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The American animated cartoon : a critical anthology / edited by Danny Peary and Gerald Peary New York: Dutton, c1980.
Call No: 772(73) AMEAuthor: Peary, Gerald ; Peary, Danny, 1949 Edition: 1st edPlace: New YorkPublisher: DuttonPubDate: c1980PhysDes: x, 310 p. : ill. ; 23 cmSubject: ANIMATED FILMS. USA ; ROAD RUNNER ; DAFFY DUCK ; GOOFY ; MICKEY MOUSE ; MIGHTY MOUSE ; POPEYE ; [MISTER] MR MAGOO ; WARNER BROS. ; FLEISCHER STUDIO ; UPA ; DISNEY, WALT ; GRIFFIN, GEORGE ; HUEMER, DICK ; JONES, CHUCK ; CLAMPETT, BOB ; MCCAY, WINSOR ; AVERY, TEX ; BLANC, MEL ; HUBLEY, FAITH & JOHN ; HANNA, WILLIAM ; BAKSHI, RALPH ; BRAY, JOHN RANDOLPH ; LANTZ, WALTER ; HARMAN, HUGH ; WRIGHT, PRESCOTT ; MCKIMSON, ROBERT ; TYTLA, VLADIMIR ; DUMBO (US, Walt Disney, 1941) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) ; BAMBI (US, David Hand, 1942) Notes: Includes bibliographies and indexISBN: 0525476393 : $10.95LON: 1776676
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Animal Logic expands overseas, brick by brick in Sydney Morning Herald (21/05/2015) p.31
Call No: SUBJECT CLIPPINGS FILE; ANIMAL LOGICAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: ANIMAL LOGIC ; WARNER BROS. Summary: Report on Animal Logic preparing to build a new studio in Vancouver, Canada. They are doing this as the company has just signed a three film deal with Warner Bros., and plan to do the post-production work for these films in the new studio
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Another Video Pirate walks the plank in Australasian Cinema (15/10/1982) vol.11 iss.18 p.2
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Barbara Carrera signed role in Never Say Never Again in Australasian Cinema (29/10/1982) vol.11 iss.19 p.10
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The big picture : The fight for the future of movies / Ben Fritz Boston: Eamon Dolan Book/ Houghton Mifflin Harcourt, 2018.
Call No: 210.31(73) FRIAuthor: Fritz, Ben Source: USPlace: BostonPublisher: Eamon Dolan Book/ Houghton Mifflin HarcourtPubDate: 2018PhysDes: xxv, 278 pages ; 24 cm.Subject: SONY CORPORATION ; MARVEL ENTERTAINMENT ; AMAZON ; NETFLIX ; IMAX ; WALT DISNEY PRODUCTIONS ; BUENA VISTA INTERNATIONAL ; WARNER BROS. ; FRANCHISES ; STAR WARS [...] (US, 1977-2015) Summary: "The stunning metamorphosis of twenty-first-century Hollywood and what lies ahead for the art and commerce of film. In the past decade, Hollywood has endured a cataclysm on a par with the end of silent film and the demise of the studio system. Stars and directors have seen their power dwindle, while writers and producers lift their best techniques from TV, comic books, and the toy biz. The future of Hollywood is being written by powerful corporate brands like Marvel, Amazon, Netflix, and Lego, as well as censors in China. Ben Fritz chronicles this dramatic shakeup with unmatched skill, bringing equal fluency to both the financial and entertainment aspects of Hollywood. He dives deeply into the fruits of the Sony hack to show how the previous model, long a creative and commercial success, lost its way. And he looks ahead through interviews with dozens of key players at Disney, Marvel, Netflix, Amazon, IMAX, and others to discover how they have reinvented the business. He shows us, for instance, how Marvel replaced stars with "universes," and how Disney remade itself in Apple's image and reaped enormous profits. But despite the destruction of the studios' traditional playbook, Fritz argues that these seismic shifts signal the dawn of a new heyday for film. The Big Picture shows the first glimmers of this new golden age through the eyes of the creative mavericks who are defining what our movies will look like in the new era." -- Book jacket.Notes: Includes bibliographical references (pages 247-263) and index.ISBN: 9780544789760Contents: A notes on sources ix -- Introduction: Groundhog Day-How franchises killed originality in Hollywood xii -- Part 1: How Hollywood got here -- The Odd Couple: Lynton and Pascal's glory days at Sony -- Reality Bites: How everything went wrong for the movie business -- Inception: The secret origin of the superhero movie -- Revenge of the Nerds: The rise of Marvel Studios -- Spiderman: Homecoming- why Sony gave up its most valuable asset -- Star Wars: The decline of the A-list -- A Star is Born: Netflix, the new home for movie stars -- Frozen: Why studios stopped making mid-budget dramas -- Trading places: How tv stole movies' spot atop Hollywood -- Part 2: Where Hollywood is headed -- The Terminator: Disney, the perfect studio for the franchise age -- The Producers: Creativity meets franchise managment -- The Shop Around the Corner: Amazon saves the indie film business -- Apt Pupil: China's shifting relationship with Hollywood -- Field of Dreams: Studio defectors and the future of nonfranchise films -- The Last Picture Show?
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Blockbusters : hit-making, risk-taking, and the big business of entertainment / Anita Elberse New York: Henry Holt and Company, 2013.
Call No: 203 ELBAuthor: Elberse, Anita Source: USPlace: New YorkPublisher: Henry Holt and CompanyPubDate: 2013PhysDes: 307 pages : illustrations ; 25 cmSubject: INDUSTRY, FILM. USA ; INDUSTRY, TV. USA ; WARNER BROS. ; SPORT ON TV ; MARVEL ENTERTAINMENT Summary: Explores "what's behind the phenomenal success of entertainment businesses such as Warner Bros., Marvel Entertainment, and the NFL--along with such stars as Jay-Z, Lady Gaga, and LeBron James--[and] which strategies give leaders in film, television, music, publishing, and sports an edge over their rivals"--Dust jacket flapISBN: 9780805094336Contents: Betting on blockbusters -- Launching and managing blockbusters -- Investing in superstars -- How superstars use their powers -- Will digital technology end the dominance of blockbusters? -- Will digital technology threaten powerful producers? -- The future of blockbuster strategies -- No business like show business?
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Box-office universe expands in Herald Sun [General News] (8/04/2017) p.33
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Cagney / John McCabe London: Aurum, 1998.
Call No: 81CAG MCCAuthor: McCabe, John Edition: 1st edSource: UKPlace: LondonPublisher: AurumPubDate: 1998PhysDes: xvi, 439 p. : ports. ; 24 cmSubject: WARNER BROS. ; CAGNEY PRODUCTIONS ; CAGNEY, JAMES ; DAY, DORIS ; JOHNNY COME LATELY (US, William K. Howard, 1943) ; PUBLIC ENEMY, THE (US, William Wellmen, 1931) ; WHITE HEAT (US, Raoul Walsh, 1949) ; YANKEE DOODLE DANDY (US, Michael Curtiz, 1941) Notes: Includes bibliographical references (p. 425-429) and index.
