Search Catalogue

Call No: 67(94) VER
Author: By Verevis, Constantine and Williams, Deane
Place: United Kingdom
Publisher: Intellect
PubDate: 2018
Subject: EXPERIMENTAL FILM AND TELEVISION FUND; BIRTLES, FRANCIS; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); GILDA (US, Charles Vidor, 1946); FEMINISM AND THE CINEMA. AUSTRALIA; PORNOGRAPHY AND THE CINEMA. AUSTRALIA; DOCUMENTARIES. AUSTRALIA; MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985); CHAUVEL, CHARLES
ISBN: 9781783208371

Call No: 44 COC
Author: Cockington, James
Source: AT
Place: Sydney
Publisher: ABC Books for the Australian Broadcasting Corporation
PubDate: 2005
PhysDes: ix, 246 p. : ill., ports ; 24 cm
Subject: PORNOGRAPHY IN FILMS; CENSORSHIP; CENSORSHIP. AUSTRALIA; ETHICS AND THE CINEMA; ETHICS AND TV; ETHICS IN FILMS; AUSTRALIA
Summary: "Banned takes a fearless look at the weird ways of Australian wowserism. It describes landmark legal cases such as the Oz trial in 1964 and the decision to allow full-frontal nudity in the rock opera Hair in 1969. It also tackles more obscure scandals such as police raids on 'immoral' pyjama parties in Surfer's Paradise in the 1950s, the bikini police, the sacking of a 'Romper Room' presenter for wearing too revealing a dress and Gra-Gra's infamous crow call, among many absurd others in the history of polite society. " -- BOOK JACKET
ISBN: 073331502X
Contents: Contents: Great moments in obscenity -- Beyond Victoriana -- Taking the waters -- W.J. Chidley's answer -- Dirty dancing and stage kissing -- Backless Betty from Bondi -- Mr Bandparts -- Inversion and perversion -- Boult--upright -- Fun in little Bohemia -- Battle of the bikinis -- Freak show -- Moral devastation -- Sex swaps -- The knight and the witch -- Pyjama parties -- Ruth, Lenny and the Lady Chatterley word -- Toplessness -- Much ado about nothing -- Naughty little boys -- Full frontal -- Grubby gra gra -- How far is too far? -- This is too far -- Morality for the new millennium.

Author: Hayden, Syd
PhysDes: Article
Subject: PORNOGRAPHY; PORNOGRAPHIC VIDEO; PORNOGRAPHIC FILMS. AUSTRALIA; DISTRIBUTION. AUSTRALIA; PIRACY
Summary: Editorial on the mass of pornography (legal or otherwise) available on video in Australia.

Call No: 64POS SHA
Author: Shaviro, Steven
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 1993
PhysDes: x, 276 p. ; 26 cm
Series: Theory out of bounds ; v. 2
Subject: AESTHETICS; POSTMODERNISM AND THE CINEMA; PERCEPTION; MASCULINITY IN FILMS; MEN IN FILMS; PORNOGRAPHY AND THE CINEMA; BODY IN FILMS; SEX IN FILMS; WARHOL, ANDY; ROMERO, GEORGE; LEWIS, JERRY; CRONENBERG, DAVID; BRESSON, ROBERT; DELEUZE, GILLES; GUATTARI, FELIX; QUERELLE (GW/FR, Rainer Werner Fassbinder, 1982)
Notes: Includes bibliographical references (p. [268]-272) and index
ISBN: 0816622949 (PB : acid-free paper)
LON: 9656941

Call No: 62 CUL
Author: During, Simon, 1950
Place: London New York
Publisher: Routledge
PubDate: 1993
PhysDes: xi, 478 p. ; 26 cm
Subject: PORNOGRAPHY AND THE CINEMA; MULTICULTURALISM AND THE CINEMA. AUSTRALIA; SEMIOLOGY; DALLAS [TV] (US, 1978-91)
Notes: Includes bibliographical references (p. 455-467) and index
ISBN: 0415077095 (pbk.); 0415077087
LON: 9819555
URL status: URL: 'http://-' Checked: 31/08/2021 12:34:56 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 749.2 DIR
Author: Church Gibson, Pamela; Gibson, Roma
Place: London
Publisher: BFI Pub.
PubDate: 1993
PhysDes: x, 238 p. : ill. ; 24 cm
Subject: PORNOGRAPHY AND THE CINEMA; CENSORSHIP. AUSTRALIA; EROTIC FILMS; EROTIC FILMS. ASIA; EROTICISM IN FILMS; GORDON, BETTE; KAY, KARYN; KIPNIS, LAURA; Sprinkle, Annie
Notes: Includes bibliographical references and index
ISBN: 0851704034; 0851704042 (pbk.)
LON: 10014448

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ESSAY ON PORNOGRAPHY, AN (AT, Christopher Cary, 1973)

Call No: 722.71 FRE
Author: Frey, Mattias
Source: US
Place: New Brunswick, N.J.
Publisher: Rutgers University Press
PubDate: 2016
PhysDes: viii, 285 pages : illustrations ; 24 cm
Subject: ART CINEMA; AESTHETICS; VIOLENCE IN FILMS; PORNOGRAPHY; SEX IN FILMS; HANEKE, MICHAEL; VON TRIER, LARS
Summary: "From Shortbus to Shame and from Oldboy to Irreversible, film festival premieres regularly make international headlines for their schockingly graphic depictions of sex and violence. Film critics and scholars alike often regard these movies as the work of visionary auteurs, hailing directors like Michael Haneke and Lars von Trier as heirs to a tradition of transgressive art. In this provocative new book, Mattias Frey ofers a very different perspective on these films, exposing how they are also calculated products, designed to achieve global notoriety in a competitive marketplace. Extreme Cinema includes original interviews with the programmers of several leading international film festivals and with niche distributors and exhibitors, giving readers a revealing look at how these institutions enjoy a symbiotic relationship with the 'taboo-breakers' of arthouse cinema." -- BOOK BLURB
Notes: Includes bibliographical references and index
ISBN: 9780813576497
Contents: 1. Transgression and Distinction: Filmmaker Discourses -- 2. The Aesthetic Embrace and the Cynicism Criticism: Reception Discourses -- 3. The Rhetoric and Role of Film Festivals -- 4. Discourses and Modes of Distribution -- 5. The Interpretations of Regulation -- 6. The Added Value of International Distribution -- 7. Sex, Violence, and Self-Exoticization -- 8. Aesthetic Innovation and the Real: Academic Debate over Sexually Graphic Art Films -- 9. A Discursive Approach to Hardcore Art Cinema

Call No: 67 (04) FIL
Source: US
Place: New York
Publisher: Simon and Schuster
PubDate: c1970
PhysDes: 286 p. ; 22 cm
Subject: INDUSTRY, FILM. USA; MUSICALS; VIETNAM WAR IN FILMS; POLITICS IN FILMS; PORNOGRAPHY AND THE CINEMA; FELLINI, FEDERICO; STREISAND, BARBRA; WAYNE, JOHN; CHE! (US, Richard Fleischer, 1969); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); Z (FR/AE, Constantin Costa-Gavras, 1969); EASY RIDER (US, Dennis Hopper, 1969); BOB & CAROL & TED & ALICE (US, Paul Mazursky, 1969); ALICE'S RESTAURANT (US, Arthur Penn, 1969); BAISERS VOLES (FR, Francois Truffaut, 1968); MIDNIGHT COWBOY (US, John Schlesinger, 1969); GOODBYE COLUMBUS (US, Larry Peerce, 1969); IF... (UK, Lindsay Anderson, 1968); THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969); PAINT YOUR WAGON (US, Joshua Logan, 1969); INTIMNI OSVETLENI (CZ, Ivan Passer, 1969); GURU, THE (US/II, James Ivory, 1968); HAR HAR DU DITT LIV (SW, Jan Troell, 1966); AKAHIGE (JA, Akira Kurosawa, 1965); PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965); CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967); WILD BUNCH, THE (US, Sam Peckinpah, 1969); PUTNEY SWOPE (US, Robert Downey, 1969); MEDIUM COOL (US, Haskell Wexler, 1969); ANGEL LEVINE, THE (US, Jan Kadar, 1970); IN THE YEAR OF THE PIG (US, Emile de Antonio, 1968); HIGH SCHOOL (US, Frederick Wiseman, 1969); ISADORA (UK, Karel Reisz, 1968); GOODBYE MR CHIPS (UK, Herbert Ross, 1969); JAG AR NYFIKEN - GUL (SW, Vilgot Sjoman, 1967); FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968)
Summary: Critical reviews of films produced 1969/1970
Notes: Includes index
ISBN: 671-20608-7
Contents: I. Pick of the Litter -- Z / Pauline Kael, Arthur Schlesinger, Jr. -- Easy Rider / Joseph Morgenstern, Penelope Gillatt, Stefan Kanfer, Richard Schickel -- Bob & Carol & Ted & Alice / Hollis Alpert, Pauline Kael, Arthur Schlesinger, Jr., John Simon -- Alice's Restaurant / Robert Hatch, John Simon / If... / Arthur Schlesinger, Jr., Pauline Kael -- They Shoot Horses, Don't They? / Stefan Kanfer, John Simon -- II. Advance Obit. -- Hollywood: Myth, Fact and Trouble / Joseph Morgenstern -- The Studio by John Gregory Dunne / Stanley Kauffmann -- Paint Your Wagon / Pauline Kael -- III. Auteurisms -- Intimate Lighting / Andrew Sarris -- La Femme Infidele / Andrew Sarris -- Stolen Kisses / Joseph Morgenstern, Hollis Alpert, Robert Kotlowitz -- Here's Your Life / Stanley Kauffmann -- Pierrot Le Fou / Joseph Morgenstern -- The Red and the White / Penelope Gilliatt, Richard Schickel, John Simon -- Putney Swope / Arthur Knight, Penelope Gilliattt, Richard Schickel -- Medium Cook / John Simon, Andrew Sarris -- IV. On Location -- The Making of The Angel Levine / Robert Kotlowitz -- Fellini at Work / Hollis Alpert -- Che! / Joseph Morgenstern, Robert Hatch -- V. Documentarians -- Salesman / Harold Clurman, Joseph Morgenstern -- In the Year of the Pig / Pauline Kael -- High School / Richard Schickel -- VI. Performers and Performances -- The Loves of Isadora / Richard Schickel, Stanley Kauffmann, Stefan Kanfer, Hollis Alpert, Penelope Gilliatt -- Goodbye, Mr. Chips / Pauline Kael, Stefan Kanfe -- Superstar: The Streisand Story / Joseph Morgenstern -- John Wayne as the Last Hero / Stefan Kanfer -- VII. Skin -- I Am Curious (Yellow) / John Simon, Penelope Gilliatt, Hollis Alpert -- Coming Apart / Joseph Mergenstern, Richard Schickel

