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Camera politica : the politics and ideology of contemporary Hollywood film / by Michael Ryan and Douglas Kellner Bloomington, Ind.: Indiana University Press, 1988.
Call No: 409(73) RYACopy Management: Copy 1; Copy 2Author: Ryan, Michael, 1951 ; Kellner, Douglas, 1943 Place: Bloomington, Ind.Publisher: Indiana University PressPubDate: 1988PhysDes: xiii, 328 p. : ill. ; 25 cmSubject: HOLLYWOOD ; DISASTERS IN FILMS. USA ; SOCIAL PROBLEMS IN FILMS. USA ; WORKING CLASS IN FILMS. USA ; BLACKS IN FILMS. USA ; SOUTH IN FILMS. USA ; WOMEN IN FILMS. USA ; BUDDY FILMS. USA ; FAMILY IN FILMS. USA ; VIETNAM WAR IN FILMS ; HORROR FILMS. USA ; VIETNAM WAR FILMS ; POLITICS AND THE CINEMA. USA ; FANTASY FILMS. USA ; UTOPIA IN FILMS. USA ; COMMUNISM AND THE CINEMA. USA ; TECHNOLOGY AND THE CINEMA. USA ; CONSPIRACY FILMS. USA ; SPIELBERG, STEVEN ; COPPOLA, FRANCIS FORD ; BORDEN, LIZZIE ; CIMINO, MICHAEL ; Peckinpah, Sam ; Reagan, Ronald ; ROMERO, GEORGE ; SCORSESE, MARTIN ; HOOPER, TOBE ; FRIEDKIN, WILLIAM ; BROOKS, JAMES L. ; DE PALMA, BRIAN ; LUCAS, GEORGE ; KUBRICK, STANLEY ; MILIUS, JOHN ; PAKULA, ALAN J. ; SCOTT, RIDLEY ; STAR WARS (US, George Lucas, 1977) ; CARNAL KNOWLEDGE (US, Mike Nichols, 1971) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; DEATH WISH (US, Michael Winner, 1974) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; DRESSED TO KILL (US, Brian De Palma, 1980) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FRENCH CONNECTION, THE (US, William Friedkin, 1971) ; JAWS (US, Steven Spielberg, 1975) ; TERMS OF ENDEARMENT (US, James L. Brooks, 1983) ; UNDER FIRE (US, Roger Spottiswoode, 1983) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985) ; DIRTY HARRY (US, Don Siegel, 1971) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; KLUTE (US, Alan J. Pakula, 1971) ; BLADE RUNNER (US, Ridley Scott, 1982) Notes: Includes index; Bibliography: p. 321-324ISBN: 0253313341LON: 5193671
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Cinematic quests for identity : The hero's encounter with the beast / Maria Garcia Lanham, Maryland: Rowman & Littlefield, 2015.
Call No: 735.7 GARAuthor: Garcia, Maria Edition: 2015Place: Lanham, MarylandPublisher: Rowman & LittlefieldPubDate: 2015PhysDes: 274 pages ; illustrations ; 24 cmSubject: BELLE ET LA BETE, LA (FR, Jean Cocteau, 1946) ; PICTURE OF DORIAN GRAY, THE (US, Albert Lewin, 1945) ; SEARCHERS, THE (US, John Ford, 1956) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; BRINGING UP BABY (US, Howard Hawks, 1938) ; LADY EVE, THE (US, Preston Sturges, 1941) ; SECRET OF ROAN INISH, THE (US, John Sayles, 1994) ; NATURAL, THE (US, Barry Levinson, 1984) ; MONEYBALL (US, Bennet Miller, 2011) ; FAT GIRL (FR/IT/SP, Catherine Breillat, 2000)
SEE
A MA SOEUR ; BREILLAT, CATHERINE ; BRESSON, ROBERT Summary: Whether embodied in literature, theater, or film, an enduring theme of many artistic works has been the protagonist’s search for identity. Such quests are typically psychological or spiritual journeys and depicted on the screen in a variety of manifestations—endeavors embarked upon to address an emotional trauma or to overcome an obstacle in the hero’s life. Using Jean Cocteau’s La Belle et La Bête as a leitmotif, these pursuits are discussed by author Maria Garcia as encounters with the “Beast.” At the end of their quests, heroes are reborn into their new identities, while the Beast disappears, transforms, or dies.
