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book		1000 women in horror / by Alexandra Heller-Nichols Orlando: BearManor Media, 2020. Call No: 735.2-02 HEL Author: Heller-Nichols, Alexandra Edition: 2020 Place: Orlando Publisher: BearManor Media PubDate: 2020 PhysDes: 592 pages ; illus. ; 27cm Subject: HORROR FILMS; WOMEN AND THE CINEMA; WOMEN FILMMAKERS; WOMEN, FILMS MADE BY; LOVE WITCH, THE (US, Anna Biller, 2016) Summary: Blowing a kiss back through time and space from Aaliyah to Jill Rae Zurborg, 1000 Women in Horror, 1895-2018 is a love letter to both the stars and the often-invisible women who have made the genre what it is today. From Classical Hollywood to alt-Nollywood, mumblegore to J-horror, this book offers a tiny global snapshot of the vast number of women who have worked in the creation of dark and spooky movies for well over a century, both behind and in front of the camera, and in films both widely known and comparatively obscure. Featuring a selected filmography of over 700 feature films directed or co-directed by women, this book also features interviews with Rutanya Alda, Tara Anaïse, Tonjia Atomic, Anna Biller, Axelle Carolyn, Aislinn Clarke, BJ Colangelo, Mattie Do, Julia Ducournau, Jordan Hall, Catherine Hardwicke, Katherine Kean, Karen Lam, Izzy Lee, Barbara Magnolfi, Marsha Mason, Donna McRae, Patrushkha Mierzwa, Hannah Neurotica, Alexandra Paul, Isabel Peppard, Cassandra 'Elvira' Peterson, Debbie Rochon, Mia'Kate Russell, Gigi Saul Guerrero, Elizabeth Shepherd, Jen and Sylvia Soska, Brinke Stevens, Barbie Wilde and Silvana Zancolò. -- Book jacket ISBN: 9781629333878 More info
book		Africa at the pictures / [edited by Keith Shiri] London: National Film Theatre, 1993. Call No: 71(6) AFR Author: Shiri, Keith CorpAuthor: National Film Theatre (London, England); British Film Institute; Africa Centre (London, England) Place: London Publisher: National Film Theatre PubDate: 1993 PhysDes: 75 p. : ill. ; 23 cm Subject: FEPACI; AFRICAN COUNTRIES; EGYPT; AFRICA IN FILMS; IMPERIALISM AND THE CINEMA. AFRICAN COUNTRIES; WOMEN FILMMAKERS. AFRICAN COUNTRIES; FESTIVALS. OUAGADOUGOU; INDUSTRY, FILM. AFRICAN COUNTRIES Notes: This booklet is a companion to the 1993 Africa Film Festival, Africa at the Pictures II, organised by the Africa Centre with the National Film Theatre and the British Film Institute ISBN: 0851704360 (pbk.) LON: 12047733 More info
book		Ana Kokkinos : an oeuvre of outsiders / Kelly McWilliam Edinburgh: Edinburgh University Press, 2020. Call No: 81 KOK MCW Author: McWilliam, Kelly Source: UK Place: Edinburgh Publisher: Edinburgh University Press PubDate: 2020 PhysDes: 130 pages : illustrations ; 22 cm Series: Visionaries: thinking through female filmmakers Subject: KOKKINOS, ANA; ONLY THE BRAVE (AT, Ana Kokkinos, 1994); HEAD ON (AT, Ana Kokkinos, 1998); BOOK OF REVELATION (AT, Ana Kokkinos, 2005); BLESSED (AT, Ana Kokkinos, 2009); WOMEN FILMMAKERS; WOMEN FILMMAKERS. AUSTRALIA Summary: "Ana Kokkinos is an Australian screenwriter, producer and director who has worked in film and television for almost thirty years. Best known for her fictional films - Antamosi, Only the Brave, Head On, The Book of Revelation and Blessed - her work is often bold and confrontational in its exploration of the alienation, estrangement and visceral distresses of those outside the mainstream. In the first major study of the director, Ana Kokkinos: An Oeuvre of Outsiders offers new readings of and across her fictional oeuvre by broadly tracing the deployment of the outsider as an organising motif." - taken from back cover. Notes: Includes bibliographical references and index. Bibliography: (pages 112-125) Filmography: (pages 126-127) ISBN: 9781474431071 Contents: Introduction: Ana Kokkinos -- 1. Antamosi and Only the Brave: the early films -- 2. Head On: centring the other -- 3. The Book of Revelation: othering the centre With Sharon Bickle -- 4. Blessed: an ensemble of outsiders -- Conclusion: an oeuvre of outsiders - an Australian auteur? -- Bibliography -- Filmography -- Index. More info
book		Asian cinema : a regional view / Olivia Khoo Edinburgh: Edinburgh University Press, Call No: 71(5) KHO Author: Khoo, Olivia Edition: 2021 Place: Edinburgh Publisher: Edinburgh University Press PhysDes: 160 pages : illustrated ; 24 cm Subject: ASIAN COUNTRIES; BLOCKBUSTERS; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000); DISTRIBUTION; FESTIVALS; COPRODUCTION; HOMOSEXUALITY IN FILMS; REMAKES; SHORT FILMS; 3D DIGITAL; TRANSNATIONAL CINEMA; TRANSNATIONALISM AND THE CINEMA; WOMEN FILMMAKERS Summary: Asia’s film industries have undergone significant transformation in the last 30 years. From bilateral co-production agreements to pan-Asian financing, Asian cinema has assumed a regional identity well beyond its constituent national cinemas. This book explores the collaborative models of film production, distribution, exhibition and reception that have enabled greater co-operation and integration between Asia’s film industries. In doing so, it contributes to the burgeoning international fields of transnational and world cinema, providing a fresh perspective on Asian cinema through the lens of comparative film studies. -- publisher's web site ISBN: 9781474461764 Contents: Acknowledgements -- List of Figures -- 1. Introduction: Theorising Asian Cinema as a Regional Cinema -- 2. Pan-Asian Filmmaking and Co-Productions with China: Horizontal Collaborations and Vertical Aspirations -- 3. Re-making Asian Cinema: Inter-Asian Remakes and Asian Omnibus Films -- 4. From Film Festivals to Online Streaming: Circuits of Distribution and Exhibition -- 5. Queer Asian Cinema and the Short Film Format: Rethinking Female Authorship -- 6. Archiving Asian Cinema -- 7. Asian Cinema in 3D: Regional Technical Innovation -- Epilogue: New Regional Intimacies -- Notes -- Bibliography More info
Old collection book		Australian feature (fiction) films written, directed and produced by women 1970-1995 / Lisa French 1995. Call No: 462-02 (94) FRE v.2 Author: French, Lisa Source: AT PubDate: 1995 PhysDes: p. 123-135. ; 30 cm Subject: FILM WORKERS. AUSTRALIA; FILM WORKERS. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; WOMEN FILMMAKERS. AUSTRALIA; PRODUCERS. AUSTRALIA; SCRIPTWRITERS. AUSTRALIA; DIRECTORS. AUSTRALIA; AUSTRALIA. 1970's; AUSTRALIA. 1980's; AUSTRALIA. 1990's; FILMOGRAPHIES. AUSTRALIA Notes: 'This data base was prepared by Lisa French as an appendix to the thesis 'Do Contemporary Australian Women Filmmakers Share A Feminist Perspective In Their Work?' More info
book		Australian women's film & video : a catalogue of films and video produced or directed by Australian women / compiled and researched by Chris Brophy; edited by Annette Blonski Melbourne: AFI Distribution Ltd, 1988. Call No: 027-02(94) BRO Author: Brophy, Chrs; Blonski, Annette Edition: 1988 Place: Melbourne Publisher: AFI Distribution Ltd PubDate: 1988 PhysDes: 104 pages : illustrated ; 21cm Subject: WOMEN DIRECTORS. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; WOMEN FILMMAKERS. AUSTRALIA; AUSTRALIAN FILM INSTITUTE ISBN: 9780908023165 Donation: Ina Bertram More info
book		Back of beyond : discovering Australian film and television / presented by the Australian Film Commission and the UCLA Film and Television Archive in association with the Australian Bicentennial Authority ; catalogue editor, Scott Murray North Sydney: Australian Film Commission, 1988. Call No: 71(94) BAC Copy Management: Copy 1; Copy 2 Author: Murray, Scott, 1951 CorpAuthor: Australian Film Commission; UCLA Film and Television Archive; Australian Bicentennial Authority Place: North Sydney Publisher: Australian Film Commission PubDate: 1988 PhysDes: viii, 112 p. : ill., ports. ; 23 cm Subject: AUSTRALIA; NATIONAL IDENTITY IN FILMS. AUSTRALIA; WOMEN FILMMAKERS. AUSTRALIA; MILLER, GEORGE; HAYES, TERRY; KENNEDY MILLER ENTERTAINMENT; LANDSCAPES IN FILMS. AUSTRALIA; SEMI-DOCUMENTARIES. AUSTRALIA Notes: Includes index; "UCLA, October 20-November 20, 1988' - Cover; Filmography: p. 108-109; Have a duplicate copy ISBN: 0731643909 LON: 6280621 Contents: George Miller, p34-43 -- Terry Hayes, p44-51. URL status: URL: 'http://-' Checked: 31/08/2021 12:34:43 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest) More info
book		Beyond the silver screen : a history of women, filmmaking and film culture in Australia 1920-1990 / Mary Tomsic Carlton, Victoria: Melbourne University Press, 2017. Call No: 71-02(94) TOM Author: Tomsic, Mary Edition: 2017 Place: Carlton, Victoria Publisher: Melbourne University Press PubDate: 2017 PhysDes: vii, 254 pages : 22 cm Series: MUP Academic Subject: WOMEN FILMMAKERS. AUSTRALIA; WOMEN, FILMS MADE BY. AUSTRALIA; GRAIL FILM GROUP, THE; SYDNEY FILMMAKERS CO-OPERATIVE; INDONESIA CALLING (AT, Joris Ivens, 1948); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); FRAN (AT, Glenda Hambly, 1985) Summary: Beyond the Silver Screen tells the history of women's engagement with filmmaking and film culture in twentieth-century Australia. In doing so, it explores an array of often hidden ways women in Australia have creatively worked with film. Beyond the Silver Screen examines film in a broad sense, considering feature filmmaking alongside government documentaries and political films. It also focuses on women's work regulating films and supporting film culture through organising film societies and workshops to encourage female filmmakers. As such, it tells a new narrative of Australian film history. Beyond the Silver Screen reveals the variety of roles film has in Australian society. It presents film as a medium of creative and political expression, which women have engaged with in diverse ways throughout the twentieth century. Gender roles and gendered ideologies operating within society at large have influenced women's opportunities to work with film and how their filmwork is… -- publisher's web site ISBN: 9780522871227 More info