Call No: 67 (04) FIL
Source: US
Place: New York
Publisher: Simon and Schuster
PubDate: c1971
PhysDes: 319 p. ; 22 cm
Subject: WAR FILMS; REVOLUTION AND THE CINEMA; MUSIC AND THE CINEMA; POLITICS IN FILMS; ADAPTATIONS; MUSICALS; PORNOGRAPHY AND THE CINEMA; DISASTERS IN FILMS; BERGMAN, INGMAR; ANTONIONI, MICHELANGELO; Keaton, Buster; FIVE EASY PIECES (US, Bob Rafelson, 1970); JOE (US, John G. Avildsen, 1970); LITTLE BIG MAN (US, Arthur Penn, 1970); HUSBANDS (US, John Cassavetes, 1970); PATTON (US, Franklin J. Schaffner, 1970); M*A*S*H (US, Robert Altman, 1969); CATCH 22 (US, Mike Nichols, 1970); SOLDIER BLUE (US, Ralph Nelson, 1970); MOLLY MAGUIRES, THE (US, Martin Ritt, 1969); BALLAD OF CABLE HOGUE, THE (US, Sam Peckinpah, 1970); ICE (US, Robert Kramer, 1970); WOODSTOCK (US, Michael Wadleigh, 1970); GIMME SHELTER (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1970); PERFORMANCE (UK, Nicholas Roeg & Donald Cammell, 1970 [prod. 1968]); MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969); DIARY OF A MAD HOUSEWIFE (US, Frank Perry, 1970); OWL AND THE PUSSYCAT, THE (US, Herbert Ross, 1970); LOVE STORY (US, Arthur Hiller, 1970); QUEIMADA! (IT/FR, Gillo Pontecorvo, 1970); WINTER WIND (HU, Miklos Jancso, 1969); SIROKKO (HU, Miklos Jancso, 1969); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970); FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969); DAMNED, THE (IT/GW, Luchino Visconti, 1969); CADUTA DEGLI DEI, LA (IT/GW, Luchino Visconti, 1969); SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969); MISSISSIPPI MERMAID (FR/IT, Francois Truffaut, 1969); [DEUX] 2 OU 3 CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968); GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969); TRISTANA (SP/IT/FR, Luis Bunuel, 1970); WOMEN IN LOVE (UK, Ken Russell, 1969); VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970); GREAT WHITE HOPE, THE (US, Martin Ritt, 1970); BOYS IN THE BAND, THE (US, William Friedkin, 1970); ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970); SCROOGE (UK, Ronald Neame, 1970); TORA! TORA! TORA! (US/JA, Richard Fleischer, 1970); RYAN'S DAUGHTER (UK, David Lean, 1970); AIRPORT (US, George Seaton, 1970); MYRA BRECKENRIDGE (US, Mike Sarne, 1970); BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970); ANGEL LEVINE, THE (US, Jan Kadar, 1970); CONFESSION, THE (FR/IT, Costa-Gavras, 1970); AVEU, L' (FR/IT, Costa-Gavras, 1970)
Summary: A cross section of critical opinion on the most interesting films of the year, reflections on emerging trends, genres and moods, and a sampling of the work of individual critics [editorial note]
Notes: Includes index
ISBN: 671210483
Contents: -- Five Easy Pieces / Jacob Brackman, Harold Clurman, John Simon -- Joe / Gary Arnold, Penelope Gilliatt -- Loving / Pauline Kael -- The Ballad Of Cable Hogue / Joseph Morgenstern -- Little Big Man / Stefan Kanfer, David Denby -- Husbands / Paul D.Zimmerman, Jacob Brackman -- Patton / Pauline Kael -- M*A*S*H / Jospeh Morgenstern, David Denby, Brad Darrach -- Catch - 22 / Arthur Schlesinger Jr., Stefan Kanfer, Hollis Alpert, Jacob Brackman -- Soldier Blue / Hollis Alpert -- The Molly Maguires / Arthur Schlesinger Jr. -- Getting Straight / Jacob Brackman -- The Strawberry Statement and Getting Straight / David Denby -- The Revolutionary / Jay Cocks, Bruce Williamson -- Ice / Pauline Kael -- Woodstock / Jay Cocks, Joseph Morgenstern -- Gimme Shelter / Arthur Schlesinger Jr. -- Performance / Jay Cocks -- My Night at Maud's / Penelope Gilliatt -- Diary Of A Mad Housewife / Paul D.Zimmerman, John Simon -- The Owl And The Pussycat / Gary Arnold -- Love Story / Gary Arnold, Arthur Knight, Philip T.Hartung -- Burn / Pauline Kael -- The Confession and Investigation Of A Citizen Above Suspicion / Robert Hatch -- Winter Wind / Stanley Kauffmann -- The Passion Of Anna / Penelope Gilliatt, Richard Schikel -- Zabriskie Point / Arthur Schlesinger Jr., Andrew Sarris -- Fellini Satyricon / Stefan Kanfer, Robert Hatch -- The Damned / Robert Hatch, Brad Darrach -- Zabriskie Point, Fellini Satyricon and The Damned / Richard Schickel -- Mississippi Mermaid / Gary Arnold -- The Wild Child / Robert Hatch, David Denby -- The Rise Of Louis XIV / Stanley Kauffmann, Bruce Williamson -- Two Or Three Things I Know About Her / Penelope Gilliatt -- Sympathy For The Devil / Jay Cocks -- Le Gai Savoir / Bruce Williamson -- Tristana / Harold Clurman -- Women In Love / Arthur Schlesinger Jr., Bruce Williamson -- The Virgin And The Gypsy / Penelope Gilliatt, Stanley Kauffmann -- The Great White Hope / Andrew Sarris -- I Never Sang For My Father / Arthur Knight -- The Angel Levine / Arthur Knight -- The Boys In The Band / Hollis Alpert -- On A Clear Day You Can See Forever / Jospeh Morgenstern -- Scrooge and Song Of Norway / Philip T.Hartung -- Scrooge / Jay Cocks -- Darling Lili / Arthur Knight -- Tora! Tora! Tora! / Gary Arnold -- Ryan's Daughter / Hollis Alpert, John Simon -- Airport / Gary Arnold -- Myra Breckinridge / Jospeh Morgenstern -- Beyond The Valley Of The Dolls / Paul D. Zimmerman -- Buster Keaton / Penelope Gilliatt -- Porn and man at Yale / Richard Schickel -- Numbing the audience / Pauline Kael -- Bang! Apocolypse for sale / Jospeh Morgenstern

