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Call No: 62 AES
Author: Aumont, J. (Jacques)
CorpAuthor: EsthTtique du film. English
Edition: 1st ed
Place: Austin
Publisher: University of Texas Press
PubDate: 1992
PhysDes: x, 269 p. : ill. ; 24 cm
Series: Texas film studies series
Subject: SPECTATORSHIP; SEMIOLOGY; AESTHETICS; NARRATIVE IN FILMS; MONTAGE; REALISM IN FILMS; THEORY; LANGUAGE AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; BAZIN, ANDRE; BARTHES, ROLAND; INTOLERANCE (US, David Wark Griffith, 1916)
Notes: Includes bibliographical references (p. [253]-259) and index
ISBN: 0292704372 (pbk.); 0292704283 (alk. paper)
LON: 8459109

Call No: 626:396 DEL
Author: De Lauretis, Teresa
Place: Bloomington
Publisher: Indiana University Press
PubDate: 1984
PhysDes: ix, 220 p. ; 25 cm
Subject: FEMINISM AND THE CINEMA; WOMEN AND THE CINEMA; THEORY; SEMIOLOGY; PSYCHOANALYSIS AND THE CINEMA; NARRATIVE IN FILMS; LANGUAGE AND THE CINEMA
Notes: Includes bibliographical references and index
ISBN: 0253304679; 0253203163 (pbk.)
LON: 83048189; 2925665

Call No: 224 DAN; SEE STAFF
Copy Management: Copy 1 = lost July 1998; Copy 2
Author: Dancyger, Ken; Rush, Jeff
Edition: 2nd ed
Place: Boston
Publisher: Focal Press
PubDate: 1995
PhysDes: xii, 300 p. : ill. ; 24 cm
Subject: NARRATIVE IN FILMS; SCRIPTWRITING; GENRES; CHARACTERIZATION IN FILMS; DOCUMENTARY FILMS
Notes: Includes bibliographical references and index; Subtitle on cover: Writing beyond the rules
ISBN: 0240802187 (pbk. : acid-free paper)
LON: 11513370

Call No: 735.3 (73) WAL
Author: Walters, James
Source: US
Place: Bristol; Chicago
Publisher: Intellect
PubDate: 2008
PhysDes: 232 p. : ill. ; 23 cm
Subject: HOLLYWOOD; FANTASTIC FILMS; FANTASY FILMS; DREAMS IN FILMS; MEMORY IN FILMS; INNOCENCE IN FILMS; REPETITION IN FILMS; TIME IN FILMS; POINT-OF-VIEW; NARRATIVE IN FILMS; FLEMING, VICTOR; LANG, FRITZ; GONDRY, MICHEL; CAPRA, FRANK; RAMIS, HAROLD; MINNELLI, VINCENTE; ROSS, GARY; WIZARD OF OZ, THE (US, Victor Fleming, 1939); WOMAN IN THE WINDOW, THE (US, Fritz Lang, 1944); ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); GROUNDHOG DAY (US, Harold Ramis, 1993); BRIGADOON (US, Vincente Minnelli, 1954); PLEASANTVILLE (US, Gary Ross, 1998); DONNIE DARKO (US, Richard Kelly, 2001); BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90); ABRE LOS OJOS (SP, Alejandro Amenabar, 1997); AWFUL TRUTH, THE (US, Leo McCarey, 1937); LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988); MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948)
Summary: "The use of alternate realities in cinema has been brought to new heights by such recent films as 'Eternal Sunshine of the Spotless Mind' and 'Donnie Darko'. 'Alternative Worlds in Hollywood Cinema' is the first book to analyze these imaginary realms, tracing their construction and development across periods, genres and history. "Through an analysis of such landmark films as 'The Wizard of Oz', 'It's a Wonderful Life' and 'Groundhog Day', Walters reveals how unconventional worlds are crucial to each film's dramatic agenda and narrative structure. This groundbreaking volume unifies decades of divergent work by film scholars and points the way towards a new theoretical framework for understanding fantasy in the context of popular film. 'Alternative Worlds in Hollywood Cinema' will be an essential resource for film studies scholars and movie buffs alike." (Taken from the back cover.)
Notes: Includes Filmography, Bibliography and Index
ISBN: 9781841502021

Call No: 71(4) ARM
Author: Armes, Roy, 1937
Place: London
Publisher: Secker and Warburg
PubDate: 1976
PhysDes: 255 p. : ill., ports. ; 22 cm
Series: Cinema two
Subject: EUROPEAN COUNTRIES; NARRATIVE IN FILMS
Notes: Includes index; Bibliography: p. 243-250
ISBN: 0436018004 : ª6.50; 0436018012 (pbk.) : ª5.50
LON: 796984 796984

Call No: 71(94) TUL
Author: Tulloch, John, 1942
Place: Sydney
Publisher: George Allen & Unwin
PubDate: 1982
PhysDes: 272 p. : ill. ; 23 cm
Subject: AUSTRALIA; IMPERIALISM AND THE CINEMA. AUSTRALIA; STATE AND THE CINEMA. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; NARRATIVE IN FILMS. AUSTRALIA; HALL, KEN G.; AUSTRALASIAN FILMS; SMITH, BEAUMONT; HOWE, W.J.; DOYLE, STUART; KRACAUER, SIEGFRIED; BREAKING OF THE DROUGHT, THE (AT, Franklyn Barrett, 1920); HORDEN MYSTERY, THE (AT, Harry Southwell, 1920); JUNGLE WOMAN, THE (AT, Frank Hurley, 1926); LIFE STORY OF JOHN LEE - THE MAN THEY COULDN'T HANG, THE (AT, Arthur W. Sterry, 1921); HAYSEEDS, THE (AT, Beaumont Smith, 1933); MAN FROM KANGAROO, THE (AT, Wilfred Lucas, 1920); SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933)
Notes: Cinema industries. Australia, ca 1920- ca 1940 (ANB/PRECIS SIN 0527041); Ill. on lining papers; Includes bibliographical references and index
ISBN: 0868611484 (pbk.); 0868611409 : price unknown
LON: 2138387

Call No: 409 NIC
Author: Nichols, Bill
Place: Bloomington
Publisher: Indiana University Press
PubDate: 1994
PhysDes: xvii, 187 p. ; 25 cm
Subject: ANTHROPOLOGY AND THE CINEMA; AUDIENCES; BODY IN FILMS; DOCUMENTARY FILMS; ETHNOGRAPHIC FILMS; MELODRAMA; NARRATIVE IN FILMS; SEMI-DOCUMENTARIES; SOCIAL HISTORY AND THE CINEMA; KING, RODNEY; STACHKA [STRIKE] (UR, Sergei M. Eisenstein, 1925); REALISM ON TV; REALITY "SHOWS"; REALITY TV; RACIAL PROBLEMS ON TV; RACIAL PROBLEMS AND TV; TRUTH IN FILMS; VIOLENCE ON TV; WAR AND THE CINEMA; GULF WAR ON TV; ETHICS AND TV
Summary: "Blurred Boundaries explores decisive moments where the traditional boundaries of fiction/non-fiction and truth/falsehood blur. Nichols argues that the history of social representation in film, television, and video requires an understanding of the fate of both contemporary and older work. Traditionally, film history and cultural studies sought to place films in a historical context. Nichols proposes a new goal: to examine how specific works, old and new, promote or suppress a sense of historical consciousness. Examining work from Eisenstein's Strike to the Rodney King videotape, Nichols interrelates issues of formal structure, viewer response, and historical consciousness. Simultaneously, Blurred Boundaries radically alters the interpretative frameworks offered by neoformalism and psychoanalysis: Comprehension itself becomes a social act of transformative understanding rather than an abstract mental process, while the use of psychoanalytic terms like desire, lack, or paranoia to make social points metaphorically yields to vocabulary designed expressly for historical interpretation - such as project, intentionality, and the social imaginary. An important departure from prevailing trends in many fields, Blurred Boundaries offers new directions for the study of visual culture." -- BOOK BLURB
Notes: Includes bibliographical references (p. 149-182) and index
ISBN: 0253340640 (alk. paper); 0253209005 (paper : alk. paper)
LON: 10767942

Call No: 62 BRA
Author: Branston, Gill
Source: US
Place: Philadelphia
Publisher: Open University Press
PubDate: 2000
PhysDes: p. cm
Series: Issues in cultural and media studies
Subject: POPULAR CULTURE AND THE CINEMA; MODERNISM AND THE CINEMA; AUTHORSHIP; STAR SYSTEM; AUDIENCES; GLOBALISATION; CAPITALISM AND THE CINEMA; CLASS AND THE CINEMA; WALT DISNEY PRODUCTIONS; CULTURE AND THE CINEMA; HOLLYWOOD; INTERNET AND THE CINEMA; PERCEPTION; NARRATIVE IN FILMS; GENDER AND THE CINEMA; TYPE CHARACTERS IN FILMS; STUDIO SYSTEM; GAZE IN FILMS; CONSUMERISM AND THE CINEMA; MULVEY, LAURA; THELMA & LOUISE (US, Ridley Scott, 1991)
Summary: "Cinema and Cultural Modernity carves a path through the complex histories and issues of film and cinema studies and vividly explores these in their social and political contexts. It focuses on selected topics such as Hollywood's histories and how authorship, stardom and globalized blockbuster cinema, its pleasures and disappointments, might be thought out. Gill Branston outlines the need for cinema study that is both sensitive to the formal 'textiness' of films, but also less anxious about arguing for its position within broad agendas of representation. She shows how such debates and histories might connect both the very real pleasures of 'consuming' cinema with the need for a critical politics to address the persistent social and cultural inequalities of modernity." -- BOOK COVER
Notes: Includes bibliographical references and index
ISBN: 033520077X (HB); 0335200761 (PB)
LON: 21519736

Call No: 70(04) CIN
Author: Cook, Pam
Place: London
Publisher: BFI
PubDate: 1985
PhysDes: vi, 377 p. : ill. ; 30 cm
Subject: HISTORY OF CINEMA; USA; STARS; GENRES; WESTERNS; MELODRAMA; GANGSTER FILMS; FILM NOIR; HORROR FILMS; MUSICALS; AUTEUR THEORY; AUTHORSHIP; STRUCTURALISM; NARRATIVE IN FILMS; BAZIN, ANDRE; METZ, CHRISTIAN; BARTHES, ROLAND; PROPP, VLADIMIR; LEVI-STRAUSS, CLAUDE
Notes: Includes index
ISBN: 0851701442 (pbk.)
LON: bnb85170144; 4277881

Call No: 70(04) CIN
Author: Cook, Pam; Bernink, Mieke
Edition: 2nd ed
Place: London
Publisher: British Film Institute
PubDate: 1999
PhysDes: x, 406 p. : ill. ; 30 cm
Subject: USA; STUDIOS, FILM. USA; STUDIO SYSTEM; STARS; NARRATIVE IN FILMS; EXPRESSIONISM; GERMANY; USSR; NEOREALISM; NOUVELLE VAGUE; UNITED KINGDOM; HOLLYWOOD; ART CINEMA; ASIAN COUNTRIES; AVANT-GARDE FILMS; THIRD CINEMA; THIRD WORLD; GENRES; WESTERNS; MELODRAMA; GANGSTER FILMS; FILM NOIR; HORROR FILMS; MUSICALS; YOUNG PEOPLE IN FILMS; COMEDIES; ACTION FILMS; AUTHORSHIP; AUTEUR THEORY; STRUCTURALISM; PSYCHOANALYSIS AND THE CINEMA; FEMINISM AND THE CINEMA; SPECTATORSHIP; AUDIENCE RESEARCH; SARRIS, ANDREW
Notes: Previous ed.: 1985
ISBN: 0851707297; 0851707262 (pbk.) ª23.99; 0851707297; 0851707262 (pbk.)
LON: 14510520

Author: Carringer, Robert L.
PhysDes: Article
Subject: NARRATIVE IN FILMS; CITIZEN KANE (US, Orson Welles, 1941)
Summary: Essay explores the notion of Americanness with a comparison of Orson Welles' citizen kane and F. Scott Fitzgerald's novel the great gatsby.

