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Call No: 236ALI SHA
Author: Norton, Bill; Shay, Don
Edition: First edition
Source: UK
Place: London
Publisher: Titan Books
PubDate: 1997
PhysDes: 144 p. : ill. (some col.), ports. (some col.) ; 21 x 23 cm
Subject: SPECIAL EFFECTS; CINEMATOGRAPHY; TECHNOLOGY AND THE CINEMA; TECHNOLOGICAL DEVELOPMENTS; COSTUME DESIGNING; SCIENCE-FICTION FILMS; MONSTERS IN FILMS; COMPUTERS AND THE CINEMA; ALIEN (UK, Ridley Scott, 1979); ALIEN 3 (US, David Fincher, 1992); ALIENS (US, James Cameron, 1986)
Summary: "Discover how the amazing special effects in Alien, Aliens, and Alien3 were achieved in this inside, in-depth, look behind the scenes. All the secrets of these visually stunning and innovative blockbuster films are contained in this first, exciting, collaboration between Titan books and respected special effects magazine Cinefex. " -- BOOK BLURB
Notes: "This collection comprises three articles originally published in Cinefex magazine" - t.p. verso
ISBN: 1852866950
Contents: -- alien: creating an alien ambience by Don Shay -- aliens: this time it's war by Don Shay -- alien3: zealots and xenomorphs by Bill Norton ---

Call No: 623 ELL
Author: Elliott, Eric
Place: Territet, Switzerland
Publisher: Pool
PubDate: 1928]
PhysDes: 151 p. ; 20 cm
Subject: CINEMATOGRAPHY; CONTINUITY
Notes: Includes index
LON: abn84031927; 3064414

Call No: 802.3 MAL
Author: Maltin, Leonard
Edition: Dover
Source: CN
Place: Toronto
Publisher: General Publishing Company
PubDate: 1978
PhysDes: 140 p. : ill. ; 28 cm
Subject: CINEMATOGRAPHY; MOHR, HAL; BALLARD, LUCIEN; HALL, CONRAD; MILLER, ARTHUR C.; ROSSON, HAL
Notes: An enlarged ed of: Behind the Camera : the cinematographer's art.; First ed. published: New York: New American Library, 1971.; Includes index.
ISBN: 0486236862

Call No: 632 LIN
Author: Lindgren, Ernest
Place: London
Publisher: G. Allen and Unwin
PubDate: 1948]
PhysDes: xiv, 242 p., [32] p. of plates : ill., ports. ; 22 cm
Subject: PRODUCTION; SOUND; EDITING; MUSIC, FILM; ACTING; CINEMATOGRAPHY; GRIFFITH, DAVID WARK
Notes: Includes bibliography : p. 195-196, and index
LON: abn84263007; 3585806

Call No: 20(94) TAY
Author: Taylor, Graeme; Dempster, Peter; Bureau of Industry Economics
Source: AT
Place: Canberra
Publisher: Bureau of Industry Economics
PubDate: 1994
PhysDes: 27 p. ; 30 cm
Series: Occasional paper (Bureau of Industry Economics) ; 20
Subject: BROADCASTING. AUSTRALIA; CINEMATOGRAPHY. AUSTRALIA; DISTRIBUTION. AUSTRALIA; MUSIC, FILM. AUSTRALIA; PRODUCTION. AUSTRALIA; POST-PRODUCTION. AUSTRALIA; TECHNOLOGY AND THE CINEMA. AUSTRALIA; TECHNOLOGY AND TV
Summary: Discussion paper on the audiovisual (AV) industry in Australia. Provides a statistical overview of the industry, a discussion of dynamic change in the AV sector, discusses key figures in the industry structure, and gives a critical review of Australia's performance in the AV sector

Call No: held no.1- June 1998-
CorpAuthor: Australian Cinematographers Society
Source: AT
Place: Cammeray, N.S.W.
Publisher: Australian Cinematographers Society
PubDate: 1998
PhysDes: v. : ill. ; 30 cm
Subject: CINEMATOGRAPHY. AUSTRALIA
Summary: The Australian Cinematographer is the quarterly journal produced by the Australian Cinematographers Society. First published in 1998 the magazine is "produced by cinematographers for cinematographers". The magazine features articles and interviews about the technique of the craft, breaking down the technical aspects of Australian profiled films and cinematographers. It also features discussions about different issues facing the industry. -- AFIRC
Notes: "Quarterly journal of the Australian Cinematographers Society"; From Issue 5, title changed to "Australian Cinematographer"
ISSN: 1440-978X
Order Notes: Current
LON: abn98181776; 13916524

Author: Mooney, Jacqueline
PhysDes: Article
Subject: CINEMATOGRAPHY. AUSTRALIA; UNDERWATER CINEMATOGRAPHY. AUSTRALIA
Summary: Australia is experiencing increased specialisation in cinematography equipment and techniques, including underwater cinematography, as more US productions occur in Australia and high definition television (HDTV) is introduced.

Author: Birrell, George
PhysDes: Article
Subject: AERIAL CINEMATOGRAPHY. AUSTRALIA
Summary: Article by George Birrell, an aerial photographer, on shooting films.

Author: Harding, John
PhysDes: Article
Subject: NORTHERN SAFARI (AT, Keith Adams, 1965); INDUSTRY, FILM. AUSTRALIA; UNDERWATER CINEMATOGRAPHY. AUSTRALIA; HARDING, JOHN; INDEPENDENT DISTRIBUTION. AUSTRALIA
Summary: Article on BLUE FRONTIER and NORTHERN SAFARI, two Australian films which showcase underwater filming.

Author: Hadden, Sasha
PhysDes: Article
Subject: MCALPINE, DONALD; CINEMATOGRAPHY; ALI'S WEDDING (AT, Jeffrey Walker, 2017)
Summary: Sasha Hadden document some camera tests undertaken by cinematographer Don McAlpine. The film Ali's Wedding (which McAlpine shot) is also mentioned.

Call No: 62(04) SAM
Author: Samuels, Charles Thomas
Source: US
Place: New York
Publisher: Van Nostrand Reinhold
PubDate: 1970
PhysDes: 250 p. ; 24 cm
Subject: THEORY; AESTHETICS; CRITICISM; ACTING; SCRIPTWRITERS; CINEMATOGRAPHY; GANGSTERS IN FILMS; GRADUATE, THE (US, Mike Nichols, 1967); BONNIE AND CLYDE (US, Arthur Penn, 1967); BLOWUP (UK/IT, Michelangelo Antonioni, 1966)
Donation: donated by the family of Wayne Levy, 2006
URL status: URL: 'http://-' Checked: 31/08/2021 1:12:39 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 81MAN RAN
Author: Moliterno, Gino; Rando, Gaetano
Source: AT
Place: St Kilda, Vic
Publisher: Australian Teachers of Media (ATOM)
PubDate: c2011
PhysDes: 145 p. : ill. ; 24 cm
Series: The moving image ; no. 10, 2011
Subject: CINEMATOGRAPHY; CINEMATOGRAPHY. AUSTRALIA; DIRECTORS. AUSTRALIA; FILM AUSTRALIA; FILMMAKING; FILMMAKING. AUSTRALIA; MIGRATION; MANGIAMELE, GIORGIO; SPAG, THE (AT, Giorgio Mangiamele, 1962); CLAY (AT, Giorgio Mangiamele, 1964); BEYOND REASON (AT, Giorgio Mangiamele, 1970)
Summary: " Giorgio Mangiamele is one of the most under-estimated figures in Australian cinema history. Soon after his arrival in Australia in 1952 as a migrant from Italy, he began making films at a time when feature film production in Australia was almost non-existent. His films were seldom seen in Australia, although one - Clay (1965) - was applauded overseas as an official selection in the Cannes Film Festival. " -- BOOK BLURB (last page of book)
Notes: "Published biannually by Australian Teachers of Media in association with its publishing partners, National Film & Sound Archive (NSFA), the Australian Film Institute (AFI) and RMIT University (School of Media and Communications)" -- Verso t.p; Includes bibliographical references and index
ISBN: 1876467215
Contents: -- notes on the text -- introduction -- chapter one: a celluloid life: a brief biography of Giorgio Mangiamele -- chapter two: foto studio Mangiamele: serving Melbourne's Italian community -- chapter three: Mangiamele's migrant movies -- chapter four: Clay and Cannes: the beginnings of art cinema in Australia -- chapter five: beyond Cannes and Beyond Reason -- chapter six: beyond Beyond Reason: towards Papua New Guinea -- chapter seven: back in oz and more unrealised projects -- conclusion -- Giorgio Mangiamele filmography -- bibliography -- index --

Author: Bouzianis-Sellick, JoAnne
PhysDes: Article
Subject: CINEMATOGRAPHY. AUSTRALIA; ROWLAND, MILES
Summary: Cinematographer, Miles Rowland discusses his career and work with Time Lapse Photography
Notes: Interview

Call No: 756 CIN
Source: UK/USA
Place: Bristol, UK ; Chicago, USA
Publisher: Intellect
PubDate: 2010
PhysDes: 315 p. ; 23 cm
Subject: CINEMATOGRAPHY; LOCATION SHOOTING; LANDSCAPES IN FILMS; LANDSCAPES IN FILMS. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA; HERZOG, WERNER; CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001)
Summary: Cinema and Landscape frames up contemporary film landscapes across the world, in a concentrated examination and interrogation of screen aesthetics and national ideology, film form and cultural geography, cinematic representation and the human environment.
Notes: includes filmography; includes index
ISBN: 9781841503097
Contents: 1. Introduction - cinema and landscape -- Part I: The invention of the cinematic landscape : 2. Landscape and the fantasy of moving pictures: early cinema's phantom rides / Tom Gunning -- Part II: Mapping cinematic landscapes : 3. 'One foot in the air?' Landscape in the Soviet and Russian road movie / Emma Widdis -- 4. Landscape of the mind: the indifferent Earth in Werner Herzog's films / Brad Prager -- 5. Visions of Italy: the sublime, the postmodern and the apocalyptic / William Hope -- 6. Landscape in Spanish cinema / Marvin D'Lugo -- 7. Landscape and Irish cinema / Martin McLoone -- 8. The ownership of woods and water: landscapes in British cinema 1930-1960 / Sue Harper -- 9. Filming the (post-)colonial landscape: Claire Denis' Chocolat (1988) and Beau travail (1998) / Susan Hayward. 10. Landscaping the revolution: the political and social geography of Cuba reflected in its cinema / Bob Britton -- 11. Landscapes of meaning in cinema: two Indian examples / Wimal Dissanayake -- 12. The geography of cinema - Zimbabwe / Martin Mhando -- 13. Crises, Economy and landscape: the modern film face of new China / Kate Taylor -- 14. Japanese cinema and landscape / Paul Spicer -- 15. A version of beauty and terror: Australian cinematic landscapes / Graham Harper -- 16. Battlefields of vision: New Zealand filmscapes / Jonathan Rayner -- 17. The landscapes of Canada's features: articulating nation and nature / Jim Leach -- 18 Science fiction/fantasy films, fairy tales and control: landscape stereotypes on a wilderness to ultra-urban continuum / Christina Kennedy, Tia´nna and Me´lisa Kennedy

Call No: 633 NIL
Author: Nilsen, Vladimir
Place: New York
Publisher: Hill and Wang
PubDate: 1959
PhysDes: 226 p : ill. ; 25 cm
Subject: CINEMATOGRAPHY; EDITING
LON: 59008663; 2539037

Call No: 63 STE
Author: Stephenson, Ralph; Debrix, J. R.
CorpAuthor: Penguin
Edition: Revised edition, reprint
Place: Harmondsworth
Publisher: Penguin
PubDate: 1969
PhysDes: 270 p., [32] p. of plates ; 18 cm
Subject: AESTHETICS; ART AND THE CINEMA; ART CINEMA; EDITING; CINEMATOGRAPHY; SOUND; COSTUMES; MAKE-UP; COLORIZATION; LIGHTING
Summary: “The cinema as art”, to those brought up on the “movie show and bubblegum” image, must look like a pretentious contradiction in terms. As this book demonstrates, however, the cinema stands for an art form which is almost unique in immediacy and scope. The authors explain, with over 300 examples taken from films of every country and period, the stages by which a director isolates what is mentally and emotionally significant in a situation. The reader is shown, from the inside, how the director may achieve this end by exploiting any or all of the cinematic techniques from script-planning to final editing, from camera movement to costume from sound to soft-focus. [Taken from back cover.]
Notes: Illustrated. Includes index.
Donation: Donated by La Trobe University Library

