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Call No: 81WAJ FAL
Author: Falkowska, Janina
Source: US
Place: New York
Publisher: Berghahn Books
PubDate: 2007
PhysDes: viii, 340, [8] p. of plates : ill., plates ; 24 cm
Subject: HISTORY AND THE CINEMA. POLAND; POLITICS AND THE CINEMA. POLAND; NOSTALGIA IN FILMS; POLAND; WAJDA, ANDRZEJ
Summary: "The work of Andrzej Wajda, one of the world's most important filmmakers, shows remarkable cohesion in spite of the wide ranging scope of his films, as this study of his complete output of feature films shows. Not only do his films address crucial historical, social and political issues; the complexity of his work is reinforced by the incorporation of the elements of major film and art movements such as Socialist Realism, Italian Neorealism, the documentary tradition, French New Wave, Surrealism, the grotesque, the theatre of the absurd, propaganda film, Polish Romantic tradition and many other artistic phenomena (jazz, Polish student subculture). It is the reworking of all these different elements by Wajda, as the author shows, which give his films their unique visual and aural qualities."--BOOK JACKET.
Notes: Formerly CIP; Includes bibliographical references (p. [294]-304) and index; Filmography: p. [305]-331
ISBN: 1845452259
Contents: -- acknowledgments -- Introduction : Andrzej Wajda : his words and his archives -- 1. The life and times of Andrzej Wajda -- 2. The birth of a master : films of the fifties -- 3. Fight for perfection : films of the sixties -- 4. Between politics and the themes of life and death : films of the seventies -- 5. Nostalgia and remorse : films of the eighties -- 6. Grande finale : films of the nineties -- conclusion -- illustrations -- endontes bibliography -- filmography -- prizes --

Call No: 408.1 CIN
Author: Hjort, Mette; MacKenzie, Scott, 1967
Place: London New York
Publisher: Routledge
PubDate: 2000
PhysDes: xvi, 332 p., ill., 25 cm
Subject: NATIONAL IDENTITY AND THE CINEMA; COPRODUCTION. EUROPEAN COUNTRIES; UNITED KINGDOM : SCOTLAND; INDONESIA; POLAND; TURKEY; INDIA; GERMANY; STATE AND THE CINEMA; CAPRA, FRANK
Summary: Leading film scholars, philosophers and sociologists consider the ways in which film production and reception are shaped by ideas of national identity and belonging. The contributors discuss a wide range of cinemas, in Europe, Asia and the Americas, exploring the relationship between nation states for both the concept and the reality of national cinema. In the book’s first three sections, contributors explore sociological approaches to national identity, challenge established ideas about ‘national cinema’, and consider the ways in which national states – from the former Soviet Union to Contemporary Scotland – use cinema in their efforts to create a national cinema, and consider how images of the nation are understood by audiences both at home and abroad. Taken from back cover.
Notes: Includes bibliographical references and index
ISBN: 0415208629 (alk. paper); 0415208637 (pbk. : alk. paper); 0415208629; 0415208637(pbk.) : ¦14.99; 0415208629(cased) : No price; 0415208637(pbk.) : No price
LON: 21459338

