Search Catalogue

Call No: 802.25 FIF
Author: Cowie, Peter
Place: South Brunswick, N.J.
Publisher: A. S. Barnes
PubDate: c1975
PhysDes: 287 p. : ill. ; 29 cm
Subject: ANDERSON, LINDSAY; ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BERTOLUCCI, BERNARDO; BONDARCUK, SERGEJ; BRESSON, ROBERT; BROOKS, RICHARD; BUNUEL, LUIS; CHABROL, CLAUDE; DEMY, JACQUES; DONNER, JORN; DONSKOJ, MARK; FELLINI, FEDERICO; FORMAN, MILOS; FRANJU, GEORGES; FRANKENHEIMER, JOHN; HAANSTRA, BERT; HITCHCOCK, ALFRED; ICHIKAWA KON; IVENS, JORIS; JANCSO, MIKLOS; KAZAN, ELIA; KOZINCEV, GRIGORIJ; KUBRICK, STANLEY; KUROSAWA AKIRA; LOSEY, JOSEPH; LUMET, SIDNEY; MAKAVEJEV, DUSAN; MALLE, LOUIS; MELVILLE, JEAN-PIERRE; NEMEC, JAN; OSHIMA NAGISA; PASOLINI, PIER PAOLO; PENN, ARTHUR; POLANSKI, ROMAN; RAY, SATYAJIT; RESNAIS, ALAIN; ROHMER, ERIC; ROSI, FRANCESCO; SCHLESINGER, JOHN; SCHORM, EVALD; SKOLIMOWSKI, JERZY; TATI, JACQUES; TORRE NILSSON, LEOPOLDO; TROELL, JAN; TRUFFAUT, FRANCOIS; VISCONTI, LUCHINO; WAJDA, ANDRZEJ; WELLES, ORSON; WIDERBERG, BO
Notes: Includes filmographies and index
ISBN: 0498012557 : $20.00
LON: 723676
ID2: 291

Call No: 79ARG JON
Author: Jones, Kent
Place: London
Publisher: British Film Institute
PubDate: 1999
PhysDes: 96 p. ; 19 cm
Subject: BRESSON, ROBERT; ARGENT, L' (SZ/FR, Robert Bresson, 1983)
ISBN: 0851707335 (pbk.) : ª8.99; 0851707335; 0851707335 (pbk.)
LON: 20081782 20081782

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings; Posters
Subject: BRESSON, ROBERT

Call No: 802.25 TAY
Author: Taylor, John Russell, 1935
Place: London
Publisher: Methuen
PubDate: 1964
PhysDes: 294 p. : plates ; 22 cm
Subject: Fellini, Federico; ANTONIONI, MICHELANGELO; BUNUEL, LUIS; BRESSON, ROBERT; BERGMAN, INGMAR; HITCHCOCK, ALFRED; TRUFFAUT, FRANCOIS; RESNAIS, ALAIN; GODARD, JEAN-LUC
Notes: Filmgraphies and bibliographies: p. 230-293
LON: 2412522 2412522

Call No: 64POS SHA
Author: Shaviro, Steven
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 1993
PhysDes: x, 276 p. ; 26 cm
Series: Theory out of bounds ; v. 2
Subject: AESTHETICS; POSTMODERNISM AND THE CINEMA; PERCEPTION; MASCULINITY IN FILMS; MEN IN FILMS; PORNOGRAPHY AND THE CINEMA; BODY IN FILMS; SEX IN FILMS; WARHOL, ANDY; ROMERO, GEORGE; LEWIS, JERRY; CRONENBERG, DAVID; BRESSON, ROBERT; DELEUZE, GILLES; GUATTARI, FELIX; QUERELLE (GW/FR, Rainer Werner Fassbinder, 1982)
Notes: Includes bibliographical references (p. [268]-272) and index
ISBN: 0816622949 (PB : acid-free paper)
LON: 9656941