Filmography: p. 397-422ISBN: 1854105450Donation: donated by the family of Wayne Levy, 2006
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Canada move animates local studio in The Australian (21/05/2015) p.21
Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. MELBOURNE. ST KILDAAuthor: Bodey, Michael PhysDes: Clippings File ArticleSubject: ANIMAL LOGIC ; WARNER BROS. Summary: Animal Logic to open a new studio in Vancover in Canada. This is in relation to a new three picture deal Animal Logic has with Warner Bros.
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Clint Eastwood : sexual cowboy / Douglas Thompson London: Warner, 1993.
Call No: 81EAS THOAuthor: Thompson, Douglas Source: UKPlace: LondonPublisher: WarnerPubDate: 1993PhysDes: vii, 231 p., [8]p of plates : ill., ports ; 18cmSubject: ACTORS. USA ; ACTORS AS DIRECTORS ; DIRECTORS. USA ; WARNER BROS. ; BOGART, HUMPHREY ; BURTON, RICHARD ; EASTWOOD, CLINT ; COOPER, GARY ; HOLDEN, WILLIAM ; LOCKE, SONDRA ; NEWMAN, PAUL ; REYNOLDS, BURT ; SIEGEL, DON ; ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980) ; BEGUILED, THE (US, Don Siegel, 1971) ; BIRD (US, Clint Eastwood, 1988) ; BREEZY (US, Clint Eastwood, 1973) ; BRONCO BILLY (US, Clint Eastwood, 1980) ; CITY HEAT (US, Richard Benjamin, 1984) ; DIRTY HARRY (US, Don Siegel, 1971) ; ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979) ; EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978) ; HEARTBREAK RIDGE (US, Clint Eastwood, 1986) ; HONKYTONK MAN (US, Clint Eastwood, 1982) ; OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976) ; PALE RIDER (US, Clint Eastwood, 1985) ; PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964) ; PINK CADILLAC (US Buddy van Horn, 1989) ; SUDDEN IMPACT (US, Clint Eastwood, 1983) ; TIGHTROPE (US, Richard Tuggle, 1984) ; TWO MULES FOR SISTER SARA (US, Don Siegel, 1969) ; WHERE EAGLES DARE (US, Brian G. Hutton, 1969) Notes: First published London : Smith Graphon, 1992; Filmography: p 215-224.; Includes index.ISBN: 0751503878Donation: donated by the family of Wayne Levy, 2006
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journal article
The creation of Tarzan in Australasian Cinema (28/1/1983) vol.12 iss.1 p.6
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The diary : Warners' Sydney move in The Australian (23/11/2015) p.24
Call No: SUBJECT CLIPPINGS FILE; WARNER BROS.Author: Davidson, Darren -- Mitchell, Jake PhysDes: Clippings File ArticleSubject: WARNER BROS. Summary: Report on Warner Bros Television opening an office in Sydney since producing former Shine tv shows. Touches on a trend of large multinational media companies buying Australian tv production companies
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DVD with the lot in The Age [Green Guide] [Livewire] (26/09/2002) p.1
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Easy riders, raging bulls : how the sex-drugs-and-rock-'n'-roll generation saved Hollywood / Peter Biskind New York, NY: Simon & Schuster, 1998.
Call No: 71(73) BISAuthor: Biskind, Peter Place: New York, NYPublisher: Simon & SchusterPubDate: 1998PhysDes: 506 p. : ill. ; 25 cmSubject: USA. 1970's ; COLUMBIA PICTURES ; PARAMOUNT STUDIOS ; TWENTIETH CENTURY-FOX ; UNIVERSAL PICTURES ; WARNER BROS. ; ZOETROPE STUDIOS ; ALTMAN, ROBERT ; ASHBY, HAL ; BEATTY, WARREN ; BEGELMAN, DAVID ; BLATTY, WILLIAM PETER ; BOGDANOVICH, PETER ; BRANDO, MARLON ; BROWN, DAVID ; BURSTYN, ELLEN ; CALLEY, JOHN ; CHRISTIE, JULIE ; COPPOLA, ELEANOR ; COPPOLA, FRANCIS FORD ; DE NIRO, ROBERT ; DE PALMA, BRIAN ; DILLER, BARRY ; EVANS, ROBERT ; FONDA, PETER ; FRIEDKIN, WILLIAM ; GEFFEN, DAVID ; HAWKS, HOWARD ; HOPPER, DENNIS ; IRVING, AMY ; KAEL, PAULINE ; KIDDER, MARGOT ; LUCAS, GEORGE ; LUCAS, MARCIA ; MILIUS, JOHN ; NEWMAN, DAVID ; NICHOLSON, JACK ; PENN, ARTHUR ; PHILLIPS, JULIA ; PLATT, POLLY ; POLANSKI, ROMAN ; RAFELSON, BOB ; SCHNEIDER, BERT ; SCHRADER, LEONARD ; SCHRADER, PAUL ; SCORSESE, MARTIN ; SHEPHERD, CYBILL ; SIMPSON, DON ; SPIELBERG, STEVEN ; SYLBERT, RICHARD ; TANEN, NED ; TOWNE, ROBERT ; WEINTRAUB, SANDRA ; YABLANS, FRANK ; ZANUCK, RICHARD ; AMERICAN GRAFFITI (US, George Lucas, 1973) ; EASY RIDER (US, Dennis Hopper, 1969) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; CHINATOWN (US, Roman Polanski, 1974) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; EXORCIST, THE (US, William Friedkin, 1973) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; HEAVEN'S GATE (US, Michael Cimino, 1980) ; JAWS (US, Steven Spielberg, 1975) ; LAST PICTURE SHOW, THE (US, Peter Bogdanovich, 1971) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; M*A*S*H (US, Robert Altman, 1969) ; MEAN STREETS (US, Martin Scorsese, 1973) ; PAPER MOON (US, Peter Bogdanovich, 1973) ; PERSONAL BEST (US, Robert Towne, 1982) ; RAGING BULL (US, Martin Scorsese, 1980) ; REDS (US, Warren Beatty, 1981) ; SHAMPOO (US, Hal Ashby, 1975) ; SORCERER (US, William Friedkin, 1977) ; STAR WARS (US, George Lucas, 1977) ; SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974) ; TAXI DRIVER (US, Martin Scorsese, 1976) Notes: Includes bibliographical references (p. [449]-482) and index; Filmography: p. [447]-448ISBN: 0684809966LON: 98002919; 13698645
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Film and the working class : the feature film in British and American society / Peter Stead London New York: Routledge, 1989.
Call No: 451-058.243 STEAuthor: Stead, Peter Place: London New YorkPublisher: RoutledgePubDate: 1989PhysDes: xi, 283 p. ; 24 cmSeries: Cinema and societySubject: WORKING CLASS IN FILMS ; USA ; UNITED KINGDOM ; WARNER BROS. ; VIDOR, KING ; BLACK FURY (US, Michael Curtiz, 1934) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; I AM A FUGITIVE FROM A CHAIN GANG (US, Mervyn LeRoy, 1932) Notes: Includes indexes; Bibliography: p. 250-272ISBN: 0415027977; 0415065194 (pbk)LON: 6254788
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Framework : a history of screenwriting in the American film / Tom Stempel ; foreword by Philip Dunne New York: Continuum, 1988.
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George Lucas : the making of his movies / Chris Salewicz London: Orion, 1998.