Call No: 62 ORR
Author: Orr, John, 1943
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: c1998
PhysDes: xi,243 p. : ill. ; 24 cm
Subject: CANADA; CHINA; MASCULINITY IN FILMS; RELIGION AND THE CINEMA; COMMUNISM AND THE CINEMA; DOUBLES IN FILMS; EXPRESSIONISM; FILM NOIR; HONG KONG; POLAND; PSYCHOLOGY AND THE CINEMA; SEX IN FILMS; SURREALISM AND THE CINEMA; ALLEN, WOODY; ALTMAN, ROBERT; ANTONIONI, MICHELANGELO; BEATTY, WARREN; BELMONDO, JEAN-PAUL; BERGMAN, INGMAR; BINOCHE, JULIETTE; BONNAIRE, SANDRINE; BURTON, TIM; CAGE, NICOLAS; CAMPION, JANE; CHABROL, CLAUDE; CHEUNG, LESLIE; COPPOLA, FRANCIS FORD; COSTNER, KEVIN; CRONENBERG, DAVID; DAHL, JOHN; DE NIRO, ROBERT; DE PALMA, BRIAN; DERN, LAURA; EGOYAN, ATOM; FIGGIS, MIKE; GERE, RICHARD; GONG, LI; GREENAWAY, PETER; HAUER, RUTGER; JAMESON, FREDRIC; KIESLOWSKI, KRZYSZTOF; LYNCH, DAVID; MALICK, TERRENCE; Pasolini, Pier Paolo; ROSSELLINI, ISABELLA; SCORSESE, MARTIN; SCOTT, RIDLEY; STONE, OLIVER; TRAN, ANH HUNG; WEIR, PETER; Wenders, Wim; WONG KAR-WAI; YOUNG, SEAN; ZHANG, YIMOU; ANDERSSON, BIBI; AUDRAN, STEPHANE; DUVALL, SHELLY; GIDLEY, PAMELA; JANDA, KRYSTYNA; KANESHIRO, TANESHI; LEUNG, TONY; LIN, BRIGITTE; KROTKI FILM O MILOSCI (PL, Krzysztof Kieslowski, 1988); KILL ME AGAIN (US, John Dahl, 1989); AH FEI ZHENG ZHUANG (HK, Wong Kar-Wei, 1991); HIMMEL UBER BERLIN, DER (GW/FR, Wim Wenders, 1987); ADJUSTER, THE (CN, Atom Egoyan, 1991); BELLE NOISEUSE, LA (FR, Jacques Rivette, 1991); BLADE RUNNER (US, Ridley Scott, 1982); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); CHINATOWN (US, Roman Polanski, 1974); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); DAYS OF HEAVEN (US, Terrence Malick, 1978); JFK (US, Oliver Stone, 1991); LAST SEDUCTION, THE (US, John Dahl, 1994); LIEBESTRAUM (US, Mike Figgis, 1991); MCCABE AND MRS MILLER (US, Robert Altman, 1971); CZLOWIEK Z MARMURA (PL, Andrzej Wajda, 1977); ONE FALSE MOVE (US, Carl Franklin, 1991); PERSONA (SW, Ingmar Bergman, 1966); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); RAGING BULL (US, Martin Scorsese, 1980); DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); SHINING, THE (UK, Stanley Kubrick, 1980); STALKER (UR, Andrei Tarkovsky, 1979); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); WILD AT HEART (US, David Lynch, 1990); XICH LO (FR/V, Tran Anh Hung, 1995)
Summary: "'Contemporary cinema' is a major study of key developments in the cinema over the last thirty years. It reworks Pasolini's landmark concept of 'the cinema of poetry' to look at the transformation of film form in its encounter with society, the sacred, the subjective and the presence of the camera. In the 1970s, the influential forms of a cinema of poetry are analysed in key features by Altman, Herzog, Malick, Scorsese, Weir, Von Trotta and Tarkovsky while in the 1980s and 1990s the emergence of new filmmakers has meant a diffusion of different cinemas of poetry using new techniques and new poetries. Of key importance here is the work of Kieslowski, Lynch, Egoyan, Campion, Greenaway, Zhang Yimou, Tran Anh Hung and Wong Kar-Wai, as well as the reinvention of science fiction and film noir in American genre." Taken from back cover.
Notes: Includes bibliographical references and index
ISBN: 0748608362(pbk.) : No price
LON: 13772409
ID2: 291

Call No: 71(438) CON
Author: Banaszkiewicz, Wadysaw
Place: Warsaw
Publisher: Polonia
PubDate: 1962
PhysDes: 173 p., [56] p. of plates : ill., ports. ; 21 cm
Subject: POLAND
Notes: Translation of: Wspoczesna kinematografia polska
LON: 4298470