Call No: 735.7 GAR
Author: Garcia, Maria
Edition: 2015
Place: Lanham, Maryland
Publisher: Rowman & Littlefield
PubDate: 2015
PhysDes: 274 pages ; illustrations ; 24 cm
Subject: BELLE ET LA BETE, LA (FR, Jean Cocteau, 1946); PICTURE OF DORIAN GRAY, THE (US, Albert Lewin, 1945); SEARCHERS, THE (US, John Ford, 1956); DEER HUNTER, THE (US, Michael Cimino, 1978); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); BRINGING UP BABY (US, Howard Hawks, 1938); LADY EVE, THE (US, Preston Sturges, 1941); SECRET OF ROAN INISH, THE (US, John Sayles, 1994); NATURAL, THE (US, Barry Levinson, 1984); MONEYBALL (US, Bennet Miller, 2011); FAT GIRL (FR/IT/SP, Catherine Breillat, 2000) SEE A MA SOEUR; BREILLAT, CATHERINE; BRESSON, ROBERT
Summary: Whether embodied in literature, theater, or film, an enduring theme of many artistic works has been the protagonist’s search for identity. Such quests are typically psychological or spiritual journeys and depicted on the screen in a variety of manifestations—endeavors embarked upon to address an emotional trauma or to overcome an obstacle in the hero’s life. Using Jean Cocteau’s La Belle et La Bête as a leitmotif, these pursuits are discussed by author Maria Garcia as encounters with the “Beast.” At the end of their quests, heroes are reborn into their new identities, while the Beast disappears, transforms, or dies. In Cinematic Quests for Identity: The Hero’s Encounter with the Beast, Garcia examines the cinematic conventions of the male and female search for individuation across several genres. After discussing La Belle et La Bête, the author looks at a number of films including three iconic male journeys—The Picture of Dorian Gray, The Searchers, and The Deer Hunter. Additional chapters focus on The Silence of the Lambs, Bringing Up Baby, The Lady Eve, The Secret of Roan Inish, The Natural, and Moneyball. The book concludes with a consideration of the three fairy tale films by Catherine Breillat—Fat Girl, Bluebeard, and The Sleeping Beauty—and the female characters in several Robert Bresson films, including The Trial of Joan of Arc. Providing a unique and original perspective on films throughout the world, this provocative book draws upon Jungian thought, as well as several literary traditions including fairy tales, epic poetry, and Greek and Celtic mythology. Aimed at scholars of film and film theory, Cinematic Quests for Identity will also appeal to movie fans interested in a deeper understanding of films that explore a character’s struggle to live a conscious life. -- publisher's web site
ISBN: 9781442246973

Author: Gillies, M.
PhysDes: Article Review
Subject: RELIGION AND THE CINEMA; RELIGIOUS FILMS; BRESSON, ROBERT; JOURNAL D'UN CURE DE CAMPAGNE (FR, Robert Bresson, 1951)
Summary: Review of Robert Bresson's "Diary of a Country Priest" in the context of the religious film genre.