newspaper article		'Cultural Stalinism' in screen gender stand in Weekend Australian [-] (6/05/2017) p.3 Call No: SUBJECT CLIPPINGS FILE; WOMEN FILMMAKERS. AUSTRALIA Author: Neill, Rosemary PhysDes: Clippings File Article Subject: SCREEN AUSTRALIA; SCREEN NSW; FILM VICTORIA; GENDER MATTERS; WOMEN FILMMAKERS. AUSTRALIA Summary: Preview of an article about the changes in policy from funding bodies, including Screen Australia and Screen NSW, regarding quotas and conditions promoting female filmmakers More info
newspaper article		Director calls for an end to male domination of cinema in The Age (05/09/2015) p.40 Author: Gibbs, Ed PhysDes: Clippings File Article Subject: WOMEN FILMMAKERS. AUSTRALIA; BROOKS, SUE; LOOKING FOR GRACE (AT, Sue Brooks, 2015) Summary: Sue Brooks discusses the fact that only 15 percent of Australian film directors are women. Her latest film LOOKING FOR GRACE is screening at the Venice Film festival More info
journal article		Discovering fragments of our past...the Grail Film Group : Amateur Australian women filmmakers of the 1930's and 1940's in Metro (2000) iss.123 p.18-24 Author: O'Sullivan, Mardie PhysDes: Article; Bibliography; Illustration(s) Subject: AMATEUR FILMS; GRAIL FILM GROUP, THE; WOMEN FILMMAKERS. AUSTRALIA Summary: The article examines the interplay between context, gender and cultural themes in the work of Australian women film-makers and photographers in the 1930's and 1940's. More info
newspaper article		Diversity subtitles in The Australian [Letters] (10/05/2017) p.27 Call No: SUBJECT CLIPPINGS FILE; SCREEN NSW Author: None PhysDes: Clippings File Article Subject: SCREEN NSW; WOMEN FILMMAKERS. AUSTRALIA Summary: Letter to the editor critical of the proposed quotas suggested by Screen NSW to promote women filmmakers More info
book		Do contemporary women filmmakers share a feminist perspective in their work? / submitted by Lisa French 1995. Call No: 462-02(94) FRE Author: French, Lisa PubDate: 1995 PhysDes: 139 leaves Subject: FEMINISM AND THE CINEMA. AUSTRALIA; WOMEN FILMMAKERS. AUSTRALIA; WOMEN, FILMS MADE BY. AUSTRALIA; TASS, NADIA; MASLIN, SUE; HOASS, SOLRUN; WALLACE-CRABBE, GEORGIA Notes: Submitted to the School of Arts and Media; Bibliography: leaves 136-139 LON: abn96158253; 12276603 More info
book		The documentary : politics, emotion, culture / Belinda Smaill Basingstoke, England: Palgrave Macmillan, 2010. Call No: 761 SMA Author: Smaill, Belinda Source: UK Place: Basingstoke, England Publisher: Palgrave Macmillan PubDate: 2010 PhysDes: vii, 221 p. : ill. ; 23 cm Subject: ASIAN COUNTRIES; CHILDREN AND THE CINEMA; CHILDREN IN FILMS; CULTURE AND THE CINEMA; DOCUMENTARIES; DOCUMENTARIES. AUSTRALIA; EMOTION IN FILMS; FEMINISM AND THE CINEMA; IDENTITY IN FILMS; IDEOLOGY AND THE CINEMA; IMMIGRATION IN FILMS AND TELEVISION; PSYCHOLOGY AND THE CINEMA; REALITY TV; SEX IN FILMS; SOCIAL PROBLEMS IN FILMS; THEORY; VIEWERS; WOMEN FILMMAKERS; LOVELACE, LINDA; BORN INTO BROTHELS: CALCUTTA'S RED LIGHT KIDS (II/US, Zana Briski, Ross Kauffman, 2004); CORPORATION, THE (CN, Jennifer Abbott & Mark Achbar, 2003); DAY I WILL NEVER FORGET, THE (UK, Kim Longinotto, 2002); DIVORCE IRANIAN STYLE (UK, Kim Longinotto & Ziba Mir-Hosseini, 1998); ENRON: THE SMARTEST GUYS IN THE ROOM (US, Alex Gibney, 2005); FINISHED PEOPLE, THE (AT, Khoa Do, 2003); FIX: THE STORY OF AN ADDICTED CITY (CN, Nettie Wild, 2002); INSIDE DEEP THROAT (US, Fenton Bailey & Randy Barbato, 2005); LETTERS TO ALI (AT, Clara Law, 2004); SADNESS: A MONOLOGUE BY WILLIAM YANG (AT, Tony Ayres, 1999); SEX: THE ANNABEL CHONG STORY (CN, Gough Lewis, 1999) Summary: "The Documentary: Politics, Emotion, Culture proposes that emotions such as pleasure, hope, pain, empathy or nostalgia play a powerful role in the circulation and reception of documentaries. Emotion shapes how political issues and individuals are represented and perceived in documentary and it is crucial to how we engage with the vicissitudes of the public sphere. In the past documentary has been popularly perceived in ways that align it with education, science, history and the rational realm. This frame has never been adequate for understanding the broad array of styles and themes that can be seen in the documentary genre. Focusing on the question of subjectivity, Smail analyses various different kinds of individuals that can be found in documentaries, such as the female porn star, the politically disenfranchised, children, and the documentary auteur. She envisages an interdisciplinary approach to documentary drawing on scholarship from not only film studies, but also gender studies, queer theory, cultural theories of affect, critical race studies, political theory and pyschoanalysis. " -- BOOK BLURB Notes: Includes bibliographical references (p. 200-209) and index ISBN: 9780230237513 (hbk.) Contents: -- list of illustrations -- acknowledgments -- part one: documentary and pleasure -- 1: introduction: representation and documentary emotion -- 2: pleasure and disgust: desire and the female porn star -- part two: pain and the other -- 3: Injury, identity and recognition: Rize and Fix: the story of an addicted city -- 4: women, pain and the documentaries of Kim Longinotto -- part three: the labour of authorship: caring and mourning -- 5: loss and care: Asian Australian documentary -- 6: civic love and contemporary dissent documentary -- part four: past, present and future: hope and nostalgia -- 7: children, futurity and hope: Born into Brothels -- 8:nostalgia, historical time and reality television: the idol series -- epilogue -- notes -- bibliography -- index -- More info
book		Experimental filmmaking and punk : feminist audio visual culture in the 1970s and 1980s / Rachel Garfield London: Bloomsbury Academic, 2022. Call No: 771-02 GAR Author: Garfield, Rachel Edition: 2021 Place: London Publisher: Bloomsbury Academic PubDate: 2022 PhysDes: xiv, 274 pages : illustrated ; 24 cm Subject: CHILD, ABIGAIL; DICK, VIVIENNE; BENNING, SADIE; THORNTON, LESLIE; WOMEN FILMMAKERS; NIGHTCLEANERS (UK, Berwick Street Film Collective, 1975); BORN IN FLAMES (US, Lizzie Borden, 1983); RIDDLES OF THE SPHINX (UK, Laura Mulvey & Peter Wollen, 1977) Summary: Just as punk created a space for bands such as the Slits and Poly Styrene to challenge 1970s norms of femininity, through a transgressive, strident new female-ness, it also provoked experimental feminist film makers to initiate a parallel, lens-based challenge to patriarchal modes of film making. In this book, Rachel Garfield breaks new ground in exploring the rebellious, feminist punk audio-visual culture of the 1970s, tracing its roots and its legacies. In their filmmaking and their performed personae, film and video artists such as Vivienne Dick, Sandra Lahire, Betzy Bromberg, Ruth Novaczek, Sadie Benning, Leslie Thornton, Abigail Child and Anne Robinson offered a powerful, deliberately awkward alternative to hegemonic conformist femininity, creating a new “punk audio visual aesthetic”. A vital aspect of our vibrant contemporary digital audio visual culture, Garfield argues, can be traced back to the techniques and forms of these feminist pioneers, who like their musical contemporaries worked in a pre-digital, analogue modality that nevertheless influenced the emergent digital audio visual culture of the 1990s and 2000s. -- publisher's web site ISBN: 9781350293083 Contents: Introduction -- 1. Do it Yourself and the Amateur -- 2. The Last of the Modern Two - Visualizing Women, Otherness and the Cosmopolitan Punk -- 3. Feminism, Visualising the Kitchen Table and Do-It-Yourself: in Praise of the Fragment Part 1 -- 4. Kracauer Disintegration and Punk: In Praise of the Fragment Part 2 -- 5. Representation and the Inability to Situate: the Undecidability of Women's Punk -- Conclusion – Bibliography -- Index. More info