Call No: 62 ROM
Author: Rombes, Nicholas
Edition: Revised edition
Place: London; New York
Publisher: New York Columbia University Press
PubDate: 2017
PhysDes: 22 b& w illustrations
Subject: DIGITAL CINEMA; NOSTALGIA; FILMMAKING; DISTRIBUTION; DIGITAL DISTRIBUTION; MEDIA AND THE CINEMA; EDITING; PHILOSOPHY AND THE CINEMA; VIDEO FORMATS; PARANORMAL ACTIVITY : THE MARKED ONES ( US, Christopher Landon, 2014); THEORY; SPECTATORSHIP; BLUE VELVET (US, David Lynch, 1986); APPLE; COMPUTER GENERATED IMAGERY; POSTMODERNISM AND THE CINEMA; FORMATS; CINEMATOGRAPHY
Summary: Have digital technologies transformed cinema into a new art, or do they simply replicate and mimic analogue, film-based cinema? Newly revised and expanded to take the latest developments into account, Cinema in the Digital Age examines the fate of cinema in the wake of the digital revolution. Nicholas Rombes considers Festen (1998), The Blair Witch Project (1999), Timecode (2000), Russian Ark (2002), and The Ring (2002), among others. Haunted by their analogue pasts, these films are interested not in digital purity but rather in imperfection and mistakes-blurry or pixilated images, shaky camera work, and other elements that remind viewers of the human behind the camera.With a new introduction and new material, this updated edition takes a fresh look at the historical and contemporary state of digital cinema. It pays special attention to the ways in which nostalgia for the look and feel of analogue disrupts the aesthetics of the digital image, as well as how recent films such as The Social Network (2010) and The Girl with the Dragon Tattoo (2011)-both shot digitally-have disguised and erased their digital foundations. The book also explores new possibilities for writing about and theorizing film, such as randomization.
Notes: Includes bibliographical references.
ISBN: 9780231167550
Donation: Senses of Cinema
Contents: Machine generated contents note: 1.Accelerationism 2.The Adorno Paradox 3.Against Method 4.Analog/ Digital Splice 5.Blood, Simple 6.Boredom and Analog Nostalgia 7.The Digital Spectacular 8.Disposable Aesthetics 9.DV Humanism 10.Filmless Films 11.Frame Dragging 12.The Ideology of the Long Take 13.Image/ Text 14.Incompleteness 15.Interfaces 16.iPod Experiment 17.Ironic Mode 18.Looking at Yourself Looking 19.The Lost Underground 20.Love in the Time of Fragments 21.Media as Its Own Theory 22.Mobile Viewing 23.Moving Space in the Frame, and a Note on Film Theory 24.Natural Time 25.Nonlinear 26.Paranormal Activity 2 27.Pausing 28.Punk 29.Realism 30.Real Time 31.The Real You 32.The Reality Industrial Complex 33.Remainders 34.Sampling 35.Secondary Becomes Primary 36.Self-Deconstructing Narratives 37.Shaky Camera 38.Shoot! 39.Simultaneous Cinema 40.Small Screens Contents note continued: 41.Target Video 42.Time, Memory 43.Time-Shifting 44.Tmesis: Skimming and Skipping 45.Undirected Films 46.Viewer Participation 47.Virtual Humanism: Part 1 48.Virtual Humanism: Part 2 49.Visible Language, Spring 1977 50.Interpreting Film Images Through Randomized Constraint: The Blue Velvet Project

Call No: 70 SPE
Author: Spencer, D.A.; Waley, H.D.
Edition: 2nd edition
Source: UK
Place: London
Publisher: Oxford University Press
PubDate: 1956
PhysDes: x, 202p. ; illus ; 22cm.
Series: The Pageant of progress series (no.9)
Subject: TECHNOLOGY AND THE CINEMA; PRODUCTION; SOCIETY AND THE CINEMA; CINEMATOGRAPHY; HISTORY AND THE CINEMA
Notes: Includes bibliography and index.

Call No: 23 STE
Author: Sterling, Anna Kate
Place: Metuchen, N.J.
Publisher: Scarecrow Press
PubDate: 1987
PhysDes: x, 131 p. : ill. ; 23 cm
Subject: CINEMATOGRAPHY; MOHR, HAL; PERRY, HARRY F.; RITTAU, GUNTHER; VINNA, CLYDE DE; STRUSS, KARL; MILLER, VIRGIL; VALENTINE, JOSEPH A.; O'BRIEN, WILLIS; GAUDIO, TONY; BITZER, G.W. [BILLY]; BROENING, LYMAN; COURANT, CURT; SKALL, WILLIAM V.; RENNAHAN, RAY; GREENE, W. HOWARD
Notes: "These essays were first published between 1929 and 1937 in the International photographer"--Foreword; Includes index
ISBN: 0810819724
LON: 5017179

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: CINEMATOGRAPHY

Call No: 23 MAL
Author: Malkiewicz, J. Kris
Edition: 2nd ed
Place: New York Sydney
Publisher: Simon & Schuster
PubDate: 1992, c1989
PhysDes: ix, 213 p. : ill., plans ; 24 cm
Subject: CINEMATOGRAPHY; SOUND RECORDING; EDITING; UNDERWATER CINEMATOGRAPHY
Notes: "A Fireside book"; "First Fireside edition"; Includes bibliographical references (p. 205-206) and index
ISBN: 0671762206
LON: 12302388 12302388

Call No: 802.3 ETT; FOLIO
Author: Ettedgui, Peter
Place: Crans-Pres-Celigny, Switz.
Publisher: RotoVision
PubDate: c1998
PhysDes: 208 p. : ill. (some col.), ports. ; 32 cm
Series: Screencraft
Subject: CINEMATOGRAPHY; WILLIAMS, BILLY; CHAPMAN, MICHAEL; DEAKINS, ROGER; SERRA, EDUARDO; KAMINSKI, JANUSZ; KHONDJI, DARIUS; SLOCOMBE, DOUGLAS; MITRA, SUBRATA; COUTARD, RAOUL; KOVACS, LASZLO; CARDIFF, JACK; NYKVIST, SVEN; WEXLER, HASKELL; MULLER, ROBBY; WILLIS, GORDON; SEALE, JOHN; DRYBURGH, STUART
Notes: Includes index; "series devised by barbara mercer."
ISBN: 2880463564; 2880463564 (pbk.)
LON: 20785545

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: CINEMATOGRAPHY. AUSTRALIA

Call No: FRONT DESK
CorpAuthor: Australian Film Television & Radio School. Jerzy Toeplitz Library.
PubDate: 1997
Subject: CINEMATOGRAPHY

Call No: 23(430)
Author: St. Pierre, Paul Matthew
Place: London
Publisher: Fairleigh Dickinson University Press
PhysDes: 274 p. ; illus. ; 24 cm
Series: Fairleigh Dickinson University Press series in communication studies
Subject: CINEMATOGRAPHY; GERMANY; EXPRESSIONISM; LUBITSCH, ERNST; WAGNER, FRITZ ARNO; MURNAU, FRIEDRICH WILHELM; LANG, FRITZ; PABST, GEORG WILHELM; RITTAU, GUNTHER; DREYER, CARL TH.
Summary: In film history, director-cinematographer collaborations were on a labor spectrum, with the model of the contracted camera operator in the silent era and that of the cinematographer in the sound era. But in Weimar era German filmmaking, 1919-33, a short period of intense artistic activity and political and economic instability, these models existed side by side due to the emergence of camera operators as independent visual artists and collaborators with directors. Berlin in the 1920s was the chief site of the interdisciplinary avant-garde of the Modernist movement in the visual, literary, architectural, design, typographical, sartorial, and performance arts in Europe. The Weimar Revolution that arose in the aftermath of the November 1918 Armistice and that established the Weimar Republic informed and agitated all of the art movements, such as Expressionism, Dada, the Bauhaus, Minimalism, Objectivism, Verism, and Neue Sachlichkeit (“New Objectivity”). Among the avant-garde forms of these new stylistically and culturally negotiated arts, the cinema was foremost and since its inception had been a radical experimental practice in new visual technologies that proved instrumental in changing how human beings perceived movement, structure, perspective, light exposure, temporal duration, continuity, spatial orientation, human postural, facial, vocal, and gestural displays, and their own spectatorship, as well as conventions of storytelling like narrative, setting, theme, character, and structure. Whereas most of the arts mobilized into schools, movements, institutions, and other structures, cinema, a collaborative art, tended to organize around its ensembles of practitioners. Historically, the silent film era, 1895-1927, is associated with auteurs, the precursors of François Truffaut and other filmmakers in the 1960s: actuality filmmakers and pioneers like R. W. Paul and Fred and Joe Evans in England, Auguste and Luis Lumière and Georges Méliès in France, and Charles Chaplin and Buster Keaton in America, who, by managing all the compositional, executional, and editorial facets of film production—scripting, directing, acting, photographing, set, costume, and lighting design, editing, and marketing—imposed their personal vision or authorship on the film. The dichotomy of the auteur and the production ensemble established a production hierarchy in most filmmaking. In formative German silent film, however, this hierarchy was less rank or class driven, because collaborative partnerships took precedence over single authorship. Whereas in silent film production in most countries the terms filmmaker and director were synonymous, in German silent film the plural term filmemacherin connoted both directors and cinematographers, along with the rest of the filmmaking crew. Thus, German silent filmmakers’ principle contribution to the new medium and art of film was less the representational iconographies of Expressionist, New Objective, and Naturalist styles than the executional practice of co-authorship and co-production, in distinctive cinematographer-director partnerships such as those of cinematographer Theodor Sparkuhl and director Ernst Lubitsch; Fritz Arno Wagner with F. W. Murnau, Fritz Lang, and G. W. Pabst; Rudolf Maté with Carl Theodor Dreyer; Guido Seeber with Lang and Pabst; and Carl Hoffmann with Lang and Murnau. -- jacket blurb
ISBN: 9781611479447

Author: Christopher Bell
PhysDes: Article
Subject: CITIZEN KANE (US, Orson Welles, 1941); BIOGRAPHICAL FILMS; WELLES, ORSON; CINEMATOGRAPHY; TOLAND, GREGG
Summary: A film synopsis and brief overview of the film's production is followed by a discussion of the virtuosity in cinematography and the collaborative nature of the film. Article ends with a comparison of the film's subject and author.

Call No: 633.22 COL
Author: Dalle Vacche, Angela; Brian Price
Source: US
Place: New York, London
Publisher: Routledge
PubDate: 2006
PhysDes: x, 214 p, [6] p. of plates : col. ill. ; 24 cm
Series: In focus - Routledge film readers
Subject: COLOUR; AESTHETICS; CINEMATOGRAPHY; TECHNICOLOR; BAZIN, ANDRE; ARNHEIM, RUDOLF; ROHMER, ERIC; BATCHELOR, JOHN; OSHIMA, NAGISA; BRAKHAGE, JANE; HITCHCOCK, ALFRED; ANDERSON, PAUL THOMAS; HOU HSIAO-HSIEN; GODARD, JEAN-LUC; ANTONIONI, MICHELANGELO; JARMAN, DEREK; MAMOULIAN, ROUBEN; SIRK, DOUGLAS; ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); DIAL M FOR MURDER (US, Alfred Hitchcock, 1954); GIGI (US, Vincente Minnelli, 1958); IMITATION OF LIFE (US, Douglas Sirk, 1959); REBECCA (US, Alfred Hitchcock, 1940); VERTIGO (US, Alfred Hitchcock, 1958); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
Summary: "The first anthology devoted to the subject of color in film. Thematic sections will address the development of color technology and how visual style was affected by the shift from black and white to color; look at color in film theory, including writings from auteurs such as Bresson, Eisenstein and Oshima on the subject; and finally, there will be a number of case studies of color in films by Godard, Hitchcock, Almodovar and others."[ Taken from the back of the book]
Notes: Bibliography: (p [202]-205); Includes index
ISBN: 0415324424; 9780415324427

Author: McNaughton, Bruce
PhysDes: Article
Subject: CITY'S CHILD, A (AT, Brian Kavanagh, 1971); CINEMATOGRAPHY. AUSTRALIA; MAKE-UP; SET DESIGNING; TECHNICAL DEVELOPMENTS. AUSTRALIA
Summary: Director of photography discusses the cinematography and creation of mise-en-scene in the 1971 film A City's Child (Brian Kavanagh)

Call No: 761 SPE
Author: Spence, Louise; Navarro, Vinicius
Source: US/UK
Place: New Brunswick, NJ
Publisher: Rutgers University Press
PubDate: c2011
PhysDes: x, 281 p. : ill. ; 26 cm
Subject: AESTHETICS; AUTHORSHIP; BIOGRAPHICAL FILMS; CINEMATOGRAPHY; COMMENTARY; CONSTRUCTIVISM; CONTINUITY; CINEMA-DIRECT; DOCUMENTARIES; DOCUMENTARY FILMS; EDITING; ETHNOGRAPHIC FILMS; HISTORY AND THE CINEMA; INTERVIEWING; INTERVIEWS IN FILMS; LIGHTING; LOCATION SHOOTING; MEMORY IN FILMS; MUSIC IN FILMS; NARRATIVE IN FILMS; NON-FICTION FILMS; PALESTINE; PHOTOGRAPHY AND THE CINEMA; REALISM IN FILMS; SOUND; SOUND EQUIPMENT; THEORY; TRUTH IN FILMS; VOICE OVER; WORLD WAR II AND THE CINEMA; AFRIQUE, JE TE PLUMERAI (CM/FR/G, Jean-Marie Téno, 1992); GOKUSHITEKI EROSU: RENKA 1974 (JA, Kazuo Hara, 1974); FAR FROM POLAND (US, Jill Godmilow, 1984); HALVING THE BONES (US, Ruth Ozeki Lounsbury, 1995); HANDSWORTH SONGS (UK, John Akomfrah, 1986); HEARTS AND MINDS (US, Peter Davis, 1974); JOYCE AT 34 (US, Joyce Chopra, 1972); LESSONS OF DARKNESS (GG, Werner Herzog, 1992); LEKTIONEN IN FINSTERNIS (GG, Werner Herzog, 1992); LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NEKAM ACHAT MISHTEY EYNAY (FR/IS, Avi Mograbi, 2005); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); PRELUDE TO WAR (US, Frank Capra & Anatole Litvak, 1942); SANS SOLEIL (FR, Chris Marker, 1983); SHOAH (FR/SZ, Claude Lanzmann, 1985); TIES THAT BIND, THE (US, Su Friedrich, 1984); TITICUT FOLLIES (US, Frederick Wiseman, 1967); WAR GAME, THE (UK, Peter Watkins, 1966)
Summary: "Although nonfiction film may have captured imaginations, many viewers enter and leave theaters with a naive concept of "reality"- for them, documentaries are sources of information. But is truth or reality readily available, easily acquired, or undisputed? Or do documentaries convey illusions of reality? What aesthetic means are used to build these illusions? Crafting truth illuminates the way these films tell their stories; how they use the camera, editing, sound, and performance; what rhetorical devices they employ; and what the theoretical, practical, and ethical implications of those choices are. Complex documentary concepts are presented through easily accessible language, images, and a discussion of a wide range of films and videos to encourage new ways of thinking about and seeing nonfiction cinema. " -- BOOK BLURB
ISBN: 9780813549033
Contents: -- acknowledgments -- Introduction -- Authenticity -- Evidence -- Authority -- Responsibility -- Argument -- Dramatic stories, poetic and essay documentaries -- Editing -- Camerawork -- The profilmic -- Sounds / coauthored with Carl Lewis --index --
ID2: 90

Call No: 62 KYD
Author: Kydd, Elspeth
Source: UK/US
Place: Houndmills. Basingstoke, Hampshire ; New York
Publisher: Palgrave Macmillan
PubDate: 2011
PhysDes: xix, 316 p. : ill. ; 26 cm
Subject: NARRATIVE IN FILMS; DOCUMENTARY FILMS; EXPERIMENTAL FILMS; CINEMATOGRAPHY; SOUND; EDITING; MUSIC IN FILMS; FILM; COSTUMES; COSTUME DESIGNING; CRITICISM
Summary: "The successful study of film combines criticism, theory and practice. This book covers all three areas and guides the student towards an engaged form of creative expression and an active role as reviewer and critic. Beautifully presented, this ground-breaking text offers all students an integrated understanding of film criticism and production"--Provided by publisher - LIBRARIES AUSTRALIA
Notes: Includes index; Includes bibliographical references and index
ISBN: 9780230229754
Contents: -- illustrations -- acknowledgments -- PART I: CRITICAL PRACTICE -- The Critical Practice of Film -- Motion pictures -- PART II: FILM FORM -- Narrative Film -- Documentary Film -- Experimental film -- PART III: TECHNIQUES OF FILM -- Cinematography -- Mise-en-Scene -- Sound -- Editing -- Film music -- PART IV: ANALYSIS AND CRITICAL PRACTICE -- Analysis and interpretation of film -- Critical practice in action -- bibliography -- glossary -- index --

Author: Harty, Jason
PhysDes: Article; Illustration(s)
Subject: DARLING, JEFF; CINEMATOGRAPHY. AUSTRALIA; COMMERCIALS, TV. AUSTRALIA
Summary: Director/cinematographer Jeff Darling discusses his work on 2 recent TV commercials he worked on.