Call No: 747.7 STE
Author: Steimatsky, Noa
Edition: 2017
Place: New York
Publisher: Oxford Univesity Press
PubDate: 2017
PhysDes: 280 p. : illustrated ; 26 cm
Subject: FACE IN FILMS; AU HASARD, BALTHAZAR (FR/SW, Robert Bresson, 1966); ANTONIONI, MICHELANGELO; BARTHES, ROLAND; BAZIN, ANDRE; BENJAMIN, WALTER; BRESSON, ROBERT; JOURNAL D'UN CURE DE CAMPAGNE (FR, Robert Bresson, 1951); EISENSTEIN, SERGEI M.; DREYER, CARL TH.; PROCES DE JEANNE D'ARC (FR, Robert Bresson, 1962); GODARD, JEAN-LUC; HITCHCOCK, ALFRED; SEDGWICK, EDIE; WARHOL, ANDY; OUTER AND INNER SPACE (US, Andy Warhol, 1965); WRONG MAN, THE (US, Alfred Hitchcock, 1957); FUNNY FACE (US, Stanley Donen, 1957)
Notes: The human face was said to have been rediscovered with the advent of motion pictures, in which it was often viewed as expressive locus, as figure, and even as essence of the cinema. But how has this modern, technological, mass-circulating medium revealed the face in ways that are also distinct from any other? How has it altered our perception of this quintessential incarnation of the person? The archaic powers of masks and icons, the fashioning of the individual in the humanist portrait, the modernist anxieties of fragmentation and de-figuration—these are among the cultural precedents informing our experience in the movie theatre. Yet the moving, time-based image also offers radical new confrontations with the face: Dreyer's Passion of Joan of Arc, Donen's Funny Face, Hitchcock's The Wrong Man, Bresson's Au hazard, Balthazar, Antonioni's Screen Test, Warhol's filmic portraits of celebrity and anonymity. Such intense encounters, examined in this book, manifest a desire for transparency and plenitude, but—especially in post-classical cinema—also betray a profound ambiguity that haunts the human countenance, confronting interiority as opacity, treading the gap between image and language. The spectacular impact of the cinematic face is uncannily intertwined with a reticence, an ineffability; but is it not for this very reason that—like faces in the world—it still enthralls us? -- publisher's web site
ISBN: 9780199863167
Contents: Acknowledgements -- Preface: Face Moving Image -- A Dispositif -- An Ur-Image -- The Face Against the Image -- Itineraries Chapter One: We Had Faces, Then -- Expressivity in the 1920s -- Joan of Arc, Inevitably -- The Face and its Voices -- Glamour/Anti-Glamour Chapter Two: Roland Barthes Looks at the Stars -- Towards “Visages et Figures,” and circa 1953 Excursus on the Face in Language -- Into the Movie Theater -- Ultra-Face Excursus on the Mask -- From Cult to Charm: Funny Face Chapter Three: Face-to-Face (with The Wrong Man) -- What Godard Saw -- What the Clerk Saw Excursus on Anthropometrics -- Not a Mirror, Not a Lamp Chapter Four: Pass/Fail: Screen Test, Apparatus, Subject -- The Antonioni Screen Test Excursus on the Portrait -- Outer and Inner Space, and the Pathos of Time -- Fail Better Chapter Five: In Reticence (Bresson) -- The Epidermal and the Written -- The Image Against the Face -- Not an Open Book, but a Door Ajar -- Postface: The Two-Shot: Inherent

Call No: 63 RAN
Author: Rancier, Jacques; Battista, Emiliano
Source: FR/US
Place: New York
Publisher: Berg Publishers
PubDate: 2006
PhysDes: viii, 196 pages ; 24 cm
Subject: AESTHETICS; ART AND THE CINEMA; ART CINEMA; AUTEUR THEORY; CINEMATOGRAPHY; DOCUMENTARY FILMS; HISTORY AND THE CINEMA; HISTORY OF CINEMA; NARRATIVE IN FILMS; PHILOSOPHY AND THE CINEMA; SYMBOLISM IN FILMS; BRESSON, ROBERT; DELEUZE, GILLES; EPSTEIN, JEAN; EISENSTEIN, SERGEI M.; GODARD, JEAN-LUC; HITCHCOCK, ALFRED; LANG, FRITZ; MANN, ANTHONY; MARKER, CHRIS; MEDVEKIN, ALEXANDER; MURNAU, FRIEDRICH WILHELM; OZU YASUJIRO; RAY, NICHOLAS; ROSSELLINI, ROBERTO; VERTOV, DZIGA; AU HASARD, BALTHAZAR (FR/SW, Robert Bresson, 1966); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); CHINOISE, LA (FR, Jean-Luc Godard, 1967); FAUST (G, Friedrich Wilhelm Marnau, 1926); WHILE THE CITY SLEEPS (US, Fritz Lang, 1955)
Summary: "Film Fables traces the history of modern cinema, moving effortlessly from Eisenstein's and Murnau's transition from theatre to film to Fritz Lang's confrontation with television, from the classical poetics of Mann's Westerns to Ray's romantic poetics of the image, from Rossellini's neo-realism to Deleuze's philosophy of the cinema and Marker's documentaries."
Notes: Includes index
ISBN: 9781845201685
ID2: 291

