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Call No: 753.8VER
Author: Verrone, William
Source: UK
Place: London
Publisher: Bloomsbury academic
PubDate: 2013
PhysDes: vi, 275 p. ; 24 cm
Subject: ADAPTATIONS; AVANT-GARDE FILMS; EXPERIMENTAL FILMS; GREENAWAY, PETER; GODARD, JEAN-LUC; MADDIN, GUY; SVANKMAJER, JAN; SCORPIO RISING (US, Kenneth Anger, 1964); FRUIT OF PARADISE [OVOCE STROMU RAJSKYCH JÍME] (CS/BE, Vera Chytilova, 1970); FRUIT OF PARADISE [OVOCE STROMU RAJSKYCH JÍME] (CS/BE, Vera Chytilova, 1970); HITLER, A FILM FROM GERMANY (GW/UK/FR, Hans Jurgen Syberberg, 1977) SEE HITLER - EIN FILM AUS DEUTSCHLAND; STREET OF CROCODILES (UK, Brothers Quay, 1986); DANTE QUARTET, THE (US, Stan Brakhage, 1987); ALICE (SZ/GW/UK, Jan Svankmajor, 1988) SEE NECO Z ALENKY; ALICE [NECO Z ALENKY] (SZ/GW/UK, Jan Svankmajer, 1988); PROSPERO'S BOOKS (UK/FR, Peter Greenaway, 1991); WISCONSIN DEATH TRIP (US, James Marsh, 1999); SPECTRES OF THE SPECTRUM (US, Craig Baldwin, 1999); DRACULA: PAGES FROM A VIRGIN'S DIARY (CN, Guy Maddin, 2002)
Summary: Adaptations have occurred regularly since the beginning of cinema, but little recognition has been given to avant-garde adaptations of literary or other texts. This compelling study corrects such omissions by detailing the theory and practice of alternative adaptation practices from major avant-garde directors. Avant-Garde films are often relegated to the margins because they challenge our traditional notions of what film form and style can accomplish. Directors who choose to adapt previous material run the risk of severe critical dismay; making films that are highly subjective interpretations or representations of existing texts takes courage and foresight. An avant-garde adaptation provokes spectators by making them re-think what they know about film itself, just as much as the previous source material.Adaptation and the Avant-Garde examines films by Peter Greenaway, Jean-Luc Godard, Guy Maddin, Jan Svankmajer and many others, offering illuminating insights and making us reconsider the nature of adaptation, appropriation, borrowing, and the re-imagining of previous sources. -- extract taken from the back of the book. --
Notes: Formerly CIP. -- Includes bibliographical references and index --
ISBN: 9781441163523
Contents: -- pt. I Historical and Theoretical Background -- ch. 1 Defining the Avant-Garde Film -- ch. 2 Adaptation Theory and Practice -- ch. 3 Appropriation -- ch. 4 The Exploitative Adaptation -- ch. 5 Why Avant-Garde? -- pt. II A Chronology of Avant-Garde Film Adaptation -- ch. 6 A Brief Narrative History of Avant-Garde Film Adaptation or, Some Instances of Avant-Garde Adaptation -- pt. III Case Studies -- ch. 7 The Fall of the House of Usher -- ch. 8 Scorpio Rising -- ch. 9 Fruit of Paradise -- ch. 10 Hitler: A Film from Germany -- ch. 11 Street of Crocodiles -- ch. 12 The Dante Quartet -- ch. 13 Alice -- ch. 14 Prospero's Books -- ch. 15 Wisconsin Death Trip -- ch. 16 Spectres of the Spectrum -- ch. 17 Dracula: Pages from a Virgin's Diary --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BERLIN IS IN GERMANY (GG, Hannes Stohr, 2001)

Call No: 408.1 (430) WAG
Author: Wagner, Brigitta B.
Source: US
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 2015
PhysDes: x, 299 pages : illustrations, maps ; 26 cm
Subject: NOSTALGIA IN FILMS; URBAN LIFE IN FILMS; GERMANY; NATIONAL IDENTITY IN FILMS. GERMANY; POLITICS IN THE CINEMA; RUN LOLA RUN (G, Tom Tykwer, 1998)
Summary: "In Berlin Replayed, Brigitta B. Wagner traces how old and new films set in Berlin created a collective urban nostalgia for the city's best and most conciliatory pasts in the face of its renewed prupose as the all-German capital. Exploring films such as Walter Ruttmann's Berlin: Symphony of a Great City, Wim Wenders's wings of Desire, Tom Tykwer's Run Lola Run, and Wolfgang Becker's Good Bye, Lenin!, the book illustrates how film has repeatedly remade the image of the city. Wagner focuses on four key periods: the golden 1920s, when the city was a major filmmaking center; the prewall 1950s, when Berlin had two idealogically opposed film industries; the politically transformative late 1980s and early 1990s; and the hyped start of the twenty-first century." -- BOOK BLURB
Notes: Includes bibliographical references and index
ISBN: 9780816691746
Donation: donated by Senses of Cinema
Contents: Introduction: Auf wiedersehen, Berlin! -- Remake: Berlin symphonies and the myth of the weltstadt -- Generation: a 1950s place for us -- Virtuality: cinema, archive, and the interactive map of Potsdamer Platz -- Orientation: geographical didacticism and the X-films of new Berlin -- Epilogue: Berlin returns, again

Author: Harty, Jason
PhysDes: Conference report; Illustration(s)
Subject: CONFERENCES. AUSTRALIA. SMALL SCREEN BIG PICTURE TELEVISION; DIGITAL BROADCASTING. AUSTRALIA; INDUSTRY, TV. GERMANY
Summary: Digital and interactive broadcasting was featured at the 2000 Small Screen Big Picture conference. Guest speakers included industry representatives from Germany.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLACK BOX BRD [BLACK BOX GERMANY] (GG, Andres Veiel, 2001)

Subject: CANNON FILM GROUP; INDUSTRY, FILM. GERMANY
Summary: Report on the Cannon Group's purchase of the nine-screen German chain Ewert, effective July 1

Call No: 71(430) PET
Author: Petley, Julian
Place: London
Publisher: Educational Advisory Service, British Film Institute
PubDate: 1979
PhysDes: 162 p. : ill. ; 22 cm
Subject: GERMANY
Notes: Bibliography: p. 161-162
ISBN: 0851700888 (pbk.) : ª2.95
LON: 2052603

Call No: 408.1 CIN
Author: Hjort, Mette; MacKenzie, Scott, 1967
Place: London New York
Publisher: Routledge
PubDate: 2000
PhysDes: xvi, 332 p., ill., 25 cm
Subject: NATIONAL IDENTITY AND THE CINEMA; COPRODUCTION. EUROPEAN COUNTRIES; UNITED KINGDOM : SCOTLAND; INDONESIA; POLAND; TURKEY; INDIA; GERMANY; STATE AND THE CINEMA; CAPRA, FRANK
Summary: Leading film scholars, philosophers and sociologists consider the ways in which film production and reception are shaped by ideas of national identity and belonging. The contributors discuss a wide range of cinemas, in Europe, Asia and the Americas, exploring the relationship between nation states for both the concept and the reality of national cinema. In the book’s first three sections, contributors explore sociological approaches to national identity, challenge established ideas about ‘national cinema’, and consider the ways in which national states – from the former Soviet Union to Contemporary Scotland – use cinema in their efforts to create a national cinema, and consider how images of the nation are understood by audiences both at home and abroad. Taken from back cover.
Notes: Includes bibliographical references and index
ISBN: 0415208629 (alk. paper); 0415208637 (pbk. : alk. paper); 0415208629; 0415208637(pbk.) : ¦14.99; 0415208629(cased) : No price; 0415208637(pbk.) : No price
LON: 21459338

Call No: 71 MON
Author: Monaco, Paul
Place: New York ; Oxford ; Amsterdam
Publisher: Elsevier
PubDate: c1976
PhysDes: viii, 194 p. ; 22 cm.
Subject: INDUSTRY, FILM. GERMANY; INDUSTRY, FILM. FRANCE; HISTORY OF CINEMA. 1920's; SOCIETY AND THE CINEMA. FRANCE; SOCIETY AND THE CINEMA. GERMANY
Summary: An analysis of the social function of cinema in France and Germany in the decade following World War I.
Notes: Based on the author's thesis, Brandeis University, 1973, presented under title: Cinema and society in France and Germany, 1919-29. Includes index. Bibliography: p. 169-184.
ISBN: 0444990194

Call No: 70(04) CIN
Author: Cook, Pam; Bernink, Mieke
Edition: 2nd ed
Place: London
Publisher: British Film Institute
PubDate: 1999
PhysDes: x, 406 p. : ill. ; 30 cm
Subject: USA; STUDIOS, FILM. USA; STUDIO SYSTEM; STARS; NARRATIVE IN FILMS; EXPRESSIONISM; GERMANY; USSR; NEOREALISM; NOUVELLE VAGUE; UNITED KINGDOM; ART CINEMA; ASIAN COUNTRIES; AVANT-GARDE FILMS; THIRD CINEMA; THIRD WORLD; GENRES; WESTERNS; MELODRAMA; GANGSTER FILMS; FILM NOIR; HORROR FILMS; MUSICALS; YOUNG PEOPLE IN FILMS; COMEDIES; ACTION FILMS; AUTHORSHIP; AUTEUR THEORY; STRUCTURALISM; PSYCHOANALYSIS AND THE CINEMA; FEMINISM AND THE CINEMA; SPECTATORSHIP; AUDIENCE RESEARCH; SARRIS, ANDREW
Notes: Previous ed.: 1985
ISBN: 0851707297; 0851707262 (pbk.) ª23.99; 0851707297; 0851707262 (pbk.)
LON: 14510520

Call No: 71(430.1) PFL
Author: Pflaum, Hans GFunther; Prinzler, Hans Helmut
Place: Bonn
Publisher: Inter Nationes
PubDate: 1983
PhysDes: 180 p. : ill. ; 21 cm
Subject: GERMANY; GERMAN FEDERAL REPUBLIC; DIRECTORS. GERMANY; ACHTERNBUSCH, HERBERT; ACKEREN, ROBERT VAN; FASSBINDER, RAINER WERNER; GEISSENDORFER, HANS W.; HERZOG, WERNER; KLUGE, ALEXANDER; WILDENHAHN, KLAUS; ZIEWER, CHRISTIAN; SCHROETER, WERNER; STRAUB, JEAN-MARIE; THOME, RUDOLPH; SANDER, HELKE; SCHILLING, NIKLAUS; NEKES, WERNER; COSTARD, HELLMUTH; HAUFF, REINHARD; LILIENTHAL, PETER; OTTINGER, ULRIKE; PETERSEN, WOLFGANG; PRAUNHEIM, ROSA VON; SANDERS-BRAHMS, HELMA; SCHLONDORFF, VOLKER; SYBERBERG, HANS JURGEN; TROTTA, MARGARETHE VON; Wenders, Wim
Notes: Translation of: Film in der Bundesrepublik Deutschland; Bibliography: p. 179
LON: 3594169

Call No: 23(430)
Author: St. Pierre, Paul Matthew
Place: London
Publisher: Fairleigh Dickinson University Press
PhysDes: 274 p. ; illus. ; 24 cm
Series: Fairleigh Dickinson University Press series in communication studies
Subject: CINEMATOGRAPHY; GERMANY; EXPRESSIONISM; LUBITSCH, ERNST; WAGNER, FRITZ ARNO; MURNAU, FRIEDRICH WILHELM; LANG, FRITZ; PABST, GEORG WILHELM; RITTAU, GUNTHER; DREYER, CARL TH.
Summary: In film history, director-cinematographer collaborations were on a labor spectrum, with the model of the contracted camera operator in the silent era and that of the cinematographer in the sound era. But in Weimar era German filmmaking, 1919-33, a short period of intense artistic activity and political and economic instability, these models existed side by side due to the emergence of camera operators as independent visual artists and collaborators with directors. Berlin in the 1920s was the chief site of the interdisciplinary avant-garde of the Modernist movement in the visual, literary, architectural, design, typographical, sartorial, and performance arts in Europe. The Weimar Revolution that arose in the aftermath of the November 1918 Armistice and that established the Weimar Republic informed and agitated all of the art movements, such as Expressionism, Dada, the Bauhaus, Minimalism, Objectivism, Verism, and Neue Sachlichkeit (“New Objectivity”). Among the avant-garde forms of these new stylistically and culturally negotiated arts, the cinema was foremost and since its inception had been a radical experimental practice in new visual technologies that proved instrumental in changing how human beings perceived movement, structure, perspective, light exposure, temporal duration, continuity, spatial orientation, human postural, facial, vocal, and gestural displays, and their own spectatorship, as well as conventions of storytelling like narrative, setting, theme, character, and structure. Whereas most of the arts mobilized into schools, movements, institutions, and other structures, cinema, a collaborative art, tended to organize around its ensembles of practitioners. Historically, the silent film era, 1895-1927, is associated with auteurs, the precursors of François Truffaut and other filmmakers in the 1960s: actuality filmmakers and pioneers like R. W. Paul and Fred and Joe Evans in England, Auguste and Luis Lumière and Georges Méliès in France, and Charles Chaplin and Buster Keaton in America, who, by managing all the compositional, executional, and editorial facets of film production—scripting, directing, acting, photographing, set, costume, and lighting design, editing, and marketing—imposed their personal vision or authorship on the film. The dichotomy of the auteur and the production ensemble established a production hierarchy in most filmmaking. In formative German silent film, however, this hierarchy was less rank or class driven, because collaborative partnerships took precedence over single authorship. Whereas in silent film production in most countries the terms filmmaker and director were synonymous, in German silent film the plural term filmemacherin connoted both directors and cinematographers, along with the rest of the filmmaking crew. Thus, German silent filmmakers’ principle contribution to the new medium and art of film was less the representational iconographies of Expressionist, New Objective, and Naturalist styles than the executional practice of co-authorship and co-production, in distinctive cinematographer-director partnerships such as those of cinematographer Theodor Sparkuhl and director Ernst Lubitsch; Fritz Arno Wagner with F. W. Murnau, Fritz Lang, and G. W. Pabst; Rudolf Maté with Carl Theodor Dreyer; Guido Seeber with Lang and Pabst; and Carl Hoffmann with Lang and Murnau. -- jacket blurb
ISBN: 9781611479447

