Yet to catalogue
book
35mm dreams / Sue Mathews Ringwood, Vic.: Penguin, 1984.
Call No: 802.25(94) MATAuthor: Mathews, Sue, 1952 Source: ATPlace: Ringwood, Vic.Publisher: PenguinPubDate: 1984PhysDes: 295 p. : ill., ports. ; 20 cmSubject: DIRECTORS. AUSTRALIA ; DIRECTION ; INDUSTRY, FILM. AUSTRALIA ; SCHEPISI, FRED ; WEIR, PETER ; ARMSTRONG, GILLIAN ; DUIGAN, JOHN ; MILLER, GEORGE Summary: "In this collection of interviews, five of Australia's most successful film directors discuss Australian cinema - from the startling resurgence of the industry to their roles as directors compared with those overseas. They talk about how films actually get made, their individual cinematic aspirations, and discuss issues such as whether Australian films should become more 'international'. These interviews make up a portion of new Australian cinema." [Book blurb]Notes: Australian cinema films. Directors. Interviews (ANB/PRECIS SIN 0699594); Australian cinema films (ANB/PRECIS SIN 0390917); Cover subtitle: Conversations with five directors about the Australian film revival; Filmography: p. 279-293ISBN: 0140067094 : $9.95 AustLON: anb14006709; 3025187ID2: 161
More info
journal article
Los Angeles raves over "Starstruck" in Australasian Cinema (28/1/1983) vol.12 iss.1 p.11
More info
Online resource
digital clippings file
ARMSTRONG, GILLIAN Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION; DIGITAL CLIPPINGS FILEPhysDes: Clippings; StillsSubject: ARMSTRONG, GILLIAN URL status: URL: 'http://file://Q:/P/ARMSTRONG,_GILLIAN.zip'
Checked: 31/08/2021 12:43:48 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
More info
book
Don't shoot darling! : women's independent filmmaking in Australia / edited by Annette Blonski, Barbara Creed, Freda Freiberg Richmond, Vic.: Greenhouse, 1987.
Call No: 462-02(94) DONCopy Management: Copy 1; Copy 2Author: Blonski, Annette ; Creed, Barbara ; Freiberg, Freda Place: Richmond, Vic.Publisher: GreenhousePubDate: 1987PhysDes: 400 p. : ill., facsims., ports. ; 28 cmSubject: WOMEN AND THE CINEMA. AUSTRALIA ; WOMEN FILM WORKERS. AUSTRALIA ; INDEPENDENT FILMMAKERS. AUSTRALIA ; INDEPENDENT FILMS. AUSTRALIA ; EXPERIMENTAL FILMS. AUSTRALIA ; FEMINISM AND THE CINEMA. AUSTRALIA ; ADDIS, ERIKA ; ANSARA, MARTHA ; ASH, EVE ; CANTRILL, ARTHUR & CORINNE ; FISKE, PAT ; GIBSON, SARAH ; GRACE, HELEN ; LAMBERT, SUSAN ; HARTMAN, RIVKA ; HOASS, SOLRUN ; KEARNEY, BRIANN ; KELLY, GABRIELLE ; ROLLE, DI ; SCHWARZ, MONIQUE ; THORNLEY, JENI ; TILSON, ALISON ; ARMSTRONG, GILLIAN ; CAMPION, JANE ; BEHIND CLOSED DOORS (AT, Sarah Gilbert & Susan Lambert, 1980) ; IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1987) ; FOR LOVE OR MONEY (AT, Megan McMurchy & Jeni Thornley, 1983) ; MY LIFE WITHOUT STEVE (AT, Gillian Leahy, 1986) ; WE AIM TO PLEASE (AT, Robin Laurie & Margot Nash, 1977) ; SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983) ; SONG OF CEYLON, A (AT, Laleen S.B. Jayamanne, 1984) Summary: Don't shoot darling! affirms the significant role played by women filmmakers. Various contributors examine the institutions and organisation which provide support for women's films; the achievements and limitations of affirmative action training schemes for women; and the reception and coverage of women's independent films by the press. A number of particular films - among them, For love or mone, My life without Steve, Serious Undertakings and Behind closed doors - are analused from feminist critical perspectives, and the book includes a collection of statements by individual women filmmakers about their own experiences and attitudes. -- Back coverNotes: Includes bibliographical references and indexesISBN: 0864360584 : price unknownLON: anb86436058; 5042996Contents: Preface -- Beginnings -- Big brother - women and the state -- Feminist initiatives -- Training and affirmative action -- Personal statements -- The press -- Textual analysis
More info
book
Eye on the world : conversations with international filmmakers / by Judy Stone Los Angeles: Silman-James Press, 1997.