Call No: 802.25 CIM
Author: Ciment, Michel
Source: US
Place: New York
Publisher: Berg
PubDate: 2009
PhysDes: viii, 372 p. ; 25 cm
Series: Talking images series
Subject: BERTOLUCCI, BERNARDO; BOORMAN, JOHN; BRESSON, ROBERT; CAMPION, JANE; CASSAVETES, JOHN; CRONENBERG, DAVID; EGOYAN, ATOM; FELLINI, FEDERICO; GODARD, JEAN-LUC; GREENAWAY, PETER; HERZOG, WERNER; HOU HSIAO-HSIEN; WONG KAR WAI; KAURISMAKI, AKI; KIAROSTAMI, ABBAS; KIESLOWSKI, KRZYSZTOF; KITANO TAKESHI; IM KWON-TAEK; LEIGH, MIKE; DE OLIVEIRA, MANOEL; RAY, SATYAJIT; SCORSESE, MARTIN; TARKOVSKY, ANDREI; VON TRIER, LARS; ZHANG YIMOU
Summary: "Film world brings together key interviews with cinema's learing directors. The directors chosen represent many of the most influential film-makers of the last 50 years..." -- Back cover
Notes: First published in France, 2003, by Editions Stock as Petite planete cinematographique; Includes index
ISBN: 9781845204577
Language: English, translated from the French
Contents: 1. Bernardo Berrolucci -- 2. John Boorman -- 3. Robert Bresson -- 4. Jane Campion -- 5. John Cassavetes -- 6. David Cronenberg -- 7. Atom Egoyan -- 8. Federico Fellini -- 9. Jean-Luc Godard -- 10. Peter Greenaway -- 11. Werner Herzog -- 12. Hou Hsiao-hsien -- 13. Wong Kar-wai -- 14. Aki Kaurismaki -- 15. Abbas Kiarosrami -- 16. Krzyszrof Kieslowski -- 17. Takeshi Kirano -- 18. Im Kwon-taek -- 19. Mike Leigh -- 20. Manoel de Oliveira -- 21. Satyajit Ray -- 22. Marrin Scorsese -- 23. Andrei Tarkovsky -- 24. Lars von Trier -- 25. Zhang Yimou.
ID2: 291

Call No: 81BRE FIL
Author: Ayfre, Amedee
Place: New York
Publisher: Praeger
PubDate: 1970, c1969]
PhysDes: 143 p. illus. 18 cm
Subject: BRESSON, ROBERT
Notes: "Filmography": p. 139-141. Bibliography: p. 142-143
LON: 77099927; 216002

Call No: 71(44) ARM
Author: Armes, Roy, 1937
Place: London
Publisher: Zwemmer : Cranbury (N. J.) : Barnes
PubDate: 1966-
PhysDes: 2 v. : 20 plates (incl. ports.) ; 16 cm
Subject: FRANCE; DIRECTORS. FRANCE; CLAIR, RENE; RENOIR, JEAN; CARNE, MARCEL; OPHULS, MARCEL; COCTEAU, JEAN; CLOUZOT, HENRI-GEORGES; CLEMENT, RENE; BECKER, JACQUES; BRESSON, ROBERT; TATI, JACQUES; GREMILLON, JEAN; LEENHARDT, ROGER; ROUQUIER, GEORGES; AUTANT-LARA, CLAUDE
Notes: Two volumes - Voume 1: the great tradition Volume 2: the personal style
LON: 4021093 4021093