PhysDes: Article
Subject: WAR AND THE CINEMA. AUSTRALIA; OBITUARIES; CINEMATOGRAPHY. AUSTRALIA; NEWSFRONT (AT, Phillip Noyce, 1978); MOVIETONE NEWS
Summary: Obituary for Sid Wood, noted war photographer and filmed 'Wings in the Primative' before becoming the first president of the Australian Cinematographers Society.

Call No: 632 FEL
Author: Feldman, Joseph, 1917; Feldman, Harry, 1920- joint author
Place: New York
Publisher: Hermitage
PubDate: 1952]
PhysDes: 1 v
Subject: EDITING; ACTING; CINEMATOGRAPHY; SOUND; THEATRE AND THE CINEMA; LITERATURE AND THE CINEMA
LON: nun00324245; 5230200

Author: Marks, Dick
PhysDes: Article
Subject: CINEMATOGRAPHY. AUSTRALIA; MCALPINE, DONALD; ENDERS GAME (US, Gavin Hood, 2013)
Summary: Cinematographer Don McAlpine reflects on his forty-three years experience, filming fifty-seven films, including his most recent film, 'Enders Game'

Call No: 81 MON MON
Author: Monkman, Noel
Source: AT
Place: Sydney
Publisher: Angus and Robertson
PubDate: 1956
PhysDes: 182 p. : [25] p. of plates : ports. ; 25 cm
Subject: SEA IN FILMS; UNDERWATER CINEMATOGRAPHY
Donation: donated by the family of Wayne Levy, 2006
ID2: 260

Call No: 623.3 ALL
Author: Allen, Jolanda Mywee
Source: AT
Place: Sydney
Publisher: Macquarie University
PubDate: 1977
PhysDes: 577 p. : ill. ; 29 cm
Subject: 16 MM FILMS; BLACK-AND-WHITE FILMS; CAMERA ANGLES; CINEMATOGRAPHY
Summary: Thesis on film exploration
Notes: Title on Spine: Exploration of films

Call No: 630.3 POM
Author: Pomerance, Murray
Source: US
Place: New Jersey
Publisher: Rutgers University Press
PubDate: c2013
PhysDes: xii, 268 pages : illustrations ; 23 cm
Series: Techniques of the moving image
Subject: ART DIRECTION; CINEMATOGRAPHY; COMPUTER GENERATED IMAGERY; MOTION CONTROL; REALISM IN FILMS; SET DECORATING; SET DESIGNING; SPECIAL EFFECTS; HITCHCOCK, ALFRED; KELLY, GENE; Metro-Goldwyn-Mayer; [FORTY] 40 DAYS AND 40 NIGHTS (US, Michael Lehmann, 2002); ANNIE HALL (US, Woody Allen, 1977); ARIZONA DREAM [AMERICAN DREAMERS] (FR/US, Emir Kusturica, 1992); BRIGADOON (US, Vincente Minnelli, 1954); CLOVERFIELD (US, Matt Reeves, 2008); DARK PASSAGE (US, Delmer Daves, 1947); DEFIANCE (US, Edward Zwick, 2008); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); FIELD OF DREAMS (US, Phil Alden Robinson, 1989); IN HARM'S WAY (US, Otto Preminger, 1965); NORTH BY NORTHWEST (US, Alfred Hitchcock, 1959); RANDOM HARVEST (US, Mervyn LeRoy, 1942); SIGNS (US, M. Night Shyamalan, 2002); THELMA & LOUISE (US, Ridley Scott, 1991); VERTIGO (US, Alfred Hitchcock, 1958); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
Summary: The Eyes Have It explores those rarified screen moments when viewers are confronted by sights that seem at once impossible and present, artificial and stimulating, sensory and definitive. Beginning with a penetrating study of five cornfield sequences - including The Wizard of Oz, Arizona Dream, and Signs - Murray Pomerance journeys through a vast array of cinematic moments, technical methods, and laborious collaborations from the 1930s to the 200s to show how the viewer's experience of "reality" is put in context, challenged, and wilfully engaged. Four meditations deal with "reality effects" from different philosophical and technical angles. "Vivid Rivals" assesses active participation and critical judgement in seeing effects with works such as Defiance, Cloverfield, Knowing, and Thelma & Louise. "The Two of Us" considers double placement and doubled experience with films such as The Prestige, Niagara and A Stolen Life. "Being There" discusses cinematic performance and the problems of believability, highlighting such films as Gran Torino, The Manchurian Candidate, In Harm's Way, and other films. "Fairy Land" explores the art of scenic backing, focusing on the fictional world of Brigadoon, which borrows from both hard-edged realism and evocative landscape painting." - BOOK BLURB
Notes: Contains illustrations, bibliographic references and index
ISBN: 9780813560588

Author: Harty, Jason
PhysDes: Article; Illustration(s)
Subject: CINEMATOGRAPHY. AUSTRALIA; UNDERWATER CINEMATOGRAPHY. AUSTRALIA; AERIAL CINEMATOGRAPHY. AUSTRALIA
Summary: The increase in television commercial production in Sydney has resulted in more work for specialist cinematographers but camera equipment suppliers have not experienced a similar increase in demand for specialised equipment. Steadicam is under-used in Australia due to the cost.

Author: Marks, Dick
PhysDes: Article
Subject: CINEMATOGRAPHY. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; WAREHAM, MARK; FELONY (AT/US, Matthew Saville, 2013)
Summary: Interview with Director of Photography, Mark Wareham, about his work on the Australian film, Felony
Notes: Interview

Call No: 631.21 BOR
Author: Bordwell, David
Source: US
Place: Berkeley, Calif.
Publisher: University of California Press
PubDate: 2005
PhysDes: 314 p. : 25 cm
Subject: BORDWELL, DAVID; FEUILLADE, LOUIS; MIZOGUCHI KENJI; HOU HSIAO-HSIEN; ANGELOPOULOS, THEO; HAWKS, HOWARD; ANTONIONI, MICHELANGELO; YASUJIRO OZU; KITANO TAKESHI; AESTHETICS; CINEMATOGRAPHY
Notes: A film tells its story not only through dialogue and actors’ performances but also through the director’s control of movement and shot design. Figures Traced in Light is a detailed consideration of how cinematic staging carries the story, expresses emotion, and beguiles the audience through pictorial composition. Ranging over the entire history of cinema and illustrating his discussion with more than five hundred frame enlargements, David Bordwell focuses on four filmmakers’ unique contributions to the technique. In-depth chapters examine the films of Louis Feuillade, masters of the 1910s serial; Mizoguchi Kenji, the great Japanese director who worked from the 1920s to the 1950s; Theo Angelopoulos, who began his career as a political modernist in the late 1960s; and Hou Hsiao-hsien, the Taiwanese filmmaker who in the 1980s became the preeminent Asian director. For comparison, Bordwell draws on films by Howard hawks, Michelangelo Antonioni, Ozu Yasujiro, Kitano Takeshi, and many other directors. [Taken from back cover.]
ISBN: 0520241975
ID2: 291

Call No: 632 ARN
Author: Arnheim, Rudolf
Source: UK
Place: London
Publisher: Faber and Faber
PhysDes: xv, 300 p. ill. ; 22 cm
Subject: CINEMATOGRAPHY; ZEMLJA (UR, Alexksandr Dovzenko, 1930); GARBO, GRETA
Notes: Includes index

Call No: 22 CLA
Author: University of New England. Clarence Regional Office; University of New England. Department of Adult Education
Source: AT
Place: Armidale, NSW
Publisher: University of New England
PubDate: 1961
PhysDes: 128 p. ; 33cm
Subject: 16 MM FILMS; AUSTRALIAN BROADCASTING CORPORATION; CAMERAS; CINEMATOGRAPHY; EDITING; EDUCATION AND TV; FILMMAKING; PRODUCTION; PRODUCTION, TV; SCRIPTWRITING; SOUND RECORDING
Summary: A collection of proceedings from the University of England's first residential "Film and Television Producers' School" held for seven days in January 1961.
Notes: Book is in extremely fragile condition; handle with care
Contents: Introduction -- Editorial -- List of lecturers and delegates -- Preface to notes -- "The future of television": Sir Richard Boyer -- Question and answer session -- "The place of the creative thinker in film and television": Mr. Maslyn Williams -- Films shown in discussion evenings -- "Form and construction": Mr Maslyn Williams -- "Creative editing": Mr. Stanley Hawes -- Masculine cut and feminine fade -- "The seeing eye": Mr. Geoffrey Collings -- Black & white versus colour -- "Notes for a talk on the photographic lenses": Dr. Neville Fletcher -- Some questions on editing -- "The sound track and film production": Mr. Don Kennedy -- "Notes on a lecture-demonstration on television production": Mr. Colin Dean -- The impossible isn't possible -- "Preparing a script": Mr. Shan Benson -- A simple appreciation of picture reproduction characteristics -- "The motion picture film in the school": Mr. Clive Linz -- 35 mm and 16 mm film -- "The use of television for educational purposes": Mr. Charles Bull -- Reference to lecture by Mr. King -- "Influence of Production on vision and sound recording in T.V.": Mr. Carl Wilhelm -- Construction and form in the arts

Call No: 62 BOR
Author: Bordwell, David, 1947; Thompson, Kristin, 1950
Edition: 2nd ed
Place: New York
Publisher: Knopf Distributed by Random House
PubDate: 1986
PhysDes: xiii, 400 p., [2] p. of plates : ill. (some col.) ; 26 cm
Subject: PRODUCTION; NARRATIVE IN FILMS; CINEMATOGRAPHY; EDITING; SOUND; CRITICISM; HISTORY OF CINEMA; MOVEMENTS IN FILM HISTORY; BALLET MECANIQUE, LE (FR, Fernand Leger, 1924); CITIZEN KANE (US, Orson Welles, 1941)
Notes: Includes index; Bibliography: p. 387-389
ISBN: 0394352378 (pbk.)
LON: 85018198; 4389326
URL status: URL: 'http://-' Checked: 31/08/2021 12:39:16 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 632 ARN
Author: Arnheim, Rudolf
Place: London
Publisher: Faber
PubDate: 1958
PhysDes: 194 p., [16] p. of plates : ill. ; 23 cm
Subject: PRODUCTION; AESTHETICS; CINEMATOGRAPHY
Notes: The first part is taken from the author's Film, published 1933
ISBN: 0571090826
LON: isb57109082; 5509021

Call No: 62 MAS
Author: Mast, Gerald, 1940
Edition: University of Chicago Press ed
Place: Chicago
Publisher: University of Chicago Press
PubDate: 1983
PhysDes: xvii, 299 p., [4] p. of plates : ill. (some col.) ; 23 cm
Subject: SOUND; CINEMATOGRAPHY; THEORY; YOU ONLY LIVE ONCE (US, Fritz Lang, 1937); CITIZEN KANE (US, Orson Welles, 1941); WAVELENGTH (US, Michael Snow, 1967); PLAYTIME (FR, Jacques Tati, 1967); SCENER UR ETT AKTENSKAP (SW, Ingmar Bergman, 1974)
Notes: Reprint. Originally published: New York : Harper & Row, c1977; Includes index; Bibliography: p. [287]-290
ISBN: 0226509745 (pbk.)
LON: 83004819; 2872482
URL status: URL: 'http://-' Checked: 31/08/2021 12:38:56 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 63 RAN
Author: Rancier, Jacques; Battista, Emiliano
Source: FR/US
Place: New York
Publisher: Berg Publishers
PubDate: 2006
PhysDes: viii, 196 pages ; 24 cm
Subject: AESTHETICS; ART AND THE CINEMA; ART CINEMA; AUTEUR THEORY; CINEMATOGRAPHY; DOCUMENTARY FILMS; HISTORY AND THE CINEMA; HISTORY OF CINEMA; NARRATIVE IN FILMS; PHILOSOPHY AND THE CINEMA; SYMBOLISM IN FILMS; BRESSON, ROBERT; DELEUZE, GILLES; EPSTEIN, JEAN; EISENSTEIN, SERGEI M.; GODARD, JEAN-LUC; HITCHCOCK, ALFRED; LANG, FRITZ; MANN, ANTHONY; MARKER, CHRIS; MEDVEKIN, ALEXANDER; MURNAU, FRIEDRICH WILHELM; YASUJIRO OZU; RAY, NICHOLAS; ROSSELLINI, ROBERTO; VERTOV, DZIGA; AU HASARD, BALTHAZAR (FR/SW, Robert Bresson, 1966); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); CHINOISE, LA (FR, Jean-Luc Godard, 1967); FAUST (G, Friedrich Wilhelm Marnau, 1926); WHILE THE CITY SLEEPS (US, Fritz Lang, 1955)
Summary: "Film Fables traces the history of modern cinema, moving effortlessly from Eisenstein's and Murnau's transition from theatre to film to Fritz Lang's confrontation with television, from the classical poetics of Mann's Westerns to Ray's romantic poetics of the image, from Rossellini's neo-realism to Deleuze's philosophy of the cinema and Marker's documentaries."
Notes: Includes index
ISBN: 9781845201685
ID2: 291

