Search Catalogue

Call No: 802.25(94) MAT
Author: Mathews, Sue, 1952
Source: AT
Place: Ringwood, Vic.
Publisher: Penguin
PubDate: 1984
PhysDes: 295 p. : ill., ports. ; 20 cm
Subject: DIRECTORS. AUSTRALIA; DIRECTION; INDUSTRY, FILM. AUSTRALIA; SCHEPISI, FRED; WEIR, PETER; ARMSTRONG, GILLIAN; DUIGAN, JOHN; MILLER, GEORGE
Summary: "In this collection of interviews, five of Australia's most successful film directors discuss Australian cinema - from the startling resurgence of the industry to their roles as directors compared with those overseas. They talk about how films actually get made, their individual cinematic aspirations, and discuss issues such as whether Australian films should become more 'international'. These interviews make up a portion of new Australian cinema." [Book blurb]
Notes: Australian cinema films. Directors. Interviews (ANB/PRECIS SIN 0699594); Australian cinema films (ANB/PRECIS SIN 0390917); Cover subtitle: Conversations with five directors about the Australian film revival; Filmography: p. 279-293
ISBN: 0140067094 : $9.95 Aust
LON: anb14006709; 3025187
ID2: 161

PhysDes: Article
Subject: STARSTRUCK (AT, Gillian Armstrong, 1982); ARMSTRONG, GILLIAN; KENNEDY, JO; O'DONOVAN, ROSS; INDUSTRY, FILM. AUSTRALIA; DISTRIBUTION
Summary: Article on the success of 'Starstruck' in America.

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: ARMSTRONG, GILLIAN
URL status: URL: 'http://file://Q:/P/ARMSTRONG,_GILLIAN.zip' Checked: 31/08/2021 12:43:48 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 462-02(94) DON
Copy Management: Copy 1; Copy 2
Author: Blonski, Annette; Creed, Barbara; Freiberg, Freda
Place: Richmond, Vic.
Publisher: Greenhouse
PubDate: 1987
PhysDes: 400 p. : ill., facsims., ports. ; 28 cm
Subject: WOMEN AND THE CINEMA. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; INDEPENDENT FILMMAKERS. AUSTRALIA; INDEPENDENT FILMS. AUSTRALIA; EXPERIMENTAL FILMS. AUSTRALIA; FEMINISM AND THE CINEMA. AUSTRALIA; ADDIS, ERIKA; ANSARA, MARTHA; ASH, EVE; CANTRILL, ARTHUR & CORINNE; FISKE, PAT; GIBSON, SARAH; GRACE, HELEN; LAMBERT, SUSAN; HARTMAN, RIVKA; HOASS, SOLRUN; KEARNEY, BRIANN; KELLY, GABRIELLE; ROLLE, DI; SCHWARZ, MONIQUE; THORNLEY, JENI; TILSON, ALISON; ARMSTRONG, GILLIAN; CAMPION, JANE; BEHIND CLOSED DOORS (AT, Sarah Gilbert & Susan Lambert, 1980); IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1987); FOR LOVE OR MONEY (AT, Megan McMurchy & Jeni Thornley, 1983); MY LIFE WITHOUT STEVE (AT, Gillian Leahy, 1986); WE AIM TO PLEASE (AT, Robin Laurie & Margot Nash, 1977); SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983); SONG OF CEYLON, A (AT, Laleen S.B. Jayamanne, 1984)
Summary: Don't shoot darling! affirms the significant role played by women filmmakers. Various contributors examine the institutions and organisation which provide support for women's films; the achievements and limitations of affirmative action training schemes for women; and the reception and coverage of women's independent films by the press. A number of particular films - among them, For love or mone, My life without Steve, Serious Undertakings and Behind closed doors - are analused from feminist critical perspectives, and the book includes a collection of statements by individual women filmmakers about their own experiences and attitudes. -- Back cover
Notes: Includes bibliographical references and indexes
ISBN: 0864360584 : price unknown
LON: anb86436058; 5042996
Contents: Preface -- Beginnings -- Big brother - women and the state -- Feminist initiatives -- Training and affirmative action -- Personal statements -- The press -- Textual analysis

Call No: 802.25 STO
Author: Stone, Judy, 1924
Place: Los Angeles
Publisher: Silman-James Press
PubDate: 1997
PhysDes: xix, 826 p. : ill. ; 25 cm
Subject: DIRECTORS. BRAZIL; DIRECTORS. CHINA; DIRECTORS. FRANCE; DIRECTORS. UK; DIRECTORS. ISRAEL; DIRECTORS. ITALY; DIRECTORS. JAPAN; DIRECTORS. SPAIN; DIRECTORS. USA; ARMSTRONG, GILLIAN; COX, PAUL; SCHEPISI, FRED; WEIR, PETER; BERESFORD, BRUCE
Notes: Includes filmographies
ISBN: 1879505363 (alk. paper)
LON: 97011401; 13126388

