who met Raymond Longford / Anthony Buckley Australia: ScreenSound Australia, 2001.
Call No: 802.25 (94) BUCAuthor: Buckley, Anthony Edition: 1st ed.Source: AustraliaPlace: AustraliaPublisher: ScreenSound AustraliaPubDate: 2001PhysDes: [24] p. : ill., ports., facsims.Series: Inaugural Longford Lyall lecture 2001; ScreenSound Australia Monograph no.3Subject: AUSTRALIA ; AUSTRALIA IN FILMS ; AUSTRALIA. 1895-1930 ; AUSTRALIA. 1927-1932 ; AUSTRALIAN CINEMA PIONEERS, THE ; AUSTRALIAN FILM STUDIOS ; AUSTRALIAN SCREEN EDITORS ; AUSTRALIANS IN FILMS ; WOMEN AND THE CINEMA ; WOMEN FILMMAKERS. AUSTRALIA ; WOMEN IN FILMS. AUSTRALIA ; WOMEN, FILMS MADE BY ; PRODUCERS. AUSTRALIA ; DIRECTORS. AUSTRALIA ; BUCKLEY, ANTHONY ; LONGFORD, RAYMOND ; LYELL, LOTTIE ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; MUTINY ON THE BOUNTY, THE (AT, Raymond Longford, 1916) ; CHURCH AND THE WOMAN, THE ( AT, Raymond Longford, 1917) ; WOMAN SUFFERS, THE (AT, Raymond Longford, 1918) ; DINKUM BLOKE, THE (AT, Raymond Longford, 1923) ; ON OUR SELECTION (AT, Ken G. Hall, 1932) Summary: The ScreenSound Australia Annual Longford Lyell Lecture was established in 2001. It is named in honour of two significant pioneers of Australian cinema, Lottie Lyell and Raymond Longford, who were the foremost creative partnership in the pioneering years of Australian cinema. Anthony Buckley is regarded as one of the leaders of the Australian Film industry having worked as a documentary film maker, director and producer. In this lecture Buckley talks about the life and times of Longford and Lyell as well as his own extraordinary meeting with the legendary Longford at the age of fifteen.Notes: Includes filmography of Anthony Buckley's works. -- Includes bibliographic references.ISBN: 0642365180
More info
book
Masters of the Soviet cinema ; crippled creative biographies / Herbert Marshall London Boston: Routledge & K. Paul, 1983.
More info
book
The Mexican cinema : interviews with thirteen directors / by Beatriz Reyes Nevares ; introd. by E. Bradford Burns ; translators, Elizabeth Gard and Carl J. Mora Albuquerque: University of New Mexico Press, c1976.
Call No: 71(72) NEVAuthor: Reyes Nevares, Beatriz Edition: 1st edPlace: AlbuquerquePublisher: University of New Mexico PressPubDate: c1976PhysDes: xix, 176 p. : ill. ; 24 cmSubject: MEXICO ; DIRECTORS. MEXICO Notes: Translation of Trece directores del cine mexicano; Includes index; Bibliography: p. 171ISBN: 0826304109 : $9.95; 0826304117(pbk. :) 4.50LON: 746146
More info
Interim
book
Mizoguchi and Japan / Mark Le Fanu London: British Film Institute, 2005.
Call No: 81MIZ FANAuthor: Mark Le Fanu Source: British Film InstitiutePlace: LondonPublisher: British Film InstitutePubDate: 2005PhysDes: 218 p ; 23 cmSubject: MIZOGUCHI KENJI ; JAPAN ; DIRECTORS. JAPAN ; WOMEN AND THE CINEMA ; CRITICISM Summary: Mizoguchi and Japan is the first full-length study for over twenty years of a director hailed by Cahiers du Cinema recently as "the greatest of all cineastes". On the surface such a claim might be considered controversial since, for a majority of Western cinema-goers, the names more usually associated with classic Japanese cinema are those of Kurosawa and Ozu. Mark Le Fanu's admiration for Kurosawa and Ozu is second to none, but here, in his long-awaited new study, he makes the case for placing Mizoguchi at the very pinnacle of Japanese film achievement.[Taken from back cover].ISBN: 1844570576ID2: 291
More info
book
The movie directors story / Joel W. Finler London: Octopus Books, 1985.
Call No: 802.25 FIN; FOLIOAuthor: Finler, Joel W. (Joel Waldo), 1938 Source: UKPlace: LondonPublisher: Octopus BooksPubDate: 1985PhysDes: 272 p. : ill. ; 33 cmSubject: DIRECTORS ; FILM WORKERS ; HISTORY OF CINEMA ; HOLLYWOOD ; INDUSTRY, FILM. USA ; STAR SYSTEM Summary: "Since the earliest days of cinema, the director has combined and controlled all the elements of film-making. His status and independence have waxed and waned but he has always - rightly or wrongly - been credited with a film's success or blamed for its failure. Here is the absorbing account of 140 careers, ranging across the spectrum from studio work-horse to acknowledged genius. The famous director-star partnerships, such as Clarence Brown and Greta Garbo, John Ford and John Wayne, Josef von Sternberg, and Marlene Dietrich, Martin Scorsese and Robert de Niro are all here, as are the unknown but invaluable contract directors, the great innovators, the writer-directors and the rebels. Each entry is generously illustrated with pictures of the directors themselves, as well as scenes from their most characteristic movies. The selection has been made to give a has been made to give a varied and representative view of the director's contribution to the English speaking cinema in general and Hollywood in particular." [Taken from book jacket]Notes: Includes indexesISBN: 0706422880LON: 4458266 4458266
More info
journal article
Movies On My Mind : An Interview with Stig Bjorkman in Melbourne Film Bulletin (July 1969) iss.9 p.3-8
Author: Gardner, Geoffrey and Mogg, Ken and Simpson, Brian PhysDes: ArticleSubject: BJORKMAN, STIG ; DIRECTORS. SWEDEN ; BERGMAN, INGMAR ; SWEDEN ; GODARD, JEAN-LUC Summary: Interview with Swedish director Stig Bjorkman, who comments not only on his film "I Love, You Love", but on the work of his contempories, especially Bergman and Godard.
More info
book
Mr Showbiz : the biography of Robert Stigwood / by Stephen Dando-Collins North Sydney: Penguin Random House Australia Pty Ltd, 2017.
Call No: 81STI DANAuthor: Dando-Collins, Stephen Source: ATPlace: North SydneyPublisher: Penguin Random House Australia Pty LtdPubDate: 2017PhysDes: xi, 418 pages, 16 unnumbered pages of plates : illustrations (some in colour), portraits ; 24 cm.Subject: PRODUCERS ; DIRECTORS ; THEATRE AND THE CINEMA ; AUSTRALIA ; INDUSTRY, FILM ; INDUSTRY, FILM. AUSTRALIA ; STIGWOOD, ROBERT Summary: "In the 1970s, Australian entrepreneur Robert Stigwood was the entertainment industry's most powerful tycoon. This is his largest-than-life story. Stiggy's ability to pick and promote talent was astounding. He came to renown managing the careers of the Bee Gees, Cream and Eric Clapton and Grease, and was behind the massive West End and Broadway musicals Hair and Jesus Christ Superstar. There were also great crashes, including an infamous Chuck Berry tour that failed to attract audiences and forced the Australian impresario into bankruptcy. The failure of the big-budget musical film of the Beatles' album Sgt. Pepper's Lonely Hearts Club Band also cut deep. Throughout it all, Stigwood lived it up with champagne, staff, private planes, yachts and luxury penthouses. The parties he hosted were legendary, as was his ability to party all night long and pull off a substantial business deal the next morning. Great rifts arose in almost all of his closest personal and professional relationships, but his gift for friendship and enormous talents in the entertainment business generally saw rapprochement. Not for nothing was Robert Stigwood dubbed "Mt Showbiz". "-- BOOK BACK COVERNotes: Includes bibliographical references (pages 404-407) and indexISBN: 9781925324747Contents: -- acknowledgments -- preface -- act one: the rise and fall of a bloke called bob -- Jesus Christ, a Superstar! -- a starmaker is born -- king of the arts -- chasing a dream -- becoming the starmaker -- on the up -- going bust -- act two: the remaking of Robert -- cream of the crop -- getting into bed with Brian Epstein -- three brothers with the voices of angels -- save the Bee Gees! -- the king is dead, long live the king -- the irresistable rise of RSO -- hair, there and everywhere -- forging ahead with blind faith -- all in the family -- enter Rice and Lloyd Webber -- Joseph, Jeeves, Evita and a red crow -- Tommy brings back Clapton -- conquering America -- the Travolta trilogy -- greasing the wheels -- Sgt. Pepper's, a business deal set to music -- a racehorse, a yacht, an island -- a year of love and war -- upping anchor -- act three: Stiggy sails into the sunset -- not so plain sailing -- lord of the manor -- the last lap -- Stiggy's final after party -- bibliography -- index --
More info
book
Music, sound and filmmakers : sonic style in cinema / edited by James Wierzbicki New York : London: Routledge, 2012.
Call No: 634 MUSAuthor: Wierzbicki, James (ed.) Source: US/UKPlace: New York : LondonPublisher: RoutledgePubDate: 2012PhysDes: xv, 210 p. : ill. ; 23 cmSeries: Routledge music and screen media seriesSubject: DIRECTORS ; FILM ; FILM WORKERS ; LYNCH, DAVID ; MUSIC AND THE CINEMA ; MUSIC IN FILMS ; PRODUCERS ; SOUND ; SOUND EDITING ; SOUND EFFECTS ; SOUND RECORDING ; ANDERSON, WES ; BERGMAN, INGMAR ; COEN, JOEL & ETHAN ; GREENAWAY, PETER ; KIESLOWSKI, KRZYSZTOF ; KUBRICK, STANLEY ; SELZNICK, DAVID O. ; TARANTINO, QUENTIN ; TARKOVSKY, ANDREI ; VAN SANT, GUS Summary: "Music, Sound and filmmakers: Sonic Style in Cinema examines the work of filmmakers whose concern is not just for the eye, but also for the ear. The bulk of the text focuses on the work of directors Wes Anderson, Ingmar Bergman, the Coen brothers, Peter Greenaway, Krzysztof Kieslowski, Stanley Kubrick, David Lynch, Quentin Tarantino, Andrey Tarkovsky and Gus Van Sant. Significantly, the anthology includes a discussion of films administratively controlled by such famously sound-conscious producers as David O. Selznick and Val Lewton. Written by the leading film music scholars from Europe, North America, and Australia, Music, Sound and Filmmakers: Sonic Style in Cinema will complement other volumes in Film Music Coursework, or stand on its own among a body of research. " -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references and indexISBN: 9780415898942Contents: -- series foreword -- preface -- acknowledgments -- 1: sonic style in cinema / James Wierzbicki -- 2: Music, sound, and silence in the films of Ingmar Bergman / Per F. Broman -- 3: Andrey Tarkovsky : the refrain of the sonic fingerprint / Elizabeth Fairweather -- 4: "It's all really happening" : sonic shaping in the films of Wes Anderson / Ben Winters -- 5: Kieslowski's musique concre`te / Joseph G. Kickasola -- 6: Gus Van Sant's soundwalks and audio-visual musique concre`te / Danijela Kulezic-Wilson -- 7: Blowin' in the wind : music and meaning in the Coen Brothers' films / Matthew McDonald -- 8: Sound and uncertainty in the horror films of the Lewton Unit / Michael Lee -- 9: Conducting the composer : David O. Selznick and the Hollywood film score / Nathan Platte -- 10: The Stanley Kubrick experience : music, firecrackers, disorientation, and you / Kate McQuiston -- 11: The filmmaker's contract : controlling sonic space in the films of Peter Greenaway / Ian Sapiro -- 12: The attractions of repetition : Tarantino's sonic style / Lisa Coulthard -- 13: Dream timbre : notes on Lynchian sound design / Isabella van Elferen -- list of contributors -- bibliography -- index --
More info
book
Myth & meaning : Australian film directors in their own words / Peter Malone Sydney: Currency Press, 2000.
