Search Catalogues

Call No: 802.25(94) MAT
Author: Mathews, Sue, 1952
Source: AT
Place: Ringwood, Vic.
Publisher: Penguin
PubDate: 1984
PhysDes: 295 p. : ill., ports. ; 20 cm
Subject: DIRECTORS. AUSTRALIA; DIRECTION; INDUSTRY, FILM. AUSTRALIA; SCHEPISI, FRED; WEIR, PETER; ARMSTRONG, GILLIAN; DUIGAN, JOHN; MILLER, GEORGE
Summary: "In this collection of interviews, five of Australia's most successful film directors discuss Australian cinema - from the startling resurgence of the industry to their roles as directors compared with those overseas. They talk about how films actually get made, their individual cinematic aspirations, and discuss issues such as whether Australian films should become more 'international'. These interviews make up a portion of new Australian cinema." [Book blurb]
Notes: Australian cinema films. Directors. Interviews (ANB/PRECIS SIN 0699594); Australian cinema films (ANB/PRECIS SIN 0390917); Cover subtitle: Conversations with five directors about the Australian film revival; Filmography: p. 279-293
ISBN: 0140067094 : $9.95 Aust
LON: anb14006709; 3025187
ID2: 161

Call No: 81FER BRE
Author: Brenez, Nicole
Source: US
Place: Urbana, Ill ; Chicago
Publisher: University of Illinois Press
PubDate: 2007
PhysDes: xii, 210 p. : ill. ; 22 cm
Series: Contemporary film directors / edited by Jame Naremore
Subject: DIRECTORS. USA; CRITICISM; FERRARA, ABEL
Notes: Includes filmography (pp. [173]-191). Includes bibliographical references (pp. [193]-197) and index.
ISBN: 9780252074110 (pbk. : alk. paper) - ISBN 13 0252074114 (pbk. : alk. paper) - ISBN 19

Author: Doniol-Valcroze, Jacques
PhysDes: Article
Subject: PRODUCTION. EURPOEAN COUNTRIES; DIRECTORS. FRANCE; SWEDEN
Summary: French filmmaker Jacques Doniol-Valcroze comments on the making of his film "Le Viol" in Sweden. From "Film in Sweden" No. 2 1967.

Call No: held v.5, no.1-v.11, no.9 Jan./Feb. 1970-Nov./Dec. 1978 lacks v.7, no.6; v.11, no.4-5; -- IN STORAGE. OVERNIGHT RETRIEVAL
CorpAuthor: Directors Guild of America; Action (Hollywood, Calif.)
Source: US
Place: Hollywood, Calif.
Publisher: The Guild
PubDate: 1966-78
PhysDes: 11 v. : ill. ; 28 cm
Subject: DIRECTORS. USA
Notes: Issues for Sept./Oct. 1966-<Nov./Dec. 1967> have subtitle "the magazine of the Directors Guild of America."
ISSN: 0001-7361
Frequency: Bimonthly
LON: sn 95006971; 12188595

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: ACTORS AS DIRECTORS

Call No: 802.25(73) SAR
Author: Sarris, Andrew
Edition: [1st ed.]
Place: New York
Publisher: Dutton
PubDate: 1968
PhysDes: 383 p. 22 cm
Subject: DIRECTORS. USA; LUBITSCH, ERNST; LOSEY, JOSEPH; FORD, JOHN; GRIFFITH, DAVID WARK; HAWKS, HOWARD; HITCHCOCK, ALFRED; OPHULS, MAX; VON STERNBERG, JOSEF; PREMINGER, OTTO; STURGES, PRESTON; WALSH, RAOUL; LEWIS, JERRY; WELLES, ORSON
LON: 31835

Call No: 802.25(73) COU vol.1
Author: Coursodon, Jean-Pierre; Sauvage, Pierre
Place: New York
Publisher: McGraw-Hill
PubDate: c1983
PhysDes: 2 v. ; 24 cm
Subject: DIRECTORS. USA; BERKELEY, BUSBY; BORZAGE, FRANK; BROWN, CLARENCE; CAPRA, FRANK; CHAPLIN, CHARLES; CUKOR, GEORGE; CURTIZ, MICHAEL; DAVES, DELMER; DEMILLE, CECIL B.; DWAN, ALLAN; FLEMING, VICTOR; FORD, JOHN; HAWKS, HOWARD; HITCHCOCK, ALFRED; HUSTON, JOHN; KING, HENRY; LA CAVA, GREGORY; LANG, FRITZ; LEROY, MERVYN; LEWIS, JOSEPH H.; LUBITSCH, ERNST; MAMOULIAN, ROUBEN; MANN, ANTHONY; MCCAREY, LEO; PREMINGER, OTTO; SHERMAN, VINCENT; SIRK, DOUGLAS; STAHL, JOHN M.; VON STERNBERG, JOSEF; STEVENS, GEORGE; STURGES, PRESTON; TOURNEUR, JACQUES; ULMER, EDGAR G.; VIDOR, KING; WALSH, RAOUL; WELLMAN, WILLIAM; WILDER, BILLY; WYLER, WILLIAM
Notes: Includes filmographies and indexes
ISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95
LON: 2198273

Call No: 802.25(73) COU vol.2
Author: Coursodon, Jean-Pierre; Sauvage, Pierre
Place: New York
Publisher: McGraw-Hill
PubDate: c1983
PhysDes: 2 v. ; 24 cm
Subject: DIRECTORS. USA; ALDRICH, ROBERT; ALLEN, WOODY; ALTMAN, ROBERT; BOETTICHER, BUDD; BOGDANOVICH, PETER; BROOKS, RICHARD; CASSAVETES, JOHN; CASTLE, WILLIAM; COPPOLA, FRANCIS FORD; CORMAN, ROGER; DASSIN, JULES; DE PALMA, BRIAN; DMYTRYK, EDWARD; DONEN, STANLEY; EASTWOOD, CLINT; EDWARDS, BLAKE; FLEISCHER, RICHARD; FRANKENHEIMER, JOHN; FULLER, SAMUEL; HARRINGTON, CURTIS; KAZAN, ELIA; KELLY, GENE; KERSHNER, IRVIN; KUBRICK, STANLEY; LEWIS, JERRY; LOGAN, JOSHUA; LOSEY, JOSEPH; LUMET, SIDNEY; Lupino, Ida; MANKIEWICZ, JOSEPH L.; MINNELLI, VINCENTE; PARRISH, ROBERT; Peckinpah, Sam; PENN, ARTHUR; POLLACK, SYDNEY; POLONSKY, ABRAHAM; RAFELSON, BOB; RAFELSON, BOB; RAY, NICHOLAS; RITCHIE, MICHAEL; ROSSEN, ROBERT; SCORSESE, MARTIN; SIDNEY, GEORGE; SIEGEL, DON; SPIELBERG, STEVEN; STURGES, JOHN; TASHLIN, FRANK; WELLES, ORSON; WISE, ROBERT; ZINNEMANN, FRED
Notes: Includes filmographies and indexes
ISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95
LON: 2198273

Call No: 802.25-054(=924) DES
Author: Desser, David; Friedman, Lester D
Place: Urbana
Publisher: University of Illinois Press
PubDate: 1993
PhysDes: x, 318 p. : ill. ; 23 cm
Subject: ALLEN, WOODY; BROOKS, MEL; LUMET, SIDNEY; MAZURSKY, PAUL; JEWS AND THE CINEMA. USA; DIRECTORS. USA; JEWS IN FILMS. USA
Notes: "An Illini book"--Cover; Includes bibliographical references (p. [297]-307) and index
ISBN: 0252015649 (cl : acid-free paper); 0252063015 (pb : acid-free paper)
LON: 9606171
Contents: Woody Allen, p36-104 -- Mel Brooks, p105-159 -- Sidney Lumet, p160-223 -- Paul Mazursky, p224-279

Call No: 802.25(73) WIC
Author: Wicking, Christopher; Vahimagi, Tise, joint author
Place: London
Publisher: Talisman Books
PubDate: 1979
PhysDes: xxii, 262 p. ; 22 cm
Subject: DIRECTORS. USA; Peckinpah, Sam; BOETTICHER, BUDD; BARE, RICHARD L.
Notes: Includes index
ISBN: 0905983092 : ª7.50
LON: 1588061

Call No: 246CUL
Author: Culhane, Shamus
Source: UK
Place: London
Publisher: Columbus
PubDate: 1989, c1988
PhysDes: xv, 336 p., [2] p. of plates : ill.(some col.) ; 24 cm
Subject: ANIMATION; ANIMATORS; CARTOONS. USA; DIRECTORS. USA; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS
Summary: The book covers all areas of animation: the basic mechanics of animation, expressing creativity through animation, writing, recording, acting and dialogue in the area of animation, and finally it deals with managing an animation studio. It contains the work of 130 leading animators, worldwide.
Notes: Includes index
ISBN: 0862879590

PhysDes: Article
Subject: NATIONAL FILM THEATRE PROGRAM; DIRECTORS; ALOÏSE (FR, Liliane de Kermadec, 1975)
Notes: Short credits and synopses for each film in the "Women live at the National Film Theatre" program. - illustration

Call No: 81:634DEH STA
Author: Starrs, David Bruno
Source: AT
Place: Brisbane, Queensland
PubDate: 2009
PhysDes: 263 p. : ill. ; 30 cm
Subject: AUTEUR THEORY; DIRECTORS. AUSTRALIA; SOUND; THEORY; DE HEER, ROLF; DANCE ME TO MY SONG (AT, Rolf de Heer, 1998); [DOCTOR] DR PLONK (AT, Rolf de Heer, 2007); EPSILON (AT/IT, Rolf de Heer, 1995); OLD MAN WHO READ LOVE STORIES (AT/SP/FR/NL, Rolf de Heer, 2000); PROPOSITION, THE (AT/UK, John Hillcoat, 2005); TRACKER, THE (AT, Rolf de Heer, 2002)
Summary: "An interpretative methodology for understanding meaning in cinema since the 1950s, auteur analysis is an approach to film studies in which an individual, usually the director, is studied as the author of his or her films. The principal argument of this thesis is that proponents of auteurism have privileged examination of the visual components in a film-makers' body of work, neglecting the potentially significant role played by sound. The thesis seeks to address this problematic imbalance by interrogating the creative use of sound in the films written and directed Rolf de Heer, asking the question, "Does his use of sound make Rolf de Heer and aural auteur?" In so far as the term 'aural' encompasses everything in the film that is heard by the audience, the analysis seeks to discover if de Heer has, as Peter Wollen suggests of the auteur and her or his directing of the visual components (1968, 1972 and 1998), unconsciously left a detectable aural signature on his films. The thesis delivers an innovative outcome by demonstrating that auteur analysis that goes beyond the mise-en-scene (i.e. visuals) is productive and worthwhile as an interpretative response to film. De Heer's use of the aural point of view and binaural sound recording, his interest in providing a 'voice' for marginalised people, his self-penned song lyrics, his close and early collaboration with composer Graham Tardif and sound desinger Jim Currie, his 'hands-on' approach to sound recording and sound editing and his predilection for making films about sound are all shown to be examples of de Heer's aural auteurism. As well as the three published (or accepted for publication) interviews with de Heer, Tardif and Currie, the dissertation consists of seven papers refereed and published (or accepted for publication) in journals and internatiional conference proceedings, a literature review and a unifying essay. The papers presented are close textual analyses of de Heer's films which, when considered as a whole, support the thesis' overall argument and serve as comprehensive auteur analysis, the first such sustained study of his work, and the first with an emphasis on the aural. " -- ABSTRACT
Notes: Presented to the Creative Industries Faculty, Queensland University of Technology. Thesis (Ph.D.)--Queensland University of Technology, Brisbane, 2009; Includes bibliographical references (p. 213-231)
Contents: -- part one: introduction -- chapter 1: the research problem, objective/aims, subject and methodologies -- chapter 2: the literature and contextual review -- part two: the seven refereed and published papers of the thesis -- chapter 3: a paper utilising genre analysis and signalling an interest in the auteurism of Rolf de Heer -- chapter 4: the first of two papers utilising standard auteur analysis -- chapter 5: the second of two papers utilising standard auteur analysis -- chapter 6: a paper arguing for the methodological innovation of the thesis: aural auteur analysis -- chapter 7: the first of three papers utilising aural auteur analysis -- chapter 8: the second of three papers utilising aural auteur analysis -- chapter 9: the third of three papers utilising aural auteur analysis -- part three: conclusion -- chapter 10: the unifying essay -- 11: references/bibliography and filmography -- 12: appendicies -- list of figures --

Author: Pratt, David
PhysDes: Article; Illustration(s)
Subject: ACTORS. AUSTRALIA; DIRECTORS. AUSTRALIA
Summary: Pratt discusses the Australian filmworkers, creative and talent, currently working in the US.