Call No: 19MET BAR
Author: Bart, Peter
Edition: 1st ed
Place: New York
Publisher: Morrow
PubDate: 1990
PhysDes: 304 p. : ill. ; 24 cm
Subject: Metro-Goldwyn-Mayer; UNITED ARTISTS; PARAMOUNT STUDIOS; AUBREY, JAMES T.; YABLANS, FRANK; KERKORIAN, KIRK; ARMSTRONG, GILLIAN; BROOKS, RICHARD; CIMINO, MICHAEL; FIELDS, FREDDIE; GOLDBERG, LEONARD; HUTTON, TIMOTHY; LADD, ALAN, Jr.; SKASE, CHRISTOPHER; LOWE, ROB; MELNICK, DANIEL; MUDOCH, RUPERT; NICHOLSON, JACK; ROSENBERG, STUART; STEENBURGEN, MARY; WEINTRAUB, JERRY; WARGAMES (US, John Badham, 1983); RED DAWN (US, John Milius, 1984); RAIN MAN (US, Barry Levinson, 1988); MRS. SOFFEL (US, Gillian Armstrong, 1984)
Notes: Includes index
ISBN: 0688084605 (acid-free paper)
LON: 6934383

Call No: 753 FIL
Author: Vincendeau, Ginette, 1948
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: 284p. : ill. ; 24 cm
Subject: ADAPTATIONS; ADAPTATIONS. DICKENS, CHARLES; ADAPTATIONS. JAMES, HENRY; ADAPTATIONS. LEONARD, ELMORE; ADAPTATIONS. SHAKESPEARE, WILLIAM; ADAPTATIONS. THOMPSON, JIM; HISTORICAL FILMS; LITERATURE AND THE CINEMA; ARMSTRONG, GILLIAN; BASS, RON; TARANTINO, QUENTIN; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993); AMERICAN PSYCHO (US, Mary Harron, 1999); BEACH, THE (US, Danny Boyle, 1999); BELLE EPOQUE (SP/PO, Fernando Trueba, 1992); BOSSU, LE (FR, Philippe De Broca, 1997); BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992); CARRINGTON (UK/FR, Christopher Hampton, 1995); COMO AGUA PARA CHOCOLATE (MX, Alfonso Arau, 1992); CRASH (CN, David Cronenberg, 1996); CYRANO DE BERGERAC (FR, Jean-Paul Rappeneau, 1990); DEAD AGAIN (US, Kenneth Branagh, 1991); EDWARD II (UK, Derek Jarman, 1991); ELIZABETH (UK, Shekhar Kapur, 1998); END OF THE AFFAIR, THE (UK, Neil Jordan, 1999); GERMINAL (FR, Claude Berri, 1993); GRIFTERS, THE (US, Stephen Frears, 1990); HOWARDS END (UK, James Ivory, 1992); HUSSARD SUR LE TOIT, LE (FR, Jean-Paul Rappeneau, 1995); JACKIE BROWN (US, Quentin Tarantino, 1997); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); L.A. CONFIDENTIAL (US, Curtis Hanson, 1997); LITTLE WOMEN (US, Gillian Armstrong, 1994); LOLITA (US, Adrian Lyne, 1997); MADAME BOVARY (FR, Claude Chabrol, 1991); MADNESS OF KING GEORGE, THE (US, Nicholas Hytner, 1994); MAESTRO DE ESGRIMA, EL (SP, Pedro Olea, 1992); MANSFIELD PARK (UK/US, Patricia Rozema, 1999); MARY SHELLEY'S FRANKENSTEIN (US, Kenneth Branagh, 1994); MASK OF ZORRO (US, Martin Campbell, 1998); MISERABLES, LES (FR, Claude Lelouch, 1995); MRS. BROWN (UK, John Madden, 1997); MRS. DALLOWAY (US, Marleen Gorris, 1997); NAKED LUNCH (CN/UK, David Cronenberg, 1991); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); OUT OF SIGHT (US, Steven Soderbergh, 1998); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); PROSPERO'S BOOKS (UK/FR, Peter Greenaway, 1991); REINE MARGOT, LA (FR/GG/IT, Patrice Chereau, 1994); REMAINS OF THE DAY, THE (UK/US, James Ivory, 1993); RIDICULE (FR, Patrice Leconte, 1996); SECRET GARDEN, THE (US, Agnieszka Holland, 1993); SENSE AND SENSIBILITY (US, Ang Lee, 1995); SHAKESPEARE IN LOVE (UK, John Madden, 1998); SHORT CUTS (US, Robert Altman, 1993); TALENTED MR. RIPLEY, THE (US, Anthony Minghella, 1999); TEA WITH MUSSOLINI (IT, Franco Zeffirelli, 1997); THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997); THREE MUSKETEERS, THE (US, Stephen Herek, 1993); TITUS (US, Julie Taymor, 1999); TRAINSPOTTING (UK, Danny Boyle, 1996); WILDE (UK/US/JA/GG, Brian Gilbert, 1997); WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996)
Summary: "Period costume dramas are major box office commodities, exploiting the lucrative gap between the blockbuster and art film with their mixture of rich visuals, popular sensibility and literary association. But 'heritage cinema' is all too often discussed from literary (not cinematic) perspectives, and criticism of the films has long been overshadowed by the question of a film's fidelity to the original text. This volume of essays, reviews, and interviews seeks to redress this imbalance, by examining the often antagonistic relationship between literature and film - presenting both sides of the argument about whether heritage cinema's elaborate aesthetics owe more to nostalgia than to historical accuracy. In her challenging introduction to the volume, Ginette Vincendeau sketches the terms of the debate, arguing that the genre is an important, but often critically neglected, form of popular cinema. Film/Literature/Heritage, the latest in a series of 'Sight and Sound Readers', embraces a wide range of literary adaptation, from William Shakespeare to William Burroughs, covering films from Orlando to LA Confidential, and directors from Martin Scorcese to Peter Greenaway." - BOOK BLURB
ISBN: 0851708420; 0851708412(pbk.) : ¦13.99
LON: 22285912