Call No: 81LUC SALAuthor: Salewicz, Chris Source: UKPlace: LondonPublisher: OrionPubDate: 1998PhysDes: 143 p. : ill. (some col.) ; 20 cmSubject: DIRECTORS. USA ; LUCASFILM ; SCRIPTWRITERS. USA ; WARNER BROS. ; COPPOLA, FRANCIS FORD ; KURTZ, GARY ; LUCAS, GEORGE ; AMERICAN GRAFFITI (US, George Lucas, 1973) ; INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984) ; KAGEMUSHA (JA, Akira Kurosawa, 1980) ; RETURN OF THE JEDI (US, Richard Marquand, 1983) ; STAR WARS (US, George Lucas, 1977) ; THX 1138 4EB (US, George Lucas, 1967) Notes: Bibliography: p.[140]-141ISBN: 0752813188Donation: donated by the family of Wayne Levy, 2006
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The gross : the hits, the flops - the summer that ate Hollywood / Peter Bart New York: St. Martin's Griffin, February 2000.
Call No: 210.31(73) BARAuthor: Bart, Peter Edition: First EditionSource: USPlace: New YorkPublisher: St. Martin's GriffinPubDate: February 2000PhysDes: 337 p. ; 24 cmSubject: BART, PETER ; INDUSTRY, FILM. USA ; BOX OFFICE. USA ; STUDIOS, FILM. USA ; PARAMOUNT STUDIOS ; TWENTIETH CENTURY-FOX ; SONY CORPORATION ; WARNER BROS. ; UNIVERSAL PICTURES ; SPIELBERG, STEVEN ; ARMAGEDDON (US, Michael Bay, 1998) ; BULWORTH (US, Warren Beatty, 1998) ; DEEP IMPACT (US, Mimi Leder, 1997) ; HORSE WHISPERER, THE (US, Robert Redford, 1998) ; LETHAL WEAPON 4 (US, Richard Donner, 1998) ; MASK OF ZORRO (US, Martin Campbell, 1998) ; MULAN (US, Barry Cook & Tony Bancroft, 1998) ; OUT OF SIGHT (US, Steven Soderbergh, 1998) ; SMALL SOLDIERS (US, Joe Dante, 1998) ; SAVING PRIVATE RYAN (US, Steven Spielberg, 1998) ; SIX DAYS, SEVEN NIGHTS (US, Ivan Reitman, 1998) ; GODZILLA (US/JA, Roland Emmerich, 1998) ; THERE'S SOMETHING ABOUT MARY (US, Bobby Farrelly & Peter Farrelly, 1998) Notes: A behind-the-scenes tour of Hollywood during its busiest season - where big-budget blockbusters can make or break a studio, and summer sleepers sneak onto the radar.--BOOK BLURBISBN: 0312253915
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The Hollywood cage / Charles Hamblett New York: Hart Publishing Company, 1969.
Call No: 46(794) HAMAuthor: Hamblett, Charles Source: USPlace: New YorkPublisher: Hart Publishing CompanyPubDate: 1969PhysDes: 435 p. : ill., ports ; 24 cmSeries: Includes indexSubject: Metro-Goldwyn-Mayer ; TYPE CHARACTERS IN FILMS ; TWENTIETH CENTURY-FOX ; WARNER BROS. ; ANDERSON, ERNIE ; ARMSTRONG, LOUIS ; BACALL, LAUREN ; BARRYMORE, JOHN ; BOGART, HUMPHREY ; BRANDO, MARLON ; BURTON, RICHARD ; CLIFT, MONTGOMERY ; DAVIS, SAMMY, Jr. ; DEAN, JAMES ; FLYNN, ERROL ; GABLE, CLARK ; HATHAWAY, HENRY ; HUSTON, JOHN ; LOREN, SOPHIA ; MONROE, MARILYN ; MILLER, ARTHUR ; NOVAK, KIM ; PECK, GREGORY ; PONTI, CARLO ; SENNETT, MACK ; SINATRA, FRANK ; TAYLOR, ELIZABETH ; THALBERG, IRVING ; WARNER, JACK L. ; WAYNE, JOHN ; WOOD, NATALIE ; WOODWARD, JOANNE Donation: donated by the family of Wayne Levy, 2006
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Hollywood in Havana : US cnema and revolutionary nationalism in Cuba before 1959 / Megan Feeney Chicago: The University of Chicago Press, 2019.
Call No: 302(73:729.1)Author: Feeney, Megan Source: USPlace: ChicagoPublisher: The University of Chicago PressPubDate: 2019PhysDes: viii, 320 pages: black and white illustrations; 23 cm.Subject: CUBA ; CHAPLIN, CHARLES ; CAPRA, FRANK ; DISTRIBUTION ; EXHIBITION ; FILM NOIR ; KAZAN, ELIA ; Metro-Goldwyn-Mayer ; PARAMOUNT STUDIOS ; WARNER BROS. ; GREAT DICTATOR, THE (US, Charles Chaplin, 1940) ; VIVA ZAPATA (US, Elia Kazan, 1952) ; TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948) ; [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939) ; FACE IN THE CROWD, A (US, Elia Kazan, 1957) Summary: "From the turn of the twentieth century through the late 1950s, Havana was a locus for American movie stars, with glamorous visitors including Errol Flynn, John Wayne, and Marlon Brando. In fact, Hollywood was seemingly everywhere in pre-Castro Havana, with movie theaters three to a block in places, widely circulated silver screen fanzines, and terms like “cowboy” and “gangster” entering Cuban vernacular speech. Hollywood in Havana uses this historical backdrop as the catalyst for a startling question: Did exposure to half a century of Hollywood pave the way for the Cuban Revolution of 1959?
Megan Feeney argues that the freedom fighting extolled in American World War II dramas and the rebellious values and behaviors seen in postwar film noir helped condition Cuban audiences to expect and even demand purer forms of Cuban democracy and national sovereignty. At the same time, influential Cuban intellectuals worked to translate Hollywood ethics into revolutionary rhetoric—which, ironically, led to pointed critiques and subversions of the US presence in Cuba. Hollywood in Havana not only expands our notions of how American cinema was internalized around the world—it also broadens our view of the ongoing history of US-Cuban interactions, both cultural and political." -- Back cover.Notes: Includes bibliographical references and index.ISBN: 9780226593692Contents: Introduction. Looking up: Hollywood and revolutionary Cuban nationalism -- The film business that unites: early US cinema in Havana, 1897-1928 -- Teaching eyes to see: the advent of Cuban film criticism, 1928-1934 -- Our men in Havana: Hollywood and good neighborly bonds, 1934-1941 -- You are men! fight for liberty! Hollywood heroes and the pan-American bonds of World War II -- Breaking the chains: Hollywood noir in postwar Havana, 1946-1952 -- Rebel idealism: Hollywood in Havana during the Batistato, 1952-1958 -- Epilogue: the show goes on: Hollywood in Havana after 1958.
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The Hollywood social problem film : madness, despair, and politics from the Depression to the fifties / Peter Roffman and Jim Purdy Bloomington: Indiana University Press, 1981.
