journal article
Aussies in Asia [co-productions] in Encore (December 2007) vol.26 iss.12 p.24-5
PhysDes: ArticleSubject: COPRODUCTION. CHINA ; BARNARD, ANTONIA ; PAINTED VEIL, THE (C/US, John Curran, 2006) Summary: A series of short articles that refer to the Australian co-production treaty. Tracey Prisk reports on co-productions with China and Singapore with comments from AFC's Catherine Waters. Producer Antonia Barnard, THE PAINTED VEIL and Flying Bark Productions also comment on their experience of being involved in co-productions in Asia.
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Australian Broadcasting Tribunal inquiry into film and television co-productions information paper, March 1991, IP/ 91/ 016 - R1 / Australian Broadcasting Tribunal [North Sydney]: Australian Broadcasting Tribunal, 1991.
Call No: 212.1(94) AUSSource: ATPlace: [North Sydney]Publisher: Australian Broadcasting TribunalPubDate: 1991PhysDes: 1 v. (various pagings) ; 30 cmSubject: Australian Broadcasting Tribunal ; COPRODUCTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA Summary: Information paper pertaining to an inquiry into Australian film and television co-productions, with a view to invite relevant industry bodies and the public to submit their thoughts on the inquiry's terms of reference. The information paper includes material on; how the Australianess content of tv shows and films are measured for quota purposes, summary of the 1988 Part indigenous drama co-productions inquiry, exisiting film co-production agreements and application guidelinesContents: Terms of reference for inquiry -- Appendix A: Television program standard (TPS) 14. Australian content of television programs -- Appendix B: Australian content inquiry, Part indigenous drama co-productions discussions paper - summary of submissions [1988] -- Appendix C: Films co-production agreement between the government of Australia and the government of the United Kindom of Great Britain and Northern Ireland -- Appendix D: Films co-production agreement between the government of Australia and the government of Canada -- Appendix E: Australian Film Commission international co-production program: Application guidelines, November 1990
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reference folder
Australian (national & state) funding & development guidelines / AFI Research & Information
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Australian popular culture / edited by Ian Craven with Martin Gray and Geraldine Stoneham Melbourne, Australia: Cambridge University Press, published in association with Australian Studies and the British Australian Studies Association, 1994.
Call No: 408.1(94) CRAAuthor: Craven, Ian ; Gray, Martin ; Stoneham, Geraldine Source: UKPlace: Melbourne, AustraliaPublisher: Cambridge University Press, published in association with Australian Studies and the British Australian Studies AssociationPubDate: 1994PhysDes: 228 pages, 2 folded leaves ; 24 cmSeries: Australian cultural studiesSubject: COPRODUCTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; POPULAR CULTURE AND THE CINEMA. AUSTRALIA ; POPULAR CULTURE AND TV. AUSTRALIA Summary: "Australia's leisure culture is legendary, and as millions of British viewers of Neighbours, fans of Yothu Yindi or drinkers of Castlemaine XXXX would attest, Australian popular culture is popular outside of Australia. Australian Popular Culture is an exciting collection of essays bringing together new perspectives on the nature and meaning of a nation's changing life. The collection also explores the idea of popular culture at large. Leading authors represent a range of approaches, backgrounds and fields to explore subjects of wide interest within the categories of 'the everyday', 'the mass media' and 'critical theory'. Chapters are devoted to the Aussie Back Yard; Vegemite; postage stamps; Australian Rules football; the introduction of television; Crocodile Dundee; The Lindy Chamberlain Affair; Spycatcher; Domesticity, leisure and love and Postmodernism and Australian Culture." -Publisher description.Notes: 2 folded leaves inserted into back of book, entitled "Australian historical studies, style sheet for book reviewers"; Some text highlighted pages 66-76ISBN: 0521466679Contents: Introduction -- Part I. Popular Culture as the Everyday: 1. A brief cultural history of vegemite Robert White -- 2. The Australian back yard George Seddon -- 3. Stamp duty Xavier Pons -- 4. Australian football as secular religion Stephen Alomes -- Part II. Popular Culture and the 'Mass' Media: 5. Controlling the technology of popular culture and the introduction of television to Australia James Walter -- 6. 'Crocodile Dundee': the revival of American virtue Ruth Brown -- 7. The Boys from the Bush: television coproduction in the 1990s Ian Craven -- 8. Patterns of control in Australian crime fiction Stephen Knight -- 9. National fictions and the 'Spycatcher' trial Kevin Foster -- 10. Naturalising 'horror stories': Australian crime news as popular culture Christine Higgins -- Part III. Popular Culture and Critical Theory: 11. How to be a singer though married: domesticity, leisure and modern love Kay Ferres -- 12. The Wild Colonial Boy rides again and again: an Australian legend abroad Grahame Seal -- 13. Shaping the Plain Australian: Social analysis in the 1940s and 1950s Nicholas Brown -- 14. 'On the Beach': Apocalyptic hedonism and the origins of postmodernism Andrew Milner.
