book
Crafting truth : documentary form and meaning / by Louise Spence and Vinicius Navarro New Brunswick, NJ: Rutgers University Press, c2011.
Call No: 761 SPEAuthor: Spence, Louise ; Navarro, Vinicius Source: US/UKPlace: New Brunswick, NJPublisher: Rutgers University PressPubDate: c2011PhysDes: x, 281 p. : ill. ; 26 cmSubject: AESTHETICS ; AUTHORSHIP ; BIOGRAPHICAL FILMS ; CINEMATOGRAPHY ; COMMENTARY ; CONSTRUCTIVISM ; CONTINUITY ; CINEMA-DIRECT ; DOCUMENTARIES ; DOCUMENTARY FILMS ; EDITING ; ETHNOGRAPHIC FILMS ; HISTORY AND THE CINEMA ; INTERVIEWING ; INTERVIEWS IN FILMS ; LIGHTING ; LOCATION SHOOTING ; MEMORY IN FILMS ; MUSIC IN FILMS ; NARRATIVE IN FILMS ; NON-FICTION FILMS ; PALESTINE ; PHOTOGRAPHY AND THE CINEMA ; REALISM IN FILMS ; SOUND ; SOUND EQUIPMENT ; THEORY ; TRUTH IN FILMS ; VOICE OVER ; WORLD WAR II AND THE CINEMA ; AFRIQUE, JE TE PLUMERAI (CM/FR/G, Jean-Marie Téno, 1992) ; BERLIN DIE SINFONIE DER GROSSTADT (G, Walter Ruttman, 1927) ; CHRONIQUE D' UN ETE (FR, Jean Rouch/Edgar Morin, 1961) ; CHRONICLE OF A SUMMER (FR, Jean Rouch & Edgar Morin, 1961) ; GOKUSHITEKI EROSU: RENKA 1974 (JA, Kazuo Hara, 1974) ; FAR FROM POLAND (US, Jill Godmilow, 1984) ; HALVING THE BONES (US, Ruth Ozeki Lounsbury, 1995) ; HANDSWORTH SONGS (UK, John Akomfrah, 1986) ; HEARTS AND MINDS (US, Peter Davis, 1974) ; JOYCE AT 34 (US, Joyce Chopra, 1972) ; LESSONS OF DARKNESS (GG, Werner Herzog, 1992) ; LEKTIONEN IN FINSTERNIS (GG, Werner Herzog, 1992) ; LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NEKAM ACHAT MISHTEY EYNAY (FR/IS, Avi Mograbi, 2005) ; NIGHT MAIL (UK, Basil Wright & Harry Watt, 1936) ; PRELUDE TO WAR (US, Frank Capra & Anatole Litvak, 1942) ; SANS SOLEIL (FR, Chris Marker, 1983) ; SHOAH (FR/SZ, Claude Lanzmann, 1985) ; TIES THAT BIND, THE (US, Su Friedrich, 1984) ; TITICUT FOLLIES (US, Frederick Wiseman, 1967) ; WAR GAME, THE (UK, Peter Watkins, 1966) Summary: "Although nonfiction film may have captured imaginations, many viewers enter and leave theaters with a naive concept of "reality"- for them, documentaries are sources of information. But is truth or reality readily available, easily acquired, or undisputed? Or do documentaries convey illusions of reality? What aesthetic means are used to build these illusions?
Crafting truth illuminates the way these films tell their stories; how they use the camera, editing, sound, and performance; what rhetorical devices they employ; and what the theoretical, practical, and ethical implications of those choices are. Complex documentary concepts are presented through easily accessible language, images, and a discussion of a wide range of films and videos to encourage new ways of thinking about and seeing nonfiction cinema. " -- BOOK BLURBISBN: 9780813549033Contents: -- acknowledgments -- Introduction -- Authenticity -- Evidence -- Authority --
Responsibility -- Argument -- Dramatic stories, poetic and essay documentaries --
Editing -- Camerawork -- The profilmic -- Sounds / coauthored with Carl Lewis --index --ID2: 90
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Documentary display : re-viewing nonfiction film and videos / Keith Beattie London: Wallflower, 2008.
