Search Catalogues

Call No: DVD RESEARCH FOLDER
Subject: DVD; DVD, FILMS ON; HOME EQUIPMENT; HOME EXHIBITION; PRESERVATION OF FILMS; CRITERION COLLECTION; MANGA; BROOKER, WILL; AROSTEGUY, SUSAN; LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001); LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002); LORD OF THE RINGS: THE RETURN OF THE KING, THE (US, Peter Jackson, 2003); FIGHT CLUB (US, David Fincher, 1999)
Contents: A DVD edition of Velvet Light Trap. Index follows:; -- Introduction.; -- Craig Hight - Making-of documentaries on DVD: The Lord of the Rings Trilogy and Special Editions.; -- Nathan Carroll - Unwrapping archives: DVD Restoration Demonstrations and the markteting of authenticity.; -- Bradley Schauer - The Criterion Collection in the New Home Video Market: An interview with Susan Arosteguy.; -- Derek Johnson - Star Wars fans, DVD, and cultural ownership: an interview with Will Brooker.; -- Laurie Cubbison - Anime Fans, DVDs, and the authentic text.; -- James Kendrick - Aspect ratios and Joe Six-Packs: home theatre enthusiasts' battle to legitimze the DVD experience.

Subject: AUSTRALIAN FILM INSTITUTE; INDEPENDENT EXHIBITION. AUSTRALIA; NATIONAL FILM THEATRE OF AUSTRALIA

Call No: (03)(-109.5) PED
Author: Pedler, Garth; Wyatt, David; Moules, Patrick; Brownlow, Kevin
Edition: 2020
Place: Kibworth Beauchamp
Publisher: Matador
PhysDes: x, 1136 pages : illustrated ; 29cm
Subject: HOME EQUIPMENT; HOME EXHIBITION
Language: English; French

Call No: F023 (430.1) DIE
Edition: [1950?]
Place: Wiesbaden-Biebrich, Germany
Publisher: Der Neue Film
PubDate: [1950?]
PhysDes: 29 cm
Subject: GERMAN FEDERAL REPUBLIC; DISTRIBUTION. EUROPE; EXHIBITION. EUROPEAN COUNTRIES

Call No: 171(94) WIL
Source: AT
PubDate: 1985
PhysDes: 11 pages ; 30 cm
Subject: INDUSTRY, FILM. AUSTRALIA; AUSTRALIAN FILM COMMISSION; PRODUCTION COMPANIES & STUDIOS. AUSTRALIA; PRODUCTION. AUSTRALIA; MOTION PICTURE DISTRIBUTORS ASSOCIATION. AUSTRALIA; TAXES. AUSTRALIA; EXHIBITION. AUSTRALIA; DISTRIBUTION. AUSTRALIA
Summary: Kim Williams gives the Australian Film Commission's point of view regarding the main issues and challenges of the Australian film industry from all aspects. A key subject area of the speech relates to federal government taxes in Australia, particularly the administration of 10 BA

Call No: P CIN
PhysDes: 1 poster : col. ; 76 X 51 cm.
Subject: EXHIBITION. AUSTRALIA; CINEMAS. AUSTRALIA. AFI; AUSTRALIAN FILM INSTITUTE
Summary: Image: Programme listings in black and white with orange detail.

PhysDes: Article
Subject: ASIAN COUNTRIES; GOLDEN HARVEST; VILLAGE ROADSHOW; GREATER UNION; HOYTS; EXHIBITION. AUSTRALIA
Summary: Report says that cinema admissions in the Asia-Pacific region are set to grow

Call No: 410.1:465.2 FUL
Author: Fuller, Kathryn H.
Source: US/UK
Place: Charlottesville; London
Publisher: University Press of Virginia
PubDate: 1996
PhysDes: 248 p. : 23 cm
Subject: AUDIENCE RECEPTION; AUDIENCES; AUDIENCES USA; FAN MAGAZINES; EXHIBITION; EXHIBITION. USA; EXHIBITION OF SILENT FILMS; NICKELODEON
Summary: Although the transformation of the movies into big-time entertainment had multiple sources, Kathryn Fuller argues that ultimately the maturation of the film industry depended on the support of both urban and rural middle-class audiences. Providing the fullest portrait to date of the small-town audience’s hanging habits and desires, At the Picture Show demonstrates for the first time how a fan culture emerged in the United States, and it enriches our understanding of mass media’s relationship to early twentieth-century American society. [Taken from back cover.]
ISBN: 0813920825

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ATROCITY EXHIBITION, THE (US, Jonathan Weiss, 2000)

Call No: 410.3 AUD
Place: Amsterdam
Publisher: Amsterdam University Press
PubDate: 2012
PhysDes: 332 pages : illustrations ; 23 cm.
Series: Key debates ; 3.
Subject: AUDIENCE RECEPTION; AUDIENCE RESEARCH; AUDIENCES; SOCIETY AND THE CINEMA; EXHIBITION; BOX OFFICE
Summary: "This timely volume engages with one of the most important shifts in recent film studies: the turn away from text-based analysis towards the viewer. Historically, this marks a return to early interest in the effect of film on the audience by psychoanalysts and psychologists, which was overtaken by concern with the 'effects' of film, linked to calls for censorship and moral panics rather than to understanding the mental and behavioral world of the spectator. Early cinema history has revealed the diversity of film-viewing habits, while traditional 'box office' studies, which treated the audience initially as a homogeneous market, have been replaced by the study of individual consumers and their motivations. Latterly, there has been a marked turn towards more sophisticated economic and sociological analysis of attendance data. And as the film experience fragments across multiple formats, the perceptual and cognitive experience of the individual viewer (who is also an auditor) has become increasingly accessible. With contributions from Gregory Waller, John Sedgwick and Martin Barker, this work spans the spectrum of contemporary audience studies, revealing work being done on local, non-theatrical and live digital transmission audiences, and on the relative attraction of large-scale, domestic and mobile platforms."--Publisher's website.
Notes: Includes bibliographical references (p. 279-298) and indexes.
ISBN: 9789089643629
Contents: Introduction: in search of audiences / Ian Christie -- pt. 1. Reassessing historic audiences. "At the picture palace": the British cinema audience, 1895-1920 / Nicholas Hiley The gentleman in the stalls: Georges Melies and spectatorship in early cinema / Frank Kessler Beyond the nickelodeon: cinema going, everyday life and identity politics / Judith Thissen Cinema in the colonial city: early film audiences in Calcutta / Ranita Chatterjee Locating early non-theatrical audiences / Gregory A Waller Understanding audience behavior through statistical evidence: London and Amsterdam in the mid-1930s / John Sedgwick and Clara Pafort-Overduin -- pt. 2. New frontiers in audience research. The aesthetics and viewing regimes of cinema and television, and their dialectics / Annie van den Oever Tapping into our tribal heritage: The lord of the rings and brain evolution / Torben Grodal Cinephilia in the digital age / Laurent Jullier and Jean-Marc Leveratto Spectator, film and the mobile phone / Roger Odin Exploring inner worlds: where cognitive psychology may take us / a dialogue between Tim J. Smith and Ian Christie -- pt. 3. Once and future audiences. Crossing out the audience / Martin Barker The cinema spectator: a special memory / Raymond Bellour Operatic cinematics: a new view from the stalls / Kay Armatiage What do we really know about film audiences? / Ian Christie.
URL status: URL: 'https://library.oapen.org/handle/20.500.12657/34451' Checked: 31/08/2021 1:29:06 PM Status: Live Details: HTTP status 200 - Usual success response

Call No: TITLE CLIPPINGS FILE; DROWN
Author: Neil, Megan
PhysDes: Clippings File Article
Subject: DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA; TUGG; DROWN (AT, Dean Francis, 2014)
Summary: The director of Drown, Dean Francis, talks about how he used TUGG, an online cinema on demand site to find cinemas who want to screen his film.

