Search Catalogue

PhysDes: Article
Subject: AUSTRALIAN FILM COMMISSION; ANNIE'S COMING OUT (AT, Gil Brealey, 1984)
Notes: "Annie's Coming Out" is also known by its US title "A Test of Love"

PhysDes: Article
Subject: E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); ANNIE (US, John Huston, 1982); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); BOX OFFICE. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA
Summary: Film news from across Australia

Author: Schwartz, Eric
PhysDes: Article
Subject: MCGREGOR, ANGELA PUNCH; BREALEY, GIL; ANNIE'S COMING OUT (AT, Gil Brealey, 1984); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); LIGHTHORSEMEN, THE (AT, Simon Wincer, 1987); NEWSFRONT (AT, Phillip Noyce, 1978); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982)
Summary: Overseas correspondent Eric Schwartz interviews director Gil Brealey and star Angela Punch McGregor of the film “Annie's Coming Out”. Altough the article is mainly focused on “Annie’s Coming Out” there is brief discussion of other films either Brealey or McGregor have been involved with
Notes: "Annie's Coming Out" is also known by its US title "A Test of Love"

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: ANNIE (US, John Huston, 1982)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ANNIE (US, Will Gluck, 2014)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ANNIE HALL (US, Woody Allen, 1977)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit
Subject: ANNIE MAE - BRAVE HEARTED WOMAN (US, Lan Brookes Ritz, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Press kit; Stills; Clippings
Subject: ANNIE'S COMING OUT (AT, Gil Brealey, 1984)

Call No: S ANN
Author: Patterson, John; Borthwick, Chris
PubDate: [1984]
PhysDes: 163 leaves
Subject: ANNIE'S COMING OUT (AT, Gil Brealey, 1984)
Notes: Unpublished script

Call No: S ANN
Author: Patterson, John & Borthwick, Chris
PubDate: 1983
PhysDes: 121p
Subject: ANNIE'S COMING OUT (AT, Gil Brealey, 1984)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: 79ANN CRO
Author: Crossley, Rosemary; McDonald, Anne
Source: Australia
Place: Melbourne
Publisher: Penguin Books
PubDate: 1980
PhysDes: 18 cm ; 256 p.
Subject: ANNIE'S COMING OUT (AT, Gil Brealey, 1984)
ISBN: 0140056882

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 19 photographs : b&w ; 21 x 26 cm : + 7 photographs : col ; 20 x 25 cm - 25 x 19 cm
Subject: PUNCH MCGREGOR, ANGELA; ARHONDIS, TINA; FORSYTHE, DREW; TINGWELL, CHARLES (BUD); CLARK, LIDDY; ANNIE'S COMING OUT (AT, Gil Brealey, 1984)
Summary: 19 black and white photographs of scenes in the film and the director. 7 colour photographs.
Notes: Some b&w photos have duplicates

Author: Maddox, Garry
PhysDes: Article
Subject: SOCIAL ISSUES IN FILMS; HANDICAPPED IN FILMS; BORTHWICK, CHRIS; AWARDS. AUSTRALIAN FILM INSTITUTE; ANNIE'S COMING OUT (AT, Gil Brealey, 1984)
Summary: Garry Maddox focuses on slef-characterised perpetually bleak Chris Borthwick, co-writer of "Annie's Coming Out". Borthwick reveals his dissatisfaction with the film's script, despite it's picking up an award from the AFI, as it did not eventuate in the social change which he had aimed for in regards to the rights and life of the physically handicapped. Maddox relates how Borthwick's disallusionment has led to the scriptwriter's decision to enrol in a law degree at the University of Melbourne
Notes: "Annie's Coming Out" is also known by its US title "A Test of Love"

PhysDes: Article
Subject: BIRCH CARROLL AND COYLE; ADVERTISING FOR FILMS; ANNIE (US, John Huston, 1982); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); NIGHT SHIFT (US, Ron Howard, 1982)
Summary: Article on Birch, Carroll, and Coyle's promotional day-tour for 'Annie', 'E.T.', and 'Nightshift'.

Call No: PERSONALITY STILL
Source: AT
PhysDes: 1 photograph : b&w ; 20 x 12 cm.
Subject: ANNIE'S COMING OUT (AT, Gil Brealey, 1984); BREALEY, GIL
Notes: Two stickers on the back of the photograph. First sticker has the name of the producer (Don Murray) and director (Gil Brealey)and the title of the film 'Annies's coming out'. Second sticker has the director's name and the words 'best direction Annies's coming out'. There is no information on the sticker to establish which award ceremony the director was given this award.

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BYRON, ANNIE
ID2: 64

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CATTLE ANNIE AND LITTLE BRITCHES (US, Lamont Johnson, 1980)

Call No: TITLE CLIPPINGS FILE; ANNIE (US, Will Gluck, 2014)
Author: McDonald, John
PhysDes: Clippings File Article
Subject: ANNIE (US, Will Gluck, 2014)
Summary: Review of film 'Annie'