Call No: 71(430):45:32 COL
Author: Fisher, Jaimey (ed.); Prager, Brad (ed.)
Source: US
Place: Detroit
Publisher: Wayne State University Press
PubDate: c2010
PhysDes: vi, 431 p. : ill. ; 23 cm
Series: Contemporary approaches to film and television series
Subject: POLITICAL FILMS; POLITICS AND THE CINEMA; POLITICS IN FILMS; GERMANY; AESTHETICS; HISTORY AND THE CINEMA. GERMANY; HISTORY OF CINEMA. GERMANY; STALINGRAD (GG, Joseph Vilsmaier, 1992); DOWNFALL (GG, Oliver Hirschbiegel, 2004)SEE UNTERGANG, DER; UNTERGANG, DER (G, Oliver Hirschbiegel, 2004); ROSENSTRASSE (US/BE/NE, Margarethe von Trotta, 2004); NO PLACE TO GO (GG, Oskar Rohler, 2000) SEE UNBERUHRBARE, DIE; UNBERUHRBARE, DIE (GG, Oskar Rohler, 2000); LIVES OF OTHERS, THE (GE, Florian Henckel Von Donnersarck, 2006)SEE LEBEN DER ANDEREN, DAS (GE, Florian Henckel Von Donnersarck, 2006); LEBEN DER ANDEREN, DAS (GE, Florian Henckel Von Donnersarck, 2006)
Summary: "Fisher and Prager have assembled a significant group of essays by the emerging generation of German cinema experts in the U.S. The anthology is the first serious attempt to retell the history of the New German Cinema and the 'consensus' cinema of the 1900s through the lens of contemporary, post-2000 films in all their diversity. Film scholars, students of the German cinema, and the general reading public will discover here why 'Deutsches Kino' is once again in the limelight. " -- Marc Silberman
Notes: Includes bibliographical references and index; Includes filmography
ISBN: 9780814333778
Contents: -- Introduction / Jaimey Fisher and Brad Prager -- Imitation of life: the aesthetics of Agfacolor in recent historical cinema / Jennifer M. Kapczynski -- Public viewing: soccer patriotism and post-cinema / Lutz Koepnick -- More war stories: Stalingrad and downfall / Elisabeth Krimmer -- Neofeminist mutterfilm? the emotional politics of Margarethe von Trotta's Rosenstrasse / Anna M. Parkinson -- Dresden: the return of history as soap / Wilfried Wilms -- Terrains vagues: landscapes of unification in Oskar Roehler's No place to go / Johannes von Moltke -- German historical film as production trend: European heritage cinema and melodrama in The lives of others / Jaimey Fisher -- A world of objects: consumer culture in filmic reconstructions of the GDR / Michael D. Richardson -- Playing hide-and-seek with tradition: games, aesthetic form, and social critique in German cinema following the Wende / John E. Davidson -- Imaging Germany: the (political) cinema of Christian Petzold / Marco Abel -- Christoph Hochhausler's This very moment: the Berlin school and the politics of spatial aesthetics in the German-Polish borderlands / Kristin Kopp -- Die fetten Jahre sind vorbei: Edukating the post-left generation / Roger F. Cook -- The global elsewhere: Ursula Biemann's Multimedia countergeography / Barbara Mennel -- Glimpses of freedom: the reemergence of utopian longing in German cinema / Brad Prager -- works cited -- filmography -- contributors -- index --

Call No: 201.1 (73) CON
Author: McDonald, Paul; Wasko, Janet
Source: US
Place: Malden, Massachusetts; Oxford, UK; Carlton, Victoria
Publisher: Blackwell Publishing
PubDate: 2008
PhysDes: 326 p. : ill. ; 25 cm
Subject: INDUSTRY, FILM; STUDIO SYSTEM; FINANCING; DISTRIBUTION; PRODUCTION; ADVERTISING FOR FILMS; EXHIBITION; TELEVISION AND THE CINEMA; VIDEODISCS; SOUNDTRACKS; MUSIC AND THE CINEMA; LABOUR; STATE AND THE CINEMA; GLOBALISATION; COPYRIGHT; EXPORT OF FILMS; UNITED KINGDOM; FRANCE; GERMANY; ITALY; LATIN AMERICAN COUNTRIES; ASIAN COUNTRIES; INDIA; AUSTRALIA; NEW ZEALAND; VIDEO GAMES AND THE CINEMA
Summary: "The contemporary Hollywood film industry is characterized by continuity and change. While many well-established Hollywood studios continue to dominate the film business, the industry has also witnessed various changes during the past two decades. "'The Contemporary Hollywood Film Industry' is a collection of essays by leading scholars that examine the US film industry as an international phenomenon, from the 1980s to the present day. It explores a host of challenges and changes facing Hollywood, and includes important discussions of the industry's labor and star systems, as well as intellectual property and state relations. Essays consider the role of independent producers, the global marketplace for Hollywood products, corporate changes, and various new-media windows, including video, DVD to cable, satellite, and online channels of delivery." (Taken from the back cover)
Notes: Includes index
ISBN: 9781405133883
URL status: URL: 'http://-' Checked: 31/08/2021 1:18:10 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

PhysDes: Article
Subject: OBITUARIES; INDUSTRY, FILM. GERMANY; LONGEST DAY, THE (US, Ken Annakin & Andrew Marton & Bernhard Wicki, 1962); SPY WHO LOVED ME, THE (UK, Lewis Gilbert, 1977); ASSASSINATION BUREAU LIMITED (UK, Basil Dearden, 1968)
Summary: Obituary for German actor Curt Jurgens.

Call No: F023 (430) DEG
Place: Berlin
Publisher: Degeto-Kulturfilm GmbH
PubDate: Autumn 1939
PhysDes: 136 pages ; 20 cm
Subject: GERMANY; DISTRIBUTION. EUROPE
Notes: catalogue

Call No: F023(430.1)K"1966/7" DEV
CorpAuthor: Verband
Source: GG
Place: [s.l]
Publisher: Verband Deutscher Dokumentar- und Kurzfilmproduzenten
PubDate: 1967
PhysDes: 129 p. ; 22 cm
Subject: DOCUMENTARY FILMS. GERMANY
Language: German,English, French, Spanish

Call No: F023(430.2)E "year" DEV
CorpAuthor: DEFA Studios
Source: GG
Place: Berlin
Publisher: Veb DEFA-Aussenhandel
PubDate: 1958-66
PhysDes: 31 x 31 cm
Subject: GERMANY
Notes: German text with English, French, Spanish translations. catalogue held 1958-66 [incomplete] No. 4 (1958) No. 1 (1959) No. 1 (1961) No. 3 (1962) No. 1 (1963) No. 1 (1964) Unnumbered (1964) Unnumbered (1966)
Language: German

Call No: F023(430.1) K"year" DEV
CorpAuthor: Verband Deutscher Filmproduzenten
Source: GG
Place: Frankfurt-am-Main
Publisher: Verband Deutscher Filmproduzenten
PubDate: 1960-65
PhysDes: 21 cm
Subject: DOCUMENTARY FILMS. GERMANY
Notes: held 1960-65
Language: German, English, French, Spanish

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: DIRECTORS. GERMANY

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Bodey, Michael
Subject: DVD, FILMS ON; RELEASE PROBLEMS; DISTRIBUTION. EUROPE; TWENTIETH CENTURY-FOX; CINEMAS. UK; CINEMAS. GERMANY
Summary: Problems between DVD distributors and cinema chains in UK and Germany where distributors are pushing to release new films on DVD to increase sells. Cinemas are against move fearing cuts in their box office revenues. Lists previous suggestions of how films and DVD's can be released at the same time.
Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
Quotations: -- Mention of Kenny - "...was out on DVD 14 weeks after release, while still screening in cinemas, to cash in on the lucrative Christmas market"; -- Wait of film onto DVD - "The best we'll get is a four month wait"; -- "As David Denby recently noted in The New Yorker, in crude terms, the theatres can be seen as a branding device and a stimulant to DVD sales."

Call No: 71(4-11)(03) HIB
Author: Hibbin, Nina
Place: London New York
Publisher: A. Zwemmer A. S. Barnes
PubDate: [c1969]
PhysDes: 239 p. : ill., ports ; 21 cm
Subject: EASTERN EUROPEAN COUNTRIES; INDUSTRY, FILM. EUROPEAN COUNTRIES; INDUSTRY, FILM. GERMANY; INDUSTRY, FILM. USSR
Summary: "This guide has been designed to help filmgoers and televiewers to get to know more about the films they have enjoyed and the film-makers they admire, and at the same time to provide students of cinema with a compact source of information, most of which has not been previously collated in English, about filming in Eastern Europe." -- BLURB
ISBN: 0498074218
LON: 33889

PhysDes: Article
Subject: HEIMAT: A CHRONICAL OF GERMANY [HEIMAT: EINE DEUTSCHE CHRONIK] [TV] (GW, Edgar Reitz, 1984); HEIMAT: A CHRONICAL OF GERMANY [HEIMAT: EINE DEUTSCHE CHRONIK] [TV] (GW, Edgar Reitz, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EISENSTAEDT GERMANY (US, David Hoffman, 1983)

Call No: 70 JAC
Author: Jacobs, Lewis, comp
Place: New York
Publisher: Hopkinson and Blake
PubDate: [c1969]
PhysDes: 453 p. illus. 25 cm
Subject: HISTORY OF CINEMA; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. SOUND PERIOD; COLORIZATION; SOCIETY AND THE CINEMA; GERMANY; ANIMATED FILMS; CINEMA VERITE; AUTEUR THEORY; NOUVELLE VAGUE; MUSIC IN FILMS; NEOREALISM; AVANT-GARDE FILMS; MELIES, GEORGES; GRIFFITH, DAVID WARK; CLAIR, RENE; FORD, JOHN; PORTER, EDWIN S.; LESTER, RICHARD; DISNEY, WALT; BERGMAN, INGMAR; TRUFFAUT, FRANCOIS; SARRIS, ANDREW; KAEL, PAULINE; KUROSAWA AKIRA; RESNAIS, ALAIN; FELLINI, FEDERICO; ANTONIONI, MICHELANGELO; BASS, SAUL; MEKAS, JONAS; CITIZEN KANE (US, Orson Welles, 1941); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928)
Notes: Bibliography: p. 438-439
LON: 5011
ID2: 291

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BYE BYE GERMANY [ES WAR EINMAL IN DEUTSCHLAND] (GG/LU/BE, Sam Garbarski, 2017

