script
99.9 RAW FM : Episode # 2 (Release) : (Formerly "Raw of nature") : "Desperately seeking Su Lin" [1996].
Call No: S 99.9Author: Smith, Meghan PubDate: [1996]PhysDes: 114 leavesSubject: RAW FM (AT, 1997) Notes: Unpublished scriptDonation: donated by the Australian Writers Guild
More info
newspaper article
All trussed up for indulgence in Sun Herald [Inside Out] (16/04/2017) p.7
More info
newspaper article
Blood, toil, tears and sex : [Raw (Grave)] in Weekend Australian [Review] (22/04/2017) p.14
More info
newspaper article
The cannibal inside in Weekend Australian [Review] (8/04/2017) p.12
Call No: TITLE CLIPPINGS FILE; RAW [GRAVE] (FR/BE, Julia Ducournau, 2016)Author: Philippa Hawker PhysDes: Clippings File ArticleSubject: RAW [GRAVE] (FR/BE, Julia Ducournau, 2016) Summary: Interview with filmmaker Julia Ducoumau where she discusses the making of the film RAW (original language title GRAVE)
More info
journal article
Christopher Lee : a career article in Cinefantastique (Fall 1973) vol.3 iss.1 p.19
More info
book
The crime films of Anthony Mann / by Max Alvarez Jackson, Miss.: University Press of Mississippi, 2014.
Call No: 81MAN ALVAuthor: Alvarez, Max Source: USPlace: Jackson, Miss.Publisher: University Press of MississippiPubDate: 2014PhysDes: 324 pages ; 24 cmSubject: CRIME FILMS ; FILM NOIR ; MANN, ANTHONY ; DR. BROADWAY (US, Anthony Mann, 1942) ; STRANGERS IN THE NIGHT (US, Anthony Mann, 1944) ; TWO O'CLOCK COURAGE (US, Anthony Mann, 1945) ; GREAT FLAMARION, THE (US, Anthony Mann, 1945) ; STRANGE IMPERSONATION (US, Anthony Mann, 1946) ; DESPERATE (US, Anthony Mann, 1947) ; RAILROADED! (US, Anthony Mann, 1947) ; T-MEN (US, Anthony Mann, 1947) ; RAW DEAL (US, Anthony Mann, 1948) ; HE WALKED BY NIGHT (US, Alfred L. Werker and Anthony Mann, 1948) ; FOLLOW ME QUIETLY (US, Richard Fleischer, 1949) ; BORDER INCIDENT (US, Anthony Mann, 1949) ; SIDE STREET (US, Anthony Mann, 1950) ; TALL TARGET, THE (US, Anthony Mann, 1951) Summary: "Anthony Mann (1906-1967) is renowned for his outstanding 1950s westerns starring James Stewart (Winchester '73, The Naked Spur, The Man from Laramie). But there is more to Mann's cinematic universe than those tough Wild West action dramas featuring conflicted and secretive heroes. This brilliant Hollywood craftsman also directed fourteen electrifying crime thrillers between 1942 and 1951, among them such towering achievements in film noir as T-Men, Raw Deal, and Side Street. Mann was as much at home filming dark urban alleys in black-and-white as he was the prairies and mountains in Technicolor, and his protagonists were no less conflicted and secretive than his 1950s cowboys.In these Mann crime thrillers we find powerful stories of sexual obsession (The Great Flamarion), the transforming images of women in wartime and postwar America (Strangers in the Night, Strange Impersonation), exploitation of Mexican immigrants (Border Incident), studies of the criminal mind (He Walked by Night), and Civil War bigotry (The Tall Target). Mann's forceful camera captured such memorable and diverse stars as Erich von Stroheim, Farley Granger, Dennis O'Keefe, Claire Trevor, Richard Basehart, Ricardo Montalba´n, Ruby Dee, and Raymond Burr.The Crime Films of Anthony Mann features analysis of rare documents, screenplays, story treatments, and studio memoranda and reveals detailed behind-the-scenes information on preproduction and production on the Mann