journal article
2SM's unique 'Moving Out' promotional launch in Australasian Cinema (10/6/1983) vol.12 iss.10 p.3
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$6mil. Advt. budget for 'A Passage To India' in Australasian Cinema (Friday, 29/3-4/4/1985) vol.14 iss.5 p.1
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120,000 admissions in 5 days for 'Breathless' in France in Australasian Cinema (22/7/1983) vol.12 iss.13 p.5
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Ace Promotions for "stome" and "The Dove" in W.A. in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.9
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Address by Alan Finney MPEAQ convention, 1983 in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.14-15
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subject clippings file
ADVERTISING FOR FILMS
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ADVERTISING FOR FILMS. AUSTRALIA
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Affinity Enterprises joins AFM Association in Australasian Cinema (22/7/1983) vol.12 iss.13 p.5
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AFM selects Hollywood Palace for opening night in Australasian Cinema (11/2/1983) vol.12 iss.2 p.2
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AFMA reveals sharp increase in new films for 1983 in Australasian Cinema (11/3/1983) vol.12 iss.2 p.1
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Anthony Perkins visits Australia for 'Psycho II' in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.5
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Australian film investment : Course materials for the seminar, Sheraton Wentworth Hotel, Sydney, 21 April 1983 / presented by the Australian Film Commission, the Australian Society of Accountants, the Institute of Chartered Accountants in Australia North Sydney: Australian Film Commission, 1983.
Call No: 213(94) AUSCorpAuthor: Australian Film Commission; Australian Society of Accountants; Institute of Chartered Accountants in AustraliaPlace: North SydneyPublisher: Australian Film CommissionPubDate: 1983PhysDes: iv, 217 p. : forms ; 31 cmSubject: FINANCING. AUSTRALIA ; ADVERTISING FOR FILMS. AUSTRALIA ; TAXES. AUSTRALIA Notes: Cinema industries. Australia (ANB/PRECIS SIN 0451673); Cover title: Australian film investment; Spiral binding; Bibliography: p. 198-213ISBN: 0642880166 : $15.00 AustLON: abn83066194; 2668728
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Australian product Cannes Film Festival, 1982 in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2
PhysDes: ArticleSubject: HEATWAVE (AT, Phillip Noyce, 1981) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; STARSTRUCK (AT, Gillian Armstrong, 1982) ; FREEDOM (AT, Scott Hicks, 1982) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) ; KITTY AND THE BAGMAN (AT, Donald Crombie, 1982) ; FIGHTING BACK (AT, Michael Caulfield, 1982) ; NORMAN LOVES ROSE (AT, Henri Safran, 1982) ; SQUIZZY TAYLOR (AT, Kevin Dobson, 1982) ; INDUSTRY, FILM. AUSTRALIA ; CANNES FILM FESTIVAL ; ADVERTISING FOR FILMS Summary: Article on the Australian Film Commission helping to organise the promotion of numerous Australian films at the Cannes Film Festival.
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Australian success at 32nd international ad film festival in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.19
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Australian UIP execs. attend international conference in London in Australasian Cinema (13/5/1983) vol.12 iss.8 p.7, 10
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B.C. & C. embark on 'Magical Mystery Tour' in Australasian Cinema (28/1/1983) vol.12 iss.1 p.3
PhysDes: ArticleSubject: BIRCH CARROLL AND COYLE ; ADVERTISING FOR FILMS ; ANNIE (US, John Huston, 1982) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; NIGHT SHIFT (US, Ron Howard, 1982) Summary: Article on Birch, Carroll, and Coyle's promotional day-tour for 'Annie', 'E.T.', and 'Nightshift'.
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B.C. & C. launches promotion of 'Big Screen Movies' in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.5
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Barbara Carrera in UK promotes 'Wild Geese II' in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.5
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Beginner's Luck in Australasian Cinema (Thursday, 10/5/ 1975) vol.3 iss.7 p.3
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"Best Friends" a carparker's delight in Australasian Cinema (25/2/1983) vol.12 iss.3 p.1
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Bill Collins joins Video Classics in major promotional deal in Australasian Cinema (10/9/1982) vol.11 iss.16 p.2
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Bill Edwards appt. vice-president of advtg. & publicity MGM/UA intern'l in Australasian Cinema (16/4/1982) vol.11 iss.6 p.2
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Birch, Carroll and Coyle 1982 Theatre Managers' Convention in Australasian Cinema (16/4/1982) vol.11 iss.6 p.3
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The Blair witch project in If magazine (Dec 1999-Jan 2000) iss.20 p.28-30
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Bonanzahuts of '75 in Australasian Cinema (Thursday, 10/5/ 1975) vol.3 iss.7 p.4
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Bundaberg scores "Most Original Idea" in "Condorman's" promotion in Australasian Cinema (15/10/1982) vol.11 iss.18 p.2
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'Centrespread' movie hits Adelaide with a bang! in Australasian Cinema (16/7/1982) vol.11 iss.12 p.32
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Charlotte Gee appointed advertising/publicity mgr. NSW, Village/Roadshow in Australasian Cinema (2/4/1982) vol.11 iss.5 p.2
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Chris Lean joins Dennis Davidson Associates in Australasian Cinema (27/8/1982) vol.11 iss.15 p.16
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Cinderella Promotion in Queensland in Australasian Cinema (23/7/1982) vol.11 iss.13 p.2
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Cinema still beats online viewing in The Age (20/08/2015) p.20
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City Theatres opens its seventh drive-in in Australasian Cinema (Thursday, 31/10/1974) vol.2 iss.21 p.2
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A concise handbook of movie industry economics / Charles C. Moul (ed.) New York: Cambridge University Press, 2005.
Call No: 203 CONAuthor: Charles C. Moul (ed.) Place: New YorkPublisher: Cambridge University PressPubDate: 2005PhysDes: 23 cm ; 214 pSubject: EXHIBITION ; EXHIBITION. USA ; INDUSTRY, FILM ; INDUSTRY, FILM. USA ; FINANCING. USA ; ADVERTISING FOR FILMS ; ADVERTISING. USA ; HOLLYWOOD ; USA ; PRODUCTION ; PRODUCTION COSTS ; DIGITAL TECHNOLOGY ; INCOME ; AWARDS. ACADEMY ; STUDIO SYSTEM ; GOVERNMENT CONTROL. USA ; BOX OFFICE. USA Summary: This concise handbook collects essays on all aspects of the motion picture industry by leading authorities in political economy, economics, accounting, financing, and marketing. In addition to bringing the reader an up-to-date perspective on what is known and what has been accomplished, it includes both new findings on a variety of topics and directions for additional research. Topics include the estimation of theatrical and ancillary demand, profitability studies, resolution of evident paradoxes in studio executive behaviour, interaction of the industry and government, impacts of the most recent changes in accounting standards, and the role and importance of participation contracts. New results include findings on the true nature of the seasonality of theatrical demand, the predictive power of surveys based upon trailers, the impact of the Academy Awards, the effectiveness of prior history measures to gauge cast members and directors, and the substitutability of movies across different genres. [Taken from inner jacket sleeve].ISBN: 0521843847
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The contemporary Hollywood film industry / edited by Paul McDonald and Janet Wasko Carlton, Victoria: Blackwell Publishing, 2008.
Call No: 201.1 (73) CONAuthor: McDonald, Paul ; Wasko, Janet Source: USPlace: Malden, Massachusetts; Oxford, UK; Carlton, VictoriaPublisher: Blackwell PublishingPubDate: 2008PhysDes: 326 p. : ill. ; 25 cmSubject: HOLLYWOOD ; INDUSTRY, FILM ; STUDIO SYSTEM ; FINANCING ; DISTRIBUTION ; PRODUCTION ; ADVERTISING FOR FILMS ; EXHIBITION ; TELEVISION AND THE CINEMA ; VIDEODISCS ; SOUNDTRACKS ; MUSIC AND THE CINEMA ; LABOUR ; STATE AND THE CINEMA ; GLOBALISATION ; COPYRIGHT ; EXPORT OF FILMS ; UNITED KINGDOM ; FRANCE ; GERMANY ; ITALY ; LATIN AMERICAN COUNTRIES ; ASIAN COUNTRIES ; INDIA ; AUSTRALIA ; NEW ZEALAND ; VIDEO GAMES AND THE CINEMA Summary: "The contemporary Hollywood film industry is characterized by continuity and change. While many well-established Hollywood studios continue to dominate the film business, the industry has also witnessed various changes during the past two decades.
"'The Contemporary Hollywood Film Industry' is a collection of essays by leading scholars that examine the US film industry as an international phenomenon, from the 1980s to the present day. It explores a host of challenges and changes facing Hollywood, and includes important discussions of the industry's labor and star systems, as well as intellectual property and state relations. Essays consider the role of independent producers, the global marketplace for Hollywood products, corporate changes, and various new-media windows, including video, DVD to cable, satellite, and online channels of delivery." (Taken from the back cover)Notes: Includes indexISBN: 9781405133883URL status: URL: 'http://-'
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Controversial director Lindsay Anderson to visit Australia in Australasian Cinema (14/5/1982) vol.11 iss.8 p.1
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Crime scenes : movie poster art of the film noir ; the classic period : 1941-1959 / written and collected by Lawrence Bassoff ; foreword with Robert Wise Beverly Hills: Lawrence Bassoff Collection, c1997.
