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Call No: 735.3 (73) WAL
Author: Walters, James
Source: US
Place: Bristol; Chicago
Publisher: Intellect
PubDate: 2008
PhysDes: 232 p. : ill. ; 23 cm
Subject: HOLLYWOOD; FANTASTIC FILMS; FANTASY FILMS; DREAMS IN FILMS; MEMORY IN FILMS; INNOCENCE IN FILMS; REPETITION IN FILMS; TIME IN FILMS; POINT-OF-VIEW; NARRATIVE IN FILMS; FLEMING, VICTOR; LANG, FRITZ; GONDRY, MICHEL; CAPRA, FRANK; RAMIS, HAROLD; MINNELLI, VINCENTE; ROSS, GARY; WIZARD OF OZ, THE (US, Victor Fleming, 1939); WOMAN IN THE WINDOW, THE (US, Fritz Lang, 1944); ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); GROUNDHOG DAY (US, Harold Ramis, 1993); BRIGADOON (US, Vincente Minnelli, 1954); PLEASANTVILLE (US, Gary Ross, 1998); DONNIE DARKO (US, Richard Kelly, 2001); BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90); ABRE LOS OJOS (SP, Alejandro Amenabar, 1997); AWFUL TRUTH, THE (US, Leo McCarey, 1937); LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988); MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948)
Summary: "The use of alternate realities in cinema has been brought to new heights by such recent films as 'Eternal Sunshine of the Spotless Mind' and 'Donnie Darko'. 'Alternative Worlds in Hollywood Cinema' is the first book to analyze these imaginary realms, tracing their construction and development across periods, genres and history. "Through an analysis of such landmark films as 'The Wizard of Oz', 'It's a Wonderful Life' and 'Groundhog Day', Walters reveals how unconventional worlds are crucial to each film's dramatic agenda and narrative structure. This groundbreaking volume unifies decades of divergent work by film scholars and points the way towards a new theoretical framework for understanding fantasy in the context of popular film. 'Alternative Worlds in Hollywood Cinema' will be an essential resource for film studies scholars and movie buffs alike." (Taken from the back cover.)
Notes: Includes Filmography, Bibliography and Index
ISBN: 9781841502021

Call No: 802.25(73) COU vol.1
Author: Coursodon, Jean-Pierre; Sauvage, Pierre
Place: New York
Publisher: McGraw-Hill
PubDate: c1983
PhysDes: 2 v. ; 24 cm
Subject: DIRECTORS. USA; BERKELEY, BUSBY; BORZAGE, FRANK; BROWN, CLARENCE; CAPRA, FRANK; CHAPLIN, CHARLES; CUKOR, GEORGE; CURTIZ, MICHAEL; DAVES, DELMER; DEMILLE, CECIL B.; DWAN, ALLAN; FLEMING, VICTOR; FORD, JOHN; HAWKS, HOWARD; HITCHCOCK, ALFRED; HUSTON, JOHN; KING, HENRY; LA CAVA, GREGORY; LANG, FRITZ; LEROY, MERVYN; LEWIS, JOSEPH H.; LUBITSCH, ERNST; MAMOULIAN, ROUBEN; MANN, ANTHONY; MCCAREY, LEO; PREMINGER, OTTO; SHERMAN, VINCENT; SIRK, DOUGLAS; STAHL, JOHN M.; VON STERNBERG, JOSEF; STEVENS, GEORGE; STURGES, PRESTON; TOURNEUR, JACQUES; ULMER, EDGAR G.; VIDOR, KING; WALSH, RAOUL; WELLMAN, WILLIAM; WILDER, BILLY; WYLER, WILLIAM
Notes: Includes filmographies and indexes
ISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95
LON: 2198273

Author: Lucas, Bret
PhysDes: Article Review Biography Credits Bibliography
Subject: BIG HEAT, THE (US, Fritz Lang, 1953); LANG, FRITZ; AUTEUR THEORY; AUTHORSHIP; HITCHCOCK, ALFRED; RAY, NICHOLAS
Summary: Essay examines Fritz Lang's career as an auteur director, including quotes by Lang, as well as a review of "The Big Heat".

Call No: 735.2 PRA
Author: Prawer, S. S. (Siegbert Salomon), 1925
Place: Oxford New York
Publisher: Oxford University Press
PubDate: 1980
PhysDes: 307 p., [8] leaves of plates : ill. ; 22 cm
Subject: HORROR FILMS; HAMMER FILM PRODUCTIONS; FISHER, TERENCE; KARLOFF, BORIS; LANG, FRITZ; LEWTON ,VAL; MURNAU, FRIEDRICH WILHELM; FRANKENSTEIN (US, James Whale, 1931); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); VAMPYR : DER TRAUM DES ALLEN GRAY (G/FR, Carl Th. Dreyer, 1932); CABINET DES DR. CALIGARI, DAS (G, Robert Wiene, 1920)
Notes: Includes indexes; Bibliography: p. [283]-292
ISBN: 019217584X : ª6.95
LON: 1491474

Call No: 802.25(73) HIG
Author: Higham, Charles, 1931; Greenberg, Joel, joint author
Place: London
Publisher: Angus & Robertson
PubDate: 1969
PhysDes: 268 p., 32 plates. illus., ports. 24 cm
Subject: ALDRICH, ROBERT; CUKOR, GEORGE; FRANKENHEIMER, JOHN; HITCHCOCK, ALFRED; LANG, FRITZ; MAMOULIAN, ROUBEN; MINNELLI, VINCENTE; RAPPER, IRVING; ROBSON, MARK; TOURNEUR, JACQUES; VIDOR, KING; WILDER, BILLY; BERNHARDT, CURTIS; MILESTONE, LEWIS; NEGULESCO, JEAN
ISBN: 0207951233
LON: 562650

Call No: 67 RUS
Author: Ruszkoiwski, A
Place: Lyon
PubDate: 1937
Subject: CHARACTERIZATION IN FILMS UF: CHARACTERS IN FILMS; CLAIR, RENE; COWARD, NOEL; DE HAVILLAND, OLIVIA; DUVIVIER, JULIEN; GANCE, ABEL; GARSON, GREER; LANG, FRITZ; LORRE, PETER; PIDGEON, WALTER; PRESLE, MICHELINE; RENOIR, JEAN; MADAME CLAUDE (FR, Just Jaeckin, 1977); REGLE DU JEU, LA (FR, Jean Renoir, 1939); ROMAN DE RENARD, LE (FR, Ladislas Starevitch, 1941 [prod. 1929-41]); VISITEURS DU SOIR, LES (FR, Marcel Carne, 1942)
Language: French