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Big screen big picture in Encore (12 Mar, 1999) vol.17 iss.4 p.9, 12, 14
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Building a bridge on the big screen in The Australian (27/04/2017) p.14
Call No: SUBJECT CLIPPINGS FILE; COPRODUCTION. AUSTRALIAAuthor: Callick, Rowan PhysDes: Clippings File ArticleSubject: COPRODUCTION. AUSTRALIA ; COPRODUCTION. CHINA Summary: Report on how Australia and China are planning to undertake numerous film coproductions together. Quotes from Lily Li, Mark Lazarus from Arclight Films, Screen Australia, Ausfilm, Tim White from Southern Light Films, Song Weinan from Sydney Films
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Canberra filmmakers' deal with China company 'coup' in Canberra Times (26/06/2015) p.8
Call No: TITLE CLIPPINGS FILE in production; AODALIYA GOLD [AUSTRALIA GOLD] in productionAuthor: - PhysDes: Clippings File ArticleSubject: COPRODUCTION. AUSTRALIA ; COPRODUCTION. CHINA ; AODALIYA GOLD [AUSTRALIA GOLD] in production Summary: Film based upon Australia's sole Chinese bushranger is to go into production in Canberra. It is being funded by the Canberra companies JIA Films and SilverSun Pictures, and the Chinese comapny Yuezhong Pictures
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China's influence on Hollywood growing in Weekend Australian (16/07/2016) p.34
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Chinese connection has its limits in The Australian (25/11/2015) p.16
Call No: SUBJECT CLIPPINGS FILE; COPRODUCTION. AUSTRALIAAuthor: Bodey, Michael PhysDes: Clippings File ArticleSubject: CHINA ; PRODUCTION. CHINA ; COPRODUCTION. AUSTRALIA ; COPRODUCTION. CHINA Summary: In depth report on Australian producers trying to make inroads into the lucrative but tightly controlled Chinese film market. Article ties into an Australia-China Co-production forum held in Sydney as part of the International Chinese Film Festival
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Cinema and nation / [edited by] Mette Hjort and Scott MacKenzie London New York: Routledge, 2000.
Call No: 408.1 CINAuthor: Hjort, Mette ; MacKenzie, Scott, 1967 Place: London New YorkPublisher: RoutledgePubDate: 2000PhysDes: xvi, 332 p., ill., 25 cmSubject: NATIONAL IDENTITY AND THE CINEMA ; COPRODUCTION. EUROPEAN COUNTRIES ; UNITED KINGDOM : SCOTLAND ; INDONESIA ; POLAND ; TURKEY ; INDIA ; GERMANY ; STATE AND THE CINEMA ; CAPRA, FRANK Summary: Leading film scholars, philosophers and sociologists consider the ways in which film production and reception are shaped by ideas of national identity and belonging. The contributors discuss a wide range of cinemas, in Europe, Asia and the Americas, exploring the relationship between nation states for both the concept and the reality of national cinema.
In the book’s first three sections, contributors explore sociological approaches to national identity, challenge established ideas about ‘national cinema’, and consider the ways in which national states – from the former Soviet Union to Contemporary Scotland – use cinema in their efforts to create a national cinema, and consider how images of the nation are understood by audiences both at home and abroad.
