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202 results out of 202

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journal article

L'acte cinemtographique

in Vertigo (1991) iss.6/7 p.59-64

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Adaptation theory and criticism : postmodern literature and cinema in the USA / by Gordon E. Slethaug

New York: Bloomsbury, 2014.

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Aesthetics of film / Jacques Aumont ... [et al.] ; translated and revised by Richard Neupert

Austin: University of Texas Press, 1992.

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Alice doesn't : feminism, semiotics, cinema / Teresa de Lauretis

Bloomington: Indiana University Press, 1984.

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Approaches to popular film / edited by Joanne Hollows and Mark Jancovich

Manchester New York New York: Manchester University Press Distributed exclusively in the USA and Canada by St. Martin's Press, 1995.

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Art history for filmmakers : the art of visual storytelling / Gillian McIver

London: Bloomsbury, c2016.

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The Asian cinema experience : styles, spaces, theory

Oxford [Oxfordshire] ; New York: Routledge, 2013.

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Aural Auteur : sound in the films of Rolf De Heer / David Bruno Starrs

Brisbane, Queensland: 2009.

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Australian film theory and criticism : volume 1 critical positions / Noel King / Constantine Verevis / Deane Williams

Bristol, UK; Chicago: Intellect, 2013-.

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Australian film theory and criticism : volume 2 interviews / [edited by] Noel King and Deane Williams

Bristol; Chicago: Intellect Books, 2014.

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AUTEUR THEORY

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The auteur theory myths and magic

in Metro Education (2000) iss.12 p.13-16

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Auteurs and authorship : a film reader / edited by Barry Keith Grant

Malden, MA: Blackwell Publishing, 2008.

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Authorship

in Wide Angle (1984) vol.6 iss.1 p.[whole issue]

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Authorship and Hollywood

in Wide Angle (1983) vol.5 iss.3 p.16-22

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Authorship and the films of David Lynch : aesthetic receptions in contemporary Hollywood / Antony Todd

London: I.B. Tauris, 2012.

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Bad history and the logics of blockbuster cinema : Titanic, Gangs of New York, Australia, Inglourious Basterds / Patrick McGee

New York: Palgrave Macmillan, 2012.

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Beyond auteurism : new directions in authorial film practices in France, Italy and Spain since the 1980s / Rosanna Maule

Bristol, U.K. ; Chicago, USA: Intellect, 2008.

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BIG BANG THEORY, THE [TV] : (US, 2007-)

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The Big Heat

in Montage (June 1965) p.14-16

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Bollywood and its other(s) : towards new configurations / edited by Vikrant Kishore, Amit Sarwal and Parichay Patra

Houndmills. Basingstoke, Hampshire ; New York: Palgrave Macmillan, 2014.

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Bollywood in Britain : cinema, brand, discursive complex / by Lucia Kramer

New York: Bloomsbury Academic, an imprint of Bloomsburg Publishing, 2016.

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Borrowed Time

in Montage (March 1970) p.5-8

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Cahiers du Cinema : volume four, 1973-1978: history, ideology, cultural struggle : an anthology from Cahiers du Cinema nos 248-292, September 1973-September 1978 / edited by David Wilson; with an introduction by Berenice Reynaud

London; New York: Routledge, British Film Institute, 2000.

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A casebook on film / Charles Thomas Samuels

New York: Van Nostrand Reinhold, 1970.

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Cinema : Cinema. English / Gilles Deleuze ; translated by Hugh Tomlinson and Barbara Habberjam

Minneapolis: University of Minnesota, 1986-c1989.

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Cinema 2 : The time-image / Gilles Deleuze / translated by Hugh Tomlinson and Robbert Galeta

London: The Athlone Press, 1989.

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Cinema approaching reality : locating Chinese film theory / Victor Fan

Minneapolis: University of Minnesota Press, 2015.

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The Cinema book / edited by Pam Cook

London: BFI, 1985.

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The cinema book / edited by Pam Cook and Mieke Bernink

London: British Film Institute, 1999.

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Cinema in the digital age / Rombes, Nicholas

New York: New York Columbia University Press, 2017.

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The cinema of Jean Renoir and the concept of the author

in Metro (1997) iss.111 p.21-26

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The Cinematic Director as a Creative Being

in Montage (1967) iss.1 p.18-19

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Cinematic Ethics : exploring ethical experience through film / Robert Sinnerbrink

London ; New York: Routledge, 2016.