Call No: 62 CHA
Author: Chatman, Seymour Benjamin
Source: US/UK
Place: New York ; London
Publisher: Cornell University Press
PubDate: 1990
PhysDes: ix, 240 pages : 23 cm
Subject: NARRATIVE IN FILMS; THEORY; FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981)
Summary: "Seymour Chatman's Story and Discourse: Narrative Structure in Fiction and Film (1978) integrated the most useful features of Anglo-American and Continental narrative theory into a general theory of narratology. In Coming to Terms, the sequel to that classic work, Chatman assays the field of narratology over its thirty-year history and offers a challenging reassessment of its terms and concepts. Chatman discusses a wide range of literary and cinematic texts, asserting that a general narratology can help to account for their commonalities and divergences." - taken from back cover
Notes: Includes bibliographical references and index.
ISBN: 0801497361
Contents: 1. Narrative and Two Other Text-Types -- 2. Description Is No Textual Handmaiden -- 3. What Is Description in the Cinema? -- 4. Argumentation in Film: Mon oncle d'Amerique -- 5. In Defense of the Implied Author -- 6. The Implied Author at Work -- 7. The Literary Narrator -- 8. The Cinematic Narrator -- 9. A New Point of View on "Point of View" -- 10. A New Kind of Film Adaptation: The French Lieutenant's Woman -- 11. The "Rhetoric" "of" "Fiction" -- Notes -- Index

Call No: 71(73) CON
Author: Neale, Stephen; Smith, Murray, 1962
Place: London New York
Publisher: Routledge
PubDate: 1998
PhysDes: xxii, 338 p. : ill. ; 24 cm
Subject: USA; HOLLYWOOD; TECHNOLOGY AND THE CINEMA; DISTRIBUTION. USA; EXHIBITION. USA; WIDE-SCREEN SYSTEMS; SPECTATORSHIP; MEN IN FILMS. USA; MELODRAMA; MUSIC, FILM; SOUND TRACKS; TELEVISION AND THE CINEMA; FAMILY IN FILMS. USA; NARRATIVE IN FILMS; BLACKS, FILMS MADE BY. USA; BLACKS IN FILMS. USA; BLOCKBUSTERS; FEMINISM AND THE CINEMA; GENDER AND THE CINEMA; CENSORSHIP. USA; INDEPENDENT FILMS. USA; WOMEN, FILMS FOR; WOMEN IN FILMS. USA; HORROR FILMS. USA; CHILDREN, FILMS FOR; ACTION FILMS; AUDIENCES; MIRAMAX FILMS; NEW LINE CINEMA; TIME WARNER; VERHOEVEN, PAUL; COPPOLA, FRANCIS FORD; HAMILTON, LINDA; MCDORMAND, FRANCES; ELFMAN, DANNY; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FARGO (US, Ethan Coen, 1996); BASIC INSTINCT (US, Paul Verhoeven, 1992); BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992); BATMAN (US, Tim Burton, 1989); BATMAN RETURNS (US, Tim Burton, 1992); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); JURASSIC PARK (US, Steven Spielberg,, 1993); LION KING, THE (US, Roger Allers & Rob Minkoff, 1994); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991)
Notes: Includes bibliographical references (p. [312]-318) and index
ISBN: 0415170095; 0415170109 (pbk.)
LON: 98005952; 13736490

Author: Turk, Rachael; Sardi, Jan
PhysDes: Article
Subject: NARRATIVE IN FILMS; SARDI, JAN; MAO'S LAST DANCER (AT, Bruce Beresford, 2009); SHINE (AT/UK, Scott Hicks, 1996)
Summary: Interview with screen writer Jan Sardi discussing narrative and scriptwriting devices used two of his works, Shine and Mao's last dancer.

Call No: 761 SPE
Author: Spence, Louise; Navarro, Vinicius
Source: US/UK
Place: New Brunswick, NJ
Publisher: Rutgers University Press
PubDate: c2011
PhysDes: x, 281 p. : ill. ; 26 cm
Subject: AESTHETICS; AUTHORSHIP; BIOGRAPHICAL FILMS; CINEMATOGRAPHY; COMMENTARY; CONSTRUCTIVISM; CONTINUITY; CINEMA-DIRECT; DOCUMENTARIES; DOCUMENTARY FILMS; EDITING; ETHNOGRAPHIC FILMS; HISTORY AND THE CINEMA; INTERVIEWING; INTERVIEWS IN FILMS; LIGHTING; LOCATION SHOOTING; MEMORY IN FILMS; MUSIC IN FILMS; NARRATIVE IN FILMS; NON-FICTION FILMS; PALESTINE; PHOTOGRAPHY AND THE CINEMA; REALISM IN FILMS; SOUND; SOUND EQUIPMENT; THEORY; TRUTH IN FILMS; VOICE OVER; WORLD WAR II AND THE CINEMA; AFRIQUE, JE TE PLUMERAI (CM/FR/G, Jean-Marie Téno, 1992); BERLIN DIE SINFONIE DER GROSSTADT (G, Walter Ruttman, 1927); CHRONIQUE D' UN ETE (FR, Jean Rouch/Edgar Morin, 1961); CHRONICLE OF A SUMMER (FR, Jean Rouch & Edgar Morin, 1961); GOKUSHITEKI EROSU: RENKA 1974 (JA, Kazuo Hara, 1974); FAR FROM POLAND (US, Jill Godmilow, 1984); HALVING THE BONES (US, Ruth Ozeki Lounsbury, 1995); HANDSWORTH SONGS (UK, John Akomfrah, 1986); HEARTS AND MINDS (US, Peter Davis, 1974); JOYCE AT 34 (US, Joyce Chopra, 1972); LESSONS OF DARKNESS (GG, Werner Herzog, 1992); LEKTIONEN IN FINSTERNIS (GG, Werner Herzog, 1992); LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NEKAM ACHAT MISHTEY EYNAY (FR/IS, Avi Mograbi, 2005); NIGHT MAIL (UK, Basil Wright & Harry Watt, 1936); PRELUDE TO WAR (US, Frank Capra & Anatole Litvak, 1942); SANS SOLEIL (FR, Chris Marker, 1983); SHOAH (FR/SZ, Claude Lanzmann, 1985); TIES THAT BIND, THE (US, Su Friedrich, 1984); TITICUT FOLLIES (US, Frederick Wiseman, 1967); WAR GAME, THE (UK, Peter Watkins, 1966)
Summary: "Although nonfiction film may have captured imaginations, many viewers enter and leave theaters with a naive concept of "reality"- for them, documentaries are sources of information. But is truth or reality readily available, easily acquired, or undisputed? Or do documentaries convey illusions of reality? What aesthetic means are used to build these illusions? Crafting truth illuminates the way these films tell their stories; how they use the camera, editing, sound, and performance; what rhetorical devices they employ; and what the theoretical, practical, and ethical implications of those choices are. Complex documentary concepts are presented through easily accessible language, images, and a discussion of a wide range of films and videos to encourage new ways of thinking about and seeing nonfiction cinema. " -- BOOK BLURB
ISBN: 9780813549033
Contents: -- acknowledgments -- Introduction -- Authenticity -- Evidence -- Authority -- Responsibility -- Argument -- Dramatic stories, poetic and essay documentaries -- Editing -- Camerawork -- The profilmic -- Sounds / coauthored with Carl Lewis --index --
ID2: 90

Call No: 62 KYD
Author: Kydd, Elspeth
Source: UK/US
Place: Houndmills. Basingstoke, Hampshire ; New York
Publisher: Palgrave Macmillan
PubDate: 2011
PhysDes: xix, 316 p. : ill. ; 26 cm
Subject: NARRATIVE IN FILMS; DOCUMENTARY FILMS; EXPERIMENTAL FILMS; CINEMATOGRAPHY; SOUND; EDITING; MUSIC IN FILMS; FILM; COSTUMES; COSTUME DESIGNING; CRITICISM
Summary: "The successful study of film combines criticism, theory and practice. This book covers all three areas and guides the student towards an engaged form of creative expression and an active role as reviewer and critic. Beautifully presented, this ground-breaking text offers all students an integrated understanding of film criticism and production"--Provided by publisher - LIBRARIES AUSTRALIA
Notes: Includes index; Includes bibliographical references and index
ISBN: 9780230229754
Contents: -- illustrations -- acknowledgments -- PART I: CRITICAL PRACTICE -- The Critical Practice of Film -- Motion pictures -- PART II: FILM FORM -- Narrative Film -- Documentary Film -- Experimental film -- PART III: TECHNIQUES OF FILM -- Cinematography -- Mise-en-Scene -- Sound -- Editing -- Film music -- PART IV: ANALYSIS AND CRITICAL PRACTICE -- Analysis and interpretation of film -- Critical practice in action -- bibliography -- glossary -- index --

Author: Turk, Rachael (interviewer)
PhysDes: Article
Subject: NARRATIVE IN FILMS; LATHOURIS, NICO
Summary: Lathouris discusses his view of dramaturgy - techniques dramatic composition and the representation of the main elements of drama on stage or screen. Lathouris incorporates aspects of writing, script editing, performance directing, creative producing and dramaturgy in hiw work on projects that have included Justice League (not produced) and Mad Max 4: Fury Road.

Author: Huggett, Nancy
PhysDes: Article
Subject: AUDIENCES. AUSTRALIA; PSYCHOLOGICAL EFFECTS OF FILMS; NARRATIVE IN FILMS. AUSTRALIA; AUDIENCE RECEPTION. AUSTRALIA; HISTORY OF CINEMA
Summary: This article considers the different ways in which strategies of selective self-presentation on behalf of both interviewee and interviewer structure the oral history narrative, using, as an example. the ways in which embarrassment and shame function in narratives of cinema-going in Australia. The essay explores when and how embarrassment and shame feature in cinema-going narratives and also the way in which some issues, such as the recollection of segregation in rural cinemas, disrupt the easy conversational flow of a narrative and cause discomfort, bordering on embarrassment and shame for both interviewee and interviewer. Drawing on oral histories and autobiographical accounts from New South Wales cinema-goers, this article delves into the public/private and past/present functions of embarrassment and shame in order to better understand cinema-going practices and recollection strategies. It takes into account how critical oral history and cultural theory can assist cinema studies to examine how practices of cinema-going are situated within wider cultural attidudes and discourses. -- Abstract

Call No: 626:396 FAB
Author: Gaines, Jane, 1943; Herzog, Charlotte, 1946
Place: New York
Publisher: Routledge
PubDate: 1990
PhysDes: vii, 295 p. : ill. ; 24 cm
Series: AFI film readers
Subject: FEMINISM AND THE CINEMA; WOMEN AND THE CINEMA; WOMEN IN FILMS; BODY IN FILMS; COSTUMES; FASHION AND THE CINEMA; NARRATIVE IN FILMS; DIETRICH, MARLENE; FAME (US, Alan Parker, 1980); FLASHDANCE (US, Adrian Lyne, 1983); FIG LEAVES (US, Howard Hawks, 1926)
Notes: Includes bibliographical references (p. 278-294)
ISBN: 0415900611; 041590062X (pbk.)
LON: 6468521

Call No: 62 FIE
Author: Devereaux, Leslie; Hillman, Roger
Place: Berkeley
Publisher: University of California Press
PubDate: 1995
PhysDes: xiv, 362 p. : ill. ; 24 cm
Subject: MONTAGE; ETHNOGRAPHIC FILMS; PHOTOGRAPHY AND THE CINEMA; WAR AND THE CINEMA; WAR IN FILMS; MODERNISM AND THE CINEMA; HORROR FILMS; BODY IN FILMS; MEN IN FILMS; SPECTATORSHIP; CARNIVAL AND THE CINEMA; WOMEN AND THE CINEMA; NARRATIVE IN FILMS; SOUND; ADAPTATIONS; AUSTRALIAN ABORIGINES AND THE CINEMA; DOCUMENTARY FILMS; HOLLYWOOD; EHE DER MARIA BRAUN, DIE (GW, Rainer Werner Fassbinber, 1979); NAME DER ROSE, DER (GW/IT/FR, Jean-Jacques Annaud, 1986); RIVERS OF SAND (US, Robert Gardner, 1974)
Notes: Includes bibliographical references and index
ISBN: 0520085248 (pbk. : alk. paper); 0520085221 (alk. paper)
LON: 10726537

