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Call No: REFERENCE SECTION; 03 KEA
Author: Keating, Chris; Moran, Albert
Place: Lanham, MD
Publisher: Scarecrow Press
PubDate: c2007
PhysDes: xlii, 505 p. ; 22 cm.
Series: A to Z guide series
Subject: BROADCASTING; BROADCASTING. AUSTRALIA
Summary: " The A to Z of Australian Radio and Television provides essential facts and information concerning the Australian radio and television industry through a chronology, a list of acronyms and abbreviations, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on directors, producers, writers, actors, television and radio series, and television and radio stations. " BOOK BLURB
Notes: Originally published in 2007 as Historical dictionary of Australian radio and television.; Includes bibliographical references (p. 399-504)
ISBN: 9780810868564
Contents: -- editors foreword: Jon Woronoff -- preface -- reader's note -- acronyms and abbreviations -- chronology -- introduction -- the dictionary -- bibliography -- about the authors --
URL status: URL: 'https://ebookcentral.proquest.com/lib/rmit/detail.action?docID=467209' Checked: 31/08/2021 1:20:55 PM Status: Moved Details: HTTP status 302 - Moved temporarily

Call No: 71(94) AUS
Author: Moran, Albert, 1942; O'Regan, Tom, 1956
Place: Sydney
Publisher: Currency Press
PubDate: 1985
PhysDes: 391 p. ; 21 cm
Series: Australian screen
Subject: FEMINISM AND THE CINEMA. AUSTRALIA; DOCUMENTARY FILMS. AUSTRALIA; AVANT-GARDE FILMS. AUSTRALIA; SUPER-8 MM FILMS. AUSTRALIA; WOMEN IN FILMS. AUSTRALIA; BERESFORD, BRUCE; WEIR, PETER; CHAUVEL, CHARLES; Grierson, John; HALL, KEN G.; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); GALLIPOLI (AT, Peter Weir, 1981); SCHOOL IN THE MAILBOX (AT, Stanley Haews, 1946?); FROM THE TROPICS TO THE SNOW (AT, Richard Mason and Jack Lee, 1964); BIG COUNTRY, A (AT, 1979); LAST TASMANIAN, THE (AT, Tom Haydon, 1978); MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983); INDONESIA CALLING (AT, Joris Ivens, 1948)
Notes: Includes index; Bibliography: p. 376-379
ISBN: 086819123X (pbk.) : $24.95 Aust
LON: anb86819123; 4105507

Call No: 71(94) AUS
Author: Moran, Albert, 1942; O'Regan, Tom, 1956
Place: Ringwood, Vic.
Publisher: Penguin
PubDate: 1989
PhysDes: xvi, 304 p., 16 p. of plates : ill., ports. ; 23 cm
Subject: NATIONAL CULTURE AND THE CINEMA. AUSTRALIA
Notes: Includes index; Bibliography: p. 257-286
ISBN: 0140110240 (pbk.) : price unknown
LON: anb14011024; 6171822

Call No: REFERENCE SECTION; 025:725.31(94) AUS
Author: Moran, Albert
Source: AT
Place: Sydney
Publisher: Australian Film Television & Radio School
PubDate: 1989
PhysDes: 222 p. ; 25cm
Subject: FILMOGRAPHIES. AUSTRALIA; TELEVISION. AUSTRALIA; DRAMAS. AUSTRALIA
Notes: Includes index
ISBN: 064212163X
Language: English

Call No: 79COU TUL
Author: Tulloch, John, 1942; Moran, Albert, 1942
Place: Sydney
Publisher: Currency Press
PubDate: 1986
PhysDes: 303 p. : ill., ports. ; 21 cm
Subject: COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994); SOAP OPERAS. AUSTRALIA
Notes: Includes bibliographical references and index
ISBN: 0868191426 : $16.95 Aust
LON: anb86819142; 4595506

Author: Tulloch, John; Moran, Albert
Source: Australia
Place: Sydney
Publisher: Currency Press
PubDate: 1986
PhysDes: 21 cm ; 303 p.
ISBN: 0868191426
Donation: donated by the family of Wayne Levy, 2006

