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Call No: 70"01" (9) AOT
Author: Dennis, Jonathan; Usai, Paora Cherchi; Baylis, Ann; Harris, Witarina
CorpAuthor: Associazione Le Giornate del cinema muto; New Zealand Film Commission; Australian Film Commission; National Film and Sound Archive (Australia); New Zealand Film Archive; Giornate del cinema muto (12th : 1993 : Pordenone, Italy)
Place: Wellington, N.Z.
Publisher: Moa Films
PubDate: 1993
PhysDes: 44 p. : ill., ports ; 26 cm
Subject: AUSTRALIA. 1895-1930; NEW ZEALAND. 1895-1930; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919)
Notes: "Le Giornate del cinema muto, 12th Pordenone Silent Film Festival, 9-16 October, 1993 in collaboration with National Film and Sound Archive of Australia, Ann Baylis ... [et al.] ; The New Zealand Film Archive, Witarina Harris ... [et al] ; New Zealand Film Commission ; Australian Film Commission"--T.p. verso; Ports. on inside covers; Includes filmographies bibliographical references (9. 37) and index
ISBN: 0473021730 (pbk.) : $15.00
LON: zbn93104287; 10665575

Call No: 732(94) SPE
Author: Speed, Lesley
Source: AT
Place: St. Kilda, Vic.
Publisher: Australian Teachers of Media (ATOM)
PubDate: c2015
PhysDes: 128 pages : illustrations ; 24 cm.
Subject: COMEDIES. AUSTRALIA; HISTORY AND THE CINEMA. AUSTRALIA; EFFTEE STUDIO; CINESOUND STUDIOS; HANNA, PAT; WALLACE, GEORGE; CO-RESPONDENT'S COURSE (AT, E.A. Dietrich-Derrick, 1931); DIGGERS (AT, F.W. Thring, 1931); HAUNTED BARN, THE (AT, E.A. Dietrich-Derrick, 1931); SHOWGIRL'S LUCK (AT, Norman Dawn, 1931); SENTIMENTAL BLOKE, THE (AT, F.W. Thring, 1932); ON OUR SELECTION (AT, Ken G. Hall, 1932); HIS ROYAL HIGHNESS (AT, F.W. Thring, 1932); DIGGERS IN BLIGHTY (AT, Pat Hanna, 1933); HARMOY ROW (AT, F.W. Thring, 1934); HAYSEEDS, THE (AT, Beaumont Smith, 1933); TICKET IN TATTS, A (AT, F.W. Thring, 1934); CLARA GIBBINGS (AT, F.W. Thring, 1934); STRIKE ME LUCKY (AT, Ken G. Hall, 1935); SPLENDID FELLOWS (AT, Beaumont Smith, 1934); GRANDAD RUDD (AT, Ken G. Hall, 1935); WHITE DEATH (AT, Edwin G. Bowen, 1936); RANGLE RIVER (AT, Clarence G. Badger, 1936); IT ISN'T DONE (AT, Ken G. Hall, 1937); TALL TIMBERS (AT, Ken G. Hall, 1937); LET GEORGE DO IT (AT, Ken G. Hall, 1938); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); GONE TO THE GOGS (AT, Ken G. Hall, 1939); ANTS IN HIS PANTS (AT, William Freshman, 1939)
Summary: Comedy has been a perpetual part of Australian film, in which humour reflects Australia's adaptation in times of crisis, social change and technological advances. This was never more so than in the 1930s, when Australia produced more comedy feature films than in any other decade before 1970. These films of the 1930s embraced the new technology of sound, made local vaudeville performers into movie stars, offered escape from the Depression and revealed a diverse and international Australia. In these films, Australia moved further from Empire and the bush, forged the Digger legend, responded to cultural diversity and viewed itself as a modern, urban nation. Influenced by Hollywood, Australian comedies of the 1930s adapted international styles to local points of view. Based on research at the National Film and Sound Archive, Lesley Speed's book provides new insight into Australian comedy films of the 1930s and the extraordinary period of social change in which they were produced. [taken from the back cober]
ISBN: 9781876467258
Contents: Contents: Introduction -- Comedy films and 1930s Australia -- Comedian comedies, Pat Hanna and George Wallace -- 'The best men in the metropolis' : Speech and language in films of Pat Hanna and George Wallace -- Strike me lucky, silly ass: Ethnicity and class difference -- From bush to the city: The Dad and Dave films -- Looking at home for 'something really ultra': Modernity, gender and the international -- Select filmography -- Select bibliography -- Notes