Call No: 756.1-25 SAY
Author: Sayyad, Nezar Al
Source: UK/US
Place: New York : London
Publisher: Routledge
PubDate: 2006
PhysDes: xiii, 256 p. : ill. ; 25 cm
Subject: MODERNISM AND THE CINEMA; ARCHITECTURE AND THE CINEMA; ARCHITECTURE IN FILMS; ART AND THE CINEMA; CITIES IN FILMS; HISTORY OF CINEMA; POSTMODERNISM AND THE CINEMA; THEORY; ANNIE HALL (US, Woody Allen, 1977); BERLIN: SYMPHONY OF A GREAT CITY (G, Walter Ruttman, 1927); BERLIN DIE SINFONIE DER GROSSTADT (G, Walter Ruttman, 1927); BLADE RUNNER (US, Ridley Scott, 1982); BLADE RUNNER: THE DIRECTOR'S CUT (US, Ridley Scott, 1982); BLADE RUNNER: THE FINAL CUT (US, Ridley Scott, 1982); BRAZIL (UK, Terry Gilliam, 1985); CINEMA PARADISO (IT/FR, Giuseppe Tornatore, 1988); NUOVO CINEMA PARADISO (IT/FR, Giuseppe Tornatore, 1988); DO THE RIGHT THING (US, Spike Lee, 1989); END OF VIOLENCE, THE (US/FR, Wim Wenders, 1997); FALLING DOWN (US, Joel Schumacher, 1993); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); MANHATTAN (US, Wody Allan, 1979); METROPOLIS (GG, Fritz Lang, 1927); METROPOLIS (G, Fritz Lang, 1926); MODERN TIMES (US, Charles Chaplin, 1936); MON ONCLE (FR/IT, Jacques Tati, 1958); MY BEAUTIFUL LAUNDRETTE (UK, Stephen Frears, 1985); PLAYTIME (FR, Jacques Tati, 1967); PLEASANTVILLE (US, Gary Ross, 1998); REAR WINDOW (US, Alfred Hitchcock, 1954); SLIVER (US, Phillip Noyce, 1993); TAXI DRIVER (US, Martin Scorsese, 1976); TRUMAN SHOW, THE (US, Peter Weir, 1998)
Summary: "Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema while arguing that urbanism cannot be understood outside the space of the celluloid city." "Nezar AlSayyad traces the dissolution of the boundary between real and reel through time and space via a series of films that represent different modernities. He contrasts the 'rational' European city of early twentieth-century industrial modernity as portrayed by Berlin: Symphony of a Big City (1927) with its American counterpart in Modern Times (1936). He illustrates the different forms of small town life and an urbanizing modernity across the Atlantic as exemplified by Cinema Paradiso (1989) and It's a Wonderful Life (1946). Using Metropolis (1927) and Brazil (1985), he shows how utopian ideals harbour within them their dystopian realities, while Jacques Tati's nostalgia for tradition in Mon Oncle (1958) and Playtime (1967) reveals a cynical modernity and a rebelling against its idealism." "AlSayyad argues that the postmodern city of Blade Runner (1982) and Falling Down (1993) illustrates some of the urban outcomes of a globalizing economy. Turning to spectacle and surveillance, he examines Rear Window (1954), Sliver (1993), and The End of Violence (1997) as a voyeuristic modernity. To understand the city experienced by individuals of different social backgrounds, he takes Manhattan (1979), Annie Hall (1977), and Taxi Driver (1976), while Do the Right Thing (1989) and My Beautiful Laundrette (1985) are used to explore a modernity of race and ethnicity. Finally, he uses Pleasantville (1998) and The Truman Show (1998) to unpack the hyperreality of exurban postmodernity and to demonstrate how today the real and the reel have become mutually constitutive." "By considering how the real city and the reel city reference each other in an act of mutual representation and definition, this book advances the discussion on cinematic space and theories of the city."--BOOK BLURB.
Notes: Formerly CIP; Includes bibliographical references and index
ISBN: 0415700493
Contents: -- about the author -- preface -- Introduction : the cinematic city and the quest for the modern -- 1. Industrial modernity : the flaneur and the tramp in the early twentieth century city -- 2. Urbanizing modernity : the traditional cinematic small town -- 3. Orwellian modernity : utopia/dystopia and the city of the future past -- 4. Cynical modernity, or the modernity of cynicism -- 5. From postmodern condition to cinematic city -- 6. Voyeuristic modernity : the lens, the screen and the city -- 7. The modernity of the sophisticate and the misfit : the city through different eyes -- 8. An alternative modernity : race, ethnicity and the urban experience -- 9. Exurban postmodernity : utopia, simulacra and hyper-reality -- epilogue -- illustration credits and sources -- selected bibliography -- index --

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: COCKSEDGE, ANNIE

PhysDes: Article
Subject: ANNIE (US, John Huston, 1982); COLUMBIA PICTURES; GANDHI (UK/II, Richard Attenborough, 1982); CONFERENCES. USA
Summary: Article on the Columbia International Worldwide Convention in New York, cuopled with photographs of the event and the premiere of 'Annie'.

PhysDes: Article
Subject: COLUMBIA PICTURES; BOOT, DAS (GW, Wolfgang Petersen, 1981); SILENT RAGE (US, Michael Miller, 1982); ANNIE (US, John Huston, 1982); THINGS ARE TOUGH ALL OVER (US, Thomas K. Avildsen, 1982); HANKY PANKY (US, Sidney Poitier, 1982); RICHARD PRYOR LIVE ON THE SUNSET STRIP (US, Joe Layton, 1982); GANDHI (UK/II, Richard Attenborough, 1982); BLUE THUNDER (US, John Badham, 1983); TOOTSIE (US, Sydney Pollack, 1982); TOY, THE (US, Richard Donner, 1982); KRULL (UK, Peter Yates, 1983)
Summary: List of current, coming, and completed films for Columbia Pictures.

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 6 Photographs : b&w ; 11 x 16 cm
Subject: COWBOY AND MARIA IN TOWN (AT, Les McLaren & Annie Stiven, 1991)
Summary: Photographas relating to the film Cowboy and Maria in town.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Stills
Subject: COWBOY AND MARIA IN TOWN (AT, Les McLaren & Annie Stiven, 1991)

Call No: TITLE CLIPPINGS FILE; ANNIE (US, Will Gluck, 2014)
Author: Bakker, Tiffany
PhysDes: Clippings
Subject: ANNIE (US, Will Gluck, 2014)
Summary: Short interview with Cameron Diaz.