Call No: 20(94) AUS
Author: Australian Film Commission
Edition: 1st edition
Source: AT
Place: Sydney [New South Wales]
Publisher: Australian Film Commission
PubDate: 2004
PhysDes: 96 pages : colour charts ; 30 cm
Series: Get the picture
Subject: INDUSTRY, FILM. AUSTRALIA; STATISTICS. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; PRODUCTION. AUSTRALIA; DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA
Summary: Australia's Audiovisual Markets is the first of a new series of publications which feature key data from Get the Picture Online, the Australian Film Commission's comprehensive web-based statistics collection. Its graphic style and short chunks of information complement the detailed data available online to provide a unique perspective on the state of Australia's cinema, video, television and interactive media markets. -Taken from back cover.
Notes: Includes an index; Includes a list of abbreviations
ISBN: 1920988004
ID2: 145

Call No: 175(94)AUS(047) LYN
Source: AT
Place: Canberra
Publisher: National Film and Sound Archive
PubDate: 1985
PhysDes: xi, 38 [128] p. ; 30 cm
Subject: TRAVELLING EXHIBITION; STATE AND THE CINEMA. AUSTRALIA
Summary: A study on the possibility of a travelling exhibition of Australian film to be shown as part of Australia's 1988 Bicentenial celebrations. Includes older reports and submissions on this topic.
Contents: Summary -- Recommendations -- Preface -- Acknowledgements -- Introduction -- Report summary -- Programming -- Administration -- Management structure -- Sponsorship -- Budget -- Demand Analysis -- Schools -- Residual impact -- International -- Appendices: iA/ Gil Appleton Report -- iB / Anne Hutton Report -- ii / Region Itineraries Routes 1 - 6 -- iii / Almost Managing Draft Budget -- iv / Option 5 'The National Film and Sound Show' -- v / Sample Program -- vi / Budget Notes -- vii / ABAs Terms and Conditions for Study

Call No: 201(94) AUS
Place: [Sydney]
Publisher: Australian Film Commission
PubDate: 1988
PhysDes: 1 v. : ill. ; 25 cm
Subject: STATISTICS. AUSTRALIA; EXHIBITION. AUSTRALIA; DISTRIBUTION. AUSTRALIA; CINEMAS. AUSTRALIA; TELEVISION. AUSTRALIA; VIDEO AND THE CINEMA. AUSTRALIA; PRODUCTION. AUSTRALIA; FINANCING. AUSTRALIA
Summary: Statistics gathered on the Australian film (and television) industry between 1980-1987 are presented in relation to the areas of: financing, production, distribution and exhibition, video, and television broadcasting.
ISSN: 10315462

Call No: 151(94) STE
Author: Stevens, Kirsten
Source: AT/US
Place: New York
Publisher: Palgrave Macmillan
PubDate: c2016
PhysDes: xi, 270 pages ; 22 cm
Series: Framing film festivals
Subject: FESTIVALS; FESTIVALS. AUSTRALIA; HISTORY OF CINEMA; HISTORY OF CINEMA. AUSTRALIA; AUDIENCES; AUDIENCES. AUSTRALIA; EXHIBITION; EXHIBITION. AUSTRALIA; SOCIETY AND THE CINEMA
Summary: "This is the first book to offer an in-depth examination of the history, operation, and growth of film festivals as a cultural phenomenon within Australia. Tracing the birth of film festivals in Australia in the 1950s through to their present abundance, it asks why film festivals have prospered as audience-driven spectacles throughout Australia, while never developing the same industry and market foci of their international fellows. Drawing on over sixty-years of archival records, festival commentary, interviews with festival insiders and ephemera, this book opens up a largely uncharted history of film culture activity in Australia. " -- BOOK BACK COVER
Notes: Includes bibliographical references and index
ISBN: 9781137586377
Contents: -- 1: Introduction -- 2: Enthusiastic Amateurs: Origins of Australia's Film Festival Movement -- 3: Growth and Change: Curator-Led Festivals, Fragmenting Audiences, and Shifting Film Exhibition Cultures -- 4: From Film Weeks to Festivals: The Spread of the Urban Film Festival After 1980 -- 5: Between Success and Failure: Crisis and Recovery at the Melbourne International Film Festival -- 6: Programming Perceptions: Film Festivals and the Construction of Taste -- 7: A Festival for Every Occasion: Niche Programming, Event Culture, and Vertically Integrated Film Festivals -- 8: Conclusion -- Appendix 1: Early Features of Melbourne and Sydney Film Festival Programmes (1952-1965) -- Appendix 2: Summary of Select Film Culture and Festival Activities, 1960s-1970s -- Appendix 3: Selective List of Film Events in Melbourne, 1949-2000 -- Appendix 4: Film Festivals in Melbourne and Sydney, 2015 -- Notes -- archives and Research Collections -- Bibliography -- Index --

Call No: P CIN
PhysDes: 1 poster : col. ; 71 X 51 cm.
Subject: EXHIBITION. AUSTRALIA; CINEMAS. AUSTRALIA. AFI; CINEMAS. AUSTRALIA. CHAUVEL; AUSTRALIAN FILM INSTITUTE
Summary: Image: Programme listings in black and white with orange detail.
Notes: Tack marks

Call No: P CIN
PhysDes: 1 poster : col ; 70 X 51 cm.
Subject: EXHIBITION. AUSTRALIA; CINEMAS. AUSTRALIA. AFI; CINEMAS. AUSTRALIA. CHAUVEL; AUSTRALIAN FILM INSTITUTE
Summary: Image: Programme listings in black and white with red detail.
Notes: Two copies; Both copies must have been stored folded in quarters at some stage for some time; Reverse side has advertising for Chauvel events, etc.

Call No: P CIN
PhysDes: 1 poster : col. ; 76 X 51 cm
Subject: EXHIBITION. AUSTRALIA; CINEMAS. AUSTRALIA. AFI; CINEMAS. AUSTRALIA. CHAUVEL; AUSTRALIAN FILM INSTITUTE
Summary: Image: Programme listings in black and white with yellow detail.
Notes: Double-sided

Call No: P CIN
PhysDes: 1 poster : col. ; 57 X 45 cm.
Subject: EXHIBITION. AUSTRALIA; CINEMAS. AUSTRALIA. AFI; CINEMAS. AUSTRALIA. CHAUVEL; AUSTRALIAN FILM INSTITUTE
Summary: Image: Programme listings in black and white with pale blue detail.
Notes: Laminated; had been folded in to quarters beforehand.; Reverse side contains an essay by the filmmaker Antonio Skarmeta and a review of Utu and the New Cinema: Japan festival.

Call No: 20(058)(94) BEI
Author: Beilby, Peter
Source: AU
Place: North Melbourne, Victoria
Publisher: Cinema Papers Pty Ltd
PubDate: 1980
PhysDes: 319 pages : black and white illustrations ; 25 cm
Series: Australian motion picture yearbook
Subject: AWARDS; DIRECTORS; DISTRIBUTION; EXHIBITION; FESTIVALS; FILM WORKERS; INDUSTRY, FILM. AUSTRALIA; LEGISLATION. AUSTRALIA; PERIODICALS, FILM. AUSTRALIA; PRODUCTION CENTRES. AUSTRALIA
Summary: Overview of activities and output of the Australian film industry in 1980
Notes: published by Cinema Papers Pty Ltd in association with the New South Wales Film Corporation
ISBN: 0158698X
Donation: Simon Wincer

Call No: MICROFILM - 4 Oct. 1916-11 Mar. 1921
Source: AT
Place: Sydney
Publisher: Martin C. Brennan
PubDate: 1916-1921
Subject: INDUSTRY, FILM. AUSTRALIA; EXHIBITION. AUSTRALIA

Call No: 386.5 KLI
Author: Klinger, Barbara
Source: US
Place: Berkeley
Publisher: University of California Press
PubDate: 2006
PhysDes: xii, 310 pages : illustrations ; 24 cm
Subject: CABLE TV; DVD, FILMS ON; HOME EXHIBITION; INTERNET AND THE CINEMA; PRIVATE CINEMAS; TECHNOLOGICAL DEVELOPMENTS
Summary: "Since the mid-1980s, more audiences have been watching Hollywood movies at home than at movie theatersm yet little is known about just how viewers experience film outside of the multiplex. This is the first full-length study of how contemporary entertainment technologies and media - from cable television and VHS to DVD and the Internet - shape our encounters with the movies and affect the aesthetic, cultural, and ideological definitions of cinema. Barbara Klinger explores topics such as home theater, film collecting, classic Hollywood movie reruns, repeat viewings, and Internet film parodies, providing a multifaceted view of the presentation and reception of films in U.S. households. Balancing industry history with theoretical and cultural analysis, she finds that today's cinema's powerful social presence cannot be fully grasped without considering its prolific recycling in post-theatrical venues - especially the home."--BOOK BLURB
Notes: Formerly CIP.; Includes bibliographical references (p. 281-287) and index
ISBN: 9780520245860
Contents: The new media aristocrats: home theater and the film experience -- The contemporary cinephile: film collecting after the VCR -- Remembrance of films past: cable television and classic Hollywood cinema -- Once is not enough: the functions and pleasures of repeat viewings -- To infinity and beyond: the Web short, parody, and remediation -- Conclusion: of fortresses and film cultures

PhysDes: Article
Subject: EMBASSY ROADSHOW; PUBLISHING AND BROADCASTING VIDEO; EXHIBITION. AUSTRALIA; DISTRIBUTION. AUSTRALIA
Summary: Article on the joint venture between Publishing and Broadcasting Video, and Embassy Home Entertrainent of video distribution in Australia.