Taken from back cover.Notes: Includes bibliographical references and indexISBN: 0415208629 (alk. paper); 0415208637 (pbk. : alk. paper); 0415208629; 0415208637(pbk.) : ¦14.99; 0415208629(cased) : No price; 0415208637(pbk.) : No priceLON: 21459338
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Coproducing Asia : locating Japanese-Chinese regional film and media / Stephanie DeBoer Minneapolis; London: University of Minnesota Press, [2014].
Call No: 212.1 (5-012) DEBAuthor: DeBoer, Stephanie Source: US/UKPlace: Minneapolis; LondonPublisher: University of Minnesota PressPubDate: [2014]PhysDes: 244 pages : illustrations ; 23 cmSubject: COPRODUCTION. CHINA ; COPRODUCTION. JAPAN ; HONG KONG Summary: Based on rare archival research as well as interviews with producers, Coproducing Asia provides compelling frames for understanding the significance of film and media coproduction in East AsiaISBN: 9780816689507Contents: Introduction: coproduction and the new East Asia -- The bright Asian market place: regional specters of connection and desire -- Collaboration decentered: technology transfer and the Hong Kong copy -- Sino/Japanese techno-friendship: location, presence, and memory's displacement -- Tokyo on the move: omnibus Asia, media capital, and the limits of the link -- Working through China: scale, place, and new Asian coproduction -- Conclusion. Scaling the frame: genealogies of coproduction and the Asian frontier.
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subject clippings file
COPRODUCTION
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: COPRODUCTION
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subject clippings file
COPRODUCTION. AUSTRALIA
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book
Doing business with Australia : producer offset and co-productions / Screen Australia [Woolloomooloo, N.S.W.]: Screen Australia, January 2014.
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Interim
book
European Film Industries / Anne Jackel London: British Film Institute, 2003.
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book
Film policy : international, national, and regional perspectives / edited by Albert Moran New York: Routledge, 1996.
Call No: 205 FILAuthor: Moran, Albert Place: New YorkPublisher: RoutledgePubDate: 1996PhysDes: xvi, 285 pSubject: GOVERNMENT CONTROL ; STATE AND THE CINEMA ; HOLLYWOOD ; INDUSTRY, VIDEO. USA ; DISTRIBUTION ; INDUSTRY, FILM ; COPRODUCTION. FRANCE ; COPRODUCTION. UK ; INDUSTRY, FILM. UK ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. CANADA ; INDUSTRY, FILM. LATIN AMERICAN COUNTRIES ; INDUSTRY, FILM. INDIA ; INDUSTRY, FILM. INDONESIA ; INDUSTRY, FILM. SINGAPORE ; AUSTRALIAN ABORIGINAL CINEMA ; MAORI CINEMA ; INDIGENOUS PEOPLE'S CINEMA. CANADA Notes: Includes bibliographical references and indexISBN: 0415097916 (pbk.); 0415097908 (hardcover)LON: 12158074
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Interim
book
Global Hollywood / Toby Miller ... [et al.]. London: bfi Publishing, 2001.
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newspaper article
Guthrie defends Netflix, ABC deal in Australian Financial Review (17/11/2016) p.29
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The international film business : a market guide beyond Hollywood / Angus Finney with Eugenio Triana Abingdon, Oxon -- New York: Routledge, 2015.