Call No: 71(94) MOR
Author: Moran, Albert; Vieth, Errol
Source: AT
Place: Port Melbourne
Publisher: Cambridge University Press
PubDate: 2006
PhysDes: xii, 219 p. ; 23 cm
Subject: GENRES. AUSTRALIA; ADVENTURE FILMS. AUSTRALIA; ART CINEMA. AUSTRALIA; BIOGRAPHICAL FILMS. AUSTRALIA; COMEDIES. AUSTRALIA; CRIME FILMS. AUSTRALIA; DETECTIVE FILMS. AUSTRALIA; HORROR FILMS. AUSTRALIA; MUSICALS. AUSTRALIA; SCIENCE-FICTION FILMS. AUSTRALIA; SOCIAL-REALISM IN FILMS. AUSTRALIA; THRILLERS. AUSTRALIA; YOUNG PEOPLE. AUSTRALIA, FILMS FOR; WOMEN IN FILMS. AUSTRALIA
Summary: Analyses Australian film from the 1970's in terms of genre.
ISBN: 0816649227

Call No: 205.1(94) FIL
Author: Moran, Albert
CorpAuthor: Griffith University. Institute for Cultural Policy Studies; Film Policy Conference (1991 : Griffith University)
Place: [Queensland], Australia
Publisher: Institute for Cultural Policy Studies, Faculty of Humanities, Griffith University
PubDate: 1994
PhysDes: iii, 193 p. ; 30 cm
Series: Special publication of the Institute for Cultural Policy Studies, Faculty of Humanities, Griffith University
Subject: STATE AND THE CINEMA. AUSTRALIA; GOVERNMENT CONTROL. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. UK; INDUSTRY, FILM. NEW ZEALAND; INDUSTRY, TV. AUSTRALIA; QUOTA. AUSTRALIA; NATIONAL CONTENT. AUSTRALIA; ABORIGINAL AUSTRALIAN CINEMA; ABORIGINAL AUSTRALIANS AND TV; MAORI CINEMA; ADVERTISING FOR FILMS. AUSTRALIA; INDEPENDENT PRODUCTION. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA : NEW SOUTH WALES; INDUSTRY, FILM. AUSTRALIA : QUEENSLAND; INDUSTRY, FILM. AUSTRALIA : SOUTH AUSTRALIA; NEW SOUTH WALES FILM AND TELEVISION OFFICE; QUEENSLAND FILM DEVELOPMENT OFFICE
Notes: "These papers were originally presented at the Film Policy Conference hosted by the Institute for Cultural Policy Studies at Griffith University in Brisbane in 1991"--Cover p. [4]; Includes bibliographical references
ISBN: 0868575453
LON: 9849431

Call No: 205 FIL
Author: Moran, Albert
Place: New York
Publisher: Routledge
PubDate: 1996
PhysDes: xvi, 285 p
Subject: GOVERNMENT CONTROL; STATE AND THE CINEMA; INDUSTRY, VIDEO. USA; DISTRIBUTION; INDUSTRY, FILM; COPRODUCTION. FRANCE; COPRODUCTION. UK; INDUSTRY, FILM. UK; INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. CANADA; INDUSTRY, FILM. LATIN AMERICAN COUNTRIES; INDUSTRY, FILM. INDIA; INDUSTRY, FILM. INDONESIA; INDUSTRY, FILM. SINGAPORE; ABORIGINAL AUSTRALIAN CINEMA; MAORI CINEMA; INDIGENOUS PEOPLE'S CINEMA. CANADA
Notes: Includes bibliographical references and index
ISBN: 0415097916 (pbk.); 0415097908 (hardcover)
LON: 12158074

Call No: REFERENCE SECTION; 03(94:931) HIS
Author: Aveyard, Karina; Moran, Albert; Vieth, Errol
Edition: Second edition
Source: AT/UK/US
Place: Lanham, Maryland
Publisher: Rowman & Littlefield
PubDate: c2018
PhysDes: xxxv, 404 pages, 8 unnumbered pages of plates : illustrations ; 24 cm
Series: Historical dictionaries of literature and the arts
Subject: AUSTRALIA; NEW ZEALAND; FILM; HISTORY OF CINEMA. AUSTRALIA; HISTORY OF CINEMA. NEW ZEALAND
Summary: " Australian Filmmakers have honed their skills and many have achieved critical and popular success at home and abroad, as have actors and other crew. American filmmakers and companies have found it cheaper to make films in Australia because wages and salaries are lower, tax rebates have been attractive and the expertise in most areas of filmmaking is comparable to that of anywhere in the world. Australian audiences make some of these films profitable, even if this is a small profit when considered in Hollywood terms. New Zealand filmmakers, cast and crew have shown that they are equal to the world's best in making films with international themes, other films have shown that the world is interested in New Zealand narratives and settings. Increased support for Maori filmmakers and stories has had a significant impact on production levels and on the diversity of stories that now reach the screen. It has also helped create more viable career paths for those who continue to be based in their home country." -- BOOK BACK COVER
Notes: Previous edition was written by Albert Moran and Errol Vieth and published by Scarecrow, 2005; Includes bibliographical references (pages 347-402)
ISBN: 9781538111260
Contents: -- editor's foreword -- preface -- reader's note -- Australia -- acronyms and abbreviations -- Chronology -- Introduction -- The dictionary -- New Zealand / Aotearoa -- Acronyms and abbreviations -- Chronology -- Introduction -- The dictionary -- bibliography -- about the authors --