Author: Cunningham, Stuart
PhysDes: Article
Subject: DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA; SHORT FILMS. AUSTRALIA; AUSTRALIAN FILM INSTITUTE
Summary: Special feature containing Australian film academic Stuart Cunningham's interviews with a number of distributors and exhibitors of Australian short films. Covers the value of the short film form as well as short film exhibition, distribution, festivals and television broadcast.
Notes: Others

Call No: 725.33 LAH
Author: Lahue, Kalton C.
Source: US
Place: South Brunswick, N.J.
Publisher: A.S. Barnes and Company
PubDate: 1968
PhysDes: 352 p. : illus., ports ; 27 cm
Subject: HISTORY OF CINEMA. SILENT PERIOD; SERIALS; EXHIBITION OF SILENT FILMS

PhysDes: Article
Subject: VILLAGE ROADSHOW; GOLDEN HARVEST; EXHIBITION. AUSTRALIA
Summary: Village Roadshow's profits for the first 6 months of 2000 were down from last year. They recently sold their share of Hong Kong cinemas to Golden Harvest.

Call No: SUBJECT CLIPPINGS FILE; EXHIBITION. AUSTRALIA. 2016
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: EXHIBITION. AUSTRALIA; RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016)
Summary: List of films to be shown in Australia over the Christmas and summer holiday period. Quotes from RED DOG: TRUE BLUE director Kriv Stenders about his film screening at the same time as Hollywood blockbusters

Call No: SUBJECT CLIPPINGS FILE; CHINA
Author: Lin, Lilian
PhysDes: Clippings File Article
Subject: INDUSTRY, FILM. CHINA; CITY OF SADNESS, A [; EXHIBITION. CHINA
Summary: Report on the slowdown to box office growth in China. Speculation was that heavy discounts in previous years boosted box office sales but with the discounting over the attendences and box office has stablised. Chinese companies are looking to purchase Hollywood businesses and the USA are looking to get their film's shown in China

Call No: SUBJECT CLIPPINGS FILE; CHINA
Author: Schwartzel, Erich
PhysDes: Clippings File Article
Subject: EXHIBITION. CHINA; CITY OF SADNESS, A [
Summary: Looking at how China's exhibition industry is starting to influence how Hollywood blockbusters are made
Notes: I

Call No: SUBJECT CLIPPINGS FILES; EXHIBITION. CHINA
Author: Burkitt, Laurie
PhysDes: Clippings File Article
Subject: EXHIBITION. CHINA
Summary: Investigation into claims that some Chinese distributors are artificially infalting box office results

Author: Crowe, Karen
PhysDes: Article
Subject: REGIONAL EXHIBITION. AUSTRALIA; CINEMAS. AUSTRALIA. STATE (NSW); AUDIENCES. AUSTRALIA; STATE AND THE CINEMA. AUSTRALIA. NEW SOUTH WALES
Summary: This article examines developments relating to regional cinema-going in the Australian state of New South Wales (NSW). It draws on research whose primary case studies comprise four campaigns to revitalize historic cinema spaces in country towns in NSW and the introduction in the late 1990s of a Regional Cinema Program (RCP) designed to promote and support such activity in that state. It examines some of the historic and political contexts that precipitated these projects and the adoption of their concerns by the NSW state government and will consider how claims for the social importance of cinema-going have been reflected and constructed through the practices and discourses of policy-making and place-making. In particular, the essay traces the adoption of regional cinema access as a policy concern of the NSW state government and the aspirations and operations of a ‘community cinema’ in the south-western NSW town of Tumut. In focusing on this case study the article explores the interconnected relationship between trends in social and cultural policy-making, rural revitalization, the social experience of cinema-going and their various roles in the complex and contested construction of a sense of ‘community’. -- Abstract

Author: Walsh, Mike
PhysDes: Article
Subject: DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA; HISTORY OF CINEMA. TRANSITION SILENT-SOUND; HISTORY OF EXHIBITION. AUSTRALIA
Summary: Most histores of Australian cinema have foregrounded film production but have little to say about film distribution and exhibition, which were more powerful sectors of the cinema industry in Australia. This study examines the distribution and exhibition of films in Adelaide's central business district and suburban circuits during the introduction of sound in 1928-29. In addition to analysing the impact of the new technology, this article looks at the way that film distribution in this period changed in response to a number of other factors including the switch to direct distribution, the rise of British production and the local politics of first-run exhibition competition. The article examines the structure of the city and suburban exhibition in Adelaide and demonstrates that any analysis of the industry's response to sound technologies must take into account intensely local factors in order to explain the ways that different compaines adopted varying industrial tactics during the diffusion of this new technology. -- Abstract

Call No: 301(94) GIV
Author: Given, Jock; Curtis, Rosemary; McCutcheon, Mary
CorpAuthor: Swinburne University of Technology
Source: AT
Place: Hawthorn, Victoria
Publisher: Swinburne University of Technology
PubDate: June 2013
PhysDes: 91 pages : colour graphs ; 30 cm
Series: Spreading fictions : distributing stories in the online age
Subject: BOX OFFICE. AUSTRALIA; CINEMA MANAGEMENT. AUSTRALIA; DIGITAL BROADCASTING. AUSTRALIA; DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA; HOYTS; INDEPENDENT DISTRIBUTION. AUSTRALIA; INDEPENDENT EXHIBITION. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; PROJECTION
Summary: Report looking at the business and storytelling processes of Australian cinema. This report is one component of a larger project, 'Spreading Fictions: Distributing Stories in the Online Age,' which considers the question, 'How do Australians get their audiovisual stories and how might they get them in the future?'
Notes: Includes references
ISBN: 9780987177278

Call No: 410.81(94) BER
Author: Bertram, Ina; Giglio, Michael
PhysDes: 12 pages ; 30 cm
Subject: ITALIAN CINEMA; EXHIBITION. MELBOURNE
Notes: Bound offprint from: Australian Scan, no. 4 August 197. p. 23-34

Author: Harris, Paul
PhysDes: Article
Subject: AUSTRALIAN FILM INSTITUTE; CINEMAS. AUSTRALIA; INDEPENDENT EXHIBITION. AUSTRALIA
Summary: Melbourne Cinematheque volunteers Michael Koller, Adrian Danks, and Quentin Turnour discuss the origins of the Melbourne Cinematheque, and the extension of their screenings to centres across Australia.
Notes: Interview

Call No: P EXH
PhysDes: 6 posters : col. ; 43 X 28 cm.
Subject: EXHIBITION. AUSTRALIA; IRAN; CINEMAS. AUSTRALIA. AFI; AUSTRALIAN FILM INSTITUTE; FARABI CINEMA FOUNDATION; DAVANDEH (IR, Amir Nader, 1985)
Summary: Image: still from The Runner. Text: 'Featuring Amir Naderi's The Runner/9-28 March 1991'
Notes: We have seven copies; Features programme on the reverse side

Call No: 30(94) COD
Place: [Sydney] : Australian Competition and Consumer Commission, 1998
PhysDes: 11 leaves ; 30 cm
Subject: AUSTRALIAN COMPETITION AND CONSUMER COMMISSION; DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA
LON: abn98280571; 14098034

Call No: 303(94) HOD
Author: Roe, David
Source: AT
PubDate: 1976
Subject: EXHIBITION. AUSTRALIA; DISTRIBUTION. AUSTRALIA; INDEPENDENT FILMMAKERS. AUSTRALIA; INDEPENDENT DISTRIBUTION. AUSTRALIA; INDEPENDENT EXHIBITION. AUSTRALIA; AUSTRALIAN FILM INSTITUTE; CINEMAS. AUSTRALIA. PLAYBOX; CINEMAS. AUSTRALIA. LONGFORD; SYDNEY FILMMAKERS CO-OPERATIVE; LIBRARIES, FILM. AUSTRALIA; EXPERIMENTAL FILM AND TELEVISION FUND
Summary: A response to a report by Barrett Hodsdon titled Report on minority exhibition and distribution. This response is written from the viewpoint of the Australian Film Institute in relation to observations and criticisms Hodsdon made of the organisations operations

Author: Hodsdon, Barrett
PhysDes: Article
Subject: INDEPENDENT EXHIBITION. AUSTRALIA; AUSTRALIAN FILM INSTITUTE
Summary: Australian film scholar, Barrett Hodsdon, critiques the Australian Film Institute's current exhibition strategies, arguing that the AFI Strategic Review is too superficial to promote change.
Notes: Article