Call No: 749.2 DIR
Author: Church Gibson, Pamela; Gibson, Roma
Place: London
Publisher: BFI Pub.
PubDate: 1993
PhysDes: x, 238 p. : ill. ; 24 cm
Subject: PORNOGRAPHY AND THE CINEMA; CENSORSHIP. AUSTRALIA; EROTIC FILMS; EROTIC FILMS. ASIA; EROTICISM IN FILMS; GORDON, BETTE; KAY, KARYN; KIPNIS, LAURA; Sprinkle, Annie
Notes: Includes bibliographical references and index
ISBN: 0851704034; 0851704042 (pbk.)
LON: 10014448

Call No: 630.3 POM
Author: Pomerance, Murray
Source: US
Place: New Jersey
Publisher: Rutgers University Press
PubDate: c2013
PhysDes: xii, 268 pages : illustrations ; 23 cm
Series: Techniques of the moving image
Subject: ART DIRECTION; CINEMATOGRAPHY; COMPUTER GENERATED IMAGERY; MOTION CONTROL; REALISM IN FILMS; SET DECORATING; SET DESIGNING; SPECIAL EFFECTS; HITCHCOCK, ALFRED; KELLY, GENE; Metro-Goldwyn-Mayer; 40 DAYS AND 40 NIGHTS (US, Michael Lehmann, 2002); ANNIE HALL (US, Woody Allen, 1977); ARIZONA DREAM (FR, Emir Kusturica, 1992); BRIGADOON (US, Vincente Minnelli, 1954); CLOVERFIELD (US, Matt Reeves, 2008); DARK PASSAGE (US, Delmer Daves, 1947); DEFIANCE [US, Edward Zwick, 2008]; DR STRANGELOVE (UK, Stanley Kubrick, 1964); FIELD OF DREAMS (US, Phil Alden Robinson, 1989); IN HARM'S WAY (US, Otto Preminger, 1965); NORTH BY NORTHWEST (US, Alfred Hitchcock, 1959); RANDOM HARVEST (US, Mervyn LeRoy, 1942); SIGNS (US, M. Night Shyamalan, 2002); THELMA & LOUISE (US, Ridley Scott, 1991); VERTIGO (US, Alfred Hitchcock, 1958); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
Summary: The Eyes Have It explores those rarified screen moments when viewers are confronted by sights that seem at once impossible and present, artificial and stimulating, sensory and definitive. Beginning with a penetrating study of five cornfield sequences - including The Wizard of Oz, Arizona Dream, and Signs - Murray Pomerance journeys through a vast array of cinematic moments, technical methods, and laborious collaborations from the 1930s to the 200s to show how the viewer's experience of "reality" is put in context, challenged, and wilfully engaged. Four meditations deal with "reality effects" from different philosophical and technical angles. "Vivid Rivals" assesses active participation and critical judgement in seeing effects with works such as Defiance, Cloverfield, Knowing, and Thelma & Louise. "The Two of Us" considers double placement and doubled experience with films such as The Prestige, Niagara and A Stolen Life. "Being There" discusses cinematic performance and the problems of believability, highlighting such films as Gran Torino, The Manchurian Candidate, In Harm's Way, and other films. "Fairy Land" explores the art of scenic backing, focusing on the fictional world of Brigadoon, which borrows from both hard-edged realism and evocative landscape painting." - BOOK BLURB
Notes: Contains illustrations, bibliographic references and index
ISBN: 9780813560588

Author: Quinlivan, Beth
PhysDes: Article
Subject: LAUGHLIN, TOM; ANNIE'S COMING OUT (AT, Gil Brealey, 1984); SILVER CITY (AT, Sophia Turkiewicz, 1984)
Summary: Beth Quinlivan reports on L.A. based distributor Tom Laughlin's acquisition of distribution rights for “Annie's Coming Out” and “Silver City”
Notes: "Annie's Coming Out" is also known by its US title "A Test of Love"

PhysDes: Article
Subject: ANNIE'S COMING OUT (AT, Gil Brealey, 1984); FILM AUSTRALIA; FORSYTHE, DREW
Summary: cast, crew and production details for 'Annie's Coming Out'

Author: Pitts, Virginia
PhysDes: Article; Illustration(s)
Subject: PUNITIVE DAMAGE (NZ, Annie Goldson, 1999)
Summary: Discussion on the background of the subject of the documentary and the political situation of the film's location, East Timor.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GEORGIE GIRL (NZ, Annie Goldson and Peter Wells, 2002)