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Cinematic hypertext : investigating a new paradigm / Clara Mancini

Amsterdam: IOS Press, 2005.

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Cinematic urbanism : a history of the modern from reel to real / Nezar Al Sayyad

New York : London: Routledge, 2006.

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Claiming the real : the Griersonian documentary and its legitimations / Brian Winston

London: British Film Institute, 1995.

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A companion to Alfred Hitchcock / edited by Thomas Leitch and Leland Poague

Chichester, U.K. ; Malden, MA: Wiley-Blackwell, 2011.

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A companion to Australian cinema / Edited by Felicity Collins, Jane Landman, and Susan Bye

Hoboken, New Jersey: Wiley-Blackwell, 2019.

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CONSPIRACY THEORY : (US, Richard Donner, 1997)

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Crafting truth : documentary form and meaning / by Louise Spence and Vinicius Navarro

New Brunswick, NJ: Rutgers University Press, c2011.

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Critical cinema : beyond the theory of practice / edited by Clive Myer ; with a foreword by Bill Nichols

London ; New York: Wallflower Press, c2011.

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journal article

The Critics and the Movies

in Montage (1967) iss.1 p.22

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Cultural Borrowings : appropriation, reworking, transformation / edited by Iain Robert Smith

United Kingdom: Institute of Film & TV Studies, University of Nottingham, 2009.

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Interim

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Cultural studies : theorizing politics, politicizing theory : Special Issue : Becoming (Postcolonial) Hong Kong / Edited by John Nguyet Erni

Routledge, July/October 2001.

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Dancefilm : choreography and the Moving Image / by Erin Brannigan

New York: Oxford University Press, c2011.

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Defining cinema / edited and with an introduction by Peter Lehman

London: Athlone Press, c1997.

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Deleuze : A guide for the perplexed / Claire Colebrook

London: Continuum, 2006.

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Deleuze and cinema : the aesthetics of sensation / Barbara M. Kennedy

Edinburgh: Edinburgh University Press, 2002.

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Deleuze, cinema and the thought of the world / Allan James Thomas

Edinburgh: Edinburgh University Press, 2018.

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The documentary : politics, emotion, culture / Belinda Smaill

Basingstoke, England: Palgrave Macmillan, 2010.

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Documentary practice in a participatory culture / by Patrick Anthony Tarrant

Queensland: 2008.

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Old collection

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Dreyer / by Mark Nash

London: British Film Institute, 1977.

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Dutch tilt, Aussie auteur : the films of Rolf De Heer / D. Bruno Starrs

Saarbrucken, Germany: VDM, Verlag Dr Muller, 2009.

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The elusive auteur : the question of film authorship throughout the age of cinema / by Barrett Hodsdon

Jefferson, North Carolina: McFarland & Company Inc, c2017.

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The emergence of film art : the evolution and development of the motion picture as an art, from 1900 to the present

New York: Hopkinson and Blake, [c1969].

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Encounters of the Filmic Kind : guidebook to film theories / Reka M. Cristian and Zoltan Dragon

Szeged, Hungary: JATEPress, 2008.

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Essential Brakhage : selected writings on filmmaking / by Stan Brakhage ; edited with a foreword by Bruce R. McPherson

Kingston, New York: McPherson and Company, c2001.

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An everyday magic : cinema and cultural memory / Annette Kuhn

New York: I.B. Tauris, 2002.

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The evolution of film : rethinking film studies / Janet Harbord

Cambridge: Polity Press, 2007.

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Feminism and film / Maggie Humm

Edinburgh: Edinburgh University Press, 1997.

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Feminism without women : culture and criticism in a "postfeminist" age / Tania Modleski

New York: Routledge, 1991.

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Feminist film theory and Cleo from 5 to 7 / by Hilary Neroni

New York: Bloomsbury Academic, 2016.

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Femmes fatales : feminism, film theory, psychoanalysis / Mary Ann Doane

New York: Routledge, 1991.

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Film : a montage of theories

N.Y.: Dutton, 1966.

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Old collection

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Film : an anothology / compiled and edited by David Talbot

Berkeley, Calif.: University of California Press, 1966.

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Film : the key concepts / by Nitzan Ben-Shaul

Oxford: Berg, 2007.

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Film : an introduction / John L. Fell

New York: Praeger Publishers, 1975.

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Film adaptation and its discontents : from Gone with the wind to The Passion of the Christ / by Thomas Leitch

Baltimore MD: John Hopkins University Press, 2007.