Call No: 81GOD BRO
Author: Brody, Richard
Edition: 1st Paperback edition
Source: US
Place: New York
Publisher: Metropolitan Books / Henry Holt and Company
PubDate: 2009
PhysDes: xv, 701 p. : ill. ; 24 cm
Subject: CRITICISM; GODARD, JEAN-LUC; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); VIVRE SAVIE (FR, Jean-Luc Godard, 1962); PETIT SOLDAT, LE (FR, Jean-Luc Godard, 1963); WOMAN IS A WOMAN, A (FR, Jean-Luc Godard, 1961); FEMME EST UNE FEMME, UNE (FR, Jean-Luc Godard, 1961); CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963); CONTEMPT (FR/IT, Jean-Luc Godrad, 1963) SEE MEPRIS, LE; CONTEMPT [MEPRIS, LE] (FR/IT, Jean-Luc Godard, 1963); MARRIED WOMAN, THE (FR, Jean-Luc Godard, 1964) SEE FEMME MARIEE, UNE; FEMME MARIEE, UNE (FR, Jean-Luc Godard, 1964); ALPHAVILLE (FR, Jean-Luc Godard, 1965); PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965); MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966); MASCULINE FEMININE (FR, Jean-Luc Godard, 1966); TWO OR THREE THINGS I KNOW ABOUT HER (FR, Jean-Luc Godard, 1967) SEE [DEUX] 2 OU 3 CHOSES QUE JE SAIS D'ELLE; [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); CHINOISE, LA (FR, Jean-Luc Godard, 1967); FRANCE/TOUR/RETOUR/DEUX ENFANTS [TV](FR, Jean-Luc Godard, 1978); SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980); HAIL, MARY (FR/SZ, Jean-Luc Godard, 1985) SEE JE VOUS SALUE MARIE; JE VOUS SALUE MARIE (FR/SZ, Jean-Luc Godard, 1985); DETECTIVE (FR, Jean-Luc Godard, 1985); SOIGNE TA DROITE (FR/SZ, Jean-Luc Godard, 1987); KING LEAR (US/SZ, Jean-Luc Godard, 1987); HISTOIRE(S) DU CINEMA (SZ/FR, Jean-Luc Godard, 1997); NOUVELLE VAGUE (Fr, Jean-Luc Godard, 1990); GERMANY YEAR 90 (FR, Jean-Luc Godard, 1991) SEE ALLEMAGNE NEUF ZERO; ALLEMAGNE NEUF ZERO (FR, Jean-Luc Godard, 1991); HELAS POUR MOI (SZ/FR, Jean-Luc Godard, 1983); FOR EVER MOZART (SZ/FR, Jean-Luc Godard, 1996); ELOGE DE L'AMOUR (SZ, Jean-Luc Godard, 2001)
Summary: "Shifting fluidly from fiction to documentary, from criticism to art, the films of Jean-Luc Godard changed the nature of cinema. Godard's own persona - cultural hero, fierce loner, shrewd businessman - projects similarly shifting images. In the modern canon, he is a figure as mysterious as he is indispensible. Now, acclaimed critic Richard Brody offers the fullest picture yet of Godard's life and work, demsytifying the elusive filmmaker through hundreds of interviews with friends, relatives, and collaborators. He vividly depicts Godard's wealthy family, his changeable and often disturbing politics, his tumultuous dealings with fellow filmmakers, and his troubled relations with women. Tracing an arc from the director's early writing, through his popular success with Breathless and Contempt, to the grand vision of his later years, Everything Is Cinema shows decisively that Godard's films have left their mark on all screens, everywhere. -- BOOK BLURB
Notes: "NBCC Award. Criticism. Nominees" -- Awards website; Includes bibliographical references (p. [635]-675) and index; We have a duplicate copy of this book
ISBN: 9780805080155
Contents: -- preface -- 1: We do not think, we are thought -- 2: A matter of loving or dying -- 3: Breathless -- 4: Le petit soldat -- 5: A woman is a woman -- 6: Vivre sa vie, le nouveau monde, les carabiniers -- 7: Contempt -- 8: Montparnasse et levallois, band of outsiders -- 9: A married woman -- 10: The American business -- 11: Alphaville -- 12: Pierrot le fou -- 13: Masculine feminine -- 14: Made in USA, two or three things I know about her -- 15: La chinoise, weekend -- 16: Revolution (1968-1972) -- 17: Restoration (1973-1977) -- 18: France tour de´tour deux enfants, et al., 1978-1979 -- 19: Sauve qui peut (la vie) -- 20: Passion and first name: Carmen -- 21: Hail Mary -- 22: Detective and soigne ta droite -- 23: King Lear -- 24: Histoire(s) du cine´ma, part I -- 25: Nouvelle vague -- 26: Germany year 90 nine zero -- 27: He´las pour moi, JLG/JLG, histoire(s) du cine´ma, parts 2 and 3 -- 28: For ever Mozart, histoire(s) du cine´ma, part 4 -- 29: Eloge de l'amour -- 30: Notre musique -- epilogue -- acknowledgments -- notes -- index --

Call No: 735 FAN
Author: Donald, James
Place: London
Publisher: BFI Pub.
PubDate: 1989
PhysDes: 298 p. : ill. ; 24 cm
Subject: FANTASTIC FILMS; FETISHISM IN FILMS; GERMANY. 1895-1930; SLASHER FILMS; GENDER AND THE CINEMA; SEX AND THE CINEMA; FEMINISM AND THE CINEMA; SURREALISM AND THE CINEMA; BARTHES, ROLAND; SVANKMAJER, JAN; CONDIT, CECELIA; BAHTIN, MIHAIL; BORDWELL, DAVID; DURAS, MARGUERITE; LYOTARD, JEAN-FRANCOIS; HITCHCOCK, ALFRED; ALIEN (UK, Ridley Scott, 1979); BLADE RUNNER (US, Ridley Scott, 1982); BENEATH THE SKIN (US, Cecelia Condit, 1981); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); INDIA SONG (FR, Marguerite Duras, 1975); PSYCHO (US, Alfred Hitchcock, 1960); STUDENT VON PRAG, DER (G, Stellan Rye, 1913); TERMINATOR, THE (US, James Cameron, 1984); TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974); VAMPYR : DER TRAUM DES ALLAN GRAY (G/FR, Carl Th. Dreyer, 1932)
Notes: Includes bibliographical references (p. 287-291) and indexes
ISBN: 0851702287; 0851702295 (pbk.)
LON: 6190057

Call No: 81FAS ELS
Author: Elsaesser, Thomas
Place: Amsterdam
Publisher: Amsterdam University Press
PubDate: 1996
PhysDes: 396 p. ; 25 cm
Series: Film culture in transition
Subject: GERMANY; FASSBINDER, RAINER WERNER
Notes: Includes bibliographical references (p. 319-339) and index
ISBN: 9053560599 (pbk.); 9053561846 (hardbound)
LON: 97144733; 13242565
URL status: URL: 'https://library.oapen.org/handle/20.500.12657/35079' Checked: 31/08/2021 12:40:00 PM Status: Live Details: HTTP status 200 - Usual success response

Call No: 120 FAT
Author: Helms, Michael; Sargeant, Jack
Source: AT
Place: [Thornbury, Vic.]
Publisher: [Fatal Visions]
PubDate: 2016
PhysDes: 296 p: ill. ; 24 cm
Subject: AUSTRALIA; CRITICISM; VIOLENCE IN FILMS; VIOLENCE IN FILMS. AUSTRALIA; EDUCATION, USE OF FILMS IN; JODOROWSKY, ALEXANDRO; WORST FILMS; PROPAGANDA FILMS; GERMANY; WATERS, JOHN (US); JACKSON, PETER (NZ); HENENLOTTER, FRANK; HEWITT, JON; MEXICO; RAIMI, SAM; HENRIKSEN, LANCE; WOO, JOHN [pseud. of Wu Yusen]; FERRARA, ABEL; ASIAN COUNTRIES; JAPAN
Summary: In 2012 The LedaTape Organisation put out Fatal Visions: The Wonder Years 1988-1989, the first volume to collect some of the earliest writings to appear in Fatal Visions, the Australian zine devoted to trash film and attendant culture that became a critically well-received and internationally distributed magazine. Four years later Fatal Visions: The Golden Age 1990-1998, the second volume in the Fatal Visions series has come screaming into the world. What’s presented here is a personal selection by editor Michael Helms from the final fifteen issues of Fatal Visions. A true best-of and showcase for as many of the still highly relevant and entertaining articles, interviews and reviews from some of the most exciting writers working in trash film. - Blondes, Bockwurst & Porn – a trashfilm tour of Europe by Jack Stevenson. - Mexploitation Explained by Steve Fentone. - Cool & The Crazy – Bruce Milne’s seminal article on The Cramps. - Eyeball On Asia – watching film in Asian countries with Stefan Hammond. - Kris Gilpin interviews Charles Napier. - Other interviews include Abel Ferrara, Alejandro Jodorowsky, Lance Henriksen, Peter Jackson and John Woo. - Hundreds of cinema & video reviews. - Foreword by Jack Sargeant. Profusely illustrated – with index!
Notes: Includes index
ISBN: 9780994411211
ID2: 251

Call No: 45:93 SHO
Author: Short, K. R. M. (Kenneth R. M.)
Source: UK
Place: London
Publisher: Croom Helm
PubDate: c1981
PhysDes: 192 p. ; 23cm
Subject: ETHNIC GROUPS IN FILMS. USA; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); CASABLANCA (US, Michael Curtiz, 1942); CENSORSHIP. UK; CROSSFIRE (US, Edward Dmytryk, 1947); FRANCE; GENTLEMAN'S AGREEMENT (US, Elia Kazan, 1947); GERMANY; HISTORY AND THE CINEMA; JEWS IN FILMS. USA; RENOIR, JEAN; UNITED KINGDOM; USSR; WORLD WAR II AND THE CINEMA; ZANUCK, DARRYL F.
Notes: Historical sources: Cinema films (BNB/PRECIS); Includes index
ISBN: 0709904592 : ª9.95 : CIP rev
LON: 2012107

Call No: 761:626[396] FEM
Author: Waldman, Diane (editor); Walker, Janet (editor)
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 1999
PhysDes: ix, 365 p : ill. ; 26 cm
Series: Visible Evidence, volume 5
Subject: DOCUMENTARIES; DOCUMENTARIES. ARMENIA; DOCUMENTARIES. GERMANY; DOCUMENTARIES. TURKEY; FEMINISM AND THE CINEMA; DONT LOOK BACK (US, D.A. Pennebaker, 1967); ARMENIAN JOURNEY, AN (US, Theodore Bogosian, 1988); ROGER AND ME (US, Michael Moore, 1989); AMERICAN DREAM (US, Barbara Kopple, 1990)
Summary: Documentary and feminist film studies have long been separate or parallel universes that need to converse or collide. The essays in this volume, written by prominenet scholars and filmmakers, demonstrate the challenges that feminist perspectives pose for documentary theory, history, and practice. They also show how fuller attention to documentary enriches and complicates feminist theory, especially regarding the relationship between gender and sexuality, race and ethnicity, class and nation. This book includes an extensive filmography and videography with useful distribution information and a bibliography of work in this neglected area of scholarship. [Taken from back cover.]
ISBN: 0816630062
Contents: Introduction -- Part I: Historicizing documentary -- 1. Sentimental contracts: dreams and documents of American labor / Paula Rabinowitz -- 2. Flaherty's midwives / Patricia R. Zimmerman -- 3. New subjectivities: documentary and self-representation in the post-verite age / Michael Renov -- 4. Bad girls come and go, but a lying girl can never be fenced in / Alexandra Juhasz -- Part II: Filmmaker/subject: self/other -- 5. (Pass through) the mirror moment and 'Don't look back': music and gender in rockumentary / Susan Knobloch -- 6. Identities unmasked / empowerment unleashed: the documentary style of Michelle Parkerson / Gloria J. Gibson -- 7. Cross-cultural filmmaking, Japanese style / Ann Kaneko -- Part III: Going back (with a camera): gender, nation and documentary returns -- 8. Return, transference and the constructedness of experience in German/Turkish documentary film / Silvia Kratzer Juilfs -- 9. Melancholic memories and manic politics: feminism, documentary, and the Armenian diaspora / Anahid Kassabian and David Kazanjian -- 10. Fetishes and fossils: notes on documentary and materiality / Laura U. Marks -- 11. On silence and other disruptions / Deborah Lefkowitz -- Part IV: Innovative (auto)biographies -- 12. Fleeing from documentary: autobiographical film/video and the 'ethics of responsibility' / Michelle Citron -- 13. From rupture to rapture through experimental bio-pics: Leslie Thornton's 'There was an unseen cloud moving' / Chris Holmlund -- 14. Women's fragmented consciousness in feminist experimental autobiographical video / Julia Lesage

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. NEW YORK. GERMANY NEW FILMS

Call No: F023(430.1) FIL
CorpAuthor: Zentralverbandes de Deutschen Filmtheatre e.V. und seiner Mitgliedsorganisationen = Central Association of German Film Theatres e.V. and its affiliates
Place: Wiesbaden
Publisher: DEFA
PubDate: 1952-60
PhysDes: 30 cm
Subject: FEDERAL REPUBLIC OF GERMANY; DISTRIBUTION. EUROPEAN COUNTRIES
Summary: Offizielles Organ des Zentralverbandes de Deutschen Filmtheatre e.V. und seiner Mitgliedsorganisationen = official organ the Central Association of German Film Theater e.V. and its affiliates
Notes: German text 1952/53 1955/56 1956/57 1957/58 1958/59 1959/60
Language: German

Call No: 71(430) HUL
Author: Hull, David Stewart
Place: Berkeley
Publisher: University of California Press
PubDate: 1969
PhysDes: xi, 291 p. illus. 23 cm
Subject: GERMANY
Notes: Bibliography: p. 276-280
LON: 35417

