book
Adaptation and the avant-garde : alternative perspectives on adaptation theory and practice / William Verrone London: Bloomsbury academic, 2013.
Call No: 753.8VERAuthor: Verrone, William Source: UKPlace: LondonPublisher: Bloomsbury academicPubDate: 2013PhysDes: vi, 275 p. ; 24 cmSubject: ADAPTATIONS ; AVANT-GARDE FILMS ; EXPERIMENTAL FILMS ; GREENAWAY, PETER ; GODARD, JEAN-LUC ; MADDIN, GUY ; SVANKMAJER, JAN ; SCORPIO RISING (US, Kenneth Anger, 1964) ; FRUIT OF PARADISE (CS/BE, Vera Chytilova, 1970) ; OVOCE STROMU RAJSKYCH JIME(CS/BE, Vera Chytilova, 1970) ; HITLER, A FILM FROM GERMANY (GW/UK/FR, Hans Jurgen Syberberg, 1977)
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HITLER - EIN FILM AUS DEUTSCHLAND ; HITLER - EIN FILM AUS DEUTSCHLAND (GW/UK/FR, Hans Jurgen Syberberg, 1977) ; STREET OF CROCODILES (UK, Brothers Quay, 1986) ; DANTE QUARTET, THE (US, Stan Brakhage, 1987) ; ALICE (SZ/GW/UK, Jan Svankmajor, 1988)
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NECO Z ALENKY ; NECO Z ALENKY (SZ/GW/UK, Jan Svankmajor, 1988) ; PROSPERO'S BOOKS (UK/FR, Peter Greenaway, 1991) ; WISCONSIN DEATH TRIP (US, James Marsh, 1999) ; SPECTRES OF THE SPECTRUM (US, Craig Baldwin, 1999) ; DRACULA: PAGES FROM A VIRGIN'S DIARY (CN, Guy Maddin, 2002) Summary: Adaptations have occurred regularly since the beginning of cinema, but little recognition has been given to avant-garde adaptations of literary or other texts. This compelling study corrects such omissions by detailing the theory and practice of alternative adaptation practices from major avant-garde directors. Avant-Garde films are often relegated to the margins because they challenge our traditional notions of what film form and style can accomplish. Directors who choose to adapt previous material run the risk of severe critical dismay; making films that are highly subjective interpretations or representations of existing texts takes courage and foresight. An avant-garde adaptation provokes spectators by making them re-think what they know about film itself, just as much as the previous source material.Adaptation and the Avant-Garde examines films by Peter Greenaway, Jean-Luc Godard, Guy Maddin, Jan Svankmajer and many others, offering illuminating insights and making us reconsider the nature of adaptation, appropriation, borrowing, and the re-imagining of previous sources. -- extract taken from the back of the book. --Notes: Formerly CIP. --
Includes bibliographical references and index --ISBN: 9781441163523Contents: -- pt. I Historical and Theoretical Background -- ch. 1 Defining the Avant-Garde Film -- ch. 2 Adaptation Theory and Practice -- ch. 3 Appropriation -- ch. 4 The Exploitative Adaptation -- ch. 5 Why Avant-Garde? -- pt. II A Chronology of Avant-Garde Film Adaptation -- ch. 6 A Brief Narrative History of Avant-Garde Film Adaptation or, Some Instances of Avant-Garde Adaptation -- pt. III Case Studies -- ch. 7 The Fall of the House of Usher -- ch. 8 Scorpio Rising -- ch. 9 Fruit of Paradise -- ch. 10 Hitler: A Film from Germany -- ch. 11 Street of Crocodiles -- ch. 12 The Dante Quartet -- ch. 13 Alice -- ch. 14 Prospero's Books -- ch. 15 Wisconsin Death Trip -- ch. 16 Spectres of the Spectrum -- ch. 17 Dracula: Pages from a Virgin's Diary --
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BERLIN IS IN GERMANY : (GG, Hannes Stohr, 2001)
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Berlin replayed : cinema and urban nostalgia in the postwall era / Brigitta B. Wagner Minneapolis: University of Minnesota Press, 2015.
Call No: 408.1 (430) WAGAuthor: Wagner, Brigitta B. Source: USPlace: MinneapolisPublisher: University of Minnesota PressPubDate: 2015PhysDes: x, 299 pages : illustrations, maps ; 26 cmSubject: NOSTALGIA IN FILMS ; URBAN LIFE IN FILMS ; GERMANY ; NATIONAL IDENTITY IN FILMS. GERMANY ; POLITICS IN THE CINEMA ; RUN LOLA RUN (G, Tom Tykwer, 1998) ; BERLIN: SYMPHONY OF A GREAT CITY (G, Walter Ruttman, 1927) ; WINGS OF DESIRE (GW/FR, Wim Wenders, 1987) Summary: "In Berlin Replayed, Brigitta B. Wagner traces how old and new films set in Berlin created a collective urban nostalgia for the city's best and most conciliatory pasts in the face of its renewed prupose as the all-German capital. Exploring films such as Walter Ruttmann's Berlin: Symphony of a Great City, Wim Wenders's wings of Desire, Tom Tykwer's Run Lola Run, and Wolfgang Becker's Good Bye, Lenin!, the book illustrates how film has repeatedly remade the image of the city. Wagner focuses on four key periods: the golden 1920s, when the city was a major filmmaking center; the prewall 1950s, when Berlin had two idealogically opposed film industries; the politically transformative late 1980s and early 1990s; and the hyped start of the twenty-first century." -- BOOK BLURBNotes: Includes bibliographical references and indexISBN: 9780816691746Donation: donated by Senses of CinemaContents: Introduction: Auf wiedersehen, Berlin! -- Remake: Berlin symphonies and the myth of the weltstadt -- Generation: a 1950s place for us -- Virtuality: cinema, archive, and the interactive map of Potsdamer Platz -- Orientation: geographical didacticism and the X-films of new Berlin -- Epilogue: Berlin returns, again
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journal article
Big screen small picture in Encore (Apr 2000) vol.18 iss.3 p.18-19
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journal article
Cannon Group picks up Germany's Ewert circuit in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.1
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Capital and culture : German cinema, 1933-45 / Julian Petley London: Educational Advisory Service, British Film Institute, 1979.
Call No: 71(430) PETAuthor: Petley, Julian Place: LondonPublisher: Educational Advisory Service, British Film InstitutePubDate: 1979PhysDes: 162 p. : ill. ; 22 cmSubject: GERMANY Notes: Bibliography: p. 161-162ISBN: 0851700888 (pbk.) : ª2.95LON: 2052603
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Cinema and nation / [edited by] Mette Hjort and Scott MacKenzie London New York: Routledge, 2000.
Call No: 408.1 CINAuthor: Hjort, Mette ; MacKenzie, Scott, 1967 Place: London New YorkPublisher: RoutledgePubDate: 2000PhysDes: xvi, 332 p., ill., 25 cmSubject: NATIONAL IDENTITY AND THE CINEMA ; COPRODUCTION. EUROPEAN COUNTRIES ; UNITED KINGDOM : SCOTLAND ; INDONESIA ; POLAND ; TURKEY ; INDIA ; GERMANY ; STATE AND THE CINEMA ; CAPRA, FRANK Summary: Leading film scholars, philosophers and sociologists consider the ways in which film production and reception are shaped by ideas of national identity and belonging. The contributors discuss a wide range of cinemas, in Europe, Asia and the Americas, exploring the relationship between nation states for both the concept and the reality of national cinema.
In the book’s first three sections, contributors explore sociological approaches to national identity, challenge established ideas about ‘national cinema’, and consider the ways in which national states – from the former Soviet Union to Contemporary Scotland – use cinema in their efforts to create a national cinema, and consider how images of the nation are understood by audiences both at home and abroad.
Taken from back cover.Notes: Includes bibliographical references and indexISBN: 0415208629 (alk. paper); 0415208637 (pbk. : alk. paper); 0415208629; 0415208637(pbk.) : ¦14.99; 0415208629(cased) : No price; 0415208637(pbk.) : No priceLON: 21459338
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Cinema and society : France and Germany during the Twenties / Paul Monaco New York ; Oxford ; Amsterdam: Elsevier, c1976.
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The cinema book / edited by Pam Cook and Mieke Bernink London: British Film Institute, 1999.
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Cinema in the Federal Republic of Germany : the new German film, origins and present situation : a handbook / Hans GFunther Pflaum, Hans Helmut Prinzler ; [translation, Timothy Nevill] Bonn: Inter Nationes, 1983.
Call No: 71(430.1) PFLAuthor: Pflaum, Hans GFunther ; Prinzler, Hans Helmut Place: BonnPublisher: Inter NationesPubDate: 1983PhysDes: 180 p. : ill. ; 21 cmSubject: GERMANY ; GERMAN FEDERAL REPUBLIC ; DIRECTORS. GERMANY ; ACHTERNBUSCH, HERBERT ; ACKEREN, ROBERT VAN ; FASSBINDER, RAINER WERNER ; GEISSENDORFER, HANS W. ; HERZOG, WERNER ; KLUGE, ALEXANDER ; WILDENHAHN, KLAUS ; ZIEWER, CHRISTIAN ; SCHROETER, WERNER ; STRAUB, JEAN-MARIE ; THOME, RUDOLPH ; SANDER, HELKE ; SCHILLING, NIKLAUS ; NEKES, WERNER ; COSTARD, HELLMUTH ; HAUFF, REINHARD ; LILIENTHAL, PETER ; OTTINGER, ULRIKE ; PETERSEN, WOLFGANG ; PRAUNHEIM, ROSA VON ; SANDERS-BRAHMS, HELMA ; SCHLONDORFF, VOLKER ; SYBERBERG, HANS JURGEN ; TROTTA, MARGARETHE VON ; Wenders, Wim Notes: Translation of: Film in der Bundesrepublik Deutschland; Bibliography: p. 179LON: 3594169
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Cinematography in the Weimar Republic : Lola Lola, dirty singles, and the men who shot them / Paul Matthew St. Pierre London: Fairleigh Dickinson University Press,
Call No: 23(430)Author: St. Pierre, Paul Matthew Place: LondonPublisher: Fairleigh Dickinson University PressPhysDes: 274 p. ; illus. ; 24 cmSeries: Fairleigh Dickinson University Press series in communication studiesSubject: CINEMATOGRAPHY ; GERMANY ; EXPRESSIONISM ; LUBITSCH, ERNST ; WAGNER, FRITZ ARNO ; MURNAU, FRIEDRICH WILHELM ; LANG, FRITZ ; PABST, GEORG WILHELM ; RITTAU, GUNTHER ; DREYER, CARL TH. Summary: In film history, director-cinematographer collaborations were on a labor spectrum, with the model of the contracted camera operator in the silent era and that of the cinematographer in the sound era. But in Weimar era German filmmaking, 1919-33, a short period of intense artistic activity and political and economic instability, these models existed side by side due to the emergence of camera operators as independent visual artists and collaborators with directors.
Berlin in the 1920s was the chief site of the interdisciplinary avant-garde of the Modernist movement in the visual, literary, architectural, design, typographical, sartorial, and performance arts in Europe. The Weimar Revolution that arose in the aftermath of the November 1918 Armistice and that established the Weimar Republic informed and agitated all of the art movements, such as Expressionism, Dada, the Bauhaus, Minimalism, Objectivism, Verism, and Neue Sachlichkeit (“New Objectivity”). Among the avant-garde forms of these new stylistically and culturally negotiated arts, the cinema was foremost and since its inception had been a radical experimental practice in new visual technologies that proved instrumental in changing how human beings perceived movement, structure, perspective, light exposure, temporal duration, continuity, spatial orientation, human postural, facial, vocal, and gestural displays, and their own spectatorship, as well as conventions of storytelling like narrative, setting, theme, character, and structure. Whereas most of the arts mobilized into schools, movements, institutions, and other structures, cinema, a collaborative art, tended to organize around its ensembles of practitioners.
Historically, the silent film era, 1895-1927, is associated with auteurs, the precursors of François Truffaut and other filmmakers in the 1960s: actuality filmmakers and pioneers like R. W. Paul and Fred and Joe Evans in England, Auguste and Luis Lumière and Georges Méliès in France, and Charles Chaplin and Buster Keaton in America, who, by managing all the compositional, executional, and editorial facets of film production—scripting, directing, acting, photographing, set, costume, and lighting design, editing, and marketing—imposed their personal vision or authorship on the film. The dichotomy of the auteur and the production ensemble established a production hierarchy in most filmmaking.
