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Call No: 67(04) BES
Place: New York
Publisher: St. Martin's
PubDate: 1999
PhysDes: 280 p.
Subject: WOMEN IN FILMS; RELIGION AND THE CINEMA; ADAPTATIONS; HISTORY OF CINEMA. SOUND PERIOD; ETHNIC GROUPS IN FILMS; GAZE IN FILMS; FAMILY IN FILMS; WAR FILMS; BOORMAN, JOHN; FRANKENHEIMER, JOHN; SINATRA, FRANK; FORD, JOHN; THOMPSON, KAY; YASUJIRO OZU; MANGOLD, JAMES; RISKIN, ROBERT; SPIELBERG, STEVEN; SCORSESE, MARTIN; SARRIS, ANDREW; MCCAREY, LEO; BOGDANOVICH, PETER; CAPRA, FRANK; VIDAL, GORE; DOVE, BILLIE; GRANT, CARY; BURNETT, CHARLES; HAPPINESS (US, Todd Solondz, 1998); SEARCHERS, THE (US, John Ford, 1956); EVE'S BAYOU (US, Kasi Lemons, 1997); TOUCH OF EVIL (US, Orson Welles, 1958); L.A. CONFIDENTIAL (US, Curtis Hanson, 1997); SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957); GENERAL, THE (UK, John Boorman, 1998); RONIN (US, John Frankenheimer, 1998); STARDUST MEMORIES (US, Woody Allen, 1980); TROUBLE IN PARADISE (US, Ernst Lubitsch, 1932); RED RIVER (US, Howard Hawks, 1948); DETOUR (US, Edgar G. Ulmer, ,1946); WRITTEN ON THE WIND (US, Douglas Sirk, 1956); NOTORIOUS (US, Alfred Hitchcock, 1946); BIG SLEEP, THE (US, Howard Hawkes, 1946); LADY EVE, THE (US, Preston Sturges, 1941); M (G, Fritz Lang, 1931); WOMAN UNDER THE INFLUENCE, A (US, John Cassavetes, 1974)
ISBN: 0312244832
ID2: 291

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BIG SLEEP, THE (US, Howard Hawkes, 1946)

Call No: 81BOG MCC
Author: McCarty, Clifford
Source: US
Place: New Jersey
Publisher: Citadel Press
PubDate: 1979
PhysDes: 187 p. : ports. ; 28 cm
Subject: BOGART, HUMPHREY; DEAD END (US, William Wyler, 1937); BLACK LEGION (US, Archie L. Mayo, 1936); STAND-IN (US, Tay Garnett, 1937); ANGELS WITH DIRTY FACES (US, Michael Curtiz, 1938); ROARING TWENTIES, THE (US, Raoul Walsh, 1939); HIGH SIERRA (US, Raoul Walsh, 1941); MALTESE FALCON, THE (US, John Huston, 1941); BEAT THE DEVIL (UK/IT/US, John Huston, 1953); CAINE MUTINY, THE (US, Edward Dmytryk, 1954); SABRINA (US, Billy Wilder, 1954); BAREFOOT CONTESSA, THE (US, Joseph L. Mankiewicz, 1954); KEY LARGO (US, John Huston, 1948); IN A LONELY PLACE (US, Nicholas Ray, 1950); AFRICAN QUEEN, THE (US, John Huston, 1952); BIG SLEEP, THE (US, Howard Hawkes, 1946); CASABLANCA (US, Michael Curtiz, 1942)
Summary: A list of Bogart’s films from 1930s to the 1950s, with the casts and descriptions of each film.
ISBN: 0806500018

Call No: 734 HIR
Author: Hirsch, Foster
Edition: 1st ed
Place: San Diego London
Publisher: A. S. Barnes Tantivy Press
PubDate: 1981
PhysDes: 229 p. : ill. ; 29 cm
Subject: FILM NOIR; BAD GUYS; EXPRESSIONISM; WOMEN IN FILMS; BOGART, HUMPHREY; CHANDLER, RAYMOND; DASSIN, JULES; HITCHCOCK, ALFRED; LANG, FRITZ; HAMMETT, DASHIELL; MURDER MY SWEET (US, Edward Dmytryk, 1945); SORRY, WRONG NUMBER (US, Anatole Litvak, 1948); BIG CLOCK, THE (US, John Farrow, 1947); BIG HEAT, THE (US, Fritz Lang, 1953); BIG SLEEP, THE (US, Howard Hawkes, 1946); DOUBLE INDEMNITY (US, Billy Wilder, 1944); KILLERS, THE (US, Robert Siodmak, 1946); MALTESE FALCON, THE (US, John Huston, 1941); NIGHT AND THE CITY (US, Jules Dassin, 1950); PROWLER, THE (US, Joseph Losey, 1950); EDGE OF DOOM (US, Mark Robson, 1950); MURDER MY SWEET (US, Edward Dmytryk, 1945); GUN CRAZY (US, Joseph H. Lewis, 1949); BIG COMBO, THE (US, Joseph H. Lewis, 1955)
Notes: Includes index; Bibliography: p. 211-212; Filmography: p. 213-220
ISBN: 049802234X
LON: 80028955; 1868575