Call No: 915 BASAuthor: Bassoff, Lawrence CorpAuthor: Lawrence Bassoff CollectionSource: USPlace: Beverly HillsPublisher: Lawrence Bassoff CollectionPubDate: c1997PhysDes: 159 pages : illustrations (chiefly colour) ; 28 x 36 cmSubject: FILM NOIR ; CRIME FILMS ; POSTERS ; ADVERTISING FOR FILMS ; MERCHANDISING ; WISE, ROBERT Summary: "Crime Scenes - Movie Poster Art of the Film Noir is the first book to trace the development and history of this intriguing movement by employing original movie poster art from over 100 vintage film noirs from the classic period of 1941 to 1959 including: The Maltese Falcon with Humphrey Bogart and Mary Astor, This Gun for Hire with Alan Ladd and Veronica Lake, Laura with Gene Tierney and Dana Andrews, and The Postman Always Rings Twice with Lana Turner and John Garfield. Originally displayed in movie theatres, these rare, ravishing and valuable posters and lobby cards also illustrate the signature in-house movie poster styles and printing processes utilized by the major studios and leading independents of the day. Academy Award-winning producer and director Robert Wise recalls his experiences as the RKO Radio Pictures contract director of such film noirs as Born to Kill (1947) and The Set Up (1949) in an informative foreword interview." - BOOK BLURBNotes: Contains bibliography and index of movie posters -- Dedicated to the Art Gallery of New South Wales and the Art Gallery Society of New South WalesISBN: 1886310114
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Cyril Cornish dies in Australasian Cinema (27/8/1982) vol.11 iss.15 p.27
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'Dark Crystal' lights up fashion in Australasian Cinema (10/6/1983) vol.12 iss.10 p.2
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David A. Weitzner named exec. vice-president, Embassy Pictures in Australasian Cinema (12/11/1982) vol.11 iss.20 p.5
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David Koffel- featured theatre ads Brisbane and Adelaide award film showings in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.2-3
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Death of Bill Band in Australasian Cinema (23/7/1982) vol.11 iss.13 p.2
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Delivery items : a guide for film and video producers North Sydney: Australian Film Commission, 1992.
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Director of 'Frances' to visit Australia in Australasian Cinema (25/2/1983) vol.12 iss.3 p.2
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Distributing Australian films : a survey of current market conditions and distributors' perceptions. / Presented by: Marketing Branch of the Australian Film Commission. Written by: Mary Anne Reid, with assistance from Diana Berman, Director of Marketing, AFC, and Rosemary Curtis, manager, information and research, AFC. Sydney: Australian Film Commission, 1999.
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Edward Russell app. vice-president of marketing at Goldwyn in Australasian Cinema (15/10/1982) vol.11 iss.18 p.9
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Edward Russell appt. vice-pres., marketing, for Goldwyn in Australasian Cinema (29/10/1982) vol.11 iss.19 p.10
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newspaper article
End of the affair in Sydney Morning Herald [Computers] (08/12/2001) p.8
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Moses, Alexa Subject: ADVERTISING FOR FILMS ; INTERNET AND THE CINEMA Summary: The author laments the old websites that hang around whilst the films they promote have long gone.Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: Jim Noonan - Snr VPres and Gen Mgr Warner Bros. Online - "Noonan says the web monuments of old and, often, flop films have a lot to do with promoting video rentals and DVD sales, as well as luring television networks who are looking for content. "There's a natural evolution there and an ongoing interest for us to continue to market them online," he says.
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Exploiting the regional Queensland audience : Birch Carroll and Coyle's Wintergarden theatres, 1925-35 in Studies in Australasian cinema (2007) vol.1 iss.3 p.333-351
Author: Cryle, Denis ; Johansen, Grace PhysDes: ArticleSubject: BIRCH CARROLL AND COYLE ; AUDIENCES. AUSTRALIA ; EXHIBITION. AUSTRALIA ; REGIONAL EXHIBITION. AUSTRALIA ; HISTORY OF CINEMA. AUSTRALIA ; ADVERTISING FOR FILMS. AUSTRALIA Summary: The authors examine the first decade of the Birch Carroll and Coyle consortium, focusing on its regional Wintergarden theatre chain and on its stated objective of bringing metropolitan sophistication to regional centres, in a period of industry optimism which coincided with the construction of its Wintergarden theatres throughout Queensland. The article draws on local print sources and interview material in order to explain and confirm the social appeal of cinema-going across a range of regional sites. The exploitation campaigns organized and coordinated by Birch Carroll and Coyle's regional and state managers in the midst of moral opposition, government regulation and press criticism, both before and after the advent of the talkies, is examined. Drawing extensively from industry journals of the period, the authors argue that press publicity, along with local stunts and staged events, formed an integral part of Birch Carroll and Coyle's concerted strategy to sell its Hollywood product and offset ongoing criticism within government and local communities. In conclusion, they examine the impact of the Depression on the industry in Queensland, including regional audiences, and assess its impact on Birch Carroll and Coyle's subsequent regional theatre publicity campaigns. -- Abstract
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The 'fear of missing out' marketing strategy and Fifty Shades of Grey in Encore (September 2012) p.10
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Film business : a handbook for film producers / edited by Tom Jeffrey North Ryde, N.S.W. St Leonards, NSW: Australian Film, Television and Radio School Distributed in Australia and New Zealand by Allen & Unwin, 1995.
Call No: 222(94) FILAuthor: Jeffrey, Tom ; Parer, Damien, 1945 CorpAuthor: Australian Film, Television and Radio SchoolEdition: 2nd edPlace: North Ryde, N.S.W. St Leonards, NSWPublisher: Australian Film, Television and Radio School Distributed in Australia and New Zealand by Allen & UnwinPubDate: 1995PhysDes: x, 386 p. : ill., forms ; 25 cmSubject: PRODUCING. AUSTRALIA ; PRODUCTION. AUSTRALIA ; COPYRIGHT. AUSTRALIA ; FINANCING. AUSTRALIA ; CASTING. AUSTRALIA ; BUDGETING. AUSTRALIA ; POST-PRODUCTION. AUSTRALIA ; ADVERTISING FOR FILMS. AUSTRALIA ; DISTRIBUTION. AUSTRALIA Notes: CIP confirmed; Previous ed.: Parer, Damien (editor). North Ryde, N.S.W. : Australian Film, Television and Radio School, 1989; Includes index; Bibliography: p. 359-364ISBN: 0642227055LON: 11509898 11509898
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Film business : a handbook for producers / edited and compiled by Damien Parer North Ryde, N.S.W.: Australian Film, Television and Radio School, 1989.
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Film business : a handbook for film producers / edited by Tom Jeffrey Crows Nest, N.S.W.: Australian Film, Television and Radio School Distributed in Australia and New Zealand by Allen & Unwin, 2006.
Call No: 222(94) FILAuthor: Jeffrey, Tom ; Parer, Damien, 1945 CorpAuthor: Australian Film, Television and Radio SchoolEdition: 3rd edSource: ATPlace: Crows Nest, N.S.W.Publisher: Australian Film, Television and Radio School Distributed in Australia and New Zealand by Allen & UnwinPubDate: 2006PhysDes: x, 451 p. : forms ; 23 cmSubject: PRODUCING. AUSTRALIA ; PRODUCTION. AUSTRALIA ; COPYRIGHT. AUSTRALIA ; FINANCING. AUSTRALIA ; CASTING. AUSTRALIA ; BUDGETING. AUSTRALIA ; POST-PRODUCTION. AUSTRALIA ; ADVERTISING FOR FILMS. AUSTRALIA ; DISTRIBUTION. AUSTRALIA Notes: Previous ed.: Parer, Damien (editor). North Ryde, N.S.W. : Australian Film, Television and Radio School, 1989; Includes index; Bibliography: p. 359-364ISBN: 1741146461
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Film cultures / Janet Harbord London: Sage Publications, 2002.
Call No: 62(081) HARAuthor: Harbord, Janet Source: UKPlace: LondonPublisher: Sage PublicationsPubDate: 2002PhysDes: 182 p. ; 25 cmSubject: EXHIBITION ; FESTIVALS ; ADVERTISING FOR FILMS ; PRODUCTION ; AESTHETICS ; FILM CULTURE Summary: "In Film cultures, Janet Harbord looks at the ways in which film connects us to social, spatial, and temporal networks of exchange and meaning. Harbord argues that the space in which we view films, whether it be a multiplex, an art house or our own home, as well as the way in which we view them, as either singular objects or hypertexts linked to an almost infinite variety of other products, connects us to a particular film culture. Shifting the focus of film analysis from the text to the paths of circulation, Film cultures invites us to explore the ways in which film connects us to specific social, national, and global networks."Notes: Includes bibliographical references (p. [164]-176) and indexISBN: 0761965211Contents: Introduction - Chapter 1 Breaking with the aura? Film as object or experience -- Chapter 2 Spatial effects: film cultures and sites of exhibition -- Chapter 3 Film festivals: media events and spaces of flow -- Chapter 4 Marketing films and audiences -- Chapter 5 Postmodern praxes: production on the national and global stage -- Chapter 6 Aesthetic encounters -- Chapter 7 Digitalization and its discontents -- References -- Index
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Film-induced tourism Clevedon: Channel View Publications, 2005.
