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100 American independent films : BFI screen guides / Jason Wood London: bfi Publishing, 2004.
Call No: 71(73)WOOAuthor: Wood, Jason Place: LondonPublisher: bfi PublishingPubDate: 2004PhysDes: xiii, 263 p. : ill. ; 17 cmSeries: BFI screen guidesSubject: INDEPENDENT FILMS. USA ; FESTIVALS. CANNES ; AWARDS. INDEPENDENT SPIRIT ; FESTIVALS. PARK CITY. SUNDANCE ; BUSCEMI, STEVE ; CASSAVETES, JOHN ; LYNCH, DAVID ; LEE, SPIKE ; SAYLES, JOHN ; SODERBERGH, STEVEN ; SCORSESE, MARTIN ; Tarantino, Quentin ; GODARD, JEAN-LUC ; HARTLEY, HAL ; HOPPER, DENNIS ; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989) ; EASY RIDER (US, Dennis Hopper, 1969) Summary: This guide defines and outlines a personal but representative selection of 100 recommneded American independent films. Each entry includes a plot synopsis, a commentary on the film's significance, production and exhibition history and cross-references to other films. [Taken from back cover].Notes: Includes preface by Scott McGehee and David Siegel; Bibliography: p. 245-248.; Includes indexISBN: 1844570061
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American independent cinema : a sight and sound reader / edited by Jim Hillier London: British Film Institute, 2001.
Call No: 71(73) AMEAuthor: Hillier, Jim Place: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: xvii, 283 p. : ill., ports. ; 24 cmSubject: USA ; INDEPENDENT FILMS. USA ; CASSAVETES, JOHN ; BRAKHAGE, STAN ; WARHOL, ANDY ; BLACK CINEMA ; BLACKS IN FILMS. USA ; BLACK FILMMAKERS. US ; DASH, JULIE ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; RIGGS, MARLON ; TONGUES UNTIED (US, Marlon Riggs, 1989) ; CROOKLYN (US, Spike Lee, 1994) ; FRIDAY (US, F. Gary Gray, 1995) ; CLOCKERS (US, Spike Lee, 1995) ; LEE, SPIKE ; GIRL 6 (US, Spike Lee, 1996) ; GET ON THE BUS (US, Spike Lee, 1996) ; SLAM (US, Marc Levin, 1998) ; HOMOSEXUALITY AND THE CINEMA ; POISON (US, Todd Haynes, 1991) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; VAN SANT, GUS ; SWOON (US, Tom Kalin, 1992) ; GO FISH (US, Rose Troche, 1994) ; TOTALLY F***ED UP (US, Gregg Araki, 1993) ; HAYNES, TODD ; SAFE (US, Todd Haynes, 1995) ; DOOM GENERATION, THE (US, Gregg Araki, 1995) ; PEIRCE, KIMBERLY ; BOYS DON'T CRY (US, Kimberly Peirce, 1999) ; JARMUSCH, JIM ; NIGHT ON EARTH (US, Jim Jarmusch, 1991) ; SLACKER (US, Richard Linklater, 1990) ; SURE FIRE (US, Jon Jost, 1990) ; LINKLATER, RICHARD ; BEFORE SUNRISE (US, Richard Linklater, 1995) ; LIVING IN OBLIVION (US, Tom DiCillo, 1995) ; WALKING AND TALKING (US, Nicole Holofcener, 1996) ; HARTLEY, HAL ; HENRY FOOL (US, Hal Hartley, 1997) ; HAPPINESS (US, Todd Solondz, 1998) ; GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999) ; TIMECODE (US, Mike Figgis, 2000) ; ALTMAN, ROBERT ; SHORT CUTS (US, Robert Altman, 1993) ; ANDERSON, PAUL THOMAS ; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997) ; MAGNOLIA (US, Paul Thomas Anderson, 1999) ; FERRARA, ABEL ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; BLACKOUT, THE (US, Abel Ferrara, 1997) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; FUNERAL, THE (US, Abel Ferrara, 1996) ; JONZE, SPIKE ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; KORINE, HARMONY ; GUMMO (US, Harmony Korine, 1997) ; JULIEN DONKEY-BOY (US, Harmony Korine, 1999) ; LYNCH, DAVID ; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992) ; LOST HIGHWAY (US, David Lynch, 1996) ; SAYLES, JOHN ; CITY OF HOPE (US, John Sayles, 1991) ; LONE STAR (US, John Sayles, 1996) ; LIMBO (US, John Sayles, 1999) ; HENRY PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1989[prod. 1985]) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993) ; EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993) ; PULP FICTION (US, Quentin Tarantino, 1994) ; Tarantino, Quentin ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; BOUND (US, Larry Wachowski & Andy Wachowski, 1996) ; NORMAL LIFE (US, John McNaughton, 1996) ; THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; BIG LEBOWSKI, THE (US, Joel Coen, 1998) ; OUT OF SIGHT (US, Steven Soderbergh, 1998) ; LIMEY, THE (US, Steven Soderbergh, 1999) ; SODERBERGH, STEVEN ; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991) ; JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992) ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99LON: 20980358
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Cinema of outsiders : the rise of American independent film / Emanuel Levy New York: New York University Press, c1999.