Call No: 81HAW WIL
Author: Willis, Donald C.
Place: Metuchen, NJ
Publisher: Scarecrow Press
PubDate: 1975
PhysDes: viii, 235 p. : ill. ; 22 cm.
Subject: HAWKS, HOWARD; BRINGING UP BABY (US, Howard Hawks, 1938); HIS GIRL FRIDAY (US, Howard Hawks, 1940); I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949); MONKEY BUSINESS (US, Howard Hawks, 1952); TWENTIETH CENTURY (US, Howard Hawks, 1934); BALL OF FIRE (US, Howard Hawks, 1942); SONG IS BORN, A (US, Howard Hawks, 1947); FIG LEAVES (US, Howard Hawks, 1926); MAN'S FAVORITE SPORT? (US, Howard Hawks, 1963); RED RIVER (US, Howard Hawks, 1948); RIO BRAVO (US, Howard Hawks, 1959); RIO LOBO (US, Howard Hawks, 1970); EL DORADO (US, Howard Hawks, 1966); BIG SKY, THE (US, Howard Hawkes, 1952); BIG SLEEP, THE (US, Howard Hawkes, 1946); ONLY ANGELS HAVE WINGS (US, Howard Hawks, 1939); CEILING ZERO (US, Howard Hawks, 1936); CROWD ROARS, THE (US, Howard Hawks, 1932); GIRL IN EVERY PORT, A (US, Howard Hawks, 1928); TIGER SHARK (US, Howard Hawks, 1932); BARBARY COAST (US, Howard Hawks, 1935); COME AND GET IT (US, Howard Hawks and William Wyler, 1936); SCARFACE (US, Howard Hawks, 1932); GENTLEMEN PREFER BLONDES (US, Howard Hawks, 1953); CRIMINAL CODE, THE (US, Howard Hawks, 1931); LAND OF THE PHARAOHS (US, Howard Hawks, 1955); TO HAVE AND HAVE NOT (US, Howard Hawks, 1944); AIR FORCE (US, Howard Hawks, 1943); SARGEANT YORK (US, Howard Hawks, 1941); ROAD TO GLORY, THE (US, Howard Hawks, 1936)
Summary: The films of Howard Hawks are organised by genre and reviewed to give a sense of the director as auteur.
Notes: Includes bibliographical references and index.
ISBN: 0810808609

Call No: 81BAC BAC
Author: Bacall, Lauren
Place: London
Publisher: Cape
PubDate: 1979
PhysDes: [6], 377 p., 32 p. of plates : facsims, ports. ; 25cm
Subject: ACTORS; BACALL, LAUREN; BIG SLEEP, THE (US, Howard Hawkes, 1946); TO HAVE AND HAVE NOT (US, Howard Hawks, 1944)
Summary: The book traces Lauren Bacall's career as first a model, and then as a movie star. It looks at her leading men, and in particuliar Humphrey Bogart, wth whom she had a relationship.
Notes: American cinema films. Acting. Bacall, Lauren. Autobiographies (BNB/PRECIS); Originally published: New York : Knopf, 1978
ISBN: 022401692X :