Call No: 64GEN FIL
Author: Grant, Barry Keith, 1947
Edition: 1st ed
Place: Austin
Publisher: University of Texas Press
PubDate: 1995
PhysDes: viii, 581 p. : ill. ; 24 cm
Subject: GENRES; WESTERNS; GANGSTER FILMS; FILM NOIR; DISASTER FILMS; EPIC FILMS; HORROR FILMS; MELODRAMA; COMEDIES; TRANSVESTISM; WOMEN IN FILMS; VIETNAM WAR FILMS; MUSICALS; BLACKS IN FILMS; CANADA; AUTEUR THEORY; NARRATIVE IN FILMS; DETECTIVE FILMS; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HISTORICAL FILMS; PHILOSOPHY AND THE CINEMA; PORNOGRAPHY AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; SCIENCE-FICTION FILMS; SEMIOLOGY; STRUCTURALISM; HITCHCOCK, ALFRED; MICHEAUX, OSCAR; CRONENBERG, DAVID; FORD, JOHN; PENN, ARTHUR; SIRK, DOUGLAS; CAVELL, STANLEY; CHANDLER, RAYMOND; FRYE, NORTHROP; MINNELLI, VINCENTE; TODOROV, TZVETAN; ZOO LA NUIT, UN (CN, Jean-Cluade Lauzon, 1987); SOME LIKE IT HOT (US, Billy Wilder, 1959); SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943); BARKLEYS OF BROADWAY, THE (US, Charles Walters, 1949); YENTL (US, Barbara Streisand, 1983); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); MY DARLING CLEMENTINE (US, John Ford, 1946); STAGECOACH (US, John Ford, 1939); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); THING, THE (US, Christian Nyby, 1951); [TWENTY] 20 MILLION MILES TO EARTH (US, Nathan Juran, 1957); VICTOR VICTORIA (UK, Blake Edwards, 1982); WRITTEN ON THE WIND (US, Douglas Sirk, 1956); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); FLY, THE (US, David Cronenberg, 1986); DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985); CHINATOWN (US, Roman Polanski, 1974); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); CHINATOWN (US, Roman Polanski, 1974)
Notes: Includes bibliographical references (p. [495]-559) and index
ISBN: 0292727771 (cloth : alk. paper); 029272778X (pbk. : alk. paper)
LON: 11563059