Call No: 744 ROFAuthor: Roffman, Peter, 1950 ; Purdy, Jim, Place: BloomingtonPublisher: Indiana University PressPubDate: 1981PhysDes: x, 364 p., [5] leaves of plates : ill. ; 25 cmSubject: SOCIAL PROBLEMS IN FILMS. USA ; DEPRESSION IN FILMS ; DRUGS IN FILMS ; MENTAL HEALTH ISSUES IN FILMS ; BAD GUYS ; FASCISM AND THE CINEMA ; FALLEN WOMEN IN FILMS ; DELINQUENTS IN FILMS ; ETHNIC GROUPS IN FILMS. USA ; COMMUNISM AND THE CINEMA. USA ; BLACKLISTING. USA ; JOURNALISTS IN FILMS ; POLITICAL PERSONALITIES IN FILMS ; POPULISM AND THE CINEMA. USA ; RACIAL ISSUES IN FILMS ; RURAL LIFE IN FILMS ; WARNER BROS. ; Metro-Goldwyn-Mayer ; LANG, FRITZ ; BORZAGE, FRANK ; CHAPLIN, CHARLES ; GARFIELD, JOHN ; CAPRA, FRANK ; VIDOR, KING ; BLACK LEGION (US, Archie L. Mayo, 1936) ; CABIN IN THE COTTON, THE (US, Michael Curtiz, 1932) ; DEAD END (US, William Wyler, 1937) ; FORCE OF EVIL (US, Abraham Polonsky, 1948) ; GABRIEL OVER THE WHITE HOUSE (US, Gregory La Cava, 1933) ; STATE'S ATTORNEY (US, George Archainbaud, 1932) ; SULLIVAN'S TRAVELS (US, Preston Sturges, 1942) ; THEY WON'T FORGET (US, Mervyn LeRoy, 1937) ; THREE COMRADES (US, Frank Borzage, 1938) ; GENTLEMAN'S AGREEMENT (US, Elia Kazan, 1947) ; I WAS A COMMUNIST FOR THE F.B.I. (US, Gordon Douglas, 1951) ; LAWLESS, THE (US, Joseph Losey, 1950) ; LAWYER MAN (US, Wilhelm Dieterle, 1932) ; LITTLE MAN, WHAT NOW? (US, Frank Borzage, 1934) ; MASSACRE (US, Alan Crosland, 1933) ; MEET JOHN DOE (US, Frank Capra, 1941) ; MOUTHPIECE, THE (US, James Flood & Elliott Nugent, 1932) ; OUR DAILY BREAD (US, King Vidor, 1934) ; PINKY (US, Elia Kazan, 1949) ; PRESIDENT VANISHES, THE (US, William Wellman, 1934) ; RIFFRAFF (US, J. Walter Ruben, 1936) ; [MISTER] MR DEEDS GOES TO TOWN (US, Frank Capra, 1936) ; [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939) ; MODERN TIMES (US, Charles Chaplin, 1936) ; MONSIEUR VERDOUX (US, Charles Chaplin, 1947) ; MORTAL STORM, THE (US, Frank Borzage, 1940) ; MY MAN GODFREY (US, Gregory La Cava, 1936) ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; BODY AND SOUL (US, Robert Rossen, 1947) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; GREAT DICTATOR, THE (US, Charles Chaplin, 1940) ; HEROES FOR SALE (US, William A. Wellman, 1933) ; I AM A FUGITIVE FROM A CHAIN GANG (US, Mervyn LeRoy, 1932) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; SALT OF THE EARTH (US, Herbert J. Biberman, 1954) ; YOU ONLY LIVE ONCE (US, Fritz Lang, 1937) Notes: Includes index; Bibliography: p. 319-329; Filmography: p. 331-351ISBN: 0253127076; 0253202612 (pbk.)LON: 1763505
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Interim
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The Hollywood story / Roy Pickard London: Viscount Books, 1986.
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The Hollywood studio system / Douglas Gomery Basingstoke: Macmillan, 1986.
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The Hollywood studio system : a history London: British Film Institute, 2005.
Call No: 210.31(73) GOMAuthor: Douglas Gomery CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 2005PhysDes: 333 p. ; 23 cmSubject: Metro-Goldwyn-Mayer ; WARNER BROS. ; COLUMBIA PICTURES ; UNITED ARTISTS ; RKO ; STUDIOS, FILM. USA ; PRODUCTION COMPANIES & STUDIOS. USA ; PARAMOUNT STUDIOS ; UNIVERSAL PICTURES ; ZUKOR, ADOLPH ; WASSERMAN, LEW ; HISTORY OF CINEMA Summary: Despite being one of the most influential industries in the United States, indeed the world, the internal workings of the “dream factory” that is Hollywood is little understood outside the business. The Hollywood Studio System: A History is the first book to describe and analyse the complete development, classic operation, and reinvention of the global corporate entities which produce and distribute most of the films we watch…Gomery’s history tells the story of a “tale of two systems” using primary materials from a score of archives using primary materials from a score of archives across the United States as well as a close reading of both the business and trade press of the time, together with a range of photographs never before published. [Taken from back cover.]ISBN: 1844570649
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The Hollywood studios / Roy Pickard London: F. Muller, 1978.
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The Hollywood studios : house style in the golden age of the movies / Ethan Mordden New York: A.A. Knopf Distributed by Random House, 1988.
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journal article
'I knew I should've taken that left turn at Albuquerque' : the Warner Bros. cartoon down under in Studies in Australasian cinema (2010) vol.4 iss.3 p.267-281
Author: Danks, Adrian PhysDes: ArticleSubject: AUSTRALIA IN FILMS ; WARNER BROS. ; ANIMATED FILMS Summary: The writer examines two series of animated short subjects produced by the Warner Bros. studio in the period between the late 1940s and the early 1960s featuring the iconic Australian characters Hippety Hopper and the Tasmanian Devil. He examines the ways in which these cartoons reinforce and in some respects depart from conventional representations of Australia in “international” cinema. -- Provided by publisher
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Industry executives farwell Jack O'Sullivan in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.1-2
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Levy Collection
book
Inside Warner Bros. (1935-1951) : the battles, the brainstorms, and the bickering-from the files of Hollywood's greatest studio / selected, edited and annotated by Rudy Behlmer London: Weidenfield and Nicolson, 1987.
Call No: 19WAR BEHAuthor: Behlmer, Rudy Source: UKPlace: LondonPublisher: Weidenfield and NicolsonPubDate: 1987PhysDes: xix, 358p, [16]p of plates : ill., 1facsim, ports ; 24cmSubject: FILMMAKING ; INDUSTRY, FILM. USA ; PRODUCERS. USA ; PRODUCTION COMPANIES & STUDIOS. USA ; PRODUCTION. USA ; STAR SYSTEM ; STUDIO SYSTEM ; WARNER BROS. ; BOGART, HUMPHREY ; HUSTON, JOHN Summary: "Few books offer as direct and intimate a portrait of the tumult, trauma and glory of making films as this fascinating collection. Culled from Warner Bros's voluminous files, these memos and letters recapture - from inspiration to filming, through fights and reconciliations - the creation of some of the most popular films ever made: Casablanca, Mildred Pierce, Yankee Doodle Dandy, The Maltese Falcon, Johnny Belinda, A Streetcar Named Desire and many, many more."--BOOK BLURBNotes: California. Los Angeles. Hollywood. Cinema industries: Warner Brothers,. to 1951 (BNB/PRECIS)
Originally published: New York : Viking, 1985 ; London : Weidenfeld and Nicolson, 1986.
