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Call No: 81EAS THO
Author: Thompson, Douglas
Source: UK
Place: London
Publisher: Warner
PubDate: 1993
PhysDes: vii, 231 p., [8]p of plates : ill., ports ; 18cm
Subject: ACTORS. USA; ACTORS AS DIRECTORS; DIRECTORS. USA; WARNER BROS.; BOGART, HUMPHREY; BURTON, RICHARD; EASTWOOD, CLINT; COOPER, GARY; HOLDEN, WILLIAM; LOCKE, SONDRA; NEWMAN, PAUL; REYNOLDS, BURT; SIEGEL, DON; ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980); BEGUILED, THE (US, Don Siegel, 1971); BIRD (US, Clint Eastwood, 1988); BREEZY (US, Clint Eastwood, 1973); BRONCO BILLY (US, Clint Eastwood, 1980); CITY HEAT (US, Richard Benjamin, 1984); DIRTY HARRY (US, Don Siegel, 1971); ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979); EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978); HEARTBREAK RIDGE (US, Clint Eastwood, 1986); HONKYTONK MAN (US, Clint Eastwood, 1982); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PALE RIDER (US, Clint Eastwood, 1985); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); PINK CADILLAC (US Buddy van Horn, 1989); SUDDEN IMPACT (US, Clint Eastwood, 1983); TIGHTROPE (US, Richard Tuggle, 1984); TWO MULES FOR SISTER SARA (US, Don Siegel, 1969); WHERE EAGLES DARE (US, Brian G. Hutton, 1969)
Notes: First published London : Smith Graphon, 1992; Filmography: p 215-224.; Includes index.
ISBN: 0751503878
Donation: donated by the family of Wayne Levy, 2006

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: HOLDEN, WILLIAM

Call No: 451-01 COH
Author: Cohan, Steven
Place: Bloomington
Publisher: Indiana University Press
PubDate: c1997
PhysDes: xxi, 346 p. : ill. ; 25 cm
Series: Arts and politics of the everyday
Subject: MASCULINITY IN FILMS; GENDER AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; BISEXUALITY AND THE CINEMA; CLASS AND THE CINEMA; COLD WAR AND THE CINEMA; BOGART, HUMPHREY; BRANDO, MARLON; CLIFT, MONTGOMERY; CURTIS, TONY; GRANT, CARY; HOLDEN, WILLIAM; HESTON, CHARLTON; HUDSON, ROCK; PICNIC (US, Joshua Logan, 1955); PILLOW TALK (US, Michael Gordon, 1959); PLACE IN THE SUN, A (US, George Stevens, 1951); SOME LIKE IT HOT (US, Billy Wilder, 1959); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); RED RIVER (US, Howard Hawks, 1948)
Summary: When we think of the films of the 1950s, we inevitably remember the confident swagger of John Wayne, the suave sophistication of Cary Grant, and the emotional intensity of Marlon Brando. But today's culture critics see in the decade a period when heterosexual/homosexual dualism came to dominate the representation of American masculinity. Masked Men documents how movies of the 1950s represented masculinity as a multiple masquerade. Hollywood depicted the sexual anxieties of the domesticated breadwinner, the repudiation of wartime homoerotic male bonding, the exhibitionism of muscular bodies, the transvestic connotations of boyishness, and the playboy bachelor apartment. These presentations challenged the postwar ideal of the typical American male, that omnipresent and seemingly invisible Man in a Gray Flannel Suit
Notes: Includes bibliographical references (p. [323]-335) and index; Filmography: p. [321]-322
ISBN: 0253211271 (pa : alk. paper); 0253332974 (cl : alk. paper)
LON: 12951206

Call No: 81REE REE
Author: Reed, Rex
Source: US
Place: New York
Publisher: Dell Publishing
PubDate: 1977
PhysDes: 271 p. : ill. ; 18 cm
Subject: STARS; REED, REX; TAYLOR, ELIZABETH; LOREN, SOPHIA; HEPBURN, AUDREY; SYMS, SYLVIA; KNEF, HILDEGARD; FLETCHER, LOUISE; BAILEY, PEARL; BURNS, GEORGE; MERCOURI, MELINA; RITT, MARTIN; HELLMAN, LILLIAN; SUSANN, JACQUELINE; DAVIS, BETTE; MERCER, MABEL; CHANNING, CAROL; ROGERS, GINGER; GOODMAN, DODY; BAKER, CARROLL; FITZGERALD, GERALDINE; MATTHAU, WALTER; SMITH, ALEXIS; HOLDEN, WILLIAM; EVANS, ROBERT; PERRINE, VALERIE; JACKSON, GLENDA; BRIDGES, JEFF; LADD, DIANE; HAMLISCH, MARVIN; SCHEIDER, ROY; BURSTYN, ELLEN; ROSS, KATHARINE; KAHN, MADELINE; BUJOLD, GENEVIEVE; GIANNINI, GIANCARLO; BOWIE, DAVID; REDFORD, ROBERT
ISBN: 0440193591