Call No: 81ARM COL
Author: Collins, Felicity
CorpAuthor: Australian Teachers of Media
Place: St Kilda, Vic.
Publisher: ATOM
PubDate: 1999
PhysDes: 98 p. : ill. ; 22 cm
Series: Moving image ; no. 6
Subject: ARMSTRONG, GILLIAN; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); LITTLE WOMEN (US, Gillian Armstrong, 1994); MRS. SOFFEL (US, Gillian Armstrong, 1984); HIGH TIDE (AT, Gillian Armstrong, 1987); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); NOT FOURTEEN AGAIN (AT, Gillian Armstrong, 1996); OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997); STARSTRUCK (AT, Gillian Armstrong, 1982)
Notes: Includes bibliographical references (p. 95-98)
ISBN: 1876467037
LON: 20015377

Call No: 626:396 MEL
Author: Mellencamp, Patricia
Place: Philadelphia
Publisher: Temple University Press
PubDate: 1995
PhysDes: xiii, 330 p. : ill. ; 24 cm
Series: Culture and the moving image
Subject: FEMINISM AND THE CINEMA; FEMINISM AND THE CINEMA. AUSTRALIA; BODY IN FILMS; EXPRESSIONISM; DASH, JULIE; DELEUZE, GILLES; CAMPION, JANE; ARMSTRONG, GILLIAN; POTTER, SALLY; Tarantino, Quentin; CHRISTIE, JULIE; DAVIS, GEENA; DAVIS, JUDY; EPHRON, NORA; GLYN, ELINOR; GOGOBERIDZE, LANA; HANKS, TOM; JAYAMANNE, LALEEN; LAFFONT, COLLETTE; LANGTON, MARCIA; RYAN, MEG; MOFFATT, TRACEY; HOOKS, BELL; PREER, EVELYN; STONE, SHARON; SWINTON, TILDA; TAYLOR, CLYDE; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); THELMA & LOUISE (US, Ridley Scott, 1991); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); ANGIE (US, Martha Coolidge, 1994); NIGHT CRIES : A RURAL TRAGEDY (AT, Tracey Moffatt, 1990); NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987); DAUGHTERS OF THE DUST (US, Julie Dash, 1991); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); BASIC INSTINCT (US, Paul Verhoeven, 1992); BEDEVIL (AT, Tracey Moffat, 1993); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); COVER GIRL (US, Charles Vidor, 1944); DOLLY SISTERS (US, Irving Cummings, 1945); FORBIDDEN LOVE : THE UNASHAMED STORIES OF LESBIAN LOVE (CN, Aerlyn Weissman & Lynne Fernie, 1993); GOLD DIGGERS, THE (US, Sally Potter, 1983); GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933); GROUNDHOG DAY (US, Harold Ramis, 1993); ILLUSIONS (US, Julie Dash, 1983?); LITTLE WOMEN (US, Gillian Armstrong, 1994); PRIVILEGE (US, Yvonne Rainer, 1990); PULP FICTION (US, Quentin Tarantino, 1994); QUICK AND THE DEAD, THE (US, Sam Raimi, 1995); SHERLOCK, JR. (US, Buster Keaton, 1924); SOMETHING TO TALK ABOUT (US, Lasse Hallstrom, 1995); THRILLER (UK, Sally Potter, 1979); JEDDA (AT, Charles Chauvel, 1955); PIANO, THE (AT, Jane Campion, 1993); METROPOLIS (G, Fritz Lang, 1926)
Notes: Includes bibliographical references (p. 291-324) and index; Five ages of film feminism
ISBN: 1566394015 (pbk.: acid-free paper); 1566394007 (hbk.: acid-free paper)
LON: 11870265