Call No: 201 (41) KEL
Author: Kelly, Terence; Norton, Graham; Perry, George
Source: UK
Place: London
Publisher: Institute of Economic Affairs
PubDate: 1966
PhysDes: 204 p. : 23 cm
Subject: INDUSTRY, FILM. UK; GOVERNMENT AID. UK; NATIONAL CONTENT. UNITED KINGDOM; EXHIBITION. UK; BOX OFFICE; DISTRIBUTION; AUDIENCE RECEPTION; AUDIENCES; SOCIETY AND THE CINEMA. UK; EDUCATION, FILM. UK; ECONOMICS AND THE CINEMA. UK; POLITICS AND THE CINEMA. UK; BRITISH LION; NATIONAL FILM FINANCE CORPORATION
Notes: Includes bibliography and index

Call No: 203 CON
Author: Charles C. Moul (ed.)
Place: New York
Publisher: Cambridge University Press
PubDate: 2005
PhysDes: 23 cm ; 214 p
Subject: EXHIBITION; EXHIBITION. USA; INDUSTRY, FILM; INDUSTRY, FILM. USA; FINANCING. USA; ADVERTISING FOR FILMS; ADVERTISING. USA; USA; PRODUCTION; PRODUCTION COSTS; DIGITAL TECHNOLOGY; INCOME; AWARDS. ACADEMY; STUDIO SYSTEM; GOVERNMENT CONTROL. USA; BOX OFFICE. USA
Summary: This concise handbook collects essays on all aspects of the motion picture industry by leading authorities in political economy, economics, accounting, financing, and marketing. In addition to bringing the reader an up-to-date perspective on what is known and what has been accomplished, it includes both new findings on a variety of topics and directions for additional research. Topics include the estimation of theatrical and ancillary demand, profitability studies, resolution of evident paradoxes in studio executive behaviour, interaction of the industry and government, impacts of the most recent changes in accounting standards, and the role and importance of participation contracts. New results include findings on the true nature of the seasonality of theatrical demand, the predictive power of surveys based upon trailers, the impact of the Academy Awards, the effectiveness of prior history measures to gauge cast members and directors, and the substitutability of movies across different genres. [Taken from inner jacket sleeve].
ISBN: 0521843847

Call No: 71(73) CON
Author: Neale, Stephen; Smith, Murray, 1962
Place: London New York
Publisher: Routledge
PubDate: 1998
PhysDes: xxii, 338 p. : ill. ; 24 cm
Subject: USA; TECHNOLOGY AND THE CINEMA; DISTRIBUTION. USA; EXHIBITION. USA; WIDE-SCREEN SYSTEMS; SPECTATORSHIP; MEN IN FILMS. USA; MELODRAMA; MUSIC, FILM; SOUND TRACKS; TELEVISION AND THE CINEMA; FAMILY IN FILMS. USA; NARRATIVE IN FILMS; BLACK CINEMA. USA; ETHNIC GROUPS IN FILMS. USA; BLOCKBUSTERS; FEMINISM AND THE CINEMA; GENDER AND THE CINEMA; CENSORSHIP. USA; INDEPENDENT FILMS. USA; WOMEN, FILMS FOR; WOMEN IN FILMS. USA; HORROR FILMS. USA; CHILDREN, FILMS FOR; ACTION FILMS; AUDIENCES; MIRAMAX FILMS; NEW LINE CINEMA; TIME WARNER; VERHOEVEN, PAUL; COPPOLA, FRANCIS FORD; HAMILTON, LINDA; MCDORMAND, FRANCES; ELFMAN, DANNY; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FARGO (US, Ethan Coen, 1996); BASIC INSTINCT (US, Paul Verhoeven, 1992); BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992); BATMAN (US, Tim Burton, 1989); BATMAN RETURNS (US, Tim Burton, 1992); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); JURASSIC PARK (US, Steven Spielberg,, 1993); LION KING, THE (US, Roger Allers & Rob Minkoff, 1994); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991)
Notes: Includes bibliographical references (p. [312]-318) and index
ISBN: 0415170095; 0415170109 (pbk.)
LON: 98005952; 13736490

Call No: 201.1 (73) CON
Author: McDonald, Paul; Wasko, Janet
Source: US
Place: Malden, Massachusetts; Oxford, UK; Carlton, Victoria
Publisher: Blackwell Publishing
PubDate: 2008
PhysDes: 326 p. : ill. ; 25 cm
Subject: INDUSTRY, FILM; STUDIO SYSTEM; FINANCING; DISTRIBUTION; PRODUCTION; ADVERTISING FOR FILMS; EXHIBITION; TELEVISION AND THE CINEMA; VIDEODISCS; SOUNDTRACKS; MUSIC AND THE CINEMA; LABOUR; STATE AND THE CINEMA; GLOBALISATION; COPYRIGHT; EXPORT OF FILMS; UNITED KINGDOM; FRANCE; GERMANY; ITALY; LATIN AMERICAN COUNTRIES; ASIAN COUNTRIES; INDIA; AUSTRALIA; NEW ZEALAND; VIDEO GAMES AND THE CINEMA
Summary: "The contemporary Hollywood film industry is characterized by continuity and change. While many well-established Hollywood studios continue to dominate the film business, the industry has also witnessed various changes during the past two decades. "'The Contemporary Hollywood Film Industry' is a collection of essays by leading scholars that examine the US film industry as an international phenomenon, from the 1980s to the present day. It explores a host of challenges and changes facing Hollywood, and includes important discussions of the industry's labor and star systems, as well as intellectual property and state relations. Essays consider the role of independent producers, the global marketplace for Hollywood products, corporate changes, and various new-media windows, including video, DVD to cable, satellite, and online channels of delivery." (Taken from the back cover)
Notes: Includes index
ISBN: 9781405133883
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Call No: 175 COR; NEW HOLDINGS SHELVES
Author: Erice, Victor; Kiarostami, Abbas
CorpAuthor: Australian Centre for the Moving Image
Source: AT
Place: Melbourne
Publisher: ACMI
PubDate: 2008
PhysDes: 12 p. : ill. ; 23 cm
Subject: EXHIBITION; KIAROSTAMI, ABBAS; ERICE, VICTOR
Notes: Cover title. Catalogue of an exhibition 21 August - 2 November 2008
ISBN: 9781920805258

Call No: SUBJECT CLIPPINGS FILE; TUGG
Author: Redrup, Yolanda
PhysDes: Clippings File Article
Subject: INDEPENDENT EXHIBITION. AUSTRALIA; TUGG
Summary: The arrival of Tugg, which a film exhibition reuqest site based in the USA, in Australia and its potential to change cinema exhibition in Australia. Quotes from David Doepel and Adriana Pecotic.

Call No: P DAV
PubDate: 2014
PhysDes: 1 poster : col. ; 100 X 70 cm
Subject: BOWIE, DAVID; AUSTRALIAN CENTRE FOR THE MOVING IMAGE [ACMI]; EXHIBITION. AUSTRALIA
Summary: Image: Medium close-up of David Bowie topless with Ziggy Stardust/lightning bolt make up. White background with image on right-side of poster. Text: 'David Bowie is' a documentary tour of the ground-breaking exhibition.
Notes: 14 November 2014
Donation: Cinema Nova

Call No: 201.26(94) DOH
Author: Doherty, Brian; Charlton, Susan; Haros, Maria
Source: AT
Place: [Australia]
Publisher: [s.n.]
PubDate: 1997
Subject: STATE AND THE CINEMA. AUSTRALIA; EXHIBITION. AUSTRALIA; VIDEO ART; MULTIMEDIA. AUSTRALIA; DISTRIBUTION. AUSTRALIA; ARTS PROGRAMMES

Call No: DVD RESEARCH FOLDER
Author: Williams, Fiona
Subject: DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA
Summary: "The campaign catch phrase, 'See it bigger...see it better...see it first...Only at the Movies', is an unprecedented attempt to tackle the erosion of cinema-going audiences brought on by the booming DVD and home cinema sector, the internet, and by illegal downloading and duplication of new releases."
Notes: accessed from: Encore Magazine. Reed Business. AFI Research Collection, RMIT University. (14 June 2007). <http://www.encoremagazine.com.au/articles/76/0C041676.aspx>

Call No: 30(94) REI
Author: Reid, Mary Anne
CorpAuthor: Australian Film Commission
Place: Sydney
Publisher: Australian Film Commission
PubDate: 1999
Subject: DISTRIBUTION. AUSTRALIA; ADVERTISING FOR FILMS. AUSTRALIA; STATISTICS. AUSTRALIA; EXHIBITION. AUSTRALIA; HEAD ON (AT, Ana Kokkinos, 1998); CRAIC, THE (AT, Ted Emery, 1998)

CorpAuthor: Board of Trade
Place: London
Publisher: His Majesty's Stationery Office
PubDate: Novemebr 1949
PhysDes: 64 p. ; 25 cm
Subject: DISTRIBUTION. UK; EXHIBITION. UNITED KINGDOM

Author: Wade, Ewart
PhysDes: Article
Subject: BUDGETING. AUSTRALIA; DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; STORK (AT, Tim Burstall, 1971); THEY&#039;RE A WEIRD MOB (AT, Michael Powell, 1966)
Summary: Examines the issues relating to the distribution and exhibition of film in Australia
Notes: p. 11-12 are loose

PhysDes: Article
Subject: DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA
Summary: Statement following meeting between distributors and exhibitors convened by FEDCAC.