thrillers. Author Max Alvarez uses rare and newly available sources to explore the creation of these noir masterworks. Along the way, the book exposes secrets and solves mysteries surrounding the mercurial director and his remarkable career, which also included Broadway and early live television"-- LIBRARIES AUSTRALIANotes: Includes bibliographical references, filmography and indexISBN: 9781617039249Contents: -- introduction -- 1: From Lomaland to Broadway -- 2: From Broadway to Hollywood -- 3: Dr. Broadway (1942) -- 4: Strangers in the Night (1944) -- 5: Two O'Clock Courage (1945) -- 6: The Great Flamarion (1945) -- 7: Strange Impersonation (1946) -- 8: Desperate (1947) -- 9:Railroaded! (1947) -- 10: T-Men (1947) -- 11: Raw Deal (1948) -- 12: He Walked By Night (1948) -- 13: Follow Me Quietly (1949) -- 14: Border Incident (1949) -- 15: Side Street (1950) -- 16: The Tall Target (1951) -- 17: The Lost Noir of Anthony Mann -- postscript -- acknowledgments -- Anthony Mann crime filmography -- notes -- archival sources -- bibliography -- index --
More info
book
DEATH LINE : (UK, Gary Sherman, 1972)
More info
journal article
Film Reviews in Cinefantastique (Spring 1974) vol.3 iss.2 p.26
More info
newspaper article
Gets under the skin in Herald Sun [Hit] (20/04/2017) p.31
More info
title clippings file
GRAVE : (FR/BE, Julia Ducournau, 2016)
More info
title clippings file
GRAVE : (FR/BE, Julia Ducournau, 2016)
More info
script
Japan : Raw fish and pickle [1982?].
More info
title clippings file
RAW : (US, Robert Townsend, 1987)
More info
title clippings file
RAW DEAL : (US, John Irvin, 1986)
More info
title clippings file
RAW DEAL : (AT, Russell Hagg, 1977)
More info
book
Raw deal / Magda de la Pesca ; adapted from the screenplay by Patrick Edgeworth Melbourne: Corgi Books, 1976.
More info
title clippings file
RAW DEAL: A QUESTION OF CONSENT : (US, Billy Corben, 2001)
More info
title clippings file
RAW FM : (AT, 1997)
More info
title clippings file
RAW NERVE : (AT, Tony Wellington, 1990)
More info
still
[Raw Nerve : film still of Rebecca Rigg (Michelle) & Kelly Dingwall (David)] [1990?].
Call No: TITLE STILL
AUSTRALIASource: ATPubDate: [1990?]PhysDes: 1 photograph : b&w ; 18 x 13 cm.Subject: RAW NERVE (AT, Tony Wellington, 1990) Summary: Film still of Rebbecca Rigg (Michelle) and Kelly Dingwall(?) (David). Rebecca Rigg is wearing an evening gown with silk gloves and diamante jewellery.She is leaning against Kelly Dingwall who is sitting down and she is stroking his hair.
More info
still
[Raw nerve : stills file]
More info
book
Reel black talk : a source book of 50 American filmmakers / Spencer Moon, foreward by George Hill Westport, Conn: Greenwood Press, 1997.
Call No: 802(73) MOOAuthor: Moon, Spencer Source: USPlace: Westport, ConnPublisher: Greenwood PressPubDate: 1997PhysDes: xvi, 396 p. : ill., ports. ; 25 cmSubject: PRODUCERS. USA ; ALEXANDER, WILLIAM ; BOURNE, ST. CLAIR ; BURNETT, CHARLES ; CHENZIRA, AYOKA ; DASH, JULIE ; DUKE, BILL ; FANAKA, JAMAA ; FRANKLIN, CARL ; GREAVES, WILLIAM ; HAMPTON, HENRY ; HUDLIN, REGINALD ; HUDLIN, WARRINGTON ; JACKSON, GEORGE ; LEE, SPIKE ; MICHEAUX, OSCAR ; PARKERSON, MICHELLE ; PARKS, GORDON ; RIGGS, MARLON ; ROBERTSON, HUGH A. ; SINGLETON, JOHN ; TOWNSEND, ROBERT ; WARREN, MARK ; WAYANS, KEENEN IVORY ; WAYANS, MARLON ; WAYANS, SHAWN ; WILLIAMS, SPENCER ; ALMA'S RAINBOW (US, Ayoka Chenzira, 1994) ; AMAZING GRACE AND CHUCK (US, Mike