Call No: 62 FIL
Author: MacKenzie, Scott (ed.)
Source: US
Place: Berkeley London
Publisher: University of California Press
PubDate: 2014
PhysDes: xxi, 651 p. ; 26 cm
Subject: AVANT-GARDE FILMS; CONSTRUCTIVISM; SURREALISM AND THE CINEMA; STRUCTURALISM; NOUVELLE VAGUE; IMPERIALISM AND THE CINEMA; GENDER AND THE CINEMA; FEMINISM AND THE CINEMA; PORNOGRAPHY AND THE CINEMA; DOCUMENTARY FILMS; DOCUMENTARIES; PHILOSOPHY AND THE CINEMA; WORLD CINEMA; LATIN AMERICAN COUNTRIES; AESTHETICS; HOLLYWOOD; ARCHIVES & INSTITUTES, FILM
Summary: Film Manifestoes and Global Cinema Cultures is the first book to collect manifestoes from the global history of cinema, providing the first historical and theoretical account of the role played by film manifestos in filmmaking and film culture. Focussing equally on political and aesthetic manifestoes, Scott MacKenzie uncovers a neglected, yet nevertheless central history of the cinema, exploring a series of documents that postulate ways in which to re-imagine the cinema and, in the process, re-imagine the world. This volume collects the major European “waves” and figures (Eisenstein, Truffaut, Bergman, Free Cinema, Oberhausen, Dogme ‘95); Latin American Third Cinemas (Birri, Sanjinés, Espinosa, Solanas); radical art and the avant-garde (Buñuel, Brakhage, Deren, Mekas, Ono, Sanborn); and world cinemas (Iimura, Makhmalbaf, Sembene, Sen). It also contains previously untranslated manifestos co-written by figures including Bollaín, Debord, Hermosillo, Isou, Kieslowski, Painlevé, Straub, and many others. Thematic sections address documentary cinema, aesthetics, feminist and queer film cultures, pornography, film archives, Hollywood, and film and digital media. Also included are texts traditionally left out of the film manifestos canon, such as the Motion Picture Production Code and Pius XI's Vigilanti Cura, which nevertheless played a central role in film culture. -- extract taken from the back of the book
Notes: Includes index -- Includes bibliographical references and index.
ISSN: 9780520276741
Contents: Introduction. “An Invention without a Future” -- 1. The Avant-Garde(s) -- The Futurist Cinema (Italy, 1916) F.T. Marinetti, Bruno Corra, et al. -- Lenin Decree (USSR, 1919) Vladimir Ilyich Lenin -- The ABCs of Cinema (France, 1917–1921) Blaise Cendrars -- WE: Variant of a Manifesto (USSR, 1922) Dziga Vertov -- The Method of Making Workers’ Films (USSR, 1925) Sergei Eisenstein -- Constructivism in the Cinema (USSR, 1928) Alexei Gan -- Preface: Un chien Andalou (France, 1928) Luis Buñuel -- Manifesto of the Surrealists Concerning L’Age d’or (France, 193) The Surrealist Group -- Manifesto on “Que Viva Mexico” (USA, 1933) The Editors of Experimental Film -- Spirit of Truth (France, 1933) Le Corbusier -- An Open Letter to the Film Industry and to All Who Are Interested in the Evolution of the Good Film (Hungary, 1934) László Moholy-Nagy -- Light*Form*Movement*Sound (USA, 1935) Mary Ellen Bute -- Prolegomena for All Future Cinema (France, 1952) Guy Debord -- No More Flat Feet! (France, 1952) Lettriste International -- The Lettristes Disavow the Insulters of Chaplin (France, 1952) Jean-Isidore Isou, Maurice Lemaître, and Gabriel Pomerand -- The Only Dynamic Art (USA, 1953) Jim Davis -- A Statement of Principles (USA, 1961) Maya Deren -- The First Statement of the New American Cinema Group (USA, 1961) New American Cinema Group -- Foundation for the Invention and Creation of Absurd Movies (USA, 1962) Ron Rice -- From Metaphors on Vision (USA, 1963) Stan Brakhage -- Kuchar 8mm Film Manifesto (USA, 1964) George Kuchar -- Film Andepandan [Independents] Manifesto (Japan, 1964) Takahiko Iimura, Koichiro Ishizaki, et al. -- Discontinuous Films (Canada, 1967) Keewatin Dewdney -- Hand-Made Films Manifesto (Australia, 1968) Ubu Films, Thoms -- Cinema Manifesto (Australia, 1971) Arthur Cantrill and Corinne Cantrill -- For a Metahistory of Film: Commonplace Notes and Hypotheses (USA, 1971) Hollis Frampton -- Elements of the Void (Greece, 1972) Gregory Markopoulos -- Small Gauge Manifesto (USA, 1980) JoAnn Elam and Chuck Kleinhans -- Cinema of Transgression Manifesto (USA, 1985) Nick Zedd -- Modern, All Too Modern (USA, 1988) Keith Sanborn -- Open Letter to the Experimental Film Congress: Let’s Set the Record Straight (Canada, 1989) Peggy Ahwesh, Caroline Avery, et al. -- Anti-1 Years of Cinema Manifesto (USA, 1996) Jonas Mekas -- The Decalogue (Czech Republic, 1999) Jan Švankmajer -- Your Film Farm Manifesto on Process Cinema (Canada, 212) Philip Hoffman -- 2. National and Transnational Cinemas -- From “The Glass Eye” (Italy, 1933) Leo Longanesi -- The Archers’ Manifesto (UK, 1942) Michael Powell and Emeric Pressburger -- What Is Wrong with Indian Films? (India, 1948) Satyajit Ray -- Buñuel the Poet (Mexico, 1951) Octavio Paz -- French Cinema Is Over (France, 1952) Serge Berna, Guy Debord, et al. -- Some Ideas on the Cinema (Italy, 1953) Cesare Zavattini -- A Certain Tendency in French Cinema (France, 1954) François Truffaut -- Salamanca Manifesto & Conclusions of the Congress of Salamanca (Spain, 1955) Juan Antonio Bardem -- Free Cinema Manifestos (UK, 1956–1959) Committee for Free Cinema -- The Oberhausen Manifesto (West Germany, 1962) Alexander Kluge, Edgar Reitz, et al. -- Untitled [Oberhausen 1965] (West Germany, 1965) Jean-Marie Straub, Rodolf Thome, Dirk Alvermann, et al. -- The Mannheim Declaration (West Germany, 1967) Joseph von Sternberg, Alexander Kluge, et al. -- Sitges Manifesto (Spain, 1967) Manuel Revuelta, Antonio Artero, Joachin Jordà, and Julián Marcos -- How to Make a Canadian Film (Canada, 1967) Guy Glover -- How to Not Make a Canadian Film (Canada, 1967) Claude Jutra -- From “The Estates General of the French Cinema, May 1968” (France, 1968) Thierry Derocles, Michel Demoule, Claude Chabrol, and Marin Karmitz -- Manifesto of the New Cinema Movement (India, 1968) Arun Kaul and Mrinal Sen -- What Is to Be Done? (France, 1970) Jean-Luc Godard -- The Winnipeg Manifesto (Canada, 1974) Denys Arcand, Colin Low, Don Shebib, et al. -- Hamburg Declaration of German Filmmakers (West Germany, 1979) Rainer Werner Fassbinder, Werner Herzog, Wim Wenders, et al. -- Manifesto I (Denmark, 1984) Lars von Trier -- Manifesto II (Denmark, 1987) Lars von Trier -- Manifesto III: I Confess! (Denmark, 199) Lars von Trier -- The Cinema We Need (Canada, 1985) R. Bruce Elder -- Pathways to the Establishment of a Nigerian Film Industry (Nigeria, 1985) Ola Balogun -- Manifesto of 1988 (German Democratic Republic, 1988) Young DEFA Filmmakers -- In Praise of a Poor Cinema (Scotland, 1993) Colin McArthur -- Dogme ’95 Manifesto and Vow of Chastity (Denmark, 1995) Lars von Trier and Thomas Vinterberg -- I Sinema Manifesto (Indonesia, 1999) Dimas Djayadinigrat, Enison Sinaro, et al. -- 3. Third Cinemas, Colonialism, Decolonization, and Postcolonialism -- Manifesto of the New Cinema Group (Mexico, 1961) El grupo nuevo cine -- Cinema and Underdevelopment (Argentina, 1962) Fernando Birri -- The Aesthetics of Hunger (Brazil, 1965) Glauber Rocha -- For an Imperfect Cinema (Cuba, 1969) -- Julio García Espinosa Towards a Third Cinema: Notes and Experiences for the Development of a Cinema of Liberation in the Third World (Argentina, 1969) Fernando Solanas and Octavio Getino -- Film Makers and the Popular Government Political Manifesto (Chile, 1970) Comité de cine de la unidad popular -- Consciousness of a Need (Uruguay, 1970) Mario Handler -- Militant Cinema: An Internal Category of Third Cinema (Argentina, 1971) Octavio Getino and Fernando Solanas -- For Colombia 1971: Militancy and Cinema (Colombia, 1971) Carlos Alvarez -- The Cinema: Another Face of Colonised Québec (Canada, 1971) Association professionnelle des cinéastes du Québec -- 8 Millimeters versus 8 Millions (Mexico, 1972) Jaime Humberto Hermosillo, Arturo Ripstein, Paul Leduc, et al. -- Manifesto of the Palestinian Cinema Group (Palestine, 1973) Palestinian Cinema Group -- Resolutions of the Third World Filmmakers Meeting (Algeria, 1973) Fernando Birri, Ousmane Sembene, Jorge Silva, et al. -- The Luz e Ação Manifesto (Brazil, 1973) Carlos Diegues, Glauber Rocha, et al. -- Problems of Form and Content in Revolutionary Cinema (Bolivia, 1976) Jorge Sanjinés -- Manifesto of the National Front of Cinematographers (Mexico, 1975) Paul Leduc, Jorge Fons, et al. -- The Algiers Charter on African Cinema (Algeria, 1975) FEPACI (Fédération panafricaine des cinéastes) -- Declaration of Principles and Goals of the Nicaraguan Institute of Cinema (Nicaragua, 1979) Nicaraguan Institute of Cinema -- What Is the Cinema for Us? (Mauritania, 1979) Med Hondo -- Niamey Manifesto of African Filmmakers (Niger, 1982) FEPACI (Fédération panafricaine des cinéastes) -- Black Independent Filmmaking: A Statement by the Black Audio Film Collective (UK, 1983) John Akomfrah -- From Birth Certificate of the International School of Cinema and Television in San Antonio de Los Baños, Cuba, Nicknamed the School of Three Worlds (Cuba, 1986) Fernando Birri -- FeCAViP Manifesto (France, 1990) Federation of Caribbean Audiovisual Professionals -- Final Communique of the First Frontline Film Festival and Workshop (Zimbabwe, 1990) SADCC (South African Development Coordination Conference) -- Pocha Manifesto #1 (USA, 1994) Sandra Peña-Sarmiento -- Poor Cinema Manifesto (Cuba, 24) Humberto Solás -- Jollywood Manifesto (Haiti, 28) Ciné Institute -- The Toronto Declaration: No Celebration of Occupation (Canada, 29) John Greyson, Naomi Klein, et al. -- 4. Gender, Feminist, Queer, Sexuality, and Porn Manifestos -- Woman’s Place in Photoplay Production (USA, 1914) Alice Guy-Blaché -- Hands Off Love (France, 1927) Maxime Alexandre, Louis Aragon, et al. -- The Perfect Filmic Appositeness of Maria Montez (USA, 1962) Jack Smith -- On Film No. 4 (In Taking the Bottoms of 365 Saints of Our Time) (UK, 1967) Yoko Ono -- Statement (USA, 1969) Kenneth Anger -- Wet Dream Film Festival Manifesto (The Netherlands, 1970) S.E.L.F. (Sexual Egalitarianism and Libertarian Fraternity) -- Women’s Cinema as Counter-Cinema (UK, 1973) Claire Johnston -- Manifesto for a Non-sexist Cinema (Canada, 1974) FECIP (Fédération européenne du cinéma progressiste) -- Womanifesto (USA, 1975) Feminists in the Media -- Visual Pleasure and Narrative Cinema (UK, 1975) Laura Mulvey -- An Egret in the Porno Swamp: Notes of Sex in the Cinema (Sweden, 1977) Vilgot Sjöman -- For the Self-Expression of the Arab Woman (France, 1978) Heiny Srour, Salma Baccar, and Magda Wassef -- Manifesto of the Women Filmmakers (West Germany, 1979) Verband der Filmarbeiterinnen -- Wimmin’s Fire Brigade Communiqué (Canada, 1982) Wimmin’s Fire Brigade -- Thoughts on Women’s Cinema: Eating Words, Voicing Struggles (USA, 1986) Yvonne Rainer -- The Post Porn Modernist Manifesto (USA, 1989) Annie Sprinkle, Veronica Vera, et al. -- Statement of African Women Professionals of Cinema, Television and Video (Burkina Faso, 1991) FEPACI (Fédération panafricaine des cinéastes) -- Puzzy Power Manifesto: Thoughts on Women and Pornography (Denmark, 1998) Vibeke Windeløv, Lene Børglum, et al. -- Cinema with Tits (Spain, 1998) Icíar Bollaín -- My Porn Manifesto (France, 22) Ovidie -- No More Mr. Nice Gay: A Manifesto (USA, 29) Todd Verow -- Barefoot Filmmaking Manifesto (UK, 29) Sally Potter -- Dirty Diaries Manifesto (Sweden, 29) Mia Engberg -- 5. Militating Hollywood -- Code to Govern the Making of Talking, Synchronized and Silent Motion Pictures (Motion Picture Production Code) (USA, 193) Motion Picture Producers and Distributors of America -- Red Films: Soviets Spreading Doctrine in U.S. Theatres (USA, 1935) William Randolph Hearst -- Statement of Principles (USA, 1944) Motion Picture Alliance for the Preservation of American Ideals -- Screen Guide for Americans (USA, 1947) Ayn Rand -- White Elephant Art vs. Termite Art (USA, 1962) Manny Farber -- Super Fly: A Summary of Objections by the Kuumba Workshop (USA, 1972) Kuumba Workshop -- The World Is Changing: Some Thoughts on Our Business (USA, 1991) Jeffrey Katzenberg -- Full Frontal Manifesto (USA, 21) Steven Soderbergh -- 6. The Creative Treatment of Actuality-- Towards a Social Cinema (France, 1930) Jean Vigo -- From “First Principles of Documentary” (UK, 1932) John Grierson -- Manifesto on the Documentary Film (UK, 1933) Oswell Blakeston -- Declaration of the Group of Thirty (France, 1953) Jean Painlevé, Jacques-Yves Cousteau, Alain Resnais, et al. -- Initial Statement of the Newsreel (USA, 1967) New York Newsreel -- Nowsreel, or the Potentialities of a Political Cinema (USA, 1970) Robert Kramer, New York Newsreel -- Documentary Filmmakers Make Their Case (Poland, 1971) Bohdan Kosinski, Krzysztof Kieslowski, and Tomasz Zygadlo -- The Asian Filmmakers at Yamagata YIDFF Manifesto (Japan, 1989) Kidlat Tahimik, Stephen Teo, et al. -- Minnesota Declaration: Truth and Fact in Documentary Cinema (Germany, 1999) Werner Herzog -- Defocus Manifesto (Denmark, 2) Lars von Trier -- Kill the Documentary as We Know It (USA, 22) Jill Godmilow -- Ethnographic Cinema (EC): A Manifesto{ths}/{ths}A Provocation (USA, 23) Jay Ruby -- Reality Cinema Manifesto (Russia, 25) Vitaly Manskiy -- Documentary Manifesto (USA, 28) Albert Maysles -- China Independent Film Festival Manifesto: Shamans * Animals (People’s Republic of China, 211) By several documentary filmmakers who participated and also who did not participate in the festival -- 7. States, Dictatorships, the Comintern, and Theocracies -- Capture the Film! Hints on the Use of, Out of the Use of, Proletarian Film Propaganda (USA, 1925) Willi Münzenberg -- The Legion of Decency Pledge (USA, 1938) Archbishop John McNicholas -- Creative Film (Germany, 1935) Joseph Goebbels -- Vigilanti Cura: On Motion Pictures (Vatican City, 1936) Pope Pius XI -- Four Cardinal Points of A Revolução de Maio (Portugal, 1937) António Lopes Ribeiro -- From On the Art of Cinema (North Korea, 1973) Kim Jong-il -- 8. Archives, Museums, Festivals, and Cinematheques -- A New Source of History: The Creation of a Depository for Historical Cinematography (Poland/France, 1898) Boleslaw Matuszewski -- The Film Prayer (USA, c. 192) A. P. Hollis -- The Film Society (UK, 1925) Iris Barry -- Filmliga Manifesto (The Netherlands, 1927) Joris Ivens, Henrik Scholte, Men’no Ter Bbaak, et al. -- Statement of Purposes (USA, 1948) Amos Vogel, Cinema 16 -- The Importance of Film Archives (UK, 1948) Ernest Lindgren -- A Plea for a Canadian Film Archive (Canada, 1949) Hye Bossin -- Open Letter to Film-Makers of the World (USA, 1966) Jonas Mekas -- A Declaration from the Committee for the Defense of La Cinémathèque française (France, 1968) Committee for the Defense of La Cinémathèque française -- Filmmakers versus the Museum of Modern Art (USA, 1969) Hollis Frampton, Ken Jacobs, and Michael Snow -- Anthology Film Archives Manifesto (USA, 1970) P. Adams Sitney -- Toward an Ethnographic Film Archive (USA, 1971) Alan Lomax -- Brooklyn Babylon Cinema Manifesto (USA, 1998) Scott Miller Berry and Stephen Kent Jusick -- Don’t Throw Film Away: The FIAF 7th Anniversary Manifesto (France, 28) Hisashi Okajima and La fédération internationale des archives du film Manifesto Working Group -- The Lindgren Manifesto: The Film Curator of the Future (Italy, 21) Paolo Cherchi Usai -- Film Festival Form: A Manifesto (UK, 212) Mark Cousins -- 9. Sounds and Silence -- A Statement on Sound (USSR, 1928) Sergei Eisenstein, Vsevolod Pudovkin, and Grigori Alexandrov -- A Rejection of the Talkies (USA, 1931) Charlie Chaplin -- A Dialogue on Sound: A Manifesto (UK, 1934) Basil Wright and B. Vivian Braun -- Amalfi Manifesto (Italy, 1967) Michelangelo Antonioni, Bernardo Bertolucci, Pier Paolo Pasolini, et al. -- 10. The Digital Revolution -- Culture: Intercom and Expanded Cinema: A Proposal and Manifesto (USA, 1966) Stan VanDerBeek -- The Digital Revolution and the Future Cinema (Iran, 2) Samira Makhmalbaf -- The Pluginmanifesto (UK, 21) Ana Kronschnabl -- Digital Dekalogo: A Manifesto for a Filmless Philippines (The Philippines, 23) Khavn de la Cruz -- 11. Aesthetics and the Futures of the Cinema -- The Birth of the Sixth Art (France, 1911) Ricciotto Canudo -- Memo from Walt Disney to Don Graham (USA, 1935) Walt Disney -- The Birth of a New Avant Garde: La caméra-stylo (France, 1948) Alexandre Astruc -- From Preface to Film (UK, 1954) Raymond Williams -- The Snakeskin (Sweden, 1965) Ingmar Bergman -- Manifesto (Italy, 1965) Roberto Rossellini, Bernardo Bertolucci, Tinto Brass, et al. -- Manifesto on the Release of La Chinoise (France, 1967) Jean-Luc Godard -- Direct Action Cinema Manifesto (USA, 1985) Rob Nilsson -- Remodernist Film Manifesto (USA, 28) Jesse Richards -- The Age of Amateur Cinema Will Return (People’s Republic of China, 21) Jia Zhangke --