Call No: 71(94) MOR
Author: Moran, Albert, 1942
Place: Sydney
Publisher: Currency Press
PubDate: 1985
PhysDes: 232 p. ; 21 cm
Series: Australian screen
Notes: Includes bibliographies and index
ISBN: 086819073X (pbk.)
LON: abn85123669; 3832634

Call No: 79BEL MOR
Author: Moran, Albert, 1942
CorpAuthor: Australian Film Institute
Place: Sydney Carlton South, Vic.
Publisher: Currency Press Australian Film Institute
PubDate: 1982
PhysDes: 175 p. : ill. ; 21 cm
Series: Australian screen
Notes: Television programmes. Drama : Bellamy. Production. Australia (ANB/PRECIS SIN 0668281); Includes index
ISBN: 0868190616 (pbk): $14.95 Aust
LON: abn83047572; 2613312

Author: Moran, Albert
CorpAuthor: Austalian Film Institute
Source: AT
Place: Sydney
Publisher: Currency Press
PubDate: 1982
PhysDes: 20 cm ; 175 p.
Series: Australian Screen
ISBN: 0868190616
Donation: donated by the family of Wayne Levy, 2006

Author: Moran, Albert; Pinne, Peter
CorpAuthor: Australian Film, Television and Radio School
Source: AT
Place: Sydney
Publisher: Allen & Unwin
PubDate: 1993
PhysDes: 20 cm ; 672 p.
ISBN: 0642184623
Donation: donated by the family of Wayne Levy, 2006

Call No: 210.4(94) MOR
Author: Moran, Albert, 1942
Place: Sydney
Publisher: Currency Press
PubDate: 1991
PhysDes: xii, 192 p., [16] p. of plates : ill., ports. ; 21 cm
Subject: AUSTRALIA; DOCUMENTARIES. AUSTRALIA; STATE AND THE CINEMA. AUSTRALIA; HEYER, JOHN; HAWES, STANLEY; AUSTRALIAN NATIONAL FILM BOARD; FILM AUSTRALIA; AUSTRALIAN FILM COMMISSION; ANNIE'S COMING OUT (AT, Gil Brealey, 1984); MAN WHO CAN'T STOP, THE (AT, Michael Rubbo, 1973); FROM THE TROPICS TO THE SNOW (AT, Richard Mason and Jack Lee, 1964)
Notes: Includes indexes; Bibliography: p. 157-165
ISBN: 0868192929 : $25.00
LON: abn91225572; 8179305

Author: Moran, Albert
Source: AT
Place: Paddington, NSW
Publisher: Currency Press
PubDate: 1991
PhysDes: xii, 192 p. : ill., 22 cm
ISBN: 0868192929
Donation: donated by the family of Wayne Levy, 2006

Call No: 205.1(94) PUB
Author: Craik, Jennifer; Moran, Albert, 1942; James Bailey, Julie
Place: St. Leonards, NSW
Publisher: Allen & Unwin
PubDate: 1995
PhysDes: xxv, 258 p. ; 22 cm
Series: Australian cultural studies
Summary: Public Voices, Private Interests examines the social and policy context of Australian media and communications in the 1990s. Dealing with both print and the broadcast media, it covers the key areas of debate: new communications technologies, deregulation, cable and pay television, major restructuring within the communications industries and Australian content requirements. It also includes chapters on community radio, SBS and Aboriginal and Torres Strait Islander media. This collection is essential reading for students in Media Studies and Politics, and anyone looking for a better understanding of our Fourth Estate
Notes: Includes bibliographical references (p. 231-250) and index
ISBN: 186373628X
LON: abn97351001; 13499968

