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Call No: 802.25(73) COU vol.1
Author: Coursodon, Jean-Pierre; Sauvage, Pierre
Place: New York
Publisher: McGraw-Hill
PubDate: c1983
PhysDes: 2 v. ; 24 cm
Subject: DIRECTORS. USA; BERKELEY, BUSBY; BORZAGE, FRANK; BROWN, CLARENCE; CAPRA, FRANK; CHAPLIN, CHARLES; CUKOR, GEORGE; CURTIZ, MICHAEL; DAVES, DELMER; DEMILLE, CECIL B.; DWAN, ALLAN; FLEMING, VICTOR; FORD, JOHN; HAWKS, HOWARD; HITCHCOCK, ALFRED; HUSTON, JOHN; KING, HENRY; LA CAVA, GREGORY; LANG, FRITZ; LEROY, MERVYN; LEWIS, JOSEPH H.; LUBITSCH, ERNST; MAMOULIAN, ROUBEN; MANN, ANTHONY; MCCAREY, LEO; PREMINGER, OTTO; SHERMAN, VINCENT; SIRK, DOUGLAS; STAHL, JOHN M.; VON STERNBERG, JOSEF; STEVENS, GEORGE; STURGES, PRESTON; TOURNEUR, JACQUES; ULMER, EDGAR G.; VIDOR, KING; WALSH, RAOUL; WELLMAN, WILLIAM; WILDER, BILLY; WYLER, WILLIAM
Notes: Includes filmographies and indexes
ISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95
LON: 2198273

Call No: 736 TUS
Author: Tuska, Jon
Place: Lincoln
Publisher: University of Nebraska Press
PubDate: 1988
PhysDes: p. cm
Subject: WESTERNS; AMERICAN INDIANS IN FILMS; WOMEN IN FILMS; HERO IN FILMS; FORD, JOHN; HAWKS, HOWARD; HATHAWAY, HENRY; MANN, ANTHONY; BOETTICHER, BUDD; Peckinpah, Sam
Notes: "Bison."; Reprint. Originally published: Westport, Conn. : Greenwood Press, 1985. Originally published in series: Contributions to the study of popular culture; Includes index; Bibliography: p
ISBN: 0803294115 (pbk.)
LON: 5572169

Call No: 81MAN BAS
Author: Basinger, Jeanine
Place: Boston
Publisher: Twayne Publishers
PubDate: 1979
PhysDes: 230 p. : ill., ports. ; 21 cm
Series: Twayne's theatrical arts series
Subject: MANN, ANTHONY
Notes: Includes index; Bibliography: p. 207-208; Filmography: p. 209-226
ISBN: 0805792635
LON: 78027552; 1325254

Call No: 81MAN MIS
Author: Missiaen, Jean Claude
Place: Paris
Publisher: Editions Universitaires
PubDate: 1964]
PhysDes: 191p
Series: Les Classiques du cinGema 18
Subject: MANN, ANTHONY
LON: flu00028227; 8783965