Call No: 802.25(94) MALAuthor: Malone, Peter (Peter J.) Source: ATPlace: SydneyPublisher: Currency PressPubDate: 2000PhysDes: 1 vSubject: DIRECTORS. AUSTRALIA ; ARMSTRONG, GILLIAN ; BERESFORD, BRUCE ; BURSTALL, TIM ; CROMBIE, DONALD ; DE HEER, ROLF ; HICKS, SCOTT ; MILLER, GEORGE ; NOYCE, PHIL ; PARSONS, NICHOLAS ; RUANE, JOHN ; SCHEPISI, FRED ; STORM, ESBEN ; TASS, NADIA ; THORNHILL, MICHAEL ; WALLACE, STEPHEN ; WINCER, SIMON Notes: Includes indexISBN: 0868196096 : $27.50LON: 21841061
More info
book
Naked Hollywood : money, power, and the movies / Nicolas Kent London: BBC Books, 1991.
More info
book
The name above the title : an autobiography New York: Macmillan, c1971.
More info
book
New American filmmakers : selections from the Whitney Museum of American Art Film Program New York, N.Y.: American Federation of Arts, c1976.
Call No: 802.25(73) NEWCorpAuthor: Whitney Museum of American Art. Film ProgramPlace: New York, N.Y.Publisher: American Federation of ArtsPubDate: c1976PhysDes: 95 p. : illSubject: DIRECTORS. USA Notes: Bibliography: p. 90LON: 2453599
More info
book
The new German cinema / John Sandford London: Eyre Methuen, 1981.
More info
book
New German filmmakers : from Oberhausen through the 1970s / edited by Klaus Phillips New York: Ungar Pub. Co., c1984.
Call No: 802.25(430.1) HEWAuthor: Phillips, Klaus Place: New YorkPublisher: Ungar Pub. Co.PubDate: c1984PhysDes: xxv, 462 p. : ill., ports. ; 22 cmSubject: DIRECTORS. GERMANY ; ACHTERNBUSCH, HERBERT ; BRUSTELLIN, ALF ; COSTARD, HELLMUTH ; FASSBINDER, RAINER WERNER ; GEISSENDORFER, HANS W. ; HAUFF, REINHARD ; HERZOG, WERNER ; KLUGE, ALEXANDER ; LILIENTHAL, PETER ; SCHLONDORFF, VOLKER ; TROTTA, MARGARETHE VON ; STOCKL, ULA ; STRAUB, JEAN-MARIE ; HUILLET, DANIELE ; SYBERBERG, HANS JURGEN ; Wenders, Wim ; BOHM, HARK ; SINKEL, BERNHARD ; REITZ, EDGAR ; SPILS, MAY ; ENKE, WERNER Notes: Includes index; Bibliography: p. 428-462ISBN: 0804426880 : $16.95; 0804466483 (pbk.) : $9.95LON: 3146469
More info
book
On film in print : Forty five years on the road with cameras, skis, boats, and windsurfers / Warren Miller Colorado: Ritem and Printem, Inc., copyright 1994.
Call No: 81MIL MILAuthor: Miller, Warren Edition: First editionSource: USPlace: ColoradoPublisher: Ritem and Printem, Inc.PubDate: copyright 1994PhysDes: 268 pages: illustrations ; 22 cmSubject: DIRECTORS. USA ; SPORTS AND THE CINEMA ; SPORTS FILMS ; OLYMPICS IN FILMS ; MILLER, WARREN Summary: "In fifty years, a lot has happened to [Warren Miller]; this is a collection of stories about a few of those happenings, stories about brief moments in time that are frozen in his memory bank while he lurched from one near disaster to the next." - BOOK BLURBISBN: 096361441X
More info
book
Paris Hollywood : writings on film / Peter Wollen London ; New York: Verso, 2002.
Call No: 67(04) WOLAuthor: Wollen, Peter Source: UK/USPlace: London ; New YorkPublisher: VersoPubDate: 2002PhysDes: vi, 314 p. ; 21 cmSubject: ARCHITECTURE IN FILMS ; DIRECTORS ; FILM ; THEORY ; MOVEMENTS IN FILM HISTORY ; MOVEMENTS AND STYLES IN FILM HISTORY ; BURROUGHS, WILLIAM ; EGGELING, VIKING ; GODARD, JEAN-LUC ; HAWKS, HOWARD ; HITCHCOCK, ALFRED ; ROUCH, JEAN ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLADE RUNNER: THE DIRECTOR'S CUT (US, Ridley Scott, 1982) ; FREUD (US, John Huston, 1962) ; RULES OF THE GAME, THE (FR, Jean Renoir, 1939) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) Summary: "In this new collection of essays on the cinema, all written over the last ten years, Peter Wollen explores an extraordinarily wide range of topics, stretching from an analysis of time in film and video art to a study of Riff-Raff Realism in British film. Provocative essays discuss the work both of established auteur directors such as Howard Hawks and Alfred Hitchcock as well as the filmmaking careers of such experimental moviemakers as William Burroughs and Viking Eggeling, the dadaist pioneer of abstract film. The collection also includes fascinating studies of a number of film classics, such as John Huston's Freud, Jean Renoir's Rules of the Game and Ridley Scott's Blade Runner.".
"Paris Hollywood suggests new approaches to thinking about film and many unexpected connections between film studies and the history of such strangely related activities as espionage, psychoanalysis, dance, architecture, anthropology, Stalinism, love of speed and digital technology. Wollen's book is based on the premise that there are no fixed ways of writing about the cinema but, rather, a plethora of paths leading in very different directions, each contributing to a new understanding of the 20th century's major art form."--BOOK JACKETNotes: Includes bibliographical references and indexes
Includes filmographyISBN: 1859843913Contents: -- 1: an alphabet of Cinema -- Part 1: directors and filmmakers -- 2: guerilla conditions: the cinema of William Seward Burroughs -- 3: viking eggeling -- 4: who the hell is Howard Hawks? -- 5: hitch: a tale of two cities (London and Los Angeles) -- 6: JLG -- 7: Jean Rouch -- part 2: films and movements -- 8: Freud as adventurer -- 9: Blade Runner -- 10: spies ansd spivs: an anglo-austrian engagement -- 11: rules of the game -- 12: the last new wave -- 13: riff-raff realism -- 14: architecture and film: places and non-places -- 15: the canon -- 16: time in film and video art -- 17: mismatches (& Acousmetres) -- 18 back to the future -- 19: speed and the cinema -- notes -- film-makers/director index -- filmography -- general index --
More info
book
Passport to Hollywood : Film immigrants : anthology / Don Whittemore, Philip Alan Cecchettini, and the Regents of the University of California New York: McGraw-Hill, c1976.
Call No: 802.25(73) WHIAuthor: Whittemore, Don ; Cecchettini, Philip Alan CorpAuthor: University of California, Berkeley; Film immigrantsPlace: New YorkPublisher: McGraw-HillPubDate: c1976PhysDes: ix, 558 p. : ill. ; 23 cmSubject: DIRECTORS. USA ; CHAPLIN, CHARLES ; VON STROHEIM, ERICH ; LUBITSCH, ERNST ; CURTIZ, MICHAEL ; SJOSTROM, VICTOR ; WHALE, JAMES ; HITCHCOCK, ALFRED ; MURNAU, FRIEDRICH WILHELM ; FEJOS, PAUL ; VORKAPICH, SLAVKO ; LANG, FRITZ ; PREMINGER, OTTO ; FORMAN, MILOS Notes: A book of readings for the Introduction to film course to accompany the PBS film series Film immigrants; Includes bibliographical referencesISBN: 0070700532; 0070700524 : $10.00LON: 768655
More info
serial
PDGA news : Producers and Directors Guild of Australia / Producers & Directors Guild of Australia St. Leonards, N.S.W.: The Guild, 1994.
Call No: held Nov.1966- spring 1994CorpAuthor: Producers and Directors Guild of AustraliaSource: ATPlace: St. Leonards, N.S.W.Publisher: The GuildPubDate: 1994Subject: DIRECTORS. AUSTRALIA ; PRODUCERS. AUSTRALIA Notes: Caption titleLON: abn94381827; 11279171
More info
book
Pedro Almodo´var / Marvin D'Lugo Urbana, Ill ; Chicago: University of Illinois Press, 2006.
Call No: 81ALM DLUAuthor: D'Lugo, Marvin Source: USPlace: Urbana, Ill ; ChicagoPublisher: University of Illinois PressPubDate: 2006PhysDes: x, 176 p. : ill. ; 21 cmSeries: Contemporary film directors / edited by James NaremoreSubject: DIRECTORS. SPAIN ; CRITICISM ; ALMODOVAR, PEDRO Notes: Includes bibliographical references (p. [159]-164) and index.
Includes filmography: p. [153]-158.ISBN: 9780252073618 (pbk.) - ISBN 13
0252073614 (pbk.) - ISBN 10
More info
book
A personal journey with Martin Scorsese through American movies / Martin Scorsese and Michael Henry Wilson London: Faber, 1997.
Call No: 71(73) SCOAuthor: Scorsese, Martin ; Wilson, Michael Henry Place: LondonPublisher: FaberPubDate: 1997PhysDes: 191 p. : ill. ; 26 cmSubject: SCORSESE, MARTIN ; USA ; DIRECTORS. USA ; WESTERNS ; MUSICALS. USA ; GANGSTER FILMS. USA Summary: "From one of the world's most acclaimed directors comes an absorbing and informative look at American film and its practitioners, from silents to the movies of the 1970s, and how it shaped Martin Scorsese's own artistic vision." [Taken from book jacket]Notes: Originally published: New York : Hyperion, 1997; Filmography (p. 170-189)ISBN: 0571192424 (cased); 0571194559 (pbk)LON: abn97323264; 13458435
More info
book
Personal visions : conversations with contemporary film directors / by Mario Falsetto Los Angeles: Silman-James, 2000.