Call No: REFERENCE SECTION; 036 LOW
Author: Lowndes, Douglas
Source: UK
Place: London
Publisher: Batsford
PubDate: 1968
PhysDes: 128 p. : ill., facsims. ; 26 cm .
Subject: CINEMATOGRAPHY; TEACHING MATERIALS
Summary: " This important new book, by a distinguished British film maker and teacher, serves as a manual for teachers and students engaged in film making - a comprehensive programme which can serve as the practical basis for day-to-day work in the classroom. The author begins by analyzing the role of film in school curricula and its integration with other studies. He then surveys the basic equipment: still cameras; 8mm. and 16 mm. motion picture cameras; and tape recorders- with a project for introducing the functions of each. The equipment section is followed by an extensive series of projects which expose the reader to the essential grammar of the film and its wide range of expressive and technical possibilities, including drama, social comment, documentary, silent and sound films, group work, community studies, etc. The volume concludes with a technical section which defines film terminology; lists and describes equipment in greater technical detail; explains the operation of cameras, light meters, editing equipment, sound equipment, lighting and animation; and provides lists of suppliers on both sides of the atlantic. With the aid of many line drawings and photographs, the author proves convincingly that film making in schools can be exciting, enlightening, and not unduly expensive for the school or for the student. Douglas Lowndes is Senior Lecturer in Film Production at Hornsey College of Art, London, and also lectures in Film and Edcuation for the British Film Institute. " - BOOK JACKET
Donation: donated by the family of Wayne Levy, 2006
Contents: -- Equipment -- projects -- technical notes --

Call No: 701 SAL
Author: Salt, Barry
Source: UK
Place: London
Publisher: Starword
PubDate: c1983
PhysDes: 407 p. : ill. ; 28 cm
Subject: HISTORY AND THE CINEMA; CINEMATOGRAPHY
Notes: Includes indexes; Bibliography: p. [381]-382
ISBN: 0950906603
LON: 3050934
Donation: Levy
Contents: -- 1 Introduction -- 2 Old film theory -- 3 -- The interpretation of films -- 4-- French film theory into English -- 5-- Practical film theory -- 6 -- Film style and technology: 1895-1900 -- 7 -- Film style and technology: 1900-1906 -- 8 -- Film style and technology: 1907-1913 -- 9 -- Film style and technology: 1914-1919 -- 10 -- Statistical style analysis of motion pictures- part 1 -- 11-- Film style and technology: 1920-1926 -- 12 -- Film style and technology: 1926-1929 -- 13 -- Statistical style analysis of motion pictures - part 2 -- 14 -- Film style and technology in the thirties -- 15 -- Film style and technology in the forties -- 16 -- Film style and technology in the fifties -- 17 -- Film style and technology in the sixties -- 18 -- The nineteen-seventies -- 19 -- Stylistic analysis of the films of Max ophuls -- 20 -- Afterword -- 21 -- Bibliography -- 22 -- Glossary -- 23 -- Index of names of film makers and companies -- 24 -- index of films

Call No: 22 PUD
Author: Pudovkin, V. I.; Montagu, Ivor (trans.)
Source: US
Place: New York
Publisher: Bonanza Books
PubDate: 1959
PhysDes: 153 p. ; 22 cm
Subject: PRODUCTION; THEORY; CINEMATOGRAPHY; DIRECTION; SCRIPTWRITING
Notes: Volume 1 only (Film technique). In the book, 'scenarist' is approximately equivalent to the contemporary scriptwriter.
Donation: donated by the family of Wayne Levy, 2006

Call No: 62 MON
Author: Montagu, Ivor Goldsmid Samuel, 1904
Source: US
Place: Harmondsworth, England
Publisher: Penguin Books
PubDate: 1964
PhysDes: 327 pages : illustrations ; 18 cm
Subject: AESTHETICS; ART CINEMA; BUDGETING; CINEMATOGRAPHY; EDITING; INDUSTRY, FILM; REALISM IN FILMS; PRODUCTION COSTS; SCIENCE AND THE CINEMA; SOUND; SPECIAL EFFECTS; EISENSTEIN, SERGEI M.
Summary: "At a moment when the cinema is struggling to escape from both the Hollywood blockbuster and the art form, FILM WORLD is a reminder of the true nature of cinema itself. In a personal survey of astonishing range and uncommon perception of Ivor Montagu shows us the facts of the film as art form, as undustry, and as a means of social communication. The four parts of the book - Film as Science, Film as Art, Film as Commodity, and Film as Vehicle - cover every aspect of the medium - its history, its resemblance to and difference from other arts, its aesthetic laws, the compound effects of sound and vision, the business side and in particular the inherent tendency towards monopoly." [Taken from book blurb]
Notes: Contains index
LON: nla07041764; 6387892
URL status: URL: 'http://-' Checked: 31/08/2021 12:39:47 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Author: Laxton, Keith
PhysDes: Article
Subject: CINEMATOGRAPHY; LOCATION SHOOTING; PAPUA NEW GUINEA; PRODUCTION
Summary: Director of Photography for Pilgrim Films, Keith Laxton, discusses his experiences filming on location in New Guinea: "A Tourist Guide for Film Crews to T.P.N.G."

Call No: 235.2 THO
Author: Thomas, D B
CorpAuthor: Science Museum (Great Britain)
Source: UK
Place: London
Publisher: Her Majesty's Stationery Office
PubDate: 1983
PhysDes: vii, 39 p. : ill., 20 cm
Subject: CAMERAS; CINEMATOGRAPHY; COLORIZATION; COLOUR; COLOUR CORRECTION; COLOUR SYSTEMS; MOTION PICTURES - HISTORY; MOTION PICTURES - GREAT BRITAIN; PRODUCTION; SMITH, GEORGE A; URBAN, CHARLES
Summary: "Motion pictures in colour could be seen soon after the birth of cinema - they were hand-painted. The only natural colour process to be a commercial success before 1920 was Kinemacolor, a process invented by an Englishman, George A Smith, and exploited by an American, Charles Urban. This booklet tells the story of how Kinemacolor was developed, given its first public showing in London in 1909 and then shown in many countries in the world. Although it had its limitations, the process was successful for many years before the First World War. Some of the motion picture colour processes which superseded Kinemacolor are described. The work is based on a collection of apparatus, manuscripts, and ephemera given to the Science Museum by Charles Urban." - BOOK BLURB
Notes: Reprint. First published 1969.
ISBN: 0112900143
Donation: donated by the family of Wayne Levy, 2006

Call No: held v.7, no.1-v.11, no.1 Feb 1988-Feb. 1992 incomplete; Oct. 1998-
CorpAuthor: Australian Cinematographers Society; Focus (Cammeray, N.S.W.)
Source: AT
Place: Cammeray, N.S.W.
Publisher: The Society
PubDate: [1982]-
PhysDes: v. ; 21 cm
Subject: CINEMATOGRAPHY. AUSTRALIA
Notes: Caption title; Description based on: Vol. 2, no. 1 (Feb.'83)
ISSN: 0813-7560
Frequency: 11 issues per annum
LON: abn84029243; 3062339

Call No: REFERENCE SECTION; 003 FOO
Author: Davy, Charles
Source: UK
Place: London
Publisher: Lovat Dickson Ltd; Readers' Union
PubDate: 1938
PhysDes: 334 p. : ill. ; 21 cm
Subject: PRODUCTION; INDUSTRY, FILM; DIRECTION; ACTING; CINEMATOGRAPHY; SCRIPTWRITING; COMEDIES; CARTOONS; COSTUMES; COSTUME DESIGNING; SET DESIGNING; SETS; ART DIRECTION; MUSIC IN FILMS; COLOUR; REALISM IN FILMS; UNITED KINGDOM; USA; THEATRE AND THE CINEMA; AUDIENCES; CRITICISM; CENSORSHIP; SOCIETIES, FILM
Notes: Includes contributor biographies and index
Donation: donated by the family of Wayne Levy, 2006
Contents: Includes essays by Alfred Hitchcock, Robert Donat, Basil Wright, Graham Greene, Alberto Cavalcanti, John Betjeman, Maurice Jaubert, Paul Nash, John Grierson, Alexander Korda, Basil Dean, Maurice Kann, Elizabeth Bowen, Sidney L. Bernstein, Alistair Cooke, Forsyth Hardy, Charles Davy

Author: McMahon, Jenna
PhysDes: Article
Subject: OZOLINS, SIMON; TOMORROW WHEN THE WAR BEGAN [TV] (AT, 2016-); CINEMATOGRAPHY
Summary: Cinematographer Simon Ozlins ACS talks about the TV adaptation of Tomorrow When the War Began directed by Brendan Maher. He talks about camera equipment used and working closely with the director.

Author: Ansara, Martha
PhysDes: Festival report; Illustration(s)
Subject: LASSALLY, WALTER; CINEMATOGRAPHY
Summary: A review of cinematographer Walter Lassally's 'Frame by frame' presentation at the 1997 Sydney Film Festival

Call No: 81HUR MCG
Author: McGregor, Alasdair
Source: AT
Place: Camberwell, Vic.
Publisher: Viking
PubDate: 2004
PhysDes: 460 p. : col. ill. ; 25 cm
Subject: HURLEY, FRANK; PHOTOGRAPHY AND THE CINEMA; CINEMATOGRAPHY. AUSTRALIA
Summary: This book is a biography on the Australian photographer and cinematographer Frank Hurley. The book features many of his photos, including shots taken during his trips to the Antarctic, war zones, and of his home-town Sydney.
ISBN: 0670888958

Call No: 53(94) LEV
Author: Levy, Wayne; Franklin, Richard
Source: AT
Place: Sydney
Publisher: Methuen
PubDate: 1976
PhysDes: viii, 142 p. : ill., diagrs. ; 25 cm.
Subject: CINEMATOGRAPHY
Notes: includes bibliography
ISBN: 0454000375

Author: Copping, Robin
PhysDes: Article
Subject: CAMERAS; CINEMATOGRAPHY; INDUSTRY, FILM. UK; LIGHTING; Lean, David; YOUNG, FREDDIE; ASPHYX, THE (UK, Peter Newbrook, 1973); [DOCTOR] DR ZHIVAGO (US, David Lean, 1965); LAWRENCE OF ARABIA (UK, David Lean, 1962); QUEEN OF DESTINY (UK, Herbert Wilcox, 1938); RYAN'S DAUGHTER (UK, David Lean, 1970)
Summary: Interview with cameraman Freddie Young, second person ever to receive the Alfred Hitchcock award for outstanding achievements in film from the British Film Industry. He discusses his career and cinematographic techniques, and his working relationship with director David Lean

Author: Coleman, Lindsay
PhysDes: Article
Subject: MENZIES JR, PETER; GODS OF EGYPT (US/AT, Alex Proyas, 2016); CINEMATOGRAPHY
Summary: Cinematographer Peter Menzies Jr. ACS talks about his experiences filming the Australian-American fantasy film Gods of Egypt. He specifically talks about shooting a film with lots of VFX and minimal practical sets.

PhysDes: Article
Subject: CINEMATOGRAPHY. AUSTRALIA; WYVILL, DAMIAN; GODDESS (AT, Mark Lamprell, 2013)
Summary: Director of photography, Damian Wyvill discusses his career progression and work on the Australian film, 'Goddess'

Author: Coleman, Lindsay
PhysDes: Article
Subject: FRASER, GREIG; ROGUE ONE: A STAR WARS STORY (US, Gareth Edwards, 2016); LION (AT, Garth Davis, 2016); CINEMATOGRAPHY
Summary: Cinematographer Greig Fraser talks about two recent projects: Lion and Rogue One: a Star Wars story. He talks about using the camera to aid world-building, dealing with digital effects on Rogue One and dealing with the transition of time in Lion.

Call No: 611.62 BUC
Author: Buchanan, Andrew
Source: UK
Place: London
Publisher: Phoenix House
PubDate: 1947
PhysDes: 160 p. ; 22cm
Series: 'Excursions' series for young people
Subject: CINEMA; PRODUCERS; SCRIPTWRITERS; ACTORS; CINEMATOGRAPHY
Summary: The book looks at films, and what make some better than others. It looks at what goes on in a studio, and how producer, director, cameraman, scenarist, script writer, lighting experts and actors work together to produce the finished picture

Call No: 246 ENG
Author: Engler, Robi
Source: SI
Place: Singapore
Publisher: Asian Mass Communication Research8
PubDate: 1984
PhysDes: 366p. : ill. ; 30cm
Subject: ANIMATION; CINEMATOGRAPHY
Notes: Title and text in Thai
ISBN: 9971905175
Language: Thai

Author: Amos, Lindsay
PhysDes: Article
Subject: WEXLER, HASKELL; CINEMATOGRAPHY; AMERICAN GRAFFITI (US, George Lucas, 1973); MEDIUM COOL (US, Haskell Wexler, 1969)
Summary: Interview with cinematographer and director Haskel Wexler who has just finished shooting AMERICAN GRAFFITI.