Includes index.ISBN: 0297792423Donation: donated by the family of Wayne Levy, 2006
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An introduction to film studies / edited by Jill Nelmes London: Routledge, 1999.
Call No: 62 INTAuthor: Nelmes, Jill, 1954 Edition: 2nd edPlace: LondonPublisher: RoutledgePubDate: 1999PhysDes: xviii, 522 p. : ill. ; 26 cmSubject: WARNER BROS. ; STUDIO SYSTEM ; AUDIENCES ; GENRES ; DOCUMENTARY FILMS ; ANIMATION ; COMPUTERS AND THE CINEMA ; WOMEN AND THE CINEMA ; FEMINISM AND THE CINEMA ; HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; UNITED KINGDOM ; INDIA ; USSR ; GERMANY ; NARRATIVE IN FILMS ; SPECTATORSHIP ; CENSORSHIP ; STARS ; AUTEUR THEORY ; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA ; KULESOV, LEV ; KAPOOR, RAJ ; Ray, Satyajit ; DOVZENKO, ALEKSANDR ; SHUB, ESTHER ; FLAHERTY, ROBERT ; JENNINGS, HUMPHREY ; RIEFENSTAHL, LENI ; WISEMAN, FREDERICK ; POTTER, SALLY ; TOCCAFONDO, GIANLUIGI ; FELLOW TRAVELLER (UK/US, Philip Saville, 1990) ; DUCK AMUCK (US, Chuck Jones, 1953) ; GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987) ; COLOUR BOX, A (UK, Len Lye, 1935) ; DEADSY (UK, David Anderson, 1989) ; DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]) ; JAWS (US, Steven Spielberg, 1975) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; PLATOON (US, Oliver Stone, 1986) ; MARS ATTACKS! (US, Tim Burton, 1996) ; ROBOCOP (US, Paul Verhoeven, 1987) ; GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927) ; IF... (UK, Lindsay Anderson, 1968) ; PULP FICTION (US, Quentin Tarantino, 1994) ; NEW YORK, NEW YORK (US, Martin Scorsese, 1977) ; HOOP DREAMS (US, Steve James, 1994) ; WHEN WE WERE KINGS (US, Leon Gast, 1996) ; GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997) ; CREATURE COMFORTS (UK, Nick Park, 1991) ; NEIGHBOURS (US, Norman McLaren, 1952) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; GOLD DIGGERS, THE (US, Sally Potter, 1983) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; PIANO, THE (AT, Jane Campion, 1993) ; VICTIM (UK, Basil Dearden, 1961) ; DESERT HEARTS (US, Donna Deitch, 1985) ; LIVING END, THE (US, Gregg Araki, 1992) ; LOOKING FOR LANGSTON (UK, Isaac Julien, 1989) ; GO FISH (US, Rose Troche, 1994) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; FULL MONTY, THE (UK/US, Robert Cattaneo, 1997) ; ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966) ; AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977) ; DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980) Notes: Includes bibliographical references and indexISBN: 0415173094 (hb); 0415173108 (pb)LON: 14043939URL status: URL: 'http://-'
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An introduction to film studies / edited by Jill Nelmes London: Routledge, 2003.
Call No: 62 INTAuthor: Nelmes, Jill, 1954 Edition: 3rd edPlace: LondonPublisher: RoutledgePubDate: 2003PhysDes: xviii, 522 p. : ill. ; 26 cmSubject: WARNER BROS. ; STUDIO SYSTEM ; AUDIENCES ; GENRES ; DOCUMENTARY FILMS ; ANIMATION ; COMPUTERS AND THE CINEMA ; WOMEN AND THE CINEMA ; FEMINISM AND THE CINEMA ; HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; UNITED KINGDOM ; INDIA ; USSR ; GERMANY ; NARRATIVE IN FILMS ; SPECTATORSHIP ; CENSORSHIP ; STARS ; AUTEUR THEORY ; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA ; KULESOV, LEV ; KAPOOR, RAJ ; Ray, Satyajit ; DOVZENKO, ALEKSANDR ; SHUB, ESTHER ; FLAHERTY, ROBERT ; JENNINGS, HUMPHREY ; RIEFENSTAHL, LENI ; WISEMAN, FREDERICK ; POTTER, SALLY ; TOCCAFONDO, GIANLUIGI ; FELLOW TRAVELLER (UK/US, Philip Saville, 1990) ; DUCK AMUCK (US, Chuck Jones, 1953) ; GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987) ; COLOUR BOX, A (UK, Len Lye, 1935) ; DEADSY (UK, David Anderson, 1989) ; DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]) ; JAWS (US, Steven Spielberg, 1975) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; PLATOON (US, Oliver Stone, 1986) ; MARS ATTACKS! (US, Tim Burton, 1996) ; ROBOCOP (US, Paul Verhoeven, 1987) ; GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927) ; IF... (UK, Lindsay Anderson, 1968) ; PULP FICTION (US, Quentin Tarantino, 1994) ; NEW YORK, NEW YORK (US, Martin Scorsese, 1977) ; HOOP DREAMS (US, Steve James, 1994) ; WHEN WE WERE KINGS (US, Leon Gast, 1996) ; GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997) ; CREATURE COMFORTS (UK, Nick Park, 1991) ; NEIGHBOURS (US, Norman McLaren, 1952) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; GOLD DIGGERS, THE (US, Sally Potter, 1983) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; PIANO, THE (AT, Jane Campion, 1993) ; VICTIM (UK, Basil Dearden, 1961) ; DESERT HEARTS (US, Donna Deitch, 1985) ; LIVING END, THE (US, Gregg Araki, 1992) ; LOOKING FOR LANGSTON (UK, Isaac Julien, 1989) ; GO FISH (US, Rose Troche, 1994) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; FULL MONTY, THE (UK/US, Robert Cattaneo, 1997) ; ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966) ; AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977) ; DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980) Summary: Reference work covering a wide range of concepts, theories and ideas about film studies covering different periods and countries. Attempts to present the diversity of thought within film theory. First published in 1996.Notes: Includes annotated key reading for each chapter, bibliography, glossary of key terms and index.ISBN: 0415173094 (hb); 0415173108 (pb)LON: 14043939
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Kim Basinger co-stars in Bond film in Australasian Cinema (29/10/1982) vol.11 iss.19 p.11
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Lego Movie maker expands to Canada in Australian Financial Review (21/05/2015) p.3
Call No: SUBJECT CLIPPINGS FILE; ANIMAL LOGICAuthor: White, Dominic PhysDes: Clippings File ArticleSubject: ANIMAL LOGIC ; WARNER BROS. Summary: Australian post-production company Animal Logic is planning to build a new studio in Vancouver, Canada. Thsi is happening as the company has signed a three picture deal with Warner Bros.
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Mark Rosenberg appt'd. president, W.B.'s production in Australasian Cinema (Friday, 19/8/1983) vol.12 iss.15 p.1
PhysDes: ArticleSubject: WARNER BROS. Summary: Announcement of Mark Rosenburg becoming the president of theatrical production at Warner Brothers.