book		Exploring the Barriers and Opportunities for Independent Women Filmmakers / research by Stacy L. Smith, Katherine Pieper, Marc Choueiti University of Southern California, 2013. Call No: 451-02 SMI Author: Pieper, Katherine; Choueiti, Marc; Smith, Stacy L. Source: US Publisher: University of Southern California PubDate: 2013 PhysDes: 43p. : ill. ; 30cm Subject: WOMEN FILM WORKERS; WOMEN FILMMAKERS; WOMEN AND THE CINEMA; WOMEN DIRECTORS; WOMEN, FILMS MADE BY Summary: "The purpose of this research is to examine how females are faring in American independent film. Studies have been conducted in the past on women in the mainstream U.S film industry, but little research has yet been done in the U.S independent film arena. To this end, we developed a research strategy with a two-prong approach. First, we quantitatively document the involvement of female content creators of U.S films at the Sundance Film Festival, assessing the gender of 11,197 directors, writers, producers, cinematographers, and editors across 820 films classified as U.S narratives (534 films) or documentaries (286 films) between 2002 and 2012. The second prong documents the qualitative experiences of female filmmakers through interviews with emerging and seasoned content creators as well as key industry gate-keepers. Here, we surveyed 51 individuals to unpack the specific obstacles that face female directors and producers in the independent film arena. We also assessed participants' perceptions of opportunities that may increase women's involvement behind the camera" -- taken from the Executive Summary Notes: This research was commissioned by the Sundance Insitute and Women in Film Los Angeles thorugh their 'Women Filmmakers Initiative'. Contents: -- pages 3-4: case statement: Independent Women Filmmakers: setting the agenda for change -- page 5: allied organizations list -- page 7: 2012-2013 mentorship program participants -- pages 9-11: research study executive summary -- pages 13-33: research study: exploring the barriers and opportunities for independent women filmmakers -- page 34: acknowledgments -- pages 35-43: works cited and notes -- More info
book		The female gaze in documentary film : an international perspective / Lisa French Cham, Switzerland: Palgrave Macmillan, Call No: 761-02 FRE Author: French, Lisa Edition: 2021 Place: Cham, Switzerland Publisher: Palgrave Macmillan PhysDes: 276 pages : illustrated ; 22 cm Subject: WOMEN FILMMAKERS; DOCUMENTARIES; FEMINISM AND THE CINEMA; HONKASALO, PIRJO; LONGINOTTO, KIM; JAIN, NISHTHA; MANDY, MARIE; KATES, NANCY; ARMSTRONG, GILLIAN Summary: The Female Gaze in Documentary Film – an International Perspective makes a timely contribution to the significant rise in interest in recent times in the status, presence, achievements and issues for women in contemporary screen industries. It examines the works, contributions and participation of female documentary directors globally. The central preoccupation of the book is to consider what might constitute a ‘female gaze’, an inquiry that has had a long history in filmmaking, film theory and women’s art. It fills a gap in the literature which to date has not substantially examined the work of female documentary directors. Moreover, research on sex, gender and the gaze has been relatively infrequently the subject of scholarship on documentary film, particularly in comparison to narrative film or television drama. A distinctive feature of the book is that it is based on interviews with significant female documentarians from Europe, Asia and North America. -- publisher's web site ISBN: 9783030680930 Contents: Front Matter – Introduction. PART ONE -- Women’s Documentary Practice, Theory and Histories -- Women and Documentary -- The ‘Female Gaze’ -- Aesthetics and the Influence of Gender -- Feminisms, Feminist Theory and Documentary Practice. PART TWO -- Case Studies: Female Documentary Directors in Focus -- Documentary as Artform: Pirjo Honkasalo’s Cinematic Poetics -- Transnational Feminism in the Cinema of Kim Longinotto -- Nishtha Jain: An Auto-ethnographic and a Postcolonial Feminist Gaze -- Marie Mandy: Female Subjectivity and Aesthetics -- A View from the Margins: The Films of Nancy D Kates -- Gillian Armstrong: The Line Between Fact and Fiction. Conclusion: Rendering Female Reality. More info
book		Feminism at the movies : understanding gender in contemporary popular culture / Edited by Hilary Radner and Rebecca Stringer London ; New York: Routledge, 2011. Call No: 744.7 FEM Author: Radner, Hilary; Stringer, Rebecca Source: US Place: London ; New York Publisher: Routledge PubDate: 2011 PhysDes: ix, 310 pages : illustrations ; 23 cm Subject: FEMINISM AND THE CINEMA; GENRES; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; IDENTITY IN FILMS; JAMES BOND IN FILMS; MARRIAGE IN FILMS; MASCULINITY IN FILMS; MUSIC IN FILMS; POPULAR CULTURE AND THE CINEMA; RACIAL ISSUES AND THE CINEMA; SEXUALITY AND THE CINEMA; WOMEN AND THE CINEMA; WOMEN DIRECTORS; WOMEN FILMMAKERS; YOUNG PEOPLE AND THE CINEMA; YOUNG PEOPLE IN FILMS; [THIRTEEN] 13 GOING ON 30 (US, Gary Winick, 2004); BABY MAMA (US, Michael McCullers, 2008); BEND IT LIKE BECKHAM (UK, Gurinda Chadha, 2002); BRAVE ONE, THE (US/AT, Neil Jordan, 2007); BRIDE WARS (US, Gary Winick, 2009); CASINO ROYALE (CZ/US/UK, Martin Campbell, 2006); ENCHANTED (US, KEVIN LIMA, 2007); [FORTY] 40 YEAR OLD VIRGIN, THE (US, Judd Apatow, 2005); FRIENDS WITH MONEY (US, Nicole Holofcener, 2006); HARD CANDY (US, David Slade, 2005); JUNO (US/CN, Jason Reitman 2007); KISSING JESSICA STEIN (US, Charles Herman-Wurmfeld, 2001); MARIE ANTOINETTE (US, Sofia Coppola, 2006); MICHAEL CLAYTON (US, Tony Gilroy, 2007); MISS CONGENIALITY (US, Donald Petrie, 2000); SECRET LIFE OF BEES (US, Gina Prince-Bythewood, 2008); SEX AND THE CITY: THE MOVIE (US, MICHAEL PATRICK KING, 2008); SINGLE MAN, A (US, Tom Ford, 2009); SISTERHOOD OF THE TRAVELLING PANTS, THE (US, Ken Kwapis, 2005); WAR OF THE WORLDS (US, Steven Spielberg, 2005) Summary: "Feminism at the Movies: Understanding Gender in Contemporaty Popular Cinema examines the way that contemporary film reflects today's changing gender roles. The book offers a comprehensive overview of the central issues in feminist film criticism with analyses of over twenty popular contemporary films across a range of genres, such as chick flicks, teen pics, hommecoms, horror, action adventure, indie flicks, and women lawyer films. Contributors explore issues of masculinity as well as femininity, reflecting on the interface of popular cinema with gendered realities and feminist ideas. Topics include the gendered political economy of cinema, the female director as auteur, postfeminist fatherhood, consumer culture, depictions of professional women, transgender, sexuality, gendered violence, and the intersections of gender, race, and ethnic identities." - BOOK BLURB Notes: Includes list of figures, bibliographical references and index ISBN: 9780415895880 Contents: List of figures -- Acknowledgements; Introduction: "Re-vision"?: Feminist film criticism in the twenty-first century / Hilary Radner and Rebecca Stringer; Part I: Masculinity in question -- "The first Bond who bleeds, literally and metaphorically": gendered spectatorship for "pretty boy" action movies / Janet Staiger -- Queer memories and universal emotions: A Single Man (2009) / Michael DeAngelis -- "Lad flicks": discursive reconstruction of masculinity in popular film / David Hansen-Miller and Rosalind Gill -- Transamerica (2005): the road to the multiplex after New Queer Cinema / Gary Needham; Part II: New feminine subjects: a space for women? -- Enchanted (2007) by postfeminism: gender, irony, and new romantic comedy / Yvonne Tasker -- Neoliberal feminism in Miss Congeniality (2000) / Yael D Sherman -- Girls' sexualities in The Sisterhood of the Travelling Pants universe: feminist challenges and missed opportunities / Sarah Projansky -- Michael Clayton (2007): women lawyers betrayed - again / Taunya Lovell Banks -- Crossing race, crossing sex in Gurinder Chadha's Bend It Like Beckham (2002): managing anxiety in multicultural Britain / Mridula Nath Chakraborty -- Speaking the name of the father in the neo-romantic comedy: 13 Going On 30 (2004) / Hilary Radner; Part III: Consuming culture(s) -- No country for old women: gendering cinema in conglomerate Hollywood / Rob Schaap -- Music and the woman's film: Sex and the City: The Movie (2008) / Peter Stapleton -- Independence at what cost? Economics and desire in Nicole Holofcener's Friends With Money (2006) / Michele Schreiber -- The feminist politics of Sofia Coppola: spectacle and self-consciousness in Marie Antoinette (2006) / Christine Lane and Nicole Richter; Part IV: Relationships, identity and family -- "Eggs in many baskets": Juno (2007), Baby Mama (2008), and the new intimacies of reproduction / JaneMaree Maher -- Temporarily Kissing Jessica Stein (2001): negotiating (and negating) lesbian sexuality in popular film / Kelly Kessler -- "Die, Bridezilla, die!": Bride Wars (2009), wedding envy, and chick flicks / Heather Brook -- Extreme parenting: recuperating fatherhood in Steven Spielberg's War of the Worlds (2005) / Hannah Hamad; Part V: Gender and violence -- Kinship and racist violence in Gina Prince-Blythwood's The Secret Life of Bees (2008) / Ewa Plonowska Ziarek -- From victim to vigilante: gender, violence, and revenge in The Brave One (2007) and Hard Candy (2005) / Rebecca Stringer -- "When the woman looks": Haute Tension (2003) and the horrors of heteronormativity / Barry Keith Grant; Contributors -- Index More info