Call No: 81LAN JEN
Author: Jensen, Paul M.
Source: US/UK
Place: New York
Publisher: A.S. Barnes
PubDate: 1969
PhysDes: 223 pages : illustrations ; 16 cm
Series: The International film guide series
Subject: HISTORY OF CINEMA; HISTORY OF CINEMA. 1920's; HISTORY OF CINEMA. SILENT PERIOD; LANG, FRITZ
Notes: "Filmography": pages 205-218 Bibliography: pages 219-223
ISBN: 498074158
Contents: -- 1 entering the field -- the silent era (1921-1924) -- 3 the silent era (1925-1929) -- 4 encounters with sound -- 5 the social trilogy -- 6 the west, the war and Diana -- 7 final fluctuations -- filmography -- references to books and periodicals --

Call No: 23(430)
Author: St. Pierre, Paul Matthew
Place: London
Publisher: Fairleigh Dickinson University Press
PhysDes: 274 p. ; illus. ; 24 cm
Series: Fairleigh Dickinson University Press series in communication studies
Subject: CINEMATOGRAPHY; GERMANY; EXPRESSIONISM; LUBITSCH, ERNST; WAGNER, FRITZ ARNO; MURNAU, FRIEDRICH WILHELM; LANG, FRITZ; PABST, GEORG WILHELM; RITTAU, GUNTHER; DREYER, CARL TH.
Summary: In film history, director-cinematographer collaborations were on a labor spectrum, with the model of the contracted camera operator in the silent era and that of the cinematographer in the sound era. But in Weimar era German filmmaking, 1919-33, a short period of intense artistic activity and political and economic instability, these models existed side by side due to the emergence of camera operators as independent visual artists and collaborators with directors. Berlin in the 1920s was the chief site of the interdisciplinary avant-garde of the Modernist movement in the visual, literary, architectural, design, typographical, sartorial, and performance arts in Europe. The Weimar Revolution that arose in the aftermath of the November 1918 Armistice and that established the Weimar Republic informed and agitated all of the art movements, such as Expressionism, Dada, the Bauhaus, Minimalism, Objectivism, Verism, and Neue Sachlichkeit (“New Objectivity”). Among the avant-garde forms of these new stylistically and culturally negotiated arts, the cinema was foremost and since its inception had been a radical experimental practice in new visual technologies that proved instrumental in changing how human beings perceived movement, structure, perspective, light exposure, temporal duration, continuity, spatial orientation, human postural, facial, vocal, and gestural displays, and their own spectatorship, as well as conventions of storytelling like narrative, setting, theme, character, and structure. Whereas most of the arts mobilized into schools, movements, institutions, and other structures, cinema, a collaborative art, tended to organize around its ensembles of practitioners. Historically, the silent film era, 1895-1927, is associated with auteurs, the precursors of François Truffaut and other filmmakers in the 1960s: actuality filmmakers and pioneers like R. W. Paul and Fred and Joe Evans in England, Auguste and Luis Lumière and Georges Méliès in France, and Charles Chaplin and Buster Keaton in America, who, by managing all the compositional, executional, and editorial facets of film production—scripting, directing, acting, photographing, set, costume, and lighting design, editing, and marketing—imposed their personal vision or authorship on the film. The dichotomy of the auteur and the production ensemble established a production hierarchy in most filmmaking. In formative German silent film, however, this hierarchy was less rank or class driven, because collaborative partnerships took precedence over single authorship. Whereas in silent film production in most countries the terms filmmaker and director were synonymous, in German silent film the plural term filmemacherin connoted both directors and cinematographers, along with the rest of the filmmaking crew. Thus, German silent filmmakers’ principle contribution to the new medium and art of film was less the representational iconographies of Expressionist, New Objective, and Naturalist styles than the executional practice of co-authorship and co-production, in distinctive cinematographer-director partnerships such as those of cinematographer Theodor Sparkuhl and director Ernst Lubitsch; Fritz Arno Wagner with F. W. Murnau, Fritz Lang, and G. W. Pabst; Rudolf Maté with Carl Theodor Dreyer; Guido Seeber with Lang and Pabst; and Carl Hoffmann with Lang and Murnau. -- jacket blurb
ISBN: 9781611479447

Call No: 634 CIN
Author: Brophy, Philip
CorpAuthor: Australian Film, Television and Radio School
Source: AT
Place: North Ryde, N.S.W. St. Leonards, N.S.W.
Publisher: Australian Film Television & Radio School Allen & Unwin
PubDate: 2000
PhysDes: vii, 224 p. : ill. ; 21cm
Subject: SOUND; AMERICAN INDIAN CINEMA; MUSIC IN FILMS; FILM NOIR; JAZZ IN FILMS; WESTERNS; DIALOGUE; NAZIS IN FILMS; PROMOTIONAL VIDEOS; LANG, FRITZ; WILLIAMS, HYPE; THOM, RANDY; MUSY, FRANCOIS; GODARD, JEAN-LUC; SHEA, DAVID; WELLES, ORSON; KWAIDAN (JA, Masaki Kobayashi, 1964); NOTTE DI SAN LORENZO, LA (IT, Paolo Taviani & Vittoria Taviani, 1982); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BLACK RIVER (AT, Kevin Lucas, 1991); MAN CALLED HORSE, A (US, Elliot Silverstein, 1970); HITLER - EIN FILM AUS DEUTSCHLAND (GW/UK/FR, Hans Jurgen Syberberg, 1977)
Notes: Includes index; Bibliography
ISBN: 1876351098 : $24.95; 1876351098; 1876351098 (Pbk); 1876351098
LON: 21470326
Contents: Part 1: Issues in sound design and film scores -- Designing a movie for sound: randy Thom in conversation -- Recording for Godard: Francois Musy in conversation -- Sampling the cinema: David Shea in conversation -- Part 2: Transmission from beyond the cinema -- The kinematic pneumacosm of Hype Williams: the rhythm of vision is a dancer / Kodwo Eshun -- My aisles of golden dreams: the beauty of supermarket music / Joseph Lanza -- Sonic darkness: notes towards an aesthetic of jazz in American film noiw / John Conomos -- Part 3: Encodings of orchestral statement -- Drums along the LA river: scoring the Indian / Claudia Gorbman -- The world heard: music, nature, film / Evan Eisenberg -- The original Ludwig van (and others): classical music as cultural marker / Roger Hillman - Part 4: Constructs of recorded sound -- Lang's sound / Adrian Martin -- Orson Welles' turn from live recording to postsynchronization: a technical and aesthetic evolution / Francois Thomas -- How sound floats on land: the suppression and release of folk and indigenous musics in the cinematic terrain / Philip Brophy