Call No: 802.3(73) HIG
Author: Higham, Charles
Source: UK
Place: London
Publisher: Thames and Hudson in association with the British Film Institute
PubDate: 1970
PhysDes: 176 p. : illus., ports. ; 20 cm
Series: Cinema One
Subject: CINEMATOGRAPHY; DANIELS, WILLIAM; STRUSS, KARL; MILLER, ARTHUR C.; HOWE, JAMES WONG; SHAMROY, LEON; GARMES, LEE
ISBN: 0500480141

Call No: 71(73) STE
Author: Steen, Mike
Source: US
Place: New York
Publisher: G.P. Putnam's Sons
PubDate: 1974
PhysDes: 379 p. ; 21 cm
Subject: FILM WORKERS; ACTORS; ACTING; CHARACTER ACTORS; SCRIPTWRITERS; SCRIPTWRITING; DIRECTION; PRODUCERS; PRODUCING; PRODUCTION MANAGERS; PRODUCTION MANAGING; ASSISTANT DIRECTORS; CINEMATOGRAPHERS; CINEMATOGRAPHY; ART DIRECTION; ART DIRECTORS; SET DESIGNING; SET DESIGNERS; COSTUME DESIGNERS; COSTUME DESIGNING; MAKE-UP ARTISTS; MAKE-UP; SPECIAL EFFECTS DESIGNERS; SPECIAL EFFECTS; MUSICALS; CHOREOGRAPHY; EDITING; EDITORS; SOUND; MUSIC IN FILMS; PRE-PRODUCTION; CASTING; PRODUCTION, TV; FONDA, HENRY; RUSSELL, ROSALIND; MOOREHEAD, AGNES; CANNON, DAVID; STERN, STEWART; WELLMAN, WILLIAM; BERMAN, PANDRO S.; PRATT, JAMES; MOONJEAN, HANK; HENDERSON, RANDELL; HOWE, JAMES WONG; AMES, PRESTON; KRAMS, ARTHUR; HEAD, EDITH; WESTMORE, PERC; MANLEY, NELLIE; GILLESPIE, A. ARNOLD; BERKELEY, BUSBY; SMITH, FREDERICK Y.; FREERICKS, BERNARD; GREEN, JOHN; LAWRENCE, CATALINA; BURCH, RUTH; ROACH, HAL; MCCLEERY, ALBERT
Summary: "'Hollywood Speaks' is a fascinating collection of interviews with the dazzled and the dazzlers, the multitalented professionals - stars and stagehands alike - who make up the motion-picture industry. Each interview follows the same general format: an extensive autobiographical sketch, the 'big break, or how I got into Hollywood', followed by the techniques and problems, the tricks and plain hard work, that go into the making of movies. The interviews are loaded with humour, bitter feuds, and personal anecdotes of the great and near great." (Taken from back cover)
ISBN: 39911162X
Donation: donated by the family of Wayne Levy, 2006

Author: Marks, Dick
PhysDes: Article
Subject: CINEMATOGRAPHY. AUSTRALIA COMMERCIALS, TV; MACKENZIE, IAIN
Summary: Interview with Iain Mackenzie, discussing his international career filming television commercials
Notes: Interview

Author: Marks, Dick
PhysDes: Article
Subject: CINEMATOGRAPHY. AUSTRALIA; WEIR, PETER; BOYD, RUSSELL
Summary: Australian Director Peter Weir and Cinematographer Russell Boyd discuss their collaborative relationship, working together on six films over thirty years. Panel discussion at the 2013 IMAGO Festival in Vienna, Austria

PhysDes: Article
Subject: SEALE, JOHN; CINEMATOGRAPHY. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; GOODBYE PARADISE (AT, Carl Schultz, 1982)
Summary: Article on John Seale winning 'Cinematographer of the Year' for 'Goodbye Paradise', along with receiving the 'Golden Tripod' Award.

Call No: 81VER KIN
Author: Vertov, Dziga, 1896-1954; Michelson, Annette
Source: US
Place: Berkeley, Ca.
Publisher: University of California Press
PubDate: 1984
PhysDes: lxi, 344 p. : ill. ; 23 cm
Subject: ART CINEMA; CINEMATOGRAPHY; DOCUMENTARIES; DOCUMENTARY FILMS. USSR; EDITING; INDUSTRY, FILM. USSR; NEWSREELS; POLITICS AND THE CINEMA; REVOLUTION AND THE CINEMA; SOCIALISM AND THE CINEMA; WOMEN AND THE CINEMA; VERTOV, DZIGA; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); MAN WITH A MOVIE CAMERA (UR, Dziga Vertov, 1929); KINOGLAZ (UR, Dziga Vertov, 1924); KOLYBELNAYA (UR, Dziga Vertov, 1937); LULLABY (UR, Dziga Vertov, 1937); THREE SONGS ABOUT LENIN (UR, Dziga Vertov, 1934); TRI PESNI O LENINE (UR, Dziga Vertov, 1934)
Summary: "Vertov's writings, collected here, range from calculated manifestoes setting forth a new, heroic version of film's potentiual to dark rumination on the inactivity forced upon him by the growing bureaucratization of the of the Soviet state and its film industry. His theory was at every point elaborated in direct, vigorous relation with practice; his doctrine of kino-eye, breaking with film's subjection to traditional narrative purposes, was a passionate call to action. Vertov's spirit of revolutionary optimism leaps from his pages. Articles, memoranda, speeches, letters, proposals for films, poured from his pen - explaining, defining, persuading. In voluminous notebooks and diaries he proposed a cinema implicated in the process of revolutionary transformation, one that would play a leading role in the construction of socialism." -- BOOK BLURB
Notes: Includes index; Filmography: p. [330]-334
ISBN: 0520046242 (cloth); 0520047605 (pbk.); 0520056302 (alk. paper)
LON: 82011189; 2248486

Call No: 79LAW MOR
Author: Morris, Robert L.; Raskin, Lawrence
Source: US
Place: New York
Publisher: Doubleday
PubDate: c1992
PhysDes: xvii, 237 pages : illustrations ; 29 cm
Subject: ACADEMY AWARDS; CINEMATOGRAPHY; CASTING; COSTUME DESIGNING; COSTUMES; LOCATION SHOOTING; POSTERS; POST-PRODUCTION; PRE-PRODUCTION; PREMIERES; RESTORED FILMS; Lean, David; SPIEGEL, SAM; LAWRENCE OF ARABIA (UK, David Lean, 1962)
Summary: 'Two years in the making and the winner of seven Academy Awards, including Best Picture of the Year, the Sam Spiegel-David Lean screen classic LAWRENCE OF ARABIA has been seen and enjoyed by millions since its original release in 1962. This volume, specially compiled to herald the film's thirtieth anniversary, provides, for the first time, a visual and textual account of this remarkable epic's genesis, artistry, and influence, as well as a fascinating new look at the life and legend of T.E. Lawrence." [TAKEN FROM BOOK JACKET]
Notes: Includes bibliography
ISBN: 0385424787
Donation: Simon Wincer
Contents: Foreword / Martin Scorsese -- Chapter 1: the legend of Lawrence -- Chapter 2: the epics that never were -- Chapter 3: Spiegel and Lean -- Chapter 4: preproduction -- Chapter 5: on location -- Chapter 6: postproduction -- Chapter 7: premieres, reviews and Oscars: 1962 and 1963 -- Chapter 8: the lost picture show -- Chapter 9: reconstruction and restoration -- Chapter 10: premieres, reviews and video: 1989 -- Chapter 11: accolades and celebration -- Chapter 12: Lawrence of Arabia: an icon -- Cast and credits

Call No: SUBJECT CLIPPINGS FILE; CINEMATOGRAPHY. AUSTRALIA
Author: Quinn, Karl
PhysDes: Clippings File Article
Subject: WOMEN FILM WORKERS. AUSTRALIA; CINEMATOGRAPHY. AUSTRALIA; ELLIOT, BONNIE; KERRIGAN, JUSTINE; WALKER, MANDY; WEGNER, ARI
Summary: Looking at women cinematographers in Australia. Quotes from Ari Wegner, Bonnie Elliot, Justine Kerrigan, Mandy Walker

Author: Coleman, Lindsay
PhysDes: Article
Subject: CINEMATOGRAPHY. AUSTRALIA; SEARLE, JOHN; MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Summary: Cinematographer, John Searle discusses his work on the Australian film, Mad Max: Fury Road
Notes: Interview

Call No: 633.3(4) MAK
Author: Michael Leitch (ed.)
CorpAuthor: Imago
Source: UK
Place: London
Publisher: Aurum
PubDate: 2003
PhysDes: 481 p. : ill. (some col.) ; 29 cm
Subject: CINEMATOGRAPHY; EUROPEAN COUNTRIES; HISTORY OF CINEMA; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. SOUND PERIOD; NEOREALISM; ITALY; FRANCE; GERMANY; HUNGARY; CZECHOSLOVAKIA; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. 1940's; HISTORY OF CINEMA. 1950's; HISTORY OF CINEMA. 1960's; HISTORY OF CINEMA. 1970's; NOUVELLE VAGUE; MOVEMENTS IN FILM HISTORY; NYKVIST, SVEN; ROTUNNO, GIUSEPPE; CARDIFF, JACK; BERTOLUCCI, BERNARDO; MASTROIANNI, MARCELLO; TOVOLI, LUCIANO
Summary: Making Pictures is the first book systematically to examine and document the technical and creative role of the cinematographer in European cinema over the past 100 years. Individual contributions cover a wide range of themes, periods and genres and combine to provide a thorough and authoritative treatment of the subject. At the heart of the book is a section containing a film-by-film analysis of the 100 European films which, according to a jury of contemporary cinematographers, represent the very best examples of their art and demonstrate technical or creative mastery on the part of the cinematographer concerned. [Taken from inside cover]
Notes: Includes bibliographical references and indexes.
ISBN: 1854108891
Language: English
Contents: "Coming from afar" is written by Luciano Tovoli. Chapter:"The cinematographers' view" is written by Jack Cardiff, Sven Nykist & Giuseppe Rotunno. Chapter: "The director and the cinematographer" is written by Bernado Bertolucci. Chapter: "The actor's view" is written by Marcello Mastroianni. Other chapter contributions made by Michael Leitch, Cathy Greenhalgh, Zoe Bicat & Barry Salt

Author: Burton, Geoff
PhysDes: Article
Subject: CINEMATOGRAPHY. AUSTRALIA; WALKER, MANDY; TRACKS (AT, John Curran, 2013)
Summary: Cinematographer, Mandy Walker discusses her work filming, Tracks in the Australian deserts of South Australia and Northern Territory

Author: Jones, Dave
PhysDes: Article
Subject: ART AND THE CINEMA; ASIANS IN FILMS. AUSTRALIA; CINEMATOGRAPHY; DOCUMENTARY FILMS. AUSTRALIA; INDONESIA; POLITICAL FILMS. AUSTRALIA; VIETNAM; RAY, SATYAJIT; RUBBO, MICHAEL
Summary: Interview with filmmaker Michael Rubbo on the development of his career and his thoughts on art and the cinema
Notes: Article by Dave Jones on his personal view of Michael Rubbo's films p. 8-9

Call No: 81ALM ALM
Author: Almendros, Nestor
Source: US
Place: London
Publisher: Faber
PubDate: 1985
PhysDes: viii, 306 p. : ill. ; 23 cm
Subject: CINEMATOGRAPHY; PHOTOGRAPHY; ALMENDROS, NESTOR; PARIS VU PAR...VINGT ANS APRES (FR, Chantal Akerman, Bernard Dubois, Vincent Nordon, Phillipe Venault, Phillipe Garrel, Frederic Mitterand, 1984); COLLECTIONEUSE, LA (FR, Eric Rohmer, 1967); MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969); MY NIGHT AT MAUD'S (FR, Eric Rohmer, 1969); WILD CHILD (US/UK/FR, Nick Moore, 2008); TWO ENGLISH GIRLS [DEUX ANGLAISES ET LE CONTINENT, LES] [ANNE AND MURIEL] (FR, Francois Truffaut, 1971); TWO ENGLISH GIRLS [DEUX ANGLAISES ET LE CONTINENT, LES] [ANNE AND MURIEL] (FR, Francois Truffaut, 1971); GUEULE OUVERTE, LA (FR, Maurice Pialat, 1974); GENTLEMAN TRAMP, THE (US, Richard Patterson, 1975); COCKFIGHTER (US, Monte Hellman, 1974); STORY OF ADELE H, THE (FR, Francois Truffaut, 1975); MAITRESSE (FR, Barbet Schroeder, 1976); MARQUISE VON O..., DIE (GW/FR, Erich Rohmer, 1975); DAYS OF HEAVEN (US, Terrence Malick, 1978); MAN WHO LOVED WOMEN, THE (FR, Francois Truffaut, 1977); HOMME QUI AMAIT LES FEMMES, L' (FR, Francois Truffaut, 1977); KOKO, A TALKING GORILLA (FR, Barbet Schroeder, 1978); KOKO, LE GORILLE QUI PARLE (FR, Barbet Schroeder, 1978); MADAME ROSA (FR, Moshe Mizrahi, 1977); GOIN' SOUTH (US, Jack Nicholson, 1978); PERCEVAL LE GALLOIS (FR, Eric Rohmer, 1978); LOVE ON THE RUN (FR, Francois Truffaut, 1979); AMOUR EN FUITE, L' (FR, Francois Truffaut, 1979); KRAMER VS. KRAMER (US, Robert Benton, 1979); BLUE LAGOON, THE (US, Randal Kleiser, 1980); CONFIDENTIALLY YOURS [VIVEMENT DIMANCHE!] (FR, Francois Truffaut, 1983); LAST METRO, THE (FR, Francois Truffaut, 1980); DERNIER METRO, LE (FR, Francois Truffaut, 1980); PAULINE A LA PLAGE (FR, Eric Rohmer, 1983); PAULINE AT THE BEACH (FR, Eric Rohmer, 1983); STILL OF THE NIGHT (US, Robert Benton, 1982); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982)
Summary: "In A MAN WITH A CAMERA, Nestor Almendros recalls his early days in Havana and emigration to Paris where he worked with Francois Truffaut and Eric Rohmer. He has photographed such highly acclaimed films as SOPHIE'S CHOICE, KRAMER VS. KRAMER, THE BLUE LAGOON and DAYS OF HEAVEN, for which he received an Academy Award. As he looks back and describes simply but comprehensively the specific techniques used in these and many other films, we are offered a unique look at how movies are made." [Book blurb]
Notes: This translation first published: New York : Farrar, Straus, Giroux, 1984; Translation of: Dias deuna camera. Barcelona : Editorial Seix Barral, 1982; First published in French as: Un homme a la camera. Rennes-Lausanne : FOMA, 1980; Filmography: p. [289]-304
ISBN: 0571135897 (pbk.)
LON: abn85231033; 3994651