book		Feminist worldmaking and the moving image / edited by Erika Balsom, Hila Peleg, and Haus der Kulturen der Welt Berlin: The MIT Press, 2022. Call No: 626[396] FEM Edition: 2022 Place: Berlin Publisher: The MIT Press PubDate: 2022 PhysDes: 512 pages : illustrated : 22 cm Subject: TRINH, T. MINH-HA; MALDOROR, SARAH; FEMINISM AND THE CINEMA; WOMEN FILMMAKERS Summary: Intersectional, intergenerational, and international perspectives on nonfiction filmmaking by women, generously illustrated, with film stills and other images. This book offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle—a way of not only picturing the world but remaking it. The contributors consider key decolonial filmmakers, including Trinh T. Minh-ha and Sarah Maldoror; explore collectively produced films with ties to women's liberation movements in different countries; and investigate the cinematic expressions of tensions and alliances between feminism and anti-imperialist struggles. They grapple with the need for a broader more inclusive definition of the term “feminism”; meditate on the figure of the grandmother; reflect on realist aesthetics; and ask what a feminist film historiography might look like. The book, generously illustrated with film stills and other images, many in color, offers ten original texts, two conversations, and eight short essays composed in response to historical texts written by filmmakers. The historical texts, half of which are published in English for the first time, appear alongside the essays. -- publisher's web site ISBN: 9780262544528 More info
newspaper article		Film fund gives women $3m 'express lane' in Sydney Morning Herald (13/07/2016) p.16 Call No: SUBJECT CLIPPINGS FILE; GENDER MATTERS Author: Maddox, Garry PhysDes: Clippings File Article Subject: SCREEN AUSTRALIA; WOMEN FILMMAKERS. AUSTRALIA; WOMEN TV WORKERS. AUSTRALIA; FUNDING. AUSTRALIA; WOMEN DIRECTORS. AUSTRALIA; GENDER MATTERS Summary: Report on the Gender Matters initiative, funded by Screen Australia, which is providing $3 million of funding to projects created by women in the film, tv and online industries. Statistics list the bias towards men in employment and funding within the aforementioned industries. Quotes from Graeme Mason, Magda Szubanski, Judy Davis, and Del Kathryn Barton More info
newspaper article		Film gender gap slow to close in Sydney Morning Herald (8/08/2017) p.11 Call No: SUBJECT CLIPPINGS FILE; GENDER MATTERS Author: Quinn, Karl PhysDes: Clippings File Article Subject: GENDER MATTERS; WOMEN FILM WORKERS. AUSTRALIA; WOMEN FILMMAKERS. AUSTRALIA; WOMEN TV WORKERS. AUSTRALIA; WOMEN DIRECTORS. AUSTRALIA; SCREEN AUSTRALIA Summary: Reports on the gender balance of filmmaking in Australia and how recent measures put into place by Screen Australia have helped equalise opportunities for women and men filmmakers. However there is still some way to go before women have achieved equal opportunity More info
newspaper article		Film women take on 'dude club' in The Australian (25/04/2017) p.5 Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. SYDNEY. FOR FILMS SAKE [FFS] Author: Boland, Michaela PhysDes: Clippings File Article Subject: FESTIVALS. SYDNEY. FOR FILMS SAKE [FFS]; WOMEN FILMMAKERS. AUSTRALIA; MATHISEN, SOPHIE Summary: Interview with filmmaker and director of the For Films' Sake Festival (formerly known as World of Women Festival) Sophie Mathiesen about the FFS Festival as well as her frustration at the lack of funding and recognition of women's filmmaking in Australia. Mentions are made of her leading a publicity stunt at the 2016 AACTA awards More info
newspaper article		Funding stories by, for, about women (and one man's sexuality) in The Australian (13/07/2016) p.14 Call No: SUBJECT CLIPPINGS FILE; GENDER MATTERS Author: Ritchie, Emily PhysDes: Clippings File Article Subject: GENDER MATTERS; SCREEN AUSTRALIA; WOMEN FILMMAKERS. AUSTRALIA; WOMEN DIRECTORS. AUSTRALIA; WOMEN TV WORKERS. AUSTRALIA; BARTON, DEL KATHRYN Summary: Report on the new Screen Australia funding initiative for women filmmakers, TV and online creators called Gender Matters. Quotes from Del Kathryn Barton, Nakkiah Lui and Liz Doran More info
newspaper article		Gender agenda in Weekend Australian [Review] (16/01/2016) p.1 Call No: SUBJECT CLIPPINGS FILE; WOMEN FILMMAKERS. AUSTRALIA Author: Neill, Rosemary PhysDes: Clippings File Article Subject: WOMEN FILMMAKERS. AUSTRALIA; WOMEN IN FILMS. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; STATE AND THE CINEMA. AUSTRALIA; ARMSTRONG, GILLIAN Summary: Article about the lack of women filmmakers in Australia and in key roles in theatre. Quotes from Gillian Armstrong, Courtney Gibson, Fiona Cameron, Sue Maslin, Bruce Beresford, Kate Cherry, Lee Lewis, and WITS founders Maryann Wright and Lizze Schebesta More info
Online resource book		Gendering history on screen : women filmmakers and historical films / Julia Erhart London: I.B. Tauris & Co. Ltd., 2018. Available at ProQuest (RMIT login required) Call No: 721-02 ERH Author: Erhart, Julia Source: UK Place: London Publisher: I.B. Tauris & Co. Ltd. PubDate: 2018 Series: Library of gender and popular culture Subject: FEMINISM AND THE CINEMA; WOMEN AND THE CINEMA; WOMEN DIRECTORS; WOMEN FILMMAKERS; LEAGUE OF THEIR OWN, A (US, Penny Marshall, 1992); MONSTER (US, Patty Jenkins, 2003); IRON LADY, THE (UK, Phyllida Lloyd, 2011) Notes: Includes bibliographical references (pages 159-195), filmography (pages 197-200), and index. ISBN: 978784535285 Contents: Introduction; Chapter Summary --1 Women Writing History Through Film; Women Writing History: Contexts and Opportunities; Performative Authorship; History on Film: from Robert Rosenstone to A League of Their Own; 'Citable in all its Moments': In-between Spaces and Sewing Machines; Conclusion --2 Reclaiming Undeserving Women: Contemporary Female Biopics. From Positive Images to Undeserving Subjects: A Place for Women?; Oppositional Medicine: The Case of Augustine; Class and Voice: Ambiguity in Monster; Affect and Ageing: The Iron Lady --3 Feminist First-Person Documentaries: Migration, Internment, Reconciliation; First-Person Documentary: Terms and Terrain; First-Person Documentary: Women Directors; Performing Memory --4 Revisiting Resistance and Occupation in Holocaust Films; Complicating Collaboration; Europeanising the Holocaust; Reconfiguring Resistance; Women and Resistance; Mimicry and Doubling; Vergangenheitsbewa¨ltigung.--5 Gendering Iraq and Afghanistan War Movies; The Paradox of Exceptionalism; Gendering the War 'Back Home'; Movies from the Periphery: Occupation; Conclusion --Conclusion More info
newspaper article		Getting equal in Sydney Morning Herald [Spectrum] (15/10/2016) p.14 Call No: SUBJECT CLIPPINGS FILE; GENDER MATTERS Author: Maddox, Garry PhysDes: Clippings File Article Subject: GENDER MATTERS; WOMEN AND THE CINEMA. AUSTRALIA; WOMEN AND TV. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; WOMEN FILMMAKERS. AUSTRALIA Summary: Report on the Gender Matters initiative by Screen Australia, which is looking to give women in Australian film and tv a fastrack to creating productions that feature womens stories and talent behind the scenes. Interviewed are Bruna Papandrea, Graeme Mason, Imogen Banks, and Sarah Snook More info
book		Gillian Armstrong : popular, sensual and ethical cinema / Julia Erhart Edinburgh: Edinburgh University Press, 2020. Call No: 81 ARM ERH Author: Erhart, Julia Source: UK Place: Edinburgh Publisher: Edinburgh University Press PubDate: 2020 PhysDes: x, 189 pages : illustrations ; 22 cm Series: Visionaries Subject: FEMINISM AND THE CINEMA. AUSTRALIA; AUSTRALIAN FILM AND TELEVISION SCHOOL; WOMEN FILMMAKERS. AUSTRALIA; ARMSTRONG, GILLIAN; SATDEE NIGHT (AT, Gillian Armstrong, 1973); GRETEL (AT, Gillian Armstrong, 1973); MRS SOFFEL (US, Gillian Armstrong, 1984); LITTLE WOMEN (US, Gillian Armstrong, 1994); CHARLOTTE GRAY (GG/UK/AT, Gillian Armstrong, 2001); DEATH DEFYING ACTS (UK/AT, Gillian Armstrong, 2007); FIRES WITHIN (US, Gillian Armstrong, 1991); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997); STARSTRUCK (AT, Gillian Armstrong, 1982); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); UNFOLDING FLORENCE: THE MANY LIVES OF FLORENCE BROADHURST (AT, Gillian Armstrong, 2005); WOMEN HE'S UNDRESSED (AT, Gillian Armstrong, 2015); HIGH TIDE (AT, Gillian Armstrong, 1987); [FOURTEEN'S] 14'S GOOD, 18'S BETTER (AT, Gillian Armstrong, 1981) Summary: A commercially successful Australian director of over eighteen feature films and documentaries, including My Brilliant Career (1979), Gillian Armstrong is an early, notable example of a woman director connecting with mass audiences. Armstrong’s films are unique in their aesthetic expression and in the ethical relationships that they depict, framed through the language of gender inclusivity and due in part to her foregrounding of original, complex and nuanced female characters. This important book fills a gap in the literature on women screen practitioners and is a long overdue response to demands for new insight into the work of this significant director. [Edinburgh University Press website] Notes: Includes bibliographical references and index ISBN: 9781474434324 Contents: -- Introduction -- 1. An authorial cinema -- 2. A popular, commercial cinema: Mrs. Soffel, Little Women, Charlotte Gray, Death Defying Acts -- 3. An Australian genre cinema: My Brilliant Career, Oscar and Lucinda, Starstruck -- 4. A sensual cinema: Last Days of Chez Nous, Unfolding Florence: The Many Lives of Florence Broadhurst, Women He’s Undressed -- 5. An ethical cinema: High Tide and The Story of Kerry, Josie and Diana -- Conclusion: A collaborative cinema More info