Call No: 71(73) LEVAuthor: Levy, Emanuel, 1947 Source: USPlace: New YorkPublisher: New York University PressPubDate: c1999PhysDes: xiii, 601 p. : ill. ; 24 cmSubject: INDEPENDENT FILMS. USA ; HOMOSEXUALITY AND THE CINEMA. USA ; OUTSIDERS IN FILMS ; MEN IN FILMS ; FILM NOIR ; FEMINISM AND THE CINEMA. USA ; TYPE CHARACTERS IN FILMS ; COMEDIES. USA ; BLACKS AND THE CINEMA. US ; BLACKS IN FILMS. USA ; YOUNG PEOPLE AND THE CINEMA ; FESTIVALS. PARK CITY. SUNDANCE ; ARAKI, GREGG ; NUNEZ, VICTOR ; BROOKS, ALBERT ; SMITH, KEVIN ; COEN, JOEL & ETHAN ; FERRARA, ABEL ; WATERS, JOHN (US) ; HARTLEY, HAL ; HAYNES, TODD ; JARMUSCH, JIM ; JOST, JON ; LEE, SPIKE ; LINKLATER, RICHARD ; LYNCH, DAVID ; MAMET, DAVID ; NAIR, MIRA ; SAYLES, JOHN ; CASSAVETES, NICK ; SODERBERGH, STEVEN ; SOLONDZ, TODD ; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989) ; BLOOD SIMPLE (US, Joel Coen, 1984) ; BOYZ N THE HOOD (US, John Singleton, 1991) ; IN THE COMPANY OF MEN (US, Neil Labute, 1997) ; GAS FOOD LODGING (US, Allison Anders, 1992) ; PULP FICTION (US, Quentin Tarantino, 1994) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) ; MEAN STREETS (US, Martin Scorsese, 1973) Summary: "Cinema of Outsiders is the first and only comprehensive chronicle of contemporary independent movies from the late 1970s up to the present. From the hip, audacious early works of maverick David Lynch, Jim Jarmusch, and Spike Lee, to the contemporary Oscar-winning success of indie dynamos, such as the Coen brothers (Fargo), Quentin Tarantino (Pulp Fiction), and Billy Bob Thornton (Sling Blade), Levy describes in a lucid and accessible manner the innovation and diversity of American indies in theme, sensibility, and style."--BOOK JACKETNotes: Includes bibliographical references (p. 539-571) and indexISBN: 0814751237 (alk. paper)LON: 20253533
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Do the right thing / Ed Guerrero London: British Film Institute, 2001.
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Fast times and excellent adventures : the surprising hisory of the '80s teen movie / James King London: Constable, 2018.
Call No: 451-058.6 KINAuthor: King, James Source: UKPlace: LondonPublisher: ConstablePubDate: 2018PhysDes: xi, 452 pages, 16 unnumbered pages of plates : illustrations, portraits ; 24 cmSubject: TEEN FILM ; TEEN FILMS ; YOUNG PEOPLE AND THE CINEMA ; YOUNG PEOPLE IN FILMS ; HISTORY OF CINEMA ; HISTORY OF CINEMA. USA ; HISTORY OF CINEMA. 1980's ; BACON, KEVIN ; COPPOLA, FRANCIS FORD ; BRODERICK, MATTHEW ; CROWE, CAMERON ; CRUISE, TOM ; DILLON, MATT ; ESTEVEZ, EMILIO ; FOSTER, JODIE ; HECKERLING, AMY ; HUGHES, JOHN (US) ; LEE, SPIKE ; LOWE, ROB ; MUSIC TELEVISION
UF MTV ; PENN, SEAN ; RINGWALD, MOLLY ; TRAVOLTA, JOHN ; ZEMECKIS, ROBERT ; BACK TO THE FUTURE (US, Robert Zemeckis, 1985) ; FAST TIMES AT RIDGEMONT HIGH (US, Amy Heckerling, 1982) ; GREASE (US, Randal Kleisner, 1978) ; GREMLINS (US, Joe Dante, 1984) ; LOST BOYS, THE (US, Joel Schumacher, 1987) ; OUTSIDERS, THE (US, Francis Ford Coppola, 1983) ; PRETTY IN PINK (US, Howard Deutch, 1986) ; RISKY BUSINESS (US, Paul Brickman, 1983) ; RIVER'S EDGE (US, Tim Hunter, 1986) ; SATURDAY NIGHT FEVER (US, John Badham, 1977) ; SIXTEEN CANDLES (US, John Hughes, 1984) Summary: "Take a trip back to the era of troubled teens and awesome soundtracks; of Reagan, rap and Ridgemont High; of MTV, VHS and 'Axel F'; of outsiders, lost boys and dead poets; of Bill and Ted, Brooke Shields and the Brat Pack; of three Porky's, two Coreys and one summer when everyone called her Baby . . .
Fast Times and Excellent Adventures goes behind the scenes of a genre where cult hits mingled with studio blockbusters, where giants like Spielberg and Coppola rubbed shoulders with baby-faced first-timers and where ambitious future superstars Sean, Demi and Tom all got their big break. Music, comedy and politics - all play a part in the surprisingly complex history of the '80s teen movie. And while the films might have been aimed primarily at adolescents, the best tackle universal issues and remain a magnet to all ages. Time of your life, huh kid?
From a late '70s Hollywood in flux to an early '90s indie scene that gave youth cinema a timely reboot, respected film expert James King smartly highlights the personal struggles, the social changes and the boardroom shake-ups that produced an iconic time in movie history" -- BOOK BACK COVERNotes: Includes bibliographical references and indexISBN: 9781472123725
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Film at the intersection of high and mass culture / Paul Coates Cambridge [England] New York: Cambridge University Press, 1994.