Call No: 230:33 BEEAuthor: Sue Beeton Place: ClevedonPublisher: Channel View PublicationsPubDate: 2005PhysDes: 270 p. ; 23 cmSeries: Aspects of TourismSubject: TRAVEL IN FILMS ; LOCATION SHOOTING. AUSTRALIA ; LOCATION SHOOTING. USA ; LOCATION SHOOTING. UK ; ADVERTISING FOR FILMS ; NEW ZEALAND ; STUDIOS, FILM. AUSTRALIA Summary: Tourism to places where movies and television series have been filmed is not a new phenomenon, having its roots in literary tourism. Whilst there is a growing recognition of the significance of film as a motivator for tourism, studies in this field are limited. However, film is more than a simple place promotion tool. Representing over five years of study into film-induced tourism, this publication considers aspects of tourism to film studios as well as film sites. Genres and styles of film considered include popular fictional movies, cult movies, television series and animation, and covers destinations form New York to Scotland, England and rural Australia. The potential of film-induced tourism as a motivator is explored, along with more negative effects, particularly in relation to small communities. The study of this complex field draws on elements of sociology and psychology, destination marketing, community development and strategic planning. [Taken from back cover.]ISBN: 1845410149
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Film marketing into the twenty-first century / by Nolwenn Mingant, Cecilia Tirtaine, Joel Augros London: BFI book published by Palgrave, 2015.
Call No: 33 MINAuthor: Mingant, Nolwenn ; Tirtaine, Cecilia ; Augros, Joel Source: UKPlace: LondonPublisher: BFI book published by PalgravePubDate: 2015PhysDes: xii, 200 pages : illustrations ; 24 cmSubject: ADVERTISING FOR FILMS ; ADVERTISING ; DIGITAL TECHNOLOGY ; TRANSNATIONAL CINEMA ; DISTRIBUTION ; INTERNET AND THE CINEMA ; COMPUTERS AND THE CINEMA ; MY BIG FAT GREEK WEDDING (US, Joel Zwick, 2002) ; MY LIFE IN RUINS (US, Donald Petrie, 2009) ; ICE AGE (US, Chris Wedge & Carlos Saldanha, 2002) ; ICE AGE: CONTINENTAL DRIFT (US, Steve Martino/Michael Thurmeier, 2012) ; HOBBIT, THE: AN UNEXPECTED JOURNEY (US/NZ, Peter Jackson, 2012) ; HOBBIT, THE: THE DESOLATION OF SMAUG (US/NZ, Peter Jackson, 2013) ; HOBBIT, THE: THE BATTLE OF THE FIVE ARMIES (US/NZ, Peter Jackson, 2014) ; BAIT (AT, Kimble Rendall, 2012) ; AVATAR (US, James Cameron, 2009) Summary: "How do you sell English humour to a French audience? Could piracy actually be good for the film business? Why are the revolutionary technologies used in the making of The Hobbit not mentioned in some adverts? Exploring these questions and many more, Film Marketing into the Twenty-First Century draws on insights from renowned film scholars and leading industry professionals to chart the evolution of modern film marketing.
The first part of the book focuses on geographical considerations, showing how marketers have to adapt their strategies locally as films travel across borders. The second covers new marketing possibilities offered by the Internet, as Vine, Facebook and other participative websites open new venues for big distributors and independents alike. Straddling practical and theoretical concerns and including case studies that take us from Nollywood to Peru, this book provides an accessible introduction to the key issues at stake for film marketing in a global era." -- BOOK BLURBNotes: Includes bibliographical references and indexISBN: 9781844578382Contents: -- acknowledgments -- notes on contributors -- foreword / Janet Wasko -- 1: introduction / Nolwenn Mingant, Cecilia Tirtaine and Joel Augros -- `My job is to find the right signals at the right moment for the right people' an interview with Benoit Mely / Laurent Creton and Nolwenn Mingant -- I.MARKETING AND FILM CULTURE -- `There simply Isn't one-shape-fits-all for film' an interview with Michael Williams-Jones / Nolwenn Mingant -- And Tom Cruise Climbed the Burj Khalifa, or How Marketing Shapes Hollywood Film Production / Nolwenn Mingant -- `My Big Fat Life in Ruins' Marketing Greekness and the Contemporary US Independent Film / Yannis Tzioumakis and Lydia Papadimitriou -- Carry On Laughing Selling English Humour in France / Cecilia Tirtaine and Joel Augros -- Hearing Voices Dubbing and Marketing in the Ice Age Series A case study / Nolwenn Mingant -- Hollywood in China Continuities and Disjunctures in Film Marketing / Michael Curtin, Wesley Jacks and Yongli Li -- Film Marketing in Nollywood A case study / Alessandro Jedlowski -- Marketing High Frame Rate in The Hobbit Trilogy A Spectacular Case of Promoting and Un-promoting New Cinema Technology / Miriam Ross -- Niche Marketing in Peru An Interview / Nolwenn Mingant -- II.MARKETING FOR AND BY THE CONSUMER -- Leaked Information and Rumours The Buzz Effect A case study / Joel Augros -- Brave New Films, Brave New Ways The Internet and the Future of Low- to No Budget Film Distribution and Marketing / Hayley Trowbridge -- Between Storytelling and Marketing, the SocialSamba Model An Interview with Aaron Williams / Nolwenn Mingant -- Promoting in Six Seconds New Advertising Strategies Using the Video Social Network Vine in Spain A case study / Javier Lozano Delmar and Jose Antonio Muniz-Velazquez -- Piracy and Promotion Understanding the Double-edged Power of Crowds / Ramon Lobato -- Marketing Bait (2012) Using SMART Data to Identify e-guanxi Among China's `Internet Aborigines' / Brian Yecies, Jie Yang, Matthew Berryman and Kai Soh -- From Marketing to Performing the Market The Emerging Role of Digital Data in the Independent Film Business / Michael Franklin, Dimitrinka Stoyanova Russell and Barbara Townley -- POSTSCRIPT: THE INVISIBLE SIDE OF BUSINESS: B-TO-B MARKETING -- marketing the `Avatar Revolution', or How to Sell Digital Technology to Exhibitors / Kira Kitsopanidou -- `It's Africa. It's Arizona. It's Antarctica. It's Afghanistan. Actually, it's Alberta' Marketing Locations to Film Producers / Ben Goldsmith -- select bibliography -- index --
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Film policy : an Australian reader / edited by Albert Moran [Queensland], Australia: Institute for Cultural Policy Studies, Faculty of Humanities, Griffith University, 1994.
Call No: 205.1(94) FILAuthor: Moran, Albert CorpAuthor: Griffith University. Institute for Cultural Policy Studies; Film Policy Conference (1991 : Griffith University)Place: [Queensland], AustraliaPublisher: Institute for Cultural Policy Studies, Faculty of Humanities, Griffith UniversityPubDate: 1994PhysDes: iii, 193 p. ; 30 cmSeries: Special publication of the Institute for Cultural Policy Studies, Faculty of Humanities, Griffith UniversitySubject: STATE AND THE CINEMA. AUSTRALIA ; GOVERNMENT CONTROL. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. UK ; INDUSTRY, FILM. NEW ZEALAND ; INDUSTRY, TV. AUSTRALIA ; QUOTA. AUSTRALIA ; NATIONAL CONTENT. AUSTRALIA ; AUSTRALIAN ABORIGINAL CINEMA ; AUSTRALIAN ABORIGINES AND TV ; MAORI CINEMA ; ADVERTISING FOR FILMS. AUSTRALIA ; INDEPENDENT PRODUCTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA : NEW SOUTH WALES ; INDUSTRY, FILM. AUSTRALIA : QUEENSLAND ; INDUSTRY, FILM. AUSTRALIA : SOUTH AUSTRALIA ; NEW SOUTH WALES FILM AND TELEVISION OFFICE ; QUEENSLAND FILM DEVELOPMENT OFFICE Notes: "These papers were originally presented at the Film Policy Conference hosted by the Institute for Cultural Policy Studies at Griffith University in Brisbane in 1991"--Cover p. [4]; Includes bibliographical referencesISBN: 0868575453LON: 9849431
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Film posters of the 80s : the essential movies of the decade / Edited by Tony Nourmand and Graham Marsh London: Aurum Press, 2005.
Call No: 915 FILAuthor: Marsh, Graham ; Nourmand, Tony Source: UKPlace: LondonPublisher: Aurum PressPubDate: 2005PhysDes: 127 p. : chiefly col. ill. ; 30 cmSubject: POSTERS ; ADVERTISING FOR FILMS Summary: 1980s cinema poster art sourced from the Reel Poster Gallery collectionNotes: Includes index.ISBN: 1854108034
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Film programme in der DDR : 1945 - 1975 / Dokumentation von Herbert Holba, Wien. With Manfred Lichtenstein, Gunter Schulz, Berlin. Herausgegeben von Dokumentationszentrum Action, Wien und von Staatlichen Filmarchiv der DDR, Berlin Wien: Dokumentationszentrum Action, 1977[?].
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Film tags / Robert Cettl [Para Hills, S. Aust.]: Inkstone press, 2008.