Call No: 441.1 VAU
Author: Vaughn, Stephen
Source: US
Place: New York NY
Publisher: Cambridge University Press
PubDate: 2006
PhysDes: xvi, 336 p. ; 23 cm.
Subject: CENSORSHIP. USA; RATING FOR FILMS. USA; PORNOGRAPHY IN FILMS. USA; VIOLENCE IN FILMS. USA; RELIGION AND THE CINEMA. USA; HEFFNER, RICHARD; VALENTI, JACK
Summary: Based on the private papers and oral history of Richard D. Heffner, who headed the Classification and Rating Administration from 1974-1994, this book tells the story of the motion picture rating system and the Motion Picture Association of America under Jack Valenti's leadership. [Taken from book's blurb.]
ISBN: 052167541

Call No: 735.2 HOR
Author: Gelder, Ken, 1955
Place: New York, NY
Publisher: Routledge
PubDate: 2000
PhysDes: xiii, 414 p. ; 25 cm
Subject: CANNIBALISM IN FILMS; DRACULA IN FILMS; ETHNOGRAPHIC FILMS; FAN MAGAZINES; FANTASTIC FILMS; GENDER AND THE CINEMA; GHOST FILMS; HOMOSEXUALITY AND THE CINEMA; HORROR FILMS; HORROR FILMS. HONG KONG; HORROR FILMS. ITALY; HORROR FILMS. USA; IMPERIALISM AND THE CINEMA; MONSTERS IN FILMS; PORNOGRAPHY AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; RACE AND THE CINEMA; SERIAL KILLERS IN FILMS; SLASHER FILMS; THEORY; VAMPIRE FILMS; WOMEN AND THE CINEMA; ARGENTO, DARIO; BAVA, MARIO; CASTLE, TERRY; CHEUNG, LESLIE; CORMAN, ROGER; CRONENBERG, DAVID; TODOROV, TZVETAN; AMERICAN GOTHIC (US, John Hough, 1987); CURSE OF FRANKENSTEIN, THE (UK, Terence Fisher, 1957); BRIDE OF FRANKENSTEIN, THE (US, James Whale, 1935); FRANKENSTEIN (US, James Whale, 1931); FRIDAY THE 13TH (US, Sean S. Cunningham, 1980); HALLOWEEN (US, John Carpenter, 1978); HAUNTING, THE (US, Robert Wise, 1963); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); OPERA (IT, Dario Argento, 1987); ROSEMARY'S BABY (US, Roman Polanski, 1968); PSYCHO (US, Alfred Hitchcock, 1960); SINNUI YAUMAN (HK, Ching Siu Tung, 1987); CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987); SUSPIRIA (IT, Dario Argento, 1977); YANZHI KOU (HK, Stanley Kwan, 1987)
Notes: Includes bibliographical references and index
ISBN: 041521355X (HB : alk. paper); 0415213568 (PB : alk. paper)
LON: 21262689

Call No: 749.2 CHU
Author: Church Gibson, Pamela
CorpAuthor: British Film Institute
Edition: 2nd ed
Source: UK
Place: London
Publisher: BFI Pub.
PubDate: 2004
PhysDes: 264 p. : ill. ; 24 cm
Subject: PORNOGRAPHY AND THE CINEMA; CENSORSHIP. AUSTRALIA; EROTIC FILMS; EROTIC FILMS. ASIA; EROTICISM IN FILMS; GENDER AND THE CINEMA; KIPNIS, LAURA
Summary: Presents feminist responses to the politics and presentation of pornography. Examines how pornography relates to the critical theory of gender identity, sexuality and issues of power and cultural identity. Asserts that the study of pornography has “immense symbolic and social significance.” First published in 1993.
Notes: Includes bibliographical references, notes, index and list of illustrations.
ISBN: 0 85170 939 7
LON: 10014448

Author: McNally, John
PhysDes: Article
Subject: INDUSTRY, FILM. USA; CENSORSHIP. USA; PORNOGRAPHY IN FILMS. USA
Summary: Article on the U.S. Federal Commission on Obscenity and Pornography recently released report. Has brief history of 'skin' flicks in America.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NOT A LOVE STORY: A FILM ABOUT PORNOGRAPHY (CN, Bonnie Sherr Klein, 1981)

Call No: 44(41) OBS
Author: Williams, Bernard
CorpAuthor: Great Britain. Committee on Obscenity and Film Censorship
Place: Cambridge [Cambridgeshire] New York
Publisher: Cambridge University Press
PubDate: c1981
PhysDes: x, 166 p. ; 24 cm
Subject: CENSORSHIP. UK; PORNOGRAPHY IN FILMS
Notes: Abridgement of: Report of the Committee on Obscenity & Film Censorship, 1979
ISBN: 0521242673; 0521285658 (pbk.)
LON: 2065358

Call No: 403 DYE
Author: Dyer, Richard
Place: London New York
Publisher: Routledge
PubDate: 1992
PhysDes: x, 178 p. : ill. ; 24 cm
Subject: ENTERTAINMENT; POPULAR CULTURE AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; PORNOGRAPHY AND THE CINEMA; CAMP; TURNER, LANA; ZIEGFELD GIRL (US, Robert Z. Leonard, 1941); POSTMAN ALWAYS RINGS TWICE, THE (US, Tay Garnett, 1946); BAD AND THE BEAUTIFUL, THE (US, Vincente Minnelli, 1952); SON OF THE SHEIK, THE (US, George Fitzmaurice, 1926); SOUND OF MUSIC, THE (US, Robert Wise, 1965); SWEET CHARITY (US, Bob Fosse, 1969); IMITATION OF LIFE (US, Douglas Sirk, 1959)
Notes: Includes bibliographical references and index
ISBN: 0415057167; 0415057175 (pbk.)
LON: 8685741