Call No: 734 HIR
Author: Hirsch, Foster
Edition: 1st ed
Place: San Diego London
Publisher: A. S. Barnes Tantivy Press
PubDate: 1981
PhysDes: 229 p. : ill. ; 29 cm
Subject: FILM NOIR; BAD GUYS; EXPRESSIONISM; WOMEN IN FILMS; BOGART, HUMPHREY; CHANDLER, RAYMOND; DASSIN, JULES; HITCHCOCK, ALFRED; LANG, FRITZ; HAMMETT, DASHIELL; MURDER MY SWEET (US, Edward Dmytryk, 1945); SORRY, WRONG NUMBER (US, Anatole Litvak, 1948); BIG CLOCK, THE (US, John Farrow, 1947); BIG HEAT, THE (US, Fritz Lang, 1953); BIG SLEEP, THE (US, Howard Hawkes, 1946); DOUBLE INDEMNITY (US, Billy Wilder, 1944); KILLERS, THE (US, Robert Siodmak, 1946); MALTESE FALCON, THE (US, John Huston, 1941); NIGHT AND THE CITY (US, Jules Dassin, 1950); PROWLER, THE (US, Joseph Losey, 1950); EDGE OF DOOM (US, Mark Robson, 1950); MURDER MY SWEET (US, Edward Dmytryk, 1945); GUN CRAZY (US, Joseph H. Lewis, 1949); BIG COMBO (US, Joseph H. Lewis, 1955)
Notes: Includes index; Bibliography: p. 211-212; Filmography: p. 213-220
ISBN: 049802234X
LON: 80028955; 1868575

Call No: 70 CAS
Author: Casty, Alan
Source: US
Place: New York
Publisher: Harcourt Brace Jovanovich
PubDate: 1973
PhysDes: 425 p. ; 23 cm
Subject: EDITING; HISTORICAL FILMS; HISTORY AND THE CINEMA; PRODUCTION TECHNOLOGY; GENRES; SOCIAL HISTORY AND THE CINEMA; BOGART, HUMPHREY; BRECHT, BERTOLT; BUNUEL, LUIS; CAPRA, FRANK; CARNE, MARCEL; CHAPLIN, CHARLES; CLAIR, RENE; COOPER, GARY; CURTIZ, MICHAEL; DEMILLE, CECIL B.; DE SICA, VITTORIO; DIETRICH, MARLENE; DOVZENKO, ALEKSANDR; DREYER, CARL TH.; DUVIVIER, JULIEN; Fellini, Federico; FLAHERTY, ROBERT; FORD, JOHN; GARBO, GRETA; GODARD, JEAN-LUC; GRIFFITH, DAVID WARK; HITCHCOCK, ALFRED; HUSTON, JOHN; HAWKS, HOWARD; KINGSLEY, STANLEY; KAZAN, ELIA; LANG, FRITZ; Lean, David; LEROY, MERVYN; LUBITSCH, ERNST; MCCREA, JOEL; MAMOULIAN, ROUBEN; MARX BROTHERS; MILESTONE, LEWIS; MURNAU, FRIEDRICH WILHELM; NEWMAN, PAUL; PABST, GEORG WILHELM; Pasolini, Pier Paolo; Peckinpah, Sam; PUDOVKIN, VSEVELOD; REED, CAROL; RENOIR, JEAN; ROSSELLINI, ROBERTO; ROSSEN, ROBERT; Stewart, James; TOLAND, GREGG; TRUFFAUT, FRANCOIS; VIGO, JEAN; VISCONTI, LUCHINO; VON STERNBERG, JOSEF; VON STROHEIM, ERICH; WAYNE, JOHN; WELLES, ORSON; WELLMAN, WILLIAM; WILDER, BILLY; WISE, ROBERT; WYLER, WILLIAM; ZOLA, EMILE; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); INTOLERANCE (US, David Wark Griffith, 1916); REGLE DU JEU, LA (FR, Jean Renoir, 1939); STRAW DOGS (UK, Sam Peckinpah, 1971)
Summary: The development of the cinemictic styles and genres in films worldwide and the important professical within the film industry.
ISBN: 0155176226

PhysDes: Article
Subject: LANG, FRITZ; HARBOU, THEA VON; NIBELUNGEN, DIE (G, Fritz Lang, 1922-24)
Summary: Article discusses the differences in style between the two parts of Fritz Lang's 'Die Nibelungen'

Call No: 408 COA
Author: Coates, Paul, 1953
Place: Cambridge [England] New York
Publisher: Cambridge University Press
PubDate: 1994
PhysDes: xvii, 201 p. ; 24 cm
Series: Cambridge studies in film
Subject: POPULAR CULTURE AND THE CINEMA; SCIENCE-FICTION FILMS; MELODRAMA; WESTERNS; FILM NOIR; RACIAL STEREOTYPES IN FILMS; STARS; GENRES; HORROR FILMS; VOICE OVER; MUSIC TELEVISION; SIRK, DOUGLAS; MARKER, CHRIS; TARKOVSKY, ANDREI; KIESLOWSKI, KRZYSZTOF; FRANJU, GEORGES; STALLONE, SYLVESTER; VALENTINO, RUDOLPH; LANG, FRITZ; LEE, SPIKE; MADONNA; MONROE, MARILYN; POTTER, DENNIS; BEDROOM WINDOW, THE (US, Curtis Hanson, 1986); FLY, THE (US, David Cronenberg, 1986); JETEE, LA (FR, Chris Marker, 1963); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); AUFZEICHNUNGEN ZU KLEIDERN UND STADTEN (GW, Wim Wenders, 1989); OUT OF THE PAST (US, Jacques Tourneur, 1947); ROCKY IV (US, Sylvester Stallone, 1985); OFFRET [SACRIFICE, THE] (SW/FR, Andrei Tarkovsky, 1986); SEARCHERS, THE (US, John Ford, 1956); SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986); SOLARIS (UR, Andrei Tarkovsky, 1972); WESELE (PL, Andrzej Wajda, 1972); DAY OF THE LOCUST, THE (US, John Schlesinger, 1975); REAR WINDOW (US, Alfred Hitchcock, 1954)
Notes: Includes bibliographical references (p. 182-194) and index
ISBN: 0521444721 (hardback)
LON: 10419843