Call No: 408 COAAuthor: Coates, Paul, 1953 Place: Cambridge [England] New YorkPublisher: Cambridge University PressPubDate: 1994PhysDes: xvii, 201 p. ; 24 cmSeries: Cambridge studies in filmSubject: POPULAR CULTURE AND THE CINEMA ; SCIENCE-FICTION FILMS ; MELODRAMA ; WESTERNS ; FILM NOIR ; RACIAL STEREOTYPES IN FILMS ; STARS ; GENRES ; HORROR FILMS ; VOICE OVER ; MUSIC TELEVISION ; SIRK, DOUGLAS ; MARKER, CHRIS ; TARKOVSKY, ANDREI ; KIESLOWSKI, KRZYSZTOF ; FRANJU, GEORGES ; STALLONE, SYLVESTER ; VALENTINO, RUDOLPH ; LANG, FRITZ ; LEE, SPIKE ; MADONNA ; MONROE, MARILYN ; POTTER, DENNIS ; BEDROOM WINDOW, THE (US, Curtis Hanson, 1986) ; FLY, THE (US, David Cronenberg, 1986) ; JETEE, LA (FR, Chris Marker, 1963) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; AUFZEICHNUNGEN ZU KLEIDERN UND STADTEN (GW, Wim Wenders, 1989) ; OUT OF THE PAST (US, Jacques Tourneur, 1947) ; ROCKY IV (US, Sylvester Stallone, 1985) ; OFFRET [SACRIFICE, THE] (SW/FR, Andrei Tarkovsky, 1986) ; SEARCHERS, THE (US, John Ford, 1956) ; SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986) ; SOLARIS (UR, Andrei Tarkovsky, 1972) ; WESELE (PL, Andrzej Wajda, 1972) ; DAY OF THE LOCUST, THE (US, John Schlesinger, 1975) ; REAR WINDOW (US, Alfred Hitchcock, 1954) Notes: Includes bibliographical references (p. 182-194) and indexISBN: 0521444721 (hardback)LON: 10419843
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Five for five : the films of Spike Lee / [essays by] Terry McMillan ... [et al.] ; photographs by David Lee ; foreword by Melvin van Peebles ; introduction by Spike Lee New York: Stewart, Tabori & Chang Distributed in the U.S. by Workman Pub., 1991.
Call No: 81LEE MCMAuthor: Lee, Spike ; Lee, David ; McMillan, Terry Place: New YorkPublisher: Stewart, Tabori & Chang Distributed in the U.S. by Workman Pub.PubDate: 1991PhysDes: 215 p. : ill. ; 28 cmSubject: LEE, SPIKE ISBN: 1556702167; 1556702175 (pbk.)LON: 90029025; 7764870
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The garden in the machine : a field guide to independent films about place / Scott MacDonald Berkeley, California: University of California Press, 2001.
Call No: 738(71) MACAuthor: MacDonald, Scott Place: Berkeley, CaliforniaPublisher: University of California PressPubDate: 2001PhysDes: xxvi, 461 p. : ill. (some colour) ; 24cmSubject: INDEPENDENT FILMS ; NATURE IN FILMS ; PLACE IN FILMS ; PLACE IN FILMS. USA ; CITIES IN FILMS ; NEW YORK IN FILMS ; GOTTHEIM, LARRY ; COLE, THOMAS ; MURPHY, J. J. ; ANGER, KENNETH ; MENKEN, MARIE ; SCHNEEMANN, CAROLEE ; BRAKHAGE, STAN ; KELLER, MARJORIE ; ROBERTSON, ANNE CHARLOTTE ; LOWDER, ROSE ; MANGOLTE, BABETTE ; BENNING, JAMES ; STONE, OLIVER ; SPIRO, ELLEN ; DEBONT, JAN ; KUCHAR, GEORGE ; BURCKHARDT, RUDY ; WEEGEE ; THOMPSON, FRANCIS ; MENKEN, MARIE ; HARRIS, HILARY ; LEE, SPIKE ; STAUFFACHER, FRANK ; BAILLIE, BRUCE ; RUDNICK, MICHAEL ; GEHR, ERNIE ; O'NEILL, PAT ; MARTIN, EUGENE ; MEKAS, JONAS ; GREAVES, WILLIAM ; FRAMPTON, HOLLIS ; HUOT, ROBERT ; DORSKY, NATHANIEL ; HUTTON, PETER ; DASH, JULIE ; FRANKLIN, CARL ; CONNER, BRUCE ; HERZOG, WERNER ; LANZMANN, CLAUDE ; STRAND, CHICK ; NOREN, ANDREW ; PIERCE, LEIGHTON ; GATTEN, DAVID Summary: "Explores the evocations of place, and particularly American place, that have become so central to the representational and narrative strategies of alternative and mainstream film and video. Scott MacDonald contextualises his discussion with wide-ranging and deeply informed analysis of the depiction of place in nineteenth and twentieth-century literature, painting and photography. Examining the representation of nature and landscape in particular, and location in general, MacDonald offers new readings of films under consideration as well as an expanded sense of modern film history."Notes: Includes distribution sources for films and videos (in US), notes and indexISBN: 0520227387
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High contrast : race and gender in contemporary Hollywood film / Sharon Willis Durham, N.C.: Duke University Press, 1997.
