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Andrew Vial writes on world festival round-up in Australasian Cinema (24/9/1982) vol.11 iss.17
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Aussie, Aussie, Aussie? in Empire (Australian Ed.) (August 2001) iss.5 p.8-9
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Australian presence in Cannes '82 in The Australasian Cinema (16/07/1982) vol.11 iss.12 p.11
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Australian product Cannes Film Festival, 1982 in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2
PhysDes: ArticleSubject: HEATWAVE (AT, Phillip Noyce, 1981) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; STARSTRUCK (AT, Gillian Armstrong, 1982) ; FREEDOM (AT, Scott Hicks, 1982) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) ; KITTY AND THE BAGMAN (AT, Donald Crombie, 1982) ; FIGHTING BACK (AT, Michael Caulfield, 1982) ; NORMAN LOVES ROSE (AT, Henri Safran, 1982) ; SQUIZZY TAYLOR (AT, Kevin Dobson, 1982) ; INDUSTRY, FILM. AUSTRALIA ; CANNES FILM FESTIVAL ; ADVERTISING FOR FILMS Summary: Article on the Australian Film Commission helping to organise the promotion of numerous Australian films at the Cannes Film Festival.
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'Bliss' official Oz entry at Cannes Festival in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.1
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Cannes : face and about face in Interview (1970) vol.1 iss.10 p.8-11, 20
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Cannes Film Festical 1982 : Australian Films in Australasian Cinema (14/5/1982) vol.11 iss.8 p.3
PhysDes: ArticleSubject: CROSSTALK (AT, Mark Egerton, 1982) ; GOODBYE PARADISE (AT, Carl Schultz, 1982) ; BEST OF FRIENDS (AT, Michael Robertson, 1982) ; DOUBLE DEAL (AT, Brian Kavanagh, 1983) ; NEXT OF KIN (AT, Tony Williams, 1982) ; DARK ROOM, THE (AT, Paul Harmon, 1982) ; DANGEROUS SUMMER, A (AT, Quentin Masters, 1982) ; EARLY FROST (AT, Brian McDuffie, 1981) ; KITTY AND THE BAGMAN (AT, Donald Crombie, 1982) ; FIGHTING BACK (AT, Michael Caulfield, 1982) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) ; LONELY HEARTS (AT, Paul Cox, 1982) ; SQUIZZY TAYLOR (AT, Kevin Dobson, 1982) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; DEAD EASY (AT, Bert Deling, 1982) ; STARSTRUCK (AT, Gillian Armstrong, 1982) ; CLINIC, THE (AT, David Stevens, 1982) ; FREEDOM (AT, Scott Hicks, 1982) ; NORMAN LOVES ROSE (AT, Henri Safran, 1982) ; HEATWAVE (AT, Phillip Noyce, 1981) ; RUNNING ON EMPTY (AT, John Clarke, 1982) ; BREAKFAST IN PARIS (AT, John Lammond, 1982) ; KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981) ; WINTER OF OUR DREAMS (AT, John Duigan, 1981) ; DUSTY (AT, John Richardson, 1983) ; CANNES FILM FESTIVAL Summary: List of Australian films and their credits screening at the 1982 Cannes Film Festival.
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Cannes film festival 1983 Australian participation in Australasian Cinema (15/4/1983) vol.12 iss.6 p.4
PhysDes: ArticleSubject: CANNES FILM FESTIVAL ; BUSH CHRISTMAS (AT, Henri Safran, 1981) ; SETTLEMENT, THE (AT, Gillian Leahy, 1977) ; DUSTY (AT, John Richardson, 1983) ; MOVING OUT (AT, Chris Warner & Mandy Smith, 1986) ; GINGER MEGGS (AT, Jonathan Dawson, 1982) ; CLINIC, THE (AT, David Stevens, 1982) ; DARK ROOM, THE (AT, Paul Harmon, 1982) ; MIDNITE SPARES (AT, Quentin Masters, 1983) ; NEXT OF KIN (AT, Tony Williams, 1982) ; DANGEROUS SUMMER, A (AT, Quentin Masters, 1982) ; FAR EAST (AT, John Duigan, 1982) ; CITY'S EDGE, THE (AT, Ken Quinnell, 1983) ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) Summary: Article and cast and crew information on Australian filmes selected to screen at Cannes, 1983.