Call No: SUBJECT CLIPPINGS FILE; WOMEN FILMMAKERS. AUSTRALIA
Author: Neill, Rosemary
PhysDes: Clippings File Article
Subject: WOMEN FILMMAKERS. AUSTRALIA; WOMEN IN FILMS. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; STATE AND THE CINEMA. AUSTRALIA; ARMSTRONG, GILLIAN
Summary: Article about the lack of women filmmakers in Australia and in key roles in theatre. Quotes from Gillian Armstrong, Courtney Gibson, Fiona Cameron, Sue Maslin, Bruce Beresford, Kate Cherry, Lee Lewis, and WITS founders Maryann Wright and Lizze Schebesta

Call No: 81 ARM ERH
Author: Erhart, Julia
Source: UK
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: 2020
PhysDes: x, 189 pages : illustrations ; 22 cm
Series: Visionaries
Subject: FEMINISM AND THE CINEMA. AUSTRALIA; AUSTRALIAN FILM AND TELEVISION SCHOOL; WOMEN FILMMAKERS. AUSTRALIA; ARMSTRONG, GILLIAN; SATDEE NIGHT (AT, Gillian Armstrong, 1973); GRETEL (AT, Gillian Armstrong, 1973); MRS. SOFFEL (US, Gillian Armstrong, 1984); LITTLE WOMEN (US, Gillian Armstrong, 1994); CHARLOTTE GRAY (G/UK/AT, Gillian Armstrong, 2001); DEATH DEFYING ACTS (UK/AT, Gillian Armstrong, 2007); FIRES WITHIN (US, Gillian Armstrong, 1991); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997); STARSTRUCK (AT, Gillian Armstrong, 1982); THE LAST DAYS OF CHEZ NOUS (AT, Gillian Armstrong, 1992); UNFOLDING FLORENCE: THE MANY LIVES OF FLORENCE BROADHURST (AT, Gillian Armstrong, 2005); WOMEN HE'S UNDRESSED (AT, Gillian Armstrong, 2015); HIGH TIDE (AT, Gillian Armstrong, 1987); [FOURTEEN]14'S GOOD, 18'S BETTER (AT, Gillian Armstrong, 1981)
Summary: A commercially successful Australian director of over eighteen feature films and documentaries, including My Brilliant Career (1979), Gillian Armstrong is an early, notable example of a woman director connecting with mass audiences. Armstrong’s films are unique in their aesthetic expression and in the ethical relationships that they depict, framed through the language of gender inclusivity and due in part to her foregrounding of original, complex and nuanced female characters. This important book fills a gap in the literature on women screen practitioners and is a long overdue response to demands for new insight into the work of this significant director. [Edinburgh University Press website]
Notes: Includes bibliographical references and index
ISBN: 9781474434324
Contents: -- Introduction -- 1. An authorial cinema -- 2. A popular, commercial cinema: Mrs. Soffel, Little Women, Charlotte Gray, Death Defying Acts -- 3. An Australian genre cinema: My Brilliant Career, Oscar and Lucinda, Starstruck -- 4. A sensual cinema: Last Days of Chez Nous, Unfolding Florence: The Many Lives of Florence Broadhurst, Women He’s Undressed -- 5. An ethical cinema: High Tide and The Story of Kerry, Josie and Diana -- Conclusion: A collaborative cinema

Call No: PERSONALITY CLIPPINGS FILE; ARMSTRONG, GILLIAN
Author: -
PhysDes: Clippings File Article
Subject: ARMSTRONG, GILLIAN
Summary: Snippet on Gillian Armstrong lamenting the state of feature filmmaking in Australia, which she says is due to film executives and the lack of quality scriptwriters