Call No: 761 SPE
Author: Spence, Louise; Navarro, Vinicius
Source: US/UK
Place: New Brunswick, NJ
Publisher: Rutgers University Press
PubDate: c2011
PhysDes: x, 281 p. : ill. ; 26 cm
Subject: AESTHETICS; AUTHORSHIP; BIOGRAPHICAL FILMS; CINEMATOGRAPHY; COMMENTARY; CONSTRUCTIVISM; CONTINUITY; CINEMA-DIRECT; DOCUMENTARIES; DOCUMENTARY FILMS; EDITING; ETHNOGRAPHIC FILMS; HISTORY AND THE CINEMA; INTERVIEWING; INTERVIEWS IN FILMS; LIGHTING; LOCATION SHOOTING; MEMORY IN FILMS; MUSIC IN FILMS; NARRATIVE IN FILMS; NON-FICTION FILMS; PALESTINE; PHOTOGRAPHY AND THE CINEMA; REALISM IN FILMS; SOUND; SOUND EQUIPMENT; THEORY; TRUTH IN FILMS; VOICE OVER; WORLD WAR II AND THE CINEMA; AFRIQUE, JE TE PLUMERAI (CM/FR/G, Jean-Marie Téno, 1992); BERLIN DIE SINFONIE DER GROSSTADT (G, Walter Ruttman, 1927); CHRONIQUE D' UN ETE (FR, Jean Rouch/Edgar Morin, 1961); CHRONICLE OF A SUMMER (FR, Jean Rouch & Edgar Morin, 1961); GOKUSHITEKI EROSU: RENKA 1974 (JA, Kazuo Hara, 1974); FAR FROM POLAND (US, Jill Godmilow, 1984); HALVING THE BONES (US, Ruth Ozeki Lounsbury, 1995); HANDSWORTH SONGS (UK, John Akomfrah, 1986); HEARTS AND MINDS (US, Peter Davis, 1974); JOYCE AT 34 (US, Joyce Chopra, 1972); LESSONS OF DARKNESS (GG, Werner Herzog, 1992); LEKTIONEN IN FINSTERNIS (GG, Werner Herzog, 1992); LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NEKAM ACHAT MISHTEY EYNAY (FR/IS, Avi Mograbi, 2005); NIGHT MAIL (UK, Basil Wright & Harry Watt, 1936); PRELUDE TO WAR (US, Frank Capra & Anatole Litvak, 1942); SANS SOLEIL (FR, Chris Marker, 1983); SHOAH (FR/SZ, Claude Lanzmann, 1985); TIES THAT BIND, THE (US, Su Friedrich, 1984); TITICUT FOLLIES (US, Frederick Wiseman, 1967); WAR GAME, THE (UK, Peter Watkins, 1966)
Summary: "Although nonfiction film may have captured imaginations, many viewers enter and leave theaters with a naive concept of "reality"- for them, documentaries are sources of information. But is truth or reality readily available, easily acquired, or undisputed? Or do documentaries convey illusions of reality? What aesthetic means are used to build these illusions? Crafting truth illuminates the way these films tell their stories; how they use the camera, editing, sound, and performance; what rhetorical devices they employ; and what the theoretical, practical, and ethical implications of those choices are. Complex documentary concepts are presented through easily accessible language, images, and a discussion of a wide range of films and videos to encourage new ways of thinking about and seeing nonfiction cinema. " -- BOOK BLURB
ISBN: 9780813549033
Contents: -- acknowledgments -- Introduction -- Authenticity -- Evidence -- Authority -- Responsibility -- Argument -- Dramatic stories, poetic and essay documentaries -- Editing -- Camerawork -- The profilmic -- Sounds / coauthored with Carl Lewis --index --
ID2: 90

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FAR FROM POLAND (US, Jill Godmilow, 1984)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. POLAND

Call No: 71(438) HAL
Author: Haller, Robert
Source: US
Place: [Cambridge Springs, Pa]
Publisher: [Alliance College]
PhysDes: [14] p. incl. inside covers. illus. ; 13 x 22 cm
Subject: POLAND
Notes: Cover title. "The Alliance College Polish Club."; rip on cover

Call No: 71(438) FUK
Author: Fuksiewicz, Jacek
Place: [s.l.]
Publisher: Interpress Publishers
PubDate: [197-]
PhysDes: 254 p., [20] leaves of plates : ill. ; 20 cm
Subject: POLAND; TELEVISION. POLAND
Notes: Translation of Film i telewizja w Polsce; Imprint covered by label mounted on t.p.: W. S. Heinman Imported Books, New York
LON: 1048338

Call No: F023(438) FIL
CorpAuthor: Films of Poland
Place: London
Publisher: [s.n.]
PubDate: [19-?]
PhysDes: 56 p. ; 21 cm
Subject: POLAND
Notes: catalogue

Call No: 71(4-11) NEM
Author: Nemes, Karoly
Place: [Budapest]
Publisher: Corvina
PubDate: c1985
PhysDes: 184 p., [48] p. of plates : ill. ; 20 cm
Subject: EUROPEAN COUNTRIES; SOCIALISM AND THE CINEMA; USSR; HUNGARY; POLAND; CZECHOSLOVAKIA; YUGOSLAVIA; WAJDA, ANDRZEJ; KAWALEROWICZ, JERZY; MUNK, ANDRZEJ
Notes: Includes index
ISBN: 9631321339
LON: 5849638