Call No: 756.1-25 GLO
Author: Andersson, Johan; Webb, Lawrence
Edition: 2016
Place: New York; Chichester, UK
Publisher: Wallflower Press
PubDate: 2016
PhysDes: vii, 262 pages : illustrated ; 24 cm
Subject: CITIES IN FILMS; NIGERIA; JAMES BOND IN FILMS; ANNIE HALL (US, Woody Allen, 1977); BLADE RUNNER (US, Ridley Scott, 1982); BOURNE IDENTITY, THE (US, Doug Liman, 2002); BOURNE LEGACY, THE (US, Tony Gilroy, 2012); BOURNE SUPREMACY, THE (US, Tony Gilroy, 2012); BOURNE ULTIMATUM, THE (US, PAUL GREENGRASS, 2007); TOMORROW NEVER DIES (US, Roger Spottiswoode, 1997); HER (US, Spike Jonze, 2013)
Notes: Cinema and audiovisual media are integral to the culture, economy and social experience of the contemporary global city. But how has the relationship between cinema and the urban environment evolved in the era of digital technology, new media and globalization? And what are the critical tools and concepts with which we can grasp this vital interconnection between space and screen, viewer and built environment? Engaging with a rapidly transforming urban world, the contributions to this collection rethink the 'cinematic city' at a global scale. By presenting a global constellation of screen cities within one volume, the book encourages juxtapositions and comparisons across the North and South to capture the global city and its dynamics of exchange, hybridity, and circulation. The contributions examine film and screen cultures in a range of locations spanning five continents: Antibes, Beijing, Buenos Aires, Busan, Cairo, Caracas, Copenhagen, Jakarta, Kolkata, Lagos, Los Angeles, Malmö, Manila, Mumbai, Nairobi, Paris, Seoul, Sète, and Shanghai. The chapters address topics that range across the contemporary film and media landscape, from popular cinema, art cinema, and film festivals to serial television, public screens, multimedia installations, and video art. -- publisher's web site
ISBN: 9780231177474
Contents: Notes on Contributors -- Introduction: Decentring the Cinematic City—Film and Media in the Digital Age Part 1: Transnational Screen Cities -- 1. In the City but Not Bounded by It: Cinema in the Global, the Generic and the Cluster City, by Thomas Elsaesser -- 2. Traversing the Øresund: the Transnational Urban Region in Bron/Broen, by Pei-Sze Chow -- 3. Neoliberalism, Nollywood, and Lagos, by Jonathan Haynes Part 2: Global City Imaginaries -- 4. New Urban and Media Ecologies in Contemporary Buenos Aires, by Joanna Page -- 5. When Harry Met Siri: Digital Romcom and the Global City in Spike Jonze's Her, by Lawrence Webb -- 6. Cinephilia and the City: the Politics of Place in Contemporary Bengali Cinema, by Malini Guha -- Part 3: Public Screens and New Media Landscapes -- 7. Screen Cultures and the 'Generic City': Public Screens in Cairo and Shanghai, by Chris Berry -- 8. The City as Found Footage: the Reassemblage of Chinese Urban Space, by Yomi Braester -- 9. Remediating the 'Other Half': Planet Slum as Transmedia Project, by Igor Krstic Part 4: New Narrative Topographies -- 10. Interstitial Cityspace and the Immigrant Experience in Contemporary French Cinema, by William Higbee -- 11. Seoul, Busan and Somewhere Near: Korean Gangster Noir and Social Immobility, by Jinhee Choi -- 12. Chase Sequences and Transport Infrastructure in Global Hollywood Spy Films, by Christian B. Long Index

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 13 x 18 cm
Subject: FEENY-CONNOR, SHANE; JONES, ANNIE; HARBOURSIDE (AT, Phillip Emannel,1994)
Summary: One black and white photograph from the film Harbourside

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HERSTORY OF PORN: REEL TO REAL (US, Annie Sprinkle, 1999)

Call No: 70 STO
Author: Stock, Francine; Hughes, Stephen
Source: UK
Place: London
Publisher: Pimlico
PubDate: 2011
PhysDes: 344 p. ; 25 cm.
Subject: HISTORY AND THE CINEMA; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. 1940's; HISTORY OF CINEMA. 1950's; HISTORY OF CINEMA. 1960's; HISTORY OF CINEMA. 1970's; HISTORY OF CINEMA. 1980's; HISTORY OF CINEMA. 1990's; BIRTH OF A NATION , THE (US, David Wark Griffith, 1915); CABINET DES DR. CALIGARI, DAS (G, Robert Weine, 1920); CABINET OF DR. CALIGARI, THE (G, Robert Wiene, 1920) SEE CABINET DES DR. CALIGARI, DAS; FLESH AND THE DEVIL (US, Clarence Brown, 1926); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); SCARFACE (US, Howard Hawks, 1932); GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933); BETE HUMAINE, LA (FR, Jean Renoir, 1938); BAMBI (US, David Hand, 1942); SPELLBOUND (US, Alfred Hitchcock, 1945); STRADA, LA (IT, Federico Fellini, 1954); SEARCHERS, THE (US, John Ford, 1956); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); PEEPING TOM (UK, Michael Powell, 1960); BANDE A PART (FR, Jean-Luc Godard, 1964); 2001: A SPACE ODYSSEY (US, Stanley Kubrick, 1968); CARRIE (US, Brian De Palma, 1976); AGUIRRE, DER ZORN GOTTES (GW, Werner Herzog, 1972); AGUIRRE, THE WRATH OF GOD (GW, Werner Herzog, 1972); ANNIE HALL (US, Woody Allen, 1977); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); TOP GUN (US, Tony Scott, 1986); WHEN HARRY MET SALLY. . . (US, Rob Reiner, 1989); BASIC INSTINCT (US, Paul Verhoeven, 1992); NATURAL BORN KILLERS (US, Oliver Stone, 1994); THREE COLOURS: RED (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: ROUGE; THREE COLOURS: RED (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: ROUGE; THREE COLOURS: WHITE (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: BLANC; TROIS COULEURS: BLANC (FR/SZ/PL, Krzysztof Kieslowski, 1993); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); TROIS COULEURS: ROUGE (FR/SZ/PL, Krzysztof Kieslowski, 1994); ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004); AVATAR (US, James Cameron, 2009); UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES (TH/UK/FR/G/SP/NE, Apichatpong Weerasethakul, 2010)
Summary: Charting key films from the past hundred years, along with technological developments and historical landmarks, Francine Stock explores in compelling detail the nature of our relationship with film - from the first screenings of the Lumiere Brothers' short films, which saw audiences shrinking from oncoming trains, to the perception-altering 3-D Avatar. The twenties saw the birth of celebrity, still so influential even today. With the influence of Freud and the unconscious came film noir, anticipated by dark European classics like La Bete Humaine; Hollywood in the fifties turned ideological fears into lurid sci-fi and body-snatching horror; with the social change of the sixties came refracted ways of seeing, from Alfie to theStargate sequence in 2001: A Space Odyssey or a compelling seventies nightmares like Carrie. Moving towards our own century, Francine Stock considers how film reflects back on itself, bending time and technology to look to the future. More than a century on from those earliest awe-inspiring images, we are still in thrall to the power of film. In this fascinating, entertaining and illuminating book Francine Stock shows how film both reflects and remakes our world.
ISBN: 9781845951993