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Fenech, Stephen
Subject: DISTRIBUTION. DVD. AUSTRALIA; DVD, FILMS ON; HOME EXHIBITION. AUSTRALIA
Summary: An in-depth look at the growth of DVD popularity in Australia. Lots of useful facts here!
Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). <http://global.factiva.com>

Call No: 201(4) JAC
Author: Jackel, Anne
CorpAuthor: BFI
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2003
PhysDes: 168 p.. ill.. 24 cm.
Series: International screen industries
Subject: INDUSTRY, FILM. EUROPEAN COUNTRIES; FINANCING. EUROPEAN COUNTRIES; COPRODUCTION. EUROPEAN COUNTRIES; ART CINEMA. EUROPEAN COUNTRIES; STATE AND THE CINEMA. EUROPEAN COUNTRIES; TELEVISION AND THE CINEMA. EUROPEAN COUNTRIES; PRODUCTION. EURPOEAN COUNTRIES; DISTRIBUTION. EUROPEAN COUNTRIES; EXHIBITION. EUROPEAN COUNTRIES; BOX OFFICE
Notes: Includes bibliographical references and index
ISBN: 0-85170-948-6

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EXHIBITION (UK, Joanna Hogg, 2013)

Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: EXHIBITION. AUSTRALIA
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Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: EXHIBITION. CHINA

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: EXHIBITION. MELBOURNE

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: EXHIBITION. NEW ZEALAND

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: EXHIBITION OF SILENT FILMS

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: EXHIBITION. USA

Call No: MICROFILM - 24 Oct. 1923 - 8 Sept. 1926
Source: AT
Place: Sydney, N.S.W.
Publisher: Famous Lasky Film Service
PubDate: 1923-1926
Subject: EXHIBITION. AUSTRALIA; EXHIBITION. NEW ZEALAND; EXHIBITION OF SILENT FILMS
Notes: --"Devoted to the interests of the motion picture in Australia and New Zealand."--cover; --Description based on: v.2, no. 1 (2 Jan. 1924)

Call No: 771(94) MOD
Author: Modern Image Makers Association
Source: AT
Place: Melbourne
Publisher: MIMA
PubDate: 1988
PhysDes: 48 p. ; 30 cm
Subject: ART AND THE CINEMA; ART CINEMA. AUSTRALIA; EXHIBITION. AUSTRALIA; EXPERIMENTAL FILMS. AUSTRALIA; MONDO FILMS; MARTIN, ADRIAN; CANTRILL, ARTHUR &amp; CORINNE; GIBSON, ROSS; ALEXANDER, GEORGE
Summary: Program for the Experimenta exhibition 1988. Includes short essays from various performers and presenters as well as the list of exhibits and exhibiting artists
Notes: State Film Theatre, City Gallery, 200 Gertrude Street Gallery, Australian Centre for Contemporary Art, National Gallery of Victoria
ISBN: 731641730
Contents: Experimenta Program -- Theatrical -- Performance -- Installation -- Seminars; Project: last written words -- Hello comrade: Adrian Martin -- Last and first words: Fiona Mackie -- Some thoughts on the practice of film as art in Australia: Arthur Cantrill -- I used to speak French: Ross Gibson -- Against the grain: Kris Hemensley -- Mondo video: George Alexander --; Exhibiting artists; Experimenta at a glance

Author: Cryle, Denis; Johansen, Grace
PhysDes: Article
Subject: BIRCH CARROLL AND COYLE; AUDIENCES. AUSTRALIA; EXHIBITION. AUSTRALIA; REGIONAL EXHIBITION. AUSTRALIA; HISTORY OF CINEMA. AUSTRALIA; ADVERTISING FOR FILMS. AUSTRALIA
Summary: The authors examine the first decade of the Birch Carroll and Coyle consortium, focusing on its regional Wintergarden theatre chain and on its stated objective of bringing metropolitan sophistication to regional centres, in a period of industry optimism which coincided with the construction of its Wintergarden theatres throughout Queensland. The article draws on local print sources and interview material in order to explain and confirm the social appeal of cinema-going across a range of regional sites. The exploitation campaigns organized and coordinated by Birch Carroll and Coyle's regional and state managers in the midst of moral opposition, government regulation and press criticism, both before and after the advent of the talkies, is examined. Drawing extensively from industry journals of the period, the authors argue that press publicity, along with local stunts and staged events, formed an integral part of Birch Carroll and Coyle's concerted strategy to sell its Hollywood product and offset ongoing criticism within government and local communities. In conclusion, they examine the impact of the Depression on the industry in Queensland, including regional audiences, and assess its impact on Birch Carroll and Coyle's subsequent regional theatre publicity campaigns. -- Abstract

Call No: 175(94)FIL FIL
Source: AT
Place: Melbourne
Publisher: Victorian College of the Arts
PubDate: [1982]
PhysDes: [11] p. : ill. ; 30 cm
Subject: ART CINEMA. AUSTRALIA; EXPERIMENTAL FILMS. AUSTRALIA; TRAVELLING EXHIBITION; VICTORIAN COLLEGE OF THE ARTS, SCHOOL OF FILM AND TELEVISION
Summary: Programme listing of the different films and filmmakers featured within the 'Film as Art' exhibition (which toured around Australia). Filmmakers listed include: Sue Ford, John Dunkley-Smith, Mike Parr, William Anderson, (aka. Tch Tch Tch) (Some lost advertisements), Ivan Durrant, Paul Winkler, Arthur and Corinne Cantill, Dirk de Bruyn, Jonas Balsaitas, George Gittoes

Call No: 62(081) HAR
Author: Harbord, Janet
Source: UK
Place: London
Publisher: Sage Publications
PubDate: 2002
PhysDes: 182 p. ; 25 cm
Subject: EXHIBITION; FESTIVALS; ADVERTISING FOR FILMS; PRODUCTION; AESTHETICS; FILM CULTURE
Summary: "In Film cultures, Janet Harbord looks at the ways in which film connects us to social, spatial, and temporal networks of exchange and meaning. Harbord argues that the space in which we view films, whether it be a multiplex, an art house or our own home, as well as the way in which we view them, as either singular objects or hypertexts linked to an almost infinite variety of other products, connects us to a particular film culture. Shifting the focus of film analysis from the text to the paths of circulation, Film cultures invites us to explore the ways in which film connects us to specific social, national, and global networks."
Notes: Includes bibliographical references (p. [164]-176) and index
ISBN: 0761965211
Contents: Introduction - Chapter 1 Breaking with the aura? Film as object or experience -- Chapter 2 Spatial effects: film cultures and sites of exhibition -- Chapter 3 Film festivals: media events and spaces of flow -- Chapter 4 Marketing films and audiences -- Chapter 5 Postmodern praxes: production on the national and global stage -- Chapter 6 Aesthetic encounters -- Chapter 7 Digitalization and its discontents -- References -- Index

Call No: SUBJECT CLIPPINGS FILE; DEMAND.FILM
Author: Redrup, Yolanda
PhysDes: Clippings File Article
Subject: DEMAND.FILM; TUGG; EXHIBITION. AUSTRALIA
Summary: New film screening on demand website called Demand.film will be run by the team that has reliquished the rights to the Australian version of Tugg

Call No: SUBJECT CLIPPINGS FILE; BOX OFFICE. CHINA
Author: Burkitt, Laurie
PhysDes: Clippings File Article
Subject: CITY OF SADNESS, A [; EXHIBITION. CHINA; DISTRIBUTION. CHINA; BOX OFFICE. CHINA; IP MAN 3 [YIP MAN 3] (HK, Wilson Yip, 2015)
Summary: Report on a scandal in the Chinese film industry where the film distributor Dayinmu Film Distribution was caught inflating ticket sales for the film IP MAN 3

Call No: 71(410)FIL
CorpAuthor: Central Office of Information
Place: London
Publisher: Reference Division, Central Office of Information
PubDate: June 1963
PhysDes: 20 p. ; 24 cm
Subject: UNITED KINGDOM; DISTRIBUTION. UK; EXHIBITION. UNITED KINGDOM

