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Baz Luhrmann / Pam Cook London: BFI book published by Palgrave Macmillan, 2010.
Call No: 81LUH COOAuthor: Cook, Pam Source: UKPlace: LondonPublisher: BFI book published by Palgrave MacmillanPubDate: 2010PhysDes: vii, 208 p., [8] p. of plates : ill. (some col.) ; 20 cmSubject: LUHRMANN, BAZ ; STRICTLY BALLROOM (AT, Baz Luhrmann, 1992) ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) ; MOULIN ROUGE (AT/US, Baz Luhrmann, 2001) ; AUSTRALIA (UK/AT/US, Baz Luhrmann, 2008) Summary: Baz Luhrmann's reputation as an innovator rests on the evidence of the three films known as the Red Curtain Trilogy: "Strictly Ballroom" (1992), William Shakespeare's "Romeo + Juliet" (1996) "Moulin Rouge!" (2001) and "Australia" (2008). This title offers a study of the work of this Australian film-maker. It aims to explore the genesis of the Red Curtain aesthetic.Notes: Includes bibliographical references (p. [196]-200) and indexISBN: 9781844571581Donation: donated by Pam Cook, 2010Contents: * Once upon a time in Australia
* Strictly ballroom (1992)
* William Shakespeare's Romeo + Juliet (1996)
* Moulin rouge! (2001)
* No. 5 the film (2004) and Australia (2008)
* DVD, the internet and nostralgia.
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Baz Luhrmann : interviews / edited by Tom Ryan Jackson [Mississippi]: University Press of Mississippi, 2014.
Call No: 81LUH BAZSource: USPlace: Jackson [Mississippi]Publisher: University Press of MississippiPubDate: 2014PhysDes: xxvii, 159 pages ; 24 cmSeries: Conversations with filmmakers seriesSubject: LUHRMANN, BAZ ; MARTIN, CATHERINE ; STRICTLY BALLROOM (AT, Baz Luhrmann, 1992) ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) ; MOULIN ROUGE (AT/US, Baz Luhrmann, 2001) ; AUSTRALIA (UK/AT/US, Baz Luhrmann, 2008) ; GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013) Summary: "In this collection of interviews, Baz Luhrmann discusses his methods and his motives, explaining what has been important to him and his collaborators from the start and how he has been able maitain an independence from the studios that have backed his films. He also speaks about his other artistic endeavors, including stage productions of La Boheme and A Midsummer Night's Dream, and his wife and collaborative partner Catherine Martin, who has received two Academy Awards for her work with Luhrmann" - taken from back coverISBN: 9781628461497Contents: Stepping out: behind the scenes of strictly ballroom / Ruth Hessey (1992) -- More than romance colors strictly ballroom / Peter Brunette (1993) -- Romeo + Juliet: "appear thou in the likeness of a sigh . . ." / Mark Mordue (1997) -- Baz Luhrmann's William Shakespeare's Romeo + Juliet / Pauline Adamek (1997) -- Baz on the Bard / Peter Malone (1997) -- Shakespeare in the cinema: a Cineaste interview / Gary Crowdus (1998) -- Baz Luhrmann / Elsie M. Walker (2008) -- Broadly speaking / Sonya Voumard (1997) -- The director: Baz Luhrmann / Bec Smith (2001) -- Moulin rouge! / Serena Donadoni (2001) -- Millennial mambo: Baz Luhrmann messes with the musical because he can-can / Ray Pride (2001) -- The man behind the red curtain / Terry Keefe (2001) -- Baz Luhrmann: the ringmaster / John Lahr (2002) -- Baz Luhrmann / Harvey Kubernik (2006) -- Closing the red curtain with La Boheme / Terry Keefe (2004) -- Australia: Baz Luhrmann interview / Rob Carnevale (2009) -- Strictly Luhrmann: where he leads, we will follow / James Mottram (2010) -- The romantic / Garry Maddox (2013) -- Baz Luhrmann's despair, drive, and gamble behind great Gatsby / Stephen Galloway (2013) -- Past is present in the new Gatsby / Tom Ryan (2013) -- Appendix: notes from John Duigan and Geoffrey Nottage
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The Cambridge companion to Shakespeare on film / edited by Russell Jackson Cambridge, UK New York: Cambridge University Press, 2000.