Call No: 802.3 SCH
Author: Schaefer, Dennis; Salvato, Larry
Source: US
Place: Berkeley, Calif.
Publisher: University of California Press
PubDate: 1984
PhysDes: 355 p. :23 cm
Subject: LIGHTING; CINEMATOGRAPHY; FILM WORKERS; ALMENDROS, NESTOR; ALONZO, JOHN; BAILEY, JOHN; BUTLER, BILL; CHAPMAN, MICHAEL; FRAKER, BILL; HALL, CONRAD; KOVACS, LASZLO; ROIZMAN, OWEN; STORARO, VITTORIO; TOSI, MARIO; WEXLER, HASKELL; WILLIAMS, BILLY; WILLIS, GORDON; ZSIGMOND, VILMOS
Summary: "Through conversations held with fifteen of the most accomplished contemporary cinematographers, the authors explore the working world of the person who controls the visual look and style of a film. In the past two decades a whole new generation of cinematographers has emerged on the international film scene. Often using spare and original lighting and camera techniques that would have horrified oldtime Hollywood, directors of photography have made a public mark on the film-making process that was all but un-thinkable in earler years. No other volume of in-depth conversations with the generation of cinematographers is available to students and moviegoers. These interviews are rich in practical detail as well as stimulating discussions of aesthetic issues. Thus, reading this book is like taking a class from fifteen top cameramen. Taken together, the conversations in this book reveal the remarkable range of creativity and dedication demanded of the visual artist in feature filmmaking today." -- BOOK BLURB
Notes: Includes index
ISBN: 0520053362
Donation: donated by the family of Wayne Levy, 2006
Contents: -- introduction -- Nestor Almendros -- John Alonzo -- John Bailey -- Bill Butler -- Michael Chapman -- Bill Draker -- Conrad Hall -- Laszlo Kovacs -- Owen Roizman -- Vittorio Storaro -- Mario Tosi -- Haskell Wexler -- Billy Williams -- Gordon Willis -- Vilmos Zsigmond -- glossary -- index --

Call No: 401.5 BIN
Author: Binns, Daniel
Edition: 2021
Place: Fishponds, Bristol
Publisher: Intellect
PubDate: 2021
PhysDes: xviii, 176 pages : illustrated
Subject: ANDERSON, PAUL THOMAS; CINEMATOGRAPHY; DELEUZE, GILLES; DRONE PHOTOGRAPHY; EDITING; MOBILE AND ONLINE MEDIA; SOCIAL MEDIA AND THE CINEMA
Summary: There is now no shortage of media for us to consume, from streaming services and video-on-demand to social media and everything else besides. This has changed the way media scholars think about the production and reception of media. Missing from these conversations, though, is the maker: in particular, the maker who has the power to produce media in their pocket. How might one craft a personal media-making practice that is thoughtful and considerate of the tools and materials at one's disposal? This is the core question of this original new book. Exploring a number of media-making tools and processes like drones and vlogging, as well as thinking through time, editing, sound, and the stream, Binns looks out over the current media landscape in order to understand his own media practice. The result is a personal journey through media theory, history and technology, furnished with practical exercises for teachers, students, professionals and enthusiasts. A unique combination of theory and practice written in a highly personal and personable style that is engaging and refreshing. This book will enable readers to understand how a personal creative practice might unlock deeper thinking about media and its place in the world. The primary readership will be among academics, researchers and students in the creative arts, and practitioners of creative arts including sound designers, cinematographers and social media content producers. Designed for classroom use, this will be of particular importance for undergraduate students of film production and may also be of interest to students at MA level, particularly on the growing number of courses that specifically offer a blend of theory and practice. The highly accessible writing style may also mean that it can be taken up for high school courses on film and production. It will also be of interest to academics delivering these courses, and to researchers and scholars of new media and digital cinema. -- publisher's web site
ISBN: 9781789383492
Contents: List of figures -- Foreword: Cherish the Thought / Adrian Martin -- Acknowledgments -- Introduction: Maker, material -- Hollis, my smartphone, and me: Practical lessons from historic avant-garde cinema -- Time Part I: From clip to continuity -- Time Part II: From continuity to fluidity -- Sound: From added-value to cohesion -- Fragments: The remnants of media practice -- Messy cinema: Casey Neistat and the affordances of the vlog -- The GIF: Silent but digital -- A purely digital form?: Streams and atmospheres -- Dronopoetics: Telepresence and aerial cinematography -- Coda: Lessons from the cutting-room floor -- References -- Index

Call No: 802.3(47) CAV
Author: Cavendish, Philip
Edition: 2013
Place: New York and Oxford
Publisher: Berghahn Books
PhysDes: xii, 342 pages : illustrated ; 23 cm
Subject: USSR; EXPERIMENTAL FILMS; CINEMATOGRAPHY; TISSE, EDUARD; GOLOVNA, ANATOLIJ
Summary: Unlike previous studies of the Soviet avant-garde during the silent era, which have regarded the works of the period as manifestations of directorial vision, this study emphasizes the collaborative principle at the heart of avant-garde filmmaking units and draws attention to the crucial role of camera operators in creating the visual style of the films, especially on the poetics of composition and lighting. In the Soviet Union of the 1920s and early 1930s, owing to the fetishization of the camera as an embodiment of modern technology, the cameraman was an iconic figure whose creative contribution was encouraged and respected. Drawing upon the film literature of the period, Philip Cavendish describes the culture of the camera operator, charts developments in the art of camera operation, and studies the mechanics of key director-cameraman partnerships. He offers detailed analysis of Soviet avant-garde films and draws comparisons between the visual aesthetics of these works and the modernist experiments taking place in the other spheres of the visual arts. -- publisher's web site
Contents: List of Illustrations -- Acknowledgements -- Note on Transliteration and Conventions -- Abbreviations -- Introduction -- Chapter 1. The Theory and Practice of Camera Operation within the Soviet Avant-garde of the 1920s -- Chapter 2. Eduard Tisse and Sergei Eisenstein -- Chapter 3. Anatolii Golovnia and Vsevolod Pudovkin -- Chapter 4. Andrei Moskvin and the Factory of the Eccentric Actor (FEKS) -- Chapter 5. Danylo Demuts'kyi and Oleksandr Dovzhenko -- Conclusion -- Illustrations -- Filmography -- Bibliography -- Index of names and subjects.

Author: Mooney, Jacqueline
PhysDes: Article; Illustration(s)
Subject: CINEMATOGRAPHY. AUSTRALIA; MOTION CONTROL; COMMERCIALS, TV
Summary: Visual effects company Photon vfx has used its Milo control rig to film commercials for a US car company.

Call No: 236 BRO
Author: Brosnan, John
Source: UK
Place: London
Publisher: Abacus
PubDate: 1977
PhysDes: 207 p. : ill. ; 20 cm
Subject: SPECIAL EFFECTS; HORROR FILMS; SCIENCE-FICTION FILMS; FANTASTIC FILMS; DISASTER FILMS; MODEL WORK; MONSTERS IN FILMS; WAR FILMS; ANIMATION; MONSTER DESIGN; MINIATURE WORK; OPTICAL EFFECTS; MATTES; FRONT PROJECTION; CINEMATOGRAPHY; HIGH-SPEED CINEMATOGRAPHY; MAKE-UP; SPLIT SCREEN; STOP-MOTION TECHNIQUE; STUNTS; CAMERAS; TRAVELLING MATTE; EXPLOSIONS IN FILMS; HARRYHAUSEN, RAY; PAL, GEORGE; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); POSEIDON ADVENTURE, THE (US, Ronald Neame, 1972)
Notes: first published in Great Britain by Macdonald and Jane's 1974; Includes: Appendix with Academy Awards winners and nominees for Engineering Effects/Special Effects from 1927-8 to 1975-6; References; Bibliography; Index of Names; Index of Film Titles; Index of Subjects and Techniques
ISBN: 0349103682
Donation: donated by the family of Wayne Levy, 2006

Call No: 62 THO
Author: Thomson, David, 1941
Place: London
Publisher: Secker & Warburg
PubDate: 1967
PhysDes: 234 p., [8] leaves of plates : ill. ; 23 cm
Subject: CINEMATOGRAPHY; SOCIETY AND THE CINEMA; GRANT, CARY; MONROE, MARILYN; NOVAK, KIM; LANG, FRITZ; RENOIR, JEAN; HITCHCOCK, ALFRED; HAWKS, HOWARD; DEMY, JACQUES; RIVETTE, JACQUES; PREMINGER, OTTO
Notes: Includes index; "Filmography": p. 217-223
LON: xls00449773; 4094552
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Author: Mooney, Jacquline
PhysDes: Article; Illustration(s)
Subject: CINEMATOGRAPHY. AUSTRALIA; CAMERAS
Summary: Movielab has revitalised a two-perforation 35mm film format and camera package aimed at low-budget and emerging filmmakers.

Call No: 802 CHE
Author: Chell, David
Source: US
Place: Redmond, Wash
Publisher: Microsoft Press
PubDate: 1987
PhysDes: ix, 357 p. : ill. ; 24 cm
Subject: CINEMATOGRAPHY; EDITING; SOUND; ART DIRECTION; MAKE-UP; SPECIAL EFFECTS; ANIMATION; COMPUTER GRAPHICS; COSTUME DESIGNING; FILM WORKERS; DAVIAU, ALLEN; MENGES, CHRIS; LITTLETON, CAROL; NOBLE, THOM; NEWMAN, CHRIS; VARNEY, BILL; ISHIOKA, EIKO; BRANDENSTEIN, PATRIZIA VON; ZEA, KRISTI; WESTMORE, MICHAEL; CRUIKSHANK, SALLY; PICKER, JIMMY; ABEL, ROBERT; DEMOS, GARY; ARBOGAST, ROY; MUREN, DENNIS; EVANS, CHRIS; FULMER, MIKE; ERLAND, JONATHAN
Summary: A series of interviews with a number of filmmakers involved in film cinematography, editing, sound, production design, costume design, makeup, animation, computer graphics and special effects. The interviews contain anecdotes about their experiences, and details and tips about their craft.
ISBN: 1556150032
Donation: donated by the family of Wayne Levy, 2006

Call No: 62 MOV
Author: Jacobs, Lewis
Place: New York
Publisher: Farrar, Straus, Giroux
PubDate: 1970
PhysDes: xiv,335 p. : ill. ; 21 cm
Subject: AESTHETICS; CINEMATOGRAPHY; EDITING; MUSIC IN FILMS; NARRATIVE IN FILMS; COLOUR; SOUND
Contents: I. Aims and attitudes. Directors speak / Lindsay Anderson ... [et al.]. II. The nature of film expression. The raw material / Lewis Jacobs. III. The plastic elements. The meaningful image / Lewis Jacobs The ambiguity of the photographic image / Arthur Goldsmith On image and word / Nicola Chiaromonte The subjective camera / Herbert A. Lightman Composition of the moving image / Gregg Toland Movement : real and cinematic / Lewis Jacobs Movement in movies / Ezra Goodman Thoughts on movement / Hilary Harris Modern uses of the moving camera / Stanley J. Solomon Change of camera viewpoint / Irving Pichel The expression of time and space / Lewis Jacobs The faces of time / Robert Gessner Tempo and tension / Maya Deren Time and space / John Howard Lawson Rhythm / Ivor Montagu (Cont'd) The mobility of color / Lewis Jacobs Color and color films / Carl Dreyer One path to color / Sergei Eisenstein Coming to terms with color / William Johnson Sound as speech, noise, music / Lewis Jacobs The acoustic world / Bela Belazs Treatment of sound in The city / Henwar Rodakiewicz Music in the movies / Kurt Weill. IV. The plastic structure. Dynamic composition / Alexander Bakshy The sense of form in cinema / Arthur Lennig The other direction / Jonas Mekas.
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Author: Edmond, John
PhysDes: Article
Subject: CINEMATOGRAPHY; TRAVEL IN FILMS
Summary: The article explores 'travelling shots' or shots filmed from the perspective of a moving vehicle. It outlines two separate traditions of the travelling shot
Notes: This article maps out the cinematic usage of `travelling shots', or shots created through affixing a camera to a vehicle. This article initially examines the earliest examples of such shots, the nineteenth century train-mounted `Phantom Rides' that synthesized two iconic technologies of modernity, rail and film, to create a form of camera movement that demonstrated the new technologies' mastery of space. This article asks what happened to this trope of movement as prowess. To this end, using the conceptual frameworks provided by film historian Tom Gunning's concept of a `cinema of attractions' and fellow film historian Charles Musser's concept of a `cinema of contemplation', narrative films are analysed in relation to how the travelling shot was co-opted for thematic means. Salient travelling shots, sourced from the nineteenth century Phantom Rides to 2009s Harry Potter and the Half-Blood Prince are used to trace the lineage of the travelling shot up into our present time. By examining how film-makers have adapted travelling shots for integration within narrative films, and accommodated such new cinematic and transport technologies as CGI and helicopters, a foundation for understanding the rhetorical impulses of travelling shots is developed (Abstract)