Call No: 81SKO MAZ
Author: Mazierska, Ewa
Place: New York
Publisher: Berghahn Books
PubDate: 2010
PhysDes: viii, 212 p. : ill. ; 24 cm
Subject: POLAND; SKOLIMOWSKI, JERZY; POLANSKI, ROMAN; GODARD, JEAN-LUC
Summary: Jerzy Skolimowski is one of the most original Polish directors and one of only a handful who has gained genuine recognition abroad. This is the first monograph, written in English, to be devoted to his cinema. It covers Skolimowski's career from his early successes in Poland, such as Identification Marks: None and Barrier, through his migr films, Deep End, Moonlighting and The Lightship, to his return to Poland where, in 2008, he made the internationally acclaimed Four Nights with Anna. Ewa Mazierska addresses the main features of Skolimowski's films, such as their affinity to autobiographism and surrealism, while discussing their characters, narratives, visual style, soundtracks, and the uses of literature. She draws on a wide range of cinematic and literary texts, situating Skolimowski's work within the context of Polish and world cinema, and drawing parallels between his work and that of two directors, with whom he tends to be compared, Roman Polanski and Jean-Luc Godard
Notes: "Berghahn on film"--Cover. Includes bibliographical references (p. [197]-203) and index. Includes filmography
ISBN: 9781845456771
Contents: Introduction : outsider, nonconformist, a man in-between. -- Chapter one: From participant to observer : autobiographical discourse in the films of Jerzy Skolimowski -- Chapter two: About a boy : characters, narratives and ideologies in Skolimowski's films -- Chapter three: Between realism and non-realism : the artistic context of Skolimowski's films and their main visual motifs -- Chapter four: In the land of Hamlets and Don Quixotes : Skolimowski's encounters with literature -- Chaper five: 'I don't like obvious film scores' : music and other sounds in Skolimowski's films -- Conclusions

Publisher: Kino Foundation
PubDate: 2008
Subject: POLAND
Notes: One off purchase. Includes reviews, interviews, as well as articles concerning the history of Polish Cinema.

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: LETTERS FROM POLAND (AT, Sophia Turkiewicz, 1978)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: POLAND

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills; Publicity
Subject: POLAND'S NEW JEWS (AT, Gerard Wilson, 2001)

Call No: 71(438) HAL
Author: Haltof, Marek
Edition: Second, updated edition.
Place: New York
Publisher: Berghahn
PubDate: 2019
PhysDes: x, 504 pages : illustrations ; 23 cm.
Subject: POLAND; HISTORY AND THE CINEMA. POLAND; POLITICS AND THE CINEMA. POLAND
Summary: "First published in 2002, Marek Haltof's seminal volume was the first comprehensive English-language study of Polish cinema, providing a much-needed survey of one of Europe's most distinguished - yet unjustly neglected - film cultures. Since then, seismic changes have reshaped Polish society, European politics, and the global film industry. This thoroughly revised and updated edition takes stock of these dramatic shifts to provide an essential account of Polish cinema from the nineteenth century to today, covering such renowned figures as Kieslowski, Skolimowski, and Wajda along with vastly expanded coverage of documentaries, animation, and television, all set against the backdrop of an ever-more transnational film culture"--
Notes: Revised edition of: Polish national cinema. Includes bibliographical references, filmography, and indexes.
ISBN: 9781785339745
Contents: Polish silent cinema (1896-1929) The sound period of the 1930s: adaptations, patriotic melodramas, and films in Yiddish Cinema, World War II, and the postwar construction of national identity (1939-1948) Screen Stalinism: socialist realist films (1949-1954) Ashes and diamonds: the Polish School (1955-1963) Adaptations, personal style, and popular cinema (1964-1975) Camouflage and rough treatment: the "cinema of distrust" (1976-1981) The cinema of martial law and afterwards (1982-1988) A fistful of dollars: Polish cinema after the wall came down (1989-1998) Adapting the national literary canon and reclaiming the past (1999-2004) The transforming years (2005- ).