In formative German silent film, however, this hierarchy was less rank or class driven, because collaborative partnerships took precedence over single authorship. Whereas in silent film production in most countries the terms filmmaker and director were synonymous, in German silent film the plural term filmemacherin connoted both directors and cinematographers, along with the rest of the filmmaking crew. Thus, German silent filmmakers’ principle contribution to the new medium and art of film was less the representational iconographies of Expressionist, New Objective, and Naturalist styles than the executional practice of co-authorship and co-production, in distinctive cinematographer-director partnerships such as those of cinematographer Theodor Sparkuhl and director Ernst Lubitsch; Fritz Arno Wagner with F. W. Murnau, Fritz Lang, and G. W. Pabst; Rudolf Maté with Carl Theodor Dreyer; Guido Seeber with Lang and Pabst; and Carl Hoffmann with Lang and Murnau.
-- jacket blurbISBN: 9781611479447
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The collapse of the conventional : German film and its politics at the turn of the twenty-first century / edited by Jaimey Fisher and Brad Prager Detroit: Wayne State University Press, c2010.
Call No: 71(430):45:32 COLAuthor: Fisher, Jaimey (ed.) ; Prager, Brad (ed.) Source: USPlace: DetroitPublisher: Wayne State University PressPubDate: c2010PhysDes: vi, 431 p. : ill. ; 23 cmSeries: Contemporary approaches to film and television seriesSubject: POLITICAL FILMS ; POLITICS AND THE CINEMA ; POLITICS IN FILMS ; GERMANY ; AESTHETICS ; HISTORY AND THE CINEMA. GERMANY ; HISTORY OF CINEMA. GERMANY ; STALINGRAD (GG, Joseph Vilsmaier, 1992) ; DOWNFALL (GG, Oliver Hirschbiegel, 2004)SEE
UNTERGANG, DER ; UNTERGANG, DER (G, Oliver Hirschbiegel, 2004) ; ROSENSTRASSE (US/BE/NE, Margarethe von Trotta, 2004) ; NO PLACE TO GO (GG, Oskar Rohler, 2000)
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UNBERUHRBARE, DIE ; UNBERUHRBARE, DIE (GG, Oskar Rohler, 2000) ; LIVES OF OTHERS, THE (GE, Florian Henckel Von Donnersarck, 2006)SEE
LEBEN DER ANDEREN, DAS (GE, Florian Henckel Von Donnersarck, 2006) ; LEBEN DER ANDEREN, DAS (GE, Florian Henckel Von Donnersarck, 2006) Summary: "Fisher and Prager have assembled a significant group of essays by the emerging generation of German cinema experts in the U.S. The anthology is the first serious attempt to retell the history of the New German Cinema and the 'consensus' cinema of the 1900s through the lens of contemporary, post-2000 films in all their diversity. Film scholars, students of the German cinema, and the general reading public will discover here why 'Deutsches Kino' is once again in the limelight. " -- Marc SilbermanNotes: Includes bibliographical references and index; Includes filmographyISBN: 9780814333778Contents: -- Introduction / Jaimey Fisher and Brad Prager -- Imitation of life: the aesthetics of Agfacolor in recent historical cinema / Jennifer M. Kapczynski -- Public viewing: soccer patriotism and post-cinema / Lutz Koepnick -- More war stories: Stalingrad and downfall / Elisabeth Krimmer -- Neofeminist mutterfilm? the emotional politics of Margarethe von Trotta's Rosenstrasse / Anna M. Parkinson -- Dresden: the return of history as soap / Wilfried Wilms -- Terrains vagues: landscapes of unification in Oskar Roehler's No place to go / Johannes von Moltke -- German historical film as production trend: European heritage cinema and melodrama in The lives of others / Jaimey Fisher -- A world of objects: consumer culture in filmic reconstructions of the GDR / Michael D. Richardson -- Playing hide-and-seek with tradition: games, aesthetic form, and social critique in German cinema following the Wende / John E. Davidson -- Imaging Germany: the (political) cinema of Christian Petzold / Marco Abel -- Christoph Hochhausler's This very moment: the Berlin school and the politics of spatial aesthetics in the German-Polish borderlands / Kristin Kopp -- Die fetten Jahre sind vorbei: Edukating the post-left generation / Roger F. Cook -- The global elsewhere: Ursula Biemann's Multimedia countergeography / Barbara Mennel -- Glimpses of freedom: the reemergence of utopian longing in German cinema / Brad Prager -- works cited -- filmography -- contributors -- index --
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The contemporary Hollywood film industry / edited by Paul McDonald and Janet Wasko Carlton, Victoria: Blackwell Publishing, 2008.
Call No: 201.1 (73) CONAuthor: McDonald, Paul ; Wasko, Janet Source: USPlace: Malden, Massachusetts; Oxford, UK; Carlton, VictoriaPublisher: Blackwell PublishingPubDate: 2008PhysDes: 326 p. : ill. ; 25 cmSubject: HOLLYWOOD ; INDUSTRY, FILM ; STUDIO SYSTEM ; FINANCING ; DISTRIBUTION ; PRODUCTION ; ADVERTISING FOR FILMS ; EXHIBITION ; TELEVISION AND THE CINEMA ; VIDEODISCS ; SOUNDTRACKS ; MUSIC AND THE CINEMA ; LABOUR ; STATE AND THE CINEMA ; GLOBALISATION ; COPYRIGHT ; EXPORT OF FILMS ; UNITED KINGDOM ; FRANCE ; GERMANY ; ITALY ; LATIN AMERICAN COUNTRIES ; ASIAN COUNTRIES ; INDIA ; AUSTRALIA ; NEW ZEALAND ; VIDEO GAMES AND THE CINEMA Summary: "The contemporary Hollywood film industry is characterized by continuity and change. While many well-established Hollywood studios continue to dominate the film business, the industry has also witnessed various changes during the past two decades.
"'The Contemporary Hollywood Film Industry' is a collection of essays by leading scholars that examine the US film industry as an international phenomenon, from the 1980s to the present day. It explores a host of challenges and changes facing Hollywood, and includes important discussions of the industry's labor and star systems, as well as intellectual property and state relations. Essays consider the role of independent producers, the global marketplace for Hollywood products, corporate changes, and various new-media windows, including video, DVD to cable, satellite, and online channels of delivery." (Taken from the back cover)Notes: Includes indexISBN: 9781405133883URL status: URL: 'http://-'
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journal article
Curt Jurgens dies in Australasian Cinema (25/6/1982) vol.11 iss.11 p.7
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Degeto Schmalfilm katalog = Degeto cine-film catalogue Berlin: Degeto-Kulturfilm GmbH, Autumn 1939.
Call No: F023 (430) DEGPlace: BerlinPublisher: Degeto-Kulturfilm GmbHPubDate: Autumn 1939PhysDes: 136 pages ; 20 cmSubject: GERMANY ; DISTRIBUTION. EUROPE Notes: catalogue
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Old collection
book
Deutscher dokumentar- und kurzfilm-katalog 1966/67 [s.l]: Verband Deutscher Dokumentar- und Kurzfilmproduzenten, 1967.
Call No: F023(430.1)K"1966/7" DEVCorpAuthor: VerbandSource: GGPlace: [s.l]Publisher: Verband Deutscher Dokumentar- und KurzfilmproduzentenPubDate: 1967PhysDes: 129 p. ; 22 cmSubject: DOCUMENTARY FILMS. GERMANY Language: German,English, French, Spanish
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book
Deutscher film export : DEFA / DEFA Berlin: Veb DEFA-Aussenhandel, 1958-66.
Call No: F023(430.2)E "year" DEVCorpAuthor: DEFA StudiosSource: GGPlace: BerlinPublisher: Veb DEFA-AussenhandelPubDate: 1958-66PhysDes: 31 x 31 cmSubject: GERMANY Notes: German text with English, French, Spanish translations.
catalogue
held 1958-66 [incomplete]
No. 4 (1958)
No. 1 (1959)
No. 1 (1961)
No. 3 (1962)
No. 1 (1963)
No. 1 (1964)
Unnumbered (1964)
Unnumbered (1966)Language: German
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Old collection
book
Deutscher kultur- und dokumentarfilm-katalog : Hans Friedewald (ed.) Frankfurt-am-Main: Verband Deutscher Filmproduzenten, 1960-65.
Call No: F023(430.1) K"year" DEVCorpAuthor: Verband Deutscher FilmproduzentenSource: GGPlace: Frankfurt-am-MainPublisher: Verband Deutscher FilmproduzentenPubDate: 1960-65PhysDes: 21 cmSubject: DOCUMENTARY FILMS. GERMANY Notes: held 1960-65Language: German, English, French, Spanish
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DIRECTORS. GERMANY
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newspaper article
DVD letterbox in The Australian (10/02/2007) p.25
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Bodey, Michael Subject: DVD, FILMS ON ; RELEASE PROBLEMS ; DISTRIBUTION. EUROPE ; TWENTIETH CENTURY-FOX ; CINEMAS. UK ; CINEMAS. GERMANY Summary: Problems between DVD distributors and cinema chains in UK and Germany where distributors are pushing to release new films on DVD to increase sells. Cinemas are against move fearing cuts in their box office revenues. Lists previous suggestions of how films and DVD's can be released at the same time.Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: -- Mention of Kenny - "...was out on DVD 14 weeks after release, while still screening in cinemas, to cash in on the lucrative Christmas market"; -- Wait of film onto DVD - "The best we'll get is a four month wait"; -- "As David Denby recently noted in The New Yorker, in crude terms, the theatres can be seen as a branding device and a stimulant to DVD sales."
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Eastern Europe : an illustrated guide London New York: A. Zwemmer A. S. Barnes, [c1969].
Call No: 71(4-11)(03) HIBAuthor: Hibbin, Nina Place: London New YorkPublisher: A. Zwemmer A. S. BarnesPubDate: [c1969]PhysDes: 239 p. : ill., ports ; 21 cmSubject: EASTERN EUROPEAN COUNTRIES ; INDUSTRY, FILM. EUROPEAN COUNTRIES ; INDUSTRY, FILM. GERMANY ; INDUSTRY, FILM. USSR Summary: "This guide has been designed to help filmgoers and televiewers to get to know more about the films they have enjoyed and the film-makers they admire, and at the same time to provide students of cinema with a compact source of information, most of which has not been previously collated in English, about filming in Eastern Europe." -- BLURBISBN: 0498074218LON: 33889
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journal article
Edgar Reitz on his film "Heimat" in Kino (Export-Union des Deutschen Films) (1984) iss.3 p.10-13
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title clippings file
EISENSTAEDT GERMANY : (US, David Hoffman, 1983)
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The emergence of film art : the evolution and development of the motion picture as an art, from 1900 to the present New York: Hopkinson and Blake, [c1969].
Call No: 70 JACAuthor: Jacobs, Lewis, comp Place: New YorkPublisher: Hopkinson and BlakePubDate: [c1969]PhysDes: 453 p. illus. 25 cmSubject: HISTORY OF CINEMA ; HISTORY OF CINEMA. SILENT PERIOD ; HISTORY OF CINEMA. SOUND PERIOD ; COLORIZATION ; SOCIETY AND THE CINEMA ; GERMANY ; ANIMATED FILMS ; CINEMA VERITE ; AUTEUR THEORY ; NOUVELLE VAGUE ; MUSIC IN FILMS ; NEOREALISM ; AVANT-GARDE FILMS ; MELIES, GEORGES ; GRIFFITH, DAVID WARK ; CLAIR, RENE ; FORD, JOHN ; PORTER, EDWIN S. ; LESTER, RICHARD ; DISNEY, WALT ; BERGMAN, INGMAR ; TRUFFAUT, FRANCOIS ; SARRIS, ANDREW ; KAEL, PAULINE ; KUROSAWA AKIRA ; RESNAIS, ALAIN ; FELLINI, FEDERICO ; ANTONIONI, MICHELANGELO ; BASS, SAUL ; MEKAS, JONAS ; CITIZEN KANE (US, Orson Welles, 1941) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928) Notes: Bibliography: p. 438-439LON: 5011ID2: 291
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ES WAR EINMAL IN DEUTSCHLAND : (GG/LU/BE, Sam Garbarski, 2017
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Everything is cinema : the working life of Jean-Luc Godard / by Richard Brody New York: Metropolitan Books / Henry Holt and Company, 2009.