Call No: 761 BEAAuthor: Beattie, Keith Place: LondonPublisher: WallflowerPubDate: 2008PhysDes: xiv, 187 p. ; 24 cmSubject: DOCUMENTARY FILMS ; CINEMA-DIRECT ; COMPILATION FILMS ; IMAX ; MONTAGE ; NON-FICTION FILMS ; BUNUEL, LUIS ; GRIERSON, JOHN ; MAYSLES, ALBERT & DAVID ; PENNEBAKER, D. A. ; VERTOV, DZIGA ; VIGO, JEAN ; DONT LOOK BACK (US, D.A. Pennebaker, 1967) Summary: "Not all documentary films and videos are sober depictions of the real world. Documentary representations can present expressive, entertaining and spectacular images. This book examines such innovative approaches as they occur within the process of 'documentary display' - a practice which emphasises the visual attractions of documentary representation. Works of documentary display explore modes of exhibitionistic 'showing' in which sensation is frequently the vehicle of cognition and knowledge. Such a display is analysed within the popular and prominent forms of found-footage film, 'rockumentary', the city film, nonfiction surf film and video, and certain views of natural science topics. This accessible and informed study - with its focus on entertaining, popular, spectacular and sensational froms of nonfiction representation - makes an important contribution to theoretical analyses of documentary film and video."--BOOK JACKETNotes: Includes bibliographical references (p. 155-181) and index.ISBN: 9781905674725 (pbk)Contents: Introduction -- 1. Show and tell: revealing documentary display -- 2. The corporeal and the urban: from city symphony to global city film -- 3. Direct cinema and performance: it's not only rock and roll -- 4. Found-footage film and history: seeing double -- 5. Nonfiction surf film and video: sick, filthy and delirious -- 6. Natural science film: from microcinema to IMAX -- Afterward
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Documentary film classics / William Rothman Cambridge, Eng. New York: Cambridge University Press, 1997.
Call No: 761 ROTAuthor: Rothman, William Place: Cambridge, Eng. New YorkPublisher: Cambridge University PressPubDate: 1997PhysDes: xv, 218 p. : ill. ; 24 cmSeries: Cambridge studies in filmSubject: DOCUMENTARY FILMS ; CINEMA VERITE ; NON-FICTION FILMS ; BUNUEL, LUIS ; LEACOCK, RICHARD ; RESNAIS, ALAIN ; ROUCH, JEAN ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; HURDES, LAS (SP, Luis Bunuel, 1933) ; NUIT ET BROUILLARD (FR, Alain Resnais, 1955) ; NIGHT AND FOG (FR, Alain Resnais, 1995) ; CHRONIQUE D' UN ETE (FR, Jean Rouch/Edgar Morin, 1961) ; HAPPY MOTHER'S DAY, A (US, Joyce Chopra/Richard Leacock, 1963) ; DONT LOOK BACK (US, D.A. Pennebaker, 1967) ; LAND WITHOUT BREAD (SP, Luis Bunuel, 1933) Summary: "Documentary Film Classics" offers close readings of a number of major documentaries, including Nanook of the North, Land without Bread, Night and Fog, Chronicle of a Summer, A Happy Mother's Day, and Don't Look Back. William Rothman analyzes the philosophical and historical issues and themes implicit in these works. Designed to guide film students through the 'texts' of films that span the history of the documentary film movement, his readings also focus on the achievements of these works as films per se. This book is both an original contribution to the field of film studies and also suitable for use as a text for college level courses on documentary film and broader film history courses." -- BOOK COVERNotes: Includes bibliographical references (p. 211-213) and indexISBN: 0521456819 (pbk); 0521450675 (hbk)Order Received: 1997LON: 96014029; 12242459URL status: URL: 'http://-'
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Ideology and the image : social representation in the cinema and other media / Bill Nichols Bloomington: Indiana University Press, 1981.