Call No: 802.25 FALAuthor: Falsetto, Mario Edition: 1st ed.Source: USPlace: Los AngelesPublisher: Silman-JamesPubDate: 2000PhysDes: xviii, 529 p. ; 23 cmSubject: INDEPENDENT DIRECTORS ; STOPKEWICH, LYNNE ; RADFORD, MICHAEL ; HYTNER, NICHOLAS ; ALMEREYDA, MICHAEL ; CAMPION, ANNA ; DAVIES, TERENCE ; DICILLO, TOM ; EGOYAN, ATOM ; GORDON, KEITH ; JORDAN, NEIL ; LINKLATER, RICHARD ; MACLEAN, ALISON ; MCNAUGHTON, JOHN ; RIDLEY, PHILIP ; ROSS, BENJAMIN ; RUDOLPH, ALAN ; TOLKIN, MICHAEL Summary: A collection of interviews with seventeen contemporary independent filmmakers, who discuss their creative visions, careers, and the film industry.ISBN: 9781879505513Contents: -- Michael Almereyda -- Anna Campion -- Terence Davies -- Tom DiCillo -- Atom Egoyan -- Keith Gordon -- Nicholas Hytner -- Neil Jordan -- Richard Linklater -- Alison Maclean -- John McNaughton -- Michael Radford -- Philip Ridley -- Benjamin Ross -- Alan Rudolph -- Lynne Stopkewich -- Michael Tolkin
More info
book
Peter Weir : interviews / edited by John C. Tibbetts ; foreword by David Thomson Jackson, Mississippi: University Press of Mississippi, 2014.
Call No: 81WEI PETAuthor: Tibbetts, John C ; Thomson, David Source: USPlace: Jackson, MississippiPublisher: University Press of MississippiPubDate: 2014PhysDes: xlii, 261 pages ; 24 cmSeries: Conversations with filmmakers seriesSubject: ADAPTATIONS ; AUTEUR THEORY ; DIRECTORS ; EDITING ; INTERVIEWING ; REALITY TV ; WAR IN FILMS ; WEIR, PETER ; BOYD, RUSSELL ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) ; DEAD POETS SOCIETY (US, Peter Weir, 1989) ; FEARLESS (US, Peter Weir, 1993) ; GALLIPOLI (AT, Peter Weir, 1981) ; GREEN CARD (AT/FR, Peter Weir, 1990) ; HOMESDALE (AT, Peter Weir, 1971) ; LAST WAVE, THE (AT, Peter Weir, 1977) ; MASTER AND COMMANDER: THE FAR SIDE OF THE WORLD (US, Peter Weir, 2003) ; MOSQUITO COAST, THE (US, Peter Weir, 1986) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; PLUMBER, THE (AT, Peter Weir, 1980) ; TRUMAN SHOW, THE (US, Peter Weir, 1998) ; WAY BACK, THE (US, Peter Weir, 2010) ; WITNESS (US, Peter Weir, 1985) ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) Summary: 'Peter Weir: Interviews' is the first volume of interviews to be published on the esteemed Australian director. Although Weir (b. 1944) has acquired a reputation of being guarded about his life and work, these interviews by archivists, journalists, historians, and colleagues reveal him to be a most amiable and forthcoming subject. [...] Interviews discuss Weir's diverse and impressive range of work - his earlier films 'Picnic at Hanging Rock', 'The Last Wave', 'Gallipoli', and 'The Year of Living Dangerously', as well as Academy Award-nominated 'Witness', 'Dead Poets Society', 'Green Card', 'The Truman Show', and 'Master and Commander'. This book confirms the trajectory of Weir's life and work parallels and embodies Australia's quest to define and express a historical and cultural identity." -- BOOK BLURBNotes: Includes chronology and filmography for Peter Weir's work; includes indexISBN: 9781617038976Contents: Foreword by David Thomson -- Introduction: "unmet friends": encounters with Peter Weir -- Chronology -- Filmography -- Peter Weir: reclaiming a Sydney boyhood: John C. Tibbetts / 2012 -- Peter Weir: snapshots in time: John C. Tibbetts / 2012 -- Peter Weir: early days: Sue Mathews / 1985 -- Small screens and big screens: television and film: Graham Shirley / 1991 -- The first features: 'The Cars That Ate Paris: Tom Hogan / 1973 -- "Weir, weird, and weirder still": the riddle of Hanging Rock: David Castell / 1976 -- Years of living dangerously: 'The Last Wave', 'The Plumber', 'Gallipoli', 'The Year of Living Dangerously': Sue Mathews / 1985 -- Interview with Peter Weir: Luisa Ceretto and Andrea Morini / 1999 -- Peter Weir: master of unease: Terry Dowling and George Mannix / 1980 -- Towards the center: Tom Ryan and Brian McFarlane / 1981 -- The swizzle stick: Peter Weir and Hollywood genres: Jonathan Rayner / 1993 -- The iceman cometh: 'Mosquito Coast': Digby Diehl / 1986 -- 'Fearless': the poetry of apocalypse: John C. Tibbetts / 1993 -- Poetry man: 'Dead Poets Society': Nancy Griffin -- Weir's worlds: 'The Truman Show': Virginia Campbell -- This is your life: 'The Truman Show': Eric Rudolph / 1998 -- He's fought his own way back to work: Terence Rafferty / 2011 -- "I am your eyes": interviews with Russell Boyd, ACS, ASC: John C. Tibbetts / 2012 -- Appendix: Notes on 'Gallipoli -- Interview with executive producer Francis O'Brien -- Peter Weir's Anzac lecture -- additional sources -- index
More info
serial
Producers and Directors Guild of Victoria newsletter : quarterly Melbourne, Vic. : The Guild:
Call No: held vol.1, no.2- winter 1997- incompleteCorpAuthor: Producers and Directors Guild of VictoriaSource: ATPlace: Melbourne, Vic. : The GuildPhysDes: vSubject: PRODUCERS. AUSTRALIA ; DIRECTORS. AUSTRALIA Notes: Description based on: vol.1 no.2, winter 1997LON: 14167769
More info
book
Projections 9 : French film-makers on film-making / in association with Positif ; edited by Michel Ciment and Noel Herpe ; translated by Pierre Hodgson ; executive editors, John Boorman and Walter Donohue London: Faber and Faber, 1999.
Call No: 802 PRO v.9Author: Herpe, Noel ; Boorman, John, 1933 ; Ciment, Michel ; Donohue, Walter Place: LondonPublisher: Faber and FaberPubDate: 1999PhysDes: x, 193 p. : ill., ports. ; 23cmSubject: FRANCE ; DIRECTORS. FRANCE ; ASSAYAS, OLIVIER ; [TRENTE-SIX] 36 FILLETTE (FR, Catherine Breillat, 1988) ; THERESE (FR, Alain Cavalier, 1986) ; GARDE A VUE (FR, Claude Miller, 1981) ; ARGENT, L' (SZ/FR, Robert Bresson, 1983) ; CONTE D'ETE (FR, Eric Rohmer, 1996) ; CEREMONIE, LA (FR/GG, Claude Chabrol, 1995) ; AU REVOIR LES ENFANTS (FR/GW Louis Malle, 1987) ; COEUR EN HIVER, UN (FR, Claude Sautet, 1992) ; VAN GOGH (FR, Maurice Pialat, 1991) ; DIMANCHE A LA CAMPAGNE, UN (FR, Bertrand Tavernier, 1984) ; RIDICULE (FR, Patrice Leconte, 1996) ; HOTEL TERMINUS : KLAUS BARBIE, HIS LIFE AND TIMES (US, Marcel Ophuls, 1988) ; FAVORIS DE LA LUNE, LES (FR, Otar Ioseliani, 1984) ; DELICATESSEN (FR, Jean-Pierre Jeunet & Marc Caro, 1991) ; SENTINELLE, LA (FR, Arnaud Desplechin, 1992) ; WESTERN (FR, Manuel Poirier, 1997) ; HEROS TRES DISCRET, UN (FR, Jacques Audiard, 1996) ; HAINE, LA (FR, Mathieu Kassovitz, 1995) ISBN: 0571193560 (pbk.)LON: 20163202
More info
book
The ragman's story : an autobiography / Kirk Douglas London: Simon and Schuster, 1988.
Call No: 81DOU DOUAuthor: Douglas, Kirk Source: UKPlace: LondonPublisher: Simon and SchusterPubDate: 1988PhysDes: 510 pages : black and white illustrations ; 24 cmSubject: ACTING ; DIRECTION ; DIRECTORS ; HOLLYWOOD ; NEW YORK IN FILMS ; ANGELI, PIER ; DOUGLAS, ERIC ; DOUGLAS, KIRK ; DOUGLAS, MICHAEL ; LANCASTER, BURT ; LUST FOR LIFE (US, Vincente Minelli and George Cukor, 1956) ; SPARTACUS (US, Stanley Kubrick, 1960) Summary: "Most autobiographies by movie stars are ghost-written and bland. This one is neither. In his powerful, angry and passionate book, Kirk Douglas tells the story of his life in his own words, holding back nothing. Born Issur Danielovitch Demsky, the son of an illiterate immigrant Russian-Jewish ragman, in Amsterdam, New York, Douglas paints a searing and unforgettable picture of an almost Dickensian childhood of brutal poverty - the background that has dominated his life as an actor, father and man, fuelling the great creative anger that has added such depth to his performances. With profound and moving insight, he shows how the determination to overcome that childhood and succeed on his own terms led him to take on roles that most stars of his magnitude would never have risked - Van Gogh, in LUST FOR LIFE; Spartacus the slave; the courageous, conscience-stricken Colonel Dax, in PATHS OF GLORY; the agonized boxer Midge, in CHAMPION, to name only a few - and to fight the studios and the Hollywood establishment for the right to control and produce his own movies, long before it was common practice for stars to do so." [Taken from book jacket]Notes: Includes indexISBN: 0671699598; 9780671699598Donation: Simon Wincer
More info
newspaper article
Reclaimed treasures in Weekend Australian [Review] (29/07/2017) p.10
More info
newspaper article
Reel time : opposition to foreign workers growing in The Australian [Arts & Entertainment] (25/02/2015) p.15
More info
newspaper article
Reel time : Screen NSW sets out to even gender imbalance in The Australian (18/11/2015) p.15
More info
newspaper article
Reel time : Madsen welcomed to new Neighborhood in The Australian (10/02/2016) p.16
Call No: TITLE CLIPPINGS FILE in production; ALIEN: COVENANT in productionAuthor: Bodey, Michael PhysDes: Clippings File ArticleSubject: AUSTRALIAN DIRECTORS GUILD ; ALIEN: COVENANT in production Summary: The Australian Directors Guild has arranged a scheme with Screen Australia for a Director's attachment with the film ALIEN: COVENANT and its director Ridley Scott
More info
book
Renoir on Renoir : interviews, essays and remarks / Jean Renoir; translated by Carol Volk Cambridge; New York: Cambridge University Press, 1989.
Call No: 81REN RENAuthor: Renoir, Jean Place: Cambridge; New YorkPublisher: Cambridge University PressPubDate: 1989PhysDes: xiii, 288 p. : ill. ; 24 cm.Series: Cambridge studies in filmSubject: FILM ; FRANCE ; DIRECTORS ; PRODUCERS ; RENOIR, JEAN Notes: Translation of: Entretiens et propos.