Call No: PERSONALITY CLIPPINGS FILE; ARMSTRONG, GILLIAN
Author: Raj, Hari
PhysDes: Clippings File Article
Subject: WOMEN FILMMAKERS. AUSTRALIA; ARMSTRONG, GILLIAN; WOMEN HE'S UNDRESSED (AT, Gillian Armstrong, 2015)
Summary: Interview with Gillian Armstrong about her career and her recent documentary, WOMEN HE'S UNDRESSED

Call No: 81CAM POL
Author: Polan, Dana
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: 186p. : ill. ; 19 cm
Series: BFI world directors.
Subject: BONGERS, SALLY; ARMSTRONG, GILLIAN; CAMPION, JANE; AFTER HOURS (AT, Jane Campion, 1984); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); HOLY SMOKE (US, Jane Campion, 1999); PEEL (AT, Jane Campion, 1982); PIANO, THE (AT, Jane Campion, 1993); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); SWEETIE (AT, Jane Campion, 1989)
Notes: Includes bibliographical references and index
ISBN: 0851708560(pbk.)

Call No: 71(94) STR
Author: Stratton, David
Place: London Sydney
Publisher: Angus & Robertson
PubDate: 1980
PhysDes: xix, 337 p., 16 p. of plates ; 22 cm
Subject: AUSTRALIA; BURSTALL, TIM; BERESFORD, BRUCE; WEIR, PETER; SCHEPISI, FRED; HANNAM, KEN; JEFFREY, TOM; COX, PAUL; NOYCE, PHIL; ARMSTRONG, GILLIAN; CROMBIE, DONALD; SHARMAN, JIM; DUIGAN, JOHN; COWAN, TOM; STORM, ESBEN
Notes: Australian cinema films, 1970-1980 (ANB/PRECIS SIN 0410292); Cinema industries. Australia, 1970-1980 (ANB/PRECIS SIN 0410306)
ISBN: 0207141460 : $18.95 Aust
LON: anb20714146; 1736112
URL status: URL: 'http://-' Checked: 31/08/2021 12:36:42 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: PERSONALITY CLIPPINGS FILE; ARMSTRONG, GILLIAN
Author: Northover, Kylie
PhysDes: Clippings File Article
Subject: WOMEN AND THE CINEMA. AUSTRALIA; WOMEN, FILMS MADE BY; ORRY-KELLY; ARMSTRONG, GILLIAN; WOMEN HE'S UNDRESSED (AT, Gillian Armstrong, 2015)
Summary: Interview with Gillian Armstong where she discusses a range of topics including her documentary on Orry-Kelly and the need for more films made by women

Call No: 802.25(94) MAL
Author: Malone, Peter (Peter J.)
Source: AT
Place: Sydney
Publisher: Currency Press
PubDate: 2000
PhysDes: 1 v
Subject: DIRECTORS. AUSTRALIA; ARMSTRONG, GILLIAN; BERESFORD, BRUCE; BURSTALL, TIM; CROMBIE, DONALD; DE HEER, ROLF; HICKS, SCOTT; MILLER, GEORGE; NOYCE, PHIL; PARSONS, NICHOLAS; RUANE, JOHN; SCHEPISI, FRED; STORM, ESBEN; TASS, NADIA; THORNHILL, MICHAEL; WALLACE, STEPHEN; WINCER, SIMON
Notes: Includes index
ISBN: 0868196096 : $27.50
LON: 21841061

Author: Vial, Andrew
PhysDes: Article
Subject: AUSTRALIAN FILM AND TELEVISION SCHOOL; INDUSTRY, FILM. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; ARMSTRONG, GILLIAN; NOYCE, PHILLIP; DREW, DI
Summary: Article on the success of the Australian Film and Television School for Australia and its students.

PhysDes: Article
Subject: AUSTRALIAN FILM AND TELEVISION SCHOOL; ARMSTRONG, GILLIAN; NOONAN, CHRIS; NOYCE, PHILLIP; PAPADOPOULOS, JOHN; RICKETSON, JAMES; SAUNDERS, RON; SHIRLEY, GRAHAM; AUSTRALIAN FILM INSTITUTE; AUSTRALIAN FILM INSTITUTE AWARDS; STORK (AT, Tim Burstall, 1971); BRENNAN, RICHARD
Summary: Various news items. Includes announcement of new AFI Director Richard Brennan, SPORK winning an AFI Award, and list of scholarship receivers for the new Australian Film and Television School.