Call No: 802 BOL
Author: Boland, M.; Bodey, M.
Place: Crows Nest, NSW
Publisher: Allen & Unwin
PubDate: 2004
PhysDes: 294 p. ; ill. ; 23 cm
Subject: ACTORS. AUSTRALIA; INDUSTRY, FILM. USA; DIRECTORS. AUSTRALIA
Summary: Australia’s leading actors and directors tell how they conquered Hollywood. Includes chapters on Nicole Kidman, Eric Bana, Geoffrey Rush, Naomi Watts, Anthony LaPaglia, Phillip Noyce, Paul Hogan and more.
Notes: Bibliogrpahy

Call No: 802.25(94) AUS
CorpAuthor: Australian Film Commission
Place: Sydney
Publisher: Australian Film Commission
PubDate: 1997
Subject: DIRECTORS. AUSTRALIA

Call No: 802.25(94) AUS
CorpAuthor: Australian Film Commission
Place: Sydney
Publisher: Australian Film Commission
PubDate: 1999
Subject: DIRECTORS. AUSTRALIA

Call No: 462-02 (94) FRE v.2
Author: French, Lisa
Source: AT
PubDate: 1995
PhysDes: p. 123-135. ; 30 cm
Subject: FILM WORKERS. AUSTRALIA; FILM WORKERS. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; WOMEN FILMMAKERS. AUSTRALIA; PRODUCERS. AUSTRALIA; SCRIPTWRITERS. AUSTRALIA; DIRECTORS. AUSTRALIA; AUSTRALIA. 1970&#039;s; AUSTRALIA. 1980&#039;s; AUSTRALIA. 1990&#039;s; FILMOGRAPHIES. AUSTRALIA
Notes: 'This data base was prepared by Lisa French as an appendix to the thesis 'Do Contemporary Australian Women Filmmakers Share A Feminist Perspective In Their Work?'

Call No: 71(94) VAN
Author: Vanderbent, Saskia
Source: AU
Place: Harpenden, UK
Publisher: Pocket Essentials
PubDate: 2006
PhysDes: 160 p. ; 18 cm
Subject: DIRECTORS. AUSTRALIA; FILMOGRAPHIES. AUSTRALIA; HISTORY AND THE CINEMA. AUSTRALIA
Summary: This book analyses over 80 significant works from silent through to contemporary themes. The author examines how directors have used the medium of film to explore and come to terms with their problematic past, in particular British colonialism and the treatment of indigenous Ausralians, and dramatise issues of landscape, masculinity, anti-authoritarianism and the pioneering spirit. The careers of several actors are also traced. [Adapted from back cover.]
Notes: Cover title: The pocket essential Australian film.
ISBN: 1904048587
URL status: URL: 'https://ebookcentral.proquest.com/lib/rmit/detail.action?docID=282644' Checked: 31/08/2021 1:14:52 PM Status: Moved Details: HTTP status 302 - Moved temporarily

Call No: 20(058)(94) BEI
Author: Beilby, Peter
Source: AU
Place: North Melbourne, Victoria
Publisher: Cinema Papers Pty Ltd
PubDate: 1980
PhysDes: 319 pages : black and white illustrations ; 25 cm
Series: Australian motion picture yearbook
Subject: AWARDS; DIRECTORS; DISTRIBUTION; EXHIBITION; FESTIVALS; FILM WORKERS; INDUSTRY, FILM. AUSTRALIA; LEGISLATION. AUSTRALIA; PERIODICALS, FILM. AUSTRALIA; PRODUCTION CENTRES. AUSTRALIA
Summary: Overview of activities and output of the Australian film industry in 1980
Notes: published by Cinema Papers Pty Ltd in association with the New South Wales Film Corporation
ISBN: 0158698X
Donation: Simon Wincer

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: AUSTRALIAN SCREEN DIRECTORS ASSOCIATION

Call No: 027-02(94) BRO
Author: Brophy, Chrs; Blonski, Annette
Edition: 1988
Place: Melbourne
Publisher: AFI Distribution Ltd
PubDate: 1988
PhysDes: 104 pages : illustrated ; 21cm
Subject: WOMEN DIRECTORS. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; WOMEN FILMMAKERS. AUSTRALIA; AUSTRALIAN FILM INSTITUTE
ISBN: 9780908023165
Donation: Ina Bertram

Call No: 80(41) MCF
Author: McFarlane, Brian, 1934
Place: London
Publisher: Methuen
PubDate: 1997
PhysDes: xvi, 656 p. ; 24 cm
Subject: UNITED KINGDOM; DIRECTORS. UK; ACTORS. UK
Notes: Bibliography: p. 635-636
ISBN: 041370520X; 041370520X
LON: abn96313902; 12689723

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: AWARDS. AUSTRALIAN DIRECTORS GUILD

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: AWARDS. DIRECTORS GUILD OF AMERICA

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: AWARDS. PRODUCERS &amp; DIRECTORS GUILD OF AUSTRALIA

Call No: 81BUC BUC
Author: Buckley, Anthony
Source: AT
Place: Prahran, Vic.
Publisher: Hardie Grant
PubDate: 2009
PhysDes: x, 406 p. : ill. (some col.), ports. ; 26 cm
Subject: BUCKLEY, ANTHONY; PRODUCERS; DIRECTORS. AUSTRALIA; FILM WORKERS; FILM WORKERS. AUSTRALIA; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978)
Summary: Almost from the inception of movies, the Buckley family were involved, so it was natural for the young Tony Buckley to get a job at a film laboratory, and move into film editing. Despite being warned by a veteran of film, "There's no future in it", Buckley began a career that was to involve a cast of thousands including Australian film pioneers, Raymond Longford and Ken G. Hall, Australian and international stars, and the pick of the Australian film and television industry. As an acclaimed editor, then producer, Tony Buckley's films have attracted numerous accolades and awards. In Behind a Velvet Light Trap, Buckley chronicles the frequent disasters on the set and the antics of actors and film crew with wry humour and a firm sense of professionalism. It is an insider's view of Australian movies and television where we get to meet some of the vivid personalities including Rudolf Nureyev, Michael Powell, Patrick White, James Mason, Ruth Park, Leo McKern and Joan Sutherland. --BOOK JACKET
ISBN: 9781740667906
Contents: -- Preface -- Acknowledgement -- PART ONE -- 1 -- Saturdays At The Sesqui -- 2 --The Sentimental Bloke - Meeting Raymond Longford -- 3 -- Discovering 'The Hidden Power' -- 4 -- The Voice Of Australia -- 5 -- 'There's No Future In It, Son!' -- 6 -- Seven Miles From Sydney And 10,000 Miles From Care -- 7 -- Letters Home: 189 Cromwell Road - 'Hurry, My Milliner Is Waiting!' -- 8 -- Five For Europe: A Telegram From Home -- 9 -- Another Cinesound Excusive! -- 10 -- Forgotten Cinema And The Australian Renaissance -- 11-- Michael Powell and S.Y.M -- 12 -- Home to Avening -- 13 -- 'The Locomotive that Drives Everything Else -- 14 -- Mercer Clips and Hollywood -- 15 -- Le Reveil Dans La Terreur - Wake in Fright -- 16 -- Ballet in the Bedroom -- 17 -- Insular Fairyland - anyone for Croquet? -- 18 -- ...'You wanna make a film about a woman???!!' -- 19 -- My Sons, My Horses - The Anatomy of a Motion Picture -- 20 -- 'This Bizarre Work' - The Night of the Prowler -- 21 -- The very strange case of the Unknown Industrial Prisoner -- 22 -- Not In The Public Interest - the Juanita Factor -- 23 -- Flight Ten From Honolulu - A complete Change Of Direction -- 24 -- A Landmark Australian Film -- PART TWO -- 25 -- ...And Now For Something Completely Different - Television! -- 26 -- The Tree Of Humankind - Man On A Limb! -- 27 -- The Heroes Of The Miniseries -- 28 -- Prostitution - Adapting Bryce Courtenay - And The Mysterious Case Of The Stolen Logie -- PART THREE -- 29 -- Back To The Reel World -- 30 -- On Their Selection - The $24,000 Lunch! -- 31 -- A Celebration - Then Shadows Fall -- 32 -- 'That Resilient Little Beast' - But Not Quite A Heart Stopper! -- 33 -- An Apple For The Teacher - Food for thought -- 34 -- Shattered Dreams - Broken Promises -- The Final Reel - The Full Circle

Call No: 81BER BER
Author: Beresford, Bruce
Source: AT
Place: Melbourne, Victoria
Publisher: The Text Publishing Company
PubDate: 2017
PhysDes: 281 pages ; 24 cm
Subject: INDUSTRY, FILM; INDUSTRY, FILM. AUSTRALIA; PRODUCERS; DIRECTORS; AUSTRALIA; BERESFORD, BRUCE
Summary: "This entertaining collection of stories by the acclaimed director of Breaker Morant, Driving Miss Daisy and Mao’s Last Dancer includes memoirs, brief lives and revealing accounts of the film world and beyond. Alongside unsung heroes from behind the camera and producers of dubious repute are Madeleine St John and Clive James, Margaret Olley and Jeffrey Smart, as well as a particularly seductive 1963 EH Holden—and Bruce Beresford’s father, whose strange and startling decline in old age is charted in a brilliant, poignant essay." -- BOOK BACK COVER
ISBN: 9781925603101
Contents: -- I -- family, journeys, memories -- family tree -- my parents -- out of Toongabbie -- the end of the Roxy -- the lure of the EH -- in Guatemala -- pass the passport -- the age of memoirs -- inadvertant meetings - and premonitions -- II -- making and not making movies -- stumbling towards directing -- a career of sorts -- thoughts about actors and acting -- financing movies -- the Hubert Opperman saga -- the best film i never made -- III -- behind the screen -- the two Barrys -- memories of Horton Foote -- John Simon on film: an introduction -- Dino De Laurentiis, producer -- Tony Scott, director -- Robert Krasker: a sketch -- Sven Nykvist: an appreciation -- Don McAlpine, cameraman -- Ken Adam: a personal memoir -- Georges Delerue, composer -- Erich Korngold: a sketch -- IV-- opera, painters, writers -- a brief guide to American opera -- smart lessons -- a memory of Margaret Olley -- forgotten - and in Mildura -- Caravaggio and the cinema -- remembering B.S, Johnson -- Madeleine and me -- a remarkable man -- Australian literature and Film --

Call No: 761(04) BEY
Author: Warren, Charles, 1948
Place: Hanover, NH
Publisher: University Press of New England
PubDate: 1996
PhysDes: xxviii, 366 p. : ports. ; 24 cm
Subject: DOCUMENTARY FILMS; CINEMA VERITE; DIRECTORS; DOCUMENTARY DRAMAS; NEWSREELS; MEMORY IN FILMS; ETHNOGRAPHIC FILMS; BIOGRAPHICAL FILMS; GENOCIDE IN FILMS; WORLD WAR II FILMS; NUIT ET BROUILLARD (FR, Alain Resnais, 1955); OPHULS, MARCEL; RESNAIS, ALAIN; SANS SOLEIL (FR, Chris Marker, 1983); SHOAH (FR/SZ, Claude Lanzmann, 1985); TRI PESNI O LENINE (UR, Dziga Vertov, 1934); WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971); BOOMERANG (US, Elia Kazan, 1947); VERTOV, DZIGA; MARKER, CHRIS; FILM PORTAIT (US, Jerome Hill, 1972); GARDNER, ROBERT; MCELWEE, ROSS; ZERKALO (UR, Andrei Tarkovsky, 1975)
Summary: "In essays by eleven of America's foremost writers, critics and filmmakers, Beyond Document explores the full spectrum on nonfiction film and its creative possibilities. In addition to Charles Warren's broad introductory history of the genre, the book takes a close look at ethnographic films, cinema verite, memoir and autobiography, docudramas, essay films, and newsreels, from classics like Night and Fog and Nanook of the North to more recent important work like Film about a Woman Who..., Harlan County, U.S.A., Sans Soleil, and Forest of Bliss. Representations of reality are increasingly contested, in courtrooms and Congress, as well as in art. Asking what the art of film can achieve, Helene Keyssar considers the history of nonfiction films by women; Jay Cantor discusses film investigations of the Holocaust; Patricia Hampl looks at how autobiographical films render experience into narrative; Robert Gardner questions the filmmaker's "impulse to preserve"; and poet Susan Howe explores structures of mourning in several filmmakers. All of the books essays provide deeply felt understandings of documentary film, and of how we live with, and within, images." -- BOOK BLURB
Notes: Includes bibliographical references (p. 345-350) and index
ISBN: 0819552879 (cl : alk. paper); 0819562904 (pbk. : alk. paper)
LON: 11642141
Contents: Words of welcome / Stanley Cavell -- Introduction, with a brief history of nonfiction film / Charles Warren -- Death and the image / Jay Cantor -- Memory's movies / Patricia Hampl -- Eternal Verites / William Rothman -- The toil of thought: on several nonfiction films by women / Helene Keyssar -- The camera people / Eliot Weinberger -- The impulse to preserve / Robert Gardner -- You are there / Maureen Howard -- Earth and beyond: Dusan Makaveyev's WR: Mysteries of the Organism / Charles Warren -- In search of the centaur: the essay film / Phillip Lopate -- Vertov's cinematic transposition of reality / Vlada Petric -- Sorting facts; or, nineteen ways of looking at marker / Susan Howe

Call No: 222.22 REI
Author: Reilly, Tom
Edition: 1st ed
Source: US
Place: New York
Publisher: Thomas Dunne Books
PubDate: 2009
PhysDes: xi, 239 p. ; 22 cm
Subject: LOCATION PRODUCTION; LOCATION SHOOTING; DIRECTORS; FILM WORKERS; REILLY, TOM
Summary: This is a must-have book for any aspiring filmmaker who wants to know the secrets of the pros, or for movie buffs who want to know what really happens on the sets of their favourite films.
ISBN: 9780312380380
Donation: donated by Senses of Cinema, 2012