Call No: F023(438)D "year" FIL
CorpAuthor: Film Polski
Place: Warsaw
Publisher: Film Polski
Subject: POLAND; FILMOGRAPHIES; DOCUMENTARY FILMS; EDUCATION, FILM. EUROPEAN COUNTRIES
Notes: also called Polish Popular Science and Educational Films and the Polish Documentary Film held 1958-73 [incomplete]

Call No: 71(438) SOB
Author: Sobanski, Oskar,
Place: West Cornwall, CT
Publisher: Locust Hill Press
PubDate: 1987
PhysDes: xv, 335 p. ; 23 cm
Subject: POLAND
Notes: Includes index
ISBN: 0933951027 (lib. bdg. : alk. paper) : $35.00
LON: 4914129

Call No: F023(438) POL
CorpAuthor: Film Polski
Edition: [1955?]
Place: Warszawa
Publisher: General Film Distributors Publishing House
PubDate: [1955?]
PhysDes: 8 pages ; photos ; 31 cm
Subject: POLAND
Notes: English language text

Call No: F023(438)"year" FIL
CorpAuthor: Film Polski
Place: Warsaw
Publisher: Film Polski
PubDate: 1962-81
Subject: POLAND; FILMOGRAPHIES
Notes: catalogue held 1962- Note: from 1970 title changes to Polish Feature Films
Language: English, French and German

Call No: F023(438) "1947/57" POL
CorpAuthor: Film Polski
Place: Warsaw
Publisher: Film Polski
PhysDes: 24 cm
Subject: POLAND
Notes: catalogue

Call No: F023(438) POL
Place: Warszawa
Publisher: Filmowa Agencja Wydawnicza = Film Production Agency
PubDate: [1954?]
PhysDes: 8 + 4 pages ; photos ; 31 cm
Subject: POLAND
Notes: German language text. Includes 4 page insert "Nouveaux Films Polonais" [New Polish Films] in French language. Covers different films than main programme.

Call No: 71(4-11) POS
Author: Goulding, Daniel J., 1935
Place: Bloomington
Publisher: Indiana University Press
PubDate: 1989
PhysDes: xii, 317 p. : ill. ; 24 cm
Subject: USSR; GERMAN DEMOCRATIC REPUBLIC; CZECHOSLOVAKIA; POLAND; HUNGARY; BULGARIA; YUGOSLAVIA
Notes: Includes indexes; Bibliography: p. 285-293
ISBN: 0253345596; 0253204860 (pbk.)
LON: 87046247; 5762072