Call No: 62 ARM
Author: Armes, Roy
Place: Harmondsworth, Middlesex
Publisher: Penguin
PubDate: 1974
PhysDes: 254 p. ; 18 cm
Subject: MODERNISM AND THE CINEMA; REALISM IN FILMS; DOCUMENTARIES; DOCUMENTARY FILMS; CINEMA VERITE; NEOREALISM; EXPRESSIONISM; SURREALISM AND THE CINEMA; UNDERGROUND FILMS; ANIMATION; HISTORY OF CINEMA. SILENT PERIOD; STUDIO SYSTEM; NARRATIVE IN FILMS; STARS; AUTHORSHIP; WALT DISNEY PRODUCTIONS; WESTERNS; LUMIERE, AUGUSTE & LOUIS; MELIES, GEORGES; FLAHERTY, ROBERT; VERTOV, DZIGA; VON STROHEIM, ERICH; RENOIR, JEAN; ROSSELLINI, ROBERTO; EDISON, THOMAS ALVA; GRIFFITH, DAVID WARK; HITCHCOCK, ALFRED; BUNUEL, LUIS; RESNAIS, ALAIN; GODARD, JEAN-LUC; ANGER, KENNETH; LOACH, KENNETH; CHAPLIN, CHARLES
Summary: Explores the history of cinema by looking at three broad areas - Film Realism, Film Illusion, and Film Modernism, and describes within these areas the most important film-makers, directors and companies within the film industry.
Notes: contains index; contains bibliography with descriptions and recommendations for the books sourced.
ISBN: 0140217010
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Call No: 62 DEN
Author: DeNitto, Dennis; Herman, William
Source: US
Place: New York
Publisher: Macmillan
PubDate: 1975
PhysDes: xii, 543 p. : ill. ; 24 cm
Subject: CRITICISM; NARRATIVE IN FILMS; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924); LAST LAUGH, THE (G, Friedrich Wilhelm Murnau, 1924); GOLD RUSH, THE (US, Charles Chaplin, 1925); M (G, Fritz Lang, 1931); RULES OF THE GAME, THE (FR, Jean Renoir, 1939); REGLE DU JEU, LA (FR, Jean Renoir, 1939); BEAUTY AND THE BEAST (FR, Jean Cocteau, 1946); BELLE ET LA BETE, LA (FR, Jean Cocteau, 1946); RASHOMON (JA, Akira Kurosawa, 1950); RONDE, LA (FR, Max Ophuls, 1950); SEVENTH SEAL, THE (SW, Ingmar Bergman, 1957); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); WILD STRAWBERRIES (SW, Ingmar Bergman, 1957); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); ASHES AND DIAMONDS (PL, Andrzej Wajda, 1959); POPIOL I DIAMENT (PL, Andrzej Wajda, 1959); JULES AND JIM (FR, Francois Truffaut, 1962); JULES ET JIM (FR, Francois Truffaut, 1962)
Notes: Bibliography: p. 527-536 Includes filmographies and index
ISBN: 002328370X
Contents: --Part one -- 1: viewing a film -- 2: interpreting a film -- Part two -- 3: the language of film -- 4: the rhetoric of film -- Part three -- 5: The Last Laugh, Murnau -- 6: The Gold Rush, Chaplin -- 7: M Lang -- 8: Grand Illusion, Renoir -- 9: The Rules of the Game, Renoir -- 10: Beauty and the Beast, Cocteau -- 11: Rashomon Kurosawa -- 12: La Ronde, Ophuls -- 13: The Seventh Seal, Bergman -- 14: Wild Strawberries, Bergman -- 15: Ashes and Diamonds, Wajda -- 16: L'avventura, Anotonioni -- 17: Il Posto, Olmi -- 18: Jules and Jim, Truffaut -- 19: Notes on Six films -- Biographies and filmographies -- bibliographies --index --
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Call No: 632.2 FEL
Author: Fell, John L. (John Lewis), 1927
Edition: 1st ed
Place: Berkeley
Publisher: University of California Press
PubDate: 1986
PhysDes: xx, 284 pages : illustrations ; 23 cm
Subject: NARRATIVE IN FILMS; HISTORY OF CINEMA. SILENT PERIOD; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); COMIC STRIPS AND THE CINEMA; GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); MELIES, GEORGES
Notes: Previously published: Norman : University of Oklahoma Press, 1974. -- Includes appendices -- Bibliography: p. 258-271 -- Index: p. 273 -284 -- c1974
ISBN: 0520053680 (paper)
LON: abn90010427; 6864524
Contents: Introduction -- I. VERBAL ARTS : 1. Mise en scene -- 2. Dissolves by gaslight -- 3. It is not a good book, my son -- 4. Space, time, and Victorian prose -- II. GRAPHIC ARTS : 5. Mr. Griffith, meet Winsor McCay -- 6. The picture in our heads -- 7. Art, photography, and the shape of things to come -- III. THE MOVIES : 8. Ten cent palace life -- 9. A particular phase of perception -- APPENDICES : I. Early development of American sheet music -- II. Twenty representative British and American melodramas -- III. Subliterature in the Nineteenth Century -- IV. Lenses -- V. The phasmatrope -- VI. Nineteenth-century developments in printing -- VII. Winsor McCay -- VIII. Musical machines -- IX. Chronological listing in Niver In the Beginning Collection.

Call No: 62 BOR
Author: Bordwell, David, 1947; Thompson, Kristin, 1950
Edition: 2nd ed
Place: New York
Publisher: Knopf Distributed by Random House
PubDate: 1986
PhysDes: xiii, 400 p., [2] p. of plates : ill. (some col.) ; 26 cm
Subject: PRODUCTION; NARRATIVE IN FILMS; CINEMATOGRAPHY; EDITING; SOUND; CRITICISM; HISTORY OF CINEMA; MOVEMENTS IN FILM HISTORY; BALLET MECANIQUE, LE (FR, Fernand Leger, 1924); CITIZEN KANE (US, Orson Welles, 1941)
Notes: Includes index; Bibliography: p. 387-389
ISBN: 0394352378 (pbk.)
LON: 85018198; 4389326
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Call No: 408 TUR
Author: Turner, Graeme
Place: London New York
Publisher: Routledge
PubDate: 1988
PhysDes: xv, 187 p. : ill. ; 20 cm
Series: Studies in communication
Subject: POPULAR CULTURE AND THE CINEMA; INDUSTRY, FILM; INDUSTRY, FILM. AUSTRALIA; AUTEUR THEORY; NARRATIVE IN FILMS; STARS; SPECTATORSHIP; AUDIENCES; AUSTRALIA; IDEOLOGY AND THE CINEMA; BAZIN, ANDRE; WRIGHT, WILL; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985); METROPOLIS (G, Fritz Lang, 1926)
Summary: “Explores the feature film as entertainment, as narrative, and as cultural event. Graeme Turner discusses the major theoretical issues surrounding the history of film production and film studies, using them to examine the cultural function of film and its place in our popular culture. This updated third edition includes: discussion of classical and popular contemporary films, updated and expanded discussion of debates surrounding film narrative and arguments revised throughout to take into account recent developments in film and cultural theory and changing cinematic trends.” [Taken from back cover]
Notes: Includes index; Bibliography: p. 180-184
ISBN: 0415007348; 0415007356 (pbk.)
LON: 5742606

Call No: 512.1 MAY
Author: Mayer, Geoff
Place: Milton, Qld.
Publisher: Jacaranda Press
PubDate: 1991
PhysDes: 51 p. : ill. ; 28 cm
Subject: NARRATIVE IN FILMS; MELODRAMA; ADAPTATIONS; ETHICS IN FILMS; CRY FREEDOM (UK, Richard Attenborough, 1987); RADIO DAYS (US, Woody Allen, 1987); ACCIDENTAL TOURIST, THE (US, Lawrence Kasdan, 1988); SHAME (AT, Steve Jodrell, 1988); YEAR MY VOICE BROKE, THE (AT, John Duigan, 1987)
Notes: For senior secondary school students; Includes bibliographical references
ISBN: 0701628782 (pbk.)
LON: 7685541
ID2: 290

Call No: 63 RAN
Author: Rancier, Jacques; Battista, Emiliano
Source: FR/US
Place: New York
Publisher: Berg Publishers
PubDate: 2006
PhysDes: viii, 196 pages ; 24 cm
Subject: AESTHETICS; ART AND THE CINEMA; ART CINEMA; AUTEUR THEORY; CINEMATOGRAPHY; DOCUMENTARY FILMS; HISTORY AND THE CINEMA; HISTORY OF CINEMA; NARRATIVE IN FILMS; PHILOSOPHY AND THE CINEMA; SYMBOLISM IN FILMS; BRESSON, ROBERT; DELEUZE, GILLES; EPSTEIN, JEAN; EISENSTEIN, SERGEI M.; GODARD, JEAN-LUC; HITCHCOCK, ALFRED; LANG, FRITZ; MANN, ANTHONY; MARKER, CHRIS; MEDVEKIN, ALEXANDER; MURNAU, FRIEDRICH WILHELM; OZU YASUJIRO; RAY, NICHOLAS; ROSSELLINI, ROBERTO; VERTOV, DZIGA; AU HASARD, BALTHAZAR (FR/SW, Robert Bresson, 1966); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); CHINOISE, LA (FR, Jean-Luc Godard, 1967); FAUST (G, Friedrich Wilhelm Marnau, 1926); WHILE THE CITY SLEEPS (US, Fritz Lang, 1955)
Summary: "Film Fables traces the history of modern cinema, moving effortlessly from Eisenstein's and Murnau's transition from theatre to film to Fritz Lang's confrontation with television, from the classical poetics of Mann's Westerns to Ray's romantic poetics of the image, from Rossellini's neo-realism to Deleuze's philosophy of the cinema and Marker's documentaries."
Notes: Includes index
ISBN: 9781845201685
ID2: 291

Call No: 62 WEA
Author: Lellis, George; Wead, George
Source: US
Place: Boston
Publisher: Houghton Mifflin Co.
PubDate: 1981
PhysDes: x, 502 p. : ill. ; 23 cm
Subject: FILMMAKING; NARRATIVE IN FILMS; AESTHETICS
Notes: Includes bibliographical references and index.
ISBN: 0395297400
Contents: --chapter 1 introduction: the instrument of communication -- part one the techniques of communication; stylized perceptions-- chapter two: movement -- chapter three: space -- chapter four: continuity -- chapter five: sound -- chapter six: colour -- part two: the hollywood narrative tradition -- chapter seven: hollywood's social aspect -- chapter eight: hollywood's artistic -- chapter nine: the distinctive mode of comedy -- part three: alternatives to the hollywood tradition -- chapter ten: realist cinema -- chapter eleven: persuasive cinema -- chapter twelve: personal cinmea -- chapter thirteen: esthetic cinema -- chapter fourteen: summary: cinema and our sense of balance -- index --

Call No: 64GEN FIL
Author: Grant, Barry Keith, 1947
Edition: 1st ed
Place: Austin
Publisher: University of Texas Press
PubDate: 1995
PhysDes: viii, 581 p. : ill. ; 24 cm
Subject: GENRES; WESTERNS; GANGSTER FILMS; FILM NOIR; DISASTER FILMS; EPIC FILMS; HORROR FILMS; MELODRAMA; COMEDIES; TRANSVESTISM; WOMEN IN FILMS; VIETNAM WAR FILMS; MUSICALS; BLACKS IN FILMS; CANADA; AUTEUR THEORY; NARRATIVE IN FILMS; DETECTIVE FILMS; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HISTORICAL FILMS; PHILOSOPHY AND THE CINEMA; PORNOGRAPHY AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; SCIENCE-FICTION FILMS; SEMIOLOGY; STRUCTURALISM; HITCHCOCK, ALFRED; MICHEAUX, OSCAR; CRONENBERG, DAVID; FORD, JOHN; PENN, ARTHUR; SIRK, DOUGLAS; CAVELL, STANLEY; CHANDLER, RAYMOND; FRYE, NORTHROP; MINNELLI, VINCENTE; TODOROV, TZVETAN; ZOO LA NUIT, UN (CN, Jean-Cluade Lauzon, 1987); SOME LIKE IT HOT (US, Billy Wilder, 1959); SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943); BARKLEYS OF BROADWAY, THE (US, Charles Walters, 1949); YENTL (US, Barbara Streisand, 1983); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); MY DARLING CLEMENTINE (US, John Ford, 1946); STAGECOACH (US, John Ford, 1939); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); THING, THE (US, Christian Nyby, 1951); [TWENTY] 20 MILLION MILES TO EARTH (US, Nathan Juran, 1957); VICTOR VICTORIA (UK, Blake Edwards, 1982); WRITTEN ON THE WIND (US, Douglas Sirk, 1956); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); FLY, THE (US, David Cronenberg, 1986); DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985); CHINATOWN (US, Roman Polanski, 1974); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); CHINATOWN (US, Roman Polanski, 1974)
Notes: Includes bibliographical references (p. [495]-559) and index
ISBN: 0292727771 (cloth : alk. paper); 029272778X (pbk. : alk. paper)
LON: 11563059