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Film appreciation / Allan Casebier

New York: Harcourt Brace Jovanovich, c1976.

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Film as social practice / Graeme Turner

London New York: Routledge, 1988.

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Film/cinema/movie : a theory of experience / Gerald Mast ; with a new preface

Chicago: University of Chicago Press, 1983.

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Interim

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The film cultures reader / Graeme Turner (ed.)

New York: Routledge, 2002.

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Film fables / Jacques Rancier ; translated by Emiliano Battista

New York: Berg Publishers, 2006.

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Film form : essays in film theory / Sergei Eisenstein ; edited and translated by Jay Leyda

London: Dennis Dobson, 1949.

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Film, form & feeling / Dennis DeNitto

New York: Harper & Row, c1985.

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Film Genre : theory and criticism / edited by Barry K. Grant

Metuchen, NJ: Scarecrow Press, Inc., 1977.

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Film genre reader II / edited by Barry Keith Grant

Austin: University of Texas Press, 1995.

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Film Moments : criticism, history, theory / edited by Tom Brown and James Walters

London: Palgrave Macmillan on behalf of the British Film Institute, 2010.

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Film sequels : theory and practice from Hollywood to Bollywood / by Carolyn Jess-Cooke

Edinburgh: Edinburgh University Press, 2009.

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Film technique and film acting : The cinema writings of V.I. Pudovkin / V. I. Pudovkin

New York: Bonanza Books, 1959.

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Film theory : an introduction / Robert Lapsley and Michael Westlake

Manchester, UK New York: Manchester University Press Distributed exclusively in the USA and Canada by St. Martin's Press, 1988.

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Film Theory : an introduction / by Robert Stam

Malden, MA ; Oxford: Blackwell Publishing, 2000.

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Film theory and criticism : introductory readings / [edited by] Gerald Mast, Marshall Cohen

New York: Oxford University Press, 1985.

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Five directors : auteurism from Assayas to Ozon / edited by Kate Ince

Manchester, UK ; New York: Manchester University Press, 2008.

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Francis Ford Coppola

Springfield, Illinois.: University of Illinois Press, 2014.

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journal article

Fritz Lang : The Ambiguity of Innocence

in Lumiere (June, 1973) iss.24 p.23-27

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Funny Frames : the filmic concepts of Michael Haneke / by Oliver C. Speck

New York : London: Continuum, 2010.

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The future of an illusion : film, feminism, and psychoanalysis / Constance Penley

London: Routledge, 1989.

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Old collection

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Godard : images, sounds, politics / Colin MacCabe ; text, Colin MacCabe with Mick Eaton and Laura Mulvey ; interviews, Jean-Luc Godard.

London: Macmillan, 1980.

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Hitchcock and adaptation : on the page and screen / edited by Mark Osteen

Lanham, Maryland: Rowman & Littlefield, c2014.

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Hollywood hybrids : mixing genres in contemporary films / Ira Jaffe

Lanham, MD: Rowman & Littlefield, 2008.

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The Hollywood interviews / Cahiers du Cinéma; translated by John Flower

Oxford, UK: Berg, 2006.

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The horror reader / edited by Ken Gelder

New York, NY: Routledge, 2000.

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The horse who drank the sky : film experience beyond narrative and theory / Murray Pomerance

New Brunswick, NJ: Rutgers University Press, 2008.

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How a film theory got lost : and other mysteries in cultural studies / Robert B Ray

Bloomington: Indiana University Press, c2001.

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Old collection

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How to appreciate motion pictures : a manual of motion-picture criticism prepared for high-school students / by Edger Dale

New York: Macmillan, 1933.

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Interim

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How to Study Television / Keith Selby and Ron Cowdery

London: Macmillan Press, 1995.

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Ideology and the image : social representation in the cinema and other media / Bill Nichols

Bloomington: Indiana University Press, 1981.

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The intelligence of a machine / by Jean Epstein, translated by Christophe Wall-Romana

Minneapolis, MN: Univocal, c2014.

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journal article

International Trends in the Cinema : A Summary of Ken Mogg's Talk to Monash Film Group Discussion Group

in Montage (1966) iss.2 p.18-21

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Interpreting films : studies in the historical reception of American cinema / Janet Staiger

Princeton, N.J.: Princeton University Press, 1992.

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An introduction to film studies / edited by Jill Nelmes

London: Routledge, 1999.