Call No: 81GOD BROAuthor: Brody, Richard Edition: 1st Paperback editionSource: USPlace: New YorkPublisher: Metropolitan Books / Henry Holt and CompanyPubDate: 2009PhysDes: xv, 701 p. : ill. ; 24 cmSubject: CRITICISM ; GODARD, JEAN-LUC ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; VIVRE SAVIE (FR, Jean-Luc Godard, 1962) ; PETIT SOLDAT, LE (FR, Jean-Luc Godard, 1963) ; WOMAN IS A WOMAN, A (FR, Jean-Luc Godard, 1961) ; FEMME EST UNE FEMME, UNE (FR, Jean-Luc Godard, 1961) ; CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963) ; CONTEMPT (FR/IT, Jean-Luc Godrad, 1963)
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MEPRIS, LE ; MEPRIS, LE (FR/IT, Jean-Luc Godard, 1963) ; MARRIED WOMAN, THE (FR, Jean-Luc Godard, 1964)
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FEMME MARIEE, UNE ; FEMME MARIEE, UNE (FR, Jean-Luc Godard, 1964) ; ALPHAVILLE (FR, Jean-Luc Godard, 1965) ; PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965) ; MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966) ; MASCULINE FEMININE (FR, Jean-Luc Godard, 1966) ; TWO OR THREE THINGS I KNOW ABOUT HER (FR, Jean-Luc Godard, 1967)
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[DEUX] 2 OU 3 CHOSES QUE JE SAIS D'ELLE ; [DEUX] 2 OU 3 CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967) ; LA CHINOISE (FR, Jean-Luc Godard, 1967) ; FRANCE/TOUR/RETOUR/DEUX ENFANTS [TV](FR, Jean-Luc Godard, 1978) ; SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980) ; HAIL, MARY (FR/SZ, Jean-Luc Godard, 1985)
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JE VOUS SALUE MARIE ; JE VOUS SALUE MARIE (FR/SZ, Jean-Luc Godard, 1985) ; DETECTIVE (FR, Jean-Luc Godard, 1985) ; SOIGNE TA DROITE (FR/SZ, Jean-Luc Godard, 1987) ; KING LEAR (US/SZ, Jean-Luc Godard, 1987) ; HISTOIRE(S) DU CINEMA (SZ/FR, Jean-Luc Godard, 1997) ; NOUVELLE VAGUE (Fr, Jean-Luc Godard, 1990) ; GERMANY YEAR 90 (FR, Jean-Luc Godard, 1991)
SEE
ALLEMAGNE NEUF ZERO ; ALLEMAGNE NEUF ZERO (FR, Jean-Luc Godard, 1991) ; HELAS POUR MOI (SZ/FR, Jean-Luc Godard, 1983) ; FOR EVER MOZART (SZ/FR, Jean-Luc Godard, 1996) ; ELOGE DE L'AMOUR (SZ, Jean-Luc Godard, 2001) Summary: "Shifting fluidly from fiction to documentary, from criticism to art, the films of Jean-Luc Godard changed the nature of cinema. Godard's own persona - cultural hero, fierce loner, shrewd businessman - projects similarly shifting images. In the modern canon, he is a figure as mysterious as he is indispensible. Now, acclaimed critic Richard Brody offers the fullest picture yet of Godard's life and work, demsytifying the elusive filmmaker through hundreds of interviews with friends, relatives, and collaborators. He vividly depicts Godard's wealthy family, his changeable and often disturbing politics, his tumultuous dealings with fellow filmmakers, and his troubled relations with women. Tracing an arc from the director's early writing, through his popular success with Breathless and Contempt, to the grand vision of his later years, Everything Is Cinema shows decisively that Godard's films have left their mark on all screens, everywhere. -- BOOK BLURBNotes: "NBCC Award. Criticism. Nominees" -- Awards website; Includes bibliographical references (p. [635]-675) and index; We have a duplicate copy of this bookISBN: 9780805080155Contents: -- preface -- 1: We do not think, we are thought -- 2: A matter of loving or dying -- 3: Breathless -- 4: Le petit soldat -- 5: A woman is a woman -- 6: Vivre sa vie, le nouveau monde, les carabiniers -- 7: Contempt -- 8: Montparnasse et levallois, band of outsiders -- 9: A married woman -- 10: The American business -- 11: Alphaville -- 12: Pierrot le fou -- 13: Masculine feminine -- 14: Made in USA, two or three things I know about her -- 15: La chinoise, weekend -- 16: Revolution (1968-1972) -- 17: Restoration (1973-1977) -- 18: France tour de´tour deux enfants, et al., 1978-1979 -- 19: Sauve qui peut (la vie) -- 20: Passion and first name: Carmen -- 21: Hail Mary -- 22: Detective and soigne ta droite -- 23: King Lear -- 24: Histoire(s) du cine´ma, part I -- 25: Nouvelle vague -- 26: Germany year 90 nine zero -- 27: He´las pour moi, JLG/JLG, histoire(s) du cine´ma, parts 2 and 3 -- 28: For ever Mozart, histoire(s) du cine´ma, part 4 -- 29: Eloge de l'amour -- 30: Notre musique -- epilogue -- acknowledgments -- notes -- index --
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Fantasy and the cinema / edited by James Donald London: BFI Pub., 1989.
Call No: 735 FANAuthor: Donald, James Place: LondonPublisher: BFI Pub.PubDate: 1989PhysDes: 298 p. : ill. ; 24 cmSubject: FANTASTIC FILMS ; FETISHISM IN FILMS ; GERMANY. 1895-1930 ; SLASHER FILMS ; GENDER AND THE CINEMA ; SEX AND THE CINEMA ; FEMINISM AND THE CINEMA ; SURREALISM AND THE CINEMA ; BARTHES, ROLAND ; SVANKMAJER, JAN ; CONDIT, CECELIA ; BAHTIN, MIHAIL ; BORDWELL, DAVID ; DURAS, MARGUERITE ; LYOTARD, JEAN-FRANCOIS ; HITCHCOCK, ALFRED ; ALIEN (UK, Ridley Scott, 1979) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BENEATH THE SKIN (US, Cecelia Condit, 1981) ; CABINET DES DR. CALIGARI, DAS (G, Robert Wiene, 1920) ; INDIA SONG (FR, Marguerite Duras, 1975) ; PSYCHO (US, Alfred Hitchcock, 1960) ; STUDENT VON PRAG, DER (G, Stellan Rye, 1913) ; TERMINATOR, THE (US, James Cameron, 1984) ; TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974) ; VAMPYR : DER TRAUM DES ALLAN GRAY (G/FR, Carl Th. Dreyer, 1932) Notes: Includes bibliographical references (p. 287-291) and indexesISBN: 0851702287; 0851702295 (pbk.)LON: 6190057
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Fassbinder's Germany : history, identity, subject / by Thomas Elsaesser Amsterdam: Amsterdam University Press, 1996. Available at OAPEN (open access)
Call No: 81FAS ELSAuthor: Elsaesser, Thomas Place: AmsterdamPublisher: Amsterdam University PressPubDate: 1996PhysDes: 396 p. ; 25 cmSeries: Film culture in transitionSubject: GERMANY ; FASSBINDER, RAINER WERNER Notes: Includes bibliographical references (p. 319-339) and indexISBN: 9053560599 (pbk.); 9053561846 (hardbound)LON: 97144733; 13242565URL status: URL: 'https://library.oapen.org/handle/20.500.12657/35079'
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Fatal visions: the golden age 1990-1998 : The best of issues 7-21 / edited by Michael Helms [Thornbury, Vic.]: [Fatal Visions], 2016.
Call No: 120 FATAuthor: Helms, Michael ; Sargeant, Jack Source: ATPlace: [Thornbury, Vic.]Publisher: [Fatal Visions]PubDate: 2016PhysDes: 296 p: ill. ; 24 cmSubject: AUSTRALIA ; CRITICISM ; VIOLENCE IN FILMS ; VIOLENCE IN FILMS. AUSTRALIA ; EDUCATION, USE OF FILMS IN ; JODOROWSKY, ALEXANDRO ; WORST FILMS ; PROPAGANDA FILMS ; GERMANY ; WATERS, JOHN (US) ; JACKSON, PETER (NZ) ; HENENLOTTER, FRANK ; HEWITT, JON ; MEXICO ; RAIMI, SAM ; HENRIKSEN, LANCE ; WOO, JOHN [pseud. of Wu Yusen] ; FERRARA, ABEL ; ASIAN COUNTRIES ; HONG KONG ; JAPAN Summary: In 2012 The LedaTape Organisation put out Fatal Visions: The Wonder Years 1988-1989, the first volume to collect some of the earliest writings to appear in Fatal Visions, the Australian zine devoted to trash film and attendant culture that became a critically well-received and internationally distributed magazine.
Four years later Fatal Visions: The Golden Age 1990-1998, the second volume in the Fatal Visions series has come screaming into the world.
What’s presented here is a personal selection by editor Michael Helms from the final fifteen issues of Fatal Visions. A true best-of and showcase for as many of the still highly relevant and entertaining articles, interviews and reviews from some of the most exciting writers working in trash film.
- Blondes, Bockwurst & Porn – a trashfilm tour of Europe by Jack Stevenson.
- Mexploitation Explained by Steve Fentone.
- Cool & The Crazy – Bruce Milne’s seminal article on The Cramps.
- Eyeball On Asia – watching film in Asian countries with Stefan Hammond.
- Kris Gilpin interviews Charles Napier.
- Other interviews include Abel Ferrara, Alejandro Jodorowsky, Lance Henriksen, Peter Jackson and John Woo.
- Hundreds of cinema & video reviews.
- Foreword by Jack Sargeant.
Profusely illustrated – with index!Notes: Includes indexISBN: 9780994411211ID2: 251
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Feature films as history / edited by K.R.M. Short London: Croom Helm, c1981.
Call No: 45:93 SHOAuthor: Short, K. R. M. (Kenneth R. M.) Source: UKPlace: LondonPublisher: Croom HelmPubDate: c1981PhysDes: 192 p. ; 23cmSubject: BLACKS IN FILMS. USA ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; CASABLANCA (US, Michael Curtiz, 1942) ; CENSORSHIP. UK ; CROSSFIRE (US, Edward Dmytryk, 1947) ; FRANCE ; GENTLEMAN'S AGREEMENT (US, Elia Kazan, 1947) ; GERMANY ; HISTORY AND THE CINEMA ; JEWS IN FILMS. USA ; RENOIR, JEAN ; UNITED KINGDOM ; USSR ; WORLD WAR II AND THE CINEMA ; ZANUCK, DARRYL F. Notes: Historical sources: Cinema films (BNB/PRECIS); Includes indexISBN: 0709904592 : ª9.95 : CIP revLON: 2012107
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Feminism and documentary / Diane Waldman and Janet Walker, editors Minneapolis: University of Minnesota Press, 1999.
Call No: 761:626[396] FEMAuthor: Waldman, Diane (editor) ; Walker, Janet (editor) Place: MinneapolisPublisher: University of Minnesota PressPubDate: 1999PhysDes: ix, 365 p : ill. ; 26 cmSeries: Visible Evidence, volume 5Subject: DOCUMENTARIES ; DOCUMENTARIES. ARMENIA ; DOCUMENTARIES. GERMANY ; DOCUMENTARIES. TURKEY ; FEMINISM AND THE CINEMA ; DONT LOOK BACK (US, D.A. Pennebaker, 1967) ; ARMENIAN JOURNEY, AN (US, Theodore Bogosian, 1988) ; ROGER AND ME (US, Michael Moore, 1989) ; AMERICAN DREAM (US, Barbara Kopple, 1990) Summary: Documentary and feminist film studies have long been separate or parallel universes that need to converse or collide. The essays in this volume, written by prominenet scholars and filmmakers, demonstrate the challenges that feminist perspectives pose for documentary theory, history, and practice. They also show how fuller attention to documentary enriches and complicates feminist theory, especially regarding the relationship between gender and sexuality, race and ethnicity, class and nation.
This book includes an extensive filmography and videography with useful distribution information and a bibliography of work in this neglected area of scholarship. [Taken from back cover.]ISBN: 0816630062Contents: Introduction -- Part I: Historicizing documentary -- 1. Sentimental contracts: dreams and documents of American labor / Paula Rabinowitz -- 2. Flaherty's midwives / Patricia R. Zimmerman -- 3. New subjectivities: documentary and self-representation in the post-verite age / Michael Renov -- 4. Bad girls come and go, but a lying girl can never be fenced in / Alexandra Juhasz -- Part II: Filmmaker/subject: self/other -- 5. (Pass through) the mirror moment and 'Don't look back': music and gender in rockumentary / Susan Knobloch -- 6. Identities unmasked / empowerment unleashed: the documentary style of Michelle Parkerson / Gloria J. Gibson -- 7. Cross-cultural filmmaking, Japanese style / Ann Kaneko -- Part III: Going back (with a camera): gender, nation and documentary returns -- 8. Return, transference and the constructedness of experience in German/Turkish documentary film / Silvia Kratzer Juilfs -- 9. Melancholic memories and manic politics: feminism, documentary, and the Armenian diaspora / Anahid Kassabian and David Kazanjian -- 10. Fetishes and fossils: notes on documentary and materiality / Laura U. Marks -- 11. On silence and other disruptions / Deborah Lefkowitz -- Part IV: Innovative (auto)biographies -- 12. Fleeing from documentary: autobiographical film/video and the 'ethics of responsibility' / Michelle Citron -- 13. From rupture to rapture through experimental bio-pics: Leslie Thornton's 'There was an unseen cloud moving' / Chris Holmlund -- 14. Women's fragmented consciousness in feminist experimental autobiographical video / Julia Lesage
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FESTIVALS. NEW YORK. GERMANY NEW FILMS
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Film-echo : verleih-katalog: fachzeitschrift de Deutschen filmtheaterwirtschaft = rental catalogue: journal of the German film theatre industry / Zentralverbandes de Deutschen Filmtheatre e.V. und seiner Mitgliedsorganisationen = Central Association of German Film Theatres e.V. and its affiliates Wiesbaden: DEFA, 1952-60.