Call No: 45:32 SAR
Author: Sarris, Andrew
Place: New York
Publisher: Columbia University Press
PubDate: 1978
PhysDes: 215 p. : ill. ; 24 cm
Subject: POLITICS AND THE CINEMA; FASCISM AND THE CINEMA; VIOLENCE IN FILMS; PORNOGRAPHY AND THE CINEMA; CENSORSHIP; SEMIOLOGY; AVANT-GARDE FILMS; MONROE, MARILYN; MAILER, NORMAN; FAIRBANKS, DOUGLAS; RIEFENSTAHL, LENI; SONTAG, SUSAN; PROMISED LANDS (FR, Susan Sontag, 1974); MON ONCLE ANTOINE (CN, Claude Jutra, 1971); SACCO E VANZETTI (IT/FR, Giuliano Montaldo, 1971); CASO MATTEI, IL (IT, Francesco Rosi, 1972); DOG DAY AFTERNOON (US, Sidney Lumet, 1975); FRONT, THE (US, Martin Ritt, 1976); LENNY (US, Bob Fosse, 1974); CASO DOS IRMAOS NAVES, O (BL, Luiz Sergio Person, 1967); SLAUGHTERHOUSE-FIVE (US, George Roy Hill, 1972); MAN, THE (US, Joseph Sargent, 1972); CANDIDATE, THE (US, Michael Ritchie, 1972); GODFATHER, THE (US, Francis Ford Coppola, 1972); CONVERSATION, THE (US, Francis Ford Coppola, 1974); ASSASSINATION OF TROTSKY, THE (UK/FR/IT, Joseph Losey, 1972); ETAT DE SIEGE (FR/IT/GW, Constantin Costa-Gavras, 1973); CHAGRIN ET LA PITIE, LE (SZ/GW, Marcel Ophuls, 1971); HEARTS AND MINDS (US, Peter Davis, 1974)
Notes: Includes index
ISBN: 0231040342
LON: 1221130

Call No: 20 HEB
Author: Hebditch, David; Anning, Nick
Source: UK
Place: London
Publisher: Faber and Faber
PubDate: 1988
PhysDes: xiv, 401 p., [16] p. of plates, : ill. : 23 cm
Subject: PORNOGRAPHIC FILMS; PORNOGRAPHIC VIDEO; PORNOGRAPHY AND THE CINEMA; PORNOGRAPHY IN FILMS
Notes: Includes notes and references; Includes index
ISBN: 057114683X
Levy Rating: 4
Donation: donated by the family of Wayne Levy, 2006
Contents: Introduction -- 1. The curious lech: pornware in the 1980s -- 2. Real boom states: the porn barons -- 3. The monkey inside yourself: the foot-soldiers of porn -- 4. One-handed magazines: pornography in print -- 5. The secret pages: men's magazines in Scandanavia -- 6. Out of the porn ghetto: hard-core Hollywood -- 7. Hooks to hang dreams on: the video revolution -- 8. The collectors: inside the child porn rings -- 9. Bizarre and inexplicable rites: the law -- 10. The wide blue yonder: pornography tomorrow

Call No: 749.2 DWO
Author: Dworkin, Andrea, 1946
Place: London
Publisher: Women's Press
PubDate: 1981
PhysDes: 304p ; 21cm
Subject: PORNOGRAPHY AND THE CINEMA
Notes: Includes bibliography
ISBN: 0704338769
LON: 2189828

Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: PORNOGRAPHY
URL status: URL: 'http://file://Q:/S/PORNOGRAPHY.zip' Checked: 31/08/2021 1:20:08 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Author: Slade, Joseph W.
PhysDes: Article
Subject: PORNOGRAPHY; PORNOGRAPHY IN FILMS; WISHMAN, DORIS; UROTSUKIDOJI (JA, Hideki Takayama, 1989)
Summary: Wide Angle issue dedicated to pornography. Includes articles on the work of Maria Beatty, Dors Wishman, the videos of John Leslie, lesbian pornography, and the film 'Urotsukidoji'.

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: PORNOGRAPHY AND THE CINEMA

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: PORNOGRAPHY AND THE INTERNET

Author: Dearn, Edmund
Place: Sydney
Publisher: Renda Publications
PubDate: 1974
PhysDes: 82p ; bibl, index
Subject: PORNOGRAPHY AND THE CINEMA. AUSTRALIA
Donation: Henry Mayer Collection

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: PORNOGRAPHY ON TV

Call No: 749.4 QUE
Author: Gever, Martha, 1947; Parmar, Pratibha; Greyson, John, 1960
Place: New York
Publisher: Routledge
PubDate: 1993
PhysDes: xv, 413 p. : ill. ; 24 cm
Subject: HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; AIDS IN FILMS; PORNOGRAPHY AND THE CINEMA; HOMOSEXUALITY IN FILMS. PHILIPPINES; CHILD, ABIGAIL; KUCHAR, GEORGE; DOUGHERTY, CECILIA; MCLAUGHLIN, SHEILA; FRIEDRICH, SU; ARAKI, GREGG; RAINER, YVONNE; HAMMER, BARBARA; KWIETNIOWSKI, RICHARD; PARMAR, PRATIBHA; SAALFIELD, CATHERINE; GREYSON, JOHN; DEOCAMPO, NICK; PARIS IS BURNING (US, Jennie Livingston, 1990); BRIGHT EYES (UK, Stuart Marshall, 1984?); ECCE HOMO (US, Jerry Tartaglia, 1989?); SHE MUST BE SEEING THINGS (US, Sheila McLaughlin, 1987)
Notes: Includes bibliographical references
ISBN: 0415907411; 041590742X
LON: 93009663; 9906232
ID2: 296

Call No: SUBJECT CLIPPINGS FILE; PORNOGRAPHY IN FILMS
Author: Gubar, Susan
PhysDes: Article
Subject: PORNOGRAPHY IN FILMS; VIOLENCE IN FILMS

Call No: 749 HEN
Author: Henry, Claire
Edition: First edition
Source: US
Place: New York
Publisher: Palgrave Macmillan
PubDate: 2014
PhysDes: x, 218 pages ; 23 cm
Subject: CRIME IN FILMS; HORROR FILMS; SEX IN FILMS; VIOLENCE IN FILMS; PORNOGRAPHY IN FILMS; LAST HOUSE ON THE LEFT (US, Wes Craven, 1972); LAST HOUSE ON THE LEFT, THE (US, Dennis Iliadis, 2009); I SPIT ON YOUR GRAVE (US, Steven R. Monroe, 2010); I SPIT ON YOUR GRAVE (US, Meir Zarchi, 1978); DESCENT (US, Talia Lugacy, 2007); ACOLYTES (AT, Jon Hewitt, 2007); DEATH PROOF (US, Quentin Tarantino, 2007); SLEEPERS (US, Barry Levinson, 1996); MYSTIC RIVER (US, Clint Eastwood, 2003); KATALIN VARGA (UK/RM, Peter Strickland, 2009); TWILIGHT PORTRAIT (RU, Angelina Nikonova, 2011); PORTRET V SUMERKAKH (RU, Angelina Nikonova, 2011)
Summary: "Considered a notorious subset of horror in the 1970s and 1980s, there has been a massive revitalization and diversification of rape-revenge in recent years. This book analyzes the politics, ethics, and affects at play in the filmic construction of rape and its responses"-- LIBRARIES AUSTRALIA
Notes: Formerly CIP; Includes bibliographical references, filmography and index
ISBN: 9781137414168
Contents: -- Introduction: Reapproaching Rape-Revenge -- 1. Remaking Rape-Revenge: The Last House on the Left (1972/2009) and I Spit on Your Grave (1978/2010) -- 2. The Postfeminist Trap of Vagina Dentata for the American Teen Castratrice -- 3. Rape, Racism, and Descent into the Ethical Quagmire of Revenge -- 4. The Shame of Male Acolytes: Negotiating Gender and Sexuality Through Rape-Revenge -- 5. Collective Revenge: Challenging the Individualist Victim-Avenger in Death Proof, Sleepers, and Mystic River -- Conclusion: Challenging the Boundaries of Cinema's Rape-Revenge Genre in Katalin Varga and Twilight Portrait --