Call No: 408.1(46) KIN
Author: Kinder, Marsha
Place: Berkeley
Publisher: University of California Press
PubDate: 1993
PhysDes: xi, 553 p. : ill. ; 24 cm
Subject: SPAIN; INDUSTRY, FILM. UK; NATIONAL CULTURE AND THE CINEMA. SPAIN; NATIONAL IDENTITY IN FILMS. SPAIN; SPAIN: CATALONIA; VIOLENCE IN FILMS. SPAIN; DIRECTORS. USA; ERICE, VICTOR; SAURA, CARLOS; ALMODOVAR, PEDRO; BUNUEL, LUIS; SURCOS (SP, Jose Antonio Nieves Conde, 1951); MUERTE DE UN CICLISTA (SP, Juan Antonio Bardem, 1955); GOLFOS, LOS (SP, Carlos Saura, 1959); COCHECITO, EL (SP, Marco Ferreri, 1959); ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973); RIO ABAJO (SP, Jose Luis Borau, 1984)
Notes: "A Centennial book."; Includes bibliographical references (p. 507-522) and index
ISBN: 0520081536 (alk. paper); 0520081579 (pbk. : alk. paper)
LON: 9293143

Call No: 71(410)BRI
Edition: [1958?]
Place: [London?]
Publisher: [British Film Institute?]
PubDate: [1958?]
PhysDes: 16 p : illus. ; 28 cm
Subject: DIRECTORS. UK
Summary: Short biographies (each with filmography and photograph) of eighty British directors
Notes: Little bibliographic information on item. Possibly a supplement to Monthly FIlm Bulletin

Call No: 71(497.2) BUL
Source: BU
Place: Sofia
Publisher: Filmbulgaria
PubDate: [1976]
PhysDes: [p.] : ill. ; 22 x 23 cm
Subject: BULGARIA; DIRECTORS. BULGARIA
Summary: Profiles on a number of Bulgarian film directors
Notes: Title also in Russian
Language: Russian, English

Call No: SUBJECT CLIPPINGS FILE; WOMEN DIRECTORS. AUSTRALIA
PhysDes: Article
Subject: WOMEN DIRECTORS. AUSTRALIA
Summary: Comments by Screen Australia on 50/50 quota

Call No: 802.253 CEL
Source: UK
Place: Twickenham
Publisher: Supernova Books
PubDate: 2014
PhysDes: 383 pages : illustrations ; 20 cm
Series: Women and the arts
Subject: WOMEN DIRECTORS; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA
Summary: "With Katherine Bigelow making history as the first woman to win an Oscar for directing, is this a new era for female filmmakers? The numbers suggest otherwise. A San Diego University study published last year states that only 9% of Hollywood directors in 2008 were women - the same figure recorded in 1998. Celluloid Ceiling seeks to redress the imbalance in the ratio of male to female film directors by exploring the most inspiring new work appearing in the UK, US and across the globe. Highlighting emerging female directors alongside recognised pioneers (eg. Bigelow, Campion, Coppola), placing all in context and examining their influences, Celluloid Ceiling offers a one-stop guide to the leading female directors of 21st century. With particular attention paid to women making films in traditionally male-dominated areas - such as action movies and films featuring violence or pornography - the author hopes to show all budding filmmakers that women can overcome the challenges within this industry." -- BOOK BLURB
Notes: Includes bibliographical references
ISBN: 9780956632906
Donation: donated by Senses of Cinema, 2014
Contents: Introduction / Gabrielle Kelly and Cheryl Robson -- Africa -- African Women Directors: Edited version of a speech given at the colloquy 'Francophone African Women Filmmakers: 40 years of cinema, Paris (1972-2012)' / Beti Ellerson -- Speak Up! Who's Speaking?: African Female Filmmakers Speak for Themselves / Maria Williams-Hawkins -- Americas -- The home, the body and otherness: Canadian representations of identity and feminism in Mary Harron's American Psycho, Sarah Polley's Away From Her and the Soska Sisters' American Mary / Karen Oughton -- Female Filmmakers in Latin America / Ana Maria Bahiana -- USA: Flouting the System: Lois Weber, Dorothy Arzner and Ida Lupino / Jacqui Miller -- From Hollywood to Indiewood to Chinawood: Women Film Directors in the US / Gabrielle Kelly -- US: Women Film Directors of the Indie World / Nathan Shaw -- Oscar-worthy Women Directors / Patricia Di Risio -- Interview with Kathryn Bigelow / Ana Maria Bahiana -- Asia -- Moving Up: Women Directors and South-east Asian Cinema / Anchalee Chaiworaporn -- Films from an Unknown Woman: Remediating the absence of gender politics in the films of women directors in China, Taiwan and Hong Kong / Pieter Aquilia -- Women Filmmakers of South Korea / Anchalee Chaiworaporn -- 'Why are you making such a big deal just because I am a woman?' Women Directors of Popular Indian Cinema / Coonoor Kripalani -- Cats and Dogs and Wild Berries: New Voices in Japanese Cinema / Adam Bingham -- To Direct Patriarchy / Women Film Directors in Pakistan / Iram Parveen Bilal -- Australia & New Zealand -- Brilliant Careers: Three Waves of Australian, New Zealand and Indigenous Women Film Directors / Pieter Aquilia -- Europe -- Alice Guy-Blache, True Pioneer / Tania Field -- A Century of Madchen: Femmes and Frauen in Facist, New Wave, and Contemporary European Cinema / Heidi Honeycutt -- Hidden Histories on Film: Female Directors from South Eastern Europe / Dina Iordanova -- Iron and Reel: Russian Women Directors Through the Soviet Era and Beyond / Karlanna Lewis -- Where's Britannia / Melody Bridges -- Middle East -- Coming Forth (Day) by Day: Arab Female Filmmakers Making Strides / Ronan Doyle -- In their Own Words: Interviews with Contemporary Women Directors from the Middle East / Elhum Shalerikar -- Voices of Israeli Women Filmmakers / Amy Kronish -- Summary / Gabrielle Kelly

Call No: 81MAN RAN
Author: Moliterno, Gino; Rando, Gaetano
Source: AT
Place: St Kilda, Vic
Publisher: Australian Teachers of Media (ATOM)
PubDate: c2011
PhysDes: 145 p. : ill. ; 24 cm
Series: The moving image ; no. 10, 2011
Subject: CINEMATOGRAPHY; CINEMATOGRAPHY. AUSTRALIA; DIRECTORS. AUSTRALIA; FILM AUSTRALIA; FILMMAKING; FILMMAKING. AUSTRALIA; MIGRATION; MANGIAMELE, GIORGIO; SPAG, THE (AT, Giorgio Mangiamele, 1962); CLAY (AT, Giorgio Mangiamele, 1964); BEYOND REASON (AT, Giorgio Mangiamele, 1970)
Summary: " Giorgio Mangiamele is one of the most under-estimated figures in Australian cinema history. Soon after his arrival in Australia in 1952 as a migrant from Italy, he began making films at a time when feature film production in Australia was almost non-existent. His films were seldom seen in Australia, although one - Clay (1965) - was applauded overseas as an official selection in the Cannes Film Festival. " -- BOOK BLURB (last page of book)
Notes: "Published biannually by Australian Teachers of Media in association with its publishing partners, National Film & Sound Archive (NSFA), the Australian Film Institute (AFI) and RMIT University (School of Media and Communications)" -- Verso t.p; Includes bibliographical references and index
ISBN: 1876467215
Contents: -- notes on the text -- introduction -- chapter one: a celluloid life: a brief biography of Giorgio Mangiamele -- chapter two: foto studio Mangiamele: serving Melbourne's Italian community -- chapter three: Mangiamele's migrant movies -- chapter four: Clay and Cannes: the beginnings of art cinema in Australia -- chapter five: beyond Cannes and Beyond Reason -- chapter six: beyond Beyond Reason: towards Papua New Guinea -- chapter seven: back in oz and more unrealised projects -- conclusion -- Giorgio Mangiamele filmography -- bibliography -- index --

Call No: 802.25(460) LOX
Author: Loxham, Abigail
Source: US
Place: New York
Publisher: Berghahn Books
PubDate: 2014
PhysDes: vii, 193 pages : illustrations ; 24 cm
Subject: MEDEM, JULIO; BIGAS LUNA; GUERIN, JOSE; SPAIN; EUROPEAN COUNTRIES; DIRECTORS. SPAIN
Summary: "The works of popular Spanish film directors Julio Medem, Juan Jose Bigas Luna and Jose Guerin are newly appraised in relation to their engagement with alternative national and cinematic subjectives. Their films examine the limitations of the cinematic gaze, as the author shows, highlighting the ways in which these directors make recourse to hybridity, contact and interface to overcome the binary power dynamic previously thought to be a feature of cinema. This book explores their status as solely 'Spanish' filmmakers while focusing on their diverse and immensely creative output, offering new readings that engage with current debates in visual culture surrounding psychoanalytic theory, phenomenology and theories of documentary practice." -- BOOK BLURB
Notes: Includes bibliographical references and index; Includes filmography
ISBN: 9781782383048
Donation: donated by Senses of Cinema, 2014
Contents: Introduction: Defining the Edge -- Chapter 1. (Re-)Defining Spanish Cinema? -- Chapter 2. Julio Medem: At the Margins of the Self -- Chapter 3. Bigas Luna: Physical Frontiers -- Chapter 4. Jose Luis Guerin: Between Reality and Fiction -- Conclusion: Looking Forward to the Past

Call No: 71(430.1) PFL
Author: Pflaum, Hans GFunther; Prinzler, Hans Helmut
Place: Bonn
Publisher: Inter Nationes
PubDate: 1983
PhysDes: 180 p. : ill. ; 21 cm
Subject: GERMANY; GERMAN FEDERAL REPUBLIC; DIRECTORS. GERMANY; ACHTERNBUSCH, HERBERT; ACKEREN, ROBERT VAN; FASSBINDER, RAINER WERNER; GEISSENDORFER, HANS W.; HERZOG, WERNER; KLUGE, ALEXANDER; WILDENHAHN, KLAUS; ZIEWER, CHRISTIAN; SCHROETER, WERNER; STRAUB, JEAN-MARIE; THOME, RUDOLPH; SANDER, HELKE; SCHILLING, NIKLAUS; NEKES, WERNER; COSTARD, HELLMUTH; HAUFF, REINHARD; LILIENTHAL, PETER; OTTINGER, ULRIKE; PETERSEN, WOLFGANG; PRAUNHEIM, ROSA VON; SANDERS-BRAHMS, HELMA; SCHLONDORFF, VOLKER; SYBERBERG, HANS JURGEN; TROTTA, MARGARETHE VON; Wenders, Wim
Notes: Translation of: Film in der Bundesrepublik Deutschland; Bibliography: p. 179
LON: 3594169

Call No: 71(540) CIN
Author: Passek, Jean Loup; Bassan, Raphael
CorpAuthor: Centre Georges Pompidou
Place: Paris
Publisher: L'Equerre Centre Georges Pompidou
PubDate: c1983
PhysDes: 228 p. : ill. ; 24 cm
Series: Cinema/pluriel
Subject: INDIA; DIRECTORS. INDIA
Notes: "Livre ... concu a l'occasion de la retrospective consacree au cinema indien au Centre Pompidou du 26 mars au 21 juin 1983"--T.p. verso; Includes index; Bibliography: p. 219
ISBN: 2864250373 : 159F
Language: French
LON: 3068080

Call No: 670 ROS
Author: Rosenbaum, Jonathan
Edition: 2019
Place: Urbana, Chicago, and Springfield
Publisher: University of Illinois Press
PubDate: 2019
PhysDes: 312 pages ; 23cm
Subject: DIRECTORS; AKERMAN, CHANTAL; BROOKS, JAMES L.; BUNUEL, LUIS; DEMY, JACQUES; DREYER, CARL TH.; GIANVITO, JOHN; JARMUSCH, JIM; LEWIS, JERRY; LINKLATER, RICHARD; MADDIN, GUY; MAY, ELAINE; OLIVEIRA, MANOEL DE; OLMI, ERMANNO; YASUJIRO OZU; POTTER, SALLY; RAPPAPORT, MARK; RESNAIS, ALAIN; RIVETTE, JACQUES; TARR, BELA; MING-LIANG, TSAI; WELLES, ORSON
Summary: Eschewing the idea of film reviewer-as-solitary-expert, Jonathan Rosenbaum continues to advance his belief that a critic's ideal role is to mediate and facilitate our public discussion of cinema. Portraits and Polemics presents debate as an important form of cinematic encounter whether one argues with filmmakers themselves, on behalf of their work, or with one's self. Rosenbaum takes on filmmakers like Chantal Akerman, Richard Linklater, Manoel De Oliveira, Mark Rappaport, Elaine May, and Béla Tarr. He also engages, implicitly and explicitly, with other writers, arguing with Pauline Kael—and Wikipedia—over Jacques Demy, with the Hollywood Reporter and Variety reviewers of Jarmusch’s The Limits of Control, with David Thomson about James L. Brooks, and with many American and English film critics about misrepresented figures from Jerry Lewis to Yasujiro Ozu to Orson Welles. Throughout, Rosenbaum mines insights, pursues pet notions, and invites readers to join the fray. -- publisher's web site
ISBN: 9780252084386
Contents: Introduction: In Defense of Polemical Criticism -- 1. Chantal Akerman -- 2. James L. Brooks -- 3. Luis Buñuel -- 4. Pedro Costa -- 5. André Delvaux -- 6. Jacques Demy -- 7. Carl Dreyer -- 8. John Gianvito -- 9. Jim Jarmusch -- 10. Jia Zhangke -- 11. Jerry Lewis -- 12. Richard Linklater -- 13. Guy Maddin -- 14. Elaine May -- 15. Manoel de Oliveira -- 16. Ermanno Olmi -- 17. Yasujiro Ozu -- 18. Sally Potter -- 19. Mark Rappaport -- 20. Alain Resnais -- 21. Jacques Rivette -- 22. Béla Tarr -- 23. Tsai Ming-liang -- 24. Orson Welles – Index.