Call No: 30(94) RES
Author: Aveyard, Karina (ed.); Moran, Albert (ed.)
Source: AT
Place: Brisbane, Queensland
Publisher: Griffith University
PubDate: 2009
PhysDes: iv, 65 p. : ill. ; 30 cm
Series: Working papers in communications ; no. 7, 2009; Working papers in communications (Griffith University. School of Arts, Media and Culture) ; no. 7, 2009
Subject: ADVERTISING FOR FILMS; AUSTRALIA; DISTRIBUTION; DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA; EXHIBITION; INDUSTRY, FILM; INDUSTRY, FILM. AUSTRALIA
Summary: "The workshop, whose edited proceedings are reprinted in this volume, was prompted by convenient accidents of place and time. Early in 2009, a mature-age student with a background in journalism asked me the rhetorical question: why was Australian cinema in decline? Pressed about the proposition contained in the question, the student pointed out that in the year 2008, only two feature films - Australia and Happy Feet - appeared to have a noticeable presence at the theatrical box office. In what has become an average figure for annual Australian production output, some 22 feature films had been released that year but only these two films seemed to have any impact so far as their marketing and audience visibility was concerned. But, of course, this view drastically simpifies the situation of what is occurring in Australian film distribution and exhibition and how that is impacting on film production. The fact is that we know little of how these elements currently operate so far as various sectors of the Australian cinema industry are concernerned. This prompted first thoughts about undertaking some form of investgation" -- Introduction
Notes: Edited proceedings of a workshop "...sponsored by Griffith University in conjunction with Screen Australia and held at the Griffith University Conservatorium of Music at South Bank in Brisbane." -- Introduction; Includes bibliographical references
ISBN: 9781921291708
Contents: -- contributors -- introduction / Albert Moran -- Australia's film and television geography / Tom O'regan -- the plight of the Australian film: traditional distribution and exhibition and the search for alternatives / Cathy Overett -- marketing and the fate of locally produced films in Australian cinemas / Peter Mageros -- the shift to digital cinema disribution and exhibition: implications for the future of Australian films / Trish FitzSimons -- rethinking cinema going in regional and rural Australia / Karina Aveyard -- dvd rental exhibition : running an independent outlet / Andrew Leavold -- community targeted distribution and Cinema Ventures Ltd / Gil Scrine -- Screen Australia and Australian Screen Culture / Susan Ward -- roundtable discussion -- appendix a: workshop program -- appendix b: presentation slides -- Australia's film and television geography / Tom O'Regan -- b2: rethinking cinema going in regional and rural Australia / Karina Aveyard -- b3: Screen Australia and Australian Screen Culture / Susan Ward --

Call No: 71(94) STA
Author: Moran, Albert, 1942
Place: Sydney
Publisher: Allen & Unwin
PubDate: 1992
PhysDes: xvi, 200 p. ; 22 cm
Series: Australian cultural studies
Subject: BROADCASTING. AUSTRALIA; TELEVISION. AUSTRALIA; RADIO AND TV. AUSTRALIA
Notes: Includes index; Bibliography: p. [192]-197
ISBN: 1863731776 (pbk.) : price unknown
LON: abn91368634; 8539681