Call No: 62 LAP
Author: Lapsley, Robert; Westlake, Michael
Place: Manchester, UK New York
Publisher: Manchester University Press Distributed exclusively in the USA and Canada by St. Martin's Press
PubDate: 1988
PhysDes: viii, 248 p. : 1 ill. ; 23 cm
Series: Images of culture
Subject: SEMIOLOGY; IDEOLOGY AND THE CINEMA; POLITICS AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; AVANT-GARDE FILMS; REALISM IN FILMS; NARRATIVE IN FILMS; AUTHORSHIP; AUTEUR THEORY
Notes: Includes index; Bibliography: p. [238]-240
ISBN: 0719026024 (pbk.); 0719018897 : $30.00 (est.)
LON: bnb71901889; 5574489
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Call No: 632.2 FOS
Author: Foss, Bob
Edition: 1st Silman-James ed
Place: Los Angeles Hollywood, CA
Publisher: Silman-James Press Distributed by Samuel French Trade
PubDate: 1992
PhysDes: vi, 204 p. : ill. ; 23 cm
Subject: NARRATIVE IN FILMS; STRUCTURALISM; EDITING; TIME IN FILMS; AESTHETICS; DIALOGUE
ISBN: 1879505142 : $15.95
Order Received: 1998
LON: 94010053; 10867985

Call No: 81DRE BOR
Author: Bordwell, David
Source: US
Place: Berkley
Publisher: University of California Press
PubDate: c1981
PhysDes: 251 p. : ill., ports. ; 26 cm
Subject: DREYER, CARL TH.; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); VAMPYR : DER TRAUM DES ALLEN GRAY (G/FR, Carl Th. Dreyer, 1932); VREDENS DAG (DK, Carl Th. Dreyer, 1943); ORDET (DK, Carl Th. Dreyer, 1955); GERTRUD (DK, Carl Theodor Dreyer, 1964); AESTHETICS; STRUCTURALISM; NARRATIVE IN FILMS
Summary: Includes index. Bibliography: p. 242-248. Filmography: p. 202-227
ISBN: 0520039874
Language: English

Call No: 512.1 PAR
Author: Partridge, Dinah; Hughes, Peter, 1949
Edition: 2nd ed
Source: AT
Place: Melbourne
Publisher: Oxford University Press
PubDate: 1998
PhysDes: viii, 248 p. : ill., ports. ; 26 cm
Subject: TEACHING MATERIALS; PRINCESS BRIDE, THE (US, Rob Reiner, 1987); ABSOLUTELY FABULOUS [TV] (UK, 1992 - 1996); BLADE RUNNER (US, Ridley Scott, 1982); CITIZEN KANE (US, Orson Welles, 1941); CHARACTERIZATION IN FILMS; CLUELESS (US, Amy Heckerling, 1995); COOLBAROO CLUB, THE (AT, Roger Scholes, 1996); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); EMMA (UK, Douglas McGrath, 1996); FRONTLINE [TV] (AT, 1994- ); GALLIPOLI (AT, Peter Weir, 1981); GENRES; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990); HEARTS OF DARKNESS : A FILMMAKERS APOCALYPSE (US, Fax Bahr & George Hinkenlooper, 1991); HOUSEKEEPING (US, Bill Forsyth, 1987); MITT LIV SOM HUND (SW, Lass Hallestrom, 1985); MURIEL'S WEDDING (AT, P.J. Hogan, 1994); NARRATIVE IN FILMS; NOT FOURTEEN AGAIN (AT, Gillian Armstrong, 1996); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); POLICE ON TV; PROOF (AT, Jocelyn Moorhouse, 1991); REALISM IN FILMS; SCHINDLER'S LIST (US, Steven Spielberg, 1993); SECRET GARDEN, THE (US, Agnieszka Holland, 1993); SEINFELD [TV] (US, 1990-98); SENSE AND SENSIBILITY (US, Ang Lee, 1995); SHAME (AT, Steve Jodrell, 1988); SHINE (AT/UK, Scott Hicks, 1996); SITUATION COMEDY; STAR WARS (US, George Lucas, 1977); WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996)
Notes: Bibliography
ISBN: 0195506774 : $26.95; 0195506774 (pbk.)
LON: 13455821
ID2: 290

Call No: 62 JAM
Author: Jameson, Fredric
Place: Bloomington London
Publisher: Indiana University Press BFI Pub.
PubDate: 1992
PhysDes: xvi, 220 p. : ill. ; 23 cm
Subject: POSTMODERNISM AND THE CINEMA; SOCIETY AND THE CINEMA; CONSPIRACY FILMS; AESTHETICS; MEDIA; NARRATIVE IN FILMS; TECHNOLOGY AND THE CINEMA; THIRD WORLD; GODARD, JEAN-LUC; RENOIR, JEAN; TARKOVSKY, ANDREI; TAHIMIK, KIDLAT; GIDE, ANDRE; ALL THE PRESIDENT'S MEN (US, Alan J. Pakula, 1976); BLOWOUT (US, Brian De Palma, 1981); PARALLAX VIEW, THE (US, Alan J. Pakula, 1974); PASSION (FR/SZ, Jean-Luc Godard, 1982); SALVADOR (US, Oliver Stone, 1986); VIDEODROME (CN, David Cronenberg, 1983); K'UNG-PU FEN-TZU (TZ/HK, Edward Yang [pseud. of Yang Teh-Chang], 1986); UNDER FIRE (US, Roger Spottiswoode, 1983)
Notes: Includes bibliographical references and index
ISBN: 0253330939 (U.S.); 0851703119 (England)
LON: 8458641

Call No: 70 COO
Author: Cook, David A
Edition: 1st ed
Place: New York
Publisher: Norton
PubDate: c1981
PhysDes: xxiii, 721 p. : ill. ; 24 cm
Subject: HISTORY OF CINEMA; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. 1950's; NARRATIVE IN FILMS; STAR SYSTEM; EXPRESSIONISM; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; STUDIO SYSTEM; ITALY; NEOREALISM; WAR AND THE CINEMA; FILM NOIR; NOUVELLE VAGUE; WIDE-SCREEN SYSTEMS; EASTERN EUROPEAN COUNTRIES; JAPAN; THIRD WORLD; GERMAN FEDERAL REPUBLIC; USSR; MELIES, GEORGES; PORTER, EDWIN S.; GRIFFITH, DAVID WARK; PUDOVKIN, VSEVELOD; CHAPLIN, CHARLES; Keaton, Buster; VON STROHEIM, ERICH; CITIZEN KANE (US, Orson Welles, 1941); CABINET DES DR. CALIGARI, DAS (G, Robert Wiene, 1920)
Notes: Includes index; Bibliography: p. 671-692
ISBN: 0393090221 (pbk.); 0393013707
LON: 1583335 1583335

Call No: 71(73) WOO
Author: Wood, Robin, 1931
Place: New York
Publisher: Columbia University Press
PubDate: 1986
PhysDes: x, 328 p. : ill., ports. ; 24 cm
Subject: USA; HORROR FILMS; NARRATIVE IN FILMS; WOMEN IN FILMS. USA; BUDDY FILMS; HORROR FILMS. USA; ALTMAN, ROBERT; COHEN, LARRY; SCORSESE, MARTIN; CIMINO, MICHAEL; ROMERO, GEORGE; DE PALMA, BRIAN; LUCAS, GEORGE; SPIELBERG, STEVEN; CHASE, THE (US, Arthur Penn, 1966); RAGING BULL (US, Martin Scorsese, 1980); KING OF COMEDY, THE (US, Martin Scorsese, 1983); DEER HUNTER, THE (US, Michael Cimino, 1978); HEAVEN'S GATE (US, Michael Cimino, 1980); BLADE RUNNER (US, Ridley Scott, 1982); POLTERGEIST (US, Tobe Hooper, 1982)
Notes: Includes index; Bibliography: p. [319]-320
ISBN: 0231057768 (alk. paper); 0231057776 (pbk)
LON: 3796463

Call No: 753.83(73) HEN
Author: Henderson, Stuart
Source: US/UK
Place: Houndmills, Basingstoke, Hampshire New York, NY
Publisher: Palgrave Macmillan on behalf of the British Film Institute
PubDate: 2014
PhysDes: viii, 220 pages : illustrations ; 24 cm
Subject: SEQUELS; INDUSTRY, FILM. USA; STARS; GENRES; NARRATIVE IN FILMS; INTERTEXUALITY; TARZAN IN FILMS
Summary: "This illuminating study charts the changing role of the Hollywood film sequel over the past century. Considering a range of sequels in their industrial, historical and aesthetic contexts, from The Son of a Sheik (1926) to Toy Story 3 (2010), this book provides a comprehensive history of this critically-neglected yet commercially-dominant art form"--
Notes: A BFI book. Formerly CIP. Includes bibliographical references (pages 204-207) and index
ISBN: 9781844576524
Contents: 'Here we go again ... and again' : introducing the Hollywood sequel -- Early sequels, 1911-28 -- Sequels in the factory, 1929-54 -- The uncertainty principles, 1955-77 -- 4. The end is just the beginning, 1978-2010 -- No end in sight : the classical narrative paradigm and the sequel -- The McClane principle : intertextuality, stardom and character in the sequel -- A formula of formula : genre and the aequel -- Conclusion : the Hollywood sequel : a story complete in itself

Call No: 632 POM
Author: Pomerance, Murray
Source: US
Place: New Brunswick, NJ
Publisher: Rutgers University Press
PubDate: 2008
PhysDes: xii, 257 p., [4] p. of plates : ill. (some col.) ; 24 cm
Subject: NARRATIVE IN FILMS; THEORY; AESTHETICS
Notes: Formerly CIP; Includes bibliographical references (p. 235-245) and index
ISBN: 9780813543284
Contents: Overture -- 1. Thinking about the studios at Neubabelsberg -- The Dreamers, Doris Day, the predicament of the "onlooker," Now, Voyager, and Dead Man A Voluptuous Gaze -- Thinking about a dream of Sandra Oh, Short Cuts, Safe, Sideways, The Lookout, Disturbia, The Dead Zone, the gaze or the glance turning away from film, the "cinema of attractions," glancing at plot, Magnolia, battle effects, Rebecca, Requiem for a Heavyweight, Gojira, "panoramic perception," and vertiginous games -- 2. The Hero in the China Sea -- Thinking about Nicholas Ray's filmmaking, storylines and lines of action, performance and continuity, and Rebel Without a Cause -- 3. A Great Face -- Thinking about Alfred Hitchcock, North by Northwest, monuments and legalities, Mount Rushmore, stereopticons and the rear-projection process, Gary Cooper, George W. Bush, James Stewart, and Cary Grant -- 4. The Smoke and the Knife -- Thinking about Fritz Lang's M, police procedure, craft thieving, the rationality of smoke, women in Weimar Germany, motherhood and surveillance, severing and civilization -- 5. A Callfrom Everywhere -- Thinking about On the Beach, The Exorcist, acousmetre: the voice that cannot be seen, The Wizard of Oz, And the Ship Sails On ... , The Man Who Knew Too Much, Pan's Labyrinth, Trafic, narrative and de-acousmatization, and Stage Fright -- 6. As Time Goes By -- Thinking about cinematic transitions, Close Encounters of the Third Kind, Lawrence of Arabia and the pre-lap, The Passenger, Blackmail, The Graduate, "faux pre-lap" in Chinatown, Three Days of the Condor, The Conversation, the upholstering buffer, the acousmetre passe, the "gasp" and the "turn," From Russia with Love, The Bourne Identity, Saturday Night Fever, editing and sound in the 1970s, Stanley Kubrick and Nestor Almendros -- 7. The Speaking Eye -- Thinking about the speaking eye, the democratic screen, Jaws, animal performance, acting and authenticity, falling out of role, cinematic realism and cinematic reality, My Man Godfrey, Mischa Auer, "reading" the screen, the morality and politics of watching, the "doctrine of natural expression," the filmmaker's will, and cinematic "importance" -- 8. Not an Unusual Story -- Thinking about Vertigo, Dinner at Eight, the sound revolution, John Barrymore, The Last Laugh, class structure and the comedy of manners, modernity and social collapse, The Great Depression and ressentiment, writing that obliterates the writer, "looking marvelous," performance and biography, and the acting of Marie Dressler -- 9. The Horse Who Drank the Sky -- Thinking about the cinematic sense of place, fragmentation, shellshock, explosions in cinema, Babel, Until the End of the World, Royal Wedding, extraterritoriality and television, Fahrenheit 451, the coup d'oeil, Sergeant York, "invisible landscapes," theater design and "marginal appreciation," mental vertigo, The Bourne Supremacy, Tourettic cinema, Blow-Up, color, and The Band Wagon.