Call No: 81MAN ALV
Author: Alvarez, Max
Source: US
Place: Jackson, Miss.
Publisher: University Press of Mississippi
PubDate: 2014
PhysDes: 324 pages ; 24 cm
Subject: CRIME FILMS; FILM NOIR; MANN, ANTHONY; DR. BROADWAY (US, Anthony Mann, 1942); STRANGERS IN THE NIGHT (US, Anthony Mann, 1944); TWO O'CLOCK COURAGE (US, Anthony Mann, 1945); GREAT FLAMARION, THE (US, Anthony Mann, 1945); STRANGE IMPERSONATION (US, Anthony Mann, 1946); DESPERATE (US, Anthony Mann, 1947); RAILROADED! (US, Anthony Mann, 1947); T-MEN (US, Anthony Mann, 1947); RAW DEAL (US, Anthony Mann, 1948); HE WALKED BY NIGHT (US, Alfred L. Werker and Anthony Mann, 1948); FOLLOW ME QUIETLY (US, Richard Fleischer, 1949); BORDER INCIDENT (US, Anthony Mann, 1949); SIDE STREET (US, Anthony Mann, 1950); TALL TARGET, THE (US, Anthony Mann, 1951)
Summary: "Anthony Mann (1906-1967) is renowned for his outstanding 1950s westerns starring James Stewart (Winchester '73, The Naked Spur, The Man from Laramie). But there is more to Mann's cinematic universe than those tough Wild West action dramas featuring conflicted and secretive heroes. This brilliant Hollywood craftsman also directed fourteen electrifying crime thrillers between 1942 and 1951, among them such towering achievements in film noir as T-Men, Raw Deal, and Side Street. Mann was as much at home filming dark urban alleys in black-and-white as he was the prairies and mountains in Technicolor, and his protagonists were no less conflicted and secretive than his 1950s cowboys.In these Mann crime thrillers we find powerful stories of sexual obsession (The Great Flamarion), the transforming images of women in wartime and postwar America (Strangers in the Night, Strange Impersonation), exploitation of Mexican immigrants (Border Incident), studies of the criminal mind (He Walked by Night), and Civil War bigotry (The Tall Target). Mann's forceful camera captured such memorable and diverse stars as Erich von Stroheim, Farley Granger, Dennis O'Keefe, Claire Trevor, Richard Basehart, Ricardo Montalba´n, Ruby Dee, and Raymond Burr.The Crime Films of Anthony Mann features analysis of rare documents, screenplays, story treatments, and studio memoranda and reveals detailed behind-the-scenes information on preproduction and production on the Mann thrillers. Author Max Alvarez uses rare and newly available sources to explore the creation of these noir masterworks. Along the way, the book exposes secrets and solves mysteries surrounding the mercurial director and his remarkable career, which also included Broadway and early live television"-- LIBRARIES AUSTRALIA
Notes: Includes bibliographical references, filmography and index
ISBN: 9781617039249
Contents: -- introduction -- 1: From Lomaland to Broadway -- 2: From Broadway to Hollywood -- 3: Dr. Broadway (1942) -- 4: Strangers in the Night (1944) -- 5: Two O'Clock Courage (1945) -- 6: The Great Flamarion (1945) -- 7: Strange Impersonation (1946) -- 8: Desperate (1947) -- 9:Railroaded! (1947) -- 10: T-Men (1947) -- 11: Raw Deal (1948) -- 12: He Walked By Night (1948) -- 13: Follow Me Quietly (1949) -- 14: Border Incident (1949) -- 15: Side Street (1950) -- 16: The Tall Target (1951) -- 17: The Lost Noir of Anthony Mann -- postscript -- acknowledgments -- Anthony Mann crime filmography -- notes -- archival sources -- bibliography -- index --

Call No: 63 RAN
Author: Rancier, Jacques; Battista, Emiliano
Source: FR/US
Place: New York
Publisher: Berg Publishers
PubDate: 2006
PhysDes: viii, 196 pages ; 24 cm
Subject: AESTHETICS; ART AND THE CINEMA; ART CINEMA; AUTEUR THEORY; CINEMATOGRAPHY; DOCUMENTARY FILMS; HISTORY AND THE CINEMA; HISTORY OF CINEMA; NARRATIVE IN FILMS; PHILOSOPHY AND THE CINEMA; SYMBOLISM IN FILMS; BRESSON, ROBERT; DELEUZE, GILLES; EPSTEIN, JEAN; EISENSTEIN, SERGEI M.; GODARD, JEAN-LUC; HITCHCOCK, ALFRED; LANG, FRITZ; MANN, ANTHONY; MARKER, CHRIS; MEDVEKIN, ALEXANDER; MURNAU, FRIEDRICH WILHELM; OZU YASUJIRO; RAY, NICHOLAS; ROSSELLINI, ROBERTO; VERTOV, DZIGA; AU HASARD, BALTHAZAR (FR/SW, Robert Bresson, 1966); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); CHINOISE, LA (FR, Jean-Luc Godard, 1967); FAUST (G, Friedrich Wilhelm Marnau, 1926); WHILE THE CITY SLEEPS (US, Fritz Lang, 1955)
Summary: "Film Fables traces the history of modern cinema, moving effortlessly from Eisenstein's and Murnau's transition from theatre to film to Fritz Lang's confrontation with television, from the classical poetics of Mann's Westerns to Ray's romantic poetics of the image, from Rossellini's neo-realism to Deleuze's philosophy of the cinema and Marker's documentaries."
Notes: Includes index
ISBN: 9781845201685
ID2: 291