Call No: 451-054(73) WILAuthor: Willis, Sharon Place: Durham, N.C.Publisher: Duke University PressPubDate: 1997PhysDes: 266 p. ; 24 cmSubject: RACE AND THE CINEMA ; ACTION FILMS ; GENDER AND THE CINEMA.USA ; MEN IN FILMS ; WOMEN IN FILMS ; LEE, SPIKE ; LYNCH, DAVID ; TARANTINO, QUENTIN ; DIE HARD (US, John McTiernan, 1988) ; LETHAL WEAPON [...] (US, Richard Donner, 1987-92) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; WILD AT HEART (US, David Lynch, 1990) ; PULP FICTION (US, Quentin Tarantino, 1994) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) Summary: In High Contrast, Sharon Willis examines the dynamic relationships between racial and sexual difference in Hollywood film from the 1980s and 1990s. Seizing on the way these differences are accentuated, sensationalized, and eroticized on the screen - most often with little apparent regard for the political context in which they operate - Willis restores that context through close readings of a range of movies from cinematic blockbusters to the work of the new auteurs, Spike Lee, David Lynch, and Quentin TarantinoNotes: Includes bibliographical references (p. [217]-257) and indexISBN: 0822320290 (cloth : acid-free paper); 082232041X (pbk. : acid-free paper)LON: 97013147; 13158378Contents: Part 1. Battles of the sexes -- 1. Mutilated Masculinties and Their Prostheses: Die Hards and Lethal Weapons -- 2. Insides Out: Public and Private Exchanges from Fatal Attraction to Basic Instinct -- 3. Combative Femininity: Thelma and Louise and Terminator 2 -- Part II. Ethnographies of the "White" Gaze -- 4. Do the Wrong Thing: David Lynch's Perverse Style -- 5. Tell the Right Story: Spike Lee and the Politics of Representative Style -- 6. Borrowed "Style": Quentin Tarantino's Figures of Masculinity
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Independent visions : a critical introduction to recent independent American film / Donald Lyons New York: Ballantine, 1994.
Call No: 71(73) LYOAuthor: Lyons, Donald Place: New YorkPublisher: BallantinePubDate: 1994PhysDes: xiv, 337 p., [8] p. of plates : ports. ; 21 cmSubject: INDEPENDENT FILMS. USA ; ALMEREYDA, MICHAEL ; ANDERS, ALLISON ; COEN, JOEL & ETHAN ; CRONENBERG, DAVID ; DASH, JULIE ; DAVIS, JUDY ; EGOYAN, ATOM ; FERRARA, ABEL ; HARTLEY, HAL ; LEE, SPIKE ; LINKLATER, RICHARD ; PHOENIX, RIVER ; SODERBERGH, STEVEN ; Tarantino, Quentin ; VAN SANT, GUS ; ARAKI, GREGG ; BIGELOW, KATHRYN ; DICKERSON, ERNEST R. ; GOMEZ, NICK ; JARMUSCH, JIM ; LEHMANN, MICHAEL ; MORRISSEY, PAUL ; O'BRIEN, JOHN ; COCHRAN, STACY ; COOLIDGE, MARTHA ; DAVIS, TAMRA ; FRANKLIN, CARL ; HARRIS, LESLIE ; LEGROS, JAMES ; LYNCH, DAVID ; MCNAUGHTON, JOHN ; MUNCH, CHRISTOPHER ; THORNTON, BILLY BOB ; RODRIGUEZ, ROBERT ; ROCKWELL, ALEXANDRE ; SINGLETON, JOHN ; SAYLES, JOHN ; SAVOCA, NANCY ; GAS FOOD LODGING (US, Allison Anders, 1992) ; EL MARIACHI (US, Robert Rodriguez, 1992) ; BOYZ N THE HOOD (US, John Singleton, 1991) ; BODIES, REST & MOTION (US, Michael Steinberg, 1993) ; BARTON FINK (US, Joel Cohen, 1991) ; PASSION FISH (US, John Sayles, 1992) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; MYSTERY TRAIN (US, Jim Jarmusch, 1989) ; MY NEW GUN (US, Stacy Cochran, 1992) ; MS. 45 (US, Abel Ferrara, 1981) ; METROPOLITAN (US, Whit Stillman, 1990) ; MALA NOCHE (US, Gus Van Sant, 1986) ; JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992) ; JUICE (US, Ernest R. Dickerson, 1992) ; IN THE SOUP (US, Alexandre Rockwell, 1992) ; HOURS AND TIMES, THE (US, Christopher Munch, 1992) ; HENRY PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1989[prod. 1985]) ; HEATHERS (US, Michael Lehmann, 1989) ; GUN CRAZY (US, Joseph H.Lewis, 1949) ; LIVING END, THE (US, Gregg Araki, 1992) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; NAKED LUNCH (CN/UK, David Cronenberg, 1991) ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; DRUGSTORE COWBOY (US, Gus Van Sant, 1989) ; RAMBLING ROSE (US, Martha Coolidge, 1991) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) ; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989) ; SHE'S GOTTA HAVE IT (US, Spike Lee, 1986) ; SIMPLE MEN (US, Hal Hartley, 1992) ; SLACKER (US, Richard Linklater, 1990) ; TO SLEEP WITH ANGER (US, Charles Burnett, 1990) ; TRUE LOVE (US, Nancy Savoca, 1989) ; TRUST (US, Hal Hartley, 1990) ; UNBELIEVABLE TRUTH, THE (US, Hal Hartley, 1989) ; VERMONT IS FOR LOVERS (US, John O'Brien, 1992) ; WILD AT HEART (US, David Lynch, 1990) Notes: Includes filmography and indexISBN: 0345382498 (pbk.)LON: 11029535
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Inner views : filmmakers in conversation / David Breskin Boston: Faber and Faber, c1992.