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Cannes Film Festival report in Australasian Cinema (Friday, 31/5-6/6/1985) vol.14 iss.9 p.5
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First picture : Anthracite by Edouard Niermans in Cinema francais (August-September 1980) iss.37 p.22-25
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Hollywood here, there and everywhere in Australasian Cinema (Friday, 26/7-1/8, 1985) vol.14 iss.12 p.4
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How to sell your film in Lumiere (August, 1973) iss.26 p.14-16
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"Huon Cry" for Cannes in Australasian Cinema (15/4/1983) vol.12 iss.6 p.13
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Hype and glory / by William Goldman New York: Villard books, c1990.
Call No: 81GOL GOLAuthor: Goldman, William Edition: first editionSource: USPlace: New YorkPublisher: Villard booksPubDate: c1990PhysDes: 306 p. : ill. ; 24 cmSubject: CANNES FILM FESTIVAL ; GOLDMAN, WILLIAM Summary: "A true account by the only person to have been a judge at both the Cannes Film Festival and the Miss America pageant - in the same year - and lived to tell about it!" -- BOOK FRONT COVERISBN: 0394584325Contents: -- ...returns... -- part 1: different days -- part 2: the Cannes Film Festival or incognito (with motorcycles) -- part 3: the Miss America contest or "do you take preperation H?" --- returns --
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Icons in the fire : The decline and fall of almost everybody in the British Film Industry 1984-2000 / Alexander Walker London: Orion, 2004.
Call No: 71(41) WALAuthor: Walker, Alexander Source: UKPlace: LondonPublisher: OrionPubDate: 2004PhysDes: xxiv, 328 p. ; colour illustrations ; 22 cmSubject: ABSOLUTE BEGINNERS (UK, Julien Temple, 1986) ; GOVERNMENT AID. UK ; ATTENBOROUGH, RICHARD ; BRITISH BROADCASTING CORPORATION ; JAMES BOND IN FILMS ; BRITISH FILM INSTITUTE ; CANNES FILM FESTIVAL ; CHANNEL FOUR ; FOUR WEDDINGS AND A FUNERAL (UK, Mike Newell, 1994) ; FULL MONTY, THE (UK/US, Robert Cattaneo, 1997) ; GOLAN, MENAHEM ; GOLAN-GLOBUS PRODUCTIONS ; GLOBUS, YORAM ; Goldcrest Films ; GREENAWAY, PETER ; JORDAN, NEIL ; KILLING FIELDS, THE (UK, Roland Joffe, 1984) ; LOACH, KENNETH ; MERCHANT IVORY PRODUCTIONS ; MIRAMAX FILMS ; PUTTNAM, DAVID ; SHAKESPEARE, WILLIAM ; WISH YOU WERE HERE (UK, David Leland, 1987) ; WOOLLEY, STEPHEN ; WORKING TITLE Summary: "FOUR WEDDINGS AND A FUNERAL, NOTTING HILL, THE FULL MONTY, BRIDGET JONES' DIARY - all made in Britain, all huge successes, but none financed by British money...
Walker's previous volumes, HOLLYWOOD ENGLAND and NATIONAL HEROES, covered the period until 1984. This final volume tells the inside story right up to date of why a nation that produces actors of the calibre of Kenneth Branagh, Daniel Day-Lewis, Hugh Grant, Emma Thompson, Robert Carlyle, Kate Winslet and directors such as Anthony Minghella, Sam Mendes, Stephen Frears, Neil Jordan, Peter Greenaway, Ken Loach and Guy Ritchie cannot sustain a native film industry.
Walker's revelations on the iniquities of National Lottery funding of movies - over £200m to date and hardly a profitable film among those so far produced - have been headline news. Walker relates the extraordinary events of the past two decades years through the individuals, the companies and the studios." -- from book jacket (abridged)Notes: Includes introduction by Joseph Connelly, includes preface and indexISBN: 0752856103Donation: Bruce HodsdonContents: Before the title: The Chinese butterfly -- 1. Alive and kicking -- 2. Self-congratulatory trumpet flourish -- 3. Cannon a go-go -- 4. The Coca-cola kid -- 5. Cannon self-destructs -- 6. Talents at work -- 7. From the depths -- 8. Contemporary and traditional -- 9. Independant struggles -- 10. Talking film finance -- 11. Just one film -- 12. Lottery promise -- 13. No rank revival -- 14. Hit the screen running -- 15. Fool's gold -- 16. Thrown away - 17. Ends and beginnings
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King of Cannes : a journey into the underbelly of the movies / Stephen Walker London: Bloomsbury, 2002.