Call No: 408.1(44) BUS
Author: Buss, Robin
Place: London
Publisher: Batsford
PubDate: 1988
PhysDes: 165 p., [32] p. of plates : ill. ; 25 cm
Subject: NATIONAL CULTURE AND THE CINEMA. FRANCE; FRANCE; SOCIETY AND THE CINEMA. FRANCE; FILMOGRAPHIES. FRANCE; HISTORICAL FILMS. FRANCE; FAMILY IN FILMS. FRANCE; BRESSON, ROBERT; CHABROL, CLAUDE; GODARD, JEAN-LUC; MALLE, LOUIS; PAGNOL, MARCEL; RENOIR, JEAN; CARNE, MARCEL; CLAIR, RENE; DEMY, JACQUES; DUVIVIER, JULIEN; GABIN, JEAN; GANCE, ABEL; TRUFFAUT, FRANCOIS; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); DIMANCHE A LA CAMPAGNE, UN (FR, Bertrand Tavernier, 1984)
Notes: French cinema films,. 1900-1985. Social aspects (BNB/PRECIS); Includes index; Filmography: p. 91-156
ISBN: 0713453605
LON: 5952835

Call No: 802.25 GRE
Author: Dickstein, Morris; Braudy, Leo
Place: New York
Publisher: Oxford University Press
PubDate: 1978
PhysDes: xi, 778 p. ; 23 cm
Subject: ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BRESSON, ROBERT; BUNUEL, LUIS; CAPRA, FRANK; CHAPLIN, CHARLES; DREYER, CARL TH.; FELLINI, FEDERICO; FLAHERTY, ROBERT; FORD, JOHN; GODARD, JEAN-LUC; GRIFFITH, DAVID WARK; HAWKS, HOWARD; HITCHCOCK, ALFRED; KEATON, BUSTER; KUROSAWA AKIRA; LANG, FRITZ; RENOIR, JEAN; ROSSELLINI, ROBERTO; VON STERNBERG, JOSEF; TRUFFAUT, FRANCOIS; WELLES, ORSON
Notes: Includes bibliographical references
ISBN: 0195023129 : $7.50
LON: 952629
ID2: 291

Call No: REFERENCE SECTION; 058 INT "1973"
Author: Cowie, Peter
Place: London
Publisher: Tantivy Press
PubDate: 1972
PhysDes: v.
Subject: BERGMAN, INGMAR; BRESSON, ROBERT; MAKAVEJEV, DUSAN; RESNAIS, ALAIN; SCHLESINGER, JOHN
ISBN: 900730579

Call No: 771 SIT
Author: Sitney, P. Adams
Source: US
Place: New York
Publisher: Columbia University Press
PubDate: 1990
PhysDes: x, 250 pages, [16] pages of plates : illustrations ; 24 cm
Subject: MODERNISM AND THE CINEMA; SURREALISM AND THE CINEMA; USSR; DREYER, CARL TH.; BRESSON, ROBERT; POETRY AND THE CINEMA; PERSONA (SW, Ingmar Bergman, 1966)
Summary: "P. Adams Sitney's Modernist Montage traces a history of modernism in cinema and provides compelling readings of a wide range of classic films made between 1925 and 1980 by such filmmakers as Carl Dreyer, Robert Bresson, Ingmar Bergman, and Stan Brakhage. In this provocative investigation, Sitney explores various theories of vision by examining the sometimes neglected texts of Maurice Blanchot, Charles Olson, and Gertrude Stein and by offering a bold interpretation of the relationship between literature and film." - taken from back cover
Notes: Includes bibliographical references (p. 239-246) and index.
ISBN: 0231071833
Contents: 1. The Instant of Love: Image and Title in Surrealist Cinema -- 2. Revolutionary Time: Image and Title in Soviet Cinema -- 3. Moments of Revelation: Dreyer's Anachronistic Modernity -- 4. Cinematography vs. the Cinema: Bresson's Figures -- 5. The Recit and the Figure: Blanchot's Au moment voulu -- 6. Saying "Nothing": Persona as an Allegory of Psychoanalysis -- 7. The Sentiment of Doing Nothing: Stein's Autobiographies -- 8. Out via Nothing: Olson's Genealogy of the Proper Poem -- 9. Whoever Sees God Dies: Cinematic Epiphanies -- 10. Theology vs. Psychoanalysis: Landow's Wit

Author: Garlick, Robert
PhysDes: Article Review
Subject: MOUCHETTE (FR, Robert Bresson, 1967); BRESSON, ROBERT; AU HASARD, BALTHAZAR (FR/SW, Robert Bresson, 1966); AUTEUR THEORY
Summary: Review of Robert Bresson's film "Mouchette", with an emphasis on his directorial style as an auteur.