Call No: F023 (430) HOL
Author: Holba, Herbert
Place: Wiesbaden
Publisher: Deutsches Institut fur Filmkunde
PubDate: 1972
PhysDes: 30 cm ; 118 pages
Subject: GERMANY; DISTRIBUTION. EUROPE

Call No: 915(430.2) HOL
Author: Holba, Herbert; Lichtenstein, Manfred; Schulz, Gunter
CorpAuthor: Dokumentationszentrum Action; Staatlichen Filmarchiv der DDR
Edition: 1977[?]
Place: Wien
Publisher: Dokumentationszentrum Action
PubDate: 1977[?]
PhysDes: np ; 21 cm
Subject: GERMANY; DISTRIBUTION. EUROPE; MARKETING; ADVERTISING FOR FILMS; GERMAN DEMOCRATIC REPUBLIC
Notes: Listing of theatrical exhibition programmes for domestic and international films released in DDR 1945-1975.
Language: German; English; Russian

Call No: 411.1 TAY
Author: Taylor, Richard, 1946-
Source: UK
Place: London
Publisher: Croom Helm
PubDate: 1979
PhysDes: 265 pages , plates : illustrations, portaits : 23 cm
Subject: PROPAGANDA FILMS. USSR; PROPAGANDA FILMS. GERMANY; NAZIS IN FILMS; ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938)
Summary: "Lenin, Stalin, Trotsky, Hitler and Goebbels shared a common interest in film: they all regarded the cinema as the most important weapon at their dispodal for mass polical propaganda. This book examins the methods that they used and suggests some tentative lessons that we may draw from their experience" -- taken from inside sleeve
Notes: Index ; Bibliography: p. 238-257
ISBN: 0856640999
Donation: Henry Mayer Collection
Contents: Acknowledgements -- Note -- Part One: Introduction -- Preface -- Propaganda and Film -- Part Two: Soviet Russia -- Russia: The Historical Background -- Russa: The Needs of Revolution -- Russia: Themes and Variations -- Mother -- October -- Three Songs of Lenin -- Alexander Nevsky -- Part Three: Nazi Germany -- Germany: The Historical Background -- Germany: The Needs of Revolution -- Germany: Themes and Variations -- Triumph of the Will -- The Wandering Jew -- Uncle Kruger -- Kolberg -- Conclusions -- Filmography -- Bibliography -- Conclusions

Call No: REFERENCE SECTION; 027(430.1) TELDOK "1978" FIL
CorpAuthor: Teldok Films
Source: GG
Place: Freiburg, West Germany
Publisher: Teldok Film
PubDate: 1978
PhysDes: 12 leaves : ill. ; 30 cm
Subject: DOCUMENTARY FILMS. GERMANY; DOCUMENTARY FILMS. THIRD WORLD; POLITICS AND THE CINEMA
Notes: In the 'German Federal Republic Distribution Catalogues' box - 027(430.1); Introductory essay about Teldok Films written by Peter Krieg and Heidi Knott.

Call No: 81SIR RYA
Author: Ryan, Tom
Source: US
Place: Jackson, Mississippi
Publisher: University Press of Mississippi
PubDate: [2019]
PhysDes: 309 pages : illustrations ; 23 cm
Subject: FILM; GERMANY; CRITICISM; DIRECTORS; SIRK, DOUGLAS; ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955); WRITTEN ON THE WIND (US, Douglas Sirk, 1956); IMITATION OF LIFE (US, Douglas Sirk, 1959)
Summary: "Best known for powerful 1950s melodramas like All That Heaven Allows, Written on the Wind, The Tarnished Angels, and Imitation of Life, Douglas Sirk (1897-1987) brought to all his work a distinctive style that led to his reputation as one of twentieth-century film's great directors. Sirk worked in Europe during the 1930s, mainly for Germany's UFA studios, and then in America in the 1940s and '50s. The Films of Douglas Sirk: Exquisite Ironies and Magnificent Obsessions provides an overview of his entire career, including Sirk's work on musicals, comedies, thrillers, war movies, and westerns. One of the great ironists of the cinema, Sirk believed rules were there to be broken. Whether defying the decrees of Nazi authorities trying to turn film into propaganda or arguing with studios that insisted characters' problems should always be solved and that endings should always restore order, what Sirk called "emergency exits" for audiences, Sirk always fought for his vision. Offering fresh insights into all of the director's films and situating them in the culture of their times, critic Tom Ryan also incorporates extensive interview material drawn from a variety of sources, including his own conversations with the director. Furthermore, his enlightening study undertakes a detailed reconsideration of the generally overlooked novels and plays that served as sources for Sirk's films, as well as providing a critical survey of previous Sirk commentary, from the time of the director's "rediscovery" in the late 1960s up to the present day." -- Provided by publisher.
Notes: Includes bibliographical references and index. Filmography: pages 257-265.
ISBN: 9781496822376
Contents: Chapter One: Detlef Sierck in Europe -- Chapter Two: American Beginnings: The European Legacy -- Chapter Three: In the Shadows: Sirk and the Noir Inclination -- Chapter Four: The Uncomfortable Comedies -- Chapter Five: Sirk and God: 'The Pure Ambiguity of Experience' -- Chapter Six: Pastoral Yearnings: Sirk and the Musical -- Chapter Seven: Hollywood, Rock Hudson, and the Idea of the Hero -- Chapter Eight: Sirk, the Family Melodrama, and the Production Code -- Chapter Nine: Sirk and John M. Stahl: Adaptations and Remakes -- Chapter Ten: Out of the Past -- Chapter Eleven: Into the Future: Sirk's Legacy.

Call No: F023(430.1)"year" EXP
CorpAuthor: Export-Union der Deutschen Filmindustrie
Source: GG
Place: Weisbaden
Publisher: Export-Union der Deutschen Filmindustrie
PubDate: 1975-
PhysDes: 21 cm
Subject: GERMANY
Notes: held 1975- [incomplete] from 1979, adiitional title of Kino
Language: German, English, French and Spanish

Author: Hurley, Andrew W
PhysDes: Article
Subject: ABORIGINAL AUSTRALIANS IN FILMS; AUDIENCE RECEPTION; GERMANY; INDUSTRY, FILM. AUSTRALIA; URAN GEHOERT DER REGENBOGENSCHLANGE, DAS (GW, Nina Gladitz, 1978); WO DIE GRUNEN AMEISEN TRAUMEN (GW, Werner Herzog, 1984); BIS ANS ENDE DER WELT (GG/FR/AT, Wim Wenders, 1991)
Summary: This article examines some aspects of the West German reception of a series of Australian films about Aborigines including Peter Weir's The Last Wave (1977), Phillip Noyce's Backroads (1977) and Michael Edols' Lalai and Floating (1973 and 1975) which were shown in Germany and elsewhere in Europe in 1978 and 1979. It explains how these films came to be shown in Europe, how and why they caught the imagination of German reviewers and film-makers at the time, and how they themselves contributed to the begetting of several German films on Aboriginal themes including Nina Gladitz's documentary Das Uran gehrt der Regenbogenschlange (The Uranium Belongs to the Rainbow Serpent) (1979), Werner Herzog's Where the Green Ants Dream (1984) and Wim Wenders' Until the End of the World (1991).

Call No: 71(430) KRA
Author: Kracauer, Siegfried, 1889-1966
Place: [Princeton, N.J.]
Publisher: Princeton University Press
PubDate: c1947
PhysDes: xii, 361 p., [32] p. of plates : ill., ports
Subject: GERMANY; FASCISM AND THE CINEMA; PROPAGANDA FILMS
Notes: Includes as supplement (p. [273]-331) "Propaganda and the Nazi war film" which, with a few changes, is a reprint of the author's pamphlet of the same title issued in 1942 by the Museum of Modern Art Film Library. cf. p. [273]; Bibliography: p. 333-346
ISBN: 0691025053 (pbk.); 0691087083 (hardcover ed.)
LON: 633184 633184

Call No: 744(=924)(430) KAE
Author: Kaes, Anton
Place: Cambridge, Mass.
Publisher: Harvard University Press
PubDate: 1989
PhysDes: xiii, 273 p. : ill. ; 25 cm
Subject: GERMANY; NATIONAL CULTURE AND THE CINEMA. GERMANY; NATIONAL IDENTITY IN FILMS. GERMANY; MYTH AND THE CINEMA. GERMANY; HEIMAT FILMS; GENOCIDE IN FILMS; EHE DER MARIA BRAUN, DIE (GW, Rainer Werner Fassbinber, 1979); PATRIOTIN, DIE (GW, Alexander Kluge, 1979); DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980); HEIMAT: A CHRONICAL OF GERMANY [HEIMAT: EINE DEUTSCHE CHRONIK] [TV] (GW, Edgar Reitz, 1984); HEIMAT: A CHRONICAL OF GERMANY [HEIMAT: EINE DEUTSCHE CHRONIK] [TV] (GW, Edgar Reitz, 1984)
Notes: Rev. and enl. translation of: Deutschlandbilder; Includes index
ISBN: 0674324552 (alk. paper)
LON: 6295319

Call No: 767.2(430) MOM
CorpAuthor: Goethe-Institut (Munich, Germany)
Place: MFunchen
Publisher: Goethe-Institut
PubDate: 1981
PhysDes: 47 p. : ill. ; 21 cm
Subject: DOCUMENTARY FILMS. GERMANY; FASCISM AND THE CINEMA; NAZIS IN FILMS
Notes: Cover title
LON: 2820924

Call No: 767.2(430) FRO
Place: Munich
Publisher: Goethe-Institut
PubDate: 1981
PhysDes: 47p. : ill ; 21 cm
Subject: MOTION PICTURES - HISTORY - GERMANY

Call No: 451(430) HAN
Author: Hans, Anjeana K
Source: US
Place: Detroit MI
Publisher: Wayne State University Press
PubDate: 2014
PhysDes: vii, 302 pages : 23 cm
Series: Contemporary approaches to film and media series
Subject: GERMAN FEDERAL REPUBLIC; GERMANY; GENDER AND THE CINEMA; SEXUALITY AND THE CINEMA; FEMINISM AND THE CINEMA; MASCULINITY IN FILMS
Notes: Includes bibliographic references and index
ISBN: 9780814338940
Donation: donated by Senses of Cinema, 2014
Contents: 1.The World Turned Upside Down: Changing Society, Changing Gender Roles, Changing Medium in Weimar Germany -- 2.The Eyes of the Mummy (Die Augen der Mumie Ma^, Ernst Lubitsch, 1918): From the Monster with the "Eyes That Live" to the Passive Object of the Male Gaze -- 3.Uncanny Tales {Unheimliche Geschichten, Richard Oswald, 1919): The Many Guises of the Dangerous Woman -- 4.Warning Shadows {Schatten: Eine nachtliche Halluzination, Artur Robison, 1923): Transgression, Abjection, Projection -- 5.The Hands of Orlac (Orlacs Hande, Robert Wiene, 1924): War Trauma, Injury, and the Return to a Changed World -- 6.A Daughter of Destiny {Alraune, Henrik Galeen, 1928) and Daughter of Evil (Alraune, Richard Oswald, 1930): From Dangerous Hybrid to Self-Sacrificing Woman--Conclusion

Call No: 71(430) GER
Author: Bergfelder, Tim; Carter, Erica; Gokturk, Deniz
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 2002
PhysDes: xi 291p. : illus. : 25cm
Subject: EXHIBITION; UFA; GOVERNMENT AID. GERMANY; GOVERNMENT CONTROL; GERMANY; HISTORY OF CINEMA; CULTURE AND THE CINEMA; HEIMAT FILMS; COMEDIES. GERMANY; CRIME FILMS; HOMOSEXUALITY AND THE CINEMA; POLITICS AND THE CINEMA; HISTORY OF CINEMA; DIETRICH, MARLENE; LANG, FRITZ; LUBITSCH, ERNST; MUELLER-STAHL, ARMIN; OTTINGER, ULRIKE; RUHMANN, HEINZ; NIBELUNGEN, DIE (G, Fritz Lang, 1922-24)
Notes: Includes bibliography and resources and index
ISBN: 085170946X

Call No: REFERENCE SECTION; 023(430) GER
CorpAuthor: Arbeitsgemeinschaft Dokumentarfilm
Source: G
Place: Frankfurt
Publisher: Arbeitsgemeinschaft Dokumentarfilm
PubDate: 1999
PhysDes: 94 p. ills.
Subject: GERMANY; FILMOGRAPHIES

Call No: REFERENCE SECTION; 023(430) GER"2001"
CorpAuthor: Arbeitsgemeinschaft Dokumentarfilm
Place: Frankfurt-am-Main
Publisher: Arbeitsgemeinschaft Dokumentarfilm
PubDate: 2001
PhysDes: 122 p. ; 30 cm
Subject: GERMANY; FILMOGRAPHIES; DOCUMENTARY FILMS. GERMANY
Notes: catalogue

Call No: 771(430.1) GRE
Place: Munich
Publisher: Goethe-Institute
PubDate: 1980
PhysDes: [45] p. : ill. ; 14 x 18 cm
Subject: EXPERIMENTAL FILMS. GERMANY; O., DORE; CLEVE, BASTIAN; HEIN, BIRGIT & WILHEIM; WYBORNY, KLAUS; NEKES, WERNER; EMIGHOLZ, HEINZ
Notes: Title from cover
LON: 9722525

Call No: FESTIVAL CATALOGUE SHELVES
Place: Cape Town, South Africa
Publisher: [s.n.]
PubDate: 1983
PhysDes: 1 v. : ill. ; 21 cm
Subject: FESTIVALS. CAPE TOWN; SOUTH AFRICA; GERMANY; EUROPEAN CINEMA; FASSBINDER, RAINER WERNER; SANDERS-BRAHMS, HELMA
Notes: The German Film Exposition showcases a selection of contemporary feature length films. The festival also includes a retrospective on the works of German director, Helma Sanders-Brahms, as well as the final film of Rainer Werner Fassbinder, Querelle. The catalogue contains numerous black and white stills and film synopses.