Call No: CRAWFORD STILL JAC
Source: AT
Publisher: Crawford Productions[distributor]
PhysDes: 20 photographs : b&w ; 18 x 26 cm - 20 x 26 cm + 16 slides : col.
Subject: JONES, ANNIE; BURSILL, TINA; MCCUBBIN, DAVID; MITCHELL, WARREN; HARDY, PETER; JACKAROO (AT, Michael Carson, 1990)
Summary: Photographs and slides relating to the mini series 'Jackaroo'
Notes: Arranged by record type, photographs and then slides. Each image has an accompanying publicity sheet
Donation: Gift of Crawford Productions

Call No: CRAWFORD STILL JAC
Source: AT
Publisher: Crawford Productions [distributor]
PhysDes: 120 photographic sheets : b&w ; 14 x 23 cm - 21 x 26 cm + 35 negatives : b&w ; 35 mm + 101 slide : col.
Subject: JONES, ANNIE; BURSILL, TINA; MCCUBBIN, DAVID; MITCHELL, WARREN; JACKAROO (AT, Michael Carson, 1990)
Summary: Photographic proof sheets, slides and negatives relating to the mini series 'Jackaroo'
Notes: Kept in original order recieved from Crawford Producions -- Negatives consist of 6 strips of photographic negatives
Donation: Gift of Crawford Productions

Call No: CRAWFORD PUBLICITY JAC
PhysDes: 1 box ; 39 x 25 x 8 cm
Subject: MITCHELL, WARREN; JONES, ANNIE; MCCUBBIN, DAVID; JACKAROO (AT, Michael Carson, 1990)
Summary: Media clippings, publicity brochure and press kit for the mini series 'Jackaroo'
Donation: Gift of Crawford Productions
Contents: Media clippings (33 leaves) -- Colour brochure -- Brochure copy (10 leaves) -- Treatment (12 leaves) -- Press book (133 leaves) plus original unbound copy -- Duplicate copies of the Press book are in storage

Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JONES, ANNIE

Author: Quinlivan, Beth
PhysDes: Article
Subject: LAUGHLIN, TOM; LONG, JOAN; FILM AUSTRALIA; COMMUNICATIONS TECHNOLOGY GROUP; ANNIE'S COMING OUT (AT, Gil Brealey, 1984); SILVER CITY (AT, Sophia Turkiewicz, 1984)
Summary: Report on pre-sale agreements problems between L.A. based distributor Tom Laughlin and Australian producers Film Australia and Joan Long. Laughlin is claiming that financial issues may affect his contract committment for the films “Annie's Coming Out” (Film Australia production) and “Silver City” (Joan Long production)
Notes: Report. - "Annie's Coming Out" is also known by its US title "A Test of Love"

Call No: TITLE CLIPPINGS FILE; ANNIE (US, Will Gluck, 2014)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: ANNIE (US, Will Gluck, 2014)
Summary: Review of film Annie
Rating: 3.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LIFE IS A VERY STRANGE THING (AT, Les McLaren/ Annie Stiven, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LITTLE ANNIE ROONEY (US, William Beaudine, 1925)

Call No: 747.5 EVE
Author: Everson, William K.
Source: US
Place: Seacaucus
Publisher: Citadel Press
PubDate: 1979
PhysDes: 251 p. : ill. ; 29 cm
Subject: ALGIERS (US, John Cromwell, 1938); ANNIE HALL (US, Woody Allen, 1977); BERKELEY SQUARE (US, Frank Lloyd, 1933); BRIEF ECSTASY (UK, Edmond T. Greville, 1937); BRIEF ENCOUNTER (UK, David Lean, 1945); CONRAD IN QUEST WITH HIS YOUTH (US, William C. DeMille, 1920); DADDY LONG LEGS (US, Jean Negulesco, 1955); DESIRE (US, Frank Borzage, 1936); DON JUAN (US, Alan Crosland, 1926); EKSTASE (CZ/A, Gustav Machaty, 1933); FIRST LOVE (US, Henry Koser, 1939); HALLELUjAH, I'M A BUM (US, Lewis Milestone, 1933); HOT SATURDAY (US, William A. Seiter, 1932); I KNOW WHERE I'M GOING! (UK, Michael Powell & Emeric Pressburger, 1945); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948); LOST HORIZON (US, Frank Capra, 1937); MADONNA OF THE SEVEN MOONS (UK, Arthur Crabtree, 1944)
ISBN: 080650644X
Donation: donated by the family of Wayne Levy, 2006

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: MARSHALL, ANNIE

Call No: PERSONALITY STILL
Source: AT
PubDate: 1984
PhysDes: 1 photograph : b&w ; 26 x 19 cm.
Subject: MAUGHAN, MONICA; ANNIE'S COMING OUT (AT, Gil Brealey, 1984)
Summary: Studio headshot of Monica Maughan.
Notes: image discoloured by age.; agent stamp Staple holes.; details on stickers on reverse.