Call No: 409 ROS
Author: Rosenbaum, Jonathan
Place: Chicago
Publisher: A Capella
PubDate: 2000
PhysDes: v, 234 p. ; 24 cm
Subject: DISTRIBUTION; EXHIBITION; GLOBALISATION; AUDIENCES; American Film Institute; FESTIVALS; AUDIENCE RECEPTION; FESTIVALS. CANNES; NATIONAL IDENTITY AND THE CINEMA. US; MIRAMAX FILMS; BEST FILMS; BEST FILMS. US; CRITICISM; PERIODICALS, FILM; WELLES, ORSON; DANTE, JOE; BRESSON, ROBERT; EBERT, ROGER; WEINSTEIN, HARVEY; KIAROSTAMI, ABBAS; MASLIN, JANET; SMALL SOLDIERS (US, Joe Dante, 1998); MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942); STARSHIP TROOPERS (US, Paul Verhoeven, 1997); STAR WARS : EPISODE I - THE PHANTOM MENACE (US, George Lucas, 1999); TOUCH OF EVIL (US, Orson Welles, 1958)
Notes: Includes index
ISBN: 1556524064
LON: 21468355

Call No: 67(04) FAR
Author: Farber, Manny
Place: New York
Publisher: Hillstone
PhysDes: viii, 288 p., [18] of plates : ill. ; 21 cm.
Subject: ACTORS; EXPERIMENTAL FILMS; FESTIVALS. NEW YORK; UNDERGROUND FILMS; AGEE, JAMES; ALDRICH, ROBERT; ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BOGARDE, DIRK; BOGART, HUMPHREY; BRESSON, ROBERT; BUNUEL, LUIS; BURTON, RICHARD; DENEUVE, CATHERINE; FONDA, HENRY; FORD, JOHN; FULLER, SAMUEL; GODARD, JEAN-LUC; HAWKS, HOWARD; HITCHCOCK, ALFRED; HUSTON, JOHN; KAZAN, ELIA; MANN, ANTHONY; MOREAU, JEANNE; SIEGEL, DON; SNOW, MICHAEL; STEVENS, GEORGE; STURGES, PRESTON; TAYLOR, ELIZABETH; ASPHALT JUNGLE, THE (US, John Huston, 1950); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); BIG CLOCK, THE (US, John Farrow, 1947); BIG SLEEP, THE (US, Howard Hawkes, 1946); BODY SNATCHER, THE (US, Robert Wise, 1945); CURSE OF THE CAT PEOPLE, THE (US, Gunther von Fritsch & Robert Wise, 1944); DETECTIVE STORY (US, William Wyler, 1951); FLAMING STAR (US, Don Siegel, 1960); HIGH SIERRA (US, Raoul Walsh, 1941); HIS KIND OF WOMAN (US, John Farrow, 1951); HIS GIRL FRIDAY (US, Howard Hawks, 1940); KILLERS, THE (US, Robert Siodmak, 1946); ODD MAN OUT (UK, Carol Reed, 1947); LADY FROM SHANGHAI, THE (US, Orson Welles, 1948); PICKUP ON SOUTH STREET (US, Samuel Fuller, 1953); PROWLER, THE (US, Joseph Losey, 1950); RED RIVER (US, Howard Hawks, 1948); ROARING TWENTIES, THE (US, Raoul Walsh, 1939); SCAR OF SHAME, THE (US, Frank Peregini, 1927); SET-UP (US, Kathryn Bigelow, 1978); SKAMMEN (SW, Ingmar Bergman, 1968); SULLIVAN'S TRAVELS (US, Preston Sturges, 1942); SUNSET BOULEVARD (US, Billy Wilder, 1950); THIRD MAN, THE (UK, Carol Reed, 1949)
Notes: Includes index.; Orginally published as: Negative space