Call No: F023(430.1) FILCorpAuthor: Zentralverbandes de Deutschen Filmtheatre e.V. und seiner Mitgliedsorganisationen = Central Association of German Film Theatres e.V. and its affiliatesPlace: WiesbadenPublisher: DEFAPubDate: 1952-60PhysDes: 30 cmSubject: FEDERAL REPUBLIC OF GERMANY ; DISTRIBUTION. EUROPEAN COUNTRIES Summary: Offizielles Organ des Zentralverbandes de Deutschen Filmtheatre e.V. und seiner Mitgliedsorganisationen = official organ the Central Association of German Film Theater e.V. and its affiliatesNotes: German text
1952/53
1955/56
1956/57
1957/58
1958/59
1959/60Language: German
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Film in the Third Reich : a study of the German cinema, 1933-1945 Berkeley: University of California Press, 1969.
Call No: 71(430) HULAuthor: Hull, David Stewart Place: BerkeleyPublisher: University of California PressPubDate: 1969PhysDes: xi, 291 p. illus. 23 cmSubject: GERMANY Notes: Bibliography: p. 276-280LON: 35417
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Film-Kundliche Hefte 1930-1938 / Holba, Herbert Wiesbaden: Deutsches Institut fur Filmkunde, 1972.
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Film-Kundliche Hefte 1930-1938 / Holba, Herbert Wiesbaden: Deutsches Institut fur Filmkunde, 1972.
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Film programme in der DDR : 1945 - 1975 / Dokumentation von Herbert Holba, Wien. With Manfred Lichtenstein, Gunter Schulz, Berlin. Herausgegeben von Dokumentationszentrum Action, Wien und von Staatlichen Filmarchiv der DDR, Berlin Wien: Dokumentationszentrum Action, 1977[?].
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Film propaganda : Soviet Russia and Nazi Germany / Richard Taylor London: Croom Helm, 1979.
Call No: 411.1 TAYAuthor: Taylor, Richard, 1946- Source: UKPlace: LondonPublisher: Croom HelmPubDate: 1979PhysDes: 265 pages , plates : illustrations, portaits : 23 cmSubject: PROPAGANDA FILMS. USSR ; PROPAGANDA FILMS. GERMANY ; NAZIS IN FILMS ; ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938) Summary: "Lenin, Stalin, Trotsky, Hitler and Goebbels shared a common interest in film: they all regarded the cinema as the most important weapon at their dispodal for mass polical propaganda. This book examins the methods that they used and suggests some tentative lessons that we may draw from their experience" -- taken from inside sleeveNotes: Index ; Bibliography: p. 238-257ISBN: 0856640999Donation: Henry Mayer CollectionContents: Acknowledgements -- Note -- Part One: Introduction -- Preface -- Propaganda and Film -- Part Two: Soviet Russia -- Russia: The Historical Background -- Russa: The Needs of Revolution -- Russia: Themes and Variations -- Mother -- October -- Three Songs of Lenin -- Alexander Nevsky -- Part Three: Nazi Germany -- Germany: The Historical Background -- Germany: The Needs of Revolution -- Germany: Themes and Variations -- Triumph of the Will -- The Wandering Jew -- Uncle Kruger -- Kolberg -- Conclusions -- Filmography -- Bibliography -- Conclusions
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book
Films for change : Teldok film catalogue Freiburg, West Germany: Teldok Film, 1978.
Call No: REFERENCE SECTION; 027(430.1) TELDOK "1978" FILCorpAuthor: Teldok FilmsSource: GGPlace: Freiburg, West GermanyPublisher: Teldok FilmPubDate: 1978PhysDes: 12 leaves : ill. ; 30 cmSubject: DOCUMENTARY FILMS. GERMANY ; DOCUMENTARY FILMS. THIRD WORLD ; POLITICS AND THE CINEMA Notes: In the 'German Federal Republic Distribution Catalogues' box - 027(430.1); Introductory essay about Teldok Films written by Peter Krieg and Heidi Knott.
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The films of Douglas Sirk : exquisite ironies and magnificent obsessions / Tom Ryan Jackson, Mississippi: University Press of Mississippi, [2019].
Call No: 81SIR RYAAuthor: Ryan, Tom Source: USPlace: Jackson, MississippiPublisher: University Press of MississippiPubDate: [2019]PhysDes: 309 pages : illustrations ; 23 cmSubject: FILM ; GERMANY ; CRITICISM ; DIRECTORS ; SIRK, DOUGLAS ; ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955) ; WRITTEN ON THE WIND (US, Douglas Sirk, 1956) ; IMITATION OF LIFE (US, Douglas Sirk, 1959) Summary: "Best known for powerful 1950s melodramas like All That Heaven Allows, Written on the Wind, The Tarnished Angels, and Imitation of Life, Douglas Sirk (1897-1987) brought to all his work a distinctive style that led to his reputation as one of twentieth-century film's great directors. Sirk worked in Europe during the 1930s, mainly for Germany's UFA studios, and then in America in the 1940s and '50s. The Films of Douglas Sirk: Exquisite Ironies and Magnificent Obsessions provides an overview of his entire career, including Sirk's work on musicals, comedies, thrillers, war movies, and westerns. One of the great ironists of the cinema, Sirk believed rules were there to be broken. Whether defying the decrees of Nazi authorities trying to turn film into propaganda or arguing with studios that insisted characters' problems should always be solved and that endings should always restore order, what Sirk called "emergency exits" for audiences, Sirk always fought for his vision. Offering fresh insights into all of the director's films and situating them in the culture of their times, critic Tom Ryan also incorporates extensive interview material drawn from a variety of sources, including his own conversations with the director. Furthermore, his enlightening study undertakes a detailed reconsideration of the generally overlooked novels and plays that served as sources for Sirk's films, as well as providing a critical survey of previous Sirk commentary, from the time of the director's "rediscovery" in the late 1960s up to the present day." -- Provided by publisher.Notes: Includes bibliographical references and index.
Filmography: pages 257-265.ISBN: 9781496822376Contents: Chapter One: Detlef Sierck in Europe -- Chapter Two: American Beginnings: The European Legacy -- Chapter Three: In the Shadows: Sirk and the Noir Inclination -- Chapter Four: The Uncomfortable Comedies -- Chapter Five: Sirk and God: 'The Pure Ambiguity of Experience' -- Chapter Six: Pastoral Yearnings: Sirk and the Musical -- Chapter Seven: Hollywood, Rock Hudson, and the Idea of the Hero -- Chapter Eight: Sirk, the Family Melodrama, and the Production Code -- Chapter Nine: Sirk and John M. Stahl: Adaptations and Remakes -- Chapter Ten: Out of the Past -- Chapter Eleven: Into the Future: Sirk's Legacy.
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Films of the Republic of Germany Weisbaden: Export-Union der Deutschen Filmindustrie, 1975-.
Call No: F023(430.1)"year" EXPCorpAuthor: Export-Union der Deutschen FilmindustrieSource: GGPlace: WeisbadenPublisher: Export-Union der Deutschen FilmindustriePubDate: 1975-PhysDes: 21 cmSubject: GERMANY Notes: held 1975- [incomplete]
from 1979, adiitional title of KinoLanguage: German, English, French and Spanish
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journal article
From Aboriginal Australia to German autumn : on the West German reception of thirteen films from Black Australia in Studies in Australasian cinema (2009) vol.3 iss.3 p.251-263
Author: Hurley, Andrew W PhysDes: ArticleSubject: AUSTRALIAN ABORIGINES IN FILMS ; AUDIENCE RECEPTION ; GERMANY ; INDUSTRY, FILM. AUSTRALIA ; URAN GEHOERT DER REGENBOGENSCHLANGE, DAS (GW, Nina Gladitz, 1978) ; WO DIE GRUNEN AMEISEN TRAUMEN (GW, Werner Herzog, 1984) ; BIS ANS ENDE DER WELT (GG/FR/AT, Wim Wenders, 1991) Summary: This article examines some aspects of the West German reception of a series of Australian films about Aborigines including Peter Weir's The Last Wave (1977), Phillip Noyce's Backroads (1977) and Michael Edols' Lalai and Floating (1973 and 1975) which were shown in Germany and elsewhere in Europe in 1978 and 1979. It explains how these films came to be shown in Europe, how and why they caught the imagination of German reviewers and film-makers at the time, and how they themselves contributed to the begetting of several German films on Aboriginal themes including Nina Gladitz's documentary Das Uran gehrt der Regenbogenschlange (The Uranium Belongs to the Rainbow Serpent) (1979), Werner Herzog's Where the Green Ants Dream (1984) and Wim Wenders' Until the End of the World (1991).
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From Caligari to Hitler : a psychological history of the German film / by Siegfried Kracauer [Princeton, N.J.]: Princeton University Press, c1947.
Call No: 71(430) KRAAuthor: Kracauer, Siegfried, 1889-1966 Place: [Princeton, N.J.]Publisher: Princeton University PressPubDate: c1947PhysDes: xii, 361 p., [32] p. of plates : ill., portsSubject: GERMANY ; FASCISM AND THE CINEMA ; PROPAGANDA FILMS Notes: Includes as supplement (p. [273]-331) "Propaganda and the Nazi war film" which, with a few changes, is a reprint of the author's pamphlet of the same title issued in 1942 by the Museum of Modern Art Film Library. cf. p. [273]; Bibliography: p. 333-346ISBN: 0691025053 (pbk.); 0691087083 (hardcover ed.)LON: 633184 633184
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From Hitler to Heimat : the return of history as film / Anton Kaes Cambridge, Mass.: Harvard University Press, 1989.
Call No: 744(=924)(430) KAEAuthor: Kaes, Anton Place: Cambridge, Mass.Publisher: Harvard University PressPubDate: 1989PhysDes: xiii, 273 p. : ill. ; 25 cmSubject: GERMANY ; NATIONAL CULTURE AND THE CINEMA. GERMANY ; NATIONAL IDENTITY IN FILMS. GERMANY ; MYTH AND THE CINEMA. GERMANY ; HEIMAT FILMS ; GENOCIDE IN FILMS ; EHE DER MARIA BRAUN, DIE (GW, Rainer Werner Fassbinber, 1979) ; HITLER - EIN FILM AUS DEUTSCHLAND (GW/UK/FR, Hans Jurgen Syberberg, 1977) ; PATRIOTIN, DIE (GW, Alexander Kluge, 1979) ; DEUTSCHLAND BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980) ; HEIMAT: EINE DEUTSCHE CHRONIK [TV] (GG, Edgar Reitz, 1984) ; HEIMAT: A CHRONICAL OF GERMANY [TV] (GG, Edgar Reitz, 1984) Notes: Rev. and enl. translation of: Deutschlandbilder; Includes indexISBN: 0674324552 (alk. paper)LON: 6295319
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From Weimar to Hitler : a documentary film program by the Goethe-Institut MFunchen: Goethe-Institut, 1981.
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Interim
book
From Weimar to Hitler / Hans Mommsen Ed. Munich: Goethe-Institut, 1981.
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Gender and the uncanny : in films of the Weimar Republic Detroit MI: Wayne State University Press, 2014.