Call No: 62 NICAuthor: Nichols, Bill Source: USPlace: BloomingtonPublisher: Indiana University PressPubDate: 1981PhysDes: xv, 334 p. : ill. ; 24 cmSubject: PHILOSOPHY AND THE CINEMA ; THEORY ; AESTHETICS ; SEMIOLOGY ; NON-FICTION FILMS ; DOCUMENTARIES ; ETHNOGRAPHIC FILMS ; WISEMAN, FREDERICK ; BLONDE VENUS (US, Josef von Sternberg, 1932) ; BIRDS, THE (US, Alfred Hitchcock, 1963) Summary: "To what degree, Nichols asks, does ideology inform images in films, advertising, and other media? Does the cinema or any other sign system librerate or manipulate us? How can we as spectators know when the media are subtly perpetuating a specific set of values? To address these issues, the author draws from a variety of approaches - Marxism, psychoanalysis, communication theory, semiotics, structuralism, the psychology of perception. Working with two interrelated theories - ideology and systems of visual representation, and ideology and principles of textual criticism - Nichols shows how and why we make emotional investments in sign systems within an ideological context." -- BACK COVERNotes: Includes index; Bibliography: p. 304-313ISBN: 0253182875; 0253202566 (pbk.)LON: 80007684; 1763485Contents: Introduction: Picking up the trail -- 1. Art and the perceptual process -- 2. The analysis of representational images -- 3. The cinema: movement, narrative, and paradox -- 4. Blonde venus: playing with performance -- 5. For The birds -- 6. The documentary film and principles of exposition -- 7. Frederick Wiseman's documentaries: theory and structure -- 8. Documentary, criticism, and the ethnographic film -- Conclusion
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NON-FICTION FILMS
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Nonfiction film : a critical history / by Richard Meran Barsam ; foreword by Richard Dyer MacCann London: Allen and Unwin, 1974.
Call No: 761 BARAuthor: Barsam, Richard Meran Place: LondonPublisher: Allen and UnwinPubDate: 1974PhysDes: xix, 332 p. : ill., ports. ; 22 cmSubject: NON-FICTION FILMS ; DOCUMENTARY FILMS ; CINEMA-DIRECT ; PROPAGANDA FILMS ; WAR FILMS ; ANDERSON, LINDSAY ; CAPRA, FRANK ; CAVALCANTI, ALBERTO ; VAN DONGEN, HELEN ; DOVZENKO, ALEKSANDR ; FLAHERTY, ROBERT ; GRIERSON, JOHN ; HUSTON, JOHN ; IVENS, JORIS ; JENNINGS, HUMPHREY ; KING, ALLAN ; LEACOCK, RICHARD ; LYE, LEN ; MAYSLES, ALBERT & DAVID ; PENNEBAKER, D. A. ; REISZ, KAREL ; RIEFENSTAHL, LENI ; ROTHA, PAUL ; RUTTMAN, WALTER ; STORCK, HENRI ; VAN DYKE, WILLARD ; VERTOV, DZIGA ; WADLEIGH, MICHAEL ; WATT, HARRY ; WISEMAN, FREDERICK ; WRIGHT, BASIL ; BOND, RALPH ; ANSTEY, EDGAR ; LORENTZ, PARE ; HAMMID, ALEXANDER ; ROGOSIN, LIONEL ; STEINER, RALPH ; ELTON, ARTHUR ; JACOBY, IRVING ; LAND, THE (US, Robert Flaherty, 1942) ; FIGHT FOR LIFE, THE (US, Pare Lorentz, 1940) ; MAISONS DE LA MISERE, LES (BE, Henri Storck, 1937) ; ALL OF MY BABIES : A MIDWIFE'S OWN STORY (US, George Stoney, 1952) ; BATTLE OF RUSSIA, THE (US, Frank Capra, 1944) ; LET THERE BE LIGHT (US, John Huston, 1946) ; DON'T LOOK BACK (US, D.A. Pennebaker, 1967) Summary: "Nonfiction film is the first work to document the whole history of nonfiction film from the 1920s to the present day. The main emphasis of the book is on the British and American cinema and hundreds of documentary, action, and 'actuality' films from Nanook of the North to Woodstock and Gimme Shelter are described, discussed and analysed, including films by the great pioneers such as Robert Flaherty, Basil Wright, John Grierson and Paul Rotha and the new experimental film makers like Richard Leacock, D. A. Pennebaker, Frederick Wiseman and Albert and David Maysles. Richard Barsam provides a critical framework against which the non-fiction film can be studied and enjoyed. Among the many topics covered are early American, Russian and Continental films, the British and American films of the twenties and thirties, the films of World War II and the whole range of styles and subjects of the fifties, sixties and today." -- BOOK BLURBNotes: Originally published: New York : Dutton, 1973; Bibl.: p.317-321. - List of films: p.299-316. - IndexISBN: 0047910313 (Pbk) : ª1.95; 0047910305LON: 1923477Contents: 1. Defining nonfiction film -- 2. The American, Russian, and continental beginnings -- 3. John Grierson and the early British documentary -- 4. British documentary in the later 1930's -- 5. European and American nonfiction film: 1930-1940 -- 6. The humanistic vision of Robert Flaherty -- 7. World War II on film -- 8. Nonfiction film in transition: 1940-1950 -- 9. Old traditions and new directions: 1950-1960 -- 10. The new nonfiction film: 1960-1970URL status: URL: 'http://-'
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Post-theory : reconstructing film studies / edited by David Bordwell and Noel Carroll Madison: University of Wisconsin Press, 1996.
Call No: 62 POSAuthor: Bordwell, David, 1947 ; Carroll, Noel (NoFl E.) Place: MadisonPublisher: University of Wisconsin PressPubDate: 1996PhysDes: 564 p. : 23 cmSeries: Wisconsin studies in filmSubject: THEORY ; FILM STUDY AND RESEARCH ; PSYCHOANALYSIS AND THE CINEMA ; FEMINISM AND THE CINEMA ; HORROR FILMS ; TRUTH IN FILMS ; MUSIC, FILM ; NON-FICTION FILMS ; REALISM IN FILMS ; AVANT-GARDE FILMS ; SPECTATORSHIP ; JAPAN ; DENMARK ; EXHIBITION ; CHARACTERIZATION IN FILMS ; AUDIENCES ; CONSTRUCTIVISM ; EDITING ; PERCEPTION ; PSYCHOLOGICAL EFFECTS OF FILMS ; GENRES ; LOVE IN FILMS ; MELODRAMA ; NARRATIVE IN FILMS ; COLUMBIA PICTURES ; WARNER BROS. ; BRECHT, BERTOLT ; GIBSON, JAMES J. ; COHN, HARRY ; JAMESON, FREDRIC ; MANDEL, ERNEST ; RENOV, MICHAEL ; JAZZ SINGER, THE (US, Alan Crosland, 1927) ; CASABLANCA (US, Michael Curtiz, 1942) ; ACCUSED, THE (US, Jonathan Kaplan, 1988) Notes: Includes bibliographical references and indexISBN: 0299149404 (cloth : alk. paper); 0299149447 (pbk. : alk. paper)LON: 95037052; 11859923
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Seeking finding remembering : Short films from the Federal Republic / Karola Gramann, Dr. J. S. Roth Munich: Goethe Institute, 1987.