More info
book
Fade out : the calamitous final days of MGM / Peter Bart New York: Morrow, 1990.
Call No: 19MET BARAuthor: Bart, Peter Edition: 1st edPlace: New YorkPublisher: MorrowPubDate: 1990PhysDes: 304 p. : ill. ; 24 cmSubject: Metro-Goldwyn-Mayer ; UNITED ARTISTS ; PARAMOUNT STUDIOS ; AUBREY, JAMES T. ; YABLANS, FRANK ; KERKORIAN, KIRK ; ARMSTRONG, GILLIAN ; BROOKS, RICHARD ; CIMINO, MICHAEL ; FIELDS, FREDDIE ; GOLDBERG, LEONARD ; HUTTON, TIMOTHY ; LADD, ALAN, Jr. ; SKASE, CHRISTOPHER ; LOWE, ROB ; MELNICK, DANIEL ; MUDOCH, RUPERT ; NICHOLSON, JACK ; ROSENBERG, STUART ; STEENBURGEN, MARY ; WEINTRAUB, JERRY ; WARGAMES (US, John Badham, 1983) ; RED DAWN (US, John Milius, 1984) ; RAIN MAN (US, Barry Levinson, 1988) ; MRS. SOFFEL (US, Gillian Armstrong, 1984) Notes: Includes indexISBN: 0688084605 (acid-free paper)LON: 6934383
More info
book
Film/literature/heritage : a sight and sound reader / edited by Ginette Vincendeau London: British Film Institute, 2001.
Call No: 753 FILAuthor: Vincendeau, Ginette, 1948 CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: 284p. : ill. ; 24 cmSubject: ADAPTATIONS ; ADAPTATIONS. DICKENS, CHARLES ; ADAPTATIONS. JAMES, HENRY ; ADAPTATIONS. LEONARD, ELMORE ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; ADAPTATIONS. THOMPSON, JIM ; HISTORICAL FILMS ; LITERATURE AND THE CINEMA ; ARMSTRONG, GILLIAN ; BASS, RON ; TARANTINO, QUENTIN ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; AMERICAN PSYCHO (US, Mary Harron, 1999) ; BEACH, THE (US, Danny Boyle, 1999) ; BELLE EPOQUE (SP/PO, Fernando Trueba, 1992) ; BOSSU, LE (FR, Philippe De Broca, 1997) ; BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992) ; CARRINGTON (UK/FR, Christopher Hampton, 1995) ; COMO AGUA PARA CHOCOLATE (MX, Alfonso Arau, 1992) ; CRASH (CN, David Cronenberg, 1996) ; CYRANO DE BERGERAC (FR, Jean-Paul Rappeneau, 1990) ; DEAD AGAIN (US, Kenneth Branagh, 1991) ; EDWARD II (UK, Derek Jarman, 1991) ; ELIZABETH (UK, Shekhar Kapur, 1998) ; END OF THE AFFAIR, THE (UK, Neil Jordan, 1999) ; GERMINAL (FR, Claude Berri, 1993) ; GRIFTERS, THE (US, Stephen Frears, 1990) ; HOWARDS END (UK, James Ivory, 1992) ; HUSSARD SUR LE TOIT, LE (FR, Jean-Paul Rappeneau, 1995) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994) ; L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; LOLITA (US, Adrian Lyne, 1997) ; MADAME BOVARY (FR, Claude Chabrol, 1991) ; MADNESS OF KING GEORGE, THE (US, Nicholas Hytner, 1994) ; MAESTRO DE ESGRIMA, EL (SP, Pedro Olea, 1992) ; MANSFIELD PARK (UK/US, Patricia Rozema, 1999) ; MARY SHELLEY'S FRANKENSTEIN (US, Kenneth Branagh, 1994) ; MASK OF ZORRO (US, Martin Campbell, 1998) ; MISERABLES, LES (FR, Claude Lelouch, 1995) ; MRS. BROWN (UK, John Madden, 1997) ; MRS. DALLOWAY (US, Marleen Gorris, 1997) ; NAKED LUNCH (CN/UK, David Cronenberg, 1991) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; OUT OF SIGHT (US, Steven Soderbergh, 