Call No: 63 RAN
Author: Rancier, Jacques; Battista, Emiliano
Source: FR/US
Place: New York
Publisher: Berg Publishers
PubDate: 2006
PhysDes: viii, 196 pages ; 24 cm
Subject: AESTHETICS; ART AND THE CINEMA; ART CINEMA; AUTEUR THEORY; CINEMATOGRAPHY; DOCUMENTARY FILMS; HISTORY AND THE CINEMA; HISTORY OF CINEMA; NARRATIVE IN FILMS; PHILOSOPHY AND THE CINEMA; SYMBOLISM IN FILMS; BRESSON, ROBERT; DELEUZE, GILLES; EPSTEIN, JEAN; EISENSTEIN, SERGEI M.; GODARD, JEAN-LUC; HITCHCOCK, ALFRED; LANG, FRITZ; MANN, ANTHONY; MARKER, CHRIS; MEDVEKIN, ALEXANDER; MURNAU, FRIEDRICH WILHELM; OZU YASUJIRO; RAY, NICHOLAS; ROSSELLINI, ROBERTO; VERTOV, DZIGA; AU HASARD, BALTHAZAR (FR/SW, Robert Bresson, 1966); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); CHINOISE, LA (FR, Jean-Luc Godard, 1967); FAUST (G, Friedrich Wilhelm Marnau, 1926); WHILE THE CITY SLEEPS (US, Fritz Lang, 1955)
Summary: "Film Fables traces the history of modern cinema, moving effortlessly from Eisenstein's and Murnau's transition from theatre to film to Fritz Lang's confrontation with television, from the classical poetics of Mann's Westerns to Ray's romantic poetics of the image, from Rossellini's neo-realism to Deleuze's philosophy of the cinema and Marker's documentaries."
Notes: Includes index
ISBN: 9781845201685
ID2: 291

Call No: 740 KLA
Author: Klawans, Stuart
Edition: 1999
Place: London
Publisher: Cassell
PubDate: 1999
PhysDes: 188pages : illustrated ; 22 cm
Subject: EPIC FILMS; GRIFFITH, DAVID WARK; INTOLERANCE (US, David Wark Griffith, 1916); LUDWIG (IT/FR/GW, Luchino Visconti, 1973); STROHEIN, ERICH VON; FOOLISH WIVES (US, Erich Von Stroheim, 1922); GREED (US, Erich von Stroheim, 1925); LANG, FRITZ; METROPOLIS (G, Fritz Lang, 1926); DUEL IN THE SUN (US, King Vidor, 1946); CLEOPATRA (US, Joseph L. Mankiewicz, 1963); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); FITZCARRALDO (GW, Werner Herzog, 1982); ISHTAR (US, Elaine May, 1987); SOY CUBA (CU/UR, Mihail Kalatozov, 1964)
Notes: A history and theory of going too far, "Film Follies" examines those rare pictures that are both cinematic landmarks and monuments to a director's hybris, from Griffith's "Intolerance" through to Coppola's "Apocalypse Now" and Carax's "Les Amants du Pont-Neuf". Seeming madness and wasteful extravagance, fantastic architecture and the haphazard structure of a musical revue: such are the landmarks of those improbably great (and greatly improbable) films Klawans calls "follies" -- publisher's web site
ISBN: 9780304700547

Call No: 802.25 FIL
Place: Harmondsworth
Publisher: Penguin
PubDate: 1967
PhysDes: 18 cm; 303 p.
Subject: AUTHORSHIP; LUMIERE, LOUIS; PORTER, EDWIN S.; SENNETT, MACK; GRIFFITH, DAVID WARK; FLAHERTY, ROBERT; CHAPLIN, CHARLES; VON STROHEIM, ERICH; VERTOV, DZIGA; DREYER, CARL TH.; HITCHCOCK, ALFRED; RICHARDSON, TONY; COCTEAU, JEAN; RESNAIS, ALAIN; ROBBE-GRILLET, ALAIN; BUNUEL, LUIS; BERGMAN, INGMAR; FELLINI, FEDERICO; VON STERNBERG, JOSEF; ANTONIONI, MICHELANGELO; LANG, FRITZ; WAJDA, ANDRZEJ; WELLES, ORSON; RAY, SARYAJIT; KUROSAWA AKIRA; ANDERSON, LINDSAY; LEAN, DAVID; RENOIR, JEAN; BARDEM, JUAN ANTONIO; ANGER, KENNETH
Summary: Does the making of films – a group activity – permit anything that can be called self-expression? Can a director, as the conductor of an orchestra of writers, actors, cameramen and technicians, stamp his personal vision on the films he makes? This and related questions are raised by this collection of statements made by famous directors about their art. Harry Geguld’s anthology of “patristic writings” runs from the days (in 1895) when Louis Lumiere filmed a train entering a station, by way of Charlie Chaplin’s knockabout ad-libbing, to the sophisticated ruminations of Antonioni and Bergman and the ideas behind the nouvelle vague. Here is D.W. Griffith’s scouting the very idea of talking pictures; Mack Sennett on custard pies; Eisenstein on three-dimensional film; Cocteau on the raw materials of illusion; Kurosawa on filming in Japan; Hitchcock on the macabre; and some other twenty leading directors on aspects of their work. In his introduction, Harry Geguld assesses the unique characteristics of motion pictures and comments refreshingly on the eternal controversy of “book into film”. [Taken from back cover.]
ID2: 291

Call No: 81LAN OTT
Author: Ott, Frederick W
Edition: 1st ed
Place: Secaucus, N.J.
Publisher: Citadel Press
PubDate: 1979
PhysDes: 287 p. : ill. ; 29 cm
Subject: LANG, FRITZ
Notes: Bibliography: p. [280]-287
ISBN: 0806504358 : $17.95
LON: 79004056; 1373127

Call No: 81LAN EIS
Author: Eisner, Lotte H
Place: New York, N.Y.
Publisher: Da Capo Press
PubDate: 1986, c1976
PhysDes: 416 p. : ill., ports. ; 23 cm
Subject: LANG, FRITZ
Notes: Reprint. Originally published: London : Secker and Warburg, 1976; Bibliography: p. 405-406; Filmgraphy: p. 407-413
ISBN: 0306802716 (pbk.) : $13.95
LON: 86011466; 4816918

Call No: 81LAN MOU
Author: Moullet, Luc; Lang, Fritz, 1890-1976
Place: Paris
Publisher: Seghers
PubDate: 1963
PhysDes: 1 v
Subject: LANG, FRITZ
LON: new01004948; 9509942