Filmography: p. 264-279.
Includes indexISBN: 0521385938Contents: Part I. Interviews in Cahiers du Cinema -- 1. First interview, by Jacques Rivette and Frano is Truffaut -- 2. Second interview, by Jacques Rivette and Frano is Truffaut -- 3. Third interview: My next films, by Michel Delahaye and Jean-Andre; Fieschi -- 4. Fourth interview: The progression of ideas, by Michel Delahaye and Jean Narboni -- Part II. Television Interviews -- 5. Jean Renoir talks about his art -- 6. Jean Renoir the boss, the search for relativity, the rule and its exception -- Part III. Remarks -- 7. Jean Renoir presents twenty of his films [for television] -- 8. Hollywood conversations [from Cahiers du cinema] -- Afterword -- Filmography -- Name index -- Title index
More info
book
Romantic comedy in Hollywood : from Lubitsch to Sturges / James Harvey New York: Knopf, 1987.
Call No: 732(73) HARAuthor: Harvey, James, 1929 Edition: 1st edSource: USPlace: New YorkPublisher: KnopfPubDate: 1987PhysDes: xii, 716 p. : ill. ; 25 cmSubject: ACTORS ; COMEDIES ; DIRECTORS ; HISTORY OF CINEMA. 1930's ; HISTORY OF CINEMA. 1940's ; HOLLYWOOD ; Metro-Goldwyn-Mayer ; ROMANTIC COMEDY ; ROMANTIC FILMS. USA ; PARAMOUNT STUDIOS ; STAR SYSTEM ; ARTHUR, JEAN ; ASTAIRE, FRED ; BRACKEN, EDDIE ; CAGNEY, JAMES ; CAPRA, FRANK ; COLBERT, CLAUDETTE ; COOPER, GARY ; DUNNE, IRENE ; GABLE, CLARK ; GRANT, CARY ; HARLOW, JEAN ; HAWKS, HOWARD ; LA CAVA, GREGORY ; Lombard, Carole ; LOY, MYRNA ; LUBITSCH, ERNST ; MCCAREY, LEO ; MCCREA, JOEL ; POWELL, WILLIAM ; ROGERS, GINGER ; Stanwyck, Barbara ; STEVENS, GEORGE ; STURGES, PRESTON ; AWFUL TRUTH, THE (US, Leo McCarey, 1937) ; BRINGING UP BABY (US, Howard Hawks, 1938) ; FIFTH AVENUE GIRL (US, Gregory La Cava, 1939) ; HIS GIRL FRIDAY (US, Howard Hawks, 1940) ; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934) ; LADY EVE, THE (US, Preston Sturges, 1941) ; LOVE PARADE, THE (US, Ernst Lubitsch, 1929) ; NINOTCHKA (US, Ernst Lubitsch, 1939) ; PALM BEACH STORY, THE (US, Preston Sturgess, 1942) ; SHOP AROUND THE CORNER, THE (US, Ernst Lubitsch, 1940) ; TROUBLE IN PARADISE (US, Ernst Lubitsch, 1932) ; UNFAITHFULLY YOURS (US, Preston Sturges, 1948) Summary: "Reading ROMANTIC COMEDY is like going to the movies. It recreates for us movies we've come to love: movies the way they were when, in 1934, four in particular - IT HAPPENED ONE NIGHT, TWENTIETH CENTURE, THE THIN MAN, and THE GAY DIVORCEE - heralded the arrival of the golden age of Hollywood romantic ("screwball") comedy. Over the next ten years, some of Hollywood's brightest directors and stars turned out some of America's most enduring and beloved films. The screwballs - slangy, irreverent, playful, skeptical, and "powerfully, glamorously in love with love" - constitute a genre of American film unique in its combination of the innocent and the worldly, of swank and slapstick. Now critic James Harvey - writing with brilliance and humor - gives us the first truly comprehensive book about these movies and the people who made them." [Taken from book jacket]Notes: Includes indexISBN: 0394503392LON: 5273661
More info
book
Scenes from a revolution : the birth of the new Hollywood / Mark Harris Edinburgh: Canongate, 2008.
Call No: 71 (73) HARAuthor: Harris Mark Place: EdinburghPublisher: CanongatePubDate: 2008PhysDes: 490 p., [16] p. of plates : ill. ; 25 cmSubject: COLUMBIA PICTURES ; CRITICISM ; CRITICS ; DIRECTORS. USA ; HISTORY AND THE CINEMA. USA ; HOLLYWOOD IN FILMS ; JAMES BOND IN FILMS ; TWENTIETH CENTURY-FOX ; WALT DISNEY PRODUCTIONS ; ALLEN, WOODY ; ANTONIONI, MICHELANGELO ; ASHBY, HAL ; BANCROFT, ANNE ; BEATTY, WARREN ; BENTON, ROBERT ; BERGMAN, INGRID ; BLAKE, ROBERT ; BRANDO, MARLON ; BURTON, RICHARD ; CAINE, MICHAEL ; CARON, LESLIE ; CUKOR, GEORGE ; COLLINS, JOAN ; CONNERY, SEAN ; COPPOLA, FRANCIS FORD ; CORMAN, ROGER ; DANIELS, WILLIAM ; DAVIS, SAMMY, Jr. ; DAY, DORIS ; DUNAWAY, FAYE ; DUVALL, ROBERT ; FELLINI, FEDERICO ; FLEISCHER, RICHARD ; FONDA, JANE ; FRANKOVICH, MIKE ; GODARD, JEAN-LUC ; HARRISON, REX ; HENRY, BUCK ; HEPBURN, KATHARINE ; HOFFMAN, DUSTIN ; NEWMAN, DAVID ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; CAMELOT (US, Joshua Logan, 1967) ; CLEOPATRA (US, Joseph L. Mankiewicz, 1963) ; COOL HAND LUKE (US, Stuart Rosenberg, 1967) ; DOCTOR DOLITTLE (US, Richard Fleischer, 1967) ; GRADUATE, THE (US, Mike Nichols, 1967) ; GUESS WHO'S COMING TO DINNER (US, Stanley Kramer, 1967) ; KAEL, PAULINE ; IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967) Summary: In this book, Mark Harris looks at 1967, and marks it as a pivotal moment in Hollywood's history: the shift from studio -generated epics, westerns and musicals, such as "Doctor Doolitle"to the director-centred European aesthetic seen in "Bonnie & Clyde" and "The Graduate". It was the birth of the New Hollywood. The book look at five films made in this year- "Bonnie & Clyde", "In the heat of the night", "Doctor Doolittle" "The Graduate" and "Guess who's coming to dinner" from the. first draft of the scripts to the impact of their release. The author interviews most of the actors in volved in the making of these films and presents a book about Hollywood and the United States at a critical juncture in their history. [Taken from the cover]Notes: Includes bibliographical references (p. [432]-438) and index.ISBN: 9781847671028ID2: 277
More info
serial
Screen director : newsletter of the Australian Screen Directors Association Rozelle [NSW]: ASDA, 1997.
Call No: held June/July 1997-Spring 2007 (incomplete)CorpAuthor: Australian Screen Directors AssociationSource: ATPlace: Rozelle [NSW]Publisher: ASDAPubDate: 1997PhysDes: v. ; 30 cmSubject: DIRECTORS. AUSTRALIA Notes: Continues: ASDA newsletterOrder Notes: CurrentLON: abn97271993; 13382299
More info
book
Screening the novel : rediscovered American fiction in film / Gabriel Miller New York: F. Ungar Pub. Co., 1980.
Call No: 753.4 MILAuthor: Miller, Gabriel, 1948 Place: New YorkPublisher: F. Ungar Pub. Co.PubDate: 1980PhysDes: xv, 208 p. : ill. ; 22 cmSeries: Ungar Film LibrarySubject: ADAPTATIONS ; AUTHORSHIP ; DIRECTORS ; LITERATURE AND THE CINEMA ; HESTER STREET (US, Joan Micklin Silver, 1975) ; GANGSTER, THE (US, Gordon Wiles, 1947) ; PATHS OF GLORY (US, Stanley Kubrick, 1957) ; PAWNBROKER, THE (US, Sidney Lumet, 1964) ; POSTMAN ALWAYS RINGS TWICE, THE (US, Tay Garnett, 1946) ; SUSAN LENOX: HER FALL AND RISE (US, Robert Z. Leonard, 1931) ; THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969) ; TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948) Summary: "This book retrieves the lost literary treasures that inspired eight popular films. Prompted by the widespread success of these films, Gabriel Miller here re-evaluates the careers of the eight neglected novelists whose works inspired eight different directors - among them Sidney Lumet, Stanley Kubrick, John Huston, and Sidney Pollack. Each chapter offers a detailed interpretation of a particular film, its literary source, and the overall career of the novelist [...] Some of these interesting novels have never been dealt with at all; others have only recently attracted critical attention. The films, too, benefit from extended reassessment. Despite the fact that the movies were successful, moreso than the novels, they have attracted little in the way of useful analysis. Taken together, the double examination of the novel and film raises some important questions about the nature and problems of cinematic adaptation." -- BOOK BLURBNotes: Includes index; Bibliography: p. 199-203; Filmography: p. 196-198; Typo in the table of contents gives 'The Gangster' release date as 1957, it is actually 1947ISBN: 0804426228 : $9.95LON: 79048071; 1682173
More info
book
Second take : Australian film-makers talk / edited by Geoff Burton and Raffaele Caputo St Leonards, N.S.W.: Allen & Unwin, 1999.
Call No: 802.25(94) SECAuthor: Burton, Geoff ; Caputo, Raffaele Place: St Leonards, N.S.W.Publisher: Allen & UnwinPubDate: 1999PhysDes: x, 342 : ill. ; 23 cmSubject: DIRECTORS. AUSTRALIA ; PREVIEWS ; EALING STUDIOS ; FOX STUDIOS AUSTRALIA ; DUIGAN, JOHN ; WATT, HARRY ; ROWE, GLENYS ; MILLER, GEORGE ; CAMPION, JANE ; BERESFORD, BRUCE ; ARMSTRONG, GILLIAN ; FRANKLIN, RICHARD ; ROEG, NICOLAS ; ZUBRYCKI, TOM ; RUBBO, MICHAEL ; NOONAN, CHRIS ; BENNETT, BILL ; LOWENSTEIN, RICHARD ; HICKS, SCOTT ; SIRENS (AT/UK, John Duigan, 1994) ; YEAR MY VOICE BROKE, THE (AT, John Duigan, 1987) ; MAD MAX (AT, George Miller, 1979) ; BABE (AT, Chris Noonan, 1995) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; WALKABOUT (UK, Nicolas Roeg, 1971) ; KISS OR KILL (AT, Bill Bennett, 1997) ; SHINE (AT/UK, Scott Hicks, 1996) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; DOCUMENTARY FILMS. AUSTRALIA ; EUREKA STOCKADE (UK, Harry Watt, 1949 [prod. 1948]) ; FLIRTING (AT, John Duigan, 1991) ; DOGS IN SPACE (AT, Richard Lowenstein, 1986) ; MYTH AND THE CINEMA. AUSTRALIA ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; PIANO, THE (AT, Jane Campion, 1993) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; RACE AROUND THE WORLD [TV] (AT, John Lander, 1997-) ; STRIKEBOUND (AT, Richard Lowenstein, 1984) Notes: Includes indexISBN: 1864487658 : $19.95LON: 14469038URL status: URL: 'http://-'
Checked: 31/08/2021 12:58:39 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
More info
book
Seoul stirring : 5 Korean directors / by Tony Rayns ; edited by Simon Field London: Institute of Contemporary Arts, 1996.