newspaper article		Give her some credits in The Australian (08/12/2015) p.14 Call No: SUBJECT CLIPPINGS FILE; SCREEN AUSTRALIA Author: Westwood, Matthew PhysDes: Clippings File Article Subject: SCREEN AUSTRALIA; WOMEN AND THE CINEMA. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; WOMEN FILMMAKERS. AUSTRALIA; WOMEN, FILMS MADE BY. AUSTRALIA Summary: Report on the new Screen Australia program called Gender Matters, which looks to redress the gender imbalance of women making feature films in Australia. Details of the fund are listed in the article More info
newspaper article		Her brilliant career in The Weekly Review (19/08/2015) p.8 Call No: PERSONALITY CLIPPINGS FILE; ARMSTRONG, GILLIAN Author: Raj, Hari PhysDes: Clippings File Article Subject: WOMEN FILMMAKERS. AUSTRALIA; ARMSTRONG, GILLIAN; WOMEN HE'S UNDRESSED (AT, Gillian Armstrong, 2015) Summary: Interview with Gillian Armstrong about her career and her recent documentary, WOMEN HE'S UNDRESSED More info
book		The Italian cinema book / edited by Peter Bondanella London: British Film Institute ; Palgrave Macmillan, 2014. Call No: 71(45) ITA Author: Bondanella, Peter Source: UK Place: London Publisher: British Film Institute ; Palgrave Macmillan PubDate: 2014 PhysDes: xi, 380 pages : illustrations ; 25 cm Subject: ITALY; ITALY IN FILMS; NEOREALISM; NATIONAL CULTURE AND THE CINEMA; NATIONAL IDENTITY AND THE CINEMA; FASCISM AND THE CINEMA. ITALY; HISTORY OF CINEMA. ITALY; REALISM IN FILMS; SCRIPTWRITING; HOLOCAUST IN FILMS; FASHION AND THE CINEMA; GANGSTER FILMS; WESTERNS. ITALY; WOMEN FILMMAKERS. ITALY; BLASETTI, ALESSANDRO; CAMERINI, MARIO; DE SICA, VITTORIO; LOREN, SOPHIA; LOLLOGRIGIDA, GINA; MONICELLI, MARIO; MORETTI, NANNI Summary: "The Italian Cinema Book is an essential guide to the most important historical, aesthetic and cultural aspects of Italian cinema, from 1895 to the present day. With contributions from 39 leading international scholars, the book is structured around six chronologically organised sections [...] Acutely aware of the contemporary 'rethinking' of Italian cinema history, Peter Bondanella has brought together a diverse range of essays which represent the cutting edge of Italian film theory and criticism." -- BOOK BLURB Notes: Includes bibliographic references and index -- "A BFI book published by Palgrave Macmillan." - title page. ISBN: 9781844574049 Contents: Introduction / Peter Bondanella; PART ONE THE SILENT ERA -- Silent Italian Cinema: An International Story / Giorgio Bertellini -- The Beginnings of Film Stardom and the Print Media of Divismo / John P. Welle -- The Diva Film: Context, Actresses, Issues / Angela Dalle Vacche -- Italian Silent Film Genres: Comics, Serials, Historical Epics and Strongmen / Jacqueline Reich; PART TWO THE BIRTH OF THE TALKIES AND THE FASCIST ERA -- Fascism and Italian Cinema / David Forgacs -- Italian Matinee Idols in the Era of the Talkies / Marcia Landy -- The First Comedy, Italian Style: Blasetti, Camerini and De Sica / Vito Zagarrio -- Censorship from the Fascist Period to the Present / Guido Bonsaver; PART THREE POSTWAR CINEMATIC CULTURE – REALISM AND BEYOND -- Neorealism and Left-wing Culture / Stephen Gundle -- Cityscapes and Cinematic Space / Mark Shiel -- Dislocated Spaces for New Thought: Paths of Nomadic Wandering in Neorealist Film and Literature / Torunn Haaland -- Seeing Anew: Children in Italian Cinema, 1944 to the Present / Giovanna De Luca -- Italian Cinema from the Perspective of Female Friendship / Danielle Hipkins --The Maggiorata or Sweater Girl of the 1950s: Mangano, Lollobrigida, Loren / Pauline Small -- Hollywood and Italy: Industries and Fantasies / Robert S. C. Gordon; PART FOUR THE GOLDEN AGE OF ITALIAN CINEMA -- Material Dreams: Costume and Couture Italian Style: From Hollywood on the Tiber to the Italian Screen / Reka Buckley --Italian Film Music / M. Thomas Van Order -- Production around 1960 / Christopher Wagstaff -- The Muscleman Peplum: From Le fatiche di Ercole (1958) to Hercules and the Princess of Troy (1965) / Jon Solomon -- Mondo Cane and the Invention of the Shockumentary / Gino Moliterno -- Spaghetti Westerns and Their Audience / Flavia Brizio-Skov -- Chronicles of a Hastened Modernisation: The Cynical Eye of the Commedia all'italiana / Remi Fournier Lanzoni -- The Political Film / Gaetana Marrone -- The Giallo and the Spaghetti Nightmare Film / Mikel J. Koven -- European Co-productions and Artistic Collaborations: The Italian Response to the Hollywood Studio System / Jean A. Gili -- How the Italians Happened to Cherish and Then to Disdain Their Cinema / Pierre Sorlin; PART FIVE AN AGE OF CRISIS, TRANSITION AND CONSOLIDATION -- Scriptwriting, Italian Style: Scriptwriting for Fellini / Gianfranco Angelucci -- Modern Mob Movies: Twenty Years of Gangsters on the Italian Screen / Dana Renga -- Screening Terrorism: Cinematic Portrayals of the Italian Armed Struggle / Giancarlo Lombardi -- Italian Cinema and Holocaust Memory / Millicent Marcus -- Italian National Cinema: The Cinepanettone / Alan O'Leary -- Stars and Masculinity in Contemporary Italian Cinema / Catherine O'Rawe -- Women behind the Camera: New Horizons in Contemporary Cinema / Flavia Laviosa; PART SIX NEW DIRECTIONS IN CRITICAL APPROACHES TO ITALIAN CINEMA -- Italian Cinema in the Post-national Age / Laura Rascaroli -- Post-colonial Theory and Italy's `Multicultural' Cinema / Aine O'Healy -- Italian Film Genres and Mario Bava / Mary P. Wood -- The Unwanted Guest: Some Remarks on Italian Cinema's Love Affair with Psychoanalysis / Fabio Vighi -- Fellini and Contemporary International Cinema / Peter Bondanella -- The Heritage of the Past and New Frontiers for the History of Italian Cinema / Gian Piero Brunetta. More info
book		Jane Campion / Deb Verhoeven London: Routledge, 2009. Call No: 81CAM VER Author: Verhoeven, Deb Source: UK Place: London Publisher: Routledge PubDate: 2009 PhysDes: xii, 273 p. : ill. ; 20 cm Series: Routledge film guidebooks Subject: WOMEN AND THE CINEMA; DIRECTORS; WOMEN FILMMAKERS. AUSTRALIA; CAMPION, JANE Summary: Featuring a career overview, a filmography, scene-by-scene analysis and an extended interview with Jane Campion on her approach to creativity, this is a great introductin to one of the most important directors of contempoarary cinema. ISBN: 9780415262750 Contents: --Introduction: Being Jane Campion in a post-Campion world? -- Chapter 1 Becoming Jane Campion: modes of auteurism and the medias -- Chapter 2: Realizing Jane Campion: the industry, politics and economics of contemporary auteurism -- Chapter 3: Disciplining Jane Campion: auteurism and the knowing audience -- Chapter 4: Jane Campion on Jane Campion: one more interview --Chronology -- Filmography -- Bibliographic resources -- Glossary -- Index More info
newspaper article		Ladies first in Weekend Australian [Review] (6/05/2017) p.1 Call No: SUBJECT CLIPPINGS FILE; WOMEN FILMMAKERS. AUSTRALIA Author: Neill, Rosemary PhysDes: Clippings File Article Subject: GENDER MATTERS; WOMEN FILMMAKERS. AUSTRALIA; FUNDING. AUSTRALIA; SCREEN AUSTRALIA; SCREEN NSW; FILM VICTORIA Summary: Feature article on the funding policies of Screen Australia, Screen NSW and Film Victoria in relation to promoting key roles for women film and tv makers and creators. Notes some discontent in what is being seen as trying to force quotas on a production system that may not be able to make enough films/tv if enforced. Quotes from: Sue Milliken, Fiona Cameron, Lynden Barber, Jenni Tosi, Matthew Deaner, Kingston Anderson, Anna Serner, and Alice Bell More info
book		Leni Riefenstahl : the fallen film goddess / by Glenn B. Infield New York: Crowell, 1976. Call No: 81RIE INF Author: Infield, Glenn B. (Glenn Berton) Source: US Place: New York Publisher: Crowell PubDate: 1976 PhysDes: 278 p., [13] leaves of plates : ill. ; 24 cm Subject: FASCISM AND THE CINEMA; GERMANY; JEWS AND THE CINEMA; WOMEN FILMMAKERS; WOMEN IN FILMS. GERMANY; WORLD WAR II AND THE CINEMA; RIEFENSTAHL, LENI; OLYMPIA (G, Leni Riefenstahl, 1938); TRIUMPH OF THE WILL (G, Leni Riefenstahl, 1935) Summary: "Notoriety clings to [Leni] Riefenstahl's name. She is reputed to have danced nude for the Fuhrer. She is linked to Goebbels, Striecher, Borman, and other evil luminaries of the Nazi party. After the war, she was investigated by the Nuremburg Commission, and found innocent; she had never been a Party member. Yet Leni's cinema helped to create the myth of Nazi supremacy; her sense of drama and destiny, her imagery, mesmerized Germany during Hitler's climb to power. Was she responsible? Was she conscious of the political meaning of her work? Or was she a naive opportunist, an incomparable technician, exploiting the chance of a lifetime? Was she Hitler's mistress, as has been alleged? Or was she just a free spirit, the pagan sensualist of her own films? These are only some of the intriguing questions Glenn B. Infield explores in Leni Riefenstahl: The Fallen Film Goddess." -- BOOK BLURB Notes: Includes index; Bibliography: p. 262-267 ISBN: 0690011679 LON: 76007084; 760131 More info