Call No: 71(94) AUS
Author: Moran, Albert, 1942; O'Regan, Tom, 1956
Place: Sydney
Publisher: Currency Press
PubDate: 1985
PhysDes: 391 p. ; 21 cm
Series: Australian screen
Subject: FEMINISM AND THE CINEMA. AUSTRALIA; DOCUMENTARY FILMS. AUSTRALIA; AVANT-GARDE FILMS. AUSTRALIA; SUPER-8 MM FILMS. AUSTRALIA; WOMEN IN FILMS. AUSTRALIA; BERESFORD, BRUCE; WEIR, PETER; CHAUVEL, CHARLES; Grierson, John; HALL, KEN G.; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); GALLIPOLI (AT, Peter Weir, 1981); SCHOOL IN THE MAILBOX (AT, Stanley Haews, 1946?); FROM THE TROPICS TO THE SNOW (AT, ?, 1964); BIG COUNTRY, A (AT, 1979); LAST TASMANIAN, THE (AT, Tom Haydon, 1978); MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983); INDONESIA CALLING (AT, Joris Ivens, 1948)
Notes: Includes index; Bibliography: p. 376-379
ISBN: 086819123X (pbk.) : $24.95 Aust
LON: anb86819123; 4105507

Call No: 19EFF BER
Author: Bertrand, Ina, 1939
CorpAuthor: La Trobe University. Centre for the Study of Educational Communication and Media
Place: Bundoora, Vic.
Publisher: Centre for the Study of Educational Communication and Media, La Trobe University
PubDate: 1977
PhysDes: 26p. ; 30cm
Series: Media Centre papers ; 7
Subject: EFFTEE STUDIO; THRING, F.W.; DIGGERS (AT, F.W. Thring, 1931); TICKET IN TATTS, A (AT, F. W. Thring, 1934); HIS ROYAL HIGHNESS (AT, F.W. Thring, 1932); CLARA GIBBINGS (AT, F.W. Thring, 1934); HARMOY ROW (AT, F.W. Thring, 1934); STREETS OF LONDON (AT, F.W. Thring, 1935); SENTIMENTAL BLOKE, THE (AT, F.W. Thring, 1932); CO-RESPONDENT'S COURSE (AT, E.A. Dietrich-Derrick, 1931); HAUNTED BARN, THE (AT, E.A. Dietrich-Derrick, 1931); DIGGERS IN BLIGHTY (AT, Pat Hanna, 1933)
Notes: Bibliography: p.16
ISBN: 0858161141 : unpriced
LON: 1653335 1622627

Call No: 71(94) REA
Copy Management: Copy 1; Copy 2
Author: Reade, Eric, 1912-1978
Place: Melbourne
Publisher: Lansdowne
PubDate: 1975
PhysDes: 308 p. : ill. ; 27 x 34 cm
Subject: AUSTRALIA; AUSTRALIA. 1895-1930; HISTORY OF TV. AUSTRALIA; HALL, KEN G.; CHAUVEL, CHARLES; LONGFORD, RAYMOND; SMITH, BEAUMONT; THRING, F.W.; THOMPSON, JACK; HIGGINS, ARTHUR; HURLEY, FRANK; RAFFERTY, CHIPS; SPENCER, CHARLES COZENS; EFFTEE STUDIO; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); DIGGERS (AT, F.W. Thring, 1931); ON OUR SELECTION (AT, Raymond Longford, 1920); SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919)
Notes: Australian cinema films, 1896-1974 (ANB/PRECIS SIN 0101729); Index; Parts of the text and some of the photographs in this volume were first published in "Australian silent films: a pictorial history, 1896-1929' and "The talkies era: a pictorial history of Australian sound film making, 1930-1960' by the same author
ISBN: 0701803193 : $15.00 Aust
LON: anb70180319; 791305