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Mike Lyon Photography Pty Ltd
PhysDes: 28 photographs : b&w ; 17 x 22 cm - 21 x 26 cm
Subject: BLANCHETT, CATE; FIENNES, RALPH; ARMSTRONG, GILLIAN; OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997)
Summary: Twenty-eight black and white photographs from the film 'Oscar and Lucinda'
Notes: Contains some duplicates

Call No: 462-02(94) BAI
Author: James Bailey, Julie
Place: Sydney
Publisher: Australian Film, Television and Radio School
PubDate: 1999
PhysDes: xii, 408 p. : ports. ; 21 cm
Subject: WOMEN FILM WORKERS. AUSTRALIA; KENNY, JAN; THORNBURN, GRETCHEN; COCKSEDGE, ANNIE; BILCOCK, JILL; PRYOR, SALLY; DEVINE, KIT; ARMSTRONG, GILLIAN; MCKIMMIE, JACKIE; BROWNE, DINA; PHILLIPSON, MARGOT; MURPHY, BRONWYN; KERR, SUE; SHEEHAN, ANNABELLE; TYSON-CHEW, NERIDA; COOPER, DANY; SMITH, MANDY; GAYNOR, HELEN; REID, CAROLYN; WOOD, SUSAN; BENNETT, SARA; CARTWRIGHT, LYNNE; RUDD, CAMILLA; GIL, GLENYS
Notes: Includes bibliographical references (p. [391]-394) and index
ISBN: 1876351047
LON: 20169058

Author: Cahill, Philippe
PhysDes: Article
Subject: WOMEN FILMMAKERS. AUSTRALIA; HISTORY OF CINEMA. AUSTRALIA; ARMSTRONG, GILLIAN; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979)
Summary: Article about pioneering women filmmakers in Australia analysing the lack of recognition of their significant contributions. Gillian Armstrong's film is placed within this history of gender discrimination.

Author: Yeates, Helen; Jokovich, Eddy; Warren, Jane Sherning; Saaroni, Dorothy
PhysDes: Book review; Review; Illustration(s)
Subject: ARMSTRONG, GILLIAN; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997); DELIA (AT, Priscilla Cameron, 1998); REUNION (AT, Lisa Wang, 1997)

Call No: 802.25(94) SEC
Author: Burton, Geoff; Caputo, Raffaele
Place: St Leonards, N.S.W.
Publisher: Allen & Unwin
PubDate: 1999
PhysDes: x, 342 : ill. ; 23 cm
Subject: DIRECTORS. AUSTRALIA; PREVIEWS; EALING STUDIOS; FOX STUDIOS AUSTRALIA; DUIGAN, JOHN; WATT, HARRY; ROWE, GLENYS; MILLER, GEORGE; CAMPION, JANE; BERESFORD, BRUCE; ARMSTRONG, GILLIAN; FRANKLIN, RICHARD; ROEG, NICOLAS; ZUBRYCKI, TOM; RUBBO, MICHAEL; NOONAN, CHRIS; BENNETT, BILL; LOWENSTEIN, RICHARD; HICKS, SCOTT; SIRENS (AT/UK, John Duigan, 1994); YEAR MY VOICE BROKE, THE (AT, John Duigan, 1987); MAD MAX (AT, George Miller, 1979); BABE (AT, Chris Noonan, 1995); LITTLE WOMEN (US, Gillian Armstrong, 1994); WALKABOUT (UK, Nicolas Roeg, 1971); KISS OR KILL (AT, Bill Bennett, 1997); SHINE (AT/UK, Scott Hicks, 1996); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); DOCUMENTARY FILMS. AUSTRALIA; EUREKA STOCKADE (UK, Harry Watt, 1949 [prod. 1948]); FLIRTING (AT, John Duigan, 1991); DOGS IN SPACE (AT, Richard Lowenstein, 1986); MYTH AND THE CINEMA. AUSTRALIA; OVERLANDERS, THE (UK, Harry Watt, 1946); PIANO, THE (AT, Jane Campion, 1993); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); RACE AROUND THE WORLD [TV] (AT, John Lander, 1997-); STRIKEBOUND (AT, Richard Lowenstein, 1984)
Notes: Includes index
ISBN: 1864487658 : $19.95
LON: 14469038
URL status: URL: 'http://-' Checked: 31/08/2021 12:58:39 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 203(94) WAL
Author: Walton, Storry
Source: AT
Place: Strawberry Hills, N.S.W.
Publisher: Currency House
PubDate: 2005
PhysDes: iv, 69 p. ; 21 cm
Series: Platform papers ; no. 5
Subject: INDUSTRY, FILM. AUSTRALIA; FINANCING. AUSTRALIA; GOVERNMENT AID. AUSTRALIA; PRODUCTION. AUSTRALIA; AUSTRALIAN FILM FINANCE CORPORATION; AUSTRALIAN FILM COMMISSION; ROSEN, BRIAN; NOYCE, PHIL; ARMSTRONG, GILLIAN
Notes: Also includes responses to 'Myth of the mainstream, a paper by Robyn Archer, pp.59-67. Includes bibliographical references, pp.55-58.
ISBN: 0975730118