Call No: 451(430) HANAuthor: Hans, Anjeana K Source: USPlace: Detroit MIPublisher: Wayne State University PressPubDate: 2014PhysDes: vii, 302 pages : 23 cmSeries: Contemporary approaches to film and media seriesSubject: GERMAN FEDERAL REPUBLIC ; GERMANY ; GENDER AND THE CINEMA ; SEXUALITY AND THE CINEMA ; FEMINISM AND THE CINEMA ; MASCULINITY IN FILMS Notes: Includes bibliographic references and indexISBN: 9780814338940Donation: donated by Senses of Cinema, 2014Contents: 1.The World Turned Upside Down: Changing Society, Changing Gender Roles, Changing Medium in Weimar Germany -- 2.The Eyes of the Mummy (Die Augen der Mumie Ma^, Ernst Lubitsch, 1918): From the Monster with the "Eyes That Live" to the Passive Object of the Male Gaze -- 3.Uncanny Tales {Unheimliche Geschichten, Richard Oswald, 1919): The Many Guises of the Dangerous Woman -- 4.Warning Shadows {Schatten: Eine nachtliche Halluzination, Artur Robison, 1923): Transgression, Abjection, Projection -- 5.The Hands of Orlac (Orlacs Hande, Robert Wiene, 1924): War Trauma, Injury, and the Return to a Changed World -- 6.A Daughter of Destiny {Alraune, Henrik Galeen, 1928) and Daughter of Evil (Alraune, Richard Oswald, 1930): From Dangerous Hybrid to Self-Sacrificing Woman--Conclusion
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Interim
book
The German cinema book / edited by Tim Bergfelder, Erica Carter and Deniz Gokturk London: bfi Publishing, 2002.
Call No: 71(430) GERAuthor: Bergfelder, Tim ; Carter, Erica ; Gokturk, Deniz Source: UKPlace: LondonPublisher: bfi PublishingPubDate: 2002PhysDes: xi 291p. : illus. : 25cmSubject: EXHIBITION ; UFA
UF: UNIVERSUM FILM AKTIEN ; GOVERNMENT AID. GERMANY ; GOVERNMENT CONTROL ; GERMANY ; HISTORY OF CINEMA ; CULTURE AND THE CINEMA ; HEIMAT FILMS ; COMEDIES. GERMANY ; CRIME FILMS ; HOMOSEXUALITY AND THE CINEMA ; POLITICS AND THE CINEMA ; HISTORY OF CINEMA ; DIETRICH, MARLENE ; LANG, FRITZ ; LUBITSCH, ERNST ; MUELLER-STAHL, ARMIN ; OTTINGER, ULRIKE ; RUHMANN, HEINZ ; NIBELUNGEN, DIE (G, Fritz Lang, 1922-24) Notes: Includes bibliography and resources and indexISBN: 085170946X
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Interim
book
German documentaries 1999 Frankfurt: Arbeitsgemeinschaft Dokumentarfilm, 1999.
Call No: REFERENCE SECTION; 023(430) GERCorpAuthor: Arbeitsgemeinschaft DokumentarfilmSource: GPlace: FrankfurtPublisher: Arbeitsgemeinschaft DokumentarfilmPubDate: 1999PhysDes: 94 p. ills.Subject: GERMANY ; FILMOGRAPHIES
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German documentaries 2001 Frankfurt-am-Main: Arbeitsgemeinschaft Dokumentarfilm, 2001.
Call No: REFERENCE SECTION; 023(430) GER"2001"CorpAuthor: Arbeitsgemeinschaft DokumentarfilmPlace: Frankfurt-am-MainPublisher: Arbeitsgemeinschaft DokumentarfilmPubDate: 2001PhysDes: 122 p. ; 30 cmSubject: GERMANY ; FILMOGRAPHIES ; DOCUMENTARY FILMS. GERMANY Notes: catalogue
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book
The German experimental film of the seventies Munich: Goethe-Institute, 1980.
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festival catalogue
German film exposition : A selection of the best in contemporary German cinema / University of Cape Town Cape Town, South Africa: [s.n.], 1983.
Call No: FESTIVAL CATALOGUE SHELVESPlace: Cape Town, South AfricaPublisher: [s.n.]PubDate: 1983PhysDes: 1 v. : ill. ; 21 cmSubject: FESTIVALS. CAPE TOWN ; SOUTH AFRICA ; GERMANY ; EUROPEAN CINEMA ; FASSBINDER, RAINER WERNER ; SANDERS-BRAHMS, HELMA Notes: The German Film Exposition showcases a selection of contemporary feature length films. The festival also includes a retrospective on the works of German director, Helma Sanders-Brahms, as well as the final film of Rainer Werner Fassbinder, Querelle. The catalogue contains numerous black and white stills and film synopses.
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German film & literature : adaptations and transformations / edited by Eric Rentschler New York: Methuen, 1986.
Call No: 71(430) GERAuthor: Rentschler, Eric Place: New YorkPublisher: MethuenPubDate: 1986PhysDes: x, 385 p. : ill. ; 24 cmSubject: GERMANY ; ADAPTATIONS. GERMANY ; STUDENT VON PRAG, DER (G, Stellan Rye, 1913) ; NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922) ; BUCHSE DER PANDORA, DIE (G, Georg Wilhelm Pabst, 1929) ; BLAUE ENGEL, DER (G, Josef von Sternberg, 1930) ; LIEBELEI (G, Max Ophuls, 1933) ; LEBENZEICHEN (GW, Werner Herzog, 1968) ; LOTTE IN WEIMAR (GE, Egon Gunther, 1975) ; LINKSHANDIGE FRAU, DIE (GW, Peter Handke, 1977) ; EHE DER MARIA BRAUN, DIE (GW, Rainer Werner Fassbinber, 1979) ; DEUTSCHLAND BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980) ; BERLIN ALEXANDERPLATZ (GW/IT, Rainer Werner Fassbinder, 1980) ; GESCHICHTSUNTERRICHT (GW, Jean-Marie Straub & Daniele Huillet, 1972) ; ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966) ; HAUPTMANN VON KOPENICK, DER (GW, Helmut Kautner, 1956) ; JUNGE TORLESS, DER (GW, Volker Schlondorff, 1966) ; WOZZECK (G, Georg C. Klaren, 1947) ; UNTERTAN, DER (GE, Wolfgang Staudte, 1951) ; FRAULEIN VON BARNHELM, DAS (G, Hans Schweikart, 1940) ; ZERBROCHENE KRUG, DER (G, Gustav Ucicky, 1937) Notes: Includes index; Bibliography: p. [366]-378ISBN: 0416603416 (pbk.); 0416603319LON: 4216378
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journal article
German films in the 90's : seeking American friends? in Metro (2000) iss.121/122 p.138-143
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serial
German films quarterly Munich: German Films Service + Marketing GmbH,
Call No: IN STORAGE. OVERNIGHT RETRIEVALSource: GGPlace: MunichPublisher: German Films Service + Marketing GmbHSubject: GERMANY Notes: Continuation of KinoISSN: 16146387Language: EnglishSpecial Issues: Held - 1. 2007
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German newsreels, 1933-1947 : a program by the Goethe institute Munich / Goethe Institute; editorial: Stefan Dolezel; translation: Peter Green Munich: Goethe Institute, 1984.
Call No: 762.1(430) GERCorpAuthor: Goethe InstituteSource: GWPlace: MunichPublisher: Goethe InstitutePubDate: 1984PhysDes: 56 pages : illustrations ; 21 cmSubject: NEWSREELS. GERMANY ; PROPAGANDA FILMS. GERMANY ; WAR AND THE CINEMA ; NAZIS IN FILMS ; FASCISM AND THE CINEMA Summary: An examination and breakdown of newsreels that were created for news/propaganda purposes in Germany between 1933-1947Donation: Bruce HodsdonContents: Preface -- Introduction: the evolution of the newsreel in Germany -- 1. A newsreel dating for the early phase of the Third Reich: EMELKA-TONWOCHE of 1 April 1933 -- 2. Military parade as a "showpiece of film reporting": Hitler's 50th birthday in the UFA-Wochenschau, 1939 -- 3. The first war-time edition of the UFA-TONWOCHE dating from 7 September 1939 -- 4. Film propaganda for abroad prior to the collapse of 1945 in the Agfacolor monthly newsreel PANORAMA from the winder of 1944-45 -- 5. The end of March 1945 in the final war-time edition of the "DEUTSCHE WOCHENSCHAU" -- 6. The Anglo-American occupation newsreel WELT IM FILM as an instrument of "re-education" in 1945 -- 7. Retrospect of the year 1947 by the Anglo-American occupation weekly newsreel WELT IM FILM
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Old collection
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German pictures Frankfurt-am-Main: Export-Union der Deutschen Filmindustrie, 1956-74.
Call No: REFERENCE SECTION; 023(430.1)"year"CorpAuthor: Export-Union der Deutschen FilmindustrieSource: GGPlace: Frankfurt-am-MainPublisher: Export-Union der Deutschen FilmindustriePubDate: 1956-74PhysDes: 21 cmSubject: GERMANY Notes: held 1956-74 [incomplete]Language: German, English, French, Italian and Spanish
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journal article
The German Undergound in Lumiere (September-October 1971) iss.11 p.37-39
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GERMANY
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: GERMANY
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Germany / by Felix Bucher in collaboration with Leonhard H. Gmur London New York: A. Zwemmer A.S. Barnes, c1970.
Call No: 71(430)(03) BUCAuthor: Bucher, Felix ; Gmur, Leonhard H Place: London New YorkPublisher: A. Zwemmer A.S. BarnesPubDate: c1970PhysDes: 298 p. : ill., ports. ; 21 cmSubject: GERMANY Notes: Cover subtitle: An illustrated guide ... to the work of over 400 directors, players, technicians and other leading figures in the German cinema, with an index to over 6,000 filmsISBN: 0498075176 (Barnes); 0302020071 (Zwemmer)LON: 33890 33890
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journal article
Germany awake : propaganda in Nazi cinema in Sightlines (Fall/Winter 1980) vol.14 iss.1/2 p.12-13
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title clippings file
GERMANY S WAR: DECISIVE BATTLES - STALINGRAD : [TV]
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The haunted screen : expressionism in the German cinema and the influence of Max Reinhardt / [by] Lotte H. Eisner [translated from the French by Roger Greaves] London: Thames & Hudson, 1969.
Call No: 71(430) EISAuthor: Eisner, Lotte H Place: LondonPublisher: Thames & HudsonPubDate: 1969PhysDes: 360 p. illus. 25 cmSubject: GERMANY ; EXPRESSIONISM ; LUBITSCH, ERNST ; BRECHT, BERTOLT ; NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922) ; LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924) ; METROPOLIS (G, Fritz Lang, 1926) ; FAUST (G, Friedrich Wilhelm Marnau, 1926) ; NIBELUNGEN, DIE (G, Fritz Lang, 1922-24) ; SCHATZ, DER (G, Georg Wilhelm Pabst, 1923) ; TARTUFF (G, Friedrich Wilhelm Murnau, 1926) ; MUDE TOD, DER (G, Fritz Lang, 1921) ; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924) Notes: Originally published as L'Ecran demoniaque, revised ed. Paris, Bonne, 1965; List of films p. 348-354; Bibliography: p. 346-347ISBN: 0500500010LON: 110813 110813
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The haunted screen : expressionism in the German cinema and the influence of Max Reinhardt / by Lotte H. Eisner Berkeley: University of California Press, 1973, c1969.
Call No: 71(430) EISAuthor: Eisner, Lotte H Edition: 1st California pbk. edPlace: BerkeleyPublisher: University of California PressPubDate: 1973, c1969PhysDes: 360 p. : ill., portsSubject: GERMANY ; EXPRESSIONISM ; LUBITSCH, ERNST ; BRECHT, BERTOLT ; NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922) ; LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924) ; METROPOLIS (G, Fritz Lang, 1926) ; FAUST (G, Friedrich Wilhelm Marnau, 1926) ; NIBELUNGEN, DIE (G, Fritz Lang, 1922-24) ; SCHATZ, DER (G, Georg Wilhelm Pabst, 1923) ; TARTUFF (G, Friedrich Wilhelm Murnau, 1926) ; MUDE TOD, DER (G, Fritz Lang, 1921) ; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924) Notes: Translation of: L'ecran demoniaque; Bibliography: p. 346-347; Filmography: p. 348-354ISBN: 0520024796LON: 8931538
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journal article
Heimat in Kino (Export-Union des Deutschen Films) (1984) iss.3 p.2-3
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journal article
Heimat : backs to the past in Filmnews (August 1985) vol.15 iss.6 p.13
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title clippings file
HEIMAT: EINE DEUTSCHE CHRONIK [TV] : GG, Edgar Reitz, 1984
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journal article
"Heimat" sells out in Sydney in Encore (15-28 August 1985) vol.3 iss.13 p.6
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Online resource
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Herr Lubitsch Goes to Hollywood : German and American film after World War 1 / Kristin Thompson Amsterdam, Netherlands: Amsterdam University Press, 2005. Available at OAPEN (open access)
Call No: 81LUB THOAuthor: Thompson, Kristin Source: NEPlace: Amsterdam, NetherlandsPublisher: Amsterdam University PressPubDate: 2005PhysDes: 154 p. : ill., ports ; 30cmSeries: Film culture in transitionSubject: PRODUCERS ; HISTORY OF CINEMA. GERMANY ; HISTORY OF CINEMA. USA ; LUBITSCH, ERNST Notes: Includes bibliographical references: (p. [133}-144) and index.; Filmography: (p. [145]-148); This item has been downloaded from the internet in 2010, and printed offContents: ch. 1. Lubitsch's career -- ch. 2. Making the light come from the story : lighting -- ch. 3. Subduing the cluttered background : set design -- ch. 4. Guiding the viewer's attention : editing -- ch. 5. Peeking at the players : acting -- ch. 6. Mutual influences -- Epilogue. The Lubitsch touch.URL status: URL: 'https://library.oapen.org/handle/20.500.12657/35134'
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A history of the cinema : from its origins to 1970 / Eric Rhode London: A. Lane, 1976.