Call No: 62 PEU
Author: Peucker, Brigitte
Source: US
Place: Princeton, New Jersey
Publisher: Princeton University Press
PubDate: 1995
PhysDes: xi, 227 pages : illustrations ; 24 cm
Series: Princeton paperbacks
Subject: ART AND THE CINEMA; ART CINEMA; AESTHETICS; DEATH IN FILMS; GERMANY; NARRATIVE IN FILMS; PERCEPTION
Summary: "Film, a latecomer to the realm of artistic media, alludes to, absorbs, and undermines the discourses of the other arts--literature and painting especially--in order to carve out a position for itself among them. Exposing the anxiety in film's relation to its rival arts, Brigitte Peucker analyzes central issues involved in generic boundary crossing as they pertain to film and situates them in a theoretical framework. The figure of the human body takes center stage in Peucker's innovative study, for it is through this figure that the conjunction of literary and painterly discourses persistently articulates itself. It is through the human body, too, that film's consciousness of itself as a hybrid text and as a "machine for simulation" makes itself deeply felt." -- taken from back cover
Notes: Includes bibliographical references (pages 175-213), index, and notes.
ISBN: 978691002811
Donation: Adrian Miles
Contents: Introduction: Bodies and Boundaries -- Movement, Fragmentation, and the Uncanny. Unnatural Conjunctions: The Heterogeneous Text. "Its Strange Mixture of the Natural and the Artificial": The Presence of Kleist. "Bits of Bodies": The Fragmented Text. Man and the Cinema Machine: Magician, Psychoanalyst, Scientist: The Case of Dr. Caligari. Fritz Lang, the Apparatus, and the Fissured Text. Magician and Surgeon. "Knife Phobia" "Doing It with Scissors": Dismemberment in Hitchcock -- Monstrous Births: The Hybrid Text. Miscegenation and the Sister Arts: Griffith's Broken Blossoms. Hitchcock's "Half-Caste" Murnau. Cinematic Vampirism. Painting and Repression. Herzog's Unassimilable Bodies. Witchcraft, Vision, and Incest: Dreyer's Day of Wrath. The Phantom of the Cinema: Body and Voice -- Incorporation: Images and the Real. Trompe l'Oeil Effects. Cinema and the Real. Body Language: Kleist's and Rohmer's Marquise. Hitchcock as Pygmalion. Wings of Desire: Reality, Text, Embodiment. Kleist, Tableau Vivant, and the Pornographic. Fassbinder's Cinema of Mixed Modes: Tableau Vivant and the Real. Incorporation in Greenaway. Painful Images -- Afterword: Ut pictura poesis

Call No: 62 STA
Author: Staiger, Janet
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 1992
PhysDes: xiv, 274 p. : ill. ; 25 cm
Subject: SPECTATORSHIP; AUDIENCES; ART CINEMA; AUTEUR THEORY; AUTHORSHIP; HOMOSEXUALITY IN FILMS; SOCIETY AND THE CINEMA; IDEOLOGY AND THE CINEMA; MODERNISM AND THE CINEMA; NARRATIVE IN FILMS; PARODY; RACE AND THE CINEMA; BAHTIN, MIHAIL; BORDWELL, DAVID; DYER, RICHARD; HITCHCOCK, ALFRED; GRIFFITH, DAVID WARK; GARLAND, JUDY; FOOLISH WIVES (US, Erich Von Stroheim, 1922); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); ZELIG (US, Woody Allen, 1983); STAR IS BORN, A (US, George Cukor, 1954); UNCLE TOM'S CABIN (US, Edwin S. Porter, 1903); REAR WINDOW (US, Alfred Hitchcock, 1954)
Notes: Includes bibliographical references (p. [259]-269) and index
ISBN: 0691047979 (alk. paper); 0691006164 (pbk. : alk. paper)
LON: 8200386
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Call No: 62 INT
Author: Nelmes, Jill, 1954
Edition: 2nd ed
Place: London
Publisher: Routledge
PubDate: 1999
PhysDes: xviii, 522 p. : ill. ; 26 cm
Subject: WARNER BROS.; STUDIO SYSTEM; AUDIENCES; GENRES; DOCUMENTARY FILMS; ANIMATION; COMPUTERS AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; UNITED KINGDOM; INDIA; USSR; GERMANY; NARRATIVE IN FILMS; SPECTATORSHIP; CENSORSHIP; STARS; AUTEUR THEORY; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; KULESOV, LEV; KAPOOR, RAJ; Ray, Satyajit; DOVZENKO, ALEKSANDR; SHUB, ESTHER; FLAHERTY, ROBERT; JENNINGS, HUMPHREY; RIEFENSTAHL, LENI; WISEMAN, FREDERICK; POTTER, SALLY; TOCCAFONDO, GIANLUIGI; FELLOW TRAVELLER (UK/US, Philip Saville, 1990); DUCK AMUCK (US, Chuck Jones, 1953); GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987); COLOUR BOX, A (UK, Len Lye, 1935); DEADSY (UK, David Anderson, 1989); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); JAWS (US, Steven Spielberg, 1975); CRYING GAME, THE (UK, Neil Jordan, 1992); PLATOON (US, Oliver Stone, 1986); MARS ATTACKS! (US, Tim Burton, 1996); ROBOCOP (US, Paul Verhoeven, 1987); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); IF... (UK, Lindsay Anderson, 1968); PULP FICTION (US, Quentin Tarantino, 1994); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); HOOP DREAMS (US, Steve James, 1994); WHEN WE WERE KINGS (US, Leon Gast, 1996); GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997); CREATURE COMFORTS (UK, Nick Park, 1991); NEIGHBOURS (US, Norman McLaren, 1952); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); GOLD DIGGERS, THE (US, Sally Potter, 1983); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); VICTIM (UK, Basil Dearden, 1961); DESERT HEARTS (US, Donna Deitch, 1985); LIVING END, THE (US, Gregg Araki, 1992); LOOKING FOR LANGSTON (UK, Isaac Julien, 1989); GO FISH (US, Rose Troche, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977); DEUTSCHLAND BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980)
Notes: Includes bibliographical references and index
ISBN: 0415173094 (hb); 0415173108 (pb)
LON: 14043939
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Call No: 62 INT
Author: Nelmes, Jill, 1954
Edition: 3rd ed
Place: London
Publisher: Routledge
PubDate: 2003
PhysDes: xviii, 522 p. : ill. ; 26 cm
Subject: WARNER BROS.; STUDIO SYSTEM; AUDIENCES; GENRES; DOCUMENTARY FILMS; ANIMATION; COMPUTERS AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; UNITED KINGDOM; INDIA; USSR; GERMANY; NARRATIVE IN FILMS; SPECTATORSHIP; CENSORSHIP; STARS; AUTEUR THEORY; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; KULESOV, LEV; KAPOOR, RAJ; Ray, Satyajit; DOVZENKO, ALEKSANDR; SHUB, ESTHER; FLAHERTY, ROBERT; JENNINGS, HUMPHREY; RIEFENSTAHL, LENI; WISEMAN, FREDERICK; POTTER, SALLY; TOCCAFONDO, GIANLUIGI; FELLOW TRAVELLER (UK/US, Philip Saville, 1990); DUCK AMUCK (US, Chuck Jones, 1953); GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987); COLOUR BOX, A (UK, Len Lye, 1935); DEADSY (UK, David Anderson, 1989); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); JAWS (US, Steven Spielberg, 1975); CRYING GAME, THE (UK, Neil Jordan, 1992); PLATOON (US, Oliver Stone, 1986); MARS ATTACKS! (US, Tim Burton, 1996); ROBOCOP (US, Paul Verhoeven, 1987); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); IF... (UK, Lindsay Anderson, 1968); PULP FICTION (US, Quentin Tarantino, 1994); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); HOOP DREAMS (US, Steve James, 1994); WHEN WE WERE KINGS (US, Leon Gast, 1996); GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997); CREATURE COMFORTS (UK, Nick Park, 1991); NEIGHBOURS (US, Norman McLaren, 1952); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); GOLD DIGGERS, THE (US, Sally Potter, 1983); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); VICTIM (UK, Basil Dearden, 1961); DESERT HEARTS (US, Donna Deitch, 1985); LIVING END, THE (US, Gregg Araki, 1992); LOOKING FOR LANGSTON (UK, Isaac Julien, 1989); GO FISH (US, Rose Troche, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977); DEUTSCHLAND BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980)
Summary: Reference work covering a wide range of concepts, theories and ideas about film studies covering different periods and countries. Attempts to present the diversity of thought within film theory. First published in 1996.
Notes: Includes annotated key reading for each chapter, bibliography, glossary of key terms and index.
ISBN: 0415173094 (hb); 0415173108 (pb)
LON: 14043939

Call No: 626[159.964.2] MOR
Author: Bassil-Morozow, Helena; Hockley,Luke
Source: UK/US
Place: London; London ; New York
Publisher: Routledge
PubDate: 2017
PhysDes: viii, 200 pages ; 24 cm
Series: Jung: the essential guides
Subject: PSYCHOANALYSIS AND THE CINEMA; PSYCHOLOGICAL EFFECTS OF FILMS; PSYCHOLOGY AND THE CINEMA; FILM; NARRATIVE IN FILMS; AUTEUR THEORY; GENRES
Summary: "Written in a growing academic field it is the first book to bring together all the different strands, and arguments in the dicipline, and guide the reader through the various ways in which Jungian psychology can be applied to moving images." -- adapted from book blurb.
Notes: includes bibliography, list of names and index
ISBN: 9780415531450
Contents: Introduction -- Methods The Context of Jungian film studies; Using Jung to analyse narrative tools and concepts -- Jungian Psychology: signs and symbols -- Applications; combining different methodologies in visual narrative analysis -- The Auteur Theory: A Jungian view -- Film genres and archetypes -- Jungian vs. Freudians: gender, identity and sexuality on screen -- The body: phenomenology and cinema

Call No: 626:159.964.2 LAC
Author: Davis, Robert Con, 1948
Place: Baltimore
Publisher: Johns Hopkins University Press
PubDate: 1984], c1983
PhysDes: p. 844-1063 ; 23 cm
Subject: PSYCHOANALYSIS AND THE CINEMA; NARRATIVE IN FILMS; LACAN, JACQUES
Notes: Originally published in December 1983 as a special number of MLN, volume 98, no. 5; Bibliography: p. [1045]-1063
ISBN: 0801824141 (pbk. : alk. paper)
LON: 84047946; 3208041

Call No: 775 MAN
Author: Manovich, Lev
Source: US
Place: Cambridge, Mass. London
Publisher: MIT Press
PubDate: c2001
PhysDes: xxxix, 354 p. : ill. ; 24 cm
Series: Leonardo
Subject: DIGITAL BROADCASTING; DIGITAL TECHNOLOGY; MEDIA; INTERACTIVE CINEMA; INTERNET AND THE CINEMA; INTERNET AND TV; COMPUTER GRAPHICS; COMPUTER GAMES; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS; COMPUTERS AND THE CINEMA; ANIMATION; VIRTUAL REALITY; LOOP FILMS; NARRATIVE IN FILMS; BARTHES, ROLAND; BENJAMIN, WALTER; COMOLLI, JEAN-LOUIS; MELIES, GEORGES; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); JURASSIC PARK (US, Steven Spielberg,, 1993)
Notes: Includes bibliographical references and index
ISBN: 0262133741 : No price
LON: 21628309

Call No: 632.2 CAM
Author: Cameron, Allan
Source: US
Place: BasingStoke [England] ; New York
Publisher: Palgrave Macmillan
PubDate: 2008
PhysDes: ix, 211 p. : ill. ; 23 cm
Subject: LITERATURE AND THE CINEMA; NARRATIVE IN FILMS; MOTION PICTURES - HISTORY; COMMENTARY; FILM NOIR; 21 [TWENTY-ONE] GRAMS (US, Alejandro Gonzalez Inarritu, 2003); ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004); MEMENTO (US, Christopher Nolan, 2000); RUN LOLA RUN (G, Tom Tykwer, 199; PULP FICTION (US, Quentin Tarantino, 1994)
Summary: Alan Cameron looks at the narrarative in the film, and its relationship to the passing of time. He looks at the relationship between change and destiny, memory and history, and the representation of simultaneous events. He looks at linear and non-linear narrative, memory and forgetting, temporal anchoring and temporal drift, simultaneity and succession, and chaos and order. He looks at the relationship between the past, present and future
Notes: Bibliography: p. 196-205; Includes index
ISBN: 9780230210417