Call No: 81LAN MCG
Author: McGilligan, Patrick
Source: US/UK
Place: New York, N.Y.
Publisher: Faber Faber
PubDate: 1997
PhysDes: 548 p. : ports ; 24 cm
Subject: LANG, FRITZ
Summary: "The name of Fritz Lang - the visionary director of Metropolis, M, Fury, The Big Heat, and thirty other unforgettable motion pictures - is hallowed the world over. But what lurks behind his greatest legends, and his genius as a filmmaker? Was he a closet Nazi in Germany, and later, a virtual Communist in America? Did he really refuse an offer from Hitler to become the Third Reich's "Fuhrer of film" before he fled to the United States in the early 1930s, or was this oft-repeated anecdote the embroidered invention of an ingenious storyteller? Was Lang a sensitive and compassionate artist, as well as a lover of famous women (among them his Berlin compatriot Marlene Dietrich)? Or was he a sado-masochistic beast whose torturous on-set behavior was mirrored, off the job, in a sordid love life crowded with prostitutes and mistresses? Did Fritz Lang, preoccupied with murder in his work, in fact kill his own first wife - who died mysteriously in his presence after catching him in the arms of the Nazi-leaning screenwriter who became his second wife? Patrick McGilligan spent four years in Europe and America, interviewing Lang's dying contemporaries, researching government and film archives, and investigating the life story of Fritz Lang. His definitive biography - the only such book on Lang, who encouraged publicity but discouraged the truth - reconstructs the fascinating, flawed human being behind the monster with the monocle." -- LIBRARIES AUSTRALIA
Notes: Includes index, notes and sources, and filmography data
ISBN: 0571193757
Contents: -- acknowledgments; prologue: 1976; Vienna; Chapter 1: 1890-1911; Chapter 2: 1911-1918; Berlin; Chapter 3: 1918-1921; Chapter 4: 1921-1922; Chapter 5: 1923-1924; Chapter 6: 1925-1927; Chapter 7: 1928-1929; Chapter 8: 1930-1931; Chapter 9: 1932-1933; Paris; Chapter 10: 1933-1934; Hollywood; Chapter 11: 1934-1936; Chapter 12: 1936-1938; Chapter 13: 1939-1941; Chapter 14: 1941-1945; Chapter 15: 1945-1946; Chapter 16: 1946-1947; Chapter 17: 1948-1952; Chapter 18: 1952-1953; Chapter 19: 1953-1956; Chapter 20: 1957-1964; Chapter 21: 1965-1976; filmography; notes and sources; index --

PhysDes: Article
Subject: LANG, FRITZ; YOU ONLY LIVE ONCE (US, Fritz Lang, 1937); TAUSEND AUGEN DES DR. MABUSE, DIE (FR/IT/GG, Fritz Lang, 1960)
Summary: Article discusses themes found in Fritz Lang's film and reviews two of his films, 'You Only Live Once' and The Thousand Eyes Of Dr. Mabuse'

Author: Clancy, Laurie
PhysDes: Article
Subject: LANG, FRITZ; M (G, Fritz Lang, 1931); YOU ONLY LIVE ONCE (US, Fritz Lang, 1937); WOMAN IN THE WINDOW, THE (US, Fritz Lang, 1944); BIG HEAT, THE (US, Fritz Lang, 1953); AUTEUR THEORY
Summary: Article on the films of Fritz Lang. Mentions the director's belief in auteurism and discusses various themes found throughout his work.

Call No: 79 LAN JEN
Author: Jenkins, Stephen
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 1981
PhysDes: 173 pages : illustrations ; 22 cm
Subject: LANG, FRITZ
Summary: "Fritz Lang, director of Metropolis and Dr. Mabuse, Fury, The Blue Gardenia and The Big Heat, has traditionally been characterised as a film-maker preoccupied with fate, an essential pessimist whose films represent 'a bleak view of the universe where man grapples with his personal destiny and loses'. This book aims to change that view, challenging the notion of Lang as a chronicler of twentieth-century paranoia and tracing in his films not a single, unchanging vision of the world but a multiplicity of narrative and formal perspectives. Key essays on Lang are included, together with a long study of the role and status of women in his films, and the book concludes with an extensively annotateed filmography which provides the most complete record yet published of this fascinating director's long career, from Germany in the 1920s to the long interlude in Hollywood and the final return to Germany." - taken from back cover
Notes: Includes bibliographical references
ISBN: 0851701094
Contents: Introduction - Lang and Auterism: Fritz Lang's Trajectory -- The Imperious Dialectic of Fritz Lang -- On Fritz Lang -- Lang: Fear and Desire -- Two Fictions Concerning Hate -- Conclusion -- Fritz Lang: A Documentary Record

Call No: 71(430) GER
Author: Bergfelder, Tim; Carter, Erica; Gokturk, Deniz
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 2002
PhysDes: xi 291p. : illus. : 25cm
Subject: EXHIBITION; UFA UF: UNIVERSUM FILM AKTIEN; GOVERNMENT AID. GERMANY; GOVERNMENT CONTROL; GERMANY; HISTORY OF CINEMA; CULTURE AND THE CINEMA; HEIMAT FILMS; COMEDIES. GERMANY; CRIME FILMS; HOMOSEXUALITY AND THE CINEMA; POLITICS AND THE CINEMA; HISTORY OF CINEMA; DIETRICH, MARLENE; LANG, FRITZ; LUBITSCH, ERNST; MUELLER-STAHL, ARMIN; OTTINGER, ULRIKE; RUHMANN, HEINZ; NIBELUNGEN, DIE (G, Fritz Lang, 1922-24)
Notes: Includes bibliography and resources and index
ISBN: 085170946X

Author: Frank Kessler
Subject: LANG, FRITZ; AESTHETICS
Summary: Traces a stylistic path from Fritz Lang's German films through to the Hollywood years. In French.