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Irish and African American Cinema : identifying others and performing identities, 1980-2000 / Maria Pramaggiore Albany: State University of New York Press, 2007.
Call No: 451-054(=1 .415/.73) PRAAuthor: Pramaggiore, Maria Source: USPlace: AlbanyPublisher: State University of New York PressPubDate: 2007PhysDes: ix, 245 p. : ill. ; 24 cmSeries: The SUNY series, cultural studies in cinema/videoSubject: BLACKS IN FILMS ; BLACKS AND THE CINEMA ; WHITES IN FILMS ; HISTORY OF CINEMA. IRELAND ; HISTORY OF CINEMA. USA ; IDENTITY IN FILMS ; THEORY ; LEE, SPIKE ; JORDAN, NEIL Summary: "Focusing on two film traditions not normally studied together, Maria Pramaggiore examines more than two dozen Irish and African American films, including Do the Right Thing, In the Name of the Father, The Crying Game, Boyz N the Hood, The Snapper, and He Got Game, arguing that these films foreground practices of character identification that complicate essentialist notions of national and racial identity. The porous sense of self associated with moments of identification in these films offers a cinematic counterpart to W. E. B. Du Bois's potent concept of double consciousness, an epistemological standpoint derived from experiences of colonization, racialization, and cultural disruption. Characters in these films, Pramaggiore suggests, reject the national paradigm of insider and outsider in favor of diasporic both/and notions of self, thereby endorsing the postmodern concept of identity as performance."--BOOK JACKET.Notes: Formerly CIP; Includes bibliographical references (p. 209-237) and indexISBN: 9780791470954Contents: Ch. 1. Identifying others -- Ch. 2. Sampling blackness : music and identification in the films of Neil Jordan and Spike Lee -- Ch. 3. "It's a wise child that knows his own father" : pregnant performances and maternal mythologies -- Ch. 4. Culturing violence : masculine identification in Irish and African American gangster films -- Ch. 5. "Both sides of the epic" : identification and the nonessentialist Western -- Conclusion : film identification and postmodern identity politics.
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LEE, SPIKE Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: LEE, SPIKE URL status: URL: 'http://file://Q:/P/LEE,_SPIKE.zip'
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Philosophy and film / edited and with an introduction by Cynthia A. Freeland and Thomas E. Wartenberg New York: Routledge, 1995.
Call No: 626 PHIAuthor: Freeland, Cynthia A ; Wartenberg, Thomas E Place: New YorkPublisher: RoutledgePubDate: 1995PhysDes: 258 p. ; 24 cmSubject: PHILOSOPHY AND THE CINEMA ; FEMINISM AND THE CINEMA ; FILM NOIR ; HORROR FILMS ; RACIAL STEREOTYPES IN FILMS ; LEE, SPIKE ; SEA OF LOVE (US, Harold Becker, 1989) ; CASABLANCA (US, Michael Curtiz, 1942) ; GHOST (US, Jerry Zucker, 1990) ; WHITE PALACE (US, Luis Mandoki, 1990) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; EUROPA, EUROPA (FR/GW, Agnieszka Holland, 1990) ; PERSONA (SW, Ingmar Bergman, 1966) Notes: Includes bibliographical references and indexISBN: 0415909201; 041590921X (pbk.)LON: 11213335
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Projections 11 : New York film-makers on New York film-making / edited by Tod Lippy London: Faber and Faber Limited, 2001.
Call No: 802 PRO v.11Author: Lippy, Tod Place: LondonPublisher: Faber and Faber LimitedPubDate: 2001PhysDes: 320p. : ill. ; 24 cmSubject: HOPE, TED ; SCHAMUS, JAMES ; MCDORMAND, FRANCES ; BURWELL, CARTER ; LEE, SPIKE ; ROBBINS, TIM ; COCHRAN, STACY ; ANDERSON, WES ; MEKAS, JONAS ; VACHON, CHRISTINE ; Pierson, John ; LUMET, SIDNEY ; EPHRON, NORA ; JARMUSCH, JIM ; KORINE, HARMONY ; HENRY, BUCK ; BERNSTEIN, WALTER ; KUSAMA, KARYN ; RUSSELL, DAVID O. ; GROSBARD, ULU ; DEPREZ, THERESE ISBN: 0571205917(pbk.)LON: 22055635
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The real gaze : film theory after Lacan / Todd McGowan Albany, NY: State University of New York Press, c2007.
Call No: 626[159.964.2] MCGAuthor: McGowan, Todd Place: Albany, NYPublisher: State University of New York PressPubDate: c2007PhysDes: xii, 254 p. ; 24 cm.Subject: PSYCHOANALYSIS AND THE CINEMA ; LACAN, JACQUES ; SPECTATORSHIP ; KUBRICK, STANLEY ; LEE, SPIKE ; MANN, MICHAEL ; FELLINI, FEDERICO ; NOUVELLE VAGUE ; WELLES, ORSON ; DENIS, CLAIRE ; NEOREALISM ; HOWARD, RON ; SPIELBERG, STEVEN ; GRIFFITH, DAVID WARK ; TARKOVSKY, ANDREI ; Wenders, Wim ; LYNCH, DAVID Summary: "Historically film scholars have located the gaze on the side of the spectator; however, Todd McGowan positions it within the filmic image, where it has the radical potential to disrupt the spectator's sense of identity and challenege the foundations of ideology." -- from the back cover. McGowan makes the argument for his theory with reference to the works of several directors and film movements.Notes: Includes index.ISBN: 9780791470398
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Reel black talk : a source book of 50 American filmmakers / Spencer Moon, foreward by George Hill Westport, Conn: Greenwood Press, 1997.