Call No: 115 287 (430.1) GRAAuthor: Gramann, Karola Edition: 1st ed.Source: Federal Republic of GermanyPlace: MunichPublisher: Goethe InstitutePubDate: 1987PhysDes: 52 p ; 20cm + b&w ill.Subject: SHORT FILMS ; GERMAN FEDERAL REPUBLIC ; NON-FICTION FILMS ; WORKERS IN FILMS ; WOMEN IN FILMS ; FEMINISM AND THE CINEMA ; POLITICAL FILMS ; NAZIS IN FILMS ; HISTORICAL FILMS ; WORLD WAR II AND THE CINEMA ; PEWAS, PETER ; WILMS, ELISABETH ; KOERBER, MARTIN ; TICHAWSKY, HEINRICH ; NESTLER, PETER ; HERZ, HORST ; DOERRIES, BERNHARD ; KLUGE, ALEXANDER ; SCHAMONE, PETER ; STRAUB, JEAN-MARIE ; KRISTL, VLADO ; THOME, RUDOLPH ; FASSBINDER, RAINER WERNER ; STOCKL, ULA ; OTTINGER, ULRIKE ; HERBST, HELMUT ; SANDERS-BRAHMS, HELMA ; FAROCKI, HARUN ; GIEFER, THOMAS ; BERSWORDT-WALLRABE, VON, ALEXANDER ; MERBACH, ROSEMARIE ; SCHUBERT, DIETRICH ; WINZENSTEN, FRANZ ; LANG, MARIA ; NOLL BRINCKMANN ; JORITZ, CATHY ; MIKESCH, ELFI ; KLEINE CHAOS, DAS (GR, Rainer Werner Fassbinder, 1966) ; MENSCHEN, STADTEN, SCHIENEN (GR,Peter Pewas, 1949) ; DORTMUND DAMALS (GR, Elisabeth Wilms, 1947) ; HERBSTBEDANKEN (GR, Peter Pewas, 1950) ; VELORENES BERLIN, EIN (GR,Richard Kostelanetz, Martin Koerber, 1983) ; NOTIZEN AUS DEM ALTMUHTAL (GR,Hans Rolf Strobel, Heinrich Tichawsky, 1961) ; MULHEIM/RUHR (GR, Peter Nestler, 1964) ; ES LOBT DEN MANN DIE ARBEIT UND DIE TAT (GR, Horst Herz, 1982) ; MANNEQUIN, DAS (GR, Bernhard Doerries, 1960) ; BRUTALITAT IN STEIN - DIE EWIGKEIT VON GESTERN (GR, Alexander Kluge, Peter Schamoni, 1960) ; MACHORKA MUFF (GR, Jean-Marie Straub, 1962) ; MADELEINE-MADELEINE (GR, Vlado Kristl, 1963) ; VERSOHNUNG, DIE (GR, Rudolf Thome, 1964/65) ; ANTIGONE (GR, Ula Stockl, 1964) ; SUPERBIA (GR, Ulrike Ottinger, 1986) ; SCHWARZ, WEISS, ROT (GR, Helmut Herbst, 1964) ; INDUSTRIELLE RESERVEARMEE, DIE, Helena Sanders-Brahms, 1970/71) ; NICHT LOSCHBARES FEUER (GR, Harun Farocki, 1969) ; TERROR AUCH IM WESTERN (GR, Thomas Giefer, 1968) ; ABSTECHER NACH ENKBACH, EIN (GR, Alexander von Berswordt-Wallrabe, 1979) ; MAMMA HEMMERS GEHT MIT IHREM PASTOR ZUM LETZEN MAL UBER'N HEINRICHPLATZ; KREUZBERG ADIO (GR, S.M Rosi, 1979) ; GEHT UM MEHR ALS NUR UMS UBERLEBEN, ES (GR, Dietrich Schubert, 1982) ; ANPROBE, DIE - 1938 (GR, Franz Winzenstein, 1985) ; ANGELIKA URBAN, VERKAUFERIN, VERLOBT (GR, Helma Sanders-Brahms, 1969) ; FAMILIENGRUFT-EIN LIEBESGEDICHT AN MEINE MUTTER (GR, Maria Lang, 1982) ; HALBES LEBEN, EIN (GR, Christine Noll Brinckmann, 1983) ; NEGATIVE MAN (GR, Cathy Joritz, 1985) ; EXECUTION-A STUDY OF MARY (GR, Elfi Mikesch, 1979) Summary: This program presents a comprehensive survey of the Federal Republic of Germany’s contribution to the field of short films. Among other things it is a journey through the history of the former West Germany and the social changes it underwent, reflected in the various forms of political documentation and aesthetic innovation in the films.
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Volcano in University Film Group Bulletin (1964) iss.3 p.4
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