Call No: 71(430) GER
Author: Rentschler, Eric
Place: New York
Publisher: Methuen
PubDate: 1986
PhysDes: x, 385 p. : ill. ; 24 cm
Subject: GERMANY; ADAPTATIONS. GERMANY; STUDENT VON PRAG, DER (G, Stellan Rye, 1913); NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); BUCHSE DER PANDORA, DIE (G, Georg Wilhelm Pabst, 1929); BLAUE ENGEL, DER (G, Josef von Sternberg, 1930); LIEBELEI (G, Max Ophuls, 1933); LEBENZEICHEN (GW, Werner Herzog, 1968); LOTTE IN WEIMAR (GE, Egon Gunther, 1975); LINKSHANDIGE FRAU, DIE (GW, Peter Handke, 1977); EHE DER MARIA BRAUN, DIE (GW, Rainer Werner Fassbinber, 1979); DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980); BERLIN ALEXANDERPLATZ (GW/IT, Rainer Werner Fassbinder, 1980); HISTORY LESSONS [GESCHICHTSUNTERRICHT / LECONS D'HISTOIRE] (GW/IT, Jean-Marie Straub/Daniele Huillet, 1972); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); HAUPTMANN VON KOPENICK, DER (GW, Helmut Kautner, 1956); JUNGE TORLESS, DER (GW, Volker Schlondorff, 1966); WOZZECK (G, Georg C. Klaren, 1947); UNTERTAN, DER (GE, Wolfgang Staudte, 1951); FRAULEIN VON BARNHELM, DAS (G, Hans Schweikart, 1940); ZERBROCHENE KRUG, DER (G, Gustav Ucicky, 1937)
Notes: Includes index; Bibliography: p. [366]-378
ISBN: 0416603416 (pbk.); 0416603319
LON: 4216378

Author: Naughton, Leonie
PhysDes: Article; Bibliography; Illustration(s)
Subject: COMEDIES. GERMANY; GERMANY; GOVERNMENT AID. GERMANY; BEWEGTE MANN, DER (GG, Sonke Wortmann, 1994)
Summary: Explores the late 1990's trend of German audiences flocking to watch locally produced films, as opposed to movies from the United States.

Call No: IN STORAGE. OVERNIGHT RETRIEVAL
Source: GG
Place: Munich
Publisher: German Films Service + Marketing GmbH
Subject: GERMANY
Notes: Continuation of Kino
ISSN: 16146387
Language: English
Special Issues: Held - 1. 2007

Call No: 762.1(430) GER
CorpAuthor: Goethe Institute
Source: GW
Place: Munich
Publisher: Goethe Institute
PubDate: 1984
PhysDes: 56 pages : illustrations ; 21 cm
Subject: NEWSREELS. GERMANY; PROPAGANDA FILMS. GERMANY; WAR AND THE CINEMA; NAZIS IN FILMS; FASCISM AND THE CINEMA
Summary: An examination and breakdown of newsreels that were created for news/propaganda purposes in Germany between 1933-1947
Donation: Bruce Hodsdon
Contents: Preface -- Introduction: the evolution of the newsreel in Germany -- 1. A newsreel dating for the early phase of the Third Reich: EMELKA-TONWOCHE of 1 April 1933 -- 2. Military parade as a "showpiece of film reporting": Hitler's 50th birthday in the UFA-Wochenschau, 1939 -- 3. The first war-time edition of the UFA-TONWOCHE dating from 7 September 1939 -- 4. Film propaganda for abroad prior to the collapse of 1945 in the Agfacolor monthly newsreel PANORAMA from the winder of 1944-45 -- 5. The end of March 1945 in the final war-time edition of the "DEUTSCHE WOCHENSCHAU" -- 6. The Anglo-American occupation newsreel WELT IM FILM as an instrument of "re-education" in 1945 -- 7. Retrospect of the year 1947 by the Anglo-American occupation weekly newsreel WELT IM FILM

Call No: REFERENCE SECTION; 023(430.1)"year"
CorpAuthor: Export-Union der Deutschen Filmindustrie
Source: GG
Place: Frankfurt-am-Main
Publisher: Export-Union der Deutschen Filmindustrie
PubDate: 1956-74
PhysDes: 21 cm
Subject: GERMANY
Notes: held 1956-74 [incomplete]
Language: German, English, French, Italian and Spanish

Author: Thoms, Albie
PhysDes: Article
Subject: INDUSTRY, FILM. GERMANY; UNDERGROUND FILMS; Wenders, Wim; WYBORNY, KLAUS; NEKES, WERNER; COSTARD, HELLMUTH
Summary: First in a series of articles that looks at the directors and films of the emerging German undergournd cinema.

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: GERMANY

Call No: 71(430)(03) BUC
Author: Bucher, Felix; Gmur, Leonhard H
Place: London New York
Publisher: A. Zwemmer A.S. Barnes
PubDate: c1970
PhysDes: 298 p. : ill., ports. ; 21 cm
Subject: GERMANY
Notes: Cover subtitle: An illustrated guide ... to the work of over 400 directors, players, technicians and other leading figures in the German cinema, with an index to over 6,000 films
ISBN: 0498075176 (Barnes); 0302020071 (Zwemmer)
LON: 33890 33890

Author: Everson, William K
PhysDes: Article
Subject: GERMANY AWAKE (US, Erwin Leiser, 1978)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GERMANY'S WAR: DECISIVE BATTLES - STALINGRAD [TV]

Call No: 71(430) EIS
Author: Eisner, Lotte H
Place: London
Publisher: Thames & Hudson
PubDate: 1969
PhysDes: 360 p. illus. 25 cm
Subject: GERMANY; EXPRESSIONISM; LUBITSCH, ERNST; BRECHT, BERTOLT; NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924); METROPOLIS (G, Fritz Lang, 1926); FAUST (G, Friedrich Wilhelm Marnau, 1926); NIBELUNGEN, DIE (G, Fritz Lang, 1922-24); SCHATZ, DER (G, Georg Wilhelm Pabst, 1923); TARTUFF (G, Friedrich Wilhelm Murnau, 1926); DESTINY [MUDE TOD, DER] (G, Fritz Lang, 1921); WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924)
Notes: Originally published as L'Ecran demoniaque, revised ed. Paris, Bonne, 1965; List of films p. 348-354; Bibliography: p. 346-347
ISBN: 0500500010
LON: 110813 110813

Call No: 71(430) EIS
Author: Eisner, Lotte H
Edition: 1st California pbk. ed
Place: Berkeley
Publisher: University of California Press
PubDate: 1973, c1969
PhysDes: 360 p. : ill., ports
Subject: GERMANY; EXPRESSIONISM; LUBITSCH, ERNST; BRECHT, BERTOLT; NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924); METROPOLIS (G, Fritz Lang, 1926); FAUST (G, Friedrich Wilhelm Marnau, 1926); NIBELUNGEN, DIE (G, Fritz Lang, 1922-24); SCHATZ, DER (G, Georg Wilhelm Pabst, 1923); TARTUFF (G, Friedrich Wilhelm Murnau, 1926); DESTINY [MUDE TOD, DER] (G, Fritz Lang, 1921); WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924)
Notes: Translation of: L'ecran demoniaque; Bibliography: p. 346-347; Filmography: p. 348-354
ISBN: 0520024796
LON: 8931538

PhysDes: Article
Subject: HEIMAT: A CHRONICAL OF GERMANY [HEIMAT: EINE DEUTSCHE CHRONIK] [TV] (GW, Edgar Reitz, 1984); HEIMAT: A CHRONICAL OF GERMANY [HEIMAT: EINE DEUTSCHE CHRONIK] [TV] (GW, Edgar Reitz, 1984)

Author: Naughton, Leonie
PhysDes: Article
Subject: HEIMAT: A CHRONICAL OF GERMANY [HEIMAT: EINE DEUTSCHE CHRONIK] [TV] (GW, Edgar Reitz, 1984); HEIMAT: A CHRONICAL OF GERMANY [HEIMAT: EINE DEUTSCHE CHRONIK] [TV] (GW, Edgar Reitz, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HEIMAT: A CHRONICAL OF GERMANY [HEIMAT: EINE DEUTSCHE CHRONIK] [TV] (GW, Edgar Reitz, 1984); HEIMAT: A CHRONICAL OF GERMANY [HEIMAT: EINE DEUTSCHE CHRONIK] [TV] (GW, Edgar Reitz, 1984)

PhysDes: Article
Subject: HEIMAT: A CHRONICAL OF GERMANY [HEIMAT: EINE DEUTSCHE CHRONIK] [TV] (GW, Edgar Reitz, 1984); HEIMAT: A CHRONICAL OF GERMANY [HEIMAT: EINE DEUTSCHE CHRONIK] [TV] (GW, Edgar Reitz, 1984)

Call No: 81LUB THO
Author: Thompson, Kristin
Source: NE
Place: Amsterdam, Netherlands
Publisher: Amsterdam University Press
PubDate: 2005
PhysDes: 154 p. : ill., ports ; 30cm
Series: Film culture in transition
Subject: PRODUCERS; HISTORY OF CINEMA. GERMANY; HISTORY OF CINEMA. USA; LUBITSCH, ERNST
Notes: Includes bibliographical references: (p. [133}-144) and index.; Filmography: (p. [145]-148); This item has been downloaded from the internet in 2010, and printed off
Contents: ch. 1. Lubitsch's career -- ch. 2. Making the light come from the story : lighting -- ch. 3. Subduing the cluttered background : set design -- ch. 4. Guiding the viewer's attention : editing -- ch. 5. Peeking at the players : acting -- ch. 6. Mutual influences -- Epilogue. The Lubitsch touch.
URL status: URL: 'https://library.oapen.org/handle/20.500.12657/35134' Checked: 31/08/2021 1:21:34 PM Status: Live Details: HTTP status 200 - Usual success response

Call No: 71(430) REI
Author: Reimer, Robert C.; Reimer, Carol J.
Edition: Second edition
Place: Lanham
PubDate: 2019
PhysDes: xxxvi, 498 pages : illustrated ; 24 cm
Subject: GERMANY
Summary: The History of German film is diverse and multi-faceted. This volume can only suggest the richness of a film tradition that includes five distinct German governments [Wilhelmine Germany, the Weimar Republic, the Third Reich, the Federal Republic of Germany (West Germany), and the German Democratic Republic (East Germany), s well as a reunited Germany], two national industries (Germany and Austria), and a myriad of styles and production methods. Paradoxically, the political disruptions that have produced these distinct film eras, as well as and the natural inclination of artists to rebel and create new styles, allow for construction of a narrative of German film. Disjuncture generates distinct points of separation, and yet also highlights continuities between the ruptures. This second edition of Historical Dictionary of German Cinema contains a chronology, an introduction, appendixes and an extensive bibliography. The dictionary section has over 200 cross-referenced entries on directors, actors, films, cinematographers, composers, producers, and major historical events that greatly affected the direction and development of German cinema. This book is an excellent resource for students, researchers, and anyone wanting to know more about German cinema. -- publisher's web site
ISBN: 9781538119396
Donation: Adrian Danks
Contents: Editor’s Foreword Jon Woronoff -- Preface -- Acronyms and Abbreviations -- Chronology -- Introduction -- THE DICTIONARY -- Appendixes I The One Hundred Most Significant German Films -- Appendixes II Winners of the Deutscher Filmpreis for Best Picture -- Bibliography -- About the Authors

Call No: 70 RHO
Author: Rhode, Eric, 1934
Place: London
Publisher: A. Lane
PubDate: 1976
PhysDes: 674 p. : ill. ; 24 cm
Subject: HISTORY OF CINEMA; USSR; NEOREALISM; NOUVELLE VAGUE; FRANCE; GERMANY; USA; GRIFFITH, DAVID WARK
Notes: Includes index; Bibliography: p. [641]-649
ISBN: 0713909722 : ª10.00
LON: 194037