Call No: 802.25(519) RAYAuthor: Rayns, Tony ; Field, Simon CorpAuthor: Institute of Contemporary Arts (London, England)Place: LondonPublisher: Institute of Contemporary ArtsPubDate: 1996PhysDes: 54 p. : ill. ; 21 cmSubject: KOREA ; DIRECTORS. KOREA ; KWON-TAEK, IM ; JANG, SUN-WOO ; KIM UI-SEOK ; LEE MYUNG-SE ; PARK KWANG-SU Notes: "In association with the Korean Motion Picture Promotion Corporation."; "Seoul Stirring: 5 Korean directors, a Festival of Korean Cinema, ICA Cinema, 21 October-10 November 1994"--P. 2ISBN: 0905263790LON: 12180416
More info
newspaper article
Setting the scene for more women in The Age (07/12/2015) p.11
More info
newspaper article
Short cuts : Babadook again in Sydney Morning Herald (14/05/2015) p.30
More info
newspaper article
Short cuts : strong push for a female quota in Sydney Morning Herald (08/10/2015) p.20
More info
newspaper article
Short cuts : women feature at directors gongs in The Age [Arts & Entertainment] (14/04/2016) p.20
Call No: SUBJECT CLIPPINGS FILE; AWARDS. AUSTRALIAN DIRECTORS GUILD 2016Author: Maddox, Garry PhysDes: Clippings File ArticleSubject: AWARDS. AUSTRALIAN DIRECTORS GUILD Summary: Announcing the years award nominees. Two of the four nominees are women, Jocelyn Moorhouse and Sue Brooks and all five nominees for the best feature documentary have women directors or co-directors.
More info
newspaper article
Short cuts : Picnic unrest in Sydney Morning Herald (03/11/2016) p.20
Call No: TITLE CLIPPINGS FILE in production; PICNIC AT HANGING ROCK [TV](AT, 2017 -)Author: Maddox, Garry PhysDes: Clippings File ArticleSubject: AUSTRALIAN DIRECTORS GUILD ; PICNIC AT HANGING ROCK [TV](AT, 2017 -) Summary: Report on the row over the upcoming PICNIC AT HANGING ROCK remake for TV. Production company FremantleMedia is looking to hire a foreign director for some of the episodes, which has angered the Australian Directors GuildNotes: similar article in The Age same date
More info
book
Skywalking : the life and films of George Lucas / Dale Pollock London: Elm Tree, 1983.
Call No: 81LUC POLAuthor: Pollock, Dale Source: UKPlace: LondonPublisher: Elm TreePubDate: 1983PhysDes: xvi, 304 p., [16] p. of plates : ill., ports. ; 24 cmSubject: AUTOMOBILES IN FILMS ; DIRECTORS ; LUCASFILM ; PRODUCTION. USA ; COPPOLA, FRANCIS FORD ; LADD, ALAN, Jr. ; TANEN, NED ; LUCAS, GEORGE ; AMERICAN GRAFFITI (US, George Lucas, 1973) ; EMPIRE STRIKES BACK, THE (US, Irvin Kershner, 1980) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; STAR WARS [...] (US, 1977-99) ; STAR WARS (US, George Lucas, 1977) ; THX 1138 4EB (US, George Lucas, 1967) Summary: "SKYWALKING is the story of one of the most creative visionaries in all film history. George Lucas was a typical Californian child of no great promise - he read comic books and watched TV; no one guessed that his imagination would inspire millions of people. Dale Pollock brilliantly tells the story of Lucas's legendary days at USCinema and his tangles with Francis Coppola and Universal Pictures. Pollock was one of the few reporters allowed on the set of RETURN OF THE JEDI, and he takes us behind the scenes of Lucas's movies. We find out how Artoo-Detoo got his name, how the Force came to be, and many other surprising revelations. Complete with photographs from Lucas's private collection, SKYWALKING is a powerful biography about a man who is setting the future course of film for years to come." [Taken from book jacket]Notes: Also published: New York, N.Y. : Harmony, 1983; Includes bibliographical references and index; Filmography: p. 279-289ISBN: 0241110343 : ª9.95LON: abn84206746; 3369213
More info
book
Sofia Coppola : the politics of visual pleasure / Anna Backman Rogers Oxford: Berghahn Books, [2019].
Call No: 81COP BACAuthor: Backman Rogers, Anna Source: USPlace: New York; OxfordPublisher: Berghahn BooksPubDate: [2019]PhysDes: 177 pages : illustrations ; 23 cmSubject: WOMEN, FILMS MADE BY ; WOMEN AND THE CINEMA ; WOMEN DIRECTORS ; WOMEN IN FILMS ; FEMINISM AND THE CINEMA ; CRITICISM ; USA ; COPPOLA, SOFIA ; VIRGIN SUICIDES, THE (US, Sofia Coppola, 2000) ; BEGUILED, THE (US, Sofia Coppola, 2017) ; LOST IN TRANSLATION (US, Sofia Coppola, 2003) ; SOMEWHERE (US/UK/IT/JA, Sofia Coppola, 2010) ; MARIE ANTOINETTE (US, Sofia Coppola, 2006) ; BLING RING, THE (US/UK/G/FR, Sofia Coppola, 2013) Summary: "All too often, the movies of Sofia Coppola have been dismissed as "all style, no substance." But such an easy caricature, as this engaging and accessible survey of Coppola's oeuvre demonstrates, fundamentally misconstrues what are rich, ambiguous, meaningful films. Drawing on insights from feminist philosophy and psychology, the author here takes an original approach to Coppola, exploring vital themes from the subversion of patriarchy in The Virgin Suicides to the "female gothic" in The Beguiled. As Rogers shows, far from endorsing a facile and depoliticized postfeminism, Coppola's films instead deploy beguilement, mood, and pleasure in the service of a robustly feminist philosophy." - taken from back cover.ISBN: 9781785339752Contents: Introduction : the surface of the image is political -- Part I. Imaging absence as abjection and imaging the female gothic as rage. Chapter 1. The Virgin Suicides (1999) -- Chapter 2. The Beguiled (2017) -- Part II. Empty subjectivities and masculinity as void. Chapter 3. Lost in Translation (2003) -- Chapter 4. Somewhere (2010) -- Part III. The female body as patriarchal currency and the commodification of female identity. Chapter 5. Marie Antoinette (2006) -- Chapter 6. The Bling Ring (2013) -- Conclusion : On Beguilement.
More info
book
Speaking in images : interviews with contemporary Chinese filmmakers / Michael Berry New York: Columbia University Press, 2005.
Call No: 802.25 (51) BERAuthor: Berry, Michael Source: USPlace: New YorkPublisher: Columbia University PressPubDate: 2005PhysDes: x, 568 p. : ill. ; 24 cmSeries: Global Chinese cultureSubject: DIRECTORS. CHINA ; DIRECTORS.TAIWANESE ; DIRECTORS. HONG KONG ; CHINA ; TAIWAN ; HONG KONG ; CHEN, KAIGE ; XIE, JIN ; TIAN, ZHUANGZHUANG ; ZHANG, YIMOU ; ZHANG, YUAN ; WANG, XIAOSHUAI ; JIA, ZHANG KE ; LI, YANG ; HOU, HSIAO-HSIEN ; CHU, TIEN-WEN ; YANG, EDWARD ; WU, NIEN-JEN ; LEE, ANG ; TSAI, MING LIANG ; CHANG, TSO-CHI ; HUI, ANN ; KWAN, STANLEY ; CHAN, FRUIT ; HO-SUN CHAN, PETER ; CHAN, EVANS ISBN: 9780231133319Contents: Foreword / Martin Scorsese -- Introduction : speaking in images -- Pt. I. Voices from China -- Xie Jin : six decades of cinematic innovation -- Tian Zhuangzhuang : stealing horses and flying kites -- Chen Kaige : historical revolution and cinematic rebellion -- Zhang Yimou : flying colors -- Zhang Yuan : working up a sweat in a celluloid sauna -- Wang Xiaoshuai : banned in China -- Jia Zhangke : capturing a transforming reality -- Li Yang : the future of Chinese cinema? -- Pt. II. Voices from Taiwan -- Hou Hsiao-hsien with Chu T'ien-wen : words and images -- Edward Yang : luckily unlucky -- Wu Nien-jen : writing Taiwan in the shadows of cultural colonialism -- Ang Lee : freedom in film -- Tsai Ming-liang : trapped in the past -- Chang Tso-chi : shooting from the margins -- Pt. III. Voices from Hong Kong -- Ann Hui : living through films -- Stanley Kwan : from spectral nostalgia to corporeal desire -- Fruit Chan : Hong Kong independent -- Peter Ho-sun Chan : pioneering Pan-Asian cinema -- Evans Chan : the last of the Chinese
More info
book
Special : Fred Freed and the television documentary / David G. Yellin New York London: Macmillan Collier-Macmillan, 1973.
Call No: 761 YELAuthor: Yellin, David G Place: New York LondonPublisher: Macmillan Collier-MacmillanPubDate: 1973PhysDes: x, 289 p. : ill., ports ; 25cmSubject: DIRECTORS ; DOCUMENTARIES ; DOCUMENTARY DRAMAS ; HISTORY OF TV ; PRODUCERS ; TELEVISION JOURNALISM ; FREED, FRED Summary: "Special chronicles the development of the television documentary - from its beginnings after World War II to the present - through the life and work of Fred Freed, pioneer in the radio and television documentary [...] In tracing Freed's career, David G. Yellin presents much more than a fascinating biography of a master documentary film producer. His unique book also discusses the documentary's form, from conception to telecast, and will prove illuminating not only to those with a professional interest in the field of broadcasting, but to every viewer who has ever seen a documentary and wondered how it was put together." -- BOOK BLURBNotes: Television programmes. Documentaries. Production. Freed, Fred (BNB/PRECIS); Includes indexISBN: 0026329700 : ª4.95LON: 3518634
More info
serial
Spotlight newsletter / Producers & Directors Guild of Australia [St. Leonards, N.S.W.]: The Guild, 1980-1982.
Call No: held Oct. 1980-Feb. 1982CorpAuthor: Producers and Directors Guild of AustraliaSource: ATPlace: [St. Leonards, N.S.W.]Publisher: The GuildPubDate: 1980-1982PhysDes: v. ; 21-30 cmSubject: Producers and Directors Guild of Australia Periodicals Notes: Caption titleLON: abn84208866; 3378997
More info
book
The St. James women filmmakers encyclopedia : women on the other side of the camera / edited by Amy L. Unterburger ; foreword by Gwendolyn Audrey Foster Detroit: Visible Ink Press, c1999.