Call No: 81DON CIN
Author: Donner, Jorn
Source: AT
Place: Carlton, Vic.
Publisher: Federation of Victorian Film Societies
PubDate: 1967
PhysDes: 10 1. ; 26 cm.
Subject: DONNER, JORN; FESTIVALS. MELBOURNE; DIRECTORS. SWEDEN
Notes: Edited transcript of working workshop session organised by the Melbourne Film Festival hold in June 1967. Processed.

Call No: 81EAS THO
Author: Thompson, Douglas
Source: UK
Place: London
Publisher: Warner
PubDate: 1993
PhysDes: vii, 231 p., [8]p of plates : ill., ports ; 18cm
Subject: ACTORS. USA; ACTORS AS DIRECTORS; DIRECTORS. USA; WARNER BROS.; BOGART, HUMPHREY; BURTON, RICHARD; EASTWOOD, CLINT; COOPER, GARY; HOLDEN, WILLIAM; LOCKE, SONDRA; NEWMAN, PAUL; REYNOLDS, BURT; SIEGEL, DON; ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980); BEGUILED, THE (US, Don Siegel, 1971); BIRD (US, Clint Eastwood, 1988); BREEZY (US, Clint Eastwood, 1973); BRONCO BILLY (US, Clint Eastwood, 1980); CITY HEAT (US, Richard Benjamin, 1984); DIRTY HARRY (US, Don Siegel, 1971); ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979); EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978); HEARTBREAK RIDGE (US, Clint Eastwood, 1986); HONKYTONK MAN (US, Clint Eastwood, 1982); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PALE RIDER (US, Clint Eastwood, 1985); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); PINK CADILLAC (US Buddy van Horn, 1989); SUDDEN IMPACT (US, Clint Eastwood, 1983); TIGHTROPE (US, Richard Tuggle, 1984); TWO MULES FOR SISTER SARA (US, Don Siegel, 1969); WHERE EAGLES DARE (US, Brian G. Hutton, 1969)
Notes: First published London : Smith Graphon, 1992; Filmography: p 215-224.; Includes index.
ISBN: 0751503878
Donation: donated by the family of Wayne Levy, 2006

Call No: 81HIT COM
Source: UK
Place: Chichester, U.K. ; Malden, MA
Publisher: Wiley-Blackwell
PubDate: 2011
PhysDes: xiv, 610 pages ; 25 cm
Series: Wiley Blackwell companions to film directors
Subject: THEORY; DIRECTORS. UK; HITCHCOCK, ALFRED
Summary: "A Companion to Alfred Hitchcock is the most ambitious and comprehensive volume ever published on the Master of Suspense, considering the full range of his career--from his earliest contributions to other directors' silent films to his own uncompleted last effort. Thirty chapters by the world's leading Hitchcock experts cover well-established approaches and cutting-edge scholarship, and tackle the most puzzling and complex problems in Hitchcock's films and contemporary film studies. Placing Hitchcock and his works in their cultural and intellectual contexts, contributors to the volume explore the genres with which his work is most closely associated; his relationships with his performers and other leading collaborators; the verbal and visual style of his films; Hitchcock's rise to prominence as the quintessential Hollywood auteur; the ideological and ethical implications of his films; and the enduring legacy he left to filmmakers and audiences alike." -- BOOK BLURB
Notes: Includes bibliographical references and index.
ISBN: 9781118797006
Contents: pt. I Background -- 1.Hitchcock's Lives / Thomas Leitch -- 2.Hitchcock's Literary Sources / Ken Mogg -- 3.Hitchcock and Early Filmmakers / Charles Barr -- 4.Hitchcock's Narrative Modernism: Ironies of Fictional Time / Thomas Hemmeter -- pt. II Genre -- 5.Hitchcock and Romance / Lesley Brill -- 6.Family Plots: Hitchcock and Melodrama / Richard R. Ness -- 7.Conceptual Suspense in Hitchcock's Films / Paula Marantz Cohen -- pt. III Collaboration -- 8."Tell Me the Story So Far": Hitchcock and His Writers / Leland Poague -- 9.Suspicion: Collusion and Resistance in the Work of Hitchcock's Female Collaborators / Tania Modleski -- 10.A Surface Collaboration: Hitchcock and Performance / Susan White -- pt. IV Style -- 11.Aesthetic Space in Hitchcock / Brigitte Peucker -- 12.Hitchcock and Music / Jack Sullivan -- 13.Some Hitchcockian Shots / Murray Pomerance -- pt. V Development -- 14.Hitchcock's Silent Cinema / Sidney Gottlieb -- Contents note continued: 15.Gaumont Hitchcock / Tom Ryall -- 16.Hitchcock Discovers America: The Selznick-Era Films / Ina Rae Hark -- 17.From Transatlantic to Warner Bros. / David Sterritt -- 18.Hitchcock, Metteur-en-scene: 1954-60 / Joe McElhaney -- 19.The Universal Hitchcock / William Rothman -- pt. VI Auteurism -- 20.French Hitchcock, 1945-55 / James M. Vest -- 21.Lost in Translation? Listening to the Hitchcock-Truffaut Interview / Janet Bergstrom -- 22.Robin Wood's Hitchcock / Harry Oldmeadow -- pt. VII Ideology -- 23.Accidental Heroes and Gifted Amateurs: Hitchcock and Ideology / Toby Miller -- 24.Hitchcock and Feminist Criticism: From Rebecca to Marnie / Florence Jacobowitz -- 25.Queer Hitchcock / Alexander Doty -- pt. VIII Ethics -- 26.Hitchcock and Philosophy / Richard Gilmore -- 27.Hitchcock's Ethics of Suspense: Psychoanalysis and the Devaluation of the Object / Todd McGowan -- Contents note continued: 28.Occasions of Sin: The Forgotten Cigarette Lighter and Other Moral Accidents in Hitchcock / George Toles -- pt. IX Beyond Hitchcock -- 29.Hitchcock and the Postmodern / Angelo Restivo -- 30.Hitchcock's Legacy / Richard Allen

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills
Subject: CONCERTINAS (AT, 9 Different Directors, 1992)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 2 photographs : b&w ; 13 x 18 cm
Subject: CONCERTINAS (AT, 9 Different Directors, 1992)
Summary: Two black and white photographs relating to the film Concertinas
Notes: One photograph is a still from 'Postcards from the gutter' directed by Shane McNeil ; the other photograph is a still from 'Sunsets' directed by Jenni Robertson - both are part of 'Concertinas - the one minute film project.'

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: CONFERENCES. AUSTRALIA. SCREEN DIRECTORS ASSOCIATION

Author: Minter, David
PhysDes: Article
Subject: REALISM IN FILMS; SEMI-DOCUMENTARIES. AUSTRALIA; ROUCH, JEAN; PRODUCTION. AUSTRALIA; DIRECTORS. AUSTRALIA
Summary: Australian filmmaker David Minter comments on the theory and practice of creating naturalism and realism in film, by referring to the works of Jean Rouch as well as the experience of making his own film "Hey Al Baby".

Call No: PERSONALITY CLIPPINGS FILE; DAVIS, GARTH
Author: -
PhysDes: Clippings File Article
Subject: AWARDS. AUSTRALIAN DIRECTORS GUILD; DAVIS, GARTH; WEIR, PETER; LION (AT, Garth Davis, 2016)
Summary: Garth Davis praised Peter Weir whilst winning for himself an Australian Directors Guild award

Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: DIRECTORS. AUSTRALIA

Call No: 802.25 KAG
Author: Kagan, Jeremy
Edition: 2nd ed.
Source: US
Place: Lanham, Md.
Publisher: Scarecrow Press
PubDate: 2006
PhysDes: ix, 341p. : ill. ; 26cm.
Subject: AWARDS. DIRECTORS GUILD OF AMERICA; PRODUCTION; KAZAN, ELIA
Summary: Loosely organized by phases in the moviemaking process (preproduction, the cast, the crew, rehearsal, etc.), Kagan lets his subjects discuss their craft without limiting their comments to the movies for which they were nominated.
Notes: Includes index.; Includes essay in Appendix C by Elia Kazan: On what makes a director
ISBN: 081085712X

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: DIRECTORS. CZECHOSLOVAKIA

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: DIRECTORS. GERMANY

Call No: (03)802.25(41) DIR
Author: Murphy, Robert
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2006
PhysDes: xxviii, 644 p. ; b+w ill. : 25 cm
Subject: DIRECTORS. UK
Summary: Dictionary of directors in Britain and Ireland.
ISBN: 1844571262

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: DIRECTORS. ITALY

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: DIRECTORS TALENT LIBRARY

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: DIRECTORS. UK

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: DIRECTORS. USA

Author: Hibberd, Jack
PhysDes: Article Review
Subject: HEROSTRATUS (UK, Don Levy, 1967); DIRECTORS. AUSTRALIA; EXPERIMENTAL FILMS
Summary: Unfavourable review of Don Levy's debut feature film, including examples of what the author describes as "pretension" and "naivety" direct taken from the programme notes.

Call No: 721.3(73) BIS
Author: Biskind, Peter
Place: London
Publisher: Bloomsbury
PubDate: 2004
PhysDes: 24 cm ; 545 p
Subject: DIRECTORS. USA; USA; AWARDS. ACADEMY; INDEPENDENT DISTRIBUTION; INDEPENDENT FILMS. USA; INDEPENDENT PRODUCTION; INDEPENDENT PRODUCTION. USA; DISTRIBUTION. USA; FESTIVALS. PARK CITY. SUNDANCE; MIRAMAX FILMS; AFFLECK, BEN; ALTMAN, ROBERT; ANDERS, ALLISON; ANDERSON, PAUL THOMAS; ANDERSON, WES; ARAKI, GREGG; ARONOFSKY, DARREN; ARTETA, MIGUEL; WEINSTEIN, BOB; WEINSTEIN, HARVEY; ALLEN, WOODY; ALL THE PRETTY HORSES (US, Billy Bob Thornton, 2000); FABULEUX DESTIN D&#039;AMELIE POULAIN, LE (FR/GG, Jean-Pierre Jeunet, 2001); APOSTLE, THE (US, Robert Duvall, 1997); AMERICAN BEAUTY (US, Sam Mendes, 1999); RESERVOIR DOGS (US, Quentin Tarantino, 1992)
Summary: In Down and Dirty Pictures, Peter Biskind tells the story of the filmmakers and the independent distributors who revitalised Hollywood in the 1990s. He follows the growth of Sundance from a regional film festival to the premier showcase of independent film that it became, showing how it succeeded almost despite Robert Redford, whose visionary plans were often thwarted by his quixotic personality. He charts the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul who, with his brother Bob, left a trail of carnage in his wake, yet created an Oscar factory that is the envy of the studios. [Taken from inner jacket sleeve].
ISBN: 0747565708
ID2: 341

Call No: 919(084.1) DRA
CorpAuthor: Redstone
Source: UK
Place: London
Publisher: Redstone Press
PubDate: 1994
PhysDes: 188 unnumbered pages : illustrations ; 25 cm
Subject: DIRECTORS; ART AND THE CINEMA
Summary: A Redstone diary for 1995 interspersed with copies of drawings made by famous film directors including Sergei Eisenstein, John Huston, Jane Campion, Akira Kurosawa, Emile Cohl, Norman McLaren, Ettore Scola, Jacques Tati, Federico Fellini, Alexandre Dovzhenko, Luis Bunuel, Fritz Lang, Maya Deren, Jean Renoir, Francois Truffaut, Martin Scorsese, Jean Cocteau, Dziga Vertov, Alan Parker, Alfred Hitchcock, Luchino Visconti, Lev Kouleshov, Satyaji Ray, Charles Chaplin, Rainer Werner Fassbinder, Alan Rudolph, Humphrey Jennings, Fred Zinnemann, Walerian Borowczyk, Mal St. Clair, Andrei Tarkovsky, and Orson Welles
ISBN: 9781870003766
Language: English/French/German/Spanish
Donation: Liz Oley

Call No: 81YAN AND
Author: Anderson, John
Source: US
Place: Urbana, Ill ; Chicago
Publisher: University of Illinois Press
PubDate: 2005
PhysDes: x, 128 p. : ill. ; 21 cm
Series: Contemporary film directors / edited by James Naremore
Subject: DIRECTORS.TAIWANESE; CRITICISM; YANG, EDWARD
Notes: Includes filmograghy (pp.[117]-121) Includes bibliographical references (pp.[123]-124) and index
ISBN: 0252072367 (pbk. : alk. paper)

Call No: SUBJECT CLIPPINGS FILE; AWARDS. AUSTRALIAN DIRECTORS GUILD
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: AWARDS. AUSTRALIAN DIRECTORS GUILD
Summary: Listing of nominees for the upcoming Australian Directors Guild awards
Notes: A

Call No: 03(94) STE
Author: Stewart, John
Source: AT
Place: Frenchs Forest, NSW
Publisher: Reed
PubDate: 1984
PhysDes: 304 p. : ill., ports. ; 27 cm
Subject: AUSTRALASIAN FILMS; PRODUCTION. AUSTRALIA; ACTORS. AUSTRALIA; DIRECTORS. AUSTRALIA
Notes: Cinema industries. Australia. Encyclopaedias (ANB/PRECIS SIN 0736562) Includes index.
ISBN: 0730100596

Author: Thoms, Albie
PhysDes: Article
Subject: UNDERGROUND FILMS; INDUSTRY, FILM. EUROPEAN COUNTRIES; KUBELKA, PETER; BARUCHELLO, GIANFRANCO; INDEPENDENT DIRECTORS; INDEPENDENT FILMS; AVANT-GARDE FILMS. EUROPEAN COUNTRIES
Summary: Second instalement of Thoms' articles on underground filmmaking in Europe, focusing on wider European countries and the avant garde scene.