Call No: 408.3(4) HOL
Author: Ellwood, David W; Kroes, Rob; Brunetta, Gian Piero
Place: Amsterdam
Publisher: VU University Press
PubDate: 1994
PhysDes: 302 p. : ill. ; 24 cm
Series: European contributions to American studies ; 28
Subject: EUROPEAN COUNTRIES; EUROPEAN COUNTRIES. 1927-1932; ITALY; NETHERLANDS; GERMANY; FRANCE; COLD WAR AND THE CINEMA; HISTORY OF TV. UK; CULTURAL IMPERIALISM. EUROPEAN COUNTRIES; POPULAR CULTURE AND THE CINEMA
Notes: Includes bibliographical references
ISBN: 905383303X
LON: 11278383

Call No: 735.2 (4):749.0 (4) TOH
Author: Tohill, Cathal; Tombs, Pete
Edition: 1st St. Martin's Griffin ed.
Source: US
Place: New York
Publisher: St. Martin's Griffin
PubDate: 1995
PhysDes: 272 p. : ill. (some col.) ; 28 cm
Subject: HORROR FILMS. GERMANY; HORROR FILMS. ITALY; HORROR FILMS. FRANCE; HORROR FILMS. SPAIN; EXPLOITATION FILMS; SEX IN FILMS; ROBBE-GRILLET, ALAIN; NECRONOMICON - GETRAUMTE SUNDEN (GG/FR, Jesus Franco, 1968); FASCINATION (FR, Jean Rollin, 1979); VAMPYRES (UK, Jose Larraz, 1974); EPAIS MANTEAU DE SANG, UN (FR/US, Jose Benazeraf, 1967); CONTES IMMORAUX (FR, Walerian Borowczyk, 1974); JEU AVEC LE FEU, LE (IT, FR, Alain Robbe-Grillet, 1975)
Summary: 'From sexy thrillers to pulp surrealism, from decadent erotica to blood-soaker vampire epics, nothing could go too far'. Not so much a movie guide as an insightful critical overview of European horror/exploitation/sex films of the 1950s-1980s, this book is organised into a sequence of essays proceeding from general themes (the history of horrific art, the surgical metaphor), to regional styles (Italian, German, French, Spanish), to individual directors (Jesus Franco, Jean Rollin, José Larraz, José Bénazéraf, Walerian Borowczyk, Alain Robbe-Grillet), and provides a consice history covering this unique era. The book includes many photos, original poster art, and a useful appendix covering miscellaneous actors and directors from the genre.
Notes: Includes index. Bibliography: p. 269
ISBN: 031213519X

Call No: 62 PEU
Author: Peucker, Brigitte
Source: US
Place: Princeton, New Jersey
Publisher: Princeton University Press
PubDate: 1995
PhysDes: xi, 227 pages : illustrations ; 24 cm
Series: Princeton paperbacks
Subject: ART AND THE CINEMA; ART CINEMA; AESTHETICS; DEATH IN FILMS; GERMANY; NARRATIVE IN FILMS; PERCEPTION
Summary: "Film, a latecomer to the realm of artistic media, alludes to, absorbs, and undermines the discourses of the other arts--literature and painting especially--in order to carve out a position for itself among them. Exposing the anxiety in film's relation to its rival arts, Brigitte Peucker analyzes central issues involved in generic boundary crossing as they pertain to film and situates them in a theoretical framework. The figure of the human body takes center stage in Peucker's innovative study, for it is through this figure that the conjunction of literary and painterly discourses persistently articulates itself. It is through the human body, too, that film's consciousness of itself as a hybrid text and as a "machine for simulation" makes itself deeply felt." -- taken from back cover
Notes: Includes bibliographical references (pages 175-213), index, and notes.
ISBN: 978691002811
Donation: Adrian Miles
Contents: Introduction: Bodies and Boundaries -- Movement, Fragmentation, and the Uncanny. Unnatural Conjunctions: The Heterogeneous Text. "Its Strange Mixture of the Natural and the Artificial": The Presence of Kleist. "Bits of Bodies": The Fragmented Text. Man and the Cinema Machine: Magician, Psychoanalyst, Scientist: The Case of Dr. Caligari. Fritz Lang, the Apparatus, and the Fissured Text. Magician and Surgeon. "Knife Phobia" "Doing It with Scissors": Dismemberment in Hitchcock -- Monstrous Births: The Hybrid Text. Miscegenation and the Sister Arts: Griffith's Broken Blossoms. Hitchcock's "Half-Caste" Murnau. Cinematic Vampirism. Painting and Repression. Herzog's Unassimilable Bodies. Witchcraft, Vision, and Incest: Dreyer's Day of Wrath. The Phantom of the Cinema: Body and Voice -- Incorporation: Images and the Real. Trompe l'Oeil Effects. Cinema and the Real. Body Language: Kleist's and Rohmer's Marquise. Hitchcock as Pygmalion. Wings of Desire: Reality, Text, Embodiment. Kleist, Tableau Vivant, and the Pornographic. Fassbinder's Cinema of Mixed Modes: Tableau Vivant and the Real. Incorporation in Greenaway. Painful Images -- Afterword: Ut pictura poesis

Call No: 51 INF
Author: Lyons, Timothy J.; Staples, Donald E.; Wagner, Robert W.
Source: US
Place: Houston, Texas
Publisher: University of Houston
PubDate: Fall 1979
Series: Journal of the University Film Association, Monograph No. 4
Subject: FILM WORKERS; DIRECTORS. JAPAN; DIRECTORS. MEXICO; DIRECTORS. UK; DIRECTORS. USA; DIRECTORS. USSR; DIRECTORS. AUSTRALIA; DIRECTORS. GERMANY; DIRECTORS. INDIA; DIRECTORS. ITALY
Notes: Papers from the XIXth Congress and General Assembly of Centre International de Liaison des Ecoles de Cinema et de Television (CILECT), Washington, DC 11-18 September 1978

Call No: 62 INT
Author: Nelmes, Jill, 1954
Edition: 2nd ed
Place: London
Publisher: Routledge
PubDate: 1999
PhysDes: xviii, 522 p. : ill. ; 26 cm
Subject: WARNER BROS.; STUDIO SYSTEM; AUDIENCES; GENRES; DOCUMENTARY FILMS; ANIMATION; COMPUTERS AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; UNITED KINGDOM; INDIA; USSR; GERMANY; NARRATIVE IN FILMS; SPECTATORSHIP; CENSORSHIP; STARS; AUTEUR THEORY; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; KULESOV, LEV; KAPOOR, RAJ; Ray, Satyajit; DOVZENKO, ALEKSANDR; SHUB, ESTHER; FLAHERTY, ROBERT; JENNINGS, HUMPHREY; RIEFENSTAHL, LENI; WISEMAN, FREDERICK; POTTER, SALLY; TOCCAFONDO, GIANLUIGI; FELLOW TRAVELLER (UK/US, Philip Saville, 1990); DUCK AMUCK (US, Chuck Jones, 1953); GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987); COLOUR BOX, A (UK, Len Lye, 1935); DEADSY (UK, David Anderson, 1989); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); JAWS (US, Steven Spielberg, 1975); CRYING GAME, THE (UK, Neil Jordan, 1992); PLATOON (US, Oliver Stone, 1986); MARS ATTACKS! (US, Tim Burton, 1996); ROBOCOP (US, Paul Verhoeven, 1987); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); IF... (UK, Lindsay Anderson, 1968); PULP FICTION (US, Quentin Tarantino, 1994); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); HOOP DREAMS (US, Steve James, 1994); WHEN WE WERE KINGS (US, Leon Gast, 1996); GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997); CREATURE COMFORTS (UK, Nick Park, 1991); NEIGHBOURS (US, Norman McLaren, 1952); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); GOLD DIGGERS, THE (US, Sally Potter, 1983); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); VICTIM (UK, Basil Dearden, 1961); DESERT HEARTS (US, Donna Deitch, 1985); LIVING END, THE (US, Gregg Araki, 1992); LOOKING FOR LANGSTON (UK, Isaac Julien, 1989); GO FISH (US, Rose Troche, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977); DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980)
Notes: Includes bibliographical references and index
ISBN: 0415173094 (hb); 0415173108 (pb)
LON: 14043939
URL status: URL: 'http://-' Checked: 31/08/2021 1:01:28 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 62 INT
Author: Nelmes, Jill, 1954
Edition: 3rd ed
Place: London
Publisher: Routledge
PubDate: 2003
PhysDes: xviii, 522 p. : ill. ; 26 cm
Subject: WARNER BROS.; STUDIO SYSTEM; AUDIENCES; GENRES; DOCUMENTARY FILMS; ANIMATION; COMPUTERS AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; UNITED KINGDOM; INDIA; USSR; GERMANY; NARRATIVE IN FILMS; SPECTATORSHIP; CENSORSHIP; STARS; AUTEUR THEORY; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; KULESOV, LEV; KAPOOR, RAJ; Ray, Satyajit; DOVZENKO, ALEKSANDR; SHUB, ESTHER; FLAHERTY, ROBERT; JENNINGS, HUMPHREY; RIEFENSTAHL, LENI; WISEMAN, FREDERICK; POTTER, SALLY; TOCCAFONDO, GIANLUIGI; FELLOW TRAVELLER (UK/US, Philip Saville, 1990); DUCK AMUCK (US, Chuck Jones, 1953); GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987); COLOUR BOX, A (UK, Len Lye, 1935); DEADSY (UK, David Anderson, 1989); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); JAWS (US, Steven Spielberg, 1975); CRYING GAME, THE (UK, Neil Jordan, 1992); PLATOON (US, Oliver Stone, 1986); MARS ATTACKS! (US, Tim Burton, 1996); ROBOCOP (US, Paul Verhoeven, 1987); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); IF... (UK, Lindsay Anderson, 1968); PULP FICTION (US, Quentin Tarantino, 1994); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); HOOP DREAMS (US, Steve James, 1994); WHEN WE WERE KINGS (US, Leon Gast, 1996); GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997); CREATURE COMFORTS (UK, Nick Park, 1991); NEIGHBOURS (US, Norman McLaren, 1952); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); GOLD DIGGERS, THE (US, Sally Potter, 1983); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); VICTIM (UK, Basil Dearden, 1961); DESERT HEARTS (US, Donna Deitch, 1985); LIVING END, THE (US, Gregg Araki, 1992); LOOKING FOR LANGSTON (UK, Isaac Julien, 1989); GO FISH (US, Rose Troche, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977); DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980)
Summary: Reference work covering a wide range of concepts, theories and ideas about film studies covering different periods and countries. Attempts to present the diversity of thought within film theory. First published in 1996.
Notes: Includes annotated key reading for each chapter, bibliography, glossary of key terms and index.
ISBN: 0415173094 (hb); 0415173108 (pb)
LON: 14043939

Call No: F023(430.1) K"1954/9" DEV
Source: GG
Place: [s.l]
Publisher: [s.n.]
PubDate: [19-?]
PhysDes: 357 p. ; 21 cm
Subject: GERMANY; DOCUMENTARY FILMS. GERMANY
Notes: catalogue
Language: German

Call No: REFERENCE SECTION; 023 (430.2)
CorpAuthor: DEFA
Source: GG
Place: Berlin
Publisher: DEFA
PubDate: [196?]
PhysDes: 20 cm
Subject: SHORT FILMS; GERMANY
Notes: catalogue
Language: German, English, French and Spanish

Call No: 71(430) LAS
Author: Steingrover, Reinhild
Place: Rochester, N.Y.
Publisher: Camden House
PubDate: 2014
PhysDes: xi, 259 pages : illustrations ; 24 cm
Series: Screen cultures: German film and the visual
Subject: LOST FILMS; GERMANY; MOTION PICTURES - HISTORY - GERMANY; GERMAN DEMOCRATIC REPUBLIC
Summary: "Last Features is the story of forgotten films made during the time of German unification. With leftover GDR funds and under chaotic conditions, a group of young East German filmmakers produced around thirty stylistically diverse films. Most of these films were lost in the political upheaval of the Wende, disappearing until the 2009 Wendeflicks festival in Los Angeles brought them back for an international audience. Now available on DVD, these films provide unique insights into the generational struggle in the DEFA studio, East German youth culture in the 1970s, women directors at DEFA, the relationship between the artist and the state, and the protests of 1989. Last Features focuses in particular on the production group "DaDaeR," the creation of which in 1989 fulfilled a long-standing request by the last generation of DEFA directors for freer production conditions. Drawing on archival research and interviews with the directors, writers, and editors of the films in question, each chapter examines specific films from the last year of DEFA, contextualizing the analysis of these "last features" with a comprehensive discussion of the directors' overall ouevres, the historical changes in the studio and the country, and the lasting importance of these films today." -- BOOK BLURB
Notes: Includes bibliographical references (pages 243-251) and index -- Includes filmography (pages (pages 239-241)
ISBN: 9781571135551
Donation: donated by Senses of Cinema, 2014
Contents: Introduction -- On fools and clowns or refusal as engagement in two final DEFA films: Egon Gunther's Stein and Jorg Foth's Letztes aus der DaDaeR -- "Film must fidget": DEFA's untimely poets -- Absurd endgames: Peter Welz's Banale tage -- Flight into reality: the cinema of Helke Misselwitz -- The extraordinary in the ordinary: Andreas Voigt's Leipzig pentalogy, 1986-96 -- Asynchronicity in DEFA's last feature: architects, goats, and Godot --

