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Australian product Cannes Film Festival, 1982 in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2
PhysDes: ArticleSubject: HEATWAVE (AT, Phillip Noyce, 1981) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; STARSTRUCK (AT, Gillian Armstrong, 1982) ; FREEDOM (AT, Scott Hicks, 1982) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) ; KITTY AND THE BAGMAN (AT, Donald Crombie, 1982) ; FIGHTING BACK (AT, Michael Caulfield, 1982) ; NORMAN LOVES ROSE (AT, Henri Safran, 1982) ; SQUIZZY TAYLOR (AT, Kevin Dobson, 1982) ; INDUSTRY, FILM. AUSTRALIA ; CANNES FILM FESTIVAL ; ADVERTISING FOR FILMS Summary: Article on the Australian Film Commission helping to organise the promotion of numerous Australian films at the Cannes Film Festival.
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Cannes Film Festical 1982 : Australian Films in Australasian Cinema (14/5/1982) vol.11 iss.8 p.3
PhysDes: ArticleSubject: CROSSTALK [HIGH RISE / WALL TO WALL] (AT, Mark Egerton, 1982) ; GOODBYE PARADISE (AT, Carl Schultz, 1982) ; BEST OF FRIENDS, THE (AT, Michael Robertson, 1982) ; DOUBLE DEAL (AT, Brian Kavanagh, 1983) ; NEXT OF KIN (AT, Tony Williams, 1982) ; DARK ROOM, THE (AT, Paul Harmon, 1982) ; DANGEROUS SUMMER, A (AT, Quentin Masters, 1982) ; EARLY FROST (AT, Brian McDuffie, 1981) ; KITTY AND THE BAGMAN (AT, Donald Crombie, 1982) ; FIGHTING BACK (AT, Michael Caulfield, 1982) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) ; LONELY HEARTS (AT, Paul Cox, 1982) ; SQUIZZY TAYLOR (AT, Kevin Dobson, 1982) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; DEAD EASY (AT, Bert Deling, 1982) ; STARSTRUCK (AT, Gillian Armstrong, 1982) ; CLINIC, THE (AT, David Stevens, 1982) ; FREEDOM (AT, Scott Hicks, 1982) ; NORMAN LOVES ROSE (AT, Henri Safran, 1982) ; HEATWAVE (AT, Phillip Noyce, 1981) ; RUNNING ON EMPTY (AT, John Clarke, 1982) ; BREAKFAST IN PARIS (AT, John Lammond, 1982) ; KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981) ; WINTER OF OUR DREAMS (AT, John Duigan, 1981) ; DUSTY (AT, John Richardson, 1983) ; CANNES FILM FESTIVAL Summary: List of Australian films and their credits screening at the 1982 Cannes Film Festival.
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Director of 'Heatwave'- Phillip Noyce in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.10
PhysDes: ArticleSubject: HEATWAVE (AT, Phillip Noyce, 1981) ; CASTOR AND POLLUX (AT, Phillip Noyce, 1973) ; BACKROADS (AT, Philip Noyce, 1977) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; NOYCE, PHILLIP Summary: Article on Phillip Noyce's films, followed by a synopsis of his latest feature, 'Heatwave'.
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Duigan and Noyce present an Australian view at L.A. Filmex in Australian Film Review (12-25 May 1983) vol.1 iss.7 p.6
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HEATWAVE : (AT, Phillip Noyce, 1981)
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journal article
Heatwave : a splendid thriller in Theatre Australia (March 1982) vol.6 iss.6 p.50-51
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Heatwave distribution in Australian Film Review (23 June - 6 July 1983) vol.1 iss.10 p.8
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dvd
Heatwave [DVD] Sydney: Umbrella Entertainment, 2007.
Call No: D HeatwaveEdition: Filmmakers collectionPlace: SydneyPublisher: Umbrella EntertainmentPubDate: 2007PhysDes: 1 videodisc ( DVD) (91 min.) : sd., col. ; 4 3/4 in.Subject: HEATWAVE (AT, Phillip Noyce, 1981) Summary: Local residents, with the support of "greenies" and the unions, oppose the construction of a huge luxury housing project in inner suburbia, Kings Cross, N.S.W. The idealistic young architect of the scheme, Stephen, grows increasingly cynical about his developer boss when pushed to make compromises on the design of the project. When the leader of the anti-project movement goes missing, he joins forces with one of the squatters, Kate Dean. In an escalating spiral of violence and intrigue, Stephen and Kate are drawn together, seeking those responsible for the reign of terror inflicted on the building's opponents. -- Libraries Australia.Notes: DAVID0521; Digitally remastered.Contents: Special features: Sweating it out - an interview with director Phillip Noyce; Stills gallery; Theatrical trailer; Umbrella trailersTechnical Details: PAL ; All regions.Credits: Producer, Hilary Linstead; director, Phillip Noyce ; screenplay by Marc Rosenbert, Phillip Noyce ; based on an original screenplay by Mark Stiles, Tim Gooding.Standard Number: 3000000062722Performer: Judy Davis, Richard Moir, Chris Haywood, Bill Hunter, John Gregg, Anna Jemison, John Meillon.