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Hollywood in Europe : experiences of a cultural hegemony / edited by David W. Ellwood, Rob Kroes ; with contributions from Gian P. Brunetta ... [et al.] Amsterdam: VU University Press, 1994.
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Immoral tales : European sex and horror movies 1956-1984 / Cathal Tohill and Pete Tombs New York: St. Martin's Griffin, 1995.
Call No: 735.2 (4):749.0 (4) TOHAuthor: Tohill, Cathal ; Tombs, Pete Edition: 1st St. Martin's Griffin ed.Source: USPlace: New YorkPublisher: St. Martin's GriffinPubDate: 1995PhysDes: 272 p. : ill. (some col.) ; 28 cmSubject: HORROR FILMS. GERMANY ; HORROR FILMS. ITALY ; HORROR FILMS. FRANCE ; HORROR FILMS. SPAIN ; EXPLOITATION FILMS ; SEX IN FILMS ; FRANCO, JESUS [JESS] ; LARRAZ, JOSE ; BENAZERAF, JOSE ; BOROWCZYK, WALERIAN ; ROLLIN, JEAN ; ROBBE-GRILLET, ALAIN ; NECRONOMICON - GETRAUMTE SUNDEN (GG/FR, Jesus Franco, 1968) ; FASCINATION (FR, Jean Rollin, 1979) ; VAMPYRES (UK, Jose Larraz, 1974) ; UN EPAIS MANTEAU DE SANG (FR/US, Jose Benazeraf, 1967) ; CONTES IMMORAUX (FR, Walerian Borowczyk, 1974) ; JEU AVEC LE FEU, LE (IT, FR, Alain Robbe-Grillet, 1975) Summary: 'From sexy thrillers to pulp surrealism, from decadent erotica to blood-soaker vampire epics, nothing could go too far'. Not so much a movie guide as an insightful critical overview of European horror/exploitation/sex films of the 1950s-1980s, this book is organised into a sequence of essays proceeding from general themes (the history of horrific art, the surgical metaphor), to regional styles (Italian, German, French, Spanish), to individual directors (Jesus Franco, Jean Rollin, José Larraz, José Bénazéraf, Walerian Borowczyk, Alain Robbe-Grillet), and provides a consice history covering this unique era. The book includes many photos, original poster art, and a useful appendix covering miscellaneous actors and directors from the genre.Notes: Includes index.
Bibliography: p. 269ISBN: 031213519X
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Incorporating images : film and the rival arts / Brigitte Peucker Princeton, New Jersey: Princeton University Press, 1995.
Call No: 62 PEUAuthor: Peucker, Brigitte Source: USPlace: Princeton, New JerseyPublisher: Princeton University PressPubDate: 1995PhysDes: xi, 227 pages : illustrations ; 24 cmSeries: Princeton paperbacksSubject: ART AND THE CINEMA ; ART CINEMA ; AESTHETICS ; DEATH IN FILMS ; GERMANY ; NARRATIVE IN FILMS ; PERCEPTION Summary: "Film, a latecomer to the realm of artistic media, alludes to, absorbs, and undermines the discourses of the other arts--literature and painting especially--in order to carve out a position for itself among them. Exposing the anxiety in film's relation to its rival arts, Brigitte Peucker analyzes central issues involved in generic boundary crossing as they pertain to film and situates them in a theoretical framework. The figure of the human body takes center stage in Peucker's innovative study, for it is through this figure that the conjunction of literary and painterly discourses persistently articulates itself. It is through the human body, too, that film's consciousness of itself as a hybrid text and as a "machine for simulation" makes itself deeply felt." -- taken from back coverNotes: Includes bibliographical references (pages 175-213), index, and notes.ISBN: 978691002811Donation: Adrian MilesContents: Introduction: Bodies and Boundaries -- Movement, Fragmentation, and the Uncanny. Unnatural Conjunctions: The Heterogeneous Text. "Its Strange Mixture of the Natural and the Artificial": The Presence of Kleist. "Bits of Bodies": The Fragmented Text. Man and the Cinema Machine: Magician, Psychoanalyst, Scientist: The Case of Dr. Caligari. Fritz Lang, the Apparatus, and the Fissured Text. Magician and Surgeon. "Knife Phobia" "Doing It with Scissors": Dismemberment in Hitchcock -- Monstrous Births: The Hybrid Text. Miscegenation and the Sister Arts: Griffith's Broken Blossoms. Hitchcock's "Half-Caste" Murnau. Cinematic Vampirism. Painting and Repression. Herzog's Unassimilable Bodies. Witchcraft, Vision, and Incest: Dreyer's Day of Wrath. The Phantom of the Cinema: Body and Voice -- Incorporation: Images and the Real. Trompe l'Oeil Effects. Cinema and the Real. Body Language: Kleist's and Rohmer's Marquise. Hitchcock as Pygmalion.
Wings of Desire: Reality, Text, Embodiment. Kleist, Tableau Vivant, and the Pornographic. Fassbinder's Cinema of Mixed Modes: Tableau Vivant and the Real. Incorporation in Greenaway. Painful Images -- Afterword: Ut pictura poesis
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Interim
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The Influence of the world cinema heritage on the education and training of film/television directors and communicators / Edited by Timothy J. Lyons, with Donald E. Staples and Robert W. Wagner. Translated by Carole Lawson Houston, Texas: University of Houston, Fall 1979.
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An introduction to film studies / edited by Jill Nelmes London: Routledge, 1999.
Call No: 62 INTAuthor: Nelmes, Jill, 1954 Edition: 2nd edPlace: LondonPublisher: RoutledgePubDate: 1999PhysDes: xviii, 522 p. : ill. ; 26 cmSubject: WARNER BROS. ; STUDIO SYSTEM ; AUDIENCES ; GENRES ; DOCUMENTARY FILMS ; ANIMATION ; COMPUTERS AND THE CINEMA ; WOMEN AND THE CINEMA ; FEMINISM AND THE CINEMA ; HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; UNITED KINGDOM ; INDIA ; USSR ; GERMANY ; NARRATIVE IN FILMS ; SPECTATORSHIP ; CENSORSHIP ; STARS ; AUTEUR THEORY ; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA ; KULESOV, LEV ; KAPOOR, RAJ ; Ray, Satyajit ; DOVZENKO, ALEKSANDR ; SHUB, ESTHER ; FLAHERTY, ROBERT ; JENNINGS, HUMPHREY ; RIEFENSTAHL, LENI ; WISEMAN, FREDERICK ; POTTER, SALLY ; TOCCAFONDO, GIANLUIGI ; FELLOW TRAVELLER (UK/US, Philip Saville, 1990) ; DUCK AMUCK (US, Chuck Jones, 1953) ; GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987) ; COLOUR BOX, A (UK, Len Lye, 1935) ; DEADSY (UK, David Anderson, 1989) ; DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]) ; JAWS (US, Steven Spielberg, 1975) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; PLATOON (US, Oliver Stone, 1986) ; MARS ATTACKS! (US, Tim Burton, 1996) ; ROBOCOP (US, Paul Verhoeven, 1987) ; GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927) ; IF... (UK, Lindsay Anderson, 1968) ; PULP FICTION (US, Quentin Tarantino, 1994) ; NEW YORK, NEW YORK (US, Martin Scorsese, 1977) ; HOOP DREAMS (US, Steve James, 1994) ; WHEN WE WERE KINGS (US, Leon Gast, 1996) ; GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997) ; CREATURE COMFORTS (UK, Nick Park, 1991) ; NEIGHBOURS (US, Norman McLaren, 1952) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; GOLD DIGGERS, THE (US, Sally Potter, 1983) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; PIANO, THE (AT, Jane Campion, 1993) ; VICTIM (UK, Basil Dearden, 1961) ; DESERT HEARTS (US, Donna Deitch, 1985) ; LIVING END, THE (US, Gregg Araki, 1992) ; LOOKING FOR LANGSTON (UK, Isaac Julien, 1989) ; GO FISH (US, Rose Troche, 1994) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; FULL MONTY, THE (UK/US, Robert Cattaneo, 1997) ; ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966) ; AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977) ; DEUTSCHLAND BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980) Notes: Includes bibliographical references and indexISBN: 0415173094 (hb); 0415173108 (pb)LON: 14043939URL status: URL: 'http://-'
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An introduction to film studies / edited by Jill Nelmes London: Routledge, 2003.
Call No: 62 INTAuthor: Nelmes, Jill, 1954 Edition: 3rd edPlace: LondonPublisher: RoutledgePubDate: 2003PhysDes: xviii, 522 p. : ill. ; 26 cmSubject: WARNER BROS. ; STUDIO SYSTEM ; AUDIENCES ; GENRES ; DOCUMENTARY FILMS ; ANIMATION ; COMPUTERS AND THE CINEMA ; WOMEN AND THE CINEMA ; FEMINISM AND THE CINEMA ; HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; UNITED KINGDOM ; INDIA ; USSR ; GERMANY ; NARRATIVE IN FILMS ; SPECTATORSHIP ; CENSORSHIP ; STARS ; AUTEUR THEORY ; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA ; KULESOV, LEV ; KAPOOR, RAJ ; Ray, Satyajit ; DOVZENKO, ALEKSANDR ; SHUB, ESTHER ; FLAHERTY, ROBERT ; JENNINGS, HUMPHREY ; RIEFENSTAHL, LENI ; WISEMAN, FREDERICK ; POTTER, SALLY ; TOCCAFONDO, GIANLUIGI ; FELLOW TRAVELLER (UK/US, Philip Saville, 1990) ; DUCK AMUCK (US, Chuck Jones, 1953) ; GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987) ; COLOUR BOX, A (UK, Len Lye, 1935) ; DEADSY (UK, David Anderson, 1989) ; DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]) ; JAWS (US, Steven Spielberg, 1975) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; PLATOON (US, Oliver Stone, 1986) ; MARS ATTACKS! (US, Tim Burton, 1996) ; ROBOCOP (US, Paul Verhoeven, 1987) ; GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927) ; IF... (UK, Lindsay Anderson, 1968) ; PULP FICTION (US, Quentin Tarantino, 1994) ; NEW YORK, NEW YORK (US, Martin Scorsese, 1977) ; HOOP DREAMS (US, Steve James, 1994) ; WHEN WE WERE KINGS (US, Leon Gast, 1996) ; GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997) ; CREATURE COMFORTS (UK, Nick Park, 1991) ; NEIGHBOURS (US, Norman McLaren, 1952) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; GOLD DIGGERS, THE (US, Sally Potter, 1983) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; PIANO, THE (AT, Jane Campion, 1993) ; VICTIM (UK, Basil Dearden, 1961) ; DESERT HEARTS (US, Donna Deitch, 1985) ; LIVING END, THE (US, Gregg Araki, 1992) ; LOOKING FOR LANGSTON (UK, Isaac Julien, 1989) ; GO FISH (US, Rose Troche, 1994) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; FULL MONTY, THE (UK/US, Robert Cattaneo, 1997) ; ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966) ; AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977) ; DEUTSCHLAND BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980) Summary: Reference work covering a wide range of concepts, theories and ideas about film studies covering different periods and countries. Attempts to present the diversity of thought within film theory. First published in 1996.Notes: Includes annotated key reading for each chapter, bibliography, glossary of key terms and index.ISBN: 0415173094 (hb); 0415173108 (pb)LON: 14043939
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Katalog der kultur- und dokumentarfilme : aus der Bundesrepublik Deutschland 1954-1959 [s.l]: [s.n.], [19-?].
Call No: F023(430.1) K"1954/9" DEVSource: GGPlace: [s.l]Publisher: [s.n.]PubDate: [19-?]PhysDes: 357 p. ; 21 cmSubject: GERMANY ; DOCUMENTARY FILMS. GERMANY Notes: catalogueLanguage: German
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Old collection
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Kurzfilm Berlin: DEFA, [196?].