Call No: 81RIE RIE
Author: Riefenstahl, Leni
Edition: 1st U.S. ed
Source: US
Place: New York
Publisher: St. Martin's Press
PubDate: 1993
PhysDes: 669 p. : ill. ; 25 cm
Subject: AFRICA IN FILMS; DOCUMENTARIES; DOCUMENTARIES. GERMANY; FASCISM AND THE CINEMA; NAZIS IN FILMS; PROPAGANDA FILMS; FANCK, ARNOLD; RIEFENSTAHL, LENI; HEILIGE BERG, DER (G, Arnold Fanck, 1926); HOLY MOUNTAIN, THE (G, Arnold Fanck, 1926); OLYMPIA (G, Leni Riefenstahl, 1938); TIEFLAND (GW, Leni Riefenstahl, 1954 [prod. 1940-1953]); TRIUMPH OF THE WILL (G, Leni Riefenstahl, 1935); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935)
Summary: "Fifteen years in the making, and first written to commemorate her ninetieth birthday, Leni Riefenstahl's memoir is a remarkable achievement in itself. Yet only Riefenstahl's extraordinary life could render this volume a minor accomplishment. Finally available in the United States, here is a passionate self-portrait by a truly original artist." -- BOOK BLURB
Notes: Includes index; First published in German under the title 'Memoiren'; First published in Great Britain under the title 'The sieve of time'
ISBN: 031209843X : $35.00 ($48.99 Can.)
LON: 93021621; 10183426

Call No: 81RIE INF
Author: Infield, Glenn B. (Glenn Berton)
Source: US
Place: New York
Publisher: Crowell
PubDate: 1976
PhysDes: 278 p., [13] leaves of plates : ill. ; 24 cm
Subject: FASCISM AND THE CINEMA; GERMANY; JEWS AND THE CINEMA; WOMEN FILMMAKERS; WOMEN IN FILMS. GERMANY; WORLD WAR II AND THE CINEMA; RIEFENSTAHL, LENI; OLYMPIA (G, Leni Riefenstahl, 1938); TRIUMPH OF THE WILL (G, Leni Riefenstahl, 1935)
Summary: "Notoriety clings to [Leni] Riefenstahl's name. She is reputed to have danced nude for the Fuhrer. She is linked to Goebbels, Striecher, Borman, and other evil luminaries of the Nazi party. After the war, she was investigated by the Nuremburg Commission, and found innocent; she had never been a Party member. Yet Leni's cinema helped to create the myth of Nazi supremacy; her sense of drama and destiny, her imagery, mesmerized Germany during Hitler's climb to power. Was she responsible? Was she conscious of the political meaning of her work? Or was she a naive opportunist, an incomparable technician, exploiting the chance of a lifetime? Was she Hitler's mistress, as has been alleged? Or was she just a free spirit, the pagan sensualist of her own films? These are only some of the intriguing questions Glenn B. Infield explores in Leni Riefenstahl: The Fallen Film Goddess." -- BOOK BLURB
Notes: Includes index; Bibliography: p. 262-267
ISBN: 0690011679
LON: 76007084; 760131

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LIEBE IN DEUTSCHLAND, EINE (FR/GW, Andrzej Wajda, 1983); LOVE IN GERMANY, A (FR/GW, Andrzej Wajda, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOTTE EISNER IN GERMANY (US, S. M. Horowitz, 1980)

Call No: 633.3(4) MAK
Author: Michael Leitch (ed.)
CorpAuthor: Imago
Source: UK
Place: London
Publisher: Aurum
PubDate: 2003
PhysDes: 481 p. : ill. (some col.) ; 29 cm
Subject: CINEMATOGRAPHY; EUROPEAN COUNTRIES; HISTORY OF CINEMA; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. SOUND PERIOD; NEOREALISM; ITALY; FRANCE; GERMANY; HUNGARY; CZECHOSLOVAKIA; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. 1940's; HISTORY OF CINEMA. 1950's; HISTORY OF CINEMA. 1960's; HISTORY OF CINEMA. 1970's; NOUVELLE VAGUE; MOVEMENTS IN FILM HISTORY; NYKVIST, SVEN; ROTUNNO, GIUSEPPE; CARDIFF, JACK; BERTOLUCCI, BERNARDO; MASTROIANNI, MARCELLO; TOVOLI, LUCIANO
Summary: Making Pictures is the first book systematically to examine and document the technical and creative role of the cinematographer in European cinema over the past 100 years. Individual contributions cover a wide range of themes, periods and genres and combine to provide a thorough and authoritative treatment of the subject. At the heart of the book is a section containing a film-by-film analysis of the 100 European films which, according to a jury of contemporary cinematographers, represent the very best examples of their art and demonstrate technical or creative mastery on the part of the cinematographer concerned. [Taken from inside cover]
Notes: Includes bibliographical references and indexes.
ISBN: 1854108891
Language: English
Contents: "Coming from afar" is written by Luciano Tovoli. Chapter:"The cinematographers' view" is written by Jack Cardiff, Sven Nykist & Giuseppe Rotunno. Chapter: "The director and the cinematographer" is written by Bernado Bertolucci. Chapter: "The actor's view" is written by Marcello Mastroianni. Other chapter contributions made by Michael Leitch, Cathy Greenhalgh, Zoe Bicat & Barry Salt

Call No: 62(081):408.1(430) KRA
Author: Kracauer, Siegfried
Source: US
Place: Cambridge, MA
Publisher: Harvard University Press
PubDate: 1995
PhysDes: 403 p. ; 24 cm
Subject: POPULAR CULTURE AND THE CINEMA. GERMANY; CRITICISM; THEORY; KRACAUER, SIEGFRIED; FRANKFURT SCHOOL
Summary: This book is a celebration of the masses - their tastes, amusements, and everyday lives. Taking up the master themes of modernity, such as isolation and alienation, mass culture and urban experience, and the relation between the group and the individual, Kracauer explores a kaleidoscope of topics: shopping arcades, the cinema, bestsellers and their readers, photography, dance, hotel lobbies, Kafka, the Bible, and boredom. For Kracauer, the most revelatory facets of modern metropolitan life lie on the surface, in the ephemeral and the marginal. The Mass Ornament today remains a refreshing tribute to popular culture, and its impressively interdisciplinary essays continue to shed light not only on Kracauer's later work but also on the ideas of the Frankfurt School, the genealogy of film theory and cultural studies, Weimar cultural politics, and, not least, the exigencies of intellectual exile. This volume presents the full scope of his gifts as one of the most wide-ranging and penetrating interpreters of modern life. [Taken from back cover.]
ISBN: 067455163X

Call No: 401.1 MED
Author: Alvarado, Manuel; Thompson, John O
Place: London
Publisher: BFI Pub.
PubDate: 1990
PhysDes: 364 p. ; 24 cm
Subject: MEDIA; ADVERTISING; RACIAL ISSUES AND THE CINEMA; RACIAL ISSUES AND TV; CULTURE AND THE CINEMA; BLACK FILMMAKERS. UK; POPULISM AND TV. AUSTRALIA; PROGRAMME CONTENT; BRAZIL; UNITED KINGDOM; SEX IN FILMS. UK; CLASS AND THE CINEMA. UK; REALISM IN FILMS. UK; ABORIGINAL AUSTRALIANS AND TV; NEWSREELS. GERMANY; EL SALVADOR ON TV; DETECTIVES ON TV; MELODRAMA; VIDEO GAMES; BROADCASTING. UK; INDUSTRY, FILM. USA; GANDHI ((UK, Richard Attenborough, 1982); DALLAS [TV] (US, 1978-91); DYNASTY [TV] (US, 1981-89); MOONLIGHTING [TV] (US, 1985-89)
Notes: Includes bibliographical references and index
ISBN: 0851702589; 0851702597 (pbk)
LON: 6923029

Call No: 733 MEL
Author: Bratton, J. S. (Jacqueline Susan), 1945; Cook, Jim; Gledhill, Christine
Place: London
Publisher: BFI Pub.
PubDate: 1994
PhysDes: xiii, 250 p. : ill. ; 23 cm
Subject: MELODRAMA; MELODRAMA. GERMANY; MELODRAMA. CHINA; FASSBINDER, RAINER WERNER; MICHEAUX, OSCAR; ELSAESSER, THOMAS; COLOR PURPLE, THE (US, Steven Spielberg, 1985); BLESS THEIR LITTLE HEARTS (US, Billy Woodberry, 1984); GASLIGHT (UK, Thorold Dickinson, 1940); GASLIGHT (US, George Cukor, 1944); HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987); EAST LYNNE (US, Frank Lloyd, 1931)
Notes: Includes bibliographical references and index
ISBN: 0851704379; 0851704387 (pbk.)
LON: 11032554

Call No: 408(430) SCH
Author: Scharf, Inga
Source: US
Place: New York
Publisher: Routledge
PubDate: 2008
PhysDes: xiv, 235 p. ; 24 cm
Series: Routledge advances in film studies ; 1
Subject: GERMANY; HISTORY AND THE CINEMA. GERMANY
Notes: Formerly CIP; Includes bibliographical references (p. [215]-219) and index; Includes filmography: p. [221]-223
ISBN: 9780415962803
Contents: Pt. I. Setting the Scene -- 1. Establishing Shot -- Pt. II. Film Analyses -- 2. The Unsettling Setting -- 3. A Matter of Time -- 4. Relative Strangers -- Conclusion: The End.

Call No: 71(430.1) ELS
Author: Elsaesser, Thomas
Place: New Brunswick, N.J.
Publisher: Rutgers University Press
PubDate: 1989
PhysDes: xviii, 430 p. : ill. ; 25 cm
Subject: GERMANY
Notes: Filmography: p. 354-397; Includes bibliographical references and index
ISBN: 081351391X : $50.00 (est.); 0813513928 (pbk.) : $15.00 (est.)
LON: 5984139 5984139

Call No: 71(430.1) FRA
Author: Franklin, James, 1943
Place: London
Publisher: Columbus
PubDate: 1986, c1983
PhysDes: [230] p. : ill., ports ; 22cm
Subject: GERMANY; KLUGE, ALEXANDER; HUILLET, DANIELE; SCHLONDORFF, VOLKER; HERZOG, WERNER; FASSBINDER, RAINER WERNER; Wenders, Wim; SYBERBERG, HANS JURGEN; STRAUB, JEAN-MARIE
Notes: German cinema films,. 1950-1980 - Critical studies (BNB/PRECIS); Originally published: Boston, Mass.: Twayne, 1983; Includes bibliography and index
ISBN: 086287209X : ª5.95 : CIP confirmed
LON: 4636613

Call No: 71(430.1) SAN
Author: Sandford, John, 1944
Place: London
Publisher: Eyre Methuen
PubDate: 1981
PhysDes: 180p : ill ; 24cm
Subject: GERMANY; DIRECTORS. GERMANY; WOMEN IN FILMS. GERMANY; KLUGE, ALEXANDER; SCHLONDORFF, VOLKER; HERZOG, WERNER; FASSBINDER, RAINER WERNER; Wenders, Wim; SYBERBERG, HANS JURGEN; STRAUB, JEAN-MARIE
Notes: Includes bibliography
ISBN: 041348890X
LON: 2273202 2273202 2383809

Call No: 71(430.1) COR
Author: Corrigan, Timothy, 1951
Edition: 1st ed
Place: Austin
Publisher: University of Texas Press
PubDate: 1983
PhysDes: xiv, 213 p. : ill. ; 24 cm
Subject: GERMANY; BITTEREN TRANEN DER PETRA VON KANT, DIE (GW, Rainer Werner Fassbinder, 1972); STARKE FERDINAND, DER (GW, Alexander Kluge, 1976); JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974); FANGSCHUSS, DER (GW/FR, Volker Schlondorff, 1976); IM LAUF DER ZEIT (GW, Wim Wenders, 1976)
Notes: Includes index; Bibliography: p. [203]-210; Filmography: p. [197]-201
ISBN: 0292710860; 0292710879 (pbk.)
LON: 2807733 2807733

Call No: 802.25(430.1) HEW
Author: Phillips, Klaus
Place: New York
Publisher: Ungar Pub. Co.
PubDate: c1984
PhysDes: xxv, 462 p. : ill., ports. ; 22 cm
Subject: DIRECTORS. GERMANY; ACHTERNBUSCH, HERBERT; BRUSTELLIN, ALF; COSTARD, HELLMUTH; FASSBINDER, RAINER WERNER; GEISSENDORFER, HANS W.; HAUFF, REINHARD; HERZOG, WERNER; KLUGE, ALEXANDER; LILIENTHAL, PETER; SCHLONDORFF, VOLKER; TROTTA, MARGARETHE VON; STOCKL, ULA; STRAUB, JEAN-MARIE; HUILLET, DANIELE; SYBERBERG, HANS JURGEN; Wenders, Wim; BOHM, HARK; SINKEL, BERNHARD; REITZ, EDGAR; SPILS, MAY; ENKE, WERNER
Notes: Includes index; Bibliography: p. 428-462
ISBN: 0804426880 : $16.95; 0804466483 (pbk.) : $9.95
LON: 3146469

Call No: F023(430.1) EXP
CorpAuthor: Export-Union der deutschen Filmindustrie
Source: GG
Place: [S.l.]
Publisher: [s.n.]
PubDate: [197?]
PhysDes: 22 cm
Subject: GERMANY
Notes: Title on cover: neue deutsche filme | new german films | nouveaux films allemands | nuevas peliculas alemanas
Language: German, English, French, Spanish

PhysDes: Article
Subject: ORION PICTURES; DISTRIBUTION; AUSTRIA; GERMANY
Summary: Announcement of distribution deal between Orion and Filmverlag Der Autoren, wherein Filmverlag is the principle distributor of Orion films in West Germany, Berlin and Austria.