Call No: 451-02 SMI
Author: Pieper, Katherine; Choueiti, Marc; Smith, Stacy L.
Source: US
Publisher: University of Southern California
PubDate: 2013
PhysDes: 43p. : ill. ; 30cm
Subject: WOMEN FILM WORKERS; WOMEN FILMMAKERS; WOMEN AND THE CINEMA; WOMEN DIRECTORS; WOMEN, FILMS MADE BY
Summary: "The purpose of this research is to examine how females are faring in American independent film. Studies have been conducted in the past on women in the mainstream U.S film industry, but little research has yet been done in the U.S independent film arena. To this end, we developed a research strategy with a two-prong approach. First, we quantitatively document the involvement of female content creators of U.S films at the Sundance Film Festival, assessing the gender of 11,197 directors, writers, producers, cinematographers, and editors across 820 films classified as U.S narratives (534 films) or documentaries (286 films) between 2002 and 2012. The second prong documents the qualitative experiences of female filmmakers through interviews with emerging and seasoned content creators as well as key industry gate-keepers. Here, we surveyed 51 individuals to unpack the specific obstacles that face female directors and producers in the independent film arena. We also assessed participants' perceptions of opportunities that may increase women's involvement behind the camera" -- taken from the Executive Summary
Notes: This research was commissioned by the Sundance Insitute and Women in Film Los Angeles thorugh their 'Women Filmmakers Initiative'.
Contents: -- pages 3-4: case statement: Independent Women Filmmakers: setting the agenda for change -- page 5: allied organizations list -- page 7: 2012-2013 mentorship program participants -- pages 9-11: research study executive summary -- pages 13-33: research study: exploring the barriers and opportunities for independent women filmmakers -- page 34: acknowledgments -- pages 35-43: works cited and notes --

Call No: 802.25 STO
Author: Stone, Judy, 1924
Place: Los Angeles
Publisher: Silman-James Press
PubDate: 1997
PhysDes: xix, 826 p. : ill. ; 25 cm
Subject: DIRECTORS. BRAZIL; DIRECTORS. CHINA; DIRECTORS. FRANCE; DIRECTORS. UK; DIRECTORS. ISRAEL; DIRECTORS. ITALY; DIRECTORS. JAPAN; DIRECTORS. SPAIN; DIRECTORS. USA; ARMSTRONG, GILLIAN; COX, PAUL; SCHEPISI, FRED; WEIR, PETER; BERESFORD, BRUCE
Notes: Includes filmographies
ISBN: 1879505363 (alk. paper)
LON: 97011401; 13126388

Call No: 81CHA CUN
Author: Cunningham, Stuart
Source: AT
Place: Sydney
Publisher: Allen & Unwin
PubDate: 1991
PhysDes: x, 214 p. : ill. ; 22 cm
Series: Australian cultural studies
Subject: DIRECTORS. AUSTRALIA; HISTORY OF CINEMA. AUSTRALIA; IMPERIALISM AND THE CINEMA. AUSTRALIA; LOCATION SHOOTING. AUSTRALIA; NATIONALISM AND THE CINEMA; WORLD WAR II AND THE CINEMA. AUSTRALIA; CHAUVEL, CHARLES; [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940); GREENHIDE (AT, Charles Chauvel, 1926); HERITAGE (AT, Charles Chauvel, 1935); IN THE WAKE OF THE BOUNTY (AT, Charles Chauvel, 1933); JEDDA (AT, Charles Chauvel, 1955); RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944); SONS OF MATTHEW (AT, Charles Chauvel, 1949); UNCIVILISED (AT, Charles Chauvel, 1936); WALKABOUT (AT, Charles Chauvel, 1958)
Summary: "FEATURING AUSTRALIA follows the exceptional career of Charles Chauvel and the films he made over a thirty-year span in the battling Australian film industry of the 1920s to the 1950s. Stuart Cunningham probes the work of Chauvel to examine his strange, ambitious and fascinating films and the industrial and cultural environment from which they emerged - giving an appreciation of the films which has never before been available. This book also offers new approaches to understanding Australian cinema, and show how Australian culture and society changed during the period of Chauvel's work. Running through these changes, however, are continuities based on Australia's status as an 'import culture' and the consequent frailties of its cultural identity." [Taken from book blurb]
Notes: Includes index; Includes bibliographical references (p. 178-196); Bibliography: p. 197-201; Filmography: p. 175-177
ISBN: 0044422547 : price unknown
LON: anb04442254; 7520705 7514911

Call No: 632.53 FEM
Author: Pribram, E. Deidre
Place: London New York
Publisher: Verso
PubDate: 1988
PhysDes: vii, 199 p., [12] p. of plates : ill. ; 24 cm
Series: Questions for feminism
Subject: FEMINISM AND THE CINEMA; WOMEN AND THE CINEMA; SPECTATORSHIP; PSYCHOANALYSIS AND THE CINEMA; MUSIC TELEVISION; DIRECTORS; WOMEN ON TV; FEMINISM AND TV; BODY ON TV; MILDRED PIERCE (US, Michael Curtis, 1945); REAR WINDOW (US, Alfred Hitchcock, 1954); COLOR PURPLE, THE (US, Steven Spielberg, 1985)
Notes: Bibliography: p. 196-197
ISBN: 0860912043; 0860919226 (pbk.)
LON: 5927013

Call No: 744.7 FEM
Author: Radner, Hilary; Stringer, Rebecca
Source: US
Place: London ; New York
Publisher: Routledge
PubDate: 2011
PhysDes: ix, 310 pages : illustrations ; 23 cm
Subject: FEMINISM AND THE CINEMA; GENRES; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; IDENTITY IN FILMS; JAMES BOND IN FILMS; MARRIAGE IN FILMS; MASCULINITY IN FILMS; MUSIC IN FILMS; POPULAR CULTURE AND THE CINEMA; RACIAL ISSUES AND THE CINEMA; SEXUALITY AND THE CINEMA; WOMEN AND THE CINEMA; WOMEN DIRECTORS; WOMEN FILMMAKERS; YOUNG PEOPLE AND THE CINEMA; YOUNG PEOPLE IN FILMS; [THIRTEEN] 13 GOING ON 30 (US, Gary Winick, 2004); BABY MAMA (US, Michael McCullers, 2008); BEND IT LIKE BECKHAM (UK, Gurinda Chadha, 2002); BRAVE ONE, THE (US/AT, Neil Jordan, 2007); BRIDE WARS (US, Gary Winick, 2009); CASINO ROYALE (CZ/US/UK, Martin Campbell, 2006); ENCHANTED (US, KEVIN LIMA, 2007); [FORTY] 40 YEAR OLD VIRGIN, THE (US, Judd Apatow, 2005); FRIENDS WITH MONEY (US, Nicole Holofcener, 2006); HARD CANDY (US, David Slade, 2005); JUNO (US/CN, Jason Reitman 2007); KISSING JESSICA STEIN (US, Charles Herman-Wurmfeld, 2001); MARIE ANTOINETTE (US, Sofia Coppola, 2006); MICHAEL CLAYTON (US, Tony Gilroy, 2007); MISS CONGENIALITY (US, Donald Petrie, 2000); SECRET LIFE OF BEES (US, Gina Prince-Bythewood, 2008); SEX AND THE CITY: THE MOVIE (US, MICHAEL PATRICK KING, 2008); SINGLE MAN, A (US, Tom Ford, 2009); SISTERHOOD OF THE TRAVELLING PANTS, THE (US, Ken Kwapis, 2005); WAR OF THE WORLDS (US, Steven Spielberg, 2005)
Summary: "Feminism at the Movies: Understanding Gender in Contemporaty Popular Cinema examines the way that contemporary film reflects today's changing gender roles. The book offers a comprehensive overview of the central issues in feminist film criticism with analyses of over twenty popular contemporary films across a range of genres, such as chick flicks, teen pics, hommecoms, horror, action adventure, indie flicks, and women lawyer films. Contributors explore issues of masculinity as well as femininity, reflecting on the interface of popular cinema with gendered realities and feminist ideas. Topics include the gendered political economy of cinema, the female director as auteur, postfeminist fatherhood, consumer culture, depictions of professional women, transgender, sexuality, gendered violence, and the intersections of gender, race, and ethnic identities." - BOOK BLURB
Notes: Includes list of figures, bibliographical references and index
ISBN: 9780415895880
Contents: List of figures -- Acknowledgements; Introduction: "Re-vision"?: Feminist film criticism in the twenty-first century / Hilary Radner and Rebecca Stringer; Part I: Masculinity in question -- "The first Bond who bleeds, literally and metaphorically": gendered spectatorship for "pretty boy" action movies / Janet Staiger -- Queer memories and universal emotions: A Single Man (2009) / Michael DeAngelis -- "Lad flicks": discursive reconstruction of masculinity in popular film / David Hansen-Miller and Rosalind Gill -- Transamerica (2005): the road to the multiplex after New Queer Cinema / Gary Needham; Part II: New feminine subjects: a space for women? -- Enchanted (2007) by postfeminism: gender, irony, and new romantic comedy / Yvonne Tasker -- Neoliberal feminism in Miss Congeniality (2000) / Yael D Sherman -- Girls' sexualities in The Sisterhood of the Travelling Pants universe: feminist challenges and missed opportunities / Sarah Projansky -- Michael Clayton (2007): women lawyers betrayed - again / Taunya Lovell Banks -- Crossing race, crossing sex in Gurinder Chadha's Bend It Like Beckham (2002): managing anxiety in multicultural Britain / Mridula Nath Chakraborty -- Speaking the name of the father in the neo-romantic comedy: 13 Going On 30 (2004) / Hilary Radner; Part III: Consuming culture(s) -- No country for old women: gendering cinema in conglomerate Hollywood / Rob Schaap -- Music and the woman's film: Sex and the City: The Movie (2008) / Peter Stapleton -- Independence at what cost? Economics and desire in Nicole Holofcener's Friends With Money (2006) / Michele Schreiber -- The feminist politics of Sofia Coppola: spectacle and self-consciousness in Marie Antoinette (2006) / Christine Lane and Nicole Richter; Part IV: Relationships, identity and family -- "Eggs in many baskets": Juno (2007), Baby Mama (2008), and the new intimacies of reproduction / JaneMaree Maher -- Temporarily Kissing Jessica Stein (2001): negotiating (and negating) lesbian sexuality in popular film / Kelly Kessler -- "Die, Bridezilla, die!": Bride Wars (2009), wedding envy, and chick flicks / Heather Brook -- Extreme parenting: recuperating fatherhood in Steven Spielberg's War of the Worlds (2005) / Hannah Hamad; Part V: Gender and violence -- Kinship and racist violence in Gina Prince-Blythwood's The Secret Life of Bees (2008) / Ewa Plonowska Ziarek -- From victim to vigilante: gender, violence, and revenge in The Brave One (2007) and Hard Candy (2005) / Rebecca Stringer -- "When the woman looks": Haute Tension (2003) and the horrors of heteronormativity / Barry Keith Grant; Contributors -- Index

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. NEW YORK [VARIOUS]; FESTIVALS. NEW YORK. AFRICAN; FESTIVALS. NEW YORK. ASIAN-AMERICAN; FESTIVALS. NEW YORK. HUMAN RIGHTS WATCH; FESTIVALS. NEW YORK. MANHATTAN SHORT; FESTIVALS. NEW YORK. MARGARET MEAD; FESTIVALS. NEW YORK. NEW DIRECTORS / NEW FILMS; FESTIVALS. NEW YORK. UNDERGROUND; FESTIVALS. NEW YORK. URBANWORLD; FESTIVALS. NEW YORK. VIDEO; FESTIVALS. NEW YORK. WOMEN&#039;S

Call No: 802.253 RED
Author: Redding, Judith M; Brownworth, Victoria A
Place: Seattle
Publisher: Seal Press
PubDate: 1997
PhysDes: 293 p. : ill. ; 24 cm
Subject: DIRECTORS; CAMPION, JANE; LIGHT, ALLIE; PARMAR, PRATIBHA; Lupino, Ida; PARKERSON, MICHELLE; SAALFIELD, CATHERINE; HAMMER, BARBARA; FRIEDRICH, SU; TRINH, T. MINH-HA; NEGRON-MUNTANER, FRANCES; MOHABEER, MICHELLE; TAIT, MARGARET; WELBON, YVONNE; AYOKA, CHENZIRA; BENNING, SADIE; BORDEN, LIZZIE; SEIDELMAN, SUSAN; NAIR, MIRA; GORRIS, MARLEEN; ANDERS, ALLISON; DASH, JULIE; ROZEMA, PATRICIA; PORTILLO, LOURDES; DAVIS, ZEINABU IRENE; DEITCH, DONNA; BHARADWAJ, RADHA; OXENBERG, JAN; MEHTA, VIJAYA; BALLETBO-COLL, MARTA; ZIMMERMAN, DEBRA; VACHON, CHRISTINE; GRIFFIN, ADA GAY; GRIER, BARBARA
Notes: Filmography: p; Includes bibliographical references
ISBN: 1878067974
LON: 97029205; 13395017

Call No: SUBJECT CLIPPINGS FILE; GENDER MATTERS
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: SCREEN AUSTRALIA; WOMEN FILMMAKERS. AUSTRALIA; WOMEN TV WORKERS. AUSTRALIA; FUNDING. AUSTRALIA; WOMEN DIRECTORS. AUSTRALIA; GENDER MATTERS
Summary: Report on the Gender Matters initiative, funded by Screen Australia, which is providing $3 million of funding to projects created by women in the film, tv and online industries. Statistics list the bias towards men in employment and funding within the aforementioned industries. Quotes from Graeme Mason, Magda Szubanski, Judy Davis, and Del Kathryn Barton

Call No: SUBJECT CLIPPINGS FILE; GENDER MATTERS
Author: Quinn, Karl
PhysDes: Clippings File Article
Subject: GENDER MATTERS; WOMEN FILM WORKERS. AUSTRALIA; WOMEN FILMMAKERS. AUSTRALIA; WOMEN TV WORKERS. AUSTRALIA; WOMEN DIRECTORS. AUSTRALIA; SCREEN AUSTRALIA
Summary: Reports on the gender balance of filmmaking in Australia and how recent measures put into place by Screen Australia have helped equalise opportunities for women and men filmmakers. However there is still some way to go before women have achieved equal opportunity

Call No: 03:802.25
Author: Andrew, Geoff
Edition: 1989
Place: Harlow, Essex
Publisher: Longman Group UK Limited
PubDate: 1989
PhysDes: 362 pages : illustrated ; 22 cm
Subject: DIRECTORS
Notes: Introduction by Martin Scorcese
ISBN: 9780582032927
Contents: Introduction by Martin Scorcese How to use The Film Handbook Directors A-Z Glossary Film information Index

Author: Ginnane, Tony
PhysDes: Article; Stills Credits
Subject: GINNANE, TONY; PRODUCTION. AUSTRALIA; PRODUCTION TECHNOLOGY; CITIES IN FILMS. AUSTRALIA; CITIES IN FILMS; AUSTRALIA; AUSTRALIA IN FILMS; DIRECTORS. AUSTRALIA
Summary: Australian filmmaker Anthony Ginnane comments on the making of his film "We Are None of Us Perfect", on location in Melbourne in 1968.