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Michael Legrand to compose music for "Never Say Never Again" in Australasian Cinema (15/7/1983) vol.12 iss.12 p.20
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The Moguls / Norman Zierold New York: Coward-McCann, 1969.
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Motion Picture Empire / Gertrude Jobes Hamden, Connecticut: Archon Books, 1966.
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The movie moguls : an informal history of Hollywood tycoons / Philip French Harmondsworth, Middlesex: Penguin, 1971.
Call No: 802.091.11 FREAuthor: French, Philip Source: UKPlace: Harmondsworth, MiddlesexPublisher: PenguinPubDate: 1971PhysDes: 208 p., [16] p. of plates ; 18 cmSubject: HISTORY AND THE CINEMA. USA ; INDUSTRY, FILM ; Metro-Goldwyn-Mayer ; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA ; STUDIO SYSTEM ; PARAMOUNT STUDIOS ; TWENTIETH CENTURY-FOX ; UNIVERSAL PICTURES ; UNITED ARTISTS ; WARNER BROS. ; COHN, HARRY ; DEMILLE, CECIL B. ; DISNEY, WALT ; KATZ, SAM ; KENNEDY JOSEPH P. ; LAEMMLE, CARL ; LASKY, JESSE ; SCHARY, DORE ; SCHULBERG, BUDD ; SCHENCK, JOSEPH M ; SELZNICK, DAVID O. ; SHEARER, NORMA ; SKOURAS, SPYROS ; SINCLAIR, UPTON ; THALBERG, IRVING ; WANGER, WALTER ; STROHEIN, ERICH VON ; ZANUCK, DARRYL F. ; ZANUCK, RICHARD ; ZUKOR, ADOLPH Notes: includes bibliographical references and indexISBN: 297762664Donation: donated by the family of Wayne Levy, 2006
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My indecision is final : the rise and fall of Goldcrest films / Jake Eberts, Terry Ilott London: Faber and Faber, 1990.
Call No: 19GOL EBEAuthor: Eberts, Jake, 1941 ; Ilott, Terry Place: LondonPublisher: Faber and FaberPubDate: 1990PhysDes: xxi, 678 p., [16] p. of plates : ill., facsims., ports ; 20 cmSubject: Attenborough, Richard ; PUTTNAM, DAVID ; EBERTS, JAKE ; JOFFE, ROLAND ; SMITH, IAIN ; HELLMAN, JEROME ; HUDSON, HUGH ; WINKLER, IRWIN ; REVOLUTION (UK/NO, Hugh Hudson, 1985) ; CHARIOTS OF FIRE (UK, Hugh Hudson, 1981) ; MISSION, THE (UK, Roland Joffe, 1986) ; KILLING FIELDS, THE (UK, Roland Joffe, 1984) ; GANDHI (UK/II Richard Attenborough, 1982) ; EMERALD FOREST, THE (UK, John Boorman, 1985) ; ABSOLUTE BEGINNERS (UK, Julien Temple, 1986) ; MOSQUITO COAST, THE (US, Peter Weir, 1986) ; GOLDCREST FILMS ; WARNER BROS. Notes: Includes indexISBN: 0571148891 (pbk) : ¦9.99LON: bnb57114889; 8881217
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A new deal in entertainment : Warner Brothers in the 1930s / Nick Roddick London: British Film Institute, 1983.
Call No: 19WAR RODAuthor: Roddick, Nick Place: LondonPublisher: British Film InstitutePubDate: 1983PhysDes: viii, 332 p. : ill. ; 22 cmSubject: WARNER BROS. ; CRIME FILMS ; RACIAL ISSUES IN FILMS ; FASCISM AND THE CINEMA ; HISTORICAL FILMS. USA ; EPIC FILMS ; LEROY, MERVYN ; WALLIS, HAL B. ; CURTIZ, MICHAEL ; GIBNEY, SHERIDAN ; CAPTAIN BLOOD (US, Michael Curtiz, 1935) ; CHARGE OF THE LIGHT BRIGADE, THE (US, Michael Curtiz, 1936) ; DOORWAY TO HELL, THE (US, Archie L. Mayo, 1930) ; MOBY DICK (US, Lloyd Bacon, 1930) ; ROARING TWENTIES, THE (US, Raoul Walsh, 1939) ; SERGEANT YORK (US, Howard Hawks, 1941) ; ANTHONY ADVERSE (US, Mervyn LeRoy, 1936) ; BLESSED EVENT (US, Roy del Ruth, 1932) ; G MEN (US, William Keighley, 1935) ; KNUTE ROCKNE - ALL AMERICAN (US, Lloyd Bacon, 1940) ; JUAREZ (US, William Dieterle, 1939) ; LIFE OF EMILE ZOLA, THE (US, William Dieterle, 1937) ; MASSACRE (US, Alan Crosland, 1933) ; PUBLIC ENEMY, THE (US, William Wellmen, 1931) ; SEA WOLF, THE (US, Michael Curtiz, 1941) ; ANGELS WITH DIRTY FACES (US, Michael Curtiz, 1938) ; BLACK FURY (US, Michael Curtiz, 1934) ; BLACK LEGION (US, Archie L. Mayo, 1936) ; CONFESSIONS OF A NAZI SPY (US, Anatole Litvak, 1939) ; DISRAELI (US, Alfred E. Green, 1929) ; I AM A FUGITIVE FROM A CHAIN GANG (US, Mervyn LeRoy, 1932) Notes: Includes index; Bibliography: p. 320-326ISBN: 0851701256 : ª11.95; 0851701264 (pbk.) : ª6.95LON: 2656181
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Of mice and magic : a history of American animated cartoons / Leonard Maltin / Jerry Beck New York: New American Library, c1980.
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Pictures will talk : the life and films of Joseph L. Mankiewicz / by Kenneth L. Geist New York: Scribner, 1978.
Call No: 81MAN GEIAuthor: Geist, Kenneth L Place: New YorkPublisher: ScribnerPubDate: 1978PhysDes: xiii, 443 p. : ill. ; 24 cmSubject: Metro-Goldwyn-Mayer ; TWENTIETH CENTURY-FOX ; UNITED ARTISTS ; WANGER, WALTER ; WARNER BROS. ; BENTON, ROBERT ; CAINE, MICHAEL ; Crawford, Joan ; MANKIEWICZ, JOSEPH L. ; HEPBURN, KATHARINE ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; BAREFOOT CONTESSA, THE (US, Joseph L. Mankiewicz, 1954) ; CLEOPATRA (US, Joseph L. Mankiewicz, 1963) Notes: "The films of Joseph L. Mankiewicz": p. [401]-429; Includes bibliographical references and indexISBN: 0684155001 : $12.95LON: 78001104; 1121216
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Piracy on the High Screens cost trio $1.3m in Australasian Cinema (14/5/1982) vol.11 iss.8 p.1
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Post-theory : reconstructing film studies / edited by David Bordwell and Noel Carroll Madison: University of Wisconsin Press, 1996.