Call No: 802(73) MOOAuthor: Moon, Spencer Source: USPlace: Westport, ConnPublisher: Greenwood PressPubDate: 1997PhysDes: xvi, 396 p. : ill., ports. ; 25 cmSubject: PRODUCERS. USA ; ALEXANDER, WILLIAM ; BOURNE, ST. CLAIR ; BURNETT, CHARLES ; CHENZIRA, AYOKA ; DASH, JULIE ; DUKE, BILL ; FANAKA, JAMAA ; FRANKLIN, CARL ; GREAVES, WILLIAM ; HAMPTON, HENRY ; HUDLIN, REGINALD ; HUDLIN, WARRINGTON ; JACKSON, GEORGE ; LEE, SPIKE ; MICHEAUX, OSCAR ; PARKERSON, MICHELLE ; PARKS, GORDON ; RIGGS, MARLON ; ROBERTSON, HUGH A. ; SINGLETON, JOHN ; TOWNSEND, ROBERT ; WARREN, MARK ; WAYANS, KEENEN IVORY ; WAYANS, MARLON ; WAYANS, SHAWN ; WILLIAMS, SPENCER ; ALMA'S RAINBOW (US, Ayoka Chenzira, 1994) ; AMAZING GRACE AND CHUCK (US, Mike Newell, 1987) ; AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53) ; BEAT STREET (US, Stan Lathan, 1984) ; BETTER OFF DEAD (US, Savage Steve Holland, 1985) ; BLESS THEIR LITTLE HEARTS (US, Billy Woodberry, 1984) ; BRIDE PRICE (KE, Shatrujit Paul, 1991) ; CARBON COPY (US, Michael Schultz, 1981) ; CEMETERY CLUB, THE (US, Bill Duke, 1993) ; CHILD SAVER, THE [TV] (US, Stan Lathan, 1988) ; P.O.V : COLOR ADJUSTMENT (US, Marlon Riggs, 1992) ; CROOKLYN (US, Spike Lee, 1994) ; DEEP COVER (US, Bill Duke, 1992) ; DEVIL IN A BLUE DRESS (US, Carl Franklin, 1995) ; DISORDERLIES (US, Michael Schultz, 1987) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; RAW (US, Robert Townsend, 1987) ; EYES ON THE PRIZE [TV] (US, 1987-1990) ; FIVE HEARTBEATS, THE (US, Robert Townsend, 1991) ; GLASS SHIELD, THE (US, Charles Burnett, 1994) ; GREASED LIGHTNING (US, Michael Schultz, 1977) ; HIGHER LEARNING (US, John Singleton, 1994) ; HOLLYWOOD SHUFFLE (US, Robert Townsend, 1987) ; INKWELL, THE (US, Matty Rich, 1994) ; JASON'S LYRIC (US, Doug McHenry, 1994) ; KILLING FLOOR, THE (US, Bill Duke, 1985) ; KRUSH GROOVE (US, Michael Schultz, 1985) ; LAUREL AVENUE (US, Carl Franklin, 1993) ; MENACE II SOCIETY (US, Allen Hughes & Albert Hughes, 1993) ; OBEAH (US, Hugh A. Robertson, 1986) ; PANTHER (US, Mario Van Peebles, 1995) ; PENITENTIARY II (US, Jamaa Fanaka, 1982) ; POETIC JUSTICE (US, John Singleton, 1993) ; QUESTION OF COLOR, A (US, Kathe Sandler, 1993 [1992]) ; RAISIN IN THE SUN, A (US, Daniel Petrie, 1961) ; SCAVENGER HUNT (US, Michael Schultz, 1979) ; SHAFT (US, Gordon Parks Jr., 1971) ; TO SLEEP WITH ANGER (US, Charles Burnett, 1990) ; STILL A BROTHER: INSIDE THE NEGRO MIDDLE CLASS (US, William Greaves, 1968) ; STRAIGHT OUT OF BROOKLYN (US, Matty Rich, 1991) ; VEILED ARISTOCRATS (US, Oscar Micheaux, 1932) ; WHICH WAY IS UP? (US, Michael Schultz, 1977) ; WITHIN OUR GATES (US, Oscar Micheaux, 1919) Summary: This is the first book by an African American on contemporary African American filmmakers. Here directors and producers speak for themselves, posing challenges to current thinking in the field. Special emphasis is given to the filmmakers production and their experiences. Essays on historic figures reveal the rich history of the African American contribution to cinema.Notes: Includes filmographies, bibliographical references (p. [385] - 386) and indexISBN: 0313298300Contents: Foreward: Ninety-plus years of filmmaking/George Hill- William Alexander-Madeline Anderson-Neema Barnette- St Clair Bourne - Charles Burnette - Roy Campanella II - Ayoka Chenzira - Francee Covington - Julie Dash - Ivan Dixon - Bill Duke - Jamaa Fanaka - Carl Franklin - Wendell Franklin - William Greaves - Henry Hampton - Hobart Whitaker Harris - Wendell Burks Harris Jr - Reginald and Warrington Hudlin - Albert and Allen Hughes - George Jackson and Doug McHenry - Ashley James - Avon Kirkland - Stan Lathan - Spike Lee -Louis Massiah - Oscar Devereaux Micheaux - Floyd Norman and Leo Sullivan - Michelle Parkerson - Gordon Alexander Parks Sr - Matty Rich - Marlon Riggs - Hugh Robertson - Michael Schultz - Jackie Shearer - John Singleton - Arlando C. Smith - Robert Townsend - Mario Van Peebles - Melvin Van Peebles - Mark Warren III - The Wayans Family: Keenan Ivory, Damon, Shawn and Marlon - Spencer William Jr - Allen Willis
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Reel to real : race, sex, and class at the movies / Bell Hooks New York, NY: Routledge, 1996.