Call No: 203 FINAuthor: Finney, Angus Edition: Second editionSource: UK/USPlace: Abingdon, Oxon -- New YorkPublisher: RoutledgePubDate: 2015PhysDes: xiv, 287 pages ; 25 cmSubject: INDUSTRY, FILM ; PRODUCTION ; DISTRIBUTION ; EXHIBITION ; ADVERTISING FOR FILMS ; FINANCING ; COPRODUCTION ; REDBUS GROUP ; RENAISSANCE FILMS ; ZENTROPA [company] ; ARTS ALLIANCE MEDIA ; FILM DEPARTMENT, THE ; PIXAR ; BARKER, MICHAEL ; PHAROAH, ASHLEY ; RECKONING, THE (UK/SP, Paul McGuigan, 2002) ; OPAL DREAM (AT, Peter Cattaneo, 2005) ; KING'S SPEECH, THE (AT/UK, Tom Hooper, 2010) ; CONFESSIONS OF A DANGEROUS MIND (US, George Clooney, 2002) ; MOTHER, THE (UK, Roger Michell, 2003) ; BEST EXOTIC MARIGOLD HOTEL, THE (UK, John Madden, 2011) ; CLOVERFIELD (US, Matt Reeves, 2008) ; VAPOR [Neil LaBute - not made] ; GOOD OMENS [Terry Gilliam - not made] Summary: The International Film Business examines the independent film sector as a business, and addresses the specific skills and knowledge it demands. It describes both the present state of the industry, the significant digital and social media developments that are continuing to take place, and what changes these might effectNotes: Includes bibliographical references (pages 272-275) and indexContents: Part one: The film value chain -- Global film: a changing world -- The film value chain model and current restructring -- Film development -- Green lighting films -- Sales and markets -- Film producer-distributor partnerships -- Film finance -- Co-production -- Exhibition and the changing cinema experience -- Part 2: Users and the changing digital market -- Users, consumer behaviour and market research -- Traditional film marketing -- Digital production -- Digital distribution -- Film marketing through the internet -- Part 3: Business and management strategies -- Business strategy -- Entrepreneurs and investors in the film industry -- The challenge of creative management -- Project management -- Business models 2.0 -- Case study: interview with Simon Franks, Redbus Group -- Conclusion
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journal article
ITV commissions more 'Great Escapes' for UK in Encore (Feb 11, 1998) vol.15 iss.22 p.8
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book
Local Hollywood : global film production and the Gold Coast / by Ben Goldsmith, Susan Ward, and Tom O'Regan St Lucia, Qld: University of Queensland Press, 2010.
Call No: 212.1(73:94) GOLAuthor: Goldsmith, Ben ; O'Regan, Tom ; Ward, Susan Source: ATPlace: St Lucia, QldPublisher: University of Queensland PressPubDate: 2010PhysDes: 296 p. ; 23 cmSubject: AUSTRALIA ; FILM AUSTRALIA ; HOLLYWOOD ; INDUSTRY, FILM. AUSTRALIA : QUEENSLAND ; PRODUCTION CENTRES. GOLD COAST ; COPRODUCTION Summary: "...This book gives an unprecedented insight into how the Gold Coast became the first outpost of Hollywood in Australia. When a combination of forces drove studios and producers to work outside California, the Gold Coast's unique blend of government tax support, innovative entrepreneurs and diverse natural settings made it a perfect choice to host Hollywood producations. Local Hollywood makes an essential contribution to the field of film and media studies, as well as giving movie bufffs a behind-the-scenes tour of the film industry. " -- BOOK BLURBISBN: 9780702237799Contents: -- contents -- chapter 1: global and local Hollywood -- chapter 2: inventing a local Hollywood -- chapter 3: the Greenfields location -- chapter 4: the Junior partner -- chapter 5: film friendliness -- chapter 6: local Hollywood's location space -- chapter 7: learning from a local Hollywood -- acknowledgements -- notes -- list of productions -- index --
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book
Map of the cinematic heart : an industry focused review of co-productions in the Australian film industry / by Lara Woolf RMIT, [200-?].
Call No: 212.1(94) WOOAuthor: Woolf, Lara Source: ATPublisher: RMITPubDate: [200-?]PhysDes: 36p. ; 30cmSubject: AUSTRALIA ; COPRODUCTION ; COPRODUCTION. AUSTRALIA ; FILM ; PRODUCTION Summary: "Are Australian co-productions the way forward for the future growth of Australian cinema? Co-productions are film projects where the division of labour, investments, talent, crew and production logistics are balanced between two or more countries. This thesis seeks to examine the current opinions and logistical frameworks which contribute to and govern the feasibility of co-productions. Interviews with Australian film industry professionals and textual analysis of government and non-government film texts will form the qualitative research basis of this project. Through analysis, this project aims to examine the Australian co-production as a feature of the current Australian and set in the context of a growing international film industry." -- ABSTRACTNotes: This is a Minor Thesis by student Lara Woolf submitted for a Master of Arts (Communication)Contents: -- 1: introduction -- 2: background on co-productions -- 3: methodology -- 4: industry focused review of co-productions -- 5: conclusion -- bibliography --
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newspaper article
Networking : Making a play for China in Canberra Times [TV Guide] (12/12/2016) p.2
Call No: TITLE CLIPPINGS FILE; CHOSEN [TV](CC/AT, 2016)Author: Idato, Michael PhysDes: Clippings File ArticleSubject: COPRODUCTION. AUSTRALIA ; CHOSEN [TV](CC/AT, 2016) Summary: Report that a Chinese lanugage adaptation of the show CHOSEN will be filmed in Australia and produced by Australian based company Playmaker and Chinese company iQIYINotes: similar article in Sydney Morning Herald, same date, Sctripon TV Guide p 2
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industry, television. australia
Networking in The Age [Green Guide] (6/7/2017) p.2
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Overseas participation in film and television program production in Australia : a symposium held at the Australian Government Centre, Sydney, on 21 July 1974 / Symposium on Overseas Participation in Film and Television Program Production in Australia (1974 : Sydney, N.S.W.) [North Sydney]: Dept. of the Media, [1974].