Call No: 802.253 STJAuthor: Unterburger, Amy L Place: DetroitPublisher: Visible Ink PressPubDate: c1999PhysDes: xxvi, 568 p. : ill. ; 24 cmSubject: DIRECTORS ; ARMSTRONG, GILLIAN ; CAMPION, JANE ; CANTRILL, ARTHUR & CORINNE ; LAW, CLARA ; LYELL, LOTTIE ; MCDONAGH, PAULETTE ; MCDONAGH, PHYLLIS ; MCDONAGH, ISABEL ISBN: 1578590922 (softcover)LON: 20020284
More info
book
Starting point : 1979-1996 / by Hayao Miyazaki ; translated by Beth Cary and Frederik L. Schodt San Francisco, California: VIZ Media, c2009.
Call No: 81MIY MIYAuthor: Miyazaki, Hayao Edition: English editionSource: JA/USPlace: San Francisco, CaliforniaPublisher: VIZ MediaPubDate: c2009PhysDes: 461 pages : colour illustrations ; 23 cmSubject: ANIMATION. JAPAN ; ANIMATORS ; AUTHORSHIP ; DIRECTION ; DIRECTORS. JAPAN ; JAPAN ; MANGA ; STUDIO GHIBLI ; MIYAZAKI, HAYAO Summary: "In the first two decades of his career, filmmaker Hayao Miyazaki laid the groundwork for his legendary movies. Starting Point: 1979-1006 is a collection of essays, interviews, and memoirs that go back to the roots of Miyazaki's childhood, the formulation of his theories of animation, and the founding of Studio Ghibli. Before directing such acclaimed films as Spirited Away, Miyazaki was just another salaried animator, but with a vision of his own. Follow him as he takes his first steps on the road to success; experience his frustrations with the manga and animation industries that often suffocate creativity; and realise the importance of bringing the childhood dreams of the world to life." -- BOOK BLURBNotes: Originally published: Japan : Tokuma Shoten, 1996. -- includes biographical chronology -- translated into English from the Japanese -- Miyazaki's second autobiography, Turning Point, is also available in the collectionISBN: 9781421561042Language: English
More info
book
Steven Spielberg / Donald R. Mott, Cheryl McAllister Saunders Bromley, Kent: Columbus, 1986.
Call No: 81SPI MOTAuthor: Mott, Donald R ; Saunders, Cheryl McAllister Source: UKPlace: Bromley, KentPublisher: ColumbusPubDate: 1986PhysDes: xv, 199 p. ; 22 cmSeries: Columbus filmmakersSubject: DIRECTORS ; SUBURBS IN FILMS ; YOUNG PEOPLE AND THE CINEMA ; SPIELBERG, STEVEN ; LUCAS, GEORGE ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; DUEL (US, Steven Spielberg, 1972) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984) ; JAWS (US, Steven Spielberg, 1975) ; 1941 (US, Stephen Spielberg, 1979) ; POLTERGEIST (US, Tobe Hooper, 1982) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974) ; TWILIGHT ZONE THE MOVIE (US, John Landis & Steven Spielberg & George Miller & Joe Dante, 1983) Summary: "Steven Spielberg (1947 - ) made his first film at the age of 12, and by age 27 his second film for the commercial cinema, JAWS, was breaking all existing box-office records. In the decade since then, his reputation as an inventive filmmaker with an unerring gift for knowing what will attract the paying customer has gone from strength to strength. Spielberg's technical assurance and gift for creating dazzling special effects are matched by his ability to interpret stories with the kind of pace and style that brooks no resistance. He has with some justification been called 'a magician in the age of the movies', yet despite his phenomenal success as a commercial filmmaker (no less than four of his films are among the top fifteen top money-making films of all time), he has been conspicuous by his absence in the lists of Academy Award winners. Is he, as some critics claim, merely the 'General Motors of kids movies', or will the next decade see him make a successful move into directing films with adult themes?" [Book blurb]Notes: American cinema films. Directing. Spielberg, Steven. - Critical studies (BNB/PRECIS); Includes Index; Bibliography: p. 170-176; Filmography: p. 177-187ISBN: 0862872375 (pbk) : ª5.95LON: bnb86287237; 4636614
More info
book
Swedish films / Introd. by Richard Griffith New York: Museum of Modern Art Film Library, [1962].
Call No: 71(485) LAUAuthor: Lauritzen, Einar Place: New YorkPublisher: Museum of Modern Art Film LibraryPubDate: [1962]PhysDes: 32 p. : illusSubject: SWEDEN ; DIRECTORS. SWEDEN Notes: "Biographies of directors": p. 31-32LON: 2044281 2044281
More info
book
Take ten : contemporary British film directors / Jonathan Hacker and David Price Oxford [England] New York: Clarendon Press Oxford University Press, 1991.
Call No: 802.25(41) HACAuthor: Hacker, Jonathan ; Price, David Place: Oxford [England] New YorkPublisher: Clarendon Press Oxford University PressPubDate: 1991PhysDes: xiv, 434 p. : ill. ; 25 cmSubject: DIRECTORS. UK ; ANDERSON, LINDSAY ; Attenborough, Richard ; FORSYTH, BILL ; FREARS, STEPHEN ; GREENAWAY, PETER ; JARMAN, DEREK ; LOACH, KENNETH ; PARKER, ALAN ; ROEG, NICOLAS ; SCHLESINGER, JOHN Notes: Includes filmographies; Includes bibliographical references and indexISBN: 0198112173 : ª17.50 (est.)LON: 7550685 7550685
More info
Interim
book
Third take : Australian film-makers talk / edited by Raffaele Caputo and Geoff Burton Crows Nest, NSW: Allen & Unwin, 2002.
Call No: 802.25(94) THIAuthor: Caputo, Raffaele ; Burton, Geoff Source: ATPlace: Crows Nest, NSWPublisher: Allen & UnwinPubDate: 2002PhysDes: xiii, 215 p. : ill. ; 23 cmSubject: PRODUCERS. AUSTRALIA ; PRODUCTION ; DIRECTION ; DIRECTORS. AUSTRALIA ; DE HEER, ROLF ; DOMINIK, ANDREW ; ELLIS, BOB ; HUNTER, BILL ; LEVY, CURTIS ; NOYCE, PHIL ; O'ROURKE, DENNIS ; SEALE, JOHN ; WEIR, PETER ; NEWSFRONT (AT, Phillip Noyce, 1978) Notes: Includes index.ISBN: 1865085073
More info
book
Those who made it : speaking with the legends of Hollywood / by John C. Tibbets, foreword by David Thomson Basingstoke, Hampshire: Palgrave Macmillan, 2015.
Call No: 802(047.53) TIBAuthor: Tibbetts, John C. ; Thomson, David (foreword) Source: UK/USPlace: Basingstoke, HampshirePublisher: Palgrave MacmillanPubDate: 2015PhysDes: xi, 235 pages : illustrations (black and white) ; 23 cmSubject: DIRECTORS ; FILM WORKERS ; HOLLYWOOD ; PRODUCERS ; HISTORY OF CINEMA ; HISTORY OF CINEMA. USA Summary: "Those Who Made It is a collection of original interviews conducted over a span of more than thirty-five years by film historian, educator and broadcaster, John C. Tibbetts. Captured are the voices of prominent film personnel chronicling at first-hand the behind-the-scenes story of Hollywood in its classical studio period. Interviewees include Steven Spielberg, Robert Altman, Bernardo Bertolucci, Terry Gilliam, Jim Henson, and Philip Glass. "
-- BOOK BACK COVER BLURBNotes: Includes bibliographical references and indexISBN: 9781137541901Contents: -- List of Figures -- Foreword by David Thomson-- Acknowledgments -- Introduction: Interviews and Conversations -- 1 Innovations in 1920s and 1930s Hollywood Cinematography, Sound Technology, and Feature-Length Animation -- Cinematographer Glen MacWilliams: “We were trained by trial and error!” -- Sound engineer Bernard B. Brown: “Now hear this!” -- Animator Ollie Johnston: “We are just actors with a pencil!” -- 2 Hollywood at Home and at War in the 1940s -- Producer John Houseman: “It was a great magic act!” -- Catherine Wyler and the crew of The Memphis Belle: “In the crossfire of history and fiction” -- 3 Cold War Film and Television in the 1950s -- Writer Ray Bradbury: “All my short stories can be shot right off the page!” -- Television showman “Buffalo Bob” Smith: “Fifty years later Howdy is still just ten years old!” -- Hollywood stuntman Richard Farnsworth: “The ground got too hard!” -- 4 “New Hollywood” Filmmakers in the 1970s and 1980s -- Director Robert Altman: “My films are not factual; they are truthful!” (Additional remarks from set designer Stephen Altman) -- Director Steven Spielberg on The Color Purple: “I didn’t want to make another E.T.!” (Additional remarks from actress Whoopi Goldberg) -- Cinematographer Allen Daviau: “Every film I do is a year out of my life!” -- Director Terry Gilliam: “I see things with cartoonist’s eyes!” -- Director Michael Moore: “I’m supposed to be making a Buick!” (Additional remarks from producer Wendey Stanzler) -- Producer Jim Henson: “Kermit is always here!” (Additional remarks from production assistant Cheryl Henson) -- Special effects producer Richard Edlund: “You only see the stars from the dark side of the moon!” -- Film editor Neal Travis: “I’m creating a pattern!” -- 5 Late Twentieth Century Cultural Inclusion -- Director Bernardo Bertolucci: “Movies are my sand mandalas!” -- Director Wayne Wang: “Epic radiance!” -- Director Mira Nair: “I love to choreograph the chaos!” -- Director George Miller: “People understand car crashes in any language!” -- Composer Philip Glass: “Films become history quicker than any other art!” -- Film critic Roger Ebert: “Everybody’s a critic!” -- 6 Epilogue: Past is Prologue 197 Film preservationist Kevin Brownlow: “I never expected to make my living at film preservation!” -- Composer Carl Davis: “Why don’t I try to score a complete silent film?” -- Notes -- Index --
More info
book
Turning point : 1997-2008 / by Hayao Miyazaki ; translated by Beth Cary and Frederik L. Schodt San Francisco, California: VIZ Media, c2014.