Call No: 749 STE
Author: Stevenson, Jack
Source: US/UK
Place: Jefferson, N. C.
Publisher: McFarland & Company Inc
PubDate: c2010
PhysDes: ix, 294 p. : ill. ; 26 cm
Subject: PORNOGRAPHIC FILMS; PORNOGRAPHY; PORNOGRAPHY AND THE CINEMA; PORNOGRAPHY IN FILMS; CENSORSHIP; EROTIC FILMS; EROTICISM IN FILMS; SEX IN FILMS; HISTORY OF CINEMA; SWEDEN; DENMARK
Summary: "This book traces the development of Scandinavian erotic cinema as it evolved in Denmark and Sweden, from the gentle Swedish naturalist films, starting with One Summer of Happiness in the 50s, to the controversial groundbreakers like I Am Curious (Yellow) of the 60s and on through to the dawn of 'Liberated Denmark,' where, in the early 70s, the abolition of censorship was celebrated in films like 24 Hours with Ilse and the production of a number of other films that were blatantly pornographic. Also considered is the influence of these films on other countries, particularly the United States, where Scandinavian erotic cinema helped to set in motion the sexual revolution and contributed to the end of film censorship" -- BOOK BLURB
Notes: Includes bibliographical references and index
ISBN: 9780786444885
Contents: -- One: To 1966 : birth of a mythology -- Two: 1967-1970 : censorship's last stand -- Three: 1971 and beyond: total freedom in fact and fiction -- Four: The passing of an era -- appendices -- notes -- bibliography -- index --

Call No: 749.0 SIE
Author: Siegel, Carol
Place: Bloomington
Publisher: Indiana University Press
PubDate: 2015
PhysDes: 230, x ; illus. ; 23 cm
Subject: SEX IN FILMS. USA; BURTON, TIM; PORNOGRAPHY; A MA SOEUR (FR/IT/SP, Catherine Breillat, 2000); EASTERN PROMISES (UK/CN, DAVID CRONENBERG, 2007); PANIC ROOM (US, David Fincher, 2002); PEOPLE UNDER THE STAIRS, THE (US, Wes Craven, 1991); THIRTEEN (US, Catherine Hardwicke, 2003); MYSTERIOUS SKIN (US/NE, Gregg Araki, 2004); MYSTIC RIVER (US, Clint Eastwood, 2003)
Notes: In this provocative study of cinematic and televisual representations of "sex radicalism," Carol Siegel explores how representations of sexually explicit content on film have shaped American cultural visions of sex and sexual politics in the 21st century. Siegel distinguishes between a liberal approach to visual representations, which has over-emphasized normative equal opportunity while undervaluing our distinctive erotic selves, and a radical approach to visual representation, which portrays forbidden sexualities and desires. She illustrates how visual media participates in and even drives political policies related to pedophilia, prostitution, interracial relationships, and war. By examining such popular film and television shows as Mystic River, The Wire, Fifty Shades of Grey, Batman Returns, and the HBO hits, Sex and the City and Girls, Siegel takes the discussion of radical sex in the movies out of the margins of political discussions and puts it in the center, where, she argues, it has belonged all along. -- publisher's web site
ISBN: 9780253018069
Contents: Acknowledgments Introduction: Recent Changes in the Representation of Sex and Politics in American Cinema 1. The Sexuality of Minors: Family Values and Mysteries of Pedophilia 2. Sex Trafficking Films, Or Taken for a Ride 3. Sex and Anti-Militarism 4. Interracial Sex and Architectures of American Horror 5. Tim Burton's Films, Children, and Perversity Conclusion: The Future, No Future Notes Bibliography Index

Call No: 440(94) PAT
Author: Paterson, Kathryn; Loncar, Milica
CorpAuthor: Australian Broadcasting Tribunal
Source: AT
Place: North Sydney
Publisher: Australian Broadcasting Tribunal
PubDate: 1991
PhysDes: 44 pages ; 25 cm
Series: Research Monograph Series (Australian Broadcasting Tribunal) ; No. 2
Subject: AUDIENCE RESEARCH. AUSTRALIA; AUDIENCE RECEPTION. AUSTRALIA; BROADCASTING. AUSTRALIA; CENSORSHIP TV. AUSTRALIA; CODES OF PRACTICE. AUSTRALIA; GOVERNMENT CONTROL, TV. AUSTRALIA; LEGISLATION FOR CHILDREN. AUSTRALIA; LEGISLATION. AUSTRALIA; PORNOGRAPHY ON TV; RATING FOR TV. AUSTRALIA; SEX AND TV; VIOLENCE ON TV. AUSTRALIA
Summary: "Program classification issues have long been at the core of a heated public debate focusing on what can be shown on television. Because television is readily accessible to nearly all people of all ages, it is accepted that program standards are required to regulate what we are able to watch on television. However, any government regulation of television programs still raises sensitive issues. On the one hand, there is concern that even the most indirect intrusion into programming can destroy artistic intention and creativity. On the other hand, community opinion indicates that television and broadcasting in general, should maintain certain social objectives [...] This monograph is concerned principally with public attitudes to classification issues: namely, sex, violence and offensive language and knowledge of the classification system" - FROM INTRODUCTION
ISBN: 0642168857

Call No: 749.0 SEX
Author: Basaran, Aylin ; Köhne, Julia B ; Sabo, Klaudija ; Wieder, Christina
Place: Berlin
Publisher: Mandelbaum
PubDate: 2018
PhysDes: 400 pages : illustrations ; 24 cm
Subject: SEX IN FILMS; PORNOGRAPHIC FILMS; PORNOGRAPHY AND THE CINEMA; PORNOGRAPHY IN FILMS; SCIENTISTS IN FILMS; SCIENCE IN FILMS; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. 1920's; HISTORY OF CINEMA. 1930's; EKSTASE (CZ/A, Gustav Machaty, 1933); BERKELEY, BUSBY; EISENSTEIN, SERGEI M.; JOHNNY GUITAR (US, Nicholas Ray, 1954); SUNA NO ONNA (JA, Hiroshi Teshigahara, 1964); RANI RADOVI (YU, Zelmir Zilnik, 1969); YUGOSLAVIA; REPRODUCTION IN FILMS; TANGOS - L'EXIL DE GARDEL (FR/AG, Fernando E. Solanas, 1985); ZOMBIES IN FILMS AND TV; BLACK PANTHER (US, Ryan Coogler, 2018)
Summary: "Wie inszeniert das Medium Film das Zusammenspiel von Sexualität, Widerstand und Körperpolitiken? Welche Formen von Sexualität und erotischer Sinnlichkeit, die entweder als widerständige Handlungsweisen oder als Teil von politischem Widerstand adressiert werden können, wurden in den vergangenen Jahrzehnten in internationalen Filmkulturen visualisiert und damit hervorgehoben? Kann die Darstellung des sexualisierten Körpers oder sexuellen Akts in bestimmten Kontexten zu einer politischen Waffe werden? Welchen Raum erhalten dabei divergierende sexuelle Orientierungen und Praktiken etwa im Verbund mit homosexuellem Begehren? Der Sammelband vereint eine Mischung aus interdisziplinären und künstlerischen Zugängen zum Thema Sexualität und Widerstand und spürt seinen (audio-)visuellen Vermittlungen aus lokaler und transnationaler Perspektive nach. Das breite Spektrum an Text­genres reicht von akademischen Reflexionen über Malerei bis hin zu Dichtkunst und Bildcollagen. Fragen der Film-, ­Medien-, Kultur- und Literaturwissenschaft sowie Geschlechterforschung und Zeitgeschichte treffen in diesem Band auf sexualwissenschaftliche und medizinhistorische Ansätze." -- FROM BLURB
Notes: In German and English
ISBN: 9783854768265
Language: German and English
Donation: Senses of Cinema
Contents: Sexualität und Widerstand : Internationale Filmkulturen / Aylin Basaran, Julia B. Köhne, Klaudija Sabo, Christina Wieder -- "Aufklärung? Abschreckung? in der mit Sexualität gespannten Atmosphäre des Kinos?" : Sexualität in Wiener klinischen und populärwissenschaftlichen Filmen der Moderne / Katrin Pilz -- 'Die neue Frau' oder 'die verlorene Rebellion' / Karin Moser -- Experiment : Projektionenserie / Barbara Eichinger -- From Siegfried Kracauer to Busby Berkeley : Ornamental Bodies in 1930 's film / Isabel Capeloa Gil -- Eisensteins sexuelle Politiken / Peter Grabher -- Sex als Tauschmittel : Beispiele aus Mauthausen / Helga Amesberger und Brigitte Halbmayr -- "That's big talk for a little gun" : Geschlechterrollenwechsel in Nicholas Rays "Johnny Guitar" (1954) / Klaus S. Davidowicz -- Treibsand und Abgrund : Sexualität und Geschlechterkampf in Hiroshi Teshigaharas "Die Frau in den Dünen" (1964) / Gerda Klingenböck -- Erotik, Gewalt und Folklore : die Inszenierung geschlechtlicher und ethnischer Differenz im jugoslawischen Kino um 1968 / Anna Schober -- Die Revolution nach der Revolution : die jugoslawische Jugend im Aufbruch im Film "Rani Radovi" (1961 von Želimir Žilnik / Klaudija Sabo -- Absentes vergegenwärtigen : Schwangerschafisabbruch und Fötalimagologie in westlichen Filmkulturen seit den 1960er Jahren / Julia Barbara Köhne -- Ästhetische Grenzüberschreitungen und widerständige Körper in Fernando Solanas' "Tangos : El Exilio de Gardel" (1985) / Christina Wieder -- Vor der Vertreibung aus dem Paradies : Živko Nikolic' "Lepota Poroka" ["Die Schönheit der Sünde"] (1986) / Andreas Filipovic -- Sexy Zombies? : On the Improbable Possibility of Loving the Undead / Kobi Kabalek -- Goldene Zitronen : Körperpolitiken in Beyoncés "Lemonade" (2016) / Marietta Kesting -- Figurationen der Unkalkulierbarkeit : Maren Ades "Toni Erdmann" (2016) / Monika Bernold -- Wie man Körper wahrnimmt : eine Einübung nach Lukrez / Thomas Ballhausen -- What If the Revolution could be Televised? : "Black Panther" (2018) and the Utopia of Wakanda / Aylin Basaran and Justin Leggs -- Come on Baby, Light my Fire / Sonja Gassner -- Frank Stern zum 75sten / Andreas Huyssen -- Verzeichnis der Autorinnen und Autoren.