Call No: 753SHA CAMAuthor: Jackson, Russell, 1949 Source: UKPlace: Cambridge, UK New YorkPublisher: Cambridge University PressPubDate: 2000PhysDes: xiv, 342 p. ; 24 cmSeries: Cambridge companions to literatureSubject: ADAPTATIONS ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; BRANAGH, KENNETH ; OLIVIER, LAURENCE ; WELLES, ORSON ; ZEFFIRELLI, FRANCO ; HENRY V (UK, Kenneth Branagh, 1989) ; HENRY V (UK, Laurence Olivier, 1944) ; MUCH ADO ABOUT NOTHING (UK/US, Kenneth Branagh, 1993) ; TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967) ; RICHARD III (US, James Keane, 1912) ; RICHARD III (US, Richard Loncraine, 1995) ; RICHARD III (UK, Laurence Olivier, 1955) ; HAMLET (UK, Laurence Olivier, 1948) ; HAMLET (UK/US, Kenneth Branagh, 1996) ; HAMLET (US, Franco Zeffirelli, 1990) ; MACBETH (US, Orson Welles, 1948) ; MACBETH (US/UK, Roman Polanski, 1971) ; KUMONOSU-JO (JA, Akira Kurosawa, 1957) ; THRONE OF BLOOD (JA, Akira Kurosawa, 1957) ; KING LEAR (UK, Peter Brook, 1953) ; RAN (JA/FR, Akira Kurosawa, 1985) ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) Summary: "This lively Companion is a collection of critical and historical essays on the films adapted from, and inspired by, Shakespeare's plays. Leading scholars discuss Shakespearean films from a variety of perspectives - as works of art in their own right, as products of the international movie industry, in relation to cinematic and theatrical genres, and as the work of particular directors from Lawrence Olivier and Orson Welles to Franco Zeffirelli and Kenneth Branagh. A guide to further reading and a useful filmography are included." - BOOK BLURBNotes: Filmography: p. 318-324; Includes bibliographical references and index; FilmographyISBN: 0521630231; 0521639751 (pbk.)LON: 21340333Contents: Introduction: Shakespeare, films and the marketplace / Russell Jackson --; Part 1: adaptation and its contexts -- From play-script to screenplay / Russell Jackson -- Video and its paradoxes / Michele Willems -- Critical junctures in Shakespeare screen history: the case of Richard III / Harry Keyishian --; Part 2: genres and plays -- The comedies on film / Michael Hattaway -- Filming Shakespeare's history: three films of Richard III / H.R. Coursen -- Hamlet, Macbeth and King Lear on film / J. Lawrence Guntner -- The tragedies of love on film -- Patricia Tatspaugh --; Part 3: directors -- The Shakespeare films of Lawrence Olivier / Anthony Davies -- Orson Welles and filmed Shakespeare / Pamela Mason -- Grigori Kozintsev's Hamlet and King Lear / Mark Sokolyansky -- Franco Zeffirelli and Shakespeare / Deborah Cartmell -- Flamboyant realist: Kenneth Branagh / Samuel Crowl --; Part 4: critical issues -- Looking at Shakespeare's women on film / Carol Chillington Rutter -- National and racial stereotypes in Shakespeare films / Neil Taylor -- Shakespeare the illusionist: filming the supernatural / Neil Forsyth -- Shakespeare's cinematic offshoots / Tony Howard
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Deleuze and cinema : the aesthetics of sensation / Barbara M. Kennedy Edinburgh: Edinburgh University Press, 2002.