Call No: REFERENCE SECTION; 023 (430.2)CorpAuthor: DEFASource: GGPlace: BerlinPublisher: DEFAPubDate: [196?]PhysDes: 20 cmSubject: SHORT FILMS ; GERMANY Notes: catalogueLanguage: German, English, French and Spanish
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Last features : East German cinema's lost generation Rochester, N.Y.: Camden House, 2014.
Call No: 71(430) LASAuthor: Steingrover, Reinhild Place: Rochester, N.Y.Publisher: Camden HousePubDate: 2014PhysDes: xi, 259 pages : illustrations ; 24 cmSeries: Screen cultures: German film and the visualSubject: LOST FILMS ; GERMANY ; MOTION PICTURES - HISTORY - GERMANY ; GERMAN DEMOCRATIC REPUBLIC Summary: "Last Features is the story of forgotten films made during the time of German unification. With leftover GDR funds and under chaotic conditions, a group of young East German filmmakers produced around thirty stylistically diverse films. Most of these films were lost in the political upheaval of the Wende, disappearing until the 2009 Wendeflicks festival in Los Angeles brought them back for an international audience. Now available on DVD, these films provide unique insights into the generational struggle in the DEFA studio, East German youth culture in the 1970s, women directors at DEFA, the relationship between the artist and the state, and the protests of 1989. Last Features focuses in particular on the production group "DaDaeR," the creation of which in 1989 fulfilled a long-standing request by the last generation of DEFA directors for freer production conditions. Drawing on archival research and interviews with the directors, writers, and editors of the films in question, each chapter examines specific films from the last year of DEFA, contextualizing the analysis of these "last features" with a comprehensive discussion of the directors' overall ouevres, the historical changes in the studio and the country, and the lasting importance of these films today." -- BOOK BLURBNotes: Includes bibliographical references (pages 243-251) and index -- Includes filmography (pages (pages 239-241)ISBN: 9781571135551Donation: donated by Senses of Cinema, 2014Contents: Introduction -- On fools and clowns or refusal as engagement in two final DEFA films: Egon Gunther's Stein and Jorg Foth's Letztes aus der DaDaeR -- "Film must fidget": DEFA's untimely poets -- Absurd endgames: Peter Welz's Banale tage -- Flight into reality: the cinema of Helke Misselwitz -- The extraordinary in the ordinary: Andreas Voigt's Leipzig pentalogy, 1986-96 -- Asynchronicity in DEFA's last feature: architects, goats, and Godot --
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Leni Riefenstahl : a memoir / Leni Riefenstahl New York: St. Martin's Press, 1993.
Call No: 81RIE RIEAuthor: Riefenstahl, Leni Edition: 1st U.S. edSource: USPlace: New YorkPublisher: St. Martin's PressPubDate: 1993PhysDes: 669 p. : ill. ; 25 cmSubject: AFRICA IN FILMS ; DOCUMENTARIES ; DOCUMENTARIES. GERMANY ; FASCISM AND THE CINEMA ; NAZIS IN FILMS ; PROPAGANDA FILMS ; FANCK, ARNOLD ; RIEFENSTAHL, LENI ; HEILIGE BERG, DER (G, Arnold Fanck, 1926) ; HOLY MOUNTAIN, THE (G, Arnold Fanck, 1926) ; OLYMPIA (G, Leni Riefenstahl, 1938) ; TIEFLAND (GW, Leni Riefenstahl, 1954 [prod. 1940-1953]) ; TRIUMPH OF THE WILL (G, Leni Riefenstahl, 1935) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) Summary: "Fifteen years in the making, and first written to commemorate her ninetieth birthday, Leni Riefenstahl's memoir is a remarkable achievement in itself. Yet only Riefenstahl's extraordinary life could render this volume a minor accomplishment. Finally available in the United States, here is a passionate self-portrait by a truly original artist." -- BOOK BLURBNotes: Includes index; First published in German under the title 'Memoiren'; First published in Great Britain under the title 'The sieve of time'ISBN: 031209843X : $35.00 ($48.99 Can.)LON: 93021621; 10183426
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Leni Riefenstahl : the fallen film goddess / by Glenn B. Infield New York: Crowell, 1976.
Call No: 81RIE INFAuthor: Infield, Glenn B. (Glenn Berton) Source: USPlace: New YorkPublisher: CrowellPubDate: 1976PhysDes: 278 p., [13] leaves of plates : ill. ; 24 cmSubject: FASCISM AND THE CINEMA ; GERMANY ; JEWS AND THE CINEMA ; JEWS IN FILMS ; WOMEN FILMMAKERS ; WOMEN IN FILMS. GERMANY ; WORLD WAR II AND THE CINEMA ; RIEFENSTAHL, LENI ; BLAUE LICHT, DAS (G, Leni Riefenstahl, 1932) ; BLUE LIGHT, THE (G, Leni Riefenstahl, 1932) ; OLYMPIA (G, Leni Riefenstahl, 1938) ; TRIUMPH OF THE WILL (G, Leni Riefenstahl, 1935) Summary: "Notoriety clings to [Leni] Riefenstahl's name. She is reputed to have danced nude for the Fuhrer. She is linked to Goebbels, Striecher, Borman, and other evil luminaries of the Nazi party. After the war, she was investigated by the Nuremburg Commission, and found innocent; she had never been a Party member. Yet Leni's cinema helped to create the myth of Nazi supremacy; her sense of drama and destiny, her imagery, mesmerized Germany during Hitler's climb to power. Was she responsible? Was she conscious of the political meaning of her work? Or was she a naive opportunist, an incomparable technician, exploiting the chance of a lifetime? Was she Hitler's mistress, as has been alleged? Or was she just a free spirit, the pagan sensualist of her own films? These are only some of the intriguing questions Glenn B. Infield explores in Leni Riefenstahl: The Fallen Film Goddess." -- BOOK BLURBNotes: Includes index; Bibliography: p. 262-267ISBN: 0690011679LON: 76007084; 760131
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title clippings file
LIEBE IN DEUTSCHLAND, EINE : (FR/GW, Andrzej Wajda, 1983)
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title clippings file
LOTTE EISNER IN GERMANY : (US, S. M. Horowitz, 1980)
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Making pictures : a century of European cinematography / created by IMAGO, the Federation of European Cinematography London: Aurum, 2003.
Call No: 633.3(4) MAKAuthor: Michael Leitch (ed.) CorpAuthor: ImagoSource: UKPlace: LondonPublisher: AurumPubDate: 2003PhysDes: 481 p. : ill. (some col.) ; 29 cmSubject: CINEMATOGRAPHY ; EUROPEAN COUNTRIES ; HISTORY OF CINEMA ; HISTORY OF CINEMA. SILENT PERIOD ; HISTORY OF CINEMA. SOUND PERIOD ; NEOREALISM ; ITALY ; FRANCE ; GERMANY ; HUNGARY ; CZECHOSLOVAKIA ; HISTORY OF CINEMA. 1930's ; HISTORY OF CINEMA. 1940's ; HISTORY OF CINEMA. 1950's ; HISTORY OF CINEMA. 1960's ; HISTORY OF CINEMA. 1970's ; NOUVELLE VAGUE ; MOVEMENTS IN FILM HISTORY ; NYKVIST, SVEN ; ROTUNNO, GIUSEPPE ; Cardiff, Jack ; BERTOLUCCI, BERNARDO ; MASTROIANNI, MARCELLO ; TOVOLI, LUCIANO Summary: Making Pictures is the first book systematically to examine and document the technical and creative role of the cinematographer in European cinema over the past 100 years. Individual contributions cover a wide range of themes, periods and genres and combine to provide a thorough and authoritative treatment of the subject. At the heart of the book is a section containing a film-by-film analysis of the 100 European films which, according to a jury of contemporary cinematographers, represent the very best examples of their art and demonstrate technical or creative mastery on the part of the cinematographer concerned. [Taken from inside cover]Notes: Includes bibliographical references and indexes.ISBN: 1854108891Language: EnglishContents: "Coming from afar" is written by Luciano Tovoli. Chapter:"The cinematographers' view" is written by Jack Cardiff, Sven Nykist & Giuseppe Rotunno. Chapter: "The director and the cinematographer" is written by Bernado Bertolucci. Chapter: "The actor's view" is written by Marcello Mastroianni. Other chapter contributions made by Michael Leitch, Cathy Greenhalgh, Zoe Bicat & Barry Salt
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The mass ornament : Weimar essays / Siegfried Kracauer ; translated, edited, and with an introduction by Thomas Y. Levin Cambridge, MA: Harvard University Press, 1995.
Call No: 62(081):408.1(430) KRAAuthor: Kracauer, Siegfried Source: USPlace: Cambridge, MAPublisher: Harvard University PressPubDate: 1995PhysDes: 403 p. ; 24 cmSubject: POPULAR CULTURE AND THE CINEMA. GERMANY ; CRITICISM ; THEORY ; KRACAUER, SIEGFRIED ; FRANKFURT SCHOOL Summary: This book is a celebration of the masses - their tastes, amusements, and everyday lives. Taking up the master themes of modernity, such as isolation and alienation, mass culture and urban experience, and the relation between the group and the individual, Kracauer explores a kaleidoscope of topics: shopping arcades, the cinema, bestsellers and their readers, photography, dance, hotel lobbies, Kafka, the Bible, and boredom. For Kracauer, the most revelatory facets of modern metropolitan life lie on the surface, in the ephemeral and the marginal. The Mass Ornament today remains a refreshing tribute to popular culture, and its impressively interdisciplinary essays continue to shed light not only on Kracauer's later work but also on the ideas of the Frankfurt School, the genealogy of film theory and cultural studies, Weimar cultural politics, and, not least, the exigencies of intellectual exile. This volume presents the full scope of his gifts as one of the most wide-ranging and penetrating interpreters of modern life. [Taken from back cover.]ISBN: 067455163X
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The Media reader / edited by Manuel Alvarado and John O. Thompson London: BFI Pub., 1990.
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Melodrama : stage, picture, screen / edited by Jacky Bratton, Jim Cook, Christine Gledhill London: BFI Pub., 1994.
Call No: 733 MELAuthor: Bratton, J. S. (Jacqueline Susan), 1945 ; Cook, Jim ; Gledhill, Christine Place: LondonPublisher: BFI Pub.PubDate: 1994PhysDes: xiii, 250 p. : ill. ; 23 cmSubject: MELODRAMA ; MELODRAMA. GERMANY ; MELODRAMA. CHINA ; FASSBINDER, RAINER WERNER ; MICHEAUX, OSCAR ; ELSAESSER, THOMAS ; COLOR PURPLE, THE (US, Steven Spielberg, 1985) ; BLESS THEIR LITTLE HEARTS (US, Billy Woodberry, 1984) ; GASLIGHT (UK, Thorold Dickinson, 1940) ; GASLIGHT (US, George Cukor, 1944) ; FU RONG ZHEN (CC, Xie Jin, 1986) ; EAST LYNNE (US, Frank Lloyd, 1931) Notes: Includes bibliographical references and indexISBN: 0851704379; 0851704387 (pbk.)LON: 11032554
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Nation and Identity in the New German Cinema : homeless at home / Inga Scharf New York: Routledge, 2008.
Call No: 408(430) SCHAuthor: Scharf, Inga Source: USPlace: New YorkPublisher: RoutledgePubDate: 2008PhysDes: xiv, 235 p. ; 24 cmSeries: Routledge advances in film studies ; 1Subject: GERMANY ; HISTORY AND THE CINEMA. GERMANY Notes: Formerly CIP; Includes bibliographical references (p. [215]-219) and index; Includes filmography: p. [221]-223ISBN: 9780415962803Contents: Pt. I. Setting the Scene -- 1. Establishing Shot -- Pt. II. Film Analyses -- 2. The Unsettling Setting -- 3. A Matter of Time -- 4. Relative Strangers -- Conclusion: The End.
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New German cinema : a history / Thomas Elsaesser New Brunswick, N.J.: Rutgers University Press, 1989.
Call No: 71(430.1) ELSAuthor: Elsaesser, Thomas Place: New Brunswick, N.J.Publisher: Rutgers University PressPubDate: 1989PhysDes: xviii, 430 p. : ill. ; 25 cmSubject: GERMANY Notes: Filmography: p. 354-397; Includes bibliographical references and indexISBN: 081351391X : $50.00 (est.); 0813513928 (pbk.) : $15.00 (est.)LON: 5984139 5984139
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New German cinema : from Oberhausen to Hamburg / James Franklin London: Columbus, 1986, c1983.