Call No: 62(082) MOV v.2
Author: Nichols, Bill (ed.)
Source: US/UK
Place: Berkeley
Publisher: University of California Press
PubDate: c1985
PhysDes: xii, 753 p. : ill. ; 24 cm
Subject: CRITICISM; GENRES; FEMINISM AND THE CINEMA; STRUCTURALISM; SEMIOLOGY; PSYCHOANALYSIS AND THE CINEMA; SADISM / MASOCHISM IN FILMS; PHILOSOPHY AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; AVANT-GARDE FILMS; NARRATIVE IN FILMS; IDEOLOGY AND THE CINEMA; HORROR FILMS; CINEMA VERITE; BAZIN, ANDRE; WALSH, RAOUL; GODARD, JEAN-LUC; DAUGHTER RITE (US, Michelle Citron, 1979); JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (BE/FR, Chantal Akerman, 1975); SEARCHERS, THE (US, John Ford, 1956); MILDRED PIERCE (US, Michael Curtiz, 1945); STAGECOACH (US, John Ford, 1939)
Summary: "The original Movies and Methods volume (1976) captured the dynamic evolution of film theory and criticism into an important new discipline, incorporating methods from structuralism, semiotics, and feminist thought. Now there is again ferment in the field. Movies and Methods, Volume II, captures the developments that have given history and genre studies imaginative new models and indicates how feminist, structuralist, and psychoanalytic approaches to film have achieved fresh, valuable insights." -- BOOK BLURB
Notes: This is volume II
ISBN: 0520054091
Contents: -- historical criticism -- genre criticism -- feminist criticism -- structuralist semiotics -- psychoanalytic semiotics -- countercurrents --

Call No: 62 MOV
Author: Jacobs, Lewis
Place: New York
Publisher: Farrar, Straus, Giroux
PubDate: 1970
PhysDes: xiv,335 p. : ill. ; 21 cm
Subject: AESTHETICS; CINEMATOGRAPHY; EDITING; MUSIC IN FILMS; NARRATIVE IN FILMS; COLOUR; SOUND
Contents: I. Aims and attitudes. Directors speak / Lindsay Anderson ... [et al.]. II. The nature of film expression. The raw material / Lewis Jacobs. III. The plastic elements. The meaningful image / Lewis Jacobs The ambiguity of the photographic image / Arthur Goldsmith On image and word / Nicola Chiaromonte The subjective camera / Herbert A. Lightman Composition of the moving image / Gregg Toland Movement : real and cinematic / Lewis Jacobs Movement in movies / Ezra Goodman Thoughts on movement / Hilary Harris Modern uses of the moving camera / Stanley J. Solomon Change of camera viewpoint / Irving Pichel The expression of time and space / Lewis Jacobs The faces of time / Robert Gessner Tempo and tension / Maya Deren Time and space / John Howard Lawson Rhythm / Ivor Montagu (Cont'd) The mobility of color / Lewis Jacobs Color and color films / Carl Dreyer One path to color / Sergei Eisenstein Coming to terms with color / William Johnson Sound as speech, noise, music / Lewis Jacobs The acoustic world / Bela Belazs Treatment of sound in The city / Henwar Rodakiewicz Music in the movies / Kurt Weill. IV. The plastic structure. Dynamic composition / Alexander Bakshy The sense of form in cinema / Arthur Lennig The other direction / Jonas Mekas.
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Call No: 632.2 KUL
Author: Kulezic-Wilson, Danijela
Edition: 2015
Place: London ; New York
Publisher: Palgrave Macmillan
PubDate: 2015
PhysDes: 218 pages ; illustrations ; 21 cm
Series: Palgrave studies in audio-visual culture
Subject: DEAD MAN (US, Jim Jarmusch, 1995); PI (US, Darren Aronosky, 1998); ANNA KARENINA (UK, Joe Wright, 2012); NARRATIVE IN FILMS; MUSIC, FILM
Summary: Film is often compared to music, explained by the use of musical terms and even conceived and structured using music as a model. The Musicality of Narrative Film is the first book to offer an in-depth examination of the film/music analogy through comparative analysis of both arts' common denominators: time, rhythm and movement. Drawing on a number of examples from contemporary art-house and mainstream cinema, Kulezic-Wilson argues that film's musical potential can be realized through various cinematic devices, with or without music. The book's final section contains detailed case studies of Darren Aronofsky's p, Jim Jarmusch's Dead Man and Joe Wright's Anna Karenina, which demonstrate how various factors contribute to achieving the effect of musicality in a large-scale form and how contrasting approaches to film time, rhythm and movement can create very different examples of film musicality. -- publisher's web site.
ISBN: 9781137489982
Contents: List of Figures Acknowledgments 1. Introduction 2. Music as Model and Metaphor 3. The Musicality of Film Rhythm 4. The Rhythm of Rhythms 5. Musical and Film Kinesis 6. The Symbolic Nature of Musical and Film Time 7. Jim Jarmusch's Dead Man and the Rhythm of Musical Form 8. Hip Hop and Techno Composing Techniques and Models of Structuring in Darren Aronofsky's p 9. Audio-Visual Musicality and Reflexivity in Joe Wright's Anna Karenina Conclusion Bibliography Filmography

Call No: 632.51 WIL
Author: Wilson, M. George
Source: US
Place: Baltimore
Publisher: The John Hopkins University Press
PubDate: 1986
PhysDes: x, 223 p. : ill. ; 24 cm
Subject: POINT-OF-VIEW; NARRATIVE IN FILMS; COMMENTARY; SPECTATORSHIP; PERCEPTION; MCCABE, COLIN; YOU ONLY LIVE ONCE (US, Fritz Lang, 1937); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948); DEVIL IS A WOMAN, THE (IT, Josef von Sternberg, 1935); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955)
Notes: Includes index; Bibliography: p. 209-219
ISBN: 0801831377
Contents: Film, perception, and point of view -- Fritz Lang's You only live once -- Coherence and transparency in classical narrative film -- Alfred Hitchcock's North by Northwest -- Some modes of nonomniscience -- Max Ophuls' Letter from an unknown woman -- On narrators and narration in film -- Josef von Sternberg's The devil is a woman -- Nicholas Ray's Rebel without a cause -- Morals for method

Call No: 632.2 BOR
Author: Bordwell, David, 1947
Place: London
Publisher: Methuen
PubDate: 1985
PhysDes: xiv, 370 p. : ill ; 25cm
Subject: COMMENTARY; NARRATIVE IN FILMS; NARRATIVE IN FILMS. USSR; GODARD, JEAN-LUC; NOVYI VAVILON (UR, Grigorij Kozincev & Leonid Trauberg, 1929)
Notes: Bibliography: p359-361. - Includes index
ISBN: 0416421202 (cased) : ª25.00 : CIP rev; 041642130X (pbk) : No price
LON: bnb41642120; 4273482
ID2: 127

Call No: 62 NAR
Author: Rosen, Philip
Place: New York
Publisher: Columbia University Press
PubDate: 1986
PhysDes: xi, 549 p. : ill. ; 24 cm
Subject: THEORY; NARRATIVE IN FILMS; STAGECOACH (US, John Ford, 1939); VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970); AVANT-GARDE FILMS
Notes: Includes bibliographies
ISBN: 0231058802 (hard : alk. paper); 0231058810 (pbk. : alk. paper)
LON: 86002619; 4451999

Call No: 632 BRA
Author: Branigan, Edward Richard, 1945
Place: London New York
Publisher: Routledge
PubDate: 1992
PhysDes: xv, 325 p. : ill. ; 25 cm
Subject: NARRATIVE IN FILMS; LADY FROM SHANGHAI, THE (US, Orson Welles, 1948); SANS SOLEIL (FR, Chris Marker, 1983); GIRL AND HER TRUST, THE (US, David Wark Griffith, 1912); HANGOVER SQUARE (US, John Brahm, 1945); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948); LADY IN THE LAKE (US, Robert Montgomery, 1946)
Notes: Includes bibliographical references (p. 218-306) and index
ISBN: 0415075122 (pbk.); 0415075114
LON: 8202041

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: NARRATIVE IN FILMS

Call No: 747.19 RUS
Author: Russell, Catherine, 1959
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 1995
PhysDes: vii, 271 p. : ill. ; 24 cm
Subject: NOUVELLE VAGUE; NARRATIVE IN FILMS; DEATH IN FILMS; ALLEGORY IN FILMS; MELODRAMA; LANG, FRITZ; Wenders, Wim; OSHIMA, NAGISA; GODARD, JEAN-LUC; ALTMAN, ROBERT; BENJAMIN, WALTER; LYNCH, DAVID; Peckinpah, Sam; PENN, ARTHUR; RAY, NICHOLAS; MEPRIS, LE (FR/IT, Jean-Luc Godrad, 1963); BONNIE AND CLYDE (US, Arthur Penn, 1967); WILD BUNCH, THE (US, Sam Peckinpah, 1969); STAND DER DINGE, DER (GW/US/PO, Wim Wenders, 1982); PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965); NASHVILLE (US, Robert Altman, 1975); NICK'S MOVIE (GW/US, Nicholas Ray & Wim Wenders, 1979); SEISUN ZANKOKU MONOGATARI (JA, Nagisa Oshima, 1960); SHONEN (JA, Nagisa Oshima, 1969); BEYOND A REASONABLE DOUBT (US, Fritz Lang, 1956)
Notes: Includes bibliographical references (p. 253-262) and index
ISBN: 0816624852 (hbk. : acid-free paper); 0816624860 (pbk. : acid-free paper)
LON: 10942855

Call No: 408.1(94) TUR
Author: Turner, Graeme
Edition: 2nd ed
Place: St Leonards, NSW
Publisher: Allen & Unwin
PubDate: 1993
PhysDes: xiv, 169 p. : ill. ; 22 cm
Series: Australian cultural studies
Subject: NARRATIVE IN FILMS. AUSTRALIA; LITERATURE AND THE CINEMA. AUSTRALIA; NATIONAL IDENTITY IN FILMS. AUSTRALIA; WEIR, PETER; GALLIPOLI (AT, Peter Weir, 1981); CADDIE (AT, Donald Crombie, 1976); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975); MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927)
Notes: Includes bibliographical references (p. 156-165) and index
ISBN: 1863735046
LON: 9848099

Call No: 408.1(94) TUR
Author: Turner, Graeme
Place: Sydney
Publisher: Allen & Unwin
PubDate: 1986
PhysDes: vii, 156 p. : ill., ports. ; 23 cm
Series: Australian cultural studies
Subject: NARRATIVE IN FILMS. AUSTRALIA; LITERATURE AND THE CINEMA. AUSTRALIA; NATIONAL IDENTITY IN FILMS. AUSTRALIA; WEIR, PETER; CADDIE (AT, Donald Crombie, 1976); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975); MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927)
Notes: Includes index; Bibliography: p. 146-153
ISBN: 0048000892 : $29.95 Aust; 0048000884 (pbk.) : $12.95 Aust
LON: abn98037922; 13658862
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Call No: 771 NEW
Author: Resier, Martin; Zapp, Andrea
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 2002
PhysDes: xxxii, 336 p. : ill. ; 25 cm
Subject: DIGITAL MEDIA AND THE CINEMA; NARRATIVE IN FILMS
Notes: Includes DVD-rom disk. Includes glossary, index and bibliography.
ISBN: 0851708641

Call No: 623 STA
Author: Stam, Robert, 1941; Burgoyne, Robert, 1949; Flitterman-Lewis, Sandy, 1946
Place: London New York
Publisher: Routledge
PubDate: 1992
PhysDes: xv, 239 p. ; 25 cm
Subject: SEMIOLOGY; STRUCTURALISM; THEORY; NARRATIVE IN FILMS; PSYCHOANALYSIS AND THE CINEMA; GAZE IN FILMS; REALISM IN FILMS; METZ, CHRISTIAN; BAHTIN, MIHAIL
Notes: Includes bibliographical references (p. 222-232) and index
ISBN: 041506595X (pbk.); 0415065941 (hardback)
LON: 8160190

Call No: DVD RESEARCH FOLDER
Author: Bordwell, David
Subject: DVD; DVD, FILMS ON; NARRATIVE IN FILMS
Summary: The author argues that DVD has changed the ways films have been made, however the narraitve function remains the same even though the DVD technology easily allows for non-linear viewing.
Notes: accessed from: davidbordwell.net. (May 15, 2007).