Call No: 620 DEL KENAuthor: Kennedy, Barbara M. Source: UKPlace: EdinburghPublisher: Edinburgh University PressPubDate: 2002PhysDes: 229 pages ; 24 cmSubject: PHILOSOPHY AND THE CINEMA ; AESTHETICS ; THEORY ; CRITICISM ; DELEUZE, GILLES ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; ENGLISH PATIENT, THE (US, Anthony Minghella, 1996) ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) ; LEON (FR, Luc Besson, 1994) Summary: "Through discussions of Orlando, The English Patient, Romeo and Juliet, Strange Days and Leon this subtle and powerful book reintroduces debates about film as an art form and the place of film theory within our aesthetic sensibilities." - taken from back cover.Notes: Includes bibliographical references and index. -- Filmography: pages 223-224.ISBN: 0748617264Contents: Introduction: Discovering the beautiful stranger ... -- From micro-politics to aesthetics -- From Oedipal myths ... to new interventions -- From abstract machines to Deleuzian becomings -- Constituting bodies : from subjectivity and affect to the becoming-woman of the cinematic -- Towards an aesthetics of sensation -- Orlando : Deleuzian landscapes of immanence -- The English patient : Deleuzian landscapes of immanence -- Romeo and Juliet : Deleuzian sensations -- Strange days : Deleuzian sensations -- Reconfiguring love ... a Deleuzian travesty? Leon and a molecular politics via the girl and the child.
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Film/literature/heritage : a sight and sound reader / edited by Ginette Vincendeau London: British Film Institute, 2001.
Call No: 753 FILAuthor: Vincendeau, Ginette, 1948 CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: 284p. : ill. ; 24 cmSubject: ADAPTATIONS ; ADAPTATIONS. DICKENS, CHARLES ; ADAPTATIONS. JAMES, HENRY ; ADAPTATIONS. LEONARD, ELMORE ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; ADAPTATIONS. THOMPSON, JIM ; HISTORICAL FILMS ; LITERATURE AND THE CINEMA ; ARMSTRONG, GILLIAN ; BASS, RON ; TARANTINO, QUENTIN ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; AMERICAN PSYCHO (US, Mary Harron, 1999) ; BEACH, THE (US, Danny Boyle, 1999) ; BELLE EPOQUE (SP/PO/FR, Fernando Trueba, 1992) ; BOSSU, LE (FR/IT/GG, Philippe de Broca, 1997) ; BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992) ; CARRINGTON (UK/FR, Christopher Hampton, 1995) ; COMO AGUA PARA CHOCOLATE (MX, Alfonso Arau, 1992) ; CRASH (CN, David Cronenberg, 1996) ; CYRANO DE BERGERAC (FR, Jean-Paul Rappeneau, 1990) ; DEAD AGAIN (US, Kenneth Branagh, 1991) ; EDWARD II (UK, Derek Jarman, 1991) ; ELIZABETH (UK, Shekhar Kapur, 1998) ; END OF THE AFFAIR, THE (UK, Neil Jordan, 1999) ; GERMINAL (FR, Claude Berri, 1993) ; GRIFTERS, THE (US, Stephen Frears, 1990) ; HOWARDS END (UK, James Ivory, 1992) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994) ; L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; LOLITA (US, Adrian Lyne, 1997) ; MADAME BOVARY (FR, Claude Chabrol, 1991) ; MADNESS OF KING GEORGE, THE (US, Nicholas Hytner, 1994) ; MAESTRO DE ESGRIMA, EL (SP, Pedro Olea, 1992) ; MANSFIELD PARK (UK/US, Patricia Rozema, 1999) ; MARY SHELLEY'S FRANKENSTEIN (US, Kenneth Branagh, 1994) ; MASK OF ZORRO (US, Martin Campbell, 1998) ; MISERABLES, LES (FR, Claude Lelouch, 1995) ; MRS BROWN (UK, John Madden, 1997) ; MRS DALLOWAY (US, Marleen Gorris, 1997) ; NAKED LUNCH (CN/UK, David Cronenberg, 1991) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; OUT OF SIGHT (US, Steven Soderbergh, 1998) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; PROSPERO'S BOOKS (UK/FR, Peter Greenaway, 1991) ; REINE MARGOT, LA (FR/GG/IT, Patrice Chereau, 1994) ; REMAINS OF THE DAY, THE (UK/US, James Ivory, 1993) ; RIDICULE (FR, Patrice Leconte, 1996) ; SECRET GARDEN, THE (US, Agnieszka Holland, 1993) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; SHAKESPEARE IN LOVE (UK, John Madden, 1998) ; SHORT CUTS (US, Robert Altman, 1993) ; TALENTED MR. RIPLEY, THE (US, Anthony Minghella, 1999) ; TEA WITH MUSSOLINI (IT, Franco Zeffirelli, 1997) ; THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997) ; THREE MUSKETEERS, THE (US, Stephen Herek, 1993) ; TITUS (US, Julie Taymor, 1999) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; WILDE (UK/US/JA/GG, Brian Gilbert, 1997) ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) Summary: "Period costume dramas are major box office commodities, exploiting the lucrative gap between the blockbuster and art film with their mixture of rich visuals, popular sensibility and literary association. But 'heritage cinema' is all too often discussed from literary (not cinematic) perspectives, and criticism of the films has long been overshadowed by the question of a film's fidelity to the original text. This volume of essays, reviews, and interviews seeks to redress this imbalance, by examining the often antagonistic relationship between literature and film - presenting both sides of the argument about whether heritage cinema's elaborate aesthetics owe more to nostalgia than to historical accuracy. In her challenging introduction to the volume, Ginette Vincendeau sketches the terms of the debate, arguing that the genre is an important, but often critically neglected, form of popular cinema. Film/Literature/Heritage, the latest in a series of 'Sight and Sound Readers', embraces a wide range of literary adaptation, from William Shakespeare to William Burroughs, covering films from Orlando to LA Confidential, and directors from Martin Scorcese to Peter Greenaway." - BOOK BLURBISBN: 0851708420; 0851708412(pbk.) : ¦13.99LON: 22285912
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Flicks : studying film as text / Dinah Partridge, Peter Hughes Melbourne: Oxford University Press, 1998.
Call No: 512.1 PARAuthor: Partridge, Dinah ; Hughes, Peter, 1949 Edition: 2nd edSource: ATPlace: MelbournePublisher: Oxford University PressPubDate: 1998PhysDes: viii, 248 p. : ill., ports. ; 26 cmSubject: TEACHING MATERIALS ; PRINCESS BRIDE, THE (US, Rob Reiner, 1987) ; ABSOLUTELY FABULOUS [TV] (UK, 1992 - 1996) ; BLADE RUNNER (US, Ridley Scott, 1982) ; CITIZEN KANE (US, Orson Welles, 1941) ; CHARACTERIZATION IN FILMS ; CLUELESS (US, Amy Heckerling, 1995) ; COOLBAROO CLUB, THE (AT, Roger Scholes, 1996) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; EMMA (UK, Douglas McGrath, 1996) ; FRONTLINE [TV] (AT, 1994- ) ; GALLIPOLI (AT, Peter Weir, 1981) ; GENRES ; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990) ; HEARTS OF DARKNESS : A FILMMAKERS APOCALYPSE (US, Fax Bahr & George Hinkenlooper, 1991) ; HOUSEKEEPING (US, Bill Forsyth, 1987) ; MITT LIV SOM HUND (SW, Lass Hallestrom, 1985) ; MURIEL'S WEDDING (AT, P.J. Hogan, 1994) ; NARRATIVE IN FILMS ; NOT FOURTEEN AGAIN (AT, Gillian Armstrong, 1996) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; POLICE ON TV ; PROOF (AT, Jocelyn Moorhouse, 1991) ; REALISM IN FILMS ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; SECRET GARDEN, THE (US, Agnieszka Holland, 1993) ; SEINFELD [TV] (US, 1990-98) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; SHAME (AT, Steve Jodrell, 1988) ; SHINE (AT/UK, Scott Hicks, 1996) ; SITUATION COMEDY ; STAR WARS (US, George Lucas, 1977) ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) Notes: BibliographyISBN: 0195506774 : $26.95; 0195506774 (pbk.)LON: 13455821ID2: 290
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The literature/film reader : issues of adaptation / edited by James M. Walsh and Peter Lev Maryland: Scarecrow Press, 2007.