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: MAYNARD, ANNIE

Call No: 403 CRE
Author: Creed, Barbara
Source: AT
Place: Crows Nest, NSW
Publisher: Allen and Unwin
PubDate: 2003
PhysDes: vii, 216 p. ; 21 cm
Subject: SEX AND THE CINEMA; SEX AND TV; REALITY "SHOWS"; REALITY SHOWS, TV. AUSTRALIA; REALITY TV; REALITY TV. AUSTRALIA; WOMEN AND THE CINEMA; WOMEN AND TV; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY AND TV; INTERNET AND THE CINEMA; INTERNET AND TV; Sprinkle, Annie; SEX AND THE CITY [TV] (US, 1998)
Summary: An examination of popular culture, film and old and new media in relation to a matrix where ideas and forms of sexuality, identity and the self are formed and performed.
ISBN: 1865089265

PhysDes: Article
Subject: MONTREAL FILM FESTIVAL; EVERY DAY, EVERY NIGHT (AT, Kathy Mueller, 1984); ANNIE'S COMING OUT (AT, Gil Brealey, 1984)
Summary: Reports on the Australian entrants within the 1984 Montreal Film Festival: Kathy Mueller directed film "Every Day, Every Night" awarded Grand Prix for best short film and the Film Australia production "Annie's Coming Out" receiving the Ecumenical award. Marketing director of the AFC Clive Turner is quoted in regards to the festival and what it means for Australian film
Notes: "Annie's Coming Out" is also known by its US title "A Test of Love"

Author: Quinlivan, Beth
PhysDes: Article
Subject: DRAMAS. AUSTRALIA; SERIALS. AUSTRALIA; FILM AUSTRALIA; MABEY, JOHN; ANNIE'S COMING OUT (AT, Gil Brealey, 1984)
Summary: Quinlivan reports on Film Australia's move away from documentaries and into drama productions like "Annie's Coming Out"
Notes: "Annie's Coming Out" is also known by its US title "A Test of Love"

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 13 photographs : b&w ; 13 x 18 - 26 x 21cm
Subject: COLLETTE, TONI; GRIFFITHS, RACHEL; LEE, SOPHIE; HUNTER, BILL; HAYWOOD, CHRIS; LAPAINE, DANIEL; BYRON, ANNIE; DAY, MATT; MURIEL’S WEDDING (AT, P.J. Hogan, 1994)
Summary: 13 black and white photographs of scenes from the film plus the director and the producer.

Call No: PERSONALITY STILL
Source: AT
PubDate: 1984
PhysDes: 1 photograph : b&w ; 21 x 14 cm.
Subject: ANNIE'S COMING OUT (AT, Gil Brealey, 1984); MURRAY, DON
Summary: Informal portrait of Don Murray with trees in background.
Notes: details written on sticker on reverse; photo cut from larger print.

Author: Wansbone, Ernie
PhysDes: Article
Subject: INDUSTRY, FILM. NEW ZEALAND; CINEMAS. NEW ZEALAND; ANNIE (US, John Huston, 1982); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982)
Summary: Film news from New Zealand.

Call No: CRAWFORD PUBLICITY NEW
Subject: CRAWFORD PRODUCTIONS; GODBOLD, CATHY; GABARDI, CHRIS; JONES, ANNIE; NEWLYWEDS [TV] (AT, 1993 - 1994)
Summary: Press kit, newspaper and magazine clippings about the Crawford Productions series 'Newlyweds'
Donation: Gift of Crawford Productions

Call No: 792(047.1) GEL
Author: Van Gelder, Peter
Place: London
Publisher: Aurum
PubDate: 1990
PhysDes: 288 p. : ill. ; 24 cm
Subject: AIRPLANE (US, Jim Abrahams & David Zucker & Jerry Zucker, 1980); ANNIE HALL (US, Woody Allen, 1977); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BATMAN (US, Tim Burton, 1989); BEVERLY HILLS COP (US, Martin Brest, 1984); BONNIE AND CLYDE (US, Arthur Penn, 1967); BRIEF ENCOUNTER (UK, David Lean, 1945); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CARRY ON CLEO (UK, Gerald Thomas, 1964); CASABLANCA (US, Michael Curtiz, 1942); CHARIOTS OF FIRE (UK, Hugh Hudson, 1981); CITIZEN KANE (US, Orson Welles, 1941); CROCODILE DUNDEE (AT, Peter Faiman, 1986); DAM BUSTERS, THE (UK, Michael Anderson, 1955); DIRTY HARRY (US, Don Siegel, 1971); DUCK SOUP (US, Leo McCarey, 1933); EASY RIDER (US, Dennis Hopper, 1969); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); EXORCIST, THE (US, William Friedkin, 1973); FANTASIA (US, Walt Disney, 1940); FATAL ATTRACTION (US, Adrian Lyne, 1987); [FORTY-SECOND] 42ND STREET (US, Lloyd Bacon, 1933); FRANKENSTEIN (US, James Whale, 1931); FRENCH CONNECTION, THE (US, William Friedkin, 1971); GENEVIEVE (UK, Henry Cornelius, 1953); GODFATHER, THE (US, Francis Ford Coppola, 1972); GOLDFINGER (UK, Guy Hamilton, 1964); GONE WITH THE WIND (US, Victor Fleming, 1939); GRADUATE, THE (US, Mike Nichols, 1967); GREASE (US, Randal Kleisner, 1978); HARD DAY'S NIGHT, A (UK, Richard Lester, 1964); HENRY V (UK, Laurence Olivier, 1944); HIGH NOON (US, Fred Zinnemann, 1952); HIGH SOCIETY (US, Charles Walters, 1956); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); LAVENDER HILL MOB, THE (UK, Charles Crichton, 1951); LAWRENCE OF ARABIA (UK, David Lean, 1962); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MALTESE FALCON, THE (US, John Huston, 1941); M*A*S*H (US, Robert Altman, 1969); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PINK PANTHER, THE (US, Blake Edwards, 1964); PSYCHO (US, Alfred Hitchcock, 1960); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); RAMBO : FIRST BLOOD PART II (US, George Pan Cosmatos, 1985); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); ROAD TO MOROCCO (US, David Butler, 1942); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SOME LIKE IT HOT (US, Billy Wilder, 1959); SOUND OF MUSIC, THE (US, Robert Wise, 1965); STAGECOACH (US, John Ford, 1939); STAR WARS (US, George Lucas, 1977); THIRD MAN, THE (UK, Carol Reed, 1949); TOOTSIE (US, Sydney Pollack, 1982); TOP HAT (US, Mark Sandrich, 1935); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); WHO FRAMED ROGER RABBIT (US, Roger Zemekis, 1988); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
ISBN: 1854101617; 1854101617 (pbk) : ¦9.95 : CIP confirmed
LON: bnc85410161; 7335916