book		The man who met Raymond Longford / Anthony Buckley Australia: ScreenSound Australia, 2001. Call No: 802.25 (94) BUC Author: Buckley, Anthony Edition: 1st ed. Source: Australia Place: Australia Publisher: ScreenSound Australia PubDate: 2001 PhysDes: [24] p. : ill., ports., facsims. Series: Inaugural Longford Lyall lecture 2001; ScreenSound Australia Monograph no.3 Subject: AUSTRALIA; AUSTRALIA IN FILMS; AUSTRALIA. 1895-1930; AUSTRALIA. 1927-1932; AUSTRALIAN CINEMA PIONEERS, THE; AUSTRALIAN FILM STUDIOS; AUSTRALIAN SCREEN EDITORS; WOMEN AND THE CINEMA; WOMEN FILMMAKERS. AUSTRALIA; WOMEN IN FILMS. AUSTRALIA; WOMEN, FILMS MADE BY; PRODUCERS. AUSTRALIA; DIRECTORS. AUSTRALIA; BUCKLEY, ANTHONY; LONGFORD, RAYMOND; LYELL, LOTTIE; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); MUTINY ON THE BOUNTY, THE (AT, Raymond Longford, 1916); CHURCH AND THE WOMAN, THE ( AT, Raymond Longford, 1917); WOMAN SUFFERS, THE (AT, Raymond Longford, 1918); DINKUM BLOKE, THE (AT, Raymond Longford, 1923); ON OUR SELECTION (AT, Ken G. Hall, 1932) Summary: The ScreenSound Australia Annual Longford Lyell Lecture was established in 2001. It is named in honour of two significant pioneers of Australian cinema, Lottie Lyell and Raymond Longford, who were the foremost creative partnership in the pioneering years of Australian cinema. Anthony Buckley is regarded as one of the leaders of the Australian Film industry having worked as a documentary film maker, director and producer. In this lecture Buckley talks about the life and times of Longford and Lyell as well as his own extraordinary meeting with the legendary Longford at the age of fifteen. Notes: Includes filmography of Anthony Buckley's works. -- Includes bibliographic references. ISBN: 0642365180 More info
book		Off screen : women and film in Italy / edited by Giuliana Bruno and Maria Nadotti ; foreword by Laura Mulvey London New York: Routledge, 1988. Call No: 626:396(45) OFF Author: Bruno, Giuliana; Nadotti, Maria CorpAuthor: Conference "Italian and American Directions: Women's Film Theory and Practice (1984 : New York, N.Y.) Place: London New York Publisher: Routledge PubDate: 1988 PhysDes: xiii, 200 p. : ill. ; 22 cm Subject: ITALY; WOMEN AND THE CINEMA. ITALY; WOMEN FILMMAKERS. ITALY; FEMINISM AND THE CINEMA. ITALY; SPECTATORSHIP. ITALY; WOMEN IN FILMS. ITALY; SCUOLA SENZA FINE (IT, Adriana Monti, 1983?); LADY FROM SHANGHAI, THE (US, Orson Welles, 1948) Notes: Some papers translated from Italian; Papers presented at the Conference "Italian and American Directions: Women's Film Theory and Practice," held in New York, Dec. 1984; Includes index; "Filmography: Women in film in Italy": p. [165]-190; Bibliography: p. [191]-193 ISBN: 0415008565; 0415008573 (pbk.) LON: 5606579 More info
Old collection book		On the job training scheme for women : evaluation / Diana Wyndham North Ryde, N.S.W.: Australian Film and Television School, 1986. Call No: 462-02 (94) WYN Author: Wyndham, Diana CorpAuthor: Australian Film and Television School Source: AT Place: North Ryde, N.S.W. Publisher: Australian Film and Television School PubDate: 1986 PhysDes: 40 p. ; 30 cm. Subject: WOMEN FILMMAKERS. AUSTRALIA; TRAINING. AUSTRALIA ISBN: 064286943X More info
newspaper article		Reclaimed treasures in Weekend Australian [Review] (29/07/2017) p.10 Call No: SUBJECT CLIPPINGS FILE; WOMEN FILMMAKERS. AUSTRALIA Author: Hawker, Philippa PhysDes: Clippings File Article Subject: WOMEN FILMMAKERS. AUSTRALIA; WOMEN DIRECTORS. AUSTRALIA; FESTIVALS. MELBOURNE; CAREY, MICHELLE; HELLER-NICHOLAS, ALEXANDRA Summary: Interview with Michelle Carey and Alexandra Heller-Nicholas about their co-curation of the Pioneering Women season at the 2017 Melbourne International Film Festival that features films made by Australian women in the 1980s and 1990s More info
book		Red women on the silver screen : Soviet women and cinema from the beginning to the end of the communist era / Lynne Attwood with Maya Turovskaya ... [et al.] ; translations by Lynne Attwood and Kirsten Sams London: Pandora, 1993. Call No: 451-02(47) RED Author: Attwood, Lynne; Turovskad+8a, Maid+8a Iosifovna Place: London Publisher: Pandora PubDate: 1993 PhysDes: 272 p., [16] p. of plates : ill., ports ; 24 cm Subject: USSR; PROPAGANDA FILMS. USSR; WOMEN AND THE CINEMA. USSR; WOMEN IN FILMS. USSR; WOMEN FILMMAKERS. USSR; NATIONAL IDENTITY IN FILMS. USSR; SCRIPTWRITERS. USSR; SEX IN FILMS. USSR; GOGOBERIDZE, LANA; ZVEREVA, MARIA; KAMALOVA, KAMARA; TSURTSUMIYA, MARINA; GOLDOVSKAYA, MARINA; LOGINOVA, TATJANA; COMMISSAR, THE [KOMISSAR] (UR, Aleksandr Askol'dov, 1987[prod. 1967]) Notes: Includes index; Bibliography: p. 261-264 ISBN: 0044405618 (pbk.) : ¦12.99 LON: bnb04440561; 9741309 More info
newspaper article		Reel time : Australian female directors missing in 'action!' in The Australian (27/05/2015) p.15 Call No: SUBJECT CLIPPINGS FILE; WOMEN FILMMAKERS. AUSTRALIA Author: Bodey, Michael PhysDes: Clippings File Article Subject: WOMEN FILMMAKERS. AUSTRALIA Summary: Report on the latest figures about women working in Australian feature films. An edition of the Australian film and tv industry journal 'Lumina' is devoted to 'Women in Film' More info
newspaper article		Reel time : Screen NSW sets out to even gender imbalance in The Australian (18/11/2015) p.15 Call No: SUBJECT CLIPPINGS FILE; SCREEN NSW Author: Bodey, Michael PhysDes: Clippings File Article Subject: SCREEN NSW; WOMEN FILMMAKERS. AUSTRALIA; WOMEN DIRECTORS. AUSTRALIA Summary: Report on Screen NSW adopting a 50-50 gender equity for funding development and production More info
newspaper article		Reel time : Carol leads pack in international AACTAs in The Australian (06/01/2016) p.12 Call No: SUBJECT CLIPPINGS FILE; SCREEN QUEENSLAND Author: Bodey, Michael PhysDes: Clippings File Article Subject: SCREEN QUEENSLAND; WOMEN FILM WORKERS; WOMEN FILMMAKERS. AUSTRALIA Summary: Snippet on Screen Queensland's moves to promote women in creative roles in cinmea More info
journal article		Reel women in Sequential (Summer 1989) iss.1 p.6-9 Author: Cahill, Philippe PhysDes: Article Subject: WOMEN FILMMAKERS. AUSTRALIA; HISTORY OF CINEMA. AUSTRALIA; ARMSTRONG, GILLIAN; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) Summary: Article about pioneering women filmmakers in Australia analysing the lack of recognition of their significant contributions. Gillian Armstrong's film is placed within this history of gender discrimination. More info
newspaper article		Search for a screen queen in Herald Sun (12/7/2016) p.13 Call No: SUBJECT CLIPPINGS FILE; GENDER MATTERS Author: Molloy, Shannon PhysDes: Clippings File Article Subject: SCREEN AUSTRALIA; WOMEN FILMMAKERS. AUSTRALIA; WOMEN TV WORKERS. AUSTRALIA; FUNDING. AUSTRALIA; GENDER MATTERS Summary: Report on the $3 million of funding by Screen Australia to go towards women filmmakers and TV show creators and workers as part of a new initiative called Gender Matters. Quotes from Imogen Banks, Fiona Cameron, and Kat Stewart More info
newspaper article		Setting the scene for more women in The Age (07/12/2015) p.11 Call No: SUBJECT CLIPPINGS FILE; SCREEN AUSTRALIA Author: Quinn, Karl PhysDes: Clippings File Article Subject: SCREEN AUSTRALIA; WOMEN DIRECTORS. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; WOMEN FILMMAKERS. AUSTRALIA; DRESSMAKER, THE (AT, Jocelyn Moorhouse, 2015) Summary: Report on the new Screen Australia initiative to encourage funding of films made by and for women. Quotes from the producer of the film THE DRESSMAKER, Sue Maslin, who talks of the difficulty to obtain funding for the film due to the large female presence and themes in the film More info
book		Shooting women : behind the camera, around the world / by Harriet Margolis, Alexis Krasilovsky, and Julia Stein Bristol, U.K. ; Chicago, USA: Intellect, c2015. Call No: 451-02 MAR Author: Margolis, Harriet; Krasilovsky, Alexis; Stein, Julia Source: UK/US Place: Bristol, U.K. ; Chicago, USA Publisher: Intellect PubDate: c2015 PhysDes: xxvii, 338 pages ; 23 cm Subject: WOMEN FILM WORKERS; WOMEN TV WORKERS; WOMEN FILMMAKERS; CINEMATOGRAPHY; PRODUCTION; CAMERAS; WOMEN AND THE CINEMA; DOCUMENTARIES; WOMEN, FILMS MADE BY Summary: "Shooting Women takes readers around the world to explore the lives of camerawomen working in features, TV news, and documentaries. From first-world pioneers like African American camerawoman Jessie Maple Patton who got her job only after suing the union to China's first camerawomen who traveled with Mao, to rural India where poor women have learned camerawork as a means of empowerment, Shooting Women reveals a world of women working with courage and skill in the male-dominated film and televsion industries." -- BOOK BACK COVER BLURB Notes: Includes bibliographical references and index LON: 9781783205066 Contents: -- acknowledgments -- prefaces -- from Alex Krasilovsky -- from Harriet Margolis-- ch: 1 How do women become camerawomen? -- Learning on the Job -- Still Photography -- Film School -- Training Programs -- Two Examples of Feminist Groups: Women in Film and Behind the Lens -- Women-Supportive Workshops and Production Groups -- Filming in the Service of Social Activism: Video SEWA and Aina -- Collectives -- Rental Houses -- ch: 2 How hard can it be? -- Gender Discrimination -- Unions and Guilds -- When Cameras Were Heavy -- Helpful Men -- Ssh! (Secret Sexual Harassment) -- Sabotage -- Getting Paid Jobs -- Breaking Out of Isolation -- Rising through the Ranks -- Budgets and Glass Ceilings -- ch: 3 Documentary: A good and satisfying career choice that is statistically