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still
[Heatwave : stills file]
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journal article
Production news from M & L in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.10
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journal article
Quintet of Australian Winners in Australasian Cinema (16/4/1982) vol.11 iss.6 p.2
PhysDes: ArticleSubject: MAD MAX II (AT, George Miller, 1981) ; GALLIPOLI (AT, Peter Weir, 1981) ; HEATWAVE (AT, Phillip Noyce, 1981) ; PUBERTY BLUES (AT, Bruce Beresford, 1981) ; FREEDOM (AT, Scott Hicks, 1982) ; VILLAGE ROADSHOW ; BOX OFFICE. AUSTRALIA Summary: Brief article about Australian films doing well at the box-office.
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book
The screening of Australia : anatomy of a national cinema / Susan Dermody, Elizabeth Jacka Sydney: Currency Press, 1987-<1988.
Call No: 71(94) DER v.2Author: Dermody, Susan ; Jacka, Elizabeth Place: SydneyPublisher: Currency PressPubDate: 1987-<1988PhysDes: v. <1-2 > ; 21 cmSeries: Australian screen seriesSubject: BUDDY FILMS. AUSTRALIA ; AUSTRALIA ; THEORY. AUSTRALIA ; CULTURAL IMPERIALISM. AUSTRALIA ; CLASS AND THE CINEMA. AUSTRALIA ; NATIONAL IDENTITY IN FILMS. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; COMEDIES. AUSTRALIA ; WOMEN IN FILMS. AUSTRALIA ; MEN IN FILMS. AUSTRALIA ; POLITICAL FILMS. AUSTRALIA ; SEX IN FILMS. AUSTRALIA ; REALISM IN FILMS. AUSTRALIA ; AUSTRALIAN FILM COMMISSION ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; CAREFUL, HE MIGHT HEAR YOU (AT, Carl Schultz, 1983) ; GALLIPOLI (AT, Peter Weir, 1981) ; MAD MAX (AT, George Miller, 1979) ; MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982) ; MY BROTHER JACK (AT, Gil Brealey, 1965) ; ALVIN PURPLE (AT, Tim Burstall, 1973) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; FAR EAST (AT, John Duigan, 1982) ; F.J. HOLDEN, THE (AT, Michael Thornhill, 1977) ; HEATWAVE (AT, Phillip Noyce, 1981) ; KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981) ; MAD MAX II (AT, George Miller, 1981) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; PALM BEACH (AT, Albie Thoms, 1979) ; PHAR LAP (AT, Simon Wincer, 1983) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) ; TOWN LIKE ALICE, A (AT, David Stevens, 1980) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) Notes: Includes bibliographies and indexISBN: 0861911876 (v. 2); 0868191876 (v. 2)LON: 5369777
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Variety- Australia/New Zealand section in Variety (12/05/1982) vol.307 iss.2 p.347-363
PhysDes: SerialSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND ; AUSTRALIAN FILM AND TELEVISION SCHOOL ; BOX OFFICE. AUSTRALIA ; CANNES FILM FESTIVAL ; LABORATORIES. AUSTRALIA ; COPYRIGHT. AUSTRALIA ; PIRACY. AUSTRALIA ; SQUIZZY TAYLOR (AT, Kevin Dobson, 1982) ; HEATWAVE (AT, Phillip Noyce, 1981) ; COPRODUCTION ; CARRY ME BACK (NZ, John Reid, 1982) ; SCARECROW, THE (NZ, Sam Pillsbury, 1982) ; FREEDOM (AT, Scott Hicks, 1982) ; FIGHTING BACK (AT, Michael Caulfield, 1982) Summary: Various articles on Australian and New Zealand film industries.
Australian articles focus on changes to the curriculum at the Australian Film and Television School, Ace Theatres' slump in box office takings, Australian films to be featured at Cannes, the lack of US and UK processing going to Australian film labs, as well as plans to expand processing into Asia, copyright law relating to using technology to make illegal copies, recently completed films SQUIZZY TAYLOR and HEATWAVE, and Australian films in production.
New Zealand articles focus on the New Zealand government's intention to encourage coproduction, and New Zealand films to be screened at Cannes.
Advertising posters for CARRY ME BACK, THE SCARECROW, FREEDOM, HEATWAVE, DOT AND SANTA CLAUS, FIGHTING BACK, THE SEVENTH MATCH.
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