Author: Lord, John
PhysDes: Article
Subject: DIRECTORS. AUSTRALIA; FILMMAKING. AUSTRALIA; SEX IN FILMS. AUSTRALIA; SEXUALITY AND THE CINEMA; BURSTALL, TIM; MURRAY, JOHN B.; SCHEPISI, FRED; LIBIDO (AT, John B. Murray &amp; others, 1973)
Summary: Interview with co-producer of LIBIDO on the experience of co-creating a film with multiple directors

Call No: 81DEN FIL
Author: Vecchio, Marjorie; Wenders, Wim
Source: US
Place: New York
Publisher: I.B. Tauris
PubDate: 2014
PhysDes: xxiii, 237 pages : illustrations ; 24 cm
Subject: AESTHETICS; AFRICA; ART CINEMA; CANNIBALISM IN FILMS; CRITICISM; DANCE IN FILMS; DIRECTORS; DIRECTORS. FRANCE; FAMILY IN FILMS; IMPERIALISM AND THE CINEMA; LANDSCAPES IN FILMS; MUSIC AND THE CINEMA; MUSIC IN FILMS; NATIONAL CULTURE AND THE CINEMA; NATIONAL IDENTITY AND THE CINEMA; RACIAL ISSUES AND THE CINEMA; TIME IN FILMS; WORKERS IN FILMS; WORKING CLASS IN FILMS; DENIS, CLAIRE; CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988); INTRUDER, THE (FR, Claire Denis, 2004) SEE INTRUS, L&#039;; INTRUS, L&#039; (FR, Claire Denis, 2004); J&#039;AI PAS SOMMEIL (FR/SZ, Claire Denis, 1994); I CAN&#039;T SLEEP (FR/SZ, Claire Denis, 1994); NENETTE AND BONI (FR, Claire Denis, 1996) SEE NENETTE ET BONI; NENETTE ET BONI (FR, Claire Denis, 1996); BEAU TRAVAIL [TROUBLE EVERY DAY] (FR/GG/JA, Claire Denis, 1999); FRIDAY NIGHT (FR, Claire Denis, 2002) SEE VENDREDI SOIR; VENDREDI SOIR (FR, Claire Denis, 2002); WHITE MATERIAL (FR/CM, Claire Denis, 2009)
Summary: "The films of Claire Denis probe the idea of global citizenship and trace the borderlines of family, desire, nationality and power. Her films, including 'Chocolat', 'Beau travail' and 'White Material' explore connections between national experience and individual circumstance, visualising the complications of such dualities. Following a foreword by Wim Wenders, international contributors explore the themes she addresses in her films, such as kinship and landscape, neo-colonialism and New French Extremity. Original interviews with an editor, actor and two composers familiar with Denis's working style and with Denis herself, also reveal fresh facets of this intrepid filmmaker." - BOOK BLURB
Notes: Includes list of illustrations, bibliographic references and index
ISBN: 9781848859548
Contents: --List of illustrations -- Notes on contributors -- Preface -- Foreword: 'Klarchen' --Part I Interviews -- 'To let the image sing': Conversations with Dickon Hinchliffe and Stuart Staples: Martine Beugnet -- Interview with Nelly Quettier: Kirsten Johnson -- Interview with Alex Descas: Kirsten Johnson -- Interview with Claire Denis: Jean-Luc Nancy -- -- Part II Relations -- La famille Denis: Catherine Wheatley -- Reinventing community, or non-relational relations in Claire Denis's 'I Can't Sleep': Sam Ishii-Gonzales -- Beyond the other: grafting relations in the films of Claire Denis: James S. Williams -- -- Part III Global citizenship -- Beyond postcolonialism? From 'Chocolat' to 'White Material': Cornelia Ruhe -- 'Trouble Every Day: the neo-colonialists bite back: Florence Martin -- Forgiveness and employment: a study of the role of work in the films of Claire Denis: Rafael Ruiz Pleguezuelos -- 'The Intruder' according to Claire Denis: Jean-Luc Nancy -- --Part IV Within film -- Delivering: Claire Denis's opening sequences: Noelle Rouxel-Cubberly -- Rhythms of nationality: Denis and dance: Laura McMahon -- That interrupting feeling: interstitial disjunctions in Claire Denis's 'L'Intrus': Firoza Elavia -- Points of flight, lines of fracture: Claire Denis's uncanny landscape: Henrik Gustafsson -- Arthouse/grindhouse: Claire Denis and the 'New French Extremity': Adam Nayman and Andrew Tracy --Bibliography -- Index

Call No: 81SIR RYA
Author: Ryan, Tom
Source: US
Place: Jackson, Mississippi
Publisher: University Press of Mississippi
PubDate: [2019]
PhysDes: 309 pages : illustrations ; 23 cm
Subject: FILM; GERMANY; CRITICISM; DIRECTORS; SIRK, DOUGLAS; ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955); WRITTEN ON THE WIND (US, Douglas Sirk, 1956); IMITATION OF LIFE (US, Douglas Sirk, 1959)
Summary: "Best known for powerful 1950s melodramas like All That Heaven Allows, Written on the Wind, The Tarnished Angels, and Imitation of Life, Douglas Sirk (1897-1987) brought to all his work a distinctive style that led to his reputation as one of twentieth-century film's great directors. Sirk worked in Europe during the 1930s, mainly for Germany's UFA studios, and then in America in the 1940s and '50s. The Films of Douglas Sirk: Exquisite Ironies and Magnificent Obsessions provides an overview of his entire career, including Sirk's work on musicals, comedies, thrillers, war movies, and westerns. One of the great ironists of the cinema, Sirk believed rules were there to be broken. Whether defying the decrees of Nazi authorities trying to turn film into propaganda or arguing with studios that insisted characters' problems should always be solved and that endings should always restore order, what Sirk called "emergency exits" for audiences, Sirk always fought for his vision. Offering fresh insights into all of the director's films and situating them in the culture of their times, critic Tom Ryan also incorporates extensive interview material drawn from a variety of sources, including his own conversations with the director. Furthermore, his enlightening study undertakes a detailed reconsideration of the generally overlooked novels and plays that served as sources for Sirk's films, as well as providing a critical survey of previous Sirk commentary, from the time of the director's "rediscovery" in the late 1960s up to the present day." -- Provided by publisher.
Notes: Includes bibliographical references and index. Filmography: pages 257-265.
ISBN: 9781496822376
Contents: Chapter One: Detlef Sierck in Europe -- Chapter Two: American Beginnings: The European Legacy -- Chapter Three: In the Shadows: Sirk and the Noir Inclination -- Chapter Four: The Uncomfortable Comedies -- Chapter Five: Sirk and God: 'The Pure Ambiguity of Experience' -- Chapter Six: Pastoral Yearnings: Sirk and the Musical -- Chapter Seven: Hollywood, Rock Hudson, and the Idea of the Hero -- Chapter Eight: Sirk, the Family Melodrama, and the Production Code -- Chapter Nine: Sirk and John M. Stahl: Adaptations and Remakes -- Chapter Ten: Out of the Past -- Chapter Eleven: Into the Future: Sirk's Legacy.

Call No: 81FOS WAS
Author: Wasson, Sam
Source: US
Place: Boston ; New York
Publisher: Houghton Mifflin Harcourt
PubDate: 2013
PhysDes: 723 pages : illustrations ; 24 cm
Subject: ACADEMY AWARDS; BURLESQUE; CHOREOGRAPHY; CULTURE AND THE CINEMA. USA; DANCE IN FILMS; DIRECTORS; INDUSTRY, FILM. USA; MUSICALS. USA; UNITED ARTISTS; FOSSE, BOB; ASTAIRE, FRED; CHAYEFSKY, PADDY; DREYFUSS, RICHARD; HEIM, ALAN; MINNELLI, LIZA; SONDHEIM, STEPHEN; ALL THAT JAZZ (US, Bob Fosse, 1979); CABARET (US, Bob Fosse, 1972); LENNY (US, Bob Fosse, 1974); NOTTI DI CABIRIA, LE (IT, Federico Fellini, 1957); ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970); STAR 80 (US, Bob Fosse, 1983); SWEET CHARITY (US, Bob Fosse, 1969)
Summary: "We see Bob Fosse's legacy everywhere--from Broadway to "Billy Jean" to Beyonce;'s moves in the "Single Ladies" video. Yet in spite of Fosse's deep cultural significance, no biography has ever brought him fully to life, unveiling the man behind the bowler hat and the swaggering sex appeal. Now, acclaimed cultural historian Sam Wasson traces Fosse's numberless reinventions of himself over a career that would spawn The Pajama Game, Cabaret, Pippin, Chicago, All That Jazz, and other iconic works of art and earn him Tonys, Emmys, and an Oscar. Wasson traces not only Fosse's prodigious professional life, but his intense relationships with everyone from Liza Minnelli, Fred Astaire, and Neil Simon to Shirley MacLaine, Jessica Lange, and Dustin Hoffman. Through extensive interviews with collaborators and lovers and unprecedented access to Fosse's archives, Wasson also reveals the deep wounds that propelled his subject's excessive appetites--for spotlights, women, and life itself. In Fosse, Wasson's stylish, effervescent prose proves the ideal vehicle for reanimating Bob Fosse as he truly was--after hours, close up, and in vibrant color" -- FROM TROVE
Notes: Contains photos and index
ISBN: 9780547553290

Call No: 161(94) ASDA
CorpAuthor: [Australian Screen Directors Association]
Place: Rozelle, NSW
Publisher: [Australian Screen Directors Association]
PubDate: 1999
PhysDes: 16 p. ; 30 cm
Subject: AUSTRALIAN SCREEN DIRECTORS ASSOCIATION; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971)
Notes: Conference program from Fourth National ASDA Conference, held on Friday 8 - Sunday 10 October 1999 at University of Wollongong, Faculty of Creative Arts.

Call No: 81COP MEN
Author: Menne, Jeff
Edition: 1st ed.
Source: US
Place: Urbana, Illinois.; Chicago, Illinois.; Springfield, Illinois.
Publisher: University of Illinois Press
PubDate: 2014
PhysDes: 168 pages ; 21 cm
Series: Contemporary Film Directors
Subject: AUTEUR THEORY; DIRECTORS. USA; COPPOLA, FRANCIS FORD
Summary: "Analyzing films like The Godfather (1972) and the overlooked Tucker: The Man and His Dream (1988) through Coppola's use of opera, Menne illustrates how Coppola developed a defining musical aesthetic while making films that reflected the idea of a corporation as family - and how his studio, American Zoetrope, came to represent a new brand of auteurism and the model for post-Fordist Hollywood." -- BOOK BLURB
Notes: Contains twenty black and white photographs. -- Includes contents, bibliographic references and index
ISBN: 9780252080371

Call No: 81OZO ASI
Author: Asibong, Andrew
Source: UK
Place: Manchester, UK
Publisher: Manchester University Press
PubDate: c2008
PhysDes: viii, 157 p. : ill. ; 21 cm
Series: French Film Directors
Subject: DIRECTORS. FRANCE; OZON, FRANCOIS; SITCOM (FR, Francois Ozon, 1998); REGARDE LA MER (FR, Francois Ozon, 1997); GOUTTES D&#039;EAU SUR PIERRES BRULANTES (FR, Francois Ozon, 2000); SOUS LE SABLE (FR, Francois Ozon, 2000); SWIMMING POOL (FR/UK, Francois Ozon, 2003); [FIVE TIMES TWO] 5 X 2 [CINQ FOIS DEUX] (FR, Francois Ozon, 2004)
Summary: "This book is the first full-length study of the films of Francios Ozon. From his clutch of provocative and award-winning shorts in the mid-1990s to his increasingly celebrated features, including Swimming Pool, Les Amants criminels, and 5x2, as well as the star-studded, millenial classic of high camp, 8 femmes, Ozon's films have remaned silmultaneously seductive and experimental, playful and gruesome. What emerges from Andrew Asibong's passionate and highly engaged scrutiny of Ozon's cinema, however, is the extent to which the director's breezily confrontational work throws up urgent and unavoidable questions about the cinematic representation of pyschic, familial, social, and even ontological transformation. Asibong considers how Ozon's apparently subversive explorations of feminine and 'queer' desire, as well as his ongoing fascination with sadomasochistic power relations, all operate at a far more ambivalent psychoanalytic and political level than either Ozon's champions or detractors seem willing to admit. He then goes on to suggest that what may be at stake in Ozon's alternatively utopian and cynical flirtation with the construction and deconstruction of contemporary human relationships on film." BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references (p. [150]-151) and index; Includes filmography
ISBN: 9780719074233
Contents: -- list of plates -- series editors' foreword -- acknowledgements -- -- family filmmaker: an introduction to Francois Ozon -- 1: desire unlimited: sexualities on the move? -- 2: master and servant: society, spectacle and sadomasochistic cinema -- 3: shadow of the spectre: cinema beyond relation? -- 4: blood, tears, and song: genre and the shock of over-stimulation -- a drop in the ocean: concluding remarks -- filmography -- select biography -- index --