Newell, 1987) ; AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53) ; BEAT STREET (US, Stan Lathan, 1984) ; BETTER OFF DEAD (US, Savage Steve Holland, 1985) ; BLESS THEIR LITTLE HEARTS (US, Billy Woodberry, 1984) ; BRIDE PRICE (KE, Shatrujit Paul, 1991) ; CARBON COPY (US, Michael Schultz, 1981) ; CEMETERY CLUB, THE (US, Bill Duke, 1993) ; CHILD SAVER, THE [TV] (US, Stan Lathan, 1988) ; P.O.V : COLOR ADJUSTMENT (US, Marlon Riggs, 1992) ; CROOKLYN (US, Spike Lee, 1994) ; DEEP COVER (US, Bill Duke, 1992) ; DEVIL IN A BLUE DRESS (US, Carl Franklin, 1995) ; DISORDERLIES (US, Michael Schultz, 1987) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; RAW (US, Robert Townsend, 1987) ; EYES ON THE PRIZE [TV] (US, 1987-1990) ; FIVE HEARTBEATS, THE (US, Robert Townsend, 1991) ; GLASS SHIELD, THE (US, Charles Burnett, 1994) ; GREASED LIGHTNING (US, Michael Schultz, 1977) ; HIGHER LEARNING (US, John Singleton, 1994) ; HOLLYWOOD SHUFFLE (US, Robert Townsend, 1987) ; INKWELL, THE (US, Matty Rich, 1994) ; JASON'S LYRIC (US, Doug McHenry, 1994) ; KILLING FLOOR, THE (US, Bill Duke, 1985) ; KRUSH GROOVE (US, Michael Schultz, 1985) ; LAUREL AVENUE (US, Carl Franklin, 1993) ; MENACE II SOCIETY (US, Allen Hughes & Albert Hughes, 1993) ; OBEAH (US, Hugh A. Robertson, 1986) ; PANTHER (US, Mario Van Peebles, 1995) ; PENITENTIARY II (US, Jamaa Fanaka, 1982) ; POETIC JUSTICE (US, John Singleton, 1993) ; QUESTION OF COLOR, A (US, Kathe Sandler, 1993 [1992]) ; RAISIN IN THE SUN, A (US, Daniel Petrie, 1961) ; SCAVENGER HUNT (US, Michael Schultz, 1979) ; SHAFT (US, Gordon Parks Jr., 1971) ; TO SLEEP WITH ANGER (US, Charles Burnett, 1990) ; STILL A BROTHER: INSIDE THE NEGRO MIDDLE CLASS (US, William Greaves, 1968) ; STRAIGHT OUT OF BROOKLYN (US, Matty Rich, 1991) ; VEILED ARISTOCRATS (US, Oscar Micheaux, 1932) ; WHICH WAY IS UP? (US, Michael Schultz, 1977) ; WITHIN OUR GATES (US, Oscar Micheaux, 1919) Summary: This is the first book by an African American on contemporary African American filmmakers. Here directors and producers speak for themselves, posing challenges to current thinking in the field. Special emphasis is given to the filmmakers production and their experiences. Essays on historic figures reveal the rich history of the African American contribution to cinema.Notes: Includes filmographies, bibliographical references (p. [385] - 386) and indexISBN: 0313298300Contents: Foreward: Ninety-plus years of filmmaking/George Hill- William Alexander-Madeline Anderson-Neema Barnette- St Clair Bourne - Charles Burnette - Roy Campanella II - Ayoka Chenzira - Francee Covington - Julie Dash - Ivan Dixon - Bill Duke - Jamaa Fanaka - Carl Franklin - Wendell Franklin - William Greaves - Henry Hampton - Hobart Whitaker Harris - Wendell Burks Harris Jr - Reginald and Warrington Hudlin - Albert and Allen Hughes - George Jackson and Doug McHenry - Ashley James - Avon Kirkland - Stan Lathan - Spike Lee -Louis Massiah - Oscar Devereaux Micheaux - Floyd Norman and Leo Sullivan - Michelle Parkerson - Gordon Alexander Parks Sr - Matty Rich - Marlon Riggs - Hugh Robertson - Michael Schultz - Jackie Shearer - John Singleton - Arlando C. Smith - Robert Townsend - Mario Van Peebles - Melvin Van Peebles - Mark Warren III - The Wayans Family: Keenan Ivory, Damon, Shawn and Marlon - Spencer William Jr - Allen Willis
More info
book
Shades of noir : a reader / edited by Joan Copjec London ; New York: Verso, 1993.