Call No: 61[929:7] HOL
Author: Hollander, Anne
Edition: 1st edition
Place: Cambridge, Massachusetts
Publisher: First Harvard University Press
PubDate: 1991
PhysDes: 512 pages : ill.; 24 cm
Subject: ART AND THE CINEMA; CINEMATOGRAPHY
Summary: "Anne Hollander begins with the great masters of the fifteenth and sixteenth centuries—Van Eyck, Durer, Bruegel—and progresses through the history of European art to the advent of film in the modern era. She explores the interconnectedness of painting, prints, and film as modes of art that in comparable ways depict moments in the narrative flow of human life. Moving Pictures offers a new way of assessing the artistic, emotional, and psychological power of paintings and pictures—and of understanding our own deepest responses to them." -- Publisher's website
Notes: Includes bibliography, notes and index
ISBN: 0674588282
Donation: Adrien Miles
Contents: Introduction -- One: Moving pictures -- Light and vision -- Motion and narrative -- Black and white -- Color and reality -- Two: The fifteenth century -- Three: The sixteenth century -- Four: The early baroque -- Fiv: Dutch genre -- Six: Landscape; Prints; Rembrandt -- Seven: French prints; Watteau, Chardin -- Eight: Tiepolo, Piranesi, Canaletto -- None: Hogarth, Grueze, Goya -- Ten: Watercolor; Turner, Martin -- Eleven: Friedrich, Schwind; Menzel and his influence -- Twelve: English art and illustrations ; Whistler -- Thirteen: America -- Fourteen: France in the nineteenth century -- Fifteen: Twentieth-century graphics; Movies
ID2: 343

Author: Kemp, Peter; Brooks, Sue; Brennan, Richard; Gyngell, Kim; Hellier, Trudy; Sallows, Ken; Freeman, Nicolette; Armiger, Martin; Hunter, Tim; Raymond, Leigh
PhysDes: Article; Bibliography; Bio-filmography; Credits; Filmography; Illustration(s)
Subject: PRODUCERS. AUSTRALIA; ACTORS. AUSTRALIA; EDITING. AUSTRALIA; CRITICISM; CINEMATOGRAPHY; MUSIC IN FILMS; ADVERTISING FOR FILMS; WOMEN TV WORKERS. AUSTRALIA; BROOKS, SUE; BRENNAN, RICHARD; GYNGELL, KIM; SALLOWS, KEN; FREEMAN, NICOLETTE; SOMETHING IN THE AIR [TV] (AT, 2000-); TRAPPED (AT, Trudy Hellier, 2000)
Summary: A supplement offering an arena for Australian screen practitioners to analyse and comment upon matters and issues pertaining to their own particular craft or field.

Call No: 62 KRA
Author: Kracauer, Siegfried, 1889-1966
Place: London
Publisher: Dennis Dobson
PubDate: 1961
PhysDes: xix, 364 p., [61] p. of plates : ill. ; 24 cm
Subject: PHOTOGRAPHY AND THE CINEMA; CINEMATOGRAPHY; ACTING; SOUND; DIALOGUE; AVANT-GARDE FILMS; THEATRE AND THE CINEMA; LITERATURE AND THE CINEMA; DOCUMENTARY FILMS
Notes: Includes index; Bibliography: p. 339-349
LON: abn87035540; 5049801

Call No: 81BRE BRE
Author: Bresson, Robert
Place: New York
Publisher: Urizen Books ; [distributed by E. P. Dutton]
PubDate: 1977
PhysDes: 72 p. ; 22 cm
Subject: BRESSON, ROBERT; CINEMATOGRAPHY
Notes: Translation of Notes sur le cinematographe
ISBN: 0916354288. 0916354296 pbk
LON: 76052466; 777018

Call No: 81BRE BRE
Author: Bresson, Robert
Place: London New York
Publisher: Quartet Books
PubDate: 1986, c1975
PhysDes: 129 cm. ; 22 cm
Subject: BRESSON, ROBERT; CINEMATOGRAPHY
Notes: Translation of: Notes sur le cinematographe
ISBN: 0704334968
LON: bnb70433496; 4275210

Author: Mooney, Jacqueline
PhysDes: Article; Illustration(s)
Subject: UNDERWATER CINEMATOGRAPHY. AUSTRALIA
Summary: The National Underwater & Marine Agency (NUMA) has developed a truck specifically for marine-based filming.

Call No: SUBJECT CLIPPINGS FILE; CINEMATOGRAPHY
Author: Mast, Gerald
PhysDes: Article
Subject: FILMMAKING; CINEMATOGRAPHY
Summary: Essay on the uniqueness of the cinema frame and an exploration of the viewer's engagement with types of framing

Call No: 633.2 ALT
Author: Alton, John
Source: US
Place: New York
Publisher: Macmillan
PubDate: 1949
PhysDes: 191 p. ; 24 cm
Subject: CINEMATOGRAPHY; LIGHTING; CLOSE-UPS; EQUIPMENT
Donation: donated by the family of Wayne Levy, 2006
Contents: 1. Hollywood photography; 2. Motion picture illumination; 3. Mystery lighting; 4. Special illumination; 5. The Hollywood closeup; 6. Outdoor photography; 7. Symphony in snow; 8. Ocean voyage; 9. Visual music; 10. The portrait studio; 11. The laboratory; 12. Day and light, ladies, watch your light; 13. Motion picture theatres; 14. The world is a huge television studio and we are all photographers.

Call No: 236 NOR
Author: North, Dan
Source: UK
Place: London
Publisher: Wallflower
PubDate: 2008
PhysDes: viii, 232 p. ; 24 cm
Subject: CINEMATOGRAPHY; SPECIAL EFFECTS
Summary: "The camera supposedly never lies, yet film's ability to frame, cut and reconstruct all that passes before its lens made cinema the pre-eminent medium of visual illusion and revelation from the early twentieth century onwards. This volume examines film's creative history of special effects and trickery, encompassing everything from George Melies' first trick films to the modern CGI era. Evaluating movements towards the use of computer-generated 'synthespians' in films such as Final Fantasy: The Spirits Within (2001), this title suggests that cinematic effects should be understood not as attempts to mimic real life perfectly but as constructions of substitute realities, situating them in the cultural lineage of the stage performers and illusionists of the nineteenth century. With analyses of films such as Destination Moon (1950), Spider-Man (2002) and the King Kong films (1933 and 2006), this new volume provides an insight into cinema's capacity to perform illusions."--BOOK JACKET.
Notes: Includes index; Includes bibliographical references and index
ISBN: 9781905674534
Contents: 1. The Magic Theatre -- 2. Rituals of Incarnation -- 3. Invasion and Excusion -- 4. The Computer -- 5. The Synthespian.

Call No: 81HUR DIX
Author: Dixon, Robert
Source: UK/US
Publisher: Anthem Press
PubDate: 2011
PhysDes: xxxi, 256 p. : ill., map ; 24 cm
Series: Anthem Australian humanities research series
Subject: AUSTRALIA; PHOTOGRAPHY; PHOTOGRAPHY AND THE CINEMA; CINEMATOGRAPHY; CINEMATOGRAPHY. AUSTRALIA; HURLEY, FRANK; HOME OF THE BLIZZARD (AT, Frank Hurley, 1913); PEARLS AND SAVAGES (AT, Frank Hurley, 1921); ROSS SMITH FLIGHT, THE (AT, Frank Hurley, 1921)
Summary: "Photography, Early Cinema and Colonial Modernity is not a biography of Frank Hurley the man; it is instead an examination of the social life of the many marvellous and meaningful things he made as a professional photographer and film maker. The focus of this volume surrounds the media events that encompassed these various creations - what Hurley called his 'synchronized lecture entertainments'. These media events were at once national and international; they involved Hurley in an entire culture industry that was constantly in movement along global lines of travel and communication. This raises complex questions both about the authorship of Hurley's photographic and filmic texts - which were often produced and presented by other people - and about their ontology, as they were often in a state of reassemblage in response to changing market opportunities. This unique study re-imagines, from inside the quiet and stillness of the archive, the prior social life enjoyed by Hurley's creations amidst the complicated topography of the early twentieth century's rapidly internationalizing mass-media landscape. As a way to conceive of that space, and of the social life of the people and things within it, this study uses the concept of 'colonial modernity'. -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references (p. 239-246) and index
ISBN: 9780857287953
Contents: -- list of illustrations -- list of abbreviations -- acknowledgments -- Introduction: Australia's Embrace of Colonial Modernity -- 1. 'The Home of the Blizzard': Douglas Mawson's synchronized lecture entertainment -- 2. Guided spectatorship: exhibiting the Great War -- 3. Touring the nation: Shackleton's 'Marvellous Moving Pictures' and the Australian season of 'In the Grip of the Polar Pack-Ice' -- 4. Entr'acte: 'Sir Ross Smith's Flight', aerial vision and colonial modernity -- 5. Colonial modernity and its others: 'Pearls and Savages' as a multi-media project -- conclusion -- notes -- bibliography -- index --

Call No: held no.10- Apr. 1994- incomplete
CorpAuthor: Australian Cinematographers Society. Victorian Branch
Source: AT
Place: Caulfield South, Vic. : Victorian Branch of Australian Cinematographers Society
PhysDes: v. : ill. ; 30 cm
Subject: CINEMATOGRAPHY. AUSTRALIA
Notes: Description based on: Issue 10 (Apr. 1994)
Order Notes: Current
LON: abn97050432; 13028426

Call No: 23 WHE
Author: Wheeler, Leslie J.
Source: UK
Place: London
Publisher: Fountain Press
PubDate: 1953
PhysDes: 472 p. : ill. ; 22 cm
Subject: CINEMATOGRAPHY; EQUIPMENT; PROJECTION; SOUND; CAMERAS; STOCK
Donation: donated by the family of Wayne Levy, 2006

Author: Mooney, Jacquline
PhysDes: Article; Illustration(s)
Subject: CINEMATOGRAPHY. AUSTRALIA; UNDERWATER CINEMATOGRAPHY. AUSTRALIA; DIVING SCHOOL [TV] (AT, 1999)
Summary: Western Australian firm, Propero Productions, filmed the documentary series "Diving School" in the UK.

Call No: 230(204.1) MON
Author: Monkman, Noel
Edition: 1962
Place: Sydney
Publisher: Angus and Robertson
PubDate: 1962
PhysDes: x, 214 : ill. : 23 cm
Subject: UNDERWATER CINEMATOGRAPHY. AUSTRALIA
Donation: Donated by the family of Wayne Levy (?)

Author: van Leeuwen, Theo
PhysDes: Article
Subject: CINEMATOGRAPHY; INDUSTRY, FILM. USSR; RUSSIANS IN FILMS; U.S.S.R IN FILMS; BURCH, NOEL; KONCALOVSKIJ, ANDREJ; KOZINCEV, GRIGORIJ; SOLARIS (UR, Andrei Tarkovsky, 1972)
Summary: Article reviews the films screened during Russian film-week and also analyses the state of the Soviet film industry and the lack of Soviet films released commerically overseas

Author: Marks, Dick
PhysDes: Article
Subject: 3D DIGITAL; CINEMATOGRAPHY. AUSTRALIA; EMERY, ROSS; WOLVERINE, THE (US/UK, James Mangold, 2013); I, FRANKENSTEIN (US/AT, Stuart Beattie, 2013)
Summary: Cinematographer, Ross Emery discusses his experiences working on the 3D films, The Wolverine and I, Frankenstein
Notes: Interview

Call No: 802.3(94) ANS; FOLIO SECTION
Author: Ansara, Martha
Source: AT
Place: Sydney
Publisher: Austcine Publishing
PubDate: c2012
PhysDes: 288 p. : ill. (some col.) ; 25 cm
Subject: CINEMATOGRAPHY. AUSTRALIA; HISTORY OF CINEMA. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; NEWSREELS
Summary: "Contains photographs of working cinematographers from 1901 to the present, with historical text, biographies of Australian cinematographers & fascinating personal anecdotes from the film industry. Reveals little-known information about the role of cinematographers in Australian cinema, & challenges popular conceptions of our national film history." - TROVE -- The following cinematographers are included in this book: Burt Ive, the Higgins Brothers, Lacey Percival, Frank Hurley, the Burnes, J.W. (Bill) Trerise, George Heath, Damien Parer, Ross Wood, Volk Mol, Ron Windon, Neil Davis, David Brill, Russell Boyd, Don McAlpine, Peter James, Jim Frazier, David Parer, Jan Kenny, Dean Semler, John Seale, Andrew Lesnie, Pieter de Vries, Dion Beebe.
Notes: Includes index; Warning to Walpiri: Please be aware that there is a photo in this book which may contain images of deceased Walpiri people
ISBN: 9780987225214

