journal article
Frankenstein and the monster from hell in Cinefantastique (Summer 1973) vol.2 iss.4 p.40-41
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monster trucks (us, chris wedge, 2016)
A full-throttled '80s throwback in The Age [Arts & Entertainment] (12/01/2017) p.25
Call No: TITLE CLIPPINGS FIL; MONSTER TRUCKS (US, Chris Wedge, 2016)Author: Wilson, Jake PhysDes: ClippingsSubject: MONSTER TRUCKS (US, Chris Wedge, 2016) Summary: Film review of MONSTER TRUCKSNotes: This review is also published in the Canberra Times 12/01/2017Rating: 2.5 out of 5 stars
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Gendering history on screen : women filmmakers and historical films / Julia Erhart London: I.B. Tauris & Co. Ltd., 2018. Available at ProQuest (RMIT login required)
Call No: 721-02 ERHAuthor: Erhart, Julia Source: UKPlace: LondonPublisher: I.B. Tauris & Co. Ltd.PubDate: 2018Series: Library of gender and popular cultureSubject: FEMINISM AND THE CINEMA ; WOMEN AND THE CINEMA ; WOMEN DIRECTORS ; WOMEN FILMMAKERS ; LEAGUE OF THEIR OWN, A (US, Penny Marshall, 1992) ; MONSTER (US, Patty Jenkins, 2003) ; IRON LADY, THE (UK, Phyllida Lloyd, 2011) Notes: Includes bibliographical references (pages 159-195), filmography (pages 197-200), and index.ISBN: 978784535285Contents: Introduction; Chapter Summary --1 Women Writing History Through Film; Women Writing History: Contexts and Opportunities; Performative Authorship; History on Film: from Robert Rosenstone to A League of Their Own; 'Citable in all its Moments': In-between Spaces and Sewing Machines; Conclusion --2 Reclaiming Undeserving Women: Contemporary Female Biopics. From Positive Images to Undeserving Subjects: A Place for Women?; Oppositional Medicine: The Case of Augustine; Class and Voice: Ambiguity in Monster; Affect and Ageing: The Iron Lady --3 Feminist First-Person Documentaries: Migration, Internment, Reconciliation; First-Person Documentary: Terms and Terrain; First-Person Documentary: Women Directors; Performing Memory --4 Revisiting Resistance and Occupation in Holocaust Films; Complicating Collaboration; Europeanising the Holocaust; Reconfiguring Resistance; Women and Resistance; Mimicry and Doubling; Vergangenheitsbewa¨ltigung.--5 Gendering Iraq and Afghanistan War Movies; The Paradox of Exceptionalism; Gendering the War 'Back Home'; Movies from the Periphery: Occupation; Conclusion --Conclusion
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journal article
Godzilla vs. the smog monster in Bizarre vol.2 p.27-28
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Golden night for Rainbow at AWGIES in Encore (October 2002) vol.20 iss.9 p.14
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HAPPY FAMILY [MONSTER FAMILY] : (G/UK, Holger Tappe, 2017)
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Het vrije leven [1981].
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Horror films for children : fear and pleasure in American cinema / Catherine Lester London ; New York: Bloomsbury Academic, 2022.