Call No: 753.4 MOD
Author: Peary, Gerald; Shatzkin, Roger
Place: New York
Publisher: Ungar
PubDate: 1978
PhysDes: xii, 461 p. : ill. ; 22 cm
Series: Ungar Film Library
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; ALL THE KINGS MEN (US, Robert Rossen, 1949); BIG SLEEP, THE (US, Howard Hawkes, 1946); BREAKFAST AT TIFFANY'S (US, Blake Edwards, 1961); CATCH 22 (US, Mike Nichols, 1970); DAY OF THE LOCUST, THE (US, John Schlesinger, 1975); DELIVERANCE (US, John Boorman, 1972); FOUNTAINHEAD, THE (US, King Vidor, 1949); FOR WHOM THE BELL TOLLS (US, Sam Wood, 1943); GRAPES OF WRATH, THE (US, John Ford, 1940); HEART IS A LONELY HUNTER, THE (US, Robert Ellis Miller, 1968); HUMAN COMEDY, THE (US, Clarence Brown, 1943); IN THIS OUR LIFE (US, John Huston, 1942); INTRUDER IN THE DUST (US, Clarence Brown, 1949); LAST HURRAH, THE (US, John Ford, 1958); LITTLE BIG MAN (US, Arthur Penn, 1970); LOLITA (US, Stanley Kubrick, 1962); LONELYHEARTS (US, Vincent J. Donehue, 1958); MAN WITH THE GOLDEN ARM, THE (US, Otto Preminger, 1955); NAKED AND THE DEAD, THE (US, Raoul Walsh, 1958); NATIVE SON (AG, Pierre Chenal, 1951); NIGHT OF THE HUNTER (US, Charles Laughton, 1955); OF MICE AND MEN (US, Lewis Milestone, 1939); OLD MAN AND THE SEA, THE (US, John Sturges, 1958); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); RABBIT, RUN (US, Jack Smight, 1970); SLAUGHTERHOUSE-FIVE (US, George Roy Hill, 1972); TARNISHED ANGELS, THE (US, Douglas Sirk, 1957); THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969); TO HAVE AND HAVE NOT (US, Howard Hawks, 1944); TOBACCO ROAD (US, John Ford, 1941); TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948); WET PARADE, THE (US, Victor Fleming, 1932)
Summary: "Does a movie have the same impact as the novel on which it is based? Here are some of the stimulating - and occasionally surprising - answers to that question. This book is a follow-up to The Classic American Novel and the Movies, which ended in 1929, but it can be read on its own. [This book] covers novels and films from the 1930s to the 1970s, from Erskine Caldwell's Tobacco Road to James Dickey's Deliverance. In between, many film translations of notable novels are scrutinized - works by such authors as Faulkner, Hemingway, Steinbeck, McCullers, Nabokov, Updike, Kesey, and Vonnegut [...] Style, characterisation, theme, and ideology come under review. And we get behind-the-scenes insights into the actual filming of some celebrated novels. Of special value to scholars and students of film: extended filmographies by both author and film title of adaptations of American novels published between 1930 and 1975. In addition, there is a bibliography covering the same period, plus complete rental information on the films themselves." -- BOOK BLURB
Notes: Includes index; Filmography: p. 349-428; Bibliography: p. 429-443; Sequel/companion to The Classic American Novel and the Movies, also in the Collection
ISBN: 0804426821 : $14.50. 0804466491 pbk. : $6.95
LON: 78004373; 1250638

Call No: 67(04) FAR
Author: Farber, Manny
Place: New York
Publisher: Hillstone
PhysDes: viii, 288 p., [18] of plates : ill. ; 21 cm.
Subject: ACTORS; EXPERIMENTAL FILMS; FESTIVALS. NEW YORK; UNDERGROUND FILMS; AGEE, JAMES; ALDRICH, ROBERT; ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BOGARDE, DIRK; BOGART, HUMPHREY; BRESSON, ROBERT; BUNUEL, LUIS; BURTON, RICHARD; DENEUVE, CATHERINE; FONDA, HENRY; FORD, JOHN; FULLER, SAMUEL; GODARD, JEAN-LUC; HAWKS, HOWARD; HITCHCOCK, ALFRED; HUSTON, JOHN; KAZAN, ELIA; MANN, ANTHONY; MOREAU, JEANNE; SIEGEL, DON; SNOW, MICHAEL; STEVENS, GEORGE; STURGES, PRESTON; TAYLOR, ELIZABETH; ASPHALT JUNGLE, THE (US, John Huston, 1950); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); BIG CLOCK, THE (US, John Farrow, 1947); BIG SLEEP, THE (US, Howard Hawkes, 1946); BODY SNATCHER, THE (US, Robert Wise, 1945); CURSE OF THE CAT PEOPLE, THE (US, Gunther von Fritsch & Robert Wise, 1944); DETECTIVE STORY (US, William Wyler, 1951); FLAMING STAR (US, Don Siegel, 1960); HIGH SIERRA (US, Raoul Walsh, 1941); HIS KIND OF WOMAN (US, John Farrow, 1951); HIS GIRL FRIDAY (US, Howard Hawks, 1940); KILLERS, THE (US, Robert Siodmak, 1946); ODD MAN OUT (UK, Carol Reed, 1947); LADY FROM SHANGHAI, THE (US, Orson Welles, 1948); PICKUP ON SOUTH STREET (US, Samuel Fuller, 1953); PROWLER, THE (US, Joseph Losey, 1950); RED RIVER (US, Howard Hawks, 1948); ROARING TWENTIES, THE (US, Raoul Walsh, 1939); SCAR OF SHAME, THE (US, Frank Peregini, 1927); SET-UP (US, Kathryn Bigelow, 1978); SKAMMEN (SW, Ingmar Bergman, 1968); SULLIVAN'S TRAVELS (US, Preston Sturges, 1942); SUNSET BOULEVARD (US, Billy Wilder, 1950); THIRD MAN, THE (UK, Carol Reed, 1949)
Notes: Includes index.; Orginally published as: Negative space