Call No: 212.1(94) OVESource: ATPlace: [North Sydney]Publisher: Dept. of the MediaPubDate: [1974]PhysDes: 1 v. (various foliations) ; 30 cmSubject: COPRODUCTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; PRODUCTION DEALS. AUSTRALIA ; PRODUCTION, TV. AUSTRALIA ; PRODUCTION. AUSTRALIA ; AUSTRALIAN FILM DEVELOPMENT CORPORATION ; MOTION PICTURE DISTRIBUTORS ASSOCIATION. AUSTRALIA ; AUSTRALIAN WRITERS GUILD Contents: Opening address / James H Oswin, Secretary, Department of the Media and Chairman of the Symposium -- Paper on behalf of the Federation of Australian Commercial Television stations / Leonard Mauger -- Paper on behalf of the Australian Film Council / Anthony Buckley -- Paper on behalf of the Motion Picture Distributors' Association of Australia / Noel Ford -- Paper on behalf of the Film Production Association of Australia / John Daniell -- Paper on behalf of the Australian Writers Guild / Ted Roberts -- Paper on behalf of the Australian Film Development Corporation / Thomas Stacey -- Paper on behalf of the Producers' and Directors' Guild of Australia / Thomas Jeffrey -- Paper on behalf of the Australian Theatrical and Amusement Employees' Association / John McQuaid -- Summary of General Discussion -- List of participants
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newspaper article
A reel deal for cultural change in The Australian (5/04/2017) p.14
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newspaper article
Short cuts : Chinese visit in Sydney Morning Herald [Arts and Entertainment] (28/05/2015) p.20
Call No: SUBJECT CLIPPINGS FILE; COPRODUCTION. AUSTRALIAAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: COPRODUCTION. AUSTRALIA ; COPRODUCTION. CHINA ; AUSFILM Summary: Brief article discussing a Chinese industry tour of Australian studios and film houses organised by Ausfilm, in the hope of encouraging co-production between the two countries
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newspaper article
Short cuts : Chinese film industry eyes Australia in The Age (28/05/2015) p.28
Call No: SUBJECT CLIPPINGS FILE; COPRODUCTION. AUSTRALIAAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: AUSFILM ; COPRODUCTION. AUSTRALIA ; COPRODUCTION. CHINA Summary: Snippet on a Chinese film delegation visiting Australia. The tour was organised by Ausfilm, who hope that this may spark further Australia/China co-productions
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newspaper article
Short cuts : screen funding in Sydney Morning Herald (24/12/2015) p.26
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newspaper article
Short cuts : Funnel webs signal movies afoot in The Age (21/4/216) p.20
Call No: TITLE CLIPPINGS FILE in production; NEST, THE in productionAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: CHINA ; COPRODUCTION. AUSTRALIA ; COPRODUCTION. CHINA ; NEST, THE in production Summary: Report on the Australian and Chinese co-production THE NEST, to be directed by Kimble Rendall, with discussion on the size of the Chinese box officeNotes: same article published: 'Cinema boom', Sydney Morning Herald, p 18
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newspaper article
Short cuts : China's cinema expands Down Under in The Age (21/4/2016) p.20
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Short cuts : East meets West to bring dream to screen in Sydney Morning Herald (8/12/2016) p.20
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Short cuts : follow the great wall of China in The Age (08/12/2016) p.26
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book
Sinophone cinemas / edited by Audrey Yue and Olivia Khoo London ; New York: Palgrave Macmillan, 2014.