Call No: 744 HOOAuthor: Hooks, Bell Place: New York, NYPublisher: RoutledgePubDate: 1996PhysDes: 244 p. ; 24 cmSubject: RACE AND THE CINEMA ; SEX AND THE CINEMA ; CLASS AND THE CINEMA ; BLACKS IN FILMS ; AVANT-GARDE FILMS ; FAMILY IN FILMS ; LOOK IN FILMS ; SPECTATORSHIP ; BLACKS AND THE CINEMA ; DEATH IN FILMS ; HOMOSEXUALITY IN FILMS ; STRIPTEASE IN FILMS ; YOUNG PEOPLE IN FILMS ; FEMINISM AND THE CINEMA ; Tarantino, Quentin ; LEE, SPIKE ; DASH, JULIE ; CLARK, LARRY ; JAFFA, ARTHUR ; BURNETT, CHARLES ; BILLOPS, CAMILLE ; ALDERMAN, MARIE-FRANCE ; WANG, WAYNE ; LIVINGSTON, JENNIE ; KILLER OF SHEEP (US, Charles Burnett, 1978) ; GIRL 6 (US, Spike Lee, 1996) ; CROOKLYN (US, Spike Lee, 1994) ; WAITING TO EXHALE (US, Forest Whitaker, 1995) ; LEAVING LAS VEGAS (US, Mike Figgis, 1995) ; EXOTICA (CN, Atom Egoyan, 1994) ; ATTENDANT, THE (UK, Isaac Julien, 1992) ; FINDING CHRISTA (US, Camille Billops/James Hatch, 1991) ; KIDS (US, Larry Clark, 1995) ; HOOP DREAMS (US, Steve James, 1994) ; PARIS IS BURNING (US, Jennie Livingston, 1990) ; SHE'S GOTTA HAVE IT (US, Spike Lee, 1986) ; PULP FICTION (US, Quentin Tarantino, 1994) Notes: Includes indexISBN: 0415918235 (HB : acid-free cover); 0415918243 (PB : acid-free cover)LON: 96026474; 12664107
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The Spike Lee Reader / edited by Paula J. Massood Philadelphia: Temple University Press, c2008.
Call No: 81LEE SPIAuthor: Massood, Palua J. Source: USPlace: PhiladelphiaPublisher: Temple University PressPubDate: c2008PhysDes: xxviii, 276 p. : ill. ; 23 cmSubject: LEE, SPIKE ; SCHOOL DAZE (US, Spike Lee, 1988) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; MALCOLM X (US, Spike Lee, 1992) ; CROOKLYN (US, Spike Lee, 1994) ; CLOCKERS (US, Spike Lee, 1995) ; GET ON THE BUS (US, Spike Lee, 1996) ; SUMMER OF SAM (US, Spike Lee, 1999) ; BAMBOOZLED (US, Spike Lee, 2000) ; INSIDE MAN (US, Spike Lee, 2006) Summary: "This rich and timely anthology brings together classic and original essays on Spike Lee's major films. These thought-provoking yet accessible pieces explore such topics as the significance of Lee's aesthetic choices, his contributions to African American film history, his place in the American cinematic landscape, and his negotiations with ideologies of race, gender, sexuality, and class. The contributors' engagement with Lee's oeuvre exemplifies the diverse responses his work has inspired for more than twenty years and will secure his place as one of the most influential cultural producers of our time. " - Valerie Smith, Director, Center for African American Studies and Woodrow Wilson Profesor of Literature, Princeton University -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references (p. [259]-263) and index; Includes filmography: p. [255]-258ISBN: 9781592134854Contents: We've gotta have it--Spike Lee, African American film, and cinema studies / Paula J. Massood -- "Whose pussy is this" : a feminist comment / Bell Hooks -- Programming with School daze / Toni Cade Bambara -- Spike Lee and Black women / Michele Wallace -- But compared to what? reading realism, representation, and essentialism in School daze, Do the right thing, and the Spike Lee discourse / Wahneema Lubiano -- The double truth, Ruth : Do the right thing and the culture of ambiguity / James C. McKelly -- Spike Lee and the fever in the racial jungle / Ed Guerrero -- "Spike, don't mess Malcolm up" : courting controversy and control in Malcolm X / Anna Everett -- Through the looking glass and over the rainbow : exploring the fairy tale in Spike Lee's Crooklyn / Mark D. Cunningham -- Clockers (Spike Lee 1995) : adaptation in black / Keith M. Harris -- Reel men : Get on the bus and the shifting terrain of Black masulinities / S. Craig Watkins -- We shall overcome : preserving history and memory in 4 little girls / Christine Acham -- Spike Lee meets Aaron Copland / Krin Gabbard -- Race and Black American film noir : Summer of Sam as lynching parable / Dan Flory -- Racial kitsch and Black performance / Tavia Nyong'o -- "I be smackin' my hoes" : paradox and authenticity in Bamboozled / Beretta E. Smith-Shomade -- De profundis : a love letter from the inside man / David A. Gerstner.