1998) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; PROSPERO'S BOOKS (UK/FR, Peter Greenaway, 1991) ; REINE MARGOT, LA (FR/GG/IT, Patrice Chereau, 1994) ; REMAINS OF THE DAY, THE (UK/US, James Ivory, 1993) ; RIDICULE (FR, Patrice Leconte, 1996) ; SECRET GARDEN, THE (US, Agnieszka Holland, 1993) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; SHAKESPEARE IN LOVE (UK, John Madden, 1998) ; SHORT CUTS (US, Robert Altman, 1993) ; TALENTED MR. RIPLEY, THE (US, Anthony Minghella, 1999) ; TEA WITH MUSSOLINI (IT, Franco Zeffirelli, 1997) ; THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997) ; THREE MUSKETEERS, THE (US, Stephen Herek, 1993) ; TITUS (US, Julie Taymor, 1999) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; WILDE (UK/US/JA/GG, Brian Gilbert, 1997) ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) Summary: "Period costume dramas are major box office commodities, exploiting the lucrative gap between the blockbuster and art film with their mixture of rich visuals, popular sensibility and literary association. But 'heritage cinema' is all too often discussed from literary (not cinematic) perspectives, and criticism of the films has long been overshadowed by the question of a film's fidelity to the original text. This volume of essays, reviews, and interviews seeks to redress this imbalance, by examining the often antagonistic relationship between literature and film - presenting both sides of the argument about whether heritage cinema's elaborate aesthetics owe more to nostalgia than to historical accuracy. In her challenging introduction to the volume, Ginette Vincendeau sketches the terms of the debate, arguing that the genre is an important, but often critically neglected, form of popular cinema. Film/Literature/Heritage, the latest in a series of 'Sight and Sound Readers', embraces a wide range of literary adaptation, from William Shakespeare to William Burroughs, covering films from Orlando to LA Confidential, and directors from Martin Scorcese to Peter Greenaway." - BOOK BLURBISBN: 0851708420; 0851708412(pbk.) : ¦13.99LON: 22285912
More info
book
The films of Gillian Armstrong / by Felicity Collins St Kilda, Vic.: ATOM, 1999.
Call No: 81ARM COLAuthor: Collins, Felicity CorpAuthor: Australian Teachers of MediaPlace: St Kilda, Vic.Publisher: ATOMPubDate: 1999PhysDes: 98 p. : ill. ; 22 cmSeries: Moving image ; no. 6Subject: ARMSTRONG, GILLIAN ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; MRS. SOFFEL (US, Gillian Armstrong, 1984) ; HIGH TIDE (AT, Gillian Armstrong, 1987) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; NOT FOURTEEN AGAIN (AT, Gillian Armstrong, 1996) ; OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997) ; STARSTRUCK (AT, Gillian Armstrong, 1982) Notes: Includes bibliographical references (p. 95-98)ISBN: 1876467037LON: 20015377
More info
book
A fine romance : five ages of film feminism / Patricia Mellencamp Philadelphia: Temple University Press, 1995.