Call No: 81BUC BUC
Author: Buckley, Anthony
Source: AT
Place: Prahran, Vic.
Publisher: Hardie Grant
PubDate: 2009
PhysDes: x, 406 p. : ill. (some col.), ports. ; 26 cm
Subject: BUCKLEY, ANTHONY; PRODUCERS; DIRECTORS. AUSTRALIA; FILM WORKERS; FILM WORKERS. AUSTRALIA; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978)
Summary: Almost from the inception of movies, the Buckley family were involved, so it was natural for the young Tony Buckley to get a job at a film laboratory, and move into film editing. Despite being warned by a veteran of film, "There's no future in it", Buckley began a career that was to involve a cast of thousands including Australian film pioneers, Raymond Longford and Ken G. Hall, Australian and international stars, and the pick of the Australian film and television industry. As an acclaimed editor, then producer, Tony Buckley's films have attracted numerous accolades and awards. In Behind a Velvet Light Trap, Buckley chronicles the frequent disasters on the set and the antics of actors and film crew with wry humour and a firm sense of professionalism. It is an insider's view of Australian movies and television where we get to meet some of the vivid personalities including Rudolf Nureyev, Michael Powell, Patrick White, James Mason, Ruth Park, Leo McKern and Joan Sutherland. --BOOK JACKET
ISBN: 9781740667906
Contents: -- Preface -- Acknowledgement -- PART ONE -- 1 -- Saturdays At The Sesqui -- 2 --The Sentimental Bloke - Meeting Raymond Longford -- 3 -- Discovering 'The Hidden Power' -- 4 -- The Voice Of Australia -- 5 -- 'There's No Future In It, Son!' -- 6 -- Seven Miles From Sydney And 10,000 Miles From Care -- 7 -- Letters Home: 189 Cromwell Road - 'Hurry, My Milliner Is Waiting!' -- 8 -- Five For Europe: A Telegram From Home -- 9 -- Another Cinesound Excusive! -- 10 -- Forgotten Cinema And The Australian Renaissance -- 11-- Michael Powell and S.Y.M -- 12 -- Home to Avening -- 13 -- 'The Locomotive that Drives Everything Else -- 14 -- Mercer Clips and Hollywood -- 15 -- Le Reveil Dans La Terreur - Wake in Fright -- 16 -- Ballet in the Bedroom -- 17 -- Insular Fairyland - anyone for Croquet? -- 18 -- ...'You wanna make a film about a woman???!!' -- 19 -- My Sons, My Horses - The Anatomy of a Motion Picture -- 20 -- 'This Bizarre Work' - The Night of the Prowler -- 21 -- The very strange case of the Unknown Industrial Prisoner -- 22 -- Not In The Public Interest - the Juanita Factor -- 23 -- Flight Ten From Honolulu - A complete Change Of Direction -- 24 -- A Landmark Australian Film -- PART TWO -- 25 -- ...And Now For Something Completely Different - Television! -- 26 -- The Tree Of Humankind - Man On A Limb! -- 27 -- The Heroes Of The Miniseries -- 28 -- Prostitution - Adapting Bryce Courtenay - And The Mysterious Case Of The Stolen Logie -- PART THREE -- 29 -- Back To The Reel World -- 30 -- On Their Selection - The $24,000 Lunch! -- 31 -- A Celebration - Then Shadows Fall -- 32 -- 'That Resilient Little Beast' - But Not Quite A Heart Stopper! -- 33 -- An Apple For The Teacher - Food for thought -- 34 -- Shattered Dreams - Broken Promises -- The Final Reel - The Full Circle