Call No: P FIL
PhysDes: 1 poster : col. ; 49 X 35 cm.
Subject: EXHIBITION. MELBOURNE; STUDENTS, FILMS MADE BY. AUSTRALIA
Summary: Image: A television on a wheeled trolley, displaying a comic book style image of a person being punched in the face. Text: ' RMIT Union Arts present- film & video perform. The 4th annual exhibition of works from media & arts students from Rusden College, Phillip Institute, Melb C.A.E. and RMIT...'
Notes: Poster is curled, corners are bent.
ID2: 135

Call No: MICROFILM - Vol. 1, no 1 (Sept 1926) - February 1973
Source: AT
Place: Sydney
Publisher: Film Weekly
PubDate: 1926-1973
Subject: INDUSTRY, FILM. AUSTRALIA; EXHIBITION. AUSTRALIA; DISTRIBUTION. AUSTRALIA
ISSN: 0015-1467

Call No: P FOC
Place: AT
PhysDes: 2 posters : b&w. ; 60 x 42 cm
Subject: CARDINALE, CLAUDIA; AUSTRALIAN CENTRE FOR THE MOVING IMAGE [ACMI]; EXHIBITION. AUSTRALIA; FESTIVALS. MELBOURNE
Summary: Image: Claudia Cardinale smiling; predominantly black ground. Text: "The most glamorous screen star to emerge out of 1960s Italian cinema, graduating from 'Italian Bardot' to the indesputed darling of auteurs from Visconti and Fellini to Leone"
ID2: 44

Call No: TITLE CLIPPINGS FILE; STAR WARS: THE FORCE AWAKENS (US, J.J. Abrams, 2015)
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: EXHIBITION. AUSTRALIA; BOX OFFICE. AUSTRALIA; STAR WARS: THE FORCE AWAKENS (US, J.J. Abrams, 2015)
Summary: Report on the massive box office takings for STAR WARS: THE FORCE AWAKENS and how it has claimed the opening weekend box office record for Australia

Call No: DVD RESEARCH FOLDER
Author: Staff writers
Subject: EXHIBITION. SOUTH AFRICA; TAXES. SOUTH AFRICA
Notes: accessed from: Encore Magazine. Reed Business. AFI Research Collection, RMIT University. (14 June 2007). <http://www.encoremagazine.com.au/articles/68/0C0D768.aspx>

Author: Walsh, Mike
PhysDes: Article
Subject: INDIAN CINEMA; INDUSTRY, FILM. AUSTRALIA; PRODUCTION DEALS. AUSTRALIA; EXHIBITION. AUSTRALIA; DISTRIBUTION. AUSTRALIA
Summary: The writer tracks the performance of Indian films at the Australian box office and argues that their presence and positioning in Australian cinema challenges traditional notions of the limits of diasporic cinema.--Provided by publisher

Call No: 71(430) GER
Author: Bergfelder, Tim; Carter, Erica; Gokturk, Deniz
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 2002
PhysDes: xi 291p. : illus. : 25cm
Subject: EXHIBITION; UFA; GOVERNMENT AID. GERMANY; GOVERNMENT CONTROL; GERMANY; HISTORY OF CINEMA; CULTURE AND THE CINEMA; HEIMAT FILMS; COMEDIES. GERMANY; CRIME FILMS; HOMOSEXUALITY AND THE CINEMA; POLITICS AND THE CINEMA; HISTORY OF CINEMA; DIETRICH, MARLENE; LANG, FRITZ; LUBITSCH, ERNST; MUELLER-STAHL, ARMIN; OTTINGER, ULRIKE; RUHMANN, HEINZ; NIBELUNGEN, DIE (G, Fritz Lang, 1922-24)
Notes: Includes bibliography and resources and index
ISBN: 085170946X

Call No: 201(94) AUS
Author: Spear, Peta, 1959
CorpAuthor: Australian Film Commission
Edition: 1st edition
Source: AT
Place: North Sydney
Publisher: The Commission
PubDate: 1989
PhysDes: 248 p. : ill. (some col.), ports. ; 26 cm
Subject: AUDIENCE RESEARCH. AUSTRALIA; AUDIENCES. AUSTRALIA; ADVERTISING FOR FILMS; DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA; FILM STUDY AND RESEARCH. AUSTRALIA; FUNDING. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; LABOUR. AUSTRALIA; PRODUCTION. AUSTRALIA
Summary: "GET THE PICTURE is the most comprehensive collection of useful data on Australian film available today. One of the aims of the book its to enhance existing and future data collection by demonstrating what is currently known and what is waiting to be discovered. This book grew out of AUSTRALIAN FILM DATA, first published in 1988, which was the first extensive collection of statistics on Australian film, television, and video." [Taken from Preface]
Notes: Bibliography: p. 241-247
ISBN: 0642147922 : $17.00
LON: abn89211365; 6583792

Call No: 201(94) AUS
CorpAuthor: Australian Film Commission
Edition: 3rd ed
Place: Sydney
Publisher: Australian Film Commission
PubDate: 1994
PhysDes: 240 p. : ill., ports. ; 25 cm
Subject: AUDIENCE RESEARCH. AUSTRALIA; AUDIENCES. AUSTRALIA; ADVERTISING FOR FILMS; DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA; FILM STUDY AND RESEARCH. AUSTRALIA; FUNDING. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; LABOUR. AUSTRALIA; PRODUCTION. AUSTRALIA
Summary: "The aim of GET THE PICTURE is to collate useful data on the Australian film, TV and video industries to assist in the research, analysis and promotion promotion oif these industries." [Taken from Introduction]
Notes: Includes bibliographical references and index
ISBN: 0642202443
LON: abn94109155; 10801082

Call No: 201(94) AUS REF
Author: Curtis, Rosemary; Gray, Cathy
CorpAuthor: Australian Film Commission
Edition: 5th ed
Place: Sydney
Publisher: Australian Film Commission
PubDate: 1998
PhysDes: vi, 330 p. : ill., ports, ; 25 cm
Subject: INDUSTRY, FILM. AUSTRALIA; EXHIBITION. AUSTRALIA; STATISTICS. AUSTRALIA; DISTRIBUTION. AUSTRALIA; BOX OFFICE. AUSTRALIA; AUDIENCES. AUSTRALIA
ISBN: 0642487111
LON: 20006001

Call No: 201(94) AUS
Author: Gray, Cathy (ed.); Curtis, Rosemary (ed.)
CorpAuthor: Australian Film Commission
Edition: 6th edition
Source: AT
Place: Sydney
Publisher: Australian Film Commission
PubDate: c2002
PhysDes: vi, 338 pages; 25 cm
Subject: AUDIENCE RESEARCH. AUSTRALIA; AUDIENCES. AUSTRALIA; ADVERTISING FOR FILMS; DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA; FILM STUDY AND RESEARCH. AUSTRALIA; FUNDING. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; LABOUR. AUSTRALIA; PRODUCTION. AUSTRALIA; PRODUCTION
Summary: "Well-presented and exhaustive, this book is essential reading for anyone wanting to do business in Australia in this area." SCREEN DIGEST - BOOK BACK COVER
Notes: "January 2002"--Verso t.p; Includes bibliographies and indexes; Also available via the World Wide Web
ISBN: 0958015201
Contents: -- industry overview -- what Australians are making -- what Australians are watching -- Australia and the world -- information --

Call No: 201(73) GLO
Author: Miller, Toby.; Govil, Nitin; McMurria, John; Maxwell, Richard
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 2001
PhysDes: 279 p. : ill. ; 25 cm
Subject: COPRODUCTION; DISTRIBUTION; EXHIBITION; ADVERTISING FOR FILMS; AUDIENCES; GATT; INDUSTRY, FILM. USA
Notes: Includes bibliographical references (p. [220]-271) and index.
ISBN: 0851708455

Call No: 71(411) MAR
Author: Martin, Andrew
CorpAuthor: NMS Publishing Limited; Royal Museum
Source: UK
Place: Edinburgh
Publisher: NMS Publishing Limited; Royal Museum
PubDate: 2000
PhysDes: viii, 134 p. : ill. ; 20 cm
Series: Scotland's Past in Action
Subject: SCOTLAND; HISTORY OF CINEMA. SCOTLAND; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. SOUND PERIOD; HISTORY OF CINEMA. TRANSITION SILENT-SOUND; HISTORY OF EXHIBITION. SCOTLAND; ORAL HISTORIES; CHILDREN AND THE CINEMA. SCOTLAND; CINEMAS. SCOTLAND; EXHIBITION. SCOTLAND; EXHIBITION OF SILENT FILMS. SCOTLAND; MEMORABILIA; Metro-Goldwyn-Mayer; EALING STUDIOS; BRIGADOON (US, Vincente Minnelli, 1954)
Summary: "Take your seat ... sit back and relax ... as we whisk you back to the days of art deco palaces and local fleapits. To celebrate the 20th century's most popular art form, we feature the voices of cinema-goers from all over Scotland as they recollect the Silent days, the novelty of Talkies, secretive courting in the balconies, noisy children at matinees - and through it all, the sheer glamour of the Stars. We take you from Holyrood to Hollywood, starring Claudette Colbert, Gary Cooper and Betty Grable, and Odeons and Regals the length and breadth of Scotland." (Taken from back cover)
Notes: Includes filmography, further reading
ISBN: 1901663442

Call No: 44(94) BER
Author: Bertrand, Ina, 1939
Place: Melb.
PubDate: 1973
Subject: CENSORSHIP. AUSTRALIA; HISTORY OF EXHIBITION. AUSTRALIA
LON: 4127023

Author: Smith, John
PhysDes: Article
Subject: MOTION PICTURE EXHIBITORS ASSOCIATION OF QUEENSLAND; EXHIBITION. AUSTRALIA; BIRCH CARROLL AND COYLE
Summary: John Smith's (General Manager, Birch Carroll & Coyle) response to the MPEAQ mini-convention.