Call No: 626 FAL
Author: Falzon, Christopher
Edition: third edition
Place: London
Publisher: Routledge
PubDate: 2002
PhysDes: 330p. : illustrations ; 24 cm
Subject: PHILOSOPHY AND THE CINEMA; THEORY; FOUCAULT, MICHEL; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931); ADDICTION, THE (US, Abel Ferrara, 1995); AGNES OF GOD (US, Norman Jewison, 1985); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); ALL OF ME (US, Carl Reiner, 1984); ALPHAVILLE (FR, Jean-Luc Godard, 1965); AMADEUS (US, Milos Forman, 1984); AMATEUR (US, Hal Hartley, 1994); ANGEL HEART (US, Alan Parker, 1987); ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BASIC INSTINCT (US, Paul Verhoeven, 1992); BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996); BEDAZZLED (US, Stanely Donen, 1967); BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); BEING THERE (US, Hal Ashby, 1979); BIG (US, Penny Marshall, 1988); BIG SLEEP, THE (US, Howard Hawkes, 1946); BLADE RUNNER (US, Ridley Scott, 1982); BLAISE PASCAL (IT, Roberto Rossellini, 1972); BLUE VELVET (US, David Lynch, 1986); BOB ROBERTS (US, Tim Robbins, 1992); BRAZIL; BREAKER MORANT (AT, Bruce Beresford, 1980); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); CABARET (US, Bob Fosse, 1972); CASABLANCA (US, Michael Curtiz, 1942); CASPER (US, Brad Silberling, 1995); CHANCES ARE (US, Emile Ardolino, 1989); CHINATOWN (US, Roman Polanski, 1974); CINEMA PLUS; CITIZEN KANE (US, Orson Welles, 1941); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970); CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); CRIMES AND MISDEMEANORS (US, Woody Allen, 1989); CRIMES OF PASSION (US, Ken Russell, 1984); CRUCIBLE, THE (US, Nicholas Hytner, 1996); CRYING GAME, THE (UK, Neil Jordan, 1992); DANGEROUS LIAISONS (US, Stephen Frears, 1988); DARK CITY (US, Alex Proyas, 1997); DARK STAR (US, John Carpenter, 1974); DEAD AGAIN (US, Kenneth Branagh, 1991); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DRACULA (US, Tod Browning, 1931); EASY RIDER (US, Dennis Hopper, 1969); EDUCATING RITA (UK, Lewis Gilbert, 1983); ELEPHANT MAN, THE (US, David Lynch, 1980); ENEMY OF THE STATE (US, Tony Scott, 1998); JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974); FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997); FAHRENHEIT 451 (UK, Francois Truffaut, 1966); FATAL ATTRACTION (US, Adrian Lyne, 1987); [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970); FLY, THE (US, David Cronenberg, 1986); FORTRESS (AT/US, Stuart Gordon, 1993); FRANKENSTEIN (US, James Whale, 1931); FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GATTACA (US, Andrew Niccol, 1997); GHOST (US, Jerry Zucker, 1990); GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988); GROUNDHOG DAY (US, Harold Ramis, 1993); HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990); HANNAH AND HER SISTERS (US, Woody Allen, 1986); HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991); HIGH HOPES (UK, Mike Leigh, 1988); HIGH NOON (US, Fred Zinnemann, 1952); HILARY AND JACKIE (UK, Anand Tucker, 1998); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); IF... (UK, Lindsay Anderson, 1968); INHERIT THE WIND (US, Stanley Kramer, 1960); INTERIORS (US, Woody Allen, 1978); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961); JURASSIC PARK (US, Steven Spielberg,, 1993); KOYAANISQATSI (US, Godfrey Reggio, 1982); LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994); ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976); MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979); LOVE AND DEATH (US, Woody Allen, 1975); M (G, Fritz Lang, 1931); MAD MAX (AT, George Miller, 1979); MALTESE FALCON, THE (US, John Huston, 1941); MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962); MATEWAN (US, John Sayles, 1987); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983); MEPHISTO (HU/GW, Istvan Szabo, 1981); METROPOLIS (G, Fritz Lang, 1926); MISSION, THE (UK, Roland Joffe, 1986); MODERN TIMES (US, Charles Chaplin, 1936); MON ONCLE (FR/IT, Jacques Tati, 1958); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974); MY FAIR LADY (US, George Cukor, 1964); NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986); NORMA RAE (US, Martin Ritt, 1979); NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963); O LUCKY MAN! (UK, Lindsay Anderson, 1973); OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992); ON THE BEACH (US, Stanley Kramer, 1959); ON THE WATERFRONT (US, Elia Kazan, 1954); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996); PLAYER, THE (US, Robert Altman, 1992); PLAYTIME (FR, Jacques Tati, 1967); PRINCESS BRIDE, THE (US, Rob Reiner, 1987); PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); QUIZ SHOW (US, Robert Redford, 1994); RAIN (US, Louis Milestone, 1932); RAIN MAN (US, Barry Levinson, 1988); RAPTURE, THE (US, Michael Tolkin, 1991); RASHOMON (JA, Akira Kurosawa, 1950); REAR WINDOW (US, Alfred Hitchcock, 1954); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982); ROBOCOP (US, Paul Verhoeven, 1987); ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990); SALT OF THE EARTH (US, Herbert J. Biberman, 1954); SAVING PRIVATE RYAN (US, Steven Spielberg, 1998); SCHINDLER'S LIST (US, Steven Spielberg, 1993); SEA OF LOVE (US, Harold Becker, 1989); SEVEN [SE7EN] (US, David Fincher, 1995); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); SHOCKER (US, Wes Craven, 1989); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); SIMON DEL DESIERTO (MX, Luis Bunuel, 1965); SLEEPER (US, Woody Allen, 1973); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982); STAGE FRIGHT (UK, Alfred Hitchcock, 1950); STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982); STAR TREK; STAR WARS (US, George Lucas, 1977); SUTURE (US, Scott McGehee & David Siegel, 1993); SWITCH (US, Blake Edwards, 1991); TERMINATOR, THE (US, James Cameron, 1984); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961); THINGS TO COME (UK, William Cameron Menzies, 1936); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); THREE FACES OF EVE (US, Nunnally Johnson, 1957); TOTAL RECALL (US, Paul Verhoeven, 1990); TRUMAN SHOW, THE (US, Peter Weir, 1998); USUAL SUSPECTS, THE (US, Bryan Singer, 1995); VICE VERSA (US, Brian Gilbert, 1988); JUNGFRUKALLAN (SW, Ingmar Bergman, 1960); WAG THE DOG (US, Barry Levinson, 1997); WALL STREET (US, Oliver Stone, 1987); WILD ONE, THE (US, Laslo Benedek, 1953); WITTGENSTEIN (UK, Derek Jarman, 1993); YOU ONLY LIVE ONCE (US, Fritz Lang, 1937)
Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking. Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films. The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web site
Notes: Includes glossary
ISBN: 9780415538169
Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index