Call No: 721.02 (94) CHA
Author: Chapman, Jan
Edition: 1st ed.
Source: Australia
Place: Australia
Publisher: Screen sound Australia
PubDate: 2002
PhysDes: 1 v ; 20.5 cm, b&w ill.
Series: Longford Lyell lecture 2002, ScreenSound Australia Monograph no.3
Subject: WOMEN AND THE CINEMA. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; WOMEN FILMMAKERS. AUSTRALIA; WOMEN IN FILMS; WOMEN ON TV. AUSTRALIA; WOMEN, FILMS FOR; WOMEN, FILMS MADE BY; FEMINISM AND THE CINEMA; FEMINISM AND TV; CHAPMAN, JAN; ARMSTRONG, GILLIAN; CAMPION, JANE; LYELL, LOTTIE; BARRETT, SHIRLEY; MILLIKEN, SUE; Lovell, Patricia; ROBB, JILL; SCOTT, JANE; LONG, JOAN; FINK, MARGARET; DAVIS, JUDY; LEVY, SANDRA; GRIFFITHS, RACHEL; BLANCHETT, CATE; KIDMAN, NICOLE; COLLETTE, TONI; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); WOMAN SUFFERS, THE (AT, Raymond Longford, 1918); ON OUR SELECTION (AT, Raymond Longford, 1920); SHOWTIME (AT, Jan Chapman, 1978); SWEET AND SOUR [TV] (AT, 1984); SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977); SMOKES AND LOLLIES (AT, Gillian Armstrong, 1976); BINGO BRIDESMAIDS AND BRACES (AT, Gillian Armstrong, 1988); MORE SMOKES, LESS LOLLIES (AT, Gillian Armstrong, 1981); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); WELL, THE (AT, Samantha Lang, 1997); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); TWO FRIENDS [TV] (AT, Jane Campion, 1986); LITTLE WOMEN (US, Gillian Armstrong, 1994); OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997); CHARLOTTE GRAY (G/UK/AT, Gillian Armstrong, 2001); PIANO, THE (AT, Jane Campion, 1993); GIRL'S OWN STORY, A (AT, Jane Campion, 1983)
Summary: The ScreenSound Australia Annual Longford Lyell Lecture was established in 2001. It is named in honour of two significant pioneers of Australian cinema, Lottie Lyell and Raymond Longford, who were the foremost creative partnership in the pioneering years of Australian cinema. Jan Chapman is one of Australia’s most famous producers having been involved in the production of ‘Come in Spinner’, ‘Sweet and Sour’, ‘the Piano’ and ‘Lantana’ to name but a few. Chapman talks about the development of her career in relation to other Australian women involved in filmmaking such as Gillian Armstrong and New Zealand born Jane Campion
ISBN: 0642365172

Author: Wilson, Ian
PhysDes: Article
Subject: AUSTRALIAN FILM AND TELEVISION SCHOOL; NOYCE, PHILLIP; ARMSTRONG, GILLIAN; INDUSTRY, FILM. AUSTRALIA; ZWICKY, KARL
Summary: Speech givin by Hon. Ian Wilson to the graduating class of 1982 at the Australian Film and Television School.

Call No: 802.253 STJ
Author: Unterburger, Amy L
Place: Detroit
Publisher: Visible Ink Press
PubDate: c1999
PhysDes: xxvi, 568 p. : ill. ; 24 cm
Subject: DIRECTORS; ARMSTRONG, GILLIAN; CAMPION, JANE; CANTRILL, ARTHUR & CORINNE; LAW, CLARA; LYELL, LOTTIE; MCDONAGH, PAULETTE; MCDONAGH, PHYLLIS; MCDONAGH, ISABEL
ISBN: 1578590922 (softcover)
LON: 20020284

PhysDes: Article
Subject: STARSTRUCK (AT, Gillian Armstrong, 1982); ARMSTRONG, GILLIAN; KENNEDY, JO; O'DONOVAN, ROSS; HOYTS; INDUSTRY, FILM. AUSTRALIA
Summary: Synopsis and cast listing for 'Starstruck'.