Call No: 81CAP MCB
Author: McBride, Joseph
Source: US
Place: New York
Publisher: Simon & Schuster
PubDate: 1992
PhysDes: 768 p. : ill. ; 26 cm
Subject: COMEDIES; AUTHORSHIP; COLUMBIA PICTURES; DIRECTORS; COMMUNISM AND THE CINEMA. USA; Metro-Goldwyn-Mayer; CAPRA, FRANK; COHN, HARRY; RISKIN, ROBERT; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); IT&#039;S A WONDERFUL LIFE (US, Frank Capra, 1946); LADY FOR A DAY (US, Frank Capra, 1933); LOST HORIZON (US, Frank Capra, 1937); MEET JOHN DOE (US, Frank Capra, 1941); [MISTER] MR DEEDS GOES TO TOWN (US, Frank Capra, 1936); [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939); WHY WE FIGHT SERIES (US, 1942-44); YOU CAN&#039;T TAKE IT WITH YOU (US, Frank Capra, 1938)
Summary: "FRANK CAPRA: THE CATASTROPHE OF SUCCESS is the first major biography of one of the greatest directors in Hollywood history, the man behind such classic films as IT HAPPENED ONE NIGHT, MR. DEEDS GOES TO TOWN, YOU CAN'T TAKE IT WITH YOU, MR. SMITH GOES TO WASHINGTON, and IT'S A WONDERFUL LIFE [...] FRANK CAPRA: THE CATASTROPHE OF SUCCESS is the result of more than seven years of work. It is drawn from extensive archival research and interviews with 175 people who knew or worked with Capra, as well as many hours of interviews with Capra himself. In this biography, Joseph McBride gives us the definitive portrait of one of our greatest filmmakers." [Taken from book jacket]
Notes: Filmography: p. [117]-731; Includes bibliographical references and index
ISBN: 0671797883 (pbk.); 0671734946 : $27.50
LON: abn92038576; 8711584

Call No: 71(44) ARM
Author: Armes, Roy, 1937
Place: London
Publisher: Zwemmer : Cranbury (N. J.) : Barnes
PubDate: 1966-
PhysDes: 2 v. : 20 plates (incl. ports.) ; 16 cm
Subject: FRANCE; DIRECTORS. FRANCE; CLAIR, RENE; RENOIR, JEAN; CARNE, MARCEL; OPHULS, MARCEL; COCTEAU, JEAN; CLOUZOT, HENRI-GEORGES; CLEMENT, RENE; BECKER, JACQUES; BRESSON, ROBERT; TATI, JACQUES; GREMILLON, JEAN; LEENHARDT, ROGER; ROUQUIER, GEORGES; AUTANT-LARA, CLAUDE
Notes: Two volumes - Voume 1: the great tradition Volume 2: the personal style
LON: 4021093 4021093

Call No: SUBJECT CLIPPINGS FILE; GENDER MATTERS
Author: Ritchie, Emily
PhysDes: Clippings File Article
Subject: GENDER MATTERS; SCREEN AUSTRALIA; WOMEN FILMMAKERS. AUSTRALIA; WOMEN DIRECTORS. AUSTRALIA; WOMEN TV WORKERS. AUSTRALIA; BARTON, DEL KATHRYN
Summary: Report on the new Screen Australia funding initiative for women filmmakers, TV and online creators called Gender Matters. Quotes from Del Kathryn Barton, Nakkiah Lui and Liz Doran

Call No: 626:396 PEN
Author: Penley, Constance, 1948
Place: London
Publisher: Routledge
PubDate: 1989
PhysDes: xx, 207 p. : ill. ; 23 cm
Subject: FEMINISM AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; THEORY; WOMEN IN FILMS; DIRECTORS; AVANT-GARDE FILMS; SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980); FRANCE/TOUR/RETOUR/DEUX ENFANTS [TV](FR, Jean-Luc Godard, 1978); JETEE, LA (FR, Chris Marker, 1963); TERMINATOR, THE (US, James Cameron, 1984); PEE-WEE&#039;S PLAYHOUSE [TV] (US, 1986-91)
Summary: "'The future of an illusion' documents the pivotal role Constance Penley has played in the development of feminist film theory. Penley analyzes the primary movements that have shaped the field: the conjunction of feminism, film theory, and psychoanalysis, and the inherent debates surrounding the politics of women and representation. These debates centre on the position of women in the classical Hollywood narrative, the construction of the spectator's desire in pornography and eroticism and the implicit male bias in the psychoanalytically oriented film theory." -- BOOK COVER
Notes: Women. Portrayal by mass media (BNB/PRECIS); Includes bibliographical references and index
ISBN: 0415041546 (pbk) : ª7.95 : CIP confirmed
LON: bnb41504154; 6267645
Contents: Feminism and the avant-garde: 1. The avant-garde and its imaginary -- 2. The avant-garde: histories and theories -- Feminism and film theory: 3. "A certain refusal of difference": feminism and film theory -- 4. Feminism, film theory, and the bachelor machines -- Feminism and femininity in Godard: 5. Pornography, eroticism (on 'Every man for himself') -- 6. Les enfants de la patrie (on 'France/tour/detour/two children') -- Sexual difference in popular culture -- 7. Time travel, primal scene, and the critical dystopia (on 'The terminator' and 'La jetee') -- 8. The cabinet of Dr. Pee-wee: consumerism and sexual terror -- Feminism and pedagogy: 9. Teaching in your sleep: feminism and psychoanalysis

Call No: 802.25 EBE
Author: Ebert, Roger; Siskel, Gene
Source: US
Place: Kansas City, Missouri
Publisher: Andrews and McMeel
PubDate: c1991
PhysDes: xii, 116 p. : ill. ; 22 cm
Subject: FILM; PRODUCERS; DIRECTORS; USA; SPIELBERG, STEVEN; SCORSESE, MARTIN; LUCAS, GEORGE
Summary: "Behind-the-scenes conversations with movie critics Roger Ebert and Gene Siskel reveal the personal visions of three of America's best and most innovative directors, Martin Scorsese, Steven Spielberg, and George Lucas, and the technological challenges they face in forging the future of movies. " -- BOOK BLURB
ISBN: 0836262166
Contents: -- acknowledgments -- introduction by Roger Ebert -- Gene Siskel and Roger Ebert interview Martin Scorsese -- Gene Siskel interviews Steven Spielberg -- Roger Ebert interviews George Lucas -- afterword by Gene Siskel --

Call No: 721-02 ERH
Author: Erhart, Julia
Source: UK
Place: London
Publisher: I.B. Tauris & Co. Ltd.
PubDate: 2018
Series: Library of gender and popular culture
Subject: FEMINISM AND THE CINEMA; WOMEN AND THE CINEMA; WOMEN DIRECTORS; WOMEN FILMMAKERS; LEAGUE OF THEIR OWN, A (US, Penny Marshall, 1992); MONSTER (US, Patty Jenkins, 2003); IRON LADY, THE (UK, Phyllida Lloyd, 2011)
Notes: Includes bibliographical references (pages 159-195), filmography (pages 197-200), and index.
ISBN: 978784535285
Contents: Introduction; Chapter Summary --1 Women Writing History Through Film; Women Writing History: Contexts and Opportunities; Performative Authorship; History on Film: from Robert Rosenstone to A League of Their Own; 'Citable in all its Moments': In-between Spaces and Sewing Machines; Conclusion --2 Reclaiming Undeserving Women: Contemporary Female Biopics. From Positive Images to Undeserving Subjects: A Place for Women?; Oppositional Medicine: The Case of Augustine; Class and Voice: Ambiguity in Monster; Affect and Ageing: The Iron Lady --3 Feminist First-Person Documentaries: Migration, Internment, Reconciliation; First-Person Documentary: Terms and Terrain; First-Person Documentary: Women Directors; Performing Memory --4 Revisiting Resistance and Occupation in Holocaust Films; Complicating Collaboration; Europeanising the Holocaust; Reconfiguring Resistance; Women and Resistance; Mimicry and Doubling; Vergangenheitsbewa¨ltigung.--5 Gendering Iraq and Afghanistan War Movies; The Paradox of Exceptionalism; Gendering the War 'Back Home'; Movies from the Periphery: Occupation; Conclusion --Conclusion

Call No: 81LUC SAL
Author: Salewicz, Chris
Source: UK
Place: London
Publisher: Orion
PubDate: 1998
PhysDes: 143 p. : ill. (some col.) ; 20 cm
Subject: DIRECTORS. USA; LUCASFILM; SCRIPTWRITERS. USA; WARNER BROS.; COPPOLA, FRANCIS FORD; KURTZ, GARY; LUCAS, GEORGE; AMERICAN GRAFFITI (US, George Lucas, 1973); INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984); KAGEMUSHA (JA, Akira Kurosawa, 1980); RETURN OF THE JEDI (US, Richard Marquand, 1983); STAR WARS (US, George Lucas, 1977); THX 1138 4EB (US, George Lucas, 1967)
Notes: Bibliography: p.[140]-141
ISBN: 0752813188
Donation: donated by the family of Wayne Levy, 2006

Call No: 802.25 SEN
Author: Sennett, Ted
Source: US
Place: New York
Publisher: Harry N. Abrams
PubDate: 1986
PhysDes: 320 p. : ill. (some col.) ; 29 cm
Subject: DIRECTORS; FILM
Summary: Contains a short bio of many different movie directors
Notes: "Times Mirror books; Includes index; Bibliography: p. 290; Filmography: p. 291-306
ISBN: 0810907186
Contents: -- acknowledgments -- foreword by Gilbert Cates, president of the Directors Guild of America -- introduction : directing movies -- the directors -- appendixes: winners of the directors guild of America award for theatrical direction -- recipients of the D.W. Griffith Award -- honorary life members of the directors guild of America -- selected bibliography -- filmographies -- index -- credits --

Call No: 81CRA BAZ
Author: Bazzani, Rozzi
Source: AT
Place: North Melbourne, Victoria
Publisher: ARCADIA, the general books' imprint of Australian Scholarly Publishing
PubDate: 2015
PhysDes: xvii, 331 pages, 34 unnumbered pages of plates : illustrations, portraits, photographs ; 24 cm
Subject: TELEVISION; AUSTRALIA; INDUSTRY, TV. AUSTRALIA; INDUSTRY, TELEVISION. AUSTRALIA; PRODUCERS; PRODUCING. AUSTRALIA; DIRECTORS; BROADCASTING; CRAWFORD PRODUCTIONS; CRAWFORD, HECTOR; HOMICIDE [TV] (AT, 1964-1975); BOX, THE [TV] (AT, 1974-77); BOX, THE [TV] (AT, 1974-77); SULLIVANS, THE [TV] (AT, 1975-1982); CARSON&#039;S LAW [TV] (AT, 1983); FLYING DOCTORS, THE [TV] (AT, 1986-91)
Summary: "Hector Crawford - the name remains synonymous with Australian television.The tag line 'This has been a Crawford Production' still resonates with generations of Australians who grew up with his cops, the Sullivan family or any of the long line of productions that flowed from his legendary company. His public facade is part of our collective memory but the man behind it, and how his passion and determination changed Australian culture forever is revealed in 'Hector'. Rozzi Bazzani recounts vividly how, as Crawford's influence grew, the off-screen politics employed by the TV networks and rivals to diminish his company's power became as exciting as any of his on-screen dramas." -- BOOK BACK COVER BLURB
Notes: Incudes bibliographical references (pages 303-315) and index
ISBN: 9781925003734
Contents: -- part one -- the high seas -- the first family -- choir of angels -- sweet inspiration -- young lives -- searching Hart's heart -- 'music for the people' -- music changes everything -- war torn -- words and music -- no place like home -- classical gas -- heartache and hope -- the first big talent show -- testing times -- love and marriage -- sneak preview -- nuts and bolts -- the spoken word -- the boys in blue -- an identity crisis -- the big picture -- the lobbyist -- game rules -- part two -- television reality -- down to business -- quiz bang -- dirty dancing -- television tease -- all out -- was I dreaming? -- it's an emergency -- all in the family -- overshadowed -- pushing the limit -- fizzled -- the little yellow booklet -- political art -- olderfleet building -- consider it done -- new horizons -- loss and gain -- the bid -- the decision -- back to the drawing board -- homicide -- family business -- a new podium -- pioneering pictures -- forward push -- a sister's heartbreak -- striking a balance -- hunting all over -- 'divvy four' -- fighting words -- head on -- variety is the spice -- new faces -- the art of tennis -- up, up and away -- the bush on television -- drawing power -- actors act : tv: make it Australian -- a sparkling piano man to the rescue -- acting out -- hollywood on the Yarra -- a new way -- a seniors film moment -- hands across the ocean -- hoist on his petard -- sex, lies and videotape -- the flood gates open -- boys' toys -- the box -- local features feature -- the empire strikes back -- last of the Australians -- where to from here? -- everybody wants to get in on the act -- slip sliding away -- a friend in deed -- the axe falls hard -- blockade -- the comeback -- a family in war: the Sullivans -- interlude -- leaving home -- part three -- together at last -- repeat with movement -- no new tricks -- all the rivers run -- carson's law -- the flying doctors -- da capo -- palace coup -- the last act of a mogul --