Call No: 408.1-054(=951) SINAuthor: Yue, Audrey (editor) ; Khoo, Olivia (editor) Source: AUPlace: London ; New YorkPublisher: Palgrave MacmillanPubDate: 2014PhysDes: xvi, 231 pages : illustrations ; 23 cmSubject: CHINA IN FILMS ; COPRODUCTION ; COPRODUCTION. AUSTRALIA ; COPRODUCTION. CHINA ; CULTURE AND THE CINEMA. CHINA ; CULTURE AND THE CINEMA ; HONG KONG ; LANGUAGE AND THE CINEMA ; MASCULINITY IN FILMS ; NATIONAL IDENTITY AND THE CINEMA ; SHORT FILMS ; SINGAPORE ; TAIWAN ; TRANSNATIONAL CHINESE CINEMA ; TRANSNATIONAL CINEMA ; TRANSNATIONALISM AND THE CINEMA ; SHIH, SHU-MEI ; CHILDREN OF THE SILK ROAD, THE (AT/C/GE, Roger Spottiswoode, 2007) ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) ; FLIGHT OF THE RED BALLOON (FR, Hsiao-hsien Hou, 2008) Summary: "Sinophone Cinemas considers a range of multilingual, multidialect and multi-accented cinemas produced in Chinese-language locations outside mainland China. Showcasing a variety of new and fascinating case studies from Britain, Hong Kong, Taiwan, Singapore and Australia, and canvassing a range of formats including commercial co-productions, short films, documentaries and independent films, the book highlights the contemporary screen cultures of Chinese-language communities situated on the margins of China and Chineseness. It engages new sites of localisation, multilingualism and differences that have emerged in Chinese film studies, ones that are not easily contained by the notion of diaspora. The chapters cover a number of historical periods, geographical locations, and critical and methodological perspectives, such as the political economy of Sinophone film production, distribution, consumption and regulation; cinematic practices of Chinese and non-Chinese language resistance, complicity and transformation; and Sinophone communities as sites of cultural production and visual economies." - BOOK BLURBNotes: Contains list of figures and notes on Chinese names and film titles -- Includes filmography, bibliographic references and indexISBN: 9781137311191Contents: Part 1: Theorising Sinophone cinemas -- Framing Sinophone cinemas / Audrey Yue and Olivia Khoo -- Genealogies of four critical paradigms in Chinese-language film studies / Sheldon H. Lu -- Alter-centring Sinophone cinema / Yiman Wang -- Festivals, censorship and the canon: the making of Sinophone cinemas / Yifen T. Beus -- The voice of the Sinophone / Song Hwee Lim -- Singapore, Sinaphone, nationalism: sounds of language in the films of Tan Pin Pin / Olivia Khoo; Part 2: Contemporary Sinophone cinemas -- Mandarin pop-culture meets Tokyo jazz: gender and popular youth culture in late-1960s Hong Kong musicals / Jennifer Feeley -- Sinophone libidinal economy in the age of neoliberalization and mainlandization: masculinities in Hong Kong SAR and New Wave cinema / Mirana M. Szeto -- Singlish and the Sinophone: non-standard (Chinese/English) languages in recent Singaporean cinema / Alison M. Groppe -- British Chinese short films: challenging the limits of the Sinophone / Felicia Chan and Andy Willis -- Contemporary Sinophone cinema: Australia-China coproductions / Audrey Yue
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newspaper article
TV producers seek pivotal role in land of 'Scani-noir' in Australian Financial Review (12/10/2015) p.27
Call No: SUBJECT CLIPPINGS FILE; COPRODUCTION. AUSTRALIAAuthor: White, Dominic PhysDes: Clippings File ArticleSubject: COPRODUCTION. AUSTRALIA ; DENMARK ; SCREEN PRODUCERS ASSOCIATION OF AUSTRALIA Summary: Report on Australia and Denmark looking to enter into a coproduction agreement, with the involvement of Screen Producers Australia. Mentions of recently completed coproduction agreement for Australia with Malaysia and a AV agreement with Keora
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journal article
Variety- Australia/ New Zealand Section in Variety (04/05/1983) vol.311 iss.1 p.163, 420-430
PhysDes: SerialSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND ; CANNES FILM FESTIVAL ; CENSORSHIP. NEW ZEALAND ; RETURN OF CAPTAIN INVINCIBLE, THE (AT, Philippe Mora, 1982) ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; GOVERNMENT AID. AUSTRALIA ; GOVERNMENT AID ; FESTIVALS. NEW ZEALAND ; AUSTRALIAN FILM AND TELEVISION SCHOOL ; UTU (NZ, Geoffrey Murphy, 1983) ; COPRODUCTION. AUSTRALIA Summary: Variety of Articles featuring the Australian and New Zealand film industry. Australian articles focus on the controversy of RETURN OF CAPTAIN INVICIBLE not qualifying for 10BA tax lean, the West Australian Film Council wishing to make more productions, new graduates of the Australian Film and TV School, a Chinese-Australian Documentary, and the recently completed YEAR OF LIVING DANGEROUSLY.