Call No: 62 POSAuthor: Bordwell, David, 1947 ; Carroll, Noel (NoFl E.) Place: MadisonPublisher: University of Wisconsin PressPubDate: 1996PhysDes: 564 p. : 23 cmSeries: Wisconsin studies in filmSubject: THEORY ; FILM STUDY AND RESEARCH ; PSYCHOANALYSIS AND THE CINEMA ; FEMINISM AND THE CINEMA ; HORROR FILMS ; TRUTH IN FILMS ; MUSIC, FILM ; NON-FICTION FILMS ; REALISM IN FILMS ; AVANT-GARDE FILMS ; SPECTATORSHIP ; JAPAN ; DENMARK ; EXHIBITION ; CHARACTERIZATION IN FILMS ; AUDIENCES ; CONSTRUCTIVISM ; EDITING ; PERCEPTION ; PSYCHOLOGICAL EFFECTS OF FILMS ; GENRES ; LOVE IN FILMS ; MELODRAMA ; NARRATIVE IN FILMS ; COLUMBIA PICTURES ; WARNER BROS. ; BRECHT, BERTOLT ; GIBSON, JAMES J. ; COHN, HARRY ; JAMESON, FREDRIC ; MANDEL, ERNEST ; RENOV, MICHAEL ; JAZZ SINGER, THE (US, Alan Crosland, 1927) ; CASABLANCA (US, Michael Curtiz, 1942) ; ACCUSED, THE (US, Jonathan Kaplan, 1988) Notes: Includes bibliographical references and indexISBN: 0299149404 (cloth : alk. paper); 0299149447 (pbk. : alk. paper)LON: 95037052; 11859923
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Quota quickies : the birth of the British 'B' film / Steve Chibnall. London: bfi Publishing, 2007.
Call No: 730.2 (41) CHIAuthor: Chibnall, Steve Source: UKPlace: LondonPublisher: bfi PublishingPubDate: 2007PhysDes: xv, 314 p. : ill., ports. ; 24 cmSubject: ASSOCIATED BRITISH PICTURE CORPORATION ; BAXTER, JOHN ; MILLS, JOHN ; OLIVIER, LAURENCE ; LEIGH, VIVIEN ; Lean, David ; PEARSON, GEORGE ; WARNER BROS. Summary: This book, the first of two volumes, provides a major new history of the British 'B' film, tracing the development of the low-budget supporting feature from the 1927 Films Act, which introduced a quota system for the distribution and exhibition of indigenous product, to the age of television, when 'B' film producers channeled their energies into making television programs.Along the way the authors address leading producers and studios, 'B' film stars, distributors, and the genres and themes that tended to dominate 'B' film production: comedy, horror, crime and fantasy. Quota Quickies includes a case study of the 'B' films of Michael Powell. [taken from BFI website]Notes: Includes index
Formerly CIP
Includes bibliographical references and index
Includes filmographyISBN: 1844571556
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Richard Fox named VP Sales for WBs. in Australasian Cinema (30//4/1982) vol.11 iss.7 p.3
PhysDes: ArticleSubject: WARNER BROS. Summary: Announcement of Richard Fox to vice-president, sales at Warner Brothers.
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Roadshow Warner production renewed in Movie Trader (Mar 2000) p.1, 10
PhysDes: ArticleSubject: VILLAGE ROADSHOW ; WARNER BROS. Summary: Village Roadshow and Warner Bros have renewed their production deal which extends their partnership to 2005 and includes twenty extra feature films.
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Roadshow/ Warner trade day a big hit with exhibitors : Roadshow/Warner trade show- Roadshow puts show back into showbiz in Australasian Cinema (25/2/1983) vol.12 iss.3 p.4-5
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Robert H. Solo V.P. Production Warner Bros. in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.7
Subject: WARNER BROS. Summary: Report on Solo's promotion to Vide President of production at Warner Bros., situated at Burbank
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Sammpy Parker app'd chairman, MPDA in Australasian Cinema (28/1/1983) vol.12 iss.1 p.1
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The selected letters of Elia Kazan / Albert J. Devlin and Marlene J. Devlin New York: Alfred A. Knopf, 2014.
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Spike, Mike, slackers & dykes : a guided tour across a decade of American independent cinema / John Pierson with the conversational collaboration of Kevin Smith London: Faber and Faber, 1996, c1995.
Call No: 210.2(73) PIEAuthor: Pierson, John Place: LondonPublisher: Faber and FaberPubDate: 1996, c1995PhysDes: 374 p., [16] p. of plates : ill., ports ; 24 cmSubject: INDEPENDENT FILMS. USA ; INDEPENDENT PRODUCTION. USA ; FESTIVALS. PARK CITY. SUNDANCE ; WARNER BROS. ; MIRAMAX FILMS ; SMITH, KEVIN ; WEISS, ROB ; MOORE, MICHAEL ; TROCHE, ROSE ; TURNER, GUINEVERE ; LEE, SPIKE ; LINKLATER, RICHARD ; BORDEN, LIZZIE ; Pierson, John ; GOMEZ, NICK ; JARMUSCH, JIM ; MORRIS, ERROL ; AMONGST FRIENDS (US, Rob Weiss, 1993) ; ANNA (US, Yurek Bogayevicz, 1987) ; CLERKS (US, Kevin Smith, 1994) ; MALLRATS (US, Kevin Smith, 1995) ; GO FISH (US, Rose Troche, 1994) ; PARTING GLANCES (US, Bill Sherwood, 1986) ; STRANGER THAN PARADISE (US/GW, Jim Jarmusch, 1984) ; WORKING GIRLS (US, Lizzie Borden, 1986) ; ROGER AND ME (US, Michael Moore, 1989) ; SHE'S GOTTA HAVE IT (US, Spike Lee, 1986) ; HOOP DREAMS (US, Steve James, 1994) ; SLACKER (US, Richard Linklater, 1990) ; THIN BLUE LINE, THE (US, Errol Morris, 1988) Notes: First published in the USA in 1995 by Hyperion/Miramax; Includes indexISBN: 0571179142 (pbk.)LON: 13149590
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annual report
Time Warner Entertainment Australia annual report Sydney: 1998-. Digital clippings file available
Call No: held 1998; SEE STAFF; DIGITAL FILES; held 2006/07-2010/11CorpAuthor: Time Warner Entertainment AustraliaPlace: SydneyPubDate: 1998-PhysDes: 44 p.Subject: TIME WARNER ; WARNER BROS.