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An introduction to film studies / edited by Jill Nelmes

London: Routledge, 2003.

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Irish and African American Cinema : identifying others and performing identities, 1980-2000 / Maria Pramaggiore

Albany: State University of New York Press, 2007.

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Issues in feminist film criticism / edited by Patricia Erens

Bloomington: Indiana University Press, 1990.

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Jan Svankmajer / by Keith Leslie Johnson

Urbana, Illinois: University of Illinois Press, c2017.

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Jane Campion and adaptation : angels, demons and unsettling voices / Estella Tincknell

Basingstoke, Hampshire: Palgrave Macmillan, 2013.

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Old collection

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Jean-Luc Godard : son + image, 1974-1991 / edited by Raymond Bellour with Mary Lea Bandy

New York: Museum of Modern Art : Distributed by H.N. Abrams, c1992.

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Jean-Luc Godard / by Douglas Morrey

Manchester and New York: Manchester University Press, 2005.

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Jungian film studies : the essential guide / Helena Bassil-Morozow / Luke Hockley

London ; New York: Routledge, 2017.

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"Le film m'a menti" : Stage Fright, d'Alfred Hitchcock

in Vertigo (1991) iss.6/7 p.67-70

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Life to those shadows / by Noe¨l Burch ; translated and edited by Ben Brewster

Berkeley: University of California Press, 1990.

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The limits of auteurism : case studies in the critically constructed New Hollywood / Nicholas Godfrey

New Brunswick: Rutgers University Press, 2018.

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The major film theories : an introduction / J. Dudley Andrew

London New York: Oxford University Press, 1976.

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The Maltese touch of evil : film noir and potential criticism / by Shannon Scott Clute and Richard L. Edwards

Hanover, N.H. ; London: University Press of New England, c2011.

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The mass ornament : Weimar essays / Siegfried Kracauer ; translated, edited, and with an introduction by Thomas Y. Levin

Cambridge, MA: Harvard University Press, 1995.

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Maximum movies - pulp fictions : film culture and the worlds of Samuel Fuller, Mickey Spillane, and Jim Thompson / Peter Stanfield

New Brunswick, N.J.: Rutgers University Press, 2011.

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Media institutions and audiences : key concepts in media studies / Nick Lacey

Houndmills, Basingstoke, Hampshire ; New York: Palgrave, 2002.

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Interim

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Media reception studies / Janet Staiger

New York: New York University Press, c2005.

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Merchants of Menace : the Business of Horror Cinema / edited by Richard Nowell

New York: Bloomsbury, 2014.

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Minding movies : observations on the art, craft, and business of filmmaking / by David Bordwell and Kristin Thompson

Chicago: University of Chicago Press, 2011.

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journal article

Mouchette

in Melbourne Film Bulletin (1968) iss.4 p.22-24

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Movies and methods : an anthology / edited by Bill Nichols

Berkeley: University of California Press, c1976.

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Mysteries of cinema : reflections on film theory, history and culture 1982-2016 / Adrian Martin

Amsterdam: Amsterdam University Press,

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The mystical gaze of the cinema : the films of Peter Weir / by Richard Leonard

Carlton, Victoria: Melbourne University Press, 2009.

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Old collection

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Nabokov's dark cinema / Appel, Alfred

New York: Oxford University Press, 1974.

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Narrative, apparatus, ideology : a film theory reader / edited by Philip Rosen

New York: Columbia University Press, 1986.

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newspaper article

Networking

in Canberra Times [TV Guide] (07/09/2015) p.2

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New queer cinema : the director's cut / B. Ruby Rich

Durham [North Carolina]: Duke University Press, 2013.

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New vocabularies in film semiotics : structuralism, post-structuralism, and beyond / Robert Stam, Robert Burgoyne, and Sandy Flitterman-Lewis

London New York: Routledge, 1992.

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No other way to tell it : docudrama on film and television / by Derek Paget

Manchester: Manchester University Press, c2011.

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Nonindifferent nature : Neravnodushnadia priroda. English / Sergei Eisenstein ; translated by Herbert Marshall

Cambridge New York: Cambridge University Press, 1987.

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On Michael Haneke / edited by Brian Price and John David Rhodes

Detroit: Wayne State University Press, c2010.

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journal article

On the Films of Jean-Luc Godard

in Wide Angle (1976) vol.1 iss.3 p.[whole issue]

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On the history of film style / David Bordwell

Cambridge, Mass.: Harvard University Press, 1997.