Call No: 734 FIL
Author: Silver, Alain, 1947; Ursini, James
Edition: 1st Limelight ed
Place: New York
Publisher: Limelight Editions
PubDate: 1996
PhysDes: x, 343 p. : ill. ; 23 cm
Subject: FILM NOIR; FEMME FATALE; MANN, ANTHONY; ANGEL FACE (US, Otto Preminger, 1952); KILLERS, THE (US, Robert Siodmak, 1946); PHANTOM LADY (US, Robert Siodmak, 1944); NIGHT AND THE CITY (US, Jules Dassin, 1950); KISS ME DEADLY (US, Robert Aldrich, 1955); LONG GOODBYE, THE (US, Robert Altman, 1973); HICKEY AND BOGGS (US, Robert Culp, 1972)
Notes: Includes bibliographical references; Film noir
ISBN: 0879101970
LON: 12195770

Call No: 802.25(73) HOL
Author: Koszarski, Richard
Place: New York
Publisher: Oxford University Press
PubDate: 1977
PhysDes: xvii, 426 p. : ill. ; 22 cm
Subject: DIRECTORS. USA; WELLES, ORSON; LEWIN, ALBERT; VIDOR, KING; HUSTON, JOHN; ROSSEN, ROBERT; CAPRA, FRANK; JONES, CHUCK; WYLER, WILLIAM; RENOIR, JEAN; LANG, FRITZ; ZINNEMANN, FRED; MILESTONE, LEWIS; HITCHCOCK, ALFRED; BROWN, CLARENCE; SIDNEY, GEORGE; BROOKS, RICHARD; DIETERLE, WILLIAM; FLEISCHER, RICHARD; VON STERNBERG, JOSEF; CURTIZ, MICHAEL; RAY, NICHOLAS; KAZAN, ELIA; WILDER, BILLY; LEROY, MERVYN; ALDRICH, ROBERT; KUBRICK, STANLEY; LOGAN, JOSHUA; STURGES, JOHN; KING, HENRY; MANN, ANTHONY; FULLER, SAMUEL; FRANKENHEIMER, JOHN; KELLY, GENE; PENN, ARTHUR; SAKS, GENE; Lupino, Ida; DMYTRYK, EDWARD; CORMAN, ROGER; FRIEDKIN, WILLIAM; RITCHIE, MICHAEL; GRINDE, NICK; PICHEL, IRVING; SEATON, GEORGE; BENEDEK, LASLO; KOSTER, HENRY; OBOLER, ARCH; SANDERS, TERRY; SIODMAK, ROBERT; MARTON, ANDREW; DEATH OF A SALESMAN (US, Laslo Benedek, 1951); FACE IN THE CROWD, A (US, Elia Kazan, 1957); BONNIE AND CLYDE (US, Arthur Penn, 1967); SMILE (US, Michael Ritchie, 1975); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); BEN HUR (US, William Wyler, 1959)
Notes: Includes index
ISBN: 0195022173 : $15.00; 0195022181(pbk. :) $4.95
LON: 851041

Call No: 736 KIT
Author: Kitses, Demetrius John
Place: Bloomington
Publisher: Indiana University Press
PubDate: [1970, c1969]
PhysDes: 176 p. illus., ports. 20 cm
Subject: Mann, Anthony, 1906-1967; Boetticher, Budd, 1916; Peckinpah, Sam, 1925-1984
ISBN: 0253138701
LON: 598795

Call No: 736 KIT
Author: Kitses, Jim
Edition: 2nd ed.
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2004
PhysDes: 343 p. ; 23 cm
Subject: WESTERNS; CRITICISM: METHODOLOGY OF FILM CRITICISM; Peckinpah, Sam; LEONE, SERGIO; EASTWOOD, CLINT; MANN, ANTHONY; BOETTICHER, BUDD; FORD, JOHN
Notes: An expanded update on the 1969 edition, ‘Horizons West’ focuses on the ‘Western’ genre. It pays attention to the work of particular film directors (John Ford, Anthony Mann, Budd Boetticher, Sam Peckinpah, Sergio Leone, and Clint Eastwood) and the many themes that these people directed. Includes a brief assessment of criticism of the Western influenced by postmodernism and other cultural movements.
ISBN: 1844570509