Call No: 675.1(94) LAW
Author: Lawrence, Denny
Source: AT
Place: [North Ryde, NSW?]
Publisher: Australian Film and Television School
PubDate: [1980?]
PhysDes: 60 leaves : 30 cm
Subject: AUSTRALIAN FILM AND TELEVISION SCHOOL; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); ON OUR SELECTION (AT, Raymond Longford, 1920); GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921); KID STAKES, THE (AT, Tal Ordell, 1927); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); FORTY THOUSAND HORSEMEN (AT, Charles Chauvel, 1940); OVERLANDERS, THE (UK, Harry Watt, 1946); SONS OF MATTHEW (AT, Charles Chauvel, 1949); BACK OF BEYOND, THE (AT, John Heyer, 1953); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); BETWEEN WARS (AT, Michael Thornhill, 1974); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PURE S (AT, Bert Deling, 1976); CADDIE (AT, Donald Crombie, 1976); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DON'S PARTY (AT, Bruce Beresford, 1976); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); NEWSFRONT (AT, Phillip Noyce, 1978); MAD MAX (AT, George Miller, 1979); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); PALM BEACH (AT, Albie Thoms, 1979); BREAKER MORANT (AT, Bruce Beresford, 1980); ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944); JEDDA (AT, Charles Chauvel, 1955); THREE IN ONE (AT, Cecil Holmes, 1956); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); CASTOR AND POLLUX (AT, Phillip Noyce, 1973); MOVING ON (AT, Richard Mason, 1974); PETERSEN (AT, Tim Burstall, 1974); LEISURE (AT, Bruce Petty, 1976); STORM BOY (AT, Henri Safran, 1976); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); LOVE LETTERS FROM TERALBA ROAD (AT, Stephen Wallace, 1977); SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); MOUTH MUSIC (NZ, Gregor Nichlas, 1981); MOUTH TO MOUTH (AT, John Duigan, 1978); LAST TASMANIAN, THE (AT, Tom Haydon, 1978); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978); STEPPING OUT (AT, Chris Noonan, 1980); STIR (AT, Stephen Wallace, 1980); BEST FILMS. AUSTRALIA
Summary: A list of important Australian films in two categories, films of aesthetic merit (list A), and films of historical or sociological importance (list B), with a brief synopsis of each.
Notes: Reprinted October 1980
Contents: Introduction -- Methodology -- Notes on revision -- Film acquisition -- Australian cinema history on film -- references; List - category A: The sentimental bloke (1919) -- On our selection (1920) -- A girl of the bush -- The kid stakes -- For the term of his natural life -- Forty thousand horsemen -- The overlanders -- Sons of Matthew -- Back of beyond -- Desert people -- Wake in fright -- Between wars -- Sunday too far away -- Picnic at Hanging Rock -- Pure S -- Caddie -- The Devil's playground -- Don's party -- F J Holden -- Newsfront -- Mad Max -- My brilliant career - Palm Beach - Breaker Morant; List - category B: Robbery under arms (1920) -- Dad and Dave come to town -- The Rats of Tobruk -- Jedda -- Three in one -- They're a weird mob -- The daventures of Barry McKenzie -- Where dead men lie -- Gentle strangers -- Castor and Pollux -- Moving on -- Petersen -- Leisure -- Storm boy -- All in the same boat -- The getting of wisdom -- Love letters from Teralba Road -- The singer and the dancer -- The chant of Jimmie Blacksmith -- Mouth to mouth -- The last Tasmanian -- The night the prowler -- Stepping out -- Stir

Author: Long, Joan
PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); HISTORY AND THE CINEMA. AUSTRALIA
Summary: Originaly presented as a talk, this article looks at THE SENTIMENTAL BLOKE (Longford, 1919) as a success in early Australian filmmaking.

Call No: 71(94) FOC
CorpAuthor: Australian Council of Government Film Libraries; National Film and Sound Archive (Australia)
Place: Hendon, S. Aust.
Publisher: Australian Council of Government Film Libraries
PubDate: 1990
PhysDes: 64 p. : ill. ; 30 cm
Subject: AUSTRALIA; BREAKING OF THE DROUGHT, THE (AT, Franklyn Barrett, 1920); DEVIL'S PLAYGROUND, THE (AT, Victor Bindley, 1928); ENEMY WITHIN, THE (AT, Rowland Stavely, 1918); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921); HIS ROYAL HIGHNESS (AT, F.W. Thring, 1932); MAN FROM KANGAROO, THE (AT, Wilfred Lucas, 1920); ON OUR SELECTION (AT, Raymond Longford, 1920); SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); PAINTED DAUGHTERS (AT, F. Stuart-Whyte, 1925); STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906); ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920); SILKS AND SADDLES (AT, John K. Wells, 1921); NATION IS BUILT, A (AT, Frank Hurley, 1937); PEARLS AND SAVAGES (AT, Frank Hurley, 1921); CHEATERS, THE (AT, Paulette McDonagh, 1931); HERO OF THE DARDANELLES, THE (AT, Alfred Rolfe, 1915); HOME OF THE BLIZZARD (AT, Frank Hurley, 1913)
Notes: Includes bibliographies
ISBN: 0730817245 : price unknown
LON: abn90241521; 7460866