Call No: 81GRU MOR
Author: Moran, Albert
Source: AT/US/UK
Place: Bristol, UK
Publisher: Intellect
PubDate: 2013
PhysDes: xiii, 266 p. ; 24 cm
Subject: REMAKES; TELEVISION; INTERNATIONAL BROADCASTING; PROGRAMMING. AUSTRALIA; FORMATS; GRUNDY, REG
Summary: "Since the late 1990s, when broadcasters began adapting such television shows as Big Brother, Survivor, and Who Wants to Be a Millionaire? for markets around the world, the global television industry has been struggling to come to grips with the prevalence of program franchising across international borders. In TV Format Mogul, Albert Moran traces the history of this phenomenon through the lens of Australian producer Reg Grundy's transnational career. Beginning in the late 1950s, Grundy brought non-Australian shows to Australian audiences, becoming the first person to take local productions to an overseas market. By following Grundy's career, Moran shows how adaptation and remaking became the billion-dollar business it is today" -- BOOK BLURB
Notes: Includes bibliographical references and index
ISBN: 9781841506234
Donation: Donated by Senses of Cinema, 2013
Contents: -- foreword by Toby Miller -- preface -- acknowledgments -- abbreviations -- 1. The TV format mogul -- 2. Early years: 1923-47 -- 3. Apprenticeship I: learning about broadcasting, 1947-53 -- 4. Apprenticeship II: quiz-show schooling, 1953-59 -- 5. Apprenticeship III: mastering television formats, 1959-64 -- 6. Domestic consolidation, 1964-70 -- 7. Transnational ambitions I: first moves, 1969-74 -- 8. Transnational ambitions II: retooling for domestic and offshore, 1974-79 -- 9. Transnational ambitions III: Australia, the United States and South-East Asia, 1979-85 -- 10. Transnational ambitions IV: Australia, the United Kingdom and the United States, 1985-89 -- 11. Transnational ambitions V: worldwide, 1989-95 -- 12. Buyout and beyond: since 1995 -- 13. A TV format mogul among TV format moguls -- appendix: Grundy's television and film output -- references -- index --

Call No: 76:759 TVF
Author: Moran, Albert (ed.)
Source: UK
Place: Bristol
Publisher: Intellect
PubDate: 2009
PhysDes: 332 p. : ill. ; 23 cm
Subject: TELEVISION; REALITY TV
Summary: "Beginning around 2003, television studies has seen the growth of interest in the genre of reality shows. However, concentrating on this genre has tended to sideline the even more significant emergence of the program format as a central mode of business and culture in the new television landscape. TV Formats Worldwide redresses this balance, and heralds the emergence of an important, exciting and challenging area of television studies. Topics explored include reality TV, makeover programs, sitcoms, talent shows and fiction serials, as well as broadcaster management policies, production decision chains and audience participation processes. The seminal work will be of considerable interest to media scholars internationally." -- Back cover
Notes: Includes biblographic references and index
ISBN: 9781841503066
Contents: Introduction: 'Descent and modification' / Albert Moran -- Rethinking the local-global nexus through multiple modernities : the case of Arab reality television / Marwan M. Kraidy -- When TV formats are translated / Albert Moran -- Imagining the national : gatekeepers and the adaptation of global franchises in Argentina / Silvio Waisbord and Sonia Jalfin -- Trading in TV entertainment : an analysis / Katja Lantzsch, Klaus-Dieter Altmeppen and Andreas Will -- The rise of the business entertainment format on British television / Raymond Boyle -- Collaborative reproduction of attraction and performance : the case of the reality show Idol / Yngver Njus -- Auditioning for Idol : the audience dimension of format franchising / Doris Baltruschat -- Adapting global television to regional realities : traversing the Middle East experience / Amos Owen Thomas -- How national media systems shape the localization of formats : a transnational case study of The block and Nerds FC in Australia and Denmark / Pia Majbrit Jensen -- Transcultural localization strategies of global TV formats : The office and Stromberg / Edward Larkey -- Tearing up television news across borders : format transfer of news parody shows between Italy and Bulgaria / Gabriele Cosentino, Waddick Doyle and Dimitrina Todorova -- Defining the local : a comparative study of news in Northern Ireland / Sujatha Sosale and Charles Munro -- Independent television production, TV formats and media diversity in China / Michael Keane and Bonnie Liu -- A place in the sun : global seriality and the revival of domestic television drama in Italy / Milly Buonanno -- Idol in a small country : New Zealand idol as the commoditization of cosmopolitan intimacy / Barry King -- From global to glocal : Australianizing the makeover format / Tania Lewis.

Call No: 203.94 MOR
Author: Moran, Albert; Malbon, Justin
Source: UK
Place: Portland, Or. ; Bristol, England
Publisher: Intellect Books
PubDate: 2006
PhysDes: 187 p. : ill. ; 23 cm
Subject: COPYRIGHT TV; DISTRIBUTION; PRODUCTION; FRANCHISES; VERSIONS; TRADE FAIRS; GAMES SHOWS
Summary: Examines the global television format as an entitiy in itself and describes its developmental stages from conception to distribution.
Notes: Includes appendices and index Bibliography: p. 171-180
ISBN: 1841501328