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: POTTS, ANNIE

Call No: 210.4(94) MOR
Author: Moran, Albert, 1942
Place: Sydney
Publisher: Currency Press
PubDate: 1991
PhysDes: xii, 192 p., [16] p. of plates : ill., ports. ; 21 cm
Subject: AUSTRALIA; DOCUMENTARIES. AUSTRALIA; STATE AND THE CINEMA. AUSTRALIA; HEYER, JOHN; HAWES, STANLEY; AUSTRALIAN NATIONAL FILM BOARD; FILM AUSTRALIA; AUSTRALIAN FILM COMMISSION; ANNIE'S COMING OUT (AT, Gil Brealey, 1984); MAN WHO CAN'T STOP, THE (AT, Michael Rubbo, 1973); FROM THE TROPICS TO THE SNOW (AT, ?, 1964)
Notes: Includes indexes; Bibliography: p. 157-165
ISBN: 0868192929 : $25.00
LON: abn91225572; 8179305

Call No: PERSONALITY STILL
Source: AT
PubDate: 1984
PhysDes: 1 photograph : b&w ; 26 X 21 cm.
Subject: PUNCH MCGREGOR, ANGELA; ANNIE'S COMING OUT (AT, Gil Brealey, 1984)
Summary: Headshot of Angela Punch McGregor in a fur coat.
Notes: Image highlights yellowing (oxidising); stickers on reverse with name and details.; staple attached; tape stuck on front.; holes punch marks

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: PUNITIVE DAMAGE (NZ, Annie Goldson, 1999)

Call No: 462-02(94) BAI
Author: James Bailey, Julie
Place: Sydney
Publisher: Australian Film, Television and Radio School
PubDate: 1999
PhysDes: xii, 408 p. : ports. ; 21 cm
Subject: WOMEN FILM WORKERS. AUSTRALIA; KENNY, JAN; THORNBURN, GRETCHEN; COCKSEDGE, ANNIE; BILCOCK, JILL; PRYOR, SALLY; DEVINE, KIT; ARMSTRONG, GILLIAN; MCKIMMIE, JACKIE; BROWNE, DINA; PHILLIPSON, MARGOT; MURPHY, BRONWYN; KERR, SUE; SHEEHAN, ANNABELLE; TYSON-CHEW, NERIDA; COOPER, DANY; SMITH, MANDY; GAYNOR, HELEN; REID, CAROLYN; WOOD, SUSAN; BENNETT, SARA; CARTWRIGHT, LYNNE; RUDD, CAMILLA; GIL, GLENYS
Notes: Includes bibliographical references (p. [391]-394) and index
ISBN: 1876351047
LON: 20169058

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RUNNING WITH THE BOYS (AT, Annie Cossins, 2007)