Call No: 71(94) TUL
Author: Tulloch, John, 1942
CorpAuthor: Australian Film Institute
Place: Sydney Carlton South, Vic.
Publisher: Currency Press Australian Film Institute
PubDate: 1981
PhysDes: 448 p. : ill., facsims., ports. ; 21 cm
Series: Australian screen
Subject: AUSTRALIA; AUSTRALIA. 1895-1930; MYTH AND THE CINEMA. AUSTRALIA; PERIODICALS, FILM. AUSTRALIA; BAKER, REG L. "SNOWY"; CHAUVEL, CHARLES; LONGFORD, RAYMOND; BARRETT, FRANKLYN; SHIRLEY, ARTHUR; SMITH, BEAUMONT; AUSTRALASIAN FILMS; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919)
Notes: Cover subtitle: The narrative film in Australia 1919-1929; Includes bibliographical references and index
ISBN: 0868190578 : $19.95 Aust
LON: abn97386992; 13549981

Call No: 802.25 (94) BUC
Author: Buckley, Anthony
Edition: 1st ed.
Source: Australia
Place: Australia
Publisher: ScreenSound Australia
PubDate: 2001
PhysDes: [24] p. : ill., ports., facsims.
Series: Inaugural Longford Lyall lecture 2001; ScreenSound Australia Monograph no.3
Subject: AUSTRALIA; AUSTRALIA IN FILMS; AUSTRALIA. 1895-1930; AUSTRALIA. 1927-1932; AUSTRALIAN CINEMA PIONEERS, THE; AUSTRALIAN FILM STUDIOS; AUSTRALIAN SCREEN EDITORS; AUSTRALIANS IN FILMS; WOMEN AND THE CINEMA; WOMEN FILMMAKERS. AUSTRALIA; WOMEN IN FILMS. AUSTRALIA; WOMEN, FILMS MADE BY; PRODUCERS. AUSTRALIA; DIRECTORS. AUSTRALIA; BUCKLEY, ANTHONY; LONGFORD, RAYMOND; LYELL, LOTTIE; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); MUTINY ON THE BOUNTY, THE (AT, Raymond Longford, 1916); CHURCH AND THE WOMAN, THE ( AT, Raymond Longford, 1917); WOMAN SUFFERS, THE (AT, Raymond Longford, 1918); DINKUM BLOKE, THE (AT, Raymond Longford, 1923); ON OUR SELECTION (AT, Ken G. Hall, 1932)
Summary: The ScreenSound Australia Annual Longford Lyell Lecture was established in 2001. It is named in honour of two significant pioneers of Australian cinema, Lottie Lyell and Raymond Longford, who were the foremost creative partnership in the pioneering years of Australian cinema. Anthony Buckley is regarded as one of the leaders of the Australian Film industry having worked as a documentary film maker, director and producer. In this lecture Buckley talks about the life and times of Longford and Lyell as well as his own extraordinary meeting with the legendary Longford at the age of fifteen.
Notes: Includes filmography of Anthony Buckley's works. -- Includes bibliographic references.
ISBN: 0642365180

Call No: 403(94) NEL
Author: Dermody, Susan; Docker, John, 1945; Modjeska, Drusilla
Source: AT
Place: Malmsbury, Vic.
Publisher: Kibble Books
PubDate: 1982]
PhysDes: 288 p., [4] leaves of plates : ill., ports. ; 23 cm
Subject: POPULAR CULTURE AND THE CINEMA. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; NATIONAL IDENTITY IN FILMS. AUSTRALIA; AUSTRALIA; CINEMAS. AUSTRALIA; HISTORY OF TV. AUSTRALIA; AUSTRALIA. 1927-1932; LONGFORD, RAYMOND; SMITH, ARTHUR; ON OUR SELECTION (AT, Ken G. Hall, 1932); ON OUR SELECTION (AT, Raymond Longford, 1920); SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); SENTIMENTAL BLOKE, THE (AT, F.W. Thring, 1932); PRISONER [TV] (AT, 1979-86)
Notes: Australian culture. Essays (ANB/PRECIS SIN 0610070); Includes bibliographical references and index
ISBN: 0908150032 (corrected) : price unknown 09081500302; 0908150040 (pbk.) : $14.95 Aust
LON: anb90815003; 2274011
ID2: 40