Call No: 749.2 TUR
Author: Turan, Kenneth; Zito, Stephen F, joint author
Place: New York
Publisher: Praeger
PubDate: [1974]
PhysDes: xi, 244 p. : illus. ; 24 cm
Subject: PORNOGRAPHIC FILMS; PORNOGRAPHY IN FILMS
Summary: Examining the pornographic film industry in America. The book features interviews with various directors, actors and producers and also looks at the development of the industry over the years.
ISBN: 027550770X
LON: 513207

Call No: 749.2 TUR
Author: Turan, Kenneth; Zito, Stephen F.
Source: US
Place: New York
Publisher: Praeger Publishers
PubDate: 1974
PhysDes: xi, 244 p. : 24 cm
Subject: PORNOGRAPHIC FILMS; PORNOGRAPHY AND THE CINEMA
ISBN: 027550770X
Donation: donated by the family of Wayne Levy, 2006

Call No: 747.6(73) THO
Author: Thomson, David
Edition: First
Place: New York
Publisher: Alfred A. Knopf
PubDate: 2019
PhysDes: 352 pages : illustrated ; 24cm
Subject: SEX IN FILMS. USA; HOMOSEXUALITY IN FILMS. USA; MEN AND THE CINEMA; WOMEN AND THE CINEMA; NUDITY IN FILMS; STARS. USA; FASHION AND THE CINEMA; PORNOGRAPHY AND THE CINEMA
Summary: In this wholly original work of film criticism, David Thomson, celebrated author of The Biographical Dictionary of Film, probes the many ways in which sexuality has shaped the movies—and the ways in which the movies have shaped sexuality. Exploring the tangled notions of masculinity, femininity, beauty, and sex that characterize our cinematic imagination—and drawing on examples that range from advertising to pornography, Bonnie and Clyde to Call Me by Your Name—Thomson illuminates how film as art, entertainment, and business has historically been a polite cover for a kind of erotic séance. In so doing, he casts the art and the artists we love in a new light, and reveals how film can both expose the fault lines in conventional masculinity and point the way past it, toward a more nuanced understanding of what it means to be a person with desires. -- publisher's web site
ISBN: 9781101946992

Call No: 620 BAK STA
Author: Stam, Robert
Place: Baltimore
Publisher: John Hopkins University Press
PubDate: 1989
PhysDes: xiii, 274 pages ; 24 cm.
Series: Parallax
Subject: BAHTIN, MIHAIL; ALLEN, WOODY; BUNUEL, LUIS; CANNIBALISM IN FILMS; BRAZIL; SEMIOLOGY; DIALOGUE; FORMALISM; GODARD, JEAN-LUC; PORNOGRAPHY; SHAKESPEARE, WILLIAM; ZELIG (US, Woody Allen, 1983)
Summary: Applying Bakhtin's critical methods to film, mass-media and cultural studies, Stam draws on Bakhtin's corporal semiotics of "the grotesque body" to analyze eroticism in the cinema, and explores issues including the "translinguistic" critique of Saussurean semiotics and Russian formalism.
Notes: Includes bibliographical references (pages 241-258) and index.
ISBN: 0801845092
Donation: Adrian Miles
Contents: Translinguistics and Semiotics -- Language, Difference, and Power -- Film, Literature, and the Carnivalesque -- Of Cannibals and Carnivals -- The Grotesque Body and Cinematic Eroticism -- From Dialogism to Zelig -- Envoi: Bakhtin and Mass-Media Critique.
ID2: 343

Call No: 410.81 WAT
Author: Aveyard, Karina (ed.); Moran, Albert (ed.)
Source: UK
Place: Bristol, UK ; Chicago
Publisher: Intellect
PubDate: 2013
PhysDes: 418 p. ; 23 cm
Subject: THEORY; CINEMAS; CINEMAS. UK; NEWSREELS; AUDIENCE RECEPTION; AUDIENCES; AUDIENCES THEORY; AUDIENCE RESEARCH; AUDIENCE RESEARCH. AUSTRALIA; AUDIENCE RESEARCH. UK; AUDIENCE RESEARCH. USA; AUDIENCE RECEPTION. NEW ZEALAND; AUDIENCE RECEPTION. AUSTRALIA; ITALY; NETHERLANDS; INDIA; BELGIUM; PORNOGRAPHY; INDEPENDENT FILMS
Summary: With a focus on the social, economic, and cultural factors that influence how we watch and think about movies, this volume centres its investigations on four areas of inquiry: Who watches films? Under what circumstances? What consequences and effects follow? And what do these acts of consumption mean? Responding to these questions, the contributors provide both historical perspective and fresh insights into the ways in which new viewing arrangements and technologies influence how films are watched around the world.
Notes: Includes bibliographical references and index.
ISBN: 9781841505114
Contents: Foreword : Richard Maltby -- Introduction : New perspectives on movie-going, exhibition and reception --; Part one: Theoretical perspectives -- Chapter one: Cinema, modernity and audiences: Revisiting and expanding the debate: Daniel Biltereyst -- Chapter two: What is a cinema? Death, closure and the database: Deb Verhoeven -- Chapter three: A poetics of film-audience reception? Barbara Deming goes to the movies: Albert Moran -- Chapter four: The porous boundaries of newsreel memory research: Louise Anderson -- Chapter five: Why are children the most important audience for pornography in Australia?: Alan McKee --; Part two: The film industry - systems and practices -- Chapter six: Local promotion of a 'Picture Personality': a case study of the vitagraph girl: Kathryn Fuller-Seeley -- Chapter seven: 'Calamity howling': the advent of television and Australian cinema exhibition: Mike Walsh -- Chapter eight: A nation of film-goers: audiences, exhibition and distribution in New Zealand: Geoff Lealand -- Chapter nine: The critical reception of 'Certified Copy': original art or copy of a rom-com?: Eylem Akatav; Part three: Moview theatres - from Picture Palace to the Multiplex -- Chapter ten: Movie-going in the Shenandoah Valley of Virginia: A case study of place, transportation, audiences, racism, censorship and Sunday showings: Douglas Gomery -- Chapter eleven: From Mom-and-Pop to Paramount Publix: selling the community on the benefits of national theatre chains: Jeffrey Klenotic -- Chapter twelve: A progressive city and its cinemas: technology, modernity and the spectacle of abundance: Mark Jancovich and Lucy Faire with Sarah Stubbings -- Chapter thirteen: 'They don't need me in heaven...there are no cinemas there, ye know': cinema culture in Antwerp (Belgium) and the Empire of Georges Heylen, 1945-75: Kathleen Lotze and Philippe Meers -- Chapter fourteen: from out-of-town to the edge and back to the centre: multiplexes in Britain from the 1990s: Stuart Hanson --; Part four: on the margins -- Chapter fifteen: The place of rural exhibition: makeshift cinema-going and the Highlands and Islands Film Guild (Scotland): Ian Goode -- Chapter sixteen: 'A Popcorn-free zone': distinctions in independent film exhibition in Wellington, New Zealand: Ian Huffer -- Chapter seventeen: getting to see women's cinema: Julia Knight -- Chapter eighteen: Shifting fandoms of film, community and family: Tom Phillips --; Part five: Just watching movies? -- Chapter nineteen: watching popular films in the Netherlands, 1934-36: Clara Pafort-Overduin -- Chapter twenty: Contemporary Italian film-goers and their critics: Alan O'Leary and Catherine O'Rawe -- Chapter twenty one: Imagining a 'decent crowd' at the Indian multiplex: Adrian Mabbott Athique -- Chapter twenty two: The VHS generation and their movie experiences: Janna Jones --

Author: Franklin, Richard
PhysDes: Article
Subject: FRANKLIN, RICHARD; ESSAY ON PORNOGRAPHY, AN (AT, Christopher Cary, 1973); INDUSTRY, FILM. AUSTRALIA
Summary: Interview with English-born, American filmmaker Christopher Cary on his move to Australia and his thoughts on the Australian film industry.