Call No: 333 CETAuthor: Cettl, Robert Source: ATPlace: [Para Hills, S. Aust.]Publisher: Inkstone pressPubDate: 2008PhysDes: 199 p. ; 23 cmSubject: ADVERTISING FOR FILMS Summary: Examples and study of taglines in film promotionNotes: "Promoting the movies in the age of DVD ; One aspect of the movie-making process that gets lost in all the hype is the creation of the hype itself"--Cover.ISBN: 9780980489637
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Filmways scores Gilbert & Sullivan's 'Pirates of Penzance' in Australasian Cinema (25/3/1983) vol.12 iss.5 p.1
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Foyer pleasure : the golden age of cinema lobby cards / John Kobal and V.A. Wilson London: Aurum, 1982.
Call No: 915 KOBAuthor: Kobal, John ; Wilson, V.A. Source: UKPlace: LondonPublisher: AurumPubDate: 1982PhysDes: 158 p. : col. ill. ; 23 x 30 cmSubject: POSTERS ; ADVERTISING FOR FILMS Summary: Contains many colour reproductions of cinema lobby cards, including information about the history of lobby cards and the films they depict.ISBN: 0906053331Donation: donated by the family of Wayne Levy, 2006
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Frank Bitcher's 30yrs service to advertising industry in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.2
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Frank Miller's Sin City : the making of the movie / by Frank Miller and Robert Rodriguez, edited by Chris Roberson, designed by Kurt Volk [United States]: Troublemaker Publishing, c2005.
Call No: 79SIN MILAuthor: Miller, Frank ; Rodriguez, Roger Source: USPlace: [United States]Publisher: Troublemaker PublishingPubDate: c2005PhysDes: 267 pages : illustrations ; 23 x 29 cmSubject: ADAPTATIONS ; ADVERTISING FOR FILMS ; ART AND THE CINEMA ; ART DIRECTION ; AUTOMOBILES IN FILMS ; COMIC STRIPS AND THE CINEMA ; COMPUTER GENERATED IMAGERY ; COSTUME DESIGNING ; COSTUMES ; MAKE-UP ; MERCHANDISING ; POSTERS ; PRE-PRODUCTION ; PRODUCTION ; SCRIPTS ; SET DESIGNING ; SPECIAL EFFECTS ; MILLER, FRANK ; RODRIGUEZ, ROBERT ; SIN CITY (US, Frank Miller and Robert Rodriguez, 2005) Summary: "With contributions from creators, cast, and crew, FRANK MILLER'S SIN CITY: THE MAKING OF THE MOVIE covers the production, from page to screen and everything in between. Featuring Rodriguez's screenplay adaptation of the original graphic novels, exclusive behind-the-scenes photos, never before seen art and conceptual designs, interviews and commentary, this is the perfect companion to both the original graphic novels and the movie."Notes: Includes poster art and promotional material for the film; Includes photo creditsISBN: 1933104007; 9781933104003Donation: Simon WincerContents: Introduction by Frank Miller -- The origins of Sin City -- Approaching Sin City -- Troublemaker Digital on previsualization -- The Hard Goodbye -- Props -- KNB -- The Big Fat Kill -- Frank Miller's sketchbook -- Wardrobe -- Cars -- That Yellow Bastard -- Poster art -- Crew -- Photo credits
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Fred Hift sets up own office as international marketing consultant in Australasian Cinema (2/4/1982) vol.11 iss.5 p.2
PhysDes: ArticleSubject: UNITED ARTISTS ; BLUTH, DON ; ADVERTISING FOR FILMS Summary: Article on Fred Hift leaving United artists to form his own marketing company, Fred Hift International. The first film marketed will be 'The Secrets of NIMH'.
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From hobbits to Hollywood : essays on Peter Jackson's Lord of the Rings / edited by Ernest Mathijs and Murray Pomerance Amsterdam, NY: Rodopi B.V., 2006.
Call No: 79LOR FROAuthor: Mathijs, Ernest and Pomerance, Murray (eds.) Source: USPlace: Amsterdam, NYPublisher: Rodopi B.V.PubDate: 2006Series: Contemporary Cinema, no.3Subject: AUDIENCE RECEPTION ; ADAPTATIONS. TOLKEIN, J.R.R. ; MERCHANDISING ; ADVERTISING FOR FILMS ; SOCIAL ISSUES IN FILMS ; LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001) ; LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002) ; LORD OF THE RINGS: THE RETURN OF THE KING, THE (US, Peter Jackson, 2003) Summary: Collected essays on Peter Jackson's film adapatations of Tolkein's Lord of the Rings trilogy.Notes: includes index and bibliographyISBN: 9789042020627ISSN: 15723070Language: English
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Get the picture : essential data on Australian film, television and video / compiled and edited by Peta Spear North Sydney: The Commission, 1989.
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Yet to catalogue
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Get the picture : essential data on Australian film, television and video Sydney: Australian Film Commission, 1994.
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Yet to catalogue
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Get the picture : essential data on Australian film, television and video / Australian Film Commission Sydney: Australian Film Commission, 1992.
Call No: 201(94) AUSAuthor: Australian Film Commission Edition: 2nd edSource: AUPlace: SydneyPublisher: Australian Film CommissionPubDate: 1992PhysDes: 219 p. : ill. ; 25 cmSubject: ADVERTISING FOR FILMS ; AUDIENCES. AUSTRALIA ; DISTRIBUTION. AUSTRALIA ; FILM STUDY AND RESEARCH. AUSTRALIA ; FUNDING. AUSTRALIA ; LABOUR ; INDUSTRY, FILM. AUSTRALIA ; PRODUCTION Summary: "The aim of GET THE PICTURE is to collate data on the Australian film, television and video industries to assist in the analysis, research, and promotion of these industries. This edition continues the project of the first edition with sections on the production and international distribution of Australian films/programs. Description of key events in the industries in 1991, and an overview of reviews of Australian films, have been added." [Taken from Introduction]Notes: Addenda laid in; Includes bibliographical references (p. 198-216) and indexISBN: 064217475XLON: abn92098202; 8924673
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Get the picture : essential data on Australian film, television, video and interactive media / edited by Cathy Gray and Rosemary Curtis Sydney: Australian Film Commission, c2002.
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Interim
book
Global Hollywood / Toby Miller ... [et al.]. London: bfi Publishing, 2001.
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journal article
GUO/FD appointment in Australasian Cinema (6/8/1982) vol.11 iss.14 p.2
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GUO Film Distrs. aid worthy cause in Australasian Cinema (10/9/1982) vol.11 iss.16 p.8
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Interim
book
Hands on : A practical guide to production and technology in film, TV and new media / Marcus Gillezeau Sydney: Currency Press, 2004.
Call No: 222(94) GILAuthor: Marcus Gillezeau Place: SydneyPublisher: Currency PressPubDate: 2004PhysDes: 340 p ; 21 cmSubject: PRODUCTION ; PRODUCTION COSTS ; PRODUCTION TECHNOLOGY ; PRODUCTION, TV. AUSTRALIA ; PRODUCTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; FINANCING. AUSTRALIA ; TECHNOLOGY AND THE CINEMA. AUSTRALIA ; PRE-PRODUCTION. AUSTRALIA ; ADVERTISING FOR FILMS. AUSTRALIA ; DISTRIBUTION. AUSTRALIA Summary: Written specifically for the Australian industry, Hands On is an essential guide to the latest film, video and new-media technology. Hands On defines a cyclical production model that empowers the film-maker and saves time and money. From conception to financing, choosing a screen ratio, a camera or a lawyer, delivering over the web, TV or the cinema, Hands On helps emerging and established practitioners to make informed decisions. This book features budgets, illustrations, charts and a glossary. It also inludes a comprehensive list of industry associations and government bodies with their full contact details. [Taken from back cover].ISBN: 0868196827
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"Heidi's Song" joins favourites in Australasian Cinema (28/1/1983) vol.12 iss.1 p.6
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journal article
The Hollywood Reporter. A Special Report on Location in Australia in The Hollywood Reporter (05/01/1988) vol.300 iss.27 p.s1-s128
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journal article
Hoyts and "RCA-Columbia Pictures Video" arrive at marketing agreement in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18
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journal article
Hoyts executive moves in Australasian Cinema (15/7/1983) vol.12 iss.12 p.4
PhysDes: ArticleSubject: HOYTS ; ADVERTISING FOR FILMS Summary: The return of Richard S. Guardian to Sydney following his stay in Melbourne where he observed the different marketing needs of the two cities.
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Immediate seating : a look at movie audiences / Bruce A. Austin Belmont, Calif.: Wadsworth Pub. Co., 1989.
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The insider's guide to independent film distribution / Stacey Parks Amsterdam: Elsevier, 2007.