PhysDes: Article
Subject: STARSTRUCK (AT, Gillian Armstrong, 1982); ARMSTRONG, GILLIAN; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); PREMIERES. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; O'DONOVAN, ROSS; KENNEDY, JO
Summary: Article and photographs from various premieres of Gillian Armstrong's 'Starstruck'.

PhysDes: Article
Subject: STARSTRUCK (AT, Gillian Armstrong, 1982); ARMSTRONG, GILLIAN; KENNEDY, JO; O'DONOVAN, ROSS; INDUSTRY, FILM. AUSTRALIA
Summary: Production notes and synopsis of 'Starstruck'.

PhysDes: Article
Subject: STARSTRUCK (AT, Gillian Armstrong, 1982); ARMSTRONG, GILLIAN; KENNEDY, JO; O'DONOVAN, ROSS; AUSTRALIAN FILM COMMISSION; INDUSTRY, FILM. AUSTRALIA; CHARITY APPEALS AND THE CINEMA
Summary: Update on the production of 'Starstruck', with brief plot overview and announcement of the up-coming Sydney premiere being a charity event.

Call No: TITLE CLIPPINGS FILE; WOMEN HE'S UNDRESSED (AT, Gillian Armstrong, 2015)
Author: Domjen, Briana -- Moran, Jonathon -- Sharp, Annette -- Reines, Ros
PhysDes: Clippings File Article
Subject: ARMSTRONG, GILLIAN; ORRY-KELLY; WOMEN HE'S UNDRESSED (AT, Gillian Armstrong, 2015)
Summary: World premiere of documentary on Orry Kelly, 'Women He's Undressed'.

Author: Pearson, Georgina
PhysDes: Article
Subject: DIRECTORS. AUSTRALIA; SHAW, JULIAN; JONES, ALETHEA; TOOGOOD, DAMIEN; HOBBS, JESSICA; KURZEL, JUSTIN; STENDERS, KRIV; ARMSTRONG, GILLIAN
Summary: Georgina Pearson speaks with seven directors in different roles and at very different stages of their career. Directors include: Julian Shaw, Alethea Jones, Damien Toogood, Jessica Hobbs, Justin Kurzel, Kriv Stenders and Gillian Armstrong.

Call No: REFERENCE SECTION; 058 INT "1996"
Author: Cowie, Peter
Place: London
Publisher: Hamlyn
PubDate: [1995]
PhysDes: 448 p. : ill., ports. ; 25 cm
Subject: ARMSTRONG, GILLIAN; HOU, HSIAO-HSIEN; KIAROSTAMI, ABBAS; STONE, OLIVER; TRIER, LARS VON; FESTIVALS. HONG KONG; LASER DISCS, FILMS ON; MUSIC, FILM
Notes: Includes index to advertisers
ISBN: 060058822X (pbk.)
LON: 12059614

Call No: 721-02 THO
Author: Thornham, Sue
Source: UK
Place: London
Publisher: Palgrave macmillan [on behalf of the] bfi
PubDate: 2012
PhysDes: vi, 236 p. : ill., ports. ; 24 cm
Subject: WOMEN AND THE CINEMA; WOMEN DIRECTORS; WOMEN FILMMAKERS; WOMEN IN FILMS; FEMINISM AND THE CINEMA; WOOLF, VIRGINIA; ARMSTRONG, GILLIAN
Summary: "What happens when women tell their own stories in film? In What If I Had Been the Hero?, Sue Thornham addresses this question through an exploration of a wide range of films, from experimental feminist film to mainstream Hollywood, and from the 1970s to the present day, by film-makers including Sally Potter, Jane Campion, Deepa Mehta, Patricia Rozema and Lynne Ramsay. Her discussion takes in films from India and Argentina as well as Europe, Canada, Australia and the US. Drawing on a wide range of feminist theoretical sources, What If I Had Been the Hero? makes an important intervention into contemporary debates, situating film-making within a rich history of female creativity, and insisting on the continuing importance of feminist theory." -- BOOK BLURB
Notes: Includes bibliographic references and index; Includes filmography
ISBN: 9781844573639
Contents: Part One: Questions -- Chapter One: 'What If I Had Been The Hero?' -- Chapter Two: Women's Liberation Cinema? -- Chapter Three: Unexplored Territories --; Part Two: Explorations -- Chapter Four: Heroes and Writers -- Chapter Five: Landscapes and Stories -- Chapter Six: Bodies and Passions -- Conclusion: Unfinished Business