Call No: SUBJECT CLIPPINGS FILE; MAGIC REALISM IN FILM
Author: Jameson, Fredric
PhysDes: Article
Subject: MAGIC REALISM IN FILM; NARRATIVE IN FILMS; GORACZKA (PL, Agnieszka Holland, 1981)

Call No: 71(94) OXF REF
Author: Mayer, Geoff; McFarlane, Brian, 1934; Bertrand, Ina, 1939
Place: Melbourne
Publisher: Oxford University Press
PubDate: 1999
PhysDes: 1 v
Subject: AUSTRALIA; AWARDS. AUSTRALIAN FILM INSTITUTE; CITIES IN FILMS. AUSTRALIA; DOCUMENTARY FILMS. AUSTRALIA; HOMOSEXUALITY IN FILMS. AUSTRALIA; FOOD IN FILMS; GENRES. AUSTRALIA; JEWS IN FILMS. AUSTRALIA; LANDSCAPES IN FILMS. AUSTRALIA; LOST FILMS. AUSTRALIA; PERIODICALS, FILM. AUSTRALIA; MEN IN FILMS. AUSTRALIA; MELODRAMA. AUSTRALIA; MUSIC, FILM. AUSTRALIA; NARRATIVE IN FILMS. AUSTRALIA; RACIAL STEREOTYPES IN FILMS. AUSTRALIA; RELIGION AND THE CINEMA. AUSTRALIA; RURAL LIFE IN FILMS. AUSTRALIA; SHORT FILMS. AUSTRALIA; WAR AND THE CINEMA. AUSTRALIA; MCCALLUM, JOHN; MILLER, NATALIE; NEVIN, ROBYN; RABE, PAMELA; RUSH, GEOFFREY; TINGWELL, CHARLES (BUD); WILLIAMSON, DAVID; WITHERS, GOOGIE
Notes: Includes index; Bibliography
ISBN: 0195537971
LON: 20072774

Call No: 62 POS
Author: Bordwell, David, 1947; Carroll, Noel (NoFl E.)
Place: Madison
Publisher: University of Wisconsin Press
PubDate: 1996
PhysDes: 564 p. : 23 cm
Series: Wisconsin studies in film
Subject: THEORY; FILM STUDY AND RESEARCH; PSYCHOANALYSIS AND THE CINEMA; FEMINISM AND THE CINEMA; HORROR FILMS; TRUTH IN FILMS; MUSIC, FILM; NON-FICTION FILMS; REALISM IN FILMS; AVANT-GARDE FILMS; SPECTATORSHIP; JAPAN; DENMARK; EXHIBITION; CHARACTERIZATION IN FILMS; AUDIENCES; CONSTRUCTIVISM; EDITING; PERCEPTION; PSYCHOLOGICAL EFFECTS OF FILMS; GENRES; LOVE IN FILMS; MELODRAMA; NARRATIVE IN FILMS; COLUMBIA PICTURES; WARNER BROS.; BRECHT, BERTOLT; GIBSON, JAMES J.; COHN, HARRY; JAMESON, FREDRIC; MANDEL, ERNEST; RENOV, MICHAEL; JAZZ SINGER, THE (US, Alan Crosland, 1927); CASABLANCA (US, Michael Curtiz, 1942); ACCUSED, THE (US, Jonathan Kaplan, 1988)
Notes: Includes bibliographical references and index
ISBN: 0299149404 (cloth : alk. paper); 0299149447 (pbk. : alk. paper)
LON: 95037052; 11859923

Call No: 626:17 STA
Author: Stadler, Jane
Source: US
Place: New York
Publisher: Continuum
PubDate: 2008
PhysDes: xiii, 274 p. : ill. ; 25 cm
Subject: ETHICS IN FILMS; NARRATIVE IN FILMS; AESTHETICS
Summary: " Pulling focus: Intersubjective experience, Narrative Film, and Ethics questions how cinematic narratives relate to and affect ethical life. Extending Martha Nussbaum, and Wayne Booth's work on moral philosophy and literature to consider cinema, Jane Stadler shows that film specatatorship can be understood as a model for ethical attention that engages the audience in an intersubjective experience, involving an affective relationship with characters and their values. Building on Vivian Sobchack's The Address of the Eye and Carnal Thoughts, Stadler uses a phenomenological approach to analyze ethical dimensions of film extending beyond narrative content, arguing that the camera describes experience and views screen characters with an evaluative form of perception: an ethical gaze in which spectators participate. Films discussed include Dead Man Walking, Lost Highway, Batman Begins, Nil By Mouth, and Eternal Sunshine of the Spotless Mind. " -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references (p. 249-263) and index; Includes filmography: p. 265
ISBN: 9780826429735
Contents: 1. Ethics in narrative form and content -- 2. Intersubjective perception: phenomenology, embodiment, and evaluation -- 3. Losing the plot: narrative structure and ethical identity -- 4. Under the influence: vice, violence and villainy -- 5. Resistance and responsiveness: emotion and character engagement -- 6. Imagination: inner sight and silent voices -- 7. Seeing in the dark: attentive engagement -- Conclusion. Ethical transformation.

Call No: 62 HEA
Author: Heath, Stephen
Place: London
Publisher: Macmillan
PubDate: 1981
PhysDes: viii, 257 p. : ill. ; 23 cm
Series: Communications and culture (Basingstoke, England)
Subject: IDEOLOGY AND THE CINEMA; NARRATIVE IN FILMS; TECHNOLOGY AND THE CINEMA; STRUCTURAL FILMS; AI NO CORRIDA (JA/FR, Nagisa Oshima, 1976)
Notes: Includes bibliographical references and indexes
ISBN: 0333261224 (hardcover). - 0333195287 (papercover)
LON: abn81039737; 2085540
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Call No: 512.1 MCM
Author: McMahon, Barrie; Quin, Robyn
Place: South Melbourne
Publisher: Macmillan
PubDate: 1986
PhysDes: 242 p. : ill. ; 25 cm
Subject: NARRATIVE IN FILMS; AESTHETICS; PROGRAMME GENRES; LANGUAGE, FILM; INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984); SILKWOOD (US, Mike Nichols, 1983)
Notes: Includes index; For senior secondary school students; Bibliography: p. 234-236
ISBN: 0333401395 : $14.95 Aust
LON: anb33340139; 3930556

Call No: 761NIC
Author: Nichols, Bill
Place: Bloomington
Publisher: Indiana University Press
PubDate: 1991
PhysDes: xx, 313 p. ; 24 cm
Subject: ANTHROPOLOGY AND THE CINEMA; BODY IN FILMS; COMMENTARY; DEATH IN FILMS; DOCUMENTARY FILMS; DOCUMENTARIES; ETHNOGRAPHIC FILMS; GAZE IN FILMS; IDEOLOGY AND THE CINEMA; IDEOLOGY IN FILMS; INTERVIEWS IN FILMS; NARRATIVE IN FILMS; PHILOSOPHY AND THE CINEMA; REALISM IN FILMS; TRUTH IN FILMS; VIEWERS
Summary: "Representing Reality examines the styles, strategies, and structures of documentary film. It does not offer a general survey of documentary film history so much as a conceptual overview of the form itself: what qualities of cinema underpin it, what institutional structures sustain it, what rhetorical operations inform it, what interpretive perspectives encompass it. How these questions arrange themselves into recurrent patterns and preoccupations [is] the central focus." -- Taken from preface.
Notes: Includes bibliographical references (p. [267]-296) and index; Filmology: p. [297]-304
ISBN: 0253340608 (alk. paper); 0253206812 (pbk. : alk. paper)
LON: 91002637; 8905992
Contents: Axes of orientation: I. The domain of documentary -- II. Documentary modes of representation -- III. Axiographics: ethical space in documentary film -- Documentary: a fiction (un)like any other: IV. Telling stories with evidence and arguments -- V. Sticking to reality: rhetoric and what exceeds it -- VI. The fact of realism and the fiction of objectivity -- Documentary representation and the historical world: VII> Pornography, ethnography, and the discourses of power / Christian Hansen, Catherine Needham, Bill Nichols -- VIII. Representing the body: questions of meaning and magnitude

Call No: 632.8 AFF
Author: Affron, Charles; Affron, Mirella Jona, 1937
Place: New Brunswick, N.J.
Publisher: Rutgers University Press
PubDate: 1995
PhysDes: xiv, 252 p. : ill. ; 27 cm
Subject: ART DIRECTION; SET DESIGNING; NARRATIVE IN FILMS; SETS; AWARDS. ACADEMY; ACADEMY OF MOTION PICTURE ARTS AND SCIENCES; BRIDE OF FRANKENSTEIN, THE (US, James Whale, 1935); FRANKENSTEIN (US, James Whale, 1931); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); CABIRIA (IT, Giovanni Pastrone, 1914); GREAT ZIEGFELD, THE (US, Robert Z. Leonard, 1936); HAMLET (UK, Laurence Olivier, 1948); MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942)
Notes: Includes bibliographical references (p. 235-238) and indexes
ISBN: 0813521602 (cloth); 0813521610 (pbk.)
LON: 94039443; 11258783

Call No: 632 WOO; Misplaced - Aug 10 2009
Author: Wood, Robin, 1931
Place: New York
Publisher: Columbia University Press
PubDate: c1998
PhysDes: x, 352 p. : ill. ; 23 cm
Series: Film and culture
Subject: NARRATIVE IN FILMS; SEX AND THE CINEMA; SEX IN FILMS; MARRIAGE IN FILMS; FAMILY IN FILMS; ROMANTIC FILMS; WOMEN IN FILMS; RACE AND THE CINEMA; GENDER AND THE CINEMA; FASCISM AND THE CINEMA; RIVETTE, JACQUES; MCCAREY, LEO; Mizoguchi Kenji; OZU YASUJIRO; MANDINGO (US, Richard Fleischer, 1975); GASLIGHT (UK, Thorold Dickinson, 1940); GASLIGHT (US, George Cukor, 1944); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948); PERSONA (SW, Ingmar Bergman, 1966); LIFE CLASSES (CN, William D. MacGillivray, 1987); BEFORE SUNRISE (US, Richard Linklater, 1995); DOOM GENERATION, THE (US, Gregg Araki, 1995); CELINE ET JULIE VONT EN BATEAU (FR, Jacques Rivette, 1974); AMOUR FOU, L` (FR, Jacques Rivette, 1968)
Notes: Includes index
ISBN: 0231076053 (paper : alk. paper); 0231076045 (cloth : alk. paper)
LON: 13757049
ID2: 291

Call No: 632.2 CHA
Author: Chatman, Seymour
Source: US
Place: Ithaca, N.Y
Publisher: Cornell University Press
PubDate: [1988]
PhysDes: 277 pages : illustrations ; 22 cm
Series: Cornell paperbacks
Subject: NARRATIVE IN FILMS
Summary: Provides a comprehensive approach to a general theory of narrative, in both verbal and visual media.
Notes: Includes bibliographical references and index.
ISBN: 080149186X
Contents: 1. Introduction. Narrative and poetics Elements of a narrative theory Is narrative a semiotic structure Manifestation and physical object Narrative inference selection and coherence A sketch of narrative structure A comic strip example "Reading" and "Reading out" -- 2. Story : events. Sequence contingency causality Verisimilitude and motivation Kernels and satellites Stories ans antistories Suspense and suprise Time and plot Order duration and frequency How time distinctions are manifested Narrative macrostructure and the typology of plot -- 3. Story : existents. Story-space and discourse-space Story-space in cinematice narrative Story-space in verbal narrative Story-existents : character Aristotle's theory of character Formalist and structuralist conceptions of character Todorov and Barthes on character Are characters open or closed constructs Toward an open theory of character Character : a paradigm of traits Kinds of character A.C. Bradley and the analysis of character Setting. -- 4. Discourse : nonnarrated stories Real author, implied author, narrator, real reader, implied reader, narratee Point of view and its relation to narrative voice Point of view in film Narrators' and characters' speech acts Nonnarrated representation in general Nonnarrated types : written records Pure speech records Soliloquy Records of thought : direct free style = interior monologue Stream of consciousness = free association Interior monologue Stream of consciousness = free association Interior monologue in the cinema -- 5. Discourse : covert versus overt narrators. Covert narrators Indirect tagged and free style The manipulation of sentences for narrative purposes : presupposition as an example Limitation of authority in narrative transmission Shifting limited versus omniscient mental access Overt narration : set descriptions Overt narration : temporal summaries Reports of what characters did not think or say Ethos and commentary Commentary Implicit commentary : ironic narrator and unreliable narrator Commentary on the story : interpretation Commentary on the story : judgement Commentary on the story : generalization Commentary on the discourse The narratee. -- Conclusion -- Diagram of Narrative Structure -- Indexes: Author and Title, Subject