Call No: 301.4 PARAuthor: Parks, Stacey Place: AmsterdamPublisher: ElsevierPubDate: 2007PhysDes: xi, 202 p. ; 23 cmSubject: ADVERTISING FOR FILMS ; ADVERTISING ; DISTRIBUTION ; INDEPENDENT FILMS ; PRODUCTION ; DIRECTION Summary: "This comprehensive manual for filmmakers and producers dedicated to film distribution and the marketplace could mean the difference between getting your film out to the public and keeping it "in the can." Learn how to sell your movie to a studio, a cable network, a video distributor, or international buyers. Self-distribution and other alternatives to traditional distribution are also considered. As well, you'll hear some success stories from producers and hear directly from buyers what they are seeking."--BOOK JACKET.Notes: Includes index.ISBN: 9780240809229Contents: Introduction -- 1: History of distribution and state of the market -- a recent history of distribution -- the current state of the market: a reality check -- suggested exercises for part one -- 2: Before you start production: Getting a leg up on distribution -- get in touch with the market -- carefully consider genre and format -- casting for distribution -- hire a casting director -- submit offers to agents -- exploit your contacts and go for out-of-work actors -- financing strategies for distribution -- set money aside for the last mile -- how much money will I make? realsitic sales projections for your film -- make a business plan for your film -- suggested exercises for part two -- 3: Production geared toward distribution -- shooting format -- the importance of stills --starting publicity during producation: get the buz going -- suggested exercises for part three -- 4: Postproduction with an eye toward distribution -- get objective third-party feedback -- licence stock footage -- build your press kit -- suggested exercises for part four -- 5: It's in the can-now what? how to create a campaign -- appyling to film festivals: your strategy -- finding producer reps and sales agents - sales agencies to consider -- filmmaker case study: Percy Angress, in his own words -- Navigating international fim markets -- a film-market prep guide -- Some do's and don'ts when atending a film market -- should I have a distributor screening for my film? suggested exercises for part five -- 6: Getting a distribution deal -- the U.S. distribution deal and what to expect -- how to approach U.S. distributors yourself -- filmmaker case study: David Basulto, in his own words -- Foreign distribution and what to expect -- expenses required to market and distribute a film -- filmmaker case study: Robert Brinkmann, in his own words -- suggested exercises for part six -- 7: After the distribution deal -- when will I get paid?: distribution cash flow -- suggested exercises for part seven -- 8: Self-distribution and other alternatives to traditional distribution -- filmmaker case study: Tamar Halpern, in her own words -- on-demand DVD distribution -- internet distribution/Video on demand (VOD) -- posting your trailer -- online film markets -- filmmaker case study: Bradley Beesley, on his Okie Noodling Microcinema Tour -- art-house cinemas at which my films have screened -- platform theatrical release -- hybrid distribution model suggested exercises for part eight -- my very best advice to you -- Appendix A: anatomy of a distribution agreement -- Appendix B: sample U.S. distribution contract -- Appendix C: twelve ways to market your film for self-distribution -- Appendix D: more sample contracts -- Index
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journal article
Int'l marketing meeting in London for United International Pictures in Australasian Cinema (29/10/1982) vol.11 iss.19 p.23
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The international film business : a market guide beyond Hollywood / Angus Finney with Eugenio Triana Abingdon, Oxon -- New York: Routledge, 2015.
Call No: 203 FINAuthor: Finney, Angus Edition: Second editionSource: UK/USPlace: Abingdon, Oxon -- New YorkPublisher: RoutledgePubDate: 2015PhysDes: xiv, 287 pages ; 25 cmSubject: INDUSTRY, FILM ; PRODUCTION ; DISTRIBUTION ; EXHIBITION ; ADVERTISING FOR FILMS ; FINANCING ; COPRODUCTION ; REDBUS GROUP ; RENAISSANCE FILMS ; ZENTROPA [company] ; ARTS ALLIANCE MEDIA ; FILM DEPARTMENT, THE ; PIXAR ; BARKER, MICHAEL ; PHAROAH, ASHLEY ; RECKONING, THE (UK/SP, Paul McGuigan, 2002) ; OPAL DREAM (AT, Peter Cattaneo, 2005) ; KING'S SPEECH, THE (AT/UK, Tom Hooper, 2010) ; CONFESSIONS OF A DANGEROUS MIND (US, George Clooney, 2002) ; MOTHER, THE (UK, Roger Michell, 2003) ; BEST EXOTIC MARIGOLD HOTEL, THE (UK, John Madden, 2011) ; CLOVERFIELD (US, Matt Reeves, 2008) ; VAPOR [Neil LaBute - not made] ; GOOD OMENS [Terry Gilliam - not made] Summary: The International Film Business examines the independent film sector as a business, and addresses the specific skills and knowledge it demands. It describes both the present state of the industry, the significant digital and social media developments that are continuing to take place, and what changes these might effectNotes: Includes bibliographical references (pages 272-275) and indexContents: Part one: The film value chain -- Global film: a changing world -- The film value chain model and current restructring -- Film development -- Green lighting films -- Sales and markets -- Film producer-distributor partnerships -- Film finance -- Co-production -- Exhibition and the changing cinema experience -- Part 2: Users and the changing digital market -- Users, consumer behaviour and market research -- Traditional film marketing -- Digital production -- Digital distribution -- Film marketing through the internet -- Part 3: Business and management strategies -- Business strategy -- Entrepreneurs and investors in the film industry -- The challenge of creative management -- Project management -- Business models 2.0 -- Case study: interview with Simon Franks, Redbus Group -- Conclusion
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journal article
Interplanetary joins the American Film Marketing Assoc. in Australasian Cinema (28/1/1983) vol.12 iss.1 p.3
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journal article
Jeannie Parr joins Elizabeth Johnson Org. in Australasian Cinema (10/6/1983) vol.12 iss.10 p.2
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journal article
Jennifer Beals, 'Flashdance' star, visits Australia in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.3
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journal article
Jim Henson, Gary Kurtz tour Oz for "The Dark Crystal" in Australasian Cinema (29/4/1983) vol.12 iss.7 p.2
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journal article
Leslie Pound named director int'l. advertising/publicity for Embassy in Australasian Cinema (16/4/1982) vol.11 iss.6 p.9
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journal article
Lisa Keogh joins Seven Keys in Australasian Cinema (27/5/1983) vol.12 iss.9 p.2
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book
A little cinema / by Ron Curran Springwood, NSW: Unicorn Graphics, 2004.
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Interim
book
The Lord of the Rings : the Fellowship of the Ring / New Line Productions, Inc.
The Saul Zaentz Company [S.l.]: New Line Productions, 2001.
Call No: 79 LORCorpAuthor: New Line ProductionsSource: USPlace: [S.l.]Publisher: New Line ProductionsPubDate: 2001PhysDes: 59 p. : col. ill. ; 30 cmSubject: LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001) ; ADVERTISING FOR FILMS Summary: A promotional book about ‘The Lord of the Rings: The Fellowship of the Ring’. It goes into detail about the cast, crew, storyline, special effects (including a section on the WETA workshop), and the film’s locations.
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journal article
Major int'l. film and video event for Sydney in Australasian Cinema (15/7/1983) vol.12 iss.12 p.25
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book
Making money in film and video : a handbook for freelancers and independents / Raul da Silva New York: Prentice Hall Press, c1986.
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journal article
Marketing an aussie film - Angst in Movie Trader (July 2000) p.12-13
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Marketing and distribution / written by Jennifer Stott ; edited by John Cruthers Sydney: Australian Film, Television & Radio School and the Australian Film Commission, 1990, c1989.
Call No: 210.2(94) TAKAuthor: Stott, Jennifer ; Cruthers, John CorpAuthor: Australian Film Commission; Australian Film, Television and Radio SchoolPlace: SydneyPublisher: Australian Film, Television & Radio School and the Australian Film CommissionPubDate: 1990, c1989PhysDes: vi, 146 p. : ill. ; 30 cmSeries: Taking care of businessSubject: DISTRIBUTION. AUSTRALIA ; EXHIBITION. AUSTRALIA ; ADVERTISING FOR FILMS. AUSTRALIA ; INDEPENDENT FILMS. AUSTRALIA ; CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987) ; NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987) ; FOR LOVE OR MONEY (AT, Megan McMurchy & Jeni Thornley, 1983) ; YOUNG EINSTEIN (AT, Yahoo Serious [pseud of Greg Praed], 1988) ; BODYWORK (AT, David Caesar, 1989) ; PURSUIT OF HAPPINESS, THE (AT, Martha Ansara, 1987) ISBN: 064214981XLON: 6830474
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book
Marketing strategies for Australian films in the United States
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Marketing to moviegoers : a handbook of strategies used by major studios and independents / Robert Marich Amsterdam; Sydney: Focal Press, 2005.
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journal article
Media packs press confab. for Charlton Heston in Australasian Cinema (24/9/1982) vol.11 iss.17 p.3
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book
Merchants of Menace : the Business of Horror Cinema / edited by Richard Nowell New York: Bloomsbury, 2014.