In Cinematic Quests for Identity: The Hero’s Encounter with the Beast, Garcia examines the cinematic conventions of the male and female search for individuation across several genres. After discussing La Belle et La Bête, the author looks at a number of films including three iconic male journeys—The Picture of Dorian Gray, The Searchers, and The Deer Hunter. Additional chapters focus on The Silence of the Lambs, Bringing Up Baby, The Lady Eve, The Secret of Roan Inish, The Natural, and Moneyball. The book concludes with a consideration of the three fairy tale films by Catherine Breillat—Fat Girl, Bluebeard, and The Sleeping Beauty—and the female characters in several Robert Bresson films, including The Trial of Joan of Arc.
Providing a unique and original perspective on films throughout the world, this provocative book draws upon Jungian thought, as well as several literary traditions including fairy tales, epic poetry, and Greek and Celtic mythology. Aimed at scholars of film and film theory, Cinematic Quests for Identity will also appeal to movie fans interested in a deeper understanding of films that explore a character’s struggle to live a conscious life. -- publisher's web siteISBN: 9781442246973
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DEER HUNTER, THE : (US, Michael Cimino, 1978)
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Final cut : dreams and disaster in the making of Heaven's Gate / by Steven Bach New York: William Morrow & Co., Inc., c1985.
Call No: 79HEA BACAuthor: Bach, Steven Source: USPlace: New YorkPublisher: William Morrow & Co., Inc.PubDate: c1985PhysDes: 432 pages ; 25 cmSubject: BUDGETING ; FINANCING ; BOX OFFICE ; HOLLYWOOD ; INDUSTRY, FILM. USA ; STUDIOS, FILM. USA ; UNITED ARTISTS ; ALLEN, WOODY ; CIMINO, MICHAEL ; FIELD, DAVID ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; HEAVEN'S GATE (US, Michael Cimino, 1980) Summary: "HEAVEN'S GATE is probably the most discussed, least seen film in modern movie history. Its notoriety is so great that it has become a generic term for disaster, for ego run rampant, for epic mismanagement, for wanton extravagance. It was also the watershed film of the decade - not for its cinematic qualities, but for its effect on Hollywood and the way movies will and will not be made in the future. For Michael Cimino's HEAVEN'S GATE did not merely fail (failure is forgivable, sometimes even endorsed in the strange labyrinths of the Hollywood psyche), HEAVEN'S GATE did the unthinkable: it sank a studio. Less than a month after the picture's second release, United Artists - the company founded by Douglas Fairbanks, Mary Pickford, D.W. Griffith and Charlie Chaplin - for all practical purposes ceased to exist. Why? How?" [TAKEN FROM BOOK JACKET]Notes: Includes indexISBN: 0688043828Donation: Simon Wincer
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The hell of war comes home : imaginative texts from the conflicts in Afghanistan and Iraq / Owen W. Gilman Jr. Jackson: University Press of Mississippi, 2018.