friendlier to women than feature fiction filmmaking -- Filming History Being Made in China -- Documentary: Historical and Personal -- ch: 4 Hollywood, Bollywood, independents, and short forms -- Hollywood -- Indian Cinema -- The Freedom of Independent Films -- Music Videos -- Commercials and Such -- Experimental/Avant-Garde Films and Videos -- Art Films and Videos -- Shooting Special Material: Birth -- ch: 5 Special skills and creativity -- Handheld Camerawork -- Cranes -- Underwater -- Helicopters -- Special Effects -- Lighting as a Cinematographer's Dream Job -- Digital Technology -- Style -- ch: 6 Shooting around the world -- Erika Addis on Beginning her Career -- Arlene Burns on Filming in the Kuril Islands -- Young-Joo Byun on Filming Comfort Women in Korea -- Nancy Durham on Filming the Balkan War -- Jolanta Dylewska on Filming in Kazakhstan -- Sabeena Gadihoke on Filming Three Women and a Camera -- Rozette Ghadery on Filming in Kurdistan -- Sue Gibson on Filming in Jordan -- Joan Giummo on Filming Homeless Women in New York -- Agnes Godard Pays Homage to Beauty -- Marina Goldovskaya on Filming History Being Made in Russia -- Ellen Kuras on Pivotal Moments in Shooting -- Heather MacKenzie on Filming Romanian Orphans -- Sandi Sissel on Filming Salaam Bombay! -- Agnes Varda on Filming the Human Body -- Liz Ziegler on Filming Eyes Wide Shut (1999) for Stanley Kubrick -- ch: 7 Can camerawomen also be women? -- Parents -- Fathers -- Mothers -- Friends and Extended Family -- Husbands -- A Happy Marriage -- Pregnancy -- Children and Childcare -- Daughters -- ch: 8 What's it really like? -- A Typical Day -- Where Do Camerawomen Go? -- What Do Camerawomen Wear? -- Working with the Crew -- Working with Directors and Producers -- Acting Like Men to Fit In -- The Advantages of Being Female -- ch: 9 Magic moments, worst moments -- Satisfactions -- Worst Moments, Dangers, and Risking One's Life -- ch: 10 What do camerawomen see? -- Representation and Gender -- Ethics -- Camerawomen Teaching -- "Just Do It" -- Aspirations for the Future -- List of camerawomen whose interviews are included in this book -- bibliography -- index -- More info
newspaper article		Short cuts : moves on gender in Sydney Morning Herald [Arts & Entertainment] (05/11/2015) p.20 Call No: SUBJECT CLIPPINGS FILE; WOMEN FILMMAKERS. AUSTRALIA Author: Maddox, Garry PhysDes: Clippings File Article Subject: WOMEN FILMMAKERS. AUSTRALIA Summary: Screen Australia is actively looking at initiatives to address the lack of women directors in Australia. The Australian Directors Guild argue for a more holistic aproach which includes an equal representation of women and men accross the entire creative team; producers, screenwriters and directors. More info
book		Some significant women in Australian film : a celebration and a cautionary tale : Longford Lyell lecture 2002 / Jan Chapman Australia: Screen sound Australia, 2002. Call No: 721.02 (94) CHA Author: Chapman, Jan Edition: 1st ed. Source: Australia Place: Australia Publisher: Screen sound Australia PubDate: 2002 PhysDes: 1 v ; 20.5 cm, b&w ill. Series: Longford Lyell lecture 2002, ScreenSound Australia Monograph no.3 Subject: WOMEN AND THE CINEMA. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; WOMEN FILMMAKERS. AUSTRALIA; WOMEN IN FILMS; WOMEN ON TV. AUSTRALIA; WOMEN, FILMS FOR; WOMEN, FILMS MADE BY; FEMINISM AND THE CINEMA; FEMINISM AND TV; CHAPMAN, JAN; ARMSTRONG, GILLIAN; CAMPION, JANE; LYELL, LOTTIE; BARRETT, SHIRLEY; MILLIKEN, SUE; Lovell, Patricia; ROBB, JILL; SCOTT, JANE; LONG, JOAN; FINK, MARGARET; DAVIS, JUDY; LEVY, SANDRA; GRIFFITHS, RACHEL; BLANCHETT, CATE; KIDMAN, NICOLE; COLLETTE, TONI; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); WOMAN SUFFERS, THE (AT, Raymond Longford, 1918); ON OUR SELECTION (AT, Raymond Longford, 1920); SHOWTIME (AT, Jan Chapman, 1978); SWEET AND SOUR [TV] (AT, 1984); SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977); SMOKES AND LOLLIES (AT, Gillian Armstrong, 1976); BINGO BRIDESMAIDS AND BRACES (AT, Gillian Armstrong, 1988); MORE SMOKES, LESS LOLLIES (AT, Gillian Armstrong, 1981); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); WELL, THE (AT, Samantha Lang, 1997); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); TWO FRIENDS [TV] (AT, Jane Campion, 1986); LITTLE WOMEN (US, Gillian Armstrong, 1994); OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997); CHARLOTTE GRAY (GG/UK/AT, Gillian Armstrong, 2001); PIANO, THE (AT, Jane Campion, 1993); GIRL'S OWN STORY, A (AT, Jane Campion, 1983) Summary: The ScreenSound Australia Annual Longford Lyell Lecture was established in 2001. It is named in honour of two significant pioneers of Australian cinema, Lottie Lyell and Raymond Longford, who were the foremost creative partnership in the pioneering years of Australian cinema. Jan Chapman is one of Australia’s most famous producers having been involved in the production of ‘Come in Spinner’, ‘Sweet and Sour’, ‘the Piano’ and ‘Lantana’ to name but a few. Chapman talks about the development of her career in relation to other Australian women involved in filmmaking such as Gillian Armstrong and New Zealand born Jane Campion ISBN: 0642365172 More info
book		Spaces of women's cinema : space, place and genre in contemporary women's filmmaking / Sue Thornham London: Bloomsbury on behalf of the British Film Institute, Call No: 631.2-02 THO Author: Thornham, Sue CorpAuthor: 2019 Edition: 2019 Place: London Publisher: Bloomsbury on behalf of the British Film Institute PhysDes: x, 226 pages : index ; 24 cm Subject: WOMEN FILMMAKERS; AMOUR FOU (AU/LX/GG, Jessica Hausner, 2015); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993); BLUE STEEL (US, Kathryn Bigelow, 1989); CHAOS (FR, Coline Serreau, 2001); DAUGHTERS OF THE DUST (US, Julie Dash, 1991); FALLING, THE (UK, Carol Morley, 2014); MEEK'S CUTOFF (US, Kelly Reichardt, 2011); MRS DALLOWAY (US, Marleen Gorris, 1997); RED ROAD (UK/DK, Andrea Arnold, 2006); WHITE MATERIAL (FR/CM, Claire Denis, 2009); WINTER'S BONE (US, Debra Granik, 2010) Summary: Sue Thornham explores issues of space, place, time and gender in feminist filmmaking through an examination of a wide range of films by contemporary women filmmakers, ranging from the avant-garde to mainstream Hollywood. Beginning from questions about space itself and the way it has been gendered, she asks how representation functions in relation to space and time, and how this, too, is gendered, before moving to an exploration of how such questions might be considered in relation to women's filmmaking. In sections dealing with spaces from wilderness to city, she analyses in detail how these issues have been dealt with by women filmmakers, addressing the work of filmmakers such as Jane Campion, Kathryn Bigelow, Julie Dash, Maggie Greenwald, Patricia Rozema and Carol Morley, and films including 'An Angel at My Table' (1990), 'Daughters of the Dust' (1991) 'The Ballad of Little Jo' (1993), 'Winter's Bone' (2010), 'Zero Dark Thirty' (2012) and 'The Falling' (2014). -- publisher's web site ISBN: 9781844579112 Contents: list of figures -- acknowledgments -- Introduction: Space and Women's Cinema -- 1. Wilderness Spaces -- 2. City Spaces -- 3. Interior Spaces -- 4. Border Spaces -- 5. Doubled Spaces: the Landscapes of Adaptation -- Bibliography --- filmography -- index More info
newspaper article		Sydney confidential : industry's on a path to gender neutrality in Daily Telegraph (12/7/2016) p.18 Call No: SUBJECT CLIPPINGS FILE; GENDER MATTERS Author: Rawsthorne, Sally -- Sharp, Annette -- Moran, Jonathon -- Halliwell, Elle -- Domjen, Briana PhysDes: Clippings File Article Subject: SCREEN AUSTRALIA; WOMEN FILMMAKERS. AUSTRALIA; WOMEN TV WORKERS. AUSTRALIA; FUNDING. AUSTRALIA; GENDER MATTERS Summary: Report on the $3 million of funding by Screen Australia to go towards women filmmakers and TV show creators and workers as part of a new initiative called Gender Matters. Stats on current gender bias towards males are listed. Quotes from Imogen Banks and Kat Stewart More info
journal article		WA: state of independents in Filmnews (Australia) (Jul-88) vol.XVIII iss.6 p.6, 15 Author: Kaufman, Tina & Coulter, Paul PhysDes: Article Subject: WESTERN AUSTRALIAN FILM COUNCIL; FILM AND TELEVISION INSTITUTE (WA); WOMEN FILMMAKERS.AUSTRALIA; AUSTRALIAN FILM COMMISSION Summary: Overview of the Western Australian film and video industry, focussing on two organisations, the WA Film Council and the Film and Television Institute. Also discusses the Australian Film Commission's newly established Short Drama Fund and a number of projects by WA filmmakers. Notes: Article More info
newspaper article		We need to see more women on film and behind the camera in Sydney Morning Herald (28/10/2015) p.16 Call No: SUBJECT CLIPPINGS FILE; WOMEN FILM WORKERS. AUSTRALIA Author: Maslin, Sue PhysDes: Clippings File Article Subject: WOMEN FILMMAKERS. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; MASLIN, SUE Summary: In this article, Sue Maslin describes the challenges faced by female filmmakers and the need for and benefits of increasing the number of women in leadership roles in the screen industry. More info