Call No: 735.2:203 MERAuthor: Nowell, Richard (ed.) Source: US/UKPlace: New YorkPublisher: BloomsburyPubDate: 2014PhysDes: xiv, 264 pages : illustrations (black and white) ; 23 cmSubject: HORROR FILMS ; ECONOMICS AND THE CINEMA ; PRODUCTION ; HORROR FILMS. AUSTRALIA ; CRITICISM ; DIRECTION ; LITERATURE AND THE CINEMA ; THEORY ; DISTRIBUTION ; ADVERTISING FOR FILMS ; SCREAM (US, Wes Craven, 1996) ; SCREAM 2 (US, Wes Craven, 1997) ; SCREAM 3 (US, Wes Craven, 2000) ; SCREAM 4 (US, Wes Craven, 2011) Summary: "Even though horror has been a key component of media output for almost a century, the genre's industrial character remains under explored and poorly understood. Merchants of Menace: The Business of Horror Cinema responds to a major void in film history by shedding much-needed new light on the economic dimensions of one of the world's most enduring audiovisual forms. Given horror cuts across budgetary categories, industry sectors, national film cultures, and media, Merchants of Menace also promises to expand understandings of the economics of cinema generally. Covering 1930-present, this groundbreaking collection boasts fourteen original chapters from world-leading experts taking as their focus such diverse topics as early zombie pictures, post-WWII chillers, Civil Rights-Era marketing, Hollywood literary adaptations, Australian exploitation, "torture-porn" Auteurs, and twenty-first-century remakes." - Publisher's WebsiteNotes: Formerly CIP; Includes bibliographical references and index; Also issued onlineISBN: 9781623564209Contents: -- Production lines, trends, and cycles. "House of horrors": corporate strategy at Universal Pictures in the 1930s / Kyle Edwards -- The undead of Hollywood and poverty row: the influence of studio-era industrial patterns on zombie film production, 1932-46 / Todd K. Platts -- By the book: American horror cinema and horror literature of the late 1960s and 1970s / Peter Hutchings -- Risen from the vaults: recent horror film remakes and the American film industry / Kevin Heffernan -- Monster factory: international dynamics of the Australian horror movie industry / Mark David Ryan -- Film content, style, and themes. "Bad medicine": the psychiatric profession's interventions into the business of postwar horror / Tim Snelson -- Horror film atmosphere as anti-narrative (and vice versa) / Robert Spadoni --"A kind of Bacall quality?: Jamie Lee Curtis, stardom, and gentrifying non-Hollywood horror / Richard Nowell -- "New decade, new rules": rebooting the scream franchise in the digital age / Valerie Wee -- Movie marketing, branding, and distribution. "Hot profits out of cold shivers!": horror, the first run market, and the Hollywood studios, 1938-42 / Mark Jancovich -- Strange enjoyments: the marketing and reception of horror in the civil rights era black press / Mikal J. Gaines -- Bids for distinction: the critical-industrial function of the horror auteur / Joe Tompkins -- Low budgets, no budgets, and digital-video nasties: recent British horror and informal distribution / Johnny Walker -- Hammer 2.0: legacy, modernization, and hammer horror as a heritage brand / Matt Hills --
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journal article
Michael Palin brings his touch at comedy to Australia in Australasian Cinema (25/2/1983) vol.12 iss.3 p.9
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journal article
MIP provides lessons for first-timers in Encore (June 2000) vol.18 iss.5 p.12
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Special issue
serial
MPEAQ CONVENTION 1998 September 1998.
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journal article
Multi Media Market's own TV station in Australasian Cinema (10/9/1982) vol.11 iss.16 p.9
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My side of the picture in Metro (2000) iss.123 p.79-95
Author: Kemp, Peter ; Brooks, Sue ; Brennan, Richard ; Gyngell, Kim ; Hellier, Trudy ; Sallows, Ken ; Freeman, Nicolette ; Armiger, Martin ; Hunter, Tim ; Raymond, Leigh PhysDes: Article; Bibliography; Bio-filmography; Credits; Filmography; Illustration(s)Subject: PRODUCERS. AUSTRALIA ; ACTORS. AUSTRALIA ; EDITING. AUSTRALIA ; CRITICISM ; CINEMATOGRAPHY ; MUSIC IN FILMS ; ADVERTISING FOR FILMS ; WOMEN TV WORKERS. AUSTRALIA ; BROOKS, SUE ; BRENNAN, RICHARD ; GYNGELL, KIM ; SALLOWS, KEN ; Freeman, Nicolette ; SOMETHING IN THE AIR [TV] (AT, 2000-) ; TRAPPED (AT, Trudy Hellier, 2000) Summary: A supplement offering an arena for Australian screen practitioners to analyse and comment upon matters and issues pertaining to their own particular craft or field.
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newspaper article
Narnia heaven-sent opportunity in Courier-Mail (19/12/2005) p.7
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journal article
New Ad-Pub Pres. for U.I.P. in Australasian Cinema (28/1/1983) vol.12 iss.1 p.2
PhysDes: ArticleSubject: UNITED INTERNATIONAL PICTURES ; ADVERTISING FOR FILMS Summary: Article on the appointment of Hy Smith to senior vice-president, advertising anf publicity, for United International Pictures. Smith's previous work history is listed.
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journal article
New contractors for Fiji cinema advert. market in Australasian Cinema (Francesca Gregorini) vol.11 iss.20 p.2
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journal article
New World Pics. and Nat. Motorsports enter into marketing deal for 'Black Moon Rising' in Australasian Cinema (Friday, 29/3-4/4/1985) vol.14 iss.5 p.4
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A novel way to launch stars of 'Moving Out' in Australasian Cinema (29/4/1983) vol.12 iss.7 p.5
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Off-Hollywood : the making and marketing of independent films / David Rosen, with Peter Hamilton New York: Grove Weidenfeld, 1990.
Call No: 210.2(73) ROSAuthor: Rosen, David (David M.) ; Hamilton, Peter Edition: 1st edPlace: New YorkPublisher: Grove WeidenfeldPubDate: 1990PhysDes: xx, 326 p. : ill. ; 24 cmSubject: INDEPENDENT PRODUCTION ; INDEPENDENT DISTRIBUTION ; ADVERTISING FOR FILMS ; STAND AND DELIVER (US, Ramon Menendez, 1988) ; BALLAD OF GREGORIO CORTEZ, THE (US, Robert M. Young, 1983) ; COLD FEET (US, Bruce van Dusen, 1983) ; EATING RAOUL (US, Paul Bartel, 1982) ; NORTE, EL (US, Gregory Nava, 1983) ; GOOD FIGHT, THE (US, Noel Buckner, Mary Dore & Sam Sills, 1984) ; HEARTLAND (US, Richard Pearce, 1979) ; HOLLYWOOD SHUFFLE (US, Robert Townsend, 1987) ; MY DINNER WITH ANDRE (US, Louis Malle, 1981) ; OLD ENOUGH (US, Marisa Silver, 1984) ; RETURN OF THE SECAUCUS SEVEN (US, John Sayles, 1980) ; WEAVERS - WASN'T THAT A TIME, THE (US, James B. Brown, 1981) ; WILD STYLE (US/GW, Charlie Ahearn, 1983) Notes: "Based on a study originally commissioned by the Sundance Institute and the Independent Feature Project."ISBN: 0802131875 (pa)LON: 6416531
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journal article
Orion Pictures Int'l. and RCIV join in major int.'l deal in Australasian Cinema (Friday, 31/5-6/6/1985) vol.14 iss.9 p.5
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journal article
Oz attends MIP-TV in Australasian Cinema (14/5/1982) vol.11 iss.8 p.5
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Oz's favourite larrikin and friends go to Bowral in Australasian Cinema (28/1/1983) vol.12 iss.1 p.7
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journal article
'Peter Pan' Competition proves big success in Queensland in Australasian Cinema (15/4/1983) vol.12 iss.6 p.6
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Interim
book
Pop fiction : The song in cinema / edited by Steve Lannin and Matthew Caley Porland, Oregon: Intellect, 2005.
Call No: 634.6 POPAuthor: Lannin, Steve ; Caley, Matthew Source: UKPlace: Bristol, UK; Porland, OregonPublisher: IntellectPubDate: 2005PhysDes: 173 p. : 23 cmSubject: POP MUSIC AND THE CINEMA ; POP MUSIC IN FILMS ; MUSIC AND THE CINEMA ; MUSIC IN FILMS ; ADVERTISING FOR FILMS ; COHEN, LEONARD ; MORETTI, NANNI ; DOORS, THE ; COPPOLA, FRANCIS FORD ; SOGGY BOTTOM BOYS ; COEN, JOEL & ETHAN ; PFEIFFER, MICHELLE ; Damon, Matt ; KLOVES, STEVE ; MINGHELLA, ANTHONY ; VALLI, FRANKIE ; CIMINO, MICHAEL ; RIGHTEOUS BROTHERS ; ZUCKER, JERRY ; REED, LOU ; BOYLE, DANNY ; STEALERS WHEEL ; Tarantino, Quentin ; BAKER, CHET ; WEBER, BRUCE ; WINGS ; ARMITAGE, GEORGE ; COLLINS, PHIL ; BRICKMAN, PAUL ; MASSIVE ATTACK ; WONG KAR WAI ; CARO DIARIO (IT/FR, Nanni Moretti, 1993) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000) ; FABULOUS BAKER BOYS, THE (US, Steve Kloves, 1989) ; TALENTED MR. RIPLEY, THE (US, Anthony Minghella, 1999) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; GHOST (US, Jerry Zucker, 1990) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) ; LET'S GET LOST (US, Bruce Weber, 1988) ; GROSSE POINTE BLANK (US, George Armitage, 1997) ; RISKY BUSINESS (US, Paul Brickman, 1983) ; DUOLUO TIANSHI (HK, Wong Kar-Wai, 1995) Summary: "'Pop Fiction's unique essays individually consider one song within a cinematic context. Unlike previous collected volumes about pop music in film, where a generalised approach has been adopted, it offers instead a close examination of these two most pervasive and significant mediums in contemporary culture.