Call No: 301.1-4(94+495) YIA
Author: Yiannoudes, Peter M.
Edition: English edition
Source: AT
Place: Melbourne, Australia
Publisher: Yiannoudes, Peter M.
PubDate: 2010
PhysDes: 190 p. : ill. ; 25 cm
Subject: AUSTRALIA; GREECE; HISTORY OF CINEMA. AUSTRALIA; HISTORY OF CINEMA. GREECE; EXHIBITION. AUSTRALIA; DISTRIBUTION; YIANNOUDES, PETER M.
Summary: "This book celebrates the 50 years of my prescence and work in Australia in the area of entertaining business for the Greek-Australian community and beyond. It also manifests the pleasure I had in working with people in Greece, Cyprus, Australia and New Zealand in order to promote Greek Cinema as an important aspect in the life of Greek migrants, especially during the post-World War II period, when the chain migration movement from Greece and Cyprus to Australia reached its highest point. With this book, I record, evidence and bring to the attention of interested people unknown stories in the entertaining business in Australia and New Zealand. For Greek migrants of the late 50's and 60's, watching Greek movies was not just a way of amusing themselves, but a way of staying in touch with their homeland, its language and culture. " -- BOOK BLURB
Notes: Published by author; This is the English edition
ISBN: 9789963681204
Contents: -- acknowledgements -- dedication -- preface -- prologue -- chapter 1: the beginning is the half of everything -- chapter 2: Greek cinema and the Greek community -- chapter 3: beginning -- chapter 4: how and by whom were films brought to Australia -- chapter 5: our contacts with producers in Greece -- chapter 6: cinematic activities- new world film entertainment -- chapter 7: Greek film theatre venues -- chapter 8: screenings in the outback with a projector -- chapter 9: New Zealand -- chapter 10: advertising and promotion of films -- chapter 11: the most popular films in Australia -- chapter 12: Greek artists and their tour in Australia -- chapter 13: video and cinema -- chapter 14: other non-Greek films -- chapter 15: Mikis Theodorakis in Australia -- finale -- appendix 1 -- appendix 2 -- epilogue -- bibliography -- photo index in Greek edition --

Call No: 301.1-4(94+495) YIA
Author: Yiannoudes, Peter M.
Edition: 1st
Source: AT
Publisher: Touch Editions
PubDate: 2009
PhysDes: 256 p. : ill. (some col.), 29 cm
Subject: AUSTRALIA; GREECE; HISTORY OF CINEMA. AUSTRALIA; HISTORY OF CINEMA. GREECE; EXHIBITION. AUSTRALIA; DISTRIBUTION; YIANNOUDES, PETER M.
Summary: "This book celebrates the 50 years of my prescence and work in Australia in the area of entertaining business for the Greek-Australian community and beyond. It also manifests the pleasure I had in working with people in Greece, Cyprus, Australia and New Zealand in order to promote Greek Cinema as an important aspect in the life of Greek migrants, especially during the post-World War II period, when the chain migration movement from Greece and Cyprus to Australia reached its highest point. With this book, I record, evidence and bring to the attention of interested people unknown stories in the entertaining business in Australia and New Zealand. For Greek migrants of the late 50's and 60's, watching Greek movies was not just a way of amusing themselves, but a way of staying in touch with their homeland, its language and culture. " -- BOOK BLURB
Notes: Includes bibliographical references (p. 216) and index; Text and captions in Greek and English; This edition mainly in Greek
ISBN: 9789963681204
Contents: -- dedication -- a few words -- preface -- introduction -- chapter 1: a job started is half done -- chapter 2: Greek cinema and the Greek community -- chapter 3: the start -- chapter 4: importers of Greek films in Australia -- chapter 5: our contact people in Greece -- chapter 6: activities -- chapter 7: the venues where we screened Greek films -- chapter 8: moving around Australia with a projector -- chapter 9: New Zealand -- chapter 10: advertising and promotion of films -- chapter 11: the most commercial and popular films -- chapter 12: Greek artists and their tours in Australia -- chapter 13: video vs. cinema -- chapter 14: importing non-Greek movies -- chapter 15: the tour of Mikis Theodorakis in Australia -- the end -- bibliography -- acknowledgements -- appendicies -- index --

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: HISTORY OF EXHIBITION. AUSTRALIA

Call No: 45:93 HIS
Author: O&#039;Regan, Tom, 1956; Shoesmith, Brian
CorpAuthor: Australian History and Film Conference (3rd :, 1985 : Perth (W.A.)); History and Film Association of Australia (W.A.)
Place: Perth, [W.A.]
Publisher: History and Film Association of Australia (W.A.)
PubDate: 1987
PhysDes: 180 p. ; 30 cm
Subject: HISTORY AND THE CINEMA; HISTORICAL FILMS; EUROPEAN COUNTRIES; FRANCE; INDIA; JAPAN; COMMONWEALTH FILM UNIT; HISTORY OF EXHIBITION. AUSTRALIA; AUSTRALIA. 1970&#039;s; FASCISM AND THE CINEMA; MARXISM AND THE CINEMA; Grierson, John; CHAUVEL, CHARLES; HEIMAT [TV] (GW, Edgar Reitz, 1984); SHOAH (FR/SZ, Claude Lanzmann, 1985); SEE IT NOW (US, Edward Murrow, 1954?); ROMAN SCANDALS (US, Frank Tuttle, 1933); ASSAULT ON SALAMAUA (AT, 1943); FORTINI/CANI (IT, Jean-Marie Straub &amp; Daniele Huillet, 1976)
Notes: Cover subtitle : Proceedings of the 3rd History and Film Conference, Perth, 1985
ISBN: 0729800563 (pbk.)
LON: 5567713

Call No: 302(73:729.1)
Author: Feeney, Megan
Source: US
Place: Chicago
Publisher: The University of Chicago Press
PubDate: 2019
PhysDes: viii, 320 pages: black and white illustrations; 23 cm.
Subject: CUBA; CHAPLIN, CHARLES; CAPRA, FRANK; DISTRIBUTION; EXHIBITION; FILM NOIR; KAZAN, ELIA; Metro-Goldwyn-Mayer; PARAMOUNT STUDIOS; WARNER BROS.; GREAT DICTATOR, THE (US, Charles Chaplin, 1940); VIVA ZAPATA (US, Elia Kazan, 1952); TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948); [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939); FACE IN THE CROWD, A (US, Elia Kazan, 1957)
Summary: "From the turn of the twentieth century through the late 1950s, Havana was a locus for American movie stars, with glamorous visitors including Errol Flynn, John Wayne, and Marlon Brando. In fact, Hollywood was seemingly everywhere in pre-Castro Havana, with movie theaters three to a block in places, widely circulated silver screen fanzines, and terms like “cowboy” and “gangster” entering Cuban vernacular speech. Hollywood in Havana uses this historical backdrop as the catalyst for a startling question: Did exposure to half a century of Hollywood pave the way for the Cuban Revolution of 1959? Megan Feeney argues that the freedom fighting extolled in American World War II dramas and the rebellious values and behaviors seen in postwar film noir helped condition Cuban audiences to expect and even demand purer forms of Cuban democracy and national sovereignty. At the same time, influential Cuban intellectuals worked to translate Hollywood ethics into revolutionary rhetoric—which, ironically, led to pointed critiques and subversions of the US presence in Cuba. Hollywood in Havana not only expands our notions of how American cinema was internalized around the world—it also broadens our view of the ongoing history of US-Cuban interactions, both cultural and political." -- Back cover.
Notes: Includes bibliographical references and index.
ISBN: 9780226593692
Contents: Introduction. Looking up: Hollywood and revolutionary Cuban nationalism -- The film business that unites: early US cinema in Havana, 1897-1928 -- Teaching eyes to see: the advent of Cuban film criticism, 1928-1934 -- Our men in Havana: Hollywood and good neighborly bonds, 1934-1941 -- You are men! fight for liberty! Hollywood heroes and the pan-American bonds of World War II -- Breaking the chains: Hollywood noir in postwar Havana, 1946-1952 -- Rebel idealism: Hollywood in Havana during the Batistato, 1952-1958 -- Epilogue: the show goes on: Hollywood in Havana after 1958.