Call No: 81LYE DOO
Author: Dooley, Marilyn
CorpAuthor: ScreenSound Australia
Source: AT
Place: Chisholm [A.C.T.]
Publisher: Alani Publishing and Printing
PubDate: c2000
PhysDes: 182 p. : ill., ports. ; 30 cm
Subject: MOTION PICTURES - HISTORY; AUSTRALIAN CINEMA PIONEERS, THE; LYELL, LOTTIE; FATAL WEDDING, THE (AT, Raymond Longford, 1911); SENTIMENTAL BLOKE, THE (AT, F.W. Thring, 1932)
Summary: Life and time of actress, Lottie, Edith (Lyell) Cox. She began her career, acting with touring theatre companies, becoming a feature player and principal, by her late teens. She then moved to film and tackled all aspects of film making on screen and behind the camera. and became, most probably, the most significant woman in the first 100 years of Australian feature film making. [ Taken from the back of the book.]
Notes: "Select listing of Lottie Lyell's films" -- p. 167-168. Spiral bound

Call No: 79SEN BUC
Author: Buckley, Anthony; Case, Dominic; Edmondson, Ray; Pike, Andrew
Source: AT
Place: Canberra
Publisher: National Film & Sound Archive
PubDate: [2009?]
PhysDes: 232 p. : ill., ports ; 19 cm
Subject: AUSTRALIA; HISTORY OF CINEMA. AUSTRALIA; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919)
Summary: "a scholarly book on The Sentimental bloke, with chapters on the restoration of the film and the Larrikin as a quintessential figure in early Australian cinema" -- LIBRARIES AUSTRALIA
Notes: This is a scholarly book on The Sentimental bloke; This book originally accompanied the actual movie on dvd. We only have the book, not the dvd
Contents: -- the authors -- introduction/acknowledgments -- contents -- chapter 1 -- Raymond Longford: the Sentimental Bloke -- endnotes -- Chapter 2 -- the life and times of The Sentimental Bloke -- C.J. Dennis: 'the laureate of the Larrikin' -- the filmmakers -- the cast and crew -- on location in the 'loo -- the voice of authenticity -- the release -- the bloke and images of men in Australian cinema -- Doreen and images of women in Australian cinema -- the legacy of the bloke -- the life and times of The Sentimental Bloke -- in conclusion -- endnotes -- chapter 3 -- the restoration of The Sentimental Bloke -- chapter 3.1 -- The Sentimental blonde...er, bloke -- chapter 3.2 -- the restoration of The Sentimental Bloke -- endnotes -- chapter 4 -- filmography of Raymond Longford and Lottie Lyell -- chapter 5 -- four versions of the film's intertitles -- chapter 6.1 -- documents from the State Archives -- chapter 6.2 -- Longford typescript memoir -- chapter 6.3 -- contemporary journal articles -- 1918 -- 1919 -- 1920 -- 1921 -- 1922 -- 1955 -- chapter 6.4 -- films mentioned in the dvd commentary -- chapter 6.5 -- selected further reading -- index --

Call No: 45:93 SCR
Author: Berryman, Ken
CorpAuthor: National Film and Sound Archive (Australia); Australian History and Film Conference (6th : 1993 : La Trobe University, Melbourne)
Place: Acton, A.C.T.
Publisher: National Film & Sound Archive
PubDate: 1995
PhysDes: 184 p. : ill., ports. ; 21 cm
Subject: STATE AND THE CINEMA. AUSTRALIA; WOMEN IN FILMS. AUSTRALIA; AUSTRALIAN ABORIGINES AND THE CINEMA; CENSORSHIP. AUSTRALIA; VAUDEVILLE AND THE CINEMA. AUSTRALIA; TRANSVESTISM. AUSTRALIA; CENTENARY OF CINEMA. AUSTRALIA; HISTORY OF EXHIBITION. AUSTRALIA; PERCIVAL, LACEY; WILMOT, CHESTER; PARER, DAMIEN; REALIST FILM UNIT AND ASSOCIATION, THE; WOMAN SUFFERS, THE (AT, Raymond Longford, 1918); SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); LITTLE LORD FAUNTLEROY (US, Alfred E. Green & Jack Pickford, 1921)
Notes: CIP confirmed; Includes bibliographical references
ISBN: 0642235309
LON: 11944255
Contents: "Sorry, Wrong Centenary!" by Chris Long, p.11-30 -- "Film in Footscray : Early Film Exhibition in the Suburbs" by John Benson, p.49-59 -- "The Sentimental Bloke : narrative and social consensus" by Ina Berttrand, p97-106 -- "Little Lord Fauntlreoy : an example of the relationship between vaudeville and film" by Anne Bittner, p107-115 -- "Dangerous Visions : "Films suitable and unsuitable for native races" by Marion Benjamin, p141-150 -- "Sheep's clothing : a dress in some Australian films" by Deb Verhoeven, p151-157 -- "Chester Wilmot and Damien Parer at Tobruk" by Neil McDonald, p159-169 -- "Making waves : The Realilst Film Unit and Association" by Deane Williams, p 170-184