New Zealand articles focus on film financing laws and taxation, lists films screening at Cannes, the Wellington Film Festival, censorship.
Includes advertisements for UTU, THE LOST TRIBE, MOVING OUT, SAME AS IT EVER WAS and CONSTANCE.
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journal article
Variety- Australia/New Zealand section in Variety (12/05/1982) vol.307 iss.2 p.347-363
PhysDes: SerialSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND ; AUSTRALIAN FILM AND TELEVISION SCHOOL ; BOX OFFICE. AUSTRALIA ; CANNES FILM FESTIVAL ; LABORATORIES. AUSTRALIA ; COPYRIGHT. AUSTRALIA ; PIRACY. AUSTRALIA ; SQUIZZY TAYLOR (AT, Kevin Dobson, 1982) ; HEATWAVE (AT, Phillip Noyce, 1981) ; COPRODUCTION ; CARRY ME BACK (NZ, John Reid, 1982) ; SCARECROW, THE (NZ, Sam Pillsbury, 1982) ; FREEDOM (AT, Scott Hicks, 1982) ; FIGHTING BACK (AT, Michael Caulfield, 1982) Summary: Various articles on Australian and New Zealand film industries.
Australian articles focus on changes to the curriculum at the Australian Film and Television School, Ace Theatres' slump in box office takings, Australian films to be featured at Cannes, the lack of US and UK processing going to Australian film labs, as well as plans to expand processing into Asia, copyright law relating to using technology to make illegal copies, recently completed films SQUIZZY TAYLOR and HEATWAVE, and Australian films in production.
New Zealand articles focus on the New Zealand government's intention to encourage coproduction, and New Zealand films to be screened at Cannes.
Advertising posters for CARRY ME BACK, THE SCARECROW, FREEDOM, HEATWAVE, DOT AND SANTA CLAUS, FIGHTING BACK, THE SEVENTH MATCH.
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Variety international film guide 1993 / edited by Peter Cowie London Hollywood: Andre Deutsch Samuel French, c1993.
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Venture gives $12m boost in Encore (12 Mar, 1999) vol.17 iss.4 p.12
Author: Harty, Jason PhysDes: Article; Illustration(s)Subject: COPRODUCTION. AUSTRALIA ; SCREENWEST ; GRANADA Summary: News of joint venture company, Granada West, set up by UK Granada Media and WA's ScreenWest, to provide $12m over 5 years for production funding and development.
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newspaper article
Wildbear hails opportunity for closer bonds with China in Canberra Times (02/03/2016) p.5
Call No: SUBJECT CLIPPINGS FILE; WILDBEARAuthor: Lawson, Kirsten PhysDes: Clippings File ArticleSubject: WILDBEAR ; COPRODUCTION. AUSTRALIA ; COPRODUCTION. CHINA Summary: Interview with Michael Tear, the CEO of Canberra based production company Wildbear. He discusses the importance of strong business links between Australia and China and talks of Wildbear's success in getting co-productions up with China
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