Call No: 61 POS DEG
Author: Degli-Esposti, Christina
Source: US
Place: New York
Publisher: Berghahn Books
PubDate: 1998
PhysDes: viii, 264 p. : ill. ; 22 cm
Subject: POSTMODERNISM AND THE CINEMA; POSTMODERNISM AND TV/VIDEO; POSTMODERNISM AND TV/VIDEO. USA; POSTMODERNISM AND THE CINEMA. USA; POSTMODERNISM AND THE CINEMA. JAPAN; POSTMODERNISM AND THE CINEMA. POLAND; POLAND; TRAVEL IN FILMS; FRANCE; IMPERIALISM AND THE CINEMA. AFRICAN COUNTRIES; IMPERIALISM AND THE CINEMA. FRANCE; HISTORY AND THE CINEMA; ARABS IN FILMS; RACIAL STEREOTYPES IN FILMS; ANIMATION; YOUNG PEOPLE, FILMS FOR; ADAPTATIONS. FORSTER, E. M.; ADAPTATIONS. GENET, JEAN; AUTEUR THEORY; DEGLI-ESPOSTI, CHRISTINA; BARON, CYNTHIA; KRAIDY, MARWAN; WEINSTEIN, DAVID; SHARY, TIMOTHY; BRUNS, JOHN; MAULE, ROSANNA; FALKOWSKA, JANINA; STRAIN, ELLEN; BOLUS-REICHERT, CHRISTINE; LAGA, BARRY; DEUTELBAUM, MARSHALL; HOLDEN-MOSES, PHILIP; WILES, MARY; ALTMAN, ROBERT; JAMESON, FREDRIC; ITAMI, JUZO; FORSTER, E. M.; COEN, JOEL & ETHAN; KUROSAWA AKIRA; GREENAWAY, PETER; FASSBINDER, RAINER WERNER; PLAYER, THE (US, Robert Altman, 1992); ALADDIN (US, John Musker & Ron Clements, 1992); SIMPSONS, THE [TV] (US, 1989-); BILL AND TED'S EXCELLENT ADVENTURE (US, Stephen Herek, 1989); WAYNE'S WORLD (US, Penelope Spheeris, 1992); SINGLES (US, Cameron Crowe, 1992); REALITY BITES (US, Ben Stiller, 1994); TAMPOPO (JA, Juzo Itami, 1986); A NOS AMOURS (FR, Maurice Pialat, 1983); MESSA E FINITA, LA (IT, Nanni Moretti, 1985); QUE HE HECHO PARA MERECER ESTO!! (SP, Pedro Almodovar, 1984); PSY (PL, Wladyslaw Pasikowski, 1993); CZLOWIEK Z ... (PL, Konrad Szolajski, 1993); WHERE ANGELS FEAR TO TREAD (UK, Charles Sturridge, 1991); ROOM WITH A VIEW, A (UK, James Ivory, 1986); PASSAGE TO INDIA, A (US/UK, David Lean, 1984); COUP DE TORCHON (FR, Bertrand Tavernier, 1981); VICTOIRE EN CHANTANT, LA (FR/GW, Jean-Jacques Annaud, 1976); CHOCOLAT (FR, Claire Denis, 1988); BARTON FINK (US, Joel Cohen, 1991); DREAMS (US, Akira Kurosawa, 1990); DROWNING BY NUMBERS (UK, Peter Greenaway, 1988); QUERELLE (GW/FR, Rainer Werner Fassbinder, 1982)
Summary: By offering sophisticated and multi-faceted, yet highly accessible discussions on a number of key issues, Postmodernism in the Cinema presents new strategies for reading and understanding postmodernism and opens up the horizons of investigation to address the dynamic relationship between the art of moving images and complex concepts of postmodern theory. Organized according to specific themes such as auteurism, metacinema, national cinema, and the parodic, this anthology includes thirteen essays and examines films including The Player, Aladdin, Singles, Reality Bites, Wayne’s World, Tampopo, A Room with a View, Barton Fink, Akira Kurosawa’s Dreams, Drowning by Numbers, Coup de torchon, Querelle, and more. [Taken from back cover]
Notes: Papers from a conference held in 1994 at Kent State University, Kent, Ohio.; Includes bibliographical references and index.
ISBN: 1571811060
Contents: Introduction: Postmodernism(s) Cristina Degli-Esposti -- Chapter 1: The Player's parody of Hollywood: A different kind of suture - Cynthia Baron -- Chapter 2: Intertextual maneuvers around the subaltern: Aladdin as postmodern text - Marwan Kraidy -- Chapter 3: Of Mice and Bart: The Simpsons and the postmodern - David Weinstein -- Chapter 4: Reification and loss in postmodern puberty: The cultural logic of Fredric Jameson and American youth movies - Timothy Shary -- Chapter 5: Refiguring pleasure: Itami and the postmodern Japanese film - John Bruns -- Chapter 6: De-authorizing the auteur: postmodern politics of interpellation in contemporary European cinema - - Rosanna Maule -- Chapter 7: Postmodernist condition in post-socialist eastern European films: the case of a political pastiche and the socialist-hollywood thriller in recent films of Polish filmmakers - Janina Falkowska -- Chapter 8: E.M. Forster's anti-touristic tourism and the sightseeing gaze of cinema - Ellen Strain -- Chapter 9: Imaginary geographies: the colonial subjects in contemporary French cinema - Christine Bolus-Reichert -- Chapter 10: Decapitated spectators: Barton Fink, (Post)history, and cinematic pleasure - Barry Laga -- Chapter 11: Something like an autobiography in Akira Kurosawa's Dreams - Marshall Deutelbaum -- Chapter 12: Not waving but drowning by numbers: Peter Greenaway's cautionary tale - Philip Holden-Moses -- Chapter 13: A double voice: the dual paternity of Querelle - Mary Wiles
ID2: 291

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Press kit; Clippings
Subject: RETURN TO POLAND (US, Marian Marzynski, 1981)