Call No: 626:396 MELAuthor: Mellencamp, Patricia Place: PhiladelphiaPublisher: Temple University PressPubDate: 1995PhysDes: xiii, 330 p. : ill. ; 24 cmSeries: Culture and the moving imageSubject: FEMINISM AND THE CINEMA ; FEMINISM AND THE CINEMA. AUSTRALIA ; BODY IN FILMS ; EXPRESSIONISM ; DASH, JULIE ; DELEUZE, GILLES ; CAMPION, JANE ; ARMSTRONG, GILLIAN ; POTTER, SALLY ; Tarantino, Quentin ; CHRISTIE, JULIE ; DAVIS, GEENA ; DAVIS, JUDY ; EPHRON, NORA ; GLYN, ELINOR ; GOGOBERIDZE, LANA ; HANKS, TOM ; JAYAMANNE, LALEEN ; LAFFONT, COLLETTE ; LANGTON, MARCIA ; RYAN, MEG ; MOFFATT, TRACEY ; HOOKS, BELL ; PREER, EVELYN ; STONE, SHARON ; SWINTON, TILDA ; TAYLOR, CLYDE ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; ANGIE (US, Martha Coolidge, 1994) ; NIGHT CRIES : A RURAL TRAGEDY (AT, Tracey Moffatt, 1990) ; NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987) ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BEDEVIL (AT, Tracey Moffat, 1993) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; COVER GIRL (US, Charles Vidor, 1944) ; DOLLY SISTERS (US, Irving Cummings, 1945) ; FORBIDDEN LOVE : THE UNASHAMED STORIES OF LESBIAN LOVE (CN, Aerlyn Weissman & Lynne Fernie, 1993) ; GOLD DIGGERS, THE (US, Sally Potter, 1983) ; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; ILLUSIONS (US, Julie Dash, 1983?) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; PRIVILEGE (US, Yvonne Rainer, 1990) ; PULP FICTION (US, Quentin Tarantino, 1994) ; QUICK AND THE DEAD, THE (US, Sam Raimi, 1995) ; SHERLOCK, JR. (US, Buster Keaton, 1924) ; SOMETHING TO TALK ABOUT (US, Lasse Hallstrom, 1995) ; THRILLER (UK, Sally Potter, 1979) ; JEDDA (AT, Charles Chauvel, 1955) ; PIANO, THE (AT, Jane Campion, 1993) ; METROPOLIS (G, Fritz Lang, 1926) Notes: Includes bibliographical references (p. 291-324) and index; Five ages of film feminismISBN: 1566394015 (pbk.: acid-free paper); 1566394007 (hbk.: acid-free paper)LON: 11870265
More info
newspaper article
Gender agenda in Weekend Australian [Review] (16/01/2016) p.1
More info
monograph
Gillian Armstrong : popular, sensual and ethical cinema / Julia Erhart Edinburgh: Edinburgh University Press, 2020.
Call No: 81 ARM ERHAuthor: Erhart, Julia Source: UKPlace: EdinburghPublisher: Edinburgh University PressPubDate: 2020PhysDes: x, 189 pages : illustrations ; 22 cmSeries: VisionariesSubject: FEMINISM AND THE CINEMA. AUSTRALIA ; AUSTRALIAN FILM AND TELEVISION SCHOOL ; WOMEN FILMMAKERS. AUSTRALIA ; ARMSTRONG, GILLIAN ; SATDEE NIGHT (AT, Gillian Armstrong, 1973) ; GRETEL (AT, Gillian Armstrong, 1973) ; MRS. SOFFEL (US, Gillian Armstrong, 1984) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; CHARLOTTE GRAY (G/UK/AT, Gillian Armstrong, 2001) ; DEATH DEFYING ACTS (UK/AT, Gillian Armstrong, 2007) ; FIRES WITHIN (US, Gillian Armstrong, 1991) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997) ; STARSTRUCK (AT, Gillian Armstrong, 1982) ; THE LAST DAYS OF CHEZ NOUS (AT, Gillian Armstrong, 1992) ; UNFOLDING FLORENCE: THE MANY LIVES OF FLORENCE BROADHURST (AT, Gillian Armstrong, 2005) ; WOMEN HE'S UNDRESSED (AT, Gillian Armstrong, 2015) ; HIGH TIDE (AT, Gillian Armstrong, 1987) ; [FOURTEEN]14'S GOOD, 18'S BETTER (AT, Gillian Armstrong, 1981) Summary: A commercially successful Australian director of over eighteen feature films and documentaries, including My Brilliant Career (1979), Gillian Armstrong is an early, notable example of a woman director connecting with mass audiences. Armstrong’s films are unique in their aesthetic expression and in the ethical relationships that they depict, framed through the language of gender inclusivity and due in part to her foregrounding of original, complex and nuanced female characters. This important book fills a gap in the literature on women screen practitioners and is a long overdue response to demands for new insight into the work of this significant director. [Edinburgh University Press website]Notes: Includes bibliographical references and indexISBN: 9781474434324Contents: -- Introduction -- 1. An authorial cinema -- 2. A popular, commercial cinema: Mrs. Soffel, Little Women, Charlotte Gray, Death Defying Acts -- 3. An Australian genre cinema: My Brilliant Career, Oscar and Lucinda, Starstruck -- 4. A sensual cinema: Last Days of Chez Nous, Unfolding Florence: The Many Lives of Florence Broadhurst, Women He’s Undressed -- 5. An ethical cinema: High Tide and The Story of Kerry, Josie and Diana -- Conclusion: A collaborative cinema
More info
newspaper article
Gillian goes off script in Herald Sun (30/01/2016) p.21
Call No: PERSONALITY CLIPPINGS FILE; ARMSTRONG, GILLIANAuthor: - PhysDes: Clippings File ArticleSubject: ARMSTRONG, GILLIAN Summary: Snippet on Gillian Armstrong lamenting the state of feature filmmaking in Australia, which she says is due to film executives and the lack of quality scriptwriters
More info
newspaper article
Her brilliant career in The Weekly Review (19/08/2015) p.8
More info
Interim
book
Jane Campion / Dana Polan London: British Film Institute, 2001.