"The collection introspects, assembling the pop song into various guises and documenting how individuals dissemble the multiple roles that the pop song plays in all and one audio-visual moment. The song as: ghost, role-play, memory trigger, narrator, marketing device, translator, alienator, membership rite, etc." (Taken from the back cover)Notes: Includes indexISBN: 184150078X
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journal article
Producer faces problems with U.S. T.V. over film's commercial in Australasian Cinema (10/9/1982) vol.11 iss.16 p.5
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journal article
Promoting Alibrandi in Movie Trader (Mar 2000) p.4
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Promotion for 'Beast' in Australasian Cinema (16/4/1982) vol.11 iss.6 p.4
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newspaper article
Provocative race to the screen in Sydney Morning Herald (10/08/2016) p.11
Call No: TITLE CLIPPINGS FILE; DOWN UNDER (AT, Abe Forsythe, 2016)Author: Maddox., Garry PhysDes: Clippings File ArticleSubject: ADVERTISING FOR FILMS. AUSTRALIA ; DOWN UNDER (AT, Abe Forsythe, 2016) Summary: Report on the promotion for the film DOWN UNDER, with quotes from marketing team The Monkeys and the various ways they thought of trying to market the film that dealt with a confronting racial moment in recent Australian history, the Cronulla Riots. Some mentions of funding and exhibition issues for the film
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journal article
Publishing and broadcasting video on the rise in Australasian Cinema (16/07/1982) vol.11 iss.12 p.24
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journal article
Queer Asian Australian migration : creative film co-production and diasporic intimicy in The home song stories in Studies in Australasian cinema (2008) vol.2 iss.3 p.229-243
Author: Yue, Audrey PhysDes: ArticleSubject: PRODUCTION DEALS. AUSTRALIA ; ASIANS IN FILMS. AUSTRALIA ; ADVERTISING FOR FILMS ; PRODUCTION DEALS. AUSTRALIA ; SEXUALITY AND THE CINEMA ; HOME SONG STORIES, THE (AT, Tony Ayres, 2007) Summary: This paper examines Tony Ayres' recent film, The Home Song Stories (2007) using the framework of queer Asian Australian migration. First, queer migration is critically considered through the minor transnationalism of its co-production. Evaluating the marketing of the film in Singapore and Australia, this article shows how Chinese ethnicity is deployed as exclusive and inclusive to enable different tactics of queer mobility and how these tactics are incorporated by different film policies to fulfil competing national aims. Second, this article considers the queer mobility of diasporic intimacy. Diasporic intimacy disrupts the regulation of queer migration and shows how the private domains of memory, family and sexuality are reconstituted in the transnational Chinese diaspora. The framework of queer Asian Australian migration describes the non-normative migration of Asians to Australia, the disjunctive flows of mobility that constitute the Asian diaspora in Australia, as well as the regulation of non-normative Asian Australian migration in national symbolic and institutional economies. The framework of queer Asian Australian migration, this article argues, provides a theoretical platform to critically consider the transnationality of Asian Australian cinema. -- AbstractNotes: Part of Special Issue: Transnational Asian Australian Cinema, part 2
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journal article
Rabinovitch named senior VP, Mktg. for Embassy Pictures in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.4
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journal article
"Raggedy Ann and Andy" set for school holidays in Australasian Cinema (27/8/1982) vol.11 iss.15 p.26
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journal article
Recontextualizing the historical reception of Blaxploitation : articulations of class, black nationalism, and anxiety in the genre's advertisements in Velvet Light trap (2002) vol.50 p.48-61
Author: Kraszewski, Jon PhysDes: ArticleSubject: BLAXPLOITATION FILMS ; BLACKS AND THE CINEMA ; BLACKS IN FILMS ; ADVERTISING FOR FILMS ; BLACULA (US, William Crain, 1972) ; I'M GONNA GIT YOU SUCKA (US, Keenen Ivory Wayans, 1988) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; SHAFT (US, Gordon Parks Jr., 1971) ; SHAFT (US, John Singleton, 2000) ; SWEET SWEETBACK'S BAADASSSSS SONG (US, Melvin Van Peebles, 1971) Summary: This is a study of blaxploitation advertisements and the genre, examing the complex relationship between blaxpoitaton text and spectator. The heterogeneous identity at play within blaxploitation's black spectators is examined. Class becomes important to studying blaxploitation and its audience not because it demarcates a subgenre that diverged in interest from other films concerned with violence and ultrasexuality but because class - specifically the way in functions in blaxploitation advertisements - can help reconceptualize the blackness of blaxploitation and its spectators in more dynamic ways. The genre is situated in a complex historical moment where three relatively autonomous influences on black identity operated simultaneously.
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book
Reference : Performance of Australian films in Australian and overseas markets / Standing Committee on Environment, Recreation and the Arts Canberra: The Committee, 1991.
Call No: 30(94)(094.3) REFSource: ATPlace: CanberraPublisher: The CommitteePubDate: 1991PhysDes: p. 93-244 ; 30 cmSubject: INDUSTRY, FILM. AUSTRALIA ; EXPORT OF FILMS. AUSTRALIA ; AUDIENCE RECEPTION. AUSTRALIA ; ADVERTISING FOR FILMS. AUSTRALIA Summary: Committee members present are: Jeanette McHugh (Chair), Peter Fisher, Mr Webster, Mr Dobe. Witnesses to the committee are: Paul Cox, Bruno Doring, Alan Finney, Alastair Inglis, John Kearney, Matthew Lovering, William Marshall, John McKenzie, and Susan WoodNotes: "Official Hansard report, Melbourne, Thursday, 23 May 1991."Contents: Examination of John McKenzie -- examination of Alan Finney -- examination of Paul Cox -- examination of Bruno Doring, Alastair Inglis, Matthew Lovering -- examination of John Kearney, Susan Wood
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Researching Australian film exhibition and distribution / edited by Karina Aveyard and Albert Moran Brisbane, Queensland: Griffith University, 2009.
Call No: 30(94) RESAuthor: Aveyard, Karina (ed.) ; Moran, Albert (ed.) Source: ATPlace: Brisbane, QueenslandPublisher: Griffith UniversityPubDate: 2009PhysDes: iv, 65 p. : ill. ; 30 cmSeries: Working papers in communications ; no. 7, 2009; Working papers in communications (Griffith University. School of Arts, Media and Culture) ; no. 7, 2009Subject: ADVERTISING FOR FILMS ; AUSTRALIA ; DISTRIBUTION ; DISTRIBUTION. AUSTRALIA ; EXHIBITION. AUSTRALIA ; EXHIBITION ; INDUSTRY, FILM ; INDUSTRY, FILM. AUSTRALIA Summary: "The workshop, whose edited proceedings are reprinted in this volume, was prompted by convenient accidents of place and time. Early in 2009, a mature-age student with a background in journalism asked me the rhetorical question: why was Australian cinema in decline? Pressed about the proposition contained in the question, the student pointed out that in the year 2008, only two feature films - Australia and Happy Feet - appeared to have a noticeable presence at the theatrical box office. In what has become an average figure for annual Australian production output, some 22 feature films had been released that year but only these two films seemed to have any impact so far as their marketing and audience visibility was concerned. But, of course, this view drastically simpifies the situation of what is occurring in Australian film distribution and exhibition and how that is impacting on film production. The fact is that we know little of how these elements currently operate so far as various sectors of the Australian cinema industry are concernerned. This prompted first thoughts about undertaking some form of investgation" -- IntroductionNotes: Edited proceedings of a workshop "...sponsored by Griffith University in conjunction with Screen Australia and held at the Griffith University Conservatorium of Music at South Bank in Brisbane." -- Introduction; Includes bibliographical referencesISBN: 9781921291708Contents: -- contributors -- introduction / Albert Moran -- Australia's film and television geography / Tom O'regan -- the plight of the Australian film: traditional distribution and exhibition and the search for alternatives / Cathy Overett -- marketing and the fate of locally produced films in Australian cinemas / Peter Mageros -- the shift to digital cinema disribution and exhibition: implications for the future of Australian films / Trish FitzSimons -- rethinking cinema going in regional and rural Australia / Karina Aveyard -- dvd rental exhibition : running an independent outlet / Andrew Leavold -- community targeted distribution and Cinema Ventures Ltd / Gil Scrine -- Screen Australia and Australian Screen Culture / Susan Ward -- roundtable discussion -- appendix a: workshop program -- appendix b: presentation slides -- Australia's film and television geography / Tom O'Regan -- b2: rethinking cinema going in regional and rural Australia / Karina Aveyard -- b3: Screen Australia and Australian Screen Culture / Susan Ward --
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Rick Markovitz joins Lorimar International in Australasian Cinema (29/10/1982) vol.11 iss.19 p.21
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Roadshow/ Warner trade day a big hit with exhibitors : Roadshow/Warner trade show- Roadshow puts show back into showbiz in Australasian Cinema (25/2/1983) vol.12 iss.3 p.4-5
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Rocky goes to Brisbane in Australasian Cinema (10/9/1982) vol.11 iss.16 p.4
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Roger Kennedy: An Interview in Lumiere (September 1972) iss.16 p.22-25
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Roseville cinema flies the pirate flag in Australasian Cinema (15/7/1983) vol.12 iss.12 p.12
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Sammy Sparrow launches Disney's 'Fantasia' in Australasian Cinema (29/4/1983) vol.12 iss.7 p.3
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The screening of Australia : anatomy of a film industry / Susan Dermody, Elizabeth Jacka Sydney: Currency Press, 1987-<1988.
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Second American Film Market closes after record success in Australasian Cinema (30/4/1982) vol.11 iss.7 p.1
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Setting of movie greats for gala AFM party in Australasian Cinema (25/2/1983) vol.12 iss.3 p.3
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Shields named president, global sales/marketing, New World Pictures in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.2
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book
Star studies : a critical guide / Martin Shingler London: Palgrave Macmillan on behalf of the British Film Institute, 2012.