Call No: 737(73) GILAuthor: Gilman, Owen W. Source: USPlace: JacksonPublisher: University Press of MississippiPubDate: 2018PhysDes: x, 252 pages ; 24 cmSubject: WAR AND THE CINEMA ; WAR AND THE CINEMA. USA ; WAR FILMS. USA ; WAR IN FILMS. AFGHANISTAN ; WAR IN FILMS. IRAQ ; AMERICAN SNIPER (US, Clint Eastwood, 2014) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; AVATAR (US, James Cameron, 2009) ; BILLY LYNN'S LONG HALFTIME WALK (CC/UK/US, Ang Lee, 2016) ; BODY OF LIES (US, Ridley Scott, 2008) ; BOURNE ULTIMATUM, THE (US, PAUL GREENGRASS, 2007) ; DA VINCI CODE THE (US, Ron Howard, 2006) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; DOCTOR STRANGE (US, Scott Derrickson, 2016) ; FAHRENHEIT 9/11 (US, Michael Moore, 2004) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; GRACE IS GONE (US, James C. Strouse, 2007) ; GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968) ; GREEN ZONE (FR/US/UK/SP, Paul Greengrass, 2010) ; HARRY POTTER AND THE HALF BLOOD PRINCE (UK/US, David Yates, 2009) ; HARRY POTTER AND THE ORDER OF THE PHOENIX (UK/US, David Yates, 2007) ; HURT LOCKER, THE (US, Kathryn Bigelow, 2008) ; JARHEAD (US, Sam Mendes, 2005) ; INFERNO (US/JA/TU/HU, Ron Howard, 2016) ; MULAN (US, Barry Cook & Tony Bancroft, 1998) ; REDACTED (US, Brian De Palma, 2007) ; UP (US, Pete Docter and Bob Peterson, 2009) ; WHISKEY TANGO FOXTROT (US, Glenn Ficarra & John Requa, 2016) ; ZERO DARK THIRTY (US, Kathryn Bigelow, 2012) Notes: Includes bibliographical references and index.ISBN: 9781496815767Contents: The Long Arc of War Experience for Americans. A Brief Introduction: Veterans Face the Challenge of American Fantasyland at War -- On Going to War the American Way -- America's Recent War Experience Comes Home in Imaginative Texts. The Efforts of Journalists and Writers of Creative Nonfiction to Deliver War for Readers at Home -- The Contribution of Films, from The Hurt Locker to American Sniper with Many Films Ignored -- Poets Capture War in Brief for a Small Audience -- American Fiction (and Hellish Truth) from Wars in Afghanistan and Iraq -- Veterans Lost as Distractions Rule in Fantasyland America. American Fantasyland in Time of War: the Hell Veterans Face at Home -- America and Future Wars: Fantasyland Ready for More War.
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Hollywood from Vietnam to Reagan / Robin Wood New York: Columbia University Press, 1986.
Call No: 71(73) WOOAuthor: Wood, Robin, 1931 Place: New YorkPublisher: Columbia University PressPubDate: 1986PhysDes: x, 328 p. : ill., ports. ; 24 cmSubject: USA ; HORROR FILMS ; NARRATIVE IN FILMS ; WOMEN IN FILMS. USA ; BUDDY FILMS ; HORROR FILMS. USA ; ALTMAN, ROBERT ; COHEN, LARRY ; SCORSESE, MARTIN ; CIMINO, MICHAEL ; ROMERO, GEORGE ; DE PALMA, BRIAN ; LUCAS, GEORGE ; SPIELBERG, STEVEN ; CHASE, THE (US, Arthur Penn, 1966) ; RAGING BULL (US, Martin Scorsese, 1980) ; KING OF COMEDY, THE (US, Martin Scorsese, 1983) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; HEAVEN'S GATE (US, Michael Cimino, 1980) ; BLADE RUNNER (US, Ridley Scott, 1982) ; POLTERGEIST (US, Tobe Hooper, 1982) Notes: Includes index; Bibliography: p. [319]-320ISBN: 0231057768 (alk. paper); 0231057776 (pbk)LON: 3796463
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Hollywood's Vietnam : from the Green berets to Apocalypse now / Gilbert Adair London New York, N.Y. New York, N.Y.: Proteus Pub. Co. Distributed by Scribner Book Co., 1981.
Call No: 737(73) ADAAuthor: Adair, Gilbert Place: London New York, N.Y. New York, N.Y.Publisher: Proteus Pub. Co. Distributed by Scribner Book Co.PubDate: 1981PhysDes: 190 p. : ill. ; 27 cmSubject: VIETNAM WAR FILMS ; GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968) ; EASY RIDER (US, Dennis Hopper, 1969) ; COMING HOME (US, Hal Ashby, 1978) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) Notes: Includes index; Filmography: p. 169-190ISBN: 0906071860 : ª7.95LON: 2093047
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How the war was remembered : Hollywood & Vietnam / Albert Auster & Leonard Quart New York: Praeger, 1988.