Call No: 81CAM POLAuthor: Polan, Dana Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: 186p. : ill. ; 19 cmSeries: BFI world directors.Subject: BONGERS, SALLY ; ARMSTRONG, GILLIAN ; CAMPION, JANE ; AFTER HOURS (AT, Jane Campion, 1984) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; HOLY SMOKE (US, Jane Campion, 1999) ; PEEL (AT, Jane Campion, 1982) ; PIANO, THE (AT, Jane Campion, 1993) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; SWEETIE (AT, Jane Campion, 1989) Notes: Includes bibliographical references and indexISBN: 0851708560(pbk.)
More info
book
The last new wave : the Australian film revival / David Stratton London Sydney: Angus & Robertson, 1980.
Call No: 71(94) STRAuthor: Stratton, David Place: London SydneyPublisher: Angus & RobertsonPubDate: 1980PhysDes: xix, 337 p., 16 p. of plates ; 22 cmSubject: AUSTRALIA ; BURSTALL, TIM ; BERESFORD, BRUCE ; WEIR, PETER ; SCHEPISI, FRED ; HANNAM, KEN ; JEFFREY, TOM ; COX, PAUL ; NOYCE, PHIL ; ARMSTRONG, GILLIAN ; CROMBIE, DONALD ; SHARMAN, JIM ; DUIGAN, JOHN ; COWAN, TOM ; STORM, ESBEN Notes: Australian cinema films, 1970-1980 (ANB/PRECIS SIN 0410292); Cinema industries. Australia, 1970-1980 (ANB/PRECIS SIN 0410306)ISBN: 0207141460 : $18.95 AustLON: anb20714146; 1736112URL status: URL: 'http://-'
Checked: 31/08/2021 12:36:42 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
More info
newspaper article
Lunch with Gillian Armstrong in Saturday Age [Spectrum] (02/01/2016) p.4
More info
book
Myth & meaning : Australian film directors in their own words / Peter Malone Sydney: Currency Press, 2000.
Call No: 802.25(94) MALAuthor: Malone, Peter (Peter J.) Source: ATPlace: SydneyPublisher: Currency PressPubDate: 2000PhysDes: 1 vSubject: DIRECTORS. AUSTRALIA ; ARMSTRONG, GILLIAN ; BERESFORD, BRUCE ; BURSTALL, TIM ; CROMBIE, DONALD ; DE HEER, ROLF ; HICKS, SCOTT ; MILLER, GEORGE ; NOYCE, PHIL ; PARSONS, NICHOLAS ; RUANE, JOHN ; SCHEPISI, FRED ; STORM, ESBEN ; TASS, NADIA ; THORNHILL, MICHAEL ; WALLACE, STEPHEN ; WINCER, SIMON Notes: Includes indexISBN: 0868196096 : $27.50LON: 21841061
More info
journal article
New moves at film school in Australasian Cinema (28/1/1983) vol.12 iss.1 p.6
More info
journal article
News in Lumiere (January/February, 1973) iss.20 p.35-36, 40
PhysDes: ArticleSubject: AUSTRALIAN FILM AND TELEVISION SCHOOL ; ARMSTRONG, GILLIAN ; NOONAN, CHRIS ; NOYCE, PHILLIP ; PAPADOPOULOS, JOHN ; RICKETSON, JAMES ; SAUNDERS, RON ; SHIRLEY, GRAHAM ; AUSTRALIAN FILM INSTITUTE ; AUSTRALIAN FILM INSTITUTE AWARDS ; STORK (AT, Tim Burstall, 1971) ; BRENNAN, RICHARD Summary: Various news items. Includes announcement of new AFI Director Richard Brennan, SPORK winning an AFI Award, and list of scholarship receivers for the new Australian Film and Television School.