Call No: 802.25(73) KOS
Author: Koszarski, Richard
Place: New York
Publisher: Oxford University Press
PubDate: 1976
PhysDes: xx, 364 p. : ill. ; 22 cm
Subject: DIRECTORS. USA; PORTER, EDWIN S.; GUY-BLACHE, ALICE; BLACKTON, J. STUART; GRIFFITH, DAVID WARK; HART, WILLIAM S.; WEBER, LOIS; SENNETT, MACK; INCE, THOMAS HARPER; INGRAM, REX; NEILAN, MARSHALL; CHAPLIN, CHARLES; FLAHERTY, ROBERT; LLOYD, HAROLD; Keaton, Buster; DWAN, ALLAN; DEMILLE, CECIL B.; VON STROHEIM, ERICH; LANGDON, HARRY; CAPRA, FRANK; FORD, JOHN; MURNAU, FRIEDRICH WILHELM; BORZAGE, FRANK; LUBITSCH, ERNST; VIDOR, KING; ROACH, HAL; MAMOULIAN, ROUBEN; DEMILLE, WILLIAM; MILESTONE, LEWIS; CUKOR, GEORGE; VAN DYKE, W.S.; HOWARD, WILLIAM K.; TUTTLE, FRANK; SCHOEDSACK, ERNEST B.; GARNETT, TAY; CROMWELL, JOHN; OLCOTT, SIDNEY; HORNE, JAMES W.; FITZMAURICE, GEORGE; PARK, IDA MAY; TOURNEUR, MAURICE; FLOREY, ROBERT; MENZIES, WILLIAM CAMERON; VORKAPICH, SLAVKO; BRENNON, HERBERT; CAREWE, EDWIN; NIBLO, FRED; GOULDING, EDMUND; FEJOS, PAUL; BELL, MONTA
Notes: Includes index
ISBN: 0195020855 : $13.95
LON: 761206

Call No: 802.25(73) HOL
Author: Koszarski, Richard
Place: New York
Publisher: Oxford University Press
PubDate: 1977
PhysDes: xvii, 426 p. : ill. ; 22 cm
Subject: DIRECTORS. USA; WELLES, ORSON; LEWIN, ALBERT; VIDOR, KING; HUSTON, JOHN; ROSSEN, ROBERT; CAPRA, FRANK; JONES, CHUCK; WYLER, WILLIAM; RENOIR, JEAN; LANG, FRITZ; ZINNEMANN, FRED; MILESTONE, LEWIS; HITCHCOCK, ALFRED; BROWN, CLARENCE; SIDNEY, GEORGE; BROOKS, RICHARD; DIETERLE, WILLIAM; FLEISCHER, RICHARD; VON STERNBERG, JOSEF; CURTIZ, MICHAEL; RAY, NICHOLAS; KAZAN, ELIA; WILDER, BILLY; LEROY, MERVYN; ALDRICH, ROBERT; KUBRICK, STANLEY; LOGAN, JOSHUA; STURGES, JOHN; KING, HENRY; MANN, ANTHONY; FULLER, SAMUEL; FRANKENHEIMER, JOHN; KELLY, GENE; PENN, ARTHUR; SAKS, GENE; Lupino, Ida; DMYTRYK, EDWARD; CORMAN, ROGER; FRIEDKIN, WILLIAM; RITCHIE, MICHAEL; GRINDE, NICK; PICHEL, IRVING; SEATON, GEORGE; BENEDEK, LASLO; KOSTER, HENRY; OBOLER, ARCH; SANDERS, TERRY; SIODMAK, ROBERT; MARTON, ANDREW; DEATH OF A SALESMAN (US, Laslo Benedek, 1951); FACE IN THE CROWD, A (US, Elia Kazan, 1957); BONNIE AND CLYDE (US, Arthur Penn, 1967); SMILE (US, Michael Ritchie, 1975); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); BEN HUR (US, William Wyler, 1959)
Notes: Includes index
ISBN: 0195022173 : $15.00; 0195022181(pbk. :) $4.95
LON: 851041

Call No: 201.1(794) FAD
Author: Fadiman, William
Source: US
Place: New York
Publisher: Liveright
PubDate: 1972
PhysDes: 174 p. ; 22cm
Subject: INDUSTRY, FILM. USA; AGENTS; DIRECTION; DIRECTORS. USA; ACTORS; ACTORS. USA; STARS; SCRIPTWRITERS; SCRIPTWRITERS. USA; PRODUCERS; PRODUCERS. USA
Summary: This book deals with all aspects of movie making and the film community in Hollywood
ISBN: 0871405563

Call No: 71(73) STE
Author: Steen, Mike
Source: US
Place: New York
Publisher: G.P. Putnam's Sons
PubDate: 1974
PhysDes: 379 p. ; 21 cm
Subject: FILM WORKERS; ACTORS; ACTING; CHARACTER ACTORS; SCRIPTWRITERS; SCRIPTWRITING; DIRECTION; PRODUCERS; PRODUCING; PRODUCTION MANAGERS; PRODUCTION MANAGING; ASSISTANT DIRECTORS; CINEMATOGRAPHERS; CINEMATOGRAPHY; ART DIRECTION; ART DIRECTORS; SET DESIGNING; SET DESIGNERS; COSTUME DESIGNERS; COSTUME DESIGNING; MAKE-UP ARTISTS; MAKE-UP; SPECIAL EFFECTS DESIGNERS; SPECIAL EFFECTS; MUSICALS; CHOREOGRAPHY; EDITING; EDITORS; SOUND; MUSIC IN FILMS; PRE-PRODUCTION; CASTING; PRODUCTION, TV; FONDA, HENRY; RUSSELL, ROSALIND; MOOREHEAD, AGNES; CANNON, DAVID; STERN, STEWART; WELLMAN, WILLIAM; BERMAN, PANDRO S.; PRATT, JAMES; MOONJEAN, HANK; HENDERSON, RANDELL; HOWE, JAMES WONG; AMES, PRESTON; KRAMS, ARTHUR; HEAD, EDITH; WESTMORE, PERC; MANLEY, NELLIE; GILLESPIE, A. ARNOLD; BERKELEY, BUSBY; SMITH, FREDERICK Y.; FREERICKS, BERNARD; GREEN, JOHN; LAWRENCE, CATALINA; BURCH, RUTH; ROACH, HAL; MCCLEERY, ALBERT
Summary: "'Hollywood Speaks' is a fascinating collection of interviews with the dazzled and the dazzlers, the multitalented professionals - stars and stagehands alike - who make up the motion-picture industry. Each interview follows the same general format: an extensive autobiographical sketch, the 'big break, or how I got into Hollywood', followed by the techniques and problems, the tricks and plain hard work, that go into the making of movies. The interviews are loaded with humour, bitter feuds, and personal anecdotes of the great and near great." (Taken from back cover)
ISBN: 39911162X
Donation: donated by the family of Wayne Levy, 2006

Call No: 210.4 IND
Author: Baltruschat, Doris (ed.); Erickson, Mary P. (ed.)
Source: US
Place: Toronto
Publisher: University of Toronto Press
PubDate: c2015
PhysDes: xii, 313 pages : illustrations ; 23 cm.
Subject: FILMMAKING; INDEPENDENT FILMMAKERS; INDEPENDENT FILMS; INDEPENDENT PRODUCTION; INDEPENDENT DIRECTORS; DIRECTORS; PRODUCERS; CRITICISM; EUROPEAN CINEMA; BRITISH CINEMA; UNITED KINGDOM; AUSTRALIA; PERU; GREECE; TURKEY; IRAQ; CITY OF SADNESS, A [; AFRICA; MALAYSIA; CANADA; USA
Summary: "Independent Filmmaking around the Globe calls attention to the significant changes taking place in independent cinema today, as new production and distribution technology and shifting social dynamics make it easier for independent filmmakers to produce films outside both the mainstream global film industry and their own national film systems. Identifying and analyzing the many complex forces that shape the production and distribution of feature films, the authors detail how independent filmmakers create work that reflects independent voices and challenges political, economic, and cultural constraints. With chapters on the under-explored cinemas of Greece, Turkey, Iraq, China, Malaysia, Peru, and West Africa, as well as traditional production centres such as the United States, the United Kingdom, Canada, and Australia, Independent Filmmaking around the Globe explores how contemporary independent filmmaking increasingly defines the global cinema of our time." -- TAKEN FROM FIRST PAGE OF BOOK
Notes: Includes bibliographical references and filmography
ISBN: 9781442626836
Donation: Senses of Cinema
Contents: -- foreword: producing independently in global industry / David Hamilton -- ackowledgments -- 1.The Meaning of Independence: Concepts, Contexts, and Interpretations / Mary P. Erickson -- pt. One Independent Film vis-a-vis the Local and Global Mainstream -- 2.An Increasingly Global Presence: Contemporary American Independent Cinema outside the United States / Yannis Tzioumakis -- 3.European Union Initiatives for Independent Filmmakers across Europe / Teresa Hoefert de Turegano -- 4.Dependency and Independence in British Independent Film / Erik Knudsen -- 5.From Aussiewood Movies to Guerrilla Filmmaking: Independent Filmmaking and Contemporary Australian Cinema / Mark David Ryan -- 6.Independent Filmmaking in the Peruvian Context: Seeking Meaning / Gabriela Martinez -- pt. Two The Meaning of Independence in Regions of Conflict and Change -- 7.In the Shadow of the Studios, the State, and the Multiplexes: Independent Filmmaking in Greece / Lydia Papadimitriou -- 8.Turkish Independent Cinema: Between Bourgeois Auteurism and Political Radicalism / Murat Akser -- 9.Filmmaking in Iraq: A Rebirth / Mary P. Erickson -- 10.The Grassroots Perspective: Sixth Generation Cinema and Independent Filmmaking in China / Hongwei Lu -- 11.Independent Filmmaking in Africa: New Voices and Challenges / Martin Mhando -- pt. Three Digital Media and the Independent Voice -- 12.Syiok Sendiri? Independent Filmmaking in Malaysia / Gaik Cheng Khoo -- 13.Independent Filmmaking in the Canadian Arctic / Doris Baltruschat -- 14.Digital Video Films as "Independent" African Cinema / Sheila Petty -- glossary -- filmography -- bibliography -- contributors --

Call No: 71(437) (03) IND
Author: Dewey, Lang
Source: UK
Place: London
Publisher: Federation of Film Societies
PubDate: 1968
PhysDes: 22 p. : ill. ; 13 x 20 cm
Subject: DIRECTORS. CZECHOSLOVAKIA

Call No: 71(540) IND
Author: Willemen, Paul; Gandhy, Behroze
Edition: Rev. ed
Place: [London]
Publisher: British Film Institute
PubDate: 1982
PhysDes: 48 p. : map ; 30 cm
Series: BFI dossier
Subject: INDIA; DIRECTORS. INDIA
Notes: Bibliography: p. 48
LON: 3147967 3147967

Call No: 51 INF
Author: Lyons, Timothy J.; Staples, Donald E.; Wagner, Robert W.
Source: US
Place: Houston, Texas
Publisher: University of Houston
PubDate: Fall 1979
Series: Journal of the University Film Association, Monograph No. 4
Subject: FILM WORKERS; DIRECTORS. JAPAN; DIRECTORS. MEXICO; DIRECTORS. UK; DIRECTORS. USA; DIRECTORS. USSR; DIRECTORS. AUSTRALIA; DIRECTORS. GERMANY; DIRECTORS. INDIA; DIRECTORS. ITALY
Notes: Papers from the XIXth Congress and General Assembly of Centre International de Liaison des Ecoles de Cinema et de Television (CILECT), Washington, DC 11-18 September 1978

Call No: 792(41)(088.94) INS
Author: Petrie, Duncan (ed); Pettigrew, Nick (ed)
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 1996
PhysDes: x, 205 p. ; 24 cm
Subject: FILM WORKERS. UK; PRODUCERS. UK; DIRECTORS. UK
Summary: "Inside Stories reveals the fascinating diaries of key film-makers working today - all with a British connection. It takes you behind the scenes and gives a gripping account of pre-production (Hollow Reed), shooting (Crash, Breaking the Waves), post-production (Twelve Monkeys), certification (from Tank Girl to soft-porn videos) and exhibition. For those who make films, want to make them, or simply love to watch them, Inside Stories is an unmissable read. " -- BOOK BLURB
Notes: Includes filmography (p. 202-205)
ISBN: 0851705839
Contents: Introductions. Stephen Woolley. David Aukin -- The Producer. Nik Powell. Mark Shivas. Simon Relph. Julie Baines. Keith Griffiths. Christopher Wicking -- The Director. Gillies MacKinnon. Michael Apted. Gary Sinyor -- The Writer. Peter Capaldi. Allan Shiach. Richard Curtis -- The Actor. Alfred Molina. Katrin Cartlidge -- The Cinematographer. Peter Suschitzky. Seamus McGarvey -- The Designer. John Bloomfield. Christopher Hobbs -- The Editor. Mick Audsley. Anne Sopel -- The Composer. Simon Fisher Turner -- The Distributor. Pam Engel -- The Exhibitor. Philip Grey. Jim Hamilton -- The Censor. Richard Falcon -- The Journalist. Neil McCartney -- The Television Documentarist. David Thompson -- Checklist of films.