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Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: AUSTRALIA IN FILMS

Call No: FESTIVAL CATALOGUE SHELVES
Place: US
Publisher: [s.n.]
PubDate: 1978
PhysDes: 1 v. : ill. ; 23 cm
Subject: FESTIVALS. AUSTRALIA [VARIOUS]; FESTIVALS. NEW YORK [VARIOUS]; AUSTRALIA; AUSTRALIA IN FILMS; NEW SOUTH WALES FILM CORPORATION
Notes: The Australian Film Festival in New York City includes a selection of feature length films and short films detailing the wide array of australian films from silent to modern classics . The catalogue also includes numerous black and white stills and film synopses, as well as letters of introduction.

Call No: TITLE CLIPPINGS FILE; AUSTRALIA IN FILMS
Author: Bunbury, Stephanie
PhysDes: Clippings
Subject: AUSTRALIA IN FILMS
Summary: Survey of potentially appropriate Australian films for public holiday viewing.
Notes: also appeared in Canberra Times (Panorama, p. 12) and in an edited form in The Saturday Age (p. 12) as "A nation at home with its quite heroes - Australia Day is a time of collective reflection. So who do we see in the cinematic looking glass?"

Author: Ginnane, Tony
PhysDes: Article; Stills Credits
Subject: GINNANE, TONY; PRODUCTION. AUSTRALIA; PRODUCTION TECHNOLOGY; CITIES IN FILMS. AUSTRALIA; CITIES IN FILMS; AUSTRALIA; AUSTRALIA IN FILMS; DIRECTORS. AUSTRALIA
Summary: Australian filmmaker Anthony Ginnane comments on the making of his film "We Are None of Us Perfect", on location in Melbourne in 1968.

Author: Danks, Adrian
PhysDes: Article
Subject: AUSTRALIA IN FILMS; WARNER BROS.; ANIMATED FILMS
Summary: The writer examines two series of animated short subjects produced by the Warner Bros. studio in the period between the late 1940s and the early 1960s featuring the iconic Australian characters Hippety Hopper and the Tasmanian Devil. He examines the ways in which these cartoons reinforce and in some respects depart from conventional representations of Australia in “international” cinema. -- Provided by publisher

Author: Gardner, Geoffrey
PhysDes: Article Filmography
Subject: DUNLOP, IAN; DIRECTORS. AUSTRALIA; AUSTRALIA IN FILMS; AUSTRALIA; COMMONWEALTH FILM UNIT; ETHNOGRAPHIC FILMS; DOCUMENTARY FILMS. AUSTRALIA; ROUCH, JEAN; CHRONIQUE D' UN ETE (FR, Jean Rouch & Edgar Morin, 1961); CINEMA VERITE
Summary: Australian ethnographic filmmaker Ian Dunlop describes his experience making his film "Desert People" with the Commonwealth Film Unit. Includes a detailed index of Dunlop's completed films.

Author: Gardner, Geoffrey
PhysDes: Article
Subject: TWO THOUSAND WEEKS (AT, Tim Burstall, 1969); BURSTALL, TIM; AUSTRALIA IN FILMS; AUSTRALIA; BIOGRAPHICAL FILMS
Summary: Interview with Australian filmmaker Tim Burstall, concerning the making of his film "Two Thousand Weeks", and his views on the comparison between his autobiographical film and Fellini's "8 1/2" as well as the existence of a national cinema in Australia.

Call No: 802.25 (94) BUC
Author: Buckley, Anthony
Edition: 1st ed.
Source: Australia
Place: Australia
Publisher: ScreenSound Australia
PubDate: 2001
PhysDes: [24] p. : ill., ports., facsims.
Series: Inaugural Longford Lyall lecture 2001; ScreenSound Australia Monograph no.3
Subject: AUSTRALIA; AUSTRALIA IN FILMS; AUSTRALIA. 1895-1930; AUSTRALIA. 1927-1932; AUSTRALIAN CINEMA PIONEERS, THE; AUSTRALIAN FILM STUDIOS; AUSTRALIAN SCREEN EDITORS; AUSTRALIANS IN FILMS; WOMEN AND THE CINEMA; WOMEN FILMMAKERS. AUSTRALIA; WOMEN IN FILMS. AUSTRALIA; WOMEN, FILMS MADE BY; PRODUCERS. AUSTRALIA; DIRECTORS. AUSTRALIA; BUCKLEY, ANTHONY; LONGFORD, RAYMOND; LYELL, LOTTIE; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); MUTINY ON THE BOUNTY, THE (AT, Raymond Longford, 1916); CHURCH AND THE WOMAN, THE ( AT, Raymond Longford, 1917); WOMAN SUFFERS, THE (AT, Raymond Longford, 1918); DINKUM BLOKE, THE (AT, Raymond Longford, 1923); ON OUR SELECTION (AT, Ken G. Hall, 1932)
Summary: The ScreenSound Australia Annual Longford Lyell Lecture was established in 2001. It is named in honour of two significant pioneers of Australian cinema, Lottie Lyell and Raymond Longford, who were the foremost creative partnership in the pioneering years of Australian cinema. Anthony Buckley is regarded as one of the leaders of the Australian Film industry having worked as a documentary film maker, director and producer. In this lecture Buckley talks about the life and times of Longford and Lyell as well as his own extraordinary meeting with the legendary Longford at the age of fifteen.
Notes: Includes filmography of Anthony Buckley's works. -- Includes bibliographic references.
ISBN: 0642365180

Author: Tammer, Peter
PhysDes: Article
Subject: AUSTRALIA IN FILMS; PRODUCTION. AUSTRALIA; SHORT FILMS. AUSTRALIA; AUSTRALIAN BROADCASTING CORPORATION
Summary: Subjective essay about the state of the Australian film industry, and how filmmakers are struggling to find and audience.