Call No: 71(411) MAR
Author: Martin-Jones, David
Source: UK
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: c2010
PhysDes: ix, 254 p. : ill., ports. ; 24 cm
Subject: UNITED KINGDOM : SCOTLAND; SCOTLAND IN FILMS; LOCATION SHOOTING. SCOTLAND; LANDSCAPES IN FILMS. SCOTLAND; AE FOND KISS (UK, Ken Loach, 2004); AMERICAN COUSINS (UK, Don Coutts, 2003); BEAUTIFUL CREATURES (UK, Bill Eagles, 2000); CARLA'S SONG (UK/GG/SP, Kenneth Loach, 1996); DANNY THE DOG (FR/UK/US, Louis Leterrier, 2004); UNLEASHED (FR/UK/US, Louis Leterrier, 2004); DOG SOLDIERS (UK/LU, Neil Marshall, 2001); FESTIVAL (UK, Annie Griffin, 2005); GOVERNESS, THE (US, Sandra Goldbacher, 1998); GREGORY'S TWO GIRLS (UK/GG, Bill Forsyth, 1999); KANDUKONDIAN KANDUKONDAIN (II, Rajiv Menon, 2000); KUCH KUCH HOTA HAI (II, Karan Johar, 1998); LOCH NESS (UK, John Henderson, 1996); NINA'S HEAVENLY DELIGHTS (UK, Pratibha Parmar, 2006); PYAAR ISHQ AUR MOHABBAT (II, Rajiv Raj, 2001); RED ROAD (UK/DK, Andrea Arnold, 2006); SECRET OF THE LOCH, THE (UK, Milton Rosmer, 1934); SOFT TOP HARD SHOULDER (UK, Stefan Schwartz, 1993); TICKETS (UK/IT/IR, Abbas Kiarostomi/Ken Loach/Ermanno Olmi, 2005); WATER HORSE: LEGEND OF THE DEEP, THE (US/UK, Jay Russell, 2007); WILD COUNTRY (UK, Craig Strachan, 2005); WOMEN TALKING DIRTY (US, Coky Giedroyc, 1999); YOUNG ADAM (UK/FR, David Mackenzie, 2003)
Summary: 'Scotland: Global cinema is the first book to focus on the explosion of filmmaking in Scotland in the 1990s and 2000s. It explores the various cinematic fantasies of Scotland created by contemporary filmmkers from all over the world - including Scotland, England, France, the United States, and India who braved the weather to shoot in Scotland. This book provides analysis of ten different genres and modes prevalent in the 1990s/2000s: the comedy, road movie, Bollywood extravaganza, (Loch Ness) monster movie, horror film, costume drama, gangster flick, social realist melodrama, female friendship/US indie movie, and art cinema.' - TAKEN FROM BACK COVER
ISBN: 9780748633920
Donation: donated by Senses of Cinema, 2013
Contents: 1. Comedy: Global/Local Identities / Gregory's Two Girls (1999), Festival (2005) -- 2. Road Movie: Scotland in the World / Soft Top, Hard Shoulder (1993), Carla's Song (1996), Tickets (2005) -- 3. Bollywood: Non-Resident Indian-Scotland / Kuch Kuch Hota Hai (1998), Kandukondain Kandukondain (2000), Pyaar Ishq aur Mohabbat (2001), Nina's Heavenly Delights (2006) -- 4. (Loch Ness) Monster Movie: A Return to Primal Scotland / The Secret of the Loch (1934), Loch Ness (1996), The Water Horse (2007) -- 5. Horror Film: History Hydes in the Highlands / Dog Soldiers (2002), Wild Country (2005) -- 6. Costume Drama: From Men in Kilts to Developing Diasporas / The Governess (1998), 7. Gangster Film: Glasgow's Transnational Identities / American Cousins (2003), Danny the Dog (2005) -- 8. Social Realist Melodrama: Middle-class Minorities and Floundering Fathers / Ae Fond Kiss (2004), On a Clear Day (2005) -- 9. Female Friendship/US Indie: Women Talking / Women Talking Dirty (1999), Beautiful Creatures (2000) -- 10. Art Cinema: The Global Limits of Cinematic Scotland / Red Road (2006), Young Adam (2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Study guide
Subject: SHEILAS : 28 YEARS ON(NZ, Annie Goldson & Dawn Hutchesson, 2004)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 6 photgraphs : b&w ; 21 x 26 cm
Subject: CURRY, BERNARD; JONES, ANNIE; KERR, BILL; HORST, JOCHEN; BELL, LUCY; WILKIN, CATHERINE; SNOWY [TV] (AT, Paul Moloney & Ian Gilmour, 1993)
Summary: 6 black & white photographs relating to the TV drama series Snowy

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: Sprinkle, Annie

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TIGHTROPE WATER (AT, Annie Duncan & Anna Kannava, 1983)

PhysDes: Serial
Subject: INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. NEW ZEALAND; CANNES FILM FESTIVAL; GOVERNMENT AID. AUSTRALIA; GOVERNMENT AID; FESTIVALS. SYDNEY; BOX OFFICE. AUSTRALIA; VIDEO AND THE CINEMA. AUSTRALIA; UNDERCOVER (AT, David Stevens, 1983); CONSTANCE (NZ, Bruce Morrison, 1984); CAME A HOT FRIDAY (NZ, Ian Mune, 1985); AMONG THE CINDERS (NZ, Rolf Haedrich, 1984); VIGIL (NZ, Vincent Ward, 1984); ANNIE'S COMING OUT (AT, Gil Brealey, 1984); CAREFUL HE MIGHT HEAR YOU (AT, Carl Schultz, 1983); FAST TALKING (AT, Ken Cameron, 1984); FANTASY MAN (AT, John Meagher, 1984); RUN CHRISSIE RUN! (AT, Chris Langman, 1984)
Summary: Various articles on Australian and New Zealand film industries. Australian articles focus on Australian personnel attending Cannes, Government financial aid for Australian films, preparations for the Sydney Film Festival, box office takings, home video's effects on cinemas in Australia, and new Australian films debuting at Cannes. New Zealand articles focus on films to be shown at Cannes, and the New Zealand Film Commission's plans to discontinue funding of big-budget films. Advertising posters for UNDERCOVER, CONSTANCE, PALLET ON THE FLOOR, CAME A HOT FRIDAY, AMONG THE CINDERS, VIGIL, ANNIE'S COMING OUT, CAREFUL, HE MIGHT HEAR YOU, FAST TALKING, REUNION [AKA RUN CHRISSIE RUN!], and FANTASY MAN.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: VERY ANNIE-MARY (UK/FR, Sara Sugarman, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: WARMING UP (AT, Annie Duncan, 1983)

PhysDes: Article
Subject: AWARDS. AUSTRALIAN FILM INSTITUTE; ANNIE'S COMING OUT (AT, Gil Brealey, 1984)
Notes: Credits for entries in 1984 AFI awards. - credits. - illus. - "Annie's Coming Out" is also known by its US title "A Test of Love"