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Opening Bazin : postwar film theory and its afterlife / edited by Dudley Andrew with Herve Joubert-Laurencin

New York: Oxford University Press, c2011.

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Pandora's box : essays in film theory / Barbara Creed

Melbourne: Australian Centre for the Moving Image, 2004.

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Paris Hollywood : writings on film / Peter Wollen

London ; New York: Verso, 2002.

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"Paths that wind through the thicket of things"

in Critical inquiry (Autumn 2001) vol.28 iss.1 p.317-354

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The persistence of history : cinema, television, and the modern event / edited by Vivian Sobchak

New York: Routledge, 1996.

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Personal views : explorations in film / Robin Wood

London: G. Fraser, 1976.

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Interim

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Perverse spectators : the practices of film reception / Janet Staiger

New York: New York University Press, c2000.

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Peter Weir : a creative journey from Australia to Hollywood / by Serena Formica

Bristol ; Chicago: Intellect Books, 2012.

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Peter Weir : interviews / edited by John C. Tibbetts ; foreword by David Thomson

Jackson, Mississippi: University Press of Mississippi, 2014.

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Philosophy goes to the movies : an introduction to philosophy / Christopher Falzon

London: Routledge, 2002.

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Pixar with Lacan : the hysteric's guide to animation / Lilian Munk Rosing

London: Bloomsbury Academic, an imprint of Bloomsburg Publishing, 2017.

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Interim

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The place of the audience : cultural geographies of film consumption / Mark Jancovich and Lucy Faire with Sarah Stubbings

London: British Film Institute, 2003..

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journal article

Pleading an Aesthetic Excuse

in Montage (September 1968) p.9-13

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Post-theory : reconstructing film studies / edited by David Bordwell and Noel Carroll

Madison: University of Wisconsin Press, 1996.

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Postcolonial theory and Avatar / Gautam Basu Thakur

New York : London: Bloomsbury Academic, an imprint of Bloomsburg Publishing, 2016.

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The postmodern condition : a report on knowledge / Jean-Francois Lyotard ; translation from the French by Geoff Bennington and Brian Massumi ; foreword by Fredric Jameson

Manchester: Manchester University Press, 1984.

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Postmodernism and popular culture : a cultural history / John Docker

Cambridge New York Melbourne: Cambridge University Press, 1994.

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Postmodernism in the cinema / edited by Cristina Degli-Esposti

New York: Berghahn Books, 1998.

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Powers of horror : an essay on abjection [Pouvoirs de l'horreur. English] / Julia Kristeva ; translated by Leon S. Roudiez

New York: Columbia University Press, 1982.

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journal article

The Producer as Author

in Wide Angle (1985) vol.7 iss.3 p.24-33

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journal article

Profile: Director Lindsay Anderson

in Australasian Cinema (16/07/1982) vol.11 iss.12 p.28

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Queer Theory and Brokeback Mountain / by Matthew Tinkcom

New York: Bloomsbury Academic, 2017.

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Rating the Audience : the business of media / by Mark Balnaves and Tom O'Regan with Ben Goldsmith

London ; New York: Bloomsbury, 2011.

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Interim

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Reading the figural : or, philosophy after the new media / by D.N. Rodowick

London: Duke University Press, 2001.

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Realism of the senses in World cinema : the experience of physical reality / by Tiago de Luca

London: I.B. Tauris, 2014.

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The Routledge encyclopedia of film theory / edited by Edward Branigan and Warren Buckland

London ; New York: Taylor and Francis Group, 2014.

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Savage junctures : Sergei Eisenstein and the shape of thinking / Anne Nesbet

London: I.B Taurus, 2003.

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journal article

The Scenario as a Structure Designed to Become Another Structure

in Wide Angle (1977) vol.2 iss.1 p.40-47

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Scenes of love and murder : Renoir, film, and philosophy / Colin Davis

London: Wallflower Press, 2009.

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The screening of Australia : anatomy of a national cinema / Susan Dermody, Elizabeth Jacka

Sydney: Currency Press, 1987-<1988.

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Sergei Eisenstein, selected works : Volume I, Writings, 1922-1934 / edited and translated by Richard Taylor

London: I.B. Tauris, 2010.

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Sergei Eisenstein: selected works : volume 2, Towards aTheory of Montage / edited by Michael Glenny and Richard Taylor

London: I.B. Tauris, 2010.