Call No: 751.0 (94)"199"COY
Author: Coyle, Rebecca (ed)
Edition: 1st
Source: UK
Place: Eastleigh
Publisher: John Libby Publishing
PubDate: 2005
PhysDes: 257 p. : ill. ; 23 cm
Subject: AUSTRALIA IN FILMS; MUSIC FILMS; MUSIC IN FILMS; MUSIC IN FILMS. AUSTRALIA; SOUND EFFECTS; SPECIAL EFFECTS; CULTURE AND THE CINEMA. AUSTRALIA; BOOTMEN (AT, Dein Perry, 2000); BLACKROCK (AT, Steven Vidler, 1997); NED KELLY (AT/UK, Gregor Jordan, 2003); MASCULINITY IN FILMS; IN A SAVAGE LAND (AT, Bill Bennett, 1999); MULTICULTURALISM AND THE CINEMA. AUSTRALIA; BAD BOY BUBBY (AT, Rolf de Heer, 1993); CHOPPER (AT, Andrew Dominik, 2000); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); ONE NIGHT THE MOON (AT, Rachel Perkins, 2001); PARADISE ROAD (AT/US, Bruce Beresford, 1997); BANK, THE (AT/IT, Robert Connolly, 2001); BEDEVIL (AT, Tracey Moffat, 1993); FILM STUDY AND RESEARCH. AUSTRALIA
Summary: Over the last decade popular cinema has employed a variety of forms of music. These include traditional composed screen music, pre-recorded music tracks, mixes of music and sound effects and various combinations of these. In response to this, film music scholars have developed new ways of understanding and analysing the role of film music in relation to genre, narrative and creative roles and inter-relations in film music scoring. 'Reel Tracks' provides a series of insightful analyses of recent mainstream Australian cinema. Following the editor's careful exploration of film music's relation to national cinema culture and identity, individual chapters offer stimulating and diverse accounts of music in films such as Rabbit-Proof Fence (2002), Lantana (2001), Chopper (2000) and Paradise Road (1997). The chapters in this volume also address broader themes such as the musical representation of sexuality in cinema and music's representation of regions, localities and ethnicity. Reel Tracks is an important contribution to both Australian film studies and the international understanding of the role of music in contemporary western cinema. This volume is targeted to both cinema studies readers and film music students, teachers and aficionados. [Book jacket]
ISBN: 0861966589
Contents: Soundscapes of surf and steel : "Blackrock" and "Bootmen" / Shane Homan -- New-Age Ned : Scoring Irishness and masculinity in "Ned Kelly" / Helen O'Shea -- Hauntings : Soundtrack representations of Papua New Guinea in "To have and to hold" and "In a savage land" / Philip Hayward -- "Hei-fen" and musical subtexts in two Australian films by Clara Law / Tony Mitchell -- Lost in music : popular music, multiculturalism and Australian film / Jon Stratton -- Scoring : sexuality and Australian film music, 1990-2003 / Bruce Johnson and Gaye Poole -- "Christ kid, you're a weirdo" : aural construction of subjectivity in "Bad boy bubby" / Melissa Iocco and Anna Hickey-Moody -- The sound of redemption in "Chopper" : rediscovering ambience as affect / Mark Evans -- Sounds of Australia in "Rabbit-proof fence" / Marjorie D. Kibby -- Untangling "Lantana" : a study of film sound production / Rebecca Coyle -- Moon music : musical meanings in "One night the moon" / Kate Winchester -- Transcendent voices : choral music in "Paradise road" / Jude Magee -- Musical intertextuality in "The bank" / Michael Hannan -- Carl Vine's score in "beDevil" / Catherine Summerhayes and Roger Hillman -- The composer as alchemist : an overview of Australian feature film scores 1994-2004 / Michael Atherton.
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Author: Hall, Ken
PhysDes: Article
Subject: AUSTRALIA IN FILMS; INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM; CINEMAS. AUSTRALIA; DISTRIBUTION. AUSTRALIA; DISTRIBUTION; EXHIBITION; EXHIBITION. AUSTRALIA; FINANCING. AUSTRALIA
Summary: Subjective essay which comments on the current state of the Australian film industry (1968) and makes recommendations for its future.

Call No: 62(043) VER
Author: Verhoeven, Deb
Source: AT
Place: Melbourne
PubDate: 2004
PhysDes: 278p. : ill. ; 31cm
Subject: ANIMALS IN FILMS; AUSTRALIA IN FILMS; NATIONAL IDENTITY AND AUSTRALIA; NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA; REPETITION IN FILMS; SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933); BITTER SPRINGS (AT, Ralph Smart, 1950)
Notes: Includes bibliographical references Includes filmography