personality clippings file
ARAKI, GREGG
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: ARAKI, GREGG
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Cinema of outsiders : the rise of American independent film / Emanuel Levy New York: New York University Press, c1999.
Call No: 71(73) LEVAuthor: Levy, Emanuel, 1947 Source: USPlace: New YorkPublisher: New York University PressPubDate: c1999PhysDes: xiii, 601 p. : ill. ; 24 cmSubject: INDEPENDENT FILMS. USA ; HOMOSEXUALITY AND THE CINEMA. USA ; OUTSIDERS IN FILMS ; MEN IN FILMS ; FILM NOIR ; FEMINISM AND THE CINEMA. USA ; TYPE CHARACTERS IN FILMS ; COMEDIES. USA ; BLACKS AND THE CINEMA. US ; BLACKS IN FILMS. USA ; YOUNG PEOPLE AND THE CINEMA ; FESTIVALS. PARK CITY. SUNDANCE ; ARAKI, GREGG ; NUNEZ, VICTOR ; BROOKS, ALBERT ; SMITH, KEVIN ; COEN, JOEL & ETHAN ; FERRARA, ABEL ; WATERS, JOHN (US) ; HARTLEY, HAL ; HAYNES, TODD ; JARMUSCH, JIM ; JOST, JON ; LEE, SPIKE ; LINKLATER, RICHARD ; LYNCH, DAVID ; MAMET, DAVID ; NAIR, MIRA ; SAYLES, JOHN ; CASSAVETES, NICK ; SODERBERGH, STEVEN ; SOLONDZ, TODD ; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989) ; BLOOD SIMPLE (US, Joel Coen, 1984) ; BOYZ N THE HOOD (US, John Singleton, 1991) ; IN THE COMPANY OF MEN (US, Neil Labute, 1997) ; GAS FOOD LODGING (US, Allison Anders, 1992) ; PULP FICTION (US, Quentin Tarantino, 1994) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) ; MEAN STREETS (US, Martin Scorsese, 1973) Summary: "Cinema of Outsiders is the first and only comprehensive chronicle of contemporary independent movies from the late 1970s up to the present. From the hip, audacious early works of maverick David Lynch, Jim Jarmusch, and Spike Lee, to the contemporary Oscar-winning success of indie dynamos, such as the Coen brothers (Fargo), Quentin Tarantino (Pulp Fiction), and Billy Bob Thornton (Sling Blade), Levy describes in a lucid and accessible manner the innovation and diversity of American indies in theme, sensibility, and style."--BOOK JACKETNotes: Includes bibliographical references (p. 539-571) and indexISBN: 0814751237 (alk. paper)LON: 20253533
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Down and dirty pictures : Miramax, Sundance and the rise of independent film / Peter Biskind London: Bloomsbury, 2004.
Call No: 721.3(73) BISAuthor: Biskind, Peter Place: LondonPublisher: BloomsburyPubDate: 2004PhysDes: 24 cm ; 545 pSubject: DIRECTORS. USA ; HOLLYWOOD ; USA ; AWARDS. ACADEMY ; INDEPENDENT DISTRIBUTION ; INDEPENDENT FILMS. USA ; INDEPENDENT PRODUCTION ; INDEPENDENT PRODUCTION. USA ; DISTRIBUTION. USA ; FESTIVALS. PARK CITY. SUNDANCE ; MIRAMAX FILMS ; AFFLECK, BEN ; ALTMAN, ROBERT ; ANDERS, ALLISON ; ANDERSON, PAUL THOMAS ; ANDERSON, WES ; ARAKI, GREGG ; ARONOFSKY, DARREN ; ARTETA, MIGUEL ; WEINSTEIN, BOB ; WEINSTEIN, HARVEY ; ALLEN, WOODY ; ALL THE PRETTY HORSES (US, Billy Bob Thornton, 2000) ; FABULEUX DESTIN D'AMELIE POULAIN, LE (FR/GG, Jean-Pierre Jeunet, 2001) ; APOSTLE, THE (US, Robert Duvall, 1997) ; AMERICAN BEAUTY (US, Sam Mendes, 1999) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) Summary: In Down and Dirty Pictures, Peter Biskind tells the story of the filmmakers and the independent distributors who revitalised Hollywood in the 1990s. He follows the growth of Sundance from a regional film festival to the premier showcase of independent film that it became, showing how it succeeded almost despite Robert Redford, whose visionary plans were often thwarted by his quixotic personality. He charts the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul who, with his brother Bob, left a trail of carnage in his wake, yet created an Oscar factory that is the envy of the studios. [Taken from inner jacket sleeve].ISBN: 0747565708ID2: 341
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Independent visions : a critical introduction to recent independent American film / Donald Lyons New York: Ballantine, 1994.