Call No: 451-02 MAR
Author: Margolis, Harriet; Krasilovsky, Alexis; Stein, Julia
Source: UK/US
Place: Bristol, U.K. ; Chicago, USA
Publisher: Intellect
PubDate: c2015
PhysDes: xxvii, 338 pages ; 23 cm
Subject: WOMEN FILM WORKERS; WOMEN TV WORKERS; WOMEN FILMMAKERS; CINEMATOGRAPHY; PRODUCTION; CAMERAS; WOMEN AND THE CINEMA; DOCUMENTARIES; WOMEN, FILMS MADE BY
Summary: "Shooting Women takes readers around the world to explore the lives of camerawomen working in features, TV news, and documentaries. From first-world pioneers like African American camerawoman Jessie Maple Patton who got her job only after suing the union to China's first camerawomen who traveled with Mao, to rural India where poor women have learned camerawork as a means of empowerment, Shooting Women reveals a world of women working with courage and skill in the male-dominated film and televsion industries." -- BOOK BACK COVER BLURB
Notes: Includes bibliographical references and index
LON: 9781783205066
Contents: -- acknowledgments -- prefaces -- from Alex Krasilovsky -- from Harriet Margolis-- ch: 1 How do women become camerawomen? -- Learning on the Job -- Still Photography -- Film School -- Training Programs -- Two Examples of Feminist Groups: Women in Film and Behind the Lens -- Women-Supportive Workshops and Production Groups -- Filming in the Service of Social Activism: Video SEWA and Aina -- Collectives -- Rental Houses -- ch: 2 How hard can it be? -- Gender Discrimination -- Unions and Guilds -- When Cameras Were Heavy -- Helpful Men -- Ssh! (Secret Sexual Harassment) -- Sabotage -- Getting Paid Jobs -- Breaking Out of Isolation -- Rising through the Ranks -- Budgets and Glass Ceilings -- ch: 3 Documentary: A good and satisfying career choice that is statistically friendlier to women than feature fiction filmmaking -- Filming History Being Made in China -- Documentary: Historical and Personal -- ch: 4 Hollywood, Bollywood, independents, and short forms -- Hollywood -- Indian Cinema -- The Freedom of Independent Films -- Music Videos -- Commercials and Such -- Experimental/Avant-Garde Films and Videos -- Art Films and Videos -- Shooting Special Material: Birth -- ch: 5 Special skills and creativity -- Handheld Camerawork -- Cranes -- Underwater -- Helicopters -- Special Effects -- Lighting as a Cinematographer's Dream Job -- Digital Technology -- Style -- ch: 6 Shooting around the world -- Erika Addis on Beginning her Career -- Arlene Burns on Filming in the Kuril Islands -- Young-Joo Byun on Filming Comfort Women in Korea -- Nancy Durham on Filming the Balkan War -- Jolanta Dylewska on Filming in Kazakhstan -- Sabeena Gadihoke on Filming Three Women and a Camera -- Rozette Ghadery on Filming in Kurdistan -- Sue Gibson on Filming in Jordan -- Joan Giummo on Filming Homeless Women in New York -- Agnes Godard Pays Homage to Beauty -- Marina Goldovskaya on Filming History Being Made in Russia -- Ellen Kuras on Pivotal Moments in Shooting -- Heather MacKenzie on Filming Romanian Orphans -- Sandi Sissel on Filming Salaam Bombay! -- Agnes Varda on Filming the Human Body -- Liz Ziegler on Filming Eyes Wide Shut (1999) for Stanley Kubrick -- ch: 7 Can camerawomen also be women? -- Parents -- Fathers -- Mothers -- Friends and Extended Family -- Husbands -- A Happy Marriage -- Pregnancy -- Children and Childcare -- Daughters -- ch: 8 What's it really like? -- A Typical Day -- Where Do Camerawomen Go? -- What Do Camerawomen Wear? -- Working with the Crew -- Working with Directors and Producers -- Acting Like Men to Fit In -- The Advantages of Being Female -- ch: 9 Magic moments, worst moments -- Satisfactions -- Worst Moments, Dangers, and Risking One's Life -- ch: 10 What do camerawomen see? -- Representation and Gender -- Ethics -- Camerawomen Teaching -- "Just Do It" -- Aspirations for the Future -- List of camerawomen whose interviews are included in this book -- bibliography -- index --

Call No: 244 SOU
Author: Kalinak, Kathryn (ed.)
Source: US/UK
Place: London
Publisher: I.B. Tauris
PubDate: 2015
PhysDes: 222 pages : illustrations ; 24 cm
Series: Behind the silver screen ; 10
Subject: SOUND; SOUND EFFECTS; SOUND EDITING; SOUND RECORDING; SOUND TRACK; SOUNDTRACKS; MUSIC IN FILMS; MUSIC AND THE CINEMA; DIALOGUE; CINEMATOGRAPHY; HISTORY OF CINEMA; POST-PRODUCTION; PRODUCTION
Summary: "This innovative book highlights the workers who collaborated inside and outside Hollywood to produce dialogue, sound effects and music for motion pictures. It demonstrates the transformative powers of sound as they shape the specific ways in which film meaning is made." -- BOOK BACK COVER
Notes: Includes bibliographical references (pages 203-206) and index
ISBN: 9781784534059
Contents: -- Introduction / Kathryn Kalinak -- The silent screen, 1894-1927 / James Wierzbicki -- Classical Hollywood, 1928-1946 / Kathryn Kalinak -- Postwar Hollywood, 1947-1967 / Nathan Platte -- The auteur renaissance, 1968-1980 / Jeff Smith -- The new Hollywood, 1981-1999 / Jay Beck with Vanessa Theme Ament -- The modern entertainment marketplace, (2000-present) / Mark Kerins -- Academy Awards for sound -- Academy Awards for music -- notes -- glossary -- selected bibliography -- notes on contributors -- index --

Call No: 236 FIN
Author: Finch, Christopher
Source: US
Place: New York
Publisher: Abbeville Press
PubDate: c1984
PhysDes: 252 p. : ill. (some col.) ; 27 cm
Subject: COMPUTER GRAPHICS; DIGITAL TECHNOLOGY; COMPUTERS AND THE CINEMA; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS; COMPUTER GENERATED IMAGERY; COSTUME DESIGNING; TECHNICAL DEVELOPMENTS; MOTION CONTROL; MAKE UP; TECHNOLOGY AND THE CINEMA; PRODUCTION TECHNOLOGY; SPECIAL EFFECTS; CINEMATOGRAPHY; SET DESIGNING; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); BLADE RUNNER (US, Ridley Scott, 1982); BLADE RUNNER: THE DIRECTOR'S CUT (US, Ridley Scott, 1982); BLADE RUNNER: THE FINAL CUT (US, Ridley Scott, 1982); TRON (US, Steven Lisberger, 1982)
Summary: "Special effects is an art that sets itself the task of putting on screen anything a filmmaker can imagine, however strange or fantastic. From King Kong to Star Wars, this book details the secrets behind the magic that has thrilled and delighted generations of movie-goers." -- BOOK BLURB
Notes: Includes index; Bibliography: p. 244
ISBN: 0896594521
Contents: -- acknowledgements -- prologue -- part 1: the art of deception -- 1: tricks and treats -- 2: masks and mirrors -- 3: silent magic -- 4: the coming of sound -- 5: king kong -- 6: invisible effects -- 7: new aspects -- 8: monsters and myths -- part II: odysseys -- 9: new beginnings -- 10: the making of 2001 -- 11: back to earth -- 12: pitching -- 13: star wars -- 14: close encounters -- 15: phone home -- 16: innovations -- 17: blade runner -- 18:state of the art -- part III: sons of hal -- 19: coordinates -- 20: the making of tron -- 21: simulation -- 22: the future -- bibliography -- glossary -- index --

Call No: 23 ADR
Author: Adrian, Werner
Source: US
Place: New York
Publisher: Bounty Books
PubDate: 1975
PhysDes: 111 p. : ill. ; 26 cm
Subject: PRODUCTION; TECHNICAL DEVELOPMENTS; CINEMATOGRAPHY
ISBN: 0517525755

Author: Cunningham, James
PhysDes: Article
Subject: OBSERVANCE (AT, Joseph Sims-Dennett, 2015) DAWSON, RODRIGO VIDAL; CINEMATOGRAPHY
Summary: Interview with cinematographer Rodrigo Vidal Dawson discussing the shooting of the low budget Australian thriller Observance. One thing he talks about is trying to do his best with a small production and crew.

Author: Prickaloo, Amelia
PhysDes: Article
Subject: DIMANCHES DE VILLE D'AVRAY, LES (FR, Serge Bourguignon, 1962); CINEMATOGRAPHY
Summary: In the form of a letter, the author praises this film, highlighting its inventive cinematography and sad story.

Author: Burton, Geoff
PhysDes: Article
Subject: CINEMATOGRAPHY. AUSTRALIA; MOLLOY, MIKE; ROEG, NICOLAS; WALKABOUT (UK, Nicolas Roeg, 1971)
Summary: Cinematographer, Mike Molloy discusses his work filming in the desert, on Nicholas Roeg's 1971 film, Walkabout

Author: Marks, Dick
PhysDes: Article
Subject: CINEMATOGRAPHY. AUSTRALIA; SHIELD, BRAD; SWEETWATER (US, Logan Miller, 2013)
Summary: Interview with cinematographer, Brad Shield about his career and work on the American film, 'Sweetwater'
Notes: Interview

Call No: 761 BAD
Author: Baddeley, Hugh W.
Edition: 4th rev. ed
Place: London
Publisher: Focal Press
PubDate: 1975
PhysDes: 282 p. : ill. ; 23 cm
Series: The library of communication techniques
Subject: BUDGETING; CAMERAS; CINEMATOGRAPHY; DISTRIBUTION; DOCUMENTARIES; DOCUMENTARY FILMS; EDITING; FILMMAKING; INSURANCE, FILM; LIGHTING; LOCATION FINDING; LOCATION SHOOTING; MUSIC AND THE CINEMA; PRE-PRODUCTION; POST-PRODUCTION; PRODUCTION; PRODUCTION COSTS; SCRIPTWRITING; SOUNDTRACKS; SOUND EDITING; SOUND RECORDING
Summary: "Hugh Baddeley has carried out further revisions of this book since the last edition which he enlarged by nearly forty pages. He has taken into consideration the needs of television and the text now contains interviews with well-known TV producers and key TV personnel. It deals with every aspect of documentary and factual film production. Intended for the working professional, the trainee, and the student, amateurs too will find the breadth and scope of the subject stimulating. Nowadays when the film serves not merely as a tool of entertainment, but increasingly as a tool with a variety of eminently practical jobs to do, more people than ever before become involved with film production. Public relations officers, sales managers, television executives, those in charge of works film units, organisations using films for fund raising for charities, and members of expeditions will find here vital information. The means and methods of producing factual films are dealt with step-by-step from the initial idea to the making of release prints and their distribution. The typical problems of the "documentary" - shooting on distant and remote locations, as well as the difficulties of providing effective lighting outside the studio - are presented in practical terms. Sound recording, both under studio conditions and on location, is covered in detail. The techniques involved in laying and mixing multiple recordings to produce the final master track are described. Especially valuable are those practical suggestions that the author is able to offer from his own long personal experience. These range from budgeting and obtaining insurance cover to dealing with foreign customs." -- BOOK JACKET
Notes: First ed. published 1963; Includes index
ISBN: 0240509158; 0240509293 (pbk.)
LON: 8735625 8735625
URL status: URL: 'http://-' Checked: 31/08/2021 12:59:17 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 220 TEC
CorpAuthor: Society of Motion Picture Engineers
Source: US
Place: New York
Publisher: Interscience
PubDate: 1944
PhysDes: viii, 150 p. : ill. ; 24 cm
Subject: CONFERENCES. USA; CINEMATOGRAPHY; EDITING; MUSIC IN FILMS; PROJECTION; SOUND REPRODUCTION; TECHNOLOGY AND THE CINEMA; TECHNICOLOR
Summary: Convention of the Society of Motion Picture Engineers
Notes: Second printing : 1946 includes index
Donation: donated by the family of Wayne Levy, 2006

Call No: 236 FIE
Author: Fielding, Raymond, 1931
Edition: 1st ed
Place: London
Publisher: Focal Press
PubDate: 1965
PhysDes: 396 p. : ill. ; 23 cm
Series: The Library of communication techniques
Subject: CINEMATOGRAPHY; SPECIAL EFFECTS
Notes: Includes bibliographical references (p. 376-388) and index
LON: 3187113

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: UNDERWATER CINEMATOGRAPHY

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Press kit; Clippings
Subject: VISIONS OF LIGHT: THE ART OF CINEMATOGRAPHY (US/JA, Arnold Glassman & Todd McCarthy & Stuart Samuels, 1992)

Author: Cunningham, James
PhysDes: Article
Subject: CINEMATOGRAPHY. AUSTRALIA; DEAN, MARDEN; FELL (AT, Kasimir Burgess, 2014)
Summary: Award-winning cinematographer Marden Dean, describes his work on the Australian film, Fell

Author: Marks, Dick
PhysDes: Article
Subject: CINEMATOGRAPHY. AUSTRALIA; LIGHTING; OLIVER, TOBY; WOLF CREEK 2 (AT, Greg Mclean, 2013)
Summary: Director of Photography, Toby Oliver discusses the lighting techniques and methods used filming the Australian horror film sequel, Wolf Creek 2

Call No: 22(73) BRO
Author: Brouwer, Alexandra; Wright, Thomas Lee
Source: US
Place: New York
Publisher: Crown Publishers
PubDate: c1990
PhysDes: xii, 546 pages ; 25 cm
Subject: ADVERTISING FOR FILMS; ANIMALS IN FILMS; ART DIRECTION; CAMERAS; CASTING; CHOREOGRAPHY; CINEMATOGRAPHY; COMPOSERS; COSTUME DESIGNERS; DIRECTION; DISTRIBUTION; EDITING; EXHIBITION; FINANCING; LAW AND THE CINEMA; LOCATION HUNTING; LOCATION SHOOTING; MAKE-UP ARTISTS; MUSIC IN FILMS; POST-PRODUCTION; PRE-PRODUCTION; PRODUCERS; PRODUCING; PRODUCTION; PROJECTION; SCRIPTWRITING; SET DESIGNING; SOUND; SPECIAL EFFECTS; STUNTS
Summary: "Now appearing for the first time ever: WORKING IN HOLLYWOOD, the definitive book that reveals how major movie studios are made, fromn the first glimmer of an idea to the final cut, to sales and marketing. Here is moviemaking told in the words of the people who do it: the deal makers, directors, artists, craftspeople, technicians, and executives." [Taken from book jacket]
Notes: Includes index
ISBN: 0517574012; 9780517574010
Donation: Simon Wincer
Contents: 1. The helmsmen -- 2. The deal -- 3. The guardians -- 4. The money -- 5. The talent -- 6. The look -- 7. The artists -- 8. The movers -- 9. The camera -- 10. The print -- 11. The magicians -- 12. The sound -- 13. The fury -- 14. The salesmen --