Call No: 735.2-053.2(73) LESAuthor: Lester, Catherine Edition: 2022Place: London ; New YorkPublisher: Bloomsbury AcademicPubDate: 2022PhysDes: vii, 220 pages : illustrated ; 25 cmSubject: HORROR FILMS ; CHILDREN, FILMS FOR ; CHILDREN, EFFECTS OF FILM ON ; CORALINE (US, Henry Selick, 2009) ; GREMLINS (US, Joe Dante, 1984) ; HOLE, THE (US, Joe Dante, 2009) ; MONSTER HOUSE (US, Gil Kenan, 2006) ; MONSTER SQUAD, THE (US, Fred Dekker, 1987) ; NIGHTMARE BEFORE CHRISTMAS, THE (US, Henry Selick, 1993) ; PARANORMAN (US, Chris Butler/Sam Fell, 2012) ; SOMETHING WICKED THIS WAY COMES (US, Jack Clayton, 1983) ; WATCHER IN THE WOODS (UK, John Hough, 1980) Summary: Children and horror are often thought to be an incompatible meeting of audience and genre, beset by concerns that children will be corrupted or harmed through exposure to horror media. Nowhere is this tension more clear than in horror films for adults, where the demonic child villain is one of the genre's most enduring tropes. However, horror for children is a unique category of contemporary Hollywood cinema in which children are addressed as an audience with specific needs, fears and desires, and where child characters are represented as sympathetic protagonists whose encounters with the horrific lead to cathartic, subversive and productive outcomes.
Horror Films for Children examines the history, aesthetics and generic characteristics of children's horror films, and identifies the 'horrific child' as one of the defining features of the genre, where it is as much a staple as it is in adult horror but with vastly different representational, interpretative and affective possibilities. Through analysis of case studies including blockbuster hits (Gremlins), cult favourites (The Monster Squad) and indie darlings (Coraline), Catherine Lester asks, what happens to the horror genre, and the horrific children it represents, when children are the target audience? -- publisher's web pageISBN: 9781350135260
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HUMANOIDS FROM THE DEEP : (US, Barbara Peeters, 1980)
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METALLICA: SOME KIND OF MONSTER : (US, Joe Berlinger & Bruce Sinofsky, 2004)
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MONEY MONSTER : (US, Jodie Foster, 2016) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: MONEY MONSTER (US, Jodie Foster, 2016) URL status: URL: 'http://file://Q:/T/MONEY_MONSTER.zip'
Checked: 31/08/2021 1:42:59 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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MONSTER : (AT, Sally Trevena, 1978)
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MONSTER : (US, Patty Jenkins, 2003)
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A monster calls / written by Patrick Ness;based on the novel 'A Monster Calls' by Patrick Ness;inspired by an idea from Siobhan Dowd London: 25/09/2014. Digital clippings file available
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MONSTER CALLS, A : (UK/SP/US, J.A. Bayona, 2016) Digital clippings file available
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MONSTER CLUB, THE : (UK, Roy Ward Baker, 1981)
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MONSTER HOUSE : (US, Gil Kenan, 2006)
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MONSTER HUNTER : (GG/US/JA/SA, Paul W.S. Anderson, 2020) Digital clippings file available
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MONSTER IN A BOX : (UK, Nick Broomfield, 1991)
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MONSTER-IN-LAW : (US, Robert Luketic, 2005)
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MONSTER IN THE CLOSET : (US, Bob Dahlin, 1987)
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MONSTER MANOR : (US, Aaron Lipstadt, 1989)
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MONSTER'S BALL : (US, Marc Forster, 2001)
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MONSTER SQUAD, THE : (US, Fred Dekker, 1987)
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MONSTER TRUCKS : (US, Chris Wedge, 2016)
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Movie magic : the story of special effects in cinema / John Brosnan London: Abacus, 1977.