Call No: 756 LAN
Author: Lefebvre, Martin (editor)
Source: US
Place: New York ; London
Publisher: Routledge
PubDate: 2006
PhysDes: xxxi, 361 p. : ill ; 24 cm
Series: AFI film readers
Subject: FILMMAKING; LANDSCAPES IN FILMS; GRIFFITH, DAVID WARK; GREENAWAY, PETER; MANN, ANTHONY; ANTONIONI, MICHELANGELO; ZABRISKIE POINT (US, Michelangelo Antonioni, 1970)
Summary: "Landscape is everywhere in film, but it has been largely overlooked in theory and criticism. This volume of new work will address fundamental questions: What kind of landscape is cinematic landscape? How is cinematic landscape different from landscape painting? How is landscape deployed in the work of such filmmakers as Greenaway, Rossellini, or Antonioni, to name just three? What are differences between the use of landscape in Western filmmaking and in the work of Middle Eastern and Asian filmmakers? How is cinematic landscape related to the idea of a national cinema and questions of identity. The first collection on the idea of landscape and film, this volume will present an impressive international cast of contributors, among them Jacques Aumont, Tom Conley, David B. Clarke, Marcus A. Doel, Peter Rist, and Antonio Costa."
Notes: Bibliography: p.333-337; Includes index
ISBN: 0415975557(Softcover)
Contents: The invention of place: Daniele Huillet and Jean-Marie Straub's Moses and Aaron/Jacques Aumont -Between setting and landscape in the cinema/ Martin Lefebvre- Toward a genealogy of the American landscape: notes on landscapes in D. W. Griffith (1908-1912)/ Jean Mottet- The course of the empire: sublime landscapes in the American cinema/ Laura U Marks- The inhabited view: landscape in the films of David Rimmer/ Catherine Russell- Sites of meaning: Gallipoli and other Mediterranean landscapes in amateur films (1928-1960)/ Heather Nicholson- The presence (and absence) of landscape in silent east Asian films/ Peter Rist- From flatland to vernacular relativity: the genesis of early English screenscapes/ David B Clarke and Marcus A. Doel- Landscape and archive: trips around the world as early film topic (1896-1914)/ Antonio Costa- A walk through heterotopia: Peter Greenaway's landscapes by numbers/ Bridget Elliott and Anthony Purdy- Landscape and perceptions on Anthony Mann/ Tom Conley- The cinematic void: desert iconographies in Michelangelo Antonioni's Zabriskie Point/ Mathew Gandy

Call No: 736.1 MOV
Author: Cameron, Ian; Pye, Douglas
Place: London
Publisher: Cassell
PubDate: 1996
PhysDes: 320 p.: ill. ; 26 cm
Subject: WESTERNS; FORD, JOHN; CIMINO, MICHAEL; CUKOR, GEORGE; DIETRICH, MARLENE; Peckinpah, Sam; WAYNE, JOHN; DAVES, DELMER; MANN, ANTHONY; BOETTICHER, BUDD; COSTNER, KEVIN; BROKEN ARROW (US, Delmer Daves, 1950); DRUM BEAT (US, Delmer Daves, 1954); HANGING TREE, THE (US, Delmer Daves, 1958); JUBAL (US, Delmer Daves, 1956); LAST WAGON, THE (US, Delmer Daves, 1956); [THREE TEN] 3:10 TO YUMA (US, Delmer Daves, 1957); DESTRY RIDES AGAIN (US, George Marshall, 1939); DODGE CITY (US, Michael Curtiz, 1939); DRUMS ALONG THE MOHAWK (US, John Ford, 1939); FORT APACHE (US, John Ford, 1948); DUEL IN THE SUN (US, King Vidor, 1946); HEAVEN'S GATE (US, Michael Cimino, 1980); HOW THE WEST WAS WON (US, Henry Hathaway & John Ford & George Marshall, 1962); HUD (US, Martin Ritt, 1962); JOHNNY GUITAR (US, Nicholas Ray, 1954); LEFT-HANDED GUN, THE (US, Arthur Penn, 1958); MISFITS, THE (US, John Huston, 1961); ONE-EYED JACKS (US, Marlon Brando, 1961); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); PURSUED (US, Raoul Walsh, 1947); RANCHO NOTORIOUS (US, Fritz Lang, 1952); RIO BRAVO (US, Howard Hawks, 1959); SHANE (US, George Stevens, 1953); VERA CRUZ (US, Robert Aldrich, 1954); WESTWARD THE WOMEN (US, William Wellmann, 1951); LONELY ARE THE BRAVE (US, David Miller, 1962); UNFORGIVEN (US, Clint Eastwood, 1992); SEARCHERS, THE (US, John Ford, 1956); DANCES WITH WOLVES (US, Kevin Costner, 1990); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962)
Notes: Includes index
ISBN: 0289801400
LON: abn95121731; 11553420