Call No: 71(73) LYOAuthor: Lyons, Donald Place: New YorkPublisher: BallantinePubDate: 1994PhysDes: xiv, 337 p., [8] p. of plates : ports. ; 21 cmSubject: INDEPENDENT FILMS. USA ; ALMEREYDA, MICHAEL ; ANDERS, ALLISON ; COEN, JOEL & ETHAN ; CRONENBERG, DAVID ; DASH, JULIE ; DAVIS, JUDY ; EGOYAN, ATOM ; FERRARA, ABEL ; HARTLEY, HAL ; LEE, SPIKE ; LINKLATER, RICHARD ; PHOENIX, RIVER ; SODERBERGH, STEVEN ; Tarantino, Quentin ; VAN SANT, GUS ; ARAKI, GREGG ; BIGELOW, KATHRYN ; DICKERSON, ERNEST R. ; GOMEZ, NICK ; JARMUSCH, JIM ; LEHMANN, MICHAEL ; MORRISSEY, PAUL ; O'BRIEN, JOHN ; COCHRAN, STACY ; COOLIDGE, MARTHA ; DAVIS, TAMRA ; FRANKLIN, CARL ; HARRIS, LESLIE ; LEGROS, JAMES ; LYNCH, DAVID ; MCNAUGHTON, JOHN ; MUNCH, CHRISTOPHER ; THORNTON, BILLY BOB ; RODRIGUEZ, ROBERT ; ROCKWELL, ALEXANDRE ; SINGLETON, JOHN ; SAYLES, JOHN ; SAVOCA, NANCY ; GAS FOOD LODGING (US, Allison Anders, 1992) ; EL MARIACHI (US, Robert Rodriguez, 1992) ; BOYZ N THE HOOD (US, John Singleton, 1991) ; BODIES, REST & MOTION (US, Michael Steinberg, 1993) ; BARTON FINK (US, Joel Cohen, 1991) ; PASSION FISH (US, John Sayles, 1992) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; MYSTERY TRAIN (US, Jim Jarmusch, 1989) ; MY NEW GUN (US, Stacy Cochran, 1992) ; MS. 45 (US, Abel Ferrara, 1981) ; METROPOLITAN (US, Whit Stillman, 1990) ; MALA NOCHE (US, Gus Van Sant, 1986) ; JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992) ; JUICE (US, Ernest R. Dickerson, 1992) ; IN THE SOUP (US, Alexandre Rockwell, 1992) ; HOURS AND TIMES, THE (US, Christopher Munch, 1992) ; HENRY PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1989[prod. 1985]) ; HEATHERS (US, Michael Lehmann, 1989) ; GUN CRAZY (US, Joseph H.Lewis, 1949) ; LIVING END, THE (US, Gregg Araki, 1992) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; NAKED LUNCH (CN/UK, David Cronenberg, 1991) ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; DRUGSTORE COWBOY (US, Gus Van Sant, 1989) ; RAMBLING ROSE (US, Martha Coolidge, 1991) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) ; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989) ; SHE'S GOTTA HAVE IT (US, Spike Lee, 1986) ; SIMPLE MEN (US, Hal Hartley, 1992) ; SLACKER (US, Richard Linklater, 1990) ; TO SLEEP WITH ANGER (US, Charles Burnett, 1990) ; TRUE LOVE (US, Nancy Savoca, 1989) ; TRUST (US, Hal Hartley, 1990) ; UNBELIEVABLE TRUTH, THE (US, Hal Hartley, 1989) ; VERMONT IS FOR LOVERS (US, John O'Brien, 1992) ; WILD AT HEART (US, David Lynch, 1990) Notes: Includes filmography and indexISBN: 0345382498 (pbk.)LON: 11029535
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Queer looks : perspectives on lesbian and gay film and video / editors Martha Gever, Pratibha Parmar, John Greyson New York: Routledge, 1993.
Call No: 749.4 QUEAuthor: Gever, Martha, 1947 ; Parmar, Pratibha ; Greyson, John, 1960 Place: New YorkPublisher: RoutledgePubDate: 1993PhysDes: xv, 413 p. : ill. ; 24 cmSubject: HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; AIDS IN FILMS ; PORNOGRAPHY AND THE CINEMA ; HOMOSEXUALITY IN FILMS. PHILIPPINES ; CHILD, ABIGAIL ; KUCHAR, GEORGE ; DOUGHERTY, CECILIA ; MCLAUGHLIN, SHEILA ; FRIEDRICH, SU ; ARAKI, GREGG ; RAINER, YVONNE ; HAMMER, BARBARA ; KWIETNIOWSKI, RICHARD ; PARMAR, PRATIBHA ; SAALFIELD, CATHERINE ; GREYSON, JOHN ; DEOCAMPO, NICK ; PARIS IS BURNING (US, Jennie Livingston, 1990) ; BRIGHT EYES (UK, Stuart Marshall, 1984?) ; ECCE HOMO (US, Jerry Tartaglia, 1989?) ; SHE MUST BE SEEING THINGS (US, Sheila McLaughlin, 1987) Notes: Includes bibliographical referencesISBN: 0415907411; 041590742XLON: 93009663; 9906232ID2: 296
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