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Signs and meaning in the cinema / Peter Wollen

London: Secker and Warburg in association with the British Film Institute, 1972.

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Smart chicks on screen : representing women's intellect in film and television / edited by, Laura Mattoon D'Amore

Lanham: Rowman & Littlefield, c2014.

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Spectatorship : the power of looking on / Michelle Aaron

London: Wallflower Press, 2007.

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Old collection

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Star signs : papers form a weekend workshop / John Ellis; Richard Dyer; Pam Cook

London: British Film Institute, 1982.

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Interim

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Stardom : industry of desire / Edited by Christine Gledhill

London: Routledge, 1991.

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Old collection

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Stardom : industry of desire / edited by Christine Gledhill

London: Routledge, 1991.

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Study unit 15 : Jean-Luc Godard / notes compiled by Steve Crofts

[London] : [s.n.], 1972:

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SUICIDE THEORY, THE : (AT, Dru Brown, 2014)

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Technologies of gender : essays on theory, film, and fiction / by Teresa de Lauretis

Bloomington: Indiana University Press, 1987.

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Theoretical essays : film, linguistics, literature / Colin MacCabe

Manchester, UK: Manchester University Press, 1985.

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Theories of authorship : a reader / edited by John Caughie

London Boston: Routledge & Kegan Paul in association with the British Film Institute, 1981.

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Theories of cinema, 1945-1995 / Francesco Casetti ; translated by Francesca Chiostri and Elizabeth Gard Bartolini-Salimbeni, with Thomas Kelso

Austin: University of Texas Press, 1999.

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Theories of film / Andrew Tudor

London: Secker & Warburg, 1974.

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Theorizing the moving image / Noel Carroll

New York: Cambridge University Press, 1996.

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subject clippings file

THEORY

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THEORY OF EVERYTHING, THE : (UK, James Marsh, 2014)

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Theory of film : the redemption of physical reality / Siegfried Kracauer

New York: Oxford University Press, 1965.

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THEORY OF FLIGHT, THE : (UK, Paul Greengrass, 1998)

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book

Theory of the avant-garde / Peter Burger ; translation from the German by Michael Shaw ; foreword by Jochen Schutte-Sasse

Manchester: Manchester University Press, 1984.

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Old collection

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theory of the film : (character and growth of a new art) / Béla Balázs / edited by Herbert Marshell

London: Dennis Dobson, [1952].

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Interim

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book

"To become immortal and then die" : The representation of home photographic materials in cinema / Adrian Danks

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book

To desire differently : feminism and the French cinema / Sandy Flitterman-Lewis

Urbana: University of Illinois Press, 1990.

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book

Understanding Film Theory / Ruth Doughty and Christine Etherington-Wright

[England]: Palgrave Macmillan, 2018.

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book

Understanding movies / Louis Giannetti

Englewood Cliffs, N.J.: Prentice-Hall, 1987.

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book

Understanding sound tracks through film theory / by Elsie Walker

New York: Oxford University Press, c2015.

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Interim

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serial

Vertigo

Paris: Avancees Cinematographiques-Vertigo, 1991.

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book

Visual and other pleasures / Laura Mulvey

Bloomington: Indiana University Press, 1989.

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book

Waltzing with Bashir : perpetrator trauma and cinema / by Raya Morag

London ; New York: I.B. Tauris, 2013.

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book

Watching films : new perspectives on movie-going, exhibition and reception / Karina Aveyard / Albert Moran

Bristol, UK ; Chicago: Intellect, 2013.

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book

Watching the Lord of the Rings : Tolkein's world audiences / edited by Martin Barker and Ernest Mathijs

New York, NY: Peter Lang Publishing, 2008.

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journal article

What isn't cinema?

in Critical inquiry (Dec 1974) vol.1 iss.2 p.373-393

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book

Women's pictures : feminism and cinema / Annette Kuhn

London New York: Verso, 1994.

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book

The world in a frame : what we see in films / Leo Braudy

Garden City, N.Y.: Anchor Press, 1976.

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book

The X-men films : a cultural analysis / edited by Claudia Bucciferro

Lanham, Maryland: Rowman & Littlefield, c2016.

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Our catalogue now includes online resources.

Some items (such as books and serials) can be accessed via an ‘available here’ link but please note that access to some items is restricted to RMIT staff and students. If an item does not have a link but is marked as available digitally, please request it using the online form and we will contact you to confirm your eligibility and supply.

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