Call No: 67(04) FAR
Author: Farber, Manny
Place: New York
Publisher: Hillstone
PhysDes: viii, 288 p., [18] of plates : ill. ; 21 cm.
Subject: ACTORS; EXPERIMENTAL FILMS; FESTIVALS. NEW YORK; UNDERGROUND FILMS; AGEE, JAMES; ALDRICH, ROBERT; ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BOGARDE, DIRK; BOGART, HUMPHREY; BRESSON, ROBERT; BUNUEL, LUIS; BURTON, RICHARD; DENEUVE, CATHERINE; FONDA, HENRY; FORD, JOHN; FULLER, SAMUEL; GODARD, JEAN-LUC; HAWKS, HOWARD; HITCHCOCK, ALFRED; HUSTON, JOHN; KAZAN, ELIA; MANN, ANTHONY; MOREAU, JEANNE; SIEGEL, DON; SNOW, MICHAEL; STEVENS, GEORGE; STURGES, PRESTON; TAYLOR, ELIZABETH; ASPHALT JUNGLE, THE (US, John Huston, 1950); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); BIG CLOCK, THE (US, John Farrow, 1947); BIG SLEEP, THE (US, Howard Hawkes, 1946); BODY SNATCHER, THE (US, Robert Wise, 1945); CURSE OF THE CAT PEOPLE, THE (US, Gunther von Fritsch & Robert Wise, 1944); DETECTIVE STORY (US, William Wyler, 1951); FLAMING STAR (US, Don Siegel, 1960); HIGH SIERRA (US, Raoul Walsh, 1941); HIS KIND OF WOMAN (US, John Farrow, 1951); HIS GIRL FRIDAY (US, Howard Hawks, 1940); KILLERS, THE (US, Robert Siodmak, 1946); ODD MAN OUT (UK, Carol Reed, 1947); LADY FROM SHANGHAI, THE (US, Orson Welles, 1948); PICKUP ON SOUTH STREET (US, Samuel Fuller, 1953); PROWLER, THE (US, Joseph Losey, 1950); RED RIVER (US, Howard Hawks, 1948); ROARING TWENTIES, THE (US, Raoul Walsh, 1939); SCAR OF SHAME, THE (US, Frank Peregini, 1927); SET-UP (US, Kathryn Bigelow, 1978); SKAMMEN (SW, Ingmar Bergman, 1968); SULLIVAN'S TRAVELS (US, Preston Sturges, 1942); SUNSET BOULEVARD (US, Billy Wilder, 1950); THIRD MAN, THE (UK, Carol Reed, 1949)
Notes: Includes index.; Orginally published as: Negative space

Call No: 701 WID
Author: Belton, John (ed.); Hall, Sheldon (ed.); Neale, Steve (ed.)
Source: UK
Place: New Barnet, U.K
Publisher: John Libbey
PubDate: c2010
PhysDes: viii, 236 p. : ill. ; 27 cm
Subject: WIDE-SCREEN SYSTEMS; CINEMASCOPE; IMAX; PREMINGER, OTTO; Peckinpah, Sam; MANN, ANTHONY
Summary: "The essays in this anthology provide a comprehensive portrait of widescreen cinema as an aesthetic and industrial phenomenon from the vantage point of twenty-first century film studies." - Book Blurb
Notes: Includes bibliographical references and index
ISBN: 9780861966943
Contents: -- Fox and 50mm film : John Belton -- Standing tall and wide: the selling of VistaVision : Tom Vincent -- IMAX: the Hollywood experience : Paul McDonald -- Cheap but wide: the stylistic exploitation of CinemaScope in black-and-white low-budget American films : Lisa Dombrowski -- Preminger and Peckinpah: seeing and shaping widescreen worlds : John Gibbs and Douglas Pye -- The art of the palpable: composition and staging in the widescreen films of Anthony Mann : Steve Neale -- Alternative versions in the early years of CinemaScope : Sheldon Hall -- Conspicuous consumption: the spectacle of widescreen comedy in the Populuxe era : Kathrina Glitre -- The scope of their ambition: British independent film production and the widescreen formats in the 1950s : Steve Chibnall -- Before Techniscope: the penetration of foreign widescreen technology in Italy, 1953-59 : Federico Vitella -- Widescreen composition and transnational influence: early anamorphic filmmaking in Japan : Eric Crosby -- Another Shaw production: anamorphic adventures in Hong Kong : David Bordwell --