Call No: 410.81 WAT
Author: Aveyard, Karina (ed.); Moran, Albert (ed.)
Source: UK
Place: Bristol, UK ; Chicago
Publisher: Intellect
PubDate: 2013
PhysDes: 418 p. ; 23 cm
Subject: THEORY; CINEMAS; CINEMAS. UK; NEWSREELS; AUDIENCE RECEPTION; AUDIENCES; AUDIENCES THEORY; AUDIENCE RESEARCH; AUDIENCE RESEARCH. AUSTRALIA; AUDIENCE RESEARCH. UK; AUDIENCE RESEARCH. USA; AUDIENCE RECEPTION. NEW ZEALAND; AUDIENCE RECEPTION. AUSTRALIA; ITALY; NETHERLANDS; INDIA; BELGIUM; PORNOGRAPHY; INDEPENDENT FILMS
Summary: With a focus on the social, economic, and cultural factors that influence how we watch and think about movies, this volume centres its investigations on four areas of inquiry: Who watches films? Under what circumstances? What consequences and effects follow? And what do these acts of consumption mean? Responding to these questions, the contributors provide both historical perspective and fresh insights into the ways in which new viewing arrangements and technologies influence how films are watched around the world.
Notes: Includes bibliographical references and index.
ISBN: 9781841505114
Contents: Foreword : Richard Maltby -- Introduction : New perspectives on movie-going, exhibition and reception --; Part one: Theoretical perspectives -- Chapter one: Cinema, modernity and audiences: Revisiting and expanding the debate: Daniel Biltereyst -- Chapter two: What is a cinema? Death, closure and the database: Deb Verhoeven -- Chapter three: A poetics of film-audience reception? Barbara Deming goes to the movies: Albert Moran -- Chapter four: The porous boundaries of newsreel memory research: Louise Anderson -- Chapter five: Why are children the most important audience for pornography in Australia?: Alan McKee --; Part two: The film industry - systems and practices -- Chapter six: Local promotion of a 'Picture Personality': a case study of the vitagraph girl: Kathryn Fuller-Seeley -- Chapter seven: 'Calamity howling': the advent of television and Australian cinema exhibition: Mike Walsh -- Chapter eight: A nation of film-goers: audiences, exhibition and distribution in New Zealand: Geoff Lealand -- Chapter nine: The critical reception of 'Certified Copy': original art or copy of a rom-com?: Eylem Akatav; Part three: Moview theatres - from Picture Palace to the Multiplex -- Chapter ten: Movie-going in the Shenandoah Valley of Virginia: A case study of place, transportation, audiences, racism, censorship and Sunday showings: Douglas Gomery -- Chapter eleven: From Mom-and-Pop to Paramount Publix: selling the community on the benefits of national theatre chains: Jeffrey Klenotic -- Chapter twelve: A progressive city and its cinemas: technology, modernity and the spectacle of abundance: Mark Jancovich and Lucy Faire with Sarah Stubbings -- Chapter thirteen: 'They don't need me in heaven...there are no cinemas there, ye know': cinema culture in Antwerp (Belgium) and the Empire of Georges Heylen, 1945-75: Kathleen Lotze and Philippe Meers -- Chapter fourteen: from out-of-town to the edge and back to the centre: multiplexes in Britain from the 1990s: Stuart Hanson --; Part four: on the margins -- Chapter fifteen: The place of rural exhibition: makeshift cinema-going and the Highlands and Islands Film Guild (Scotland): Ian Goode -- Chapter sixteen: 'A Popcorn-free zone': distinctions in independent film exhibition in Wellington, New Zealand: Ian Huffer -- Chapter seventeen: getting to see women's cinema: Julia Knight -- Chapter eighteen: Shifting fandoms of film, community and family: Tom Phillips --; Part five: Just watching movies? -- Chapter nineteen: watching popular films in the Netherlands, 1934-36: Clara Pafort-Overduin -- Chapter twenty: Contemporary Italian film-goers and their critics: Alan O'Leary and Catherine O'Rawe -- Chapter twenty one: Imagining a 'decent crowd' at the Indian multiplex: Adrian Mabbott Athique -- Chapter twenty two: The VHS generation and their movie experiences: Janna Jones --

Author: Moran, Albert
PhysDes: Article
Subject: GENRES; WESTERNS; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); DIRTY LITTLE BILLY (US, Stan Dragoti, 1972)
Summary: Extensive article on the Western film genre, it's early roots and how it is represented in films today.