Call No: 802.25 GRE
Author: Dickstein, Morris; Braudy, Leo
Place: New York
Publisher: Oxford University Press
PubDate: 1978
PhysDes: xi, 778 p. ; 23 cm
Subject: ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BRESSON, ROBERT; BUNUEL, LUIS; CAPRA, FRANK; CHAPLIN, CHARLES; DREYER, CARL TH.; FELLINI, FEDERICO; FLAHERTY, ROBERT; FORD, JOHN; GODARD, JEAN-LUC; GRIFFITH, DAVID WARK; HAWKS, HOWARD; HITCHCOCK, ALFRED; KEATON, BUSTER; KUROSAWA AKIRA; LANG, FRITZ; RENOIR, JEAN; ROSSELLINI, ROBERTO; VON STERNBERG, JOSEF; TRUFFAUT, FRANCOIS; WELLES, ORSON
Notes: Includes bibliographical references
ISBN: 0195023129 : $7.50
LON: 952629
ID2: 291

Call No: 70 FEL
Author: Fell, John
Source: US
Place: New York
Publisher: Holt, Rinehart and Winston
PubDate: 1979
PhysDes: 588 p. : ill. ; 23 cm
Subject: HISTORY AND THE CINEMA; PRODUCTION; ALEXANDROV, GROGORIO; ANTONIONI, MICHELANGELO; BRECHT, BERTHOLD; CAPRA, FRANK; CHAPLIN, CHARLES; DE SICA, VITTORIO; COCTEAU, JEAN; DEMILLE, CECIL B.; DREYER, CARL TH.; DISNEY, WALT; DOVZENKO, ALEKSANDR; EPSTEIN, JEAN; FELLINI, FEDERICO; FRANJU, GEORGES; LANG, FRITZ; MURNAU, FRIEDRICH WILHEL; Pasolini, Pier Paolo; PAUL, ROBERT; PORTER, EDWIN S.; PUDOVKIN, VSEVELOD; RENOIR, JEAN; RESNAIS, ALAIN; ROSSELLINI, ROBERTO; THALBERG, IRVING; TRUFFAUT, FRANCOIS; VERTOV, DZIGA; VIGO, JEAN; VISCONTI, LUCHINO; ZAVATTINI, CESARE; WELLES, ORSON; WYLER, WILLIAM; ZUKOR, ADOLPH; L'­AGE D'OR (FR, Luis Bruñell, 1930); L'ATALANTE (FR, Jean Vigo, 1930); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); BALLET MÉCANIQUE (FR, Fernand Lèger && Dudley Murphy,1934); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); CABINET DES DR. CALIGARI, DAS (G, Robert Wiene, 1920); METROPOLIS (G, Fritz Lang, 1926); SANG D'UN POETE, LE (FR, Jean Cocteau, 1932)
Notes: Bibliography: p.546-548 Includes index
ISBN: 0030363160
Donation: donated by the family of Wayne Levy, 2006

Call No: 802.25(73) HOL
Author: Koszarski, Richard
Place: New York
Publisher: Oxford University Press
PubDate: 1977
PhysDes: xvii, 426 p. : ill. ; 22 cm
Subject: DIRECTORS. USA; WELLES, ORSON; LEWIN, ALBERT; VIDOR, KING; HUSTON, JOHN; ROSSEN, ROBERT; CAPRA, FRANK; JONES, CHUCK; WYLER, WILLIAM; RENOIR, JEAN; LANG, FRITZ; ZINNEMANN, FRED; MILESTONE, LEWIS; HITCHCOCK, ALFRED; BROWN, CLARENCE; SIDNEY, GEORGE; BROOKS, RICHARD; DIETERLE, WILLIAM; FLEISCHER, RICHARD; VON STERNBERG, JOSEF; CURTIZ, MICHAEL; RAY, NICHOLAS; KAZAN, ELIA; WILDER, BILLY; LEROY, MERVYN; ALDRICH, ROBERT; KUBRICK, STANLEY; LOGAN, JOSHUA; STURGES, JOHN; KING, HENRY; MANN, ANTHONY; FULLER, SAMUEL; FRANKENHEIMER, JOHN; KELLY, GENE; PENN, ARTHUR; SAKS, GENE; Lupino, Ida; DMYTRYK, EDWARD; CORMAN, ROGER; FRIEDKIN, WILLIAM; RITCHIE, MICHAEL; GRINDE, NICK; PICHEL, IRVING; SEATON, GEORGE; BENEDEK, LASLO; KOSTER, HENRY; OBOLER, ARCH; SANDERS, TERRY; SIODMAK, ROBERT; MARTON, ANDREW; DEATH OF A SALESMAN (US, Laslo Benedek, 1951); FACE IN THE CROWD, A (US, Elia Kazan, 1957); BONNIE AND CLYDE (US, Arthur Penn, 1967); SMILE (US, Michael Ritchie, 1975); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); BEN HUR (US, William Wyler, 1959)
Notes: Includes index
ISBN: 0195022173 : $15.00; 0195022181(pbk. :) $4.95
LON: 851041

Call No: 744 ROF
Author: Roffman, Peter, 1950; Purdy, Jim,
Place: Bloomington
Publisher: Indiana University Press
PubDate: 1981
PhysDes: x, 364 p., [5] leaves of plates : ill. ; 25 cm
Subject: SOCIAL PROBLEMS IN FILMS. USA; DEPRESSION IN FILMS; DRUGS IN FILMS; MADNESS IN FILMS; BAD GUYS; FASCISM AND THE CINEMA; FALLEN WOMEN IN FILMS; DELINQUENTS IN FILMS; JEWS IN FILMS; BLACKS IN FILMS. USA; COMMUNISM AND THE CINEMA. USA; BLACKLISTING. USA; JOURNALISTS IN FILMS; POLITICAL PERSONALITIES IN FILMS; POPULISM AND THE CINEMA. USA; RACIAL PROBLEMS IN FILMS; RURAL LIFE IN FILMS; WARNER BROS.; Metro-Goldwyn-Mayer; LANG, FRITZ; BORZAGE, FRANK; CHAPLIN, CHARLES; GARFIELD, JOHN; CAPRA, FRANK; VIDOR, KING; BLACK LEGION (US, Archie L. Mayo, 1936); CABIN IN THE COTTON, THE (US, Michael Curtiz, 1932); DEAD END (US, William Wyler, 1937); FORCE OF EVIL (US, Abraham Polonsky, 1948); GABRIEL OVER THE WHITE HOUSE (US, Gregory La Cava, 1933); STATE'S ATTORNEY (US, George Archainbaud, 1932); SULLIVAN'S TRAVELS (US, Preston Sturges, 1942); THEY WON'T FORGET (US, Mervyn LeRoy, 1937); THREE COMRADES (US, Frank Borzage, 1938); GENTLEMAN'S AGREEMENT (US, Elia Kazan, 1947); I WAS A COMMUNIST FOR THE F.B.I. (US, Gordon Douglas, 1951); LAWLESS, THE (US, Joseph Losey, 1950); LAWYER MAN (US, Wilhelm Dieterle, 1932); LITTLE MAN, WHAT NOW? (US, Frank Borzage, 1934); MASSACRE (US, Alan Crosland, 1933); MEET JOHN DOE (US, Frank Capra, 1941); MOUTHPIECE, THE (US, James Flood & Elliott Nugent, 1932); OUR DAILY BREAD (US, King Vidor, 1934); PINKY (US, Elia Kazan, 1949); PRESIDENT VANISHES, THE (US, William Wellman, 1934); RIFFRAFF (US, J. Walter Ruben, 1936); [MISTER] MR. DEEDS GOES TO TOWN (US, Frank Capra, 1936); [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939); MODERN TIMES (US, Charles Chaplin, 1936); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); MORTAL STORM, THE (US, Frank Borzage, 1940); MY MAN GODFREY (US, Gregory La Cava, 1936); ON THE WATERFRONT (US, Elia Kazan, 1954); BODY AND SOUL (US, Robert Rossen, 1947); GRAPES OF WRATH, THE (US, John Ford, 1940); GREAT DICTATOR, THE (US, Charles Chaplin, 1940); HEROES FOR SALE (US, William A. Wellman, 1933); I AM A FUGITIVE FROM A CHAIN GANG (US, Mervyn LeRoy, 1932); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); SALT OF THE EARTH (US, Herbert J. Biberman, 1954); YOU ONLY LIVE ONCE (US, Fritz Lang, 1937)
Notes: Includes index; Bibliography: p. 319-329; Filmography: p. 331-351
ISBN: 0253127076; 0253202612 (pbk.)
LON: 1763505