Call No: 71(430.1) FRAAuthor: Franklin, James, 1943 Place: LondonPublisher: ColumbusPubDate: 1986, c1983PhysDes: [230] p. : ill., ports ; 22cmSubject: GERMANY ; KLUGE, ALEXANDER ; HUILLET, DANIELE ; SCHLONDORFF, VOLKER ; HERZOG, WERNER ; FASSBINDER, RAINER WERNER ; Wenders, Wim ; SYBERBERG, HANS JURGEN ; STRAUB, JEAN-MARIE Notes: German cinema films,. 1950-1980 - Critical studies (BNB/PRECIS); Originally published: Boston, Mass.: Twayne, 1983; Includes bibliography and indexISBN: 086287209X : ª5.95 : CIP confirmedLON: 4636613
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The new German cinema / John Sandford London: Eyre Methuen, 1981.
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book
New German film : the displaced image / by Timothy Corrigan Austin: University of Texas Press, 1983.
Call No: 71(430.1) CORAuthor: Corrigan, Timothy, 1951 Edition: 1st edPlace: AustinPublisher: University of Texas PressPubDate: 1983PhysDes: xiv, 213 p. : ill. ; 24 cmSubject: GERMANY ; BITTEREN TRANEN DER PETRA VON KANT, DIE (GW, Rainer Werner Fassbinder, 1972) ; HITLER - EIN FILM AUS DEUTSCHLAND (GW/UK/FR, Hans Jurgen Syberberg, 1977) ; STARKE FERDINAND, DER (GW, Alexander Kluge, 1976) ; JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974) ; FANGSCHUSS, DER (GW/FR, Volker Schlondorff, 1976) ; IM LAUF DER ZEIT (GW, Wim Wenders, 1976) Notes: Includes index; Bibliography: p. [203]-210; Filmography: p. [197]-201ISBN: 0292710860; 0292710879 (pbk.)LON: 2807733 2807733
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book
New German filmmakers : from Oberhausen through the 1970s / edited by Klaus Phillips New York: Ungar Pub. Co., c1984.
Call No: 802.25(430.1) HEWAuthor: Phillips, Klaus Place: New YorkPublisher: Ungar Pub. Co.PubDate: c1984PhysDes: xxv, 462 p. : ill., ports. ; 22 cmSubject: DIRECTORS. GERMANY ; ACHTERNBUSCH, HERBERT ; BRUSTELLIN, ALF ; COSTARD, HELLMUTH ; FASSBINDER, RAINER WERNER ; GEISSENDORFER, HANS W. ; HAUFF, REINHARD ; HERZOG, WERNER ; KLUGE, ALEXANDER ; LILIENTHAL, PETER ; SCHLONDORFF, VOLKER ; TROTTA, MARGARETHE VON ; STOCKL, ULA ; STRAUB, JEAN-MARIE ; HUILLET, DANIELE ; SYBERBERG, HANS JURGEN ; Wenders, Wim ; BOHM, HARK ; SINKEL, BERNHARD ; REITZ, EDGAR ; SPILS, MAY ; ENKE, WERNER Notes: Includes index; Bibliography: p. 428-462ISBN: 0804426880 : $16.95; 0804466483 (pbk.) : $9.95LON: 3146469
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Old collection
book
New German films [S.l.]: [s.n.], [197?].
Call No: F023(430.1) EXPCorpAuthor: Export-Union der deutschen FilmindustrieSource: GGPlace: [S.l.]Publisher: [s.n.]PubDate: [197?]PhysDes: 22 cmSubject: GERMANY Notes: Title on cover: neue deutsche filme | new german films | nouveaux films allemands | nuevas peliculas alemanasLanguage: German, English, French, Spanish
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journal article
Orion announces latest deal in Australasian Cinema (29/4/1983) vol.12 iss.7 p.2
PhysDes: ArticleSubject: ORION PICTURES ; DISTRIBUTION ; AUSTRIA ; GERMANY Summary: Announcement of distribution deal between Orion and Filmverlag Der Autoren, wherein Filmverlag is the principle distributor of Orion films in West Germany, Berlin and Austria.
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journal article
The Other Fassbinder in Wide Angle (January 1990) vol.12 iss.1 p.[whole issue]
Author: Hall, Jeanne (ed) PhysDes: ArticleSubject: FASSBINDER, RAINER WERNER ; INDUSTRY, FILM. GERMANY ; EHE DER MARIA BRAUN, DIE (GW, Rainer Werner Fassbinber, 1979) ; ANGST ESSEN SEELE AUF (GW, Rainer Werner Fassbinder, 1974) ; BERLIN ALEXANDERPLATZ (GW/IT, Rainer Werner Fassbinder, 1980) Summary: Wide Angle issue dedicated to the films of Rainer Werner Fassbinder.
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subject clippings file
RATINGS. GERMANY
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book
A short history of the movies / Gerald Mast Indianapolis: Bobbs-Merrill, c1976.
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title clippings file
SIGNAL - GERMANY ON THE AIR : (US, Ernie Gehr, 198?)
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subject clippings file
STUDIOS, FILM. GERMANY
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book
TCM international film guide 2008 : The definitive annual review of world cinema / edited by Ian Haydn Smith London: Wallflower Press, 2008.
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journal article
Thorn EMI invade Berlin in Australasian Cinema (Friday, 30/11/1984) vol.13 iss.20 p.5
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book
Tobis Degeto Schmalfilm verleih-katalog = Tobis Degeto cine-film rental catalogue Berlin: Degeto-Kulturfilm GmbH, 1941.
Call No: F023 (430) TOBPlace: BerlinPublisher: Degeto-Kulturfilm GmbHPubDate: 1941PhysDes: 204 pages ; 20 cmSubject: GERMANY ; DISTRIBUTION. EUROPE Notes: catalogue
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book
UFA Schmalfilm : Tonend & stumm = sound and silent Berlin: UFA-Handelsgesellschaft-MBH, 1941.
Call No: F023 (430) UFACorpAuthor: UFAEdition: 1941Place: BerlinPublisher: UFA-Handelsgesellschaft-MBHPubDate: 1941PhysDes: 180 pages ; 20 cmSubject: GERMANY ; DISTRIBUTION. EUROPE ; UFA Notes: catalogue
German language text
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book
Unsettling scores : German film, music, and ideology / Roger Hillman Bloomington, Indiana: Indiana University Press, 2005.
Call No: 634.6 HILAuthor: Hillman, Roger Source: USPlace: Bloomington, IndianaPublisher: Indiana University PressPubDate: 2005PhysDes: 219 p. : ill. ; 24 cmSubject: MUSIC AND THE CINEMA ; GERMANY ; NEW GERMAN CINEMA ; CLASSICAL MUSIC IN FILMS ; MOVEMENTS IN FILM HISTORY ; MUSIC IN FILMS ; NATIONAL CULTURE AND THE CINEMA. GERMANY ; FASCISM AND THE CINEMA. GERMANY ; NATIONALISM AND THE CINEMA. GERMANY ; POLITICS AND THE CINEMA. GERMANY ; SYBERBERG, HANS JURGEN ; KLUGE, ALEXANDER ; FASSBINDER, RAINER WERNER ; HERZOG, WERNER ; VISCONTI, LUCHINO ; HITLER - EIN FILM AUS DEUTSCHLAND (GW/UK/FR, Hans Jurgen Syberberg, 1977) ; DIE PATRIOTIN (GW, Alexander Kluge, 1979) ; LILI MARLEEN (GW, Rainer Werner Fassbinder, 1981) ; SENSO (IT, Luchino Visconti, 1954) ; WOYZECK (GW, Werner Herzog, 1979) ; FITZCARRALDO (GW, Werner Herzog, 1982) ; LEKTIONEN IN FINSTERNIS (GG, Werner Herzog, 1992) ; DIE ALLSEITIG REDUZIERTE PERSÖNLICHKEIT - REDUPERS (GW, Helke Sander, 1977) ; NOSTALGHIA (IT, Andre Tarkovsky, 1983) ; COVEK NIJE TICA (YU, Dusan Makavejev, 1965) ; STALKER (UR, Andrei Tarkovsky, 1979) Summary: "'Unsettling Scores: German Film, Music, and Ideology' examines the use of classical music in film, particularly in the New German Cinema of the 1970s and early 1980s. By integrating the music of Beethoven, Mahler, and others into their films, directors such as Fassbinder, Kluge, and Syderberg consciously called attention to its cultural significance. Through this music their films could reference and, in some cases, explore an embedded cultural tradition that included German nationalism and the rise of Nazism, especially during a period when German films were gaining international attention for the first time since the 1920s. Classical music conditioned the responses of German audiences in the 1970s and 1980s and was, in turn, reinterpreted in new cinematic contexts. In this pioneering volume, Hillman enriches our understanding of the powerful effects of music in cinema and the aesthetic and dramatic concerns of postwar German filmmakers." (Taken from back cover)Notes: Includes selected bibliography, indexISBN: 0253217547Donation: Donated by Senses of Cinema, 2009
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Interim
festival catalogue
Up and coming film festival Hannover : Up-and-coming festival Hannover, Germany: Bundesweites Schulerfilm und Videozentrum e.V,
Call No: FESTIVAL CATALOGUE SHELVES; Held 1997Place: Hannover, GermanyPublisher: Bundesweites Schulerfilm und Videozentrum e.VSubject: FESTIVALS. GERMANY Language: German and English
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book
The walls of Berlin : urban surfaces : art : film / Stephen Barber USA: Solar Books, 2011.
Call No: 756 (430) BARAuthor: Barber, Stephen Place: USAPublisher: Solar BooksPubDate: 2011PhysDes: 189 p. : ill. ; 21 cmSeries: Solar Art Directives: Seminal CitiesSubject: GERMANY ; GERMAN DEMOCRATIC REPUBLIC ; GERMAN FEDERAL REPUBLIC ; CHRISTIANE F.- WE CHILDREN FROM BAHNHOF ZOO (GW, Ulrich Edel, 1981) ; CHRISTIANE F.- WIR KINDER VOM BAHNHOF ZOO (GW, Ulrich Edel, 1981) ; BERLIN ALEXANDERPLATZ (GW/IT, Rainer Werner Fassbinder, 1980) ; IVAN'S CHILDHOOD (UR, Andrei Tarkovsky, 1962)
SEE
IVANOVO DETSTVO ; FOREIGN AFFAIR, A (US, Billy Wilder, 1948) ; OLYMPIA (G, Leni Riefenstahl, 1938) Summary: Berlin's unique history of conflict, transmutation and violence has created an arena of extraordinary urban surfaces, from which the present-day city and its layered, wounded past are projected simultaneously. THE WALLS OF BERLIN explores the intimate connections between those surfaces and the works of art and film which have both incised Berlin's urban screens and been inspired by them.
Drawing on a vast range of material – from the first films of Berlin in the 1890s to the city's impact on contemporary digital art – THE WALLS OF BERLIN probes many of Berlin's overlooked but most illuminating spaces inflected by art and film: the Hansa recording-studios, the Buch asylum, ruined hotels and cinemas, and Berlin's immense slaughterhouse sub-city.
It is essential reading for those engaged with the transformations of contemporary cities, and students of urban-history, architecture, art and film.ISBN: 9780982046463Contents: The Baltic Wall -- The Skladanowsky Projector -- WALLS OF BERLIN -- Berlin-by-the-Sea -- A `Wall' of Berlin -- Images
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Special issue
serial
A WEEK IN THE LIFE OF GERMAN SHOWBIZ 7 June 1999.
Call No: JOURNAL SHELVES. VARIETYPubDate: 7 June 1999Subject: GERMANY
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book
West German cinema since 1945 : a reference handbook / by Richard C. Helt and Marie E. Helt Metuchen, N.J.: Scarecrow Press, 1987.
Call No: 71(430.1) HELAuthor: Helt, Richard C ; Helt, Marie E Place: Metuchen, N.J.Publisher: Scarecrow PressPubDate: 1987PhysDes: v, 736 p., [16] p. of plates : ill. ; 23 cmSubject: GERMANY Notes: Includes indexes; Bibliography: p. [562]-563; Filmography: p. [27]-548ISBN: 0810820536LON: 5410259
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book
West German filmmakers on film : visions and voices / edited by Eric Rentschler New York: Holmes & Meier, c1988.
Call No: 71(430) RENAuthor: Rentschler, Eric Place: New YorkPublisher: Holmes & MeierPubDate: c1988PhysDes: xxv, 262 p. ; 23 cmSeries: Modern German voices seriesSubject: GERMANY ; DIRECTORS. GERMANY Notes: Includes index; Bibliography: p. 243-254ISBN: 0841909857 (pbk. : alk. paper); 0841909849 (hard)LON: 5360462
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subject clippings file
WOMEN, FILMS MADE BY. GERMANY
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