Call No: 45:32 ROS
Author: Rosenbaum, Jonathan
Place: Berkeley, Calif.
Publisher: University of California Press
PubDate: 1997
PhysDes: xi, 359 p. ; 24 cm
Subject: POLITICS AND THE CINEMA; POLITICAL FILMS; RACIAL PROBLEMS IN FILMS; WELLES, ORSON; KIESLOWSKI, KRZYSZTOF; BUNUEL, LUIS; BRESSON, ROBERT; TATI, JACQUES; RAY, NICHOLAS; ZWIGOFF, TERRY; ENDFIELD, CY; HOU, HSIAO-HSIEN; CARAX, LEOS; AKERMAN, CHANTAL; ACE VENTURA, PET DETECTIVE (US, Tom Shadyac, 1994); HEARTS OF DARKNESS : A FILMMAKERS APOCALYPSE (US, Fax Bahr & George Hinkenlooper, 1991); PIANO, THE (AT, Jane Campion, 1993); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BITTER MOON (FR/UK, Roman Polanski, 1992); NOIRE DE..., LA (SG, Ousmane Sembene, 1965); BLOOD IN THE FACE (US, Anne Bohlen, Kevin Rafferty & James Ridgeway, 1991); CRUMB (US, Terry Zwigoff, 1994); DO THE RIGHT THING (US, Spike Lee, 1989); FORREST GUMP (US, Robert Zemeckis, 1994); NUIT ET JOUR (FR/BE/SZ, Chantal Akerman, 1991); OUT 1 (FR, Jacques Rivette, 1990[prod. 1970]); PLOT AGAINST HARRY, THE (US, Michael Roemer, 1989[prod.1969]); PUPPET MASTER, THE (US, David Schmoeller, 1989); REDS (US, Warren Beatty, 1981); SAFE (US, Todd Haynes, 1995); SCHINDLER'S LIST (US, Steven Spielberg, 1993); SOLARIS (UR, Andrei Tarkovsky, 1972)
Notes: Includes bibliographical references and index
ISBN: 0520206142 (acid-free paper); 0520206150 (pbk. : alk. paper)
Order Received: 1997
LON: 96009916; 12700123

Call No: 81BRE BRE
Author: Bresson, Robert
Place: New York
Publisher: Urizen Books ; [distributed by E. P. Dutton]
PubDate: 1977
PhysDes: 72 p. ; 22 cm
Subject: BRESSON, ROBERT; CINEMATOGRAPHY
Notes: Translation of Notes sur le cinematographe
ISBN: 0916354288. 0916354296 pbk
LON: 76052466; 777018

Call No: 81BRE BRE
Author: Bresson, Robert
Place: London New York
Publisher: Quartet Books
PubDate: 1986, c1975
PhysDes: 129 cm. ; 22 cm
Subject: BRESSON, ROBERT; CINEMATOGRAPHY
Notes: Translation of: Notes sur le cinematographe
ISBN: 0704334968
LON: bnb70433496; 4275210

Call No: 71(44) RED
Author: Bandy, Mary Lea
CorpAuthor: Museum of Modern Art (New York, N.Y.)
Place: New York Boston
Publisher: Museum of Modern Art Distributed by New York Graphic Society Books, Little, Brown
PubDate: c1983
PhysDes: 220 p. : ill. ; 26 cm
Subject: FRANCE; FRANCE. 1927-1932; CLAIR, RENE; PAGNOL, MARCEL; GREMILLON, JEAN; GABIN, JEAN; COCTEAU, JEAN; RENOIR, JEAN; RESNAIS, ALAIN; LUMIERE, LOUIS; MELIES, GEORGES; FEUILLADE, LOUIS; GANCE, ABEL; FEYDER, JACQUES; BRESSON, ROBERT; BECKER, JACQUES; MELVILLE, JEAN-PIERRE; CARNE, MARCEL; JAUBERT, MAURICE; GUITRY, SACHA; ARLETTY; LUMIERE D'ETE (FR, Jean Gremillon, 1942); DOUCE (FR, Claude Autant-Lara, 1943)
Notes: Published in conjunction with an exhibition organized by the Museum, and others; Includes index; Filmography: p. 167-193; Bibliography: p. 195-210
ISBN: 0870703358 (pbk.)
LON: 3145053