Call No: 81MIY MIYAuthor: Hayao Miyazaki Edition: English editionSource: JA/USPlace: San Francisco, CaliforniaPublisher: VIZ MediaPubDate: c2014PhysDes: 452 pages : colour illustrations ; 24 cmSubject: ANIMATION. JAPAN ; ANIMATORS ; AUTHORSHIP ; DIRECTION ; DIRECTORS. JAPAN ; JAPAN ; MANGA ; STUDIO GHIBLI ; MIYAZAKI, HAYAO ; HOWL'S MOVING CASTLE (JA, Hayao Miyazaki, 2004) ; HAURU NO UGOKU SHIRO (JA, Hayao Miyazaki, 2004) ; PRINCESS MONONOKE (JA, Hayao Miyazaki, 1997) ; MONONOKE HIME (JA, Hayao Miyazaki, 1997) ; SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001) ; SPIRITED AWAY (JA, Hayao Miyazaki, 2001) ; PONYO (JP, Hayao Miyazaki, 2008) ; GAKE NO EU NO PONYO (JP, Hayao Miyazaki, 2008) Summary: "In the mid-1990s, filmmaker Hayao Miyazaki moved from success to success as his work found an audience outside of Japan. His animated films of the era, including Princess Mononoke, Howl's Moving Castle, and Ponyo, were internationally lauded, and Miyazaki won an Academy Award in 2003 for his popular and critical hit Spirited Away. Follow Miyazaki as his vision matures, as cinema-lovers worldwide embrace his creations, and critics such as Roger Ebert take up the cause of animation and Miyazaki's films." -- BOOK BLURBNotes: Originally published in Japan as Orikaeshiten, 1997-1998, by Iwanami Shoten, Publishers, 2008 -- Miyazaki's first autobiography, Starting Point, also available in the collectionISBN: 9781421560908Language: English
More info
newspaper article
TV guru to launch director action campaign in The Australian (21/02/2017) p.7
More info
journal article
The unconventional path to the director's chair in Encore (May 2012) p.18-20
Author: Pearson, Georgina PhysDes: ArticleSubject: DIRECTORS. AUSTRALIA ; SHAW, JULIAN ; JONES, ALETHEA ; TOOGOOD, DAMIEN ; HOBBS, JESSICA ; KURZEL, JUSTIN ; STENDERS, KRIV ; ARMSTRONG, GILLIAN Summary: Georgina Pearson speaks with seven directors in different roles and at very different stages of their career. Directors include: Julian Shaw, Alethea Jones, Damien Toogood, Jessica Hobbs, Justin Kurzel, Kriv Stenders and Gillian Armstrong.
More info
journal article
Variety- Australia/New Zealand section in Variety (22/10/1986) vol.324 iss.13 p.71, 413-420
PhysDes: SerialSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND ; DIRECTORS. AUSTRALIA ; DISTRIBUTION. AUSTRALIA ; BOX OFFICE. AUSTRALIA ; WINDRIDER (AT, Vincent Monton, 1986) ; GALLAGHER'S TRAVELS [TV] (AT, Michael Caulfield, 1986) ; AROUND THE WORLD IN 80 WAYS (AT, Stephen Maclean, 1986) ; QUEEN CITY ROCKERS (NZ, Bruce Morrison, 1987) Summary: Various articles on Australian and New Zealand film industries.
Australian articles focus on Australian directors currently active, Australian films in production, expected effects of changes in exchange rates and local distribution on purchasing at MIFED, Australian box office takings, and Australian organisations at MIFED.
New Zealand article focuses on films to be screened at MIFED.
Advertising posters for WINDRIDER, GALLAGHER'S TRAVELS, AROUND THE WORLD IN EIGHTY WAYS, and QUEEN CITY ROCKER.
More info
book
Views from the balcony : a biography of Catherine Duncan / by Michael Keane South Yarra, Vic: Macmillan, 2011.
Call No: 81DUN KEAAuthor: Keane, Michael Source: ATPlace: South Yarra, VicPublisher: MacmillanPubDate: 2011PhysDes: 223 p. : ill., facsims., ports. ; 24 cmSubject: WOMEN DIRECTORS ; DUNCAN, CATHERINE Summary: This is the remarkable and revealing story of Catherine Duncan, a leading Australian actress and playwright during the golden years of radio, the winner - along with Peter Finch - of the 1947 Macquarie Award and Australia's first official female film director: a woman with such belief in herself that she could begin a radio talk with the statement, "History begins with me!" Replete with romance and adventure, this biography traces her early years in Melbourne, her association with the radical New Theatre, her several marriages and ultimate decision to spend more than half her life in Paris where she joined the vibrant literary and artistic circles of those decades.ISBN: 9781921394577Contents: -- acknowledgements -- introduction -- childhood -- melbourne -- shock the bourgeoise! -- censorship -- the new theatre -- 'till the day I die' -- Wonthaggi -- 'the sword sung' -- the Marie Ney company -- the outback -- acting and writing -- homelife -- Peter, the orientalist -- documentary & the joys of food -- 'Indonesia Calling' -- to Europe -- London -- Prague -- Albert and the burrow -- marching for peace -- the crazy, lazy Midi -- alone -- on the wharf -- Henri Langlois and the FIAF -- amateur dramatics -- Peter in Paris -- the first return -- the pigeon loft -- the utopians -- Roger's last voyage -- the visitors -- Carry Le Rouet -- adrift -- rupture -- a grand passion -- Sahara -- new music -- New York -- the third dimension -- collage -- shadow of light -- the poet of Marseilles -- reconcilliation -- the workshops -- the Paul Strand exhibitions -- the camera -- farewell to this world -- personal memories -- epilogue -- index --
More info
book
West German filmmakers on film : visions and voices / edited by Eric Rentschler New York: Holmes & Meier, c1988.
Call No: 71(430) RENAuthor: Rentschler, Eric Place: New YorkPublisher: Holmes & MeierPubDate: c1988PhysDes: xxv, 262 p. ; 23 cmSeries: Modern German voices seriesSubject: GERMANY ; DIRECTORS. GERMANY Notes: Includes index; Bibliography: p. 243-254ISBN: 0841909857 (pbk. : alk. paper); 0841909849 (hard)LON: 5360462
More info
book
What if I had been the hero? : investigating women's cinema / British Film Institute London: Palgrave macmillan [on behalf of the] bfi, 2012.
Call No: 721-02 THOAuthor: Thornham, Sue Source: UKPlace: LondonPublisher: Palgrave macmillan [on behalf of the] bfiPubDate: 2012PhysDes: vi, 236 p. : ill., ports. ; 24 cmSubject: WOMEN AND THE CINEMA ; WOMEN DIRECTORS ; WOMEN FILMMAKERS ; WOMEN IN FILMS ; FEMINISM AND THE CINEMA ; WOOLF, VIRGINIA ; ARMSTRONG, GILLIAN Summary: "What happens when women tell their own stories in film? In What If I Had Been the Hero?, Sue Thornham addresses this question through an exploration of a wide range of films, from experimental feminist film to mainstream Hollywood, and from the 1970s to the present day, by film-makers including Sally Potter, Jane Campion, Deepa Mehta, Patricia Rozema and Lynne Ramsay. Her discussion takes in films from India and Argentina as well as Europe, Canada, Australia and the US.
Drawing on a wide range of feminist theoretical sources, What If I Had Been the Hero? makes an important intervention into contemporary debates, situating film-making within a rich history of female creativity, and insisting on the continuing importance of feminist theory." -- BOOK BLURBNotes: Includes bibliographic references and index; Includes filmographyISBN: 9781844573639Contents: Part One: Questions -- Chapter One: 'What If I Had Been The Hero?' -- Chapter Two: Women's Liberation Cinema? -- Chapter Three: Unexplored Territories --; Part Two: Explorations -- Chapter Four: Heroes and Writers -- Chapter Five: Landscapes and Stories -- Chapter Six: Bodies and Passions -- Conclusion: Unfinished Business
More info
journal article
Who Directs The Art Director? in Lumiere (August 1970) vol.1 iss.3 p.11-13
More info
book
Who killed Hollywood? : - and put the tarnish on tinseltown / Peter Bart Los Angeles, CA: Renaissance Books, c1999.
Call No: 210.31(73) BARAuthor: Bart, Peter Edition: 1st edSource: USPlace: Los Angeles, CAPublisher: Renaissance BooksPubDate: c1999PhysDes: 399 p. ; 24 cmSubject: HOLLYWOOD ; INDUSTRY, FILM. USA ; DIRECTORS. USA ; PRODUCERS. USA ; SCRIPTWRITERS. USA ; ACTORS ; BASS, RON ; BEATTY, WARREN ; COPPOLA, FRANCIS FORD ; COSTNER, KEVIN ; EISNER, MICHAEL ; Gibson, Mel ; GODFATHER [...], THE (US, Francis Ford Coppola, 1972-) ; KATZENBERG, JEFFREY ; NICHOLS, MIKE ; NICHOLSON, JACK ; OVITZ, MIKE ; POLANSKI, ROMAN ; REDFORD, ROBERT ; RIFKIN, ARNOLD ; SCHWARZENEGGER, ARNOLD ; SPIELBERG, STEVEN ; STALLONE, SYLVESTER ; WILDER, BILLY Summary: "Who killed hollywood? is a passionate love/hate letter to the film industry. In it, Peter Bart pulls together his best columns from Variety and GQ. He groups them, juxtaposes them, and interprets them, outlining in detail the history and inner workings of Hollywood. This could only be done by someone powerful enough to phone any star or head of studio and have his calls taken on the first ring. In story after story, Bart shows how the major studios haver diverted thie energies away from production of the shrewdly crafted pictures that once made the industry powerful. There isn't, for example, much range or innovation in the movies of salable objects- natural disasters, aliens, dinosaurs, ghosts, monsters, or any combination thereof. All are subjects easily parlayed into theme-park environments, action figures, video games, and clothing lines. Similarly, since Jaws twenty years ago, there's been a very short list of acceptable settings. The 1998 Academy Award nominations for best picture all went to films set in Elizabethian times or during World War II. A few years ago it looked as though Pulp Fiction and other independent films were going to save showbiz. Now independent producers like Miramax and New Line have been acquired by the conglomerates. Who and what will resurrect Hollywood? Peter Bart has the answers." - BOOK JACKETNotes: Includes indexISBN: 1580631169LON: 21362029
More info
book
The woman at the keyhole : feminism and women's cinema / Judith Mayne Bloomington: Indiana University Press, 1990.
Call No: 626:396 MAYAuthor: Mayne, Judith Place: BloomingtonPublisher: Indiana University PressPubDate: 1990PhysDes: x, 260 p. : ill. ; 25 cmSeries: Theories of representation and differenceSubject: WOMEN IN FILMS ; FEMINISM AND THE CINEMA ; GAZE IN FILMS ; DIRECTORS Summary: This book examines how contemporary women filmmakers working in North America, Europe, and Australia have attempted to reinvent cinema as a narrative and visual form. It analyzes 'women's films' within the context of film histories, genres, theories and feminist thinking through study of the techniques, themes and images of both mainstream and avant-garde filmmaking.Notes: Includes bibliographical references (p. 229-253) and indexISBN: 0253337194 (alk. paper); 0253206065 (pbk. : alk. paper)LON: 90034125; 7165246Contents: I. Spectacle and narrative -- Spectacle, narrative and screen -- Screen tests -- II. Female authorship -- Female authorship reconsidered -- Mistresses of discrepancy -- III. Early cinema and women's films -- "Primitive narration" -- Revising the "primative"
More info
newspaper article
The woman who changed a film industry in Sydney Morning Herald (25/04/2017) p.8
More info
Online resource
digital clippings file
WOMEN DIRECTORS Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: WOMEN DIRECTORS ID2: 13URL status: URL: 'http://file://Q:/S/WOMEN_DIRECTORS.zip'
Checked: 31/08/2021 1:20:42 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
More info
book
Women do animate : Interviews with 10 Australian animators / Marian Quigley Mentone, Vic.: Insight, 2005.