Call No: 236 BROAuthor: Brosnan, John Source: UKPlace: LondonPublisher: AbacusPubDate: 1977PhysDes: 207 p. : ill. ; 20 cmSubject: SPECIAL EFFECTS ; HORROR FILMS ; SCIENCE-FICTION FILMS ; FANTASTIC FILMS ; DISASTER FILMS ; MODEL WORK ; MONSTERS IN FILMS ; WAR FILMS ; ANIMATION ; MONSTER DESIGN ; MINIATURE WORK ; OPTICAL EFFECTS ; MATTES ; FRONT PROJECTION ; CINEMATOGRAPHY ; HIGH-SPEED CINEMATOGRAPHY ; MAKE-UP ; SPLIT SCREEN ; STOP-MOTION TECHNIQUE ; STUNTS ; CAMERAS ; TRAVELLING MATTE ; EXPLOSIONS IN FILMS ; HARRYHAUSEN, RAY ; PAL, GEORGE ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; POSEIDON ADVENTURE, THE (US, Ronald Neame, 1972) Notes: first published in Great Britain by Macdonald and Jane's 1974; Includes: Appendix with Academy Awards winners and nominees for Engineering Effects/Special Effects from 1927-8 to 1975-6; References; Bibliography; Index of Names; Index of Film Titles; Index of Subjects and TechniquesISBN: 0349103682Donation: donated by the family of Wayne Levy, 2006
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newspaper article
Not buying in AFR Weekend (04/06/2016) p.51
Call No: TITLE CLIPPINGS FILE; MONEY MONSTER (US, Jodie Foster, 2016)Author: McDonald, John PhysDes: Clippings File ArticleSubject: MONEY MONSTER (US, Jodie Foster, 2016) Summary: A mixed review of MONEY MONSTER, where the author feels that the film is ideas driven than character driven and tackles similar themes like a number of recent Hollywood films about finance
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journal article
The other side of the cinema in Classic images (November 1983) iss.101 p.10-11, 25
Author: O'Hara, Ashley PhysDes: ArticleSubject: B-MOVIES ; AMAZON QUEST (US, Steve Sekely, 1949) ; ASTOUNDING SHE MONSTER, THE (US, Ronnie Ashcroft, 1958) ; BREED OF THE WEST (US, Alan James, 1930) ; DRACULA VS. FRANKENSTEIN (US, Al Adamson, 1971) ; FRANKENSTEIN'S DAUGHTER (US, Richard E. Cunha, 1958) ; IT'S ALIVE (US, Larry Buchanan, 1969) ; SATAN'S CHEERLEADERS (US, Greydon Clark, 1977) Summary: A personal selection, with credits and synopsis, of favourite "bad" cinema or "b-grade" movies by Ashley O'Hara including "Amazon Quest", "The Astounding She Monster", "Breed of the West", "Dracula Vs. Frankenstein", "It's Alive" and "Satan's Cheerleaders"Notes: Review. - synopsis. - credits
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PARTY MONSTER : (US, Fenton Bailey & Randy Barbato, 1998)
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RAINBOW BIRD AND MONSTER MAN : (AT, Dennis K. Smith, 2001)
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Robert Luketic in Empire (Australian Ed.) (August 2005) iss.53 p.34
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ROBOT MONSTER : (US, Phil Tucker, 1953)
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Science fiction double feature for 1958 in Classic Images (Oct 1982) vol.88 p.29
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newspaper article
Short Cuts : Wan's new deal in Sydney Morning Herald (18/08/2016) p.16
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Siege drama makes its points with humour in Weekend Australian [Review] (11/06/2016) p.14
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monster trucks (us, chris wedge, 2016)
Throwback to middle-of-road fantasy in Canberra Times [Arts & Entertainment] (12/01/2017) p.20
Call No: TITLE CLIPPINGS FIL; MONSTER TRUCKS (US, Chris Wedge, 2016)Author: Wilson, Jake PhysDes: ClippingsSubject: MONSTER TRUCKS (US, Chris Wedge, 2016) Summary: Film review of MONSTER TRUCKSNotes: This review is also published in The Age 12/01/2017Rating: 2.5 out of 5 stars
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VRIJE LEVEN, HET : (NE, Ruud Monster & Alie Wiering, 1981)
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monster trucks (us, chris wedge, 2016)
Wheels fall off in monstrosity that belongs on the scrap heap in Sunday Telegraph [Insider] (15/01/2017) p.104
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WHO IS THE MONSTER...YOU OR ME? : (GG, Peter Schamoni, 1995)
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ZHUO YAO JI 2 : (CC, Raman Hui, 2018)
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