Call No: 737.9:959.7 AUSAuthor: Auster, Albert ; Quart, Leonard Place: New YorkPublisher: PraegerPubDate: 1988PhysDes: xv, 171 p. : ill. ; 24 cmSubject: VIETNAM WAR FILMS ; VIETNAM WAR IN FILMS ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; KILLING FIELDS, THE (UK, Roland Joffe, 1984) ; RAMBO [...] (US, 1982-1988) ; ASHES AND EMBERS (US, Haile Gerima, 1982) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968) ; QUIET AMERICAN, THE (US, Joseph L. Mankiewicz, 1957) ; SMALL CIRCLE OF FRIENDS, A (US, Robert Cohen, 1980) ; STEEL HELMET, THE (US, Samuel Fuller, 1951) ; UNCOMMON VALOR (US, Ted Kotcheff, 1983) Notes: Includes index; Bibliography: p. [157]-161ISBN: 0275923835 (alk. paper); 0275924793 (pbk. : alk. paper)LON: 5685995
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Interim
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Pop fiction : The song in cinema / edited by Steve Lannin and Matthew Caley Porland, Oregon: Intellect, 2005.
Call No: 634.6 POPAuthor: Lannin, Steve ; Caley, Matthew Source: UKPlace: Bristol, UK; Porland, OregonPublisher: IntellectPubDate: 2005PhysDes: 173 p. : 23 cmSubject: POP MUSIC AND THE CINEMA ; POP MUSIC IN FILMS ; MUSIC AND THE CINEMA ; MUSIC IN FILMS ; ADVERTISING FOR FILMS ; COHEN, LEONARD ; MORETTI, NANNI ; DOORS, THE ; COPPOLA, FRANCIS FORD ; SOGGY BOTTOM BOYS ; COEN, JOEL & ETHAN ; PFEIFFER, MICHELLE ; Damon, Matt ; KLOVES, STEVE ; MINGHELLA, ANTHONY ; VALLI, FRANKIE ; CIMINO, MICHAEL ; RIGHTEOUS BROTHERS ; ZUCKER, JERRY ; REED, LOU ; BOYLE, DANNY ; STEALERS WHEEL ; Tarantino, Quentin ; BAKER, CHET ; WEBER, BRUCE ; WINGS ; ARMITAGE, GEORGE ; COLLINS, PHIL ; BRICKMAN, PAUL ; MASSIVE ATTACK ; WONG KAR WAI ; CARO DIARIO (IT/FR, Nanni Moretti, 1993) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000) ; FABULOUS BAKER BOYS, THE (US, Steve Kloves, 1989) ; TALENTED MR. RIPLEY, THE (US, Anthony Minghella, 1999) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; GHOST (US, Jerry Zucker, 1990) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) ; LET'S GET LOST (US, Bruce Weber, 1988) ; GROSSE POINTE BLANK (US, George Armitage, 1997) ; RISKY BUSINESS (US, Paul Brickman, 1983) ; DUOLUO TIANSHI (HK, Wong Kar-Wai, 1995) Summary: "'Pop Fiction's unique essays individually consider one song within a cinematic context. Unlike previous collected volumes about pop music in film, where a generalised approach has been adopted, it offers instead a close examination of these two most pervasive and significant mediums in contemporary culture.
"The collection introspects, assembling the pop song into various guises and documenting how individuals dissemble the multiple roles that the pop song plays in all and one audio-visual moment. The song as: ghost, role-play, memory trigger, narrator, marketing device, translator, alienator, membership rite, etc." (Taken from the back cover)Notes: Includes indexISBN: 184150078X
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Projecting the shadow : the cyborg hero in American film / Janice Hocker Rushing, Thomas S. Frentz Chicago: University of Chicago Press, 1995.
Call No: 735.14 HOCAuthor: Rushing, Janice Hocker ; Frentz, Thomas S Place: ChicagoPublisher: University of Chicago PressPubDate: 1995PhysDes: x, 261 p. : ill. ; 24 cmSeries: New practices of inquirySubject: ROBOTS IN FILMS ; MYTH AND THE CINEMA ; JAWS (US, Steven Spielberg, 1975) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; BLADE RUNNER (US, Ridley Scott, 1982) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TERMINATOR, THE (US, James Cameron, 1984) Notes: Includes bibliographical references (p. 222-244) and indexISBN: 0226731677 (paper : alk. paper); 0226731669 (cloth : alk. paper)LON: 95030431; 11723431
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