Call No: P SON
Place: PL
PubDate: [1986]
PhysDes: 1 poster : some colour, illustrations ; 93 x 66 cm
Subject: POLAND
Summary: Image: An illustration/painting of a robed and hooded figure holding a burning candle with three candles on either side of him. Text on the left side is Polish, while the text on the right side is Yiddish. Polish text roughly translates to: State Jewish Theatre by E.R. Kaminska in Warsaw. Itzhak Katzenelson A song about the murdered Jewish people Premiere 1986 Yiddish text roughly translates to: Itzhak Katzenelson A song about the murdered Jewish people Poster design was by Andrzej Pagowski. Explanation: Teatr Zydowski (the State Jewish Theater of Warsaw) is named after the "mother of Jewish theater" E.R. Kaminska (Ester Rachel Kaminska), a Polish/Jewish actress. The theatre is still in operation today and shows its plays in Yiddish while making a Polish translation available through headphones. Itzhak Katzenelson was a Polish Jew, teacher, poet, and dramatist. He was murdered in Auschwitz during the Holocaust. He wrote Dos lid funem oysgehargetn yidishn folk ("Song of the Murdered Jewish People"), and buried the manuscript in bottles under a tree which were found after World War II. In Szymon Szurmiej and Golda Tencer wrote and directed an adaptation and staging of "The Song of the Murdered Jewish People" in 1986.
Notes: Good condition. Slightly worn edges, creases.
Language: Polish/Yiddish

Call No: 62 COA
Author: Coates, Paul, 1953
Place: London
Publisher: Verso
PubDate: 1985
PhysDes: 167 p. ; 21 cm
Subject: SOCIETY AND THE CINEMA. POLAND; REALISM IN FILMS; ALTMAN, ROBERT; ANTONIONI, MICHELANGELO; BERTOLUCCI, BERNARDO; BUNUEL, LUIS; COPPOLA, FRANCIS FORD; GODARD, JEAN-LUC; HERZOG, WERNER; ROSI, FRANCESCO; TARKOVSKY, ANDREI; TRUFFAUT, FRANCOIS; WAJDA, ANDRZEJ; SKOLIMOWSKI, JERZY; ZANUSSI, KRZYSZTOF
Notes: Includes indexes; Bibliography: p. [159]-161
ISBN: 0860911004 : ª20.00 ($25.00 U.S.)
LON: bnb86091100; 3801747

Call No: 761 RAB
Author: Rabinowitz, Paula
Place: London New York
Publisher: Verso
PubDate: 1994
PhysDes: xi, 264 p. : ill. ; 24 cm
Subject: CINEMA VERITE; CLASS AND THE CINEMA; DOCUMENTARIES; DOCUMENTARY DRAMAS; ETHNOGRAPHIC FILMS; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; MASCULINITY IN FILMS; NATIONALISM AND THE CINEMA; POLITICS AND THE CINEMA; PSYCHOLOGICAL EFFECTS OF FILMS; PSYCHOLOGY AND THE CINEMA; SOCIAL PROBLEMS IN FILMS; VIETNAM WAR IN FILMS; VOYEURISM AND THE CINEMA; BENJAMIN, WALTER; FREUD, SIGMUND; FAR FROM POLAND (US, Jill Godmilow, 1984)
Summary: "They must be represented examines documentary in print, photography, television and film from the 1930s through the 1980s, using the lens of recent feminist film theory as well as scholarship on race, class and gender emerging from the new interdisciplinary approach of American cultural studies. Paula Rabinowitz discusses the ways in which these four media shaped truth-claims and political agency over the decades: in the 1930s about poverty, labor and popular culture during the depression; in the 1960s, about the Vietnam War, racism, work and the counterculture; and in the 1980s, about feminist and gay critiques of gender, history, narrative and cinema...Rabinowitz argues that the gendering ov vision that occurs when narratives conform to conventional genres profoundly affects the relation of documentarian to subject. She goes on to define this gendering of vision in documentary as an ethnographic process. Ultimately, this polemical study challenges the construction of the spectato in psychoanalytic film theory, and articulates a new model for theorizing power relations in culture and history." -- taken from back cover.
Notes: Includes bibliographical references (p. 221-251) and index
ISBN: 1859849253; 1859840256 (pbk.)
LON: bnc85984925; 11201643
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Call No: REFERENCE SECTION; 058 INT "1995"
Author: Cowie, Peter
Edition: 31st ed
Place: London Hollywood
Publisher: Hamlyn Samuel French
PubDate: [1994]
PhysDes: 448 p. : ill., ports. ; 25 cm
Subject: POLAND; FESTIVALS. LA ROCHELLE; CAMPION, JANE; EASTWOOD, CLINT; KAURISMAKI, AKI; LOACH, KENNETH; Tarantino, Quentin
Notes: Includes index to advertisers
ISBN: 0600585166 (pbk.)
LON: 11327343