Call No: 201(73) WAS
Author: Wasko, Janet
Place: Cambridge, U.K.
Publisher: Polity Press
PubDate: 1994
PhysDes: x, 308 p. ill. ; 23cm
Subject: USA; TECHNOLOGY AND THE CINEMA. USA; DISTRIBUTION. USA; PRODUCTION. USA; STUDIOS, FILM. USA; PAY TV. USA; INTERNATIONAL DISTRIBUTION. USA; CABLE TV. USA; INDUSTRY, VIDEO. USA; EXHIBITION. USA; COMPUTERS AND THE CINEMA. USA; INDUSTRY, FILM. USA; TECHNICAL DEVELOPMENTS. USA; PRODUCT PLACEMENT; MURDOCH, RUPERT; NEWS CORPORATION; TWENTIETH CENTURY-FOX; ORION PICTURES; PARAMOUNT STUDIOS; UNIVERSAL PICTURES; WALT DISNEY PRODUCTIONS; TIME WARNER
Notes: Includes index; Bibliography: p. [255]-301
ISBN: 0745603181; 074560319X (pbk.)
LON: 11620231

PhysDes: Focus Issue
Subject: TAXES. AUSTRALIA; AUSTRALIAN FILM COMMISSION; NEW SOUTH WALES FILM CORPORATION; SOUTH AUSTRALIAN FILM CORPORATION; FILM VICTORIA; NATIONAL FILM AND SOUND ARCHIVE; AUSTRALIAN BROADCASTING COMMISSION; HOYTS; EXHIBITION. AUSTRALIA; DISTRIBUTION. AUSTRALIA; TELEVISION. AUSTRALIA; SPECIAL EFFECTS. AUSTRALIA; ADVERTISING FOR FILMS. AUSTRALIA; ACTORS EQUITY AUSTRALIA; AUSTRALIAN WRITERS GUILD; GREATER UNION; AUSTRALIAN FILM INSTITUTE; GOVERNMENT AID. AUSTRALIA
Summary: A series of articles featured in a special edition section of 'The Hollywood Reporter' relating to the Australian film and television industries of 1988. With Division 10BA failing and the world stockmarket crash much attention is payed to the future of film and television financing in Australia. There are articles on each of the states and territories film bodies, the current state of Actors' Equity Australia, the Australian Writers' Guild, and the National Film and Sound Archive. Phillip Adams, Kim Williams, Antony Ginnane, Yoram Gross, and David Williamson have all been consulted for various articles.

Call No: 71(512.317) LAW
Author: Law Kar; Bren Frank
Source: US
Place: Lanham, Maryland
Publisher: Scarecrow Press, Inc.
PubDate: 2004
PhysDes: xviii, 375 p. ; 24 cm
Subject: CITY OF SADNESS, A [; WOMEN IN FILMS. CHINA; WOMEN IN FILMS. HONG KONG; ASIAN COUNTRIES; EXHIBITION. CHINA; PRODUCTION ASIA; ENG ESTHER
Summary: Starting with the first “Western shadow plays” shown in the late 1890s, motion pictures have played a significant role in China’s cultural existence for more than a century. Initially centered in Shanghai, Chinese cinema boomed in Hong Kong in the 1930s, aided by the advent of talkies and the influx of talent and investment from mainland China, Southeast Asia, and America. From the late 1940s, Hong Kong supplanted Shanghai as the “Hollywood of China”. In Hong Kong Cinema: A Cross-Cultural View, authors Law Kar and Frank Bren follow the story from Hong Kong’s early silent, Chuang Tsi Tests His Wife, through the martial arts craze of the 1970s, to the medium’s continued appeal for contemporary international audiences. Rather than provide a sweeping history, the authors focus on the impact of individual personalities, particularly local filmmakers and movie stars. They also consider Eastern and Western influences and examine major developments, including the changing role of women. By profiling key figures and events of the 20th century, this overview is the perfect introduction for anyone interested in Hong Kong’s contribution to world cinema. [Taken from back cover.]
ISBN: 0810849860

Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIA
Author: McGuinness, P. P.
PhysDes: Clippings File Article
Subject: INDUSTRY, FILM. AUSTRALIA; EXHIBITION. AUSTRALIA; NEW SOUTH WALES THEATRES AND FILM COMMISSION
Summary: Second in a series of articles looking at the state of the Australian film industry in 1972. Arguement here is that the exhibition of films in Australia are linked to two major companies, Hoyts and Greater Union, and this is stifiling the development of Australian film production. Includes close examination of the NSW Theatres and Films Commission
Notes: located in the INDUSTRY, FILM. AUSTRALIA. 1972 clippings file

Call No: 209 HOW
Author: Byron, Paul; Curry, Ben; Eltham, Ben; Foong, Rowena; Frost, Damien; Healy, Sean; Katz, Lally; Kulbicki, Michal; Kukuchka, Susan; O&#039;Reilly, Rachel; Terry, Louise; Westbury, Marcus
CorpAuthor: Australia Council
Source: Australia Council
Place: Sydney, NSW
Publisher: Australia Council
PubDate: 2004
PhysDes: 174 p ; 21 cm
Subject: INDUSTRY, FILM. AUSTRALIA; EXHIBITION. AUSTRALIA; LABOUR
Summary: How to do an arts project, where to get help (H2W2- How to, Where to) is the perfect toolkit, providing the absolute lowdown on getting projects up and running. It has advice on everything from the initial flash of inspiration to taking the final bow and all tricky bits in between. The H2W2 guide is practical and action-driven, showing young people how to develop their ideas, manage projects well and move on to the next one. It has lists of contacts for advice and help, and it will assist young people develop skills to be a manager, artistic director, negotiator, public relations officer and fundraiser.
ISBN: 1920784225

Call No: 207(94) HOYTS
Source: AT
PubDate: 1987
PhysDes: 58 pages: illustrations; 30 cm
Subject: HOYTS; EXHIBITION. AUSTRALIA; DISTRIBUTION. AUSTRALIA; VAL MORGAN
Summary: Prospectus for stock market exchange listing for Hoyts Entertainment Limited, a company with a speciality in cinema exhibition, distrubtion, and advertising, as well as holdings in radio and video production in Australia
Notes: Underwriter and sponsoring broker: Bain & Company; 6-10 O'Connell Street; Sydney NSW 2000

Call No: TITLE CLIPPINGS FILE; DUMB CRIMINALS: THE MOVIE (AT, Paul Fenech, 2015)
Author: Roach, Vicky
PhysDes: Clippings File Article
Subject: TUGG; EXHIBITION. AUSTRALIA; FENECH, PAUL; DUMB CRIMINALS: THE MOVIE (AT, Paul Fenech, 2015)
Summary: Report on the film DUMB CRIMINALS, and how it is going to be screened at cinemas by using the film exhibition booking service Tugg

Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIA
Author: McGuinness, P. P.
PhysDes: Clippings File Article
Subject: INDUSTRY, FILM. AUSTRALIA; DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA
Summary: First of a series of articles looking at the state of the Australian film industry in 1972. Focus here is in relation to film distribution in Australia and its control by American companies.
Notes: located in the INDUSTRY, FILM. AUSTRALIA. 1972 clippings file

Author: Connolly, Robert
PhysDes: Article
Subject: INDEPENDENT EXHIBITION. AUSTRALIA; CINEMAS. AUSTRALIA. STATE (NSW); INDEPENDENT DISTRIBUTION. AUSTRALIA
Summary: Discussion of the state of independent cinemas and exhibition in Australia in the late 1980s, including analysis of types of film shown and links with Australian independent filmmakers.

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: INDEPENDENT EXHIBITION. AUSTRALIA

Call No: SUBJECT CLIPPINGS FILE; TUGG
Author: Aubrey, Sophie
PhysDes: Clippings File Article
Subject: EXHIBITION. AUSTRALIA; TUGG
Summary: Tugg is looking to arrange 'indie' movie nights at cinemas on Mondays and Wednesdays in Australia