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 6 photographs : b&w ; 13 x 18 - 21 x 26 cm
Subject: SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919)
Summary: 6 black and white photographs of scenes from the film.
Notes: 1 duplicate

Call No: 721.02 (94) CHA
Author: Chapman, Jan
Edition: 1st ed.
Source: Australia
Place: Australia
Publisher: Screen sound Australia
PubDate: 2002
PhysDes: 1 v ; 20.5 cm, b&w ill.
Series: Longford Lyell lecture 2002, ScreenSound Australia Monograph no.3
Subject: WOMEN AND THE CINEMA. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; WOMEN FILMMAKERS. AUSTRALIA; WOMEN IN FILMS; WOMEN ON TV. AUSTRALIA; WOMEN, FILMS FOR; WOMEN, FILMS MADE BY; FEMINISM AND THE CINEMA; FEMINISM AND TV; CHAPMAN, JAN; ARMSTRONG, GILLIAN; CAMPION, JANE; LYELL, LOTTIE; BARRETT, SHIRLEY; MILLIKEN, SUE; Lovell, Patricia; ROBB, JILL; SCOTT, JANE; LONG, JOAN; FINK, MARGARET; DAVIS, JUDY; LEVY, SANDRA; GRIFFITHS, RACHEL; BLANCHETT, CATE; KIDMAN, NICOLE; COLLETTE, TONI; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); WOMAN SUFFERS, THE (AT, Raymond Longford, 1918); ON OUR SELECTION (AT, Raymond Longford, 1920); SHOWTIME (AT, Jan Chapman, 1978); SWEET AND SOUR [TV] (AT, 1984); SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977); SMOKES AND LOLLIES (AT, Gillian Armstrong, 1976); BINGO BRIDESMAIDS AND BRACES (AT, Gillian Armstrong, 1988); MORE SMOKES, LESS LOLLIES (AT, Gillian Armstrong, 1981); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); WELL, THE (AT, Samantha Lang, 1997); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); TWO FRIENDS [TV] (AT, Jane Campion, 1986); LITTLE WOMEN (US, Gillian Armstrong, 1994); OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997); CHARLOTTE GRAY (G/UK/AT, Gillian Armstrong, 2001); PIANO, THE (AT, Jane Campion, 1993); GIRL'S OWN STORY, A (AT, Jane Campion, 1983)
Summary: The ScreenSound Australia Annual Longford Lyell Lecture was established in 2001. It is named in honour of two significant pioneers of Australian cinema, Lottie Lyell and Raymond Longford, who were the foremost creative partnership in the pioneering years of Australian cinema. Jan Chapman is one of Australia’s most famous producers having been involved in the production of ‘Come in Spinner’, ‘Sweet and Sour’, ‘the Piano’ and ‘Lantana’ to name but a few. Chapman talks about the development of her career in relation to other Australian women involved in filmmaking such as Gillian Armstrong and New Zealand born Jane Campion
ISBN: 0642365172