Call No: 45:2 MAY
Author: Bird, Michael (Michael S.), 1941; May, John R
Edition: 1st ed
Place: Knoxville
Publisher: University of Tennessee Press
PubDate: c1982
PhysDes: xviii, 257 p. : ill. ; 23 cm
Subject: RELIGION AND THE CINEMA; RELIGIOUS FILMS; DEVIL IN FILMS; CENSORSHIP; ALLEGORY IN FILMS; ALTMAN, ROBERT; BERGMAN, INGMAR; BRESSON, ROBERT; BUNUEL, LUIS; CHAPLIN, CHARLES; COPPOLA, FRANCIS FORD; Fellini, Federico; HITCHCOCK, ALFRED; JUTRA, CLAUDE; KUBRICK, STANLEY; Peckinpah, Sam; RUSSELL, KEN; TRUFFAUT, FRANCOIS; WERTMULLER, LINA; APOCALYPSE NOW (US, Francis Ford Coppola, 1979); COOL HAND LUKE (US, Stuart Rosenberg, 1967); DOLCE VITA, LA (FR/IT, Federico Fellini, 1960); EXORCIST, THE (US, William Friedkin, 1973); NASHVILLE (US, Robert Altman, 1975); NOTTI DI CABIRIA, LE (IT, Federico Fellini, 1957); QUINTET (US, Robert Altman, 1979); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957)
Notes: Includes index; Bibliography: p. 242-244
ISBN: 0870493523
LON: 2165498

Call No: 81BRE EST
Author: Esteve, Michel
Place: [Paris]
Publisher: Seghers
PubDate: 1966], c.1962
PhysDes: 1 v
Subject: BRESSON, ROBERT
LON: new02006083; 9515295

Call No: 81BRE ROB
Place: Spain,1977
Subject: BRESSON, ROBERT
Notes: Sp 18209
Language: Spanish
LON: wln80007207; 1715821

Call No: 81BRE ROB
Author: Quandt, James, 1956
CorpAuthor: Cinematheque Ontario
Place: Toronto
Publisher: Cinematheque Ontario
PubDate: c1998
PhysDes: 612 p. : ill., 1 port. ; 24 cm
Series: Cinematheque Ontario monographs ; no. 2
Subject: BRESSON, ROBERT
Notes: Filmography: p. 593-600; Includes bibliographical references: p. 601-611
ISBN: 0968296912 : $35.00
LON: 14106350

Call No: 802.25 RHO
Author: Rhode, Eric, 1934
Place: Philadelphia
Publisher: Chilton Books
PubDate: [1967, c1966]
PhysDes: 214 p. 23 cm
Subject: VIGO, JEAN; BRESSON, ROBERT; JENNINGS, HUMPHREY; LANG, FRITZ; RIVETTE, JACQUES; Fellini, Federico; RESNAIS, ALAIN; OPHULS, MAX; WAJDA, ANDRZEJ; Ray, Satyajit
LON: 669525 669525

Call No: 802.25 SCH
Author: Schrader, Paul, 1946
Place: Berkeley
Publisher: University of California Press
PubDate: 1972
PhysDes: 194 p. illus. 24 cm
Subject: OZU YASUJIRO; BRESSON, ROBERT; DREYER, CARL TH.; JOURNAL D'UN CURE DE CAMPAGNE (FR, Robert Bresson, 1951); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); ORDET (DK, Carl Th. Dreyer, 1955); PICKPOCKET (FR, Robert Bresson, 1959); PROCES DE JEANNE D'ARC, LE (FR, Robert Bresson, 1962)
Notes: Bibliography: p. [183]-187
ISBN: 0520020383
LON: 543935
ID2: 291