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Twenty-first-century Hollywood : rebooting the system / Neil Archer New York; Chichester, UK: Wallflower Press,
Call No: 71(73) "200"Author: Archer, Neil Edition: 2019Place: New York; Chichester, UKPublisher: Wallflower PressPhysDes: 118 pages : illustrated ; 22 cmSubject: AUDIENCE RESEARCH. USA ; DEL TORO, GUILLERMO ; DISNEY ; FRANCHISES ; MARVEL ; PIXAR ; WARNER BROS. Summary: Twenty-First-Century Hollywood looks into the contexts of studio film production in the new century in order to understand what shapes the style and content of present-day cinema. In an era dominated in box-office terms by the franchise and the family film, this book combines close textual readings and industrial analysis, illustrating why these kinds of movies are favored in the contemporary climate by producers and audiences alike. Neil Archer critically explores the narrative and aesthetic strategies at work in Hollywood’s most high-profile films, from Harry Potter, to Marvel’s Cinematic Universe, to The Lego Movie. Along the way, the book answers some often unexpected questions: Why is Hollywood nervous about flying saucers? Why might the cinematic auteur be Hollywood’s savior? And why are the most grown-up movies those made for children? As this study shows, like the films themselves, the answers to these questions are often complex and surprising. -- publisher's web siteISBN: 9780231191593Contents: Acknowledgements -- Introduction: Rebooted? -- 1. Why Can’t Hollywood Rely on Flying Saucers? Industry, Audience and Franchise Logic -- 2. What Does Hollywood Really Like About Comic Books? Structure and Style in Marvel’s Cinematic Universe -- 3. Is Hollywood Saving the World, or Is the World Saving Hollywood? Industrial Authorship and Experimental Blockbusters -- 4. Why Are the Most Grown-Up Films Made for Children? Ways of Playing in the Family Film -- Filmography -- Bibliography -- Index
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Village, Warner in video venture in Herald Sun (02/03/2000) p.71
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERSubject: WARNER BROS. ; VILLAGE ROADSHOW ; DISTRIBUTION. DVD. AUSTRALIA ; DISTRIBUTION. AUSTRALIA Summary: Village Roadshow and Warner Brothers video are combining their video sales operations, calling the new company Warner Roadshow Home Entertainment.Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: "Village Roadshow siad yesterday the venture would benefit the Australian DVD and video markets by sharing costs and taking advantage of efficiencies gained from a central distribution point."
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W. B. International V. P. Mac Greenber retires in Australasian Cinema (Thursday, 31/10/1974) vol.2 iss.21 p.2
Subject: WARNER BROS. Summary: Announcement of the retirement of Mac Greenberg, vice president at Warner Bros.
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digital clippings file
WARNER BROS. Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: WARNER BROS. URL status: URL: 'http://file://Q:/S/WARNER_BROTHERS.zip'
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Warner Bros in deal to make films in Chinese in The Australian [Business news] (22/9/15) p.25
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Warner Bros. Product in Australasian Cinema (29/10/1982) vol.11 iss.19 p.4
PhysDes: ArticleSubject: WARNER BROS. ; FIREFOX (US, Clint Eastwood, 1982) ; LOONEY LOONEY LOONEY BUGS BUNNY MOVIE (US, Friz Freleng & others..., 1981) ; THIS IS ELVIS (US, Andrew Solt & Malcolm Leo, 1981) ; MIDSUMMER NIGHT'S SEX COMEDY, A (US, Woody Allen, 1982) ; EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978) ; HOUSE OF WAX (US, Andre de Toth, 1953) ; SUPERMAN II (US, Richard Lester, 1980) ; BLADE RUNNER (US, Ridley Scott, 1982) ; NIGHT SHIFT (US, Ron Howard, 1982) ; WORLD ACCORDING TO GARP, THE (US, George Roy Hill, 1982) ; BEST FRIENDS (US, Norman Jewison, 1982) ; LOVE CHILD (US, Larry Peerce, 1982) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; HONKYTONK MAN (US, Clint Eastwood, 1982) ; NATIONAL LAMPOON'S VACATION (US, Harold Ramis, 1983) ; STROKER ACE (US, Hal Needham, 1983) ; TWICE UPON A TIME (US, John Korty & Charles Swenson, 1983) ; SUPERMAN III (US, Richard Lester, 1983) Summary: List of current, coming, and in-production titles from Warner Bros.
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Warner Bros. sales drive: huge success in Australasian Cinema (24/6/1983) vol.12 iss.11 p.3
PhysDes: ArticleSubject: WARNER BROS. Summary: Article on the Warner Bros. sales drive and list of prize winners
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The Warner Bros. story / Clive Hirschhorn London: Octopus, 1979.
Call No: 19WAR HIRAuthor: Hirschhorn, Clive Place: LondonPublisher: OctopusPubDate: 1979PhysDes: 480 p. : ill. (some col.) ; 32 cmSubject: WARNER BROS. Notes: Includes indexISBN: 0706407970LON: 5429341
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Warner Bros. topple records in Australasian Cinema (Friday, 26/10/1984) vol.13 iss.18 p.1
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Warner Brothers New York: Scribner, [1975].
Call No: 19WAR HIGAuthor: Higham, Charles, 1931 Place: New YorkPublisher: ScribnerPubDate: [1975]PhysDes: viii, 232 p. illus. 24 cmSubject: WARNER BROS. ISBN: 0684139499LON: 442875 442875
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The Warner Brothers / Michael Freedland London: Harrap, 1985, c1983.
Call No: 19WAR FREAuthor: Freedland, Michael, 1934 Place: LondonPublisher: HarrapPubDate: 1985, c1983PhysDes: vii, 240 p., [24] p. of plates : ill., portsSubject: WARNER BROS. ; WARNER, JACK L. ; DAVIS, BETTE ; FLYNN, ERROL ; WALLIS, HAL B. ; JOLSON, AL ; JAZZ SINGER, THE (US, Alan Crosland, 1927) ; CASABLANCA (US, Michael Curtiz, 1942) Notes: Includes indexISBN: 0245543163LON: 8442523
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Warner Brothers directors : the hard-boiled, the comic, and the weepers / William R. Meyer New Rochelle, N.Y.: Arlington House, c1978.
Call No: 802.25(73) MEYAuthor: Meyer, William R., 1949 Place: New Rochelle, N.Y.Publisher: Arlington HousePubDate: c1978PhysDes: 381 p. : ill. ; 26 cmSubject: WARNER BROS. ; BERKELEY, BUSBY ; BERNHARDT, CURTIS ; DAVES, DELMER ; HAWKS, HOWARD ; RAPPER, IRVING ; SHERMAN, VINCENT ; WALSH, RAOUL ; WELLMAN, WILLIAM ; HUSTON, JOHN ; LEROY, MERVYN ; NEGULESCO, JEAN ; BACON, LLOYD ; DIETERLE, WILLIAM ; GODFREY, PETER ; GOULDING, EDMUND ; KEIGHLEY, WILLIAM ; LITVAK, ANATOLE Notes: Includes index; Includes filmographiesISBN: 0870003976 : $20.00LON: 957367
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Warner Brothers presents : the most exciting years--from the Jazz singer to White heat / by Ted Sennett New Rochelle, N.Y.: Arlington House, c1971.
Call No: 19WAR SENAuthor: Sennett, Ted Place: New Rochelle, N.Y.Publisher: Arlington HousePubDate: c1971PhysDes: 428 p. : ill. ; 27 cmSubject: WARNER BROS. Notes: Bibliography: p. [319]-320ISBN: 0870001361LON: 220030
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Warner teams with Icon for video and DVD releases in Encore (Online)
Call No: DVD RESEARCH FOLDERAuthor: Staff writers Subject: WARNER BROS. ; ICON PRODUCTIONS/DISTRIBUTION/ENTERTAINMENT Summary: "Warner Home Video has signed a deal with Icon Film Distribution to distribute and market Icon product to the Australian and New Zealand video and DVD markets."Notes: accessed from: Encore Magazine. Reed Business. AFI Research Collection, RMIT University. (14 June 2007).
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WBs acquire new Bond film in Australasian Cinema (15/10/1982) vol.11 iss.18 p.5
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