Call No: 753(04) WELAuthor: Walsh, James M. ; Lev, Peter Source: USPlace: MarylandPublisher: Scarecrow PressPubDate: 2007PhysDes: xxviii, 361p. ; 23cmSubject: ADAPTATIONS ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; MOBY DICK (UK, John Huston, 1956) ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) ; HOUSE OF MIRTH, THE (UK, Terence Davies, 2000) ; BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992) ; VERTIGO (US, Alfred Hitchcock, 1958) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; MANCHURIAN CANDIDATE, THE (US, Jonathon Demme, 2004) ; QUIET AMERICAN, THE (US, Joseph L. Mankiewicz, 1957) ; RIDE WITH THE DEVIL (US, Ang Lee, 1999) Summary: From examinations of Francis Ford Coppola's Apocalypse Now to Alfred Hitchcock's Vertigo, The Literature Film Reader: Issues of Adaptation covers a wide range of films adapted from other sources. The first section presents essays on the hows and whys of adaptation studies, and subsequent sections highlight films adapted from a variety of sources, including classic and popular literature, drama, biography, and memoir. The last section offers a new departure for adaptation studies, suggesting that films about history—often a separate category of film study—can be seen as adaptations of records of the past. The anthology concludes with speculations about the future of adaptation studies.
Several essays provide detailed analyses of films, in some cases discussing more than one adaptation of a literary or dramatic source, such as The Manchurian Candidate, The Quiet American, and Romeo and Juliet. Other works examined include Moby Dick, The House of Mirth, Dracula, and Starship Troopers, demonstrating the breadth of material considered for this anthology.
Although many of the essays appeared in Literature/Film Quarterly, more than half are original contributions. Chosen for their readability, these essays avoid theoretical jargon as much as possible. For this reason alone, this collection should be of interest to not only cinema scholars but to anyone interested in films and their source material. Ultimately, The Literature Film Reader: Issues of Adaptation provides an excellent overview of this critical aspect of film studies.Notes: Includes index and bibliographic referencesISBN: 9780810859494Contents: Introduction: Issues of screen adaptation : what is truth? / James M. Welsh -- It wasn't like that in the book-- / Brian McFarlane -- Literature vs. literacy : two futures for adaptation studies / Thomas M. Leitch -- Adaptation studies and the history of ideas : the case of Apocalypse now / Donald M. Whaley -- Adaptation studies revisited : purposes, perspectives, and inspiration / Sarah Cardwell -- The Cold War's "undigested apple-dumpling" : imaging Moby-Dick in 1956 and 2001 / Walter C. Metz -- Trying harder : probability, objectivity, and rationality in adaptation studies / David L. Kranz -- What is a "Shakespeare film," anyway? / James M. Welsh -- Returning to Naples : seeing the end in Shakespeare film adaptation / Yong Li Lan -- Pop goes the Shakespeare : Baz Luhrmann's William Shakespeare's Romeo and Juliet / Elsie Walker -- Reframing adaptation : representing the invisible (on The house of mirth, directed by Terence Davies, 2000) / Wendy Everett -- Sucking Dracula : mythic biography into fiction into film, or Why Francis Ford Coppola's Dracula is not really Bram Stoker's Dracula or Wallachia's Dracula / James M. Welsh -- Vertigo, novel and film / Peter Lev -- Heinlein, Verhoeven, and the problem of the real : Starship troopers / J. P. Telotte -- Literary hardball : the novel-to-screen complexities of The Manchurian candidate / Linda Constanzo Cahir -- The oak : a balancing act from page to screen / Odette Caufman-Blumenfeld -- Adaptation and the Cold War : Mankiewicz's The quiet American / Brian Neve -- All the quiet Americans / C. Kenneth Pellow -- Camille Claudel : biography constructed as melodrama / Joan Driscoll Lynch -- W. C. Handy goes uptown : Hollywood constructs the American blues musician / John C. Tibbetts -- Memoir and the limits of adaptation / William Mooney -- Getting it right : the Alamo on film / Frank Thompson -- "Plains" speaking : sound, sense, and sensibility in Ang Lee's Ride with the devil / John C. Tibbetts -- Where are we going, where have we been? / Thomas M. Leitch -- The future of adaptation studies / Peter Lev.
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Shakespeare's Romeo and Juliet : the relationship between text and film / by Courtney Lehmann London: Methuen Drama: A & C Black Publishers, 2010.