Author: Mogg, Ken
PhysDes: Article
Subject: RENOIR, JEAN; LANG, FRITZ
Summary: Essay discusses the themes and intentions of Jean Renoir's "Les Bas-Fonds".

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: LANG, FRITZ

PhysDes: Article Review Credits Bibliography
Subject: LANG, FRITZ; RENOIR, JEAN; TRUFFAUT, FRANCOIS
Summary: Review of "Moonfleet", with an analysis of Lang's directorial style and praise for his work. Notes for this article were extracted from the Monthly Film Bulletin July 1955, and Film Culture 28. Spring 1963.

Call No: 62 THO
Author: Thomson, David, 1941
Place: London
Publisher: Secker & Warburg
PubDate: 1967
PhysDes: 234 p., [8] leaves of plates : ill. ; 23 cm
Subject: CINEMATOGRAPHY; SOCIETY AND THE CINEMA; GRANT, CARY; MONROE, MARILYN; NOVAK, KIM; LANG, FRITZ; RENOIR, JEAN; HITCHCOCK, ALFRED; HAWKS, HOWARD; DEMY, JACQUES; RIVETTE, JACQUES; PREMINGER, OTTO
Notes: Includes index; "Filmography": p. 217-223
LON: xls00449773; 4094552
URL status: URL: 'http://-' Checked: 31/08/2021 12:39:11 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 747.19 RUS
Author: Russell, Catherine, 1959
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 1995
PhysDes: vii, 271 p. : ill. ; 24 cm
Subject: NOUVELLE VAGUE; NARRATIVE IN FILMS; DEATH IN FILMS; ALLEGORY IN FILMS; MELODRAMA; LANG, FRITZ; Wenders, Wim; OSHIMA, NAGISA; GODARD, JEAN-LUC; ALTMAN, ROBERT; BENJAMIN, WALTER; LYNCH, DAVID; Peckinpah, Sam; PENN, ARTHUR; RAY, NICHOLAS; MEPRIS, LE (FR/IT, Jean-Luc Godrad, 1963); BONNIE AND CLYDE (US, Arthur Penn, 1967); WILD BUNCH, THE (US, Sam Peckinpah, 1969); STAND DER DINGE, DER (GW/US/PO, Wim Wenders, 1982); PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965); NASHVILLE (US, Robert Altman, 1975); NICK'S MOVIE (GW/US, Nicholas Ray & Wim Wenders, 1979); SEISUN ZANKOKU MONOGATARI (JA, Nagisa Oshima, 1960); SHONEN (JA, Nagisa Oshima, 1969); BEYOND A REASONABLE DOUBT (US, Fritz Lang, 1956)
Notes: Includes bibliographical references (p. 253-262) and index
ISBN: 0816624852 (hbk. : acid-free paper); 0816624860 (pbk. : acid-free paper)
LON: 10942855

Call No: 802.25(73) WHI
Author: Whittemore, Don; Cecchettini, Philip Alan
CorpAuthor: University of California, Berkeley; Film immigrants
Place: New York
Publisher: McGraw-Hill
PubDate: c1976
PhysDes: ix, 558 p. : ill. ; 23 cm
Subject: DIRECTORS. USA; CHAPLIN, CHARLES; VON STROHEIM, ERICH; LUBITSCH, ERNST; CURTIZ, MICHAEL; SJOSTROM, VICTOR; WHALE, JAMES; HITCHCOCK, ALFRED; MURNAU, FRIEDRICH WILHELM; FEJOS, PAUL; VORKAPICH, SLAVKO; LANG, FRITZ; PREMINGER, OTTO; FORMAN, MILOS
Notes: A book of readings for the Introduction to film course to accompany the PBS film series Film immigrants; Includes bibliographical references
ISBN: 0070700532; 0070700524 : $10.00
LON: 768655