Call No: 246 QUIAuthor: Quigley, Marian Place: Mentone, Vic.Publisher: InsightPubDate: 2005PhysDes: vi, 160 p. : ill. ; 22 cm + 1 DVDSubject: WOMEN FILM WORKERS ; WOMEN AND TV. AUSTRALIA ; WOMEN AND TV ; DIRECTORS ; ANIMATION ; ANIMATORS ; JOLLIFFE, ANNE ; CARTER-HANSEN, JILL ; WHITMORE, LEE ; STARKIEWICZ, ANTOINETTE ; SHENFIELD, ANN ; CLUTTERBUCK, LUCINDA ; SMITH, KATHY ; CHANDLER, WENDY ; PARKER, SHARON LEE ; KIM, SUSAN Summary: This work presents the story of Australian women animators. It introduces the work and views of independent women animators in Australia and the factors that have contributed to their emergence, growth and development. -Libraries AustraliaISBN: 1-921088-14-1Contents: Acknowledgements -- glossary -- chapter : Introduction by Marian Quigley -- Interviews and filmographies -- Chapter 2: Anne Jollife -- Chapter 3: Jill Carter-Hansen -- Chapter 4: Lee Whtimore -- Chapter 5: Antoinette Starkiewicz -- Chapter 6: Ann Shenfield -- Chapter 7: Lucinda Clutterbuck -- Chapter 8: Kathy Smith -- Chapter 9: Wendy Chandler -- Chapter 10: Sharon Lee Parker -- Chapter 11: Susan Kim -- Resources
More info
subject clippings file
WOMEN FILMMAKERS
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: DIRECTORS
More info
book
Women Make Movies ... film & video catalogue New York: Women Make Movies, Inc.,
Call No: REFERENCE SECTION; 027(73) WOM
Held 1992, 92/93, 2000, 2001CorpAuthor: Women Make Movies (Firm)Source: USPlace: New YorkPublisher: Women Make Movies, Inc.PhysDes: v. : ill. ; 28 cmSubject: DIRECTORS ; DISTRIBUTORS Notes: Some vols. called "... anniversary ..." e.g. 1992 called 20th anniversary, 1997 called 25th anniversary; Description based on: 1992Frequency: AnnualLON: 13765914
More info
book
Women's Cinema, World Cinema : projecting contemporary feminisms / by Patricia White Durham; London: Duke University Press, c2015.
Call No: 626:396 WHIAuthor: White, Patricia Source: UKPlace: Durham; LondonPublisher: Duke University PressPubDate: c2015PhysDes: ix, 270 pages : illustrations ; 24 cmSubject: WOMEN DIRECTORS ; WOMEN FILM WORKERS ; WOMEN FILMMAKERS ; WOMEN IN FILMS ; WOMEN, FILMS MADE BY ; FEMINISM AND THE CINEMA ; WOMEN AND THE CINEMA Summary: "In Women's Cienma, World Cinema the author explores the dynamic intersection of feminism and film in the twenty-first century by highlighting the work of a new generation of women directors from around the world: Samira and Hana Makhmalbaf, Nadine Labaki, Zero Chou, Jasmila Zbanic, and Claudia Llosa, among others. The emergence of a globalized network of film festivals has enabled these young directors to make and circulate films that are changing the aesthetics and politics of art house cinema and challenging feminist genealogies. Extending formal analysis to the production and reception contexts of a variety of feature films, White explores how women filmmakers are both implicated in and critique gendered concepts of authorship, taste, genre, national identity, and human rights. Women's Cinema, World Cinema revitalizes feminist film studies as it argues for an alternative vision of global media culture." -- BACK COVER BOOK BLURBNotes: Formerly CIP; Also issued online; Includes filmography; Includes bibliographical references (pages 235-246) and indexISBN: 9780822358053Contents: -- acknowledgments -- introduction -- To each her own cinema : world cinema and the woman cineaste : Jane Campion's Cannes connections; Lucrecia Martel's vertiginous authorship; Samira Makhmalbaf's sororal cinema -- Framing feminisms : women's cinema as art cinema : Deepa Mehta's elemental feminism; Iranian diasporan women directors and cultural capital -- Feminist film in the age of the chick flick : global flows of women's cinema : engendering new Korean cinema in Jeong Jae-eun's Take care of my cat; Nadine Labaki's celebrity -- Network narratives : Asian women directors two-timing the system in Nia Dinata's Love for share -- Zero Chou and the spaces of Chinese lesbian film -- Is the whole world watching? Fictions of women's human rights : Sabiha Sumar's Democratic cinema; Jasmila Zbanic´'s Grbavica and Balkan cinema's incommensurable gazes; Claudia Llosa's Trans/national address -- afterword -- notes -- bibliography -- filmography -- index --
More info
book
Women's film list London: British Film Institute, Educational Advisory Service, 1977?].
Call No: 721-02(02) WOMCorpAuthor: British Film Institute. Educational Advisory ServicePlace: LondonPublisher: British Film Institute, Educational Advisory ServicePubDate: 1977?]PhysDes: 67 p. ; 21 x 30 cmSubject: DIRECTORS ; WOMEN IN FILMS Notes: Cover titleLON: abn84266522; 3587994
More info
Interim
book
Women's film list / compiled by Jane Root London: BFI Education, 1985.
More info
book
Women's pictures : feminism and cinema / Annette Kuhn London New York: Verso, 1994.
Call No: 626:396 KUHAuthor: Kuhn, Annette Edition: 2nd edPlace: London New YorkPublisher: VersoPubDate: 1994PhysDes: xiv, 285 p. : ill. ; 23 cmSubject: FEMINISM AND THE CINEMA ; WOMEN AND THE CINEMA ; PSYCHOANALYSIS AND THE CINEMA ; DIRECTORS ; SEMIOLOGY ; THEORY Summary: "This pioneering and influential work of feminist theory has been extensively updated by the author to chart the changes in feminist film theory and practice between the eighties and the nineties...the author discusses and demystifies the current methods of analysis, including semiotic and psychoanalytical approaches.
The films used as points of discussion are drawn from both mainstream adn alternative cinema, institutions which are themselves examined in relation to their production, distribution and exhibition practices." -- BACK COVERNotes: Includes bibliographical references (p. 262-273) and indexISBN: 1859840108 (pbk.) : $17.95; 1859849105 : $59.95LON: 94011624; 10900045
More info
book
Women's reflections : the feminist film movement / by Jan Rosenberg Ann Arbor, Mich.: UMI Research Press, 1983.
Call No: 626:396 ROSAuthor: Rosenberg, Jan Place: Ann Arbor, Mich.Publisher: UMI Research PressPubDate: 1983PhysDes: viii, 143 p. ; 24 cmSeries: Studies in cinema ; no. 22Subject: FEMINISM AND THE CINEMA ; WOMEN AND THE CINEMA ; DIRECTORS ; HISTORY OF CINEMA ; CLASS AND THE CINEMA ; DOCUMENTARIES ; AVANT-GARDE FILMS ; POLITICS AND THE CINEMA ; YUDIE (US, Mirra Banks, 1974) Notes: Revision of the author's thesis, University of Massachusetts, 1979; Includes index; Bibliography: p. [137]-139ISBN: 0835714004LON: 83001271; 2470905Contents: Part 1. Introduction: an overview of political film movements in America -- Introduction: culture and politics -- Political film in America: the larger historical context -- Part 2. Feminism and film -- Introduction -- Women's rights and the movies -- Women's liberation and the feminist film movement -- Part 3. The filmmakers -- Introduction -- Class, family, and education -- Class and film culture -- Age and generational experience -- Older filmakers: the documentarists -- Older filmmakers: the avant-garde -- Younger filmmakers: documentarists and avant-gardists -- Part 4. The films -- Introduction -- The larger political context -- Population and sample -- Feminist films; issue, portrait, and avant-garde -- Part 5. Inventing and routinizing a market -- Introduction -- Processes -- Institutionalization of the economics of the feminist film movement: changes across the decade -- Conclusion by way of an example: the history of a feminist film -- Part 6. Conclusion
More info
book
Women who make movies / Sharon Smith New York: Hopkinson and Blake, [1975].
More info
Interim
book
Wong Kar-wai London: British Film Institute, 2005.
Call No: 81KAR TEOAuthor: Teo, Stephen Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2005Series: World directorsSubject: WONG KAR-WAI ; DIRECTORS. HONG KONG ; CRITICISM ; AS TEARS GO BY (HK, Wong Kar-Wai, 1989) ; CHONGQING SENLIN (HK, Wong Kar-Wai, 1994) ; CHUNGKING EXPRESS (HK, Wong Kar-Wai, 1994) ; IN THE MOOD FOR LOVE (HK, Wong Kar-Wai, 2000) ; 2046 (HK, Wong Kar-Wai, 2004) Summary: A study of film director Wong Kar-wai, looking at his films, advertising work, and music videos he has directed. It explores how he draws from various film and literary elements that influence his work and examines his legacy amongst Hong Kong, and world, cinema.ISBN: 1844570290ID2: 291
More info
book
Wong Kar-wai / Peter Brunette Urbana: University of Illinois Press, 2005.
Call No: 81KAR BRUAuthor: Brunette, Peter Source: USPlace: UrbanaPublisher: University of Illinois PressPubDate: 2005PhysDes: xviii, 149 p. : ill. ; 21cm.Series: Contemporary Film DirectorsSubject: HONG KONG ; DIRECTORS. CHINA ; WONG KAR WAI ; DOYLE, CHRISTOPHER ; LEUNG, TONY ; CHEUNG, MAGGIE ; WONG GOK KA MOON (HK, Wong Kar-Wai, 1988) ; AH FEI ZHENG ZHUANG (HK, Wong Kar-Wei, 1991) ; DUNG CHE SAI DUK (HK, Wong Kar-Wai, 1994) ; CHONGQING SENLIN (HK, Wong Kar-Wai, 1994) ; CHUNGKING EXPRESS (HK, Wong Kar-Wai, 1994) ; DUOLUO TIANSHI (HK, Wong Kar-Wai, 1995) ; CHEUN GWONG TSA SIT (HK, Wong Kar-Wai, 1997) ; HAPPY TOGETHER (HK, Wong Kar-Wai, 1997) ; FA YEUNG NIN WA (HK, Wong Kar-Wai, 2000) ; 2046 (HK, Wong Kar-Wai, 2004) Summary: Taken from backcover: This book traces film director, Wong Kar-wai's themes of time, love, and loss, and examines the political implications of his films, especially concerning the handover of Hong Kong to the People's Republic of China.Notes: Includes transcripts of interviews with Wong Kar-wai.
Filmography: p.[135] - 141.
Includes bibliography and index.ISBN: 9780252072376
More info