Call No: 97 WALAuthor: Walker, Stephen Source: UKPlace: LondonPublisher: BloomsburyPubDate: 2002PhysDes: 277p. ; 20 cmSubject: CANNES FILM FESTIVAL ; FILMMAKING ; INDUSTRY, FILM Summary: "Film-maker Stephen Walker wanted to make a documentary about the Cannes Film Festival. He needed to find four young, untried, untested, obsessive and possibly unhinged film-makers who he could follow in their quest for fame and glory. Over six months, he met literally hundreds of film-makers from all over the world. Some were clearly talented. A few seemed certifiably insane. What united them was a passion for making movies and an inhuman determination to make their mark - whatever the cost.
King of Cannes is a riotously funny account of those six months, a rollercoaster ride through the nether regions of the movie business which culminates at Cannes, the most important - and the most glamorous - film festival in the world."-BOOK BLURBNotes: Previously published: London: Heinemann, 1999ISBN: 0747559155
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Report from Cannes in Lumiere (July, 1973) iss.25 p.33-35, 39
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'The Coca-Cola Kid' official Oz entry at Cannes Festival in Australasian Cinema (Friday, 26/4-2/5/1985) vol.14 iss.7 p.1
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'The Emerald Forest' closes Cannes Fest. in Australasian Cinema (Friday, 31/5-6/6/1985) vol.14 iss.9 p.4
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'The Satin Slipper' for Cannes Festival in Australasian Cinema (Friday, 26/4-2/5/1985) vol.14 iss.7 p.2
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'The Year of Living Dangerously' in '83 Cannes Festival competition in Australasian Cinema (11/3/1983) vol.12 iss.4 p.2
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Twelve N.Z. titles at Cannes Fest. in Australasian Cinema (Friday, 31/5-6/6/1985) vol.14 iss.9 p.5
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Twelve Oz films for Cannes Fest. in Australasian Cinema (Friday, 26/4-2/5/1985) vol.14 iss.7 p.2
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Val Morgan's Ted Gleeson to Cannes in Australasian Cinema (25/6/1982) vol.11 iss.11 p.2
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Variety- Australia/New Zealand Section in Variety (07/05/1986) vol.323 iss.2 p.346-363
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Variety- Australia/ New Zealand Section in Variety (04/05/1988) vol.331 iss.2 p.373-390
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Variety- Australia/New Zealand Section in Variety (07/05/1980) vol.299 iss.1 p.556-558
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Variety- Australia/ New Zealand Section in Variety (09/05/1979) vol.295 iss.1 p.81-83, 466-477
PhysDes: SerialSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND ; CANNES FILM FESTIVAL ; ADVERTISING FILMS ; THIRST (AT, Rod Hardy, 1979) ; PATRICK (AT, Richard Franklin, 1978) ; SNAPSHOT (AT, Simon Wincer, 1978) ; JOURNALIST, THE (AT, Micheal Thornhill, 1979) ; GOVERNMENT AID. AUSTRALIA ; DISTRIBUTION. AUSTRALIA Summary: Collection of articles featuring information on Australian and New Zealand films and film industries. Includes articles on Australian Government industry support, and Australian films at Cannes. Includes list of current New Zealand films, list of Australian films in production, and advertisements for THIRST, PATRICK and SNAPSHOT.
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Variety- Australia/ New Zealand Section in Variety (04/05/1983) vol.311 iss.1 p.163, 420-430
PhysDes: SerialSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND ; CANNES FILM FESTIVAL ; CENSORSHIP. NEW ZEALAND ; RETURN OF CAPTAIN INVINCIBLE, THE (AT, Philippe Mora, 1982) ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; GOVERNMENT AID. AUSTRALIA ; GOVERNMENT AID ; FESTIVALS. NEW ZEALAND ; AUSTRALIAN FILM AND TELEVISION SCHOOL ; UTU (NZ, Geoffrey Murphy, 1983) ; COPRODUCTION. AUSTRALIA Summary: Variety of Articles featuring the Australian and New Zealand film industry. Australian articles focus on the controversy of RETURN OF CAPTAIN INVICIBLE not qualifying for 10BA tax lean, the West Australian Film Council wishing to make more productions, new graduates of the Australian Film and TV School, a Chinese-Australian Documentary, and the recently completed YEAR OF LIVING DANGEROUSLY.
New Zealand articles focus on film financing laws and taxation, lists films screening at Cannes, the Wellington Film Festival, censorship.
Includes advertisements for UTU, THE LOST TRIBE, MOVING OUT, SAME AS IT EVER WAS and CONSTANCE.