Call No: 451 02 "192" CON
Author: Conor, Liz
Edition: 1st ed.
Source: USA
Place: Bloomington, Indiana
Publisher: Indiana University Press
PubDate: 2004
PhysDes: 334 p. : b+w ill. ; 23 cm
Subject: WOMEN AND THE CINEMA; WOMEN IN FILMS; FEMINISM AND THE CINEMA; WOMEN, FILMS FOR; PROSTITUTES IN FILMS; POPULAR CULTURE AND THE CINEMA; HISTORY AND THE CINEMA; MEDIA; TECHNOLOGY AND THE CINEMA; SOCIETY AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; ADVERTISING; CARTOONS; CELEBRITIES IN FILMS; IMPERIALISM AND THE CINEMA; FASHION AND THE CINEMA; MODERNISM AND THE CINEMA; RACE AND THE CINEMA; DE BEAUVOIR, SIMONE; KELLERMAN, ANNETTE; VALENTINO, RUDOLPH; LYELL, LOTTIE; MOTH OF MOONBI, THE (AT, Charles Chauvel, 1926); GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); GREENHIDE (AT, Charles Chauvel, 1926)
Summary: In The Spectacular Modern Woman, Liz Conor illustrates how technological advances in image reproduction transformed Wetter industrial societies into visual or ‘oculacentric’ cultures with significant and complex consequences for women’s lives. With the rise of mass media, Conor shows how women’s identities were intimately tied to the visual culture of the day. [Taken from back cover].
ISBN: 0253216702

Call No: 71(94) TWI
Place: Melbourne
Publisher: Damned Publishing
PubDate: 1999
PhysDes: 558 p.
Subject: AUSTRALIA; NEW ZEALAND; NATIONAL IDENTITY IN FILMS. NEW ZEALAND; NATIONAL IDENTITY IN FILMS. AUSTRALIA; HISTORY OF EXHIBITION. AUSTRALIA; DISTRIBUTION. AUSTRALIA; ASIANS IN FILMS. AUSTRALIA; LANDSCAPES IN FILMS. AUSTRALIA; FAMILY IN FILMS. AUSTRALIA; HOMOSEXUALITY IN FILMS. AUSTRALIA; AUSTRALIA. 1970's; WARD, VINCENT; HALL, KEN G.; DARK CITY (US, Alex Proyas, 1997); BABE: PIG IN THE CITY (AT, George Miller, 1998); SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933); FLOATING LIFE (AT, Clara Law, 1996); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PIANO, THE (AT, Jane Campion, 1993); ON THE BEACH (US, Stanley Kramer, 1959); YATGO HO YAN (HK, Samo Hung, 1997); RADIANCE (AT, Rachel Perkins, 1998); VACANT POSSESSION (AT, Margot Nash, 1995)
ISBN: 1876310006
LON: 20154200
ID2: 29

Author: Nolan, Petra
PhysDes: Article; Bibliography; Illustration(s)
Subject: CITIES IN FILMS. AUSTRALIA; LOCATION SHOOTING. AUSTRALIA; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919)
Summary: Explores "The sentimental bloke's" aesthetic and its rejection of the conventional positioning of the city as a site of either moral destitution or material plenty.

Call No: 462-02(94) SPE
Author: Speed, Sally
Place: [Australia] : [s.n.], 1984
PhysDes: 64 leaves ; 30 cm
Subject: WOMEN FILMMAKERS. AUSTRALIA; LYELL, LOTTIE; LOVELY, LOUISE; MCDONAGH, PAULETTE; MCDONAGH, ISABEL; PAVIS, YVONNE; HOWARD, KATE; MALLON, MARY; DE LA RUZE, JULIETTE; KELLERMAN, ANNETTE; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); THOSE WHO LOVE (AT, Paulette McDonagh, 1926); FAR PARADISE, THE (AT, Paulette McDonagh, 1928); CHEATERS, THE (AT, Paulette McDonagh, 1931); TWO MINUTES SILENCE (AT, Paulette McDonagh, 1933); POSSUM PADDOCK (AT, Kate Howard, 1921); BLUE MOUNTAINS MYSTERY, THE (AT, Raymond Longford & Lottie Lyell, 1921); DINKUM BLOKE, THE (AT, Raymond Longford, 1923); FISHERS GHOST (AT, Lottie Lyell, 1924); PETER VERNON'S SILENCE (AT, Lottie Lyell, 1925); CIRCUMSTANCE (AT, Yvonne Pavis, 1922); DAUGHTER OF AUSTRALIA (AT, Yvonne Pavis, 1922); SUNSHINE SALLY (AT, Yvonne Pavis, 1922); JEWELLED NIGHTS (AT, Louise Lovely & Wilton Welch, 1925); CHEATERS, THE (AT, Paulette McDonagh, 1929); HISTORY OF CINEMA. AUSTRALIA; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. TRANSITION SILENT-SOUND; HISTORY OF CINEMA. 1920's; HISTORY OF CINEMA. 1930's; EXHIBITION OF SILENT FILMS
LON: abn98267376; 14063689