Call No: 734.1 PHI
Author: Sanders, Steven M.; Skoble, Aeon J.
Place: Lexington, KN
Publisher: University of Kentucky Press
PubDate: c2008
PhysDes: viiii, 272 p. ; 24 cm
Series: the philosophy of popular culure
Subject: AESTHETICS; ALIENS IN FILMS; CHARACTERIZATION IN FILMS; ETHICS AND TV; FILM NOIR; RELIGION AND TV; CARTER, CHRIS; FOUCAULT, MICHEL; GREENE, GRAHAM; BIG SLEEP, THE (US, Howard Hawkes, 1946); CSI: CRIME SCENE INVESTIGATION [TV] (US/CA, 2000-); DARK CITY (US, Alex Proyas, 1997); D.O.A. (US, Ruldolph Mate, 1950); DOUBLE INDEMNITY (US, Billy Wilder, 1944); FUGITIVE, THE (US, Andrew Davis, 1993); HE WALKS BY NIGHT (US, Alfred Werker, 1948); LEVIATHAN (US/IT, George Pan Cosmatos, 1989); NAKED CITY [TV] (US, 1958-1963); X-FILES, THE [TV] (US, 1993-)
Summary: Film noir reflects the fatalistic themes and visual style of hard-boiled novelists and many emigre filmmakers in 1940s and 1950s America, emphasizing crime, alienation, and moral ambiguity. In The Philosophy of TV Noir, Steven M. Sanders and Aeon J. Skoble argue that the legacy of film noir classics such as The Maltese Falcon, Kiss Me Deadly, and The Big Sleep is also found in episodic television from the mid-1950s to the present. In this first-of-its-kind collection, contributors from philosophy, film studies, and literature raise fundamental questions about the human predicament, giving this unique volume its moral resonance and demonstrating why television noir deserves our attention." "With this focus on the philosophical dimensions of crime, espionage, and science fiction series, The Philosophy of TV Noir draws out the full implications of film noir and establishes TV noir as an art form in its own right."--BOOK JACKET
Notes: Includes bibliographical references and index
ISBN: 9780813124490
Contents: Dragnet, film noir, and postwar realism / R. Barton Palmer -- Naked city: the relativist turn in TV noir / Robert E. Fitzgibbons -- John Drake in Greeneland: noir themes in Secret agent / Sander Lee -- Action and integrity in The fugitive / Aeon J. Skoble -- Noir et blanc in color: existentialism and Miami vice / Steven M. Sanders -- 24 and the existential man of revolt / Jennifer L. McMahon -- Carniva`le knowledge: give me that old-time noir religion / Eric Bronson -- The Sopranos, film noir, and nihilism / Kevin L. Stoehr -- CSI and the art of forensic detection / Deborah Knight, George McKnight -- Detection and the logic of abduction in The X-files / Jerold J. Abrams, Elizabeth Cooke -- Kingdom of darkness: autonomy and conspiracy in The X-files and Millennium / Michael Valdez Moses -- The prisoner and self-imprisonment / Shai Biderman, William J. Devlin -- Twin Peaks, noir, and open interpretation / Jason Holt.