Call No: 632.2 THO
Author: Thompson, Kristin
Edition: 1st ed.
Source: USA
Place: Cambridge, Massachusetts
Publisher: Harvard University Press
PubDate: 2003
PhysDes: 172 p ; 20cm + b&w ill.
Subject: ADAPTATIONS; ADVERTISING; CHARACTERS ON TV; DRAMAS; INTERNET; SCRIPTWRITING; SYMBOLISM ON TV; NARRATIVE IN FILMS; NARRATIVE IN TV; SEQUELS; SERIALS; SITUATION COMEDY; SOAP OPERAS; MERCHANDISING; BORDWELL, DAVID; CLEESE, JOHN; FROST MARK; KAEL, PAULINE; LYNCH, DAVID; NEWCOMB, HORACE; WILLIAMS, RAYMOND; WODEHOUSE, P.G; AVENGERS, THE [TV] (UK, 1961-69); BAD GIRLS [TV] (UK, 1999-); BLUE VELVET (US, David Lynch, 1986); BOB NEWHART SHOW, THE [TV] (US, 1961-62); BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004); HILL STREET BLUES [TV] (US, 1980-87); MURPHY BROWN [TV] (US, 1988-); ROYLE FAMILY, THE [TV] (UK, 1998-2000); SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986); SOPRANOS, THE [TV] (US, 1999); STAR WARS (US, George Lucas, 1977); YES MINISTER [TV] (UK, 1980-84)
Summary: Author Kristin Thompson analyses the narrative workings of television and film, looking at the narrative techniques the two media share. Thomson then focuses on the specific challenges that series television presents and the tactics writers have devised to meet them – tactics that sustain interest and maintain sense across multiple plots and subplots and in spite of frequent interruptions as well as weeklong and seasonal breaks. [Taken from back cover].
ISBN: 0674010876

Call No: 632.2(73) THO
Author: Thompson, Kristin, 1950
Place: Cambridge, MA
Publisher: Harvard University Press
PubDate: 1999
PhysDes: 398 p. : ill. ; 23 cm
Subject: NARRATIVE IN FILMS; TOOTSIE (US, Sydney Pollack, 1982); BACK TO THE FUTURE (US, Robert Zemeckis, 1985); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); GROUNDHOG DAY (US, Harold Ramis, 1993); DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985); AMADEUS (US, Milos Forman, 1984); HUNT FOR RED OCTOBER, THE (US, John McTiernan, 1990); PARENTHOOD (US, Ron Howard, 1989); ALIEN (UK, Ridley Scott, 1979); HANNAH AND HER SISTERS (US, Woody Allen, 1986); FIELD, SYD; JAWS (US, Steven Spielberg, 1975); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991)
Notes: Includes bibliographical references and index
ISBN: 0674839749 (cl. : alk. paper); 0674839757 (pbk. : alk. paper); 0674839757(pbk.) : ª15.50; 0674839749(cased) : ª30.95
LON: 14524218

Call No: 81GOD CRO
Author: Crofts, Steve
Place: [London] : [s.n.], 1972
PhysDes: 80 p. ; 30 cm
Subject: NARRATIVE IN FILMS; SEMIOLOGY; THEORY; LANGUAGE AND THE CINEMA; AESTHETICS; POLITICS AND THE CINEMA; GODARD, JEAN-LUC; WEEK-END (FR/IT, Jean-Luc Godard, 1968); PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965)
LON: abn98241654; 14031909

Call No: 632.2 CAM
Author: Campora, Matthew
Source: US
Place: New York
Publisher: Berghahn Books
PubDate: 2014
PhysDes: viii, 150 pages ; 24 cm.
Subject: NARRATIVE IN FILMS; EXPRESSIONISM; SURREALISM AND THE CINEMA; MULHOLLAND DRIVE (US, David Lynch, 2001); MEMENTO (US, Christopher Nolan, 2000); ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004)
Summary: Subjective Realist Cinema looks at the fragmented narratives and multiple realities of a wide range of films that depict subjective experience and employ "subjective realist" narration, including recent examples such as Mulholland Drive, Memento, and Eternal sunshine of the Spotless Mind. The author proposes that an understanding of the narrative structures of these films, particularly their use of mixed and multiple realities, enhances viewers' enjoyment and comprehension of such films, and that such comprehension offers a key to understanding contemporary filmmaking. -- [Extract taken from the back of book]
Notes: Includes bibliographical references (pages 143-146) and index
ISBN: 9781782382782
Contents: Machine generated contents note: Three Periods of Narrative Experimentation -- Multiform Narratives -- Subjective Realism -- ch. 1 Complex Narratives -- The New Hollywood and the Smart Film -- New Hollywood Narration -- Fragmented Narratives -- Multi-strand Narratives -- Multiform Narratives -- Brazil -- Puzzle Films -- ch. 2 Two Trajectories of the Cinema of Attractions -- The Narrative Trajectory: Realism and Spectacle -- The Avant-Garde Trajectory: Realism and Defamiliarization -- ch. 3 Subjective Realism and Multiform Narratives -- Subjective Realism -- Vertigo -- The Fantastic -- Wild Strawberries -- ch. 4 Mulholland Drive -- Expressionism and the Uncanny in Mulholland Drive -- Three Views -- As Surrealist or Trance Film -- As Fragmented, Subjective Realist Film -- As Supernatural Film -- It Is All an Illusion -- ch. 5 Memento -- The Four Strands -- Unreliable Narration -- Disrupted Expectations -- Subjective Realism -- ch. 6 Eternal Sunshine of the Spotless Mind -- Contents note continued: The Philosophy of Eternal Sunshine -- Temporal Inversions -- Subjective Realism -- Sonic Metalepsis -- The Marvelous Real.

Call No: 512.1 PHI
Author: Phillips, Patrick
Place: London
Publisher: British Film Institute
PubDate: 2000
PhysDes: xiii, 158 p. : ill. ; 24 cm
Subject: AESTHETICS; METHODOLOGY OF FILM CRITICISM; AUDIENCE RECEPTION; COSTUMES; DIALOGUE; EDITING; EXHIBITION; HONG KONG; NARRATIVE IN FILMS; PERCEPTION; REALISM IN FILMS; SPECTATORSHIP; VIRTUAL REALITY; DICAPRIO, LEONARDO; MUNSTERBERG, HUGO; AFTER LIFE (JA, Hirokazu Kore-eda, 1998); AMERICAN BEAUTY (US, Sam Mendes, 1999); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); C`EST ARRIVE PRES DE CHEZ VOUS (BE, Remy Belvaux & Andre Bonzel & Benoit Poelvoorde, 1992); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FESTEN (DK, Thomas Vinterberg, 1998); JACKIE BROWN (US, Quentin Tarantino, 1997); LOLA RENNT (G, Tom Tykwer, 1998); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); PSYCHO (US, Alfred Hitchcock, 1960); SECRETS & LIES (FR/UK, Mike Leigh, 1996); SINNUI YAUMAN (HK, Ching Siu Tung, 1987); CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987); SLIDING DOORS (US, Peter Howitt, 1998); WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996)
ISBN: 085170798X; 0851707998(pbk.)
LON: 21445642

Call No: 730.5(73) SLO
Author: Slocum, David J
Source: US
Place: New York
Publisher: Routledge
PubDate: 2001
PhysDes: viii, 311 p. ; 24 cm
Series: AFI film readers
Subject: VIOLENCE IN FILMS. USA; VIOLENCE IN FILMS; NARRATIVE IN FILMS; FILM NOIR. USA; WESTERNS; ACTION FILMS; BLACKS IN FILMS. USA; GENOCIDE IN FILMS
Summary: This text is a "discussion of film violence old and new ... consideration of its nature, its effects, and its cinematic, cultural, and historical meaning." (from back cover)
Notes: Includes bibliographical references and index.
ISBN: 0415928109 (pbk.)

Call No: 67(04) MUL
Author: Mulvey, Laura
Place: Bloomington
Publisher: Indiana University Press
PubDate: 1989
PhysDes: xvi, 201 p., [12] p. of plates : ill. ; 24 cm
Series: Theories of representation and difference
Subject: FEMINISM AND THE CINEMA; THEORY; NARRATIVE IN FILMS; EXPERIMENTAL FILMS; MELODRAMA; PERCEPTION; WOMEN IN FILMS; GODARD, JEAN-LUC; SIRK, DOUGLAS; FASSBINDER, RAINER WERNER; DUEL IN THE SUN (US, King Vidor, 1946); RIDDLES OF THE SPHINX (UK, Laura Mulvey & Peter Wollen, 1977)
Notes: Includes bibliographies
ISBN: 0253362261; 0253204941 (pbk.)
LON: 88009627; 5820595
Contents: I. ICONOCLASM -- 1. The spectacle is vulnerable: Miss World 1970 -- 2. Fears, fantasies and the male unconsious or 'You don't know what is happening, do you Mr. Jones?' -- 3. Visual pleasure and narrative cinema -- II. MELODRAMA -- 4. Afterthoughts on 'Visual pleasure and narrative cinema' inspired by King Vidor's Duel in the sun (1946) -- 5. Notes on Sirk and melodrama -- 6. Fassbinder and Sirk -- 7. Images of women, images of sexuality: some films by J. L. Godard -- 8. Melodrama inside and outside the house -- III. ON THE MARGINS -- 9. Frida Kahlo and Tina Modotti -- IV. Avant-Garde -- 10. Film, feminism and the avant-garde -- 11. Dialogue with spectatorship: Barbara Kruger and Victor Burgin -- 12. 'Magnificent obsession': an introduction to the work of five photographers -- 13. Impending time: Mary Kelly's Corpus -- V. BOUNDARIES -- 14. Changes: thoughts on myth, narrative and historical experience -- 15. The Oedipus myth: beyond the Riddles of the Sphinx

Call No: 734 TEL
Author: Telotte, J. P., 1949
Place: Urbana
Publisher: University of Illinois Press
PubDate: 1989
PhysDes: 248 p., [10] p. of plates : ill. ; 23 cm
Subject: FILM NOIR; NARRATIVE IN FILMS
Notes: "An Illini book from the University of Illinois Press"--P. [4] of cover; Includes index; Filmography: p. [224]-235; Bibliography: p. [236]-242
ISBN: 0252060563 (pbk. : alk. paper); 0252015703 (hard : alk. paper)
LON: 88017525; 5907473

Author: Hank, Steve
PhysDes: Article
Subject: WAR OF THE WORLDS (US, Byron Haskin, 1953); FILMMAKING; NARRATIVE IN FILMS
Summary: Article analysing the narrative of 'War of the World' in relation to the graphic design and camera shots, highlighting the patterns used throughout the film.

Call No: 631.2 NG
Author: Ng, Andrew Hock Soon
Source: US
Place: New York
Publisher: Palgrave Macmillan
PubDate: 2015
PhysDes: xii, 246 pages ; 23 cm
Series: Geocriticism and spatial literary studies
Subject: NARRATIVE IN FILMS; AESTHETICS; ARCHITECTURE IN FILMS; FANTASTIC FILMS; HORROR FILMS; WOMEN IN FILMS; ORPHANAGE, THE (MX/SP, Juan Antonion Bayona, 2007); OTHERS, THE (US/SP, Alejandro Amenabar, 2001)
Summary: "Andrew Hock Soon Ng focuses on domestic space's material presence and the traces it leaves on the human subjects inhabiting it. Discussing contemporary novels by Angela Carter, Valerie martin, Toni Morrison, and Janice Galloway; films such as The Exorcist, Repulsion, The Others, and The Orphanage; and Alison Bechdel's groundbreaking autobiographical work, Fun Home, within a framework of psychoanalysis, phenomenology, and spatial and architectural theories, this book reveals the complicated relationship between the house and the female subject." -- BOOK BLURB
Notes: Includes bibliographical references and index
ISBN: 9781137536815
Contents: Introduction: the subject of the house in gothic narratives -- Housing treachery. Angela Carter's The magic toyshop and love -- Housing the unspeakable. Valerie Martin's Property and Toni Morrison's Beloved -- Housing secret selves. William Friedkin's The exorcist and Roman Polanski's Repulsion -- Housing melancholia. Alejandro Amena´bar's The others and Juan A. Bayona's The orphanage -- Conclusion: housing redemption. Janice Galloway's The trick is to keep breathing and Alison Bechdel's Fun home