Call No: 753: 79ROM LEHAuthor: Lehmann, Courtney Source: UKPlace: LondonPublisher: Methuen Drama: A & C Black PublishersPubDate: 2010PhysDes: xi, 288 p. ; 20 cmSeries: Screen adaptationsSubject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; Shakespeare, William ; WEST SIDE STORY (US, Robert Wise, 1961) ; ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968) ; ROMEO + JULIET (US, Baz Luhrmann, 1996)
SEE
WILLIAM SHAKESPEARE'S ROMEO + JULIET ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) ; SHAKESPEARE IN LOVE (UK, John Madden, 1998) ; WATER (CN/II, Deepa Mehta, 2005) Summary: "Shakespeare's work has been adaptated for the screen since the early days of cinema but no single day has proved to be as popular as Romeo and Juliet. Focusing in the main on West Side story, Franco Zeffirellis' 1968 'flower child' version, and Baz Luhrmann's iconic film, this book offers unique insight into the adaptation process by tracing the ways in which the play's complex textual origins have led filmmakers to approach it from often unexpected angles, ranging from parodies to tragedies of genocidal proportions, as Shakespeare in Love and Deepa Mehta's controversial 2005 film Water, retrospectively demonstrate. Providing a comprehensive analysis of the production and reception of screen adaptations of Romeo and Juliet across time, place, culture, and medium, this book is an indispensible companion for students, film historians, and curious admirers of the world's greatest love story. " -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references (p. [272]-282) and index.ISBN: 9780713679120Contents: -- acknowledgments -- a note on the texts -- timeline: cinematic adaptations of Romeo and Juliet -- part one: literary contexts -- a tale of adaptation -- the 'bad', the 'good', and the ugly: the complex -- text(s) of Shakespeare's Romeo and Juliet -- 'what more in the name of love? Issues for adaptation -- part two: from text to screen -- a brief history of Romeo and Juliet on screen -- now showing: West Side Story -- Shakespeare with a view: Zeffirelli's Romeo and Juliet -- William Shakespeare's Romeo + Juliet -- a cinematic detour through the play's textual origins -- part three: critical responses and the afterlife of the play's adaptations -- West Side success -- Zeffirelli's Romeo and Juliet: then and now -- Romeo + Juliet takes the 'A' train -- afterlives: the never-ending story -- select biography -- index --
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Understanding film texts / Patrick Phillips London: British Film Institute, 2000.
Call No: 512.1 PHIAuthor: Phillips, Patrick Place: LondonPublisher: British Film InstitutePubDate: 2000PhysDes: xiii, 158 p. : ill. ; 24 cmSubject: AESTHETICS ; METHODOLOGY OF FILM CRITICISM ; AUDIENCE RECEPTION ; COSTUMES ; DIALOGUE ; EDITING ; EXHIBITION ; NARRATIVE IN FILMS ; PERCEPTION ; REALISM IN FILMS ; SPECTATORSHIP ; VIRTUAL REALITY ; DICAPRIO, LEONARDO ; MUNSTERBERG, HUGO ; AFTER LIFE (JA, Hirokazu Kore-eda, 1998) ; AMERICAN BEAUTY (US, Sam Mendes, 1999) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; C`EST ARRIVE PRES DE CHEZ VOUS (BE, Remy Belvaux & Andre Bonzel & Benoit Poelvoorde, 1992) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FESTEN (DK, Thomas Vinterberg, 1998) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; LOLA RENNT (G, Tom Tykwer, 1998) ; MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; PSYCHO (US, Alfred Hitchcock, 1960) ; SECRETS & LIES (FR/UK, Mike Leigh, 1996) ; SINNUI YAUMAN (HK, Ching Siu Tung, 1987) ; CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987) ; SLIDING DOORS (US, Peter Howitt, 1998) ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) ISBN: 085170798X; 0851707998(pbk.)LON: 21445642
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[William Shakespeare's Romeo and Juliet : stills file] 20th Century Fox,
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WILLIAM SHAKESPEARE'S ROMEO + JULIET : (US, Baz Luhrmann, 1996) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Press kit; ClippingsSubject: WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) URL status: URL: 'http://file://Q:/T/ROMEO_AND_JULIET.1996.zip'
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William Shakespeare's Romeo & Juliet : the contemporary film, the classic play / the screenplay by Craig Pearce & Baz Luhrmann ; notes to William Shakespeare's play by John Bettenbender London: Hodder Children's Books, 1997.
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