Call No: 802.24 DAR
Author: Dardis, Tom
Place: New York
Publisher: Scribner
PubDate: c1976
PhysDes: 274 p. : ill. ; 24 cm
Subject: AGEE, JAMES; LOOS, ANITA; MANKIEWICZ, JOSEPH L.; POWELL, ANTHONY; FITZGERALD, F. SCOTT; FAULKNER, WILLIAM; WEST, NATHANAEL; HUXLEY, ALDOUS; OBER, HOWARD; STROMBERG, HUNT; WOMAN'S VENGEANCE, A (US, Zoltan Korda, 1947); YANK AT OXFORD, A (UK, Jack Conway, 1937); AFRICAN QUEEN, THE (US, John Huston, 1952); BIG SLEEP, THE (US, Howard Hawkes, 1946); PRIDE AND PREJUDICE (US, Robert Z. Leonard, 1940); THREE COMRADES (US, Frank Borzage, 1938); TO HAVE AND HAVE NOT (US, Howard Hawks, 1944)
Notes: Includes index; Bibliography: p. 253-256
ISBN: 0684145634 : 9.95
LON: 747707

Call No: 734.2(73) MCA
Author: McArthur, Colin, 1934
CorpAuthor: British Film Institute
Place: London
Publisher: Secker and Warburg [for] the British Film Institute
PubDate: 1972
PhysDes: 176 p. illus., ports. 20 cm
Subject: GENRES; GANGSTER FILMS. USA; THRILLERS. USA; LANG, FRITZ; HUSTON, JOHN; DASSIN, JULES; SIODMAK, ROBERT; KAZAN, ELIA; RAY, NICHOLAS; FULLER, SAMUEL; SIEGEL, DON; MELVILLE, JEAN-PIERRE; PUBLIC ENEMY, THE (US, William Wellmen, 1931); BIG HEAT, THE (US, Fritz Lang, 1953); MALTESE FALCON, THE (US, John Huston, 1941); BIG SLEEP, THE (US, Howard Hawkes, 1946); LITTLE CAESAR (US, Mervyn LeRoy, 1931); SCARFACE (US, Howard Hawks, 1932)
ISBN: 0436098857 0436098849 (pbk.)
LON: 73155714; 541899