Author: Hall, Jeanne (ed)
PhysDes: Article
Subject: FASSBINDER, RAINER WERNER; INDUSTRY, FILM. GERMANY; EHE DER MARIA BRAUN, DIE (GW, Rainer Werner Fassbinber, 1979); BERLIN ALEXANDERPLATZ (GW/IT, Rainer Werner Fassbinder, 1980)
Summary: Wide Angle issue dedicated to the films of Rainer Werner Fassbinder.

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: RATINGS. GERMANY

Call No: 302(94) ALL
Author: Allen, Julie K.
Edition: 2022
Place: Exeter
Publisher: University of Exeter Press
PhysDes: xx, 476 pages : illustrated ; 25 cm
Series: Exeter studies in film history
Subject: DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA; DISTRIBUTION. NEW ZEALAND; EXHIBITION. NEW ZEALAND; PATHE; ITALIAN CINEMA; SCANDINAVIAN COUNTRIES; GERMANY; UFA
Summary: Through a detailed study of the circulation of European silent film in Australasia in the early twentieth century, this book challenges the historical myopia that treats Hollywood films as having always dominated global film culture. Before World War I, European silent feature films were ubiquitous in Australia and New Zealand, teaching Antipodean audiences about Continental cultures and familiarizing them with glamorous European stars, from Asta Nielsen to Emil Jannings. After the rise of Hollywood and then the shift to sound film, this history—and its implications for cross-cultural exchange—was lost. Julie K. Allen recovers that history, with its flamboyant participants, transnational currents, innovative genres, and geopolitical complications, bringing it all vividly to life. Making ground-breaking use of digitized Australian and New Zealand newspapers, the author reconstructs the distribution and exhibition of European silent films in the Antipodes, along the way incorporating compelling biographical sketches of the ambitious pioneers of the Australasian cinema industry. She reveals the complexity and competitiveness of the early cinema market, in a region with high consumer demand and low domestic production, and frames the dramatic shift to almost exclusively American cinema programming during World War I, contextualizing the rise of the art film in the 1920s in competition with mainstream Hollywood productions. This book’s treatment of the extensive circulation of European silent features and stars in Australasia reveals the vibrant transnationalism of silent film before the rise of Hollywood, and frames the emergence of art house cinema in the 1920s. -- publisher's web site
ISBN: 9781905816873
Contents: List of Figures -- Acknowledgments -- Part I: Film Distribution and Exhibition in Australasia before World War I -- 1. "A Window of the World": Distribution and Exhibition of Early Film in Settler-Colonial Australasia -- 2. The Anglo-American Fathers of the Australian Combine: Cosens Spencer, T. J. West, and J. D. Williams -- 3. Trans-Tasman Cinema Traffic: Film Distribution and Exhibition in New Zealand Through World War I -- Part II: European Films on Australasian Screens Through 1917 -- 4. "THEIR WORK STANDS SUPREME": Pathé Frères, Sarah Bernhardt, and French Art Films -- 5. "The most important event in the annals of the biograph in Australia": The Triumph of Italian Historical Epics -- 6. "Like the hallmark on silver": The Unquestioned Quality of Nordic Films -- 7. The Female Faces of German Film Abroad: Asta Nielsen, Henny Porten, and Madame Saharet -- 8. "We Fear No Combine": Clement Mason's European Film Imports in 1913 -- Part III: Competing with Hollywood on Quality -- 9. "Films as Foreign Offices:" Mason Super Films' Promotion of Swedish and Italian Art Film in Australasia, 1919-25 -- 10. The Rise of UFA, Cinema Art Films, and Anglo-German Solidarity against Hollywood -- Works Cited -- Appendix: Film List.

Call No: 70 MAS
Author: Mast, Gerald, 1940
Edition: 2d ed
Place: Indianapolis
Publisher: Bobbs-Merrill
PubDate: c1976
PhysDes: xii, 575 p. : ill. ; 23 cm
Subject: HISTORY OF CINEMA; GERMANY; USSR; HISTORY OF CINEMA. SOUND PERIOD; FRANCE; NEOREALISM; GRIFFITH, DAVID WARK; CHAPLIN, CHARLES; SENNETT, MACK
Notes: Includes index; Bibliography: p. 505-544
ISBN: 0672637197
LON: 388748 388748

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SIGNAL - GERMANY ON THE AIR (US, Ernie Gehr, 198?)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: STUDIOS, FILM. GERMANY

Call No: REFERENCE SECTION; 058 INT
Author: Smith, Ian Haydn
CorpAuthor: Turner Classic Movies
Edition: 44th ed.
Source: UK
Place: London
Publisher: Wallflower Press
PubDate: 2008
PhysDes: 424 p. : ill. ; 24 cm
Subject: FILMOGRAPHIES. 2008; BOX OFFICE. 2008; FESTIVALS; OBITUARIES. 2008; DVD. 2008; GERMANY; DOCUMENTARY FILMS; AKIN, FATIH; BIER, SUSANNE; DEL TORO, GUILLERMO; GREENGRASS, PAUL; JIA, ZHANG KE
Notes: Includes: Directors of the Year; In Memoriam; Country Focus: Germany; Industry Focus: Documentary; Special Focus: The DVD Market; DVD Round-Up; World Survey (with individual country surveys); World Box Office Survey; Film Festival Calendar; Festival News; Leading Festivals; Other Festivals and Markets
ISBN: 9781905674619

Subject: THORN EMI; HOLCROFT COVENANT, THE (UK, John Frankenheimer, 1985); INDUSTRY, FILM. GERMANY
Summary: Production update on 'The Holcraft Civenant' which was shot in Berlin

Call No: F023 (430) TOB
Place: Berlin
Publisher: Degeto-Kulturfilm GmbH
PubDate: 1941
PhysDes: 204 pages ; 20 cm
Subject: GERMANY; DISTRIBUTION. EUROPE
Notes: catalogue

Call No: F023 (430) UFA
CorpAuthor: UFA
Edition: 1941
Place: Berlin
Publisher: UFA-Handelsgesellschaft-MBH
PubDate: 1941
PhysDes: 180 pages ; 20 cm
Subject: GERMANY; DISTRIBUTION. EUROPE; UFA
Notes: catalogue German language text

Call No: 634.6 HIL
Author: Hillman, Roger
Source: US
Place: Bloomington, Indiana
Publisher: Indiana University Press
PubDate: 2005
PhysDes: 219 p. : ill. ; 24 cm
Subject: MUSIC AND THE CINEMA; GERMANY; NEW GERMAN CINEMA; CLASSICAL MUSIC IN FILMS; MOVEMENTS IN FILM HISTORY; MUSIC IN FILMS; NATIONAL CULTURE AND THE CINEMA. GERMANY; FASCISM AND THE CINEMA. GERMANY; NATIONALISM AND THE CINEMA. GERMANY; POLITICS AND THE CINEMA. GERMANY; SYBERBERG, HANS JURGEN; KLUGE, ALEXANDER; FASSBINDER, RAINER WERNER; HERZOG, WERNER; VISCONTI, LUCHINO; DIE PATRIOTIN (GW, Alexander Kluge, 1979); LILI MARLEEN (GW, Rainer Werner Fassbinder, 1981); SENSO (IT, Luchino Visconti, 1954); WOYZECK (GW, Werner Herzog, 1979); FITZCARRALDO (GW, Werner Herzog, 1982); LEKTIONEN IN FINSTERNIS (GG, Werner Herzog, 1992); DIE ALLSEITIG REDUZIERTE PERSÖNLICHKEIT - REDUPERS (GW, Helke Sander, 1977); NOSTALGHIA (IT, Andre Tarkovsky, 1983); COVEK NIJE TICA (YU, Dusan Makavejev, 1965); STALKER (UR, Andrei Tarkovsky, 1979)
Summary: "'Unsettling Scores: German Film, Music, and Ideology' examines the use of classical music in film, particularly in the New German Cinema of the 1970s and early 1980s. By integrating the music of Beethoven, Mahler, and others into their films, directors such as Fassbinder, Kluge, and Syderberg consciously called attention to its cultural significance. Through this music their films could reference and, in some cases, explore an embedded cultural tradition that included German nationalism and the rise of Nazism, especially during a period when German films were gaining international attention for the first time since the 1920s. Classical music conditioned the responses of German audiences in the 1970s and 1980s and was, in turn, reinterpreted in new cinematic contexts. In this pioneering volume, Hillman enriches our understanding of the powerful effects of music in cinema and the aesthetic and dramatic concerns of postwar German filmmakers." (Taken from back cover)
Notes: Includes selected bibliography, index
ISBN: 0253217547
Donation: Donated by Senses of Cinema, 2009

Call No: FESTIVAL CATALOGUE SHELVES; Held 1997
Place: Hannover, Germany
Publisher: Bundesweites Schulerfilm und Videozentrum e.V
Subject: FESTIVALS. GERMANY
Language: German and English

Call No: 756 (430) BAR
Author: Barber, Stephen
Place: USA
Publisher: Solar Books
PubDate: 2011
PhysDes: 189 p. : ill. ; 21 cm
Series: Solar Art Directives: Seminal Cities
Subject: GERMANY; GERMAN DEMOCRATIC REPUBLIC; GERMAN FEDERAL REPUBLIC; CHRISTIANE F [CHRISTIANE F: WIR KINDER VOM BAHNHOF ZOO] (GW, Ulrich Edel, 1981); BERLIN ALEXANDERPLATZ (GW/IT, Rainer Werner Fassbinder, 1980); IVAN'S CHILDHOOD (UR, Andrei Tarkovsky, 1962) SEE IVANOVO DETSTVO; FOREIGN AFFAIR, A (US, Billy Wilder, 1948); OLYMPIA (G, Leni Riefenstahl, 1938)
Summary: Berlin's unique history of conflict, transmutation and violence has created an arena of extraordinary urban surfaces, from which the present-day city and its layered, wounded past are projected simultaneously. THE WALLS OF BERLIN explores the intimate connections between those surfaces and the works of art and film which have both incised Berlin's urban screens and been inspired by them. Drawing on a vast range of material – from the first films of Berlin in the 1890s to the city's impact on contemporary digital art – THE WALLS OF BERLIN probes many of Berlin's overlooked but most illuminating spaces inflected by art and film: the Hansa recording-studios, the Buch asylum, ruined hotels and cinemas, and Berlin's immense slaughterhouse sub-city. It is essential reading for those engaged with the transformations of contemporary cities, and students of urban-history, architecture, art and film.
ISBN: 9780982046463
Contents: The Baltic Wall -- The Skladanowsky Projector -- WALLS OF BERLIN -- Berlin-by-the-Sea -- A `Wall' of Berlin -- Images

Call No: JOURNAL SHELVES. VARIETY
PubDate: 7 June 1999
Subject: GERMANY

Call No: 71(430.1) HEL
Author: Helt, Richard C; Helt, Marie E
Place: Metuchen, N.J.
Publisher: Scarecrow Press
PubDate: 1987
PhysDes: v, 736 p., [16] p. of plates : ill. ; 23 cm
Subject: GERMANY
Notes: Includes indexes; Bibliography: p. [562]-563; Filmography: p. [27]-548
ISBN: 0810820536
LON: 5410259

Call No: 71(430) REN
Author: Rentschler, Eric
Place: New York
Publisher: Holmes & Meier
PubDate: c1988
PhysDes: xxv, 262 p. ; 23 cm
Series: Modern German voices series
Subject: GERMANY; DIRECTORS. GERMANY
Notes: Includes index; Bibliography: p. 243-254
ISBN: 0841909857 (pbk. : alk. paper); 0841909849 (hard)
LON: 5360462

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: WOMEN, FILMS MADE BY. GERMANY