Call No: 734 SHAAuthor: Copjec, Joan Place: London ; New YorkPublisher: VersoPubDate: 1993PhysDes: xii, 300 p. : ill. ; 23 cmSubject: FILM NOIR ; FEMME FATALE ; BLACK CINEMA ; WOMEN IN FILMS ; CHANDLER, RAYMOND ; BLUE GARDENIA, THE (US, Fritz Lang, 1953) ; RAW DEAL (US, Anthony Mann, 1948) ; SECRET BEYOND THE DOOR... (US, Fritz Lang, 1948) ; DOUBLE INDEMNITY (US, Billy Wilder, 1944) ; RAGE IN HARLEM, A (UK/US, Bill Duke, 1991) ; BLUE VELVET (US, David Lynch, 1986) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) Notes: Includes bibliographical referencesISBN: 0860914607 : $59.85; 0860916251 (pbk.) : $18.95LON: bnb86091460; 10424769
More info
book
The subversive zombie : social protest and gender in undead cinema and television / Elizabeth Aiossa Jefferson, North Carolina: McFarland & Company Inc,
Call No: 735.27 AIOAuthor: Aiossa, Elizabeth Edition: 2018Place: Jefferson, North CarolinaPublisher: McFarland & Company IncPhysDes: 186 pages ; 23 cmSeries: contributions to zombie studiesSubject: ZOMBIES IN FILMS AND TV ; ROMERO, GEORGE ; DAWN OF THE DEAD (US, George A. Romero, 1979) ; DAWN OF THE DEAD (US, Zack Snyder, 2004) ; DAY OF THE DEAD (US, George A. Romero, 1985) ; DEAD GIRL, THE (US, Karen Moncrieff, 2006) ; GIRL WITH ALL THE GIFTS, THE (UK/US, Colm McCarthy, 2016) ; IN THE FLESH [TV] (UK, 2013-2015) ; LAND OF THE DEAD (CN/FR/US, George Romero, 2005) ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ; NIGHT OF THE LIVING DEAD (US, Tom Savini, 1990) ; RAW [GRAVE] (FR/BE, Julia Ducournau, 2016) ; 28 DAYS LATER (UK/US, Danny Boyle, 2002) ; WALKING DEAD, THE [TV] (US, 2010 - ) ; WARM BODIES (US/CN, Jonathan Levine, 2013) ; WORLD WAR Z (US/MT, Marc Forster, 2013) Summary: Historically, zombies have been portrayed in films and television series as mindless, shuffling monsters. In recent years, this has changed dramatically. The undead are fast and ferocious in 28 Days Later… (2002) and World War Z (2013). In Warm Bodies (2013) and In the Flesh (2013–2015), they are thoughtful, sensitive and capable of empathy. These sometimes radically different depictions of the undead (and the still living) suggest critical inquiries: What does it mean to be human? What makes a monster? Who survives the zombie apocalypse, and why? Focusing on classic and current movies and TV shows, the author reveals how the once-subversive modern zombie, now more popular than ever, has been co-opted by the mainstream culture industry. -- publisher's web siteISBN: 978147666730Contents: Acknowledgments -- Preface: Dawn of a Zombie Scholar -- Introduction: The Shifting Culture of the Modern Zombie -- 1. Romero and the Modern American Zombie -- 2. The Evolution of Women in Romero’s Dead Series -- 3. Of Monsters and Men: Flipping the Script on Masculinity and Monstrosity -- 4. For the Love of Zombies: The Return of Heteronormativity in Zombie Works -- 5. Heteronormative Heroics in AMC’s The Walking Dead -- 6. Zombie Women Take the Lead -- 7. Embodying the Zombie In the Flesh -- Conclusion: Zombies Past and Future! -- Chapter Notes -- Works Cited -- Index
More info
newspaper article
A thin red line in Sydney Morning Herald [Spectrum] (8/04/2017) p.14
Call No: TITLE CLIPPINGS FILE; RAW [GRAVE] (FR/BE, Julia Ducournau, 2016)Author: Quinn, Karl PhysDes: Clippings File ArticleSubject: RAW [GRAVE] (FR/BE, Julia Ducournau, 2016) Summary: Interview with Julia Ducoumau, the director of the horror film RAW (title in French GRAVE)
More info