More info
still
[Oscar and Lucinda : stills file] / Mike Lyon Mike Lyon Photography Pty Ltd,
More info
book
Reel women : working in film and television / Julie James Bailey Sydney: Australian Film, Television and Radio School, 1999.
Call No: 462-02(94) BAIAuthor: James Bailey, Julie Place: SydneyPublisher: Australian Film, Television and Radio SchoolPubDate: 1999PhysDes: xii, 408 p. : ports. ; 21 cmSubject: WOMEN FILM WORKERS. AUSTRALIA ; KENNY, JAN ; THORNBURN, GRETCHEN ; COCKSEDGE, ANNIE ; BILCOCK, JILL ; PRYOR, SALLY ; DEVINE, KIT ; ARMSTRONG, GILLIAN ; MCKIMMIE, JACKIE ; BROWNE, DINA ; PHILLIPSON, MARGOT ; MURPHY, BRONWYN ; KERR, SUE ; SHEEHAN, ANNABELLE ; TYSON-CHEW, NERIDA ; COOPER, DANY ; SMITH, MANDY ; GAYNOR, HELEN ; REID, CAROLYN ; WOOD, SUSAN ; BENNETT, SARA ; CARTWRIGHT, LYNNE ; RUDD, CAMILLA ; GIL, GLENYS Notes: Includes bibliographical references (p. [391]-394) and indexISBN: 1876351047LON: 20169058
More info
journal article
Reel women in Sequential (Summer 1989) iss.1 p.6-9
More info
journal article
Reviews : books, CD-Roms and videos in Australian screen education (Autumn 2000) iss.22 p.137-152
Author: Yeates, Helen ; Jokovich, Eddy ; Warren, Jane Sherning ; Saaroni, Dorothy PhysDes: Book review; Review; Illustration(s)Subject: ARMSTRONG, GILLIAN ; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997) ; DELIA (AT, Priscilla Cameron, 1998) ; REUNION (AT, Lisa Wang, 1997)
More info
book
Second take : Australian film-makers talk / edited by Geoff Burton and Raffaele Caputo St Leonards, N.S.W.: Allen & Unwin, 1999.
Call No: 802.25(94) SECAuthor: Burton, Geoff ; Caputo, Raffaele Place: St Leonards, N.S.W.Publisher: Allen & UnwinPubDate: 1999PhysDes: x, 342 : ill. ; 23 cmSubject: DIRECTORS. AUSTRALIA ; PREVIEWS ; EALING STUDIOS ; FOX STUDIOS AUSTRALIA ; DUIGAN, JOHN ; WATT, HARRY ; ROWE, GLENYS ; MILLER, GEORGE ; CAMPION, JANE ; BERESFORD, BRUCE ; ARMSTRONG, GILLIAN ; FRANKLIN, RICHARD ; ROEG, NICOLAS ; ZUBRYCKI, TOM ; RUBBO, MICHAEL ; NOONAN, CHRIS ; BENNETT, BILL ; LOWENSTEIN, RICHARD ; HICKS, SCOTT ; SIRENS (AT/UK, John Duigan, 1994) ; YEAR MY VOICE BROKE, THE (AT, John Duigan, 1987) ; MAD MAX (AT, George Miller, 1979) ; BABE (AT, Chris Noonan, 1995) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; WALKABOUT (UK, Nicolas Roeg, 1971) ; KISS OR KILL (AT, Bill Bennett, 1997) ; SHINE (AT/UK, Scott Hicks, 1996) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; DOCUMENTARY FILMS. AUSTRALIA ; EUREKA STOCKADE (UK, Harry Watt, 1949 [prod. 1948]) ; FLIRTING (AT, John Duigan, 1991) ; DOGS IN SPACE (AT, Richard Lowenstein, 1986) ; MYTH AND THE CINEMA. AUSTRALIA ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; PIANO, THE (AT, Jane Campion, 1993) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; RACE AROUND THE WORLD [TV] (AT, John Lander, 1997-) ; STRIKEBOUND (AT, Richard Lowenstein, 1984) Notes: Includes indexISBN: 1864487658 : $19.95LON: 14469038URL status: URL: 'http://-'
Checked: 31/08/2021 12:58:39 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
More info
book
Shooting through : Australian film and the brain drain / Storry Walton Strawberry Hills, N.S.W.: Currency House, 2005.