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Spike, Mike, slackers & dykes : a guided tour across a decade of American independent cinema / John Pierson with the conversational collaboration of Kevin Smith London: Faber and Faber, 1996, c1995.
Call No: 210.2(73) PIEAuthor: Pierson, John Place: LondonPublisher: Faber and FaberPubDate: 1996, c1995PhysDes: 374 p., [16] p. of plates : ill., ports ; 24 cmSubject: INDEPENDENT FILMS. USA ; INDEPENDENT PRODUCTION. USA ; FESTIVALS. PARK CITY. SUNDANCE ; WARNER BROS. ; MIRAMAX FILMS ; SMITH, KEVIN ; WEISS, ROB ; MOORE, MICHAEL ; TROCHE, ROSE ; TURNER, GUINEVERE ; LEE, SPIKE ; LINKLATER, RICHARD ; BORDEN, LIZZIE ; Pierson, John ; GOMEZ, NICK ; JARMUSCH, JIM ; MORRIS, ERROL ; AMONGST FRIENDS (US, Rob Weiss, 1993) ; ANNA (US, Yurek Bogayevicz, 1987) ; CLERKS (US, Kevin Smith, 1994) ; MALLRATS (US, Kevin Smith, 1995) ; GO FISH (US, Rose Troche, 1994) ; PARTING GLANCES (US, Bill Sherwood, 1986) ; STRANGER THAN PARADISE (US/GW, Jim Jarmusch, 1984) ; WORKING GIRLS (US, Lizzie Borden, 1986) ; ROGER AND ME (US, Michael Moore, 1989) ; SHE'S GOTTA HAVE IT (US, Spike Lee, 1986) ; HOOP DREAMS (US, Steve James, 1994) ; SLACKER (US, Richard Linklater, 1990) ; THIN BLUE LINE, THE (US, Errol Morris, 1988) Notes: First published in the USA in 1995 by Hyperion/Miramax; Includes indexISBN: 0571179142 (pbk.)LON: 13149590
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Thinking through cinema : film as philosophy / edited by Murray Smith and Thomas E. Wartenberg Malden, MA: Blackwell Publishing, 2006.
Call No: 630 THIAuthor: Smith, Murray ; Wartenberg, Thomas E Source: USPlace: Malden, MAPublisher: Blackwell PublishingPubDate: 2006PhysDes: 222 p. : ill. ; 26 cmSubject: PHILOSOPHY AND THE CINEMA ; HITCHCOCK, ALFRED ; KIESLOWSKI, KRZYSZTOF ; LEE, SPIKE ; CAVELL, STANLEY ; BREILLAT, CATHERINE ; LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948) ; MISSION IMPOSSIBLE (US, Brian De Palma, 1996) ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004) ; SERENE VELOCITY (US, Ernie Gehr, 1970) ; WITTGENSTEIN TRACTATUS (HU, Peter Foracs, 1992) Notes: "Published for The American Society for Aesthetics by Blackwell Publishing Inc."--P. [v]
"Originally published as the Journal of Aesthetics and Art Criticism, vol. 64:1 (Winter 2006)"--Pref.
Includes bibliographical references (p. [217]-219) and indexISBN: 9781405154116ISSN: 00218529Donation: Donated by Senses Of Cinema, 2009Contents: Preface -- Introduction: Murray Smith and Thomas E. Wartenberg -- I. The Very Idea of Film as Philosophy -- Theses on cinema as philosophy: Paisely Livingston -- Beyond mere illustration: how films can be philosophy: Thomas E. Wartenberg -- Film art, argument, and ambiguity --
2. Popular American Film: Entertainment and Enlightenment -- Hitchcock and Cavell: Richard Allen -- The paradox of the unknown lover: a reading of letter from an unknown woman: Lester H. Hunt -- Spike Lee and the sympathetic racist: Dan Flory -- Transparency and twist in narrative fiction film: George Wilson -- The impersonation of personality: film as philosophy in Mission: Impossible: Stephan Mulhall -- On being philosophical and Being John Malkovich: Daniel Shaw --Eternal Sunshine of the Spotless Mind and the morality of memory: Chrisotopher Grau -- 3. Continental Philosophy, Continental Film -- Sarte, the philosophy of nothingness, and the modern melodrama: Andras Balint Kovacs -- Cinema and subjectivity in Krzysztof Kieslowski: Paul C. Santilli -- Is sex comedy or tragedy? Directing desire and female auteurship in the cinema of Catherine Breillat: Katherine Ince -- 4. Film As "Theory": The Avant-Garde -- Apperception on Display: Structural films and philosophy: Jinhee Choi -- Philosophizing through the moving image: the case of Serene Velocity: Noel Carroll -- The substance of cinema: Trevor Ponech -- The world is rewound: Peter Forgacs's Wittgenstein Tractus: Whitney Davis
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Variety international film guide 2000 London: Faber and Faber, 1999.
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