book		What if I had been the hero? : investigating women's cinema / British Film Institute London: Palgrave macmillan [on behalf of the] bfi, 2012. Call No: 721-02 THO Author: Thornham, Sue Source: UK Place: London Publisher: Palgrave macmillan [on behalf of the] bfi PubDate: 2012 PhysDes: vi, 236 p. : ill., ports. ; 24 cm Subject: WOMEN AND THE CINEMA; WOMEN DIRECTORS; WOMEN FILMMAKERS; WOMEN IN FILMS; FEMINISM AND THE CINEMA; WOOLF, VIRGINIA; ARMSTRONG, GILLIAN Summary: "What happens when women tell their own stories in film? In What If I Had Been the Hero?, Sue Thornham addresses this question through an exploration of a wide range of films, from experimental feminist film to mainstream Hollywood, and from the 1970s to the present day, by film-makers including Sally Potter, Jane Campion, Deepa Mehta, Patricia Rozema and Lynne Ramsay. Her discussion takes in films from India and Argentina as well as Europe, Canada, Australia and the US. Drawing on a wide range of feminist theoretical sources, What If I Had Been the Hero? makes an important intervention into contemporary debates, situating film-making within a rich history of female creativity, and insisting on the continuing importance of feminist theory." -- BOOK BLURB Notes: Includes bibliographic references and index; Includes filmography ISBN: 9781844573639 Contents: Part One: Questions -- Chapter One: 'What If I Had Been The Hero?' -- Chapter Two: Women's Liberation Cinema? -- Chapter Three: Unexplored Territories --; Part Two: Explorations -- Chapter Four: Heroes and Writers -- Chapter Five: Landscapes and Stories -- Chapter Six: Bodies and Passions -- Conclusion: Unfinished Business More info
newspaper article		The woman who changed a film industry in Sydney Morning Herald (25/04/2017) p.8 Call No: SUBJECT CLIPPINGS FILE; WOMEN FILMMAKERS. SWEDEN Author: Maddox, Garry PhysDes: Clippings File Article Subject: PRODUCTION. SWEDEN; DIRECTORS. SWEDEN; WOMEN FILMMAKERS. SWEDEN; FESTIVALS. SYDNEY. FOR FILMS SAKE [FFS]; SERNER, ANNA Summary: Interview with Anna Serner, the Chief Executive of the Swedish Film Institute who has overseen a transformation in the Swedish film production industry where more women than men have directed films More info
journal article		Women & Arts festival in Australasian Cinema (2/4/1982) vol.11 iss.5 p.2 PhysDes: Article Subject: WOMEN AND THE CINEMA. AUSTRALIA; WOMEN FILMMAKERS. AUSTRALIA; WOMEN IN FILMS; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA; FESTIVALS Summary: Article on what the 'Women & Arts festival' is and deadlines for entrants. Categories include women in Aboriginal and ethnic communities, dance, film, writing, theatre, music, etc. More info
book		Women film-makers in Australia : (1920 - 1933) / Sally Speed [Australia] : [s.n.], 1984: Call No: 462-02(94) SPE Author: Speed, Sally Place: [Australia] : [s.n.], 1984 PhysDes: 64 leaves ; 30 cm Subject: WOMEN FILMMAKERS. AUSTRALIA; LYELL, LOTTIE; LOVELY, LOUISE; MCDONAGH, PAULETTE; MCDONAGH, ISABEL; PAVIS, YVONNE; HOWARD, KATE; MALLON, MARY; DE LA RUZE, JULIETTE; KELLERMAN, ANNETTE; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); THOSE WHO LOVE (AT, Paulette McDonagh, 1926); FAR PARADISE, THE (AT, Paulette McDonagh, 1928); CHEATERS, THE (AT, Paulette McDonagh, 1930); TWO MINUTES SILENCE (AT, Paulette McDonagh, 1933); POSSUM PADDOCK (AT, Kate Howard, 1921); BLUE MOUNTAINS MYSTERY, THE (AT, Raymond Longford & Lottie Lyell, 1921); DINKUM BLOKE, THE (AT, Raymond Longford, 1923); FISHERS GHOST (AT, Lottie Lyell, 1924); PETER VERNON'S SILENCE (AT, Lottie Lyell, 1925); CIRCUMSTANCE (AT, Yvonne Pavis, 1922); DAUGHTER OF AUSTRALIA (AT, Yvonne Pavis, 1922); SUNSHINE SALLY (AT, Yvonne Pavis, 1922); JEWELLED NIGHTS (AT, Louise Lovely & Wilton Welch, 1925); CHEATERS, THE (AT, Paulette McDonagh, 1930); HISTORY OF CINEMA. AUSTRALIA; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. TRANSITION SILENT-SOUND; HISTORY OF CINEMA. 1920's; HISTORY OF CINEMA. 1930's; EXHIBITION OF SILENT FILMS LON: abn98267376; 14063689 More info
subject clippings file		WOMEN FILMMAKERS. AUSTRALIA Call No: SUBJECT CLIPPINGS FILE PhysDes: Clippings Subject: WOMEN FILMMAKERS. AUSTRALIA More info
journal article		Women filmmakers mainstreamed in Realtime (Feb-Mar 2000) iss.35 p.16 Author: Mills, Jane PhysDes: Article; Illustration(s) Subject: AUSTRALIAN FILM COMMISSION. WOMEN'S FILM FUND; AUSTRALIAN FILM COMMISSION. WOMEN'S PROGRAM; WOMEN FILMMAKERS. AUSTRALIA Summary: The author suggests that women filmmakers in Australia still require government assistance, despite the lack of response to the demise of the AFC's Women's Program. More info
book		Women filmmakers of the African and Asian diaspora : decolonizing the gaze, locating subjectivity / Gwendolyn Audrey Foster Carbondale, Ill.: Southern Illinois University Press, 1997. Call No: 802.253 FOS Author: Foster, Gwendolyn Audrey Place: Carbondale, Ill. Publisher: Southern Illinois University Press PubDate: 1997 PhysDes: x, 177 p. : ill. ; 24 cm Subject: WOMEN FILMMAKERS. AFRICAN COUNTRIES; WOMEN FILMMAKERS. ASIAN COUNTRIES; WOMEN, FILMS MADE BY. AFRICAN COUNTRIES; WOMEN, FILMS MADE BY. ASIAN COUNTRIES; DAVIS, ZEINABU IRENE; DASH, JULIE; PARMAR, PRATIBHA; TRINH, T. MINH-HA; NAIR, MIRA; ONWURAH, NGOZI Notes: Includes bibliographical references (p. 157-168) and index ISBN: 080932119X (cloth : alk. paper); 0809321203 (pbk. : alk. paper) Order Received: 1997 LON: 96027635; 12664249 More info
book		Women in focus / Jeanne Betancourt Dayton, Ohio: Pflaum Pub., c1974. Call No: 802.253 BET Author: Betancourt, Jeanne Source: US Place: Dayton, Ohio Publisher: Pflaum Pub. PubDate: c1974 PhysDes: xxii, 186 p. : ill. ; 23 cm Subject: WOMEN IN FILMS; WOMEN FILMMAKERS; BRAKHAGE, STAN; DEREN, MAYA; VARDA, AGNES; WINDOW WATER BABY MOVING (US, Stan Brakhage, 1959); CLEO FROM 5 TO 7 [CLEO DE 5 A 7] (FR, Agnes Varda, 1962); CLEO FROM 5 TO 7 [CLEO DE 5 A 7] (FR, Agnes Varda, 1962); DIARY OF A PREGNANT WOMAN (FR, Agnes Varda, 1958); OPERA MOUFFE, L' (FR, Agnes Varda, 1958); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); RITUAL IN TRANSFIGURED TIME (US, Maya Deren, 1946); THIGH LYNE LYRE TRIANGULAR (US, Stan Brakhage, 1961); AT LAND (US, Maya Deren, 1944) Summary: "I hope Women in focus can serve many people. By reading about and seeing films that present real women, those who have been oblivious to the stereotypes of women in film may begin to recognize them by the contrast offered in the films I suggest. " -- Introduction, Women in Focus Notes: Reviews of films; Includes indexes; Bibliography: p. 168-181 ISBN: 0827802609 LON: 74078728; 462301 Contents: -- introduction -- the films index -- the filmmakers -- the films -- thematic index -- program possibilities -- bibliography -- distributors of the films -- More info
book		Women's Cinema, World Cinema : projecting contemporary feminisms / by Patricia White Durham; London: Duke University Press, c2015. Call No: 626:396 WHI Author: White, Patricia Source: UK Place: Durham; London Publisher: Duke University Press PubDate: c2015 PhysDes: ix, 270 pages : illustrations ; 24 cm Subject: WOMEN DIRECTORS; WOMEN FILM WORKERS; WOMEN FILMMAKERS; WOMEN IN FILMS; WOMEN, FILMS MADE BY; FEMINISM AND THE CINEMA; WOMEN AND THE CINEMA Summary: "In Women's Cienma, World Cinema the author explores the dynamic intersection of feminism and film in the twenty-first century by highlighting the work of a new generation of women directors from around the world: Samira and Hana Makhmalbaf, Nadine Labaki, Zero Chou, Jasmila Zbanic, and Claudia Llosa, among others. The emergence of a globalized network of film festivals has enabled these young directors to make and circulate films that are changing the aesthetics and politics of art house cinema and challenging feminist genealogies. Extending formal analysis to the production and reception contexts of a variety of feature films, White explores how women filmmakers are both implicated in and critique gendered concepts of authorship, taste, genre, national identity, and human rights. Women's Cinema, World Cinema revitalizes feminist film studies as it argues for an alternative vision of global media culture." -- BACK COVER BOOK BLURB Notes: Formerly CIP; Also issued online; Includes filmography; Includes bibliographical references (pages 235-246) and index ISBN: 9780822358053 Contents: -- acknowledgments -- introduction -- To each her own cinema : world cinema and the woman cineaste : Jane Campion's Cannes connections; Lucrecia Martel's vertiginous authorship; Samira Makhmalbaf's sororal cinema -- Framing feminisms : women's cinema as art cinema : Deepa Mehta's elemental feminism; Iranian diasporan women directors and cultural capital -- Feminist film in the age of the chick flick : global flows of women's cinema : engendering new Korean cinema in Jeong Jae-eun's Take care of my cat; Nadine Labaki's celebrity -- Network narratives : Asian women directors two-timing the system in Nia Dinata's Love for share -- Zero Chou and the spaces of Chinese lesbian film -- Is the whole world watching? Fictions of women's human rights : Sabiha Sumar's Democratic cinema; Jasmila Zbanic´'s Grbavica and Balkan cinema's incommensurable gazes; Claudia Llosa's Trans/national address -- afterword -- notes -- bibliography -- filmography -- index -- More info

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