Call No: 203(94) WALAuthor: Walton, Storry Source: ATPlace: Strawberry Hills, N.S.W.Publisher: Currency HousePubDate: 2005PhysDes: iv, 69 p. ; 21 cmSeries: Platform papers ; no. 5Subject: INDUSTRY, FILM. AUSTRALIA ; FINANCING. AUSTRALIA ; GOVERNMENT AID. AUSTRALIA ; PRODUCTION. AUSTRALIA ; AUSTRALIAN FILM FINANCE CORPORATION ; AUSTRALIAN FILM COMMISSION ; ROSEN, BRIAN ; NOYCE, PHIL ; ARMSTRONG, GILLIAN Notes: Also includes responses to 'Myth of the mainstream, a paper by Robyn Archer, pp.59-67.
Includes bibliographical references, pp.55-58.ISBN: 0975730118
More info
book
Some significant women in Australian film : a celebration and a cautionary tale : Longford Lyell lecture 2002 / Jan Chapman Australia: Screen sound Australia, 2002.
Call No: 721.02 (94) CHAAuthor: Chapman, Jan Edition: 1st ed.Source: AustraliaPlace: AustraliaPublisher: Screen sound AustraliaPubDate: 2002PhysDes: 1 v ; 20.5 cm, b&w ill.Series: Longford Lyell lecture 2002, ScreenSound Australia Monograph no.3Subject: WOMEN AND THE CINEMA. AUSTRALIA ; WOMEN FILM WORKERS. AUSTRALIA ; WOMEN FILMMAKERS. AUSTRALIA ; WOMEN IN FILMS ; WOMEN ON TV. AUSTRALIA ; WOMEN, FILMS FOR ; WOMEN, FILMS MADE BY ; FEMINISM AND THE CINEMA ; FEMINISM AND TV ; CHAPMAN, JAN ; ARMSTRONG, GILLIAN ; CAMPION, JANE ; LYELL, LOTTIE ; BARRETT, SHIRLEY ; MILLIKEN, SUE ; Lovell, Patricia ; ROBB, JILL ; SCOTT, JANE ; LONG, JOAN ; FINK, MARGARET ; DAVIS, JUDY ; LEVY, SANDRA ; GRIFFITHS, RACHEL ; BLANCHETT, CATE ; KIDMAN, NICOLE ; COLLETTE, TONI ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; WOMAN SUFFERS, THE (AT, Raymond Longford, 1918) ; ON OUR SELECTION (AT, Raymond Longford, 1920) ; SHOWTIME (AT, Jan Chapman, 1978) ; SWEET AND SOUR [TV] (AT, 1984) ; SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977) ; SMOKES AND LOLLIES (AT, Gillian Armstrong, 1976) ; BINGO BRIDESMAIDS AND BRACES (AT, Gillian Armstrong, 1988) ; MORE SMOKES, LESS LOLLIES (AT, Gillian Armstrong, 1981) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; WELL, THE (AT, Samantha Lang, 1997) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; TWO FRIENDS [TV] (AT, Jane Campion, 1986) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997) ; CHARLOTTE GRAY (G/UK/AT, Gillian Armstrong, 2001) ; PIANO, THE (AT, Jane Campion, 1993) ; GIRL'S OWN STORY, A (AT, Jane Campion, 1983) Summary: The ScreenSound Australia Annual Longford Lyell Lecture was established in 2001. It is named in honour of two significant pioneers of Australian cinema, Lottie Lyell and Raymond Longford, who were the foremost creative partnership in the pioneering years of Australian cinema. Jan Chapman is one of Australia’s most famous producers having been involved in the production of ‘Come in Spinner’, ‘Sweet and Sour’, ‘the Piano’ and ‘Lantana’ to name but a few. Chapman talks about the development of her career in relation to other Australian women involved in filmmaking such as Gillian Armstrong and New Zealand born Jane CampionISBN: 0642365172
More info
journal article
Speech by the Hon. Ian Wilson, M.P., Minister for Home Affairs & Environment at the Graduation Ceremony Australian Film and Television School in Australasian Cinema (30//4/1982) vol.11 iss.7 p.6
More info
book
The St. James women filmmakers encyclopedia : women on the other side of the camera / edited by Amy L. Unterburger ; foreword by Gwendolyn Audrey Foster Detroit: Visible Ink Press, c1999.