Call No: 802 PRO v.4 1/2
Author: Boorman, John, 1933; Donohue, Walter
CorpAuthor: Positif
Place: London
Publisher: Faber and Faber
PubDate: 1995
PhysDes: vii, 312 p. : ill., ports. ; 24 cm
Subject: Keaton, Buster; ALTMAN, ROBERT; ASSAYAS, OLIVIER; WARHOL, ANDY; BOORMAN, JOHN; COEN, JOEL & ETHAN; PRICE, VINCENT; LANG, FRITZ; EASTWOOD, CLINT; FREARS, STEPHEN; FULLER, SAMUEL; ALLEN, WOODY; KIESLOWSKI, KRZYSZTOF; MALLE, LOUIS; MARKER, CHRIS; OPHULS, MARCEL; REISZ, KAREL; VON STROHEIM, ERICH; RUIZ, RAUL; SEN, MRINAL; TAVERNIER, BERTRAND; ALMEREYDA, MICHAEL; JARMAN, DEREK; LOWENSTEIN, RICHARD; POTTER, SALLY; ROUSSELOT, PHILIPPE; TOLKIN, MICHAEL; WARD, VINCENT; ZINNEMANN, FRED; ANGELOPOULOS, THEO; AVATI, PUPI; MARVIN, LEE; BREILLAT, CATHERINE; BRISSEAU, JEAN-CLAUDE; CAVALIER, ALAIN; CHABROL, CLAUDE; BUGIN, HARRY; COMENCINI, LUIGI; DE FILIPPO, EDUARDO; CORMAN, ROGER; CORNEAU, ALAIN; DEVILLE, MICHEL; DIEGUES, CARLOS; EGOYAN, ATOM; MACKENDRICK, ALEXANDER; GAAL, ISTVAN; GREENAWAY, PETER; HARRIS, JAMES B.; HELLMAN, MONTE; IOSELIANI, OTAR; BARNET, BORIS; KAZAN, ELIA; KEZDI-KOVACS, ZSOLT; KIAROSTAMI, ABBAS; KLOPCIC, MATJAZ; A TOUT ALLURE (FR, Robert Kramer, 1982); LATTUADA, ALBERTO; LECONTE, PATRICE; LEIGH, MIKE; LOACH, KENNETH; MAKAVEJEV, DUSAN; PEREIRA DOS SANTOS, NELSON; MINGOZZI, GIANFRANCO; MONICELLI, MARIO; PARRISH, ROBERT; PENN, ARTHUR; PINTILIE, LUCIAN; POLANSKI, ROMAN; RIPSTEIN, ARTURO; RISI, DINO; RISSIENT, PIERRE; ROHMER, ERIC; ROSI, FRANCESCO; RUDOLPH, ALAN; SARMIENTO, VALERIA; SAUTET, CLAUDE; SCHATZBERG, JERRY; SCHRADER, PAUL; SIJAN, SLOBODAN; STEVENIN, JEAN-FRANCIS; TAVIANI, PAOLO & VITTORIO; VARDA, AGNES; YANG, EDWARD; ZANUSSI, KRZYSZTOF; ZULAWSKI, ANDREJ; KERRIGAN, LODGE; LINKLATER, RICHARD; RIDLEY, PHILIP; ROBERTS, JULIA; RUSSELL, DAVID O.; SHERMAN, VINCENT; DAVIS, BETTE; SIEGEL, DAVID; MCGEHEE, SCOTT; SODERBERGH, STEVEN; TOBACK, JAMES; BABY DOLL (US, Elia Kazan, 1956); TEOREMA (IT, Pier Paolo Pasolini, 1968); ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973); SZEGENYLEGENYEK (HU, Miklos Jancso, 1966); ALBERO DEGLI ZOCCOLI, L' (IT, Ermanno Olmi, 1978); VERTIGO (US, Alfred Hitchcock, 1958); PSYCHO (US, Alfred Hitchcock, 1960); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); HUSTLER, THE (US, Robert Rossen, 1961); MIRAGE (US, Edward Dmytryk, 1965); DEUS E O DIABO NA TERRA DO SOL (BL, Glauber Rocha, 1964); POSITIF
Notes: "In association with Positif."; "Centenary edition"--P. vii
ISBN: 0571176097
LON: abn96057645; 12129416

Call No: TITLE STILL INTERNATIONAL
Source: AT
PhysDes: 1 photograph : b&w ; 13 x 18 cm.
Subject: RANCHO NOTORIOUS (US, Fritz Lang, 1952); DIETRICH, MARLENE; KENNEDY, ARTHUR; FERRER, MEL; LANG, FRITZ
Summary: Production still taken from the film 'Rancho Notorious' in which Marlene Dietrich stands between Arthur Kennedy on the left and Mel Ferrer on the right.
Notes: Two stickers on the back of photograph - 1st sticker includes information about the actors,the title and director of the film.; 2nd sticker is from the AFIRC.

Author: Williams, Mark
PhysDes: Article
Subject: HITCHCOCK, ALFRED; LANG, FRITZ; PSYCHO (US, Alfred Hitchcock, 1960)
Summary: Essay compares Hitchcock's "Psycho" with the work of Fritz Lang, as these two directors share common themes of 'the eruption of chaos and disorder in the lives of ordinary people'.

Call No: 802.25 RHO
Author: Rhode, Eric, 1934
Place: Philadelphia
Publisher: Chilton Books
PubDate: [1967, c1966]
PhysDes: 214 p. 23 cm
Subject: VIGO, JEAN; BRESSON, ROBERT; JENNINGS, HUMPHREY; LANG, FRITZ; RIVETTE, JACQUES; Fellini, Federico; RESNAIS, ALAIN; OPHULS, MAX; WAJDA, ANDRZEJ; Ray, Satyajit
LON: 669525 669525

Call No: 734.2(73) MCA
Author: McArthur, Colin, 1934
CorpAuthor: British Film Institute
Place: London
Publisher: Secker and Warburg [for] the British Film Institute
PubDate: 1972
PhysDes: 176 p. illus., ports. 20 cm
Subject: GENRES; GANGSTER FILMS. USA; THRILLERS. USA; LANG, FRITZ; HUSTON, JOHN; DASSIN, JULES; SIODMAK, ROBERT; KAZAN, ELIA; RAY, NICHOLAS; FULLER, SAMUEL; SIEGEL, DON; MELVILLE, JEAN-PIERRE; PUBLIC ENEMY, THE (US, William Wellmen, 1931); BIG HEAT, THE (US, Fritz Lang, 1953); MALTESE FALCON, THE (US, John Huston, 1941); BIG SLEEP, THE (US, Howard Hawkes, 1946); LITTLE CAESAR (US, Mervyn LeRoy, 1931); SCARFACE (US, Howard Hawks, 1932)
ISBN: 0436098857 0436098849 (pbk.)
LON: 73155714; 541899

Call No: 802.25 BOG
Author: Aldrich, Robert, 1918; Bogdanovich, Peter, 1939
Edition: 1st ed
Place: New York
Publisher: Alfred A. Knopf
PubDate: 1997
PhysDes: x, 849 p. : ill. ; 25 cm
Subject: LANG, FRITZ; HAWKS, HOWARD; VON STERNBERG, JOSEF; HITCHCOCK, ALFRED; LUMET, SIDNEY; DWAN, ALLAN; WALSH, RAOUL; MCCAREY, LEO; CUKOR, GEORGE; PREMINGER, OTTO; JONES, CHUCK; SIEGEL, DON; TASHLIN, FRANK; ALDRICH, ROBERT; ULMER, EDGAR G.; LEWIS, JOSEPH H.
Notes: Includes filmographies and index
ISBN: 0679447067
Order Received: 1997
LON: 96036442; 12700721