Call No: 465.1 SHIAuthor: Shingler, Martin Source: UKPlace: LondonPublisher: Palgrave Macmillan on behalf of the British Film InstitutePubDate: 2012PhysDes: vi, 233 p. : ill. ; 19 cmSeries: BFI book published by Palgrave MacmillanSubject: STAR SYSTEM ; STARS ; ACTORS ; FANS ; ADVERTISING FOR FILMS ; CRITICISM ; CRITICISM: METHODOLOGY OF FILM CRITICISM ; DYER, RICHARD Summary: Star Studies: A Critical Guide provides a lively introduction to the major approaches and key developments within this key area of film studies. It identifies a number of dominant themes, explains major theories, concepts and methodologies, and explores the diversity of approaches that have helped shape the international study of stars and stardom. Comparing the stars and star systems of Hollywood, Bollywood, China and many European countries, from the early-twentieth to the first decade of the twenty-first century, Martin Shingler considers the multiple functions of stars: as an elite workforce within the film industry, as actors and performers, as role models and cultural representatives, as icons and images, as transnational and national symbols, and as commodities. The scope of star studies is wide, historically and geographically, but this book helpfully focuses on salient features of the discipline, providing a cogent overview of star studies, while suggesting some useful avenues for further research. Published in the BFI Film Stars series, Star Studies provides an essential theoretical and historical companion to the individual star volumes in the seriesNotes: "A BFI book." -- Includes bibliographical references (p. 186-219) and indexISBN: 9781844574902Contents: Machine generated contents note: 1.Star Studies: Mapping Out the Field of Star Scholarship Within Film Studies -- 2.Methods: Ways of Analysing Screen Performance -- 3.Star Quality: In Search of the Prerequisites For Stardom -- 4.Star Systems: The Mechanics of Star Production -- 5.Star Identities: From Image to Persona and Publicity to Gossip -- 6.Unstable Symbols: On the Representativeness of Film Star
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"Starscreen" P & B's new theatrical arm in Australasian Cinema (15/4/1983) vol.12 iss.6 p.4
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Successful promotion drive by Hoyts and Toyota in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.3
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Successful Promotion for "Channel Solitare" in Australasian Cinema (23/7/1982) vol.11 iss.13 p.2
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Sydney's creepiest night of the year in Australasian Cinema (15/4/1983) vol.12 iss.6 p.10, 12
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"The Year of Living Dangerously" begins lensing in Australasian Cinema (2/4/1982) vol.11 iss.5 p.2
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Toni Hamilton appointed nat'l. marketing manager of Roadshow Home Video in Australasian Cinema (12/11/1982) vol.11 iss.20 p.2
PhysDes: ArticleSubject: VIDEO, FILMS ON. AUSTRALIA ; ADVERTISING FOR FILMS ; INDUSTRY, FILM. AUSTRALIA ; MAD MAX (AT, George Miller, 1979) ; CALIGULA (IT, Giovanni Tinto Brass, 1979) ; LOVE AT FIRST BITE (US, Stan Dragoti, 1979) Summary: Article on the success of Roadshow Home Video, and the announcement of their new marketing manager, Toni Hamilton.
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Top TV and movie personality Robin Stewart joins Cine-Ad in Australasian Cinema (15/4/1983) vol.12 iss.6 p.13
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Translating Hollywood / Sam Sarowitz New York, NY: Mark Batty, 2007.
Call No: 915 SARAuthor: Sarowitz, Sam Edition: First ed.Source: USPlace: New York, NYPublisher: Mark BattyPubDate: 2007PhysDes: 173 p. : col.ill. ; 29 cmSubject: POSTERS ; ADVERTISING FOR FILMS Summary: Collection and comparison of movie posters globally from the 1940's to the 1990'sNotes: Includes IndexISBN: 9780977282791Language: English
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United International Pictures Formed in Australasian Cinema (16/4/1982) vol.11 iss.6 p.1
PhysDes: ArticleSubject: UNITED INTERNATIONAL PICTURES ; Metro-Goldwyn-Mayer ; UNITED ARTISTS ; PARAMOUNT STUDIOS ; UNIVERSAL PICTURES ; DISTRIBUTION ; ADVERTISING FOR FILMS ; FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; STARSTRUCK (AT, Gillian Armstrong, 1982) Summary: Article on the formation of United International Pictures which will handle the distribution and marketing for MGM, Paramount, Universal, and U.A. throughout Australian Papua New Guinea and Vanuatu.
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Up-Market London in Australasian Cinema (6/8/1982) vol.11 iss.14 p.13
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Val Morgan announces snr. management changes in Australasian Cinema (27/8/1982) vol.11 iss.15 p.24
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Val Morgan's Ted Gleeson to Cannes in Australasian Cinema (25/6/1982) vol.11 iss.11 p.2
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Variety- Australia/ New Zealand Section in Variety (04/05/1988) vol.331 iss.2 p.373-390
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Variety- Australia/New Zealand Section in Variety (10/1988) vol.332 iss.13 p.428-438
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Variety- Australia/New Zealand Section in Variety (22-18/02/1989) p.291-293
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Variety- Australia/ New Zealand Sections in Variety (06/05/1987) vol.327 iss.2 p.432-446
PhysDes: SerialSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND ; GOVERNMENT AID ; CANNES FILM FESTIVAL ; ADVERTISING FOR FILMS ; SURFER, THE (AT, Frank Shields, 1987) ; GINNANE, TONY ; DISTRIBUTION. AUSTRALIA Summary: Various articles on Australian and New Zealand film industries.
Austrlian articles focus on new releases and Antony Ginnane at Cannes, current films in production, and new film THE SURFER.
New Zealand articles look at New Zealand's selections for Cannes, and government investment in the film industry.
Includes various film poster advertisments for STARLIGHT HOTEL, ILLUSTRIOUS ENERGY, MAURI, A SOLDIER'S TALE, NGATI, and RIKKY & PETE.
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Variety- Australia/ New Zealand Summary in Variety (24/10/1984) vol.316 iss.13 p.355-360
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Variety- Australian film advertisement posters in Variety (15/10/1980) vol.300 iss.11 p.90-91, 163-164
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Interim
book
Video trader : 1999 yearbook Australia: Buena Vista Home Entertainment, 2000.
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VM senior NSW & WA appointments in Australasian Cinema (15/7/1983) vol.12 iss.12 p.4
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book
Watching the Lord of the Rings : Tolkein's world audiences / edited by Martin Barker and Ernest Mathijs New York, NY: Peter Lang Publishing, 2008.
Call No: 79LOR WATAuthor: Barker, Martin and Mathijs, Ernest Source: USPlace: New York, NYPublisher: Peter Lang PublishingPubDate: 2008PhysDes: xiv, 297 p. : 23 cmSubject: AUDIENCE RECEPTION ; AUDIENCE RESEARCH ; AUDIENCES
THEORY ; ADVERTISING FOR FILMS ; LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001) ; LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002) ; LORD OF THE RINGS: THE RETURN OF THE KING, THE (US, Peter Jackson, 2003) Summary: Analysis on global audience response to film adaptation of Tolkein's Lord of the Rings trilogy.Notes: includes bibliographical references and indexISBN: 9780820663964Language: English
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"Whorehouse is a sure house"- Colin Higgins in Perth in Australasian Cinema (28/1/1983) vol.12 iss.1 p.12
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Working in Hollywood / Alexandra Brouwer and Thomas Lee Wright New York: Crown Publishers, c1990.
Call No: 22(73) BROAuthor: Brouwer, Alexandra ; Wright, Thomas Lee Source: USPlace: New YorkPublisher: Crown PublishersPubDate: c1990PhysDes: xii, 546 pages ; 25 cmSubject: ADVERTISING FOR FILMS ; ANIMALS IN FILMS ; ART DIRECTION ; CAMERAS ; CASTING ; CHOREOGRAPHY ; CINEMATOGRAPHY ; COMPOSERS ; COSTUME DESIGNERS ; DIRECTION ; DISTRIBUTION ; EDITING ; EXHIBITION ; FINANCING ; LAW AND THE CINEMA ; LOCATION HUNTING ; LOCATION SHOOTING ; MAKE-UP ARTISTS ; MUSIC IN FILMS ; POST-PRODUCTION ; PRE-PRODUCTION ; PRODUCERS ; PRODUCING ; PRODUCTION ; PROJECTION ; SCRIPTWRITING ; SET DESIGNING ; SOUND ; SPECIAL EFFECTS ; STUNTS Summary: "Now appearing for the first time ever: WORKING IN HOLLYWOOD, the definitive book that reveals how major movie studios are made, fromn the first glimmer of an idea to the final cut, to sales and marketing. Here is moviemaking told in the words of the people who do it: the deal makers, directors, artists, craftspeople, technicians, and executives." [Taken from book jacket]Notes: Includes indexISBN: 0517574012; 9780517574010Donation: Simon WincerContents: 1. The helmsmen -- 2. The deal -- 3. The guardians -- 4. The money -- 5. The talent -- 6. The look -- 7. The artists -- 8. The movers -- 9. The camera -- 10. The print -- 11. The magicians -- 12. The sound -- 13. The fury -- 14. The salesmen --
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