Call No: 802.253 STJAuthor: Unterburger, Amy L Place: DetroitPublisher: Visible Ink PressPubDate: c1999PhysDes: xxvi, 568 p. : ill. ; 24 cmSubject: DIRECTORS ; ARMSTRONG, GILLIAN ; CAMPION, JANE ; CANTRILL, ARTHUR & CORINNE ; LAW, CLARA ; LYELL, LOTTIE ; MCDONAGH, PAULETTE ; MCDONAGH, PHYLLIS ; MCDONAGH, ISABEL ISBN: 1578590922 (softcover)LON: 20020284
More info
journal article
Star Struck in Australasian Cinema (16/4/1982) vol.11 iss.6 p.9
More info
journal article
Star-Studded Premieres for Starstruck in Australasian Cinema (16/4/1982) vol.11 iss.6 p.6-7
More info
journal article
Starstruck in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.25
More info
journal article
'Starstruck' soon for release in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.10
More info
newspaper article
Sydney confidential : Kiama kid conquered in Daily Telegraph (12/06/2015) p.40
Call No: TITLE CLIPPINGS FILE; WOMEN HE'S UNDRESSED (AT, Gillian Armstrong, 2015)Author: Domjen, Briana -- Moran, Jonathon -- Sharp, Annette -- Reines, Ros PhysDes: Clippings File ArticleSubject: ARMSTRONG, GILLIAN ; ORRY-KELLY ; WOMEN HE'S UNDRESSED (AT, Gillian Armstrong, 2015) Summary: World premiere of documentary on Orry Kelly, 'Women He's Undressed'.
More info
journal article
The unconventional path to the director's chair in Encore (May 2012) p.18-20
Author: Pearson, Georgina PhysDes: ArticleSubject: DIRECTORS. AUSTRALIA ; SHAW, JULIAN ; JONES, ALETHEA ; TOOGOOD, DAMIEN ; HOBBS, JESSICA ; KURZEL, JUSTIN ; STENDERS, KRIV ; ARMSTRONG, GILLIAN Summary: Georgina Pearson speaks with seven directors in different roles and at very different stages of their career. Directors include: Julian Shaw, Alethea Jones, Damien Toogood, Jessica Hobbs, Justin Kurzel, Kriv Stenders and Gillian Armstrong.
More info
book
Variety international film guide 1996 / edited by Peter Cowie London: Hamlyn, [1995].
More info
book
What if I had been the hero? : investigating women's cinema / British Film Institute London: Palgrave macmillan [on behalf of the] bfi, 2012.
Call No: 721-02 THOAuthor: Thornham, Sue Source: UKPlace: LondonPublisher: Palgrave macmillan [on behalf of the] bfiPubDate: 2012PhysDes: vi, 236 p. : ill., ports. ; 24 cmSubject: WOMEN AND THE CINEMA ; WOMEN DIRECTORS ; WOMEN FILMMAKERS ; WOMEN IN FILMS ; FEMINISM AND THE CINEMA ; WOOLF, VIRGINIA ; ARMSTRONG, GILLIAN Summary: "What happens when women tell their own stories in film? In What If I Had Been the Hero?, Sue Thornham addresses this question through an exploration of a wide range of films, from experimental feminist film to mainstream Hollywood, and from the 1970s to the present day, by film-makers including Sally Potter, Jane Campion, Deepa Mehta, Patricia Rozema and Lynne Ramsay. Her discussion takes in films from India and Argentina as well as Europe, Canada, Australia and the US.
Drawing on a wide range of feminist theoretical sources, What If I Had Been the Hero? makes an important intervention into contemporary debates, situating film-making within a rich history of female creativity, and insisting on the continuing importance of feminist theory." -- BOOK BLURBNotes: Includes bibliographic references and index; Includes filmographyISBN: 9781844573639Contents: Part One: Questions -- Chapter One: 'What If I Had Been The Hero?' -- Chapter Two: Women's Liberation Cinema? -- Chapter Three: Unexplored Territories --; Part Two: Explorations -- Chapter Four: Heroes and Writers -- Chapter Five: Landscapes and Stories -- Chapter Six: Bodies and Passions -- Conclusion: Unfinished Business
More info