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Variety- Australia/New Zealand section in Variety (09/05/1984) vol.315 iss.2 p.263, 414-431
PhysDes: SerialSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND ; CANNES FILM FESTIVAL ; GOVERNMENT AID. AUSTRALIA ; GOVERNMENT AID ; FESTIVALS. SYDNEY ; BOX OFFICE. AUSTRALIA ; VIDEO AND THE CINEMA. AUSTRALIA ; UNDERCOVER (AT, David Stevens, 1983) ; CONSTANCE (NZ, Bruce Morrison, 1984) ; CAME A HOT FRIDAY (NZ, Ian Mune, 1985) ; AMONG THE CINDERS (NZ, Rolf Haedrich, 1984) ; VIGIL (NZ, Vincent Ward, 1984) ; ANNIE'S COMING OUT (AT, Gil Brealey, 1984) ; CAREFUL HE MIGHT HEAR YOU (AT, Carl Schultz, 1983) ; FAST TALKING (AT, Ken Cameron, 1984) ; FANTASY MAN (AT, John Meagher, 1984) ; RUN CHRISSIE RUN! (AT, Chris Langman, 1984) Summary: Various articles on Australian and New Zealand film industries.
Australian articles focus on Australian personnel attending Cannes, Government financial aid for Australian films, preparations for the Sydney Film Festival, box office takings, home video's effects on cinemas in Australia, and new Australian films debuting at Cannes.
New Zealand articles focus on films to be shown at Cannes, and the New Zealand Film Commission's plans to discontinue funding of big-budget films.
Advertising posters for UNDERCOVER, CONSTANCE, PALLET ON THE FLOOR, CAME A HOT FRIDAY, AMONG THE CINDERS, VIGIL, ANNIE'S COMING OUT, CAREFUL, HE MIGHT HEAR YOU, FAST TALKING, REUNION [AKA RUN CHRISSIE RUN!], and FANTASY MAN.
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Variety- Australia/New Zealand section in Variety (12/05/1982) vol.307 iss.2 p.347-363
PhysDes: SerialSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND ; AUSTRALIAN FILM AND TELEVISION SCHOOL ; BOX OFFICE. AUSTRALIA ; CANNES FILM FESTIVAL ; LABORATORIES. AUSTRALIA ; COPYRIGHT. AUSTRALIA ; PIRACY. AUSTRALIA ; SQUIZZY TAYLOR (AT, Kevin Dobson, 1982) ; HEATWAVE (AT, Phillip Noyce, 1981) ; COPRODUCTION ; CARRY ME BACK (NZ, John Reid, 1982) ; SCARECROW, THE (NZ, Sam Pillsbury, 1982) ; FREEDOM (AT, Scott Hicks, 1982) ; FIGHTING BACK (AT, Michael Caulfield, 1982) Summary: Various articles on Australian and New Zealand film industries.
Australian articles focus on changes to the curriculum at the Australian Film and Television School, Ace Theatres' slump in box office takings, Australian films to be featured at Cannes, the lack of US and UK processing going to Australian film labs, as well as plans to expand processing into Asia, copyright law relating to using technology to make illegal copies, recently completed films SQUIZZY TAYLOR and HEATWAVE, and Australian films in production.
New Zealand articles focus on the New Zealand government's intention to encourage coproduction, and New Zealand films to be screened at Cannes.
Advertising posters for CARRY ME BACK, THE SCARECROW, FREEDOM, HEATWAVE, DOT AND SANTA CLAUS, FIGHTING BACK, THE SEVENTH MATCH.
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Variety- Australia/ New Zealand Sections in Variety (06/05/1987) vol.327 iss.2 p.432-446
PhysDes: SerialSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND ; GOVERNMENT AID ; CANNES FILM FESTIVAL ; ADVERTISING FOR FILMS ; SURFER, THE (AT, Frank Shields, 1987) ; GINNANE, TONY ; DISTRIBUTION. AUSTRALIA Summary: Various articles on Australian and New Zealand film industries.
Austrlian articles focus on new releases and Antony Ginnane at Cannes, current films in production, and new film THE SURFER.
New Zealand articles look at New Zealand's selections for Cannes, and government investment in the film industry.
Includes various film poster advertisments for STARLIGHT HOTEL, ILLUSTRIOUS ENERGY, MAURI, A SOLDIER'S TALE, NGATI, and RIKKY & PETE.
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Who's for tennis at Cannes? in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.4
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